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"Flog It!" has travelled to the beautiful county of Kent, | 0:00:04 | 0:00:07 | |
where during World War II, the skies were filled with planes, | 0:00:07 | 0:00:12 | |
as the Battle of Britain raged overhead. | 0:00:12 | 0:00:14 | |
Later on in the programme, | 0:00:14 | 0:00:16 | |
we'll be finding out more about Kent's role | 0:00:16 | 0:00:18 | |
during World War II. | 0:00:18 | 0:00:20 | |
And visiting the home of the great | 0:00:20 | 0:00:22 | |
Sir Winston Churchill. | 0:00:22 | 0:00:23 | |
Welcome to "Flog It!" | 0:00:23 | 0:00:25 | |
The Battle of Britain was short and intense. | 0:00:46 | 0:00:49 | |
As the sound of dogfights rattled through the air, | 0:00:49 | 0:00:51 | |
the people of Kent took shelter and held together. | 0:00:51 | 0:00:54 | |
Remembering the past helps us keep history alive, | 0:01:00 | 0:01:03 | |
and that's exactly what we do here on "Flog It!" | 0:01:03 | 0:01:06 | |
Today, we are at Chiddingstone Castle in Kent, which is | 0:01:10 | 0:01:13 | |
crammed full of historic items. | 0:01:13 | 0:01:15 | |
We are hoping to find the artefacts that help us capture the past, | 0:01:15 | 0:01:19 | |
whether it's memories of wartime or of childhood. | 0:01:19 | 0:01:22 | |
But it's not all about history, this lot are definitely in the here | 0:01:25 | 0:01:28 | |
and now and they're clutching bags and boxes full of treasures. | 0:01:28 | 0:01:32 | |
A big, big thank you to all of you | 0:01:36 | 0:01:38 | |
turning up on this lovely summer's day. | 0:01:38 | 0:01:40 | |
Hundreds of people here, laden with antiques and collectables, | 0:01:40 | 0:01:44 | |
hoping for a favourable valuation from our experts. | 0:01:44 | 0:01:47 | |
The great thing about this show is someone in this queue has | 0:01:47 | 0:01:50 | |
something that's worth a small fortune. They don't know it yet. | 0:01:50 | 0:01:54 | |
It's our experts' job to find it. | 0:01:54 | 0:01:55 | |
And once they've found it, there's only one question on your lips, | 0:01:55 | 0:01:59 | |
which is... | 0:01:59 | 0:02:00 | |
ALL: What's it worth? | 0:02:00 | 0:02:01 | |
Fighting to find the best items in the queue are... | 0:02:04 | 0:02:08 | |
Wow, look at that! Straight to the spear. | 0:02:08 | 0:02:11 | |
..Mr Soft And Gentle, Adam Partridge... | 0:02:11 | 0:02:14 | |
Hello. What have you brought along today? | 0:02:14 | 0:02:17 | |
..and pretty in pink, Thomas Plant. | 0:02:17 | 0:02:20 | |
Look at the size of that beast. | 0:02:20 | 0:02:22 | |
If they like an item, they sticker its owner, | 0:02:22 | 0:02:25 | |
and that's where the Flog It! journey begins. | 0:02:25 | 0:02:27 | |
Now it's time for everyone to take | 0:02:31 | 0:02:33 | |
the weight off their feet, apply the suntan lotion | 0:02:33 | 0:02:35 | |
and hope they get a life-changing valuation. | 0:02:35 | 0:02:38 | |
On today's show, three fascinating items from far-flung lands. | 0:02:40 | 0:02:44 | |
An oriental piece that found a new use in the UK. | 0:02:46 | 0:02:50 | |
My grandma used it to make all our Christmas puddings | 0:02:50 | 0:02:53 | |
and our Christmas cakes. | 0:02:53 | 0:02:54 | |
Foreign objects of the tribal variety. | 0:02:54 | 0:02:58 | |
It's just something we found at a boot fair. | 0:02:58 | 0:03:01 | |
It was only four pounds. | 0:03:01 | 0:03:02 | |
And a special book that charts | 0:03:02 | 0:03:04 | |
a year in the life of a British man abroad. | 0:03:04 | 0:03:06 | |
I've got an eight year old, and I think he'd laugh at these. Yes. | 0:03:06 | 0:03:10 | |
Which do you think makes the most money at auction? | 0:03:10 | 0:03:14 | |
Everybody is now safely seated. | 0:03:14 | 0:03:15 | |
Let's hand the proceedings over to Thomas Plant. | 0:03:15 | 0:03:17 | |
He's found his first item, and I've just been told it's a gem. | 0:03:17 | 0:03:21 | |
David. Hello. | 0:03:23 | 0:03:25 | |
Tell me, you've brought along your family group of medals. Yes. | 0:03:25 | 0:03:30 | |
Who do they all belong to? | 0:03:30 | 0:03:32 | |
The Second World War medals are my father's. | 0:03:32 | 0:03:36 | |
The First World War medals are from both sets of grandparents. | 0:03:36 | 0:03:41 | |
And the watch here, this is a First World War watch. It is. | 0:03:41 | 0:03:45 | |
I would say that probably belonged to one of your grandparents. Yes. | 0:03:45 | 0:03:48 | |
Now, did you know that the two medals you've got for each of your | 0:03:48 | 0:03:54 | |
grandparents are Victory In British War medals from the First World War? | 0:03:54 | 0:03:58 | |
Yes. These are silver, those are brass. Yes. | 0:03:58 | 0:04:02 | |
Round each of these medals is a name and rank and regiment. Yes. Right. | 0:04:02 | 0:04:08 | |
If I pick up this medal here, | 0:04:08 | 0:04:09 | |
it's for Lance Corporal GF Mannering, MFP. Yes. | 0:04:09 | 0:04:15 | |
Military Foot Police. Yes. | 0:04:15 | 0:04:17 | |
So he was in the police and he was a Lance Corporal in the police. Yes. | 0:04:17 | 0:04:21 | |
It looks like his number was 7479. It's got P next to it. | 0:04:21 | 0:04:26 | |
I think that was his police number. | 0:04:26 | 0:04:28 | |
It possibly was. Kept his police number. Yes. | 0:04:28 | 0:04:30 | |
Interesting being Military Foot Police. Yes. | 0:04:31 | 0:04:35 | |
And this chap here... | 0:04:35 | 0:04:36 | |
..was Private... | 0:04:37 | 0:04:39 | |
Is it CJ...? | 0:04:39 | 0:04:41 | |
CJ Manktelow. Kent Regiment. Yes. | 0:04:41 | 0:04:45 | |
They must have been quite young when they joined up. | 0:04:45 | 0:04:47 | |
I suppose, like most First World War soldiers, | 0:04:47 | 0:04:50 | |
they were anything from 16 to 18 when they joined up. | 0:04:50 | 0:04:55 | |
What's interesting, it would have been after the 14-15 years, | 0:04:55 | 0:05:00 | |
because they don't have the 14-15 Star. Right. | 0:05:00 | 0:05:03 | |
So I'm pretty sure it would have been after that they would | 0:05:03 | 0:05:06 | |
have joined up. And your father's medals here. | 0:05:06 | 0:05:09 | |
He has the Pacific Star. That's right. And the 1939-45 Star. | 0:05:09 | 0:05:13 | |
What regiment was he in? | 0:05:13 | 0:05:15 | |
I'm not sure because he was serving on the Burma to Siam railway | 0:05:15 | 0:05:20 | |
as a prisoner of war for three years. | 0:05:20 | 0:05:23 | |
So he was captured? Yes. That's right. | 0:05:23 | 0:05:25 | |
He was in one of the prisoner of war camps alongside Kwai. | 0:05:25 | 0:05:31 | |
He never talked about it that much. | 0:05:31 | 0:05:33 | |
God, that must have been awful. | 0:05:33 | 0:05:35 | |
I never used to question him on what regiment he was and that, | 0:05:35 | 0:05:38 | |
but I'm sure he must have been in some sort of Kent Regiment | 0:05:38 | 0:05:41 | |
because we are Kent people. | 0:05:41 | 0:05:43 | |
Just tell me, what's your reasoning on selling these? | 0:05:43 | 0:05:46 | |
I have no children to pass them on to. | 0:05:46 | 0:05:48 | |
And quite frankly, the medals have just been sitting in a tin, | 0:05:48 | 0:05:53 | |
in a drawer, for many, many years. The same with the watch. | 0:05:53 | 0:05:57 | |
Part of me says sell them as two lots. | 0:05:57 | 0:06:00 | |
Yes. Part of me says sell them as a family group. OK. | 0:06:00 | 0:06:03 | |
Because of the Kent connection. Yes. | 0:06:03 | 0:06:06 | |
I think that might be quite interesting. Yes. | 0:06:06 | 0:06:08 | |
When it comes to value, funnily enough, | 0:06:08 | 0:06:10 | |
these are not worth as much as people think. No. | 0:06:10 | 0:06:13 | |
However, Military Foot Police I think is quite rare. | 0:06:13 | 0:06:18 | |
Yes. | 0:06:18 | 0:06:19 | |
The East Kent Regiment. People like regiments more than corps. Yes. | 0:06:19 | 0:06:23 | |
And, of course, we have the watch. | 0:06:23 | 0:06:26 | |
We have probably got ?100 with the watch there and the medals here. | 0:06:26 | 0:06:30 | |
And then your father's medals probably add another 50. Yeah, yeah. | 0:06:30 | 0:06:34 | |
I think we'd say ?150-?200. Right. And reserve it at 100. Yes. | 0:06:34 | 0:06:39 | |
Are you happy with that? Yes, I would be, yes. | 0:06:39 | 0:06:41 | |
Very interesting. And thank you for bringing them along. | 0:06:41 | 0:06:44 | |
It's quite emotional, really. I'd like to see them at auction. | 0:06:44 | 0:06:47 | |
Yes, I'd like to see them go to a nice home. | 0:06:47 | 0:06:50 | |
It's always hard selling family medals, but with | 0:06:51 | 0:06:54 | |
the provenance of this group, they're sure to go to a good home. | 0:06:54 | 0:06:57 | |
It's not just local history that we take an interest in - | 0:06:57 | 0:07:00 | |
war items come to the show from all over the world, as Adam discovered. | 0:07:00 | 0:07:05 | |
It's quite a surprise to come to Kent and to see African tribal art, | 0:07:07 | 0:07:11 | |
shields, blow pipes, bow and arrow. What's all this about? | 0:07:11 | 0:07:16 | |
Well, it was just something we found at a boot fair. | 0:07:16 | 0:07:18 | |
The assegai was the first thing that we found. Yes. | 0:07:18 | 0:07:22 | |
It was only four pounds... Four pounds? | 0:07:22 | 0:07:24 | |
So we thought we'd bring it home. | 0:07:24 | 0:07:26 | |
And that started off... That started off... | 0:07:26 | 0:07:28 | |
How long has this been going on for? | 0:07:28 | 0:07:30 | |
It was within a short period of time. It was about 15 years ago. | 0:07:30 | 0:07:33 | |
OK. It took... "We" being? | 0:07:33 | 0:07:36 | |
My husband and myself. OK. Yeah. | 0:07:36 | 0:07:38 | |
As we got them, we displayed them on our dining room wall, which was | 0:07:38 | 0:07:41 | |
quite a nice feature for people to talk about when they came to dinner. | 0:07:41 | 0:07:45 | |
Yeah, definitely. | 0:07:45 | 0:07:46 | |
How has it ended up on our valuation table at "Flog It!" today? | 0:07:46 | 0:07:48 | |
What's the reason for getting rid of it? | 0:07:48 | 0:07:50 | |
My husband passed away three years ago. | 0:07:50 | 0:07:53 | |
Just before that, we moved house. Right. | 0:07:53 | 0:07:55 | |
To a Georgian house. And they really don't fit into a Georgian house. | 0:07:55 | 0:07:59 | |
What sort of house were you in before that they did fit into? | 0:07:59 | 0:08:02 | |
It was just a modern flat. Right, OK. | 0:08:02 | 0:08:05 | |
So we did what we wanted to do within it. | 0:08:05 | 0:08:06 | |
I think they are good fun, really. | 0:08:06 | 0:08:09 | |
Are these poisoned? | 0:08:09 | 0:08:10 | |
They are. They are poison-tipped arrows in the blow pipe. | 0:08:10 | 0:08:13 | |
Very good. Ever had to use one? | 0:08:13 | 0:08:15 | |
No! A bit rough around Chatham? | 0:08:15 | 0:08:18 | |
LAUGHING: Sometimes, but I've never used it. | 0:08:18 | 0:08:21 | |
It would be another one, wouldn't it? | 0:08:21 | 0:08:23 | |
"Burglar impaled by poisoned arrow." | 0:08:23 | 0:08:25 | |
That would be quite good. | 0:08:25 | 0:08:27 | |
So the spear was the first thing. | 0:08:27 | 0:08:29 | |
That was... That was four pounds. Four pounds. | 0:08:29 | 0:08:31 | |
It looks like it has a bit of age about it, doesn't it? | 0:08:31 | 0:08:34 | |
Yes, it does. | 0:08:34 | 0:08:35 | |
Some engraving on the blade and some nice bits of wear. | 0:08:35 | 0:08:38 | |
There can be a great demand for certain older tribal art things. | 0:08:38 | 0:08:42 | |
And they can make many, many thousands of pounds. | 0:08:42 | 0:08:45 | |
I think the majority of this is tourist-ware that people would | 0:08:45 | 0:08:48 | |
have picked up on holidays throughout the 20th century. | 0:08:48 | 0:08:51 | |
Some maybe as recently as 30-40 years ago. | 0:08:51 | 0:08:54 | |
I think this one might even be aboriginal rather than African. | 0:08:54 | 0:08:57 | |
Yeah. The decoration on that looks more Australian, doesn't it? | 0:08:57 | 0:09:01 | |
And also... I'll just put that back a minute. | 0:09:01 | 0:09:04 | |
These are... These are... I think they are original, actually. | 0:09:05 | 0:09:08 | |
I think they are. Yeah, you are quite right. | 0:09:08 | 0:09:10 | |
Rather gruesome. They are bolas. Or bol-as. | 0:09:10 | 0:09:13 | |
That's right. Do they sort of swing them round and...? | 0:09:13 | 0:09:16 | |
For swinging and throwing and ensnaring the animals. | 0:09:16 | 0:09:19 | |
Yeah, but they are very heavy, aren't they? They are. | 0:09:19 | 0:09:22 | |
I'm quite sure that they are... They are very weighty. | 0:09:22 | 0:09:24 | |
..they are real. They must be lead-filled, I think. | 0:09:24 | 0:09:28 | |
And I agree with you, I think they are the real thing. | 0:09:28 | 0:09:30 | |
So, you've got a reason for selling them, | 0:09:30 | 0:09:33 | |
you haven't paid much for them... No, no. These were 50 pence. | 0:09:33 | 0:09:36 | |
I don't think they are going to be massive money. OK. | 0:09:36 | 0:09:39 | |
I think we'd put a guide price of ?50-?100 on them. OK. | 0:09:39 | 0:09:42 | |
Is that all right? Try and hide the disappointment, Linda. | 0:09:42 | 0:09:45 | |
A few more noughts would have been nice. | 0:09:45 | 0:09:47 | |
I doubt it. Although you almost never know. | 0:09:47 | 0:09:51 | |
I hope for you that it's one that really takes off. | 0:09:51 | 0:09:54 | |
Yeah, hopefully. | 0:09:54 | 0:09:55 | |
Thanks for bringing them along. Not what I expected to see in Kent. | 0:09:55 | 0:09:58 | |
No! That's the joy of this programme. | 0:09:58 | 0:10:00 | |
The "Flog It!" folk are a calm and gentle sort, | 0:10:03 | 0:10:06 | |
which is more than can be said for this formidable group. | 0:10:06 | 0:10:09 | |
Heavyweight boxer Henry Cooper, | 0:10:09 | 0:10:11 | |
with heavyweight gangsters, the Krays. | 0:10:11 | 0:10:14 | |
George. Yes. You don't sound like you're from these parts. | 0:10:14 | 0:10:17 | |
I'm not, I'm from the East End. You're from the East End? | 0:10:17 | 0:10:20 | |
A proper East Ender? I'm a proper East Ender. | 0:10:20 | 0:10:22 | |
What brings you down to these parts? | 0:10:22 | 0:10:24 | |
Well, I've lived in Kent now for the last 50 years. Have you? Yeah. | 0:10:24 | 0:10:28 | |
THEY LAUGH | 0:10:28 | 0:10:29 | |
So you've been a Kent person more than a Cockney? Definitely. | 0:10:29 | 0:10:32 | |
But you were still born there. | 0:10:32 | 0:10:34 | |
I was born there, I was bred there, and I still love the East End. | 0:10:34 | 0:10:36 | |
Brilliant, brilliant. | 0:10:36 | 0:10:38 | |
And tell me, you brought along some interesting photographs... Yeah. | 0:10:38 | 0:10:41 | |
..of what looks like a boxing night. Yes. | 0:10:41 | 0:10:43 | |
What it is, it's mostly of the Kray twins, | 0:10:43 | 0:10:46 | |
and their brother Charlie. | 0:10:46 | 0:10:48 | |
That's Charlie Kray, Reggie Kray, | 0:10:48 | 0:10:52 | |
Henry Cooper, and Ronnie Kray. | 0:10:52 | 0:10:54 | |
You didn't know the Krays, did you? | 0:10:54 | 0:10:56 | |
You'd obviously heard of them growing up? | 0:10:56 | 0:10:58 | |
Oh, I've met them a few times. Have you? Yeah. | 0:10:58 | 0:11:01 | |
How did you meet them? | 0:11:01 | 0:11:02 | |
Well, we used to... | 0:11:02 | 0:11:04 | |
When I was in my teens, | 0:11:04 | 0:11:06 | |
there used to be little sort of disco clubs around the East End, | 0:11:06 | 0:11:11 | |
and many a time, the Krays, the two brothers used to walk in, | 0:11:11 | 0:11:15 | |
have a little dance, and chat with the fellas and that. | 0:11:15 | 0:11:18 | |
But they were... Well, to me, they seemed nice fellas. Yeah? | 0:11:18 | 0:11:24 | |
But in their own little circle, we know what happened, don't we? | 0:11:24 | 0:11:29 | |
Well, yes, absolutely. It's extraordinary. | 0:11:29 | 0:11:31 | |
And the celebrity of criminality... | 0:11:31 | 0:11:36 | |
It's been publicised heavily, in films, documentaries... Yeah. | 0:11:36 | 0:11:43 | |
..and auction houses do sell a lot of Kray memorabilia, actually, | 0:11:43 | 0:11:48 | |
from the twins here. | 0:11:48 | 0:11:50 | |
There's a big group of people here, | 0:11:50 | 0:11:52 | |
and you can see the twins here, and anybody you recognise there? | 0:11:52 | 0:11:55 | |
Yeah, that's Terry Spinks, the boxer. | 0:11:55 | 0:11:57 | |
The little guy there? Oh, yeah, he was a brilliant boxer, Terry. | 0:11:57 | 0:12:00 | |
Was he? Yeah, brilliant, Terry Spinks. This fella here, | 0:12:00 | 0:12:02 | |
I used to go to school with. Really? This chap there? | 0:12:02 | 0:12:05 | |
Yes, this chap there, Harry Abrahams, | 0:12:05 | 0:12:07 | |
I went to school with him. He's a nice fella. | 0:12:07 | 0:12:09 | |
So how did you get these photographs? | 0:12:09 | 0:12:11 | |
Well, I've had them about 25, 30 years now. | 0:12:11 | 0:12:15 | |
And a friend of mine had them, | 0:12:15 | 0:12:16 | |
and we were just looking through them one day. | 0:12:16 | 0:12:18 | |
I said, "Oh, I'd like to keep them." | 0:12:18 | 0:12:20 | |
He said, "You can have them if you want them. I don't want them." | 0:12:20 | 0:12:22 | |
Really? And he just gave them to me. Well, they are... | 0:12:22 | 0:12:25 | |
They're quite candid shots as well. | 0:12:25 | 0:12:26 | |
I quite like the fact that you've got... Here's an example. | 0:12:26 | 0:12:29 | |
You've got the Kray twins here, | 0:12:29 | 0:12:31 | |
sort of one sort of leaning in to make sure he's in the photograph, | 0:12:31 | 0:12:34 | |
but the cameraman has photographed them through the boxing ring. | 0:12:34 | 0:12:38 | |
That's right. So you've got the rope in the middle of it all. | 0:12:38 | 0:12:41 | |
Yeah, that's right. It's all quite odd, isn't it? Yeah. | 0:12:41 | 0:12:43 | |
As you can see, they were very smart fellas. | 0:12:43 | 0:12:45 | |
Well, I think these are marvellous photographs, | 0:12:45 | 0:12:47 | |
and underneath here, you've got a Matt Busby, | 0:12:47 | 0:12:50 | |
one of Manchester United's most famous managers, | 0:12:50 | 0:12:55 | |
but also the one who took them through the Munich air disaster. | 0:12:55 | 0:12:58 | |
That's right. So...a real hero. | 0:12:58 | 0:13:00 | |
Well, I'll tell you how that came about. | 0:13:00 | 0:13:03 | |
My son, Tony, unfortunately, he's not with us no more. | 0:13:03 | 0:13:07 | |
We lost him about 16 years ago. Oh, I'm sorry. | 0:13:07 | 0:13:10 | |
My father-in-law - my wife's dad - | 0:13:10 | 0:13:12 | |
he worked for the Mirror Group newspapers, | 0:13:12 | 0:13:15 | |
and Sir Matt Busby came in there one day. | 0:13:15 | 0:13:17 | |
I said, "Do you think I could get a signature for my son? | 0:13:17 | 0:13:20 | |
"He plays football, and likes football." | 0:13:20 | 0:13:22 | |
So he said, "Certainly," and he just wrote that. | 0:13:22 | 0:13:24 | |
"To Tony, best wishes, Matt Busby." Yeah. | 0:13:24 | 0:13:27 | |
It's such a treasured thing, really. | 0:13:27 | 0:13:29 | |
You sure you want to sell these things? Well... | 0:13:29 | 0:13:32 | |
You don't want to give them away. I don't want to give them away, no. | 0:13:32 | 0:13:35 | |
I think there's two lots, though. Yeah. | 0:13:35 | 0:13:36 | |
I think the Kray photographs are candid, they're exciting, | 0:13:36 | 0:13:40 | |
interesting. The provenance is... | 0:13:40 | 0:13:43 | |
You're an East Ender, they've come straight from the horse's mouth, | 0:13:43 | 0:13:47 | |
so to speak. Right. | 0:13:47 | 0:13:48 | |
I think they're worth at least 60-100, maybe even ?80-?100. | 0:13:48 | 0:13:53 | |
So let's meet in the middle. | 0:13:53 | 0:13:55 | |
Let's say ?70-?100, with a reserve of round about ?50. Yeah. | 0:13:55 | 0:14:00 | |
So we won't give them away. Yeah. | 0:14:00 | 0:14:02 | |
So, on to the valuation of the Matt Busby signed piece of paper. | 0:14:02 | 0:14:07 | |
I think... | 0:14:07 | 0:14:08 | |
The estimate would be between 40 and ?60. Right, yeah. | 0:14:10 | 0:14:14 | |
I'd reserve it at at least ?30. OK. You happy with that? | 0:14:14 | 0:14:18 | |
Yeah, I'm happy with that. | 0:14:18 | 0:14:19 | |
So, a pleasure to see them, and to meet you as well. | 0:14:19 | 0:14:22 | |
Oh, thank you very much! Thank you. | 0:14:22 | 0:14:24 | |
They might not be worth a fortune, | 0:14:26 | 0:14:28 | |
but those photos are fresh to the market | 0:14:28 | 0:14:30 | |
and could be very rare. | 0:14:30 | 0:14:32 | |
Items from abroad give us a picture of the world in another era, | 0:14:35 | 0:14:40 | |
and Adam's found a book full of them. | 0:14:40 | 0:14:44 | |
Thanks for coming. | 0:14:44 | 0:14:45 | |
It's an interesting album you've got here by the looks of it. Thank you. | 0:14:45 | 0:14:48 | |
What can you tell us about it? | 0:14:48 | 0:14:50 | |
It goes back to my late husband's grandfather. Yes. | 0:14:50 | 0:14:53 | |
When he was out in Egypt, tied up with the diplomatic service. | 0:14:53 | 0:14:57 | |
I see! And presumably working out there at that time. | 0:14:57 | 0:15:01 | |
When was that? | 0:15:01 | 0:15:02 | |
The postcards are basically 1908. So that era. | 0:15:02 | 0:15:06 | |
This is the year he was perhaps out, stationed in Egypt? | 0:15:06 | 0:15:09 | |
That's what I would think. And he's formed this collection of cards? | 0:15:09 | 0:15:12 | |
Yes. Some aren't written on, and some I guess he sent back. | 0:15:12 | 0:15:15 | |
Some of the later ones, as you go through the album, he had sent back | 0:15:15 | 0:15:19 | |
to what would have been my husband's father when he was a little boy. | 0:15:19 | 0:15:25 | |
Right. We'll have a look at those. | 0:15:25 | 0:15:27 | |
We've got, of course, the Sphinx and some pyramids. | 0:15:27 | 0:15:30 | |
They won't have changed much, will they? No! | 0:15:30 | 0:15:33 | |
But some of the places will have changed incredibly. Very much so. | 0:15:33 | 0:15:36 | |
A lot of this is Egypt, right. | 0:15:36 | 0:15:38 | |
And then the Suez Canal. Yeah. | 0:15:38 | 0:15:41 | |
Eventually, they come through to...it's almost a tour... | 0:15:41 | 0:15:46 | |
They went on a bit of a European tour by the look of it. | 0:15:46 | 0:15:49 | |
Because then we are in Paris. | 0:15:49 | 0:15:50 | |
Yes. I have a feeling that's perhaps when they were on their way back. | 0:15:50 | 0:15:53 | |
On their way back they maybe did a bit of a tour. | 0:15:53 | 0:15:56 | |
Here's an interesting one - trains. Yes. People love trains. | 0:15:56 | 0:15:59 | |
That translates to the collectors of rare train cards as well. Yes. | 0:15:59 | 0:16:03 | |
Those are a little more interesting perhaps than all the views | 0:16:03 | 0:16:07 | |
that you get, which are quite common tourist pick-up things. Yes. | 0:16:07 | 0:16:11 | |
We carry on through a little bit and where are we now? Vesuvius. | 0:16:11 | 0:16:15 | |
Keep going. Greek costume. | 0:16:15 | 0:16:18 | |
And here, these are fun. Yes. | 0:16:18 | 0:16:20 | |
These are the ones that he sent back to his son, aren't they? Yes. | 0:16:20 | 0:16:22 | |
There is one there that's half in. There's one there... Look at that! | 0:16:22 | 0:16:26 | |
THEY LAUGH | 0:16:26 | 0:16:27 | |
All it is, is to Master AC Brockies in London. | 0:16:27 | 0:16:32 | |
There is no message, just the address. | 0:16:32 | 0:16:34 | |
There you go, there is a postcard for you. Yes. | 0:16:34 | 0:16:36 | |
And how nice for little boys to see that. From his dad. Yeah. | 0:16:36 | 0:16:40 | |
When was that? I think... 1908? | 0:16:40 | 0:16:42 | |
It is 1908, isn't it? | 0:16:42 | 0:16:44 | |
Absolutely right. How young do you think the boy would have been? | 0:16:44 | 0:16:47 | |
He would have been eight, because he was born in 1900. | 0:16:47 | 0:16:49 | |
OK, I've got an eight year old, and I think he'd laugh at this. | 0:16:49 | 0:16:52 | |
Yes. Yes. | 0:16:52 | 0:16:53 | |
Look at these. They are great fun, aren't they? They are. | 0:16:53 | 0:16:56 | |
All of them simply with just a name and address on the back. | 0:16:56 | 0:16:59 | |
Sally, it seems slightly sad, in a way, | 0:16:59 | 0:17:03 | |
that you've decided to sell them. What's the reasoning? | 0:17:03 | 0:17:06 | |
Well, none of the family are really interested. | 0:17:06 | 0:17:09 | |
Equally, how do I split an album like this | 0:17:09 | 0:17:13 | |
between seven granddaughters and one grandson? | 0:17:13 | 0:17:16 | |
Very good point. You can't split it. | 0:17:16 | 0:17:18 | |
In terms of value, there's not a huge amount of value there. | 0:17:18 | 0:17:21 | |
I might be over-optimistic thinking about the hundred mark. | 0:17:21 | 0:17:24 | |
I think we could make towards 100. Yeah. | 0:17:24 | 0:17:26 | |
I would temper it to maybe 70 to 100 as an estimate. | 0:17:26 | 0:17:30 | |
And put a reserve of about ?70 on it. | 0:17:30 | 0:17:32 | |
Yes, I think definitely a reserve on it. I think so. | 0:17:32 | 0:17:34 | |
Thanks for coming, Sally. | 0:17:34 | 0:17:36 | |
I'm looking forward to seeing how they go. | 0:17:36 | 0:17:37 | |
Thank you. A fascinating chronology of your family history. | 0:17:37 | 0:17:40 | |
Thank you very much. | 0:17:40 | 0:17:41 | |
While everyone's busy here, I'm off to do something | 0:17:41 | 0:17:44 | |
completely different. | 0:17:44 | 0:17:45 | |
Two and a half miles of track, | 0:17:51 | 0:17:52 | |
cars driving wildly at hundreds of miles an hour. | 0:17:52 | 0:17:56 | |
Sponsorship deals worth millions and an international | 0:17:58 | 0:18:01 | |
audience of billions! | 0:18:01 | 0:18:03 | |
This is Brands Hatch, | 0:18:08 | 0:18:10 | |
a Formula 1 racetrack for 22 years, | 0:18:10 | 0:18:12 | |
loved by all the driving greats, from Stirling Moss | 0:18:12 | 0:18:15 | |
to Graham Hill. | 0:18:15 | 0:18:17 | |
But how did this world-renowned track come about? | 0:18:17 | 0:18:20 | |
And why here, in Kent? | 0:18:20 | 0:18:22 | |
Well, it all started with an overgrown field | 0:18:24 | 0:18:26 | |
and the humble bicycle. | 0:18:26 | 0:18:27 | |
In 1926, a group of cyclists were riding past on bikes, | 0:18:29 | 0:18:33 | |
like this, led by a local man, Ron Argent. | 0:18:33 | 0:18:36 | |
Now, Ron noticed that the field's natural contours | 0:18:36 | 0:18:40 | |
acted like something of an amphitheatre, | 0:18:40 | 0:18:43 | |
and he thought this would be the ideal racetrack, | 0:18:43 | 0:18:45 | |
with these banks acting as natural viewing platforms. | 0:18:45 | 0:18:49 | |
At the time, the area was owned by Brands Hatch farm, | 0:18:49 | 0:18:53 | |
so the cyclists approached the owners | 0:18:53 | 0:18:55 | |
to see if they could use it as a racetrack, | 0:18:55 | 0:18:57 | |
and thanks to the farmer saying yes, Brands Hatch was born. | 0:18:57 | 0:19:01 | |
BELL RINGS | 0:19:01 | 0:19:03 | |
The first-ever race was in 1926 | 0:19:03 | 0:19:05 | |
and it was between cyclists and the cross-country runners. | 0:19:05 | 0:19:10 | |
Nobody knows quite why the contest was between man and machine. | 0:19:10 | 0:19:15 | |
The runners won the day, | 0:19:15 | 0:19:16 | |
and the event put the wheels in motion for more wheels in motion. | 0:19:16 | 0:19:20 | |
Before long, the circuit developed into a three-quarter-mile track | 0:19:23 | 0:19:26 | |
in the valley, attracting even more two-wheelers - | 0:19:26 | 0:19:30 | |
this time, the motorised kind. | 0:19:30 | 0:19:32 | |
Local groups of motorcyclists got together, | 0:19:32 | 0:19:35 | |
and they had their first meet here, in March of 1932. | 0:19:35 | 0:19:40 | |
50cc Nortons and Triumphs raced on the dusty, noisy track. | 0:19:40 | 0:19:45 | |
Within two decades, the circuit was tarmacked | 0:19:45 | 0:19:48 | |
and races attracted 30,000 spectators - | 0:19:48 | 0:19:51 | |
and this was just the beginning. | 0:19:51 | 0:19:53 | |
By the 1950s, the track started filling up with cars like this - | 0:19:56 | 0:20:01 | |
a 1953 Staride Formula 3, | 0:20:01 | 0:20:05 | |
the first car ever to race at Brands Hatch. | 0:20:05 | 0:20:08 | |
It was the forerunner to the Formula 1 car, | 0:20:10 | 0:20:12 | |
and this particular one raced here at Brands Hatch in 1953. | 0:20:12 | 0:20:17 | |
Its present owner, Xavier, | 0:20:17 | 0:20:19 | |
brought it back to Brands Hatch to race again - | 0:20:19 | 0:20:22 | |
61 years later, after its first outing. | 0:20:22 | 0:20:25 | |
Hello. Hi, hello, good to see you. | 0:20:27 | 0:20:29 | |
And you. And what a machine! Brilliant, isn't it? Yes. | 0:20:29 | 0:20:32 | |
Now, I know you've never been a professional racing car drive, | 0:20:32 | 0:20:35 | |
so how did you end up owning a Formula 3 car like this. | 0:20:35 | 0:20:38 | |
Very easy story, really, Paul. | 0:20:38 | 0:20:40 | |
I decided to retire early. I've always loved motorsport, | 0:20:40 | 0:20:43 | |
so what do you do when you retire? | 0:20:43 | 0:20:45 | |
You buy a racing car. It's almost as easy as that. | 0:20:45 | 0:20:47 | |
You've never grown up, really, it's boys and their toys, isn't it? | 0:20:47 | 0:20:50 | |
Absolutely right. So, what you inspired you to buy | 0:20:50 | 0:20:52 | |
this particular car, then? I'll show you. This. | 0:20:52 | 0:20:54 | |
A model of it? A model of it. | 0:20:56 | 0:20:57 | |
When I was a teenager, 13, 14, I used to make model kits. | 0:20:57 | 0:21:01 | |
And one of the ones I made was of a Formula 3 racing car. | 0:21:01 | 0:21:04 | |
And ever since then, I've really, really loved that type of car. | 0:21:04 | 0:21:07 | |
So when I retired, save a bit of money, buy a car. | 0:21:07 | 0:21:10 | |
So you know the history of this car? Absolutely. | 0:21:10 | 0:21:13 | |
It raced here first in April 1953, | 0:21:13 | 0:21:15 | |
then stayed racing around various circuits in the UK | 0:21:15 | 0:21:18 | |
and was eventually exported to California in 1959. | 0:21:18 | 0:21:21 | |
Then came back on the historic race scene in the States. | 0:21:21 | 0:21:24 | |
And then eventually, I bought the car at the end of 2010. | 0:21:24 | 0:21:27 | |
And that's when you found it. | 0:21:27 | 0:21:28 | |
That's when I found it, absolutely right. | 0:21:28 | 0:21:30 | |
OK, let's just get a bit technical, very, very quickly. OK? OK. | 0:21:30 | 0:21:32 | |
Maximum speed? Gearing - 110, 115, depending on the circuit. | 0:21:32 | 0:21:36 | |
That's quite fast! It's quick enough when you are about three inches | 0:21:36 | 0:21:39 | |
off the ground! Yeah, you're very, very low, aren't you? | 0:21:39 | 0:21:42 | |
You are low. And what sort of cylinder is the engine? | 0:21:42 | 0:21:44 | |
It's got Norton - is that a bike engine? | 0:21:44 | 0:21:46 | |
It's a Manx Norton - it's only 500cc. | 0:21:46 | 0:21:49 | |
That's nothing, is it? Absolutely nothing. | 0:21:49 | 0:21:51 | |
What does your good lady wife think of all this? | 0:21:51 | 0:21:53 | |
Well, without Angie, I couldn't go racing, | 0:21:53 | 0:21:56 | |
because Angie's the person that starts the car. | 0:21:56 | 0:21:59 | |
How do you start this car, then? | 0:21:59 | 0:22:01 | |
Well... You don't stick a key in the ignition. | 0:22:01 | 0:22:04 | |
I'm afraid you have to jack it up, you have to spin the back wheels | 0:22:04 | 0:22:06 | |
to get the car going, and then you fire it up. | 0:22:06 | 0:22:09 | |
So, jack the back of the car up, | 0:22:09 | 0:22:10 | |
then third gear, then the Demon starter comes along. | 0:22:10 | 0:22:14 | |
This is only part of it cos it needs someone to work it. | 0:22:14 | 0:22:18 | |
OK, Angie...? | 0:22:18 | 0:22:19 | |
OK. | 0:22:20 | 0:22:22 | |
ENGINE STARTS | 0:22:26 | 0:22:27 | |
You can feel the whole room vibrate. | 0:22:32 | 0:22:34 | |
Xavier is just one of many people whose lives have been | 0:22:40 | 0:22:43 | |
touched by Brands Hatch, | 0:22:43 | 0:22:45 | |
and it's brought Formula 1 into the homes for many millions of people. | 0:22:45 | 0:22:50 | |
In 1986, Brands Hatch held its final Grand Prix. | 0:22:54 | 0:22:58 | |
115,000 people came here to witness this historic event. | 0:22:58 | 0:23:03 | |
And the passionate crowd would have been on their feet here | 0:23:04 | 0:23:07 | |
in the grandstand, over there on the South Bank | 0:23:07 | 0:23:09 | |
and all around the edges. | 0:23:09 | 0:23:12 | |
The atmosphere would have been electrifying | 0:23:12 | 0:23:14 | |
as Nigel Mansell won the race with a five-and-a-half-second lead. | 0:23:14 | 0:23:17 | |
Grand Prix are no longer held here, | 0:23:19 | 0:23:21 | |
but Brands Hatch is still a hive of activity. | 0:23:21 | 0:23:23 | |
And today, it's my turn to experience | 0:23:23 | 0:23:26 | |
the buzz of the racetrack. | 0:23:26 | 0:23:28 | |
Nigel Mansell, eat your heart out. | 0:23:28 | 0:23:30 | |
MACHO MUSIC | 0:23:30 | 0:23:33 | |
Hi, Paul, I'm Peter. Pleased to meet you. | 0:23:38 | 0:23:40 | |
I'm a instructor here at Brands. | 0:23:40 | 0:23:41 | |
Let's show you how this circuit goes. | 0:23:41 | 0:23:43 | |
Looking forward to this. You are a brave man! | 0:23:43 | 0:23:46 | |
LAUGHTER | 0:23:46 | 0:23:48 | |
Oh, well, here goes. | 0:23:49 | 0:23:51 | |
Wish me luck! | 0:23:51 | 0:23:53 | |
MUSIC: Cars by Gary Numan | 0:23:53 | 0:23:55 | |
And up to third gear. | 0:23:57 | 0:24:00 | |
Can I go for it? Accelerate down the hill, yeah. Wow! | 0:24:00 | 0:24:03 | |
You can feel the contours. | 0:24:03 | 0:24:05 | |
You can, it's a very undulating circuit, Brands Hatch. | 0:24:05 | 0:24:08 | |
It's a real drivers' circuit. It's fantastic! | 0:24:08 | 0:24:11 | |
Then we're braking for Graham Hill Bend. | 0:24:11 | 0:24:14 | |
Graham Hill Bend - wow! | 0:24:14 | 0:24:15 | |
Named after one of the classic British racing drivers | 0:24:15 | 0:24:18 | |
of all time. | 0:24:18 | 0:24:20 | |
Straighten the front wheels slightly, that's good. | 0:24:20 | 0:24:22 | |
That's good, here comes this main straight. Oh! | 0:24:22 | 0:24:25 | |
Power on, power on. Oh, ho-ho! | 0:24:25 | 0:24:27 | |
Superb! Very well done. | 0:24:27 | 0:24:30 | |
Climb up the hill... | 0:24:31 | 0:24:33 | |
Braking... | 0:24:33 | 0:24:35 | |
Good... | 0:24:35 | 0:24:36 | |
Well done, sir. PAUL CHUCKLES | 0:24:41 | 0:24:43 | |
Oh... | 0:24:44 | 0:24:45 | |
That was fantastic. | 0:24:47 | 0:24:48 | |
That was scary. | 0:24:48 | 0:24:50 | |
That was the real McCoy. | 0:24:50 | 0:24:52 | |
Gosh! Brilliant. Woo! | 0:24:52 | 0:24:55 | |
And now a quick reminder of what's going off to auction. | 0:25:01 | 0:25:04 | |
There's a curious collection of tribal artefacts. | 0:25:06 | 0:25:09 | |
Is it all made for tourists, or | 0:25:09 | 0:25:11 | |
will some of it make a small fortune? | 0:25:11 | 0:25:14 | |
War medals that tell a family story. | 0:25:14 | 0:25:17 | |
The Krays, Henry Cooper and Matt Busby - | 0:25:17 | 0:25:19 | |
all big names, but will they fetch big money? | 0:25:19 | 0:25:22 | |
And you get a lot of postcards for your money with this lot, | 0:25:23 | 0:25:27 | |
but will the album make the ?70 reserve? | 0:25:27 | 0:25:30 | |
There's only one way to find out, it's auction time | 0:25:32 | 0:25:36 | |
and we're nipping over the county border to Surrey. | 0:25:36 | 0:25:40 | |
This is where we put | 0:25:40 | 0:25:41 | |
our valuations to the test - | 0:25:41 | 0:25:43 | |
Ewbank Auction Rooms. | 0:25:43 | 0:25:44 | |
And I tell you what, the car park is full, which means | 0:25:44 | 0:25:47 | |
it's going to be jam-packed inside. | 0:25:47 | 0:25:49 | |
Let's get in there and catch up with our owners. | 0:25:49 | 0:25:51 | |
Our items have been catalogued and displayed, | 0:25:53 | 0:25:57 | |
and Tim Duggan is the man with the gift of the gavel. | 0:25:57 | 0:26:00 | |
First up, it's Linda's tribal collection. | 0:26:00 | 0:26:03 | |
Good luck, Adam, because this one is a hard one to value. | 0:26:03 | 0:26:06 | |
Ethnographica. | 0:26:06 | 0:26:08 | |
A collection of African spears and shields and tribal art. | 0:26:08 | 0:26:11 | |
Bought in car-boot sales. | 0:26:11 | 0:26:13 | |
How much do you think you collectively paid for the lot? | 0:26:13 | 0:26:16 | |
For the lot, probably about ?15-?17. | 0:26:16 | 0:26:20 | |
Not bad. You are going home with a profit. Yeah, hopefully. | 0:26:20 | 0:26:24 | |
They will sell, won't they? There's enough of it. | 0:26:24 | 0:26:26 | |
There's a nice diversity. | 0:26:26 | 0:26:28 | |
OK, we are going to put it to the test right now. | 0:26:28 | 0:26:30 | |
Here we go, this is it. | 0:26:30 | 0:26:32 | |
We've got the tribal collection there, including two African | 0:26:32 | 0:26:34 | |
animal-skin shields there. | 0:26:34 | 0:26:36 | |
?50 for these. | 0:26:36 | 0:26:37 | |
Bid me 30. ?30. ?30 bid. | 0:26:37 | 0:26:39 | |
35. 40. | 0:26:39 | 0:26:41 | |
Yes! Good! ?40. 45 I've got now. 45 now. | 0:26:41 | 0:26:43 | |
Can I have 50 anywhere? Be quick. 50 we've got online now. | 0:26:43 | 0:26:47 | |
?50. Looking for 55 now. | 0:26:47 | 0:26:49 | |
For the last time, selling them online at ?50. | 0:26:49 | 0:26:52 | |
GAVEL BANGS ?50. Yes! | 0:26:52 | 0:26:54 | |
Sold to a chap on the internet. Whew! | 0:26:54 | 0:26:57 | |
We got there. Well done. Thank you. | 0:26:57 | 0:27:00 | |
Not a bad return on a ?17 investment. | 0:27:00 | 0:27:04 | |
Well, let's hope this next lot hits the back of the net | 0:27:06 | 0:27:09 | |
and scores a great goal. | 0:27:09 | 0:27:10 | |
It is Sir Matt Busby's autograph and it belongs to George. | 0:27:10 | 0:27:13 | |
Were you a Manchester United fan? No. No. Just a football fan? | 0:27:13 | 0:27:16 | |
No. I'm a football fan, yeah. | 0:27:16 | 0:27:18 | |
Who do you support? Tottenham Hotspur. Tottenham Hotspur. | 0:27:18 | 0:27:21 | |
You're a...Londoner. OK... | 0:27:21 | 0:27:23 | |
And there you go. It should sell. This is it. | 0:27:23 | 0:27:26 | |
We've got Matt Busby there, the autograph there, | 0:27:26 | 0:27:28 | |
signed in blue pen. | 0:27:28 | 0:27:30 | |
How do you see it? ?40 for it. | 0:27:30 | 0:27:32 | |
20, if you like. 20 bid. | 0:27:32 | 0:27:34 | |
20 bid. 25, 30 now. 35, sir, with you at 35. | 0:27:34 | 0:27:37 | |
Now looking for 40... | 0:27:37 | 0:27:39 | |
At 35, then, in the jacket we go at ?35. | 0:27:39 | 0:27:43 | |
Sold. ?35. Well done. | 0:27:43 | 0:27:45 | |
Next, those fantastic photos. | 0:27:47 | 0:27:49 | |
And the Krays are quite collectible, aren't they? | 0:27:49 | 0:27:51 | |
Oh, yeah, the celebrity of the criminal | 0:27:51 | 0:27:54 | |
has become a collectible subject in its own right. | 0:27:54 | 0:27:57 | |
Yeah. | 0:27:57 | 0:27:59 | |
Good luck, both of you. OK. Good luck, here we go, this is it. | 0:27:59 | 0:28:02 | |
Got the six black and white photographs there. | 0:28:02 | 0:28:05 | |
The Krays - including Henry Cooper as well. | 0:28:05 | 0:28:08 | |
?50 for these, ?50 for them. | 0:28:08 | 0:28:10 | |
30, if you like. | 0:28:10 | 0:28:12 | |
30 bid, 35, 40, 45, 50, 55... | 0:28:12 | 0:28:15 | |
60, 65... Selling, good. | 0:28:17 | 0:28:19 | |
70, 75. We're in estimate now... | 0:28:19 | 0:28:22 | |
80, 85. | 0:28:22 | 0:28:24 | |
85, 90, 95... | 0:28:24 | 0:28:26 | |
95, 100... | 0:28:28 | 0:28:30 | |
At ?95, close in at ?95, then, | 0:28:30 | 0:28:31 | |
right in front we go, then, selling, then, to the lady in front | 0:28:31 | 0:28:34 | |
at ?95. | 0:28:34 | 0:28:36 | |
?95. We've done it, George. Yeah. Done it, that's a good result. | 0:28:36 | 0:28:39 | |
That's a brilliant result. I honestly... | 0:28:39 | 0:28:41 | |
You were spot-on with your estimate there. I didn't know | 0:28:41 | 0:28:44 | |
what they were going to make, it was a guess, I have to say. | 0:28:44 | 0:28:46 | |
Yeah. It was a well-educated one. Well done, Thomas. | 0:28:46 | 0:28:49 | |
A spot-on valuation by our expert. | 0:28:49 | 0:28:50 | |
Well, I think this next lot is absolutely fascinating | 0:28:52 | 0:28:55 | |
It's a postcard album featuring Egypt and Europe after 1908. | 0:28:55 | 0:28:58 | |
And it belongs to Sally, who is right next to me. | 0:28:58 | 0:29:01 | |
And our expert - Adam. | 0:29:01 | 0:29:03 | |
Have you ever been to Egypt? No, I haven't. Nor have I. | 0:29:03 | 0:29:05 | |
And I'm fascinated by it. | 0:29:05 | 0:29:06 | |
I'd love to go there. That's right. | 0:29:06 | 0:29:08 | |
How many pictures there, do you think? About 200. | 0:29:08 | 0:29:11 | |
It's hard to put a value on, isn't it? | 0:29:11 | 0:29:13 | |
Because some of these typography things really fly. | 0:29:13 | 0:29:15 | |
I think we always kind of hold back. Let's see what happens. | 0:29:15 | 0:29:19 | |
Adam is going to be spot on. I'm going to eat my words. | 0:29:19 | 0:29:22 | |
OK, let's find out. | 0:29:22 | 0:29:23 | |
I'd love it if they made loads more for Sally, but I don't... Good luck. | 0:29:23 | 0:29:26 | |
Thank you. Good luck, Sally, this is it. | 0:29:26 | 0:29:28 | |
Lot 247. We've got a postcard album containing over 200 postcards. | 0:29:28 | 0:29:32 | |
What did we say on this one? We've got interest on the go. | 0:29:32 | 0:29:35 | |
In on the commission of ?50 now. ?50. 55 in the room now. 60. Five. | 0:29:35 | 0:29:38 | |
70. Five. 80. Five. 90. Five. 100. | 0:29:38 | 0:29:41 | |
110. At 110 now. 120 anywhere? | 0:29:41 | 0:29:44 | |
Are we all done then? Selling online at 110. | 0:29:44 | 0:29:46 | |
BANGS GAVEL Yeah, 110. | 0:29:46 | 0:29:48 | |
You were getting excited for a minute. Yeah, I was getting excited. | 0:29:48 | 0:29:51 | |
I was like, go on! 200! Acquired information or something. | 0:29:51 | 0:29:54 | |
No, no. The top end of the estimate. That's good. Really good. | 0:29:54 | 0:29:57 | |
I'm pleased with that. Thank you very much. | 0:29:57 | 0:30:00 | |
It's a pleasure. Thank you. Thank you for bringing it in. | 0:30:00 | 0:30:02 | |
Brilliant, thank you. | 0:30:02 | 0:30:03 | |
More international history saved from the skip. | 0:30:05 | 0:30:09 | |
Going under the hammer right now, we have a very special lot. | 0:30:09 | 0:30:12 | |
It contains an incredible amount of family history. | 0:30:12 | 0:30:15 | |
And I know, at the valuation day, Thomas, | 0:30:15 | 0:30:18 | |
you gave us a wonderful description of the medals. | 0:30:18 | 0:30:21 | |
Since that day, the reserve has been raised, hasn't it? | 0:30:21 | 0:30:24 | |
Yes, simply because they are family medals. 150, wasn't it? | 0:30:24 | 0:30:29 | |
I think I put ?100-?200 or 150, but you've upped it to... 200. | 0:30:29 | 0:30:33 | |
A fixed reserve at 200. | 0:30:33 | 0:30:35 | |
I think that's very sensible because they are a huge group. | 0:30:35 | 0:30:38 | |
Look, they are going under the hammer. | 0:30:38 | 0:30:40 | |
I just hope, for your sake, you get what you really want for them. | 0:30:40 | 0:30:44 | |
Top, top money. This is it. | 0:30:44 | 0:30:47 | |
We've got the family of war medals there | 0:30:47 | 0:30:49 | |
and a Jaeger-LeCoultre gentleman's military pocket watch. | 0:30:49 | 0:30:52 | |
?80 online now. ?80 bid now. 85 now. | 0:30:52 | 0:30:54 | |
90. 95 now. | 0:30:54 | 0:30:56 | |
100 bid now. 110. 120. | 0:30:56 | 0:30:58 | |
130. 140. | 0:30:58 | 0:31:00 | |
150. 160. | 0:31:00 | 0:31:02 | |
170. 180. 190. 200. | 0:31:02 | 0:31:06 | |
220. 240 now. | 0:31:06 | 0:31:08 | |
At 240. 260 anywhere? | 0:31:08 | 0:31:11 | |
At 240 now with me on the commission. | 0:31:11 | 0:31:13 | |
At 240, you are out, sir. | 0:31:13 | 0:31:14 | |
At ?240. Are we all done, then? | 0:31:14 | 0:31:16 | |
Selling at 240. | 0:31:16 | 0:31:18 | |
240. So that's ?40 above your reserve. Yeah. | 0:31:18 | 0:31:21 | |
You've got to be happy with that. | 0:31:21 | 0:31:23 | |
Yes, I am, yes. And they've gone to a collector. | 0:31:23 | 0:31:25 | |
Yeah, I hope that a collector will look after them and appreciate them. | 0:31:25 | 0:31:30 | |
Well done. OK. That's a hard thing to do. Hard thing to do. | 0:31:30 | 0:31:34 | |
Unfortunately, the successful bidder for David's medals never came | 0:31:34 | 0:31:38 | |
forward and paid for them. | 0:31:38 | 0:31:40 | |
In such rare cases, when this happens, | 0:31:40 | 0:31:42 | |
the lot is returned to the seller. | 0:31:42 | 0:31:44 | |
So David has got his medals back. | 0:31:44 | 0:31:46 | |
'Now it's back over to Kent | 0:31:47 | 0:31:49 | |
'to visit the house of a very famous military man.' | 0:31:49 | 0:31:53 | |
The house is called Chartwell. | 0:31:53 | 0:31:55 | |
'And he was one of the greatest figures in British history. | 0:31:55 | 0:31:58 | |
'Earlier in the week, I went to find out more.' | 0:31:58 | 0:32:01 | |
The man in question lived like a king in his stunning Victorian home. | 0:32:10 | 0:32:15 | |
But he was no royalty. | 0:32:15 | 0:32:17 | |
He received the Nobel Prize for Literature, | 0:32:17 | 0:32:20 | |
but writing was not what made him famous. | 0:32:20 | 0:32:23 | |
And he lived in this peaceful setting, | 0:32:23 | 0:32:25 | |
surrounded by animals and paintings. | 0:32:25 | 0:32:28 | |
But spent much of his life in the midst of war. | 0:32:28 | 0:32:32 | |
So who would live in a house like this? | 0:32:32 | 0:32:35 | |
'We shall fight on the beaches. We shall fight on the landing grounds. | 0:32:35 | 0:32:40 | |
'We shall fight in the fields. And in the streets. | 0:32:40 | 0:32:43 | |
'We shall fight in the hills. We shall never surrender.' | 0:32:43 | 0:32:47 | |
Yes, you've guessed it, Sir Winston Churchill | 0:32:48 | 0:32:52 | |
lived at Chartwell with his wife, Clementine, from 1922 to 1965. | 0:32:52 | 0:32:58 | |
It was the family home for their five children | 0:32:58 | 0:33:01 | |
and was a place for entertaining and for solace. | 0:33:01 | 0:33:05 | |
Churchill had a vivid public image. | 0:33:05 | 0:33:07 | |
He was a compelling orator and a robust, driven man. | 0:33:09 | 0:33:12 | |
But what happened away from the public's gaze? | 0:33:12 | 0:33:16 | |
Who was the real man behind the V-sign and the cigar? | 0:33:16 | 0:33:19 | |
Well, follow me, because I think the answer lies up these steps. | 0:33:19 | 0:33:22 | |
The Churchill family enjoyed Chartwell for over 40 years | 0:33:25 | 0:33:29 | |
and today, it looks very much like it would have done in the 1950s. | 0:33:29 | 0:33:32 | |
The first thing that strikes you when you walk around the house is | 0:33:37 | 0:33:41 | |
the quantity and quality of the paintings. | 0:33:41 | 0:33:43 | |
Winston Churchill started painting at the age of 40, which is | 0:33:43 | 0:33:47 | |
relatively late for any artist. | 0:33:47 | 0:33:49 | |
Churchill showed a natural flair for oil on canvas | 0:33:49 | 0:33:52 | |
and painting became more than a pastime - it was a lifeline. | 0:33:52 | 0:33:56 | |
He was plagued with what he called the black dog - | 0:33:57 | 0:34:00 | |
a depression that followed him throughout his life. | 0:34:00 | 0:34:03 | |
Painting helped him find peace when the black dog rose. | 0:34:06 | 0:34:10 | |
And it became a lifelong pursuit, creating over 500 stunning oils. | 0:34:12 | 0:34:17 | |
From his studio at Chartwell, | 0:34:18 | 0:34:20 | |
you start to get an insight into the man himself. | 0:34:20 | 0:34:24 | |
There certainly is an impressive body of work here. | 0:34:24 | 0:34:27 | |
Churchill may have suffered from depression, | 0:34:27 | 0:34:30 | |
but it doesn't show in his artwork. | 0:34:30 | 0:34:32 | |
They are vivid, they are warm, beautiful landscapes. | 0:34:32 | 0:34:35 | |
Some of the UK and some from abroad. He definitely liked to travel. | 0:34:35 | 0:34:39 | |
And he definitely loved to study a view. | 0:34:39 | 0:34:42 | |
And Chartwell is a lush, green space surrounded by nature. | 0:34:42 | 0:34:46 | |
Here is an image from Chartwell, looking out into the garden, | 0:34:46 | 0:34:50 | |
with the man himself. | 0:34:50 | 0:34:52 | |
That's the painting I'm going to find out about. | 0:34:52 | 0:34:55 | |
Celia Sandys is Sir Winston Churchill's granddaughter | 0:34:56 | 0:35:00 | |
and spent many happy summers here as a child. | 0:35:00 | 0:35:03 | |
How does it feel being back here? | 0:35:03 | 0:35:05 | |
It's always lovely to come back to Chartwell. | 0:35:05 | 0:35:07 | |
I used to spend a lot of my school holidays here. | 0:35:07 | 0:35:10 | |
And I came so often, I think I've signed the visitors book more | 0:35:10 | 0:35:13 | |
than anyone else. | 0:35:13 | 0:35:14 | |
I can't believe how beautiful it is here. | 0:35:14 | 0:35:16 | |
It's absolutely stunning. | 0:35:16 | 0:35:18 | |
Churchill must have been inspired by so much nature. | 0:35:18 | 0:35:21 | |
Well, he loved it, but he didn't buy a house, he bought a view. | 0:35:21 | 0:35:24 | |
LAUGHING: Yes. | 0:35:24 | 0:35:25 | |
He'd been brought up by his nanny, Mrs Everest, who came from Kent. | 0:35:25 | 0:35:28 | |
And she said that Kent was the Garden of England. | 0:35:28 | 0:35:31 | |
I think she probably put that into his head. | 0:35:31 | 0:35:34 | |
I know the house is full of wonderful art. | 0:35:34 | 0:35:36 | |
But there's one particular one I want to talk to you about, | 0:35:36 | 0:35:38 | |
and that's Mary's First Speech. Absolutely, yes. | 0:35:38 | 0:35:40 | |
Mary is the youngest child, born in 1922. | 0:35:40 | 0:35:43 | |
My grandfather, he wanted to do bricklaying | 0:35:43 | 0:35:46 | |
and he enjoyed building some of these walls. | 0:35:46 | 0:35:48 | |
He built these walls along there? | 0:35:48 | 0:35:50 | |
He built a large part of the walls. Gosh! | 0:35:50 | 0:35:52 | |
Anyway, he decided to build this little house, | 0:35:52 | 0:35:55 | |
miniature cottage for her, called the Marycot. | 0:35:55 | 0:35:58 | |
So he did a painting of Mary laying the foundation stone. | 0:35:58 | 0:36:03 | |
There is Randolph and my grandfather and Mary in the picture. | 0:36:03 | 0:36:08 | |
I think he found for himself the best form of therapy to relieve | 0:36:08 | 0:36:12 | |
stress that he could've done. And one that he really enjoyed. | 0:36:12 | 0:36:15 | |
One of the greatest pleasures of his life, I think, | 0:36:15 | 0:36:18 | |
was to be surrounded by as many members of his family as possible. | 0:36:18 | 0:36:22 | |
He'd had quite a bleak childhood. | 0:36:22 | 0:36:24 | |
His family, when he was a child, was his nanny and his brother. | 0:36:24 | 0:36:28 | |
Wherever they were was home. | 0:36:28 | 0:36:30 | |
Therefore, I think he made a decision that he wanted to | 0:36:30 | 0:36:33 | |
have as much of his family around him as possible. | 0:36:33 | 0:36:35 | |
He was never happier than when he could look around the dining | 0:36:35 | 0:36:38 | |
room table here and see his children and his grandchildren here. | 0:36:38 | 0:36:41 | |
But it was here in the study that Churchill spent most of his time. | 0:36:49 | 0:36:53 | |
Here you can see his writing desk, | 0:36:53 | 0:36:56 | |
full of wonderful family photographs. | 0:36:56 | 0:36:58 | |
And here Churchill would stand and dictate to his secretary. | 0:36:58 | 0:37:03 | |
Did you know that he wrote one novel, two autobiographies | 0:37:03 | 0:37:07 | |
and three volumes of memoirs? | 0:37:07 | 0:37:09 | |
He won the Nobel Prize for Literature for his prolific works. | 0:37:09 | 0:37:13 | |
That's not bad for a man who helped save the nation | 0:37:13 | 0:37:16 | |
from German occupation. | 0:37:16 | 0:37:18 | |
Writing was more than a hobby, it was a job. | 0:37:22 | 0:37:25 | |
Politics didn't pay then what it does now and writing helped fund | 0:37:25 | 0:37:29 | |
the upkeep of Chartwell and his taste for the finer things in life. | 0:37:29 | 0:37:33 | |
But even with the volumes he wrote, the bills kept mounting up. | 0:37:33 | 0:37:37 | |
Churchill's lavish lifestyle nearly cost him this house. | 0:37:37 | 0:37:41 | |
But in 1946, consortium of wealthy businessmen bought | 0:37:41 | 0:37:45 | |
the house on the understanding that Churchill | 0:37:45 | 0:37:47 | |
and Clementine could live here until their death. | 0:37:47 | 0:37:50 | |
Winston Churchill passed away in 1965, at the age of 90. | 0:37:55 | 0:38:01 | |
His state funeral was attended by unprecedented numbers | 0:38:01 | 0:38:05 | |
and as the cranes of London dipped in honour, | 0:38:05 | 0:38:08 | |
the nation mourned the loss of one of its greatest leaders. | 0:38:08 | 0:38:12 | |
You were 21 when he died. Yes. | 0:38:15 | 0:38:17 | |
Tell me, what was he like, the grandfather? | 0:38:17 | 0:38:20 | |
He was lovely. For us, he was just Grandpapa. | 0:38:20 | 0:38:23 | |
I think after the war, the only people who took | 0:38:23 | 0:38:26 | |
Winston Churchill completely for granted were his grandchildren. | 0:38:26 | 0:38:29 | |
Even his children were in awe of him. | 0:38:29 | 0:38:32 | |
What did Chartwell mean to him? | 0:38:32 | 0:38:34 | |
Chartwell meant everything to him. | 0:38:34 | 0:38:36 | |
He once famously said, "A day away from Chartwell is a day wasted." | 0:38:36 | 0:38:40 | |
But that didn't stop him running away from it all the time. | 0:38:40 | 0:38:42 | |
He seemed to have an absolute need to travel. | 0:38:42 | 0:38:45 | |
And he got an adrenaline rush every time he went. | 0:38:45 | 0:38:47 | |
But Chartwell was the harbour that he returned to. | 0:38:47 | 0:38:51 | |
And where he felt most at ease. | 0:38:51 | 0:38:53 | |
And most of the most important things | 0:38:53 | 0:38:55 | |
that happen in his life happened here. | 0:38:55 | 0:38:58 | |
Wonderful memories. Great memories. | 0:38:58 | 0:39:00 | |
Thank you for sharing them with me here today as well. | 0:39:00 | 0:39:02 | |
Very happy to be with you. | 0:39:02 | 0:39:03 | |
We've got a great insight into Winston Churchill. | 0:39:03 | 0:39:06 | |
My biggest hero, I think. Mine too. | 0:39:06 | 0:39:08 | |
We shall defend our island whatever the cost may be. | 0:39:09 | 0:39:13 | |
Back at our valuation day at Chiddingstone Castle, | 0:39:26 | 0:39:29 | |
there's a great atmosphere as the people of Kent await a valuation. | 0:39:29 | 0:39:33 | |
And Thomas has found more intriguing pieces of military history. | 0:39:33 | 0:39:38 | |
You have brought an interesting collection of war items | 0:39:40 | 0:39:43 | |
dating, I think, from the First World War. | 0:39:43 | 0:39:46 | |
How come they are in your possession? | 0:39:46 | 0:39:48 | |
They belonged to my mother. And they were her parents' before then. | 0:39:48 | 0:39:54 | |
They had been sitting in a chest belonging to my mother | 0:39:54 | 0:39:57 | |
and grandparents, not doing very much. | 0:39:57 | 0:40:00 | |
We think that this booklet was given to my grandparents by a friend | 0:40:00 | 0:40:06 | |
of theirs. | 0:40:06 | 0:40:08 | |
The other items may or may not have come from him as well. | 0:40:08 | 0:40:12 | |
We really don't know. | 0:40:12 | 0:40:14 | |
You've got a number of different things here. | 0:40:14 | 0:40:17 | |
We've got instruments of death. Yes. | 0:40:17 | 0:40:20 | |
And then we have what could be parts of an airship. | 0:40:20 | 0:40:24 | |
This could be the canvas of the actual airship, aluminium | 0:40:24 | 0:40:28 | |
from part of the actual workings of the ship, it looks like a pulley. | 0:40:28 | 0:40:32 | |
It's light enough. And sights and other items | 0:40:32 | 0:40:36 | |
from it. Could be salvaged from this wreck. | 0:40:36 | 0:40:39 | |
They were all in the chest together? Yes. | 0:40:39 | 0:40:42 | |
Interesting that they were all in the chest together | 0:40:42 | 0:40:45 | |
with a photograph of a destroyed ship, burnt out. Yes. | 0:40:45 | 0:40:49 | |
Along with a collection of instruments of death. Yes. | 0:40:49 | 0:40:52 | |
Flechettes, these are called. These are British flechettes. Right. | 0:40:52 | 0:40:57 | |
These arrows or darts were used | 0:40:57 | 0:41:00 | |
to pierce the actual airship themselves. | 0:41:00 | 0:41:02 | |
Oh, were they? Mm-hm. Dropped from planes flying above them. Oh! | 0:41:02 | 0:41:08 | |
These could have been thrown out as bucket-loads | 0:41:08 | 0:41:11 | |
either on troops or airships as well. | 0:41:11 | 0:41:14 | |
And they'd sail through the air and land and | 0:41:14 | 0:41:16 | |
they would be almost silent killers until you actually heard them - | 0:41:16 | 0:41:20 | |
THUNK - hit you on the head, and that's it, game over. | 0:41:20 | 0:41:23 | |
Horrible. Indeed! Then again, war is horrible. It is. | 0:41:23 | 0:41:27 | |
Tell me, what do you feel about these items | 0:41:27 | 0:41:29 | |
and why do you think your mother has kept them? | 0:41:29 | 0:41:32 | |
I suppose they have always been in the chest. | 0:41:32 | 0:41:35 | |
And that's just where they stayed. | 0:41:35 | 0:41:37 | |
But I certainly don't want to keep them. No. And my mother doesn't. | 0:41:37 | 0:41:42 | |
There is a huge collectorship in these items. | 0:41:42 | 0:41:45 | |
Yes. There is a possibility of you making over ?100. Yes. | 0:41:45 | 0:41:51 | |
Easily. Mm-hmm. I think there is a possibility of you making ?300. | 0:41:51 | 0:41:56 | |
Right. So what I would say, | 0:41:56 | 0:41:58 | |
let's put a really wide estimate. ?200-?300. | 0:41:58 | 0:42:02 | |
Yes, that's fine. Do you think that's fair? | 0:42:02 | 0:42:05 | |
Then we'll reserve it, a really low reserve at ?100. OK. | 0:42:05 | 0:42:08 | |
I think that gives it a fair... It gives the auctioneer a lot of scope. | 0:42:08 | 0:42:13 | |
Yes. | 0:42:13 | 0:42:14 | |
Because we don't know the story. | 0:42:14 | 0:42:17 | |
If this was coming into my saleroom, then I would be getting details | 0:42:17 | 0:42:21 | |
and looking for crash sites. I'm sure one could find out... | 0:42:21 | 0:42:24 | |
Yes, you could. Because look at the way it has landed. | 0:42:24 | 0:42:27 | |
There would be other photographs. And people would do research. | 0:42:27 | 0:42:30 | |
There are your collectors out there who will know. Yes. | 0:42:30 | 0:42:35 | |
Anyway, you happy with the valuation? Yes, yes. Yes. | 0:42:35 | 0:42:38 | |
Let's see what happens. | 0:42:38 | 0:42:39 | |
The Flog It! team are still hard at it - well, most of them at least - | 0:42:41 | 0:42:46 | |
and local lady Pat's brought my hero along for a valuation. | 0:42:46 | 0:42:50 | |
Have you had a good day, Pat? Very much so. Definitely. | 0:42:50 | 0:42:53 | |
You are holding a little Toby jug of Winston Churchill. | 0:42:53 | 0:42:56 | |
That reminds me of my visit to Chartwell House. | 0:42:56 | 0:42:58 | |
Oh, you have been there? Don't drop it. | 0:42:58 | 0:43:00 | |
No, I won't drop him. He's a little Royal Doulton figure. | 0:43:00 | 0:43:03 | |
Winston Churchill. | 0:43:03 | 0:43:04 | |
With cigar. My husband told me not to sell it today. | 0:43:05 | 0:43:08 | |
I said, "Well, they are not buying today." No. | 0:43:08 | 0:43:11 | |
THEY LAUGH | 0:43:11 | 0:43:13 | |
Pat's keeping hold of her little Churchill, | 0:43:13 | 0:43:15 | |
but Linda's silver cup is up for sale. | 0:43:15 | 0:43:18 | |
I always like to see a nice box like that. | 0:43:20 | 0:43:22 | |
Things were just presented so nicely, | 0:43:22 | 0:43:24 | |
weren't they, in the Victorian period? | 0:43:24 | 0:43:26 | |
That's right. I just can't wait to have a look. Can I open it up? | 0:43:26 | 0:43:29 | |
Please do. Very good. Let's have a look and see what's in there. | 0:43:29 | 0:43:32 | |
Oh, look at that! | 0:43:32 | 0:43:33 | |
And we are the box has suffered over the years, | 0:43:33 | 0:43:36 | |
this has been perfectly preserved inside, | 0:43:36 | 0:43:38 | |
this little silver bowl with this heart-fluted body. | 0:43:38 | 0:43:41 | |
It's got a presentation inscription to a DBR Fagge. | 0:43:41 | 0:43:45 | |
Do you know who Mr Fagge was? | 0:43:45 | 0:43:47 | |
Unfortunately not. My husband inherited it from his father. | 0:43:47 | 0:43:52 | |
Unfortunately I lost my husband recently, so | 0:43:52 | 0:43:56 | |
the information about it, I'm not really very clear on. Oh, dear! | 0:43:56 | 0:44:01 | |
His father, I think, had it as a wedding present. | 0:44:01 | 0:44:05 | |
But where Fagge comes into it, I don't know. | 0:44:05 | 0:44:08 | |
It would be nice if this DBR Fagge was an eminent politician or | 0:44:08 | 0:44:12 | |
historian or surgeon or... | 0:44:12 | 0:44:14 | |
I tried to find out. ..an actor or sportsman. No? No. | 0:44:14 | 0:44:17 | |
I haven't been able to trace him. | 0:44:17 | 0:44:19 | |
What a shame that we can't find that out | 0:44:19 | 0:44:22 | |
because that would then make the inscription helpful. That's right. | 0:44:22 | 0:44:25 | |
A lot of presentation inscriptions on silver are things like | 0:44:25 | 0:44:28 | |
on the occasion of your marriage or anniversary. | 0:44:28 | 0:44:31 | |
And those people erase. | 0:44:31 | 0:44:33 | |
But the box has been really good to it. | 0:44:33 | 0:44:35 | |
It has kept it in lovely condition, hasn't it? Yes, it has. | 0:44:35 | 0:44:38 | |
If we just take it out for a moment, then you will see that the | 0:44:38 | 0:44:41 | |
gilt interior is beautifully done, isn't it? | 0:44:41 | 0:44:45 | |
It was. | 0:44:45 | 0:44:46 | |
And on the bottom we have got nice, | 0:44:46 | 0:44:48 | |
clear hallmarks for William Evans, a silversmith from London. | 0:44:48 | 0:44:52 | |
And the hallmark there is from 1890. | 0:44:52 | 0:44:54 | |
What made you bring it along to Flog It! today? | 0:44:54 | 0:44:58 | |
If it had a family name on, then I would have kept it and passed it on. | 0:44:58 | 0:45:02 | |
But it means nothing really to us. Where does it live? | 0:45:02 | 0:45:05 | |
Does it live stuck away in a box, tucked in a cupboard somewhere? | 0:45:05 | 0:45:08 | |
Yes, it does. I thought that would be the case. Yes. | 0:45:08 | 0:45:11 | |
People often say, "Oh, it's only worth the weight in silver." | 0:45:11 | 0:45:14 | |
That really annoys me, actually. It's too beautiful to be... Exactly! | 0:45:14 | 0:45:18 | |
Can you imagine someone smashing that up and melting it? | 0:45:18 | 0:45:21 | |
I wouldn't let it go for that. | 0:45:21 | 0:45:22 | |
Which is why they need to make sure it doesn't go for that. | 0:45:22 | 0:45:25 | |
It's about 3 1/2 ounces of silver, which is about ?35 worth. | 0:45:25 | 0:45:28 | |
It's about ten pounds an ounce at the moment. | 0:45:28 | 0:45:31 | |
We have got to make sure we clear that. | 0:45:31 | 0:45:33 | |
I suggest we put ?50 to ?80 estimate and 50 reserve, | 0:45:33 | 0:45:37 | |
so that whatever happens, you get back more than you would | 0:45:37 | 0:45:40 | |
and whoever buys it is going to buy it as an object and not as a | 0:45:40 | 0:45:43 | |
piece of metal to go and use making a mobile phone | 0:45:43 | 0:45:46 | |
or something like that. | 0:45:46 | 0:45:47 | |
Hopefully it'll make somewhere along ?50 to ?80. | 0:45:47 | 0:45:50 | |
Would you do anything specific with that money? | 0:45:50 | 0:45:52 | |
I know it's not an awful lot, but do you have anything...? | 0:45:52 | 0:45:55 | |
I would do something for the garden because my husband loved the garden. | 0:45:55 | 0:45:59 | |
So something in the garden for him. | 0:45:59 | 0:46:01 | |
And we are in the Garden of England after all. We are, yes. Definitely. | 0:46:01 | 0:46:03 | |
And what a glorious day it is. Beautiful. | 0:46:03 | 0:46:05 | |
Linda, thanks for coming along. | 0:46:05 | 0:46:07 | |
You are welcome. I really hope that it finds a new home in the auction. | 0:46:07 | 0:46:10 | |
I hope so too. Thanks a lot. Thanks very much. | 0:46:10 | 0:46:13 | |
Finally, let's find out what John has to say | 0:46:17 | 0:46:20 | |
about his rather large bowl. | 0:46:20 | 0:46:21 | |
It belonged to my grandmother. | 0:46:23 | 0:46:25 | |
Although we believed it was brought back from the Far East | 0:46:25 | 0:46:27 | |
by my uncle when he was with the Royal Marines. | 0:46:27 | 0:46:30 | |
In the Second World War? Yes. | 0:46:30 | 0:46:33 | |
Grandma used it basically to make all her Christmas puddings | 0:46:33 | 0:46:36 | |
and her Christmas cakes. | 0:46:36 | 0:46:39 | |
For years. For years? Years and years, yes. | 0:46:39 | 0:46:41 | |
Now, when I met you in the queue, you said, | 0:46:41 | 0:46:44 | |
"I've got a Japanese bowl." | 0:46:44 | 0:46:46 | |
I always thought it was Japanese. It's just the figures on it. | 0:46:46 | 0:46:49 | |
I thought these were more Japanese than Chinese. | 0:46:49 | 0:46:52 | |
I have to shatter your illusions and say I'm afraid it's Chinese. | 0:46:52 | 0:46:56 | |
However, that makes it more valuable. OK. | 0:46:56 | 0:47:00 | |
The story about your uncle bringing this back from Asia, | 0:47:00 | 0:47:03 | |
what was his name, Uncle...? | 0:47:03 | 0:47:05 | |
Ron. Uncle Ron? Ronald. | 0:47:05 | 0:47:07 | |
He was a corporal in the Royal Marines. | 0:47:07 | 0:47:09 | |
A corporal in the Royal Marines sees this bowl and thinks, | 0:47:09 | 0:47:13 | |
"Do you know what, my mother is going to like that..." | 0:47:13 | 0:47:15 | |
Yep. "..to mix her Christmas pudding in." | 0:47:15 | 0:47:17 | |
And he actually takes it and puts it on the ship | 0:47:17 | 0:47:19 | |
and brings it all the way back. He looks after it. | 0:47:19 | 0:47:21 | |
He brought a load of other stuff back as well. Did he? Yes. | 0:47:21 | 0:47:24 | |
How did he manage to do that? In a crate? I don't know. | 0:47:24 | 0:47:27 | |
Carved elephants and things like that. Really? Yep. | 0:47:27 | 0:47:29 | |
How interesting. In his later life he was a storeman. | 0:47:29 | 0:47:33 | |
Perhaps he had that in his blood | 0:47:33 | 0:47:34 | |
when he was coming back from wherever it was. | 0:47:34 | 0:47:37 | |
Absolutely! | 0:47:37 | 0:47:38 | |
We've got to talk about the actual piece itself. | 0:47:38 | 0:47:40 | |
How old do you think it is? | 0:47:40 | 0:47:42 | |
I would say roundabout 100 years old. That's a rough guess. | 0:47:42 | 0:47:46 | |
I would then minus another hundred years and you might be there. | 0:47:46 | 0:47:50 | |
1820s to 1830s. Really? Yes, it's got age. | 0:47:50 | 0:47:52 | |
It's got age. It's not 18th century. Certainly early 19th century. | 0:47:52 | 0:47:57 | |
Chinese export-ware. Ah! | 0:47:57 | 0:48:00 | |
And it's part of a larger set. Right. | 0:48:00 | 0:48:03 | |
It might even be a washbasin, | 0:48:03 | 0:48:05 | |
part of a large serving dish for rice, a big family serving bowl. | 0:48:05 | 0:48:10 | |
Because most of the decoration is on the inside. | 0:48:10 | 0:48:13 | |
If it was on the outside, it would be worth considerably more. | 0:48:13 | 0:48:16 | |
Oh, what a shame! Because you could see it then, couldn't you? | 0:48:16 | 0:48:19 | |
What a shame. What do you think was going on here? | 0:48:19 | 0:48:21 | |
It seems to tell a story of some sort. | 0:48:21 | 0:48:23 | |
But I'm not quite sure what it is all about. | 0:48:23 | 0:48:25 | |
Whether it's a wedding or something like that going on. | 0:48:25 | 0:48:27 | |
I think it's discussions, maybe pre-wedding. | 0:48:27 | 0:48:30 | |
I think it's a family scene. It's a very busy plate. | 0:48:30 | 0:48:32 | |
Yes, and then you have this fabulous design round the edge here. | 0:48:32 | 0:48:36 | |
We've got to check that it's in good condition. | 0:48:36 | 0:48:39 | |
It's got a little chip on the side. A little chip. | 0:48:39 | 0:48:42 | |
On the base, a very minor crack here. It doesn't go through. | 0:48:42 | 0:48:47 | |
What do you think it's worth? I'd hoped for 200 or ?300. | 0:48:47 | 0:48:51 | |
I wouldn't argue with that at all. I think we'd say ?300-?500. | 0:48:51 | 0:48:56 | |
Don't be surprised if it makes the upper end. | 0:48:56 | 0:48:59 | |
I think we should put a reserve on it. Definitely. | 0:48:59 | 0:49:02 | |
And I think that reserve should be 280. That's fine. Yeah? | 0:49:02 | 0:49:05 | |
Grandma's Christmas pudding bowl. | 0:49:05 | 0:49:07 | |
Let me ask you a question, do you like figgy pudding? | 0:49:07 | 0:49:10 | |
I like all puddings. | 0:49:10 | 0:49:12 | |
HE LAUGHS | 0:49:12 | 0:49:14 | |
I used to like...licking the bowl. Did you really? | 0:49:14 | 0:49:16 | |
What next? | 0:49:18 | 0:49:20 | |
What better way to celebrate than with a bottle? | 0:49:20 | 0:49:22 | |
Don. Pleased to meet you, Andrew. Pleased to meet you, too. | 0:49:22 | 0:49:24 | |
I was going for the bottle, but I'll take a handshake. Handshake, yeah. | 0:49:24 | 0:49:27 | |
I've got some cups here, let's crack it open, it's a lovely sunny day. | 0:49:27 | 0:49:30 | |
Yeah, I don't think so. Oh. Let's have a look. | 0:49:30 | 0:49:33 | |
A bottle of Armagnac, 1914. | 0:49:33 | 0:49:36 | |
Armagnac from the Armagnac region of France, 1914. | 0:49:36 | 0:49:39 | |
It says it all on there, 65 proof. | 0:49:39 | 0:49:42 | |
And sold by Averys of Bristol, | 0:49:42 | 0:49:44 | |
a very famous firm, Averys of Bristol, founded in 1793. | 0:49:44 | 0:49:49 | |
Yes. So, I don't want to be rude here, Dom, | 0:49:49 | 0:49:51 | |
but clearly you haven't had this since 1914. | 0:49:51 | 0:49:53 | |
How did you come to get it? Right. | 0:49:53 | 0:49:56 | |
I took part in the Armed Forces day down in Woking. | 0:49:56 | 0:50:01 | |
There was a raffle on for Help The Heroes | 0:50:01 | 0:50:03 | |
and I happened to win this bottle in the raffle. | 0:50:03 | 0:50:05 | |
Wow! You won it in a raffle! | 0:50:05 | 0:50:06 | |
Now, you're an ex-serviceman yourself. An ex-Royal Marine. | 0:50:06 | 0:50:10 | |
Ex-Royal Marine, yeah. Very good. | 0:50:10 | 0:50:11 | |
And you've had an interesting life, haven't you? | 0:50:11 | 0:50:13 | |
I've had an interesting life doing government security. | 0:50:13 | 0:50:16 | |
Government security. Yes. | 0:50:16 | 0:50:17 | |
Can you say any more, or is the rest of it...? | 0:50:17 | 0:50:19 | |
I won't say any more, no. Cos you sign that little form. | 0:50:19 | 0:50:22 | |
Oh, do you? Yes. | 0:50:22 | 0:50:23 | |
So you've done government... That's very interesting, Dom. | 0:50:23 | 0:50:25 | |
Seeing I'm not a brandy drinker, | 0:50:25 | 0:50:27 | |
I don't want anything of the proceeds. It's all going to charity. | 0:50:27 | 0:50:30 | |
Brilliant. Well, what a great reason to sell it. | 0:50:30 | 0:50:32 | |
Now, we've had a little look into it | 0:50:32 | 0:50:34 | |
and it's quite hard thing to value, really. | 0:50:34 | 0:50:37 | |
We've all seen some bottles of wines and brandies | 0:50:37 | 0:50:40 | |
make huge sums of money, but sadly there's very little | 0:50:40 | 0:50:43 | |
to compare this with on the market at the moment. | 0:50:43 | 0:50:46 | |
So we've had to take a bit of a guess. | 0:50:46 | 0:50:48 | |
And the guess that we've taken is ?100-?150. | 0:50:48 | 0:50:50 | |
It's not bad really, is it? Well, whatever it comes... | 0:50:50 | 0:50:53 | |
And do you know what? I bet it's still very drinkable. | 0:50:53 | 0:50:57 | |
It's got to be someone who wants it. It has, hasn't it? | 0:50:57 | 0:51:00 | |
So we're going to put it in the auction at ?100, ?150. | 0:51:00 | 0:51:02 | |
Do we want a reserve on at all do we let it make what it makes? | 0:51:02 | 0:51:05 | |
Let them make what it makes. I think so. | 0:51:05 | 0:51:07 | |
And hopefully it will make more than 100 quid for your charity. | 0:51:07 | 0:51:11 | |
Well, it'll be any named charity, but it'll be for a youth charity. | 0:51:11 | 0:51:15 | |
A youth charity. Even better. Yes, yes. | 0:51:15 | 0:51:17 | |
Maybe we'll talk about that further on the sale day. | 0:51:17 | 0:51:19 | |
When we know exactly what we've got, | 0:51:19 | 0:51:20 | |
we'll know how we're going to split it. Exactly. | 0:51:20 | 0:51:22 | |
And let's go for a third handshake. OK, Andrew. Thanks, Don. Thank you. | 0:51:22 | 0:51:26 | |
Thanks for coming. See you soon. | 0:51:26 | 0:51:27 | |
Chiddingstone Castle has been a marvellous valuation day venue. | 0:51:31 | 0:51:34 | |
It's full of antiques | 0:51:34 | 0:51:36 | |
and the people who have turned up have embraced it, they've had | 0:51:36 | 0:51:38 | |
so much fun, and I think we have all learned a great deal today. | 0:51:38 | 0:51:41 | |
Sadly, it's time to say goodbye to our host | 0:51:41 | 0:51:43 | |
location as we are off to auction for the very last time today. | 0:51:43 | 0:51:47 | |
Here is a quick recap of what is coming with us. | 0:51:47 | 0:51:49 | |
A collection of World War I items | 0:51:49 | 0:51:51 | |
that are both shocking and intriguing. | 0:51:51 | 0:51:53 | |
And a 100-year old bottle of brandy, | 0:51:55 | 0:51:57 | |
definitely not available at your local supermarket. | 0:51:57 | 0:52:01 | |
A silver cup that Linda won't see sold for scrap. | 0:52:02 | 0:52:06 | |
And a Chinese bowl - apparently perfect for making cakes! | 0:52:06 | 0:52:10 | |
Let's see if there are any bakers or buyers in the saleroom right now. | 0:52:11 | 0:52:15 | |
Thank you for coming in to the valuation day | 0:52:16 | 0:52:19 | |
and bringing a nice piece in. | 0:52:19 | 0:52:20 | |
I know you were initially very happy with Thomas' estimate | 0:52:20 | 0:52:24 | |
and we did have a reserve of ?280. Yes. | 0:52:24 | 0:52:27 | |
You had a chat to the auctioneer and you've put the reserve up to? 350. | 0:52:27 | 0:52:31 | |
350. Yes. | 0:52:31 | 0:52:33 | |
Because you feel that you don't want to let it go at 280. | 0:52:33 | 0:52:36 | |
I just thought, 350, if it doesn't go, | 0:52:36 | 0:52:38 | |
then we will put it back into the auction again later. | 0:52:38 | 0:52:41 | |
If it's going to sell, then it is going to sell well. | 0:52:41 | 0:52:44 | |
Hopefully, it won't put the bidders off. This is it. It does look good. | 0:52:44 | 0:52:47 | |
We have a revised estimate. | 0:52:47 | 0:52:49 | |
This is the Chinese famille verte bowl there. | 0:52:49 | 0:52:52 | |
With the decorated panels. Nice art on this one. | 0:52:52 | 0:52:55 | |
I go in at ?200 now. 220. 240. 260. | 0:52:55 | 0:52:59 | |
Looking for 280 anywhere. | 0:52:59 | 0:53:01 | |
At ?260. I'm looking for 280 anywhere. At ?260. | 0:53:01 | 0:53:04 | |
Nice item this one. At 260. Are we all done? | 0:53:04 | 0:53:08 | |
At ?260. | 0:53:08 | 0:53:10 | |
No. Didn't even get 280, did it? No. | 0:53:10 | 0:53:14 | |
Apparently, they have a Chinese and ceramics auction in November. | 0:53:14 | 0:53:17 | |
Right. That's probably a good thing to do. Put it in a specialist sale. | 0:53:17 | 0:53:20 | |
Put it back in here then. Brilliant. | 0:53:20 | 0:53:22 | |
The reserve stopped the bowl selling for a song, | 0:53:22 | 0:53:25 | |
we hope John has better luck next time. | 0:53:25 | 0:53:28 | |
Well, it could be cheers all round if our next lot sells, | 0:53:30 | 0:53:33 | |
it's the Averys bottle of brandy | 0:53:33 | 0:53:34 | |
and I've just been joined by Donald, who looks extremely smart. | 0:53:34 | 0:53:37 | |
I love this. And who's your mate? | 0:53:37 | 0:53:39 | |
My mate is Chas, we've been comrades since 1961 | 0:53:39 | 0:53:43 | |
and we still go out together now. | 0:53:43 | 0:53:45 | |
Were you both in the Royal Marines? | 0:53:45 | 0:53:47 | |
We were both in the Royal Marines, | 0:53:47 | 0:53:49 | |
we served with the third commando brigade all over the world. | 0:53:49 | 0:53:51 | |
Wow. Wow. | 0:53:51 | 0:53:53 | |
And you never thought of cracking open this bottle of brandy then? | 0:53:53 | 0:53:55 | |
No, thank you. Bottle of rum, maybe. | 0:53:55 | 0:53:58 | |
That's it, that's a proper Royal Marine. | 0:53:58 | 0:53:59 | |
We've got no reserve on this bottle. That's right. None, it says. | 0:53:59 | 0:54:02 | |
No reserve. Well, we'll see, the market will speak. | 0:54:02 | 0:54:04 | |
We're going to see. It's going under the hammer now, this is it. | 0:54:04 | 0:54:06 | |
How do you see it? ?100 for it. | 0:54:06 | 0:54:08 | |
50, I've got a bit online. 50 bid, now. 55. | 0:54:08 | 0:54:11 | |
Now 60, I've got. Now, I want 65 please online. | 0:54:11 | 0:54:13 | |
And 70 online now. | 0:54:13 | 0:54:14 | |
75 now. Looking for 80. 80 bid. | 0:54:14 | 0:54:16 | |
85. At 90 online. | 0:54:16 | 0:54:18 | |
95. 100 I need. | 0:54:18 | 0:54:20 | |
100. 110. | 0:54:20 | 0:54:22 | |
120. | 0:54:22 | 0:54:23 | |
110 in the room now. ?110. | 0:54:23 | 0:54:25 | |
Right in front we go then. Selling then at ?110. | 0:54:25 | 0:54:29 | |
Yeah. ?110. Within estimate. | 0:54:29 | 0:54:32 | |
That's good. Happy? Happy, boys? Yes, yes. | 0:54:32 | 0:54:34 | |
The bottle of brandy has found a new home. | 0:54:34 | 0:54:37 | |
Whether it's kept in a cellar or emptied straight into a glass, | 0:54:37 | 0:54:41 | |
it's a great result for Donald and Chas. | 0:54:41 | 0:54:43 | |
Fingers crossed, Linda. This is Linda's first auction. | 0:54:43 | 0:54:47 | |
So hopefully, you are going home a happy lady. | 0:54:47 | 0:54:50 | |
I hope so. I think we will sell this. | 0:54:50 | 0:54:52 | |
I think Adam is spot on with this silver cup. | 0:54:52 | 0:54:55 | |
William Evans, London maker, Victorian, with original case. | 0:54:55 | 0:54:58 | |
That's right. Fingers crossed. This is it. | 0:54:58 | 0:55:00 | |
It's going under the hammer now. | 0:55:00 | 0:55:02 | |
Lot 46. The silver presentation bowl there. Nice one there. | 0:55:02 | 0:55:05 | |
Straight in at ?50 on this. At 50. Five. Now looking for 60. | 0:55:05 | 0:55:08 | |
60 in front. Now want 65 for it. It's with you, sir, at ?60. | 0:55:08 | 0:55:12 | |
It's gone, hasn't it? Yes. | 0:55:12 | 0:55:13 | |
At ?60. Right in front. Selling at ?60. | 0:55:13 | 0:55:17 | |
We got it away. It's sold. That hammer going down is a good sound. | 0:55:17 | 0:55:22 | |
Going under the hammer right now | 0:55:32 | 0:55:33 | |
we have a collection of World War I items belonging to Susan. | 0:55:33 | 0:55:36 | |
Good time to sell. I think it's a great time to sell. | 0:55:36 | 0:55:39 | |
Also, it just goes to show that | 0:55:39 | 0:55:41 | |
that war was the first mechanised war. | 0:55:41 | 0:55:44 | |
But it was also quite Heath Robinson-esque. | 0:55:44 | 0:55:47 | |
It's quite horrific really, isn't it? What went on. | 0:55:47 | 0:55:50 | |
The courage of those young men. All of them in all wars. Yes. | 0:55:50 | 0:55:54 | |
We've decided to give the money to charity. Good for you. | 0:55:54 | 0:55:58 | |
It seems an appropriate thing to do somehow. | 0:55:58 | 0:56:01 | |
Yes, I think you're right, actually. I would do the same. | 0:56:01 | 0:56:04 | |
We are putting them under the hammer right now. | 0:56:04 | 0:56:07 | |
265. We have got 11 flechettes here. | 0:56:07 | 0:56:11 | |
Can I see ?100 for it? | 0:56:11 | 0:56:13 | |
Internet. | 0:56:13 | 0:56:15 | |
90 bid. 95 now. 100 we've got now, bid online. | 0:56:15 | 0:56:17 | |
110. 120. 130 bid now. | 0:56:17 | 0:56:20 | |
Very rushed. 140. 150. | 0:56:20 | 0:56:22 | |
Those flechettes and bits there. | 0:56:22 | 0:56:24 | |
180. At 180 online now. 190 anywhere? | 0:56:24 | 0:56:27 | |
190 bid now. 200. 220? | 0:56:27 | 0:56:30 | |
At ?200 now. 220 bid. 240. | 0:56:30 | 0:56:32 | |
Very furious now. At 260 online. | 0:56:32 | 0:56:35 | |
At 260 online now. You just don't see these things. You don't. | 0:56:35 | 0:56:38 | |
I've never seen them for sale before. | 0:56:38 | 0:56:40 | |
Coming on the phone. 280 on the phone. | 0:56:40 | 0:56:42 | |
Need 300 now please. Online. | 0:56:42 | 0:56:44 | |
280 on the phone now. I need 300. 300 bid now. | 0:56:44 | 0:56:46 | |
320. | 0:56:46 | 0:56:47 | |
Yep. 340 online please. 340! | 0:56:47 | 0:56:51 | |
That's good. 360. | 0:56:51 | 0:56:53 | |
380 online. | 0:56:55 | 0:56:57 | |
400. 420 online. | 0:56:57 | 0:57:00 | |
440. | 0:57:02 | 0:57:03 | |
460 online. | 0:57:05 | 0:57:07 | |
480. | 0:57:07 | 0:57:09 | |
Bids all out. Selling online at ?460. | 0:57:10 | 0:57:14 | |
?460! That's brilliant. And all that money will go to charity. Excellent. | 0:57:15 | 0:57:19 | |
Good for you! And what a lovely surprise. | 0:57:19 | 0:57:22 | |
And what a way to end today's show. | 0:57:22 | 0:57:24 | |
I've learnt something, I hope you have as well. | 0:57:24 | 0:57:26 | |
I told you there would be a big surprise. Well done, both of you. | 0:57:26 | 0:57:29 | |
That's lovely, thank you very much. Thank you. | 0:57:29 | 0:57:31 | |
And join us for many more surprises to come in the future. | 0:57:31 | 0:57:34 | |
But until then, from Ewbank's here in Surrey, it's goodbye. | 0:57:34 | 0:57:37 | |
# Are you up for the day? You up for the rhyme? # | 0:58:15 | 0:58:15 | |
Join Len Goodman for his brand-new show. | 0:58:15 | 0:58:16 | |
# So get yourself ready This is the time | 0:58:21 | 0:58:24 | |
# Are you up for the day? You up for the rhyme? # | 0:58:24 | 0:58:26 |