Norfolk 21 Flog It!


Norfolk 21

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Today, we're at Norwich Cathedral, in Norfolk, where our crowds

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have gathered in one of the largest monastic cloisters in Britain.

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We'll be finding out about the many ingenious ways that medieval

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monks used this incredible space to demonstrate their power

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to the people of Norfolk.

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Welcome to "Flog It!".

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Today, we are holding our valuations at Norwich Cathedral,

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one of the most intact Norman buildings in Europe.

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Completed in the 12th century,

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this soaring edifice stood as a reminder to everyone that the

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Benedictine monks who lived here for 500 years held sway over

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the churches and the agricultural lands for miles around.

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Even these cloisters, where they quietly worked,

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were designed to send out a strong message - do not disturb.

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Well, thankfully,

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we are not so harsh here on "Flog It!".

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And today, all are welcome at the cathedral.

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So as this great crowd of people

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laden with antiques and collectibles

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follow in the footsteps of the monks,

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they are here to see our experts.

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And there is only one question on their minds, which is...

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-ALL:

-What is it worth?

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Stay tuned and you'll find out.

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It looks like our experts are praying for perfection today.

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Ever elegantly attired, Thomas Plant is interested in the dress code.

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Look. Breeches, knickers, leggings.

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Look at that. Look at her there.

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And David Fletcher has found just the thing.

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Let's put a sticker on you. There you go.

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And you wear it not like that.

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I love a good fez.

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And not like that, either.

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But just like that.

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And as everyone heads inside, here is what is on the show today.

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David has got a bird in the hand.

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It is beautiful quality.

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And has his hands full.

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It sits there, slightly cheeky little look on its face,

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a bit like you if I might say so.

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There are sketches that get everyone's heart fluttering.

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And I visit a stately home that has remained untouched

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for over 250 years.

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The owner here portrayed himself as a Roman emperor but, in fact,

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he was Britain's first Prime Minister.

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And I will be finding out all about this great man later on in the show.

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Well, the crowds are now safely seated inside the cathedral.

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And I must say, look at this for a magnificent turnout.

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But there is something I want to point out,

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and it is a modern piece of sculpture.

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And it is right above the crowd, suspended there.

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It is a sculpture in willow

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by two artists and some local students.

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It is their interpretation of what would have been

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suspended in this position during medieval times.

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On High Holy Days,

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the monks wanted to make a big impact on the congregation,

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so they swung a massive angel in this spot, gilded in silver

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and trailing incense to imbue worshipers with God's spirit,

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which is why it was called a censing angel.

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Its other purpose was to stifle the odours of the congregation

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because, let's face it, back then,

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most people only had a wash once a week, if they were lucky.

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Anyway, thank goodness times have changed, haven't they?

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We are all wonderfully perfumed today.

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Let's now catch up with our experts and see who's first at the tables.

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And it looks like Thomas is in fine fettle today

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with a couple of ink drawings brought in by Ian

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and Jackie from the hand of wildlife artist Arthur Wardle.

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So, Ian and Jackie, how have you come by them?

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I like pen-and-ink drawings and I've been collecting them.

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At the time I bought these, which was about four years ago...

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A couple of years ago, I suffered a bit of damage to my lounge/diner,

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which meant I had to remodel.

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And my lifestyle grew.

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-I thought it was a good time to brighten the place up.

-Oh, right.

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-So Jackie is a recent addition to your life?

-Last two...

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-Two years we have been together.

-Two years.

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And you don't like black and white?

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-I just think they look a bit dull, actually.

-Oh, really?

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His place just looks so cluttered with all this old stuff.

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I did have in my hall and landing as well, between the two areas, 55.

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-Oh, really?

-I am now down to nine, so...

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OK, well, that is quite good of you. Well done, you.

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-Well, sacrifice, you know. One has to.

-Sacrifice, yeah. Absolutely.

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You said you bought them four or five years ago.

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And do you think they are OK?

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I do. I think they are excellent.

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I mean, he was known for doing his exotic birds,

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and here we have an exotic bird in pen and ink.

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And the pelicans as well, which are sort of pseudo-exotic.

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-We are looking at an early 20th-century artist.

-Yes.

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And these would have been drawn in the 1930s, I would have thought.

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-Yes.

-At the height of his sort of career.

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But he did exhibit at the Royal Academy very young.

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-He exhibited at the age of 16.

-Yeah.

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Which is an extraordinary talent.

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So there is definitely a decent hand here to be seen.

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I mean, what did you initially like about them?

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I like the simplicity of etchings, the black-and-ink sketches.

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-I can understand the line and form.

-Yes.

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It gives it a simplicity, a cleanliness.

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It is quite masculine to like that.

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-Hence when you met Jackie...

-THEY LAUGH

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-And what have you put in place?

-Different coloured decor.

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I love colour. That is why I don't like this stuff.

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I love colour.

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There's a lot of grey.

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-Yes. Not 50 shades of...

-That is enough of that.

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That is enough of that. We don't want any more of that!

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Do you mind me asking how much you paid for them?

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I think it was about £100 for the pair.

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-£100 for the pair.

-I think around about that.

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Well, I think you've done jolly well.

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I believe that if you estimate them at £150, £200 for the pair,

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hopefully, you're going to get your money back.

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-Well, that would be good.

-It has been a pleasure to meet you two.

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A pleasure meeting you.

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And we look forward to seeing you at the auction.

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-Thank you.

-Thank you very much. Thank you.

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Jackie might call them dull,

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but I think someone will appreciate these lovely sketches.

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Now, David has found a bird of a very different feather.

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-Hello, Vicky.

-Hello.

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Now, you are wearing an owl brooch.

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How long have you owned this brooch?

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Well, my cousin gave it to me about seven, eight years ago.

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What happened, when her mum died, my aunt, she gave me this tin.

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So I took the tin home, put it on the shelf

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-and left it for about just over a month or more.

-Right.

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Opened the tin, turned the jewellery out, and that man had been there.

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-Out popped this owl, yeah.

-She didn't even know that was in there.

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-No. So it was a bit of a windfall, really.

-That was, yes. Yeah.

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Let's have a close look at this.

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Now, what we have is a 14-carat gold Continental brooch.

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It would be better if it were English,

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in which case it would be 18-carat or probably 22.

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But it is very nice anyway. It has tiger's-eye eyes.

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Now, the tiger's eye is a semiprecious stone, which has

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a sort of three-dimensional quality.

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If you were to shine a light into it and just move around the gemstone,

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it has the effect almost of following you around.

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-If we were to melt this, it would melt at about £200.

-Right.

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But it is worth a bit more than its melt value,

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mainly because people collect anything to do with owls.

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People collect owls because owls signify wisdom.

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Apart from that, they have a sort of stateliness, don't they?

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-Have you ever seen a barn owl in flight?

-Yeah.

-They're wonderful...

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-They're lovely.

-..wonderful birds, really.

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So people get quite sentimental about them as creatures.

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I think it is lovely. It is beautiful quality.

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It sits there, slightly cheeky little look on its face,

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-a bit like you, if I may say so.

-Like me!

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And, you know, people are going to like that.

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People are going to fall in love with it, I think.

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So if we were to estimate it at £200 to £300,

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put a reserve of £200 on it.

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-Right.

-Would that be all right by you?

-Certainly.

-Good.

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And what can I say, really,

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except that it has been a pleasure meeting you.

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And a pleasure meeting you.

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-You've made us all laugh.

-As usual.

-As usual.

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So it has been good fun

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and let's hope we have even more fun at the sale.

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-Yes, lovely, thank you very much.

-I'll see you there, Vicky.

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Yeah, thank you.

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Let's see if wise old David is right about the owl valuation

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when it goes under the hammer.

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As our experts keep busy, time to find out about another

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extraordinary feature of the cathedral.

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Covering the ceiling here are 1,000 wooden carvings, known as bosses.

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Often found in churches,

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they were used to decorate the intersections of the vaulted roof.

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But these medieval ones are particularly special,

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as the Vice-Dean of Norwich, Jeremy Haselock, can tell us.

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They are a long way up and I know we can't see them

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clearly from down here, but I know they depict Biblical scenes.

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Can you tell me more about them?

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Yeah, well, you start at one end with the act of Creation,

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God creating Heaven and Earth.

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Then they work through the creation of the animals, Adam and Eve,

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the story of Adam and Eve.

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We get Noah and the flood. We get Moses and the Pharaoh.

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And then it goes right the way through to the Last Judgment.

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So, in other words, it is the beginning and the end.

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-It's the story.

-The whole story.

-It is the complete story.

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I know they are incredibly decorative,

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-but they do have a function and a purpose, don't they?

-Yeah.

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Well, a lot of people would like you to

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believe that they are there as a poor man's Bible.

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In other words, nobody could read, so they could see these images.

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But they'd have to have pretty good eyesight to really pick out

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the details there.

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I know, let's see,

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the people that carved these would have had a bit of artistic licence.

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Would it reflect anything to do with Norwich itself?

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Well, if you look at the one of Pharaoh

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and his chariots being overturned in the Red Sea...

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It is very graphic. The sea is red, literally.

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But what you see for Pharaoh's chariot is not what we see

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in Ben Hur or anything like that.

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What you have actually got is a Norfolk farm cart.

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-Really?

-So it is what they knew.

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The Last Supper, you know, the bread there that is on the table is

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a sort of loaf that you'd find in a 15th-century Norwich home.

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-So it's...

-That's lovely.

-It is full of homely touches like that.

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-Very nice, though. Very nice. Thank you for talking to me.

-Not at all.

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Thank you.

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From the celestial heavens of the Benedictine monks to something

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that reflects the power and the influence of a very different order.

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-Well, Rob and Sal, thank you for coming.

-Hello.

-Thank you.

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You have brought along a Masonic watch in the form of a triangle.

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Tell me, who owns it?

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It was my grandfather's. He used to spend a lot of time in the Masons.

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He died when I was six,

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so I didn't really know him that well. My father didn't

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carry on being in the Masons, so we have kept it in the family.

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But it always seemed quite an interesting watch.

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They are fascinating. Have you worn it?

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Have you worn it as a piece of jewellery?

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No. And it is so beautiful.

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-It is quite heavy as well, it's quite big.

-Yeah.

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And this watch comes from the early 20th century.

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It is in nine-carat gold.

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And it has got what I think is one of my favourite materials.

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It is mother of pearl.

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And on the dial, you have the symbols of the Masonic world -

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the Masonic gavel,

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the compass and square,

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the skull and crossbones,

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the all-seeing eye,

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and it has this wonderful quote on the base here.

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"Love your fellow man, lend him a helping hand."

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-Have you ever read that on there?

-Yeah.

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-Wouldn't that be nice if everybody did that?

-It would be.

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It would be really good, wouldn't it?

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And was it given as an award or was it just a bit of jewellery?

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It's not... No, it is not given as a medallion.

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So it is not a medallion.

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-You're not a medallion man.

-It is not a jewel. It is not a jewel, no.

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It would be a working watch. It is a status symbol.

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Why are you selling it?

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I haven't been a Mason.

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My father is not a Mason. We haven't got a Mason in our...

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In your blood, so to speak.

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In our blood, so to speak, so it is just a piece that we have had.

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And just wanted to use the money for something that we can enjoy.

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-Absolutely.

-Or me.

-Or you.

-Yes!

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So, the valuation, what's it worth?

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I'm going to be quite bullish and say £1,000.

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-I think you estimate it at 1,000 to 1,500.

-Uh-huh.

-Uh-huh.

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Where do you place the reserve?

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I think you place the reserve round about the £900 mark.

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-If you're happy with that, we will go for it.

-Yeah.

-Yeah?

-Yeah.

-Yeah.

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-OK, great. Thank you.

-Thank you for bringing it along.

-Thank you.

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But don't go spending all the money.

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I'm not sure, Thomas, it sounds as if Sal has her own plans.

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Beyond the main nave are the largest monastic cloisters in England.

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It's here that for 500 years the community of Benedictine monks

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spent their time studying.

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David Fletcher is doing the same with an object given to Jill.

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-Hello, Jill.

-Hello.

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And thank you for coming out into these very picturesque

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but rather cold surroundings.

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They were hardy people, these monks, weren't they?

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Anyway, what you have brought in with you has really warmed me up.

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Good.

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Now, I love this necklace.

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Graduated pearls, fastened by this sapphire link,

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with a diamond surround.

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The sapphire is pointy.

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In other words, it's a cabochon sapphire.

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But the crucial thing that we really need to think about

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is whether or not these are natural or cultured pearls.

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Do you have a view on that?

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-No, only that I'd like them to be the most valuable.

-OK.

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I'm not surprised.

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It would be nice if they were natural, but they're not.

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They are cultured.

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Which does fairly dramatically affect their value.

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-Now, are you ready for a little jewellery lesson?

-Yes.

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What we do if we want to create a cultured pearl

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is just put any sort of foreign body, really, into a mollusc

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and allow the pearl to build up round it.

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In nature, that happens naturally.

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Hence, natural pearls.

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If we're talking about cultured pearls,

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it's something which is achieved

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with a little bit of help from mankind.

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I always think the great thing about pearls

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is you can dress them up or dress them down.

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You could wear it with a pullover.

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On the other hand, it looks stunning with a nice black cocktail dress.

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So they are adaptable but, at the moment,

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not as fashionable as they were.

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So I've sounded all the alarm bells, really,

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and I'm now going to give you a valuation.

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And I hope that you don't walk out on us here and now.

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A natural pearl necklace like this might be worth £2,000 to £3,000.

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A cultured pearl necklace like this is worth nearer £200 to £300.

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-That's fine.

-OK, you're very philosophical. Thank you.

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OK, let's turn to the second item, which I think the auctioneers

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will probably want to sell as a separate lot.

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I would have thought probably, yes.

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And these are seed pearls in a 22-carat gold setting.

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And I think, from the commercial point of view,

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the problem with jewellery of this nature

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is it's a little bit too fussy.

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It speaks a bit of that high Victorian style,

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-which is not terribly commercial today.

-No.

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There is another aspect of the brooch, which we should mention,

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and that is the fact that it can be worn as a pendant.

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There is a suspension loop.

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I rather like this sort of thing.

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But there is some market resistance to it, really.

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-I would expect this will make between £50 and £80.

-Right.

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-If we estimate it at that sort of money, we'll do well with it.

-Fine.

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But I would urge people

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looking to get into buying and collecting jewellery

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to be mindful of the fact that these things

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can be picked up really quite cheaply.

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I mean, so often people say something's affordable

0:16:020:16:04

and they're talking about lots of money.

0:16:040:16:06

But I think an object like that really is affordable.

0:16:060:16:09

So if you're happy with that and we'll go ahead at that estimate.

0:16:090:16:13

-And I'll see you at the sale.

-Thank you.

0:16:130:16:15

Before we head off to auction,

0:16:150:16:17

it's time for me to take the opportunity to look around the area.

0:16:170:16:21

Take a look at the Norfolk Broads and you'll be forgiven for thinking

0:16:260:16:29

these surroundings haven't changed in thousands of years.

0:16:290:16:32

But you'd be wrong.

0:16:320:16:34

This has been a dramatically shifting landscape for at least 3,000 years

0:16:350:16:38

and it has owed much of its change to two things,

0:16:380:16:41

water and this stuff - peat.

0:16:410:16:43

I'm off to find out how this boggy substance

0:16:430:16:46

has not only changed the landscape

0:16:460:16:48

but the fortunes of the Broads.

0:16:480:16:50

The Norfolk Broads are an incredible phenomenon.

0:16:500:16:53

Six rivers and dykes wend their way for 125 miles through the county.

0:16:530:16:59

The area making up just over 300 square kilometres of Britain's

0:16:590:17:04

largest protected wetland.

0:17:040:17:07

I've come to meet education officer Nick Sanderson,

0:17:070:17:10

from the Broads Authority,

0:17:100:17:12

who can explain how this dramatic terrain was formed.

0:17:120:17:15

All is not what it seems.

0:17:170:17:20

-No, this is really a man-made landscape.

-Yeah.

0:17:200:17:22

So if we go back 4,000 years, it was an area of swampy woodland

0:17:220:17:25

with reeds and sage and things like that.

0:17:250:17:28

And that laid down massive deep peat deposits.

0:17:280:17:32

But if you came forward 2,000 years from then to the Roman times,

0:17:320:17:36

about 2,000 years ago, the place was a great big estuary.

0:17:360:17:40

It was underneath the sea.

0:17:400:17:42

And the sea was laying down layers of clay on top of that.

0:17:420:17:45

How deep do you have to dig down in this area to find peat?

0:17:450:17:49

Here, probably one-and-a-half metres.

0:17:490:17:54

Now, you've got an auger,

0:17:540:17:56

it's a rod that goes right down.

0:17:560:17:58

-Now, that is about eight feet under the ground now.

-Yeah, it is.

0:17:580:18:01

And that's filling up with clay and peat.

0:18:010:18:04

So hopefully it's going to show us the change of level.

0:18:040:18:07

Give it a few more twists, then.

0:18:070:18:08

A few more twists and see what we've got. There we go.

0:18:080:18:11

Here we go.

0:18:110:18:13

There we go.

0:18:160:18:18

Because cutting through clay, if that clay is quite solid,

0:18:190:18:23

-that's hard work, isn't it?

-That's right.

0:18:230:18:25

The clay layer is really difficult to cut through.

0:18:250:18:27

But beneath the clay, if I scrape it, hopefully...

0:18:270:18:31

Oh, that's peat, isn't it?

0:18:310:18:33

That's right. We're into peat.

0:18:330:18:36

And these bits of trees that we can see here,

0:18:360:18:39

these were probably buried, I don't know,

0:18:390:18:42

1,000, 1,500 years ago.

0:18:420:18:45

And peat has an incredible property,

0:18:450:18:47

that it doesn't really allow decomposition.

0:18:470:18:50

So when you dig it out of the ground...

0:18:500:18:52

-It's as it was.

-Pretty much, yeah.

0:18:520:18:55

It's like compressed wood and plant matter,

0:18:550:18:57

-which is why it burns so well.

-Gosh.

0:18:570:19:00

And fire was exactly what people needed.

0:19:000:19:03

By the 10th century firewood had become scarce.

0:19:030:19:07

Peat was a great new fuel,

0:19:070:19:08

which burned hotter and longer than ordinary wood

0:19:080:19:11

and would have been vital to cook and heat their homes with.

0:19:110:19:15

So what time in history did people realise, underneath that clay,

0:19:150:19:19

that peat was a valuable product?

0:19:190:19:21

By sort of the 10th century we do know that peat was being extracted.

0:19:210:19:27

And by medieval times, vast quantities were being extracted

0:19:270:19:31

because people had realised that it could be sold and traded and so on.

0:19:310:19:36

So in medieval times, it was being excavated on an industrial scale.

0:19:360:19:41

But rich landowners and the church controlled the area

0:19:420:19:45

and local tenant farmers had to get permission first to dig for peat.

0:19:450:19:49

They would have had a right of turbary,

0:19:500:19:53

which is the right to cut turfs.

0:19:530:19:54

And this is a turf.

0:19:540:19:56

And that's dried out.

0:19:560:19:58

Yeah, it's been dried out for a couple of years, really.

0:19:580:20:01

But 400,000 turfs like this a year

0:20:010:20:05

were burnt in the cathedral refectory in Norwich.

0:20:050:20:09

400,000?!

0:20:090:20:10

400,000 blocks like that would have been burnt.

0:20:100:20:13

I'm just thinking of the sort of intensity of people digging away.

0:20:130:20:18

But also horse and cart taking it to and fro

0:20:180:20:20

the cathedral and other great buildings.

0:20:200:20:23

A hive of activity in this area because of peat.

0:20:230:20:25

East Anglia, Norfolk in particular,

0:20:250:20:28

supported a really high population

0:20:280:20:30

for a rural area during medieval times,

0:20:300:20:33

largely because of the peat.

0:20:330:20:35

Well, look, I know it sounds like hard work getting through the clay,

0:20:350:20:38

and I'm sure it is, can I have a go?

0:20:380:20:40

Certainly, yeah.

0:20:400:20:42

-And you've got the right tools here?

-Well, there's a peat cutter.

0:20:420:20:45

Which is what they would have used.

0:20:450:20:47

It's called a becket.

0:20:470:20:49

And it would have been used to actually cut the turfs out.

0:20:490:20:52

But this is a bit of an antique, so I think we'll use...

0:20:520:20:56

a conventional spade.

0:20:560:20:58

And if you'd like to just have a go at digging...

0:20:580:21:02

I mean, there's going to be a lot of tree roots here naturally.

0:21:020:21:04

Absolutely.

0:21:040:21:06

Gosh, that's softer than I thought.

0:21:070:21:09

-That's what I thought it'd be like on the first one.

-Yeah.

0:21:110:21:15

I broke it.

0:21:160:21:18

Well, clearly, with one spadeful,

0:21:180:21:22

just that depth, I'm not going to find peat.

0:21:220:21:24

But it gives me an idea of what you've got to do.

0:21:240:21:28

And it is hard work, isn't it?

0:21:280:21:30

-That's a big block.

-Cor...!

0:21:300:21:32

Yeah, I wouldn't like to stand there and do that all day long.

0:21:320:21:36

Mind you, you'd have great stomach muscles, wouldn't you?

0:21:360:21:39

That's hard work.

0:21:390:21:41

Hard grind and excavation went on for 200 years,

0:21:410:21:44

by which time it is estimated locals had dug up

0:21:440:21:48

250,000 cubic metres of peat.

0:21:480:21:51

Which is equivalent to 100 Olympic-sized swimming pools today.

0:21:510:21:56

The result was vast shallow quarries cut into the land,

0:21:560:22:00

on occasion, stretching for miles.

0:22:000:22:02

By the 14th century, the landscape was transformed again.

0:22:020:22:06

Once more, water levels rose.

0:22:060:22:08

This time pouring in, flooding into the quarries, creating great lakes,

0:22:080:22:12

what we now call the Norfolk Broads.

0:22:120:22:15

Next to the new man-made lakes were marshy pastures,

0:22:180:22:21

perfect for raising sheep.

0:22:210:22:23

And by the Middle Ages, the wool trade in Norfolk was booming.

0:22:230:22:26

But there was something else besides the nutrient-rich fields

0:22:260:22:30

that helped transform the area from a backwater to a major player.

0:22:300:22:35

Landowners and wool traders realised that, with access to the Continent,

0:22:360:22:40

they could be sitting on a gold mine.

0:22:400:22:42

But how could they get their product to sea?

0:22:420:22:45

Well, the answer was to hire Dutch engineers

0:22:450:22:48

with skills in building dykes.

0:22:480:22:50

Problem solved.

0:22:500:22:51

They created a network of channels linking the rivers to the Broads

0:22:510:22:55

with access to ports like Norwich.

0:22:550:22:57

Now the wool could reach ships

0:22:570:22:59

and now the ships could find fresh markets overseas.

0:22:590:23:02

Norwich became the second wealthiest city to London.

0:23:060:23:08

Wool and farming products were carried up and down the waterways.

0:23:080:23:12

And by the 17th century, all manner of goods were transported

0:23:120:23:16

on distinctive flat-bottomed boats called werries.

0:23:160:23:20

But there was one more change for the Broads.

0:23:220:23:25

By the turn of the 20th century, industry was replaced with tourism,

0:23:310:23:35

as holiday-makers flocked to the area.

0:23:350:23:37

The Norfolk Boards is the largest area in Britain

0:23:370:23:40

for those seeking a holiday afloat.

0:23:400:23:42

You can hire a boat here any time between Easter and October.

0:23:420:23:46

The old werries had almost gone.

0:23:470:23:49

And in their place, pleasure boats were specially designed

0:23:490:23:52

for these shallow waterways.

0:23:520:23:54

Hunters Yard, which built some of the first yachts,

0:23:550:23:58

is still going strong today,

0:23:580:24:00

hiring them out to amateur sailors, like Ian Cartwright.

0:24:000:24:04

I love these old classic sail boats.

0:24:040:24:07

I mean, they are right up my street.

0:24:070:24:09

-They are a delight to sail.

-Are they?

-Yes, they really are.

0:24:090:24:12

They do exactly what you want them to do

0:24:120:24:14

and you get an awful lot of feedback from them.

0:24:140:24:17

They're not hard work, like so many of the other hire boats were.

0:24:170:24:20

Do you get a chance to take these boats out much?

0:24:200:24:22

Not as much as I'd like.

0:24:220:24:24

I have a whole month all to myself every year

0:24:240:24:27

and what I like about them is it's you against the wind and the tide.

0:24:270:24:31

And by the time you come to the end of the day you think,

0:24:310:24:33

"That was a very good day.

0:24:330:24:35

"I have got here without starting a diesel engine,

0:24:350:24:37

"just under my own fair wit."

0:24:370:24:38

Strange to think that Norfolk's unique landscape was built

0:24:420:24:46

on the blood, sweat and industry

0:24:460:24:48

of those early peat diggers.

0:24:480:24:49

And that, in turn, their quarrying came about as a result

0:24:490:24:54

of the thousands of years of the natural ebb and flow

0:24:540:24:56

of one of the most valuable resources -

0:24:560:24:59

water.

0:24:590:25:01

Back at the valuation day, let's remind ourselves

0:25:070:25:10

what we're taking off to auction.

0:25:100:25:13

There are Ian and Jackie's

0:25:140:25:16

black-and-white sketches of

0:25:160:25:18

exotic birds by Arthur Wardle

0:25:180:25:19

that Jackie hopes to replace with

0:25:190:25:21

something more colourful.

0:25:210:25:23

The collectors should be delighted to

0:25:230:25:25

get their claws into Vicky's gold owl brooch.

0:25:250:25:29

Jill's separate cultured pearl jewellery pieces,

0:25:300:25:33

which should make a good buy for someone.

0:25:330:25:36

And Sal and Rob have high hopes for the Masonic watch

0:25:360:25:39

belonging to his grandfather

0:25:390:25:40

when it goes under the hammer.

0:25:400:25:42

The power of the monks at Norwich Cathedral

0:25:450:25:48

extended to churches right across Norfolk, including those in Diss,

0:25:480:25:53

where our sale is today.

0:25:530:25:54

Of the 1,000 churches built in the county,

0:25:540:25:57

an amazing 659 have survived,

0:25:570:26:01

giving Norfolk the greatest concentration of medieval

0:26:010:26:05

places of worship in the world.

0:26:050:26:07

So we have come to TW Gaze in Diss to see

0:26:090:26:11

if our experts' valuations

0:26:110:26:13

will wield some influence in the saleroom.

0:26:130:26:16

On the rostrum today are two auctioneers - Ed Smith

0:26:180:26:21

and Robert Kinsella.

0:26:210:26:23

And here, they have set the commission at 15% including VAT.

0:26:230:26:28

The first lot to go under the hammer is Ian's pair of simple ink

0:26:280:26:32

bird sketches by highly respected wildlife artist Arthur Wardle.

0:26:320:26:37

I have a feeling, Ian, that with the restyling that is going on

0:26:370:26:40

-in your house, this wasn't to Jackie's taste.

-Not entirely, no.

0:26:400:26:43

-Too dull.

-Too dull. Arthur Wardle, too dull?!

-I know!

0:26:430:26:47

Well... OK, they are ink studies. OK? Pelicans and exotic birds.

0:26:470:26:51

But he specialised in animals, that was his genre.

0:26:510:26:54

-And I think he is a cracking artist.

-Yeah.

-I really do.

0:26:540:26:57

Let's just hope there's bird-lovers here.

0:26:570:26:59

I think there should be a few twitchers.

0:26:590:27:01

We are going to find out right now.

0:27:010:27:04

-Good luck, everyone.

-Thank you.

-It is going under the hammer.

0:27:040:27:07

And on these, I start in here with bids.

0:27:070:27:10

And I start straight in at 120. 120 I have. Is there 30?

0:27:100:27:13

Them two pictures here for 120 now.

0:27:130:27:16

130. 140. 150. 160.

0:27:160:27:18

170. 180.

0:27:180:27:19

180 still with me. If you want to be, 90. It is 180 still with me.

0:27:190:27:23

Where is the 90? We will be selling away at £180. Are we all done?

0:27:230:27:27

-Hammer is going down.

-Yep.

-That is a sold sound.

0:27:270:27:31

-£180.

-That's good!

-Well done, Thomas.

0:27:310:27:33

Well, that is brilliant, isn't it?

0:27:330:27:34

Done!

0:27:340:27:36

Yeah. So what are you going to put that towards? A meal out, I guess.

0:27:360:27:39

I don't really know yet cos Jackie hasn't told me.

0:27:390:27:42

THEY LAUGH

0:27:420:27:44

Well, I am sure Jackie has some good ideas.

0:27:440:27:47

Next, the early-20th-century Masonic watch,

0:27:470:27:51

the sort collectors clamour for. Sadly, we haven't got Rob.

0:27:510:27:55

-He's at work.

-No, he's a captain of industry today.

-Oh!

-Yes.

0:27:550:27:58

-He didn't want to take the day off, did he?

-Absolutely not.

0:27:590:28:02

Well, look, you are here. That is all that matters.

0:28:020:28:04

And your watch is here, that is the most important thing.

0:28:040:28:07

Now, since the valuation day, Thomas,

0:28:070:28:09

you put in a valuation of 1,000 to 1,500.

0:28:090:28:12

-Yes.

-With a reserve at 900.

-Yes.

0:28:120:28:14

You have had a chat to the auctioneer in the last few weeks

0:28:140:28:16

-and you have upped that reserve.

-Yes.

0:28:160:28:19

-Which means the valuation now starts at the reserve of 1,500.

-OK.

0:28:190:28:24

-But it has got to reach 1,500 for it to sell.

-Yes.

0:28:240:28:26

-Otherwise it goes home with you.

-Yep, back under the bed.

0:28:260:28:29

-You don't mind that.

-No, that's fine.

0:28:290:28:31

-Do you know... Back under the bed?

-Yeah.

-Has it been under the bed?

0:28:310:28:34

-What is it doing under there?

-Well, it's just kind of...

0:28:340:28:37

-In a box under the bed?

-Yeah. As good a place as any.

0:28:370:28:40

I suppose it is, in a way. Yeah.

0:28:400:28:42

Right, Thomas, will it still sell or will it struggle?

0:28:420:28:45

Cos that's now at your top end of the estimate.

0:28:450:28:48

Well, I think they are quite desirable.

0:28:480:28:50

Even the silver ones sell for 800, 900. This is nine-carat gold.

0:28:500:28:54

-So you were being cautious?

-I was being cautious.

0:28:540:28:57

-It was definitely a seller at 900.

-Yes.

-Definitely. Here we are.

-OK.

0:28:570:29:01

We're going to start at £800. I'll take 50. It's £800 bid.

0:29:020:29:06

Is there 50 now?

0:29:060:29:07

850. 900. 50. 1,000.

0:29:070:29:11

1,100. 1,200.

0:29:110:29:14

1,300 bid. 1,300 bid now. Is there any advance?

0:29:140:29:17

At £1,300 bid. £1,300 bid.

0:29:170:29:20

Is there 1,400 anywhere?

0:29:200:29:22

-Come on. Just two, isn't there?

-1,300 now. Any advance anywhere?

0:29:220:29:25

-1,300, any advance?

-Not selling.

0:29:250:29:28

-He didn't sell it. It didn't reach the reserve.

-That's fine.

0:29:280:29:31

You are happy with that. You wanted 1,500.

0:29:310:29:33

It was meant to be.

0:29:330:29:35

-OK. We give it a try, didn't way?

-We did.

0:29:350:29:36

Sal is taking that home,

0:29:360:29:38

but she seems happy to put it back under the bed for now.

0:29:380:29:41

Our third lot is Jill's charming pearl necklace and brooch

0:29:430:29:47

made from cultured pearls.

0:29:470:29:48

And Jill has big plans for the proceeds of the sale.

0:29:480:29:51

I'm going out to Australia in the autumn to see my son.

0:29:530:29:56

I've never been before.

0:29:560:29:57

Oh, fingers crossed you're going to love that. I've been twice.

0:29:570:30:00

-It's really nice.

-To Perth.

-Good luck.

0:30:000:30:01

Right, we need money to get Jill out to Australia.

0:30:010:30:05

Pearls come in and out of fashion, don't they?

0:30:050:30:08

But I think this particular necklace will sell OK.

0:30:080:30:12

We're selling in two lots.

0:30:120:30:13

The necklace first and then we've got the brooch.

0:30:130:30:16

-Necklace first and then the brooch. Ready for this?

-Fine.

0:30:160:30:19

Here we go. This is it.

0:30:190:30:20

And on this one, bids are in here at 160.

0:30:200:30:24

Taking 170. At 160 as you see it.

0:30:240:30:26

Come on...

0:30:260:30:28

160 the bid now. I'll take 170.

0:30:280:30:29

At 170. 180.

0:30:290:30:31

180. 190.

0:30:310:30:32

He's got a bid on the book. He keeps looking down.

0:30:320:30:35

260. 280.

0:30:350:30:37

280 the bid.

0:30:370:30:38

It's on commission at 280.

0:30:380:30:39

Is there 300 anywhere? £280 on commission.

0:30:390:30:42

Any advance? We sell at 280.

0:30:420:30:44

He's selling at 280. That's OK.

0:30:440:30:46

That's good news.

0:30:460:30:47

We can get in the swing of things now and say, "Beauty, mate!"

0:30:470:30:51

And here's the next lot.

0:30:510:30:54

And I'm going to have to start in at £80.

0:30:550:30:59

I'll take 5.

0:30:590:31:00

£80 the bid. Is there 5 now?

0:31:000:31:01

80 I'm bid. Is there 5 now?

0:31:010:31:04

-85.

-Yes!

0:31:040:31:05

90.

0:31:050:31:07

When the first bid comes in, that starts the rest of it.

0:31:070:31:10

We're £100 the bid. Is there 10 anywhere else?

0:31:100:31:12

At 110. 120.

0:31:120:31:14

120, then.

0:31:140:31:15

Still with me on commission at £120.

0:31:150:31:17

Are you all done at the back with 120?

0:31:170:31:20

-£120 sold.

-That's lovely.

0:31:200:31:22

-That's good, isn't it?

-That's excellent, yes.

0:31:220:31:24

That rounds it up to £400.

0:31:240:31:26

Oh, your maths is better than mine.

0:31:260:31:29

I think the trade is perhaps stronger for pearls than I feared.

0:31:290:31:31

So I'm delighted.

0:31:310:31:33

Well, Jill seems pleased with the nice little nest egg

0:31:330:31:35

for her big trip down under.

0:31:350:31:37

Well, our next lot is a bit of a hoot.

0:31:370:31:39

Yes, it is that owl brooch belonging to Vicky,

0:31:390:31:41

who is right next to me.

0:31:410:31:43

-I like this.

-Good fun, isn't it?

0:31:430:31:45

-Yeah.

-Like you, it's good fun.

-I know. I always am.

0:31:450:31:48

-Well, we are looking for £200 to £300, aren't we?

-Right.

0:31:480:31:51

Owls, pigs, kangaroos and camels.

0:31:510:31:54

They are the four that do it for the collectors,

0:31:540:31:56

for some unknown reason.

0:31:560:31:58

But owls are top of the list. Here we go, let's find out.

0:31:580:32:01

Run of bids here put me in at 150. I'll take 160 on the owl.

0:32:010:32:06

150 to bid.

0:32:060:32:07

160. 170. 180. 190.

0:32:070:32:10

190 bid. Is there 200 now?

0:32:100:32:11

Yeah, we'll get a lot, look.

0:32:110:32:13

220. 230. 240.

0:32:130:32:16

Carry on.

0:32:160:32:17

-Carry on.

-250. 260.

0:32:170:32:19

270. 280.

0:32:210:32:23

280 at the back. At 280 the bid now.

0:32:230:32:25

290. 300.

0:32:250:32:27

Top end of the estimate.

0:32:270:32:29

At the back with you, sir, then at 300. And selling...

0:32:290:32:31

300.

0:32:310:32:33

-Well done, David.

-Lovely.

0:32:330:32:34

-Well done, Vicky. Top end.

-Yeah!

0:32:340:32:36

Top end - owls are in!

0:32:360:32:38

That is a great result for something Vicky had no idea

0:32:390:32:43

lay nestled in a box of trinkets.

0:32:430:32:45

Well, that concludes our first visit to the saleroom today.

0:32:460:32:49

We are coming back here later in the show, so don't go away.

0:32:490:32:53

Now, while we were here in area filming,

0:32:530:32:55

I had the opportunity to visit a house in the north of the county.

0:32:550:32:59

And I saw what could be achieved

0:32:590:33:01

when somebody was determined to leave their mark on history.

0:33:010:33:05

In the heart of this 1,000-acre estate in North Norfolk,

0:33:160:33:19

is one of the most remarkable

0:33:190:33:21

country houses in Britain, Houghton Hall.

0:33:210:33:24

As magnificent as any royal palace, it was built in the 1720s

0:33:240:33:28

and remains relatively untouched by time.

0:33:280:33:31

Looking at it,

0:33:310:33:32

you'd think it belonged to a member of the aristocracy.

0:33:320:33:35

But no, it was a politician -

0:33:350:33:37

our first Prime Minister, Sir Robert Walpole.

0:33:370:33:40

Walpole was born in 1676 into a family of Norfolk gentry that

0:33:410:33:46

had owned the estate for generations.

0:33:460:33:49

And at the age of 25, the young Robert followed in his father's

0:33:490:33:53

footsteps into a career in politics.

0:33:530:33:55

The political scene at the time was undergoing a prolonged

0:33:590:34:02

and major upheaval.

0:34:020:34:04

The balance of power was shifting from the monarch to Parliament

0:34:040:34:08

and politicians had divided into rival factions,

0:34:080:34:11

making the House of Commons a tempestuous place to be.

0:34:110:34:14

Robert Walpole was adept at navigating these turbulent

0:34:160:34:19

political waters, but it wasn't easy.

0:34:190:34:22

At one time, he was locked up in the Tower of London

0:34:220:34:24

for six months on trumped-up charges of corruption.

0:34:240:34:28

Nevertheless, with a nose for finance,

0:34:300:34:32

he quickly rose through the ranks.

0:34:320:34:34

In 1721, he took the position of the First Lord of the Treasury,

0:34:340:34:39

or as it is known for the first time, the office of Prime Minister.

0:34:390:34:43

Robert Walpole had arrived.

0:34:430:34:45

To reflect his new power,

0:34:460:34:47

Walpole set about building a magnificent country house,

0:34:470:34:51

not only to echo his political status

0:34:510:34:54

but also his notoriously extravagant lifestyle. And this was the result.

0:34:540:34:59

Houghton Hall.

0:34:590:35:01

It is a classic example of English Palladian architecture

0:35:010:35:04

inspired by the ancient temples of Rome and Greece.

0:35:040:35:08

But it is when you go inside that you really see the extent

0:35:090:35:13

of Walpole's vision.

0:35:130:35:14

Like all the interiors here at Houghton,

0:35:200:35:22

this grand staircase with its hand-painted wall panellings

0:35:220:35:25

is the work of the up-and-coming architect

0:35:250:35:28

and interior designer William Kent, who was the fashion of the day.

0:35:280:35:32

He was commissioned by Walpole to fit the house out

0:35:320:35:35

at no expense spared,

0:35:350:35:37

and that man really did have talent.

0:35:370:35:40

I can't wait to look around.

0:35:430:35:44

But before I do, I'm going to meet John Marchant,

0:35:440:35:47

the head guide here at Houghton,

0:35:470:35:49

to uncover Walpole's vision of a grand country seat.

0:35:490:35:53

What was Robert Walpole trying to show with the design of this house?

0:35:560:36:00

Well, he was a Norfolk man through and through. This was his home.

0:36:000:36:03

It reflected his rise to power in politics,

0:36:030:36:06

his love of the arts.

0:36:060:36:09

And so he incorporated fine furniture design,

0:36:090:36:12

picture design, fabric design.

0:36:120:36:15

In every one of the state rooms,

0:36:150:36:17

there's a visual reminder of whose house you are in.

0:36:170:36:19

Because up on the ceiling or on the mantelpiece or somewhere,

0:36:190:36:24

there will be a motif that represents Sir Robert Walpole.

0:36:240:36:27

"This is my house."

0:36:270:36:29

Usually, it is a garter star.

0:36:290:36:31

Sometimes it is an elaborate monogram of his initials.

0:36:310:36:35

And so as you go through from room to room, you get these three aspects

0:36:350:36:40

of his idea behind the construction of the house all welding together.

0:36:400:36:44

We know he was a successful politician

0:36:440:36:46

and a lover of the arts, but what sort of man was he?

0:36:460:36:49

It depends to whom you speak, I should think.

0:36:500:36:52

There are those who believe he was a rogue.

0:36:520:36:55

And others who believe he was a statesman. It puts it in a nutshell.

0:36:550:36:59

And I think if you reflect on the fact that he ran

0:36:590:37:01

the country for 21 years,

0:37:010:37:03

21 years of pretty well unrivalled peace and prosperity,

0:37:030:37:07

that says a lot for the man as a statesman.

0:37:070:37:09

And maybe he cut some corners, maybe he did worse,

0:37:090:37:13

but the record at the end of his life really speaks for itself.

0:37:130:37:17

Time to have a look at some of those features.

0:37:190:37:22

This gladiator strategically framed by the doorway

0:37:220:37:25

led the gaze of his visitors into the stone hall.

0:37:250:37:28

And this spectacular room was the first they would have seen.

0:37:280:37:32

You can just imagine the impact this hallway would've had on the guests

0:37:350:37:39

when they first set eyes on it. It is spectacular.

0:37:390:37:43

It is jaw-droppingly brilliant.

0:37:430:37:45

This is William Kent at his very best -

0:37:450:37:47

striking architectural detail.

0:37:470:37:49

And up there, you can see the family coat of arms.

0:37:490:37:52

There, look, in the ceiling.

0:37:520:37:54

And I think here has to be the centrepiece -

0:37:540:37:57

a marble bust of the man himself, Robert Walpole.

0:37:570:38:00

There, look, in a frieze of Roman emperors.

0:38:000:38:03

So he surrounded himself with the great.

0:38:030:38:06

And here is a nice touch of vanity, look,

0:38:060:38:08

you see the Order of the Garter here,

0:38:080:38:10

look, neatly showing in one of the folds of the toga.

0:38:100:38:13

I like that.

0:38:130:38:15

Every room reflects his political manoeuvrings.

0:38:150:38:18

To see how shrewd an operator he was when it came to the economy,

0:38:180:38:22

you must step into the saloon.

0:38:220:38:24

Up until the 18th century,

0:38:240:38:26

walnut had been the wood of choice for cabinet-makers.

0:38:260:38:29

But the European supplies were dwindling

0:38:290:38:31

and it was far too costly to import it from further afield.

0:38:310:38:34

So to bolster up these supplies,

0:38:340:38:36

Walpole dropped all the import duties, the taxes on wood imported

0:38:360:38:40

from the colonies such as the West Indies, which introduced mahogany.

0:38:400:38:44

As you can see, look, this is a lovely example of Cuban mahogany.

0:38:440:38:47

Wonderful tight grain. And it lends itself beautifully to being carved.

0:38:470:38:52

And it's exciting to look at.

0:38:520:38:54

So not only did Walpole fit his house out with it, but he also

0:38:540:38:57

introduced that golden age period

0:38:570:38:59

of mahogany for cabinet makers such as Thomas Chippendale.

0:38:590:39:03

The whole house was designed with one thought in mind -

0:39:040:39:07

to impress upon anyone who entered that this was a true seat of power.

0:39:070:39:12

But by the time he died in 1745, at the age of 68,

0:39:120:39:16

his fortunes had changed.

0:39:160:39:18

His extravagant lifestyle

0:39:180:39:20

and spending on this house left him mired in debt,

0:39:200:39:24

forcing his heirs to even sell off the contents of the house.

0:39:240:39:27

It was a sorry end to an incredible life.

0:39:270:39:30

Walpole helped sow the seeds of our modern political system.

0:39:330:39:36

After all, he was our first Prime Minister.

0:39:360:39:38

He established Number 10 Downing Street

0:39:380:39:41

as the official residency for the Prime Minister elect.

0:39:410:39:44

But I think his personal legacy definitely has to be

0:39:440:39:47

this magnificent house, Houghton Hall,

0:39:470:39:50

which projects Robert Walpole's image

0:39:500:39:52

of how he wanted to be seen and remembered - a powerful,

0:39:520:39:55

influential man with a taste for the finer things in life.

0:39:550:39:59

Back at our valuation day venue, Norwich Cathedral,

0:40:040:40:07

David has come across a fascinating book of local interest.

0:40:070:40:10

-Hello, Jeff.

-Hello.

-Thank you for coming to "Flog It!" today.

0:40:140:40:18

-And you have two books with you.

-Yes.

0:40:180:40:20

And I am itching to have a look at what they are all about.

0:40:200:40:24

-Shall we start with this one?

-Yes. That is the Royal Calendar for 1767.

0:40:240:40:28

1767.

0:40:280:40:30

I am going to thumb through it in a moment, but it strikes me

0:40:300:40:32

as if it is a sort of mid 18th-century Wikipedia, really.

0:40:320:40:36

-Almost, yes. Yes.

-It is a book of facts, isn't it?

-Yes, it is. Yes.

0:40:360:40:40

Well, let's have a little look.

0:40:400:40:42

We start with a calendar

0:40:420:40:45

giving us key events for each month,

0:40:450:40:48

saints days and that sort of thing.

0:40:480:40:51

And then we move on and we find...

0:40:510:40:55

And I think this is amazing.

0:40:550:40:57

The anatomy of a man's body.

0:40:570:41:00

But it is slightly more than that because it relates

0:41:000:41:02

-the anatomy of a man's body to the signs of the zodiac.

-Yes.

0:41:020:41:05

So we start at the top with Gemini, that is the left shoulder.

0:41:050:41:10

We go around via Leo, Libra, Sagittarius.

0:41:100:41:13

And we end up with the private bits.

0:41:130:41:15

And I'm not going to actually say which sign of the zodiac

0:41:150:41:19

they represent.

0:41:190:41:20

I'll leave that to the man or woman who actually buys this book.

0:41:200:41:24

Then they'll find out exactly what I am talking about.

0:41:240:41:26

Anyway, that is that.

0:41:260:41:28

We then move on a bit.

0:41:280:41:31

And by complete contrast,

0:41:310:41:33

-we have the coats of arms of the dukes of England.

-Yes.

0:41:330:41:36

And then we have

0:41:360:41:38

officers of the Navy,

0:41:380:41:42

not only a description of their roles,

0:41:420:41:46

a description of their ranks, but also what they were paid.

0:41:460:41:49

-Yes. Fascinating.

-How extraordinary.

0:41:490:41:51

And it is interesting, isn't it, that these

0:41:510:41:53

were sort of considered to be key facts?

0:41:530:41:55

-Yes.

-These were the things you needed to know.

-Amazing.

0:41:550:41:59

Anyway, that's finished with that.

0:41:590:42:01

And the second book you have brought in is what?

0:42:010:42:04

White's Directory And Gazetteer for Norfolk.

0:42:040:42:07

-OK.

-From 1845.

0:42:070:42:10

Again, it is a sort of history

0:42:100:42:11

-and a list of every single parish in the county...

-OK.

0:42:110:42:14

..with details of the people and everything.

0:42:140:42:16

And it goes into some detail. Parish churches.

0:42:160:42:19

About the diocese itself.

0:42:190:42:21

-Yes.

-Monastic institutions.

0:42:210:42:24

And so on.

0:42:240:42:25

Condition, not great, I'm afraid.

0:42:250:42:28

-I appreciate that.

-Um...

0:42:280:42:30

Now, clearly, you want to sell these.

0:42:300:42:33

Yes, I'd like... Yes.

0:42:330:42:35

But my view is that you take a philosophical stance, really.

0:42:350:42:39

-OK.

-Hope for the best but be prepared for the worst.

0:42:390:42:43

-All right.

-And I would like to estimate them at £40 to £60,

0:42:430:42:47

if that is not too disappointing to you.

0:42:470:42:49

A little disappointing, but fair enough.

0:42:490:42:51

-I'll just keep my fingers crossed that somebody really wants them.

-OK.

0:42:510:42:54

-We'll hope for the best.

-Fine. Thank you very much.

0:42:540:42:56

We are in the right part of the world to sell them

0:42:560:42:59

and let's hope we have a good day.

0:42:590:43:01

While condition is important in books,

0:43:010:43:03

these little gems might find a history buff who's willing

0:43:030:43:07

to overlook the damage.

0:43:070:43:08

Over to Thomas now.

0:43:080:43:10

And he has found someone with strong links to the cathedral.

0:43:100:43:13

-Hello, Jennifer.

-Hello.

0:43:140:43:17

What are you wearing?

0:43:170:43:18

Is this a cross of St John or something?

0:43:180:43:21

-Yes, it is the cathedral badge.

-The cathedral...

0:43:210:43:24

-And does that mean you're...?

-I am a volunteer.

0:43:240:43:27

And what does a volunteer do?

0:43:270:43:29

A volunteer, in my case, greets visitors.

0:43:290:43:32

It is a really important job.

0:43:320:43:34

Well, it's enjoyable.

0:43:340:43:35

Yeah. Now we have asked what your badge is,

0:43:350:43:38

now we are going to ask you about this lovely, lovely belt.

0:43:380:43:41

Tell me about it.

0:43:410:43:42

-I got it by inheriting it.

-Yeah.

0:43:420:43:45

-Now, do you have any inclination to where it is from?

-No.

0:43:450:43:48

-I would love to know.

-OK.

0:43:480:43:51

-Well, it's Japanese.

-Japanese?!

-Yeah, it's Japanese.

0:43:510:43:54

-Is it?

-Yeah.

0:43:540:43:56

And this is enamel work.

0:43:560:43:58

And it is on a base metal.

0:43:580:44:00

So, base metal meaning brass, copper... Not a precious metal.

0:44:000:44:05

And we are looking at Japan in the late Meiji period,

0:44:050:44:09

which is the early 20th century,

0:44:090:44:12

when Japan really opened up

0:44:120:44:14

to the West and goods came out of Tokyo.

0:44:140:44:17

And what you have... Each of these has got a flower and a bird.

0:44:170:44:22

And in Japan, every single one of these flowers has a meaning.

0:44:220:44:26

Most of these meanings are to do with love, fertility, children, etc.

0:44:260:44:32

That is what all these are all about.

0:44:320:44:34

Against the enamel work is a texture.

0:44:340:44:37

You can see the texture on the metal to make it

0:44:370:44:40

look like there is a ground to it. Can you see that?

0:44:400:44:43

-Yes.

-And then the enamel work is applied on. It is almost like...

0:44:430:44:46

We call it champleve.

0:44:460:44:48

So it is a flat enamel.

0:44:480:44:50

Unfortunately, this enamel does crack,

0:44:510:44:54

as you can see.

0:44:540:44:55

So why have you brought it along?

0:44:550:44:58

I can't wear it any more, really, it is too small.

0:44:580:45:02

I mean, I am even surprised you got into it. I mean, it is...

0:45:020:45:05

I think maybe my five-year-old would probably wear it now.

0:45:050:45:08

It would probably go around my thigh!

0:45:080:45:10

Well, yes. And I keep damaging it.

0:45:100:45:13

But I revere it because I have inherited it.

0:45:130:45:18

But I have no use for it any more.

0:45:180:45:20

And I wish somebody else would be able to use it beautifully

0:45:200:45:24

-and gain from it.

-I think they will do.

0:45:240:45:28

Now, I think, out of all of these things, with the damage,

0:45:280:45:30

-one has to cut back.

-Yes.

0:45:300:45:33

-If it was perfect, it would be worth hundreds and hundreds.

-Really?

0:45:330:45:37

Yes, it would.

0:45:370:45:38

But I have to go with our typical auctioneer's estimate

0:45:380:45:41

of £80 to £100.

0:45:410:45:43

-Really?

-On this one.

0:45:430:45:44

Regarding reserve, I think we have a reserve with discretion.

0:45:440:45:48

So we are not going to give it away. It is a lovely thing.

0:45:480:45:50

-Will you come to the auction?

-Yes, please.

0:45:500:45:53

-Look forward to seeing you there.

-Thank you.

0:45:530:45:55

What an unusual piece.

0:45:550:45:56

And that could well pique someone's interest in the Orient.

0:45:560:46:00

We have one more item to find before we go off to auction.

0:46:000:46:03

I wonder who that is going to be. But I tell you what...

0:46:030:46:06

Feeling peckish anyone?

0:46:060:46:08

DOG BARKS

0:46:080:46:10

David has also found something we don't see every day on the show.

0:46:110:46:14

I can't think of anything that contrasts more strongly with

0:46:170:46:21

this magnificent vaulting in this medieval cathedral

0:46:210:46:24

than the simplicity of this amazing mug by Eric Ravilious.

0:46:240:46:29

-And this belongs to you, Terry.

-Well, it belongs to the wife, yeah.

0:46:290:46:32

The wife, OK.

0:46:320:46:34

-Well...

-It's not mine.

0:46:340:46:35

We have seen in our job hundreds

0:46:350:46:37

if not thousands of commemorative cups, saucers, mugs and so on.

0:46:370:46:43

Each one of which relates to a particular coronation.

0:46:430:46:46

-But very few of those are by Eric Ravilious...

-Right.

0:46:460:46:50

..as this one is.

0:46:500:46:51

And very few relate to the coronation

0:46:510:46:54

in 1937 of Edward VIII,

0:46:540:46:58

-which, of course, never took place.

-Sure, right, yeah.

0:46:580:47:00

I love the work of Eric Ravilious,

0:47:000:47:03

who I think is one of the 20th century's greatest designers.

0:47:030:47:06

He went to the Royal College of Art,

0:47:060:47:09

where he met a chap called Edward Bawden.

0:47:090:47:12

And the two of them forsook art and studied design.

0:47:120:47:17

And it shows, if you look at this particular object, I think.

0:47:170:47:22

The simplicity of line, the spareness of the decoration

0:47:220:47:26

and so on are all absolutely characteristic of Ravilious,

0:47:260:47:30

who was working, really, I suppose, in a sort of post-Art Deco period.

0:47:300:47:35

And you can see,

0:47:350:47:37

he was influenced by the Art Deco style in its very simplicity,

0:47:370:47:41

in the simple nature of the lines.

0:47:410:47:44

He has taken us one step beyond the Art Deco, I think.

0:47:440:47:48

So I love this very much.

0:47:480:47:50

To tell you the truth, I've always wanted to own one of these,

0:47:500:47:53

but I couldn't afford to buy one.

0:47:530:47:55

I am now going to tell you what I think it is worth.

0:47:550:47:58

But before I do that,

0:47:580:47:59

I'm going to say, will you and your wife miss it?

0:47:590:48:02

-Not really, no. That's the thing, we never really loved it, so...

-OK.

0:48:020:48:06

-It is just in the cabinet, and that is where it stays.

-OK.

0:48:060:48:10

One thing of course I should have said is that Eric Ravilious

0:48:100:48:13

-designed this for the Wedgwood factory.

-Yeah.

0:48:130:48:15

And the Wedgwood factory is a division-one factory.

0:48:150:48:19

By any standards.

0:48:190:48:20

-So that just adds to its appeal.

-Yeah.

0:48:200:48:22

Now, I think this will generate interest

0:48:220:48:25

throughout the world, really.

0:48:250:48:27

-And I am optimistic this will make £500.

-Oh, really? Wow.

0:48:270:48:32

What I'd like to do, if I may,

0:48:320:48:34

is suggest an estimate of 300 to 500,

0:48:340:48:37

place a reserve of £300 on it.

0:48:370:48:39

-Yeah, that's fine.

-And I think we can watch it fly away.

-Good.

0:48:390:48:44

I agree with David.

0:48:440:48:45

The magic combination of the Ravilious name

0:48:450:48:47

with the Wedgwood factory should ensure this beautiful piece flies

0:48:470:48:51

when it goes to auction.

0:48:510:48:53

Thomas has something in front of him

0:48:540:48:56

that beautifully reflects the boating traditions of the area.

0:48:560:48:59

Colin, tell me about this delightful watercolour you've brought along.

0:49:010:49:05

I actually found it when my father passed away

0:49:050:49:08

in a cupboard in his house.

0:49:080:49:10

I didn't even know it existed.

0:49:100:49:13

-You sound quite Norfolkie.

-I am.

0:49:130:49:16

-Born and bred.

-Indeed.

0:49:160:49:18

So do you the actual place?

0:49:180:49:21

-This is the Broads.

-Yes, the Broads.

0:49:210:49:23

I know the pub, I know the village.

0:49:230:49:26

-This is the pub here?

-Yes.

0:49:260:49:28

-What's the pub called.

-The Horning Ferry.

0:49:280:49:30

Horning Ferry.

0:49:300:49:32

-And the village is?

-Horning.

0:49:320:49:34

-In Horning? Still a pub today?

-Yes.

0:49:340:49:36

Without the thatched roof.

0:49:360:49:37

I can see it's got a thatched roof.

0:49:370:49:39

-I wonder if they serve good beer in that pub?

-They do.

0:49:390:49:42

We've done a little bit of research with this artist,

0:49:430:49:46

W Leslie Rackham.

0:49:460:49:48

And this dates from the early part of the 20th century.

0:49:480:49:51

-He had a yacht called Old Gonester.

-Really?

0:49:510:49:54

-Yeah. And this could be his yacht.

-Could be.

0:49:540:49:57

He did lots of watercolours of his yacht

0:49:570:50:01

within the Broads,

0:50:010:50:03

So to speak.

0:50:030:50:04

I'm just picturing a good beer, a scotch egg,

0:50:040:50:08

-maybe...

-Yes, yes.

0:50:080:50:10

..on your boat, nipping in and out of the pub for more beer,

0:50:100:50:13

with the sun on your back.

0:50:130:50:15

-It sounds a good day.

-It does, doesn't it? A very god day.

0:50:150:50:18

The thing about watercolours is they do lose a bit of colour

0:50:180:50:21

if they've been in the sun.

0:50:210:50:22

Your father, by keeping it in the cupboard,

0:50:220:50:25

has saved a lot of the colour.

0:50:250:50:27

You can still see the blue quite well here.

0:50:270:50:30

And I love the way he's done the reflection of the pub, real skill,

0:50:300:50:34

on the water with the ripple and the light.

0:50:340:50:37

I think this is going to be worth £100 to £150.

0:50:370:50:40

-Would you be happy to sell it at that?

-Mm-hm.

0:50:400:50:43

-Yes?

-Mm-hm.

0:50:430:50:44

Shall we fix a reserve

0:50:440:50:46

or have a reserve with a bit of discretion at £100?

0:50:460:50:48

I think the reserve at £100.

0:50:480:50:50

You will reserve at £100.

0:50:500:50:52

-No, I think it's worth doing, really.

-Good.

0:50:520:50:55

If I was staying longer, I'd go for a pint.

0:50:550:50:57

-But I'm not.

-No.

0:50:570:50:59

And now for my favourite part of the show.

0:51:020:51:04

Let's head straight to the auction and see what the bidders think.

0:51:040:51:08

There are Jeff's old history books.

0:51:080:51:10

But will their condition affect the price?

0:51:100:51:13

There is Jennifer's enamelled Japanese belt that conjures up

0:51:130:51:16

the mystery of the Orient at the turn of the 20th century.

0:51:160:51:20

There's the watercolour by W Leslie Rackham of a yacht

0:51:200:51:23

outside the local pub at Horning in good condition.

0:51:230:51:27

And a Wedgwood Ravilious mug designed to commemorate

0:51:270:51:30

Edward VIII's coronation but withdrawn from sale

0:51:300:51:34

when the big day was cancelled.

0:51:340:51:36

So it is back to the saleroom, where auctioneer

0:51:390:51:41

Ed has taken to the rostrum.

0:51:410:51:43

First, it is the two old reference books dating to the 18th

0:51:430:51:47

and 19th centuries that list miscellaneous and fascinating facts.

0:51:470:51:52

-Jeff, fingers crossed, good luck.

-Right, hopefully.

0:51:520:51:55

Our only books in the sale today. This is quite an odd one.

0:51:550:51:58

We've got two leather-bound books.

0:51:580:52:00

One is the Royal Calendar and one, the history of Norfolk.

0:52:000:52:02

And it is not a lot of money, what, £40 to £60? It's nothing.

0:52:020:52:05

Condition lets it down, but look beyond that

0:52:050:52:08

and I think you've got a good investment here.

0:52:080:52:10

Let's put it to the test. Here we go.

0:52:100:52:11

I do have conflicting bids, so I have to start in at £38.

0:52:110:52:17

-38 I have. 40.

-Yes, someone in the room, look. And that lady is keen.

0:52:170:52:22

-42. 45.

-How can you tell?

-Look, she is not putting her hand down.

0:52:220:52:26

-OK.

-50 with the lady. Is there a five? Is £50 now.

-Determination.

0:52:260:52:30

Is there five? We will be selling at £50.

0:52:300:52:32

-Are we all done?

-Check the back, late legs.

-New bidder.

0:52:320:52:35

Are you 60? One more, 60.

0:52:350:52:37

-60.

-He's out, she's in.

0:52:370:52:39

60 back with the lady. 60 it is. Is there five?

0:52:390:52:41

We will sell it away at £60.

0:52:410:52:42

-£60. Sold.

-Right.

-Well done. Great man.

-Paul, after all these years,

0:52:440:52:49

-you are still bullish, aren't you?

-Oh, yeah.

0:52:490:52:51

I am.

0:52:510:52:53

And I am also feeling bullish about Jennifer's Japanese enamelled belt.

0:52:530:52:56

Too tiny for most people to wear today, it is

0:52:560:52:59

a beautiful interpretation of exotic blooms.

0:52:590:53:02

Now, that was great-grandparent's.

0:53:040:53:05

-Yes, it was.

-So it is a proper family heirloom.

-It is.

0:53:050:53:08

Right now, we need a buyer of quality. A discerning person.

0:53:080:53:12

-That hopefully doesn't want to wear it but is going to cherish it.

-Yes.

0:53:120:53:17

Here we go. It is going under the hammer right now.

0:53:170:53:20

Start me in on this. Start me at £100. 80 to go then.

0:53:200:53:23

£80, someone to start me surely on this. Or 50 then. 50 bid.

0:53:230:53:26

50 bid. Is there five? Five I've got. 55 the bid. Is there 60?

0:53:260:53:30

It's £55 bid.

0:53:300:53:31

Any more anywhere? The belt you see.

0:53:310:53:33

55. 60.

0:53:330:53:35

Five. 70.

0:53:350:53:36

-Five. 80 bid.

-How about that!?

0:53:360:53:38

80 is the bid in front now and I am all out. £80 and commission is out.

0:53:380:53:42

80 in front. Any advance anywhere? It will sell. It is at £80...

0:53:420:53:46

Do you know what, I was just sinking down there.

0:53:460:53:50

I was thinking, "It is not going to sell."

0:53:500:53:52

Then all of a sudden, late legs, late bid came in,

0:53:520:53:55

-then a counter bid, then... Wow, £80.

-Lovely.

0:53:550:53:58

It would have been surprising if something so beautiful hadn't sold.

0:53:580:54:02

Next up, an early 20th century painting

0:54:040:54:07

by local artist W Leslie Rackham,

0:54:070:54:10

brought to us by Colin.

0:54:100:54:12

We're virtually on the Broads.

0:54:120:54:14

You've got this wonderful watercolour by Rackham, a boating scene.

0:54:140:54:17

He loved boats. It would suit somebody who's got a boat.

0:54:170:54:20

Everyone's got a boat around here, surely. It's full of water.

0:54:200:54:23

Let's find out how this does. It's going under the hammer right now.

0:54:230:54:25

I'm starting in here at £75.

0:54:250:54:29

75 I have. Is there 80?

0:54:290:54:31

It's a Rackham for £75 now.

0:54:310:54:33

Where's 80. 85. 90.

0:54:330:54:35

95. 100. 100.

0:54:350:54:37

Oh, there we are. Sold, easily.

0:54:370:54:39

110 I have. Is there 20?

0:54:390:54:41

It's with commission now at 110 now. Is there 20?

0:54:410:54:44

We're selling at £110.

0:54:440:54:47

Sold. Yes!

0:54:480:54:49

Well done. Well done.

0:54:490:54:51

And I hope that's gone to a good home, as well.

0:54:510:54:53

Do you know, that's great value for money, when you think about it.

0:54:530:54:57

I mean, it's a one-off piece of fine art.

0:54:570:54:59

People pay that for a print or a poster.

0:54:590:55:01

I mean, you've got a piece of fine art by a great artist on the wall

0:55:010:55:05

that no-one else has, because it is fine art, it's one-off.

0:55:050:55:07

-It's probably gone to the pub.

-I hope so.

0:55:070:55:10

Wouldn't that be nice?

0:55:100:55:11

And now time for our final lot today,

0:55:110:55:15

that rare Wedgwood Ravilious mug

0:55:150:55:17

designed for Edward VIII's coronation that never was.

0:55:170:55:21

And I tell you what, everybody is after it right now.

0:55:210:55:23

-And there is not a lot on the market, is there?

-No.

0:55:230:55:25

Well, I think I said this at Norwich,

0:55:250:55:28

but I love Ravilious and there are some nice, interesting,

0:55:280:55:32

all sorts of varied things in this sale today,

0:55:320:55:35

but of all the things in the sale, this is what I like best.

0:55:350:55:38

-Really?

-And me. It's great.

0:55:380:55:39

Well, we're going to find out what it is worth. Three to five,

0:55:390:55:42

that is about right on this, isn't it?

0:55:420:55:44

Let's hope it gets the top end plus, because he is so sought-after.

0:55:440:55:48

This is the name everybody wants.

0:55:480:55:50

It is going under the hammer now.

0:55:500:55:52

The Eric Ravilious Wedgwood firework display.

0:55:520:55:56

Commemorative coronation mug.

0:55:560:55:58

Good interest here.

0:55:580:56:00

We're going to start in at £240. I'll take 260.

0:56:000:56:03

£240 is bid. 260.

0:56:030:56:06

-280. 300.

-There is a phone line.

-320. 340. 360.

0:56:060:56:10

-380. 400.

-It hasn't come in yet.

-440.

0:56:100:56:13

460, and I am gone. At 460 the bid.

0:56:130:56:15

-460 the bid. It is there 80 anywhere?

-Yes, now he is in.

0:56:150:56:17

-480.

-Really?

-Yeah.

-500.

0:56:170:56:19

520.

0:56:200:56:22

520 the bid. 520 the bid. Now, is there any advance anywhere?

0:56:220:56:25

I'll take... 550.

0:56:250:56:27

Phone is out.

0:56:280:56:30

Come on, phone. Come on, phone.

0:56:300:56:32

550 is online. 600 is bid.

0:56:320:56:35

600 on the telephone. I need 650 online now. £600 bid.

0:56:360:56:39

Is there 650 anywhere?

0:56:390:56:41

Internet has gone quiet. We're at £600 then.

0:56:410:56:43

It is on the phone. Any advance? Fair warning at £600.

0:56:430:56:47

-Right on, David.

-Wow!

-£600. Cracking result!

-Isn't it just?

0:56:470:56:51

Yes, did you expect something like that?

0:56:510:56:53

Not really.

0:56:530:56:55

-No, 300 or 400. But 600 is marvellous.

-Amazing.

0:56:550:56:58

Enjoy it, won't you? Enjoy it.

0:56:580:56:59

And thank you for giving us such enjoyment with Eric Ravilious

0:56:590:57:02

because he is one of the greatest names.

0:57:020:57:05

-One day, Paul, I want to own one of those.

-Do you?

0:57:050:57:08

I am going to start saving now.

0:57:080:57:09

I am, too. And what a great end to the show.

0:57:110:57:14

Well, that's it, it's all over for our owners.

0:57:170:57:19

Another day in another saleroom here in Diss.

0:57:190:57:22

I hope you've enjoyed the show.

0:57:220:57:24

But please do join us again for many more.

0:57:240:57:26

And if you have got anything you want to sell, we want to flog it

0:57:260:57:29

for you. See you next time.

0:57:290:57:31

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