Compilation 30 Flog It!


Compilation 30

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CAR HORN HONKS

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We start today's show in Beaulieu in Hampshire.

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Not only famous for its splendid palace house,

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but the National Motor Museum and of course

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the ruins of Beaulieu Abbey.

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I'll be taking you on a tour of some of the fascinating sights here,

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later on in the programme.

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But first, it's a tour of the country as we set out to find

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some of the most interesting items and exciting valuations that

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we've discovered recently but have been waiting until now to show you.

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Welcome to Flog It!

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We have travelled across the country in search of exceptional stories

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and objects to take to auction, and we haven't been disappointed.

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Our journey has taken us to Lulworth Castle in Dorset,

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originally a 17th-century hunting lodge.

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Wrest Park, a Grade I listed house in Bedfordshire.

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Chiddingstone Castle in Kent, which can be traced back to Tudor times,

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and finally to Gloucester and its wonderful cathedral.

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Until today's show, Michael Baggott thought he'd heard it all.

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What are your plans for the money?

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I want to finish my tattoo, which is a full Tibetan sleeve.

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Oh, my word! That's a first for Flog It!

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And at Wrest Park, David Harper doesn't think

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he's ever heard anything like it!

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Unfortunately, our house hasn't got walls.

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What, you've got no walls at all in your house?

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LAUGHTER No, no, we live in a tent.

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The ceilings aren't high enough to house anything like this.

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But will it be a different story at the auction?

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19!

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HAMMER BANGS

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The wonderful 13th-century Beaulieu Estate.

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Like our show, it offers a delightfully diverse range

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of artwork, quirky collectables and insights into our national history.

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From the splendour of the architecture of the Palace House,

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to the vast array of classic cars and bikes parked up in the museum.

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And from the spectacular beauty of the Abbey,

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to the stories and the history that lurk within.

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There really is far too much on display here

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to explore in just one visit.

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But later on in the programme, I'll try

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and give you a fascinating insight into the life-changing

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challenges that faced the monks who lived here at Beaulieu.

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All that's to come, but first though,

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some classic valuations that reflect a rather more recent history.

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Our journey begins in Kent, at Chiddingstone Castle,

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where Thomas Plant is talking to Rodney and Katie.

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-Who owns this little dish, pin tray?

-Well, we both do. But I found it.

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Right, tell me the story.

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I collect kitchenalia, copper, mainly,

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and I went to a local auction and I saw two boxes of copper

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and I liked the look of some of them

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and there was also some brass in there, so I bid on it.

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And at the bottom of one of the boxes, was this.

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-How much did these two bits of kitchenalia cost you?

-£35.

-Really?

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-Yeah.

-And what did you do with it all?

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I have cleaned up most of it,

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-and some of it I might take to a boot fair.

-Yeah.

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But this, I had a look at it and I thought, it's very heavy,

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-it must be bronze.

-Uh-huh.

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And I saw only one signature at the time and then

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-when I was just cleaning it a bit on the side, I saw...

-Barbedienne.

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..Barbedienne, yeah.

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-Basically, I went on the internet...

-Yes, on the internet...

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And then I looked at Levillain on there

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-and basically it's a fellow who was a sculptor...

-Yes.

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..and his works were being done basically by Barbedienne,

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who was the founder, and it was all round about the 1830s, 1840s.

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So, all of a sudden, it just opened up. This could be quite interesting.

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It certainly is interesting, yes.

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Barbedienne was a founder who specialised in taking

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the classical sculptures, bronzes, marbles, and reducing them in size

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to maquettes which, dare I say it, ordinary folk like ourselves

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could then afford and buy and have as decorative objects.

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-Right.

-That was his speciality, as a founder.

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Obviously, there's only so much you can do of that

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-before people's tastes and fashion change.

-Uh-hmm.

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In steps a modern sculptor and they form a relationship together.

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-So you have a double whammy, don't you?

-You do.

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-So that's quite interesting.

-Very much so.

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And then did you then go on other sites and look at prices realised?

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-HE LAUGHS

-I suppose we did...

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I had a brief look at a couple of things,

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but obviously they were quite big bronzes at the time

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and suddenly you're then going into thousands...

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-To thousands of pounds.

-Yeah.

-Absolutely thousands of pounds...

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-Yeah.

-And we couldn't really find anything this small, actually.

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-No, no.

-Which is actually quite nice actually, isn't it?

-Yeah, yeah.

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So, what's it worth?

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Well, I would probably hazard a guess at maybe £30-£50.

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-So what you paid originally for the whole box?

-For the... Yes.

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-So you're already in profit.

-Yes, I've got my money back.

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THEY LAUGH

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-I think I would double that.

-That's fantastic.

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I think £60-£80 with regarding reserves,

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you don't want to give it away.

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-So I think £60-£80, with a discretionary reserve.

-Right, that's OK.

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-So, say £50.

-That's fine.

-Is that fine?

-Yes.

-That sounds absolutely fine.

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-Is fair, isn't it?

-Yes.

-Yeah, I think so.

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-So you're going to come along to the auction?

-Definitely.

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-Yeah, definitely.

-I look forward to seeing you there.

-Right.

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That is a classic story.

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Discovering a little gem like that at the bottom of a boxed lot.

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Now we travel north of London to Wrest Park in Bedfordshire,

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where Anita Manning has found a cat!

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But I don't think it's a local.

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# Walk like an Egyptian... #

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-Sue, welcome to Flog It!

-Thank you.

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Now, it's absolutely wonderful to have you here

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and you've brought along two interesting items.

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Do you have any question that you would like to ask me?

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Well, it was because of the show that you were involved in,

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Flog It: Trade Secrets, you were talking about amber,

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and it was from that programme that made me wonder if this is amber.

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So I thought I would come along today to see. Yeah, I was curious.

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So, this is a wonderful, decorative object.

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Tell me, when did you buy it and why?

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I bought it about 25-30 years ago when I was over in Egypt, in Luxor,

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and they were selling gifts to tourists.

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And I saw this cat sitting in the corner on the floor,

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and I thought, oh, there's something rather beautiful about this cat

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and I did have eight cats of my own at the time and I quite like cats.

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-So this was your ninth cat!

-It was indeed, yes.

-All right.

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So the question is, is this real amber.

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Now, you bought it 30 years ago and you bought it in a tourist area...

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-Yes.

-..so the likelihood of it being amber are very, very low.

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And true amber comes from the resin of

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old pine trees over 350 million years old.

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So it's very, very rare.

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But we do have different types or lookalikes of amber.

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OK, let's look at it.

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We have these spangles... Now, in amber,

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there were different shades of light which would come through the amber.

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So, that's copying that.

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Also in amber, there is often the inclusion of pieces of insects

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which have been trapped in the resin of the tree and to have an insect,

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or a piece of an insect, in a piece of amber makes it more valuable.

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Now, when we look underneath here, we can see a beastie there,

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it's a fly, and we see the whole fly.

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Now, if a creature had been caught in this sticky resin,

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it wouldn't just lie there and say, OK, I'm going to die,

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-it would struggle.

-OK, yes.

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So, when we see a full insect, we start to think,

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-no, there's something wrong there.

-THEY CHUCKLE

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So, these little indications are telling me that it's not amber.

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-This cat here is made of a celluloid or a plastic.

-OK.

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-So, not real amber.

-Uh-huh.

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Now, interestingly enough, you have brought along another item,

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which is allied in some way to the cat.

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But this is an earlier item, probably from the Art Deco period.

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Can you tell me where this came from?

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It belonged to my uncle.

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He was in the army, positioned in Hong Kong.

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And my aunt was also staying with him.

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And then just before the fall of Hong Kong, 25th of December, 1941,

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my aunt was put onto the last boat being evacuated to Australia,

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and my uncle gave this to my aunt for safekeepings.

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Now, if we look at it, it's a mahjong set, an Oriental game.

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And if we look at these little counters...

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This side here is decorated with the little symbols

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which are used in the game.

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-But this yellow here is meant to look like amber...

-Uh-huh.

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..but it is a celluloid or a plastic copy of that.

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And on the other side, we have a celluloid copy of jade.

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-So in some way, the two items are allied.

-Yes.

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They are made to look like something which is a very precious substance,

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-but in actual fact is a copy.

-Yes.

-But still interesting.

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If we were going to auction, I would like to put these two items together.

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Put together in one lot, we would put an estimate of perhaps £70-£100.

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-OK.

-And would you be happy with that estimate?

-Yes, I'm happy.

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We'll put a fixed reserve on it, because I know that

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if that goes back home with you, you won't be too upset.

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-I'll be just as happy, yes.

-OK.

-Thank you very much.

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Both those items have travelled from far-flung places.

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And now it's time for us to travel to the Dorset coast

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and to Lulworth Castle, where Mark Stacey has found cause to celebrate.

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-Hello, Jenny, hello, Mike.

-Hi, all right.

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I understand that it's a special day today?

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Yes, our 43rd wedding anniversary and my birthday.

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-I won't put a number on it...

-Are you sure? Nobody's watching.

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-CHUCKLES: 64!

-64.

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See, that's like 40 with auctioneer's commission and VAT!

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-That's the one!

-Yes, that's it!

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Listen, you've brought in something that really put a smile on

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my face this morning.

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Not hugely valuable, but I think it's absolutely charming.

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It's a little ormolu figure of a cherubic child.

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Ormolu being bronze and gilded.

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And it's clearly off a little box or a clock or something else,

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but it's beautifully made... He's got a lovely cheeky face, hasn't he?

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-Yes.

-With his golden locks of hair...

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And he's holding a little letter or something in his hand.

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And I think it's probably going to date to

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the mid-to-late 19th century.

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-Right, really?

-And it's just a real bit of fun.

-BOTH: Yes.

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And if I had him, I would find a little piece of marble,

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-so that he could sit on there and be a lovely little paperweight.

-Yes.

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You know, you could turn him back into a practical object.

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-Where on earth did you get this figure from?

-Well, it was...

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We deal with a lot of bric-a-brac and we do bazaars and things,

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and then an elderly lady gave me the box and it was

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in the bottom and I rather took to it and put it in the kitchen drawer.

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So every time you clean the kitchen drawer out, I have to pick it up

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and look at it and I just thought I'd like to know about it.

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It's a whimsical item, it's a bit of fun, and I think there's lots of...

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-Tactile, isn't it?

-Oh, it's very tactile!

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And there's lots of people out there, like me,

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who like these silly little objects and I think that it should sell.

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-Sell, yeah...

-I mean, realistically, I think we're probably looking

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-£30 or £40.

-Oh, yes!

-A little throwaway thing.

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-We didn't expect much.

-And I think we should put it in without reserve,

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-have a bit of fun.

-Yes, that'd be a bit of fun.

-Fine, yeah.

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And I'm sure there's going to be a couple of people out there who

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think, "I really must have that".

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And maybe if it does work, it'll be a nice belated birthday present

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-for you, an anniversary present!

-Yes, and we'll

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take our friends out who brought us here today for a surprise.

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-What a wonderful idea.

-SHE LAUGHS

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Will you be sad to see him go from the kitchen drawer?

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-I think so, yes. Because he's been in there four years!

-Yeah, yeah.

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But he's too handsome to be locked away in a drawer.

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Yes, he's lovely, he is, he is, that's it.

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Well, we'll see you at the auction, all right? Have a giggle.

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-Yes, lovely, looking forward to it. Thank you very much.

-See you there.

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It's funny how we fall in love with little things like that.

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I hope the bidders do, too.

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We'll soon be finding out which items make the best

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impression at auction, but right here at Beaulieu,

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one of the most impressive collections has to be

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the artwork here in the portrait gallery.

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And this particular character, well, he is my favourite.

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That's Ralph, the first Duke of Montagu, who was described by

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the writer Jonathan Swift as, "Arrant a knave as anyone in his time."

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Not only did he seek voluntary exile in France for political reasons,

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but upon his return, he gained the favour of the new

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King of England, William III, then he promptly declared himself

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the Emperor of China in order to marry a rich, widowed duchess

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who refused to marry anyone unless he was royalty!

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Well, I think that takes some confidence,

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and I think it's safe to say that Ralph was quite convincing there,

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and the duchess was obviously bonkers!

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Well, let's hope we have some equally colourful

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sales in the auction room.

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And here's a quick recap of all the items we're taking with us.

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Katie bought this bronze tray as part of a job lot,

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so fingers crossed.

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The cat and the mahjong set may not be made of amber,

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but they are still collectable.

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And this gilded cherub needs to fetch a good price.

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Jenny and Mike have an anniversary and a birthday celebration to pay for.

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Remember of course, with every auction there is commission to pay,

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whether you're buying or selling,

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and there's VAT to add on top of that.

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And these rates vary from saleroom to saleroom,

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so make sure you find out in advance, do your sums.

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And now, let's see how our first item fares.

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Our first stop is near Guildford in Surrey,

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where auctioneer Tim Duggan is selling the bronze tray

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at Ewbank Auctions.

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-Katie and Rodney, good luck.

-Thank you.

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This is where your Flog It! journey ends today,

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in the auction room with that hammer going down

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because it will on this!

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A lovely little bronze dish, a little, tiny tray -

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not a lot of money though. Why is it so cheap?

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Well... Cos it's very small.

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-But it's very nice.

-It is very nice and it's a little proper antique.

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Yes, so why are you selling this?

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It's not really something that I personally collect.

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-OK, and you're into kitchenalia?

-I am, yes.

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Yeah, and there's a few things here in the sale.

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-I'd like someone else to have it who'd appreciate is a bit more.

-OK.

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We're going to put it to the test right now. It's going under the hammer, this is it.

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This is the French gilt bronze small tray, nice little quality item,

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this one there. How do you see it, £50 for it...

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30 if you like, 30, bid now, 30, bid now...

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35, now, 40, bid now, 45, now...

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50, bid now, 55...

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60, and 5, 70, and 5...

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80, bid now, 80, bid now...

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Looking for 85 now, looking for 85...

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At £80, are we all done, then?

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Selling then at £80...

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-£80, I knew it was worth a lot more than you said.

-Well...

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-I did, didn't I?

-You did.

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-Yes, you did say that.

-Yes, I said it was a bit cheap.

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-I'm very pleased.

-Yeah... But look, well done.

-Thank you.

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-Thank you for bringing it.

-Thank you.

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If you've got anything like that, we would like to flog it for you.

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Bring it in to one of our valuation days.

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That was fun and a good result.

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On to Sherborne in Dorset and to Charterhouse Auctioneers,

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where Richard Bromell is on the rostrum for us.

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Jenny and Mike, good luck. Fingers crossed.

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We've got this little cherub going under the hammer.

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Not a lot of money. We can't work out where it's come from, really,

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-but we love curios like this.

-I adore it.

-You do?

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-I think it might be earlier than we think.

-OK.

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I think it might be early 19th or mid-19th century.

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Could we be in for a pleasant surprise?

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-I hope so, there's no reserve...

-No reserve, no, there isn't.

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-..so we'll have a bit of fun.

-It's going to go.

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Let's find out what the bidders think. It's going under the hammer right now.

0:16:340:16:37

Pretty little ormolu putto, here it goes. Only the one at 6cm high.

0:16:370:16:40

£20 it away now and £20, it's away...

0:16:400:16:42

Going to go at 20, anyone at all at 20...

0:16:420:16:44

£20 is bid, thank you, at £20 I have now...

0:16:440:16:47

20 I have, I'll take 5 now...

0:16:470:16:48

Come on, it's worth a bit more than that.

0:16:480:16:50

The main bid at £20, are you all sure?

0:16:500:16:53

Fair warning, it goes at 20...

0:16:530:16:54

-The hammer went down, it's gone.

-We're rich!

0:16:540:16:56

You didn't get that surprise. You're rich(!)

0:16:560:16:58

Hey, do you want the bad news?

0:16:580:17:00

There's 15% plus VAT commission to pay on that.

0:17:000:17:03

Well, I thought it was rather charming.

0:17:030:17:06

I would have liked to have paid £30 or £40 at least for it.

0:17:060:17:08

Look, it's going to have another life, isn't it?

0:17:080:17:10

-It's going to be enjoyed.

-It is, it is.

-That's the main thing.

0:17:100:17:12

-Yes, lovely.

-Thank you for bringing it in.

-That's fine.

0:17:120:17:16

Sometimes it's the taking part that matters.

0:17:160:17:18

Now, over to Tring Market Auctions,

0:17:180:17:20

where Stephen Hearn is selling the rather fine cat,

0:17:200:17:24

and mahjong set belonging to Susan.

0:17:240:17:25

Now, I know we had a fixed reserve at the valuation of £70

0:17:250:17:30

but I know you've had a chat to the auctioneer

0:17:300:17:32

-and you've upped it to £90.

-I have.

0:17:320:17:34

-I felt more comfortable with 90 than 70.

-OK.

0:17:340:17:36

In the end, we want you to be happy.

0:17:360:17:38

Yeah, and I feel very comfortable with that.

0:17:380:17:40

Yes, well, let's keep our fingers crossed.

0:17:400:17:43

Well, look, if it doesn't sell, I know you're going to be happy

0:17:430:17:45

-to take this item home.

-I am, very happy to take it home

0:17:450:17:47

-so, as you say...

-We've got a win-win situation.

0:17:470:17:50

But we'd like to get top money, I mean, that's what it's all about.

0:17:500:17:53

-It is.

-This is going under the hammer right now.

0:17:530:17:55

The mahjong Bakelite playing pieces together with the cat, there it is.

0:17:550:18:01

How do we go on this cat?

0:18:010:18:03

50, 60, 70...

0:18:030:18:04

80, going, 90...

0:18:040:18:06

Two of you, 100 bid, 110...

0:18:060:18:09

20...

0:18:090:18:10

That lady's keen in the red jacket, look -

0:18:100:18:11

she's not putting her bidding paddle down.

0:18:110:18:15

Yes or no?

0:18:150:18:16

At 120, 130, and 40...

0:18:160:18:18

And 50 now...

0:18:180:18:19

Look, they're pushing her now. She's still there,

0:18:190:18:22

she's still there in the red jacket...

0:18:220:18:24

£140, then, you get the mahjong pieces and a cat...

0:18:240:18:28

140, then, madam, yours at £140...

0:18:280:18:30

Bought it.

0:18:300:18:32

-Thank you so much.

-I am delighted...

-It's love!

0:18:320:18:37

-..surprised but delighted.

-So am I.

0:18:370:18:39

Style won once again.

0:18:390:18:40

-I think it did, yes, it did...

-And she obviously wanted it

0:18:400:18:43

-so that's so special.

-Yes.

0:18:430:18:44

Excellent result -

0:18:440:18:46

that's what it's all about.

0:18:460:18:48

We'll return to the auction rooms later on in the show

0:18:480:18:51

but now, let's take a step back in time.

0:18:510:18:53

In the year 1204,

0:19:050:19:07

stone and other building materials were brought up this river

0:19:070:19:10

to build an abbey church

0:19:100:19:11

on land gifted to the Cistercian monks by the king.

0:19:110:19:15

Now, this king was King John, who hadn't led the holiest of lives.

0:19:150:19:20

Maybe he was worried about eternal damnation

0:19:200:19:22

but he visited this abbey frequently and he named it Bellus Locus Regis,

0:19:220:19:26

which translates to, "The Beautiful Place Of The King,"

0:19:260:19:30

better known to us today as the estate of Royal Beaulieu.

0:19:300:19:33

A deal had been made that, in order to repay his generosity,

0:19:350:19:40

the Cistercian monks - known above all other religious orders

0:19:400:19:44

for their poverty, chastity and obedience to God -

0:19:440:19:47

would pray for the somewhat tarnished soul of King John.

0:19:470:19:51

Although prayer was the core activity here,

0:19:530:19:55

plenty of other duties were performed

0:19:550:19:57

but all of them were seen by the monks as an extension of prayer.

0:19:570:20:02

They generated an enormous amount of income by working the land,

0:20:020:20:06

rearing sheep and selling wool.

0:20:060:20:08

It took 100 years to complete the complex around the abbey church

0:20:100:20:14

and it seems quite ironic today that 300 years after work began,

0:20:140:20:19

this river was used to transport those very rocks back again

0:20:190:20:24

to be used on other building projects around the country

0:20:240:20:27

by the orders of another king.

0:20:270:20:29

So, why did this happen and who was the other king?

0:20:290:20:32

Well, this was a king who was desperate to have a male heir,

0:20:320:20:37

a king, despite being married for 20 years, had not produced one.

0:20:370:20:42

This was an extravagant king whose coffers were being bled dry

0:20:420:20:46

because he was paying for costly coastal defences

0:20:460:20:49

and fighting expensive wars with the French and the Spanish.

0:20:490:20:53

This was King Henry VIII,

0:20:530:20:56

a king who was to change the course of English history -

0:20:560:20:59

firstly, by breaking with the Pope in Rome

0:20:590:21:02

and then making himself the supreme head of the Church Of England.

0:21:020:21:06

This enabled Henry to have his long-standing marriage

0:21:100:21:12

to Catherine of Aragon declared null and void

0:21:120:21:15

and marry a young Anne Boleyn - the second of his six wives.

0:21:150:21:20

Shortly after this,

0:21:200:21:21

he proceeded with the Dissolution Of The Monasteries,

0:21:210:21:23

which changed the face of England forever.

0:21:230:21:26

In 1536, there were over 800 monasteries, nunneries and friaries.

0:21:260:21:31

Combined, they owned a third of the land in the country.

0:21:310:21:35

In 1540, four years later, there were none.

0:21:350:21:39

Henry VIII and the people around him were considerably wealthier.

0:21:390:21:43

During those four years, Henry used Thomas Cromwell,

0:21:440:21:48

a clever legal adviser, to act as his agent

0:21:480:21:52

and the opportunist plan took shape.

0:21:520:21:54

The religious houses were becoming increasingly ungodly,

0:21:540:21:58

which made them unpopular with ordinary people

0:21:580:22:02

so Thomas took advantage of this and with a piecemeal approach,

0:22:020:22:06

began by shutting down the smaller establishments

0:22:060:22:09

who had the worst reputations.

0:22:090:22:11

He then moved on to the richer more powerful ones, like Beaulieu Abbey.

0:22:110:22:16

Where he could, Cromwell negotiated payoffs

0:22:160:22:20

but if his offers were declined, he resorted to force.

0:22:200:22:23

The abbot here formally surrendered the Abbey to the Crown in 1538

0:22:260:22:30

and for that, he received an annual pension of £66

0:22:300:22:34

in contrast to the brothers who received between £4 and £6.

0:22:340:22:38

This is all that's left of the Abbey Church,

0:22:410:22:44

the spiritual centre of the precinct here at Beaulieu.

0:22:440:22:47

It really is just a ghost of a former building,

0:22:470:22:51

the first to be knocked down upon Henry's orders in 1539.

0:22:510:22:56

What are we left with?

0:22:560:22:57

Well, hardly a stone upon a stone.

0:22:570:23:00

It really is just a field with the imprint of its former huge building.

0:23:000:23:06

The stone went down the river by order of the king

0:23:060:23:09

and was used to build defensive castles

0:23:090:23:12

on the Solent at Hurst, Calshot and Cowes.

0:23:120:23:16

What did Henry VIII do with the ruined abbey and estate,

0:23:160:23:20

which was one of the richest pickings of the disillusion?

0:23:200:23:23

He refilled his empty coffers by selling it to a powerful friend,

0:23:230:23:27

Sir Thomas Wriothesley, whose descendants still live here today.

0:23:270:23:31

I'm going to meet one of them, Ralph Montagu.

0:23:310:23:36

So, what happened to Beaulieu after the Dissolution Of The Monasteries?

0:23:360:23:39

Well, a lot of the abbey was of course destroyed

0:23:390:23:42

but some significant bits were left and this is one such part.

0:23:420:23:47

It was the great gatehouse to the abbey

0:23:470:23:49

where the monks received their guest

0:23:490:23:51

and it made quite a good hunting lodge

0:23:510:23:53

for the lay owners after the dissolution

0:23:530:23:55

and then, much later, my great-grandfather extended it

0:23:550:23:59

and made it into the family home that it is today

0:23:590:24:03

and made this room, which was a big open hall originally,

0:24:030:24:06

into this magnificent drawing room.

0:24:060:24:08

It is a stunning room, it's got a good feel about it.

0:24:080:24:11

Tell me a little bit about the stained-glass windows,

0:24:110:24:13

-the armorials.

-Well, this is Victorian,

0:24:130:24:16

this is part of the conversion that was done at that time

0:24:160:24:18

and these are the shields of benefactors

0:24:180:24:22

and other significant figures connected with the Abbey -

0:24:220:24:25

most notably perhaps, Thomas Stephens, the last abbot at Beaulieu

0:24:250:24:28

who actually was required, shall we say, to surrender the Abbey

0:24:280:24:33

to the Crown and he is remembered there.

0:24:330:24:36

He was one of the more cooperative ones because some of the abbots

0:24:360:24:38

in the North were literally hung, drawn and quartered -

0:24:380:24:41

not a very nice ending.

0:24:410:24:43

It's lovely when the sun shines through, getting the coloured light.

0:24:430:24:47

Above, we've got this lovely ribbed vaulting

0:24:470:24:49

which, although it's heavily restored,

0:24:490:24:51

is definitely based on what would have been here in monastic days.

0:24:510:24:55

Sure, yes.

0:24:550:24:56

It's perhaps hard for us to imagine what life would have been like

0:25:020:25:06

back in England in the 16th century

0:25:060:25:09

and what impact this huge establishment would have had

0:25:090:25:11

in the medieval world.

0:25:110:25:13

This was a place where the poor could seek alms,

0:25:130:25:16

where the sick could be treated

0:25:160:25:18

and where fugitives, both high and low in status, could seek a sanctuary.

0:25:180:25:22

The sound of bells that would ring out during the day and night,

0:25:220:25:25

calling the monks to prayer,

0:25:250:25:27

would have been a familiar soundtrack to life

0:25:270:25:29

for the people in the villages and the fields beyond these walls.

0:25:290:25:33

Back at Wrest Park in Bedfordshire,

0:25:430:25:45

our valuation day is still at full tilt, as is David Harper.

0:25:450:25:51

Well, Diane, look at us,

0:25:510:25:52

on a beautiful summer's day in the South of England,

0:25:520:25:56

admiring a pair of Scottish Highland scenes. Aren't they gorgeous?

0:25:560:26:00

-Yes, I love them...but can't wear them, so to speak.

-Yeah.

0:26:000:26:04

-Because our house is too small.

-Right, OK.

0:26:040:26:07

So, what they are, we've got Scottish Highland scenes.

0:26:070:26:09

And you can see, can't you,

0:26:090:26:10

-that this is, like, a continuation of the scene?

-Yes.

0:26:100:26:13

And very, very trendy, circa 1900.

0:26:130:26:17

What's the background story?

0:26:170:26:19

Well, when my father's eldest sister died, we had to clear the house out,

0:26:190:26:24

and up the chimney when we were clearing out, we found these.

0:26:240:26:28

And we had house clearance people in,

0:26:280:26:30

and they offered the family £5 for those.

0:26:300:26:34

Did they? Now, when was that?

0:26:340:26:35

That would have been the late '70s

0:26:350:26:38

but my father said at the time,

0:26:380:26:40

"No, you're not having those for £5."

0:26:400:26:43

So, I believe he put the £5 into the estate and took them home.

0:26:430:26:47

But, unfortunately, our house hasn't got walls tall enough.

0:26:470:26:51

What, you've got no walls at all, in your house?

0:26:510:26:53

No, no, we live in a tent.

0:26:530:26:56

No, but, the ceilings aren't high enough to house anything like this.

0:26:560:27:00

So, when my mother passed away, I inherited them

0:27:000:27:04

but they've been in the attic ever since.

0:27:040:27:06

That's the worst place in the world they could be, in an attic.

0:27:060:27:09

-They've got to be on show, haven't they?

-Yes.

0:27:090:27:11

And you're right, you do need height in a room.

0:27:110:27:13

Ideally, a Scottish castle. Hasn't your husband bought you one, yet?

0:27:130:27:16

No, well, I'm working on it.

0:27:160:27:18

-Right, well, you need to change your husband. Is that him, there?

-Yeah.

0:27:180:27:21

-LAUGHTER

-You're history.

0:27:210:27:23

Yeah.

0:27:230:27:25

Hello, I'm Ken.

0:27:250:27:28

Painted by Henry Cooper.

0:27:280:27:29

Now, Henry Cooper was a 19th and early 20th-century artist.

0:27:290:27:33

-Mm-hmm.

-Just because there's age connected here,

0:27:330:27:36

doesn't necessarily mean they're worth lots of money,

0:27:360:27:39

because this was a period when there were lots of jobbing artists

0:27:390:27:42

creating, maybe, hundreds a year.

0:27:420:27:44

So, there are lots of his paintings around.

0:27:440:27:47

But let's look at the quality of the painting.

0:27:470:27:50

I think, this is a good example, here,

0:27:500:27:52

with the Highland cattle, there.

0:27:520:27:53

The quality isn't absolutely brilliant.

0:27:530:27:56

Let's have a look at the condition.

0:27:560:27:58

So, we always look, with anything in this business,

0:27:580:28:02

the back of something can tell you as much about the front.

0:28:020:28:06

Because, often the painting can be restored really well

0:28:060:28:09

on the top side, and you can't tell, but you'll see a patch on the back.

0:28:090:28:13

No patching. I've had a look at that one, no patching either.

0:28:130:28:16

Frame's probably original.

0:28:160:28:18

Nice, original clout nails holding the canvas in place.

0:28:180:28:22

So, it hasn't been re-stretched or repaired. So, in good order.

0:28:220:28:26

Now, then, what about value, Diane? What do you feel?

0:28:260:28:30

Well, going back four to six years, I can't remember...

0:28:300:28:33

When we went to Bonhams, with a view to having them put in an auction,

0:28:330:28:37

we discussed it with them,

0:28:370:28:39

and they said about 700, I think.

0:28:390:28:42

And I was a bit shocked because years before,

0:28:420:28:44

when we'd been to Sotheby's, we were told, then,

0:28:440:28:47

to hang on to them, to the beginning of the year 2,000.

0:28:470:28:50

They would then become antiques and worth a lot more.

0:28:500:28:53

So, what do you reckon?

0:28:530:28:54

-Well, the market's changed, I've got to tell you.

-Yes.

0:28:540:28:57

In the mid-90s, I think we could have sold them for 1,500.

0:28:570:29:01

Market has changed dramatically and they've really, really dipped now.

0:29:010:29:04

And I think today, their value should be, in auction,

0:29:040:29:07

300-500, a come-and-get-me kind of estimate.

0:29:070:29:11

And they might surprise. How would you feel about that?

0:29:110:29:14

Yes, I think I would like a reserve put on them.

0:29:150:29:18

-What would the reserve need to be?

-Well, I would like 400.

0:29:180:29:21

Four, OK, well, we can do that but we'd need to, you know,

0:29:210:29:23

re-look at the estimate and estimates them at four to six,

0:29:230:29:27

with a reserve at four.

0:29:270:29:29

-Shall we do it?

-Yes, please.

-Marvellous.

-Yes.

-Lovely, Diane.

0:29:290:29:32

-Thank you.

-OK, thank you.

-Will we see you there, Ken, at the auction?

0:29:320:29:35

-Oh, I think so, yes.

-Good man.

0:29:350:29:37

What's the point of paintings sitting out of sight in an attic?

0:29:370:29:40

If you have anything like that,

0:29:400:29:42

bring them into one of our valuation days.

0:29:420:29:45

Our tour now continues, at Lulworth Castle in Dorset,

0:29:450:29:48

where a colourful item has caught Catherine Southon's eye.

0:29:480:29:52

Stefan, lovely to meet you. Welcome to Flog It!

0:29:540:29:57

Thank you, nice to meet you, too.

0:29:570:29:58

Wonderful collection of spoons, here. Well, two sets of spoons.

0:29:580:30:02

Now, when you see these, and probably,

0:30:020:30:04

when the viewers see these at home, they'll be thinking,

0:30:040:30:06

"These are incredible."

0:30:060:30:08

And, indeed, they are beautiful, and what lovely colours they are.

0:30:080:30:11

But there's this huge cloud which is hanging over them,

0:30:110:30:14

and it begins with the word D.

0:30:140:30:17

-And that's damage.

-Hmm.

-And that is a problem.

0:30:170:30:20

These are lovely, enamel, little coffee spoons.

0:30:200:30:24

I'm going to look at one of them individually.

0:30:240:30:26

I'm going to look at this set, first of all.

0:30:260:30:28

This was retailed by the Goldsmiths & Silversmiths Company,

0:30:280:30:32

and these would date from around 1930.

0:30:320:30:35

Let's have a look at this one, first of all,

0:30:350:30:37

because this is where the D-word starts.

0:30:370:30:40

-Can you see that?

-Mmm.

0:30:400:30:42

Big bit of damage on some lovely blue enamel, there.

0:30:420:30:45

It's so sad, because these are so elegant and so pretty,

0:30:450:30:50

and I love the blue colours, and the reds, and the whites.

0:30:500:30:53

-Very British, this is.

-Hmm, very patriotic.

-Absolutely.

0:30:530:30:57

Now, I'm just going to have a quick look at these, cos it'll be

0:30:570:31:00

nice to date them. And they are 1936,

0:31:000:31:02

and they were made by the Adie Brothers,

0:31:020:31:05

for the retailers Goldsmiths & Silversmiths Company.

0:31:050:31:08

These have come down through the family, have they?

0:31:080:31:11

-They must have been a wedding present...for my mother.

-Right, OK.

0:31:110:31:14

I think she got married in about 1938.

0:31:140:31:18

-1938, right. So, that-that works.

-Yeah.

0:31:180:31:21

-Was she particularly patriotic?

-Oh, yes.

-Was she?

0:31:210:31:24

-Ah, well, they've chosen the colours well, haven't they?

-Very definitely.

0:31:240:31:28

It's just such a shame, and the more I look at them,

0:31:280:31:30

the more damage I see.

0:31:300:31:31

-STEFAN LAUGHS

-In perfect condition,

0:31:310:31:33

we'd be looking at about £100 for these,

0:31:330:31:35

-but they're not quite going to be up to that.

-No.

0:31:350:31:38

-But I'll come back to that a bit later.

-Right.

0:31:380:31:41

These little spoons here, these are Danish,

0:31:410:31:43

by the well-known Danish factory Tostrup. But what beautiful colour.

0:31:430:31:47

-I think those are lovely.

-Really exquisite, aren't they?

0:31:470:31:50

Again, these are all enamel, and they're on gilt silver.

0:31:500:31:54

And, in perfect condition, again, you'd be looking at 100,

0:31:540:31:57

£150 for these.

0:31:570:31:59

But, I can see, there's a tiny bit of damage on each and every one.

0:31:590:32:03

Rough washing-up.

0:32:030:32:05

Is that what it is? Did you wash them up?

0:32:050:32:07

-No.

-Do I tell you off?

0:32:070:32:08

I've never used them. I've never seen them being used.

0:32:080:32:11

So, it all comes down to price.

0:32:110:32:13

£100 in perfect condition, £100-£150 in perfect condition.

0:32:130:32:18

This goes right down, I'm afraid,

0:32:180:32:20

and you'd be really looking for the two at around £50-£80.

0:32:200:32:24

Ooh...

0:32:240:32:26

-Maybe 60-80.

-Because of the damage.

0:32:270:32:29

Shall we say to 60-80, it sounds a bit better, doesn't it?

0:32:290:32:32

-Yeah.

-Shall we put a £60 reserve on?

-Please.

0:32:320:32:35

-OK, let's say £60-£80, with a 60 reserve. Happy with that?

-Yes.

0:32:350:32:39

Let's close them and forget about the damage,

0:32:390:32:42

and we're going to make good money at auction.

0:32:420:32:44

-Thank you so much, Stefan, it was lovely to meet you.

-And you, too.

0:32:440:32:48

Catherine is putting a brave face on it - let's hope she's right.

0:32:480:32:51

Off to the magnificent Cathedral in Gloucester,

0:32:530:32:56

where Michael Baggott is enjoying a collection of prints.

0:32:560:33:00

Claire, thank you very much for bringing in

0:33:000:33:02

-what looks like the contents of an art gallery.

-Naturally.

0:33:020:33:06

Wonderful selection of prints, here.

0:33:060:33:08

You've done a little bit of research on these,

0:33:080:33:10

-and this artist, haven't you?

-Yeah.

0:33:100:33:12

So, can you tell me what you know about them?

0:33:120:33:14

Well, I know that William Nicholson was a prolific illustrator,

0:33:140:33:17

book designer, and he worked on Peter Pan's set, for example,

0:33:170:33:22

but he did a compassionate portrait of the Queen at her Diamond Jubilee.

0:33:220:33:26

and did Victorian characters.

0:33:260:33:28

So, we've got a host here,

0:33:280:33:29

-of Victorian characters by this artist William Nicholson.

-Yeah.

0:33:290:33:33

-And I think he was born in about 1872.

-That's right.

0:33:330:33:36

-And died in about 1949.

-Absolutely.

0:33:360:33:39

So, he's working almost at the height

0:33:390:33:41

of the Art Nouveau, Arts and Crafts periods.

0:33:410:33:44

That's when he's a young man,

0:33:440:33:45

full of energy, executing these commissions.

0:33:450:33:49

And you've got, with this wonderful portrait of Sarah Bernhardt,

0:33:490:33:52

that feel of English Art Nouveau.

0:33:520:33:55

It's a bit more restrained than on the Continent

0:33:550:33:58

and you've just got that very figural,

0:33:580:34:00

-almost a mushroom-type, a growth...

-Yeah.

0:34:000:34:03

-..if you like, rather than a real human figure.

-Yeah.

0:34:030:34:07

And that's carried through, I mean, we've got there, Whistler...

0:34:070:34:10

-Yeah.

-..who I imagine would be tremendously flattered by that,

0:34:100:34:13

-as a, almost a caricature, aren't they?

-Yeah.

0:34:130:34:16

-They're less portraits, more caricatures.

-Yeah.

0:34:160:34:19

We've got the Prince of Wales, there,

0:34:190:34:21

looking rather stern and respectable.

0:34:210:34:23

Was that a bit of "Flog It!" day damage?

0:34:230:34:25

-That was my fault on the way, yeah.

-Oh!

-Sorry.

0:34:250:34:28

It's all right, it's not a Chinese vase worth £1,000,000.

0:34:280:34:31

You don't have to worry.

0:34:310:34:33

And, as you say, we've got this rather touching

0:34:330:34:35

portrait of Queen Victoria.

0:34:350:34:37

And there, the royalty and the power has been stripped away,

0:34:370:34:40

and we've got, basically,

0:34:400:34:42

-a very nice little old lady walking her dog.

-Yeah.

0:34:420:34:45

So, there is some thought behind it.

0:34:450:34:47

Are these something you've collected, or...?

0:34:470:34:50

No, they've been handed down the paternal line,

0:34:500:34:52

directly from, I think, my great-grandfather.

0:34:520:34:55

-Certainly my grandfather.

-Oh.

0:34:550:34:57

In the '30s, he was a vicar locally, in the '30s,

0:34:570:35:00

through the war, and he handed them onto my father when he died.

0:35:000:35:04

-And my father had nine children.

-Oh.

0:35:040:35:07

So, we've decided that it's very difficult to split up a collection.

0:35:070:35:12

-Well, I mean, that's very sensible of you all.

-Yeah.

0:35:120:35:14

Because the value of these, is as a collection. We actually

0:35:140:35:17

-haven't got the full set here.

-No.

0:35:170:35:19

But we're at some way towards it.

0:35:190:35:22

I mean, in terms of value, have you given that much thought, or...?

0:35:220:35:25

I've guessed about 300, possibly, on a good day.

0:35:250:35:29

-I'm a little bit more cautious, but then, I always am.

-OK.

0:35:290:35:31

Let's say, as an incomplete set, £200-£300, as a start,

0:35:310:35:36

and hope that we do over the £300 mark.

0:35:360:35:40

-Let's put a fixed reserve of £200.

-Absolutely.

0:35:400:35:42

We don't want to give them away. And you're happy to sell them?

0:35:420:35:45

Absolutely, yeah.

0:35:450:35:47

Now, if they go and make a superb sum,

0:35:470:35:49

what are your plans for the money?

0:35:490:35:51

From a purely selfish point of view, I want to finish my tattoo,

0:35:510:35:54

which is a full Tibetan sleeve.

0:35:540:35:56

Oh, my word.

0:35:560:35:58

That's a first for Flog It! We'll get you an armful, hopefully.

0:35:580:36:01

Thank you, and then I can go down the other side.

0:36:010:36:03

Marvellous. Claire, thank you so much for bringing them in.

0:36:030:36:06

-Thank you, thank you.

-Thank you.

0:36:060:36:08

From one type of decoration to another, we're back at Beaulieu.

0:36:080:36:12

Now, there's just enough time for me to show you this magnificent room.

0:36:130:36:17

It is the upper drawing room

0:36:170:36:20

but it's the detail on the wall, the decoration,

0:36:200:36:23

that I'd like to point out to you.

0:36:230:36:25

There's an alternating pattern running all around,

0:36:250:36:27

and you can see it. It's an eagle,

0:36:270:36:29

and then there's a bishop's crosier bisecting a crown.

0:36:290:36:33

That's the armorial bearings of Beaulieu Abbey.

0:36:330:36:36

Now, that was applied with a gold leaf in 1870

0:36:360:36:40

but it's been painstakingly restored by the staff here, in 1990.

0:36:400:36:45

And I think they have done a tremendous job.

0:36:450:36:49

Right, are you ready for some more auction action? Good.

0:36:490:36:51

Well, before we head over there, here's a quick recap of all

0:36:510:36:54

the items that are going under the hammer.

0:36:540:36:57

It's always good to have a pair, and these two Scottish scenes

0:36:580:37:01

are pleasing to the eye, so they're in with a good chance.

0:37:010:37:05

These two sets of spoons with their coloured enamels

0:37:070:37:10

are highly decorative.

0:37:100:37:11

It will all depend on the bidders overlooking the damage.

0:37:110:37:15

And the collection of prints are rather stylish,

0:37:190:37:21

but will they appeal to today's market?

0:37:210:37:24

Charterhouse Auctioneers in Dorset

0:37:300:37:32

is where our first sale is being held.

0:37:320:37:35

Auctioneer Richard Bromell is on the rostrum,

0:37:350:37:37

selling the attractive silver spoons.

0:37:370:37:40

Well, I've just been joined by Stefan and our expert Catherine.

0:37:400:37:43

They do say, you know,

0:37:430:37:44

some people are born with a silver spoon in their mouth.

0:37:440:37:47

Was Stefan born with six? I don't know.

0:37:470:37:50

You have lots of boxes of spoons -

0:37:500:37:51

what are you doing with all these spoons?

0:37:510:37:53

They've been sitting in a drawer for years and years.

0:37:530:37:55

Just coffee sets. Is it something

0:37:550:37:57

you wanted to collect or family inheritance?

0:37:570:37:59

-No, family inheritance.

-And you never use them?

-No.

0:37:590:38:01

The enamel ones are quite nice, sort of, red, white and blue.

0:38:010:38:04

-Yes, but they're not perfect.

-They're not, no.

0:38:040:38:06

Totally understand if they don't sell.

0:38:060:38:08

We might struggle on these, purely, purely because of the damage.

0:38:080:38:10

It's going under the hammer now.

0:38:100:38:12

Set of six silver-gilt enamel teaspoons, another set as well,

0:38:120:38:15

little bit of damage. They're very pretty little sets.

0:38:150:38:18

And I'm straight in at £50, I'll have a bid now at 50, 60,

0:38:180:38:20

-£60 on my right.

-That's good. That's awesome.

-£60 I have.

0:38:200:38:23

Two sets of teaspoons at 60, 70 on the internet.

0:38:230:38:26

At £70 on the internet bid. It gets it selling online at 70.

0:38:260:38:29

-That's good.

-Good, thank you so much.

-£70.

-Excellent, good.

-Done it.

0:38:290:38:32

-Yeah.

-Job done. I like it.

-See, we proved you wrong.

-Yeah,

0:38:320:38:35

-mind you, there's not a lot of money for two boxes, is it?

-No, it's not.

0:38:350:38:38

You know, let's face it, 35 quid a box.

0:38:380:38:40

-Quite a bargain, that.

-I know, if you look at it like that, they have.

0:38:400:38:43

They've gone, they've gone. This is what this show's all about.

0:38:430:38:46

It's called "Flog It!" - we want to sell your things,

0:38:460:38:48

so bring it in, and we'll do the business.

0:38:480:38:51

Well done, Catherine. Everyone is pleased with that.

0:38:510:38:54

Now, 145 miles north, at Tring Market Auctions

0:38:560:39:00

where Stephen Hearn is selling our lots.

0:39:000:39:04

Going under the hammer, something for all you fine art lovers -

0:39:040:39:06

two oil paintings by Henry Cooper.

0:39:060:39:08

And not the boxer, this is the 19th-century artist.

0:39:080:39:11

Be worth more, probably, wouldn't it?

0:39:110:39:13

Diane, why are you selling these?

0:39:130:39:14

Well, years ago, when my auntie died,

0:39:140:39:17

who was the eldest sister of my father's,

0:39:170:39:20

they had to clear the house out

0:39:200:39:22

and up the chimney, were these two Henry Cooper oils.

0:39:220:39:26

We inherited them, and they've been up in the attic ever since.

0:39:260:39:29

And you don't like them?

0:39:290:39:30

Our house hasn't got ceilings tall enough to house them.

0:39:300:39:32

They're, kind of, furnishing pictures, in a way, aren't they?

0:39:320:39:35

Yeah, and we know, don't we? That that they're slightly off the boil.

0:39:350:39:38

-Yes.

-Yes.

-They really are, they've dived in value.

-So you said, yes.

0:39:380:39:41

Do you know? I can't believe they

0:39:410:39:42

were shoved up a chimney to stop draughts.

0:39:420:39:44

Well, look, I think they do have a value, I really do.

0:39:440:39:47

-Quite right.

-Yeah.

-You know, so let's put it to the test.

0:39:470:39:50

There we are, looking at Highland cattle, a pair of them.

0:39:500:39:53

Where do we go, 500 for them?

0:39:530:39:55

500, where? About four.

0:39:550:39:56

250? 260, 280?

0:39:560:39:59

-280.

-Come on, come on.

-290.

0:39:590:40:01

300. One more, at 320.

0:40:010:40:04

-Ah...

-50?

0:40:040:40:06

Is it? Yes or no, sir?

0:40:060:40:07

-Go on.

-At £350,

0:40:070:40:09

at 350...

0:40:090:40:11

Not quite there.

0:40:110:40:12

They're going home. I think they are worth £400.

0:40:120:40:15

I think you should re-enter them into another sale.

0:40:150:40:18

-Yeah.

-I mean, we nearly got it.

0:40:180:40:19

They raised about what they're worth,

0:40:190:40:21

but doesn't it show how, what a bargain they are, actually?

0:40:210:40:24

-Yes, yeah, yeah.

-Cos they could have been £1,500, 15 years ago.

0:40:240:40:27

Yeah, yeah.

0:40:270:40:28

Another day, another saleroom.

0:40:280:40:29

-Another dollar.

-Another dollar.

-Hope so.

-All right.

0:40:290:40:33

MUSIC: I Need A Dollar by Aloe Blacc

0:40:330:40:35

Well, that was pretty close. They almost went.

0:40:350:40:39

Our journey concludes in the Cotswolds,

0:40:390:40:41

just outside Cirencester, at Moore, Allen and Innocent,

0:40:410:40:45

with auctioneer Philip Allwood, who is wielding the gavel.

0:40:450:40:48

Going under the hammer right now,

0:40:490:40:51

we have a Victorian print collection which has to be sold,

0:40:510:40:54

because Claire has... how many other brothers and sisters?

0:40:540:40:57

-Eight brothers and sisters.

-Eight brothers and sisters.

0:40:570:41:01

They can't fight over them, it has to be sold as a complete collection.

0:41:010:41:04

We're not going to split this up.

0:41:040:41:05

-You know, I think that's the best way to do this.

-Yeah.

0:41:050:41:08

And then, if any members of the family wanted them,

0:41:080:41:10

they could come along to the auction and bid.

0:41:100:41:12

Totally agree with you, there.

0:41:120:41:13

-So, what are you going to spend your share on?

-Erm...

0:41:130:41:17

What have you been up to since we last saw you at the valuation?

0:41:170:41:20

-I've had my whole sleeve tattooed. Do you want to see?

-Yes, please.

0:41:200:41:24

-Oh, my word.

-Gosh, that must have taken hours.

0:41:250:41:27

-I just need to finish this bit.

-It's fantastic artwork.

0:41:270:41:30

Wow, I can't take my eyes off it.

0:41:300:41:32

A bit of pressure there. Get that completed, get the money for that.

0:41:320:41:35

Oh, my word.

0:41:350:41:36

-Some prints for some more printing, in a way.

-Exactly.

0:41:360:41:39

Right, let's see what we can do for you.

0:41:390:41:41

The William Nicholson woodblock prints, Lord Roberts, it's Bismarck,

0:41:410:41:45

and the rest, there. Good little lot there.

0:41:450:41:47

Should be £300 or £400, start me. Start me at two?

0:41:470:41:50

At £200 there, a bid there at 200. At 200, 220, now.

0:41:500:41:52

-We're in.

-We're in.

-240, 260,

0:41:520:41:55

-280.

-Oh, wow, I'm quite surprised.

0:41:550:41:56

At 280, 300.

0:41:560:41:58

At 300, 320 now.

0:41:580:42:00

At 300, 320, now.

0:42:000:42:01

Can I say it? 300 I have.

0:42:010:42:03

At 300, 320 on the phone.

0:42:030:42:05

At 320, 340.

0:42:050:42:06

At 340, 360 now.

0:42:060:42:08

360, 380. At 380.

0:42:080:42:10

400, now.

0:42:100:42:11

At 380, 400, 420.

0:42:110:42:13

-That's my elbow paid for.

-At 420, 440, now.

0:42:130:42:15

440 on the phone.

0:42:150:42:16

At 440, 460, now.

0:42:160:42:19

At 440, on the left here, at 440 on the phone, now. At 440.

0:42:190:42:22

460 in the room, if you like?

0:42:220:42:24

At £440. The other phone, no?

0:42:240:42:27

At 440, you all sure?

0:42:270:42:30

-Well, look, the good news is...

-How much was it?

-£440.

0:42:300:42:34

You can get your arm finished.

0:42:340:42:36

-Yeah, and carry on.

-And you said it wasn't painful

0:42:360:42:39

-but I do have some painful news for you, Claire.

-Yeah?

0:42:390:42:42

There is commission to pay. 18% plus VAT.

0:42:420:42:47

-Everyone has to pay it, unfortunately.

-That's...oh, OK.

0:42:470:42:50

-That's OK.

-That's the painful bit, but, hey...

-But still...

0:42:500:42:53

That's the most painful bit over and done with, there.

0:42:530:42:55

We've been to some fabulous locations,

0:42:570:42:59

which have provided us with a diverse collection of items.

0:42:590:43:03

And some have given us some real surprises in the saleroom.

0:43:030:43:07

-Thank you.

-It's love!

-I am delighted...

0:43:070:43:09

-surprised, but delighted.

-So am I.

0:43:090:43:12

Style won, once again.

0:43:120:43:14

So join us again soon for more auction drama on Flog It!

0:43:140:43:18

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