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Today, Flog It! comes from Kent, | 0:00:02 | 0:00:03 | |
a county that has more historic houses and castles | 0:00:03 | 0:00:06 | |
than any other in the UK. | 0:00:06 | 0:00:07 | |
And we've been given the grounds of one of the finest. | 0:00:10 | 0:00:13 | |
Chiddingstone Castle, | 0:00:15 | 0:00:17 | |
where we're hoping to find extraordinary antiques | 0:00:17 | 0:00:19 | |
and colourful characters. | 0:00:19 | 0:00:21 | |
Well, it's a glorious, sunny day here | 0:00:27 | 0:00:29 | |
and the Flog It! flag is flying, | 0:00:29 | 0:00:30 | |
so it's time to let the games begin. | 0:00:30 | 0:00:33 | |
And welcome to... | 0:00:35 | 0:00:36 | |
ALL: Flog It! | 0:00:36 | 0:00:38 | |
Chiddingstone Castle can trace its roots back to the 1500s, | 0:01:01 | 0:01:05 | |
when the first timber-framed building occupied the site. | 0:01:05 | 0:01:09 | |
Since then, it's undergone several transformations, | 0:01:09 | 0:01:12 | |
and now sits proudly as a Gothic-inspired castle. | 0:01:12 | 0:01:15 | |
It's steeped in history, | 0:01:16 | 0:01:18 | |
and it's a perfect location for a valuation day in the sun. | 0:01:18 | 0:01:22 | |
Well, our visitors have turned up nice and early today | 0:01:24 | 0:01:26 | |
to get their antiques and collectables valued. | 0:01:26 | 0:01:29 | |
And don't forget, the lucky ones will be going off to auction, | 0:01:29 | 0:01:31 | |
where hopefully, it'll be game, set and match, | 0:01:31 | 0:01:34 | |
as those items go under the hammer. | 0:01:34 | 0:01:37 | |
Competing to find the best items of the day | 0:01:37 | 0:01:39 | |
are veterans of Flog It! Thomas Plant... | 0:01:39 | 0:01:42 | |
Isn't that pretty? You know, isn't it funny, | 0:01:42 | 0:01:45 | |
the way people hide the greatest gems underneath? | 0:01:45 | 0:01:48 | |
..and Adam Partridge. | 0:01:49 | 0:01:50 | |
I'm having a great morning already. | 0:01:50 | 0:01:52 | |
I've only seen a couple of people, and we're hitting gold every time. | 0:01:52 | 0:01:55 | |
They have been walking the Flog It! queues for ten years, | 0:01:55 | 0:01:58 | |
and have a near-psychic ability to spot the gold. | 0:01:58 | 0:02:01 | |
So, Adam, what are you looking at, delving into an album box? | 0:02:01 | 0:02:04 | |
-I've found something that might be of interest. -That is very rare! | 0:02:04 | 0:02:07 | |
-I don't even need to open it to know. -It's extremely rare. | 0:02:07 | 0:02:10 | |
I just don't know how they do it(!) | 0:02:10 | 0:02:12 | |
The people of Kent have brought us an array of items, some inherited, | 0:02:14 | 0:02:18 | |
some bought, but all with a story to tell and a value to reveal. | 0:02:18 | 0:02:23 | |
On today's show, there's disbelief at the valuation tables... | 0:02:25 | 0:02:29 | |
-Really? -Yeah. That was a good "really"? -Yeah! | 0:02:29 | 0:02:32 | |
..surprises at the auction room... | 0:02:32 | 0:02:34 | |
Five. | 0:02:34 | 0:02:35 | |
Top split! | 0:02:35 | 0:02:37 | |
Yes, good. | 0:02:37 | 0:02:38 | |
..and I end up at a Kent location | 0:02:38 | 0:02:40 | |
where you wouldn't expect to find antiques. | 0:02:40 | 0:02:43 | |
-I feel like you're... -That's it, keep going. | 0:02:43 | 0:02:45 | |
..disappearing down a plughole! It's like you're in a vortex! | 0:02:45 | 0:02:48 | |
Well, I don't envy the chap who has to mow the lawn here. | 0:03:00 | 0:03:03 | |
There's 35 acres of it. | 0:03:03 | 0:03:05 | |
And everyone seems to be enjoying this setting. | 0:03:05 | 0:03:08 | |
But right now, it's time to catch up with expert Thomas Plant. | 0:03:08 | 0:03:12 | |
-Welcome. -Thank you very much. | 0:03:16 | 0:03:17 | |
And you've brought along a very attractive piece of jewellery. | 0:03:17 | 0:03:22 | |
-I'm pleased you think so. -No, I like it. | 0:03:22 | 0:03:24 | |
First of all, it's by Georg Jensen - | 0:03:24 | 0:03:27 | |
or George Jenson - | 0:03:27 | 0:03:28 | |
the Danish silversmith and jeweller. | 0:03:28 | 0:03:31 | |
What do you know about it? | 0:03:31 | 0:03:33 | |
Well, it was given to me by my father-in-law many, many, | 0:03:33 | 0:03:37 | |
-many, many years ago. I've never worn it. -Really? | 0:03:37 | 0:03:41 | |
Talk me through the gift from your father-in-law. | 0:03:41 | 0:03:45 | |
-Is he Danish? -No. He sadly passed away quite a long time ago, | 0:03:45 | 0:03:49 | |
but what he couldn't have known is that my grandchildren are Danish. | 0:03:49 | 0:03:54 | |
-Are they? -Yes. -Well, he would never know that, would he? -No. | 0:03:54 | 0:03:56 | |
So was this when you were married, or when you were just getting married? | 0:03:56 | 0:04:00 | |
-Yes, newly married. -Newly married. | 0:04:00 | 0:04:02 | |
And yes, this was probably a Christmas present. | 0:04:02 | 0:04:05 | |
It's so long ago that I'm ashamed to say I don't really remember. | 0:04:05 | 0:04:10 | |
It won't be that long ago! | 0:04:10 | 0:04:12 | |
But anyway, it's quite an interesting gift, | 0:04:12 | 0:04:16 | |
because you look at Georg Jensen, and you perceive it to be quite a... | 0:04:16 | 0:04:21 | |
It's quite a high-end piece of jewellery, | 0:04:21 | 0:04:23 | |
even though it's only silver. | 0:04:23 | 0:04:25 | |
This piece here is called Moonlight. | 0:04:25 | 0:04:28 | |
-It's one of his earliest designs. -Oh! -It's still in production today. | 0:04:28 | 0:04:32 | |
-It's still being made. -Right! That same design? | 0:04:32 | 0:04:35 | |
That same design, but they do inset it with jewellery, | 0:04:35 | 0:04:38 | |
with stones, and amethysts and moonstones and garnets | 0:04:38 | 0:04:41 | |
to make it come alive a bit more. | 0:04:41 | 0:04:43 | |
This piece in itself dates from 1959, | 0:04:43 | 0:04:48 | |
-so long, long time before you were married. -Yeah, yes! | 0:04:48 | 0:04:53 | |
-It was second-hand when he gave it to you. -Right. That's fine. | 0:04:53 | 0:04:57 | |
Well, absolutely. We are in the second-hand market. My business is. | 0:04:57 | 0:05:01 | |
But what I find intriguing is, | 0:05:01 | 0:05:03 | |
I want the back story of how he came about it, | 0:05:03 | 0:05:07 | |
why he gave it to you, | 0:05:07 | 0:05:08 | |
and I've seen it's never been worn, because you've not even cleaned it. | 0:05:08 | 0:05:12 | |
-No. -Have you? -No. | 0:05:12 | 0:05:15 | |
That looks rather handsome. | 0:05:15 | 0:05:16 | |
The whole idea about Danish and Scandinavian design | 0:05:16 | 0:05:19 | |
is taking our influence from nature. | 0:05:19 | 0:05:22 | |
-That's exactly what you've got there, isn't it? -Yes. | 0:05:22 | 0:05:25 | |
With the budding flowers, etc. | 0:05:25 | 0:05:27 | |
-The fact that you've never worn it, is that why you've brought it? -Yes. | 0:05:27 | 0:05:31 | |
I mean, I've had it probably 40 years. | 0:05:31 | 0:05:34 | |
-I think it's lovely, but I don't wear brooches. -Well, value. | 0:05:34 | 0:05:38 | |
-I've bigged it up quite a lot, haven't I? -It's fine. | 0:05:38 | 0:05:42 | |
-What do you think it's worth? -Maybe £50. | 0:05:42 | 0:05:44 | |
-Oh, no, it's worth more than that. -Oh, right. | 0:05:44 | 0:05:46 | |
It's probably worth about 80 to 120. | 0:05:46 | 0:05:48 | |
-And I know that's an auctioneer's estimate. -Yes. | 0:05:48 | 0:05:50 | |
But it's definitely worth that. | 0:05:50 | 0:05:52 | |
Excellent, excellent. That's lovely. | 0:05:52 | 0:05:55 | |
And I think there's no question | 0:05:55 | 0:05:57 | |
you should definitely put a reserve on it. | 0:05:57 | 0:05:59 | |
-Of? -£70. | 0:05:59 | 0:06:00 | |
-That's fine. -It's got to be, | 0:06:00 | 0:06:02 | |
because these always sell between that figure, | 0:06:02 | 0:06:06 | |
and I'd like it to go up a little bit. | 0:06:06 | 0:06:09 | |
Will you buy a piece of jewellery you will wear? | 0:06:09 | 0:06:11 | |
-No. -Why not? | 0:06:11 | 0:06:13 | |
-Well, I don't really wear jewellery. -OK. | 0:06:13 | 0:06:15 | |
-It'll probably go to going to Denmark, see the grandchildren. -OK. | 0:06:15 | 0:06:19 | |
-They're super-stylish, these Danes, aren't they? -Oh, wonderful. | 0:06:19 | 0:06:22 | |
-They're super-stylish. -Yes, yes. | 0:06:22 | 0:06:23 | |
-We could learn a few things. -We could, we could. | 0:06:23 | 0:06:26 | |
Isn't it great when an item from the past | 0:06:27 | 0:06:30 | |
helps complete a circle in the present? | 0:06:30 | 0:06:33 | |
# Always take the weather with you | 0:06:33 | 0:06:36 | |
# Everywhere you go | 0:06:36 | 0:06:38 | |
# Always take the weather | 0:06:38 | 0:06:40 | |
# The weather with you. # | 0:06:40 | 0:06:43 | |
Alison, thank you for bringing something along | 0:06:43 | 0:06:46 | |
a little more unusual than we see on the... | 0:06:46 | 0:06:47 | |
regular items that we see on the programme. | 0:06:47 | 0:06:49 | |
These lovely Chinese gouache paintings on leaves. | 0:06:49 | 0:06:54 | |
How did you come by these? | 0:06:54 | 0:06:55 | |
They belonged to my grandmother, | 0:06:55 | 0:06:57 | |
-and I think she gave them to me in the early '70s. -Right. | 0:06:57 | 0:07:01 | |
I can't remember exactly when, but it was before she died. | 0:07:01 | 0:07:04 | |
You have childhood memories of them? | 0:07:04 | 0:07:06 | |
I certainly do, yes. And I think I've got photographs of them | 0:07:06 | 0:07:09 | |
-in my grandmother's house when my mother was young. -How nice! | 0:07:09 | 0:07:12 | |
I'm not totally sure, but I think I remember seeing them. | 0:07:12 | 0:07:15 | |
How do you think your grandmother came by them? | 0:07:15 | 0:07:17 | |
-Did she travel to the Far East? -No, no, I'm sure she didn't. | 0:07:17 | 0:07:20 | |
I've no idea where she got them from. | 0:07:20 | 0:07:22 | |
-It would be interesting to know, wouldn't it? -It would be. | 0:07:22 | 0:07:25 | |
But typically, these things were produced | 0:07:25 | 0:07:27 | |
at the end of the 19th century, | 0:07:27 | 0:07:28 | |
and often produced for export to the west, | 0:07:28 | 0:07:30 | |
and sometimes brought back by merchant seamen, etc, | 0:07:30 | 0:07:33 | |
or shipped over for export. | 0:07:33 | 0:07:35 | |
They're very nicely executed, aren't they? | 0:07:35 | 0:07:38 | |
Each unsigned, but very nicely done. | 0:07:38 | 0:07:42 | |
They've survived incredibly well, | 0:07:42 | 0:07:43 | |
considering they're over 100 years old. | 0:07:43 | 0:07:45 | |
What's made you come along to bring them to Flog It! today, | 0:07:45 | 0:07:47 | |
then, Alison, because you quite like them, don't you? | 0:07:47 | 0:07:50 | |
I do, I love them, but I didn't decide to come till last night, | 0:07:50 | 0:07:54 | |
and I thought, "What shall I bring?" | 0:07:54 | 0:07:56 | |
And I've inherited a lot of stuff over the years, | 0:07:56 | 0:07:59 | |
and, as with a lot of people, we're going to have to move | 0:07:59 | 0:08:03 | |
-to a smaller house at some stage, so it's a good time to start. -I see. | 0:08:03 | 0:08:07 | |
We do see them from time to time, | 0:08:07 | 0:08:08 | |
and sometimes you see the leaf painting. You also see them on... | 0:08:08 | 0:08:11 | |
Rice paper is another popular medium, | 0:08:11 | 0:08:14 | |
or material to be painted on. | 0:08:14 | 0:08:16 | |
But these are most pleasant, | 0:08:16 | 0:08:18 | |
and they have a value usually of around... | 0:08:18 | 0:08:21 | |
well, 40-60, | 0:08:21 | 0:08:24 | |
40-60, 70-100. | 0:08:24 | 0:08:26 | |
-So, sort of £150-£200, I'd have thought. -Mm-hm. | 0:08:26 | 0:08:30 | |
Is that something that you'd be...? | 0:08:30 | 0:08:32 | |
Well, if it goes to a good home, and it leaves a little space, | 0:08:32 | 0:08:37 | |
not for something else, but just a little space, it's a good idea. | 0:08:37 | 0:08:41 | |
Well, I think so. And there is a strong interest | 0:08:41 | 0:08:44 | |
in all things Chinese at the moment. It's very much in fashion. | 0:08:44 | 0:08:47 | |
I think we should place a reserve on them, so that they're not undersold. | 0:08:47 | 0:08:51 | |
I would suggest that figure should be about £120, | 0:08:51 | 0:08:53 | |
just as a caution rather than as a target. | 0:08:53 | 0:08:56 | |
-Does that sound all right? -That sounds fine, yes. -Good. | 0:08:56 | 0:08:59 | |
Thank you for bringing them, Alison. | 0:08:59 | 0:09:00 | |
I look forward to seeing them coming under the hammer, | 0:09:00 | 0:09:03 | |
because they're a tricky thing to predict today, | 0:09:03 | 0:09:05 | |
but I'd like to think they'll make a bit more than what we've suggested. | 0:09:05 | 0:09:08 | |
Gouache painting uses a paint similar to watercolour | 0:09:09 | 0:09:12 | |
to create this striking opaque picture. | 0:09:12 | 0:09:15 | |
But will the bidders take an interest? | 0:09:15 | 0:09:16 | |
Find out in a few minutes. | 0:09:16 | 0:09:18 | |
# That's the way, uh-huh, uh-huh | 0:09:20 | 0:09:22 | |
-# I like it -Uh-huh, uh-huh | 0:09:22 | 0:09:25 | |
# That's the way, uh-huh, uh-huh... # | 0:09:25 | 0:09:27 | |
Well, you can't beat a Flog It! valuation day | 0:09:27 | 0:09:29 | |
when the weather's like this. | 0:09:29 | 0:09:30 | |
-Are you having a good time, everyone? -ALL: Yes! -Yes! | 0:09:30 | 0:09:32 | |
Now, hopefully, you're all Flog It! fans, | 0:09:32 | 0:09:34 | |
otherwise you would not be here today. | 0:09:34 | 0:09:36 | |
Let's find the biggest Flog It! fan, shall we? | 0:09:36 | 0:09:39 | |
Who has been watching the show for, let's say, two or three years? | 0:09:39 | 0:09:42 | |
-Most of you, surely! -VARIOUS: Yes! | 0:09:42 | 0:09:45 | |
Who's been watching the show for... Five years? | 0:09:45 | 0:09:48 | |
-Yes! -Gosh, the same amount of hands. | 0:09:48 | 0:09:51 | |
-Who's been watching the show for ten years? -Yes! | 0:09:51 | 0:09:53 | |
No, I don't believe it! | 0:09:53 | 0:09:55 | |
HE LAUGHS | 0:09:55 | 0:09:57 | |
We're actually in our 13th year, | 0:09:57 | 0:09:58 | |
so you've been with us for the whole course of our history. | 0:09:58 | 0:10:02 | |
That's absolutely fabulous. | 0:10:02 | 0:10:03 | |
# And it's time to feel good! # | 0:10:03 | 0:10:05 | |
Well, time flies when you're having fun, | 0:10:05 | 0:10:07 | |
and it's time that is on Thomas' mind. | 0:10:07 | 0:10:10 | |
He's found a quiet spot to listen to | 0:10:10 | 0:10:13 | |
the mechanics of Roberta's beautiful pocket watch. | 0:10:13 | 0:10:17 | |
"Time and tide waits for no man." | 0:10:17 | 0:10:19 | |
And we have a very nice watch here. | 0:10:19 | 0:10:23 | |
Absolutely beautiful. | 0:10:23 | 0:10:24 | |
-Where's it come from? -Thank you. I wish I knew. | 0:10:24 | 0:10:27 | |
We just found it with all sorts of bits and pieces | 0:10:27 | 0:10:31 | |
-that came from both families. -Just found it? | 0:10:31 | 0:10:33 | |
And I don't know whose it is. | 0:10:33 | 0:10:35 | |
I mean, it must have been one family or the other, but we don't know. | 0:10:35 | 0:10:39 | |
So, it's quite a nice find, really, isn't it? | 0:10:39 | 0:10:41 | |
I don't know anything about watches, so I presumed it was gold, | 0:10:41 | 0:10:45 | |
-but I really don't know. -It is gold. It is 18-carat gold. | 0:10:45 | 0:10:47 | |
-It is a full hunter. Full hunter means it's covered on both sides. -OK. | 0:10:47 | 0:10:52 | |
And the maker is clearly on there. | 0:10:52 | 0:10:54 | |
Henri Hoffman. Lovely. | 0:10:54 | 0:10:57 | |
An absolutely delightful thing to have. | 0:10:57 | 0:11:00 | |
And I can't believe you don't know who owns it, or where it's from. | 0:11:00 | 0:11:03 | |
It's from Switzerland. It dates from the early part of the 20th century. | 0:11:03 | 0:11:07 | |
Might be slightly later in the 19th, but in super quality. | 0:11:07 | 0:11:13 | |
The only thing it's suffered is this rubbing on the case. | 0:11:13 | 0:11:17 | |
Presumably from being in a pocket...? | 0:11:17 | 0:11:20 | |
Yes, being in a pocket. The hands are really pretty. | 0:11:20 | 0:11:23 | |
You've got this lovely, lovely movement here. Can you see that? | 0:11:23 | 0:11:28 | |
-And it's working. -It is! That's amazing. -Ticking away. | 0:11:28 | 0:11:31 | |
-Isn't it beautiful? -Yeah. -Really great. | 0:11:31 | 0:11:34 | |
What's it worth? Well, considering you didn't know you had it, | 0:11:36 | 0:11:39 | |
it's a really nice little gem. | 0:11:39 | 0:11:42 | |
Because it is 18-carat gold, there is a gold value to it, | 0:11:42 | 0:11:45 | |
but watches, pocket watches especially, | 0:11:45 | 0:11:47 | |
-are becoming more and more collectable. -Are they? | 0:11:47 | 0:11:50 | |
-Yes, our friends in the Far East are buying them. -OK. | 0:11:50 | 0:11:53 | |
Therefore, the prices are slightly going up. | 0:11:53 | 0:11:55 | |
I mean, the gold value is there anyway. | 0:11:55 | 0:11:57 | |
It's worth at least £300-£500. | 0:11:57 | 0:11:59 | |
-Right. -So I think that we use that as a good starting figure. | 0:11:59 | 0:12:03 | |
-How does that grab you? -I know nothing about them, | 0:12:03 | 0:12:05 | |
-so anything is good. -You're very honest to say that! | 0:12:05 | 0:12:08 | |
"I know nothing about it." | 0:12:08 | 0:12:10 | |
But it is lovely, it's cased, | 0:12:10 | 0:12:12 | |
and if I had £300, I'd certainly think that's a great investment. | 0:12:12 | 0:12:17 | |
Are we going to put a reserve on at? | 0:12:17 | 0:12:20 | |
That's a good question. Shall we put a reserve? | 0:12:20 | 0:12:22 | |
-What do you think? -I think we should. 280. | 0:12:22 | 0:12:24 | |
-OK. -Fix it at 280. -OK. | 0:12:24 | 0:12:26 | |
I mean, it's going to make that anyway, but we'll fix it at 280. | 0:12:26 | 0:12:28 | |
-Could we fix it at 300? Or is that pushing our luck? -We can. | 0:12:28 | 0:12:32 | |
No, not at all. If you want to go for 300, we'll go for £300. | 0:12:32 | 0:12:36 | |
OK. Let's do that. | 0:12:36 | 0:12:38 | |
-Let's do that. Fix it at 300. -OK. | 0:12:38 | 0:12:39 | |
-Because I think it's worth every single penny. -OK! | 0:12:39 | 0:12:43 | |
-Thank you for coming. -Thank you. Thank you very much. | 0:12:43 | 0:12:46 | |
Well, our Flog It! visitors have been showing their treasures | 0:12:51 | 0:12:54 | |
to our experts, who have been suitably impressed. | 0:12:54 | 0:12:57 | |
So it's time for our first visit to the auction room. | 0:12:57 | 0:12:59 | |
Let's put those values to the test. Don't go away. | 0:12:59 | 0:13:02 | |
Anything could happen. | 0:13:02 | 0:13:03 | |
Here's a quick recap of all the items we're taking with us. | 0:13:03 | 0:13:07 | |
Quality Danish design, and it's never been worn. | 0:13:08 | 0:13:11 | |
It's sure to sell. | 0:13:11 | 0:13:12 | |
But for how much? | 0:13:12 | 0:13:14 | |
And will the unusual design of these paintings put the bidders off, | 0:13:16 | 0:13:19 | |
or have them flocking to the auction room? | 0:13:19 | 0:13:21 | |
And time's up for Roberta's pocket watch. | 0:13:24 | 0:13:26 | |
Will it make the £300 reserve? | 0:13:26 | 0:13:29 | |
Our auction today is across the lush Kent countryside | 0:13:33 | 0:13:35 | |
and over the county border to Surrey, | 0:13:35 | 0:13:38 | |
where Ewbank's auction house is our host. | 0:13:38 | 0:13:41 | |
There are salerooms like this all over the country, | 0:13:42 | 0:13:44 | |
and there's probably one near you, | 0:13:44 | 0:13:46 | |
so go along and find yourself a quirky bargain, | 0:13:46 | 0:13:49 | |
or a special piece of history. | 0:13:49 | 0:13:51 | |
And right now, the Flog It! lots are up, | 0:13:51 | 0:13:54 | |
and Tim Duggan is the man on the rostrum. | 0:13:54 | 0:13:56 | |
It's not sold until his hammer goes down. | 0:13:56 | 0:13:59 | |
Well, I've just been joined by Alison and our expert Adam, | 0:13:59 | 0:14:02 | |
and going under the hammer right now, | 0:14:02 | 0:14:04 | |
something I have never seen on the show, | 0:14:04 | 0:14:06 | |
and we've done nearly 1,000 shows. Paintings on Oriental leaves. | 0:14:06 | 0:14:09 | |
You don't know where these came from, do you? Someone in the family? | 0:14:09 | 0:14:12 | |
From my grandmother, but I don't know where she got them. | 0:14:12 | 0:14:15 | |
-When she got them? -No. -And where have they been? | 0:14:15 | 0:14:17 | |
They've been all over the world, as far as I'm aware. | 0:14:17 | 0:14:20 | |
Kenya, Ireland, England several times, | 0:14:20 | 0:14:23 | |
Spain, and then back to England. | 0:14:23 | 0:14:26 | |
They're well-travelled, aren't they? | 0:14:26 | 0:14:28 | |
We're going to put it to the test right now. Here we go. Good luck. | 0:14:28 | 0:14:31 | |
And how do you see this? £100 for it? | 0:14:31 | 0:14:34 | |
100 is bid. 100 is bid now. 110 now. | 0:14:34 | 0:14:36 | |
110, I've got now. Look for 120 anywhere? | 0:14:36 | 0:14:39 | |
At 110. Don't stop me now. | 0:14:39 | 0:14:40 | |
At 110, all and done, then, at 110. | 0:14:40 | 0:14:43 | |
Not sold. | 0:14:43 | 0:14:45 | |
-Oh! -Oh, no. You're taking them home, | 0:14:45 | 0:14:47 | |
-and you're going to enjoy them. -Yeah. | 0:14:47 | 0:14:49 | |
I'm sure they're worth what we estimated them at, | 0:14:49 | 0:14:52 | |
but perhaps today wasn't their day, | 0:14:52 | 0:14:53 | |
-and they might belong in a more specialist Oriental sale. -Yeah. | 0:14:53 | 0:14:57 | |
Always protect your investment with a reserve. | 0:14:57 | 0:14:59 | |
-It's the sensible thing. -Yeah. | 0:14:59 | 0:15:01 | |
There are no guarantees at auction, | 0:15:01 | 0:15:03 | |
but there's always another time, | 0:15:03 | 0:15:05 | |
and now, an horologist's dream. | 0:15:05 | 0:15:08 | |
I tell you what, it's just about to hot up in here, | 0:15:08 | 0:15:11 | |
because it's going to get exciting, because I think this is quality, | 0:15:11 | 0:15:13 | |
and it's working, so it won't put the bidders off. | 0:15:13 | 0:15:16 | |
-And in the original box. -Yeah. | 0:15:16 | 0:15:18 | |
Fingers crossed we can send you home with lots of money. | 0:15:20 | 0:15:22 | |
-I hope so, yeah. -OK? -Yeah. | 0:15:22 | 0:15:23 | |
OK. This is it. It's going under the hammer. | 0:15:23 | 0:15:26 | |
And a lot of interest, and we go in at £200 now. £200 now. | 0:15:26 | 0:15:30 | |
200, 220, 240, 260, | 0:15:30 | 0:15:32 | |
280, 300. | 0:15:32 | 0:15:34 | |
320, 340... | 0:15:34 | 0:15:35 | |
Got a commission bid. | 0:15:35 | 0:15:37 | |
360, 380. | 0:15:37 | 0:15:39 | |
With you, sir, at £380 now. | 0:15:39 | 0:15:41 | |
Looking for 400 anywhere? | 0:15:41 | 0:15:42 | |
At £380 in the room, we are. | 0:15:42 | 0:15:45 | |
-380! -All done, then? | 0:15:45 | 0:15:46 | |
Selling, then, at £380. | 0:15:46 | 0:15:50 | |
-Roberta, that's sold! -Excellent! That's exciting! | 0:15:50 | 0:15:52 | |
-It's good, isn't it? -Brilliant. | 0:15:52 | 0:15:54 | |
-Are you happy with that? -Very happy. -Good. | 0:15:54 | 0:15:56 | |
Look, there is commission to pay. It's 18%. That includes VAT. | 0:15:56 | 0:15:59 | |
It's a bit of money to spend. Hopefully you can enjoy it. | 0:15:59 | 0:16:02 | |
Yeah, I will. Brilliant. Thank you. | 0:16:02 | 0:16:04 | |
Pocket watches are gaining in popularity, | 0:16:04 | 0:16:07 | |
so if you have one tucked away, maybe now is the time to sell. | 0:16:07 | 0:16:11 | |
Next, Maureen's Danish brooch by... | 0:16:11 | 0:16:14 | |
How do you say the name again? | 0:16:14 | 0:16:15 | |
Do you know what, I always say "George Jenson", | 0:16:15 | 0:16:18 | |
cos I'm not one for accents. | 0:16:18 | 0:16:19 | |
-What do you say? -"Yorg". -You do? -Georg. | 0:16:19 | 0:16:22 | |
-Georg. Yeah. -HE LAUGHS | 0:16:22 | 0:16:24 | |
Well, look, it's going under the hammer right now. This is it. | 0:16:24 | 0:16:27 | |
Interest we have, and I go in at £50 online now. | 0:16:27 | 0:16:31 | |
55 now. 60. | 0:16:31 | 0:16:32 | |
65 now. 70, I need online. | 0:16:32 | 0:16:34 | |
-There's a phone bid. -80 online. | 0:16:34 | 0:16:36 | |
85. 90. | 0:16:36 | 0:16:37 | |
95. 100. | 0:16:37 | 0:16:38 | |
-110, 120 online. -This is the beauty of the internet. | 0:16:38 | 0:16:42 | |
110, I have. 120 online now. | 0:16:42 | 0:16:43 | |
120 online. It's your bid now. | 0:16:43 | 0:16:45 | |
Online now. Do I have 130 anywhere? | 0:16:45 | 0:16:47 | |
At 120, then, it's online we go... | 0:16:47 | 0:16:48 | |
-130 now. 130. -Top split! | 0:16:48 | 0:16:52 | |
Looking for 140 anywhere? At 130, online we go, then. | 0:16:52 | 0:16:55 | |
Selling, then, online at 130. | 0:16:55 | 0:16:57 | |
-Bang! The hammer's gone down. -Excellent! | 0:16:57 | 0:16:59 | |
-Well done, you. -Well, well done, you! | 0:16:59 | 0:17:02 | |
It always sells, it always sells. | 0:17:02 | 0:17:03 | |
£160 in the doorway now. | 0:17:03 | 0:17:05 | |
Selling, then. In the doorway we go, then. Selling, then, at 360. | 0:17:05 | 0:17:09 | |
Well, there you are. Three lots done and dusted, under the hammer. | 0:17:09 | 0:17:12 | |
We're coming back here later on in the programme, so don't go away. | 0:17:12 | 0:17:15 | |
Right now, we're hurtling back across the border to Kent, | 0:17:15 | 0:17:19 | |
to visit one Britain's best loved racetracks, | 0:17:19 | 0:17:22 | |
where I put pedal to metal down at Brands Hatch. | 0:17:22 | 0:17:25 | |
Two and a half miles of track. | 0:17:30 | 0:17:32 | |
Cars driving wildly at hundreds of miles an hour. | 0:17:32 | 0:17:36 | |
Sponsorship deals worth millions, | 0:17:38 | 0:17:40 | |
and an international audience of billions. | 0:17:40 | 0:17:43 | |
This is Brands Hatch, | 0:17:47 | 0:17:49 | |
a Formula One racetrack for 22 years. | 0:17:49 | 0:17:52 | |
Loved by all the driving greats from Stirling Moss to Graham Hill. | 0:17:52 | 0:17:57 | |
But how did this world-renowned track come about, | 0:17:57 | 0:18:00 | |
and why here in Kent? | 0:18:00 | 0:18:03 | |
Well, it all started with an overgrown field, | 0:18:04 | 0:18:06 | |
and the humble bicycle. | 0:18:06 | 0:18:08 | |
In 1926, a group of cyclists were riding past on bikes like this, | 0:18:08 | 0:18:14 | |
led by a local man, Ron Argent. | 0:18:14 | 0:18:16 | |
Now, Ron noticed that the field's natural contours acted like | 0:18:16 | 0:18:20 | |
something of an amphitheatre, | 0:18:20 | 0:18:22 | |
and he thought this would be the ideal racetrack, | 0:18:22 | 0:18:25 | |
with these banks acting as natural viewing platforms. | 0:18:25 | 0:18:29 | |
At the time, the area was owned by Brands Hatch Farm, | 0:18:29 | 0:18:32 | |
so the cyclists approached the owners to see if they could use it | 0:18:32 | 0:18:35 | |
as a racetrack and, thanks to the farmer saying yes, | 0:18:35 | 0:18:38 | |
Brands Hatch was born. | 0:18:38 | 0:18:41 | |
HE RINGS BICYCLE BELL | 0:18:41 | 0:18:43 | |
The first ever race was in 1926, | 0:18:43 | 0:18:46 | |
and it was between cyclists and the cross-country runners. | 0:18:46 | 0:18:50 | |
Nobody knows quite why the contest was between man and machine. | 0:18:50 | 0:18:54 | |
The runners won the day, | 0:18:54 | 0:18:56 | |
and the event put the wheels in motion for more wheels in motion. | 0:18:56 | 0:19:00 | |
Before long, the circuit developed into a three-quarter-mile track | 0:19:02 | 0:19:06 | |
in the valley, attracting even more two-wheelers - | 0:19:06 | 0:19:09 | |
this time, the motorised kind. | 0:19:09 | 0:19:12 | |
Local groups of motorcyclists got together, | 0:19:12 | 0:19:15 | |
and they had their first meet here in March of 1932. | 0:19:15 | 0:19:19 | |
50cc Nortons and Triumphs raced on the dusty, noisy track. | 0:19:19 | 0:19:25 | |
Within two decades, the circuit was tarmacked, | 0:19:25 | 0:19:27 | |
and races attracted 30,000 spectators. | 0:19:27 | 0:19:31 | |
And this was just the beginning. | 0:19:31 | 0:19:33 | |
By the 1950s, the track started filling up with cars like this, | 0:19:35 | 0:19:40 | |
a 1953 Staride Formula 3, | 0:19:40 | 0:19:44 | |
the first car ever to race at Brands Hatch. | 0:19:44 | 0:19:48 | |
It was the forerunner to the Formula 1 car, | 0:19:49 | 0:19:52 | |
and this particular one raced here at Brands Hatch in 1953. | 0:19:52 | 0:19:57 | |
Its present owner Xavier brought it back to Brands Hatch to race again, | 0:19:57 | 0:20:01 | |
61 years later, after its first outing. | 0:20:01 | 0:20:04 | |
-Hello. -Hi, hello. Good to see you. -And you. And what a machine. | 0:20:07 | 0:20:10 | |
-Brilliant, isn't it? -Yes! | 0:20:10 | 0:20:12 | |
Now, I know you've never been a professional racing car driver, | 0:20:12 | 0:20:14 | |
so how did you end up owning a Formula 3 car like this? | 0:20:14 | 0:20:18 | |
Very easy story, really, Paul. I decided to retire early. | 0:20:18 | 0:20:21 | |
I've always loved motorsport, so what do you do when you retire? | 0:20:21 | 0:20:24 | |
You buy a racing car. It's almost as easy as that. | 0:20:24 | 0:20:26 | |
You've never grown up, really. | 0:20:26 | 0:20:28 | |
-It's boys and their toys, isn't it? -Absolutely right. | 0:20:28 | 0:20:30 | |
-So, what inspired you to buy this particular car, then? -I'll show you. | 0:20:30 | 0:20:33 | |
This... | 0:20:33 | 0:20:34 | |
-A model of it? -A model of it. | 0:20:35 | 0:20:37 | |
When I was a teenager, 13, 14, I used to make model kits, | 0:20:37 | 0:20:40 | |
and one of the ones I made was of a Formula 3 racing car. | 0:20:40 | 0:20:43 | |
And ever since then, I've really, really loved that type of car. | 0:20:43 | 0:20:46 | |
So when I retired, saved a bit of money, buy a car. | 0:20:46 | 0:20:50 | |
-So you know the history of this car? -Absolutely. | 0:20:50 | 0:20:52 | |
It raced here first in April 1953, | 0:20:52 | 0:20:55 | |
then stayed racing around various circuits in the UK, | 0:20:55 | 0:20:58 | |
and was eventually exported to California in 1959, | 0:20:58 | 0:21:00 | |
then came back on the historic race scene in the States, | 0:21:00 | 0:21:03 | |
and then, eventually, I bought the car at the end of 2010. | 0:21:03 | 0:21:06 | |
-And that's where you found it? -Absolutely right. -OK. | 0:21:06 | 0:21:09 | |
Let's just get a bit technical, very, very quickly, OK? | 0:21:09 | 0:21:11 | |
-Maximum speed? -Gearing... 110, 115, depending on the circuit. | 0:21:11 | 0:21:15 | |
That's quite fast! | 0:21:15 | 0:21:17 | |
It's quick enough when you're about three inches off the ground! | 0:21:17 | 0:21:19 | |
Yeah, you're very, very low, aren't you? You are low. | 0:21:19 | 0:21:22 | |
And what sort of cylinder is the engine? It's got Norton. | 0:21:22 | 0:21:25 | |
-Is that a bike engine? -It's a Manx Norton... it's only 500cc. | 0:21:25 | 0:21:28 | |
-That's nothing, is it? -Absolutely nothing. | 0:21:28 | 0:21:30 | |
What does your good lady wife think of all this? | 0:21:30 | 0:21:33 | |
Well, without Angie, I couldn't go racing, | 0:21:33 | 0:21:36 | |
because Angie's the person that starts the car. | 0:21:36 | 0:21:39 | |
How do you start this car, then? | 0:21:39 | 0:21:41 | |
-Well... -I mean, you don't stick a key in the ignition. | 0:21:41 | 0:21:43 | |
I'm afraid you have to jack it up, you have to spin the back wheels | 0:21:43 | 0:21:46 | |
to get the car going, and then you fire it up. | 0:21:46 | 0:21:48 | |
So, jack the back of the car up, | 0:21:48 | 0:21:50 | |
then third gear, then, demon starter comes along. | 0:21:50 | 0:21:54 | |
This is only part of it, because it needs someone to work it. | 0:21:54 | 0:21:57 | |
OK, Angie! | 0:21:57 | 0:21:58 | |
OK? | 0:22:00 | 0:22:01 | |
-ENGINE REVS -Whoo! | 0:22:05 | 0:22:08 | |
You can feel the whole room vibrate! | 0:22:10 | 0:22:13 | |
Xavier is just one of many people whose lives have been | 0:22:20 | 0:22:23 | |
touched by Brands Hatch, and it's brought Formula 1 | 0:22:23 | 0:22:26 | |
into the homes for many millions of people. | 0:22:26 | 0:22:29 | |
In 1986, Brands Hatch held its final Grand Prix. | 0:22:33 | 0:22:37 | |
115,000 people came here to witness this historic event, | 0:22:37 | 0:22:43 | |
and the passionate crowd would have been on their feet | 0:22:43 | 0:22:46 | |
here in the grandstand, over there on the south bank, | 0:22:46 | 0:22:49 | |
and all around the edges. | 0:22:49 | 0:22:51 | |
The atmosphere would have been electrifying, | 0:22:51 | 0:22:53 | |
as Nigel Mansell won the race with a 5.5-second lead. | 0:22:53 | 0:22:57 | |
Grands Prix are no longer held here, | 0:22:59 | 0:23:01 | |
but Brands Hatch is still a hive of activity, and today, | 0:23:01 | 0:23:04 | |
it's my turn to experience the buzz of the racetrack. | 0:23:04 | 0:23:08 | |
Nigel Mansell, eat your heart out! | 0:23:08 | 0:23:10 | |
-Hi, Paul. I'm Peter. -Pleased to meet you. | 0:23:17 | 0:23:19 | |
I'm your instructor here at Brands. | 0:23:19 | 0:23:21 | |
Let's show you where this circuit goes. | 0:23:21 | 0:23:23 | |
I'm looking forward to this! You're a brave man! | 0:23:23 | 0:23:25 | |
THEY LAUGH | 0:23:25 | 0:23:28 | |
Oh, well. Here goes. | 0:23:28 | 0:23:31 | |
Wish me luck! | 0:23:31 | 0:23:33 | |
MUSIC: Cars by Gary Numan | 0:23:33 | 0:23:37 | |
And up to third gear. | 0:23:37 | 0:23:38 | |
-Can I go for it? -Accelerate down the hill, yeah. -Wow! | 0:23:40 | 0:23:43 | |
-You can feel the contours. -You can. | 0:23:43 | 0:23:45 | |
It's a very undulating circuit, Brands Hatch. | 0:23:45 | 0:23:48 | |
-It's a real driver's circuit. -Fantastic! | 0:23:48 | 0:23:51 | |
Then we're braking for Graham Hill Bend. | 0:23:51 | 0:23:53 | |
Graham Hill Bend, wow. | 0:23:53 | 0:23:55 | |
Named after one of the classic British racing drivers all time. | 0:23:55 | 0:23:59 | |
Straighten the front wheel slightly. That's good. That's good. | 0:23:59 | 0:24:02 | |
-Here comes this main straight. -Oh! -Power on, power on! -Ohhh! | 0:24:02 | 0:24:06 | |
Superb! PAUL LAUGHS | 0:24:06 | 0:24:08 | |
Very well done. | 0:24:08 | 0:24:09 | |
-I feel giddy. -Climb up the hill. | 0:24:09 | 0:24:11 | |
Braking. | 0:24:12 | 0:24:14 | |
Good. | 0:24:14 | 0:24:16 | |
Well done, sir. | 0:24:20 | 0:24:21 | |
PAUL LAUGHS | 0:24:21 | 0:24:23 | |
Ohhh! | 0:24:24 | 0:24:25 | |
That was fantastic! That was scary. | 0:24:26 | 0:24:30 | |
That was the Real McCoy. | 0:24:30 | 0:24:32 | |
Gosh! | 0:24:32 | 0:24:33 | |
Brilliant. Whoo! | 0:24:33 | 0:24:35 | |
From the roar of the racetrack to the tranquil Chiddingstone Castle, | 0:24:44 | 0:24:48 | |
where I can't help thinking | 0:24:48 | 0:24:50 | |
something looks very different today. | 0:24:50 | 0:24:52 | |
Normally, when you see this many umbrellas, | 0:24:52 | 0:24:54 | |
it's because it's raining, but it's a glorious sunny day, | 0:24:54 | 0:24:57 | |
so we do need some sort of sunshade, | 0:24:57 | 0:24:59 | |
and right now, we're going to be catching up with Adam Partridge, | 0:24:59 | 0:25:02 | |
who's shedding some light on something special. | 0:25:02 | 0:25:05 | |
-Jenny, what a beautiful day here in Kent. -It's gorgeous, isn't it? | 0:25:10 | 0:25:13 | |
-Don't get much better than that, does it? -No, no. A lovely setting. | 0:25:13 | 0:25:15 | |
-Locations and everything else. -Beautiful. | 0:25:15 | 0:25:17 | |
And I was attracted to your postcard albums for a number of reasons. | 0:25:17 | 0:25:21 | |
Firstly, also, because there are going to be some local ones in here. | 0:25:21 | 0:25:24 | |
-Yes, there's a lot of local ones. -Very good. | 0:25:24 | 0:25:27 | |
But before we open up the albums, | 0:25:27 | 0:25:28 | |
because there's a lot of flicking through to do there, | 0:25:28 | 0:25:31 | |
can you tell me a bit about them and how you came to own them yourself? | 0:25:31 | 0:25:34 | |
Yeah. They belonged to my great-aunt, who started collecting them... | 0:25:34 | 0:25:39 | |
I think the earliest postcard is about 1906. | 0:25:39 | 0:25:41 | |
-And what was your great-aunt's name? -Aunt Fanny. -Aunt Fanny! | 0:25:41 | 0:25:45 | |
-There we are. That's a good traditional name. -Yeah. | 0:25:45 | 0:25:49 | |
And so, please tell me more. Aunt Fanny collected these? | 0:25:49 | 0:25:52 | |
Yes, and her sisters used to travel a bit, | 0:25:52 | 0:25:55 | |
and send her postcards wherever they went, and her friends. | 0:25:55 | 0:25:59 | |
So she collected them all, | 0:25:59 | 0:26:00 | |
and then she passed it on to her daughter, | 0:26:00 | 0:26:03 | |
and her daughter started collecting them, | 0:26:03 | 0:26:05 | |
but unfortunately, most of the family died of TB. | 0:26:05 | 0:26:09 | |
-Oh, gosh. -And their daughter died of TB as well. | 0:26:09 | 0:26:11 | |
-So I think the last one is about 1925. -Oh, dear! | 0:26:11 | 0:26:15 | |
-That's a sad ending, isn't it? -Sad, yes. | 0:26:15 | 0:26:18 | |
And what happened to Aunt Fanny in the end? | 0:26:18 | 0:26:20 | |
Aunt Fanny lived till she was in her 90s. | 0:26:20 | 0:26:22 | |
-Oh, well, there's a positive, isn't it? -That is. | 0:26:22 | 0:26:25 | |
Very good. Anyway, we'll have a look through them. | 0:26:25 | 0:26:27 | |
There we go. We're straight into Kent. | 0:26:27 | 0:26:29 | |
Ramsgate, Chatham, | 0:26:29 | 0:26:32 | |
Ramsgate, Margate, | 0:26:32 | 0:26:34 | |
Dover. | 0:26:34 | 0:26:35 | |
So we've got loads and loads of local views, | 0:26:35 | 0:26:37 | |
which were quite common to see. | 0:26:37 | 0:26:40 | |
And I've marked out one which is a little more interesting, | 0:26:40 | 0:26:43 | |
actually, which is here, this submarine A5 going full speed. | 0:26:43 | 0:26:48 | |
That's a more rare one, | 0:26:48 | 0:26:50 | |
and that's something that's going to appeal to the collector. | 0:26:50 | 0:26:53 | |
That will be worth a few pounds, | 0:26:53 | 0:26:54 | |
whereas these are going to be worth pence, really. | 0:26:54 | 0:26:56 | |
Then we've got another album here, | 0:26:56 | 0:26:58 | |
so we've got a mixture in this album, | 0:26:58 | 0:27:01 | |
including greetings and more topographical... | 0:27:01 | 0:27:04 | |
An area of collecting particularly, and it appeals to me as well, | 0:27:04 | 0:27:08 | |
-are the humorous ones. -Mm-hm. | 0:27:08 | 0:27:10 | |
I like this one. It's rather cute, isn't it? | 0:27:10 | 0:27:12 | |
Little kiddie in the tub. | 0:27:12 | 0:27:14 | |
"I hope she won't whistle God Save The King, | 0:27:14 | 0:27:17 | |
"or I'll have to stand up." | 0:27:17 | 0:27:18 | |
-So it's fun, isn't it? -It is fun. -Just a bit of gentle humour. | 0:27:18 | 0:27:22 | |
And right next to it, you got another area of collection, cats. | 0:27:22 | 0:27:26 | |
People like cats. And here's a cat on the telephone. | 0:27:26 | 0:27:30 | |
-Again, rather amusing. -Yeah. | 0:27:30 | 0:27:31 | |
And let's have a quick look at this final one. | 0:27:31 | 0:27:33 | |
-Isn't that lovely, just the inside cover? -It is lovely. | 0:27:33 | 0:27:36 | |
I mean, that's a real sort of Art Nouveau-derived design, | 0:27:36 | 0:27:38 | |
-isn't it? -It is nice. -This one here... | 0:27:38 | 0:27:41 | |
Well, we're onto Titanic and shipping and memorial, aren't we? | 0:27:41 | 0:27:45 | |
Cos these are the words for Nearer, My God, To Thee, | 0:27:45 | 0:27:48 | |
which was famously played by Wallace Hartley, | 0:27:48 | 0:27:51 | |
the band leader of the Titanic, and his band, | 0:27:51 | 0:27:53 | |
as the ship was going down. | 0:27:53 | 0:27:55 | |
-That's right. -So it's quite a poignant one, there. | 0:27:55 | 0:27:58 | |
When was this sent? You could spend hours... | 0:27:58 | 0:28:00 | |
-1912, look. -1912, yeah. -So it actually... | 0:28:00 | 0:28:02 | |
-Yeah. -Doesn't mention the ship. -No, it doesn't. | 0:28:02 | 0:28:06 | |
But all the same, quite a poignant reminder of the day, isn't it? | 0:28:06 | 0:28:09 | |
-Yes, quite sad. -So, in these three albums, you know, | 0:28:09 | 0:28:12 | |
there's not a huge amount of value, but there's a great amount of | 0:28:12 | 0:28:15 | |
interest in social history terms, and things like that. | 0:28:15 | 0:28:18 | |
Price-wise, have you got any idea what you think? | 0:28:18 | 0:28:21 | |
I really haven't got a clue, no. | 0:28:21 | 0:28:23 | |
Well, I think 200-300 would be... | 0:28:23 | 0:28:25 | |
-Really?! -Yeah. That was a good "really"? | 0:28:25 | 0:28:28 | |
Yeah! Yeah, definitely. | 0:28:28 | 0:28:29 | |
I was thinking of going lower. I didn't think you'd like it. | 0:28:29 | 0:28:32 | |
But kind of £50-£80 an album, | 0:28:32 | 0:28:34 | |
based on the fact that they're mainly views, which are low value. | 0:28:34 | 0:28:38 | |
-Yes. -But I would say 200-300, and maybe just tuck in | 0:28:38 | 0:28:40 | |
reserve a bit lower, about 150, maybe, to stop them going for less. | 0:28:40 | 0:28:44 | |
OK, that's fine. Yes. That's absolutely fine. | 0:28:44 | 0:28:46 | |
I think they'll sell for that. | 0:28:46 | 0:28:47 | |
-They might make a bit more. -Oh, good. | 0:28:47 | 0:28:49 | |
# There's no combination of words I could put on the back of a postcard | 0:28:49 | 0:28:54 | |
# No song that I could sing but I could try for your heart | 0:28:54 | 0:28:58 | |
# Tell you one thing we're better together... # | 0:28:58 | 0:29:02 | |
The Flog It! folk are a calm and gentle sort, | 0:29:03 | 0:29:06 | |
which is more than can be said for this formidable group. | 0:29:06 | 0:29:09 | |
Heavyweight boxer Henry Cooper | 0:29:09 | 0:29:12 | |
with heavyweight gangsters the Krays. | 0:29:12 | 0:29:14 | |
-George. -Yes. -You don't sound like you're from these parts. | 0:29:14 | 0:29:18 | |
-I'm not, I'm from the East End. -You're from the East End? | 0:29:18 | 0:29:21 | |
-A proper East Ender? -I'm a proper East Ender. | 0:29:21 | 0:29:23 | |
What brings you down to these parts? | 0:29:23 | 0:29:25 | |
-Well, I've lived in Kent now for the last 50 years. -Have you? -Yeah. | 0:29:25 | 0:29:28 | |
THEY LAUGH | 0:29:28 | 0:29:30 | |
-So you've been a Kent person more than a Cockney? -Definitely. | 0:29:30 | 0:29:33 | |
But you were still born there. | 0:29:33 | 0:29:34 | |
I was born there, I was bred there, and I still love the East End. | 0:29:34 | 0:29:37 | |
Brilliant, brilliant. | 0:29:37 | 0:29:38 | |
-And tell me, you brought along some interesting photographs... -Yeah. | 0:29:38 | 0:29:41 | |
-..of what looks like a boxing night. -Yes. | 0:29:41 | 0:29:44 | |
What it is, it's mostly of the Kray twins, | 0:29:44 | 0:29:47 | |
and their brother Charlie. | 0:29:47 | 0:29:48 | |
That's Charlie Kray, Reggie Kray, | 0:29:48 | 0:29:52 | |
Henry Cooper, and Ronnie Kray. | 0:29:52 | 0:29:55 | |
You didn't know the Krays, did you? | 0:29:55 | 0:29:57 | |
You'd obviously heard of them growing up? | 0:29:57 | 0:29:59 | |
-Oh, I've met them a few times. -Have you? -Yeah. | 0:29:59 | 0:30:01 | |
How did you meet them? | 0:30:01 | 0:30:02 | |
Well, we used to... | 0:30:02 | 0:30:05 | |
When I was in my teens, | 0:30:05 | 0:30:07 | |
there used to be little sort of disco clubs around the East End, | 0:30:07 | 0:30:12 | |
and many a time, the Krays, the two brothers used to walk in, | 0:30:12 | 0:30:16 | |
have a little dance, and chat with the fellas and that. | 0:30:16 | 0:30:19 | |
-But they were... Well, to me, they seemed nice fellas. -Yeah? | 0:30:19 | 0:30:24 | |
But in their own little circle, we know what happened, don't we? | 0:30:24 | 0:30:29 | |
Well, yes, absolutely. It's extraordinary. | 0:30:29 | 0:30:32 | |
And the celebrity of criminality... | 0:30:32 | 0:30:37 | |
-It's been publicised heavily, in films, documentaries... -Yeah. | 0:30:37 | 0:30:44 | |
..and auction houses do sell a lot of Kray memorabilia, actually, | 0:30:44 | 0:30:48 | |
from the twins here. | 0:30:48 | 0:30:50 | |
There's a big group of people here, and you can see the twins here, | 0:30:50 | 0:30:54 | |
-and anyone you recognise there? -Yeah, that's Terry Spinks, the boxer. | 0:30:54 | 0:30:58 | |
-The little guy there? -Oh, yeah, he was a brilliant boxer, Terry. | 0:30:58 | 0:31:00 | |
-Was he? -Yeah, brilliant, Terry Spinks. This fella here, | 0:31:00 | 0:31:03 | |
-I used to go to school with. -Really? This chap there? | 0:31:03 | 0:31:05 | |
Yes, this chap there, Harry Abrahams, | 0:31:05 | 0:31:07 | |
I went to school with him. He's a nice fella. | 0:31:07 | 0:31:09 | |
So how did you get these photographs? | 0:31:09 | 0:31:11 | |
Well, I've had them about 25, 30 years now. | 0:31:11 | 0:31:15 | |
And a friend of mine had them, | 0:31:15 | 0:31:17 | |
and we were just looking through them one day. | 0:31:17 | 0:31:19 | |
I said, oh, I'd like to keep them. | 0:31:19 | 0:31:20 | |
He said, "You can have them if you want them. I don't want them." | 0:31:20 | 0:31:23 | |
-Really? -And he just gave them to me. -Well, they are... | 0:31:23 | 0:31:25 | |
They're quite candid shots as well. | 0:31:25 | 0:31:27 | |
I quite like the fact that you've got... Here's an example. | 0:31:27 | 0:31:30 | |
You've got the Kray twins here, | 0:31:30 | 0:31:31 | |
sort of one sort of leaning in to make sure he's in the photograph, | 0:31:31 | 0:31:35 | |
but the cameraman has photographed them through the boxing ring. | 0:31:35 | 0:31:39 | |
-That's right. -So you've got the rope in the middle of it all. | 0:31:39 | 0:31:41 | |
-Yeah, that's right. -It's all quite odd, isn't it? -Yeah. | 0:31:41 | 0:31:44 | |
As you can see, they were very smart fellas. | 0:31:44 | 0:31:45 | |
Well, I think these are marvellous photographs, | 0:31:45 | 0:31:48 | |
and underneath here, you've got a Matt Busby, | 0:31:48 | 0:31:50 | |
one of Manchester United's most famous managers, | 0:31:50 | 0:31:56 | |
but also the one who took them through the Munich air disaster. | 0:31:56 | 0:31:59 | |
-That's right. -So... A real hero. | 0:31:59 | 0:32:01 | |
Well, I'll tell you how that came about. | 0:32:01 | 0:32:04 | |
My son, Tony, unfortunately, he's not with us no more. | 0:32:04 | 0:32:07 | |
-We lost him about 16 years ago. -Oh, I'm sorry. | 0:32:07 | 0:32:10 | |
My father-in-law - my wife's dad - | 0:32:10 | 0:32:12 | |
he worked for the Mirror Group newspapers, | 0:32:12 | 0:32:16 | |
and Sir Matt Busby came in there one day. | 0:32:16 | 0:32:18 | |
I said, "Do you think I could get a signature for my son? | 0:32:18 | 0:32:20 | |
"He plays football, and likes football." | 0:32:20 | 0:32:23 | |
So he said, "Certainly," and he just wrote that. | 0:32:23 | 0:32:25 | |
-"To Tony, best wishes, Matt Busby." -Yeah. | 0:32:25 | 0:32:28 | |
It's such a treasured thing, really. | 0:32:28 | 0:32:30 | |
-You sure you want to sell these things? -Well... | 0:32:30 | 0:32:32 | |
-You don't want to give them away. -I don't want to give them away, no. | 0:32:32 | 0:32:35 | |
-I think there's two lots, though. -Yeah. | 0:32:35 | 0:32:37 | |
I think the Kray photographs are candid, they're exciting, | 0:32:37 | 0:32:41 | |
interesting. The provenance is... | 0:32:41 | 0:32:43 | |
You're an East Ender, they've come straight from the horse's mouth, | 0:32:43 | 0:32:47 | |
-so to speak. -Right. | 0:32:47 | 0:32:49 | |
I think they're worth at least 60-100, maybe even £80-£100. | 0:32:49 | 0:32:54 | |
So let's meet in the middle. | 0:32:54 | 0:32:56 | |
-Let's say £70-£100, with a reserve of round about £50. -Yeah. | 0:32:56 | 0:33:00 | |
-So we won't give them away. -Yeah. | 0:33:00 | 0:33:02 | |
So, on to the valuation of the Matt Busby signed piece of paper. | 0:33:02 | 0:33:07 | |
I think... | 0:33:07 | 0:33:08 | |
-The estimate would be between 40 and £60. -Right, yeah. | 0:33:11 | 0:33:15 | |
-I'd reserve it at at least £30. -OK. -You happy with that? | 0:33:15 | 0:33:18 | |
Yeah, I'm happy with that. | 0:33:18 | 0:33:20 | |
So, a pleasure to see them, and to meet you as well. | 0:33:20 | 0:33:22 | |
-Oh, thank you very much! -Thank you. | 0:33:22 | 0:33:24 | |
They might not be worth a fortune, | 0:33:27 | 0:33:29 | |
but those photos are fresh to the market | 0:33:29 | 0:33:30 | |
and could be very rare. | 0:33:30 | 0:33:32 | |
We've had a few surprises here already but, for one man, | 0:33:34 | 0:33:37 | |
today's trip to Flog It! was a trip in itself. | 0:33:37 | 0:33:41 | |
People have travelled from far and wide today, and I know | 0:33:41 | 0:33:43 | |
we have a couple here from Bristol, | 0:33:43 | 0:33:45 | |
and for one of them, it's their birthday. | 0:33:45 | 0:33:49 | |
It's a chap called Jules, | 0:33:49 | 0:33:50 | |
and his wife Anna has been leaving clues all over the house | 0:33:50 | 0:33:53 | |
as to where she is taking him today, | 0:33:53 | 0:33:55 | |
and she's brought him along to Flog It! | 0:33:55 | 0:33:56 | |
-Pleased to meet you, Jules. Happy birthday! -Thank you very much. | 0:33:56 | 0:33:59 | |
And you, and you. So, how old are you today? Are we allowed to know? | 0:33:59 | 0:34:02 | |
I am 43 years young. PAUL LAUGHS | 0:34:02 | 0:34:06 | |
Well, you don't look it! And you're a big Flog It! fan? | 0:34:06 | 0:34:09 | |
Indeed, yeah. I love it, absolutely. | 0:34:09 | 0:34:11 | |
And what is it you like about the show? | 0:34:11 | 0:34:13 | |
Well, for me, it has to be all these little trinkets | 0:34:14 | 0:34:17 | |
and the stories that go behind it, and then working out whether there is | 0:34:17 | 0:34:21 | |
a real value, and then often, if there's not a value, | 0:34:21 | 0:34:23 | |
it's a personal value. And being here today is just... | 0:34:23 | 0:34:26 | |
-And seeing how the programme works. -Yeah, yeah. | 0:34:26 | 0:34:28 | |
And how it all knits together. | 0:34:28 | 0:34:30 | |
Right, well, good luck, anyway. | 0:34:30 | 0:34:32 | |
Jules here has come all the way from Bristol. | 0:34:32 | 0:34:34 | |
He's a big Flog It! fan, and it's his birthday. | 0:34:34 | 0:34:37 | |
Three cheers for Jules. Hip, hip... | 0:34:37 | 0:34:38 | |
-ALL: Hooray! -Hip, hip... | 0:34:38 | 0:34:40 | |
-ALL: Hooray! -Hip, hip... | 0:34:40 | 0:34:42 | |
ALL: Hooray! | 0:34:42 | 0:34:43 | |
Well done, Jules. | 0:34:43 | 0:34:44 | |
PAUL LAUGHS Thank you! | 0:34:44 | 0:34:46 | |
A birthday treat in the shape of a Flog It! valuation day. | 0:34:52 | 0:34:55 | |
How unique! | 0:34:55 | 0:34:56 | |
And what better way to celebrate than with a bottle of the finest? | 0:34:58 | 0:35:01 | |
Trust Adam to seek it out. | 0:35:01 | 0:35:03 | |
-Don. -Pleased to meet you, Adam. -Pleased to meet you, too. | 0:35:03 | 0:35:06 | |
I was going for the bottle, but I'll take the handshake. | 0:35:06 | 0:35:08 | |
I've got some cups here. Let's crack it open. It's a lovely, sunny day. | 0:35:08 | 0:35:11 | |
-Yeah... I don't think so. -Oh. Let's have a look. | 0:35:11 | 0:35:15 | |
A bottle of Armagnac, 1914? | 0:35:15 | 0:35:17 | |
Armagnac, from the Armagnac region of France, 1914. | 0:35:17 | 0:35:20 | |
It says it all on there. 65 proof, | 0:35:20 | 0:35:23 | |
and sold by Averys of Bristol. | 0:35:23 | 0:35:26 | |
A very famous firm, Averys of Bristol, founded in 1793. | 0:35:26 | 0:35:31 | |
So, I don't want to be rude here, Don, | 0:35:31 | 0:35:33 | |
because clearly you haven't had this since 1914. | 0:35:33 | 0:35:35 | |
-How did you come to get it? -Right. | 0:35:35 | 0:35:37 | |
I took part in the Armed Forces Day, down at Woking. | 0:35:37 | 0:35:42 | |
There was a raffle on for Help For Heroes, | 0:35:42 | 0:35:44 | |
-and I happened to win this bottle in the raffle. -Wow! | 0:35:44 | 0:35:47 | |
You won it in a raffle! Now, you're an ex-serviceman yourself. | 0:35:47 | 0:35:50 | |
-Ex-Royal Marine? -Ex-Royal Marine, yeah. | 0:35:50 | 0:35:52 | |
Very good. And you've had an interesting life, haven't you? | 0:35:52 | 0:35:55 | |
I've had an interesting life, doing government security. | 0:35:55 | 0:35:57 | |
-Government security? -Yes. -Can you say any more? Is the rest of it...? | 0:35:57 | 0:36:00 | |
-I won't say any more! -THEY LAUGH | 0:36:00 | 0:36:01 | |
-Cos you sign that little form. -Oh, do you? | 0:36:01 | 0:36:04 | |
-Yes. -That's very interesting, Don. | 0:36:04 | 0:36:06 | |
Seeing I'm not a brandy drinker, | 0:36:06 | 0:36:08 | |
I don't want anything of the proceeds. | 0:36:08 | 0:36:10 | |
-It's all going to charity. -Brilliant. | 0:36:10 | 0:36:12 | |
Well, what a great reason to sell it. | 0:36:12 | 0:36:14 | |
Now, we've had a little look into it, | 0:36:14 | 0:36:15 | |
and it's quite a hard thing to value, really. | 0:36:15 | 0:36:18 | |
We've all seen some bottles of wines and brandies make huge sums of money, | 0:36:18 | 0:36:23 | |
but sadly, there's very little to compare this with | 0:36:23 | 0:36:26 | |
on the market at the moment, so we've had to take a bit of a guess, | 0:36:26 | 0:36:29 | |
and the guess that we've taken is £100-£150. | 0:36:29 | 0:36:32 | |
Well, it's not bad, really, is it? | 0:36:32 | 0:36:34 | |
And do you know what? I bet it's still very drinkable. | 0:36:34 | 0:36:38 | |
-It's got to be someone who wants it. -It has, hasn't it? | 0:36:38 | 0:36:42 | |
So, we're going to put it in the auction at £100-£150. | 0:36:42 | 0:36:44 | |
Do we want a reserve on it, or do we let it make what it makes? | 0:36:44 | 0:36:47 | |
-Let it make what it makes. -I think so. | 0:36:47 | 0:36:49 | |
And hopefully, it'll make more than 100 quid for your charity. | 0:36:49 | 0:36:53 | |
Well, it would be any named charity, but it would be for a youth charity. | 0:36:53 | 0:36:57 | |
A youth charity. Even better. | 0:36:57 | 0:36:58 | |
Maybe we'll talk about that further on the sale day. | 0:36:58 | 0:37:01 | |
When we know exactly what we've got, we'll know how to split it. | 0:37:01 | 0:37:03 | |
-Exactly. And let's go for a third handshake. -OK, Adam. | 0:37:03 | 0:37:06 | |
-Thanks, Don. Thanks for coming. -Thank you. -We'll see you soon. | 0:37:06 | 0:37:09 | |
# Keep on the sunny side | 0:37:09 | 0:37:12 | |
# Always on the sunny side | 0:37:12 | 0:37:14 | |
# Keep on the sunny side of life. # | 0:37:14 | 0:37:18 | |
Well, there you are. The perfect English summer's day, | 0:37:18 | 0:37:21 | |
and the perfect Flog It! valuation day, | 0:37:21 | 0:37:23 | |
with a magnificent host location, Chiddingstone Castle, | 0:37:23 | 0:37:26 | |
and a wonderful crowd of people. Had a good time, everyone? | 0:37:26 | 0:37:29 | |
-ALL: Yes! -Yes! That's what it's all about. | 0:37:29 | 0:37:32 | |
And we've found some fascinating items. | 0:37:32 | 0:37:34 | |
Can you guess which one will make the most in the auction room? | 0:37:34 | 0:37:37 | |
Well, we're just about to find out. As we make our way over there, | 0:37:37 | 0:37:40 | |
here's a quick recap of what we're taking. | 0:37:40 | 0:37:42 | |
With over 900 postcards in this lot, it's a collector's dream. | 0:37:43 | 0:37:47 | |
Will the auction be worth writing home about? | 0:37:47 | 0:37:50 | |
The Krays, Henry Cooper and Matt Busby. | 0:37:51 | 0:37:54 | |
All big names, but will they fetch big money? | 0:37:54 | 0:37:57 | |
And a 100-year-old bottle of brandy. | 0:37:59 | 0:38:01 | |
Definitely not available at your local supermarket. | 0:38:01 | 0:38:04 | |
To find out which of these lots wins the day, | 0:38:06 | 0:38:07 | |
it's back to the saleroom. | 0:38:07 | 0:38:09 | |
We all done, then? At £70. | 0:38:09 | 0:38:12 | |
Well, let's hope this next lot hits the back of the net | 0:38:13 | 0:38:16 | |
and scores a great goal. | 0:38:16 | 0:38:17 | |
It is Sir Matt Busby's autograph, and it belongs to George. | 0:38:17 | 0:38:20 | |
-Were you a Manchester United fan? -No. -No. Just a football fan? | 0:38:20 | 0:38:23 | |
-I'm a football fan, yeah. -A football fan. Who do you support? | 0:38:23 | 0:38:26 | |
-Tottenham Hotspur. -Tottenham Hotspur. You're a Londoner! | 0:38:26 | 0:38:29 | |
And there you go. It should sell. This is it. | 0:38:29 | 0:38:33 | |
We've got Matt Busby, there, the autograph, there, | 0:38:33 | 0:38:35 | |
signed in blue pen. | 0:38:35 | 0:38:37 | |
How do you see it? £40 for it? | 0:38:37 | 0:38:39 | |
20, if you like. | 0:38:39 | 0:38:40 | |
20 bid. 20 bid. 25. | 0:38:40 | 0:38:42 | |
30 now. 35, bid. | 0:38:42 | 0:38:44 | |
With you at 35 there. Looking for 40. | 0:38:44 | 0:38:45 | |
Looking for 40. At 35, then, in the jacket we go, then, at £35. | 0:38:45 | 0:38:50 | |
-Sold, £35. -Well done. | 0:38:50 | 0:38:53 | |
Next, those fantastic photos. | 0:38:53 | 0:38:56 | |
-And the Krays are quite collectable, aren't they? -Well, yeah. | 0:38:56 | 0:38:59 | |
The celebrity of the criminal has become | 0:38:59 | 0:39:03 | |
-a collectable subject in its own right. -Yeah. | 0:39:03 | 0:39:05 | |
-Good luck, both of you. -OK. | 0:39:05 | 0:39:07 | |
Good luck. Here we go. This is it. | 0:39:07 | 0:39:10 | |
Got the six black and white photographs there. | 0:39:10 | 0:39:12 | |
The Krays, including Henry Cooper as well. | 0:39:12 | 0:39:15 | |
£50 for these. £50 for them? | 0:39:15 | 0:39:18 | |
30 if you like. | 0:39:18 | 0:39:19 | |
30 bid. 35, 40, 45, | 0:39:19 | 0:39:21 | |
50, 5. | 0:39:21 | 0:39:23 | |
-60, 5. -Selling. Good. | 0:39:23 | 0:39:26 | |
70, 5. | 0:39:26 | 0:39:28 | |
We're in estimate now. | 0:39:28 | 0:39:30 | |
80, 5. | 0:39:30 | 0:39:31 | |
85, 90, 5. | 0:39:31 | 0:39:34 | |
95, 100. | 0:39:35 | 0:39:37 | |
At £95, close in at £95, then. | 0:39:37 | 0:39:39 | |
Right in front we go, then. | 0:39:39 | 0:39:40 | |
Selling, then, to the lady in front at £95. | 0:39:40 | 0:39:43 | |
-£95. We've done it, George! Done it! -Yes, that's right. | 0:39:43 | 0:39:45 | |
-That's a good result. -That's a brilliant result. | 0:39:45 | 0:39:48 | |
-Spot-on estimate. -I didn't know what they were going to make. | 0:39:48 | 0:39:50 | |
-I have to say, it was a guess. -Yeah. -It was a well-educated one. | 0:39:50 | 0:39:53 | |
Well done, Thomas. | 0:39:53 | 0:39:55 | |
Well, it could be cheers all round if our next lot sells. | 0:39:58 | 0:40:01 | |
It's the Averys bottle of brandy. | 0:40:01 | 0:40:02 | |
And I've just been joined by Donald, who looks extremely smart. | 0:40:02 | 0:40:05 | |
-I love this. And who's your mate? -My mate is Chas. | 0:40:05 | 0:40:09 | |
We've been comrades since 1961, and we still go out together now. | 0:40:09 | 0:40:13 | |
So, were you both in the Royal Marines? | 0:40:13 | 0:40:15 | |
We were both in the Royal Marines. | 0:40:15 | 0:40:17 | |
-We served with the Third Commando Brigade all over the world. -Wow. | 0:40:17 | 0:40:20 | |
And you never thought of cracking open this bottle of brandy, then? | 0:40:20 | 0:40:23 | |
No, thank you. A bottle of rum, maybe! | 0:40:23 | 0:40:25 | |
-That's it. There's a proper Royal Marine! -LAUGHTER | 0:40:25 | 0:40:27 | |
-We've got no reserve on this bottle. -That's right. -None, it says. | 0:40:27 | 0:40:30 | |
-No reserve. -Well, we'll see. The market will speak. | 0:40:30 | 0:40:32 | |
It's going under the hammer now. This is it. | 0:40:32 | 0:40:34 | |
Do I see £100 for it? 50, I've got bid online now. | 0:40:34 | 0:40:37 | |
50 bid now, 55 now, 60, I've got now. | 0:40:37 | 0:40:39 | |
Want 65, please, online. | 0:40:39 | 0:40:41 | |
And 70 online now. | 0:40:41 | 0:40:42 | |
75 now. Looking for 80. | 0:40:42 | 0:40:44 | |
80 bid. 85. At 90 online. | 0:40:44 | 0:40:46 | |
95. 100, I need. | 0:40:46 | 0:40:48 | |
-100. -110. | 0:40:48 | 0:40:50 | |
120. 110 in the room now. £110. | 0:40:50 | 0:40:53 | |
Right in front we go, then. | 0:40:53 | 0:40:54 | |
Selling, then, at £110. | 0:40:54 | 0:40:57 | |
£110. Within estimate. | 0:40:57 | 0:40:59 | |
-That's good. -Yeah. | 0:40:59 | 0:41:00 | |
-Happy, boys? -Yeah. -Yeah. | 0:41:00 | 0:41:02 | |
The bottle of brandy has found a new home. | 0:41:02 | 0:41:05 | |
Whether it's kept in a cellar or emptied straight into a glass, | 0:41:05 | 0:41:08 | |
it's a great result for Donald and Chas. | 0:41:08 | 0:41:12 | |
And our last lot of the day is brimming with local history. | 0:41:12 | 0:41:16 | |
Going under the hammer right now, we have three postcard albums, | 0:41:16 | 0:41:19 | |
containing a collection of around 900 postcards. | 0:41:19 | 0:41:23 | |
-Jennifer, someone was busy. Great-aunt? -Great-aunt, yes. | 0:41:23 | 0:41:27 | |
-And we have a value of around £200-£300 put on by Adam. -Yeah. | 0:41:28 | 0:41:31 | |
I think, I think these things capture social history | 0:41:31 | 0:41:34 | |
and they're hard to put a price on. And we could have a surprise. | 0:41:34 | 0:41:37 | |
-We could have, couldn't we? With 900 cards! -That's a lot. | 0:41:37 | 0:41:39 | |
I'm sure they'll be a few that will be rarer and more valuable, | 0:41:39 | 0:41:42 | |
but then, the majority are rather common-looking ones. | 0:41:42 | 0:41:45 | |
But they're also quite nice, | 0:41:45 | 0:41:46 | |
-because they were local, weren't they? -Yes. -Yes. | 0:41:46 | 0:41:49 | |
Lost items of social history, | 0:41:49 | 0:41:50 | |
landmarks that don't exist any more, and buildings. | 0:41:50 | 0:41:52 | |
We're putting it to the test right now. We could have a surprise. | 0:41:52 | 0:41:55 | |
-This is it. -A lot of interest in this lot. | 0:41:55 | 0:41:58 | |
Yes! Good. | 0:41:58 | 0:41:59 | |
Lot of interest. We go in at £100 now. | 0:41:59 | 0:42:02 | |
110, 120, 130. | 0:42:02 | 0:42:04 | |
140, 150 now. | 0:42:04 | 0:42:06 | |
160. 170 now, | 0:42:06 | 0:42:07 | |
180, 190, 200. | 0:42:07 | 0:42:09 | |
I'll go in fifties. 250, | 0:42:09 | 0:42:11 | |
300, 350, 400. | 0:42:11 | 0:42:14 | |
450, 500 now. | 0:42:14 | 0:42:16 | |
At £500. 550 on the phone? | 0:42:16 | 0:42:18 | |
-< 550? -550, sir. | 0:42:18 | 0:42:19 | |
550. 600 now. 650? | 0:42:19 | 0:42:21 | |
-650. -Be quick. | 0:42:21 | 0:42:22 | |
-Yes, please. -650. | 0:42:22 | 0:42:23 | |
700, 750, I need, please. | 0:42:23 | 0:42:25 | |
Whoo! | 0:42:25 | 0:42:27 | |
800, I've got. 850 now. I need 900. | 0:42:27 | 0:42:30 | |
-900. -900 on the phone, quickly. | 0:42:30 | 0:42:32 | |
-900, Jennifer! -A pound apiece. | 0:42:32 | 0:42:34 | |
950 now, we've got online. £1,000. | 0:42:34 | 0:42:36 | |
-Please. -A bit more now. | 0:42:36 | 0:42:37 | |
A thousand pounds! | 0:42:37 | 0:42:39 | |
1,050, I'll take. 1,050. | 0:42:40 | 0:42:41 | |
1,100, please. On the phone. | 0:42:41 | 0:42:43 | |
(I feel sick!) | 0:42:43 | 0:42:45 | |
The bids are all out, then. | 0:42:45 | 0:42:46 | |
Selling, then, to the phone, at £1,100. | 0:42:46 | 0:42:50 | |
Yes! Hammer's gone down, £1,100. | 0:42:50 | 0:42:53 | |
My goodness! I can't believe it. | 0:42:53 | 0:42:55 | |
-Wow! -I really can't believe that. | 0:42:55 | 0:42:56 | |
-Something to write home about, eh? -Yes! How about that? | 0:42:56 | 0:43:01 | |
What a wonderful way to end today's show. | 0:43:01 | 0:43:04 | |
I knew they had something about them, I really did. | 0:43:04 | 0:43:08 | |
What are you going to put that money towards? Do you know yet? | 0:43:08 | 0:43:10 | |
It's going towards my holiday. | 0:43:10 | 0:43:12 | |
-Where are you going? -Tenerife. | 0:43:12 | 0:43:13 | |
Tenerife! Good for you. | 0:43:13 | 0:43:15 | |
-Any idea it was going to go for so much money? -No, no idea at all. | 0:43:15 | 0:43:18 | |
-You'd have been happy with the 2-300? -I would have been, yeah! | 0:43:18 | 0:43:22 | |
-But that's nice. -That's auctions for you! | 0:43:22 | 0:43:24 | |
You never know what's going to happen in an auction room, | 0:43:24 | 0:43:27 | |
and that's the way to end the show today, with one big surprise, | 0:43:27 | 0:43:30 | |
a very happy Jennifer. | 0:43:30 | 0:43:31 | |
But until the next time, join us again. Bye-bye. | 0:43:31 | 0:43:34 |