Compilation 25 Flog It!

We start today's show at the Beaulieu Estate in Hampshire.

Its attractions include a fine historic house,

the ruins of an abbey,

and one of the largest collections of amazing old cars in the country.

Beaulieu is an excellent example of how a family have made their home,

their family treasures and 7,000 acres of parkland

viable in the modern world, with some very clever thinking.

And later on in the programme,

we'll be looking at more fascinating cars on display, like this one!

But first, it's a tour of the country as we find out if today's

valuations will make their owners as financially sound, too.

-Welcome to "Flog It!"

-CAR HORN SOUNDS

We've travelled across the country in search of exceptional

stories and objects to take to auction.

And we've been saving some of the best till now.

Into today's show, we travel to Kent to Chiddingstone Castle,

a fascinating historic house set in 35 acres of countryside.

To Dorset, to Lulworth Castle,

an early 17th-century mock castle only ten minutes from the coast.

And then inland to Wrest Park in Bedfordshire,

an elegant house in the French style,

where our experts find some fascinating collectables.

In our programme today,

things get a bit out of control for Christina Trevanion at Wrest Park.

-BUZZING SOUND

-What happens when it gets to the... Oh, we've got more of it, here.

-We've got some more, but I...

-Oh, we've got to stop him! Quick, stop him!

THEY LAUGH

And Adam Partridge has to put the brakes on at Chiddingstone Castle.

-We're ready, loaded with air. Yeah? Are you with me?

-And now we're going to fire?

-Not quite!

-Oh.

-You're very impetuous, Diana!

We're not going to fire just yet. I knew it, you can't wait to.

Oh, dear, well, I really wanted the excitement.

But which one of these items will be a runaway success at the auction?

Bids all out then, selling then to the blue shirt.

Can you imagine how much it costs to maintain an estate like Beaulieu?

Well, the owners aren't going to tell me exactly,

but needless to say, a great deal

to keep all of these individual elements running smoothly.

The Montagu family have owned this site since 1538,

and they take their responsibility very seriously,

opening up their home to the public over 60 years ago.

And later on in the show, we will be exploring some of the attractions here,

but right now, it's straight in to the valuations and let's hope

our owners have been equally as diligent with the care of their treasures.

Our first stop is Kent, where we find Thomas Plant making the most

of the sunshine in the grounds of Chiddingstone Castle.

-So, John, are you a photographer?

-Only digital these days.

-Yes?

-Yes.

JOHN LAUGHS

And what were you doing before, was it 35mm film, or...?

-It was 35mm SLR, yes.

-Yes.

I've still got that one tucked away in a cupboard somewhere.

-They're quite valuable. As these are now.

-Yes.

-So we're looking at early photography, aren't we?

-Yes.

And traditionally we would call these, um,

mahogany and brass hand-held

-quarter-plate cameras.

-Yes.

-Quarter-plate because of the glass plate on the back...

-Yes.

-..is quarter size of a larger plate.

-Yes.

Tell me, how did you come by it?

I inherited it from my great uncle, Major Ernest Lee.

-That was about 30 years ago.

-And what did he do?

He was an inventor and mechanical engineer

for most of his life.

He served in both the World Wars.

In the First World War it was his job to go

and view crashed German aircraft behind our lines...

-Really?

-..and unbolt bits of interest to be sent back to Farnborough for further

evaluation. So he was looking for inventions that the Germans had built

onto their machines, like synchronised machine guns.

-In the First War?

-In the First War.

So he would have had something very similar,

-if not this camera, in the First War.

-Quite possibly, yes.

It dates from that period, the first war period and just after.

-The lens is interesting.

-Yes.

-Bausch & Lomb.

-Yes.

-They established lenses manufacturing in the mid-19th

-century. Bausch was an optician, and Lomb was his financer.

-Oh, right.

-Do you know how it works?

-Well, you adjust the focus with the

knurled knob at the side.

Um, looking at the glass screen on the back.

Then when you've got the image right, you open this little flap here...

like that, and that folds out of the way.

And you can slide one of the negative carriers which you've previously

-loaded in the darkroom with two glass plates.

-Yes.

-And that...

So these nitrate plates?

..drops in there, and then to take the picture,

assuming you should have closed the shutter...

you pull that up there to expose the plate

and then you cock the shutter

and...press the trigger.

-And there seems to be a few additions to this camera.

-Yes.

-Here...

-My great uncle modified the trigger mechanism

and he's also added on a...

structure on the base of the camera to

allow for a flash to be fitted, which goes in that side there.

-Right.

-And also it's got a fitting to screw onto a tripod.

-Oh, so he really was an inventor of sorts, wasn't he?

-Oh, he was, yes.

When it comes to value, these aren't making hundreds and hundreds,

-but they are certainly making over £100.

-Oh, that's good.

-Yeah.

And I would think that would be a sensible estimate. £100-£150.

-Right, that's good, thank you.

-Are you happy with that?

-Yes, very happy.

-Because you've got all the accoutrements with it.

Yes, there's quite a few spare negative carriers.

-Well, thank you very much, John.

-OK.

And we look forward to making a

snappy sale for you at the auction.

I look forward to being there.

You could have a lot of fun with that.

Our tour continues 145 miles to the

west in Dorset, at Lulworth Castle,

where Catherine Southon has spotted a great little character.

Well, this little piggy hasn't come to market, but he's come

out in the sticks to Lulworth Castle to see us here today.

-Thank you for bringing him along, Claire.

-It's quite all right.

Tell me a little bit about this pincushion, where did you get him from?

He's a little piggy that has come to me from my mother,

who died two years ago. And I always played with it as a child.

He did have a nice bright blue

back where the pins would be put in,

but unfortunately I played with it so much it got rubbed away.

My mother obviously realised that I liked it

and she gave it to my sister to give to me, you know, when...

when she died. My mother was an auctioneer's clerk, which is

where she got this little pig from.

-So she bought this at auction?

-Yes.

-Oh, I see.

-Yes, when she was about 18.

-Right.

-And she would have been 94 this year.

-Right.

So this was always at home, you never used it as a pincushion...

-No.

-..it was just in a cabinet or something?

-On the shelf, yes.

I think it's beautifully fashioned,

it's got such an intricate little tail

and the haunches at the back and the little ears, I just...

I think it is such a beautiful little item.

-But I know nothing about it.

-He's got character, hasn't he?

Let's be honest.

We see a lot of these on Flog It!,

I'm not going to pretend to you they are incredibly rare, because they are not.

I've seen bigger ones and I've seen smaller ones.

But he seems nicely proportioned, this one,

and he's got a nice little character.

Now, he's silver, it's hallmarked for Birmingham and it's dated with

the letter M, so it's about 1911, 1912, so that's the date.

And we've got the maker's initials there as well,

so it is Adie & Lovekin. And it's that sort of date, 1911, 1912.

You say that you played with it quite a bit

and it was a nice bright blue. It's slightly faded.

To be honest, it's not going to make a huge difference.

If it had a replaced pincushion or if indeed if it was missing,

then that would be questionable.

But it's just a little rubbed with time.

There are people as well that collect pigs,

so this sort of thing would be desirable at auction.

-Any ideas on price?

-I have absolutely no idea whatsoever.

I would say at auction you probably expect around £60 to £100

and I would suggest putting a reserve on of 50.

-How does that sound to you?

-That's fine by me.

I think the fact that it came from auction

and it's going back to auction is absolutely perfect.

Well, say goodbye.

-Bye, little piggy.

-Bye, little piggy. He's going off to auction.

It is true, these pigs are not rare but they are charming.

So, fingers crossed, Clare's luck in the saleroom is set to continue.

We travel 150 miles north now to Rest Park in Bedfordshire,

where Christina Trevanion has found her second childhood.

Ooh, round it goes, round it goes, round it goes, ooh!

Come on, you can do it!

There we go! He's speedy on the straight bits, isn't he?

Norman, I love this.

And, Olive, thank you for bringing them in, these wonderful

collection of toys, I feel like a child in a sweet shop, I really do.

Where have they come from?

Well, they're family toys that have been with us,

-we believe, an awful long time.

-Right.

Unfortunately, I spent most of my childhood in hospital, from two

-to seven.

-Oh, really? Five years.

-Yes.

-Oh, my goodness! So, did you never play with these as a child?

I don't have a recollection of actually playing with them, no.

Unfortunately, or fortunately, that may have been their saving

grace because so often we see toys these days, especially tin

plate toys, which, as you can see, they're quite thin, aren't they?

They were pressed out. They are so often very, very worn.

I think also the fact that nearly all of them are still working.

-It shows just how good English toys were made pre-war.

-Absolutely. Yeah.

Well, we have... Obviously, the Germans made...

They were the real sort of frontrunners at the turn

of the century, making really could tin plate toys,

-but the majority of what you've got here is actually British.

-Yes.

They really do evoke the era.

I mean, this is so sort of 1950s, 1960s, it's fabulous.

Really fabulous.

And have you been playing with them since you found them?

-No, but I have!

-LAUGHTER

Well done, Olive!

I like it. So, which is your favourite, Norman?

-Well, I think the cowboy, actually.

-This little chap over here?

-Yes.

He is quite spectacular. I do love him.

I can quite see why you're taken with him.

They are all still in fantastic condition. They really are.

-Olive, which is your favourite?

-I like my fireman.

-Our fireman.

Can we have a demonstration of him?

Oh, look at him!

-I think he's fantastic.

-That's wonderful.

What happens when he gets to the top?

Oh, we've got more of it here, haven't we? We've got to stop him!

Stop him! Quick!

Before he climbs off the end of his ladder!

It really sort of evokes the innocence of childhood

and how much fun actually you can get out of the simplest of things.

And with the simplest of technology, really.

I mean, they are all key turn.

There's nothing particularly fancy about them,

but they're just great fun.

I really like them and there is definitely a market for them.

There is an interest in tin plate toys

and in toys that obviously are made in Britain.

What sort of expectations did you have at auction?

Were you thinking about selling them?

If they could get a home, somewhere where

-they would not deteriorate, I think it would be good.

-Yeah.

I would hope that they would go to a home that is a collector's home,

rather than to be played with cos I think

they are far too precious for that.

They are wonderfully nostalgic, aren't they?

I found the box and when I opened it, this was the first one I saw.

-Oh, really?

-And it... I'd had a rotten day up until then

and it really brought a smile to my face.

But you can't help but smile, can you? I mean, they are wonderful.

They just make you smile. You're absolutely right.

I think really we would be looking at putting them in as one lot

because I think they certainly will all appeal to the same

collector of tin plate toys. And I think at auction,

we're probably thinking somewhere in the region of £200 to £300.

How would you feel about that?

Well, I think that's...

It will at least give an opportunity for somebody that would like to

-do something with them.

-Quite.

Would you be happy with a discretionary reserve at 200,

-or would you want a firm reserve?

-I think a firm reserve.

-Firm reserve.

-So, if they don't sell for 200, then you'll have them back.

-Yes.

-Super.

Shall we have a quick last go before he goes?

-Oh, wow! Crash!

-LAUGHTER

Oh, he's derailed.

Oh, no!

Those toys are at the top of their game.

And now back to Beaulieu

and to something else which has been preserved in excellent condition.

The palace's dining room -

everything about it is on a grand scale,

from the Gothic stone vaulted ceiling with these

magnificent ribs radiating out from the stone half columns to

this magnificent refectory table made from a single elm tree.

But it's the setter chairs that have got me going.

I'd love to show them to you as well because I've fallen in love with them. Look at this.

For style and proportion. They're made of yew wood and elm.

Some of the back rests have been painted with an armorial,

the quartered arms of the Montague family, but these chairs

represent a very important statement in early neo-Gothic design.

Let's try them out.

And they are rather comfortable too.

Now, I know we don't have any items that date as far back as these,

but we do have some very interesting pieces.

Before we find out how they fare in the saleroom,

here's a quick recap of what we're taking with us.

John's camera comes with all the kit.

So it should get full exposure in the saleroom.

This little silver piggy was bought at auction

but will history repeat itself?

And the toy collection is in mint condition,

so what more could the bidders ask for?

We start our sales in Surrey, near the town of Guildford,

which is steeped in history.

Tim Duggan is wielding the gavel for us at Ewbank's Auctions.

And remember, of course, that with every auction,

there are varying rates of commission to pay

and VAT to add on top, if you're buying or selling,

so make sure you find out how much that is in advance.

John, good luck. Your camera is just about to go under the hammer

-and I should say this was your... Was it your uncle's?

-Great uncle.

Great uncle. Why are you selling it now?

Well, when I originally inherited it in 1984, I had ideas of,

"Oh, I'll get this working", and that sort of thing

and it's remained in a box ever since.

I have those ideas with things! They stockpile.

Never going to get round to it. We're going to put this to the test, this camera.

It's going under the hammer right now.

The mahogany and glass-plated camera there by Bausch & Lomb there.

And we go straight in at £60 online. 65, now 70, have we got now?

I want 75 now, please.

Online. 80, we've got now. 85, now, please.

Looking for £80 now. We're looking for 85 now.

-All online, collectors buying online.

-95 now.

Looking for 95 now.

95 bid now. Looking for 100. 100 in the room now.

These cameras look lovely on the tripod base, don't they?

-They look fabulous.

-And it's the bases that haven't survived.

Look at this. It's brilliant.

It's your bid online now. 110. Selling then, online, at 110.

-110, the hammer's gone down. Good for you.

-That's good.

-Happy with that result?

-Yes, thank you.

-Well done.

Yes, I hope it will give someone an interesting attempt to use it.

Someone should have a go. If they've got all the kit and they just need the chemicals,

it's worth trying to have a go, isn't it?

And so much more satisfying than clicking a button

and seeing them on screen.

We're now heading just north of London to Tring Market Auctions,

where auctioneer Stephen Hearn is selling the toys for us.

I shall sell. Make no mistake, they're going for £180.

Thank you.

Fingers crossed, Norman. Good luck. Is this your first auction?

-First auction.

-The first auction you've ever been to.

Fingers crossed. That's all I can say. Condition, very, very good.

I know there's a bit of damage to one of the wheels,

wasn't there, in transit?

Had a chat to Stephen earlier and he said there's enough in the lot,

hopefully, to carry it through without devaluing it.

Condition is key with these collectors. They are a fussy lot.

You know who you are.

But you've got to be right here, right now to buy them!

Very interesting collection of '50s and '60s tin plate toys.

Where shall we start? 150 for them? 100 for them? Yes? 100, we have.

10 for you, sir? Are you 20, sir? Yes?

130. 140. And 50.

160. Two of you want them. 70. 80.

80, I have. At £180. And 90, is it?

I'm going to sell at 180, then. They're going down. I shall sell.

Make no mistake, they're going for £180.

Well, the hammer's gone down and they've sold at £180.

I know we had a fixed reserve at £200, but I think Stephen's used

his discretion there and the auction room will make up the balance.

-Often, you use that 10% discretion.

-It was one bid away.

-Why lose the sale for one bid? Are you happy with that?

-Yes.

-Good.

-Sold. Job done!

And they're off to a new home.

Now back to Dorset and to beautiful Sherborne, where my favourite item

is being sold by auctioneer Richard Bromell, Charterhouse Auctioneers.

Going under the hammer right now, we have a silver pincushion in the form of a little pig.

It belongs to Clare. I go gooey when little pigs come on the show.

Every time we sell a pincushion, it's a

pig or it's some kind of pig, I love pigs.

-Why are you selling it?

-Just for the Flog It! experience actually.

The Flog It! experience!

-Why not?

-Oh, good girl! Brilliant! OK.

-We should get top end cos everyone loves pigs.

-People do.

Let's put it to the test. Ready? This is it.

The Edwardian novelty pincushion and this little piggy's going off

to market now. £50 is bid. At 50. 60. 70.

-At £70 and away now.

-We're away.

At £70, it goes, selling... 80, new bidder.

Third row and seated on the aisle. At £80 and away now.

-It's selling in the room at £80.

-Good.

-The internet all quiet.

It's in the room and I sell at 80. At 80.

Well, that trotted up quickly, didn't it? Fantastic. £80.

Nice and quick.

Well outweighed its scrap value and that's what it's all about,

-isn't it?

-Yeah, very nice.

-Cos the cushion was a little bit worn, wasn't it?

-It was, yes.

-Nice looking thing though.

-Good face on it.

-Thank you for bringing it in.

Back at Beaulieu, I'm admiring one of the largest

collections of vintage and veteran cars in the country.

And guess what? I'm in my element!

Memories and the passion for motoring are on show

here at the National Motor Museum,

which has over 250 spectacular historic vehicles on display.

When it comes to motoring,

Britain gave the world the iconic design of the Mini, the style

of the Jaguar and the everlasting elegance of the Rolls-Royce.

I'm here to look at some of the highlights of British

motoring history, including one of my own.

This Morris Traveller, a 1970s reg, brings back lots of memories for me

because I was a 19-year-old art student, this was my very

first car, and it was even a cream colour, just like this.

I paid £400 for it because all the wood on the panelling,

all the ash, was completely rotten.

I had access to the wood and some machinery, the right saws,

I was able to put all that back together and I kept the car

and I loved it for three years and I sold it for £800

and I think that's when my motoring days went downhill from there

on, but I do have lots of lovely memories of this old baby.

The museum was set up over 60 years ago by the current

Lord Montague in honour of his late father, John Montague,

who was an early British motoring enthusiast.

He became a leading advocate for motoring in this country,

even introducing the royal family to the car by taking

the Prince Of Wales out for a spin.

He enthusiastically took part in rallies

and owned a little gem like this.

The 1903 De Dion Bouton was made in France and was one of the most

popular cars on British roads in the early 20th century.

In fact, over half of all the cars in Britain were being

manufactured by De Dion Bouton.

The French and the Germans were the early pioneers, setting the standard

for motor manufacturing, with names like the Benz Velo and Renault.

In contrast, the British were producing cars like this -

John Henry Knight's 1895 creation, the Knight.

Now, I know what you're thinking.

It looks like something you will find in a farmyard!

You're probably right!

But in 1895, this was the first British petrol engine to be

driven on a public road.

It had a single cylinder engine

and it was capable of doing a whopping 8mph!

Driving laws were not easy on early motorists.

Parliament passed a law that insisted a red flag had to be

waved to warn the public of an approaching vehicle.

British roads at the time were not yet ready for the new

motorised vehicle.

Early motorists had to prepare themselves for long,

hard journeys and the cars were not equipped for the British weather.

Conditions, however, for the motorist were about to improve.

The turn of the century, the Edwardian period,

brought style and elegance to the motoring classes in Britain.

And luxury design in cars,

such as this Rolls-Royce Alpine Eagle, had a long production run.

Proving exquisite style was a winning formula.

Well, let's take it for a spin.

In 1913, during the Austrian Alpine Trials,

it outperformed all other cars in the competition.

It was said at the time that it flew through the Alps like an eagle,

so becoming known as the Alpine Eagle.

Even today, people associate Rolls-Royce with luxury and style.

Thank you very much.

Now, if you look inside the car,

you can see the influence of the horse-drawn carriage.

All the timbers have been beautifully handcrafted.

All the metalwork has been hand-painted to a superb condition.

And you have the luxury and style

of the leather button back seats.

It all heralds the golden age of motoring -

a real testament to the coach-builder.

As the 20th century raced on, the appetite for speed grew,

and cars became more and more powerful.

And so, the supercar was born.

This is the Bentley supercharged Blower.

It was built in 1930, it was the supercar in its day.

And, incredibly, this could achieve speeds of 120mph.

Cars like this had their engines adapted - air compressors were

fitted to the engine, blowing more air into the engine,

making the engine burn more fuel, making it work harder,

making the car go faster.

And everybody was obsessed with speed.

The British wanted the title of being the fastest in the world.

One of these men was Sir Malcolm Campbell,

who led the charge in the 1920s by attempting to break

the land speed record in order to showcase British engineering.

I've come back to the museum to meet Don Wales, the grandson

of Sir Malcolm Campbell, to hear more about the land speed record.

Why was your grandfather obsessed

with being the fastest person on the planet?

It was a number of reasons.

He was obsessed by speed. He was a very, very driven man.

And he knew that if he could show that Britain was making fast cars

it would help their exports.

But for him, he was quite selfish, I think.

Being obsessed by this ecstasy of fear, wanting to go fast,

wanting to be the best.

He wouldn't let up off a record attempt

until he'd got to the other end, and lifted his foot off the accelerator.

How many records did he break?

My grandfather broke nine land speed records.

He was the first to do 150mph in the Sunbeam,

and the first to achieve 300mph on land.

So he was the Lewis Hamilton of the day?

Young kids would look up to him as the figurehead of motoring?

In my grandfather's day, he was the king of all motorsport.

Two million people watched him at Daytona,

which is still the highest recorded figure for any spectator sport.

-The king of speed.

-Absolutely, yes.

The Campbells carried on breaking records.

In 1964, Don's uncle, Donald Campbell,

became the first man to break both the land and water

speed record in the same year.

A feat that has never been repeated.

Donald Campbell's record-breaking achievements continue to

showcase British engineering as being amongst the best in the world.

Most important of all,

it still proves British leadership in engineering terms.

And it does, I think, also show that the British, when they make their

minds up, can jolly well overcome all obstacles and achieve anything.

As a young boy,

this iconic car must have left a huge impression on you?

I had no idea what my uncle was doing...

-You couldn't understand it.

-Didn't understand it at all!

But on one occasion, the car was at his garage in Leatherhead,

and he pulled me out, dragging me by the hand, to come look at his car.

And these massive wheels in front of me, not knowing what it was.

And he picked me up and dropped me into the cockpit,

and that's been a lasting memory ever since.

Don has continued the family tradition,

breaking the UK record for the fastest speed in an electric car.

And now he's looking to break the world record.

And are you confident you'll get there?

Yes, we have the right people, we have the right design.

We're going to go to Bonneville, where Grandfather did his records.

-That's fabulous.

-It is. It's just continuing that story.

Good luck with that, I'm tingling at that thought,

I really hope you do it. It's been a real pleasure to meet you.

Thank you, Paul.

Although the British motoring industry may not be as strong

as it was, the cars that I've seen today at the museum really

showcase British engineering, style and design.

It's a real celebration of our place in motoring history.

MUSIC: A Little Less Conversation by Elvis Presley

We are picking some of the highlights from all

the valuation days we've held across the country recently.

And Anita has come across an interesting object

at Wrest Park in Bedfordshire.

David, I like a man with a couple of bob in the bank,

and I see there's a couple of bob in this little bank.

-In that little bank, yes.

-Tell me, where did you get it?

It was left to me by my second cousin,

and it's been at home in the bedroom ever since.

How long have you had it?

About 30 years.

-Were you ever tempted to save money in it?

-No!

I'd like to have had some money to save.

-I can see a few two pences there...

-Oh, yeah.

It's a little American bank.

And it comes from the 1900s.

So it's a good age.

Did you have family at one point that had gone to America?

No, as far as I know, no family connection with America whatsoever.

This little bank was made

by a company called Stevens in Connecticut.

Yeah.

It was a time where the Wild West was still wild,

but people were... Towns were growing,

and people were building towns,

shops were happening.

Banks were happening, and so on.

This would have been a child's bank.

This was to teach the child the benefit

of putting a little something away.

If we pull this little handle here...

..the little lid comes up,

and we've got a little guy here who is the cashier.

Now, I have a two pence here,

and you would put your two pence on it...

Or your cent, as it would have been in those days.

And it goes down, and you've saved yourself two pence or a cent.

It's made out of cast-iron, and one of the things I like

so much about this little bank is that the colours are original.

So, have you any reservations about selling it?

No, no. I'm downsizing.

-I lost my wife, and...

-Yes.

And a thing to do is, I suppose, all the things that you don't

-immediately need, or use, or love can go.

-That's right.

And the thing is, these little things are very, very collectable.

And if it goes for sale in auction,

-it will be bought by somebody who will enjoy it.

-Good.

Value?

Well, there's at least 20p in there.

-I would like to put it in with an estimate of, say, 60-100.

-Yes.

Would you be happy to put it forward at that price?

Yes, yes, I think so.

-Shall we put a reserve on it?

-Yes.

-We'll put a reserve of £60.

-That sounds fine.

-OK.

I'm sure it will go at least mid-estimate,

and it may give us a wee surprise.

-I hope so.

-Thank you for bringing it along.

-Thank you.

Who knows, it might make a mint?

The next stop is Chiddingstone Castle in Kent.

Where Adam Partridge is trying to get to know one of the locals.

-Hi, Diana.

-I'm very pleased to meet you.

-And you are?

-I'm Adam.

-Pleased to meet you.

-I'm glad to be shaking your hand,

because that looks like quite a fearsome weapon in your hands.

In my darker days, maybe it was, but not now!

How did you come to own this thing?

What happened was

-my husband used to work for a lady many years ago.

-Yeah.

And when she passed on, they cleared the house

and they said to my husband, if there's anything you want to take

that's left before it goes off to the skip, you can take what you want.

-OK. Did he take a lot?

-He took a good few things.

We've sold a few things over the years, yes,

but we've kept this back. It's just been behind the cupboard, really.

-Can I have a look at it?

-Yes, certainly.

It just looks a normal cane. Bit of a tall cane, bit tatty, bit flaky.

But it really is quite an interesting boys' toy.

It's a concealed weapon, known as an air cane, or a poacher's gun.

Firstly, let's go to this end, and this unscrews.

Here we go.

And there we have your ramrod.

And that is for pushing your lead shot in.

You pop your lead shot in there,

and then you push it down to make sure it gets to the bottom.

-Like they used to do in the Musketeers.

-Exactly! Exactly right.

-So, we're in the woods, waiting for a pheasant.

-OK.

-Hoping not to get caught poaching. Sounds exciting.

-It does.

So we unscrew this bit...

OK. Now, we're missing a pump, because what we would've done now,

is we'd have pumped this into here, this valve.

We'd have pumped it full of air.

And this is a canister in here that would've held the air,

-compressed air, to get that power. OK?

-Right.

-And then you put that back on, full of air.

-Screw it back up.

-Screw it back up.

-Can you manage, or do you want a hand?

I think I can manage to screw it up... Oh, no... Yes, I can.

-All right.

-All this, still under the cover of darkness in the forest.

-Right.

-So we put our ball in there, we push it down with the ramrod.

-We're already loaded with air.

-Now we're going to fire.

-Not quite.

You're very impetuous, Diana - we're not going to fire just yet.

I really wanted the excitement.

You can't wait to see those feathers going everywhere, can you?

-Of course not.

-The other thing we'd have had

is a little key. So you put the little key in there, turn that,

and then this little button pops up there. That's the trigger.

We're ready to fire.

-See the sights there and there?

-That's right.

So, there we go, where's that Paul Martin gone?

And...press the button, bang!

Now, now - he's over there.

Any disturbance, and you'd be walking back through the forest...

-So innocently.

-So innocently. Exactly.

-It's ingenious, isn't it?

-Yeah, it is.

It's got this top which looks like it's made from bone.

And it would've been made at the end of the 19th century, 1880?

-Gosh, as old as that?

-Yeah.

What do you think it's going to sell for then?

-I've no idea, that's why I've come to you.

-Want to have a guess?

-Estimate of 150-250.

-OK.

Either side of the 200, and maybe a reserve of 150?

And I'll be back at the auction, and if it doesn't sell...

-Well, we won't be there.

-What?!

-We're on holiday in Cornwall, I'm sorry.

-Well, I'll represent you.

-Will you? That'll be lovely.

-Have you got a mobile number?

-I have.

Leave us your mobile number,

and I'll call you from the auction, let you know how it got on.

-OK. Right, thanks very much. Lovely to have met you.

-Lovely to meet you.

-And thank you for explaining all of that.

-Pleasure.

MUSIC: Run Rabbit Run by Flanagan and Allen.

I wish Adam would put that gun down!

To the Dorset coast now, and to Lulworth Castle,

where Mark Stacey is at the table.

-Hello, Jacquie, hello, Val.

-BOTH: Hello, Mark.

In unison, you must be sisters.

-You are, of course, sisters, aren't you?

-We are.

You've brought a lovely little box.

But before we find out the intriguing contents,

what's the family history?

Well, we don't really know anything about it at all.

They just appeared when my mother died.

We found them in all her bits and pieces.

She was 101 when she died.

Wow, that's a good innings, isn't it? Wow. That's amazing!

-She was amazing.

-She was amazing, yes.

Let's open it, shall we? Put us out of our misery.

Because when we open it,

we see two lovely, charming, ladies' fob watches.

And two little... What, if it was in gold,

would be called an Albert chain.

But these are the chains that the watches would hang off.

We've got some little gold elements on the actual chains.

But I think that the main body of the chains are made

-out of woven human hair.

-Oh, really?.

This often happened in the 19th century when people died,

as a memento mori of the passing of the person.

Rather macabre in some people's eyes.

But you can imagine the fragility of it,

so to find them in good condition is quite unusual, actually.

-And would they go together?

-I think they probably did.

As they're all together, in the little package,

there's every chance they might have been.

Let's just look at one of the watches.

-This is my favourite.

-Mine as well, yes.

This is silver and rose gold.

With lovely, delicate enamel flowers there.

And actually set into the arms of the watch

-are two little diamonds.

-Oh, are there?

They're tiny diamonds, but they are actually in there.

-If I move it slightly, you can see them glinting.

-Yes.

The date is going to be anywhere really from about 1890-1910,

that sort of period.

But I think they're lovely,

and they've obviously been in this box for a long time.

The box itself is rosewood.

I think it would be a shame to split them.

I think a collector would like this.

I think we should put them in with an estimate of £150-250.

-Oh, wow!

-But we shall put the reserve at 150, fixed.

-OK.

So if you can't get 150, I think you should keep them.

I would hope that two collectors will really go for them.

And we might even get above the 250.

There's every chance, actually.

But if they do do very well, are you going to split the money?

-Yes, and we've got two brothers as well.

-Oh, so it's going four...

So we need you to do very well.

-We need you to do 400.

-Probably go for a night out...

And now it's time to put our expert's valuations to the test

as we head off to auction.

But before that,

here's a quick recap of all the items we're taking with us.

This little money box has travelled all the way from the USA.

One internet bid, and it could be going home.

The gun cane was a revelation to me,

but I expect there'll be those in the know in the saleroom.

And I think Mark Stacey has come across a sure bet with

the watches and the fob chain.

Time to travel back to the little town of Tring,

and to Market Auctions, where Stephen Hearn is on the rostrum.

Going under the hammer right now,

that wonderful little money box made in Connecticut, USA.

I think this is the first time on the show that we've had

a little American money box.

Why have you decided to sell it now, David?

Well, I'm just downsizing a little bit.

One or two things have to go.

And starting with the money box.

Good luck, it's going under the hammer right now. This is it.

Interesting little object that one.

We ought to be looking at £80 for it. £50 for it.

40. 5, 50.

5, 60. Going...

65. Two of you.

65, 70, 5.

80?

No more?

At £75... £80 is in.

There's another telephone bidder.

85? 80, I am bid. 85...

90. 90, and 5?

And 100. And 10.

If there's no... I'm going to sell it then, it's going down at £100.

-GAVEL STRIKES

-Thank you, sir.

Hammer's gone down, £100.

Yeah, good, good, good. That's excellent.

-I'm happy with that.

-Yes, very good.

Well done, thank you for bringing that in.

-Won't break the bank though, will it?

-No, it won't break the bank!

But it was top end of the estimate, so well done, Anita.

Moving on to Charterhouse Auction Rooms in Sherborne, Dorset.

Where Jacquie's watches are up for sale,

and her niece is standing in for her.

Time up for Jacquie's fob watches.

There's two going under the hammer right now.

Sadly she cannot be with us right now, but we do have Rachel.

Why is she selling these?

I think it's the age-old thing, they're in the cupboard,

Not doing anything...

-Yes, so it would be better for someone else to make use of them.

-OK.

This is a cracking lot, actually, Paul.

In a nice little rosewood box with pewter inlay.

Two pocket watches, a bit of an Albert...

and some mourning Albert as well, with plaited hair.

It's just the sort of lot auctioneers like.

You can sniff it straightaway.

Right, I'm excited, you're excited, and so are you.

Fingers crossed, it's going to get the top end plus.

It's going under the hammer now.

Sweet little 18 carat and enamel gold fob watch here,

and I'm straight in at £100, I have bid.

At 100, 110, 120,

130, 140, 150.

At 150, 160, 170.

180, 190, 200.

And 20, 240, 260, 280.

-This is a bit more like it, isn't it?

-Yes.

Battle of the front row, at 320,

it's dead-ahead there at 320, I have.

At £320 I have, fair warning,

selling at 320, last chance at 320...

-Well done, Mark. Well done, well spotted.

-Well done!

-£320!

-Thank you so much, that's brilliant.

-I'm happy, you've got to be...

I can see a big smile on Rachel's face.

And I think Jacquie will be happy too.

-Thank you for standing in for her.

-No problem. Thank you.

It's good to see everyone happy.

Last stop, Surrey, and that bizarre poacher's gun, which I'm glad to say

is in the safe hands of auctioneer Tim Duggan at Ewbank's Auctions.

Our next lot is so unusual, in fact, I've never seen one before,

and I've never seen one for sale before.

It's a poacher's gun, hidden in a walking cane.

We have that going under the hammer.

Sadly, we do not have Diana, the owner.

But we do have Adam, our expert. Have you seen any of these before?

-I have, not many.

-Sold a lot of them?

-I have sold them before.

That's why I came up with that estimate.

Usually make a bit more than that.

You don't see many, and they're very cool things.

Poaching gun in a walking cane, who'd have thought of that?

Anyway, it's going under the hammer right now.

Fingers crossed it gets the top end of Adam's estimate. Here we are.

In 20 years of this business, I've never seen one of these before -

this is an interesting airgun cane of tapered form.

I've got interest and I'm in at £100 now.

£100, 110. 120,

130, 140, 150, 160...

Looking for 170 anywhere.

170 with you, sir. At 170, looking for 180 now.

180...

180, 190.

200.

220, 240.

Rare thing, see?

260, 280.

300, 320.

Wow! They're battling it out in the saleroom!

..at £300. The bids are all out then,

Selling to the blue shirt at £300..

-Great result! £300, well done, Adam.

-Someone's poached that.

That was a rare thing, wasn't it? I know Diana will be really pleased,

and fingers crossed, you're watching this right now, enjoying the moment.

Today we have visited some stunning locations

and met some wonderful people.

I'm very pleased to meet you.

-And you are?

-I'm Adam.

Everyone has gone home happy...

1,880...

Well, that trotted up quickly, didn't it?

So join us again soon on Flog It!

for more thrills and spills in the auction rooms.