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Recognised the world over as iconic symbols of Scotland, | 0:00:02 | 0:00:04 | |
the two bridges spanning the majestic Firth of Forth. | 0:00:04 | 0:00:08 | |
And in 2016, they'll be joined by a third bridge, | 0:00:08 | 0:00:12 | |
making this the only place in the world where you can see | 0:00:12 | 0:00:16 | |
three magnificent bridges at once, spanning three centuries. | 0:00:16 | 0:00:18 | |
And later on in the programme, | 0:00:18 | 0:00:20 | |
we'll be crossing over to the other side. | 0:00:20 | 0:00:22 | |
Welcome to Flog It! | 0:00:22 | 0:00:24 | |
In 1964, tens of thousands of people turned out to see the Queen | 0:00:45 | 0:00:49 | |
open the new Forth Road Bridge which, | 0:00:49 | 0:00:52 | |
at the time, was the longest suspension bridge in Europe. | 0:00:52 | 0:00:56 | |
But the Scottish weather paid no notice to the important occasion | 0:00:56 | 0:01:00 | |
and a thick mist hung over the bridge all day long. | 0:01:00 | 0:01:02 | |
Luckily, the fog has lifted today | 0:01:05 | 0:01:07 | |
and just a few miles away in the distance, you can | 0:01:07 | 0:01:10 | |
see our venue with its own tales of visiting royalty, | 0:01:10 | 0:01:14 | |
from King George IV to Prince Philip. | 0:01:14 | 0:01:17 | |
Welcome to the beautiful Hopetoun House | 0:01:17 | 0:01:20 | |
for a rather regal valuation day with just a spot of rain. | 0:01:20 | 0:01:24 | |
-Nice jugs. -Thank you. | 0:01:28 | 0:01:30 | |
THEY LAUGH | 0:01:30 | 0:01:31 | |
I was hoping you would say that! | 0:01:31 | 0:01:33 | |
Well, the queues have definitely gathered here, | 0:01:33 | 0:01:36 | |
laden with antiques and collectables. | 0:01:36 | 0:01:37 | |
Hopefully, when they go to auction, we'll have a royal flush, as well. | 0:01:37 | 0:01:41 | |
-I think we're all blushing here, don't you? -Yeah. | 0:01:41 | 0:01:44 | |
Giving their seal of approval to today's proceedings | 0:01:46 | 0:01:49 | |
are the king and queen of the auction room. | 0:01:49 | 0:01:52 | |
James Lewis... | 0:01:52 | 0:01:53 | |
I know that feeling. Oh, dear! | 0:01:53 | 0:01:55 | |
..and Caroline Hawley. | 0:01:55 | 0:01:57 | |
Isn't that nice? Just the thing for today(!) | 0:01:57 | 0:02:01 | |
A competent and professional team at all times. | 0:02:01 | 0:02:03 | |
-Head down! -Aargh! -Relax. Try and breathe. -I'm fine. I can breathe. | 0:02:03 | 0:02:07 | |
SHE LAUGHS | 0:02:07 | 0:02:09 | |
Oh, dear! | 0:02:09 | 0:02:11 | |
So now it's time for our loyal subjects to get inside | 0:02:11 | 0:02:14 | |
and get out of the rain and let our experts start valuing, and | 0:02:14 | 0:02:17 | |
if you're happy with the valuation you get, what are you going to do? | 0:02:17 | 0:02:20 | |
ALL: Flog it! | 0:02:20 | 0:02:22 | |
Let's get them in. | 0:02:22 | 0:02:24 | |
On today's show, three items of commemoration. | 0:02:26 | 0:02:29 | |
A ceremonial tipstaff, dated 1836. | 0:02:29 | 0:02:32 | |
-This, if it were a car, would be a Rolls-Royce. -Really? | 0:02:32 | 0:02:37 | |
And ever wondered what the cake is like at a Royal Wedding? | 0:02:37 | 0:02:39 | |
-Well, Caroline finds out. -Have you never been tempted to eat these? | 0:02:39 | 0:02:44 | |
-I ate Princess Anne's. -You ate Princess Anne's? | 0:02:44 | 0:02:47 | |
And an unusual set of medals awarded to a nurse on the front line. | 0:02:48 | 0:02:53 | |
They are so much rarer than anything you can imagine awarded to a man. | 0:02:53 | 0:02:58 | |
But can you guess which celebratory item makes over £1,000 at auction? | 0:02:58 | 0:03:03 | |
Good luck, everybody, and enjoy the day. | 0:03:05 | 0:03:07 | |
It could be you or you going home with a lot of money. | 0:03:07 | 0:03:10 | |
As you can see, everybody's now safely seated, | 0:03:10 | 0:03:12 | |
but it's not just about the money. | 0:03:12 | 0:03:14 | |
It's about great British craftsmanship, | 0:03:14 | 0:03:16 | |
objects that show us a window into the past, | 0:03:16 | 0:03:19 | |
documents of social history, and we're here to find them, | 0:03:19 | 0:03:21 | |
and James Lewis has made a cracking start. | 0:03:21 | 0:03:23 | |
Let's hand the proceedings over to him. He's just over there. | 0:03:23 | 0:03:26 | |
Glynis, there are certain things that, | 0:03:28 | 0:03:31 | |
when you pick them up, | 0:03:31 | 0:03:34 | |
just send tingles down my spine. | 0:03:34 | 0:03:36 | |
And this sends tingles for me. | 0:03:38 | 0:03:41 | |
I absolutely love it. | 0:03:41 | 0:03:44 | |
It's an incredible document. | 0:03:44 | 0:03:46 | |
It says at the top, "The Oaths of Allegiance" and here we have, | 0:03:46 | 0:03:51 | |
down the right-hand column, a whole list of local people who have | 0:03:51 | 0:03:57 | |
signed up to say that they will support King George III in 1768. | 0:03:57 | 0:04:05 | |
Now, before we go into the historical importance of what | 0:04:06 | 0:04:09 | |
they're saying, how did you get that? | 0:04:09 | 0:04:12 | |
About 40 years ago, I was a student in Edinburgh, | 0:04:12 | 0:04:16 | |
and weekend entertainment, we would go and look at historical buildings | 0:04:16 | 0:04:20 | |
and places of interest, and a friend and myself went to Culross, | 0:04:20 | 0:04:25 | |
which is a historical village just across the water from here, | 0:04:25 | 0:04:30 | |
and a local caretaker allowed us into a building that he was helping | 0:04:30 | 0:04:35 | |
clear and restore. | 0:04:35 | 0:04:37 | |
As a memento of the day, when we were leaving, | 0:04:37 | 0:04:40 | |
he put his hand in one of the boxes and said, | 0:04:40 | 0:04:43 | |
"Glynis, here's a memento" | 0:04:43 | 0:04:45 | |
and I took it and I didn't know what it was till I got it home. | 0:04:45 | 0:04:50 | |
OK, to understand what we're looking at, we need to go back to | 0:04:50 | 0:04:55 | |
when King George II is confronted with the uprising. | 0:04:55 | 0:05:01 | |
Bonnie Prince Charlie, the Jacobite rebellion, and they start to make | 0:05:01 | 0:05:05 | |
their way down into England and they are fighting for the British crown. | 0:05:05 | 0:05:10 | |
That's what he wants. He wants to become King of England. | 0:05:10 | 0:05:14 | |
They got as far as Derby. | 0:05:14 | 0:05:16 | |
He was defeated and he went back and fled back to France. | 0:05:16 | 0:05:21 | |
So that's 1745. | 0:05:21 | 0:05:24 | |
23 years later, George II's son, King George III, is thinking, | 0:05:24 | 0:05:31 | |
"Gosh, what happens if it happens again, if they return?" | 0:05:31 | 0:05:35 | |
So he gathers signatures | 0:05:37 | 0:05:40 | |
and oaths of allegiance from people all over Scotland. | 0:05:40 | 0:05:43 | |
Now, I read it through and made some notes earlier and it says here, | 0:05:43 | 0:05:48 | |
"I do sincerely and faithfully promise to maintain | 0:05:48 | 0:05:53 | |
"and defend His Majesty's government | 0:05:53 | 0:05:55 | |
"and I will do my utmost endeavours to disclose | 0:05:55 | 0:05:59 | |
"and make known to His Majesty all the reasons of conspiracies." | 0:05:59 | 0:06:05 | |
-So I reckon these guys are spies. -Yeah. | 0:06:05 | 0:06:08 | |
I think they're important people and I think they are people that have | 0:06:08 | 0:06:11 | |
been commissioned by the King to find out what's | 0:06:11 | 0:06:15 | |
going on here in Scotland and report back. | 0:06:15 | 0:06:18 | |
-My goodness, I never knew. -So, tingles, lovely. | 0:06:18 | 0:06:21 | |
What will it make? I don't know. | 0:06:23 | 0:06:25 | |
It's very much that. | 0:06:25 | 0:06:27 | |
They're not rare, these things. | 0:06:29 | 0:06:31 | |
-There are lots of papers relating to this sort of thing. -Antiquity value. | 0:06:31 | 0:06:36 | |
-£100 maybe. -It's not its real value. -It's so much more than that. | 0:06:36 | 0:06:41 | |
-It's just so much more. I love it. -Good. | 0:06:41 | 0:06:43 | |
-One of my favourite things for years. -I'm delighted. -Thank you. | 0:06:43 | 0:06:47 | |
You're very welcome. | 0:06:47 | 0:06:48 | |
How incredible that Linda rescued this special document 40 years ago | 0:06:54 | 0:06:58 | |
and has kept it safe. | 0:06:58 | 0:06:59 | |
Now this humble piece of paper transports us | 0:06:59 | 0:07:02 | |
back to a poignant moment in history. | 0:07:02 | 0:07:04 | |
Now that's antiques for you. | 0:07:04 | 0:07:06 | |
And Caroline's found another slice of social history. | 0:07:08 | 0:07:12 | |
-Hello, Robert. -Hello. | 0:07:12 | 0:07:14 | |
Now, you have brought some fantastic things along | 0:07:14 | 0:07:18 | |
and they're wedding cakes from both the marriage of Charles and Diana | 0:07:18 | 0:07:24 | |
-and Andrew and Sarah. -Yeah, that's right. | 0:07:24 | 0:07:28 | |
You tell me how you came to own these two pieces of wedding cake. | 0:07:28 | 0:07:31 | |
Well, on Charles and Diana's wedding, | 0:07:31 | 0:07:35 | |
I was coachman to Princess Margaret and Princess Anne. | 0:07:35 | 0:07:38 | |
-For the actual wedding day? -Actual wedding day at St Paul's. | 0:07:38 | 0:07:42 | |
Oh, my goodness! | 0:07:42 | 0:07:43 | |
And then, on Andrew's wedding, I drew up Princess Diana and Charles. | 0:07:43 | 0:07:49 | |
I've never met a real life coachman in my life, | 0:07:49 | 0:07:52 | |
so how long did you work for the Royal Family? | 0:07:52 | 0:07:56 | |
-Between 25 to 30 years. -What got you into that line of work? | 0:07:56 | 0:08:01 | |
I started off in the coal mines | 0:08:01 | 0:08:02 | |
and then I went into race horses for a little bit | 0:08:02 | 0:08:06 | |
and then I went into carriage driving. | 0:08:06 | 0:08:09 | |
Goodness me, you went right to the top in the carriage-driving stakes. | 0:08:09 | 0:08:13 | |
Yes, I started at the bottom and went up. | 0:08:13 | 0:08:15 | |
-And do you still have horses yourself? -I'm lucky. | 0:08:15 | 0:08:18 | |
-When I left, I got two horses. -You got two horses? | 0:08:18 | 0:08:21 | |
Two horses from Her Majesty. | 0:08:21 | 0:08:23 | |
-That beats a gold watch, doesn't it, any day? -Yeah, it did to me. | 0:08:23 | 0:08:26 | |
Wow, Robert! | 0:08:26 | 0:08:28 | |
It must have been fabulous to be there. | 0:08:28 | 0:08:30 | |
I mean, we all remember the royal weddings, | 0:08:30 | 0:08:32 | |
-but you were given these wedding cakes? -Yes. -Fabulous. | 0:08:32 | 0:08:37 | |
Now, this one here from Charles and Diana's wedding, July 29th, | 0:08:37 | 0:08:42 | |
1981, because Charles was Commander in the naval forces, | 0:08:42 | 0:08:48 | |
this cake was made by the naval forces and it was in five tiers. | 0:08:48 | 0:08:52 | |
Yes. | 0:08:52 | 0:08:54 | |
So you can imagine, you'll have seen it, what a beautiful cake it was. | 0:08:54 | 0:08:58 | |
Now this one here from Sarah | 0:08:58 | 0:09:01 | |
and Andrew's wedding has the little card in it. | 0:09:01 | 0:09:04 | |
-Yes. -And then if we open this one up... | 0:09:04 | 0:09:08 | |
..and have a look, oh, it smells a bit like it's gone off, doesn't it? | 0:09:10 | 0:09:15 | |
-Have you never been tempted to eat these? -I ate Princess Anne's. | 0:09:15 | 0:09:19 | |
-You ate Princess Anne's! -Yes, by mistake. I was hungry at the time. | 0:09:19 | 0:09:25 | |
-Oh, dear, Robert. -It was nice. -Was it? -It was lovely. | 0:09:25 | 0:09:28 | |
-And you've not been tempted to eat these then? -No, no. | 0:09:28 | 0:09:31 | |
It's very difficult to put a price on such history | 0:09:31 | 0:09:35 | |
and it's full of memories for you. | 0:09:35 | 0:09:37 | |
But put a price on I must, and I would say if we put | 0:09:37 | 0:09:40 | |
-an estimate for auction for £60-£80, would you be happy with that? -Yeah. | 0:09:40 | 0:09:46 | |
They're fabulous pieces of royal memorabilia | 0:09:46 | 0:09:50 | |
and it's just a pleasure to talk to you. | 0:09:50 | 0:09:53 | |
Let's hope we can get them to the saleroom before any of us eat them! | 0:09:53 | 0:09:57 | |
Well, you do find all sorts at a "Flog It!" evaluation day. | 0:09:58 | 0:10:01 | |
Moira, we are, at the moment, about 100 years | 0:10:04 | 0:10:08 | |
since the outbreak of the First World War | 0:10:08 | 0:10:12 | |
and when we see two service medals awarded to a woman, | 0:10:12 | 0:10:18 | |
they are so much rarer than anything you can imagine awarded to a man. | 0:10:18 | 0:10:23 | |
Tell me, what's the history behind them? What do you know? | 0:10:23 | 0:10:27 | |
The only thing I know is they were given | 0:10:27 | 0:10:30 | |
to my husband by my sister-in-law. | 0:10:30 | 0:10:33 | |
And what relation... | 0:10:33 | 0:10:35 | |
If we turn this one over, it's named | 0:10:35 | 0:10:37 | |
"Miss JJ Roy - Civil Hospital Reserves." | 0:10:37 | 0:10:41 | |
-I really don't have that information. -You don't know who she was? | 0:10:41 | 0:10:45 | |
-I don't know, no. -What a shame. I bet she was a relation somewhere. | 0:10:45 | 0:10:48 | |
-Probably, yeah. -So, let's start here. | 0:10:48 | 0:10:52 | |
We've got the most fancy-looking medal, that one. | 0:10:52 | 0:10:55 | |
-"RRC" - Royal Red Cross. -Yes. -And it says, "2nd". | 0:10:55 | 0:10:59 | |
That's second class and this is made in silver. | 0:10:59 | 0:11:03 | |
The first class were a gilt metal, gold-coloured. | 0:11:04 | 0:11:08 | |
It's not something that's awarded for bravery. | 0:11:08 | 0:11:11 | |
-It's something that's awarded for being a good nurse. -Yes. | 0:11:11 | 0:11:16 | |
It was an interesting group, these reserves, | 0:11:16 | 0:11:19 | |
because they found themselves in 1914, only about 60 of them, | 0:11:19 | 0:11:24 | |
straight to the front into these mobile hospitals, | 0:11:24 | 0:11:28 | |
-almost on the front line. -Yes. | 0:11:28 | 0:11:31 | |
And this also was unheard of for women to be there. | 0:11:31 | 0:11:35 | |
This is really quite a rare group of medals. | 0:11:35 | 0:11:39 | |
So we've got this one which is for being a nurse. | 0:11:39 | 0:11:41 | |
We've got this one, a 1914 star. | 0:11:41 | 0:11:44 | |
The 1914 is a rarer star than the 14-18 or 14-15 star | 0:11:44 | 0:11:50 | |
and this is the Victory Medal that was awarded to everybody who | 0:11:50 | 0:11:55 | |
served throughout the First World War, and here, this one, | 0:11:55 | 0:11:58 | |
if we turn it over, May 1935, almost all the nurses were given one of | 0:11:58 | 0:12:03 | |
those, reflecting the service they had given to the country, really. | 0:12:03 | 0:12:07 | |
But that's a commemoration medal for the Coronation. | 0:12:07 | 0:12:11 | |
So...value. | 0:12:11 | 0:12:13 | |
-Any ideas? -No, I haven't any idea at all. -OK. -None whatsoever. | 0:12:13 | 0:12:19 | |
-That's worth about £40, something like that. -Really? | 0:12:19 | 0:12:23 | |
-That's worth about £30. -Right. | 0:12:23 | 0:12:26 | |
-But on top of that, we've got these two. -Yes. | 0:12:26 | 0:12:29 | |
If they were awarded to a private, just a foot soldier, | 0:12:29 | 0:12:33 | |
-they would also be worth about £30. -OK. -But they're not. | 0:12:33 | 0:12:37 | |
-They're awarded to a nurse, a lady. -Yes. | 0:12:38 | 0:12:42 | |
-And therefore they're worth £200. -Oh, yeah. -So it's a good group. | 0:12:42 | 0:12:47 | |
-So this little group together is worth £250 to £350. -Right, OK, yeah. | 0:12:47 | 0:12:52 | |
-Would you like to put a reserve on them? -I think so. | 0:12:52 | 0:12:55 | |
Where would you like it to be? | 0:12:55 | 0:12:58 | |
-250, 200. -200? -Yeah. | 0:12:58 | 0:13:01 | |
200, let's put 200 on them and that should be absolutely fine. | 0:13:01 | 0:13:04 | |
-Thank you very much. -Well, thank you for bringing them. | 0:13:04 | 0:13:07 | |
-It's an absolutely pleasure. -Thank you. | 0:13:07 | 0:13:09 | |
While the valuations are in full swing over | 0:13:16 | 0:13:18 | |
there in the ballroom, I thought I'd take the opportunity to have a | 0:13:18 | 0:13:22 | |
quick glance at this magnificent house and show you around. | 0:13:22 | 0:13:25 | |
Now, traditionally in the 18th century, you would arrive by horse | 0:13:25 | 0:13:28 | |
and carriage and be dropped off at the bottom of those steps there, | 0:13:28 | 0:13:32 | |
ascended right in to this grand entrance hall | 0:13:32 | 0:13:34 | |
and greeted by the footman and taken into the state apartments. | 0:13:34 | 0:13:39 | |
This state room traditionally would have been the dining room, | 0:13:39 | 0:13:43 | |
right next to the entrance hall, where the guests would have | 0:13:43 | 0:13:45 | |
been entertained by the owners of the house, who really wanted | 0:13:45 | 0:13:48 | |
to show off their wealth. It was all about trying to impress. | 0:13:48 | 0:13:51 | |
As you can see, over the years, things have evolved. | 0:13:51 | 0:13:54 | |
It's now a drawing room. | 0:13:54 | 0:13:55 | |
But this room was designed by the architect, William Adam. | 0:13:55 | 0:13:58 | |
Now, all of these state rooms, these apartments, | 0:13:58 | 0:14:00 | |
are interconnecting, as you can see. | 0:14:00 | 0:14:02 | |
They just join each other | 0:14:02 | 0:14:04 | |
with a great big corridor running through them. | 0:14:04 | 0:14:06 | |
The next room you'd come to would be the saloon or the drawing room, | 0:14:06 | 0:14:10 | |
so you can imagine this back in the day. | 0:14:10 | 0:14:12 | |
The sofas would be arranged to ignite intimate conversation | 0:14:12 | 0:14:16 | |
after lunch, a piano in the corner, maybe, card tables. | 0:14:16 | 0:14:20 | |
The ladies would do some sewing, write some poetry | 0:14:20 | 0:14:22 | |
and take in these wonderful views in the evening. | 0:14:22 | 0:14:25 | |
Now, how far you got in these state apartments depended on how | 0:14:25 | 0:14:30 | |
important you were, because the next room is a state bedroom, | 0:14:30 | 0:14:34 | |
and if you were lucky, you got invited to one of those. | 0:14:34 | 0:14:37 | |
Now, not for the reasons you're thinking of. | 0:14:37 | 0:14:39 | |
There are other reasons, you know, because, back in the 18th century, | 0:14:39 | 0:14:42 | |
some of the most important pieces of furniture were in the state | 0:14:42 | 0:14:45 | |
bedrooms and, of course, gentlemen wanted to show them off. | 0:14:45 | 0:14:48 | |
And right now, | 0:14:48 | 0:14:49 | |
we're going to show off the best antiques we've found here | 0:14:49 | 0:14:52 | |
so far today, as we make our first trip across to the auction room, | 0:14:52 | 0:14:55 | |
and here's a quick recap of what we're taking. | 0:14:55 | 0:14:58 | |
A document of huge historical significance, | 0:14:58 | 0:15:01 | |
but will anyone pay the £100 reserve | 0:15:01 | 0:15:03 | |
for this 18th-century oath of allegiance? | 0:15:03 | 0:15:06 | |
Don't call her a fruitcake - | 0:15:07 | 0:15:09 | |
Caroline picked these out as top royal memorabilia. | 0:15:09 | 0:15:13 | |
Will the bidders agree? | 0:15:13 | 0:15:14 | |
And the medal collectors will have a field day | 0:15:15 | 0:15:18 | |
tracing the provenance of this group. | 0:15:18 | 0:15:20 | |
Let's see how they do when they go under the hammer, | 0:15:22 | 0:15:25 | |
over the bridge in the city of Glasgow, | 0:15:25 | 0:15:27 | |
at the Great Western auction house, | 0:15:27 | 0:15:29 | |
owned and run by our very own Anita Manning. | 0:15:29 | 0:15:32 | |
It's always a pleasure coming here, | 0:15:34 | 0:15:36 | |
because I love your auction room. | 0:15:36 | 0:15:38 | |
It's a period building, it's got history itself - | 0:15:38 | 0:15:41 | |
it's an old chapel, isn't it? | 0:15:41 | 0:15:42 | |
But it lends itself well to an auction room. | 0:15:42 | 0:15:44 | |
Yeah. Well, built in about the 1860s, 1870s, it was a Baptist church. | 0:15:44 | 0:15:50 | |
And when I saw it for the first time, I fell in love with it. | 0:15:50 | 0:15:54 | |
And I like everything to look beautiful, as well. | 0:15:54 | 0:15:57 | |
-I think there's maybe a wee feminine touch in here. -Do you? | 0:15:57 | 0:16:01 | |
-Oh, yes, don't you think so? -Well, yes, I suppose so. | 0:16:01 | 0:16:04 | |
Now you've pointed it out. Yes, yes. | 0:16:04 | 0:16:06 | |
The girls who lay out the tables, | 0:16:06 | 0:16:09 | |
I like them to look at the shapes, the sizes, the texture. | 0:16:09 | 0:16:15 | |
The colours of everything. | 0:16:15 | 0:16:16 | |
And I'll occasionally go and say, "Move that one round a wee bit..." | 0:16:16 | 0:16:20 | |
Because you're playing Mum. Because you're too busy playing Mum! | 0:16:20 | 0:16:24 | |
And how many lots have you got in this sale? | 0:16:24 | 0:16:26 | |
We'll have over 1,000 in this sale. | 0:16:26 | 0:16:28 | |
This is one of our fortnightly antiques and collectable sales. | 0:16:28 | 0:16:31 | |
-So you do these every two weeks? -Every two weeks. -Good team? | 0:16:31 | 0:16:34 | |
-Good team. -You're a good boss. Good luck on the rostrum. -Thank you. | 0:16:34 | 0:16:38 | |
Our first lot to go under Anita's hammer is the oath of allegiance. | 0:16:40 | 0:16:43 | |
Going under the hammer right now, | 0:16:44 | 0:16:46 | |
two 18th-century handwritten documents | 0:16:46 | 0:16:48 | |
pledging allegiance to King George III and the constitution. | 0:16:48 | 0:16:52 | |
Bit of a hot potato back then, Glenys, what do you think? | 0:16:52 | 0:16:55 | |
Fingers crossed somebody will get it who will appreciate it. | 0:16:55 | 0:16:57 | |
Oh, I love this. I wish I was there bidding, not here. | 0:16:57 | 0:17:01 | |
I want maximum money for this, | 0:17:01 | 0:17:02 | |
because you won't find another two on the market. | 0:17:02 | 0:17:04 | |
It's going under the hammer right now and this is it, here we go. | 0:17:04 | 0:17:08 | |
Two documents of historical interest, and at that time... | 0:17:08 | 0:17:14 | |
-Should be serious money. Don't you? -Well, they SHOULD be. | 0:17:14 | 0:17:19 | |
200. 150. | 0:17:19 | 0:17:21 | |
Will you start me at £100 for these rare documents? | 0:17:21 | 0:17:26 | |
-£100. -Come on! -100. 80, then. 90. | 0:17:26 | 0:17:31 | |
-100. 120. -This is more like it. Come on. -130. | 0:17:31 | 0:17:34 | |
140. £140. | 0:17:34 | 0:17:38 | |
150. £150. Any advance on 150? | 0:17:38 | 0:17:45 | |
Any advance on 150, all done at 150, 150? | 0:17:45 | 0:17:49 | |
Well, you were right at the valuation, | 0:17:49 | 0:17:51 | |
-spot on with the valuation. -Absolutely. | 0:17:51 | 0:17:53 | |
Well done, James, don't be disappointed. | 0:17:53 | 0:17:55 | |
-But, I just... -Oh, I know, I know. | 0:17:55 | 0:17:57 | |
You kind of... You think, hang on a minute, | 0:17:57 | 0:17:59 | |
these are handwritten by a quill. Back in the late 1700s. | 0:17:59 | 0:18:03 | |
-I've got -goose bumps. Yes. -It's not about the money, though, | 0:18:03 | 0:18:06 | |
it's about someone having them that really wanted them. | 0:18:06 | 0:18:09 | |
Will look after them. | 0:18:09 | 0:18:10 | |
I'm certain they've gone to a good home, Linda. | 0:18:10 | 0:18:12 | |
Now let's see if anyone wants to have some cake and keep it, | 0:18:12 | 0:18:16 | |
not eat it. | 0:18:16 | 0:18:17 | |
Robert. Royal carriage driver. And the pieces of wedding cake. | 0:18:17 | 0:18:22 | |
I'm surprised you kept them for such a long time and didn't eat them. | 0:18:22 | 0:18:25 | |
-I ate one, I ate Princess Anne's. -Princess Anne's. -Unfortunately. | 0:18:25 | 0:18:29 | |
-It was good. -What a job, and what a career you've had. | 0:18:29 | 0:18:32 | |
-It was good cake, was it? Was it a fruitcake? -It was a fruitcake. | 0:18:32 | 0:18:36 | |
-Like me! -I tell you what. | 0:18:36 | 0:18:38 | |
You're an auctioneer, | 0:18:38 | 0:18:39 | |
-have you ever sold anything like that in your life? -Never. | 0:18:39 | 0:18:42 | |
And I'm sure Anita hasn't, either. So it's a first for all of us. | 0:18:42 | 0:18:46 | |
So do enjoy this moment. This is it, here we go, good luck. | 0:18:46 | 0:18:50 | |
Two pieces of royal wedding cake. | 0:18:50 | 0:18:52 | |
Now, wonderful conversation pieces, ladies and gentlemen. | 0:18:52 | 0:18:55 | |
You could pretend to your friends | 0:18:55 | 0:18:58 | |
that you attended both of these weddings. | 0:18:58 | 0:19:01 | |
I have two bids on the books. I can start the bidding at £40. | 0:19:02 | 0:19:06 | |
40. 50. | 0:19:06 | 0:19:08 | |
60. 70. | 0:19:08 | 0:19:10 | |
80. 90. | 0:19:10 | 0:19:12 | |
It's with the lady at £90. 100. | 0:19:12 | 0:19:16 | |
Oh, she's going to go again, she's going again. | 0:19:16 | 0:19:19 | |
-She's got to go again. -110, 120. | 0:19:19 | 0:19:21 | |
-Yes. -130, 140. -This is good, this is good. | 0:19:21 | 0:19:25 | |
-£140. -140 over there now. | 0:19:25 | 0:19:28 | |
It's with you, sir, at 140. Any advance on 140? | 0:19:28 | 0:19:33 | |
150, fresh bidder. | 0:19:33 | 0:19:35 | |
150. | 0:19:35 | 0:19:37 | |
Any advance on £150, all done at 150? 150? | 0:19:37 | 0:19:43 | |
Great result, £150, that's brilliant, isn't it? | 0:19:43 | 0:19:47 | |
Well, thank you for bringing those in. | 0:19:47 | 0:19:48 | |
I tell you what, if you were a baker or a cake maker, | 0:19:48 | 0:19:51 | |
to own those and have them on display in your shop window, | 0:19:51 | 0:19:54 | |
would just attract all the people off the pavement. | 0:19:54 | 0:19:58 | |
-Thank you so much, because I've not seen anything like that before. -No! | 0:19:58 | 0:20:03 | |
A distinctive item with provenance, | 0:20:03 | 0:20:05 | |
always a winner at auction. | 0:20:05 | 0:20:07 | |
Next up, Moira's medals. | 0:20:07 | 0:20:10 | |
So far, so good, | 0:20:10 | 0:20:11 | |
going under the hammer right now, World War I medals. | 0:20:11 | 0:20:14 | |
Nurses' medals, in fact, belonging to Moira. | 0:20:14 | 0:20:16 | |
-These have been in the family quite some time. -They have, yes. | 0:20:16 | 0:20:20 | |
In the attic. | 0:20:20 | 0:20:21 | |
And we're looking for £250-£350, let's put the value to the test, | 0:20:21 | 0:20:25 | |
they're going under the hammer right now. | 0:20:25 | 0:20:27 | |
The group of four medals, to Sister JJ Roy, | 0:20:27 | 0:20:31 | |
and I can start the bidding at £150. | 0:20:31 | 0:20:37 | |
-For Sister Roy's medals. -OK. -150. | 0:20:37 | 0:20:40 | |
Any advance on 150, 160, 170, 180, 190. | 0:20:40 | 0:20:45 | |
200, 220. | 0:20:45 | 0:20:48 | |
240, 260. | 0:20:48 | 0:20:50 | |
280, 300. | 0:20:50 | 0:20:52 | |
On the books at 300. 320, I'm out. | 0:20:52 | 0:20:56 | |
It's with you, sir, at £320. | 0:20:57 | 0:21:01 | |
320. Any advance on 320, all done at 320? | 0:21:01 | 0:21:06 | |
-320. -They've gone, Moira. -Gone, yes. | 0:21:06 | 0:21:10 | |
-Oh, well, to a good home, hopefully. -Yes, exactly. | 0:21:10 | 0:21:13 | |
And go to a good home they did, Moira - | 0:21:13 | 0:21:16 | |
to a father and daughter, in fact. | 0:21:16 | 0:21:18 | |
My name is Lucy Reilly and my dad bought some medals at auction. | 0:21:18 | 0:21:23 | |
The medals that I bought, it was really for my daughter. | 0:21:23 | 0:21:27 | |
She's been doing some history at school, on the First World War, | 0:21:27 | 0:21:30 | |
so I thought it would be nice if she could do a | 0:21:30 | 0:21:32 | |
-bit of history on those medals, as well. -Well, there you go, | 0:21:32 | 0:21:35 | |
World War I medals enjoyed by the next generation. | 0:21:35 | 0:21:38 | |
That's our first visit to the auction complete. | 0:21:38 | 0:21:42 | |
We'll be back later on in the show. | 0:21:42 | 0:21:44 | |
On a clear day, from our | 0:21:45 | 0:21:46 | |
valuation-day location, Hopetoun House, | 0:21:46 | 0:21:49 | |
in the distance you can see two magnificent engineering | 0:21:49 | 0:21:51 | |
structures spanning the water. | 0:21:51 | 0:21:54 | |
They are of course the Forth Bridges, | 0:21:54 | 0:21:55 | |
taking hundreds of people each day - in fact, thousands of people - | 0:21:55 | 0:21:59 | |
backwards and forwards across the Firth of Forth. | 0:21:59 | 0:22:01 | |
Soon, that load will be shared by a third bridge, | 0:22:01 | 0:22:04 | |
the Queensferry Crossing, | 0:22:04 | 0:22:06 | |
so I donned a hard hat and work boots | 0:22:06 | 0:22:08 | |
to check out this engineering marvel. | 0:22:08 | 0:22:10 | |
It's a claim that's thought to be unique the world over. | 0:22:19 | 0:22:22 | |
Three bridges built in three centuries, spanning one river. | 0:22:22 | 0:22:26 | |
Striking engineering and cutting-edge construction. | 0:22:28 | 0:22:30 | |
The first rail bridge that you can see in the distance over there, | 0:22:34 | 0:22:37 | |
the red one, that was built in the 19th century. | 0:22:37 | 0:22:40 | |
The second road bridge, the one with the traffic running over it, | 0:22:40 | 0:22:43 | |
was built in the 20th century. | 0:22:43 | 0:22:45 | |
And the bridge you can see behind me here, look, | 0:22:45 | 0:22:47 | |
under construction now, again of epic proportions. | 0:22:47 | 0:22:51 | |
Take a look at that. That is colossal! | 0:22:51 | 0:22:54 | |
That will be completed in 2016. | 0:22:54 | 0:22:57 | |
"But why three bridges?" you're probably asking, | 0:22:57 | 0:23:00 | |
and what does each superstructure tell us | 0:23:00 | 0:23:03 | |
about the century it was built in? | 0:23:03 | 0:23:05 | |
The new bridge is the biggest engineering project | 0:23:06 | 0:23:09 | |
Scotland has seen for a generation. | 0:23:09 | 0:23:11 | |
The £1.45 billion project, | 0:23:11 | 0:23:14 | |
named by the public as the Queensferry Crossing, | 0:23:14 | 0:23:17 | |
will carry traffic from Edinburgh to Fife | 0:23:17 | 0:23:20 | |
on a road equal in size to a motorway. | 0:23:20 | 0:23:23 | |
Well, this is where it's all happening, | 0:23:23 | 0:23:25 | |
I'm surrounded by bridge and it's all going on right now. | 0:23:25 | 0:23:29 | |
There are five piers that form the supporting platform | 0:23:29 | 0:23:32 | |
for the bridge on the land, and out at sea there, | 0:23:32 | 0:23:35 | |
there are three huge, great big towers | 0:23:35 | 0:23:37 | |
and you can just see one there. | 0:23:37 | 0:23:39 | |
Now, they stand firmly like a rock in these turbulent waters, | 0:23:39 | 0:23:43 | |
and they go down to a depth of 28 metres, which is around 85 feet. | 0:23:43 | 0:23:47 | |
And the foundations are filled with 28,000 tonnes of concrete. | 0:23:47 | 0:23:52 | |
Nearly 1,000 people from all over the world are working on the site. | 0:23:54 | 0:23:58 | |
The road is being constructed and pushed out onto the viaduct, | 0:23:58 | 0:24:02 | |
and over the next two years, | 0:24:02 | 0:24:04 | |
the three towers will rise up 200 metres above sea level. | 0:24:04 | 0:24:09 | |
The Queensferry Crossing was commissioned | 0:24:09 | 0:24:12 | |
because the Forth Road Bridge is no longer up to the job. | 0:24:12 | 0:24:15 | |
Although only just over 50 years old, | 0:24:15 | 0:24:17 | |
it's showing signs of wear and tear, | 0:24:17 | 0:24:19 | |
and that's not surprising when it was designed to carry | 0:24:19 | 0:24:23 | |
a load of five million cars per year | 0:24:23 | 0:24:25 | |
and now it's ended up carrying 24 million. | 0:24:25 | 0:24:28 | |
Although it hasn't stood the test of time as well as initially hoped, | 0:24:30 | 0:24:33 | |
the Forth Road Bridge still represents a massive achievement. | 0:24:33 | 0:24:38 | |
It was opened in 1964 by Queen Elizabeth. | 0:24:38 | 0:24:41 | |
It was Europe's largest suspension bridge, spanning 1.5 miles, | 0:24:41 | 0:24:45 | |
using 30,000 miles of cable. | 0:24:45 | 0:24:49 | |
That's long enough to go all the way around the world. | 0:24:49 | 0:24:52 | |
It took 400 men six years to build. | 0:24:54 | 0:24:57 | |
It was hard and sometimes dangerous work. | 0:24:57 | 0:24:59 | |
And the conditions in the early '60s were rather different to today. | 0:24:59 | 0:25:03 | |
Alex Porteous worked on the bridge when he was just 18 | 0:25:06 | 0:25:09 | |
and remembers the time fondly. | 0:25:09 | 0:25:11 | |
Alex, what section of the bridge did you work on? | 0:25:12 | 0:25:14 | |
I worked on two sections. | 0:25:14 | 0:25:17 | |
I worked on the south viaduct here, | 0:25:17 | 0:25:18 | |
with a company called Reed and Mallik, on the concrete squad. | 0:25:18 | 0:25:22 | |
And later on I got a job with the ACD Bridge Company. | 0:25:22 | 0:25:25 | |
Happy days, were they hard days? | 0:25:25 | 0:25:27 | |
Oh, it was one of the best jobs I ever had. | 0:25:27 | 0:25:29 | |
I look back now and I think, yeah, | 0:25:29 | 0:25:30 | |
it definitely was one of the best jobs I ever had. | 0:25:30 | 0:25:33 | |
-Was it dangerous at times? -Depends how stupid you were! -Really? | 0:25:33 | 0:25:37 | |
I went up one day and I was curious as to what was over the edge, | 0:25:37 | 0:25:41 | |
-just to have a look. -To see how high it was? -And I tripped. | 0:25:41 | 0:25:46 | |
I just fell from a vertical to horizontal, lying down, | 0:25:46 | 0:25:50 | |
-looking at the safety net below me. -You were lucky. | 0:25:50 | 0:25:53 | |
-What did you trip on? -Oh, there'd be electric cables up there. | 0:25:53 | 0:25:56 | |
-Just stuff lying around? -Yeah. -Which you won't get today? -No. | 0:25:56 | 0:25:59 | |
It was a good job. You were well-paid, good team to work with. | 0:26:00 | 0:26:06 | |
-What about the weather? -That was a killer. That stopped everything. | 0:26:06 | 0:26:10 | |
Shirley-Smith, who was the head of the resident engineers, | 0:26:10 | 0:26:13 | |
he'd built bridges all over the world and he said this was | 0:26:13 | 0:26:16 | |
the worst stretch of water that he's ever worked on. | 0:26:16 | 0:26:19 | |
But I mean, this is Scotland. You can get four seasons in one day. | 0:26:19 | 0:26:23 | |
You must be so proud of what you've helped achieve, really. | 0:26:23 | 0:26:26 | |
Well, you see it now, it's very unique. | 0:26:26 | 0:26:29 | |
You worked on one bridge as a young man, | 0:26:29 | 0:26:32 | |
and then as a 68-year-old man now, they're building another one. | 0:26:32 | 0:26:36 | |
So to see two bridges in your lifetime is very unique. | 0:26:36 | 0:26:39 | |
-Look at it now, it is fantastic, isn't it? -It is. | 0:26:39 | 0:26:41 | |
The first bridge, opened for rail in 1890, | 0:26:45 | 0:26:48 | |
has one thing in common with the others - the use of steel. | 0:26:48 | 0:26:52 | |
It may be an everyday material now, | 0:26:54 | 0:26:56 | |
but at the time it was considered a wonder material | 0:26:56 | 0:26:59 | |
and was taking construction to new heights. | 0:26:59 | 0:27:02 | |
Properties of steel enabled engineers to build huge structures | 0:27:03 | 0:27:06 | |
like this that were strong, but not too heavy. | 0:27:06 | 0:27:10 | |
The Forth Bridge was one of the first bridges in the world | 0:27:10 | 0:27:13 | |
to be built using steel, and at the time, this was considered to be | 0:27:13 | 0:27:16 | |
a cornerstone in the history of modern civil engineering. | 0:27:16 | 0:27:20 | |
It was the world's longest cantilever bridge, | 0:27:22 | 0:27:25 | |
at 1.6 miles long. | 0:27:25 | 0:27:27 | |
And at its peak, 4,600 men were employed on the project. | 0:27:27 | 0:27:32 | |
Working conditions were treacherous, | 0:27:32 | 0:27:34 | |
and upwards of 60 men lost their lives, and thousands were injured. | 0:27:34 | 0:27:39 | |
And some of those men were painters who had the unenviable task | 0:27:39 | 0:27:43 | |
of painting this bridge that notorious red colour. | 0:27:43 | 0:27:47 | |
And it's said that it took such a long time to do, | 0:27:47 | 0:27:49 | |
by the time you started on the north side | 0:27:49 | 0:27:51 | |
and got all the way over to the south side and finished, | 0:27:51 | 0:27:54 | |
it was time to paint the north side again. | 0:27:54 | 0:27:57 | |
And start all over! | 0:27:57 | 0:27:59 | |
And that gave rise to the expression "Painting the Forth Bridge," | 0:27:59 | 0:28:03 | |
used to describe a never-ending, monotonous job. | 0:28:03 | 0:28:07 | |
I tell you what, I wouldn't fancy doing that. I really wouldn't. | 0:28:07 | 0:28:10 | |
Truth be told, the painting was never continuous | 0:28:11 | 0:28:14 | |
and the metaphor can no longer be applied, | 0:28:14 | 0:28:17 | |
as a new type of long-lasting paint has been used | 0:28:17 | 0:28:21 | |
so the bridge won't need a fresh coat for another 25 years. | 0:28:21 | 0:28:25 | |
This really is, truly, an exceptional bridge. | 0:28:25 | 0:28:28 | |
It's one of my favourites in the world. | 0:28:28 | 0:28:31 | |
And it's 123 years old, believe it or not. | 0:28:31 | 0:28:34 | |
And trains still rattle across it every day - hundreds of them. | 0:28:34 | 0:28:38 | |
It caused some controversy in its day, | 0:28:41 | 0:28:43 | |
but its place as a Scottish icon is assured. | 0:28:43 | 0:28:47 | |
In 2016, | 0:28:47 | 0:28:49 | |
when these two bridges are joined by the Queensferry Crossing, | 0:28:49 | 0:28:53 | |
this stretch of water will be one of the most distinctive in the world. | 0:28:53 | 0:28:57 | |
Welcome back to Hopetoun House and, as you can see, | 0:29:12 | 0:29:14 | |
our valuation day is still in full swing. | 0:29:14 | 0:29:17 | |
Hundreds of people keep turning up throughout the day. | 0:29:17 | 0:29:20 | |
So let's now meet up with our experts again | 0:29:20 | 0:29:21 | |
and see what else we can find to take off to auction. | 0:29:21 | 0:29:24 | |
Caroline has snuck off to the peace and quiet of the red drawing room. | 0:29:25 | 0:29:29 | |
Lovely to see you both. And thank you for bringing this gorgeous object. | 0:29:30 | 0:29:35 | |
Now, are you going to tell me anything about it? | 0:29:35 | 0:29:37 | |
I don't know a great deal about it, | 0:29:37 | 0:29:39 | |
but I do know it comes from the branch of the family | 0:29:39 | 0:29:42 | |
personified to me through three maiden aunts. | 0:29:42 | 0:29:45 | |
And was their name, by any chance, Strachan? | 0:29:45 | 0:29:48 | |
I didn't mention the name because if there are any Strachans out there, | 0:29:48 | 0:29:51 | |
-they might be outraged by what I'm going to say. -Right! | 0:29:51 | 0:29:54 | |
-Continue saying it. -Now it's out in the open. So it's fine. | 0:29:54 | 0:29:57 | |
So, it was in their house and it came down to my dad, | 0:29:57 | 0:30:00 | |
but it brought back to me memories of being in the house with them. | 0:30:00 | 0:30:03 | |
And they were three Victorian aunts, | 0:30:03 | 0:30:06 | |
in this dark and gloomy Victorian house. | 0:30:06 | 0:30:09 | |
And after church every Sunday - and we're going back to the 1950s - | 0:30:09 | 0:30:13 | |
after church I'd be there in my kilt and we'd go in to visit the aunts. | 0:30:13 | 0:30:18 | |
And I wasn't allowed to speak unless spoken to. | 0:30:18 | 0:30:23 | |
And so, the goblet personifies these dark and disturbing memories. | 0:30:23 | 0:30:28 | |
-I can see why you want rid! -It is a beautiful object. -It is. | 0:30:28 | 0:30:31 | |
Well, I'll tell you what I know about it. I've had a good look. | 0:30:31 | 0:30:35 | |
It's solid hallmarked silver. The date of it is 1862. | 0:30:35 | 0:30:42 | |
It's made in London. And the inscription on the front is 1860. | 0:30:42 | 0:30:47 | |
Which... That might commemorate a birth or something. | 0:30:47 | 0:30:52 | |
The extraordinary thing is, this wasn't made until 1862. | 0:30:52 | 0:30:57 | |
So two years afterwards. | 0:30:57 | 0:30:59 | |
It's a lovely thing, | 0:30:59 | 0:31:01 | |
and not only does Lily of the Valley happen to have | 0:31:01 | 0:31:04 | |
a particular significance for me, | 0:31:04 | 0:31:06 | |
it's my favourite flower, I adore Lily of the Valley. | 0:31:06 | 0:31:10 | |
And it's beautifully embossed and etched here. | 0:31:10 | 0:31:13 | |
-Do you have any idea of value? -About 100, 150? -You're spot on. | 0:31:13 | 0:31:18 | |
You're spot on, John! I don't need to be here! | 0:31:18 | 0:31:21 | |
Well, I would absolutely agree with that. | 0:31:21 | 0:31:23 | |
I think between £100 and £150, but I would put a reserve on of 100. | 0:31:23 | 0:31:28 | |
-Yes. -Would you like that a fixed reserve or a discretionary reserve? | 0:31:28 | 0:31:32 | |
-Oh, I think fixed. I'd rather take it home. -Fixed, OK. We'll do that. | 0:31:32 | 0:31:35 | |
-That's made my day, I adore that. -Oh, good! | 0:31:35 | 0:31:38 | |
Maybe with a little more digging into the family archive, | 0:31:39 | 0:31:42 | |
John will be able to find out where the Strachan connection comes from. | 0:31:42 | 0:31:46 | |
-I love you too! -I love you back! | 0:31:46 | 0:31:50 | |
-THEY LAUGH -I love you all! | 0:31:50 | 0:31:52 | |
Without you guys we would not have a show. | 0:31:52 | 0:31:54 | |
You know what, it's still raining outside. | 0:31:54 | 0:31:56 | |
-Ah, we're used to it. -It's just Scottish weather! | 0:31:56 | 0:31:58 | |
Well, it's warm inside the ballroom | 0:32:00 | 0:32:02 | |
and every single person will be seen by one of our experts. | 0:32:02 | 0:32:05 | |
And James is one of the best. | 0:32:06 | 0:32:09 | |
Whatever the subject matter, there are always differences in quality | 0:32:09 | 0:32:14 | |
of whatever it might be - whether tea caddies, | 0:32:14 | 0:32:18 | |
or snuff boxes, cars. | 0:32:18 | 0:32:20 | |
-And this, if it was a car, would be a Rolls-Royce. -Really? | 0:32:20 | 0:32:24 | |
It's a lovely example. Tell me what you know. | 0:32:24 | 0:32:27 | |
It was given to my father | 0:32:28 | 0:32:30 | |
by an old lady who lived with us for several years. | 0:32:30 | 0:32:35 | |
-And she died while I was still a little girl. -OK. | 0:32:35 | 0:32:39 | |
-Been in the family since then, and you remember it as a child? -Yes. | 0:32:39 | 0:32:42 | |
-1950s, yeah. -Gosh. Well, do you know what a tipstaff is? | 0:32:42 | 0:32:46 | |
Well, I just thought it was a truncheon. | 0:32:46 | 0:32:49 | |
-Someone else put me right, told me it was a tipstaff. -Yeah. | 0:32:49 | 0:32:53 | |
A tipstaff is something that was often to do with the police, | 0:32:53 | 0:32:56 | |
and I guess originally it would have been something that would have been | 0:32:56 | 0:33:00 | |
bashed over the head, used as a weapon. | 0:33:00 | 0:33:03 | |
But in latter years, it became a ceremonial staff of office in a way. | 0:33:03 | 0:33:08 | |
The shaft of this one is in mahogany, | 0:33:08 | 0:33:11 | |
and then we've got a solid silver end and terminal at the base. | 0:33:11 | 0:33:16 | |
Then we've got a Chester hallmark. | 0:33:16 | 0:33:20 | |
And also the date letter for 1836. | 0:33:21 | 0:33:23 | |
At the top here, we've got the N for the maker. | 0:33:23 | 0:33:27 | |
-And then the start of the L. -Yes. | 0:33:27 | 0:33:28 | |
For Nicholson Lee, who were Liverpool makers, | 0:33:28 | 0:33:32 | |
who specialised in the making of tipstaffs. | 0:33:32 | 0:33:34 | |
OK. That matches. | 0:33:34 | 0:33:36 | |
So, that's your maker. Now, you've done some research, I understand. | 0:33:36 | 0:33:40 | |
-Yes, I tried to find out who they were. -James Magnell Esq. | 0:33:40 | 0:33:44 | |
-He's the boroughreeve. -Yeah. And William Haslam? And Robert Knowles? | 0:33:44 | 0:33:49 | |
-Two constables. -Two constables? -Yes, they're constables. | 0:33:49 | 0:33:53 | |
-I found out that they were in Salford in Manchester. -Brilliant. | 0:33:53 | 0:33:59 | |
-It's a lovely thing. -It is, yeah. -Oh, it's a lovely one. 1836. | 0:33:59 | 0:34:04 | |
In good condition. Names that are traceable. Solid silver. | 0:34:04 | 0:34:09 | |
It's got everything, | 0:34:09 | 0:34:10 | |
everything that you want to see from a tipstaff is there. | 0:34:10 | 0:34:14 | |
I think it's worth about £1,000. | 0:34:14 | 0:34:17 | |
-That's very good. -I think that's good money for it, at £1,000. | 0:34:17 | 0:34:22 | |
-But I'm hoping it'll do that and maybe a shade more. -OK! | 0:34:22 | 0:34:27 | |
What a wonderful thing. | 0:34:27 | 0:34:28 | |
We're always on the lookout for quality | 0:34:28 | 0:34:30 | |
and Caroline's next item is no exception. | 0:34:30 | 0:34:34 | |
Sheena, these are lovely. | 0:34:34 | 0:34:36 | |
I'm very much a jewellery lady and these shout quality to me. | 0:34:36 | 0:34:42 | |
And they would be worn by a lady | 0:34:42 | 0:34:44 | |
that was lucky enough to grace a drawing room such as this. | 0:34:44 | 0:34:48 | |
Have you worn these, Sheena? | 0:34:48 | 0:34:50 | |
Yes, I've been lucky enough to wear them. | 0:34:50 | 0:34:52 | |
I've worn them to a ball, | 0:34:52 | 0:34:53 | |
and I wore them to a wedding in a chateau in France. | 0:34:53 | 0:34:56 | |
And how did it come to you? | 0:34:56 | 0:34:57 | |
A lady, a friend gave it to my grandmother, and she gave it to me | 0:34:57 | 0:35:01 | |
when I was a student, for the very first ball I went to. | 0:35:01 | 0:35:05 | |
-Oh, wow. -And then she said, "You can keep it." | 0:35:05 | 0:35:08 | |
-Oh, how... And did your grandmother wear it? -I don't think she did. | 0:35:08 | 0:35:12 | |
And you've decided now you don't want to keep them any longer? | 0:35:12 | 0:35:15 | |
You know, maybe you go to one big ball or one wedding, | 0:35:15 | 0:35:20 | |
and twice in a lifetime is not enough for a necklace like this. | 0:35:20 | 0:35:23 | |
No. Right. | 0:35:23 | 0:35:24 | |
Well, I can see why you say that, but to me, it's a beautiful object. | 0:35:24 | 0:35:29 | |
It's three strands of cultured pearls. | 0:35:29 | 0:35:32 | |
Do you know what a cultured pearl is? | 0:35:32 | 0:35:34 | |
-No. -Right, well, a cultured pearl is a pearl that's made, | 0:35:34 | 0:35:38 | |
fabricated, so the oyster shell would be opened | 0:35:38 | 0:35:41 | |
and something would be put in, a chemical would be put in | 0:35:41 | 0:35:45 | |
to stimulate the growth of the pearl. | 0:35:45 | 0:35:47 | |
So it was cultured. And the clasp is what also screams quality to me. | 0:35:47 | 0:35:54 | |
That is a nine-carat gold clasp, set with garnets, | 0:35:54 | 0:35:59 | |
and seed pearls, surrounded with seed pearls. | 0:35:59 | 0:36:02 | |
So the clasp is an item of beauty in itself. | 0:36:02 | 0:36:05 | |
And if we turn it over, we can see, it's marked nine carat here. | 0:36:05 | 0:36:12 | |
And the clasp itself, you would open it like that and put it on. | 0:36:12 | 0:36:16 | |
It just, to me it screams glamour, all that is gorgeous. | 0:36:16 | 0:36:22 | |
It dates from the 1920s, '30s. | 0:36:22 | 0:36:25 | |
Now, to me, a valuation in today's market, | 0:36:25 | 0:36:29 | |
-I would put an auction estimate of between £300 and £400. -Really? | 0:36:29 | 0:36:34 | |
That would be good. | 0:36:34 | 0:36:37 | |
-And I'm sure somebody would be very happy to pay that. -Really? -Yeah. | 0:36:37 | 0:36:41 | |
If we put a reserve, a fixed reserve of 200? | 0:36:41 | 0:36:44 | |
Just to stop them falling into the net. | 0:36:44 | 0:36:47 | |
And thank you so much for bringing them, | 0:36:47 | 0:36:48 | |
it's a pleasure to see them, I love them. | 0:36:48 | 0:36:50 | |
-Thank you very much. -That's a pleasure, Sheena. | 0:36:50 | 0:36:53 | |
-Have you all enjoyed yourselves? -Yes, thank you. | 0:36:53 | 0:36:55 | |
Good, that's what it's all about. | 0:36:55 | 0:36:57 | |
Thank you so much for turning up, because you've all made my day. | 0:36:57 | 0:37:00 | |
And I think it's fair to say we've found some wonderful treasures | 0:37:00 | 0:37:03 | |
here today at Hopetoun, worthy of our regal surroundings. | 0:37:03 | 0:37:06 | |
Right now, we're racing off to the auction room for the very last time, | 0:37:06 | 0:37:10 | |
and here's a quick recap of what we're taking with us. | 0:37:10 | 0:37:13 | |
John remembers the goblet from his childhood, | 0:37:14 | 0:37:16 | |
but has no idea where the name Strachan comes from. | 0:37:16 | 0:37:20 | |
Nevertheless, it's up for grabs with a reserve of £100. | 0:37:20 | 0:37:23 | |
And jewellery goes in and out of fashion, | 0:37:24 | 0:37:27 | |
so will anyone be willing to pay £200 for a pearl necklace? | 0:37:27 | 0:37:31 | |
And the Rolls-Royce of tipstaffs. | 0:37:32 | 0:37:35 | |
Will it make the weighty sum of £1,000-£2,000? | 0:37:35 | 0:37:38 | |
Well, there's only one way to find out. Let's Flog It! | 0:37:38 | 0:37:42 | |
First up, the goblet. | 0:37:44 | 0:37:46 | |
Hopefully, it's going to be cheers all round | 0:37:46 | 0:37:48 | |
when we get over the top end for the silver goblet | 0:37:48 | 0:37:50 | |
belonging to Claire and John, | 0:37:50 | 0:37:51 | |
who are with me and our expert, Caroline. | 0:37:51 | 0:37:53 | |
Now, I know this has been in the family some time. | 0:37:53 | 0:37:56 | |
The name Strachan, there's a family connection somewhere | 0:37:56 | 0:37:59 | |
but you couldn't establish that at the valuation day. | 0:37:59 | 0:38:01 | |
So we dug out a family tree and it turns out that | 0:38:01 | 0:38:06 | |
Alexander Strachan was married to one of John's great aunts. | 0:38:06 | 0:38:11 | |
-OK. -There were three great aunts. | 0:38:11 | 0:38:14 | |
-Now, does that make you want to keep it and not sell it? -Yes, it does. | 0:38:14 | 0:38:17 | |
That's just what I was going to say! | 0:38:17 | 0:38:19 | |
This is what we find, it's all about provenance and family connections. | 0:38:19 | 0:38:22 | |
It's too late because it's going under the hammer right now, | 0:38:22 | 0:38:25 | |
this is it. | 0:38:25 | 0:38:27 | |
This charming Victorian silver goblet. | 0:38:27 | 0:38:31 | |
Can we say... Oh, I have three bids on the books. | 0:38:31 | 0:38:34 | |
-Oooh! -And I will start the bidding at... | 0:38:34 | 0:38:38 | |
-£180. -Yes! -Wow. Brilliant. | 0:38:40 | 0:38:43 | |
180, 190, 200, 210, 220. | 0:38:43 | 0:38:47 | |
220 on the book. 220 on the book. 230, fresh bidder. | 0:38:47 | 0:38:52 | |
230. With you, sir, at 230. | 0:38:52 | 0:38:55 | |
240 on the book. 250, 260. | 0:38:55 | 0:38:59 | |
It's on the book at £260. | 0:38:59 | 0:39:00 | |
-260. -That's a good price, that. -Commission bid. It's very good. | 0:39:00 | 0:39:04 | |
At 260. Any advance on 260? All done at 260, 260? | 0:39:04 | 0:39:10 | |
-The hammer's gone down! Sold. -That's fantastic! | 0:39:10 | 0:39:14 | |
Over the top end. I half thought for a moment | 0:39:14 | 0:39:16 | |
you might put your own hand up and try and buy it back! | 0:39:16 | 0:39:19 | |
Honestly, honestly, I nearly did! | 0:39:19 | 0:39:21 | |
Well, that's a great result, and John and Claire found out | 0:39:21 | 0:39:24 | |
a little more about their family history. | 0:39:24 | 0:39:26 | |
Fingers crossed, Sheena. Good luck, Caroline. | 0:39:29 | 0:39:31 | |
Going under the hammer right now, we have that seed pearl necklace. | 0:39:31 | 0:39:34 | |
It is absolutely gorgeous. And you're selling this because...? | 0:39:34 | 0:39:37 | |
-I need a new car. -You need a new car. -No pressure, Paul! -No. | 0:39:37 | 0:39:41 | |
Well, at least it adds towards the kitty, let's face it, | 0:39:41 | 0:39:44 | |
-if we can get that top end of £400? -That would be fantastic. -Will we? | 0:39:44 | 0:39:49 | |
-The reserve's two. -I saw that! -HE EXHALES HEAVILY | 0:39:49 | 0:39:51 | |
-We'll get two, surely, we'll get £200. -Yes. Got to. | 0:39:51 | 0:39:56 | |
Well, it's going under the hammer right now, this is it. | 0:39:56 | 0:39:59 | |
Three-strand pearl necklace. | 0:39:59 | 0:40:02 | |
Three strands of superb cultured pearls. | 0:40:02 | 0:40:06 | |
Can we see £400? | 0:40:06 | 0:40:08 | |
400? | 0:40:08 | 0:40:10 | |
300? | 0:40:10 | 0:40:12 | |
Will you start me at £200? Start me at 200. | 0:40:12 | 0:40:16 | |
Start me at £100. THEY GROAN | 0:40:16 | 0:40:19 | |
-100 bid. 100 bid. -We're in. | 0:40:19 | 0:40:23 | |
Any advance on £100? 110. | 0:40:23 | 0:40:26 | |
-There's a reserve at two, isn't there? -Yeah. -130. | 0:40:26 | 0:40:28 | |
140, 150. 160, 170. | 0:40:28 | 0:40:32 | |
180, 190. 200. | 0:40:32 | 0:40:35 | |
£200. | 0:40:36 | 0:40:38 | |
It's with the lady at 200. | 0:40:38 | 0:40:41 | |
Any advance on 200? All done at 200, 200? | 0:40:41 | 0:40:45 | |
-Just! Just! -Are you pleased? -Yes. | 0:40:46 | 0:40:50 | |
-We did it. We did it. We did it. -Yes! | 0:40:50 | 0:40:53 | |
Gosh, that was close, wasn't it? | 0:40:53 | 0:40:56 | |
That's auctions for you, it really is quite tense, isn't it? | 0:40:56 | 0:40:59 | |
-Very! -Yeah. You deserve a cup of tea now. | 0:40:59 | 0:41:02 | |
-Oh, no, I'll have a pint, thank you! -A pint! | 0:41:02 | 0:41:05 | |
Yeah, and you'll get a few drinks for that money, Sheena! | 0:41:05 | 0:41:08 | |
And finally, the tiptop tipstaff. | 0:41:08 | 0:41:11 | |
Well, this will ARREST your attention. | 0:41:11 | 0:41:13 | |
Going under the hammer right now, | 0:41:13 | 0:41:14 | |
we have a policeman's ceremonial tipstaff and James, | 0:41:14 | 0:41:17 | |
you're nicked if it doesn't sell. | 0:41:17 | 0:41:19 | |
We've got a value of £1,000-£2,000. I like it a lot. | 0:41:19 | 0:41:22 | |
Now, I know since the valuation day, | 0:41:22 | 0:41:24 | |
you've done a bit more additional homework, haven't you? | 0:41:24 | 0:41:26 | |
And what have you come up with? | 0:41:26 | 0:41:28 | |
Well, I wanted to find out who the people were on the engraving, | 0:41:28 | 0:41:32 | |
so I did a lot of research online. | 0:41:32 | 0:41:34 | |
And in the end I found a newspaper in 1836 had | 0:41:34 | 0:41:37 | |
an announcement saying that that had been presented to them. | 0:41:37 | 0:41:42 | |
So there's a photocopy of that. | 0:41:42 | 0:41:44 | |
Really nice, so we've got a little bit of provenance to go with it. | 0:41:44 | 0:41:47 | |
It's going under the hammer right now, good luck. | 0:41:47 | 0:41:49 | |
-Thank you. -Let's put it to the test, here we go. | 0:41:49 | 0:41:51 | |
Can we say 2,000? | 0:41:53 | 0:41:56 | |
1,500, 1,000? | 0:41:56 | 0:41:58 | |
Would you start me at 800? | 0:41:58 | 0:42:01 | |
800, 850. | 0:42:01 | 0:42:02 | |
850. Any advance on 850? | 0:42:02 | 0:42:06 | |
900, 950. | 0:42:06 | 0:42:09 | |
It's on the books at £950. | 0:42:09 | 0:42:12 | |
950, 1,000. | 0:42:12 | 0:42:15 | |
£1,000. | 0:42:15 | 0:42:17 | |
1,000. | 0:42:17 | 0:42:19 | |
-Any advance on 1,000? -We've got to that magic number. | 0:42:19 | 0:42:23 | |
-1,100. -£1,100. -Any advance on the 1,100? | 0:42:23 | 0:42:27 | |
I'll take 50. 1,150. 1,200. | 0:42:27 | 0:42:32 | |
£1,200. Any advance on 1,200? | 0:42:32 | 0:42:35 | |
All done at 1,200? All done at 1,200? | 0:42:35 | 0:42:39 | |
1,200? | 0:42:39 | 0:42:41 | |
Hammer's gone down, £1,200. Brilliant, I'm happy. | 0:42:41 | 0:42:45 | |
-You're happy with that, aren't you? -Yes. | 0:42:45 | 0:42:47 | |
-Fantastic, thank you for bringing that in. -Thank you. -Quality. | 0:42:47 | 0:42:50 | |
Quality, quality. | 0:42:50 | 0:42:51 | |
And as we always say, quality sells. | 0:42:52 | 0:42:55 | |
Well, there you are, it's all over for our owners | 0:42:57 | 0:42:59 | |
and what a fabulous day we've had here in Glasgow. | 0:42:59 | 0:43:02 | |
All credit to our experts, they were right on the money today. | 0:43:02 | 0:43:05 | |
And that's not easy. | 0:43:05 | 0:43:06 | |
All I can say is, I love Scotland | 0:43:06 | 0:43:08 | |
and I love the Scottish people, so thank you to everyone here. | 0:43:08 | 0:43:12 | |
Hope you've enjoyed the show, see you next time. | 0:43:12 | 0:43:14 |