Compilation 33 Flog It!


Compilation 33

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Today, I am in Ayrshire, in Scotland,

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and this is the gorgeous 18th-century Dumfries House.

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It was one of the first commissions for 26-year-old Robert Adam,

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who later became one of Britain's most renowned architects.

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Today, however, it is its interior content which is considered

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even more important than its architecture.

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Later on the programme, we will be finding out why.

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Welcome to Flog It!

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What is remarkable about the 250-year-old Dumfries House

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is all of its original furnishings have survived

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and they are in incredibly good condition,

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which is extremely rare for a stately home of this age

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to have its contents intact.

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Throughout the centuries, the house has been passed down

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through a family who are as illustrious as its interiors.

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But in 2007, its last owner, Johnny Dumfries,

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could not longer afford the astronomical upkeep.

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This forced the family to make some tough decisions.

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They called in a top firm of auctioneers,

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as the future of Dumfries House hung in the balance.

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This small, unassuming lot card -

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look at that, Christie's, number 118 -

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is a very powerful reminder of how close

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this house and its contents were to being sold off.

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At the eleventh hour,

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the Prince of Wales, with a powerful consortium, challenged that.

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They bought it and they saved this house and all of its treasures

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for the nation, for all of us, to enjoy.

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And the Prince of Wales went one step further,

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establishing a trust which undertook a multi-million pound conservation

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and regeneration project in the house and on the surrounding estate.

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Later, I will be finding out more about the history of

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this amazing stately home.

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But first, we head south to take a look back

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at some of the valuation days we visited across the country.

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We journey to the 18th-century Palladian-style Ragley Hall

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in Warwickshire, where, in the Great Hall,

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Christina Trevanion found an item worthy of the sumptuous setting.

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Look at this. All that glitters is gold on my table.

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It is wonderful!

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You turned up in your droves to the Milestones Museum

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in Basingstoke, Hampshire,

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to have your items valued on the recreated historic cobbled streets.

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And we flew high at the RAF Museum at Hendon, in London,

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where our experts looked at your items amongst the historic

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and ground-breaking aircraft

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and Michael Baggott booked a flight to the Orient.

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You have got the obligatory depiction of Mount Fuji

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in the distance.

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And finally, we voyage to Falmouth, where we held our valuation day

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at the National Maritime Museum Cornwall.

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And below the display of hanging flotilla,

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Caroline Hawley stumbled across a story with a royal connection.

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-My father's brother was a Harley Street eye specialist...

-Right.

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..and he treated some members of the Belgian royal family.

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And back here at Dumfries House, I will be finding out why

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this bookcase is one of the most valuable pieces in the world.

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And I will give you a clue - it is all about who made it.

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But first, let's look at some of your valuables.

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When we visited the historic streets of the Milestones Museum

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in Basingstoke, James Lewis found a pair of items that

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took us back to the age of steam.

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I always thought it was Florence who was the Lady with the Lamp.

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But today we have got Carol, the Lady with TWO Lamps!

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The lady with... Yeah, right!

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So, railway, obviously.

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BR - British Rail - with an E in brackets for Eastern.

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-Oh, right.

-And Melton on this one.

-Yes.

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I thought it was Melton Mowbray in Leicestershire,

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but I think it is more likely to be Melton in Suffolk.

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I thought it was the name of the engine that it came off.

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-Oh, it could be. Good thinking.

-Yes.

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So, tell me, what do you know about them

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and how did you come to have them in the family?

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-I went to the Watercress Line at Alresford about 20 years ago.

-OK.

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They were restoring engines, steam trains.

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And they had a shed at the back

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-and they were selling off items to raise money for their funds.

-OK.

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So, I bought them. I think they were about £20 or £30 each.

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But I just liked them.

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I had a thatched cottage and I thought they'd go well in there.

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Yeah. Absolutely.

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-This is the more recent one.

-Oh, is it? Right, OK.

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-This is dating to about 1950, 1955, something like that.

-Really?

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And if we turn the lamp round, just have a look here,

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I think it is great the way that you just swing the handle

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and the cover automatically opens up.

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-Yeah, it is brilliant.

-A super design.

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On the plaque here it says,

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"Lamp Manufacturing & Railway Supplies Ltd, London, Welch Patent."

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This one, slightly earlier. I think this is a stationmaster's lamp.

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-Oh, right.

-And Melton station in Suffolk closed in 1955.

-Right.

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Then the burner inside - look - is Sherwoods of Birmingham.

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That Sherwoods patent lamp was used from 1948

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all the way through to the late '50s.

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But we've got a station name that closed in '55,

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-so it is going to be about 1950 or so, the date for the lamp.

-Right.

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-Looks a lot earlier than that.

-It certainly does.

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I thought it must be Victorian or something.

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So, in terms of value, this one is worth £30-£50,

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this one is worth £40-£60.

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-Right.

-If we said £60-£100 for the two.

-Yes, yes.

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-And a firm reserve of £60.

-That's fine.

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-If we didn't make that, you'd have them back.

-That's fine.

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-They've got to be worth that, haven't they?

-Oh, I think so!

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-Where would you get another one?

-Exactly.

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-Put them online, they'll sell.

-OK. Thank you.

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-"Online", get it?

-Online, yes, I did.

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-GROANS:

-Oh! Well done.

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Lamps were used on the railways and at stations

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when it started to get dark.

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They had a variety of functions,

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like providing signals on locomotives and rolling stock.

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A white lamp would be used at the front of the train

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and a red one at the rear.

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But most commonly, they were used as hand lamps by staff

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to light the way for passengers and signal to other workers.

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But we must now leave the world of the railway behind us

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and take to the skies.

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At the RAF Museum at Hendon in London, Michael Baggott did just that

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when he prepared for takeoff in possession of fragile cargo.

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Gerry, thank you so much.

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I spotted you in the queue with one of these lovely pair of vases.

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What do you know about them?

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They belonged to my late mother-in-law.

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We believe that she inherited them from her mother-in-law

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and we think they've been in the family since around

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the turn of the 20th century.

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That would be absolutely right for the date of them.

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What we're looking at are a pair of Japanese earthenware vases

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and they are generically called Satsuma ware.

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It starts to be produced in around 1850, 1860

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and it is typified by this very light, cream-coloured body

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that crazes amazingly,

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so you've got this sort of paving network of fine cracks.

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But then it continues to be produced into the Edwardian period,

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when a lot of couples were going to Japan for their honeymoon.

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And they would bring back souvenirs.

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The large makers would have factories

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producing wares for export.

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And then they would have home studios

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and that is very much where the artisan work took place.

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Now, you look at these and they're actually...

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..very detailed and quite breathtaking.

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You have got the birds and the flowers.

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You have got the obligatory depiction of Mount Fuji

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in the distance.

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And you have got lots of naturalistic scenes.

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But amazingly, these are the pieces made in the factory!

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-These are the lower class wares.

-Yeah.

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If we had a studio piece to compare it with,

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you would find that you would have the same sort of design and detail

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but it would be on a far more condensed scale.

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Any idea of what the value might be?

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We had a valuation a number of years ago,

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-which came out at about £150.

-Right.

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-They should be around £150 on a good day.

-Yep.

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I would be more comfortable if we went for, I'm afraid,

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our auctioneer's chestnuts, which is £80-£120.

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-Fine.

-I hate to do it, but I think we will do that,

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put a fixed reserve of £80 on them.

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But why have you decided to part with them now?

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Well, we inherited them from my mother-in-law

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and the house that we were living in at that time,

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they suited very well

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and then we moved and they don't suit where we are living so well.

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And of course, the other thing is that as you get older,

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you need far more care, looking after these sorts of things.

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So, we thought probably best to sell them

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whilst they are still in relatively good condition.

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Don't want to drop or chip one and then have to sell it.

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Absolutely not, no.

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-Well, thank you so much for bringing them in.

-Thank you very much.

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I think they will do very well on the day.

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-Thank you very much indeed.

-Thank you.

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Unlike Gerry's factory-produced vases,

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back at Dumfries House in Scotland, I have found an extraordinary item

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which is handcrafted instead.

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And it is right above my head.

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It is this incredible chandelier!

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It is an eight-arm branch which sits into this central receiver.

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But look closely - you can see this double air twist inside in blue.

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That is incredible. But when you look up,

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it really sets off this deep plaster relief ceiling.

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It casts shadows all over it.

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I love that. It is so right for this room.

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Now, this chandelier dates to 1760.

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It was made in Murano, a small glass-making island off of Venice.

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But it wasn't installed until 1907, when it was wired for electricity.

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So, here we have the earls keeping up with the times

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and installing the mod cons.

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They made other changes to the utilities as well.

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In 1817, right up to 1826, the house was replumbed

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and it had flushing loos - closets were installed.

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In 1867, they even built a Turkish bath.

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Sadly, that didn't survive

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but it was one of the first to be built in the country.

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But thankfully, the furnishings, the fixtures have survived

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and that is down to the generations of families that have lived here

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and have embraced what they've got and they've hung on to it

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so we can enjoy it.

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And over about at our valuation day at the equally gorgeous

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18th-century Ragley Hall in Warwickshire,

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Christina Trevanion found a striking bracelet

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that had also been in a family for generations.

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Michael, I love this. Look at this.

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All that glitters is gold on my table. It is wonderful!

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-It really is, yes. Thank you.

-Where has this come from?

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It is actually my mother's, my late mothers.

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-She died, unfortunately, at the end of August.

-I'm sorry.

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And so, I inherited it.

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It is something that has been in the family for, I guess,

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approximately 50 years.

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It was bought as a chain on its own

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-and then, gradually over the years, we've just added onto it.

-Yeah.

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Which is the one that is most poignant for you?

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Which is the one that you like?

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-I think this one here, which is the steering wheel.

-Ah, yes.

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My mum didn't pass her driving test till she was in her late 30s.

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-Oh, wow.

-And how she passed first time, we never knew.

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-Oh, really?

-SHE LAUGHS

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-Was she not a good driver?

-I don't think so, anyway.

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You wouldn't get into the car with Mum?

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Oh, splendid.

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Not only have we got the nine-carat gold chain,

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but we have also got, which is quite important,

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a 22-carat gold wedding band there.

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-That is my grandmother's.

-That is Granny's wedding ring?

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-My grandmother's wedding ring, yes.

-That was Mum's mum?

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-Yep, that's correct.

-Wonderful.

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And then we have also got a full sovereign here.

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Sovereigns have the portrait of the monarch on the back of them.

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And we've got a Queen Victoria, a Jubilee head, which is dated...

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What is it dated there? 1888.

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-Right.

-So, a nice Victorian one there.

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And also a half sovereign over here, which is dated 1908,

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-so that will be an Edward VII one.

-Right, OK.

-OK.

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-Obviously, that helps really boost the gold content in there.

-Right.

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We have got a little bit of damage going on here, haven't we?

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Did Mum wear it a lot?

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Really only for special occasions.

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A lot of people say to me they're quite a pain to wear

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cos they are really quite dangly, aren't they?

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-They get caught in jumpers and things.

-They are indeed.

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I mean, she used to wear it over her clothing, as you rightly said,

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-because if you put it underneath...

-It would catch on everything.

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All the time. Yes, absolutely.

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That doesn't surprise me, bless her. She wasn't alone, don't worry.

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-THEY LAUGH

-Nonetheless, it is still

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really quite a valuable thing.

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-We would want to sell it as one.

-Yes.

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And we would want to offer it with an estimate of sort of £600-£800.

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Blimey!

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-Is that all right?

-Crikey. It is, yeah.

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-HE LAUGHS

-Are you OK?

-Yes, yes!

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-It is a bonus, isn't it?

-Fantastic.

-Absolutely, yeah.

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Gold price obviously does fluctuate daily.

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The valuation is very much dependent on that.

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But I think at the moment, if we say £600-£800

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with a firm reserve of £600, would you be happy with that?

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Yes, yes. It is something that if I didn't, it would sit in a cupboard.

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-Yeah.

-And I want the family to get enjoyment.

-Right.

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And that is what I want to happen.

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So, how will the family get enjoyment of this money?

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-Got a property in Spain.

-Oh, lovely.

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-It was my mum's old house.

-Oh, fantastic.

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It is a villa and so, we would invest back into the villa

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and then all the family can benefit from it.

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-That's what my mother would want.

-Fantastic.

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Well, we will transfer it into a holiday fund for the villa.

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Thank you so much for bringing it in.

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-It's been a real pleasure to see.

-OK.

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-Best of luck.

-Thank you very much.

-Thank you.

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And that is it for our first batch of items as now it's time to find out

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if they made our owners very happy when they went under the hammer.

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-230...

-Remember, whenever you are buying or selling at auction,

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there is always commission and VAT to pay.

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Gerry's Satsuma vases were lower-class factory-produced wares,

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but their decoration was

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incredibly detailed

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and I thought they were

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rather exquisite.

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This gold charm bracelet

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had wonderful memories

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from Michael's mother

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and grandmother.

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And Carol's lamps bore

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the names of bygone stations

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and harked back to another era.

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They were the first items to leave our auction luggage,

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as we took the pair to Andrew Smith & Son near Winchester.

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And Andrew Smith was on the rostrum.

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£50.

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Well, this next lot is bound to light up the saleroom.

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We have two railway lamps - I love these - from the 1950s.

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-Carol, it is great to see you. Who's this?

-My husband, Michael.

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-Michael.

-Hello, nice to meet you.

-Were these yours?

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-I used to use them before we got electric at home.

-THEY LAUGH

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-So, you don't mind selling them?

-No, no.

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There's a lot of people that collect this kind of stuff.

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-Specialist auctions as well, isn't there?

-Yeah, yeah, yeah.

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And there's internet sites, there's all sorts of groups

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that meet together, railway enthusiasts.

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-They love this kind of thing.

-Yeah.

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Let's find out what the bidders think. Good luck, both of you.

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The Welch Patent railway lamp. Start with £60. £60.

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Do I have 50 here? £50 to start.

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£50, surely.

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£50 we have, thank you. And 5.

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At £50, 55, 60.

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And 5. It is 60 on the net.

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Is there a 5? At £60, then.

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We are selling at £60 and selling on the net, if you're all done.

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-Well done. James was spot-on.

-Thanks, James.

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And hopefully to a good collector.

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-Yes, somebody who will love them.

-They will. They will.

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-Because they have the look. It is nostalgia, isn't it?

-It is.

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Next, we headed to Chiswick Auctions in London,

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where Gerry's pair of Satsuma vases went under the hammer.

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On the rostrum was auctioneer William Rouse.

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Sadly, Gerry cannot be with us, he's away skiing,

0:16:190:16:22

but we have his daughter Sophie.

0:16:220:16:23

-Great to see you. Thanks for standing in.

-My pleasure.

0:16:230:16:26

It is the Satsuma vases your family inherited.

0:16:260:16:28

-Yes, it is.

-So, he's flogging off your inheritance before you get it.

0:16:280:16:31

I know. As long as I get some money, I don't mind.

0:16:310:16:33

-Do you like these things?

-I do.

0:16:330:16:35

-I remember them in my grandma's house.

-Could you live with them?

0:16:350:16:38

They don't really go with my house style, but they are nice vases.

0:16:380:16:41

-Good things, aren't they?

-Yes.

0:16:410:16:43

19th-century, they should sell, shouldn't they?

0:16:430:16:45

They are big for their money. I mean, you get a lot of vase.

0:16:450:16:48

-Quite showy.

-Yeah. We'll see.

-OK, good luck.

0:16:480:16:51

-OK, thank you.

-Ready for this?

-Yes.

-Here we go.

0:16:510:16:53

577 is a pair of late 19th-century Satsuma pottery vases.

0:16:530:16:57

What are they worth? £50?

0:16:570:16:59

50 is bid, 55, 60, 5,

0:16:590:17:02

70, 5, 80, 5, 90, 5,

0:17:020:17:07

100.

0:17:070:17:09

No? £100. 110 on the internet now.

0:17:090:17:13

120, 130 here.

0:17:130:17:15

At 130 on the internet.

0:17:150:17:17

135 I am bid.

0:17:180:17:20

-An extra fiver.

-140.

0:17:200:17:22

You're out. At 140 we go, 140.

0:17:220:17:26

That is actually a really good result for those.

0:17:260:17:29

-Very pleased. Maybe that market is on the turn now.

-Yeah.

0:17:290:17:32

-But they were a good decorator's lot anyway.

-Yes.

0:17:320:17:34

Good decorator's lot. You get a lot for your money.

0:17:340:17:36

-OK.

-Thank you for bringing them in.

-OK, it was a pleasure.

0:17:360:17:39

And I hope Gerry was happy with that result too.

0:17:390:17:42

Finally, we headed north to Stratford-upon-Avon to sell

0:17:440:17:46

Michael's gold charm bracelet at Bigwood Fine Art Auctioneers.

0:17:460:17:51

Stephen Kaye was on the rostrum.

0:17:510:17:53

Good luck, Michael. It is the moment of truth.

0:17:530:17:55

What is the price of gold today? We will find out. It does change a lot.

0:17:550:17:58

But this won't be sold for melt, will it? Definitely not.

0:17:580:18:01

No, you've got some sovereigns on there, some half sovereigns.

0:18:010:18:03

-Lovely little charms.

-Yes, indeed.

-Yes, exactly.

0:18:030:18:06

-OK, good luck. Here we go, it is going under the hammer.

-Best of luck.

0:18:060:18:08

Lot number 120 is the hollow curb link bracelet

0:18:080:18:11

with all those interesting charms on it.

0:18:110:18:14

I have got some bids here on the book

0:18:140:18:16

and I can start here at £600.

0:18:160:18:19

Anybody else interested?

0:18:190:18:20

-Gosh.

-I have got £600, I'm going to sell it.

-Come on.

0:18:200:18:23

So, anybody give me 610?

0:18:230:18:24

-Sold.

-Very pleased.

-Thank you for bringing it in.

0:18:260:18:28

Thank you for helping me. Thank you very much indeed.

0:18:280:18:31

-It was a close one!

-Yeah!

0:18:310:18:32

Hoo! Hoo! Hoo!

0:18:320:18:34

What a fantastic result for Michael.

0:18:340:18:36

And what a great result for all of our owners so far.

0:18:360:18:39

We will be returning to the auctions later on.

0:18:390:18:42

Back at Dumfries House,

0:18:500:18:52

I'm indulging in one of my greatest passions -

0:18:520:18:54

the finest antique furniture created by Thomas Chippendale,

0:18:540:18:57

the Shakespeare of furniture makers.

0:18:570:18:59

Now, I know I have mentioned Thomas Chippendale on the show before,

0:19:010:19:04

but he is incredibly important in the history of British furniture making.

0:19:040:19:09

In no small part because he is the first cabinet-maker to publish a book

0:19:090:19:12

on his designs - The Gentleman And Cabinet-Maker's Director.

0:19:120:19:17

The first edition of the book had 161 engravings

0:19:170:19:20

of fashionable furniture designs which patrons could choose from,

0:19:200:19:24

and it acted as a patent book for those designs.

0:19:240:19:27

And it is impossible to visit Dumfries House without

0:19:290:19:32

immersing yourself in their vast Chippendale collection.

0:19:320:19:35

When furnishing the newly-built Dumfries House,

0:19:430:19:46

the 5th Earl of Dumfries gave the relatively unknown

0:19:460:19:49

Thomas Chippendale his first major order.

0:19:490:19:52

Consequently, this stately home boasts the largest collection

0:19:520:19:56

of early Chippendale you will find anywhere in the world.

0:19:560:20:00

Chippendale's work is also known for its graceful design.

0:20:020:20:06

His furniture is characterised by solidity without heaviness.

0:20:060:20:10

His early pieces, like these here at Dumfries House,

0:20:100:20:13

were in the rococo style, which was symbolised by curves,

0:20:130:20:16

ornate carving and featured the use of gold.

0:20:160:20:20

What may surprise you about Chippendale -

0:20:200:20:22

he wasn't just responsible for the so-called brown furniture.

0:20:220:20:25

He also designed and supplied the fire screen there,

0:20:250:20:29

the wonderful rococo pelmets up there - the matching three pelmets -

0:20:290:20:34

the pair of chinoiserie pier glasses,

0:20:340:20:37

not to mention attention to detail - these curtain tiebacks.

0:20:370:20:42

So, you can see what I am getting at here.

0:20:420:20:44

He had control of all of the interior design.

0:20:440:20:48

He made sure things sat in harmony and they worked really well together.

0:20:480:20:53

'To find out more about Chippendale's relationship with Dumfries House,

0:20:570:21:00

'I'm meeting curator Charlotte Rostek.'

0:21:000:21:02

How did the 5th Earl come across Chippendale in the first place?

0:21:020:21:06

-Was it through the book?

-Well, he didn't have a book himself,

0:21:060:21:10

but the book was possibly talk of the day in Scotland in particular.

0:21:100:21:14

One interesting fact is that the subscribers list

0:21:140:21:17

to the original edition - the 1754 book - 25% were linked

0:21:170:21:22

-to The Royal and Ancient Golf Course in St Andrews.

-Ah.

0:21:220:21:25

-And that's a very interesting thing, I think.

-Yes.

0:21:250:21:27

Just imagine those gentlemen playing golf at the weekend

0:21:270:21:30

and referring to this wonderful new pattern book

0:21:300:21:33

which had just come out and they were discussing it.

0:21:330:21:36

But also Chippendale had a Scottish business partner, James Rannie.

0:21:360:21:40

Perhaps a lesser-known fact -

0:21:400:21:41

Rannie came from Leith and he invested into the book.

0:21:410:21:45

He made the publication of this pattern book possible

0:21:450:21:48

and he also made it possible for Chippendale to set up his workshop.

0:21:480:21:52

This has to be my favourite piece in the collection

0:21:520:21:54

because I think it's understated,

0:21:540:21:56

it's a proper gentleman's piece, it's a work piece.

0:21:560:21:59

And the best thing is, I think, that, actually,

0:21:590:22:01

it relates directly to the design.

0:22:010:22:03

And, of course, you had options.

0:22:030:22:04

-You could have the drawers on both sides...

-Sure.

0:22:040:22:06

..and then this on the other two sides.

0:22:060:22:08

It's not to be taken completely literally.

0:22:080:22:10

-It's brilliant.

-Absolutely amazing.

0:22:100:22:12

I can understand how this piece was picked out for this room.

0:22:120:22:14

-It sits beautifully.

-Yeah.

0:22:140:22:16

How did he choose other pieces for the other rooms?

0:22:160:22:18

So, the Chippendale furniture,

0:22:180:22:20

which he must have seen in the workshop in London,

0:22:200:22:23

it was bought from stock that was all there.

0:22:230:22:26

Dumfries House was built in the 1750s

0:22:260:22:28

at a time when the rococo style was very much in vogue in Britain.

0:22:280:22:33

The house is Palladian,

0:22:330:22:35

-but there are these wonderful plaster ceilings.

-Sure.

0:22:350:22:37

The rococo plaster ceilings. Beautiful.

0:22:370:22:39

So, the Chippendale furniture

0:22:390:22:41

must have immediately struck a chord stylistically

0:22:410:22:43

because it's playful, it's naturalistic,

0:22:430:22:45

-it has that rococo exuberance.

-Yeah, it does.

0:22:450:22:48

And I literally think he could not resist

0:22:480:22:50

and he bought over 50 pieces straight off.

0:22:500:22:53

This type of furniture also has a showy note.

0:22:530:22:56

-There's a bit of showmanship here.

-Sure.

0:22:560:22:58

The house, when you think about the public rooms in particular,

0:22:580:23:01

it's all about parading.

0:23:010:23:02

You're parading your wealth, your choice pieces, your taste

0:23:020:23:07

-and everybody is incredibly impressed...

-Yeah.

0:23:070:23:09

-..with who you are and what you have.

-Yeah.

0:23:090:23:11

I think we should promenade, don't you?

0:23:110:23:13

-Let's go on a tour.

-What a good idea. Let's go.

0:23:130:23:15

The pink dining room is the one room which is furnished today

0:23:160:23:20

almost exactly how the 5th Earl of Dumfries

0:23:200:23:23

originally decorated it.

0:23:230:23:25

And it contains some stunning examples of Chippendale's work,

0:23:250:23:29

such as the ornate girandoles,

0:23:290:23:31

which were wall-mounted candlestick holders.

0:23:310:23:33

They're probably the most flamboyant pieces.

0:23:340:23:37

I love them. They're my favourites.

0:23:370:23:38

Yeah, it's not about the mercury plate glass there, is it?

0:23:380:23:41

-It's about the rococo frame.

-It is.

0:23:410:23:44

It's just sheer exuberance and playfulness.

0:23:440:23:46

The wine cooler?

0:23:460:23:47

Yeah, the wine cooler is actually part of the second order

0:23:470:23:51

that Lord Dumfries got from Chippendale.

0:23:510:23:53

And if you look at it with its fluted and tapering leg,

0:23:530:23:56

-we've already moved away from the rococo style.

-Mm-hm.

0:23:560:23:59

-This is the beginning of the neoclassic style.

-Yeah.

0:23:590:24:02

-And that just throws into relief the rococo collection...

-Sure.

0:24:020:24:04

..and just how short-lived that style was

0:24:040:24:06

and how precious the body of furniture is

0:24:060:24:08

that we have here from Chippendale.

0:24:080:24:10

Chippendale's furniture was made in the centre of London

0:24:100:24:12

in St Martin's Lane. That's close to the dock,

0:24:120:24:15

so I'd imagine it would be shipped up here.

0:24:150:24:16

-Shipped up, yes.

-Yes.

-Chippendale took great care

0:24:160:24:19

and we've got a wonderful letter surviving.

0:24:190:24:21

I can show you that here.

0:24:210:24:22

-These are copies of the letter?

-This is a copy of the letter, yes.

0:24:220:24:25

So, it's directly addressed to Lord Dumfries.

0:24:250:24:28

"The contents of each case, with proper directions,

0:24:280:24:32

"are given to a person who goes to put up the furniture."

0:24:320:24:36

So, he's going to be a very helpful bloke

0:24:360:24:38

and he's going to help you set it all up in situ here.

0:24:380:24:41

Sure. And unpack very, very carefully.

0:24:410:24:43

Unpack very carefully.

0:24:430:24:44

But it's a wonderful service

0:24:440:24:45

and perhaps rather better service than we are accustomed to today.

0:24:450:24:48

-Than you get today.

-Yeah.

0:24:480:24:50

What's so wonderful about the furniture you have here -

0:24:500:24:53

it's got great provenance. It has the letters,

0:24:530:24:55

it has the receipts and the bills, you know.

0:24:550:24:58

-We have indeed.

-That's incredible.

-The archives are incredible.

0:24:580:25:01

And literally, the six-part Chippendale and Rannie bill

0:25:010:25:05

lists every single piece

0:25:050:25:06

of the 50 pieces of furniture that we have here.

0:25:060:25:09

So, you can identify every single one of the elbow chairs,

0:25:090:25:12

-the bed, the bookcase - you name it.

-Yeah.

0:25:120:25:14

And here, we've got the girandoles

0:25:140:25:16

and they are listed on the bill - 24 pounds and ten shillings.

0:25:160:25:20

-Bargain.

-They're an absolute steal.

0:25:200:25:23

Finally, I've left the best until last -

0:25:260:25:28

the piece de resistance of Chippendale's collection...

0:25:280:25:31

..this breathtaking bookcase.

0:25:320:25:34

Well, it's a bookcase in name, but I tell you what,

0:25:350:25:38

it is multifunctional because it's a display case.

0:25:380:25:40

This would have housed the finest porcelain, books and wigs.

0:25:400:25:45

And believe it or not, there's a clothes-press in here.

0:25:450:25:48

Now, this had a presale offer back in 2007

0:25:480:25:54

of £12 million.

0:25:540:25:57

That was offered to Christie's.

0:25:570:25:58

It's believed, if it did go under the hammer,

0:25:580:26:01

it would have realised somewhere in the region of £20 million.

0:26:010:26:06

It has to be one of the world's most expensive pieces of furniture.

0:26:060:26:09

No expense has been spared here.

0:26:090:26:12

There's wonderful, wonderful variegated hues

0:26:120:26:15

when you look at the marquetry.

0:26:150:26:17

Now, that is an incredible job within itself.

0:26:170:26:20

There's half a dozen different trades here

0:26:200:26:22

all working to create one dynamic piece.

0:26:220:26:26

It's the most beautiful carving carved out of solid pieces of wood.

0:26:260:26:29

Look at that. Hand-blown glass.

0:26:290:26:31

All hand-flattened as well. Beautifully glazed.

0:26:310:26:35

And even the casting details of the handles.

0:26:350:26:37

There's not one fault with this.

0:26:370:26:39

And I tell you what, it's as good today as it was

0:26:390:26:42

when it was first delivered to Dumfries House.

0:26:420:26:45

Watch this. Listen to the drawers. Look at that.

0:26:450:26:48

DRAWER OPENS QUIETLY

0:26:480:26:50

How about that for a drawer that runs so truly?

0:26:500:26:53

No squeaking or wobbling there.

0:26:550:26:58

That's why that's one of the world's most expensive pieces of furniture.

0:26:580:27:02

Now we continue our tour of the country

0:27:090:27:11

as we return to Basingstoke, to the Milestones Museum,

0:27:110:27:15

which was full of vintage vehicles from around Hampshire,

0:27:150:27:18

including a bus which Nick Davies commandeered.

0:27:180:27:22

Well, Anne, here we are on this open top bus

0:27:220:27:24

with a lovely piece of silver in front of us.

0:27:240:27:26

I feel like we've won the FA Cup.

0:27:260:27:27

We should have crowds of people down there screaming at us.

0:27:270:27:30

It's a beautiful piece.

0:27:300:27:31

Tell me, where did you get it from and how long have you had it?

0:27:310:27:34

Well, I've had it about 30 years

0:27:340:27:37

-and it was originally my grandparents'...

-Right.

0:27:370:27:40

..who handed it down to my parents - my father -

0:27:400:27:43

and my father handed it down to me.

0:27:430:27:45

-Lovely. A solid history.

-Yes.

0:27:450:27:48

Now, it looks very clean. Have you been busy?

0:27:480:27:51

I've been very busy, yes. I thought it might take quite a while to do,

0:27:510:27:54

so I thought I'd start on Monday and work through the week on it.

0:27:540:27:57

-It looks immaculate.

-Yes.

-You've worked very hard.

-Yes.

0:27:570:28:00

It's an epergne, which is French for the word saving.

0:28:000:28:03

So, generally, they held baskets of sweetmeats round the table

0:28:030:28:07

to save someone getting up and going to fetch them.

0:28:070:28:10

They adapted them for candles and flowers

0:28:100:28:12

and this is obviously flowers with four trumpet vases in it.

0:28:120:28:15

And it's by a company called Josiah Williams of London.

0:28:150:28:18

You've got the London hallmark there, which is 1901.

0:28:180:28:21

You've got the leopard's head and the date letter there

0:28:210:28:23

and the maker's mark as well, so full hallmarks.

0:28:230:28:25

Where was it before you cleaned it?

0:28:250:28:27

-It was on my sideboard for many years...

-Right.

0:28:270:28:31

..and then it went up in the loft and it's been up in the loft

0:28:310:28:33

for about the past, ooh, four, five years.

0:28:330:28:35

-Something like that.

-Four, five years?

-Yes.

0:28:350:28:37

-Up there feeling sorry for itself?

-Feeling sorry for itself.

0:28:370:28:40

So, how come you want to sell it now?

0:28:400:28:42

Well, I'm selling it because I have two children.

0:28:420:28:45

It's not the sort of piece

0:28:450:28:48

that I think fits in with their lifestyle

0:28:480:28:51

-and it is quite a commitment to keep it clean.

-Yes.

0:28:510:28:54

-So, it seems the right thing to do.

-I mean, you're right.

0:28:540:28:57

The filigree work is just beautiful.

0:28:570:28:59

It's all cut out and pierced work and it is difficult to clean.

0:28:590:29:02

But it's also in great condition because often,

0:29:020:29:05

while people clean these, they get the cloths caught.

0:29:050:29:07

I tend to use a little old toothbrush

0:29:070:29:09

just with soft bristles to get in between rather than the cloth

0:29:090:29:11

where you might pull some of the silverwork out.

0:29:110:29:14

But beautiful. Beautiful. Great condition.

0:29:140:29:16

Value, then, I suppose, are we?

0:29:160:29:18

Well, I would be interested to know how much it is.

0:29:180:29:21

-I would put it in auction at £400-£600.

-Oh, right.

-OK?

0:29:210:29:24

-Are you happy with that?

-Yes, I am.

-Excellent. Excellent.

0:29:240:29:27

They're not as popular as they were.

0:29:270:29:29

The way people dine and eat is a little bit less formal now

0:29:290:29:32

and I think these have taken a little bit of a hit, to be fair.

0:29:320:29:35

But it's such a nice example.

0:29:350:29:37

I'm sure it'll be fine on the day in the saleroom.

0:29:370:29:39

-Will there be a reserve on it?

-I think so.

0:29:390:29:41

I think we'll put a reserve of £400.

0:29:410:29:43

A little bit of discretion, but let's be fairly tight on it.

0:29:430:29:46

-Is that OK with you?

-That sounds good, yes. Lovely.

0:29:460:29:48

Fingers crossed we'll have a good day.

0:29:480:29:50

-Oh, thank you.

-That's a pleasure.

0:29:500:29:51

Later in the show, we'll find out if Nick's valuation was on the money.

0:29:510:29:56

But first, we're revisiting the RAF Museum in Hendon,

0:29:560:30:00

where Michael Baggott found a marvellous chair

0:30:000:30:02

which belonged to Smruti.

0:30:020:30:04

Paul must be green with envy that I've got my hands on this first.

0:30:040:30:09

How did you come by it?

0:30:090:30:11

I purchased it in 2004 from an elderly lady of age 90.

0:30:110:30:17

-She was downsizing.

-Oh, marvellous.

0:30:170:30:20

So, had she had it for years and years?

0:30:200:30:23

She used to own an antiques shop in Northampton.

0:30:230:30:27

Oh, how wonderful.

0:30:270:30:28

So, what appealed to you about the chair?

0:30:280:30:31

Well, my mother wasn't keeping good health

0:30:310:30:33

and she always complained.

0:30:330:30:35

She sat next to the radiator and she was always asking,

0:30:350:30:38

"Do you have anything?" so she can warm her back.

0:30:380:30:42

And then I saw this and I thought, "This is ideal."

0:30:420:30:44

-There's nothing more comfortable...

-Exactly.

-..than an antique chair.

0:30:440:30:48

-Exactly.

-Let's look at the style of it first.

0:30:480:30:51

We've got this wonderful scroll arm to it.

0:30:510:30:54

If we turn it to the side, got that lovely sweptback sabre leg

0:30:540:31:00

and that very much comes in in about 1805

0:31:000:31:03

and continues throughout the 19th century on chairs.

0:31:030:31:07

And if we turn it back round,

0:31:070:31:08

the thing you're immediately struck by

0:31:080:31:12

on this wonderful mahogany carcass is all this superb marquetry inlay.

0:31:120:31:17

It's very much in the Dutch taste.

0:31:170:31:19

At the beginning of the 19th century,

0:31:190:31:21

there's a revival of all this marquetry

0:31:210:31:24

and this is just a wonderful example of a purely early-19th-century shape

0:31:240:31:29

with purely late-17th-century decoration on it.

0:31:290:31:33

If we look closely, there are a couple of faults.

0:31:330:31:38

We've had little breaks to the arms, which have been pegged at the back

0:31:380:31:43

and we've had a little break there.

0:31:430:31:45

But I think the problem with pieces of furniture like this

0:31:450:31:49

if they're a little damaged is that people over-restore them

0:31:490:31:52

and in doing that, they try and make it all look original,

0:31:520:31:56

but they strip away all this delicious surface patination.

0:31:560:32:00

That's only occurred by 180, 200 years of people handling it.

0:32:000:32:06

Very good 19th-century furniture is very affordable at the moment.

0:32:060:32:12

And there's something wrong with people

0:32:120:32:14

because they go to shops and buy it new

0:32:140:32:16

and they don't go to auctions where they should go.

0:32:160:32:19

Can I ask you, back in 2004, what did you pay for it?

0:32:190:32:23

£150.

0:32:230:32:25

Well, back then, that was extremely good

0:32:250:32:28

'cause it was more popular then.

0:32:280:32:30

Really, at auction...

0:32:300:32:32

..even though it's a single, sort of not part of a set,

0:32:330:32:36

we should be looking at about £200-£300

0:32:360:32:39

-with a fixed reserve of 200.

-Good.

0:32:390:32:41

But why now, after more than ten years,

0:32:410:32:45

have you decided to part with it?

0:32:450:32:47

Well, it is sitting in my sitting room doing nothing...

0:32:470:32:50

-Yes.

-..and I don't want it to go to waste.

0:32:500:32:52

Somebody else can use it wisely.

0:32:520:32:55

Well, it's a marvellous thing to boot.

0:32:550:32:57

We'll put it into the auction

0:32:570:32:58

and let's hope we get towards the top end of that

0:32:580:33:01

-because it deserves to make that sort of money.

-I hope so.

0:33:010:33:04

-Thank you so much for bringing it in.

-Thank you.

0:33:040:33:07

A gorgeous piece of furniture with a wonderful patina.

0:33:090:33:12

The interiors here at Dumfries House scream opulence.

0:33:190:33:23

Just look at this richly decorated room

0:33:230:33:25

with its wonderful touches of gold gilt.

0:33:250:33:27

At our valuation day in Falmouth,

0:33:270:33:29

something equally sumptuous caught Caroline Hawley's eye.

0:33:290:33:32

Jenny, this is lovely.

0:33:390:33:41

Now, tell me what you know about it

0:33:410:33:43

and how you have come to be the lucky lady that owns this

0:33:430:33:46

-and not me.

-JENNY LAUGHS

0:33:460:33:48

Well, this belonged to my aunt who was also my godmother

0:33:480:33:52

and she was very close to me and she gave this to me before she died.

0:33:520:33:57

-How long have you had it?

-Since the 1980s.

-How lovely.

0:33:570:34:01

And is there any connection with France, Belgium?

0:34:010:34:04

Well, her husband, who was my father's brother,

0:34:040:34:07

-was a Harley Street eye specialist...

-Right.

0:34:070:34:10

..and he treated some members of the Belgian royal family,

0:34:100:34:13

so they spent a lot of time in Brussels.

0:34:130:34:16

And what date would that be?

0:34:160:34:18

Probably before or after the Second World War.

0:34:180:34:21

-Right.

-Around that time, yes.

0:34:210:34:23

What interests me about this, apart from everything,

0:34:230:34:26

-is I think it hails from probably France.

-Yes.

0:34:260:34:30

It's Art Nouveau in style. 1890, 1905.

0:34:300:34:35

-Ah, yes, could be.

-That sort of period.

-Yes.

0:34:350:34:37

Now, this enamelling here is known as plique-a-jour -

0:34:370:34:42

letting the light through.

0:34:420:34:44

And if I pick it up, it's like stained glass.

0:34:440:34:48

-Can you see how the light would shine through?

-Yes.

0:34:480:34:52

And that is really unusual. Very pretty.

0:34:520:34:56

If you can imagine how beautiful this would look

0:34:560:34:59

with some sunlight behind it when you're wearing it,

0:34:590:35:02

-when you're getting into the sort of almost flapper era.

-Yes.

0:35:020:35:05

-Absolutely gorgeous.

-Yes.

0:35:050:35:07

It's got a little bit of damage, which we can see here perfectly,

0:35:070:35:11

-but nothing to write home about.

-Only the chain.

0:35:110:35:15

And then finishing with this lovely piece of carved jade at the bottom.

0:35:150:35:19

-And it's so evocative of a bygone age.

-Yes.

0:35:190:35:23

-Have you worn it ever, Jenny?

-No, I really haven't, no.

0:35:230:35:26

But I look at it quite often

0:35:260:35:27

and I just think that the detail is so lovely. Yeah.

0:35:270:35:31

-And on a plain dress or blouse such as you're wearing...

-Yes.

0:35:310:35:34

-..that'd look stunning, wouldn't it?

-Yes.

0:35:340:35:36

Which brings me to value.

0:35:360:35:39

Now, I would think an estimate of £200-£300.

0:35:390:35:43

-That much?

-Yes, I would.

-Ooh, that's excellent.

0:35:430:35:46

-And that's allowing for that tiny bit of damage...

-Yes.

0:35:460:35:49

..which isn't going to cost a fortune to put right.

0:35:490:35:51

No, I wouldn't think so.

0:35:510:35:52

Would you like a reserve on it to protect it?

0:35:520:35:55

-I think that's a good idea, don't you? Yes.

-Yes, I do.

0:35:550:35:58

I mean, what if we put a fixed reserve of 180?

0:35:580:36:01

-That would be good, yes.

-Would you be happy with that?

-Very happy.

0:36:010:36:04

I think somebody would be more than happy to buy that.

0:36:040:36:06

-Thank you very much.

-Oh, well, thank you for bringing it.

0:36:060:36:09

-It's made my day.

-Good. I'm pleased.

-Wonderful.

-Thank you.

-Thanks, Jenny.

0:36:090:36:13

And it made my day too. A gorgeous piece.

0:36:140:36:16

Before we see how our second lots fare at auction,

0:36:200:36:22

there's something very special here at Dumfries House

0:36:220:36:25

that I want to show you and it's this.

0:36:250:36:27

It's called the grand orrery

0:36:270:36:28

and it's thought there's less than 100 of these still in existence.

0:36:280:36:32

It's a form of a planetarium -

0:36:320:36:35

a mechanical model of the solar system.

0:36:350:36:37

And if I turn this handle, look at that.

0:36:370:36:40

You can see the sun moving rather slowly.

0:36:400:36:42

You can see the earth revolving.

0:36:420:36:45

And you can see the moon revolving around the earth as well.

0:36:450:36:48

Now, this model dates to 1759,

0:36:480:36:52

so if you look over here, Saturn -

0:36:520:36:55

that's the farthest known planet at the time.

0:36:550:36:58

Uranus and Neptune hadn't been discovered back then.

0:36:580:37:03

What's interesting as well - if you look at the globe,

0:37:030:37:06

you can see there's no Antarctica.

0:37:060:37:08

That's not been charted.

0:37:080:37:09

And nor South Australia.

0:37:090:37:11

So, this is pre-Captain Cook as well.

0:37:110:37:15

This would have been the height of entertainment

0:37:150:37:18

for an incredibly rich person back in the 18th century.

0:37:180:37:22

They would have all mused over this with great delight -

0:37:220:37:26

mathematicians, scholars, astronomers.

0:37:260:37:30

And it works beautifully, but it didn't always.

0:37:300:37:32

The trust were keen to get this working again and you can see why.

0:37:320:37:36

The man who undertook the work

0:37:370:37:38

was the early technology restorer Michael Bennett-Levy.

0:37:380:37:42

It took him five weeks to clean every single part

0:37:420:37:45

to make it work beautifully.

0:37:450:37:47

And in order not to get every piece muddled up,

0:37:490:37:51

he separated them and put them in different Tupperware boxes

0:37:510:37:55

so he knew exactly where they'd come from.

0:37:550:37:57

He has done a brilliant job and I'm going to have one more go.

0:37:590:38:03

Let's hope the bidders were as taken with our owners' objects

0:38:050:38:08

as I was with that grand orrery.

0:38:080:38:10

So, the items we took to auction were...

0:38:100:38:13

..Smruti's 19th-century chair,

0:38:150:38:17

which was beautifully designed

0:38:170:38:19

with a wonderful patina

0:38:190:38:20

and it was built for comfort.

0:38:200:38:23

There was Jenny's enamelled Art Nouveau necklace,

0:38:230:38:25

which was crying out to be worn.

0:38:250:38:27

And finally, we hoped Anne's hours of polishing would pay off

0:38:290:38:33

when we headed back to Andrew Smith & Son near Winchester

0:38:330:38:36

to sell her silver epergne.

0:38:360:38:38

On the rostrum was Nick Jarrett.

0:38:420:38:44

Well, I think our next lot deserves to be in a stately home.

0:38:460:38:50

It is of that quality.

0:38:500:38:52

-It's that wonderful silver epergne and it belongs to Anne...

-It does.

0:38:520:38:55

-..who's looking rather stately as well.

-Oh, thank you.

0:38:550:38:57

Hey, maybe you've got that stately home, have you?

0:38:570:38:59

Well, no, not really.

0:38:590:39:01

I mean, it's got the look. I like it.

0:39:010:39:03

-I think this is a trade lot.

-Probably.

0:39:030:39:05

-I think a dealer will buy this because he knows his market.

-Yes.

0:39:050:39:08

He knows the person he's going to sell that to

0:39:080:39:10

and that will look fantastic in their house.

0:39:100:39:13

-I hope they enjoy it.

-Good luck.

-Thank you.

0:39:130:39:16

He said, "That's where it's going." We don't know. It's an auction.

0:39:160:39:19

Anything can happen. You know the game.

0:39:190:39:21

Let's put it to the test.

0:39:210:39:22

Lot 130 is this silver epergne here.

0:39:220:39:25

Good one to start. Williams & Co.

0:39:250:39:27

Now, I'm going to start you here to clear all bids at 280.

0:39:270:39:31

300 now.

0:39:310:39:32

And 20. 350. 380. 400 now.

0:39:320:39:36

At £400. And on the steps at 420, is it?

0:39:360:39:39

At £400. Nobody else in? Any more? At 400, that'll be done.

0:39:390:39:43

-It's gone.

-It's gone.

-Hammer's gone down.

0:39:440:39:46

-It found its value very quickly and you were spot-on.

-Spot-on.

0:39:460:39:49

-Yeah, good.

-It was quality.

-Yes.

-Quality.

0:39:490:39:50

-You've said goodbye to it now.

-I have now, yes.

0:39:500:39:52

What will you replace that with?

0:39:520:39:54

-Will you buy something for the house?

-No idea.

0:39:540:39:56

You're going to treat yourself, aren't you?

0:39:560:39:58

Staying in the south of England,

0:39:580:39:59

we revisited Chiswick Auctions in London,

0:39:590:40:02

where we hoped William Rouse could work his magic

0:40:020:40:05

on Smruti's 19th-century chair.

0:40:050:40:08

Do you know what? We need a sit-down,

0:40:080:40:10

but sadly, we can't sit on this chair.

0:40:100:40:11

This is just about to go under the hammer. I like this.

0:40:110:40:14

-It's beautiful, but...

-Stunning.

0:40:140:40:16

..it's on the cusp, isn't it, of taste at the moment?

0:40:160:40:18

-Yes.

-So, we'll see.

-Good luck with this.

0:40:180:40:20

We're going to find out what the bidders think right now.

0:40:200:40:22

672 is a Dutch marquetry chair. Start me at 150 for it.

0:40:220:40:26

For the chair, 150. 160. 170.

0:40:260:40:29

With me at 170 for the Dutch chair.

0:40:290:40:31

180, I'll take elsewhere.

0:40:310:40:34

-At £170.

-Come on. A bit more.

-170 it is with me, then.

0:40:340:40:39

At 170. Is that the best?

0:40:390:40:41

-170.

-GAVEL BANGS

0:40:410:40:44

-It didn't sell, Smruti.

-That's fine.

-I'm ever so sorry.

0:40:440:40:46

Look, it gets to go home with you and it's a lovely thing.

0:40:460:40:49

It's great quality.

0:40:490:40:50

And if you wanted someone to make you that chair today,

0:40:500:40:53

-you'd be talking thousands.

-It'd be £2,000.

0:40:530:40:56

-So, to let it go for £150...

-Is senseless.

0:40:560:40:59

-..is maybe the wrong thing to do.

-Yeah.

0:40:590:41:01

Hang onto it. It's a nice chair.

0:41:010:41:03

Ah. Hopefully, Smruti wasn't too disappointed.

0:41:040:41:07

There is always a different saleroom on another day.

0:41:070:41:10

Right, time for our last stop on today's show.

0:41:120:41:15

We headed back to my home county of Cornwall

0:41:150:41:17

to Jefferys Auctions in Lostwithiel.

0:41:170:41:20

Jenny's stunning silver jade and enamel necklace was up for sale

0:41:200:41:24

and auctioneer Ian Morris was wielding the gavel.

0:41:240:41:27

-Jenny, everybody loved your necklace at the valuation day.

-Oh, good.

0:41:280:41:31

That Art Nouveau look.

0:41:310:41:32

-Did you ever wear it?

-I didn't actually wear it.

0:41:320:41:35

I think if I'd had it when I was younger, I would have done.

0:41:350:41:37

-Mm.

-But I absolutely love it. It's so different.

0:41:370:41:40

-It epitomises that sort of Art Nouveau period.

-Yes. Yes.

0:41:400:41:43

Lovely quality.

0:41:430:41:45

I'm surprised that it's only £200, sort of at the lower end.

0:41:450:41:49

Well, I'm hoping it's going to exceed.

0:41:490:41:52

-We're going to find out right now.

-Yes.

-Good luck, everyone.

0:41:520:41:55

Fingers crossed. This is where it gets exciting.

0:41:550:41:57

Lot 513. It's a jade pendant. I have three bids on the books.

0:41:570:42:01

I've got to start at £200.

0:42:010:42:04

£200, I'm bid. At £200. At 220. 230. 240.

0:42:040:42:09

260. 280. 280, the bid is with you.

0:42:090:42:12

I'm out of the book. 300. 320. 340.

0:42:120:42:16

-360.

-This is more like it.

-400. 420.

0:42:160:42:19

420, lady's bid. 440. 460.

0:42:210:42:24

-480. 500.

-This is really good.

-540 there.

0:42:240:42:28

At 540. 560 now?

0:42:280:42:29

At £540.

0:42:290:42:31

-Quality, that's what we like to see.

-Oh, thank you so much.

0:42:320:42:34

-And you know what we say, don't you? Quality always sells.

-Yes.

0:42:340:42:37

Jenny, thank you for bringing that in.

0:42:370:42:39

-Thank you for helping me sell it.

-A gem.

-Yeah.

0:42:390:42:41

Well, sadly, that's it for today, but I tell you what,

0:42:470:42:49

I've had a great time exploring some of the riches of Dumfries House.

0:42:490:42:53

And you've shown us some of your treasures from across the country

0:42:530:42:56

and we've had some great results too

0:42:560:42:58

and that's what it's all about, especially Jenny's necklace.

0:42:580:43:01

I'm so pleased for her.

0:43:010:43:02

I hope you've enjoyed the show. Join us again soon for many more.

0:43:020:43:05

But until then, it's goodbye.

0:43:050:43:07

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