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Today, we're in Cambria and I'm in the Great Hall of Muncaster Castle. | 0:00:05 | 0:00:09 | |
Just outside of Ravenglass, this place is a real architectural gem. | 0:00:09 | 0:00:13 | |
Through here, if you follow me, that's the magnificent dining room. | 0:00:13 | 0:00:16 | |
Normally place-set with the finest family silver | 0:00:16 | 0:00:19 | |
but a special event is just about to take place. | 0:00:19 | 0:00:22 | |
And here's another clue, if you come in this room here, | 0:00:22 | 0:00:25 | |
the Drawing Room. | 0:00:25 | 0:00:26 | |
Well, you see generations of family portraits | 0:00:26 | 0:00:30 | |
adorning all the walls. Look at this! | 0:00:30 | 0:00:31 | |
And, crew setting up, making their final preparations, | 0:00:31 | 0:00:35 | |
because this is our magnificent | 0:00:35 | 0:00:37 | |
valuation day venue. | 0:00:37 | 0:00:40 | |
Welcome to Flog It! | 0:00:40 | 0:00:42 | |
Do you know, I got a cracking feeling we're going to be in for a really special day. | 0:01:07 | 0:01:10 | |
Just look at the size of the queue, everyone's happy, | 0:01:10 | 0:01:13 | |
the weather is fantastic and the view is so spectacular. | 0:01:13 | 0:01:15 | |
Over there is Scafell Pike, England's highest mountain, | 0:01:15 | 0:01:18 | |
measuring a whopping 978 metres! | 0:01:18 | 0:01:22 | |
And talking about big and great things, | 0:01:22 | 0:01:24 | |
just look at the size of this fantastic queue! | 0:01:24 | 0:01:26 | |
Hundreds of people have turned up today, | 0:01:26 | 0:01:28 | |
laden with antiques and collectables. | 0:01:28 | 0:01:31 | |
And they're here to challenge our experts to find out... | 0:01:31 | 0:01:34 | |
-ALL: -What's it worth? | 0:01:34 | 0:01:35 | |
Stay tuned and you'll find out. | 0:01:35 | 0:01:37 | |
Would everyone like to take one thing out for me? | 0:01:39 | 0:01:41 | |
Their star lot. | 0:01:41 | 0:01:42 | |
Only the very best will do for James Lewis. | 0:01:42 | 0:01:45 | |
You got some nice things today, folks. | 0:01:45 | 0:01:48 | |
And he's teamed up with Caroline Hawley... | 0:01:48 | 0:01:51 | |
-You've a bit of carnival glass? -Ah, yeah. | 0:01:51 | 0:01:53 | |
..who always knows what to do to bring out the best. | 0:01:53 | 0:01:55 | |
Hold it up to this lovely sunshine. | 0:01:55 | 0:01:57 | |
See, it's shining? | 0:01:57 | 0:01:59 | |
-It's from my grandma, you know? -Yeah? It's lovely. | 0:01:59 | 0:02:01 | |
Although, it doesn't stop them monkeying around | 0:02:01 | 0:02:03 | |
when they get together. | 0:02:03 | 0:02:05 | |
Hold that, | 0:02:05 | 0:02:06 | |
here we go. | 0:02:06 | 0:02:07 | |
Oh, wow! | 0:02:07 | 0:02:09 | |
I'm just going... | 0:02:09 | 0:02:10 | |
-See you! -Oh, right. | 0:02:10 | 0:02:12 | |
Now, let's get inside and get these valuations under way. | 0:02:13 | 0:02:17 | |
Now, there's a touch of class on today's show | 0:02:20 | 0:02:22 | |
with a dress fit for a ball. | 0:02:22 | 0:02:25 | |
That would move wonderfully as you danced. | 0:02:25 | 0:02:28 | |
And a decanter to dazzle a dinner party. | 0:02:28 | 0:02:31 | |
Well, I do know Disraeli was there. | 0:02:31 | 0:02:33 | |
Really? | 0:02:33 | 0:02:34 | |
-Yes! -Disraeli could have been served from this claret jug? | 0:02:34 | 0:02:37 | |
He could... | 0:02:37 | 0:02:38 | |
Quite possibly, yes. | 0:02:38 | 0:02:39 | |
And I take a trip on a Victorian steamboat | 0:02:40 | 0:02:43 | |
to find out what life was like on the lakes, | 0:02:43 | 0:02:45 | |
here in Cumbria! | 0:02:45 | 0:02:47 | |
BOAT HORN HONKS | 0:02:47 | 0:02:48 | |
The only thing left now is to take a bow. | 0:02:49 | 0:02:52 | |
I enjoyed that. | 0:02:53 | 0:02:55 | |
Enjoying yourselves? | 0:02:56 | 0:02:58 | |
-ALL: -Yes! -That's what it's all about. | 0:02:58 | 0:03:00 | |
We have taken over every room in the castle today. | 0:03:00 | 0:03:02 | |
So many people have turned up. | 0:03:02 | 0:03:04 | |
Here in the Drawing Room, we're surrounded by family portraits, | 0:03:04 | 0:03:06 | |
but also by owners laden with antiques and collectables. | 0:03:06 | 0:03:09 | |
James Lewis is at the table and he's just about to start his valuation. | 0:03:09 | 0:03:13 | |
Laura, let me take you back to a different era. | 0:03:14 | 0:03:18 | |
We're in the middle of Queen Victoria's reign. | 0:03:18 | 0:03:21 | |
-All right. -The date of this is 1867... | 0:03:21 | 0:03:25 | |
a long dining table, | 0:03:25 | 0:03:27 | |
string quartet in the corner. | 0:03:27 | 0:03:29 | |
The diners are all sitting there | 0:03:29 | 0:03:31 | |
with their black tie and dinner jackets. | 0:03:31 | 0:03:33 | |
And that is the type of scene that this would have graced. | 0:03:33 | 0:03:37 | |
It is a fantastic claret jug. | 0:03:37 | 0:03:40 | |
Is it something that you've used? | 0:03:40 | 0:03:42 | |
Not used, no. | 0:03:42 | 0:03:44 | |
But I remember it as a child. | 0:03:44 | 0:03:47 | |
It belonged to my father's side of the family. | 0:03:47 | 0:03:50 | |
It was his great-grandfather that purchased it, I should imagine. | 0:03:50 | 0:03:55 | |
They bought the Strand Hotel in 1850-something, | 0:03:55 | 0:03:58 | |
I can't remember the exact date. | 0:03:58 | 0:04:00 | |
OK, what sort of guests did they have? | 0:04:00 | 0:04:03 | |
-Well, I do know Disraeli was there. -Really? | 0:04:03 | 0:04:05 | |
-Yes! -Disraeli could've been served from this claret jug? | 0:04:05 | 0:04:08 | |
Quite possibly, yes. | 0:04:08 | 0:04:10 | |
Of that period? | 0:04:10 | 0:04:11 | |
-Yes. -How wonderful? That speaks volumes, doesn't it? | 0:04:11 | 0:04:14 | |
It was clearly a very good quality hotel. | 0:04:14 | 0:04:17 | |
Oh, yes, but I remember as a child, going to the hotel... | 0:04:17 | 0:04:21 | |
and Friday was silver cleaning day. | 0:04:21 | 0:04:25 | |
And occasionally, this was out to be cleaned. | 0:04:25 | 0:04:28 | |
So, how did you come to eventually own it? | 0:04:28 | 0:04:31 | |
Well... | 0:04:31 | 0:04:32 | |
at the end of the lifespan of the hotel, | 0:04:32 | 0:04:35 | |
back in the '70s, there were three spinsters who | 0:04:35 | 0:04:39 | |
were left with the hotel and they were getting on in years. | 0:04:39 | 0:04:43 | |
One of them died and so the other two decided to sell up. | 0:04:43 | 0:04:46 | |
-Oh! -And we had a big, fantastic clearance sale. | 0:04:46 | 0:04:51 | |
That happened to be in the sale and it all came flooding back to me. | 0:04:51 | 0:04:56 | |
And my father was with me and he said, | 0:04:56 | 0:04:58 | |
"You really liked that, didn't you?" | 0:04:58 | 0:05:00 | |
And I said, "Yes." | 0:05:00 | 0:05:01 | |
Next thing I knew, he'd bought it. | 0:05:01 | 0:05:03 | |
Aw, lovely. | 0:05:03 | 0:05:05 | |
And he said, "There you are. There's the present for you." | 0:05:05 | 0:05:08 | |
-Wonderful. -Yes. | 0:05:08 | 0:05:09 | |
In terms of quality, it doesn't get much better than this. | 0:05:09 | 0:05:13 | |
It's by a maker, Daniel and Charles Houle, | 0:05:13 | 0:05:16 | |
who are London makers, | 0:05:16 | 0:05:18 | |
and specialised in this near-Renaissance style. | 0:05:18 | 0:05:23 | |
You could imagine the shape, | 0:05:23 | 0:05:26 | |
almost on a Roman table. | 0:05:26 | 0:05:30 | |
But then when you apply the decoration, | 0:05:30 | 0:05:33 | |
it becomes more of a Renaissance style. | 0:05:33 | 0:05:35 | |
We've got these embossed flower heads | 0:05:35 | 0:05:39 | |
and scrolling foliage applied to the body. | 0:05:39 | 0:05:43 | |
The hallmark is up at the top, exactly where you want to see it, | 0:05:43 | 0:05:47 | |
just under the lip. And it hasn't rubbed at all. | 0:05:47 | 0:05:50 | |
It's in lovely condition. | 0:05:50 | 0:05:52 | |
I guess you want to know what it's worth? | 0:05:53 | 0:05:55 | |
-Yes, please. -Um... | 0:05:55 | 0:05:58 | |
I think we should put an estimate of... | 0:05:58 | 0:06:01 | |
£600 to £900. | 0:06:01 | 0:06:04 | |
I think it's a wonderful thing. | 0:06:04 | 0:06:06 | |
-That's fantastic. -It's lovely. | 0:06:06 | 0:06:09 | |
I would like to see a reserve of... | 0:06:09 | 0:06:12 | |
£550 as a safety net. | 0:06:12 | 0:06:14 | |
-Yes. -But, you know, it's a lovely thing to see. | 0:06:14 | 0:06:18 | |
And thank you so much for bringing it today. | 0:06:18 | 0:06:21 | |
-It's an absolute pleasure. -Thank you. | 0:06:21 | 0:06:23 | |
Muncaster Castle has been home to the Pennington family | 0:06:24 | 0:06:28 | |
since the 13th century. | 0:06:28 | 0:06:30 | |
And Iona and Peter are its current guardians. | 0:06:30 | 0:06:34 | |
The home underwent extensive remodelling over the decades, | 0:06:35 | 0:06:38 | |
and now houses an eclectic collection of antique furniture and paintings. | 0:06:38 | 0:06:43 | |
Here in the Drawing Room, there's a portrait I want to show you, | 0:06:45 | 0:06:48 | |
it's a full-length one of Iona's grandmother, Joan Ramstein. | 0:06:48 | 0:06:52 | |
And there you can see her, she's exquisite. | 0:06:52 | 0:06:54 | |
So beautiful, I love this painting. | 0:06:54 | 0:06:57 | |
It was painted in 1915. | 0:06:57 | 0:06:59 | |
Now, if you notice the ring on her finger, | 0:06:59 | 0:07:01 | |
the ruby up there and the buckles on her shoes, | 0:07:01 | 0:07:04 | |
well, they are a very important part of the family's collection. | 0:07:04 | 0:07:07 | |
Because they're still currently with the family | 0:07:07 | 0:07:09 | |
and they get used on special occasions. | 0:07:09 | 0:07:11 | |
And they're right here. | 0:07:11 | 0:07:13 | |
And this fantastic portrait is by the Hungarian artist, | 0:07:14 | 0:07:18 | |
Philip de Laszlo. | 0:07:18 | 0:07:19 | |
He's best known for his portraits of aristocrats and royalty, | 0:07:20 | 0:07:24 | |
including the Queen and the Queen Mother. | 0:07:24 | 0:07:26 | |
Well, I wonder if our experts can find some priceless treasures | 0:07:29 | 0:07:32 | |
to take off to auction. | 0:07:32 | 0:07:34 | |
Let's catch up with them! | 0:07:34 | 0:07:35 | |
Our style guru, Caroline, has found something | 0:07:36 | 0:07:39 | |
to send the ladies into a spin. | 0:07:39 | 0:07:41 | |
Joan, how wonderful is it to see these two lovely dresses? | 0:07:43 | 0:07:47 | |
Aren't they beautiful? | 0:07:47 | 0:07:48 | |
And they combine my favourite things - | 0:07:48 | 0:07:50 | |
fashion, France, antiques. | 0:07:50 | 0:07:54 | |
Tell me what you know about them? | 0:07:54 | 0:07:56 | |
I can certainly tell you that | 0:07:56 | 0:07:57 | |
once I used to be able to get into both of them, | 0:07:57 | 0:07:59 | |
but certainly no longer. | 0:07:59 | 0:08:01 | |
And I bought this one when I lived in London during the '80s. | 0:08:01 | 0:08:06 | |
And that one was given to me by a dear friend | 0:08:06 | 0:08:08 | |
who went to live in New York. | 0:08:08 | 0:08:10 | |
He actually felt it was too heavy to put in his suitcase to take. | 0:08:10 | 0:08:15 | |
-Which it is, it's very heavy. -How fortunate for you? | 0:08:15 | 0:08:18 | |
So, he gave it to me, which is lovely. | 0:08:18 | 0:08:19 | |
It's beautifully fitted. | 0:08:19 | 0:08:21 | |
1950s. It has the look, you know the Dior New Look shape? | 0:08:21 | 0:08:27 | |
So, it would give you a tiny waist and when you walked, | 0:08:27 | 0:08:30 | |
it would just be wonderful. | 0:08:30 | 0:08:33 | |
I'm going to dream about this tonight, it's gorgeous. | 0:08:33 | 0:08:35 | |
-It felt very elegant wearing it. -I bet it did! | 0:08:35 | 0:08:38 | |
Did you wear it a lot? | 0:08:38 | 0:08:40 | |
Yeah, quite a bit. When I lived in London, | 0:08:40 | 0:08:42 | |
I used to go to the opera and to music and so on. | 0:08:42 | 0:08:44 | |
So, it was perfect, the little black dress with just a little bit extra. | 0:08:44 | 0:08:48 | |
And Jean Desses, Paris... | 0:08:48 | 0:08:51 | |
excellent make. | 0:08:51 | 0:08:52 | |
I've looked inside, I cannot see any labels. | 0:08:52 | 0:08:55 | |
It's not haute couture, | 0:08:55 | 0:08:57 | |
so it hasn't been made specially for anybody. | 0:08:57 | 0:09:01 | |
I think it's been pret-a-porter, so you'd go into a shop and buy it. | 0:09:01 | 0:09:05 | |
Nonetheless, you would pay a lot of money. | 0:09:05 | 0:09:07 | |
Now, the other dress, do you know that I would've worn that? | 0:09:07 | 0:09:11 | |
-I would've bought that, it's fabulous! -It's gorgeous, isn't it? | 0:09:11 | 0:09:15 | |
1950s... | 0:09:15 | 0:09:16 | |
puffball... | 0:09:16 | 0:09:18 | |
strapless... | 0:09:18 | 0:09:19 | |
boned. | 0:09:19 | 0:09:20 | |
Again, I used to wear this when I lived in London for parties. | 0:09:20 | 0:09:24 | |
And again, sadly, I can no longer get into it. | 0:09:24 | 0:09:26 | |
But it's great fun. | 0:09:26 | 0:09:28 | |
You know that would sell nowadays | 0:09:28 | 0:09:30 | |
for the girls where they want to wear them to the proms, parties... | 0:09:30 | 0:09:34 | |
anywhere. It's really interesting, if we look inside, | 0:09:34 | 0:09:38 | |
we've got a make here... | 0:09:38 | 0:09:40 | |
Ricci Michaels and nylon which it is. | 0:09:40 | 0:09:44 | |
You know, that's not a bad thing. | 0:09:44 | 0:09:46 | |
It's been retailed in Harrods. | 0:09:46 | 0:09:48 | |
-Yes. -So, it would've been a very expensive thing. | 0:09:48 | 0:09:51 | |
That would move wonderfully as you danced or just walked. | 0:09:51 | 0:09:55 | |
And then, it's got boning in the bodice, which is just as well. | 0:09:55 | 0:09:59 | |
-So, it wouldn't drop off as you were dancing. -Absolutely. | 0:09:59 | 0:10:02 | |
It really is lovely. | 0:10:02 | 0:10:04 | |
I don't know... | 0:10:04 | 0:10:06 | |
To give it a presales estimate, I would say £50-80. | 0:10:06 | 0:10:10 | |
But if we put a fixed reserve of £50, | 0:10:10 | 0:10:14 | |
are you happy with that? | 0:10:14 | 0:10:16 | |
-Yeah, that's fine. -Not to stop it getting lots more. | 0:10:16 | 0:10:18 | |
All right, OK. | 0:10:18 | 0:10:20 | |
Now, this one is a different kettle of fish. | 0:10:20 | 0:10:23 | |
I would think £300-500. | 0:10:23 | 0:10:26 | |
Yeah. Well, that one was a gift | 0:10:26 | 0:10:29 | |
to me and I think it's a work of art in its own right. | 0:10:29 | 0:10:32 | |
So, it's of sentimental value. | 0:10:32 | 0:10:35 | |
I think I'd probably want to keep that one. | 0:10:35 | 0:10:37 | |
But it's interesting to hear its value. | 0:10:37 | 0:10:40 | |
I don't blame you one bit, I think it's gorgeous. | 0:10:40 | 0:10:42 | |
Oh, wonderful! Thank you, you made my day. | 0:10:42 | 0:10:44 | |
Oh! Thank you very much. | 0:10:44 | 0:10:46 | |
It was a pleasure. | 0:10:46 | 0:10:48 | |
It's nice to see a touch of glamour being brought in. | 0:10:50 | 0:10:53 | |
Now, James has spotted something rather unusual. | 0:10:55 | 0:10:58 | |
Now, Lynn, Peter, I have to say this is about | 0:10:59 | 0:11:03 | |
as far from my comfort zone as is possible. | 0:11:03 | 0:11:07 | |
For me, I'm an old-fashioned sort of character, really. | 0:11:07 | 0:11:10 | |
So, tell me what you know. | 0:11:10 | 0:11:12 | |
We bought it from an antique shop in Melrose in Scotland, | 0:11:12 | 0:11:16 | |
last November. | 0:11:16 | 0:11:18 | |
And, originally, I thought they were just three plates | 0:11:18 | 0:11:21 | |
that I thought would look nice in my conservatory. | 0:11:21 | 0:11:23 | |
When I went to pick it up, I realised it was a light fitting. | 0:11:23 | 0:11:26 | |
And it was £15. | 0:11:26 | 0:11:28 | |
-OK. -Which I tried to reduce. | 0:11:28 | 0:11:31 | |
That's my game! | 0:11:31 | 0:11:33 | |
When I tried to reduce him, he said, | 0:11:33 | 0:11:34 | |
"I'm selling it on behalf of somebody else, he wants £15 for it." | 0:11:34 | 0:11:37 | |
"If you don't buy it, I'm buying it." | 0:11:37 | 0:11:39 | |
So then, I thought, alarm bells started ringing, | 0:11:39 | 0:11:41 | |
then I started to research and found out that it was Danish... | 0:11:41 | 0:11:46 | |
and, um, Soholm? | 0:11:46 | 0:11:48 | |
Yeah. If we turn it over and have a look on the reverse, | 0:11:48 | 0:11:52 | |
Um, there we go. The great thing about modern ceramics, | 0:11:52 | 0:11:56 | |
is it says a lot of it on the back, a lot of the time. | 0:11:56 | 0:12:00 | |
So, we've got Soholm, the factory... | 0:12:00 | 0:12:04 | |
And then see that S-T-E-N-T-O-I, Stentoi? | 0:12:04 | 0:12:10 | |
What that means... | 0:12:10 | 0:12:13 | |
..earthenware, stoneware. | 0:12:13 | 0:12:15 | |
It's incised. It's very much in the | 0:12:15 | 0:12:18 | |
Hans Coper and Lucie Rie style of pottery, | 0:12:18 | 0:12:22 | |
with these incised decoration and the colours that flow from them. | 0:12:22 | 0:12:26 | |
And... | 0:12:26 | 0:12:28 | |
I actually quite like it. | 0:12:28 | 0:12:30 | |
It's quite impressive when it's lit up. | 0:12:30 | 0:12:32 | |
-Yeah, lovely. -Quite impressive. | 0:12:32 | 0:12:34 | |
We've got holes behind that central disc, haven't we, just in here. | 0:12:34 | 0:12:38 | |
You can see the beams of light would shine out from behind there. | 0:12:38 | 0:12:42 | |
It also shines across these as well, obviously. | 0:12:42 | 0:12:45 | |
With the front plate being away from the back two, | 0:12:45 | 0:12:48 | |
the light also comes out the side | 0:12:48 | 0:12:50 | |
and does the same thing across all three. | 0:12:50 | 0:12:52 | |
-It's quite a clever piece of design, isn't it? -Yup. | 0:12:52 | 0:12:55 | |
And the great thing about it is it's very now. | 0:12:56 | 0:13:00 | |
Ten years ago, this would have been in a general sale in a box, | 0:13:00 | 0:13:05 | |
might've made £10 or £20. | 0:13:05 | 0:13:07 | |
At the moment, there's a massive fashion for antique furniture, | 0:13:07 | 0:13:12 | |
Danish, simple clean lines. | 0:13:12 | 0:13:15 | |
1960s, 1970s furniture. | 0:13:15 | 0:13:18 | |
And therefore, | 0:13:18 | 0:13:19 | |
the kids today... | 0:13:19 | 0:13:21 | |
the new money are looking for this sort of thing. | 0:13:21 | 0:13:24 | |
And we found a couple of them that have sold in auctions | 0:13:24 | 0:13:29 | |
and the two that we found made about £200. | 0:13:29 | 0:13:33 | |
If you'd put a £15 bet on and got a £200 return, | 0:13:33 | 0:13:35 | |
you'd be quite happy. | 0:13:35 | 0:13:37 | |
You would, you would. | 0:13:37 | 0:13:38 | |
Let's put £200-300 on it at the moment. | 0:13:38 | 0:13:41 | |
£200 reserve and see what you come up with on the day. | 0:13:41 | 0:13:44 | |
-All right. -All right, OK, that is fine. | 0:13:44 | 0:13:46 | |
Good luck. Let's hope we do well with it. | 0:13:46 | 0:13:47 | |
OK, thank you. | 0:13:47 | 0:13:49 | |
That goes to prove there are still bargains to be found. | 0:13:50 | 0:13:54 | |
Well, there you are, | 0:13:56 | 0:13:57 | |
our first three items found and we've been working flat out. | 0:13:57 | 0:13:59 | |
We're halfway through our day. | 0:13:59 | 0:14:01 | |
Everyone's enjoying themselves, aren't you? | 0:14:01 | 0:14:03 | |
-ALL: -Yes! -Yes, that is the main thing, | 0:14:03 | 0:14:04 | |
but we're going to put those values to the test. | 0:14:04 | 0:14:06 | |
We've got two great experts, James Lewis and Caroline Hawley. | 0:14:06 | 0:14:09 | |
Who do you think is going to be the most accurate? | 0:14:09 | 0:14:11 | |
-ALL: -James! | 0:14:11 | 0:14:12 | |
Look at that! What about Caroline? Come on, someone for Caroline. | 0:14:12 | 0:14:15 | |
Everyone wants James. Right now, we're going to find out. | 0:14:15 | 0:14:18 | |
Let's put them to the test! | 0:14:18 | 0:14:20 | |
Here's a quick recap just to jog your memory | 0:14:20 | 0:14:22 | |
of all of the items we are taking along to go, | 0:14:22 | 0:14:24 | |
under the hammer. | 0:14:24 | 0:14:25 | |
The silver claret jug | 0:14:27 | 0:14:28 | |
has bags of style and finesse. | 0:14:28 | 0:14:30 | |
Just like this lovely dress that I hope | 0:14:32 | 0:14:34 | |
will send the sale room | 0:14:34 | 0:14:35 | |
into a spin. | 0:14:35 | 0:14:37 | |
And those looking for that '70s retro look will surely fall for this | 0:14:38 | 0:14:41 | |
Danish ceramic wall light. | 0:14:41 | 0:14:43 | |
Our auction destination today is in Carlisle, | 0:14:46 | 0:14:49 | |
just ten miles from the Scottish border. | 0:14:49 | 0:14:53 | |
The city is the main shopping centre | 0:14:53 | 0:14:55 | |
and the commercial and industrial hub of both North Cumbria | 0:14:55 | 0:14:58 | |
and parts of southern Scotland. | 0:14:58 | 0:15:00 | |
Today's sale room is Thomson Roddick and Medcalf, | 0:15:02 | 0:15:05 | |
and John Thomson and Stephen Parkinson are the auctioneers. | 0:15:05 | 0:15:08 | |
Remember, if you are buying or selling something in an auction room, | 0:15:09 | 0:15:13 | |
there is commission or a buyer's premium to pay. | 0:15:13 | 0:15:16 | |
Now, here, | 0:15:16 | 0:15:17 | |
it's 15% on the hammer, plus VAT. | 0:15:17 | 0:15:20 | |
Do factor that in. Do your sums because it does add up, | 0:15:20 | 0:15:23 | |
you don't want to get caught out. | 0:15:23 | 0:15:25 | |
First up, it's that stunning pink dress. | 0:15:25 | 0:15:28 | |
Joan, good luck and thank you for putting big smiles on our faces at the valuation day. | 0:15:28 | 0:15:32 | |
-We love it! -This is something for the ladies. | 0:15:32 | 0:15:35 | |
It's that wonderful... It's a puffball dress, isn't it? | 0:15:35 | 0:15:37 | |
-It is. -It is great and you wore it? -I did. | 0:15:37 | 0:15:39 | |
It was very Bananarama in the '80s. | 0:15:39 | 0:15:41 | |
It was, it was great. I used to wear it to parties | 0:15:41 | 0:15:44 | |
and wear it with my Dr Martens and wear it with stilettos. | 0:15:44 | 0:15:47 | |
Guess who wants to wear it now? | 0:15:47 | 0:15:49 | |
-Me! -This one. | 0:15:49 | 0:15:50 | |
-I think every party dress tells a tale. -It does. | 0:15:50 | 0:15:52 | |
Some better than others, but I just think it is gorgeous. | 0:15:52 | 0:15:55 | |
Yeah. | 0:15:55 | 0:15:57 | |
Anyway, let's find out what the bidders think. | 0:15:57 | 0:15:59 | |
It's going under the hammer now. | 0:15:59 | 0:16:00 | |
Let's start at £40, I think. | 0:16:01 | 0:16:04 | |
Not that I would know, £40 bid. | 0:16:04 | 0:16:06 | |
£40. | 0:16:06 | 0:16:07 | |
£40 bid. £5? | 0:16:07 | 0:16:08 | |
£50. £55. | 0:16:08 | 0:16:09 | |
£60. | 0:16:09 | 0:16:10 | |
£60. | 0:16:10 | 0:16:11 | |
£60. £5? | 0:16:11 | 0:16:12 | |
£70. | 0:16:12 | 0:16:14 | |
That's from Harrods, you know? | 0:16:14 | 0:16:15 | |
I know! | 0:16:15 | 0:16:16 | |
£70. | 0:16:16 | 0:16:18 | |
On commission on £70 only. £75. | 0:16:18 | 0:16:20 | |
£80. | 0:16:20 | 0:16:22 | |
Gosh, come on! | 0:16:22 | 0:16:23 | |
At £80. £85? | 0:16:23 | 0:16:25 | |
£85. | 0:16:25 | 0:16:27 | |
£85! | 0:16:27 | 0:16:28 | |
Last chance for this, at £85. | 0:16:28 | 0:16:30 | |
At £85. | 0:16:30 | 0:16:32 | |
-Yes! -£85! -Yes, well done! | 0:16:32 | 0:16:35 | |
-Fantastic! -Do you like it any better? | 0:16:35 | 0:16:37 | |
-That's amazing! -Brilliant. | 0:16:37 | 0:16:39 | |
Thank you for bringing that in. | 0:16:39 | 0:16:40 | |
We don't see a lot of textiles, and it cheers us up. | 0:16:40 | 0:16:42 | |
It does, everybody's loved it, everybody that's seen it. | 0:16:42 | 0:16:45 | |
I love it and I'm not a girl. | 0:16:45 | 0:16:47 | |
A dress like that is timeless. | 0:16:48 | 0:16:51 | |
Now, will these wall lights dazzle our bidders? | 0:16:52 | 0:16:56 | |
Hopefully, right now, | 0:16:57 | 0:16:58 | |
we are going to try and turn £15 into £200 for Peter and Lynn. | 0:16:58 | 0:17:01 | |
We can normally do it when our owners buy something at a car boot. | 0:17:01 | 0:17:04 | |
But, it's very rare you can do it | 0:17:04 | 0:17:05 | |
if they buy something at an antique show, | 0:17:05 | 0:17:07 | |
which you did last year. | 0:17:07 | 0:17:09 | |
-Yeah. -A light fitting. | 0:17:09 | 0:17:10 | |
-Yes. -Flavour of the month, isn't it? | 0:17:10 | 0:17:12 | |
Did you buy it for your house and think, "Oh, it doesn't work." | 0:17:12 | 0:17:15 | |
Yeah, we were going to get it for the conservatory | 0:17:15 | 0:17:17 | |
because it was the colours. | 0:17:17 | 0:17:18 | |
And it did work, but uh... | 0:17:18 | 0:17:20 | |
-when we did a bit of research... -You didn't like it? | 0:17:20 | 0:17:22 | |
I like it, but then I started researching | 0:17:22 | 0:17:24 | |
and thought it's got to be worth more than this. | 0:17:24 | 0:17:26 | |
OK, here we go, let's put it to the test. | 0:17:26 | 0:17:29 | |
Danish stoneware wall light. | 0:17:30 | 0:17:32 | |
We have a nice, attractive item, this, isn't it? | 0:17:32 | 0:17:35 | |
I can start a bid here with me at £140 bid. | 0:17:35 | 0:17:38 | |
At £140 bid. | 0:17:38 | 0:17:40 | |
£150. | 0:17:40 | 0:17:41 | |
£160. | 0:17:41 | 0:17:42 | |
At £160, still bid. | 0:17:42 | 0:17:44 | |
At £160. | 0:17:44 | 0:17:46 | |
Come on, it looks nice. Look at that, it's lit up as well. | 0:17:46 | 0:17:48 | |
At £160 bid. | 0:17:48 | 0:17:49 | |
At £160, is that it? | 0:17:49 | 0:17:51 | |
At £160, at £160. | 0:17:51 | 0:17:53 | |
Sorry, that's just not enough. | 0:17:53 | 0:17:55 | |
It didn't sell, it nearly did at £160. | 0:17:55 | 0:17:58 | |
Look, it just wasn't the market for it here in Carlisle. | 0:17:58 | 0:18:02 | |
I think you're onto a winner with that, I really do. | 0:18:02 | 0:18:06 | |
You'll certainly make more than 15 quid, it's at £160. | 0:18:06 | 0:18:08 | |
It needs to be in a design sale, doesn't it? | 0:18:08 | 0:18:10 | |
Yeah, 20th-century modern sale. | 0:18:10 | 0:18:12 | |
Get it into a specialist sale, like James has said. | 0:18:12 | 0:18:14 | |
-And it will do £200-300. -We'll give that a try. OK, thank you. | 0:18:14 | 0:18:18 | |
It didn't shine in the sale room, but hopefully the ewer will. | 0:18:20 | 0:18:24 | |
This is the one I've been waiting for, | 0:18:24 | 0:18:26 | |
that wonderful silver claret jug, | 0:18:26 | 0:18:28 | |
belonging to Nora, who's right next to me with a big smile on your face, | 0:18:28 | 0:18:32 | |
because it's going! | 0:18:32 | 0:18:34 | |
Look, claret is my tipple. | 0:18:34 | 0:18:37 | |
I'd like to be taking this home, but I'm not allowed to buy it. | 0:18:37 | 0:18:40 | |
If I was allowed to, I'd be bidding on this. | 0:18:40 | 0:18:43 | |
So, if we felt that way about it, | 0:18:43 | 0:18:44 | |
then that lot out there are definitely going to feel that way. | 0:18:44 | 0:18:47 | |
It's all down to the bidders now. | 0:18:47 | 0:18:49 | |
-Ready? -Yes. | 0:18:49 | 0:18:50 | |
This is it, let's do it! | 0:18:50 | 0:18:52 | |
I'll start this at £450. | 0:18:53 | 0:18:56 | |
£450. | 0:18:56 | 0:18:57 | |
£480. £500. | 0:18:57 | 0:18:58 | |
£520, £550, £580. | 0:18:58 | 0:19:01 | |
£600. £620. | 0:19:01 | 0:19:03 | |
At £620. | 0:19:03 | 0:19:04 | |
-At £620. -Well, we've sold it. Let's get a bit more. | 0:19:04 | 0:19:07 | |
£620. | 0:19:07 | 0:19:09 | |
£620, a lovely ewer. | 0:19:09 | 0:19:11 | |
£620. Nobody else? | 0:19:11 | 0:19:13 | |
At £620 only, last chance. | 0:19:13 | 0:19:16 | |
At £620. | 0:19:16 | 0:19:18 | |
Sold! Straight in and straight out, just over the lower end. | 0:19:18 | 0:19:23 | |
-That was close, wasn't it? -It was close. | 0:19:23 | 0:19:26 | |
-It's gone and that's the main thing. -It's gone, yes. | 0:19:26 | 0:19:28 | |
That's our first three lots done and dusted, under the hammer. | 0:19:33 | 0:19:35 | |
So far, so good. | 0:19:35 | 0:19:37 | |
While we're here in the area, I've been exploring the more scenic side | 0:19:37 | 0:19:40 | |
of the Lake District. | 0:19:40 | 0:19:41 | |
While Coniston Water may not be the largest or the deepest of the lakes, | 0:19:41 | 0:19:45 | |
over the centuries, | 0:19:45 | 0:19:46 | |
it's certainly been a magnet for the elegant and the rich | 0:19:46 | 0:19:49 | |
as well as being the scene for some fearless water-borne escapades. | 0:19:49 | 0:19:53 | |
Coniston Water is the Lake District's third-largest lake. | 0:20:02 | 0:20:06 | |
It's five miles long, half a mile wide and 180 feet deep. | 0:20:06 | 0:20:11 | |
The lake became famous when Donald Campbell attempted | 0:20:13 | 0:20:17 | |
to beat his own world water speed record | 0:20:17 | 0:20:20 | |
in January 1967. | 0:20:20 | 0:20:22 | |
You're past the point of no return the moment you start. | 0:20:23 | 0:20:26 | |
There is no going back. | 0:20:26 | 0:20:28 | |
Tragically, Donald Campbell lost his life when the boat lost control. | 0:20:31 | 0:20:35 | |
But this tale of tragedy is only part of Coniston's history. | 0:20:38 | 0:20:42 | |
It's one of England's most beautiful landscapes, | 0:20:42 | 0:20:45 | |
but prior to the Victorian era, few came to visit. | 0:20:45 | 0:20:48 | |
In the 1850s, new railway links brought tourism to the lakes. | 0:20:50 | 0:20:55 | |
Victorian workers began to get weekends off, | 0:20:55 | 0:20:58 | |
and were already holidaying in resorts like Blackpool in Lancashire. | 0:20:58 | 0:21:03 | |
The furnace railway operating in the Lake District | 0:21:03 | 0:21:06 | |
capitalized on the links already established | 0:21:06 | 0:21:09 | |
to Lancashire for ferrying minerals and industrial materials. | 0:21:09 | 0:21:13 | |
Now, they could carry fare-paying day-trippers. | 0:21:13 | 0:21:17 | |
From holiday hotspots, like Blackpool, they organized | 0:21:17 | 0:21:20 | |
day trips touring the lakes, travelling by train, | 0:21:20 | 0:21:23 | |
horse-drawn coach, and of course the steamboat. | 0:21:23 | 0:21:26 | |
For around five shillings, | 0:21:27 | 0:21:29 | |
holiday-makers could pick | 0:21:29 | 0:21:30 | |
from one of many day excursions | 0:21:30 | 0:21:32 | |
to the lakes. | 0:21:32 | 0:21:34 | |
One of the most popular, | 0:21:34 | 0:21:35 | |
was the Outer Circle tour | 0:21:35 | 0:21:37 | |
around Lake Windermere. | 0:21:37 | 0:21:38 | |
These were some of the first all-inclusive tours in the UK. | 0:21:40 | 0:21:44 | |
And so, the era of mass tourism in the English Lake District was born. | 0:21:44 | 0:21:49 | |
Now, the more adventurous would do the Inner Circle tour | 0:21:55 | 0:21:57 | |
and buy their tickets from this ticket office | 0:21:57 | 0:22:00 | |
and leave on this very jetty, | 0:22:00 | 0:22:01 | |
Lake Bank Jetty on Coniston Water, | 0:22:01 | 0:22:04 | |
to get aboard this wonderful steam yacht, the Gondola. | 0:22:04 | 0:22:08 | |
Just look at the beautiful lines on this vessel. | 0:22:08 | 0:22:11 | |
She was built in 1859, one of the first to be commissioned | 0:22:11 | 0:22:14 | |
by the Furness Railway Company, | 0:22:14 | 0:22:16 | |
for its day-trippers. | 0:22:16 | 0:22:18 | |
And I'm getting on board! | 0:22:18 | 0:22:20 | |
It wasn't just the aspiring classes taking part in the excursions. | 0:22:22 | 0:22:26 | |
Restrictions in travel to Europe during the Napoleonic Wars | 0:22:26 | 0:22:30 | |
had established the Lake District as an alternative to the Grand Tour. | 0:22:30 | 0:22:34 | |
While the Victorians maintained this tradition, | 0:22:35 | 0:22:38 | |
they could now enjoy days out and better still, | 0:22:38 | 0:22:41 | |
do it in first-class style. | 0:22:41 | 0:22:43 | |
I'm going to find out more from the boatmaster, Bill King. | 0:22:45 | 0:22:49 | |
Bill, this is the height of luxury for a steam yacht, it really is. | 0:22:51 | 0:22:55 | |
When I was approaching, I was thinking why is it called Gondola, | 0:22:55 | 0:22:57 | |
but you can see, by the bow section, | 0:22:57 | 0:22:59 | |
it's very elegant and it's very extravagant. | 0:22:59 | 0:23:02 | |
Just looking around, it's steeped in architectural detail. | 0:23:02 | 0:23:06 | |
You've got wonderful, sort of, Corinthian columns. | 0:23:06 | 0:23:08 | |
You really do feel like you're on some kind of Grand Tour, don't you? | 0:23:08 | 0:23:12 | |
Yes, and it was designed very much that way, | 0:23:12 | 0:23:15 | |
that people who were accustomed to that kind of luxury, | 0:23:15 | 0:23:17 | |
perhaps on the great train tours in Europe, | 0:23:17 | 0:23:20 | |
would see the same sort of luxury here. | 0:23:20 | 0:23:22 | |
And that's second-class? | 0:23:22 | 0:23:24 | |
It's second-class through there. | 0:23:24 | 0:23:25 | |
They would've had slighted wooden seats in there | 0:23:25 | 0:23:28 | |
and there would've probably been a door | 0:23:28 | 0:23:30 | |
-to segregate the two classes. -I was going to say, did they ever meet? | 0:23:30 | 0:23:33 | |
The first and second... | 0:23:33 | 0:23:34 | |
No, there were different places to board the boat. | 0:23:34 | 0:23:37 | |
Over the bow for the well-to-do | 0:23:37 | 0:23:39 | |
and over the stern for steerage | 0:23:39 | 0:23:42 | |
and the rather steamy, sooty end of the boat. | 0:23:42 | 0:23:45 | |
Well, I'm keen to look around. | 0:23:45 | 0:23:46 | |
So, will you be my tour guide and can I go see the engine room, | 0:23:46 | 0:23:50 | |
the nuts and bolts of the vessel? | 0:23:50 | 0:23:52 | |
Yes, absolutely. Paul, the engineer, is waiting for you down there | 0:23:52 | 0:23:55 | |
and looking forward to telling you all about it. | 0:23:55 | 0:23:57 | |
-Hopefully, I can fire up. -Absolutely, yes. | 0:23:57 | 0:23:59 | |
Gondola is more than 150 years old | 0:24:03 | 0:24:06 | |
and considered to be the oldest yacht in the North. | 0:24:06 | 0:24:10 | |
It was in 1918 that she was brought back to her former glory | 0:24:10 | 0:24:14 | |
after being left beached and derelict. | 0:24:14 | 0:24:16 | |
This is definitely the warmest part of the vessel, that's for sure. | 0:24:24 | 0:24:28 | |
It is lovely in here. | 0:24:28 | 0:24:29 | |
But, we could be, literally, standing on the foot plate of a locomotive? | 0:24:29 | 0:24:34 | |
Exactly, that's exactly what it is. | 0:24:34 | 0:24:35 | |
It's a narrow-gauge Ffestiniog standardised locomotive boiler. | 0:24:35 | 0:24:39 | |
Do you have to polish this? | 0:24:39 | 0:24:41 | |
-Every day. -Every single day? | 0:24:41 | 0:24:42 | |
We polish the brasses every day, throughout the boat, not just in here. | 0:24:42 | 0:24:45 | |
There's a lot of brass to polish. | 0:24:45 | 0:24:47 | |
There is. Do you want to polish some? | 0:24:47 | 0:24:48 | |
No, no! I'll tell you what I'm going to do, | 0:24:48 | 0:24:50 | |
-you've kindly given me some gloves. -I have. | 0:24:50 | 0:24:53 | |
Can I start to put some logs in? | 0:24:53 | 0:24:54 | |
You can indeed. Just behind you are some ready to put on. | 0:24:54 | 0:24:58 | |
OK. | 0:24:58 | 0:24:59 | |
That's looking nice. | 0:24:59 | 0:25:00 | |
If you put two or three pieces in... | 0:25:02 | 0:25:04 | |
Brilliant stuff. | 0:25:06 | 0:25:07 | |
We monitor the pressure from these gauges up here. | 0:25:09 | 0:25:12 | |
So, what you've just put in will now burn, | 0:25:12 | 0:25:13 | |
boil the water that's in here. | 0:25:13 | 0:25:15 | |
And we've now got just under 130 pounds of pressure on. | 0:25:15 | 0:25:19 | |
So, once it's built up enough pressure and enough steam, | 0:25:19 | 0:25:21 | |
-we can head off? -We can indeed. | 0:25:21 | 0:25:23 | |
Do you go, "toot, toot"? Have you got that noise? | 0:25:23 | 0:25:25 | |
We can, we can do that from the top side. | 0:25:25 | 0:25:28 | |
BOAT ROARS | 0:25:32 | 0:25:35 | |
And now the world knows we're reversing out of our berth. | 0:25:35 | 0:25:38 | |
-If you want to steer for the narrowest. -OK. | 0:25:43 | 0:25:47 | |
You steer, of course, by just aiming the bow flag where you want to go. | 0:25:47 | 0:25:50 | |
Yeah. | 0:25:50 | 0:25:52 | |
Just right of the old man of Coniston. | 0:25:52 | 0:25:55 | |
What a view! | 0:25:57 | 0:25:58 | |
Travelling at around seven knots, which is about 7-8 miles per hour, | 0:26:04 | 0:26:08 | |
we get to experience the tranquillity of the lake and this amazing scenery. | 0:26:08 | 0:26:14 | |
It's so beautiful, | 0:26:20 | 0:26:21 | |
just seeing all the undulating landscape around the water. | 0:26:21 | 0:26:25 | |
I don't know, it's bowling me over really, | 0:26:25 | 0:26:28 | |
this is such a privilege to do this. | 0:26:28 | 0:26:30 | |
And there, look, we're just approaching Peel Island. | 0:26:30 | 0:26:33 | |
That's the inspiration | 0:26:33 | 0:26:35 | |
for Arthur Ransome's children's book, Swallows and Amazons, | 0:26:35 | 0:26:38 | |
written in the 1930s. | 0:26:38 | 0:26:39 | |
This is brilliant! | 0:26:42 | 0:26:43 | |
This is the first time I've actually seen Peel Island from the water here. | 0:26:43 | 0:26:47 | |
And look, just there, that inlet, that's the secret harbour. | 0:26:47 | 0:26:50 | |
That's all lit up at night now, and all the canoeists are camping. | 0:26:50 | 0:26:54 | |
Victorian art critic and writer John Raskin bought a house | 0:26:57 | 0:27:00 | |
on the lake here called Brantwood. And we're just going by it. | 0:27:00 | 0:27:04 | |
We are approaching its jetty. | 0:27:04 | 0:27:06 | |
He was a bit of a celebrity and it must've been quite a thrill | 0:27:06 | 0:27:10 | |
for all the Victorian day-trippers | 0:27:10 | 0:27:12 | |
to actually bypass his house. | 0:27:12 | 0:27:14 | |
You can see it in the trees, just there. | 0:27:14 | 0:27:17 | |
It's a lovely view of the house. | 0:27:17 | 0:27:18 | |
You can imagine them all trying to spot Raskin at work in his study, | 0:27:18 | 0:27:22 | |
probably cataloguing one of his Turner paintings. | 0:27:22 | 0:27:27 | |
These stunning views would have been pretty much the same | 0:27:29 | 0:27:33 | |
for those Victorians. | 0:27:33 | 0:27:34 | |
And what a wonderful escape from those industrial towns. | 0:27:34 | 0:27:39 | |
More than 7,000 visitors, annually, took the Inner Circle trip, | 0:27:42 | 0:27:46 | |
shortly after it opened in 1865. | 0:27:46 | 0:27:49 | |
Towards the turn of the 20th century, | 0:27:49 | 0:27:51 | |
that number had trebled to around 22,000 visitors. | 0:27:51 | 0:27:54 | |
And today, it still draws in the crowds, | 0:27:54 | 0:27:57 | |
taking part in activities in and around it. | 0:27:57 | 0:28:00 | |
Let's hope that trip on the Gondola, | 0:28:00 | 0:28:01 | |
which you can see just disappearing in the distance taking in all | 0:28:01 | 0:28:05 | |
this magic scenery, will be with us for many more generations to come. | 0:28:05 | 0:28:11 | |
It truly is special. | 0:28:11 | 0:28:12 | |
Welcome back to Muncaster Castle, | 0:28:23 | 0:28:25 | |
our magnificent valuation day venue. | 0:28:25 | 0:28:28 | |
As you can see, the sun is still shining. | 0:28:28 | 0:28:30 | |
Hundreds of people are here, | 0:28:30 | 0:28:31 | |
which means hundreds more antiques to value. | 0:28:31 | 0:28:33 | |
So, it's time to go inside and catch up with our experts | 0:28:33 | 0:28:36 | |
to find more treasures to take off to auction. | 0:28:36 | 0:28:38 | |
Isn't that right, Jazz? | 0:28:38 | 0:28:39 | |
Yes. Woof, woof! | 0:28:39 | 0:28:41 | |
Now, Caroline's found a little treasure. | 0:28:44 | 0:28:46 | |
Linda, hello. | 0:28:47 | 0:28:49 | |
Hello. Pleased to meet you. | 0:28:49 | 0:28:50 | |
Pleased to meet you! Have you come far? | 0:28:50 | 0:28:52 | |
I've come from Grange-over-Sands, | 0:28:52 | 0:28:54 | |
which is apparently about an hour away. | 0:28:54 | 0:28:56 | |
But it took me three hours to get here. | 0:28:56 | 0:28:58 | |
Three hours? You're worse than me. How did it take you three hours? | 0:28:58 | 0:29:00 | |
I just went the wrong route. | 0:29:00 | 0:29:02 | |
I couldn't find it, I nearly gave up. | 0:29:02 | 0:29:04 | |
Aw! Well, I'm glad you didn't give up. | 0:29:04 | 0:29:07 | |
Now, where did you find this fine thing? | 0:29:07 | 0:29:09 | |
About six weeks ago, I bought my dream home. | 0:29:09 | 0:29:12 | |
It's an Edwardian flat | 0:29:12 | 0:29:13 | |
on the promenade at Grange. | 0:29:13 | 0:29:15 | |
I had a bit of furniture, but not enough to furnish it. | 0:29:15 | 0:29:19 | |
So, I bought the contents of the flat... | 0:29:19 | 0:29:22 | |
-Right. -..and this was in a drawer. | 0:29:22 | 0:29:24 | |
Fabulous. | 0:29:24 | 0:29:26 | |
Well, it is Turkish. | 0:29:26 | 0:29:27 | |
-Right. -It's silver. | 0:29:27 | 0:29:29 | |
And, I would think it is 19th-century. | 0:29:29 | 0:29:33 | |
There's some damage on the enamel. Can you see here? | 0:29:33 | 0:29:36 | |
Yeah, yeah. It's missing. | 0:29:36 | 0:29:37 | |
It's beautiful, this green and red enamel. | 0:29:37 | 0:29:41 | |
And it's the Order of Osmanieh... | 0:29:41 | 0:29:44 | |
created by Abdulaziz, in 1862, | 0:29:44 | 0:29:48 | |
for outstanding services to the state. | 0:29:48 | 0:29:51 | |
It would've been a very precious object | 0:29:51 | 0:29:54 | |
to the person who received it. | 0:29:54 | 0:29:56 | |
-It doesn't appeal to me. -Does it not? | 0:29:56 | 0:29:58 | |
-No, no. -Shall we turn it over and have a look on the back? | 0:29:58 | 0:30:02 | |
And here is the date of the beginning of the Ottoman Empire. | 0:30:03 | 0:30:07 | |
And it's missing something here, | 0:30:07 | 0:30:10 | |
it would've had a ribbon... | 0:30:10 | 0:30:12 | |
-you see, to wear it. -Yeah. | 0:30:12 | 0:30:14 | |
Well, fancy finding this as a little extra. | 0:30:14 | 0:30:17 | |
It was just in the drawer, there was a few tools and... | 0:30:17 | 0:30:20 | |
matchboxes and some playing cards and... | 0:30:20 | 0:30:24 | |
-and that! -Yeah! | 0:30:24 | 0:30:26 | |
£50-80? | 0:30:26 | 0:30:27 | |
Oh, wonderful! Yeah, great. | 0:30:27 | 0:30:29 | |
How's that? | 0:30:29 | 0:30:31 | |
Yeah, that's smashing. And my son gets married this... | 0:30:31 | 0:30:34 | |
August in Mexico. | 0:30:34 | 0:30:36 | |
-I'll spend it when I'm there. -So, it'll go to the Mexico fund? | 0:30:36 | 0:30:38 | |
Yeah, definitely. | 0:30:38 | 0:30:40 | |
Well, do you want a reserve on it? | 0:30:40 | 0:30:41 | |
No, no, whatever. | 0:30:41 | 0:30:43 | |
You want to let it go? | 0:30:43 | 0:30:44 | |
-Yeah. -OK, we'll put £50-80... | 0:30:44 | 0:30:46 | |
-That'll be smashing. -..without reserve. | 0:30:46 | 0:30:48 | |
-Super. -Great! -That's great stuff. Thank you very much! | 0:30:48 | 0:30:50 | |
-That's a pleasure, Linda. -Glad to get rid of it. | 0:30:50 | 0:30:54 | |
What a lucky find! | 0:30:54 | 0:30:56 | |
Now, does luck run in your family? | 0:30:58 | 0:31:01 | |
Well, it seems to here for the Pennington family. | 0:31:01 | 0:31:04 | |
Their luck hinges on the survival of one glass bowl. | 0:31:04 | 0:31:08 | |
Peter, can you tell me the story of the bowl? | 0:31:08 | 0:31:11 | |
It's a bowl that was given us to by Holy King Harry, King Henry VI, | 0:31:11 | 0:31:15 | |
who was a rather unfortunate monarch | 0:31:15 | 0:31:17 | |
because he was really defeated in the War of the Roses. | 0:31:17 | 0:31:19 | |
In 1464, he was beaten in the Battle of Hexham. | 0:31:19 | 0:31:22 | |
He fled into this part of the world seeking shelter. | 0:31:22 | 0:31:25 | |
No-one really wanted anything to do with him any more, | 0:31:25 | 0:31:27 | |
because that upstart Edward of York was king. | 0:31:27 | 0:31:29 | |
He turned up, found in the woods around Muncaster, and brought here. | 0:31:29 | 0:31:32 | |
He was so pleased that we looked after him for a number of weeks, | 0:31:32 | 0:31:35 | |
when he left, he left his little enamel bowl | 0:31:35 | 0:31:37 | |
that we have in front of us, | 0:31:37 | 0:31:38 | |
saying, as long as this bowl remains unriven, | 0:31:38 | 0:31:41 | |
Penningtons from Muncaster never shall be driven or if you | 0:31:41 | 0:31:45 | |
don't break the bowl, you'll keep the castle. | 0:31:45 | 0:31:47 | |
That's astonishing, from the War of the Roses. | 0:31:47 | 0:31:50 | |
Where do you normally keep it? | 0:31:50 | 0:31:51 | |
Well, it's hidden safely in the castle. | 0:31:51 | 0:31:53 | |
Only family members know where it is. | 0:31:53 | 0:31:55 | |
So, it's our secret. | 0:31:55 | 0:31:56 | |
If I do tell you by accident, you better start running, | 0:31:56 | 0:31:59 | |
cause I'll have to kill you. | 0:31:59 | 0:32:00 | |
Please don't tell me. | 0:32:00 | 0:32:02 | |
I think we better put this away now. | 0:32:02 | 0:32:04 | |
Yes, please. | 0:32:04 | 0:32:05 | |
Earlier, we touched on Donald Campbell | 0:32:09 | 0:32:11 | |
and his presence here in the Lake District. | 0:32:11 | 0:32:14 | |
So, it's very apt that James has happened upon his next item. | 0:32:14 | 0:32:19 | |
Jacqueline, 4th of January 1967, not too far from here, | 0:32:19 | 0:32:23 | |
at Coniston Water, | 0:32:23 | 0:32:25 | |
we saw one of the worst disasters in world record history, didn't we? | 0:32:25 | 0:32:29 | |
We did. | 0:32:29 | 0:32:30 | |
Donald Campbell's Bluebird, but Donald Campbell was... | 0:32:30 | 0:32:34 | |
an amazing character. | 0:32:34 | 0:32:36 | |
-Yes. -In the 1950s and '60s, he broke the world record on land, | 0:32:36 | 0:32:41 | |
and on water! | 0:32:41 | 0:32:42 | |
The only man ever to hold both world records at the same time! | 0:32:42 | 0:32:47 | |
-Yeah. -But, what do you have here? | 0:32:47 | 0:32:49 | |
Donald Campbell's autograph. | 0:32:49 | 0:32:51 | |
And my uncle, | 0:32:51 | 0:32:54 | |
he lived in the village and he used to go down to the boatyard | 0:32:54 | 0:32:58 | |
and do odd jobs. | 0:32:58 | 0:33:00 | |
And, I used to go to his house for my lunch. | 0:33:00 | 0:33:05 | |
And one day, he said, "Would you like his autograph?" | 0:33:05 | 0:33:08 | |
And I said, "Oh, yes." | 0:33:08 | 0:33:09 | |
So, I brought it in the next day | 0:33:09 | 0:33:11 | |
and he got both, Donald Campbell's | 0:33:11 | 0:33:14 | |
and... | 0:33:14 | 0:33:15 | |
his team as well. | 0:33:15 | 0:33:17 | |
Oh, lovely! | 0:33:17 | 0:33:18 | |
Gosh, how exciting. | 0:33:18 | 0:33:20 | |
It must've been an amazing thing | 0:33:20 | 0:33:22 | |
to view those world record attempts. | 0:33:22 | 0:33:25 | |
I don't think we realised how important it was at the time. | 0:33:25 | 0:33:29 | |
We used to hear his engine set off, | 0:33:30 | 0:33:33 | |
and we used to all run to the office window | 0:33:33 | 0:33:36 | |
and watch him just disappearing to start his run. | 0:33:36 | 0:33:39 | |
How exciting. | 0:33:39 | 0:33:41 | |
Well, what we have here is... | 0:33:41 | 0:33:44 | |
-a piece of history, really. -Yes. | 0:33:44 | 0:33:46 | |
And it's a very sad thing that autograph collectors | 0:33:46 | 0:33:51 | |
love rare autographs. | 0:33:51 | 0:33:53 | |
Those people that die young, those people that die unexpectedly, | 0:33:53 | 0:33:57 | |
often have more of a following, | 0:33:57 | 0:33:59 | |
same in pop memorabilia, same in actors and actresses, | 0:33:59 | 0:34:04 | |
Marilyn Monroe. | 0:34:04 | 0:34:05 | |
Those people that pass away early have a greater following | 0:34:05 | 0:34:08 | |
and it's the same with Donald Campbell. | 0:34:08 | 0:34:11 | |
-Yes. -In terms of value, it is not a huge figure. -No. | 0:34:11 | 0:34:16 | |
But I should think that that's going to be worth | 0:34:16 | 0:34:19 | |
-somewhere between £80 and £120. -Right. | 0:34:19 | 0:34:22 | |
For somebody that wasn't a film star, wasn't a rock star, | 0:34:22 | 0:34:27 | |
that actually is quite a lot of money for something like this. | 0:34:27 | 0:34:30 | |
But it's your story that makes it and the history behind it. | 0:34:30 | 0:34:34 | |
-Yes. -Are you happy to let it go? | 0:34:34 | 0:34:37 | |
Yes, I am. | 0:34:37 | 0:34:38 | |
-Well, somebody is going to love it. It's going to go to a... -I hope so. | 0:34:38 | 0:34:41 | |
..a collection, probably, of Donald Campbell memorabilia. | 0:34:41 | 0:34:44 | |
-Thank you. -Pleasure. | 0:34:44 | 0:34:46 | |
Now, Caroline's spotted some Art Nouveau. | 0:34:52 | 0:34:55 | |
Dot, how nice to meet you. Are you local to this area? | 0:34:56 | 0:34:59 | |
Barrow-in-Furness. | 0:34:59 | 0:35:01 | |
-Right. -About an hour away. | 0:35:01 | 0:35:02 | |
Lovely. What do you do there? | 0:35:02 | 0:35:04 | |
Well, I have catteries, | 0:35:04 | 0:35:06 | |
I have ponies. | 0:35:06 | 0:35:08 | |
But I love your outfit - it would make a lovely lead rein outfit | 0:35:08 | 0:35:13 | |
and especially with your hat. | 0:35:13 | 0:35:14 | |
Oh! What's a lead rein outfit? | 0:35:14 | 0:35:18 | |
Well, it's an adult leading a pony with a child on it. | 0:35:18 | 0:35:22 | |
Anything nice that you're wearing, it catches the judge's eye. | 0:35:22 | 0:35:27 | |
Right. Well, next time you need a lead rein, give me a call, Dot. | 0:35:27 | 0:35:31 | |
I will. I don't think your outfit would fit me, though. | 0:35:31 | 0:35:34 | |
This is gorgeous. I love this. | 0:35:36 | 0:35:39 | |
Now, tell me about it. Where did you come by it? | 0:35:39 | 0:35:42 | |
Well, it was my mum's | 0:35:42 | 0:35:44 | |
and she died about four or five years ago. | 0:35:44 | 0:35:47 | |
And when we were cleaning the bungalow out... | 0:35:47 | 0:35:51 | |
my sisters put a lot of stuff out for the charity shops. | 0:35:51 | 0:35:56 | |
And this was among it. And I just said, | 0:35:56 | 0:36:00 | |
"You can't throw that out." | 0:36:00 | 0:36:01 | |
I said, "Can I have that?" | 0:36:01 | 0:36:03 | |
Yes, cos it was broke. It did have glass in it. | 0:36:03 | 0:36:06 | |
It would've had a mirror, I would think. | 0:36:06 | 0:36:09 | |
It's a period that I particularly adore. | 0:36:09 | 0:36:12 | |
Have you heard of the Art Nouveau period? | 0:36:12 | 0:36:13 | |
-Yes. -Which is 1895, 1905. | 0:36:13 | 0:36:17 | |
This sits beautifully, right bang in the middle, | 0:36:17 | 0:36:20 | |
I would say about 1900. | 0:36:20 | 0:36:21 | |
It's silver plate. And can you see the lady here, | 0:36:21 | 0:36:25 | |
with this lovely flowing, sort of, hair and dress? | 0:36:25 | 0:36:29 | |
And she's listening. | 0:36:29 | 0:36:31 | |
Now, this particular model is actually called the Cuckoo, | 0:36:31 | 0:36:35 | |
because she is listening to a cuckoo or echo, | 0:36:35 | 0:36:39 | |
and it's got a little mark on it. Did you know? | 0:36:39 | 0:36:42 | |
No, I didn't. I've looked and looked, but I can't find the mark. | 0:36:42 | 0:36:47 | |
Well, I've looked and I've looked | 0:36:47 | 0:36:49 | |
and I've looked at it again. | 0:36:49 | 0:36:50 | |
And I found a mark, Dot. | 0:36:50 | 0:36:53 | |
So, if we turn it over... | 0:36:53 | 0:36:55 | |
and we'll need glasses or maybe even a magnifying glass for this. | 0:36:55 | 0:37:00 | |
A tiny little mark down here, can you see? | 0:37:00 | 0:37:03 | |
Yes! | 0:37:03 | 0:37:05 | |
-Right! -It was probably muck covering it! | 0:37:05 | 0:37:07 | |
LAUGHTER | 0:37:07 | 0:37:10 | |
Well, there's no muck on it now. | 0:37:10 | 0:37:12 | |
And we can see it's WMF, | 0:37:12 | 0:37:15 | |
which is a German maker, which is great to find, | 0:37:15 | 0:37:19 | |
and that puts it up into, you know, a nice little value. | 0:37:19 | 0:37:24 | |
Even like this, I think it's easily going to get £100-150. | 0:37:24 | 0:37:29 | |
Oh, that'd be nice. | 0:37:29 | 0:37:31 | |
-Would you like it to go to auction? -Yes. | 0:37:31 | 0:37:34 | |
Right, I think we'll put it in. | 0:37:34 | 0:37:36 | |
-I don't think you need to put a reserve on it. -No, no. | 0:37:36 | 0:37:40 | |
I am sure you don't. It's going to get its money. | 0:37:40 | 0:37:42 | |
Right, lovely. | 0:37:42 | 0:37:43 | |
Lovely, thank you. | 0:37:43 | 0:37:44 | |
Aw, thank you! | 0:37:44 | 0:37:46 | |
I enjoyed that! | 0:37:50 | 0:37:51 | |
It's time for us to say farewell from Muncaster Castle, | 0:37:54 | 0:37:57 | |
our fabulous host location today, and to our great crowd of people. | 0:37:57 | 0:38:01 | |
Here's a quick recap, | 0:38:01 | 0:38:03 | |
just to jog your memory of everything that's going under the hammer! | 0:38:03 | 0:38:06 | |
The Turkish silver medal for outstanding services | 0:38:07 | 0:38:10 | |
could draw in the collectors... | 0:38:10 | 0:38:13 | |
just like this exceptional autograph book | 0:38:13 | 0:38:15 | |
with Donald Campbell's signature. | 0:38:15 | 0:38:18 | |
And how can Dot's Art Nouveau photo frame fail | 0:38:18 | 0:38:21 | |
to impress the bidders? | 0:38:21 | 0:38:23 | |
Here we are, back at the auction. | 0:38:25 | 0:38:27 | |
We're certainly doing battle in the sale room right now. | 0:38:31 | 0:38:33 | |
Coming up for grabs, we have Linda's metal, found in her flat, | 0:38:33 | 0:38:37 | |
or a house you bought recently. | 0:38:37 | 0:38:38 | |
-Yeah, that's right. -Gosh! -It was in the drawer. | 0:38:38 | 0:38:40 | |
-It's got the look, hasn't it? -It's quite unusual, isn't it? -Yeah! | 0:38:40 | 0:38:43 | |
Did you fancy keeping it? | 0:38:43 | 0:38:45 | |
Oh, definitely not! | 0:38:45 | 0:38:46 | |
Not a lot of money, what £50-80? | 0:38:46 | 0:38:48 | |
-Yeah. -But fingers crossed we get the top end and a little bit more. | 0:38:48 | 0:38:51 | |
This is going under the hammer now. | 0:38:51 | 0:38:53 | |
This is a silver enamel, | 0:38:54 | 0:38:56 | |
the Ottoman Military decoration. | 0:38:56 | 0:38:58 | |
Quite a few bids here. | 0:38:58 | 0:38:59 | |
I can start, straight in with me now, | 0:38:59 | 0:39:01 | |
at £30 bid. At £30. | 0:39:01 | 0:39:02 | |
-At £30. -Come on, any interest? | 0:39:02 | 0:39:03 | |
At £30, £32, £35. | 0:39:03 | 0:39:05 | |
At £35. | 0:39:05 | 0:39:07 | |
£38 on the internet. | 0:39:07 | 0:39:08 | |
I have £38 and 40, if you like. | 0:39:08 | 0:39:10 | |
At £40 bid. £42. | 0:39:10 | 0:39:12 | |
£45. | 0:39:12 | 0:39:13 | |
I think this could be finding its way back to Turkey, don't you? | 0:39:13 | 0:39:17 | |
-Easy to post. -At £50. | 0:39:17 | 0:39:19 | |
At £55 on the internet. | 0:39:19 | 0:39:20 | |
-And I am out. At £55. -A few bidders. | 0:39:20 | 0:39:22 | |
At £55 and £60, if you like. | 0:39:22 | 0:39:24 | |
At £55, are we all sure? | 0:39:24 | 0:39:26 | |
At £55. | 0:39:26 | 0:39:28 | |
Sold! £55 on the internet. | 0:39:28 | 0:39:30 | |
-Smashing! -That could be going back home. | 0:39:30 | 0:39:33 | |
Thank you for bringing that in. | 0:39:33 | 0:39:34 | |
That was a good find, wasn't it? | 0:39:34 | 0:39:36 | |
Yes, thank you very much. | 0:39:36 | 0:39:38 | |
And a few more pounds towards Linda's son's wedding. | 0:39:38 | 0:39:41 | |
Going under the hammer now we have that wonderful autograph book, | 0:39:42 | 0:39:45 | |
Donald Campbell and the Bluebird team. | 0:39:45 | 0:39:47 | |
I don't think there's many of these about. | 0:39:47 | 0:39:50 | |
Sadly, we don't have our owner Jackie, she can't make it today, | 0:39:50 | 0:39:53 | |
but we do have James, our expert. | 0:39:53 | 0:39:55 | |
A lot of local interest. | 0:39:55 | 0:39:56 | |
No problem with the value on this one, is there, James? | 0:39:56 | 0:39:59 | |
-It's such an easy thing to sell, especially here. -Yes, exactly. | 0:39:59 | 0:40:04 | |
And we've all been to Lake Coniston, as well. | 0:40:04 | 0:40:06 | |
For me, that's my favourite lake. | 0:40:06 | 0:40:08 | |
My favourite, by a long shot! | 0:40:08 | 0:40:10 | |
Anyway, let's find out if there's a lot of local interest, shall we? | 0:40:10 | 0:40:13 | |
It's going under the hammer right now. | 0:40:13 | 0:40:16 | |
This is an interesting thing, isn't it? | 0:40:17 | 0:40:19 | |
The autograph book containing | 0:40:19 | 0:40:20 | |
the autographs of Donald Campbell | 0:40:20 | 0:40:22 | |
and the Bluebird team. | 0:40:22 | 0:40:24 | |
There's not many of them about, I am sure. | 0:40:24 | 0:40:26 | |
Straight in with a mere £80 bid. | 0:40:26 | 0:40:27 | |
At £80 bid, at £80. | 0:40:27 | 0:40:29 | |
At £85. | 0:40:29 | 0:40:30 | |
At £95 on the net, now. | 0:40:30 | 0:40:31 | |
£95. £100. | 0:40:31 | 0:40:32 | |
£100 with me. | 0:40:32 | 0:40:33 | |
£110. £120. | 0:40:33 | 0:40:34 | |
-That's very good. -£130, £140. | 0:40:34 | 0:40:37 | |
Lots and lots of local interest. | 0:40:37 | 0:40:38 | |
£160. 160 with me, now. | 0:40:38 | 0:40:42 | |
If it doesn't sell well here, it won't sell well anywhere, will it? | 0:40:42 | 0:40:45 | |
At £160. £170. | 0:40:45 | 0:40:46 | |
And I am out at £170, | 0:40:46 | 0:40:48 | |
can you believe it? | 0:40:48 | 0:40:50 | |
At £170. I'm sure it's worth a bit more. | 0:40:50 | 0:40:52 | |
At £170, we're going to sell at £170. | 0:40:52 | 0:40:55 | |
-We're at £180. -£180. | 0:40:55 | 0:40:56 | |
£180 is in the room, now. £180. | 0:40:56 | 0:40:58 | |
At £180, are we sure? At 180. | 0:40:58 | 0:41:01 | |
Yes, well done! | 0:41:01 | 0:41:03 | |
A wonderful thing, local interest and a good condition - | 0:41:03 | 0:41:06 | |
that's what it was all about. | 0:41:06 | 0:41:08 | |
-Yeah. -Great subject matter, as well. | 0:41:08 | 0:41:10 | |
A great example of how stories live on through objects. | 0:41:12 | 0:41:15 | |
Dot, good luck. | 0:41:17 | 0:41:18 | |
I love this and I'm pleased you took this in. | 0:41:18 | 0:41:21 | |
-Yeah. -WMF, that's the name to look out for, | 0:41:21 | 0:41:24 | |
silver plating at its very best. | 0:41:24 | 0:41:26 | |
It's quality, you know. | 0:41:26 | 0:41:27 | |
You could have it with a picture of yourself in it. | 0:41:27 | 0:41:31 | |
Actually, I was going to bring a book, | 0:41:31 | 0:41:33 | |
a very old book, with Royal pictures, photos in. | 0:41:33 | 0:41:37 | |
But you changed your mind at the last minute? | 0:41:37 | 0:41:39 | |
I couldn't find it and, when I was looking, I found... | 0:41:39 | 0:41:41 | |
Look, your lot is going under the hammer right now. This is it. | 0:41:41 | 0:41:45 | |
Straight in at £230. | 0:41:46 | 0:41:49 | |
Straight in, well over... | 0:41:49 | 0:41:51 | |
£230 on bid. £240, £260, £280. | 0:41:51 | 0:41:55 | |
£300. | 0:41:55 | 0:41:56 | |
That's a great name. | 0:41:56 | 0:41:58 | |
£320. | 0:41:58 | 0:42:00 | |
£340, £360. | 0:42:00 | 0:42:01 | |
£360. £380. | 0:42:01 | 0:42:03 | |
£380. £400. | 0:42:03 | 0:42:05 | |
-£420. £440. -Oh! | 0:42:05 | 0:42:08 | |
£440. | 0:42:08 | 0:42:10 | |
At £440. | 0:42:10 | 0:42:11 | |
At £440. At £440. | 0:42:11 | 0:42:14 | |
At £460. | 0:42:14 | 0:42:15 | |
-£460. -It hasn't stopped yet. | 0:42:15 | 0:42:17 | |
£480, at £480. | 0:42:17 | 0:42:21 | |
At £480. | 0:42:21 | 0:42:22 | |
£480! | 0:42:22 | 0:42:24 | |
Isn't that brilliant? | 0:42:24 | 0:42:26 | |
-I don't believe it. -That's going to come in handy, isn't it? | 0:42:26 | 0:42:29 | |
The animals are going to enjoy this money, that's for sure. | 0:42:29 | 0:42:31 | |
-It's what everybody wants. -Thank you very much. | 0:42:31 | 0:42:34 | |
-No, thank you. -Thank you! | 0:42:34 | 0:42:36 | |
And if you've got anything like that, we want to flog it for you. | 0:42:36 | 0:42:39 | |
Bring it along to one of our valuation days | 0:42:39 | 0:42:41 | |
and we'll see what we can do. | 0:42:41 | 0:42:42 | |
-Well done, Dot. -Thank you very much. -Thanks for bringing it. | 0:42:42 | 0:42:45 | |
There you are, that's it. It's all over for our owners | 0:42:47 | 0:42:49 | |
and what a day it's been here. | 0:42:49 | 0:42:51 | |
One or two surprises we didn't expect, | 0:42:51 | 0:42:53 | |
but that's auctions for you. | 0:42:53 | 0:42:55 | |
Do join us again soon for many more. | 0:42:55 | 0:42:57 | |
Until then, it's goodbye from Carlisle. | 0:42:57 | 0:42:59 |