Sandon Hall 42 Flog It!


Sandon Hall 42

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This beautiful stately home, surrounded by wooded parkland

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just a few miles north of Stafford is Sandon Hall,

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the ancestral home of the Harrowbys.

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It's been in the same family for nine generations -

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that's 250 years of British history.

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It's the perfect location for "Flog It!" Welcome to the show.

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The almost Gothic appearance of Sandon Hall doesn't quite

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prepare you for the riot of light and colour inside.

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This rare Chinese wallpaper is all hand-painted

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and every single bird is different.

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Sandon Hall is a stern-looking building

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built in the neo-Jacobean style, very popular with the Victorians.

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And in keeping with its style,

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this stately crowd have turned up, laden with antiques

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and collectables, here to see our experts to find out what it's worth.

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And if you're happy with the valuations,

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what are you going to do?

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CROWD: "Flog It!"

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'Helping them to do just that are experts, Charles Hanson...'

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I'm going over here. It's often the back of the queue where the treasures are really lurking.

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'Oh, Charles, someone's beaten you to it.'

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-Quickly, before Charlie Hanson comes over.

-It's Christina Trevanion.

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Let's sticker everyone back here, you're all mine!

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And now they can't give it away.

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-Is it a "Flog It!" for you today or...?

-Oh, yes, yeah, yeah, definitely.

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-I think it's one for you.

-I think it's one for you.

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-I think it's your type.

-I think it's definitely...

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Chill out, guys, there's plenty for everyone.

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First, let's see what's coming up on today's show.

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Christina's transported back to the swinging '60s.

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-This book does read a bit like a Who's Who of the 1960s music scene.

-Exactly.

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For once, we're speechless at the auction room.

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Huh.

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And I find out about some fabulous females at Sandon Hall.

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-I'll let you into a secret, too.

-What are you going to tell me?

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And now it's time to get this massive crowd inside.

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We've literally taken over all of the ground floor.

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Hundreds of people have turned up.

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We need to find some treasures of our very own to take off to auction.

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And we're going to make a start, right now, with Charles Hanson.

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Margaret, what an amazing object.

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-Thank you.

-It frivolous.

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It's floral.

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-It's almost outrageous.

-Yeah!

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Where did it come from?

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-A boot sale. I paid a pound for it.

-Recently?

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About a year ago.

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May I come with you next time, to the car boot?

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Because it would have been one of a pair.

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-Maybe the pair has long since been demolished...

-Yeah.

-..and broken...

-Yeah.

-..and lost in time.

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-Any ideas how old this is?

-'30s.

-You're right.

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-But 1830s.

-18?!

-Absolutely.

-God.

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So we're going back to a time when William IV was King of England

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and to a time when we saw the early Victorians reviving

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the fashion for rococo.

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-And in this room, here, look at the wallpaper behind us.

-Yeah.

-It's frivolous.

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It's chinoiserie.

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And this is the Victorians almost reviving the vigour of the rococo.

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On the bottom, there's no markings at all...

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No, that's what I couldn't understand. There's no marking on there.

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No, it's what we generically call Coalbrookdale.

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And, of course, Coalbrookdale was a Staffordshire, or even

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Shropshire, factory founded near Ironbridge in the late 18th century.

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And by 1813, the factory was obviously wanting to

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be at the forefront of design.

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And it really is that. Because look at the flowers.

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All these mouldings have been hand-applied

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onto the actual body of the porcelain.

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It really is, to me, a work of art.

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We have got some issues.

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-The tip of the handle...

-Yeah.

-..here, has been lost.

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-There's a hairline crack on the rim...

-Yeah.

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-..there. You got losses here.

-Yeah.

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You've got chips to the flowers,

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but it's just a real glint of joy in my eyes.

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Yeah, and I think by the time

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we're that age, we'll have a few chips and dents.

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Well, I have already, trust me.

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-Does this go in your decor? Is it your style at home?

-Not really, no.

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But I love anything that, I think, took a long time to make.

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Why would those holes be in there?

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-To show the extreme quality of what these potters could achieve.

-Yeah.

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It was almost a dare, this vase.

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-It was daring...

-Yeah.

-..and they achieved it

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-and you want to "Flog It!"?

-Yeah.

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These were making far more in the 1970s, '80s,

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-when we thought a bit more about the traditional.

-Yeah.

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I think if I can guide it, perhaps between 30 and £40.

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-That's OK.

-And perhaps put a fixed reserve at 25,

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but I love it for what it represents.

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-OK, then.

-Let's go for it.

-Yeah.

-All set?

-Yeah.

-Hold tight. Can't wait.

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A car boot fan to start the show.

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Now, let's see what Christina's unearthed.

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Helen, this is a very eclectic little mix of coins

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-you've brought to me here.

-Yes.

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-They've come through the family and that's how we've got them.

-OK, all right.

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-So, you, sort of, inherited all these?

-Yes.

-OK.

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So, this one, here, is the earliest

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-and, I think, the most fascinating.

-Right.

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It's what we call a long cross penny.

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But the thing, for me, that I find quite fascinating...

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We've got this wonderful little portrait of what

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looks to be a little boy with curly hair and a crown on.

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Well, THAT is Edward II.

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-He doesn't look particularly regal, there, does he?

-No.

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But he dates to about 1307 to 1327.

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That's when he reigned.

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And that, I mean, most normal people at that date wouldn't

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often see a portrait of their monarch.

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So, it was fascinating to them to have this portrait on a coin.

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It was really the only way that it could be reinforced that this was your monarch.

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Where did that come from?

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Well, it was from our land which has a path through to the church,

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so we presumed that it must have been, you know,

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when people were walking to church.

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-Ah. OK, so it was found?

-Yes.

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-You'd be gutted when you looked for your collection money and then...

-And that was it.

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But I do find this quite fascinating.

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There is 700 years worth of history,

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here, in the form of this coin

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and, often, from this period there was a bit of a practice

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going on called coin clipping.

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-Right. Yes.

-And that's because this coin is made of solid silver.

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People would clip just the sides off the coin.

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So, they'd be taking a little bit of silver

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-and it was still worth the same amount of money even if it was clipped.

-Right.

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But, obviously,

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these rather skullduggerous people, if they were, would be

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collecting all these little bits of silver which, individually, wouldn't

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-be worth a huge amount, but imagine if you did that to a few hundred coins?

-Yes.

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-I mean, that would be worth doing, wouldn't it?

-Yes.

-Especially during those times.

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There was huge poverty in places.

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It was a very tumultuous period.

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If we move on to the gold coin,

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here, if we turn it over,

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we've got a picture of George III and it says round the edge, here,

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Georgius III and, then,

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if we turn him back that way,

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we've got a nice little date on the bottom here,

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which I think says 1797.

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Now, it is quite worn. You can still get these where you see, literally,

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-every wisp and every strand of hair.

-Right.

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You can still get them in perfect condition.

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And if they're like that, they are wonderfully collectable

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-and incredibly valuable.

-Yes.

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If they're in this condition, unfortunately, it is going to

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-be just the gold value...

-Yes.

-..because these are made of 22-carat gold.

-Yes.

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So they do have an intrinsic value to them as well.

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Again, if they've been mounted or they've been turned into a pendant like this,

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-coin collectors are really quite purist about it...

-Yes.

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..and they don't like things that have been turned into pendants.

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And, then, we've got this shilling, here, dated 1896,

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which I THINK is an African one. Is that right?

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Yes, South African, yes.

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My maternal grandfather was in the Boer War.

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Er, so, I presume it's come from there.

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Again, cos it's been turned into a pendant,

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-coin collectors won't be interested...

-No.

-..in it, sadly, any more.

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-So, unfortunately, we don't have a huge amount of value.

-No.

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I have sold quite a few little long cross pennies

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and although they are incredibly old,

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-I mean, the last one I sold, I think, made about £30.

-Yes.

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-So your main value is the gold value...

-Yes.

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..in this wonderful gold George III coin here.

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And I think as a group, we're probably looking

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-somewhere in the region of, maybe, 150 to £200.

-Yes.

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-How do you feel about that?

-That sounds very good to me. Yes.

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-Would that be all right?

-Yes, that would be fine.

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-And we'll hope that gold price zooms up between now and the auction.

-Yes.

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-Keep everything crossed.

-Thank you very much.

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While the valuations are going on,

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I've met up with Caroline Sandon, the current lady of the house

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to hear about the achievements of some of her predecessors.

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Starting with the 2nd Countess who lived here in the early 1800s.

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She is the daughter of the 1st Marquess of Bute,

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Frances Coutts Stuart. And she's absolutely lovely.

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She's holding the 3rd Earl in

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her arms or the future 3rd Earl.

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And I think it's the most serene portrait of a wonderful woman.

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However,

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the 2nd Countess was, actually, quite imperious.

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They lived a lot of the time in Italy and when they came

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back from Italy, they were going to rebuild Sandon Hall

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and they commissioned the architect William Burn to build this

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marvellous, huge, Jacobean or neo-Jacobean house.

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Now, Countess, decided that having lived in Italy,

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-she wanted large, Italian windows in her neo-Jacobean house.

-Sure.

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And William Burn's pride was extremely hurt

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and for the next two years,

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apparently, they sacked each other,

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about 20 times, before finally

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coming to resolution and guess who won?

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She did.

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-She knew what she wanted.

-She did. This house could be incredibly gloomy.

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-And, in fact, we have huge, Italianate windows...

-Yeah.

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..and that is why and it's all her legacy so I am very grateful to her.

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I think women are so underrated in the 18th and 19th century

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and these women were quite powerful women and, actually, the next

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woman I've chosen was equally powerful and did some great things.

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Well, let's have a look.

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This is the 5th Countess who was the daughter of a rather

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famous bookseller, W.H. Smith.

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Oh, yes, I've heard of them.

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Absolutely. I think most people have.

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And I am told that she's another rather grand Harrowby lady,

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which I'm not. It's so extraordinary!

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-Everyone else is so grand.

-What was her name?

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Mabel.

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And she did two things which she should take huge credit for.

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The first was that she opened a club in London for overseas

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officers from all over the Empire so that

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when they were on leave, the trenches or wherever,

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they had somewhere to come back to

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and it was somewhere where they could relax,

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-cos they could hardly go home to India..

-No, sure, yes, yeah.

-..to see their families,

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so it was a tremendous thing and everyone appreciated it

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enormously and then Sandon itself became a Red Cross hospital,

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-auxiliary hospital, during the First World War...

-OK.

-..and she was an enormous part of that,

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so she was absolutely a tremendous woman and I think she's great.

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I like the photograph

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and I've just noticed it's taken a month before the Great War.

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Are all these people connected to the estate?

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-They are. You've got Mabel there.

-That's her. In the centre, there.

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-She is. Lord Harrowby, my husband's great-grandmother.

-Gosh.

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-This is how life was in the great houses before the Great War.

-Mm-hm.

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And then, of course, everything changed and by the end

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of the Great War, half of these beautiful young men were dead.

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They say a picture tells 1,000 stories

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and it's certainly true here at Sandon Hall.

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Now, back at the valuation tables, Charles is a happy boy.

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-George, good to see you today.

-Good to see you.

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And you've brought in a really interesting collection of wheels. Tell me about them.

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It's just what I've picked up at the car boot for the last five years.

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And had you gone there looking for these early, tin-plate,

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-clockwork toys?

-No.

-Or have you just been an enthusiast of all sorts?

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-All sorts.

-Have you had some good finds over the years?

-I have, yeah.

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-What's been your best find?

-Mainly little gadgets.

-Really?

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-I'm very much a gadget man, myself, so...

-Are you?

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-I'm a phone engineer by trade so...

-Are you, phone?

-Mm-hm.

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Wow, and that, obviously, I suppose

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goes quite well with the technical nature of what were

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fairly mass-produced toys.

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-Yes.

-Have you a favourite?

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-I'd say that one.

-This gorgeous, Express Transport vehicle, here.

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-Have you done much detective work into them at all?

-A little.

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And what does this one tell you here?

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-I think it's from the '30s. Maybe mid '30s.

-Yeah.

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-I mean, they are so simply made, aren't they?

-Yeah.

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Here's your clockwork, wind-up.

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-This one, I think, is still working.

-They all work, yeah.

-On the wire.

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Then, of course, off it goes like that

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and it's still expressing its speed in that regard.

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They're really...

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It's a really nice collection.

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Obviously, we've got the later Betal toys for girls

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and boys and they're just wonderful, aren't they?

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General transport, tin-plate with the wind-up key as well.

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Aren't they neat? And this one,

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I think...I think my father had one of these.

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So, it just brings back, I suppose,

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that childhood memory, doesn't it? They're good.

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Clearly, from the advertising slogans of what they're selling

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on the exterior, they are all British,

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they are all in that second quarter of the 20th century,

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Competitors with Germany and France in making similar

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vehicles of this clockwork type in that period.

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Now, they are what we call play worn.

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We can see, perhaps, some of them have been left outside,

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they've, perhaps, had some weathering.

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They've suffered wear and tear and, to me,

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condition, often, is part of its journey.

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It's had a life.

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They've been enjoyed, but to collectors who are pernickety

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when it comes to condition, they want the very best in this field.

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So, my advice would be, because of their condition,

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I would sell them as one lot. What have you spent on these tin-plate...?

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-About £75.

-Have you? Well done.

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I think we would put them in a sale

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with a guide price between 80 and £120.

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-Let's "Flog It!"

-Exactly. Can't wait. Can't wait.

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It just proves there's still treasure at car-boot sales.

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Well, here in Staffordshire, anyway. Well, there you are.

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Our experts have now found their first three items to take off to auction.

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This is where it gets exciting. Anything can happen.

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Is Christina on the money today? Well, we're just about to find out.

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-Who is your favourite expert? CROWD:

-Christina.

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Yeah, it has to be! She's right here.

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But don't forget, we have Charles Hanson on the show as well.

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Who's your favourite, then, Button?

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Say something. Bit shy. Bit shy.

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But right now, we're going straight over to that saleroom and we leave

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you with a quick rundown,

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just to jog your memory of everything that's going.

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Nearly 200 years old,

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this floral extravaganza in porcelain may have a few chips,

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but it's still a spectacular example of local pottery.

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Helen's coin collection travels even further back in history.

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Just imagine losing the cross penny

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all those hundreds of years ago.

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And George should reap the rewards of building up his terrific

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collection of early 20th-century

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tin-plate toys from car-boot sales.

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Well, the sun is shining and I've got a good feeling about today,

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because it is auction time

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and this is where we're putting those valuations to the test -

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Halls Auctioneers' brand-new,

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purpose-built saleroom just on the outskirts of Shrewsbury.

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We're going inside now to catch up with the auction action. Sit tight.

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Anything can happen.

0:16:160:16:17

Jeremy Lamond is our auctioneer today

0:16:190:16:21

and the commission here is 19% plus VAT.

0:16:210:16:25

First up, it's Margaret's Coalbrookdale vase.

0:16:260:16:29

Margaret got this at a car-boot sale a year ago for one pound.

0:16:300:16:34

Yeah, and we're going to turn that £1 into 40 right now. Aren't we?

0:16:340:16:37

-Hopefully.

-We are. We are. You love your car boots, don't you?

0:16:370:16:40

-Yeah, I do.

-And, hopefully, we can send you back there with 30 or 40 quid in your pocket. Ready, Charles?

0:16:400:16:45

-I'm ready. Absolutely right.

-Let's do it. Here we go.

0:16:450:16:47

Who's going to start me at £30 for it? 30. 30 on the internet.

0:16:470:16:51

-Great.

-£30 I've got.

0:16:510:16:52

At £35 now. 40.

0:16:520:16:54

At £40, it's an internet bid.

0:16:540:16:56

At £40. Selling, then, at £40.

0:16:560:16:59

-Well done, you.

-Yeah.

-Where is this car-boot sale?

0:17:000:17:03

-Are we all allowed to know?

-Erm...

0:17:030:17:06

Is it a secret?

0:17:060:17:07

Yeah!

0:17:070:17:09

Wherever it is, I'm sure Margaret will be heading back for more bargains.

0:17:120:17:16

Next, it's Helen's coin collection.

0:17:160:17:19

Heads or tails - it's your choice.

0:17:200:17:22

I've just been joined by Helen and Christina.

0:17:220:17:24

Going under the hammer, we have some money. Those coins.

0:17:240:17:26

The long cross penny, George III gold coin and the shilling.

0:17:260:17:30

-We want top-dollar for this money, don't we?

-We do, yes.

-Top shilling.

0:17:300:17:33

Why are you selling, anyway?

0:17:330:17:34

Well, I really went to find out about the valuation,

0:17:340:17:37

-and then it all goes on!

-Oh, you got your arm twisted, did you?

0:17:370:17:40

-I pounced.

-Hey, good choice, though, good choice.

-I love this lot, yeah.

0:17:400:17:44

Yeah, very good lot. Fingers crossed.

0:17:440:17:45

There's 200 bidders here who feel likewise.

0:17:450:17:48

Lot 45.

0:17:500:17:52

-I can start this one at £150.

-Ooh.

0:17:520:17:55

At 150. At £150. At 150. 160, where?

0:17:550:17:58

At £150, are we all done, then? At 150.

0:17:580:18:00

-Maybe bid.

-Selling at 150.

0:18:000:18:03

Straight out.

0:18:040:18:06

-It's not always that easy, is it?

-No, it isn't, is it?

0:18:080:18:10

-Fantastic. Well done.

-You're very happy with that, aren't you?

0:18:100:18:12

-That's fine. Thank you very much.

-Oh, brilliant, brilliant.

0:18:120:18:16

Short, but sweet. Now for George's tin-plate toys.

0:18:160:18:19

George, I've got to keep my fingers crossed for you, cos I think this one's going to be tight.

0:18:210:18:24

The tin-plate toys. I loved them to bits, but they're a little bit play-worn for the collectors,

0:18:240:18:28

-aren't they? And how much did you pay?

-£75.

-75 quid at a car boot.

0:18:280:18:32

We've got to get your money back. We're looking for 80 plus.

0:18:320:18:35

We are, yes, and they are play-worn.

0:18:350:18:37

-Yeah.

-But it's the man's heritage.

0:18:370:18:39

-OK.

-Over the years, you've bought them. They're great.

0:18:390:18:42

OK. We're going to put them to the test. Here we go.

0:18:420:18:44

240. Various mid 20th-century,

0:18:460:18:48

tin-plate, clockwork toys.

0:18:480:18:50

I can start this lot at £75.

0:18:500:18:53

75. Great.

0:18:530:18:54

It's on the net, now, at £100.

0:18:540:18:57

110. 120. 130. 130 now.

0:18:570:18:59

140 in the room. 150 on the net.

0:18:590:19:02

160 in the room. 170.

0:19:020:19:04

170. It's an internet bid, now.

0:19:040:19:06

180, internet, still. 190, now.

0:19:060:19:09

At 190. 200. 210. 220.

0:19:090:19:11

220. £220. Are we all finished? 230.

0:19:110:19:15

-240. 240.

-Amazing.

-£240.

0:19:150:19:18

-I'm speechless.

-I am, as well.

0:19:180:19:19

-Just shows what you find in car boots.

-£240.

0:19:190:19:21

Selling to an internet bidder.

0:19:210:19:23

All finished, then. At £240. 240.

0:19:230:19:27

£240. Hammer's gone down. Well done, you.

0:19:270:19:30

-You took me by surprise and you.

-Very much so.

0:19:300:19:32

That's just incredible.

0:19:320:19:33

The collectors overlooked the condition. There was something they really wanted in that lot,

0:19:330:19:37

and they just got it. And so did you!

0:19:370:19:39

You got 240 quid. You made a big profit.

0:19:390:19:41

-Is it back to the car boot?

-On Sunday.

-On Sunday. Well done.

0:19:410:19:44

Look out for Margaret! That's our first visit to the auction.

0:19:440:19:48

Well, there you are. You've just seen them. Our first three lots under the hammer.

0:19:490:19:53

Now, before we return to our valuation day venue to find

0:19:530:19:57

some more treasures to put under the hammer here,

0:19:570:19:59

I'm going to be the curious house guest and find

0:19:590:20:01

out something about some of the women in Sandon's history.

0:20:010:20:05

MUSIC: It's a Man's, Man's, Man's World by James Brown

0:20:090:20:13

# This is a man's world... #

0:20:140:20:16

Looking back through British history,

0:20:180:20:20

you could be forgiven for thinking it's a man's world.

0:20:200:20:23

Well, it's certainly a male-dominated one, judging by the portraits you

0:20:230:20:26

come across at most stately homes, like here,

0:20:260:20:29

in the Great Hall at Sandon.

0:20:290:20:31

But we know that's only half the story and only half the history.

0:20:320:20:37

# But it wouldn't mean nothing, nothing

0:20:370:20:41

# Without a woman or a girl. #

0:20:420:20:45

Here at Sandon Hall,

0:20:480:20:49

it's the women of the family who are first to greet you.

0:20:490:20:52

Dominating the Great Hall is this painting of the Three Graces.

0:20:520:20:56

In this case, the three daughters

0:20:560:20:58

of Thomas Coutts, the famous London banker.

0:20:580:21:01

Now, not only is this is painting of women,

0:21:010:21:03

but it's also a painting BY a woman.

0:21:030:21:05

MUSIC: Ave Maria

0:21:050:21:06

Angelika Kauffmann,

0:21:060:21:07

one of the rising stars of the 18th-century art world,

0:21:070:21:10

and the fact that this is the first thing you see

0:21:100:21:12

when entering this great house

0:21:120:21:14

says a lot about the importance of women to this family.

0:21:140:21:17

It was commissioned by Thomas Coutts

0:21:190:21:22

during a visit to Angelika Kauffmann's studio

0:21:220:21:24

in Rome, in 1791.

0:21:240:21:26

To find out more about the artist,

0:21:270:21:29

I'm joined by art historian, Dr Clare Barlow.

0:21:290:21:32

For a woman to succeed in the 18th century as a professional

0:21:330:21:36

artist was a very unusual thing.

0:21:360:21:39

How did Angelika discover her talent for painting?

0:21:390:21:42

Well, she's very fortunate in that

0:21:420:21:43

she has an extremely enlightened father,

0:21:430:21:46

and her father is also a painter,

0:21:460:21:48

and she grows up in Switzerland

0:21:480:21:51

and Italy and has an amazing exposure to the arts.

0:21:510:21:55

Crucially, the major problem for women in the arts is that they

0:21:550:22:00

can't attend life drawing classes,

0:22:000:22:02

because it would be indecorous

0:22:020:22:04

-for them to see naked bodies.

-Sure.

0:22:040:22:06

But, because he takes her to Rome,

0:22:060:22:08

she's able to learn from the classical sculptures,

0:22:080:22:11

and learn anatomy, and that proves absolutely crucial to her career.

0:22:110:22:15

She benefits from the fact that in the 18th century,

0:22:150:22:18

there's a real desire to celebrate female talent.

0:22:180:22:22

And although it's harder for a woman to get launched,

0:22:220:22:26

once she is launched, there's a huge audience

0:22:260:22:30

-who are desperate...

-Everybody's interested.

0:22:300:22:32

..to appreciate her work.

0:22:320:22:33

Yes! And she has this unique selling point, which is

0:22:330:22:36

really helpful for her.

0:22:360:22:38

I mean, just looking at that, you can see

0:22:380:22:40

she is an exceptional talent, can't you?

0:22:400:22:42

Oh, she absolutely is, and one of the lovely things about it, too,

0:22:420:22:45

is it's a portrait of WOMEN, by Angelika Kauffmann.

0:22:450:22:48

Kauffmann is really famous for her depictions of women, and that

0:22:480:22:52

makes her the perfect artist to be promoting these girls.

0:22:520:22:56

And some of the young sitters would be more comfortable with

0:22:560:22:59

a female artist as well.

0:22:590:23:00

And some of the families too, because of course,

0:23:000:23:02

painting is seen as a slightly erotic art,

0:23:020:23:05

that, you know, you have to really pay attention to the sitter,

0:23:050:23:08

and really think about what they look like, and obviously, taking your eligible

0:23:080:23:12

young ladies to a female artist

0:23:120:23:14

is, perhaps, more decorous.

0:23:140:23:16

And it's fascinating!

0:23:160:23:17

The fact that they're in front of a bust of Minerva,

0:23:170:23:20

that's very significant, because they don't only have beauty,

0:23:200:23:23

And they clearly have wealth because they're being depicted by such

0:23:230:23:27

a fashionable artist, but they also, in Minerva, have wisdom.

0:23:270:23:31

She's the Goddess of Chastity and the Goddess of Wisdom,

0:23:310:23:35

and I think that suggests their father is really promoting them

0:23:350:23:40

-as having the whole package.

-Do we know what happened to the girls?

0:23:400:23:44

Well, we know that they made extremely good marriages,

0:23:440:23:46

so clearly it worked!

0:23:460:23:48

But it's Frances, the middle daughter, who's the connection

0:23:480:23:51

to the Harrowby family.

0:23:510:23:52

She marries First Marquess of Bute

0:23:520:23:56

-and it's her daughter who marries the second Earl of Harrowby.

-Right.

0:23:560:24:00

-So that's why it's here.

-Absolutely.

0:24:000:24:02

'Sandon Hall has another great painting that puts women

0:24:060:24:09

'centre stage.

0:24:090:24:11

'This striking portrait of Lady Mary Wortley Montagu, the

0:24:110:24:14

'pioneering 18th century traveller,

0:24:140:24:16

'famous for her writings about the Middle East.'

0:24:160:24:20

Unfortunately, the original is behind the scenes at the moment,

0:24:200:24:23

we can't see it, so this is a photographic copy.

0:24:230:24:27

Is Lady Mary well known?

0:24:270:24:28

She is one of the absolute celebrities of the early 18th

0:24:280:24:32

century. Certainly in her day, she was remarkably famous.

0:24:320:24:36

Who's the little black boy?

0:24:360:24:38

There is a sort of convention in some Western portraits,

0:24:380:24:42

of having elegant ladies with a black page boy in attendance.

0:24:420:24:47

Actually, in the Ottoman Empire,

0:24:470:24:49

child slaves tended to be white, rather than black.

0:24:490:24:53

I mean, I think this could possibly be a reference to the

0:24:530:24:57

exoticism of the environment that she's coming from.

0:24:570:25:01

Her husband is the Ambassador to Turkey.

0:25:010:25:04

And she goes with him.

0:25:040:25:06

Because she's a woman, she can go into spaces which men

0:25:060:25:10

can't go, like the Harem, and that becomes this whole sensation.

0:25:100:25:14

And when she comes back to London,

0:25:140:25:16

Turkish fashion becomes THE most popular masquerade dress.

0:25:160:25:20

-But I'll let you into a secret, too.

-OK, go on, what's that?

0:25:200:25:23

If you met Lady Mary Wortley Montagu, her face wouldn't have

0:25:230:25:27

looked like the face in the portrait,

0:25:270:25:28

because, as a young woman, she'd had smallpox, and that had left her with

0:25:280:25:32

terrible scarring, and it had also meant that she had no eyelashes.

0:25:320:25:37

-Oh, dear.

-Which was terribly sad.

0:25:370:25:39

But it didn't hold her back in the slightest.

0:25:390:25:42

Through what I can only imagine is force of character,

0:25:420:25:45

she still managed to launch this amazing career,

0:25:450:25:50

and possibly partly because of her own experience, she helped to

0:25:500:25:54

bring smallpox inoculations back from Turkey with her

0:25:540:25:57

and she helped to encourage British aristocrats back in England

0:25:570:26:02

to have their children inoculated.

0:26:020:26:04

-So she saved a lot of lives.

-Wise lady!

0:26:040:26:06

-She was definitely the "It girl" of the day, wasn't she?

-Absolutely.

0:26:060:26:10

Well, I certainly enjoyed looking at these items here at Sandon Hall

0:26:170:26:21

and hearing about the Harrowby women connection to them.

0:26:210:26:24

They certainly show that history is as full of interesting women,

0:26:240:26:28

as it men.

0:26:280:26:30

"FLOG IT!" THEME TUNE PLAYS

0:26:360:26:38

Welcome back to our magnificent

0:26:460:26:48

valuation day venue location,

0:26:480:26:50

Sandon Hall. As you can see, there are still hundreds of people here.

0:26:500:26:54

We need to find some more antiques to take off to auction, so we're

0:26:540:26:58

going to make a start right now

0:26:580:26:59

as we catch up with Christina Trevanion.

0:26:590:27:02

Christina stepped outside for her next item, where the

0:27:030:27:06

dress-code today is...Purple.

0:27:060:27:09

Isn't it lovely to be outside in the fresh air, it's got

0:27:090:27:12

so busy in there that it's actually really rather nice just to

0:27:120:27:15

-be in these wonderful gardens.

-Yes, lovely.

-Isn't it beautiful?

0:27:150:27:18

Very like your stunning necklace

0:27:180:27:20

that you've brought in to me

0:27:200:27:21

today, which is probably the most

0:27:210:27:23

understated, most elegant,

0:27:230:27:24

beautiful piece of jewellery that I've seen for a long, long time.

0:27:240:27:28

-That's very nice, thank you.

-Do you wear it?

-No.

0:27:280:27:30

-You should, why...?

-Don't think I ever have worn it.

-You've NEVER worn it?

-Don't wear jewellery.

0:27:300:27:34

Well, I certainly wouldn't wear

0:27:340:27:35

anything as delicate as that, to be honest.

0:27:350:27:37

It's not my sort of thing.

0:27:370:27:39

So tell me, where's it come from, how did it come to you?

0:27:390:27:42

My father's mother gave it to me probably 40-odd years ago.

0:27:420:27:46

I think it's stunning, I really do.

0:27:460:27:49

We've got this very delicate little 18-carat gold chain here,

0:27:490:27:52

now we know it's 18-carat, because on this bolt ring

0:27:520:27:55

clasp at the back, there's a little pad to the right that says "18 CT".

0:27:550:27:59

-Yes.

-So 750 parts of gold per thousand so it makes it

0:27:590:28:02

quite a substantial gold content to it.

0:28:020:28:05

And it's quite a long chain, and then it's terminated

0:28:050:28:09

by these really very beautiful

0:28:090:28:11

three graduated pearls.

0:28:110:28:13

I personally would say stylistically,

0:28:130:28:16

it dates from the sort of 1920s,

0:28:160:28:18

1930s, would that make sense with it being... Was it your granny's?

0:28:180:28:22

It was my granny's.

0:28:220:28:23

She had a department store, effectively, at the time in Devizes.

0:28:230:28:28

She'd done very well for herself.

0:28:280:28:30

SHE had a department store?

0:28:300:28:33

-She OWNED a department store?

-Yes, it was hers.

-Wow.

0:28:330:28:35

-She was an entrepreneur.

-In the 1920s?

-Yes.

0:28:350:28:38

She started off life as a milliner in the streets of London

0:28:380:28:41

-and worked her way up to ending up with her own store.

-Wow!

0:28:410:28:45

-Pretty special, isn't it?

-I think so, yeah.

0:28:450:28:47

Certainly, my father was always very impressed with her.

0:28:470:28:50

-I bet!

-She frightened the life out of me, but...!

0:28:500:28:52

That's what happens isn't it?

0:28:520:28:55

Frightening.

0:28:550:28:56

And this was a gift TO her?

0:28:560:28:58

It was a gift to her from the wife of a jeweller

0:28:580:29:01

and I understand that he made that for her.

0:29:010:29:03

Specifically for her? Really, in the 1920s, using this white gold,

0:29:030:29:07

was quite a new thing. Traditionally, up until that point,

0:29:070:29:10

jewellery was very much in yellow gold and it's representing

0:29:100:29:14

that era of freedom that we're coming into, Post-First World War.

0:29:140:29:18

-Yes.

-For me, as a jewellery expert,

0:29:180:29:20

it seems really sad that it's not going to see the light of day,

0:29:200:29:23

and I'm sad that you're not going to wear it,

0:29:230:29:25

because these pearls here need the natural oils from your skin.

0:29:250:29:29

-Ah!

-They need to be lubricated in that sense to keep them

0:29:290:29:32

-from cracking.

-So it needs to be worn.

-It NEEDS to be worn, yes.

0:29:320:29:36

-I mean, I'll volunteer, frankly.

-It'd suit you very well.

0:29:360:29:39

-I think it's beautiful.

-Try it on.

0:29:390:29:42

So, commercially, it does have a value.

0:29:420:29:44

A lot of young people do like white gold, I'm personally...

0:29:440:29:46

Well, I don't really cast myself as young any more, I prefer

0:29:460:29:49

-yellow gold, but white gold is what the market wants.

-Good.

0:29:490:29:52

So, I think a sensible auction estimate for it would be somewhere

0:29:520:29:55

in the region maybe of £150 to £200. What's your thoughts about that?

0:29:550:29:59

-That would be fine, no problem at all.

-Would that be all right?

0:29:590:30:02

I mean, it's a beautiful thing, I'm fairly sure it will sail away

0:30:020:30:05

-and find a new home. In fact, I wish

-I

-could buy it.

0:30:050:30:07

-It's beautiful.

-Thank you very much.

0:30:070:30:09

Back indooors, let's see what Charles has turned up.

0:30:110:30:14

Now I saw you in the queue outside that imposing facade which is

0:30:160:30:21

Sandon Hall, and what excited me is this clock still ticking now,

0:30:210:30:26

this pocket watch, and of course it was ticking many years ago

0:30:260:30:30

-when this really was a home for a family.

-That's correct, yes.

0:30:300:30:34

The watch belongs to my mother-in-law, Dorothy, and Dorothy

0:30:340:30:37

and her husband George were working here for the Earl and Countess.

0:30:370:30:44

Dorothy was a maid to the Countess,

0:30:440:30:46

and George was the chauffeur.

0:30:460:30:47

Really?

0:30:470:30:49

And so while they were living here,

0:30:490:30:51

then the watch would be here on the premises.

0:30:510:30:54

And tell me, we're talking about the Earl and Countess,

0:30:540:30:56

take me back, how far are we going in Sandon's history?

0:30:560:31:00

To when they were living and working here.

0:31:000:31:02

They were living here in the 1950s,

0:31:020:31:04

through to the early sixties,

0:31:040:31:06

so most of the fifties.

0:31:060:31:08

My husband was brought up here, at the hall.

0:31:090:31:12

I love Sandon hall, because it's quite a sleepy hall, still.

0:31:120:31:16

-It's beautiful. It's never lost its charm of when it was a family home.

-Yeah.

0:31:160:31:22

And of course, if this pocket watch could

0:31:220:31:24

talk about the conversations it would have enjoyed

0:31:240:31:27

in this dining room...

0:31:270:31:28

-That's right...

-With its gorgeous Chinese wall paper and of course,

0:31:280:31:32

even conversations and discussions between the maid who was your...

0:31:320:31:36

-mum-in-law, Dorothy...

-Dorothy, and the Countess.

-That's right.

0:31:360:31:39

-And that's one of those moments.

-That's right, yes, yes.

0:31:390:31:42

-It wasn't a gift from the Earl, was it, at all?

-No, not at all.

0:31:420:31:45

Dorothy's great-grandmother gave it to Dorothy's

0:31:450:31:49

grand-mother for her 21st birthday.

0:31:490:31:52

This actually is a very pretty Swiss pocket watch.

0:31:520:31:57

-OK, it has a German outer case.

-Right.

0:31:570:32:00

And the actual pocket watch movement is really...

0:32:000:32:03

Well, it was made in that centre of excellence which was

0:32:030:32:06

Switzerland in the late 19th century.

0:32:060:32:09

We've got the key first and foremost,

0:32:090:32:12

-which is lovely.

-It's pretty, isn't it?

0:32:120:32:14

The actual back and dust cover is all in good condition,

0:32:140:32:18

and of course if we just lift that back-plate off, we can see

0:32:180:32:22

the movement, it's a typical 15-jewel pocket watch movement

0:32:220:32:28

of around 1890.

0:32:280:32:30

-Right.

-And, is it now time, here at Sandon hall to say,

0:32:300:32:33

let's "Flog It!"?

0:32:330:32:35

Well, what Dorothy's said is,

0:32:350:32:37

she can't leave it to one person in the family,

0:32:370:32:40

she's got so many grand-children

0:32:400:32:42

and great-grandchildren,

0:32:420:32:44

so she feels that it's the time to let it go.

0:32:440:32:46

-And Dorothy is alive and firing, well?

-Absolutely. Yes.

0:32:460:32:50

I love it a lot.

0:32:500:32:51

I think it's an endearing little pocket watch. Intrinsically,

0:32:510:32:55

not worth a great deal, but we would love to give it

0:32:550:32:57

a send-off with a guide price of between, let's say,

0:32:570:33:01

-£40 and £60.

-Oh, really? Yes, yeah, OK.

0:33:010:33:05

It's very nice, perhaps put a reserve on with discretion,

0:33:050:33:08

maybe if we bid £35, we can say au revoir,

0:33:080:33:12

it's important to let somebody else enjoy its wonderful history.

0:33:120:33:16

Is that OK?

0:33:160:33:17

-That's fine.

-Can we say we're going to start going... Going...

-Going...

0:33:170:33:20

-Gone.

-Gone.

0:33:200:33:22

That brings us to our final valuation.

0:33:220:33:24

Christina's in the conservatory, and about to bring the house down.

0:33:240:33:28

Now, Catherine, normally when autograph books come to my table,

0:33:300:33:33

I sort of start flicking through, and I'm flicking through yours,

0:33:330:33:36

and I thought, "This one looks really exciting!".

0:33:360:33:40

Tell me how you've managed to accumulate ALL these autographs in this book.

0:33:400:33:43

The autograph album belonged to my Aunt,

0:33:430:33:45

and she gave it to me when I was about nine years old.

0:33:450:33:48

-Wonderful.

-I didn't bother to collect any after that

0:33:480:33:52

until I started as a teenager going to the clubs in Manchester,

0:33:520:33:55

so we used to go to concerts and see Billy Fury

0:33:550:33:57

and people like that,

0:33:570:33:58

and then it was 1963, I'd gone over

0:33:580:34:01

to my Aunt's to stay in Jersey

0:34:010:34:04

with a friend, and she told us that the

0:34:040:34:06

-Beatles were staying in a hotel just down the road.

-No!

0:34:060:34:10

We were so disinterested in The Beatles,

0:34:100:34:12

because we were from Manchester and they were Liverpool

0:34:120:34:15

but we were in the flat one day, and Paul McCartney was literally walking

0:34:150:34:18

down the road to the hotel on his own, coming back from shopping.

0:34:180:34:21

So we went out with a writing pad and he autographed that.

0:34:210:34:25

So, that was then stuck in my album, and then the year after,

0:34:250:34:29

when I went with a local girl to see The Rolling Stones who were

0:34:290:34:32

over, they'd performed at a concert.

0:34:320:34:35

The day after, my aunt ran us up to the airport

0:34:350:34:37

so that we could wave them off.

0:34:370:34:39

We were the only two fans who went up to the airport.

0:34:390:34:41

We were tipped off by the airport staff that they wouldn't be

0:34:410:34:44

coming through the terminal, they'd be going to a side entrance,

0:34:440:34:47

and straight onto the tarmac,

0:34:470:34:48

-so they showed us which gate to wait at.

-Wow!

0:34:480:34:50

Insider information, I love it, Catherine, my goodness!

0:34:500:34:52

We waited at the gate, we were there most of the day,

0:34:520:34:55

but then the taxi came, they got out,

0:34:550:34:58

they were a few yards away from us,

0:34:580:35:00

but they waved and said "Hi" and

0:35:000:35:02

the manager came over and took our albums over and we watched them sign

0:35:020:35:06

them, and then they waved to us and they got in the plane and flew off.

0:35:060:35:09

-Oh, brilliant!

-So, and it was really good,

0:35:090:35:11

because of course it was Brian Jones, you know...

0:35:110:35:14

-Brian Jones passed away, didn't he?

-Yes, exactly, yes.

0:35:140:35:18

-So you got Brian Jones.

-So I got Brian Jones.

-Oh, my goodness.

0:35:180:35:21

And one of them, we didn't know which one,

0:35:210:35:23

but one of them wrote, "The Rolling Stones"

0:35:230:35:25

and put a circle around it in the middle of the page, so...

0:35:250:35:27

So this really brings back some fantastic memories for you,

0:35:270:35:30

doesn't it? And the fact that you've collected these yourself...

0:35:300:35:33

-This book does read a bit like a who's-who of the 1960s music scene.

-Exactly.

0:35:330:35:37

You know, you've got Cliff Richard, you've got Stones,

0:35:370:35:39

you've got Paul McCartney... You've got some great names in here.

0:35:390:35:42

I mean, it is a very impressive autograph book.

0:35:420:35:45

So how much do you think waiting at an airport for a day

0:35:450:35:49

is worth?

0:35:490:35:51

I know, it's incredible, really.

0:35:510:35:53

What's Catherine's time worth, for a day waiting at an airport.

0:35:530:35:56

Well, I mean, in those days, it didn't matter,

0:35:560:35:58

I mean, I've waited for a day here at Flog It!

0:35:580:36:01

-so, there's not much difference.

-This is very true.

0:36:010:36:04

I mean, it was just so exciting, we couldn't believe that we were the

0:36:050:36:09

only two fans who'd bothered to go up to the airport and wait all day.

0:36:090:36:13

They do all obviously have a value,

0:36:130:36:14

and we can put a value on each and every one of them.

0:36:140:36:18

Having totted them all up, I think

0:36:180:36:20

an appropriate auction estimate for them would be...

0:36:200:36:23

-Somewhere in the region of 2 to £300.

-That's amazing, really.

0:36:230:36:26

Yeah. Brilliant, yeah.

0:36:260:36:28

-I just think it's wonderful, thank you so much for bringing it in.

-Oh,

0:36:280:36:31

-well, thank you.

-It's been lovely to see and hear all about it, as well.

0:36:310:36:34

Cos so often, as valuers, we see these books,

0:36:340:36:37

but we never know the story, the human side behind it.

0:36:370:36:40

It's just a faceless book, if you like.

0:36:400:36:42

So, hearing your stories, and hearing that you've collected these

0:36:420:36:45

yourself is brilliant, so thank you so much for sharing that with us.

0:36:450:36:48

And, I mean, for me, I've got the memories, which

0:36:480:36:51

I can think of any time, whereas the book's just in a drawer, so...

0:36:510:36:55

Catherine's stories of the swinging sixties alongside those

0:36:570:37:00

autographs are priceless.

0:37:000:37:01

What a day we've had here at Sandon Hall.

0:37:050:37:08

Everyone has thoroughly enjoyed themselves

0:37:080:37:10

and our experts have found some real treasures, so sadly, it's time

0:37:100:37:13

to say goodbye to this magnificent host location. Right now,

0:37:130:37:18

we're dropping in on the auction room for the very last time.

0:37:180:37:21

And here's a list of the treasures we're taking with us.

0:37:210:37:24

This elegant necklace made for Derry's grandmother

0:37:270:37:30

is a true one-off.

0:37:300:37:31

A return visit to Sandon Hall for this elegant lady's pocket watch.

0:37:330:37:36

A bargain for a lot of craftsmanship and history.

0:37:360:37:41

And Catherine's autograph book includes what some

0:37:410:37:44

collectors might consider a Holy Grail.

0:37:440:37:47

All five of the original Rolling Stones, including Brian Jones.

0:37:470:37:50

Back at the sale-room, first up, it's Ann's pocket watch.

0:37:570:38:00

Ann, I like this watch. I love this little lady's fob watch.

0:38:030:38:06

It's not a lot of money, Charles.

0:38:060:38:07

I know it's not top-quality, but it's still working, isn't it?

0:38:070:38:10

-It is.

-And very good condition. It's very usable.

0:38:100:38:13

This is a steal for me at £40.

0:38:130:38:15

If I could buy it, I would, because I think it's worth every penny.

0:38:150:38:18

Hopefully it'll go for a lot more,

0:38:180:38:20

-and then I won't be disappointed, and nor will you.

-No.

0:38:200:38:22

-And you'll be very happy.

-Indeed.

0:38:220:38:24

It's going under the hammer right now.

0:38:240:38:25

OK, 135, the lady's sterling silver pocket watch at £30, now at 30.

0:38:270:38:32

Where's five? At £30, it is, at 35 now. £35. At 35, 40, where?

0:38:320:38:38

At £35... 35, we're going to sell it then, at £35.

0:38:380:38:42

GAVEL BANGS

0:38:420:38:44

Well it's gone, it's gone.

0:38:440:38:45

Hopefully to someone who loves it and is going to use it.

0:38:450:38:48

-Yeah, and it's been so lovely having the "Flog It!" Experience.

-Aww...

0:38:480:38:52

So it's been wonderful.

0:38:520:38:53

Well, the programme wouldn't work without people like you, or you,

0:38:530:38:56

so if you've got anything like that, we would love to "Flog It!".

0:38:560:38:59

Bring it along to one of our valuation days. Details of

0:38:590:39:02

up-and-coming dates and venues you can find on our BBC website.

0:39:020:39:05

If you don't have a computer,

0:39:050:39:06

check the details in your local press, because fingers crossed,

0:39:060:39:09

we're coming to an area very near you soon.

0:39:090:39:11

So, dust 'em down, bring them in, we'll flog them.

0:39:110:39:14

One!

0:39:170:39:19

GAVEL BANGS

0:39:190:39:20

Good luck, Derry! This necklace belonged to your grandmother.

0:39:200:39:23

Why are you selling this?

0:39:230:39:25

Well, I've had it in a cupboard for 40 years,

0:39:250:39:27

-and what's the point, really? Well, if you don't wear it...

-Do you wear it?

-No.

0:39:270:39:30

May have worn it when I first had it, but wouldn't wear it now.

0:39:300:39:33

-OK, will we get that top end?

-Seriously hope so.

0:39:330:39:35

I mean, it's a beautiful necklace. Really beautiful.

0:39:350:39:38

And it's got its original box

0:39:380:39:40

-and it's just got everything going for it, it's absolutely stunning.

-And the condition's good.

0:39:400:39:44

Yeah, it's in white gold, so it's very commercial.

0:39:440:39:46

It's a lovely thing, a very lovely thing.

0:39:460:39:48

-It's what people will pay for it.

-This is true!

-Fingers crossed!

0:39:480:39:51

Let's find out what the bidders think,

0:39:510:39:53

it's going under the hammer now.

0:39:530:39:55

Lot 85, good lot, this.

0:39:560:39:58

The 18-carat white gold and pearl

0:39:580:40:00

pendant necklace at 100... 10...

0:40:000:40:03

120... £120 now. At 120,

0:40:030:40:06

at £120, 130 where?

0:40:060:40:09

-Come on, come on, come on.

-So are we all finished, then? At £120, at 120.

0:40:090:40:14

-Not today for this one.

-Didn't sell.

-OK.

-Do you know...

0:40:160:40:20

It's a fashion thing.

0:40:200:40:21

-Well, thank goodness you protected it with a reserve.

-Yeah, exactly right.

0:40:210:40:24

-So we didn't let it go for nothing.

-OK, so I haven't made my fortune.

0:40:240:40:27

-Another day, another sale.

-Aw!

0:40:270:40:29

Well, that brings us to our final lot of the day.

0:40:310:40:33

Catherine's included some signed photographs

0:40:330:40:35

and fan letters to go alongside her autograph book.

0:40:350:40:39

Catherine, I love these autographs.

0:40:390:40:42

I'm a big Stones fan. I really am.

0:40:420:40:44

-You're either Beatles or you're The Stones.

-The Stones.

-Oh, Rolling Stones!

0:40:440:40:49

-There is a Beatle in there, isn't there?

-Yes, Paul McCartney.

0:40:490:40:52

-Do you still listen to The Rolling Stones?

-Oh, definitely.

0:40:520:40:55

-Yeah, so do I.

-I've got all their albums.

0:40:550:40:58

Hopefully, hopefully we'll have some rock and roll fans here.

0:40:580:41:01

-Rock and roll memorabilia, here we go.

-Here we go.

-This is it.

0:41:010:41:04

Lot 200 is the collection of rock and pop autographs.

0:41:070:41:11

-to include the Rolling Stones of course, as well...

-Rolling who?

0:41:110:41:13

-I'm joking, I'm joking!

-..Various other signatures...

0:41:130:41:16

So I can start here 170, 80, 190... £190 now, 190.

0:41:160:41:21

£190, 200, 210.

0:41:210:41:24

220... Internet now. At 230, 240, 250, at 260. Still going up, 270.

0:41:240:41:30

280, 290, 300.

0:41:300:41:31

-At 320.

-That's fantastic!

-At £320, 320, 340, 360, 380, £400.

0:41:330:41:40

-At £400, at 420, 440.

-This is more like it.

-Yeah, absolutely.

0:41:400:41:44

460, 480. £500, 550. 550?

0:41:440:41:49

Are you all right?!

0:41:490:41:50

600. At £600? At £600.

0:41:500:41:54

All finished, then. No? 650.

0:41:540:41:57

-At £650.

-Still going!

0:41:570:41:59

One more internet? Yes. 700. £700.

0:41:590:42:03

At £700.

0:42:030:42:05

700. 50 again, yes or no?

0:42:050:42:07

At £700, selling it then at £700.

0:42:070:42:12

Anybody else at £700? All done, 700...

0:42:120:42:15

GAVEL BANGS

0:42:160:42:18

-Well done!

-Oh, fantastic! Well done, you!

0:42:180:42:21

Thank you for bringing those in. Big, big Stones fan.

0:42:210:42:23

Thank you for inviting me to come along.

0:42:230:42:25

Aww, you go back and put the album on and put it on full volume. I do that in the car,

0:42:250:42:29

it's the only chance I can listen to The Rolling Stones,

0:42:290:42:31

cos, you know, my kids don't like it, my wife doesn't like it -

0:42:310:42:34

I get in the car and I go "yeah!"

0:42:340:42:35

All of a sudden I feel like Mick Jagger.

0:42:350:42:37

But that was, I mean, you waited there for so long,

0:42:370:42:40

-didn't you, at the airport?

-Oh, yeah.

0:42:400:42:42

But that's what you do when you're a dedicated fan...

0:42:420:42:44

-When you're a fan, absolutely...

-There was no-one else there.

0:42:440:42:47

Anyway, thank you so much for bringing that in. Great way to end today's show.

0:42:470:42:51

We really topped the charts, didn't we, with that one?

0:42:510:42:53

I hope enjoyed it. Join us again soon for many more surprises.

0:42:530:42:57

But until then, from Shrewsbury, it's goodbye.

0:42:570:42:59

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