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Today, we're in Grimsby, in north-east Lincolnshire. | 0:00:04 | 0:00:07 | |
At the very heart of the town is this church, | 0:00:07 | 0:00:10 | |
founded in the 12th century. | 0:00:10 | 0:00:12 | |
This magnificent building has had more than one name in | 0:00:12 | 0:00:15 | |
its 900-year-old history, | 0:00:15 | 0:00:17 | |
but it knows exactly what its duty is - | 0:00:17 | 0:00:19 | |
to provide a warm welcome to its congregation | 0:00:19 | 0:00:22 | |
and, today, that includes us. | 0:00:22 | 0:00:24 | |
Welcome to Flog It! from Grimsby Minster. | 0:00:24 | 0:00:27 | |
Despite former incarnations as St James' Church | 0:00:46 | 0:00:49 | |
and Grimsby Parish Church, | 0:00:49 | 0:00:51 | |
the spirit of Grimsby Minster goes back centuries. | 0:00:51 | 0:00:54 | |
Over time, there have been changes in its layout and description, | 0:00:54 | 0:00:58 | |
but whatever it's been called, this is very much a living church, | 0:00:58 | 0:01:03 | |
serving the local community, and today, the whole town's come, | 0:01:03 | 0:01:07 | |
so we're going to make the most of it, | 0:01:07 | 0:01:09 | |
and it looks like we've got an enthusiastic Flog It! crowd. | 0:01:09 | 0:01:12 | |
Now, in a moment, we're going to find out what's hidden | 0:01:14 | 0:01:16 | |
in all of these bags and boxes. Now, that is the front of the queue. | 0:01:16 | 0:01:20 | |
If you follow me, if you come with me, I'll show you the end, | 0:01:20 | 0:01:23 | |
but in fact, you can't see the end because the queue goes all around | 0:01:23 | 0:01:25 | |
this fabulous architectural delight - | 0:01:25 | 0:01:28 | |
hundreds of people have turned up, | 0:01:28 | 0:01:29 | |
laden with antiques and collectibles. | 0:01:29 | 0:01:31 | |
We really do have our work cut out. | 0:01:31 | 0:01:34 | |
Our experts are limbering up for that all-important moment | 0:01:34 | 0:01:37 | |
when we find out what's it worth. | 0:01:37 | 0:01:39 | |
And if you're happy with the valuation, what are you going to do? | 0:01:39 | 0:01:43 | |
-ALL: -Flog it! | 0:01:43 | 0:01:45 | |
Hot in the trail of sparkly gems is Christina Trevanion. | 0:01:45 | 0:01:49 | |
You know I can't resist diamonds. | 0:01:49 | 0:01:51 | |
Neither can I. That's why I'm getting rid of some. | 0:01:51 | 0:01:54 | |
Oh, my goodness! | 0:01:54 | 0:01:55 | |
It's girl power today, as she's joined by Anita Manning, | 0:01:55 | 0:01:58 | |
who's always a hit with the crowd. | 0:01:58 | 0:02:00 | |
Hello. Good morning. Good morning. | 0:02:00 | 0:02:02 | |
We're having a good time. | 0:02:02 | 0:02:04 | |
What have you brought to the valuation day today, Madam? | 0:02:04 | 0:02:06 | |
-A big smile! -Ha-ha! | 0:02:06 | 0:02:09 | |
Time to get this lot inside - | 0:02:09 | 0:02:11 | |
they've been getting tempted by the sausages. | 0:02:11 | 0:02:14 | |
We'll find out more about them later. | 0:02:14 | 0:02:16 | |
For now, though, the queue's wiggling its way around the aisles, | 0:02:16 | 0:02:19 | |
into the nave, as people settle in and unpack. | 0:02:19 | 0:02:22 | |
Here's a preview of what's coming up in today's show. | 0:02:22 | 0:02:25 | |
There are questions for Christina. | 0:02:25 | 0:02:28 | |
-Who might use it as a butter dish? -A very smart person. | 0:02:28 | 0:02:31 | |
Anita has a lady chomping at the bit. | 0:02:34 | 0:02:37 | |
-I'm getting you all excited. -Good. Go on, what's it worth? | 0:02:37 | 0:02:40 | |
What's it worth...? | 0:02:40 | 0:02:42 | |
And some TLC is needed at auction. | 0:02:42 | 0:02:45 | |
-Top estimate, Shirley. -My... | 0:02:45 | 0:02:47 | |
This is so exciting, isn't it? | 0:02:47 | 0:02:49 | |
And I learn about the struggle that faced a Lincolnshire lord | 0:02:49 | 0:02:53 | |
when he battled between duty and loyalty. | 0:02:53 | 0:02:56 | |
The balcony where the organ sits is a wonderful spot for me | 0:03:01 | 0:03:04 | |
because I get a great view from up here. | 0:03:04 | 0:03:06 | |
I can see what's going on down there, | 0:03:06 | 0:03:09 | |
and it really is a hive of activity. | 0:03:09 | 0:03:11 | |
Right now, we're going to find out what's in those bags and boxes. | 0:03:11 | 0:03:15 | |
It's lights, camera, action, and over to Anita Manning's table. | 0:03:15 | 0:03:19 | |
Let's take a closer look. | 0:03:19 | 0:03:20 | |
-Stuart. -Yes. | 0:03:23 | 0:03:25 | |
I have to say to you that this is a most interesting and intriguing lot. | 0:03:25 | 0:03:31 | |
It is showing medallions, little silver medallions, | 0:03:31 | 0:03:35 | |
with pigeons on them. | 0:03:35 | 0:03:37 | |
Tell me, where did you get them? | 0:03:37 | 0:03:39 | |
They're my father's father. | 0:03:39 | 0:03:41 | |
And he was keeping pigeons up until the war | 0:03:41 | 0:03:44 | |
and, when he stopped keeping pigeons, he kept his medals. | 0:03:44 | 0:03:48 | |
Right. So what about your dad? Did he work with the pigeons? | 0:03:48 | 0:03:53 | |
Are you interested in pigeons? | 0:03:53 | 0:03:55 | |
No. No, I wouldn't exactly call myself a pigeon fancier, no. | 0:03:55 | 0:04:00 | |
No, they're not, er... | 0:04:00 | 0:04:01 | |
They're not the nicest of creatures! | 0:04:01 | 0:04:03 | |
I think they're fabulous. In Scotland, we call them "doos". | 0:04:03 | 0:04:07 | |
-Oh, right. -Uh-huh. | 0:04:07 | 0:04:08 | |
For me, there is something of mystique about pigeon racing, | 0:04:08 | 0:04:14 | |
where you have these small creatures who will be taken away, | 0:04:14 | 0:04:21 | |
let free, and then will come back, | 0:04:21 | 0:04:24 | |
and I can understand how people can become passionate about them. | 0:04:24 | 0:04:30 | |
And I know, as well as racing, | 0:04:30 | 0:04:32 | |
they were involved in the war effort, in espionage. | 0:04:32 | 0:04:38 | |
That's true. | 0:04:38 | 0:04:39 | |
So the pigeon has... Although it may not seem a glamorous bird, | 0:04:39 | 0:04:45 | |
it is nevertheless an interesting and intriguing bird. | 0:04:45 | 0:04:50 | |
During the Second World War, | 0:04:50 | 0:04:51 | |
a quarter of a million pigeons were used to carry messages. | 0:04:51 | 0:04:55 | |
Pigeon fanciers stopped racing | 0:04:55 | 0:04:57 | |
and their birds were used in the war effort, | 0:04:57 | 0:05:00 | |
often aboard RAF aircraft. | 0:05:00 | 0:05:02 | |
If a plane had to ditch, the pigeon was sent back to base | 0:05:02 | 0:05:05 | |
with the location coordinates so a rescue party could be sent out. | 0:05:05 | 0:05:10 | |
These plucky, speedy birds flew in all weathers | 0:05:10 | 0:05:13 | |
and, over the course of the war, saved thousands of lives. | 0:05:13 | 0:05:16 | |
These medallions were awarded to the owner of the fastest pigeon, | 0:05:17 | 0:05:22 | |
so we have 12 here. | 0:05:22 | 0:05:24 | |
I think that what makes them quite beautiful, | 0:05:24 | 0:05:28 | |
and aesthetically pleasing to the eye, | 0:05:28 | 0:05:31 | |
are the wonderful enamelled pigeons. | 0:05:31 | 0:05:35 | |
These ones here would have gold insets. | 0:05:35 | 0:05:38 | |
What I'd like to do is to take one out and to have a look at it. | 0:05:38 | 0:05:43 | |
OK, let's look at the back first. | 0:05:43 | 0:05:46 | |
We have our silver hallmarks, made in Chester. | 0:05:46 | 0:05:50 | |
Presented to R W Lingard. | 0:05:50 | 0:05:54 | |
The grandfather. | 0:05:54 | 0:05:56 | |
This was presented in 1933 and we have O S Ave. | 0:05:56 | 0:06:00 | |
That means Overseas Average, so the bird that won this medal | 0:06:00 | 0:06:06 | |
would have been taken across the Channel | 0:06:06 | 0:06:10 | |
and he would have flown back. | 0:06:10 | 0:06:12 | |
And there we have this beautifully enamelled depiction of a pigeon. | 0:06:12 | 0:06:19 | |
If we're thinking of estimates, auction estimates, | 0:06:19 | 0:06:22 | |
it's a very difficult thing because it's a very unusual item. | 0:06:22 | 0:06:27 | |
-A niche market. -It's a niche market, | 0:06:27 | 0:06:29 | |
but I would take a stab, really, at an estimate of 250 to 350. | 0:06:29 | 0:06:35 | |
Would you be happy for them to go into auction at that price? | 0:06:35 | 0:06:38 | |
-Yes, yes. Yes. -Yeah? | 0:06:38 | 0:06:40 | |
Well, I mean, we might get a surprise here. | 0:06:40 | 0:06:44 | |
It's entirely possible. | 0:06:44 | 0:06:45 | |
They might fly! | 0:06:45 | 0:06:47 | |
-Oh, dear. -THEY LAUGH | 0:06:47 | 0:06:50 | |
Let's put them in to auction, 250 to 350. | 0:06:50 | 0:06:55 | |
We'll put a reserve on them - 250 with a little bit of discretion. | 0:06:55 | 0:07:00 | |
-Yes. -OK. | 0:07:00 | 0:07:01 | |
-Thank you very much for bringing them along, Stuart. -You're welcome. | 0:07:01 | 0:07:05 | |
Christina's got her eye on something shiny. | 0:07:07 | 0:07:09 | |
Janet, you know I can't resist a bit of diamonds, | 0:07:11 | 0:07:14 | |
a bit of something sparkly, my goodness! | 0:07:14 | 0:07:16 | |
And what a sparkly bangle of beautifulness | 0:07:16 | 0:07:18 | |
you've brought in to us today. Tell me about this. | 0:07:18 | 0:07:21 | |
-I bought it at an auction in Brigg... -OK. -..in 2004. | 0:07:21 | 0:07:26 | |
Right, OK. | 0:07:26 | 0:07:27 | |
I like going to auctions | 0:07:27 | 0:07:29 | |
and the house was full of brown furniture, | 0:07:29 | 0:07:31 | |
so I couldn't buy any more of that. | 0:07:31 | 0:07:33 | |
-So I went on to jewellery for a little while. -I like it. | 0:07:33 | 0:07:36 | |
You've gone from collecting brown furniture to jewellery. | 0:07:36 | 0:07:38 | |
-That's right. -Brilliant. So, what is it exactly that you loved about it? | 0:07:38 | 0:07:41 | |
I like the way it sparkles, | 0:07:41 | 0:07:43 | |
and I have a sapphire in another ring that was my mother's | 0:07:43 | 0:07:47 | |
and just always liked sapphires and diamonds together. | 0:07:47 | 0:07:50 | |
You're absolutely right. | 0:07:50 | 0:07:52 | |
Diamonds and sapphires do sit so well together, don't they? | 0:07:52 | 0:07:55 | |
And there is a reason for that that we'll come on to, | 0:07:55 | 0:07:57 | |
but first of all, let's have a look at the whole thing. | 0:07:57 | 0:07:59 | |
So we've got this wonderful central diamond and sapphire cluster | 0:07:59 | 0:08:03 | |
and then the diamond set shoulders here. | 0:08:03 | 0:08:05 | |
Now, this us very much in a Victorian/Edwardian style, | 0:08:05 | 0:08:08 | |
but actually this is a later 20th century example | 0:08:08 | 0:08:11 | |
and we know that because of the type of cut on the diamonds, | 0:08:11 | 0:08:14 | |
which are brilliant cuts. | 0:08:14 | 0:08:16 | |
If it were genuinely an early Edwardian/Victorian piece, | 0:08:16 | 0:08:20 | |
those would be old cut diamonds, | 0:08:20 | 0:08:22 | |
or at least old brilliant cut diamonds and they're not. | 0:08:22 | 0:08:24 | |
They're modern cut diamonds. OK? | 0:08:24 | 0:08:27 | |
-So you say you bought it in 2004? -Yes. | 0:08:27 | 0:08:29 | |
I think it probably dates to about maybe the 1980s, | 0:08:29 | 0:08:32 | |
maybe the early '90s, something like that. | 0:08:32 | 0:08:34 | |
So it hasn't got huge amounts of age to it. | 0:08:34 | 0:08:36 | |
Nonetheless, it's still a lovely piece. | 0:08:36 | 0:08:38 | |
Now, sapphires and diamonds are quite suitable to go together | 0:08:38 | 0:08:41 | |
because they're of relatively equal hardness, equal durability, | 0:08:41 | 0:08:44 | |
and they've got that same lovely lustre to them, | 0:08:44 | 0:08:46 | |
-they're both very sparkly. -Sparkly, yes. -Yes. | 0:08:46 | 0:08:49 | |
So diamond weight, we've got about 1.3 carats, something like that. | 0:08:49 | 0:08:53 | |
Now, they're all set in yellow gold. | 0:08:53 | 0:08:56 | |
I would expect it to be 18-carat gold - | 0:08:56 | 0:08:58 | |
9 would be a little bit too soft. | 0:08:58 | 0:09:00 | |
The fact that it isn't hallmarked, | 0:09:00 | 0:09:01 | |
does that mean that it's foreign, that it's not English, not British? | 0:09:01 | 0:09:05 | |
Not necessarily. No, not necessarily. | 0:09:05 | 0:09:07 | |
I would expect it to be hallmarked if it was a British piece. | 0:09:07 | 0:09:10 | |
It might just be that it may have been resized at some point | 0:09:10 | 0:09:13 | |
and that the hallmark, unfortunately, has been taken out, | 0:09:13 | 0:09:16 | |
so it doesn't necessarily mean it's not a British hallmarked piece, | 0:09:16 | 0:09:19 | |
it may have been at some stage. | 0:09:19 | 0:09:21 | |
Why are you thinking of selling it? | 0:09:21 | 0:09:23 | |
-Well, I think it needs a young hand. -Do you think? | 0:09:23 | 0:09:26 | |
-Yeah, mine are old and wrinkly. -I would totally disagree with that. | 0:09:26 | 0:09:30 | |
-That's kind of you. -But I think it probably is a good time to sell it. | 0:09:30 | 0:09:35 | |
If you look at this cluster, | 0:09:35 | 0:09:36 | |
if you think of the engagement ring of the Duchess of Cambridge, | 0:09:36 | 0:09:39 | |
obviously, she's brought coloured stones back into fashion. | 0:09:39 | 0:09:42 | |
So when you say you bought it at auction, what did you pay for it? | 0:09:42 | 0:09:45 | |
-Do you mind me asking? -I paid £880. | 0:09:45 | 0:09:48 | |
-OK, at auction, I would put it in the region of £500 to £700. -OK. | 0:09:48 | 0:09:52 | |
How would you feel about that? | 0:09:52 | 0:09:53 | |
-Well, I don't wear it. So, yes, I'd prefer to sell it. -OK. | 0:09:53 | 0:09:57 | |
So if we put a firm reserve at £500, | 0:09:57 | 0:10:00 | |
and we won't let it go for any less than that and hopefully... | 0:10:00 | 0:10:05 | |
I'll send an email to the Duchess of Cambridge | 0:10:05 | 0:10:07 | |
and see if she wants a bangle to go with her ring. | 0:10:07 | 0:10:09 | |
-LAUGHING: -Fingers crossed! Thank you. | 0:10:09 | 0:10:11 | |
Well, it's certainly a hive of activity in there. | 0:10:14 | 0:10:17 | |
Now, you cannot come to Lincolnshire | 0:10:17 | 0:10:19 | |
without sampling some of the local produce. | 0:10:19 | 0:10:21 | |
Lincolnshire sausage is certainly one of them. | 0:10:21 | 0:10:23 | |
I'm here with John Pettit. Hello, pleased to meet you. | 0:10:23 | 0:10:26 | |
-Morning. -You're a third-generation sausage maker. | 0:10:26 | 0:10:28 | |
His family business sells around 25 tonnes of sausage each week. | 0:10:28 | 0:10:32 | |
-That's a lot of sausage. -It is. | 0:10:32 | 0:10:34 | |
-Where does it all go? All over the country? -All over the country, yeah. | 0:10:34 | 0:10:37 | |
My grandfather started the business in 1892. | 0:10:37 | 0:10:39 | |
I'm retired and I've got my little black book here | 0:10:39 | 0:10:42 | |
with the recipe to hand on. | 0:10:42 | 0:10:44 | |
What's the secret? | 0:10:44 | 0:10:45 | |
Are we allowed to see in the little black book? | 0:10:45 | 0:10:47 | |
Can you tell us what makes them so special? We'd like to know! | 0:10:47 | 0:10:49 | |
It's the consistency and the quality of the ingredients, | 0:10:49 | 0:10:52 | |
plus sage is the integral part that makes them very distinctive. | 0:10:52 | 0:10:56 | |
-The ground sage. -And here is a bowl of Lincolnshire sausages. | 0:10:56 | 0:11:01 | |
-Look at this. -Been slightly depleted by some of your crew. -Right! OK. | 0:11:01 | 0:11:05 | |
Well, we are a hungry lot. We've got our work cut out today. | 0:11:05 | 0:11:08 | |
Now, most of you know I'm a vegetarian, | 0:11:08 | 0:11:10 | |
so I, unfortunately, won't take a bite out of this. | 0:11:10 | 0:11:14 | |
My kids would. | 0:11:14 | 0:11:15 | |
But I do have two trusty helpers here, Christina and Anita. | 0:11:15 | 0:11:19 | |
-You don't know what you're missing out on. -Ah, yes. | 0:11:19 | 0:11:21 | |
I like them a wee bit burnt. | 0:11:21 | 0:11:24 | |
Could you tell that that's a regional sausage? | 0:11:24 | 0:11:27 | |
-Lincolnshire sausages are the best. -They are the best. -Mm, very good. | 0:11:27 | 0:11:32 | |
Very, very good. Cheers! | 0:11:32 | 0:11:34 | |
Cheers! | 0:11:34 | 0:11:36 | |
We need to leave the sausages, | 0:11:36 | 0:11:38 | |
and it's straight back to work for Anita, | 0:11:38 | 0:11:40 | |
who's discovered something from one of the oldest | 0:11:40 | 0:11:42 | |
working potteries in the world. | 0:11:42 | 0:11:45 | |
-Margaret, welcome to Flog It! -Thank you. | 0:11:45 | 0:11:47 | |
And you've brought along this divine little Belleek honey pot. | 0:11:47 | 0:11:53 | |
Tell me, where did you get it? | 0:11:53 | 0:11:55 | |
I got it quite a few years ago at a school summer fair. | 0:11:55 | 0:12:00 | |
A lady in the summer fair | 0:12:00 | 0:12:03 | |
knew I collected Belleek. | 0:12:03 | 0:12:06 | |
-Oh, you collect Belleek? -Yes. | 0:12:06 | 0:12:08 | |
-Oh, you're one of those mad collectors! -Yes. | 0:12:08 | 0:12:11 | |
-How did you start collecting? -When my son left college, | 0:12:11 | 0:12:15 | |
-he fell in love with an Irish girl and he went out there. -Ah. | 0:12:15 | 0:12:19 | |
-So did you become interested in Belleek at that point? -Oh, yes. | 0:12:19 | 0:12:22 | |
Because he lived near Enniskillen, which is quite near Belleek. | 0:12:22 | 0:12:26 | |
-So have you got a lot Belleek? -Yes. | 0:12:26 | 0:12:29 | |
-Every room in the house, virtually! -OK. | 0:12:30 | 0:12:33 | |
Now, Belleek started in the 1880s and, over periods of time, | 0:12:33 | 0:12:39 | |
they used different colours of back stamps, | 0:12:39 | 0:12:43 | |
so we can date the pieces to certain periods | 0:12:43 | 0:12:47 | |
and here we can see this black back stamp, | 0:12:47 | 0:12:50 | |
which is third period Belleek, | 0:12:50 | 0:12:53 | |
and that is between 1926 and 1946. | 0:12:53 | 0:12:57 | |
So it's putting us within that period there. | 0:12:57 | 0:13:01 | |
And if we look in the inside, | 0:13:01 | 0:13:04 | |
-it's almost like an egg shell porcelain. -Yes. | 0:13:04 | 0:13:08 | |
It's a little honey pot and it's in the form of a beehive, | 0:13:08 | 0:13:13 | |
sitting on a little platform. | 0:13:13 | 0:13:16 | |
And we have bees here, making their way in to the honey pot, | 0:13:16 | 0:13:23 | |
so the object has humour. | 0:13:23 | 0:13:25 | |
Now, tell me, Margaret, you collect Belleek, | 0:13:25 | 0:13:29 | |
-you have many, many, many pieces. -Mm-hm. | 0:13:29 | 0:13:33 | |
-What's your favourite piece? -That. | 0:13:33 | 0:13:36 | |
-This is your favourite piece? -Yes. -Right, OK. | 0:13:36 | 0:13:39 | |
-But, you know, times change. -OK. | 0:13:39 | 0:13:41 | |
I would put an auction estimate of 100 to 150 on it. | 0:13:41 | 0:13:46 | |
-Would you be happy to put it into auction at that price? -Yes. | 0:13:46 | 0:13:51 | |
-We will put a firm reserve of £100 on it. -Thank you. | 0:13:51 | 0:13:56 | |
And I'm sure that there will be fierce competition for it. | 0:13:56 | 0:14:00 | |
So thank you so much for bringing it along. | 0:14:00 | 0:14:04 | |
It's a lovely wee object. | 0:14:04 | 0:14:06 | |
Thank you. | 0:14:06 | 0:14:07 | |
Such a pretty honey pot | 0:14:07 | 0:14:08 | |
and that should appeal to the Belleek collectors. | 0:14:08 | 0:14:11 | |
Well, can see the Minster has provided | 0:14:13 | 0:14:15 | |
some wonderful inspiration for our hardworking team, | 0:14:15 | 0:14:18 | |
our experts have been enthused | 0:14:18 | 0:14:20 | |
and indeed all the people who have turned up today - | 0:14:20 | 0:14:23 | |
they've brought some marvellous treasures along | 0:14:23 | 0:14:25 | |
and, as you've just seen, our experts have found | 0:14:25 | 0:14:27 | |
their first three items to take off to auction. | 0:14:27 | 0:14:30 | |
So, while we get ready to put them to the test in the saleroom, | 0:14:30 | 0:14:33 | |
here's a quick recap, just to jog your memory, | 0:14:33 | 0:14:35 | |
of all the items that are going under the hammer. | 0:14:35 | 0:14:38 | |
The proudly-won pigeon racing medals. | 0:14:39 | 0:14:41 | |
Will they find favour with any fanciers? | 0:14:41 | 0:14:43 | |
A stunning diamond and sapphire gold bracelet. | 0:14:46 | 0:14:49 | |
And the pretty Belleek honey pot. | 0:14:52 | 0:14:54 | |
We're heading south west to Lincoln, | 0:14:58 | 0:15:00 | |
a city with an impressive heritage and a very steep hill. | 0:15:00 | 0:15:03 | |
This was built by the Romans to help boost trade routes | 0:15:03 | 0:15:07 | |
and it's still a bustling shopping area. | 0:15:07 | 0:15:09 | |
And we're hoping for some good sales of our own now. | 0:15:09 | 0:15:12 | |
On the rostrum, we have two auctioneers. | 0:15:12 | 0:15:14 | |
Colin Young and John Leatt. | 0:15:14 | 0:15:17 | |
And the commission rate here today is 15% plus VAT. | 0:15:17 | 0:15:21 | |
It's looking busy and hopefully, | 0:15:22 | 0:15:24 | |
there's somebody who fancies these pigeon medals. | 0:15:24 | 0:15:27 | |
I've just been joined by Stuart and Anita, our expert, | 0:15:27 | 0:15:29 | |
and something quite rare, we rarely see on Flog It!, | 0:15:29 | 0:15:32 | |
racing pigeon medals. | 0:15:32 | 0:15:33 | |
-These have been grandad's, they've been in the family a long time. -Yep. | 0:15:33 | 0:15:36 | |
-So you didn't want them? -No, no. | 0:15:36 | 0:15:39 | |
-This is such an unusual lot. -How do you put a value on to it? | 0:15:39 | 0:15:43 | |
-Very, very difficult. -Yeah. -Very difficult. | 0:15:43 | 0:15:46 | |
Look, I hope these go to a good home. Going under the hammer now. | 0:15:46 | 0:15:49 | |
What shall we say for this? | 0:15:49 | 0:15:51 | |
Who is going to start me at a couple of hundred? £200. | 0:15:51 | 0:15:55 | |
200. Start me at 100. 100 bid. At 100. | 0:15:55 | 0:15:58 | |
120 now, make it. 100 bid. 120 anybody now? | 0:15:58 | 0:16:00 | |
At 100, 120, 140, 160. | 0:16:00 | 0:16:03 | |
160, 180. 180, 200. | 0:16:03 | 0:16:05 | |
200, 220, 240. | 0:16:05 | 0:16:08 | |
240 now. 240. 220 bid. | 0:16:08 | 0:16:11 | |
40 now. At 220. 230 then. | 0:16:11 | 0:16:15 | |
Anybody else fancy joining in? | 0:16:15 | 0:16:16 | |
At 220. Well, I've had enough bidders for it. At 220. | 0:16:16 | 0:16:20 | |
We are going to sell. That's the competition. | 0:16:20 | 0:16:22 | |
That's where it all ends. | 0:16:22 | 0:16:24 | |
Or does it? | 0:16:24 | 0:16:25 | |
Is anybody else going to home in on it? | 0:16:25 | 0:16:27 | |
No? At 220, on my left here then. | 0:16:27 | 0:16:30 | |
Selling at £220. | 0:16:30 | 0:16:32 | |
-£220. -Well, he used a wee bit of discretion there. | 0:16:32 | 0:16:36 | |
-Just got them away. -Yeah. | 0:16:36 | 0:16:38 | |
As we thought, a tricky thing to value, | 0:16:38 | 0:16:40 | |
but it's good Stuart's grandfather's medals have found a new home. | 0:16:40 | 0:16:43 | |
It's Margaret's turn now, | 0:16:43 | 0:16:45 | |
and here's hoping the bidders come buzzing to her honey pot. | 0:16:45 | 0:16:48 | |
Going under the hammer right now, we have some fine porcelain. | 0:16:48 | 0:16:51 | |
We have some Belleek going under the hammer, | 0:16:51 | 0:16:53 | |
all the way from Northern Ireland. Why are you selling this? | 0:16:53 | 0:16:56 | |
-Well, I'm supposed to be... cutting back a bit. -OK. | 0:16:56 | 0:17:00 | |
But I have still another... | 0:17:00 | 0:17:03 | |
-about 150 pieces at home. -Oh! | 0:17:03 | 0:17:05 | |
-LAUGHING: -She's a mad collector! | 0:17:05 | 0:17:07 | |
-All Belleek? -Yes. | 0:17:07 | 0:17:09 | |
Wow! | 0:17:09 | 0:17:10 | |
We're going to put this to the test. Who's going to buy it? | 0:17:10 | 0:17:12 | |
We don't know, but we're going to find out. | 0:17:12 | 0:17:14 | |
Here it is, under the hammer, now. | 0:17:14 | 0:17:16 | |
£100? | 0:17:16 | 0:17:18 | |
80, then? | 0:17:18 | 0:17:20 | |
£80. Any interest at 80? | 0:17:20 | 0:17:22 | |
I've got 50. £50, I'll start it. £50 with me. | 0:17:22 | 0:17:25 | |
With me at £50. 55 and 60. | 0:17:25 | 0:17:27 | |
65 and 70. | 0:17:28 | 0:17:29 | |
At £70, here with me at £70. | 0:17:29 | 0:17:32 | |
At £70. All done at £70? At 75 at 80. | 0:17:32 | 0:17:34 | |
85 and 90. | 0:17:34 | 0:17:35 | |
At £90. Anyone else at £90? Anyone else at £90? | 0:17:35 | 0:17:38 | |
All done at £90. | 0:17:38 | 0:17:39 | |
He was asking for £90 - he didn't sell it. So close. | 0:17:39 | 0:17:42 | |
-Margaret... -Never mind. -..it's got to go home. | 0:17:42 | 0:17:45 | |
-I don't mind. -It's going to join its mates. | 0:17:45 | 0:17:48 | |
It didn't want to be separated, did it? | 0:17:48 | 0:17:50 | |
THEY LAUGH | 0:17:50 | 0:17:52 | |
That piece certainly won't be lonely - | 0:17:52 | 0:17:54 | |
it can snuggle back in with Margaret's other 150 pieces, | 0:17:54 | 0:17:58 | |
and hopefully Janet won't be taking her gold bracelet home. | 0:17:58 | 0:18:02 | |
Good luck, both of you. I know you both like this, | 0:18:02 | 0:18:05 | |
but sadly it's got to go because tastes change. | 0:18:05 | 0:18:07 | |
We all evolve and we look at things in different ways. | 0:18:07 | 0:18:10 | |
-It's a diamond and sapphire bracelet. -It is, yes. -Very in vogue. | 0:18:10 | 0:18:13 | |
-Yes. -And, at the end of the day, it is all about taste, isn't it? | 0:18:13 | 0:18:15 | |
-It's all about who likes it. -Two people liking it. | 0:18:15 | 0:18:18 | |
-Exactly. -Exactly. | 0:18:18 | 0:18:19 | |
And Oscar Wilde said there's no such thing as good taste | 0:18:19 | 0:18:21 | |
and bad taste, just your taste and my taste, so let's hope we have | 0:18:21 | 0:18:24 | |
lots of bidders in the room that have exactly our taste. | 0:18:24 | 0:18:27 | |
He also said drinking's a mug's game - | 0:18:27 | 0:18:29 | |
the bigger the mug, the better. | 0:18:29 | 0:18:31 | |
I think I'll stick to that one in future! | 0:18:31 | 0:18:33 | |
Right, let's put this under the hammer. Here we go. | 0:18:33 | 0:18:36 | |
What shall we say for this one? | 0:18:36 | 0:18:38 | |
Who's going to start me, bottom estimate, 500 for it? 500. | 0:18:38 | 0:18:41 | |
Five. Four to go then, 400 anybody? | 0:18:41 | 0:18:43 | |
Four. Three if you like. Three. | 0:18:43 | 0:18:44 | |
Three over there. £300 bid. | 0:18:44 | 0:18:46 | |
At 300. 320, at 320. 340. 340, 360. | 0:18:46 | 0:18:48 | |
360, 380. At 380, 400. | 0:18:48 | 0:18:50 | |
400, 420, 440, 440, 460. | 0:18:50 | 0:18:53 | |
460, 480. | 0:18:53 | 0:18:54 | |
480 now. 480 do I see? | 0:18:54 | 0:18:56 | |
480 surely, 480. | 0:18:56 | 0:18:57 | |
500 now. 500, 500. | 0:18:57 | 0:18:59 | |
-550, 550. 600? -Oh, fantastic. -Good, yeah. | 0:18:59 | 0:19:01 | |
600 now. 650, I'm bid 650. | 0:19:01 | 0:19:03 | |
700 now, surely? 700. 700. | 0:19:03 | 0:19:05 | |
750, at 750. 800 now? | 0:19:05 | 0:19:07 | |
800 surely. 800 bid. | 0:19:07 | 0:19:09 | |
800, 850? | 0:19:09 | 0:19:10 | |
850. 900. 950? | 0:19:10 | 0:19:12 | |
950. 1,000? | 0:19:12 | 0:19:14 | |
-At £950. -Fantastic! | 0:19:14 | 0:19:16 | |
I'll offer you 75 to help you out. | 0:19:16 | 0:19:18 | |
975 bid. At 975. | 0:19:18 | 0:19:19 | |
-1,000 now, surely. 1,000. -Go on, Colin! | 0:19:19 | 0:19:23 | |
It's at 1,000 bid. Offer 25. | 0:19:23 | 0:19:25 | |
Last call for the room, last call for the internet. | 0:19:25 | 0:19:27 | |
I will sell, and sell at £1,000. | 0:19:27 | 0:19:29 | |
Thank you very much. | 0:19:29 | 0:19:31 | |
Oh, thank you, that was... | 0:19:31 | 0:19:32 | |
-I'm tingling, I'm tingling for you, Janet. -Wonderful. | 0:19:32 | 0:19:34 | |
-I was nervous. Amazing! -You were spot on. | 0:19:34 | 0:19:36 | |
What a great result, doubling the reserve! | 0:19:38 | 0:19:40 | |
Well, three lots down and three more to go later on in the programme | 0:19:43 | 0:19:46 | |
but before we return to Grimsby Minster to find some more gems | 0:19:46 | 0:19:49 | |
to go under the hammer, I'm going to be exploring | 0:19:49 | 0:19:52 | |
one of Lincolnshire's many great stately homes, | 0:19:52 | 0:19:54 | |
to find out about a Lord who became confidant | 0:19:54 | 0:19:57 | |
to the only British sovereign to abdicate voluntarily. | 0:19:57 | 0:20:00 | |
This is Belton House, deep in the Lincolnshire countryside. | 0:20:04 | 0:20:08 | |
Since it was built in the 17th century, members of the family | 0:20:09 | 0:20:12 | |
who lived here have been closely linked to the royal court. | 0:20:12 | 0:20:15 | |
This man in particular was destined to play a part in British history, | 0:20:19 | 0:20:23 | |
which had repercussions far beyond these walls. | 0:20:23 | 0:20:27 | |
Peregrine Cust, the 6th Lord Brownlow, inherited Belton in 1927. | 0:20:28 | 0:20:33 | |
Like his predecessors, he mixed with royalty | 0:20:33 | 0:20:36 | |
and he and his wife, Kitty, were close friends | 0:20:36 | 0:20:39 | |
of the Prince of Wales, who was to become King Edward VIII. | 0:20:39 | 0:20:42 | |
Whilst he was still Prince, Edward was having an affair | 0:20:43 | 0:20:46 | |
with a married woman, the American socialite Wallis Simpson. | 0:20:46 | 0:20:50 | |
This, in the day, was a real scandal. | 0:20:50 | 0:20:53 | |
I'm meeting house and collections manager Katherine Grainger | 0:20:53 | 0:20:57 | |
to find out more about Perry, as he was known. | 0:20:57 | 0:21:00 | |
What kind of man was the 6th Lord Brownlow? | 0:21:00 | 0:21:04 | |
From what you read about him and hear about him, | 0:21:04 | 0:21:07 | |
he was the most incredibly loyal friend and servant, | 0:21:07 | 0:21:11 | |
with an enormous sense of duty. | 0:21:11 | 0:21:13 | |
He'd been in the Army, in the Grenadier Guards, in his youth, | 0:21:13 | 0:21:18 | |
and I think that bred in the man | 0:21:18 | 0:21:20 | |
something that he couldn't get away from, I suppose. | 0:21:20 | 0:21:23 | |
-Discipline and honour. -Yes. | 0:21:23 | 0:21:26 | |
What were his links with the Prince of Wales? | 0:21:26 | 0:21:29 | |
He'd known him for many years. | 0:21:29 | 0:21:31 | |
Edward owned a house on the edge of Windsor Great Park | 0:21:31 | 0:21:34 | |
and that was a place where people would gather to socialise - | 0:21:34 | 0:21:38 | |
dinners, weekends - and Peregrine and his wife, Kitty, | 0:21:38 | 0:21:42 | |
were very much a part of that Fort Belvedere set. | 0:21:42 | 0:21:46 | |
So if they were that close, Perry would have known | 0:21:48 | 0:21:51 | |
about Edward's relationship with Mrs Simpson. | 0:21:51 | 0:21:54 | |
Yes, very much so. He would have been fully well aware | 0:21:54 | 0:21:57 | |
of the relationship that was developing. | 0:21:57 | 0:22:00 | |
Which would have been a real pressure for him. | 0:22:00 | 0:22:02 | |
I'm sure there would have been a sense of unease about it | 0:22:02 | 0:22:06 | |
because I believe that George V and Queen Mary, I think, | 0:22:06 | 0:22:10 | |
had made their feelings quite clear as to what they thought about it, | 0:22:10 | 0:22:14 | |
so again that sense of duty comes in | 0:22:14 | 0:22:16 | |
because he is faithful to his friend, | 0:22:16 | 0:22:19 | |
but he knows that his King's not happy about what's going on. | 0:22:19 | 0:22:23 | |
In January 1936, King George V died, | 0:22:23 | 0:22:27 | |
leaving Edward to ascend to the throne. | 0:22:27 | 0:22:30 | |
When Edward succeeded the throne in January 1936, | 0:22:34 | 0:22:37 | |
Lord Brownlow became his Lord-in-waiting. | 0:22:37 | 0:22:40 | |
He ensured all his needs were met and accompanied the King | 0:22:40 | 0:22:43 | |
on his first and only State Opening of Parliament, | 0:22:43 | 0:22:46 | |
and, during that year, | 0:22:46 | 0:22:47 | |
he became Edward's closest friend and confidant. | 0:22:47 | 0:22:51 | |
When the king's supporters realised his intentions | 0:22:51 | 0:22:53 | |
were to marry Mrs Simpson, they turned to Lord Brownlow, | 0:22:53 | 0:22:56 | |
to persuade Wallis to give up the King, and leave the country. | 0:22:56 | 0:23:01 | |
Wallis was divorced and marriage to her was constitutionally impossible. | 0:23:02 | 0:23:06 | |
The Church of England, of which Edward was head, | 0:23:06 | 0:23:09 | |
did not allow divorcees to remarry, | 0:23:09 | 0:23:11 | |
and there was no precedent for the monarch to marry a commoner. | 0:23:11 | 0:23:15 | |
The Cabinet made it clear they would not accept it. | 0:23:15 | 0:23:18 | |
With rumour and speculation mounting amongst the establishment, | 0:23:18 | 0:23:22 | |
the risk of some very bad press, | 0:23:22 | 0:23:24 | |
the King realised he had to get Wallis away from the furore. | 0:23:24 | 0:23:28 | |
This is detailed in documents held by Lincolnshire Archives. | 0:23:28 | 0:23:32 | |
This, over here is a notebook, which was put together | 0:23:32 | 0:23:37 | |
by Lord Brownlow and it relates to his adventure to France, | 0:23:37 | 0:23:42 | |
taking Mrs Simpson with him, | 0:23:42 | 0:23:44 | |
to get her out of the way while the King made up his mind. | 0:23:44 | 0:23:48 | |
Did the King ask Lord Brownlow to take Wallis to France? | 0:23:48 | 0:23:51 | |
He did, and there is a piece in here | 0:23:51 | 0:23:54 | |
about the fact that he had a job for him to do for him, | 0:23:54 | 0:23:58 | |
and that he mustn't tell anybody about it, not even Kitty, his wife. | 0:23:58 | 0:24:01 | |
"Tell no-one under any circumstances about this, not even K. | 0:24:01 | 0:24:08 | |
"Can you manage that for me?" | 0:24:08 | 0:24:10 | |
There are also here two draft statements | 0:24:10 | 0:24:14 | |
which Lord Brownlow wrote on Mrs Simpson's behalf. | 0:24:14 | 0:24:17 | |
In fact, this one is actually signed by her. | 0:24:17 | 0:24:20 | |
She signed it, hasn't she, Wallis Simpson? | 0:24:20 | 0:24:22 | |
And this does state that she would be willing to give him up. | 0:24:22 | 0:24:26 | |
"Today her attitude is unchanged and she is willing to withdraw forthwith | 0:24:26 | 0:24:31 | |
"from a situation that has been rendered | 0:24:31 | 0:24:34 | |
"both unhappy and untenable." | 0:24:34 | 0:24:36 | |
So, plainly, they had talked about it | 0:24:36 | 0:24:39 | |
-and discussed her issuing a statement. -Gosh. | 0:24:39 | 0:24:41 | |
Just looking at that, | 0:24:41 | 0:24:42 | |
that's terribly upsetting in any relationship, | 0:24:42 | 0:24:45 | |
let alone one that the King was having. | 0:24:45 | 0:24:47 | |
Yes, and I suspect he would have been deeply distressed | 0:24:47 | 0:24:51 | |
by the fact that these statements were being issued. | 0:24:51 | 0:24:54 | |
Did it influence any situation? | 0:24:54 | 0:24:56 | |
Well, it didn't, no, because as we know, in the end, he abdicated. | 0:24:56 | 0:25:01 | |
-RADIO RECORDING: -'This is Windsor Castle, | 0:25:03 | 0:25:06 | |
'his Royal Highness Prince Edward.' | 0:25:06 | 0:25:09 | |
'I have found it impossible to carry the heavy burden of responsibility | 0:25:12 | 0:25:18 | |
'and to discharge my duties as King as I would wish to do | 0:25:18 | 0:25:25 | |
'without the help and support of the woman I love, | 0:25:25 | 0:25:31 | |
'and I want you to know that the decision I have made... | 0:25:31 | 0:25:38 | |
'has been mine and mine alone.' | 0:25:38 | 0:25:41 | |
With Edward's abdication after less than a year, | 0:25:43 | 0:25:45 | |
his brother became King George VI, | 0:25:45 | 0:25:48 | |
leaving Edward free to propose to Wallis. | 0:25:48 | 0:25:50 | |
He followed her to France, intending to marry the woman he loved. | 0:25:50 | 0:25:55 | |
There's a letter here from Edward and some train timetables. | 0:25:58 | 0:26:02 | |
Yes, he wrote that letter to Perry, including the train timetables, | 0:26:02 | 0:26:06 | |
saying how much he and Wallis hoped that Perry and Kitty | 0:26:06 | 0:26:09 | |
would attend the wedding, and then Perry did actually | 0:26:09 | 0:26:12 | |
write to the King, George VI, | 0:26:12 | 0:26:16 | |
asking his permission to attend the wedding, | 0:26:16 | 0:26:19 | |
but very, very quickly withdrew that letter | 0:26:19 | 0:26:22 | |
because he realised he was asking him an impossible question. | 0:26:22 | 0:26:25 | |
As Lord Lieutenant of Lincolnshire, | 0:26:25 | 0:26:27 | |
you are King's representative in Lincolnshire, | 0:26:27 | 0:26:30 | |
therefore he was the representative of George VI. | 0:26:30 | 0:26:34 | |
To have gone to the wedding would have, | 0:26:34 | 0:26:36 | |
in the eyes of the people of Lincolnshire, | 0:26:36 | 0:26:39 | |
would have been perhaps very uncomfortable for him. | 0:26:39 | 0:26:43 | |
So obviously Lord Brownlow had to let Edward know | 0:26:43 | 0:26:46 | |
he couldn't attend the wedding. | 0:26:46 | 0:26:48 | |
He did and there is a very, very, brief communication between them. | 0:26:48 | 0:26:53 | |
Peregrine wrote and indicated there were considerable difficulties | 0:26:53 | 0:26:58 | |
back here in England, and he received a telegram by return from | 0:26:58 | 0:27:02 | |
the Duke of Windsor to say he quite understood and no more need be said. | 0:27:02 | 0:27:07 | |
Did duty win over friendship? | 0:27:07 | 0:27:10 | |
Yes, I think duty did win over friendship, | 0:27:10 | 0:27:13 | |
although the friendship then carried on over time. | 0:27:13 | 0:27:18 | |
So, yes, I think it would be fair to say that. | 0:27:18 | 0:27:20 | |
Lord and Lady Brownlow remained in touch with Edward and Wallis | 0:27:27 | 0:27:30 | |
in the years that followed the abdication crisis. | 0:27:30 | 0:27:34 | |
And in 1937, Edward and Wallis were married, | 0:27:34 | 0:27:37 | |
and they were given the titles the Duke and Duchess of Windsor. | 0:27:37 | 0:27:40 | |
They never returned to live in England. | 0:27:40 | 0:27:43 | |
Lord Brownlow was Lord Lieutenant of Lincolnshire | 0:27:45 | 0:27:48 | |
right up until 1950, when he retired, | 0:27:48 | 0:27:51 | |
coming back here to Belton House, the family seat, | 0:27:51 | 0:27:54 | |
where he later died in 1978. | 0:27:54 | 0:27:57 | |
He always knew that his name would be linked to Edward's, | 0:27:57 | 0:28:01 | |
and he was proud that it should be so. | 0:28:01 | 0:28:03 | |
Back to Grimsby Minster, | 0:28:13 | 0:28:15 | |
where the crowd's showing no signs of petering out. | 0:28:15 | 0:28:18 | |
And Christina's found a quiet corner | 0:28:18 | 0:28:20 | |
to examine some rather exotic beauties belonging to Brian. | 0:28:20 | 0:28:24 | |
Tell me about them. | 0:28:24 | 0:28:25 | |
Where did you buy a pair of pineapples? I'm intrigued. | 0:28:25 | 0:28:29 | |
We were driving through Yorkshire, they was on a bric-a-brac stall. | 0:28:29 | 0:28:33 | |
As soon as I saw them I thought, "Well, I've got to have them," | 0:28:33 | 0:28:36 | |
because they really looked the bee's knees. | 0:28:36 | 0:28:38 | |
-Yeah, they're very smart. -Really good, yes. | 0:28:38 | 0:28:40 | |
I asked the chap how much, and we got them for £10, believe it or not. | 0:28:40 | 0:28:43 | |
-£10?! -£10. -No! My goodness me. | 0:28:43 | 0:28:46 | |
-Were you wearing a mask at the time? -Yes. | 0:28:46 | 0:28:49 | |
THEY LAUGH | 0:28:49 | 0:28:50 | |
That's amazing, isn't it? And do you know what they're for? | 0:28:50 | 0:28:53 | |
I think they've come out of a big house | 0:28:53 | 0:28:55 | |
where they were on the newel post of a big staircase, | 0:28:55 | 0:28:58 | |
a sweeping staircase, they'd be on the bottom. | 0:28:58 | 0:29:01 | |
Right. OK. Mm. Potentially. | 0:29:01 | 0:29:04 | |
The reason that I bought them was for them to put in the garden. | 0:29:04 | 0:29:08 | |
But having discovered they were cast iron, | 0:29:08 | 0:29:11 | |
I thought they would rust in the garden | 0:29:11 | 0:29:13 | |
and I didn't want to spray anything on them. | 0:29:13 | 0:29:16 | |
-I think it would have taken away the look of them. -The patina. | 0:29:16 | 0:29:19 | |
-It's a lovely patina on them. -You're absolutely right. Yes. | 0:29:19 | 0:29:22 | |
Now, they're very much in the style of... | 0:29:22 | 0:29:25 | |
I don't know if you've heard of a factory called Coalbrookdale. | 0:29:25 | 0:29:27 | |
They started in the 18th century, producing cast ironware. | 0:29:27 | 0:29:30 | |
They produced the most amazing big benches and they produced, I think, | 0:29:30 | 0:29:34 | |
the gates to Buckingham Palace or Hyde Park gates or something. | 0:29:34 | 0:29:37 | |
So they made some wonderful cast-iron pieces. | 0:29:37 | 0:29:39 | |
-And they're very much in that style. -Mm. | 0:29:39 | 0:29:42 | |
But, unfortunately, they're not marked. Let's have a look. | 0:29:42 | 0:29:45 | |
No, definitely no marks on their bottoms, | 0:29:45 | 0:29:47 | |
which is such a shame because, if they were marked, | 0:29:47 | 0:29:49 | |
we could definitely attribute them to Coalbrookdale. | 0:29:49 | 0:29:52 | |
Then we'd be laughing. It would be brilliant. | 0:29:52 | 0:29:54 | |
I just don't think that they are newel post pineapples, sadly. | 0:29:54 | 0:30:00 | |
I think they were made to go outside. | 0:30:00 | 0:30:03 | |
-And I think that they were potentially gatepost finials... -Yes? | 0:30:03 | 0:30:06 | |
..and that these sections here, | 0:30:06 | 0:30:08 | |
unless this is a very tiny weeny inkwell, | 0:30:08 | 0:30:10 | |
which it isn't, we think that that's what you would have had | 0:30:10 | 0:30:14 | |
if you had night-time parties, | 0:30:14 | 0:30:15 | |
you may have put a torchiere in the top of there, | 0:30:15 | 0:30:18 | |
-like a storm lantern, effectively... -Oh, I see. | 0:30:18 | 0:30:20 | |
-..that would have gone either inside that or sat on top of that. -Right. | 0:30:20 | 0:30:24 | |
These came off a very nice house with a very long drive | 0:30:24 | 0:30:27 | |
with some very well-to-do people. | 0:30:27 | 0:30:29 | |
And you would have had staff that would have cleaned them | 0:30:29 | 0:30:32 | |
-and kept them right and kept them in good condition. -Mm. | 0:30:32 | 0:30:35 | |
Unfortunately, without that mark, | 0:30:35 | 0:30:37 | |
we're not talking the stellar realms, sadly - | 0:30:37 | 0:30:40 | |
we are talking as a nice pair of decorative finials. | 0:30:40 | 0:30:44 | |
£100 to £200 would be very suitable for it, | 0:30:44 | 0:30:47 | |
which I don't think is a bad investment... | 0:30:47 | 0:30:49 | |
-Not a bad return. -..on your £10. | 0:30:49 | 0:30:52 | |
So would you want to protect them with a reserve? | 0:30:52 | 0:30:54 | |
Well, I'm quite prepared to let them go without a reserve. | 0:30:54 | 0:30:58 | |
So we'll put an estimate of 100 to 200 and no reserve, | 0:30:58 | 0:31:01 | |
and we'll let the market dictate. | 0:31:01 | 0:31:03 | |
-See who wants a pair of pineapples on the day. -Yes. | 0:31:03 | 0:31:05 | |
Thank you so much for bringing them in. | 0:31:05 | 0:31:07 | |
-I love them, I think they're gorgeous. -Good. -And a great find. | 0:31:07 | 0:31:10 | |
I think I need to come on a drive with you. | 0:31:10 | 0:31:11 | |
THEY LAUGH | 0:31:11 | 0:31:13 | |
Brian had better check his passenger seat the next time he goes out. | 0:31:13 | 0:31:17 | |
Now, Anita's made a great find | 0:31:17 | 0:31:19 | |
from the early 20th-century Arts and Crafts period. | 0:31:19 | 0:31:22 | |
Julie, welcome to Flog It! | 0:31:22 | 0:31:24 | |
Now, you've brought in to us, today, a slightly bashed | 0:31:24 | 0:31:30 | |
and kind of kicked-about little candlestick, | 0:31:30 | 0:31:34 | |
BUT it's quite an important little thing. | 0:31:34 | 0:31:38 | |
Where did you get it? | 0:31:38 | 0:31:39 | |
I work for a charity shop in Hull, and it got donated. | 0:31:39 | 0:31:43 | |
And the girls were sorting through it, | 0:31:43 | 0:31:45 | |
and they put it on the shelf for me to check. | 0:31:45 | 0:31:48 | |
Now, did the girls recognise... Did they see some sort of quality? | 0:31:48 | 0:31:51 | |
They saw a code number on the base of it. 022. | 0:31:51 | 0:31:55 | |
And, obviously, now we've got the access to the internet, | 0:31:55 | 0:31:58 | |
I took it upstairs to check it. | 0:31:58 | 0:32:00 | |
And there is a Liberty and Co stamp on the underside. | 0:32:00 | 0:32:04 | |
-Did you get quite excited? -Yeah. That's why I'm here today... | 0:32:04 | 0:32:07 | |
Ah, wonderful. | 0:32:07 | 0:32:09 | |
..to see whether it is a proper piece. | 0:32:09 | 0:32:11 | |
And I think what we'll do is look underneath it first. | 0:32:11 | 0:32:15 | |
We can see that it's English pewter. | 0:32:15 | 0:32:18 | |
The number is 0222. | 0:32:18 | 0:32:21 | |
Now, the zero is the thing which is giving me the indication | 0:32:21 | 0:32:25 | |
that it could be Archibald Knox. | 0:32:25 | 0:32:30 | |
Archibald Knox, born in the mid-1800s, | 0:32:30 | 0:32:34 | |
was one of the great designers | 0:32:34 | 0:32:39 | |
of the late 19th, early 20th century. | 0:32:39 | 0:32:42 | |
If we look on the other side, we see, and it's very faint, | 0:32:42 | 0:32:47 | |
we can see that it has been made by Liberty and Company. | 0:32:47 | 0:32:53 | |
Two big, big names. | 0:32:53 | 0:32:56 | |
And what Liberty were selling were items which had an artistic, | 0:32:56 | 0:33:02 | |
or a design influence, and in actual fact, | 0:33:02 | 0:33:05 | |
they are still doing that today. | 0:33:05 | 0:33:08 | |
Archibald Knox was involved in the Arts and Crafts movement. | 0:33:08 | 0:33:13 | |
He designed items in silver, and he also designed items in pewter. | 0:33:13 | 0:33:20 | |
He had a great interest in botany, | 0:33:20 | 0:33:23 | |
and, very often, we see his designs | 0:33:23 | 0:33:26 | |
having a botanical influence with these four posts, | 0:33:26 | 0:33:32 | |
which are almost like the stalks of flowers or leaves. | 0:33:32 | 0:33:36 | |
-I'm getting you all excited. -Good. | 0:33:36 | 0:33:38 | |
-Go on. What's it worth? -What's it worth? | 0:33:38 | 0:33:41 | |
-Now, it is a single candle stick. -OK. | 0:33:41 | 0:33:43 | |
The price on it... I'm going to make it a conservative estimate. | 0:33:43 | 0:33:48 | |
-I would like to put it into auction at maybe £60 to £80. -OK. | 0:33:48 | 0:33:54 | |
-I feel that a conservative estimate will draw in the bidders. -Lovely. | 0:33:54 | 0:33:59 | |
Now, would you be happy to put it in at that estimate? | 0:33:59 | 0:34:05 | |
-Any funds that we raise today will go to the charity. -Uh-huh. -Lovely. | 0:34:05 | 0:34:09 | |
A fixed reserve of £60, | 0:34:09 | 0:34:12 | |
and let's hope it makes an enormous amount of money. | 0:34:12 | 0:34:16 | |
-So do I. -Uh-huh. | 0:34:16 | 0:34:18 | |
No pressure, Anita(!) | 0:34:18 | 0:34:19 | |
Now, this is the Memorial Chapel, | 0:34:21 | 0:34:23 | |
a place to remember those who lost their lives in battle. | 0:34:23 | 0:34:26 | |
And what's caught my eye is this monument to the Grimsby Chums. | 0:34:26 | 0:34:30 | |
I'd never heard of this before, so I did a bit of investigating. | 0:34:30 | 0:34:34 | |
When the First World War broke out, | 0:34:34 | 0:34:36 | |
Britain was the only major force not to have a mass conscripted army. | 0:34:36 | 0:34:40 | |
The Army wasn't big enough to fight a global battle. | 0:34:40 | 0:34:44 | |
So many thousands of men volunteered their service | 0:34:44 | 0:34:47 | |
under Lord Kitchener's New Armies. | 0:34:47 | 0:34:49 | |
Known as Pals Battalions, | 0:34:49 | 0:34:51 | |
these harnessed local ties for national gain. | 0:34:51 | 0:34:55 | |
The thought was more men would enlist | 0:34:55 | 0:34:57 | |
if they could serve alongside their friends, relatives and workmates. | 0:34:57 | 0:35:02 | |
And out of the 300 battalions, only one had a different name, | 0:35:02 | 0:35:06 | |
the Grimsby Chums. | 0:35:06 | 0:35:08 | |
Factory workers, bankers, farm workers, | 0:35:08 | 0:35:10 | |
they all got together, they trained together, and they went off | 0:35:10 | 0:35:14 | |
and they fought their first battle at the Battle of the Somme in 1916. | 0:35:14 | 0:35:17 | |
They suffered their highest casualties | 0:35:19 | 0:35:21 | |
on the first day of this battle. | 0:35:21 | 0:35:23 | |
Half were reported killed, missing or wounded. | 0:35:23 | 0:35:26 | |
Since the war broke out, | 0:35:34 | 0:35:35 | |
a total of 810 men from Grimsby lost their lives in battle. | 0:35:35 | 0:35:41 | |
This is a memorial to them, the Grimsby Chums. | 0:35:41 | 0:35:44 | |
Now back to the valuations and Christina's in her element. | 0:35:51 | 0:35:55 | |
I love this beautiful piece that you've brought in to me. | 0:35:57 | 0:36:01 | |
-Why did you bring it in? -It belonged to my maternal grandmother... | 0:36:01 | 0:36:04 | |
-Right. -..and it spent a lot of time on the windowsill | 0:36:04 | 0:36:08 | |
with a flowerpot in it, sometimes, and sometimes it was empty. | 0:36:08 | 0:36:11 | |
-Really?! -Yes. Really. | 0:36:11 | 0:36:13 | |
You couldn't get further from a flowerpot if you tried, | 0:36:13 | 0:36:16 | |
-to be honest. -THEY LAUGH | 0:36:16 | 0:36:19 | |
So where did Granny get this from? | 0:36:19 | 0:36:20 | |
-I believe she got it in a bring and buy sale. -A bring and buy sale. | 0:36:20 | 0:36:24 | |
-I believe so. -Gosh, somebody brought it and she bought it. -Yes. | 0:36:24 | 0:36:27 | |
-I like her style. -So do I. | 0:36:27 | 0:36:29 | |
-Have you been offered any money for it in the past? -Well, she was. | 0:36:29 | 0:36:31 | |
She used to keep it in a windowsill, as I said, | 0:36:31 | 0:36:34 | |
and it was when rag-and-bone men came around. | 0:36:34 | 0:36:36 | |
-It was shortly after the Second World War, '47-ish. -Yeah. | 0:36:36 | 0:36:40 | |
He'd offered her £5. | 0:36:40 | 0:36:43 | |
And she thought, | 0:36:43 | 0:36:44 | |
"Well, it must be worth more if he's offering me five." | 0:36:44 | 0:36:47 | |
-Reverse psychology. I like it. -Yes. -Let's have a look at it. | 0:36:47 | 0:36:51 | |
Let's start from the beginning, shall we? | 0:36:51 | 0:36:53 | |
Let's start from the bottom up. | 0:36:53 | 0:36:54 | |
-What we've got is this mark on the bottom, which says WH90. -Right. | 0:36:54 | 0:37:00 | |
-Do you know what that means? -I've no idea. -No? | 0:37:00 | 0:37:03 | |
WH is a maker called Wang Hing, | 0:37:03 | 0:37:07 | |
who was a Chinese silversmith and retailer | 0:37:07 | 0:37:10 | |
-and exporter of very good quality silverwares. -Right. -OK. | 0:37:10 | 0:37:15 | |
This particular example is a 90 standard. OK? | 0:37:15 | 0:37:18 | |
So that's a really good sign. That's a very good-quality silver. | 0:37:18 | 0:37:21 | |
Wang Hing started production of these sorts of wares in about 1854, | 0:37:21 | 0:37:26 | |
OK, but I don't think this is one of his earlier pieces. | 0:37:26 | 0:37:28 | |
I think this is more maybe 1880s, 1900, | 0:37:28 | 0:37:31 | |
maybe slightly turn of the century. It's not his early work. | 0:37:31 | 0:37:34 | |
We can tell that by the mark. | 0:37:34 | 0:37:35 | |
It's got this amazingly beautiful embossed and cast decoration | 0:37:35 | 0:37:41 | |
of these, what have we got, we've got chrysanthemums, | 0:37:41 | 0:37:44 | |
we've got peonies. | 0:37:44 | 0:37:45 | |
-It's just so detailed. -That's sort of like a dahlia. -Yeah. -And so on. | 0:37:45 | 0:37:49 | |
-It looks like a jungle of a garden, doesn't it? -It does. | 0:37:49 | 0:37:51 | |
And that's what the Chinese were so good at, | 0:37:51 | 0:37:54 | |
in creating these wonderful floral views. | 0:37:54 | 0:37:57 | |
It is a very unusual form. | 0:37:57 | 0:37:59 | |
Now, we think it was probably a butter pail or butter container. | 0:37:59 | 0:38:05 | |
Oh, right. | 0:38:05 | 0:38:06 | |
But the smartest butter dish I think I've ever seen in my life. | 0:38:06 | 0:38:08 | |
-Well, yeah. Who might use it as a butter dish? -A very smart person. | 0:38:08 | 0:38:13 | |
THEY LAUGH | 0:38:13 | 0:38:14 | |
So what you would have done, | 0:38:14 | 0:38:16 | |
is you would have put your ice in the bottom, | 0:38:16 | 0:38:18 | |
and you would have put your butter in a little liner inside there | 0:38:18 | 0:38:22 | |
-to keep the butter cool. -Ah! -OK? | 0:38:22 | 0:38:25 | |
It may have had a lid because, if you see around here, | 0:38:25 | 0:38:28 | |
you can see that there is a little indentation to that rim there. | 0:38:28 | 0:38:31 | |
-So it may originally have had a lid. -Ah. | 0:38:31 | 0:38:34 | |
So if I were to put this into auction, | 0:38:34 | 0:38:36 | |
I would estimate it at 300 to 500, 400 to 600. | 0:38:36 | 0:38:39 | |
How would you feel about that? | 0:38:39 | 0:38:41 | |
I would prefer a higher reserve because of the years I've known it. | 0:38:41 | 0:38:44 | |
-OK. -If you don't mind. | 0:38:44 | 0:38:45 | |
I think that's fine, I think a comfortable estimate, | 0:38:45 | 0:38:48 | |
if we said 400 to 600 with a firm reserve at £400. | 0:38:48 | 0:38:51 | |
-We won't let it go for any less than that. -Fine. -Is that all right? | 0:38:51 | 0:38:54 | |
Yes. | 0:38:54 | 0:38:55 | |
Thank you. | 0:38:55 | 0:38:56 | |
Right now, we're going to leave this scene behind | 0:39:00 | 0:39:02 | |
as we put those valuations to the test in the auction room. | 0:39:02 | 0:39:05 | |
This is where it matters. | 0:39:05 | 0:39:07 | |
This is where we find out what's it worth. | 0:39:07 | 0:39:09 | |
So while we make our way down to Lincoln, | 0:39:09 | 0:39:11 | |
here's a quick recap of all the items that are going... | 0:39:11 | 0:39:14 | |
HE IMITATES A GAVEL BANG ..under the hammer. | 0:39:14 | 0:39:17 | |
There are the decorative cast-iron pineapples. | 0:39:17 | 0:39:19 | |
An Arts and Crafts gem - the pewter candleholder. | 0:39:22 | 0:39:26 | |
And the beautifully-decorated silver from China - | 0:39:28 | 0:39:31 | |
a very posh butter dish. | 0:39:31 | 0:39:33 | |
As we return to the saleroom, | 0:39:35 | 0:39:36 | |
it's all eyes on the auctioneer, John Leatt, | 0:39:36 | 0:39:39 | |
as the exotic fruit tests the bidders. | 0:39:39 | 0:39:42 | |
Brian, going under the hammer right now, | 0:39:42 | 0:39:45 | |
we've got your two pineapples. | 0:39:45 | 0:39:46 | |
Cast-iron pineapples, possibly gateposts. | 0:39:46 | 0:39:49 | |
Brian and I have been debating this since the valuation day. | 0:39:49 | 0:39:51 | |
Well, let's put them to the test. | 0:39:51 | 0:39:53 | |
They're going under the hammer right now. | 0:39:53 | 0:39:55 | |
A bit of interest in this. Various, in fact. | 0:39:55 | 0:39:58 | |
More than a bit, we've got quite a lot of interest in this, | 0:39:58 | 0:40:00 | |
and I'll start them straight with me at £40. | 0:40:00 | 0:40:02 | |
At £40. At 40. | 0:40:02 | 0:40:03 | |
-I thought straight in at 200. -600. Yeah. | 0:40:03 | 0:40:05 | |
50. Let the internet take it at £50. | 0:40:05 | 0:40:08 | |
The internet's at 55. | 0:40:08 | 0:40:09 | |
At 55 in the room. And 60. 65. | 0:40:09 | 0:40:12 | |
70. 75. | 0:40:12 | 0:40:14 | |
80. 85. 90 | 0:40:14 | 0:40:17 | |
-£90 on the net, anyone else at 90? On the internet. £90. -In profit. | 0:40:17 | 0:40:20 | |
-You're in profit, absolutely. -Done at £90? | 0:40:20 | 0:40:22 | |
On the internet? Nowhere else? In the room? | 0:40:22 | 0:40:24 | |
-They could go for more than that. -So on the internet at £90, then... | 0:40:24 | 0:40:27 | |
Well, they're gone at £90. That's a good profit, isn't it? | 0:40:29 | 0:40:31 | |
£80 profit for you there, Brian. | 0:40:31 | 0:40:33 | |
That's not bad, is it? | 0:40:33 | 0:40:34 | |
-Pay for the trip home. -Yeah! | 0:40:34 | 0:40:37 | |
Now, Julie was very keen to make as much as possible | 0:40:38 | 0:40:41 | |
on her Arts and Crafts candlestick holder. | 0:40:41 | 0:40:45 | |
Belongs to Julie, not for much longer. Why are you selling this? | 0:40:45 | 0:40:48 | |
-It's donated for the charity. -Oh, is it? | 0:40:48 | 0:40:50 | |
So all the money is going towards charity? | 0:40:50 | 0:40:52 | |
It's going to sell, but what for? We're going to find out right now. | 0:40:52 | 0:40:55 | |
This is it. | 0:40:55 | 0:40:57 | |
Who's going to start me at £50? 50? | 0:40:58 | 0:41:00 | |
40 to go, then. £40? 40? 30? | 0:41:00 | 0:41:03 | |
We're looking for £60 to £80, aren't we, Julie? | 0:41:03 | 0:41:06 | |
38, 38, bid 40. At 40, we've got a bid. | 0:41:06 | 0:41:08 | |
42, 45. | 0:41:08 | 0:41:09 | |
48. | 0:41:09 | 0:41:10 | |
Bid 50 now. 50, got a bid. | 0:41:10 | 0:41:11 | |
It's getting brighter. It's flickering. | 0:41:11 | 0:41:13 | |
Five anywhere else, now? | 0:41:13 | 0:41:15 | |
-70 bid? -This is good. | 0:41:15 | 0:41:17 | |
75? £70 bid? | 0:41:17 | 0:41:18 | |
Do I see five now? At £70. | 0:41:18 | 0:41:20 | |
You're all out now. 75 with you. 75. | 0:41:20 | 0:41:22 | |
Bid 80 with me. And five now. | 0:41:22 | 0:41:23 | |
-Still climbing. -This is very good. | 0:41:23 | 0:41:25 | |
Five, anywhere? Surely, we are all done. | 0:41:25 | 0:41:27 | |
At £80. Last call for everybody. | 0:41:27 | 0:41:29 | |
It's on the market and selling at £80. | 0:41:29 | 0:41:31 | |
£80. Yes, well done, Colin Young. Thank you for bringing that in. | 0:41:31 | 0:41:33 | |
Lovely. | 0:41:33 | 0:41:34 | |
That candlestick did shine in the saleroom. | 0:41:34 | 0:41:37 | |
And hopefully Shirley's stunning silver piece will. too. | 0:41:37 | 0:41:41 | |
We are just about to sell | 0:41:41 | 0:41:42 | |
this Chinese export silver two-handled bowl. | 0:41:42 | 0:41:45 | |
-It's gorgeous. -It is, it's beautiful. -It is, isn't it? | 0:41:45 | 0:41:48 | |
Yes, stylistically, it's perfect. | 0:41:48 | 0:41:49 | |
It stands so well, | 0:41:49 | 0:41:51 | |
and we're going to put it under the hammer right now. | 0:41:51 | 0:41:53 | |
Let's find out what the bidders think. | 0:41:53 | 0:41:55 | |
Start me at 400 for this. | 0:41:55 | 0:41:57 | |
400, 3 to go, 300 bid, 300. 320. At 320. | 0:41:57 | 0:41:59 | |
340. At 340. 360. | 0:41:59 | 0:42:01 | |
360. 380. At 380. | 0:42:01 | 0:42:03 | |
-400. -Yes. | 0:42:03 | 0:42:04 | |
At 400 bid. | 0:42:04 | 0:42:05 | |
-420, now. -Oh, fantastic. | 0:42:05 | 0:42:06 | |
-We've got the reserve price now. -420, anybody now? | 0:42:06 | 0:42:09 | |
420. 440. 440 bid now. | 0:42:09 | 0:42:12 | |
440. 440. 460. | 0:42:12 | 0:42:14 | |
-460. 480. 480. 480. -480, brilliant. | 0:42:14 | 0:42:18 | |
-500. -Well done, Colin. | 0:42:18 | 0:42:19 | |
Come on, keep working that bid. | 0:42:19 | 0:42:21 | |
550 now, do I see? | 0:42:21 | 0:42:22 | |
550. 600. Up to £600. | 0:42:22 | 0:42:24 | |
That's the top estimate, Shirley. | 0:42:24 | 0:42:25 | |
At 600. | 0:42:25 | 0:42:27 | |
This is so exciting. | 0:42:27 | 0:42:29 | |
At 650, here. | 0:42:29 | 0:42:30 | |
75 if it's going to help you? | 0:42:30 | 0:42:32 | |
675 helps. | 0:42:32 | 0:42:34 | |
Seven now. | 0:42:34 | 0:42:35 | |
My bid of 675... | 0:42:35 | 0:42:37 | |
-Fantastic. -..is in the room. | 0:42:37 | 0:42:39 | |
700 is your last chance. | 0:42:39 | 0:42:40 | |
Go on. | 0:42:40 | 0:42:41 | |
At 675. Are we all done, then? | 0:42:41 | 0:42:43 | |
No? At 675, all done at 675... | 0:42:44 | 0:42:48 | |
-Yes. £675. -Oh, thanks, that's lovely. | 0:42:48 | 0:42:51 | |
-Look at your little face. -Chuffed! | 0:42:51 | 0:42:53 | |
Top. That's what we like. Well done, Christina. | 0:42:53 | 0:42:55 | |
Right, it was a lovely piece. | 0:42:55 | 0:42:57 | |
And well done, you, for bringing that in. | 0:42:57 | 0:42:59 | |
What a fantastic result, and Shirley's over the moon. | 0:43:00 | 0:43:03 | |
Well, that's it, it's all over for our owners. | 0:43:04 | 0:43:07 | |
As you can see, the auction is still going on. | 0:43:07 | 0:43:09 | |
We've had a fabulous time here in Lincoln. | 0:43:09 | 0:43:11 | |
Our owners have gone home happy | 0:43:11 | 0:43:12 | |
and our experts have been on the money, | 0:43:12 | 0:43:14 | |
and that's what it's all about. | 0:43:14 | 0:43:16 | |
Join us again for another surprise in another auction room. | 0:43:16 | 0:43:19 | |
Until then, it's goodbye. | 0:43:19 | 0:43:21 |