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Today, we're in the home county of Hertfordshire | 0:00:04 | 0:00:07 | |
in the city of St Albans, which is just north-west of London. | 0:00:07 | 0:00:10 | |
Our venue today is the magnificent St Albans Cathedral and Abbey | 0:00:10 | 0:00:14 | |
and we've got our fingers crossed that something equally as gorgeous | 0:00:14 | 0:00:18 | |
will end up on our valuation day tables. | 0:00:18 | 0:00:20 | |
Welcome to Flog It! | 0:00:20 | 0:00:22 | |
The cathedral city of St Albans is the successor of Verulamium, | 0:00:43 | 0:00:47 | |
the third largest Roman city in Britain, which was founded in 50 AD. | 0:00:47 | 0:00:52 | |
It was the only British Roman town to be declared a municipium, | 0:00:52 | 0:00:57 | |
meaning that its inhabitants were officially Roman citizens. | 0:00:57 | 0:01:00 | |
Today, both the city and the Cathedral and Abbey of St Albans | 0:01:00 | 0:01:04 | |
are named after one of the Roman citizens of Verulamium, | 0:01:04 | 0:01:07 | |
a man called Alban. | 0:01:07 | 0:01:09 | |
Alban was the first man in the country | 0:01:10 | 0:01:12 | |
to become a Christian martyr. | 0:01:12 | 0:01:14 | |
He converted to Christianity towards the end of the third century, | 0:01:14 | 0:01:18 | |
after sheltering a Christian priest who was fleeing Roman persecution. | 0:01:18 | 0:01:22 | |
Alban exchanged clothes with the priest | 0:01:22 | 0:01:24 | |
to help him escape and he took his place. | 0:01:24 | 0:01:27 | |
His fellow Roman kinsmen soon identified Alban and said, | 0:01:27 | 0:01:29 | |
"You have to renounce your new Christian faith." | 0:01:29 | 0:01:32 | |
He wouldn't, so he was beheaded for his new beliefs. | 0:01:32 | 0:01:35 | |
St Alban is still remembered here today in the cathedral and the abbey | 0:01:35 | 0:01:39 | |
that bears his name and I can't wait to get inside | 0:01:39 | 0:01:41 | |
to found out more about this intriguing story | 0:01:41 | 0:01:44 | |
and, of course, we've got some valuations to be getting on with. | 0:01:44 | 0:01:47 | |
We've got some antique business to do. Are you ready for this? | 0:01:47 | 0:01:50 | |
-ALL: -Yes! -Well, let's get on with it. | 0:01:50 | 0:01:52 | |
The crowd are raring to go and so are our experts, | 0:01:52 | 0:01:56 | |
Claire Rawle and James Lewis, and they're going head-to-head today | 0:01:56 | 0:02:00 | |
to uncover St Albans' most interesting and intriguing antiques. | 0:02:00 | 0:02:05 | |
And it looks as if James is straight on the money. | 0:02:05 | 0:02:09 | |
What have we got here? Ooh, early. Brilliant! Look at that! Roman. | 0:02:09 | 0:02:13 | |
That's lovely and early. | 0:02:13 | 0:02:16 | |
And Claire has found a necklace which deserves a closer look. | 0:02:16 | 0:02:20 | |
That's very pretty. A little turquoise on it as well. | 0:02:20 | 0:02:22 | |
-Yeah, right, could I sticker you? -Yes. | 0:02:22 | 0:02:25 | |
-And I can fast track you. -Thank you. -OK. | 0:02:25 | 0:02:27 | |
While our experts keep hunting for more treasures, | 0:02:29 | 0:02:31 | |
let's take a quick look at what's coming up later. | 0:02:31 | 0:02:34 | |
-Claire has some fun with something nostalgic. -I can't resist it. | 0:02:35 | 0:02:40 | |
-Shall I set him going again? -Go on. -He gets a bit excited. | 0:02:40 | 0:02:43 | |
-Argh! -CLAIRE LAUGHS | 0:02:43 | 0:02:45 | |
And at the auction, it's all smiles and handshakes. | 0:02:45 | 0:02:49 | |
-Yes! -That was short and sweet. -Well done, well done. | 0:02:49 | 0:02:51 | |
Two people fighting that out in the room. | 0:02:51 | 0:02:53 | |
It's gone to somebody who will really like it. | 0:02:53 | 0:02:55 | |
I'm sure they will cherish them. | 0:02:55 | 0:02:57 | |
And later on in the show, | 0:02:57 | 0:02:58 | |
I'll be visiting the theatre here in St Albans, | 0:02:58 | 0:03:00 | |
but not these Roman remains. | 0:03:00 | 0:03:02 | |
I'll be visiting a local theatre company who've taken inspiration | 0:03:02 | 0:03:05 | |
from the Roman stage by using one of the props - the mask. | 0:03:05 | 0:03:08 | |
But before that, it's time to throw open the doors to the cathedral | 0:03:11 | 0:03:15 | |
and get everybody seated inside the beautiful nave. | 0:03:15 | 0:03:19 | |
Getting us off the starting blocks is James, | 0:03:22 | 0:03:24 | |
who has come across a great little collection. | 0:03:24 | 0:03:26 | |
Probably the most common thing that is said to auctioneers | 0:03:28 | 0:03:31 | |
and valuers up and down the country is, | 0:03:31 | 0:03:34 | |
"It's got to be worth something, it's old." | 0:03:34 | 0:03:38 | |
And, I have to say, the two things don't always go hand in hand. | 0:03:38 | 0:03:43 | |
You can have something very modern, like a Banksy sketch, | 0:03:43 | 0:03:46 | |
that can be worth hundreds of thousands, | 0:03:46 | 0:03:49 | |
and then you can have something that's thousands of years old | 0:03:49 | 0:03:52 | |
-and worth very little. -OK. | 0:03:52 | 0:03:55 | |
You've something here, Annie, that is incredibly early, | 0:03:55 | 0:04:00 | |
but the question is, what's it worth? What do you know about these? | 0:04:00 | 0:04:04 | |
All I know is that these three bottom coins are all Roman. | 0:04:04 | 0:04:09 | |
They belonged to my second cousin, as did the other two, | 0:04:09 | 0:04:13 | |
and I inherited them all when he died. | 0:04:13 | 0:04:16 | |
I found them amongst his things. | 0:04:16 | 0:04:19 | |
Somebody told me that the Roman ones were pre-invasion | 0:04:19 | 0:04:22 | |
which, if that's true, I find quite interesting. | 0:04:22 | 0:04:26 | |
The oldest is the one that I've never seen before and it's that one. | 0:04:26 | 0:04:31 | |
-A-ha. -So, that one there is Augustus and Agrippa. | 0:04:31 | 0:04:35 | |
Now, this was struck after 10 AD. | 0:04:35 | 0:04:40 | |
Let's turn it over. | 0:04:40 | 0:04:42 | |
-Have you worked out what it is on the back? -No. | 0:04:42 | 0:04:44 | |
That is a crocodile standing in front of a tree. | 0:04:44 | 0:04:49 | |
These are more common in Britain. Maximians. This one and this one. | 0:04:50 | 0:04:55 | |
They would be 286 AD to 305 AD. | 0:04:55 | 0:05:02 | |
Both are beautiful castings, really lovely condition. | 0:05:02 | 0:05:06 | |
Next one, Elizabeth I. | 0:05:06 | 0:05:09 | |
-It's 1,300 years later than these. -Yes. | 0:05:09 | 0:05:15 | |
Solid silver and it's what we call a struck groat, | 0:05:15 | 0:05:18 | |
so it's just been banged, OK. | 0:05:18 | 0:05:21 | |
And then above her, we have this one, and that's a George III coin, | 0:05:21 | 0:05:27 | |
1797, known as cartwheel because of the thickness of the coin. | 0:05:27 | 0:05:32 | |
So, value. We've got £10 there, | 0:05:32 | 0:05:36 | |
bit less there. | 0:05:36 | 0:05:38 | |
£15 there, | 0:05:38 | 0:05:40 | |
£50 to £70 there | 0:05:40 | 0:05:43 | |
and £6 to £10 there. | 0:05:43 | 0:05:46 | |
All right? So, in terms of an action lot, | 0:05:46 | 0:05:49 | |
I'd put them all together | 0:05:49 | 0:05:50 | |
and I would put £70 to £100 on as an estimate. | 0:05:50 | 0:05:54 | |
Are you happy to sell the lot cos I know that you were saying | 0:05:54 | 0:05:57 | |
that there was one there that had a bit of sentimental value, | 0:05:57 | 0:06:00 | |
so would you like to just take the one? | 0:06:00 | 0:06:04 | |
-Yes, I'm sorry to mess you up. -Go on. -I'm going to keep that one. | 0:06:05 | 0:06:09 | |
Can I ask why that one? | 0:06:09 | 0:06:12 | |
Because when I was clearing all of my cousin's stuff, | 0:06:12 | 0:06:15 | |
I'd got a huge drawer and I just picked up the drawer | 0:06:15 | 0:06:19 | |
and stood it up vertically and I heard the ch-ch-ch-ch, | 0:06:19 | 0:06:23 | |
and it was this that had fallen down the inside of the drawer. | 0:06:23 | 0:06:26 | |
I remember it from 14 years ago when I was doing it, | 0:06:26 | 0:06:30 | |
so I just want to keep it really. | 0:06:30 | 0:06:32 | |
I think, for the sake of £10, it's worth keeping it | 0:06:32 | 0:06:35 | |
but, having said that, I still think we should keep the same estimate - | 0:06:35 | 0:06:40 | |
£70 to £100, with a £50 fixed reserve, OK? | 0:06:40 | 0:06:44 | |
And I'm sure they'll do well and, hopefully, | 0:06:44 | 0:06:47 | |
these little coins will make you a few more pennies | 0:06:47 | 0:06:50 | |
to buy something else. | 0:06:50 | 0:06:52 | |
I can't believe how low the estimate is for those coins, | 0:06:52 | 0:06:55 | |
as they're steeped in history. | 0:06:55 | 0:06:57 | |
And Claire is continuing the Roman theme over on her valuation table. | 0:06:57 | 0:07:01 | |
So, Robert, you're from St Albans, aren't you? | 0:07:01 | 0:07:04 | |
-And St Albans has a Roman heritage. -That's right. | 0:07:04 | 0:07:07 | |
Which is interesting because, in a way, your mirror has, | 0:07:07 | 0:07:09 | |
because it's a mosaic decoration which, of course, | 0:07:09 | 0:07:12 | |
the Romans used a lot of in their floors and decoration things. | 0:07:12 | 0:07:16 | |
So, what can you tell me about this one? | 0:07:16 | 0:07:19 | |
Only that Mother bought it at an auction sale in St Albans | 0:07:19 | 0:07:23 | |
in the late '30s or early '40s. | 0:07:23 | 0:07:27 | |
And did she particularly like mosaic or did she just buy things | 0:07:27 | 0:07:30 | |
-that took her attention? -She bought anything. -Oh, right. | 0:07:30 | 0:07:34 | |
And if she didn't like it after a month, | 0:07:34 | 0:07:37 | |
-she took it back and put it into another auction. -Oh, OK. | 0:07:37 | 0:07:40 | |
-Well, this is, obviously, Italian-made. -I would think so. | 0:07:40 | 0:07:44 | |
Yes, I'm sure would have been made in Rome. | 0:07:44 | 0:07:47 | |
They were making items like this for the tourist trade, | 0:07:47 | 0:07:49 | |
by and large, and although this is 19th century, | 0:07:49 | 0:07:53 | |
a lot of the micro mosaic work started in the 18th century, | 0:07:53 | 0:07:55 | |
with the grand tour, where they made these brooches and decorative items | 0:07:55 | 0:08:00 | |
with these very, very small tesserae - | 0:08:00 | 0:08:02 | |
these little pieces of glass. | 0:08:02 | 0:08:04 | |
And they made brooches of wonderful classical scenes and things | 0:08:04 | 0:08:08 | |
and they are very, very collectible, very often mounted in gold. | 0:08:08 | 0:08:11 | |
Then, as the centuries went on, into the 19th century, | 0:08:11 | 0:08:14 | |
the items got a bit bigger. They did boxes as well as jewellery. | 0:08:14 | 0:08:18 | |
But, actually, | 0:08:18 | 0:08:20 | |
this is one of the nicest examples of mirrors I think I've seen. | 0:08:20 | 0:08:23 | |
Very practical item, isn't it? | 0:08:23 | 0:08:24 | |
-The unusual thing about it is the build-up. -Yes. | 0:08:24 | 0:08:28 | |
-It's not flat like a coffee table top. -Exactly. | 0:08:28 | 0:08:31 | |
It's the extra work that goes into that. | 0:08:31 | 0:08:34 | |
You've got the 3-D, haven't you? They've built it up. | 0:08:34 | 0:08:37 | |
And all these little bits are all | 0:08:37 | 0:08:39 | |
different-coloured tiny little bits of glass put together. | 0:08:39 | 0:08:42 | |
This is quite a traditional pattern, the floral pattern. | 0:08:42 | 0:08:44 | |
I rather like the initials, so probably made to order for somebody. | 0:08:44 | 0:08:48 | |
The wood looks like olive wood to me. | 0:08:48 | 0:08:50 | |
A nice bevelled panel to the centre | 0:08:50 | 0:08:53 | |
and I think this is a nice practical item. | 0:08:53 | 0:08:56 | |
So, it's something you've obviously decided to sell? | 0:08:56 | 0:09:00 | |
-Well, it's home is on my wife's dressing table. -Right. | 0:09:00 | 0:09:05 | |
-And she's getting a little absent-minded nowadays. -Oh... | 0:09:05 | 0:09:10 | |
-And a little clumsy. -Oh. | 0:09:10 | 0:09:12 | |
So, I thought let's get rid of it before it drops. | 0:09:12 | 0:09:15 | |
Yeah, we don't want seven years of bad luck, breaking a glass. | 0:09:15 | 0:09:18 | |
-No. -I think it's actually quite a commercial item. | 0:09:18 | 0:09:21 | |
Very, very decorative, very pretty. | 0:09:21 | 0:09:23 | |
I think probably an estimate of £250 to £300 | 0:09:23 | 0:09:27 | |
and I think, also, it should be protected with a reserve of £250. | 0:09:27 | 0:09:30 | |
-Are you happy with that? -Yes, that sounds good. | 0:09:30 | 0:09:33 | |
Do you want to fix the reserve at £250 | 0:09:33 | 0:09:35 | |
-or should we use a bit of discretion? -Fix. | 0:09:35 | 0:09:37 | |
-So you don't want it to go for any less than £250? -No. -That's fine. | 0:09:37 | 0:09:40 | |
-We'll put a fixed reserve on it of £250, estimate £250 to £300. -OK. | 0:09:40 | 0:09:44 | |
-Excellent. Thank you very much indeed. -That YOU very much. | 0:09:44 | 0:09:47 | |
This is the shrine of St Alban. | 0:09:53 | 0:09:55 | |
It was built in 1308, | 0:09:55 | 0:09:56 | |
restored by the Victorians and then again in the 1990s. | 0:09:56 | 0:10:00 | |
Over the centuries, countless pilgrims have visited here, | 0:10:00 | 0:10:04 | |
offering prayer and leaving gifts at this medieval shrine. | 0:10:04 | 0:10:08 | |
And today, it's still a place of meditation, prayer and worship. | 0:10:08 | 0:10:12 | |
Pilgrims of a bygone age came here hoping for a miracle. | 0:10:12 | 0:10:17 | |
You see these quatrefoils here, decorated at the bottom? | 0:10:17 | 0:10:20 | |
There are some openings. | 0:10:20 | 0:10:22 | |
These were known as healing holes | 0:10:22 | 0:10:24 | |
and poorly pilgrims would insert their limbs, | 0:10:24 | 0:10:27 | |
their legs or their arms, into these healing holes, | 0:10:27 | 0:10:30 | |
hoping they would be made better, praying for a miracle. | 0:10:30 | 0:10:34 | |
However, the real miracle is the shrine is here at all | 0:10:34 | 0:10:37 | |
because, during the 16th century, the dissolution, | 0:10:37 | 0:10:40 | |
Henry VIII's soldiers smashed this to pieces | 0:10:40 | 0:10:42 | |
and the fragments were used to build a wall which went across there. | 0:10:42 | 0:10:46 | |
The wall was taken down in the 1870s | 0:10:46 | 0:10:50 | |
and those fragments were pieced back together | 0:10:50 | 0:10:52 | |
and the shrine was reconstructed. And thank goodness it was, | 0:10:52 | 0:10:56 | |
because that is a wonderful example of medieval craftsmanship. | 0:10:56 | 0:11:00 | |
And right now, I'm hoping | 0:11:00 | 0:11:02 | |
James Lewis is crafting his expert magic over at the valuation tables. | 0:11:02 | 0:11:07 | |
Do you know, I don't think tobacco products have ever been | 0:11:11 | 0:11:14 | |
as controversial as they are today. | 0:11:14 | 0:11:16 | |
But they used to be incredibly popular. | 0:11:16 | 0:11:20 | |
Queen Anne was known as "Snuffy Anne" because she was well-known... | 0:11:20 | 0:11:25 | |
-You're not a Snuffy Sylvia, are you? -No, not really, no, no. | 0:11:25 | 0:11:31 | |
-We've got three snuffboxes and one snuff mull. -Mull? -Mull. | 0:11:31 | 0:11:37 | |
If you've got a snuffbox in the form of a horn, | 0:11:37 | 0:11:39 | |
-it's known as a snuff mull. -Right. | 0:11:39 | 0:11:41 | |
-You've got a little papier mache one from 1850. -Wow. | 0:11:41 | 0:11:45 | |
You've got a horn one from about 1830. | 0:11:45 | 0:11:49 | |
-We've got another horn one, probably 1780. -Yes. | 0:11:49 | 0:11:54 | |
-And you've got this one, which is the best. -The best. | 0:11:54 | 0:11:57 | |
Which is the classic Scottish snuff mull. | 0:11:57 | 0:12:01 | |
-Right. -English tend to have snuffboxes, Scottish snuff mulls. | 0:12:01 | 0:12:05 | |
-Mulls. -If we take this and look around the edge, it says, | 0:12:05 | 0:12:08 | |
-"George Flight, 1778." -Yes. -Tell me, what's going on here? | 0:12:08 | 0:12:16 | |
Well, my mother was a Flight, | 0:12:16 | 0:12:18 | |
-so that was her maiden name. -Ah. | 0:12:18 | 0:12:21 | |
And my grandfather was George Flight, so George has gone back | 0:12:21 | 0:12:25 | |
all the way to the 1700s, so it's come down the family since then. | 0:12:25 | 0:12:31 | |
-If only these things could talk. -Exactly. Very tactile. | 0:12:31 | 0:12:36 | |
-They are and they're personal, aren't they? -Yes. | 0:12:36 | 0:12:39 | |
-They're not necessarily like a table or a painting or a plate. -No. | 0:12:39 | 0:12:42 | |
This is something that's been in somebody's pocket | 0:12:42 | 0:12:44 | |
-and lived a life with them. -True. | 0:12:44 | 0:12:46 | |
Family object, been in the family for over 200 years - | 0:12:46 | 0:12:50 | |
what's it doing here? | 0:12:50 | 0:12:52 | |
Well, my...my son, he's minimalist. | 0:12:52 | 0:12:56 | |
He hasn't got a cabinet in his house, | 0:12:56 | 0:12:59 | |
my daughter, she's got cabinets full. | 0:12:59 | 0:13:01 | |
They don't want them, so I'd rather they could have something | 0:13:01 | 0:13:05 | |
with this to have what they would like in remembrance of the family. | 0:13:05 | 0:13:10 | |
-OK. -That's why. | 0:13:10 | 0:13:11 | |
-When it comes to value, that one is worth possibly £10, not a lot. -No. | 0:13:11 | 0:13:17 | |
Here we've got, again, sort of £20, £30 - a little bit more. | 0:13:17 | 0:13:22 | |
But it's this one. | 0:13:22 | 0:13:24 | |
It would have been great but it's got that great big crack in it, | 0:13:24 | 0:13:27 | |
-look. -Yes. -So the condition is not good. | 0:13:27 | 0:13:31 | |
-So that, I guess, may well be worth £30. -Right. | 0:13:31 | 0:13:34 | |
But the best one, the star, it's the snuff mull. | 0:13:34 | 0:13:38 | |
And it's worth about £150. | 0:13:38 | 0:13:42 | |
-So, if we add all those together, I guess we've got around £200. -Mm-hmm. | 0:13:42 | 0:13:46 | |
So, I would like to put £180 to £250 as an estimate | 0:13:46 | 0:13:50 | |
-and a firm reserve of £170. Is that all right? -That's for all of them? | 0:13:50 | 0:13:56 | |
-For the lot. -For the lot. -Yeah. -That would be fine. | 0:13:56 | 0:13:58 | |
-Are you happy with that? -Yes, I am. | 0:13:58 | 0:14:00 | |
The horn, which Sylvia's snuffboxes and mull are made from | 0:14:00 | 0:14:03 | |
would have come from a mountain sheep or cow. | 0:14:03 | 0:14:06 | |
As you can see, our valuation day is in full swing. | 0:14:07 | 0:14:10 | |
If you'd like to take part in the show, you have to come along | 0:14:10 | 0:14:13 | |
to a valuation day just like this one at St Albans Cathedral. | 0:14:13 | 0:14:16 | |
This is where your journey starts. | 0:14:16 | 0:14:18 | |
Details of up and coming dates and venues are on our BBC website | 0:14:18 | 0:14:21 | |
or check out our "Flog It!" Facebook page, | 0:14:21 | 0:14:23 | |
or the details in your local press, | 0:14:23 | 0:14:25 | |
because, fingers crossed, we're coming to an area near you soon. | 0:14:25 | 0:14:28 | |
So, dust them down and bring them in and we'll flog 'em, | 0:14:28 | 0:14:31 | |
and that's exactly what we're going to do right now. | 0:14:31 | 0:14:33 | |
As you've just seen, our experts have found | 0:14:33 | 0:14:35 | |
their first three items to take off to auction. | 0:14:35 | 0:14:38 | |
Let's put those valuations to the test. | 0:14:38 | 0:14:40 | |
Here's a quick recap of all the items | 0:14:40 | 0:14:42 | |
that are going "ka", under the hammer. | 0:14:42 | 0:14:44 | |
The age of Annie's coin collection spans an impressive 1,300 years. | 0:14:46 | 0:14:50 | |
Fingers crossed, all that history will attract the bidders. | 0:14:50 | 0:14:53 | |
After some reflection, Robert has decided | 0:14:56 | 0:14:58 | |
it's time for his mosaic mirror to find a new home. | 0:14:58 | 0:15:02 | |
And, finally, we hope the collectors turn out in force | 0:15:03 | 0:15:06 | |
for Sylvia's three snuffboxes and snuff mull. | 0:15:06 | 0:15:09 | |
We're only travelling a short distance to our saleroom in Tring. | 0:15:12 | 0:15:16 | |
The origins of this small town go back even further | 0:15:16 | 0:15:19 | |
than the Roman history of St Albans, | 0:15:19 | 0:15:21 | |
as evidence of Iron Age barrows have been discovered in the area. | 0:15:21 | 0:15:25 | |
We're testing our experts' valuations at Tring Market Auctions. | 0:15:29 | 0:15:33 | |
Remember, whether you are buying or selling, | 0:15:33 | 0:15:35 | |
there is always commission and VAT to pay. | 0:15:35 | 0:15:39 | |
Here, sellers pay between 10% and 15%. | 0:15:39 | 0:15:43 | |
Today, we are in the capable hands of auctioneer Stephen Hearn. | 0:15:44 | 0:15:47 | |
But before the sale gets under way, | 0:15:47 | 0:15:49 | |
I'm taking the opportunity to have a browse. | 0:15:49 | 0:15:53 | |
I'm looking for something Roman from the city of Verulamium, | 0:15:53 | 0:15:57 | |
which was, obviously, the old St Albans, | 0:15:57 | 0:15:59 | |
and I've stumbled across something. | 0:15:59 | 0:16:02 | |
Roman nails - look at that. | 0:16:02 | 0:16:04 | |
Hand-forged nails from a Roman legionary fortress. | 0:16:04 | 0:16:09 | |
But, sadly, not St Albans. | 0:16:09 | 0:16:11 | |
This one came all the way from Perthshire in Scotland. | 0:16:11 | 0:16:13 | |
AD 83-87. Look at that. | 0:16:13 | 0:16:16 | |
And look at the condition of the nails. Incredible survivors. | 0:16:16 | 0:16:21 | |
A great little lot which is in good company today | 0:16:22 | 0:16:25 | |
with our Roman coins, which will be up shortly. | 0:16:25 | 0:16:27 | |
But first under Stephen Hearn's gavel, | 0:16:27 | 0:16:29 | |
is Sylvia's three snuffboxes and snuff mull. | 0:16:29 | 0:16:33 | |
You came to the right man. | 0:16:33 | 0:16:35 | |
James has one of the biggest collections in the UK of snuffboxes. | 0:16:35 | 0:16:39 | |
It's the Scottish snuff mull that's the star of this lot. | 0:16:39 | 0:16:42 | |
Let's mull over this then, shall we? Going under the hammer right now. | 0:16:42 | 0:16:45 | |
-Good luck. -Thank you very much. | 0:16:45 | 0:16:46 | |
There is it. Little collection, four items there. There we are. | 0:16:48 | 0:16:52 | |
What about £150 for them? £120 for them? | 0:16:52 | 0:16:54 | |
Yes? 30 for them, yes? 40. | 0:16:54 | 0:16:58 | |
The snuff mull is worth that. | 0:16:58 | 0:16:59 | |
60. 70. 80. | 0:16:59 | 0:17:03 | |
190. 200? No? | 0:17:03 | 0:17:05 | |
At £190 then. It is your bid, sir. | 0:17:05 | 0:17:09 | |
At £190, they're going to be sold. | 0:17:09 | 0:17:12 | |
Down they go then. | 0:17:12 | 0:17:14 | |
-For £190 then... -GAVEL BANGS | 0:17:14 | 0:17:16 | |
-That was quick wasn't it? -Wow! It was quick. | 0:17:16 | 0:17:19 | |
-Thank you. -£190. -Yeah. -Thank you so much. | 0:17:19 | 0:17:21 | |
Our first happy owner. Next, it's Robert's mosaic mirror. | 0:17:23 | 0:17:28 | |
Mirror, mirror, on the wall, who's the fairest of them all? | 0:17:29 | 0:17:32 | |
Well, it has to be Claire, doesn't it? | 0:17:32 | 0:17:34 | |
I've just been joined by Robert here, our next owner. | 0:17:34 | 0:17:36 | |
Is £250 to £300 a true reflection | 0:17:36 | 0:17:39 | |
of the price of that little micro mosaic work? | 0:17:39 | 0:17:42 | |
Good luck with this. Why are you selling it? | 0:17:42 | 0:17:44 | |
-It's either coming here or into the skip. -It cannot go into the skip! | 0:17:44 | 0:17:49 | |
No, it can't. That's why it's here. | 0:17:49 | 0:17:50 | |
Somebody else is going to own this little mirror, fingers crossed. | 0:17:50 | 0:17:53 | |
It's going under the hammer right now. | 0:17:53 | 0:17:55 | |
The micro mosaic easel mirror, early part of the century. | 0:17:56 | 0:18:00 | |
What about that? 100, shall we say? 100 is bid for it. | 0:18:00 | 0:18:03 | |
Thank you very much, at £100. | 0:18:03 | 0:18:05 | |
And 10 for you, sir? And 20 now. | 0:18:05 | 0:18:07 | |
120. 130 I have. 140. | 0:18:07 | 0:18:10 | |
And 50. Perhaps 60. | 0:18:10 | 0:18:12 | |
No? At £150 then. | 0:18:12 | 0:18:15 | |
At £150 then. We're going to stop there. | 0:18:15 | 0:18:17 | |
At £150 then. We have to stop at £150. | 0:18:17 | 0:18:23 | |
-It didn't sell. -Shame. -I feared as much. | 0:18:23 | 0:18:26 | |
-My wife will be happy I'm taking it back. -Oh, brilliant! -Oh, right. | 0:18:26 | 0:18:30 | |
-A happy ending then. -Yeah. -It's a happy ending. | 0:18:30 | 0:18:32 | |
Finally, it's time to find out | 0:18:33 | 0:18:35 | |
if the Roman enthusiasts are in the room. | 0:18:35 | 0:18:38 | |
Right now, we're going to flip. Will it be heads or tails? | 0:18:38 | 0:18:40 | |
Because we've got that coin belonging to Annie. | 0:18:40 | 0:18:43 | |
There's about four coins here going under the hammer. | 0:18:43 | 0:18:45 | |
-Why are you selling the coins? -Because I don't display them | 0:18:45 | 0:18:48 | |
and I don't really know the history of them, | 0:18:48 | 0:18:50 | |
so I thought it was time to let them go. | 0:18:50 | 0:18:52 | |
Surely it's got to be a couple of hundred pounds. | 0:18:52 | 0:18:54 | |
They're going under the hammer right now. | 0:18:54 | 0:18:57 | |
If you're not here, you can't buy them, so hard luck. Here we go. | 0:18:57 | 0:19:00 | |
There you are. There's three Roman, I believe, | 0:19:02 | 0:19:05 | |
and one Elizabethan shilling. What about those? | 0:19:05 | 0:19:07 | |
Ought to be £100 for those. | 0:19:07 | 0:19:09 | |
50, 60, 70, 80, 90. | 0:19:09 | 0:19:11 | |
100 now, surely? 100, I have. | 0:19:11 | 0:19:14 | |
And 10 for you, sir? | 0:19:14 | 0:19:16 | |
110. And 20 perhaps? | 0:19:16 | 0:19:18 | |
Yes. And 30? No more? | 0:19:18 | 0:19:20 | |
120 then, I'm selling. You're out. It's going. | 0:19:20 | 0:19:24 | |
Yes, it is. You can have another 10. | 0:19:24 | 0:19:26 | |
Ah, 130, there you go, see. | 0:19:26 | 0:19:28 | |
At 130. I'm awfully sorry. 40? | 0:19:28 | 0:19:31 | |
No? At 130 then. | 0:19:31 | 0:19:33 | |
-I'm selling at £130. -GAVEL BANGS | 0:19:33 | 0:19:36 | |
-Brilliant! Better than 70 quid, wasn't it? -Yes. | 0:19:36 | 0:19:39 | |
Still, not a lot of money for a lot of history. | 0:19:39 | 0:19:42 | |
-And you've been the proud custodian of these. -Indeed, yes. | 0:19:42 | 0:19:45 | |
How fascinating! That's real history in your hand. If only it could talk. | 0:19:45 | 0:19:50 | |
No? 75 and I'm selling. £75... | 0:19:50 | 0:19:53 | |
There you are. That was fast and furious. | 0:19:55 | 0:19:57 | |
First three lots under the hammer, done and dusted. | 0:19:57 | 0:20:00 | |
We are coming back here later on in the show, so don't go away. | 0:20:00 | 0:20:04 | |
Now, earlier in the programme, I told you how the city of St Albans | 0:20:04 | 0:20:07 | |
was the successor to the Roman town of Verulamium. | 0:20:07 | 0:20:10 | |
The Romans had a big impact on this area and on Britain as a whole | 0:20:10 | 0:20:13 | |
and many of their influences can still be seen today, | 0:20:13 | 0:20:16 | |
as I found out when I took a trip with a cultural flavour. | 0:20:16 | 0:20:20 | |
The ancient Romans improved the quality of life for many Britons | 0:20:31 | 0:20:34 | |
by introducing luxuries and comforts, such as central heating, | 0:20:34 | 0:20:38 | |
but they also brought lively entertainment too, | 0:20:38 | 0:20:40 | |
in places such as this theatre. | 0:20:40 | 0:20:43 | |
Verulamium's Roman theatre, | 0:20:46 | 0:20:47 | |
the remains of which are in St Albans today, | 0:20:47 | 0:20:50 | |
was built around 140 AD and is unique in Britain, | 0:20:50 | 0:20:54 | |
as it's the only one of its kind to have a stage. | 0:20:54 | 0:20:58 | |
All others are amphitheatres. | 0:20:58 | 0:21:00 | |
Roman performers strutting around the stage would have worn masks | 0:21:02 | 0:21:06 | |
very much like this one. However, that's not an ancient Roman mask. | 0:21:06 | 0:21:10 | |
It is Romanesque in style, | 0:21:10 | 0:21:11 | |
but it's a modern creation made by a local theatre company, | 0:21:11 | 0:21:15 | |
here in St Albans, called Trestle, who have adopted | 0:21:15 | 0:21:18 | |
the ancient practice of mask-wearing into their performance. | 0:21:18 | 0:21:22 | |
They've made it their own, they've made it unique. | 0:21:22 | 0:21:24 | |
Trestle is over 30 years old. | 0:21:31 | 0:21:33 | |
It was formed in 1981 as a touring theatre company | 0:21:33 | 0:21:36 | |
who worked with masks and other forms of physical theatre. | 0:21:36 | 0:21:40 | |
Nearly 20 years later, they gave up their nomadic existence | 0:21:44 | 0:21:47 | |
when they moved into this converted hospital chapel in St Albans, | 0:21:47 | 0:21:51 | |
which they named the Trestle Arts Base. | 0:21:51 | 0:21:53 | |
Trestle are one of the first touring theatre companies | 0:21:53 | 0:21:56 | |
to create their own home and they've been here ever since. | 0:21:56 | 0:21:59 | |
I'm meeting artistic director Emily Gray | 0:22:06 | 0:22:08 | |
to find out more about the company | 0:22:08 | 0:22:10 | |
and, hopefully, get my hands on some of their extraordinary masks. | 0:22:10 | 0:22:15 | |
So, tell me, how do you incorporate | 0:22:16 | 0:22:18 | |
the ancient performance of mask-using in your work? | 0:22:18 | 0:22:21 | |
Masks were obviously used right back at the beginning of theatre, | 0:22:21 | 0:22:24 | |
so the Greeks used masks. They used them to seem bigger than life, | 0:22:24 | 0:22:27 | |
-so people could play gods, men could play women. -Sure. | 0:22:27 | 0:22:31 | |
Massive amphitheatres, you could see the characters. | 0:22:31 | 0:22:34 | |
Then the Romans used them. They took them from the Greeks | 0:22:34 | 0:22:38 | |
and they started making much more stock characters of masks, | 0:22:38 | 0:22:41 | |
so you'd start to recognise the hero character or the villain | 0:22:41 | 0:22:46 | |
and that then developed into the 16th-century commedia dell'arte. | 0:22:46 | 0:22:49 | |
-Sure. -So, the half-mask characters, | 0:22:49 | 0:22:52 | |
and they became terribly popular across Europe. | 0:22:52 | 0:22:54 | |
When we use our masks, | 0:22:54 | 0:22:55 | |
they're also very, very strong characters that come in. | 0:22:55 | 0:22:58 | |
And the whole idea of the performance is it's very immediate. | 0:22:58 | 0:23:01 | |
It's about engaging your audience. There's no fourth wall there. | 0:23:01 | 0:23:04 | |
It's the audience and the masks, | 0:23:04 | 0:23:06 | |
so it's all about eyeballing that audience, improvising with them. | 0:23:06 | 0:23:10 | |
I like this chap. He's a mohican, sort of, a punk. Look at that. | 0:23:10 | 0:23:15 | |
-This is Maurice the Mohican. Get his mohican to stand up properly. -Ah! | 0:23:15 | 0:23:20 | |
THEY LAUGH | 0:23:20 | 0:23:22 | |
And he is one of our oldest masks, so he's from the early '80s, | 0:23:22 | 0:23:25 | |
-of course the era of punk. -He's brilliant. -He's brilliant. | 0:23:25 | 0:23:29 | |
He was in a show called Hanging Around, | 0:23:29 | 0:23:31 | |
which took place on a park bench | 0:23:31 | 0:23:33 | |
and it had your punk and your boy scout and your mod. | 0:23:33 | 0:23:36 | |
It was very '80s. | 0:23:36 | 0:23:38 | |
These masks here are from the older shows | 0:23:38 | 0:23:41 | |
and from the performances where there's huge detail | 0:23:41 | 0:23:44 | |
in the character in these. | 0:23:44 | 0:23:46 | |
These ones are more for our educational work. | 0:23:46 | 0:23:49 | |
There are eight of these masks, the basic masks, | 0:23:49 | 0:23:51 | |
-and they're very clear expressions, almost cartoon. -They are. | 0:23:51 | 0:23:54 | |
We all know that this guy is happy. | 0:23:54 | 0:23:56 | |
And then you get the slightly more complicated set, | 0:23:56 | 0:23:58 | |
the intermediate ones, who have a bit more going on in them, | 0:23:58 | 0:24:01 | |
-a bit more expression in there. -There's a worried look there. -Yes. | 0:24:01 | 0:24:05 | |
Then we get to the advanced masks, | 0:24:05 | 0:24:07 | |
so these are more like the show masks. | 0:24:07 | 0:24:10 | |
-That's a bit more getting towards a human face. -I can see that, yeah. | 0:24:10 | 0:24:13 | |
The most recent ones we've created are actually these ones. | 0:24:13 | 0:24:16 | |
-These ones talk to you, you see. Ha-ha! -Oh, yes! | 0:24:16 | 0:24:19 | |
So, that's a devil, that's the devil mask. | 0:24:19 | 0:24:22 | |
I'm pleased you did that, not me. | 0:24:22 | 0:24:25 | |
For years, we didn't speak as a company, you see. | 0:24:25 | 0:24:28 | |
-It was completely mimed then? -Yeah, completely. No sound. | 0:24:28 | 0:24:31 | |
Which meant we could travel anywhere and people understood us | 0:24:31 | 0:24:34 | |
anywhere we went. There was no basis in language. | 0:24:34 | 0:24:36 | |
But with these half masks, we can look at Shakespearean archetypes, | 0:24:36 | 0:24:40 | |
we look at the Greeks, we can do storytelling more, | 0:24:40 | 0:24:43 | |
so these are very fun | 0:24:43 | 0:24:45 | |
-cos they obviously bring in the voice. -They do. | 0:24:45 | 0:24:48 | |
Alongside Trestle's professional performances | 0:24:50 | 0:24:52 | |
and their educational work, | 0:24:52 | 0:24:53 | |
the company also makes sets of masks | 0:24:53 | 0:24:56 | |
from their studio in the Trestle Arts Base, | 0:24:56 | 0:24:58 | |
which are then sold all over the world. | 0:24:58 | 0:25:01 | |
Joseph, who works in the studio, is showing me how they are made. | 0:25:01 | 0:25:05 | |
We take this resin mould and we put it in the vacuum former. | 0:25:08 | 0:25:13 | |
So that gets lowered in. Then we take a piece of plastic... | 0:25:16 | 0:25:19 | |
..heat it up... | 0:25:21 | 0:25:23 | |
PAUL LAUGHS | 0:25:27 | 0:25:30 | |
-Then give it a knock on the head so... -Sure. -..the mould falls out. | 0:25:32 | 0:25:35 | |
And then we'll go over here and cut it out. | 0:25:35 | 0:25:37 | |
So we do the eye holes and then the elastic holes | 0:25:44 | 0:25:47 | |
and then that's it done for this room. | 0:25:47 | 0:25:51 | |
-And then you get creative. -Mm-hmm. -Come on, let's do it. -OK. | 0:25:51 | 0:25:54 | |
Talk me through what happens next. | 0:25:57 | 0:25:58 | |
What we do next is cut these out | 0:25:58 | 0:26:01 | |
cos they've not really got a good shape at the moment. | 0:26:01 | 0:26:04 | |
That's very quick. | 0:26:04 | 0:26:06 | |
-That's taken off all the rough edges there. -Who do you sell these to? | 0:26:07 | 0:26:10 | |
We primarily sell to schools and drama groups and things like that. | 0:26:10 | 0:26:14 | |
-All over the world. -Al over the world, yeah. | 0:26:14 | 0:26:16 | |
We send internationally as well as the UK. | 0:26:16 | 0:26:19 | |
-And how many of these do you make a day then? -A day? | 0:26:19 | 0:26:21 | |
-The record's probably about 100 masks in a day. -I'm very impressed. | 0:26:21 | 0:26:25 | |
-Right, I want to decorate one. Can I decorate one? -Sure. | 0:26:25 | 0:26:28 | |
OK, this is the mischievous mask in the basic set | 0:26:28 | 0:26:31 | |
-and this is what it will look like when it's finished. -OK. | 0:26:31 | 0:26:35 | |
A bit more blue. | 0:26:39 | 0:26:40 | |
-How's that? -It looks good. -Is that all right? -Yeah, it looks good. | 0:26:44 | 0:26:47 | |
It's nearly there, isn't it? | 0:26:47 | 0:26:49 | |
The only thing now we need to do | 0:26:49 | 0:26:51 | |
is put some elastic on it and it's ready to go. | 0:26:51 | 0:26:54 | |
Right, here's my mask. It's nearly dry. | 0:26:54 | 0:26:58 | |
I think, before I leave here, | 0:26:58 | 0:27:00 | |
I should give it a test drive, don't you? | 0:27:00 | 0:27:03 | |
And Emily has kindly agreed to run through one of her workshops. | 0:27:03 | 0:27:06 | |
So now it's time to dim those lights. | 0:27:06 | 0:27:09 | |
I'm going to pop this on you. | 0:27:11 | 0:27:13 | |
You're going to look at me, not look at the audience yet. | 0:27:13 | 0:27:16 | |
Here's your hat. Here we go. | 0:27:16 | 0:27:19 | |
Great. Round I go. And let's see you. Hello! | 0:27:19 | 0:27:23 | |
Ha-ha! Are you going to say hello to everybody? | 0:27:23 | 0:27:25 | |
Look at all your audience here. There we go. | 0:27:25 | 0:27:28 | |
How are you feeling today? Show me in your body how you're feeling. | 0:27:28 | 0:27:32 | |
Oh, look who's here. Look who's here. | 0:27:32 | 0:27:34 | |
Um, so you have been very naughty, haven't you? I know. | 0:27:35 | 0:27:39 | |
You've really upset her. Are you going to say sorry? | 0:27:39 | 0:27:42 | |
Oh, look, he's going to say sorry to you. Is that...? | 0:27:42 | 0:27:45 | |
Do you believe him? No. | 0:27:47 | 0:27:49 | |
You need to apologise, show us that you're really, really sorry. | 0:27:49 | 0:27:53 | |
And I want to see you being really true to... | 0:27:53 | 0:27:57 | |
Oh, are you going to have a hug? Oh. Oh, how lovely. | 0:27:57 | 0:28:01 | |
They could be together. Happy? Good. Oh, you're excited now. | 0:28:01 | 0:28:06 | |
Really happy! Really happy, great, great. | 0:28:06 | 0:28:09 | |
Let's see you together in a final pose. | 0:28:09 | 0:28:11 | |
Looking happy together! | 0:28:11 | 0:28:14 | |
Oh, careful of him. Careful there. There we go. Hoorah! Well done. | 0:28:14 | 0:28:18 | |
APPLAUSE | 0:28:20 | 0:28:22 | |
Well, here, back in the nave, you can see | 0:28:27 | 0:28:29 | |
there are still hundreds of people | 0:28:29 | 0:28:31 | |
and, I must add, waiting patiently - thank you so much - | 0:28:31 | 0:28:35 | |
-with smiles on their faces. Having a good time? ALL: -Yes! | 0:28:35 | 0:28:38 | |
The good news is you're nearly at the front of the queue, | 0:28:38 | 0:28:41 | |
where it's lights, camera, action. | 0:28:41 | 0:28:43 | |
We're going to catch up with our experts | 0:28:43 | 0:28:45 | |
to see what other treasures we can find. | 0:28:45 | 0:28:48 | |
MUSIC: Theme tune to Doctor Who | 0:28:48 | 0:28:49 | |
And it's over to Claire's table. | 0:28:49 | 0:28:51 | |
Well, Alan, we're in this ancient historical site | 0:28:51 | 0:28:55 | |
and what do you bring in? Science fiction! | 0:28:55 | 0:28:58 | |
-Wonderful! So, were these yours? -They were my son's. | 0:28:58 | 0:29:01 | |
-Right. -And they come from the '70s, I bought them. | 0:29:01 | 0:29:04 | |
-Does he know you're here? -He does now. -Oh, OK. | 0:29:04 | 0:29:08 | |
THEY LAUGH | 0:29:08 | 0:29:10 | |
-Have you got a lot more of these at home? -Yes, a loft full. | 0:29:10 | 0:29:12 | |
Oh, right, OK. I have a sneaking suspicion, though, | 0:29:12 | 0:29:16 | |
-you actually quite like them yourself. -I do actually. | 0:29:16 | 0:29:19 | |
The thing is with toys, they're a very nostalgic thing, | 0:29:19 | 0:29:23 | |
so people tend to buy into things they remember playing with. | 0:29:23 | 0:29:26 | |
It does also make you feel rather old | 0:29:26 | 0:29:28 | |
when suddenly toys you played with | 0:29:28 | 0:29:30 | |
become collectors' items, I can tell you. | 0:29:30 | 0:29:33 | |
Now, with robots, they really started making robots in the '50s, | 0:29:33 | 0:29:37 | |
so it's the '50s ones that make far more, whereas you say this is 1970s. | 0:29:37 | 0:29:41 | |
-Yes. -He's Japanese made, which a lot of them were. -Yeah. | 0:29:41 | 0:29:46 | |
-Battery-operated and he does work. -Yes. | 0:29:46 | 0:29:49 | |
-So he wanders forward. Quite fun. Ooh, I say, he's flashing. -Yes. | 0:29:52 | 0:29:56 | |
But the nice thing is you have the box. | 0:29:56 | 0:29:58 | |
-Now, the box not looking too good. -No. | 0:29:58 | 0:30:01 | |
-But you've got the box and it's complete. -Yes. | 0:30:01 | 0:30:05 | |
There are people that collect robots and people that love Doctor Who. | 0:30:05 | 0:30:08 | |
So, here we have Doctor Who game, | 0:30:08 | 0:30:11 | |
and you obviously looked after it well because, hey presto, | 0:30:11 | 0:30:14 | |
-it's pretty well complete, isn't it? -Oh, yes, it is, yes. | 0:30:14 | 0:30:18 | |
So, we have our silver Daleks and our gold Daleks, | 0:30:18 | 0:30:21 | |
-all with plungers attached. -Yes. -OK. | 0:30:21 | 0:30:25 | |
No bits missing, presumably all the counters and things. | 0:30:25 | 0:30:28 | |
And I assume that you just parade them round the... | 0:30:28 | 0:30:30 | |
-Yes, you go round there. -..round the track. | 0:30:30 | 0:30:32 | |
And Doctor Who has been such a cult show for so long. | 0:30:32 | 0:30:35 | |
I mean, I remember watching it when I was quite small, a long time ago. | 0:30:35 | 0:30:39 | |
So, there is a big collecting market for Doctor Who | 0:30:39 | 0:30:42 | |
so, again, a very collectible item. | 0:30:42 | 0:30:44 | |
-You've obviously decided to sell them. -I have. | 0:30:44 | 0:30:48 | |
-I think we need to talk value. -Please. -OK, so the robot. | 0:30:48 | 0:30:52 | |
He's a little bit later, so he's not going to be hundreds of pounds. | 0:30:52 | 0:30:55 | |
-I think £60 to £80, £50 reserve. -Mm-hmm. -Is that good? | 0:30:55 | 0:31:00 | |
-Yes, that's fine. -Excellent. | 0:31:00 | 0:31:02 | |
However, Daleks, I think this is actually quite unusual. | 0:31:02 | 0:31:05 | |
I haven't seen this game before and I certainly haven't seen | 0:31:05 | 0:31:08 | |
anything so complete as this and, again, it's Doctor Who. | 0:31:08 | 0:31:12 | |
-I think this will be a bit more. -Oh, right. | 0:31:12 | 0:31:14 | |
-I think it's going to be £80 to £120. -Good God. | 0:31:14 | 0:31:16 | |
And I'd put a £70 reserve on it. Is that good? | 0:31:16 | 0:31:19 | |
-That's fine, yes. -Excellent. Right, well I can't resist it. | 0:31:19 | 0:31:22 | |
-Shall I set him going again? -Go on. | 0:31:22 | 0:31:24 | |
-He gets a bit excited. -He does, yes. -Argh! | 0:31:24 | 0:31:27 | |
CLAIRE LAUGHS | 0:31:27 | 0:31:29 | |
I'm glad you're having fun, Claire. | 0:31:31 | 0:31:34 | |
Next, a very knowledgeable owner is educating James. | 0:31:34 | 0:31:37 | |
Brian, are you a collector or are these family? | 0:31:39 | 0:31:42 | |
No, they're not family. | 0:31:42 | 0:31:44 | |
I am a collector of mainly First World War medals, | 0:31:44 | 0:31:47 | |
but medals generally are a passion of mine as well. | 0:31:47 | 0:31:51 | |
-These aren't First World War though. -No, no. -They're earlier. | 0:31:51 | 0:31:53 | |
Yeah, they're much earlier, most of them. | 0:31:53 | 0:31:55 | |
-Tell me, where did you find them? -I found them at a local auction. | 0:31:55 | 0:31:59 | |
It was mainly household items at a weekly sort of sale | 0:31:59 | 0:32:02 | |
and there just happened to be one group of medals | 0:32:02 | 0:32:04 | |
-and it was this group. -Right. | 0:32:04 | 0:32:06 | |
Being a medal collector, you will have done the research. | 0:32:06 | 0:32:09 | |
-I've done a fair bit. -So, tell me about the set. | 0:32:09 | 0:32:12 | |
They all belonged to one gentleman, a Mr J Johnson, | 0:32:12 | 0:32:15 | |
or Warrant Officer J Johnson, as he was in the forces. | 0:32:15 | 0:32:19 | |
He served from 1879, at least, | 0:32:19 | 0:32:22 | |
right through to the turn of the century | 0:32:22 | 0:32:24 | |
and was still alive to receive the Meritorious Service Medal in 1935, | 0:32:24 | 0:32:29 | |
so he's spanning 40, 45 years of probably continuous service. | 0:32:29 | 0:32:34 | |
-For me, the medal that causes all the emotion is this one. -Yeah. | 0:32:34 | 0:32:39 | |
The South Africa Medal, the Zulu Wars, | 0:32:39 | 0:32:41 | |
the Battle of Rorke's Drift following Isandlwana, | 0:32:41 | 0:32:45 | |
those wonderful Zulus fighting for their homeland. | 0:32:45 | 0:32:48 | |
That's the medal that people got. | 0:32:48 | 0:32:51 | |
Moving on. Egypt - tell me about that. | 0:32:51 | 0:32:53 | |
This gentleman, by that time, he was entitled to the Egypt Medal. | 0:32:53 | 0:32:57 | |
-It has got his naming on it but it's in poor impressed capitals. -OK. | 0:32:57 | 0:33:01 | |
-Ashanti. -This is a very interesting star. | 0:33:01 | 0:33:05 | |
It was only awarded to around 2,000 troops, | 0:33:05 | 0:33:09 | |
who went up to suppress the king of the Ashanti. | 0:33:09 | 0:33:12 | |
-OK. -There was no fighting. | 0:33:12 | 0:33:14 | |
When they got there, the king, Prempeh, said, | 0:33:14 | 0:33:17 | |
"I haven't got the gold that you want." | 0:33:17 | 0:33:19 | |
But they decided they had to come home anyway. | 0:33:19 | 0:33:21 | |
So, although 18 died from fever, most of them got back, | 0:33:21 | 0:33:25 | |
-so it's what they call attributable to the group. -Brilliant. | 0:33:25 | 0:33:28 | |
-So that research helps us no end. -Exactly. -Next. | 0:33:28 | 0:33:31 | |
The Meritorious Service Medal, as I said at the beginning, | 0:33:31 | 0:33:34 | |
it wasn't awarded to him until 1935. | 0:33:34 | 0:33:36 | |
-That is almost like for still being alive. -Yeah. | 0:33:36 | 0:33:39 | |
They issued a certain number each year | 0:33:39 | 0:33:41 | |
or to people when they died, they passed on to the next one entitled. | 0:33:41 | 0:33:44 | |
And the one on the end, that's the Khedive's Star. | 0:33:44 | 0:33:46 | |
-That relates back to Egypt. -Egypt. Wow! | 0:33:46 | 0:33:49 | |
We often talk in the antiques world about things that go down in value | 0:33:49 | 0:33:53 | |
or it's not as fashionable as it once was. | 0:33:53 | 0:33:55 | |
But anybody who's invested in medals over the last 20 years | 0:33:55 | 0:33:58 | |
will have seen a very, very good return on their investment. | 0:33:58 | 0:34:01 | |
They've gone up considerably. So, in terms of value, what did you pay? | 0:34:01 | 0:34:06 | |
I paid around £650 with commission. | 0:34:06 | 0:34:08 | |
OK, I think we're going to get 50, another 50 there. | 0:34:08 | 0:34:12 | |
-I think there we've probably got a couple of hundred. -Yeah. | 0:34:12 | 0:34:16 | |
-Here, another hundred. -Yeah. | 0:34:16 | 0:34:18 | |
And here, probably 500 to 800. | 0:34:18 | 0:34:21 | |
I think you're in the right ballpark. | 0:34:21 | 0:34:23 | |
So if we said bottom estimate, £800 to £1,200. | 0:34:23 | 0:34:25 | |
I think you'd be very close to being on the mark, sort of thing. | 0:34:25 | 0:34:28 | |
Again, if there's two collectors and somebody wants it... | 0:34:28 | 0:34:31 | |
Yeah, well, let's hope somebody actually sets foot | 0:34:31 | 0:34:35 | |
into the saleroom and we have a battle over those. | 0:34:35 | 0:34:38 | |
-Thank you very much. -Pleasure. | 0:34:38 | 0:34:40 | |
Earlier on, I showed you the shrine of St Alban | 0:34:42 | 0:34:45 | |
where pilgrims come to worship | 0:34:45 | 0:34:47 | |
the first Christian martyr in this country, St Alban. | 0:34:47 | 0:34:50 | |
Well, he's also been immortalised in another way. | 0:34:50 | 0:34:53 | |
There's a bun named after him and I've got a sneaky suspicion | 0:34:53 | 0:34:57 | |
this chap here can tell me more about it. | 0:34:57 | 0:34:59 | |
-Hello, Brother. -Hello! -Who are you dressed up as? | 0:34:59 | 0:35:02 | |
-I'm Brother Rockcliff. -Brother Rockcliff. | 0:35:02 | 0:35:04 | |
-I'm from the 14th century. -Right, OK. -And I've been baking all night. | 0:35:04 | 0:35:08 | |
-They're not rock buns, are they? Rock cakes? -No, no. | 0:35:08 | 0:35:11 | |
They're sticky buns, hot cross buns. | 0:35:11 | 0:35:13 | |
These are the famous Alban buns, which you can see the cross on them. | 0:35:13 | 0:35:17 | |
-We don't call them hot cross buns. -OK. | 0:35:17 | 0:35:19 | |
But they originate from St Albans Abbey and in the 14th century, | 0:35:19 | 0:35:23 | |
this recipe was prepared and it's still a big secret. Have a go. | 0:35:23 | 0:35:28 | |
Can I break it in half? | 0:35:28 | 0:35:30 | |
-Mmm. -What comes across? -Spice. | 0:35:31 | 0:35:33 | |
People have tried before, endless times, | 0:35:33 | 0:35:36 | |
to try and get the recipe but it's a big, big secret. | 0:35:36 | 0:35:39 | |
Well, I hope our experts are having as much fun at the valuation tables. | 0:35:39 | 0:35:43 | |
We need one more item to take off to auction. | 0:35:43 | 0:35:45 | |
Who's that lucky owner going to be? | 0:35:45 | 0:35:47 | |
-Let's find out and I'll enjoy my bun. Thank you. -Thank you. | 0:35:47 | 0:35:51 | |
Norma, it's lovely to see you today | 0:35:54 | 0:35:56 | |
and you've brought in this charming jewel | 0:35:56 | 0:35:59 | |
in this magnificent setting here, isn't it? | 0:35:59 | 0:36:01 | |
It was bought for my aunt when she was a young girl | 0:36:01 | 0:36:05 | |
by my uncle before they got married | 0:36:05 | 0:36:08 | |
and it was his first ever present to her and it was bought in 1919. | 0:36:08 | 0:36:14 | |
It was bought in Darlington and that was the box that it came in. | 0:36:14 | 0:36:19 | |
And it's been there ever since, practically, | 0:36:19 | 0:36:22 | |
since she gave it to me. | 0:36:22 | 0:36:23 | |
-Do you remember her ever wearing it? -No, not really. | 0:36:23 | 0:36:26 | |
I think it was one of those things you wore | 0:36:26 | 0:36:28 | |
if you went out somewhere extra special. | 0:36:28 | 0:36:31 | |
-Yes, sort of dressed up, it's the finishing touch. -Yes. | 0:36:31 | 0:36:34 | |
What about you? Have you ever worn it? | 0:36:34 | 0:36:36 | |
I think I've put it on once and then I thought, | 0:36:36 | 0:36:39 | |
"It's not quite the right thing", so I put it back in the box. | 0:36:39 | 0:36:43 | |
-It's a shame, yeah, it's a shame to be sat there. -It is really. | 0:36:43 | 0:36:47 | |
It's such a pretty item. I think it does have an appeal for today. | 0:36:47 | 0:36:50 | |
They're quite simply made. They're stamped out in 9-carat gold | 0:36:50 | 0:36:54 | |
and you get this wonderful sort of scrolling open effect | 0:36:54 | 0:36:56 | |
and they would very traditionally put seed pearls in them, | 0:36:56 | 0:36:59 | |
tiny little seed pearls. | 0:36:59 | 0:37:01 | |
But I like the fact it's got this turquoise drop. | 0:37:01 | 0:37:04 | |
It just makes it finished, doesn't it? | 0:37:04 | 0:37:05 | |
It lifts it out of the ordinary cos, very often, | 0:37:05 | 0:37:08 | |
they have a little tourmaline or a coloured stone | 0:37:08 | 0:37:10 | |
-but I think this turquoise actually makes it... -It sets it off. | 0:37:10 | 0:37:13 | |
-It does and it looks a bit more fashionable today. -Yes. | 0:37:13 | 0:37:16 | |
It's a stone I think people would like. | 0:37:16 | 0:37:18 | |
And it's got it's original little suspension | 0:37:18 | 0:37:21 | |
but I think it does have a commercial appeal | 0:37:21 | 0:37:24 | |
for today's market. And I think, from a collecting point of view, | 0:37:24 | 0:37:27 | |
the fact you've still got it in its original box, from Darlington, | 0:37:27 | 0:37:31 | |
where it was originally bought, | 0:37:31 | 0:37:33 | |
-it gives it that much more history, doesn't it. -Yeah. | 0:37:33 | 0:37:35 | |
It's a lovely family thing. | 0:37:35 | 0:37:37 | |
Had you given any thought to its value at all? | 0:37:37 | 0:37:40 | |
Probably somewhere around £100, something like that. I'm not sure. | 0:37:40 | 0:37:44 | |
Yeah, there was a time when they were making that fairly easily | 0:37:44 | 0:37:47 | |
but, because jewellery, the fashions have changed a bit, | 0:37:47 | 0:37:50 | |
they've come back a bit, my feeling is it won't quite make that much. | 0:37:50 | 0:37:54 | |
I think we're going to be looking at much nearer £60 to £80, | 0:37:54 | 0:37:57 | |
-that sort of price. I don't know if that sounds OK to you. -Yeah. | 0:37:57 | 0:38:00 | |
I suggest putting a reserve on it of £50 to protect it on the day. | 0:38:00 | 0:38:04 | |
-Yes, I wouldn't like to see it go less than that. -No. | 0:38:04 | 0:38:08 | |
-Thank you very much indeed. -You're welcome. -Thank you. | 0:38:08 | 0:38:10 | |
There you are. Our experts have now found their final items, | 0:38:12 | 0:38:16 | |
which means it's time to say farewell | 0:38:16 | 0:38:18 | |
to our magnificent host location today - | 0:38:18 | 0:38:21 | |
the fabulous St Albans Cathedral and Abbey. | 0:38:21 | 0:38:24 | |
And what a wonderful crowd we've had. | 0:38:24 | 0:38:26 | |
Thank you so much as well for bringing in all of your treasures. | 0:38:26 | 0:38:30 | |
Our journey isn't over yet. | 0:38:30 | 0:38:32 | |
We've got one final visit to the auction room | 0:38:32 | 0:38:34 | |
and here's a quick recap of all the items we're taking with us. | 0:38:34 | 0:38:38 | |
Dragged out of the attic, Alan's 1970s robot and Daleks board game | 0:38:39 | 0:38:43 | |
are sure to exterminate some bids in the saleroom. | 0:38:43 | 0:38:46 | |
Bought at local auction, Brian's collection of military medals | 0:38:50 | 0:38:53 | |
are heading back under the hammer. | 0:38:53 | 0:38:55 | |
And finally, Norma's gold necklace with seed pearls and turquoise drop | 0:38:57 | 0:39:02 | |
was made to be worn, so let's find a new owner. | 0:39:02 | 0:39:04 | |
We're back at Tring Market Auctions, | 0:39:07 | 0:39:09 | |
where auctioneer Stephen Hearn is still hard at work. | 0:39:09 | 0:39:11 | |
And it's time to put the first of our valuations to the test. | 0:39:11 | 0:39:15 | |
Right, our next lot. | 0:39:15 | 0:39:16 | |
We've got two lots coming up which will suit | 0:39:16 | 0:39:19 | |
all you modern-day collectible enthusiasts. | 0:39:19 | 0:39:21 | |
It's 20th century modern. | 0:39:21 | 0:39:23 | |
We've got a 1970s robot and a Daleks board game, | 0:39:23 | 0:39:25 | |
belonging to Alan, who can't be with us. | 0:39:25 | 0:39:27 | |
So granddad's not here but we've got the grandchildren, Anya and Ashley. | 0:39:27 | 0:39:31 | |
-Yes. -I'd be playing with this robot, if I was you. | 0:39:31 | 0:39:33 | |
I'd be thinking, "Granddad, I want that robot | 0:39:33 | 0:39:35 | |
-"for later on in life because that will look great on..." -No, no. | 0:39:35 | 0:39:39 | |
-You don't want a robot? -I don't want a robot, no. | 0:39:39 | 0:39:41 | |
I'd go for the robot not the Daleks game. What about you? | 0:39:41 | 0:39:44 | |
Definitely Daleks because I'm a massive Whovian, so... | 0:39:44 | 0:39:48 | |
It's going under the hammer right now. We're going to find out | 0:39:48 | 0:39:50 | |
what everyone thinks of the robot. Here we go. | 0:39:50 | 0:39:52 | |
A battery-operated superrobot. | 0:39:54 | 0:39:56 | |
How about that? £100 for him? 100? | 0:39:56 | 0:39:59 | |
Or 50? Yes. 60. 70. 80. | 0:39:59 | 0:40:02 | |
Let's go like a robot. | 0:40:02 | 0:40:04 | |
90. 100. And 10. And 20. | 0:40:04 | 0:40:07 | |
-Wow. -30. | 0:40:07 | 0:40:09 | |
130 for him then. He's going for £130. | 0:40:09 | 0:40:12 | |
GAVEL BANGS | 0:40:12 | 0:40:13 | |
-That went quickly. -Yes! | 0:40:13 | 0:40:15 | |
One down, one to go. If this one doesn't sell, I will exterminate. | 0:40:15 | 0:40:20 | |
There you are. War of the Daleks. | 0:40:21 | 0:40:23 | |
40 perhaps? 30 perhaps? | 0:40:23 | 0:40:26 | |
Yes! 30 I'm bid for the Daleks. At 30 we're bid now. | 0:40:26 | 0:40:30 | |
Are you going to be 5, sir? | 0:40:30 | 0:40:31 | |
And 40. And 5. We close at £45. 50 perhaps? | 0:40:31 | 0:40:36 | |
No? At £45 then. | 0:40:36 | 0:40:39 | |
-Ah! No Doctor Who fans here. -I thought it would have done more. | 0:40:39 | 0:40:43 | |
But you said you'd like that one. | 0:40:43 | 0:40:45 | |
Yeah, I wish I'd bought money with me now. | 0:40:45 | 0:40:48 | |
But hey, you can take it home with you. | 0:40:48 | 0:40:50 | |
Thank you anyway for standing in for him. | 0:40:50 | 0:40:53 | |
Next up, it's Norma's pretty gold pendant | 0:40:53 | 0:40:55 | |
and she plans to spend any proceeds on her grandchildren. | 0:40:55 | 0:40:58 | |
If Claire was allowed to buy it, I think she'd buy this. | 0:41:00 | 0:41:04 | |
Why are you selling it anyway? | 0:41:04 | 0:41:06 | |
Well, it's just sitting in a drawer in a box | 0:41:06 | 0:41:08 | |
and nobody's getting any wear out of it. | 0:41:08 | 0:41:11 | |
That's what most of our owners say. | 0:41:11 | 0:41:13 | |
"It's in a drawer, in a box and no-one looks at it, | 0:41:13 | 0:41:15 | |
-"no-one wants it." -It's a shame. | 0:41:15 | 0:41:16 | |
-You'd rather have the cash to go and have some fun. -Yes. | 0:41:16 | 0:41:19 | |
Go and spend it on yourself. It's going under the hammer now. Ready? | 0:41:19 | 0:41:22 | |
-Yes. -Enjoy this. | 0:41:22 | 0:41:24 | |
What about that one? £80 for it. Or 50. Or 40. Bid. | 0:41:24 | 0:41:28 | |
5. 50 bid. 5. 60 bid. | 0:41:28 | 0:41:30 | |
5. 70? | 0:41:30 | 0:41:32 | |
At £65. 70 now then? | 0:41:32 | 0:41:34 | |
No. I'm selling. | 0:41:34 | 0:41:36 | |
-It's going down then for £65. -GAVEL BANGS | 0:41:36 | 0:41:41 | |
-Treat the grandchildren then. -Yes. -How many have you got? | 0:41:41 | 0:41:43 | |
-Two small ones. -What are they called? Give us their names. | 0:41:43 | 0:41:46 | |
-Beatrice and Oscar. -Oh, Oscar! | 0:41:46 | 0:41:49 | |
He's going to sound like a character, isn't he, little Oscar? | 0:41:49 | 0:41:51 | |
-He is. He's dynamite. -And Beatrice. | 0:41:51 | 0:41:53 | |
Great names, great names. Hello, if you're watching. | 0:41:53 | 0:41:57 | |
Now it's time for our final lot of the day, those military medals. | 0:41:57 | 0:42:01 | |
Since we last saw Brian at St Albans, | 0:42:01 | 0:42:03 | |
he has been in contact with the auction house | 0:42:03 | 0:42:06 | |
with further research on his medals. | 0:42:06 | 0:42:08 | |
Following this, the estimate and the reserve have been changed. | 0:42:08 | 0:42:12 | |
You've raised the reserve not from that lower end of £800. It's now... | 0:42:13 | 0:42:17 | |
It's £1,150 because the rarity of the medal group. | 0:42:17 | 0:42:21 | |
The thing is medals have gone up year on year on year | 0:42:21 | 0:42:24 | |
and I'm hoping these will follow the trend and do well. | 0:42:24 | 0:42:27 | |
OK, they're going under the hammer right now. | 0:42:27 | 0:42:29 | |
We've got the five 19th-century military medals | 0:42:30 | 0:42:33 | |
and you've got the Ashanti Star in this lot. | 0:42:33 | 0:42:36 | |
1,000 I'm bid for those. 1,100. | 0:42:36 | 0:42:39 | |
1,200. 13. | 0:42:39 | 0:42:41 | |
-14. -They've sold. | 0:42:41 | 0:42:43 | |
£1,400 on my left. | 0:42:43 | 0:42:45 | |
At 1,400. And 15? | 0:42:45 | 0:42:47 | |
1,400's going to buy them if you don't bid. | 0:42:47 | 0:42:51 | |
Are you sure? | 0:42:51 | 0:42:53 | |
At £1,400 then, I'm going to sell them away from you. | 0:42:53 | 0:42:56 | |
-At £1,400. -GAVEL BANGS | 0:42:56 | 0:42:59 | |
-Yes! -Great. -£1,400. | 0:42:59 | 0:43:01 | |
-That was short and sweet. -Well done. | 0:43:01 | 0:43:03 | |
Two people fighting that out in the room. | 0:43:03 | 0:43:05 | |
It's gone to somebody who will like them. | 0:43:05 | 0:43:06 | |
I'm sure they will cherish them. | 0:43:06 | 0:43:08 | |
That's it. It's all over for our owners. | 0:43:12 | 0:43:14 | |
As you can see, the auction is still going on | 0:43:14 | 0:43:16 | |
but we've had a terrific day here at Tring Market Auctions. | 0:43:16 | 0:43:19 | |
Our owners have gone home happy. | 0:43:19 | 0:43:21 | |
All credit to our experts and to Stephen Hearn on the rostrum. | 0:43:21 | 0:43:24 | |
Job well done. Join us again soon for many more surprises. | 0:43:24 | 0:43:27 | |
But until then, it's goodbye. | 0:43:27 | 0:43:29 |