Newcastle Flog It!

Welcome to Newcastle, home to these beautiful bridges,

a brilliant brown ale and now a fabulous Flog It!

And hoping to find all those hidden gems amongst those bags and boxes,

we've got two gorgeous experts,

the irrepressible Anita Manning and the delectable Kate Bliss

who has brought in an extra pair of hands to help out!

Hundreds of people are awaiting valuations. First up, it's Anita.

Janet, where did you get this wee monkey?

He belonged to my great-auntie.

She lived with Grandma and Grandad and she was bed-ridden.

The thing I remember is when she needed attention, a cup of tea or anything,

she knocked on the floor and everybody went running.

-She was a formidable lady.

-How did it come into your possession?

When my mum and dad passed away, I found it when we cleared the house.

-When I saw it, I thought, "I remember this from somewhere!"

-You were terrified of this?

-Yes.

It's such good fun. Do you know what it is?

It's a cane of some description, but I'm not 100% certain of what it would be used for.

-It looks a bit small to be a walking cane.

-Yeah. You have sticks which help you in walking.

And you have other sticks which are fashion statements.

-And this is a fashion statement.

-Right, OK.

It's what I would call a swagger stick and you tucked it under your arm and swanked along the pavement.

Now, it's made of...

It's a lacquered, ebonised stalk here, but the most interesting thing about it

is the handle here

where we have this brass monkey.

He's finely moulded, so the quality is there.

There are collectors for this type of thing, Janet, but it's not enormously valuable.

-But it is collectable.

-Yeah.

Did you have it on display?

No. It came from Mum's and then literally went into my loft.

I'm not planning on being bed-ridden for a few years so it wasn't needed.

-So you won't be doing...?

-No.

I hope not.

-It's time to pass it on, let it go to a collector.

-Exactly.

The value I would put on it would be between 30 and 50.

-Would you be happy to sell it at that price?

-Yes.

It doesn't do anything for me, so it might as well move on.

-Let's put a reserve price of, say, £25 on it.

-That's fine.

You can't fly to the Bahamas with that money, but it will go to a collector.

-That'll be smashing.

-So let's flog it!

-Yeah, let's flog it!

We do see quite a bit of Troika on Flog It. It's become very popular as the market has soared for it.

-This is the biggest piece I've seen.

-That's what people have said.

-Is it yours?

-No, it belongs to my husband.

-And when did he get it?

-I think it was the end of the '70s, beginning of the '80s, about that time,

when he was on holiday in Cornwall.

-He purchased it direct from the studio?

-Yes.

-He was obviously smitten when he saw it?

-Loved it.

What did he like about it so much?

He just liked the style of it, the design, the colours and the shape.

The thing about Troika is you do either love it or you hate it.

I have to say, personally, it doesn't do a lot for me.

It's very much influenced by Scandinavian pottery

in the colour of the glazes and the shapes to a certain extent.

Quite subdued colours - browns and greens and blues,

but also the artist Paul Klee's landscape work influenced the designs.

In this piece, which is known, as you know, as a wheel vase,

this design on the front here is typically sort of Aztec

with this tapering motif and stepped motif here.

If we turn it round, we've got what looks like a fireplace on the other side.

So quite striking, textured images.

The factory was actually founded in 1963,

but because the production expanded so much,

they relocated from St Ives, where it was founded, to Newlyn.

Looking at the base, since you can date them from what's on the base,

we've just got "Troika" there, we've got "Troika, Cornwall" and no mention of St Ives.

So that helps us date it and it is from the later location, post-1970.

-You thought he bought it in the late '70s?

-Yeah.

And the other thing here is we've got the initials "EW".

That stands for the decorator

and some pieces have come on the market with those initials, "EW".

Some of them you can trace straight away and we know a number of named designers, but EW remains a mystery

so he goes as an unclassified, unknown decorator.

That's all we can say about that particular mark.

So your husband likes it, but why have you brought it along to sell?

It just doesn't fit anywhere in the house. It doesn't go with anything.

We've got a fairly old period house and it doesn't go with anything. It's upstairs in a spare bedroom.

So what about value? You say you've seen it quite a bit on television, so what would you say?

-I would reckon... I don't know. 200, 300?

-A couple of hundred?

-Yeah.

I think you might have a nice surprise.

I can see this making between £500 and £600 at auction.

I think that would be fairly conservative.

The wheel-shaped vase came in four different sizes

and this is the giant size for obvious reasons at 12 inches high.

It also was made into a lamp base.

It is even more commercial. We're looking at 1,000 to 1,500 for that.

But for something like this, you'll be looking at £500 to £600.

-Very good.

-OK?

-For £42. I think that's what he paid.

-All that time ago?

-Yeah.

-It's not a bad return.

-It's very good. Thank you.

What a lovely, early vacuum cleaner! How did you come by this?

It was in a loft in a house where a friend was living. This was years ago. And he just kept it.

-Your friend's given it to you to bring in?

-Yeah.

-Did you try and use it at home?

-Yes.

-And it worked?

-Yes.

-This actually does work.

-Shall we test it? Have you got some tissue paper?

-Yes.

-Drop a few bits on the floor.

Here I come, doing the Shake 'n' Vac!

Look at that.

It must have taken hours to clean the carpets in a Victorian house!

Those buildings were quite big. How many rooms in your house?

-Oh, five.

-Five. Fancy using this?

-I'll stick to my Dyson.

-Stick to your Dyson!

It's made of tin plate with a lithograph on it

which tells us "Star Vacuum Cleaner". There's a pattern number.

-And "British Made". That's a very unusual sight today.

-Yes, it is.

Also we've got the logo here on the top of the bellows.

They're operated by this sleeve which runs up and down the shaft.

The canvas is in superb condition.

-There are no holes and no rot which is great because the vacuum cleaner wouldn't suck up.

-No, it wouldn't.

This is definitely very early 1900s. No later than 1910.

Value-wise, if this was in immaculate, mint condition with very vibrant hues on the paintwork,

and it would be museum condition as if brand-new,

-£200 to £300.

-Yeah.

But because it is tatty, dented, it has been used,

it'll struggle around the £80 mark, but it will do £50 quite easily.

-Right.

-Would you be happy to put it into auction?

-Yeah, with a reserve.

-Put a reserve of 50 quid?

-Right.

-Yeah?

-Yeah.

-I hope that somebody collects vacuum cleaners and they want this one.

-So do I.

It's an interesting talking point. I love it. I'll carry on cleaning up now. See you at the auction.

-Righty oh, then.

-Cheerio.

-Bye.

Anita thought this swagger stick topped with a brass monkey was just the thing for a swell about town.

This large Troika wheel vase caught Kate's eye. Susan doesn't want it, so let's hope someone else does.

And I love this old vacuum cleaner, though it won't make much of a dent in my housework.

Today's items are going under the hammer at the Auction Galleries in Boldon.

I've been having a sneak preview.

The great thing about auction preview days is you get the chance to look at all the items on display

and check the lots to make sure there's no damage and alterations,

because if you start bidding and there's no time to look, you don't know what you're buying.

If you don't feel like checking out something, ask the auctioneer.

He's your expert. Use his eyes.

That's why you pay them 15 to 20% commission on everything you buy and everything you sell.

This has caught my eye. It's a Regency window seat.

I looked it up in the catalogue, value £500 to £800.

I've seen these for sale in shops at £2,000 to £3,000,

so what's wrong with this one? It's a real snip at £500.

I'll turn it over and have a look.

If you don't feel like doing this, ask the porter or the auctioneer.

If you look at that, the first thing you notice is this item here is known as a central stretcher.

It should be in the middle of the furniture and it's not,

which means this has been cut down, we've lost a third of it.

That's why that's worth £500 to £800 and not £2,000 to £3,000.

In charge of today's proceedings is auctioneer Giles Hodges.

We're about to flog your great-aunt's swagger stick which she used to knock on the floor.

"Bring me up a cup of tea! I can feel a draught!"

I like the monkey climbing up in brass. That's cute.

We've got a valuation of 30, 40, hopefully £50?

-Yes, the wee monkey has a lot of charm.

-He has.

-People love him.

Let's hope the bidders of Tyne and Wear fall in love with him.

Good luck. It's going under the hammer now.

The early 20th century swagger stick with the ebonised cane handle.

I'm bid 15 to start it.

20. 5. At £25.

30 in the room. At £30, it's against the book. 35.

-40.

-Good.

-45.

45. 50.

55. 55. Down at the front at £55...

-Wow!

-£55.

-That's better, that's better.

-That's not bad.

-Not bad at all.

It's not a great deal of money, it's not our most expensive item.

I know you're winding me up, so what will you put £50-odd towards?

-I'm going to spend it on biros. I'm not computer-literate and I've been writing a book.

-What about?

My husband's a retired dentist and he is now a coach driver,

so it's going to be called An Eye For An Eye, Not A Tooth For A Tooth.

THEY LAUGH

Good luck with that. Biros, what a fantastic thing to spend money on! I'm always losing them.

You'd be surprised how many biros I've gone through. It'll be an epic!

My turn to be the expert now and I've just been joined by Christine.

-This next lot we're flogging because it collects dust.

-Yes.

-It's that vacuum cleaner with the pump action.

-Yes.

-Let's hope we get £50 to £70.

440, the British made, tin plate style vacuum cleaner

with pump action.

-I've got two bids on the book. 35 starts it.

-Two bids on the book.

35. 40. 5. At £45.

50 now? At £45.

50 anybody? At £45 and we're away at 45...

He's put the hammer down at £45.

We were one bid away. We needed another fiver to sell that for £50.

Christine, don't look so miserable. You know what that means.

It's going home and you've got to look after it and love it.

-Will you do that?

-Yes.

-It's a great talking point.

You could chase your husband round and hoover up after him.

-You are married, aren't you?

-No.

-Oh, well, chase someone around!

Susan, it's nearly time to say goodbye to that gorgeous, massive Troika wheel vase.

-It is a whopper.

-It's a belter.

We see a lot of Troika on Flog It, but it is the piece de resistance.

Let's hope we get Kate's top end of the estimate. £600 would be great.

It's not yours. It's your husband's and you've brought him along. Let's give him a wave.

It's going to be a good investment, £40-odd turned into 800?

The fact that it's a giant one makes it more unusual.

This piece was bought new in Cornwall. It's a great example of a niche market which has rocketed.

And it is a good time to sell because it will peak and slightly drop in value.

It's going under the hammer now.

Lot 45 is the giant Troika vase

with the Aztec, geometric designs to the front and the reverse.

I've got phone lines, commission bids.

-500 starts me.

-Come on, in at 500.

-£500. 50? 550.

-I'm quite excited about this.

-600.

650. 700.

750. 800.

-At £800. Anybody else?

-Top end.

At £800 for the last time... At 800!

-The hammer's gone down, short and sweet. £800!

-I'm shocked.

-Is that a trip back to Cornwall?

-That's a fishing trip in America.

-To America?

-Yeah. Not for me, though.

-Surely...

-I'll get something. It was his vase.

-Why doesn't he take you to Florida?

-That's where we're going.

-Get the marlin...

-Have a great time. And what a great result, Kate!

-Fantastic.

-What did you pay for it in the '70s?

-£46?

-Yeah, including post and packaging.

-Always invest in quality and it was in great condition.

-That's why we sold it.

I'm going to ask you to use your imaginations and travel back in time to late Victorian England.

You're an educated man and you're deciding on what career to choose.

Something that comes with a free house might be a nice proposition.

This is a place where you could happily bring up a family.

It even comes with its own garden,

so when you're not hard at work, you can grow vegetables.

You'd be part of a team making sure everything was polished and functional every night.

You'd be a lighthouse keeper.

It was a job worth contemplating very seriously indeed.

It was safe, it was regular, it was well paid and very well respected,

compared to many other job prospects of the day.

I'm at the Souter Lighthouse.

For over 100 years it has warned ships away from the Whitburn Steel,

a rocky reef off the coast between South Shields and Sunderland.

With me is Alan Lawless.

-Alan, you look after the lighthouse for the National Trust. When was it built?

-It was built in 1871.

It was built by a local jobbing builder under the design of Sir James Douglas.

-I was up the Eddystone Lighthouse at Plymouth Hoe and he designed that.

-After he built this one, yes.

-There weren't many architects that designed lighthouses.

-Not at that time.

-Alan, I envy you.

You've got a smashing location for your office up here.

Yeah. I live five minutes away and come in every day to work. Can't be bad, can it?

Talk about a stress-free life! How many lighthouse keepers were here? There's a lot of cottages.

There's six cottages - four for the lighthouse keepers

and one for the engineer looking after the generators.

-The sixth one was for visiting dignitaries.

-They had lots of those?

Yes, because we were in the forefront of lighthouse technology.

Compared with the harsh life of a lighthouse keeper based on a rocky island off the coast,

this was luxury, although you were never very far from the office.

All the cottages had connecting corridors which led to each other

and that led to a covered passageway which took you to the base of the lighthouse.

We're now in the engine room. Alan, what is this scientific instrument?

This is the original light source of Souter Lighthouse.

-Because this was the first electric lighthouse?

-It certainly was, the first reliable one.

-This is a carbon arc lamp.

-How did this work?

We had electricity, but no light bulbs, so they used this.

When you pass electricity through these two carbon rods, you get a bright spark through the gap.

-Magnified in the lens system, you'll see that for 19 miles.

-Incredible.

Then came the invention of the lamp?

Yeah. In 1914 we changed to a paraffin lamp because it got too expensive to produce the power.

In 1952 we changed to incandescent light bulbs and I have one here.

Oh, my gosh! Look at the size of this!

-My word! How long would that last?

-About six months. It's 4,500 watts.

-So again very, very bright.

-That's the biggest lamp I've seen.

-But like any lamp, once you screw it in, it could go instantly.

-It has been known.

This would give you a light of one million, 256 thousand candles.

-26 miles you would see this from.

-That's a big, big difference.

We're at the top of the lighthouse. This is what it's all about.

It's magnificent. I'm so privileged to be so close to this.

The lens was constructed by the Chance Brothers of the Black Country in 1914.

It has 1,000 pieces of glass precisely placed at the right angle.

And in its framework it weighs four and a half tons,

but the whole thing revolves so smoothly on a bed of mercury.

It's absolutely effortless. Watch this. I can do it with one hand.

Look how smooth...that is.

I'm on the half landing which is basically halfway up the tower.

This is very interesting.

The light from the top of the tower shines down on to these prisms.

These prisms then reflect the light straight out the window.

We've got red glass and clear glass.

If you were a ship out at sea and you were in the waters of the light of the clear glass, you were safe,

but if you were in the waters of the red glass,

you knew you'd be sailing too close to land. It's simple really.

In 1869, there were 22 shipwrecks along this coast alone,

-so really there had to be a lighthouse here.

-Yeah.

Every lighthouse has a different flash, so sailors know where they are.

Ours is a one-second flash every five seconds. So as well as warning people, they were used as road signs.

-Technology advanced dramatically over the years.

-Certainly.

Before electric motors, the light was clockwork driven.

The lighthouse keeper ran up and down the stairs every hour!

-How long did it take to wind up?

-Ten minutes. And 75 minutes to drop from top to bottom.

-What's that building down there?

-That's the foghorn.

That's quite loud. It's 121 decibels.

When it's very foggy, the ships still have to know where they are and they'd use the foghorn.

-How far will it carry?

-19 miles.

-Can we hear it?

-Yes.

FOGHORN BLASTS

Newcastle is about 15 miles away, so I wonder if Anita heard that back at the valuation day.

Denise, this is a sweet little thing, absolutely lovely.

-Where did you get it?

-I bought it in 1982, myself.

-A present for yourself?

-Yes, a present for myself. I've always liked horses.

I've actually had my own horse,

but I've changed my collection to frogs and this is the only...

the only horsey thing I've got left.

Let's have a look at it. It is Beswick.

Beswick is one of the good factories.

They were always renowned for the quality of their modelling.

And they always made these little animal ornaments.

You have got dogs, horses, bulls and so on.

-And they are all so accurate.

-Yes.

-They also employed the best of designers.

-Yes.

If we look at the back stamp, we can see the designer.

It's Norman Thelwell.

He was a cartoonist, interestingly enough,

and they employed him to design this series of ponies with riders.

This funny wee chap, if we look at the expression on his face, there is humour.

-And Beswick was renowned for that type of thing.

-Right.

-So you bought it in 1982 new. Can you remember how much you paid for it?

-Yes.

I thought it was quite expensive - 29.99.

29.99 in 1982? It was quite a lot of money.

-It was then.

-Yeah.

These things are favoured at the moment. Beswick is always popular.

Some say it's the flavour of the month at the moment.

It will have increased in monetary value,

but I would estimate it in the region

of, say, £80 to £100.

-Yes.

-Now, Denise, would you be happy to sell it in that region?

-Yes, I would.

-Well, let's put...

It's just wrapped up in a box in the cupboard. It's never out on show.

You're better passing it on to a collector, Denise.

Somebody that'll make more use of it. It'll match somebody's collection probably.

-They may not have this piece.

-You've had pleasure from it?

-Yes.

Let's put it to auction, Denise. Let's flog it.

And we'll both have a good look

-and see if there are any frogs in the auction.

-OK. We'll do that.

What can you tell me about this elaborate clock?

I've had it since I was a child, but my mum looked after it for me

because it was given to us by a neighbour we used to look after,

-an old lady in a bungalow.

-Right.

-And I always admired this.

-She gave it to my mum, but when I got married, she said, "You can have that clock now."

-Lovely.

I've had it since I got married, but I have nowhere to keep it now.

-Since we moved into the bungalow, it's gone in the loft.

-OK.

It's quite interesting. There's quite a story behind this clock.

What do you think it's made of, first of all?

First I thought it was marble, but I thought it would be heavier.

-When you lift it up, it's really light.

-So I didn't know what it was made of.

-If it was wood, well, I've never seen wood like that.

-Exactly.

I think it probably is wood, but it's lacquered to give it this finish.

It's a shaped wooden case,

then it's lacquered to give the impression of being marble, so it's simulating marble.

And we've got these rather dirty gilt metal mounts applied to it.

What it is essentially is a clock that's very French in design,

but if we turn it round, we can see that in fact it is American.

We've got a really nice label on the back and you can tell a lot from the back of clocks.

Here we go. We've got "Athol,

"manufactured by William L Gilbert Clock Company,

"Winsted, Connecticut" in America.

And in fact Connecticut was a huge centre for clock-making

from the very early 19th century.

And the first movements were wooden

and then they progressed through the 19th century and brass movements were introduced.

This is a fairly basic movement inside.

We can see that it's got a gong inside.

This coil is what the hammer bangs against to give the chime.

It's a basic eight-day movement

with that chime mechanism which is rather nice,

but essentially American, circa 1900, I would say, late 19th century anyway,

but in the style of a very elaborate and expensive French clock of the same period.

You would like to sell it, you've got nowhere for it now?

-That's right.

-It ought to fetch £100 at auction.

-I'd probably say an estimate of 100 to 150.

-Right.

If two people have the right place for it, it could make that top end.

Even though it's fairly cheaply made in comparison with the elaborate French example,

it's still quite a good looker.

Yes, it is nice to look at.

-I think we ought to whisk it off to auction for you.

-Yeah, that's fine.

-I wonder what's in this plastic bin liner? Hi. What's your name?

-Mark.

-What is in there?

Oh, it's a plaque.

It's... It is a plaque of Mozart.

It's made of cast-iron. That's lovely actually.

-He's got three of them.

-Three?

-Yeah.

-They are also of composers?

-Yeah.

Liszt and Brahms. I guess they're part of a commemorative set, 1920s.

Good, heavy casting, nice moulding.

If you've got the complete set, then it adds to the value.

The one by itself, Mozart, I think in a specialist musical sale,

you might be looking at 100, 120, possibly £150.

That's worth hanging on to.

Joyce, when I saw this vase, I was immediately drawn towards it.

What a wonderful shape, what a wonderful lustre glaze!

Where did you get it?

My father bought it many years ago, but I don't know where.

You don't know where. Do you have it on display?

No, it's in a cabinet and it doesn't show very well.

-Perhaps because the colours are slightly darker.

-That's right.

OK. It may not be exactly to your taste,

but it will be to many collectors.

-Good.

-This is a Royal Lancastrian pot,

made by Pilkington's.

Very desirable factory, very good quality.

We have what I would call an Arts and Crafts shape

with these four handles.

We have the Latin inscription round here, "To the good all things are good."

We have a heraldic shield.

Heraldic lions

and very pretty, decorated flowers.

So it's an interesting vase.

If we look underneath

at the back stamp...

-..we can see the mark for the pottery.

-Oh, yes.

And we can also see the monogram here

which is for William Mycock

who was one of the best decorators of that factory.

We also have a date

which is 1918, so we know who made it,

who decorated it and we know when it was made.

Value, Joyce...

-Have you had it valued?

-Yes.

-What sort of value was on it?

-In 1984, £80.

-£80?

Right. Well, it's worth a considerable amount more than that now.

Oh, good.

I would like to put an estimate

of £400 to £600 on it.

-Mm-hm.

-I think £400 firm reserve price on it.

-If it doesn't reach that price, we don't sell.

-Yeah. That's right.

-Do you feel happy with those arrangements?

-Yes, I do.

We'll put it to auction. I'll be there to hold your hand.

You can hold Paul's hand which will be quite nice as well.

So we'll see you at the auction and I'm sure that it will fly away.

Good. Thank you very much. Thank you.

Back to the auction now

and this figure based on Norman Thelwell's comic cartoons might be a big hit with Beswick collectors.

A truly international item, this, a faux marble American clock made to a French design.

What will the Geordie bidders make of it?

The colours of this lustre glaze vase were a bit too dull for Joyce,

but Anita is excited to have found this example of Royal Lancastrian.

Joyce's Lancastrian lustre ware pot. What do you think, Giles?

I love it. It's my favourite lot that's come in through Flog It.

There's a price tag of £400 to £600 on this. It's dated 1918.

The condition is absolutely superb. Joyce has had it in a cupboard.

-Now it's time to go. Will it go?

-Definitely. No question at all.

Pre-sale interest has been phenomenal.

-You sound a confident man.

-I'm very confident.

-Phone bids booked?

We've got phone lines booked and we've got commission bids and we still have a day to go.

We got 600 at the top end from Anita, our expert. What will it do?

I think on Anita's estimate we should do close to £800.

Fingers crossed. This is the one to watch.

-Stay glued to your TV sets.

-A perfect collector's piece.

We'll see later if his confidence is misplaced,

but kick-starting the auction is Denise's Beswick pony.

-Why are you flogging this?

-I don't save horses any more. I save frogs.

You used to love horses, you had a horse. You sold that.

-Now she collects frogs.

-Yes.

-And there's a little one on that leaf.

-How many frogs have you got?

-Hundreds.

I have silver frogs, Beswick frogs.

She's on the right show cos this is "Frog It"!

What do you think this will do?

Beswick loved humorous subjects and this is a delightful little thing.

Estimated 80 to 100, I think that's about right.

It won't fly through the roof or gallop off into the sunset!

We're going to find out right now because this is your lot.

The Beswick Thelwell pony, the Kick-Start. 40 to start him. At 40.

5. 50.

5. 60. 5.

On the left at 65. 70 now? At £65. 70.

-5. 80.

-Done it.

-£80, front row.

At £80. All done at 80...?

-Yes, the hammer's gone down. £80, not bad.

-Very happy with that.

Is that going towards frogs?

I'll give it to my mum because she paid for a holiday for me to Turkey.

-Bless her! That's what mums are for.

-Every girl should love her mum.

-I do, yes.

Time is up for Margaret and she's not even here! But her daughter Tracy is.

We have that lovely clock and we want £100 to £150.

-It isn't the most commercial of clocks.

-We've seen a lot better.

It's a bit Victorian looking and it's a bit black.

The longcases are selling very well but they're completely different.

We'll have to see how it goes. It might just make it.

-And you don't like this?

-No.

-You don't want to inherit this.

-It's been on the sideboard for too long.

Let's watch it go under the hammer right now. This is it.

This is the early 20th century,

French, faux marble, lacquered bracket clock, the American one.

Bid 50 to start it? 50.

5. 60. 5.

At £65. 70 anybody?

£65. 70 now?

At £65 and we're away at 65...

-It struggled. Just under.

-Giles knows his market up here.

In a different auction house there would be a different market.

-So it's worth selling again.

-What's going to happen to it?

-It'll go on the sideboard again.

This is Joyce's Lancastrian lustre ware from the Pilkington factory.

We've got a valuation of 400 to 600. Let's bring our expert in who found this.

-Anita, you love this.

-I'm so excited about it.

-I love it.

-Why are you selling it? It is so beautiful.

-I didn't like it.

I didn't know that. I had a chat to the auctioneer earlier.

You don't know this either, but he fell in love with it

-and he said he could see it doing 600 to 800.

-Oh!

-Lots of interest with three phone lines booked.

-Fierce competition!

-This is what auctioneers like.

-Yes.

-Think of all that commission!

-Yes.

-Everyone loves it except for you. What's wrong with it?

I like it more now I've seen it in brighter lights.

It was in the dark. It was in a cabinet like that and there was no lighting. It looked very dull.

-I might want it back.

-Joyce, it's too late because it's going under the hammer right now. Good luck.

The Pilkington's Royal Lancastrian vase by William Mycock.

I've got two phone lines booked

and we start it at £500.

-Straight in. £500.

-500. 520.

540. 560.

-580.

-This is good.

600, Tom's phone. 620.

-He's working it up, 620.

-640.

660.

680.

700.

-They love it.

-720.

750. 780.

-It's not stopping, Joyce.

-800.

At 800, it's Caroline's phone. Anybody in the room?

-820, fresh place.

-820!

-850.

-Oh!

880.

900. 920.

-920.

-950.

-950.

-980.

-Let's see four figures!

-980, are we all done?

-One more!

-One more!

-At £980...

Bang! That is a "sold" sound. That is £980.

I've got something to tell you.

Just before the sale started, Joyce said, "No-one's looking at my vase! It won't sell!"

-You said that to me.

-I did.

When I said, "They're looking in secret," you said, "You're always telling fibs!"

Joyce, I'm so happy for you. That's wonderful.

-What are you gonna put £980, less some commission...?

-I don't know.

-What are you gonna spend that on?

-I'd like a piece of jewellery.

And the rest, maybe it's too early.

-Thank you very much for coming on the show.

-Thank you very much. Both of you.

-Wasn't that wonderful, Joyce?

-Yes.

The auction's still going on, but it's all over for our owners. Everybody has gone home happy.

All credit to our experts for getting those valuations spot-on.

Sadly, that's all the time we have. So until the next time, cheerio.

Subtitles by Subtext for Red Bee Media Ltd 2006

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