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These people have brought in antiques and collectables | 0:00:02 | 0:00:05 | |
that tell us a lot about their family history. | 0:00:05 | 0:00:07 | |
Today, we're in a town with the most famous British family of them all. | 0:00:07 | 0:00:12 | |
Welcome to "Flog It!" Welcome to Windsor! | 0:00:12 | 0:00:15 | |
Windsor Castle is the largest inhabited castle in the world. | 0:00:51 | 0:00:55 | |
During the 900 years of its history, it became a favourite Royal residence. | 0:00:55 | 0:01:00 | |
So much so, that in 1917, George V declared that the Royal family | 0:01:00 | 0:01:03 | |
and its descendants would take on the surname Windsor. | 0:01:03 | 0:01:08 | |
When the Queen is in residence, | 0:01:11 | 0:01:13 | |
which is quite frequent, the Royal Standard will fly above the castle. | 0:01:13 | 0:01:17 | |
When she's not there, it is the Union Jack, | 0:01:17 | 0:01:19 | |
and today, the Royal Standard is flying. | 0:01:19 | 0:01:22 | |
I can see it up there. She is at home. | 0:01:22 | 0:01:24 | |
We've certainly got our work cut out to do in the high street, and the show must go on. | 0:01:24 | 0:01:28 | |
We've got a trio of experts today. | 0:01:31 | 0:01:34 | |
There is Thomas Plant, new boy Nick Hall, and old favourite, Adam Partridge. | 0:01:34 | 0:01:39 | |
They'll be seeking out the crown jewels of our collections today. | 0:01:39 | 0:01:43 | |
And when we've found them, we'll bring them here, | 0:01:49 | 0:01:52 | |
to the Bourne End auction rooms. | 0:01:52 | 0:01:55 | |
Right now, let's get started with Adam's first item. | 0:01:55 | 0:01:59 | |
Keith and Carol, | 0:02:01 | 0:02:03 | |
good afternoon. Welcome to "Flog It!" Thanks for bringing Beswick figures. | 0:02:03 | 0:02:07 | |
Bes-Wick figures - sorry, everyone in Staffordshire. I live near Staffordshire! | 0:02:07 | 0:02:12 | |
A fellow at the bottom of my lane is married to a Beswick. They say to me "It's Bes-Wick! It's Bes-Wick!" | 0:02:12 | 0:02:18 | |
First of all, why have you brought them in to "Flog It!" today? | 0:02:18 | 0:02:22 | |
I used to collect these for my father, who used to breed and show bull terriers. | 0:02:22 | 0:02:28 | |
He's no longer with us, and nowadays, they don't fit in with the rest of my bits-and-pieces. | 0:02:28 | 0:02:34 | |
What do you collect then? | 0:02:34 | 0:02:35 | |
I collect aviation, and I have a lot of other figurines, and these don't match in with them. | 0:02:35 | 0:02:42 | |
How do you feel about this, Carol? I don't mind. | 0:02:42 | 0:02:45 | |
You don't mind? No. They are here to sell, are they? They are. They definitely are. | 0:02:45 | 0:02:50 | |
For the purpose of the auction, we're going to divide them into two lots. | 0:02:50 | 0:02:54 | |
That is one lot, a group of three. | 0:02:54 | 0:02:58 | |
And that is the other lot, the British bulldog. | 0:02:58 | 0:03:01 | |
We will start with this one. | 0:03:01 | 0:03:03 | |
This has the name written underneath, Basford British Mascot. | 0:03:03 | 0:03:07 | |
There we are. Basford British Mascot. | 0:03:07 | 0:03:11 | |
They are all made by Beswick, of course. | 0:03:11 | 0:03:14 | |
This one will make ?40 or ?50, on is own. | 0:03:14 | 0:03:19 | |
So, I think we'll put a reserve of 40. Sounds good. | 0:03:19 | 0:03:22 | |
Off he goes to a new home. | 0:03:22 | 0:03:25 | |
They don't need any feeding and they don't pee on the floor! | 0:03:25 | 0:03:28 | |
No, they're house-trained! | 0:03:28 | 0:03:29 | |
And the vet's bills are very small! | 0:03:29 | 0:03:32 | |
This one's hard to damage, but these are very easy to damage cos of these tails. | 0:03:32 | 0:03:37 | |
You've done very well with these. | 0:03:37 | 0:03:40 | |
The ears and tails are very vulnerable and prone to damage. | 0:03:40 | 0:03:43 | |
It looks as though they are all in good condition. | 0:03:43 | 0:03:45 | |
They are perfect condition. These two are the same model, | 0:03:45 | 0:03:48 | |
but just a different colour. This one has got a name, | 0:03:48 | 0:03:52 | |
Romany Rhinestone. | 0:03:52 | 0:03:55 | |
That one is probably worth twice as much, or three times as much as that one. | 0:03:55 | 0:03:59 | |
Sometimes, it was because they produce less of a certain colour. | 0:03:59 | 0:04:03 | |
These ones are only worth 15 to 20 quid each. | 0:04:03 | 0:04:07 | |
This one is worth more like 60 to 80. | 0:04:07 | 0:04:11 | |
I think we would put 100 to 150 on the three. | 0:04:11 | 0:04:14 | |
What about a reserve of just below 90 quid? | 0:04:14 | 0:04:18 | |
Yes, to bring the public in to buy. | 0:04:18 | 0:04:21 | |
And then hopefully we'll get towards 200 for those and ?50 for that. | 0:04:21 | 0:04:27 | |
On a good day, we might have 250 quid, the lot. | 0:04:27 | 0:04:30 | |
Would that be OK? Excellent. Thanks for bringing them. | 0:04:30 | 0:04:33 | |
A pleasure. Let's hope they go and find a new home. I hope they will. Yeah. | 0:04:33 | 0:04:37 | |
Janet, Zena, hello. welcome to "Flog It!" | 0:04:49 | 0:04:52 | |
Nice to see both, and nice to see a bit of football memorabilia - something that always interests me. | 0:04:52 | 0:04:57 | |
How did you come to get all these football signatures? | 0:04:57 | 0:05:00 | |
They were having dinner in the Crest Hotel in High Wycombe. | 0:05:00 | 0:05:04 | |
This was the full England squad? | 0:05:04 | 0:05:06 | |
Yes, they were sitting having a really nice dinner. | 0:05:06 | 0:05:09 | |
And we are talking about the team of the mid-1980s, '85, '86? That's it. | 0:05:09 | 0:05:13 | |
They were having a bit of lunch, and you went up to them and accosted them? | 0:05:13 | 0:05:17 | |
Just asked if they would sign my piece of paper. You've got pretty much all the team. | 0:05:17 | 0:05:21 | |
Gary Lineker, Peter Beardsley, some really famous names in the archives of British football. | 0:05:21 | 0:05:28 | |
You've kept it in the back of the drawer ever since, have you? | 0:05:28 | 0:05:32 | |
Actually, it's been in the loft. Right. | 0:05:32 | 0:05:34 | |
And you've had it in this protective covering? | 0:05:34 | 0:05:37 | |
No, it was just in the loft. | 0:05:37 | 0:05:39 | |
I put it in there for today. It's a wonder that it survived, really. | 0:05:39 | 0:05:43 | |
Another good tip, Janet, for collecting autographs | 0:05:43 | 0:05:46 | |
is ideally, you want them on a photograph of the person that you're getting. | 0:05:46 | 0:05:51 | |
It displays better and adds a little bit more provenance to it. | 0:05:51 | 0:05:55 | |
And any history you have got, where you met the person and when, jot it on the back. | 0:05:55 | 0:06:00 | |
You can frame these things, and it just helps market them to collectors. | 0:06:00 | 0:06:06 | |
It's more of an interesting package to them. | 0:06:06 | 0:06:07 | |
Another tip is, hang on to them until the person whose signature you have falls off the perch! | 0:06:09 | 0:06:14 | |
And up goes the value. | 0:06:14 | 0:06:17 | |
Why are you wanting to sell it? | 0:06:17 | 0:06:19 | |
Because my husband's Irish and he doesn't like an England... | 0:06:19 | 0:06:23 | |
Ah, a bit of conflict in the house! So, it is easier to sell it than to keep it. | 0:06:23 | 0:06:28 | |
Obviously, we have to say it's not enormously valuable, | 0:06:28 | 0:06:33 | |
because it's not a World Cup winning team. | 0:06:33 | 0:06:37 | |
All the people that have signed their autographs on here are still with us. | 0:06:37 | 0:06:42 | |
We're only talking about ?20 or ?30, something like that. | 0:06:42 | 0:06:46 | |
I suggest we put a reserve on it, just to make sure it's not too cheap, of ?20. OK. | 0:06:46 | 0:06:52 | |
That's fine. Are you wanting to go ahead and do that? Yes, it cost me nothing. | 0:06:52 | 0:06:57 | |
Pop it in the auction. | 0:06:57 | 0:06:59 | |
Hopefully, they'll get it advertised, get some football memorabilia collectors to the sale. | 0:06:59 | 0:07:05 | |
Zena, are you an avid football fan? | 0:07:05 | 0:07:07 | |
Sort of. OK, and you're happy for Mum to sell this. | 0:07:07 | 0:07:11 | |
It is not something you want to keep or start a collection? No, it's hers, she can sell it. | 0:07:11 | 0:07:17 | |
Let's get it in the auction and do our best for your mum. | 0:07:17 | 0:07:20 | |
Enzo, tell me about your box. How did you come by it? | 0:07:32 | 0:07:37 | |
STRONG ITALIAN ACCENT: I was on holiday in Naples, | 0:07:37 | 0:07:40 | |
and every Sunday, Naples has a big antique market. | 0:07:40 | 0:07:46 | |
And I saw it and I buy it. | 0:07:46 | 0:07:49 | |
You're actually from Naples, is that correct? Yes, I'm from Naples. But you were visiting. | 0:07:49 | 0:07:53 | |
Market, yeah. On holiday. | 0:07:53 | 0:07:55 | |
Just a quick chat about the actual object. Some people might call it a snuff box, | 0:07:55 | 0:08:00 | |
but you couldn't have it as a snuff box because all the snuff would get trapped. | 0:08:00 | 0:08:05 | |
So I think it is just a generic box, of some description. | 0:08:05 | 0:08:09 | |
What really is the good thing about it is the enamel on here. | 0:08:09 | 0:08:13 | |
It is obviously, probably a gundog of some description, | 0:08:13 | 0:08:19 | |
with that long snout, or a field dog. | 0:08:19 | 0:08:21 | |
Definitely not a toy dog. A proper dog! | 0:08:21 | 0:08:25 | |
And it's on what we call white metal, and it is probably going to be a silver. It is marked "800". | 0:08:25 | 0:08:32 | |
A lot of these were going to be German or Austrian. | 0:08:32 | 0:08:36 | |
It doesn't have Italian marks on it. | 0:08:36 | 0:08:38 | |
So, a bit confusing where it's from. | 0:08:38 | 0:08:41 | |
I certainly think, when you bought this, you did very well. | 0:08:41 | 0:08:46 | |
I think it is probably worth around about ?100 to ?150. | 0:08:46 | 0:08:50 | |
OK. | 0:08:50 | 0:08:51 | |
I would have thought it would go to a collector of dogs. | 0:08:51 | 0:08:56 | |
You have two kinds of collector who might buy this - the dog collector or the box collector. | 0:08:56 | 0:09:00 | |
There is a little bit of damage on the nose, just here. | 0:09:00 | 0:09:05 | |
If it was perfect, it would be worth a little bit more. | 0:09:05 | 0:09:07 | |
But that can be sorted now. | 0:09:07 | 0:09:09 | |
What is interesting | 0:09:09 | 0:09:12 | |
is that 10 years ago, | 0:09:12 | 0:09:14 | |
they probably would have left it alone because of the damage. | 0:09:14 | 0:09:18 | |
But now, modern techniques and resin could fill that in and, | 0:09:18 | 0:09:22 | |
yes, you could see it, but it would be very difficult to see. How much did you pay for this? | 0:09:22 | 0:09:28 | |
10,000 lira. Which is the equivalent of? ?4. A bit less. ?4? | 0:09:28 | 0:09:33 | |
That's really good. Well done, you. I'm going to go to this market! | 0:09:33 | 0:09:37 | |
I'm going to have a weekend down in Naples. Be my guest. | 0:09:37 | 0:09:41 | |
Mary, every time I see Troika on the show, it reminds me of where I come from, Cornwall. | 0:09:49 | 0:09:54 | |
It takes me home and makes me a little bit sad, really, cos I do miss it. | 0:09:54 | 0:09:59 | |
When were you in Cornwall? | 0:09:59 | 0:10:01 | |
1976, judging by this. | 0:10:01 | 0:10:04 | |
In fact, the 1970s, right through until now. | 0:10:04 | 0:10:08 | |
My father was in the Air Force down there and retired there. | 0:10:08 | 0:10:12 | |
This came from Padstow. | 0:10:12 | 0:10:14 | |
This would have cost you probably about ?7 then. | 0:10:14 | 0:10:16 | |
Spot on! | 0:10:16 | 0:10:19 | |
I bought it for the texture, I love the feel. | 0:10:19 | 0:10:21 | |
It reminds you of Cornish stone. | 0:10:21 | 0:10:23 | |
Lots of Celtic colours, Celtic geometry about it. | 0:10:23 | 0:10:27 | |
I love this sort of vase. | 0:10:27 | 0:10:29 | |
It's a good height. And why are we flogging it? | 0:10:29 | 0:10:32 | |
I know it is not your favourite. | 0:10:32 | 0:10:34 | |
That's why we on flogging it. | 0:10:34 | 0:10:36 | |
I have an awful lot of ornaments around | 0:10:36 | 0:10:41 | |
and this is one of my least favourite. | 0:10:41 | 0:10:44 | |
The maker's name underneath, Troika, England. | 0:10:44 | 0:10:48 | |
And you know who that is too, don't you? | 0:10:48 | 0:10:50 | |
I do - it's Honor Curtis. | 0:10:50 | 0:10:53 | |
So you've done a bit of homework? A little. | 0:10:53 | 0:10:57 | |
She was a very good artist at the factory. | 0:10:57 | 0:11:00 | |
The artist to look out for is Avril Bennett, she was the longest-serving artist. '74, I think, to '79. | 0:11:00 | 0:11:05 | |
The firm was started in 1963. | 0:11:05 | 0:11:08 | |
Three partners, and they called the firm Troika. Russian for three. | 0:11:08 | 0:11:12 | |
I didn't know that. | 0:11:12 | 0:11:15 | |
The firm really took off in about '65. | 0:11:15 | 0:11:19 | |
And then they started to get into these domestic vessels. | 0:11:19 | 0:11:22 | |
You'd go on to holiday to Cornwall, exactly like you did, and come back with one of these beauties. | 0:11:22 | 0:11:28 | |
As they say in Cornwall, proper job! | 0:11:28 | 0:11:30 | |
Right, OK. Well, you've turned ?7 into ?200 to ?300. | 0:11:32 | 0:11:38 | |
That's not a bad return on ?7, is it? | 0:11:38 | 0:11:41 | |
If you get the top end, which I'm sure you will get, | 0:11:41 | 0:11:44 | |
that will get you back down to Cornwall, if you want go back down. You never know! | 0:11:44 | 0:11:48 | |
It's time to check out our experts' valuations at the auction. | 0:11:51 | 0:11:55 | |
Adam thinks this Beswick British bulldog and family of bull terriers should sell like hot dogs! | 0:11:55 | 0:12:00 | |
It's only on a scrap of paper, but here's hoping that Nick will score | 0:12:00 | 0:12:05 | |
with his autographs of the nation's footballing heroes from 20 years ago. | 0:12:05 | 0:12:10 | |
The lovely enamelled hunting dog on the lid is what's going to draw in the buyers | 0:12:10 | 0:12:15 | |
on this silver box, bought in a Neapolitan market. | 0:12:15 | 0:12:19 | |
And finally, an old favourite of the programme - Troika can always be relied upon to sell well. | 0:12:19 | 0:12:24 | |
Let's hope this cylindrical vase is no exception. | 0:12:24 | 0:12:29 | |
Today's sale comes from the Bourne End auction rooms in Buckinghamshire. | 0:12:36 | 0:12:40 | |
The man wielding the gavel is auctioneer Simon Brown. | 0:12:40 | 0:12:43 | |
Let go inside before the sale starts, and find out what he's got to say about some of our owners' items. | 0:12:43 | 0:12:48 | |
Simon, I absolutely love this. | 0:12:52 | 0:12:54 | |
For me, the dog does it! | 0:12:54 | 0:12:56 | |
I would buy this purely for that. It belongs to Enzo. | 0:12:56 | 0:13:00 | |
He wants to flog it. He has been told it is worth ?100 to ?150. I like it. | 0:13:00 | 0:13:06 | |
Obviously, as you said, dogs are very popular and very sought after. | 0:13:06 | 0:13:10 | |
It looks as though it's some form of hunting dog, | 0:13:10 | 0:13:15 | |
possibly a hare courser or something like that. | 0:13:15 | 0:13:19 | |
Possibly a good market in Ireland for something of that style. | 0:13:19 | 0:13:23 | |
The shaped front, the clasp at the front, it's nice quality. | 0:13:23 | 0:13:26 | |
It's finished, with its little waisted sides all the way around. | 0:13:28 | 0:13:32 | |
Value, though? | 0:13:32 | 0:13:34 | |
If there was no dog on the front, that would be worth 20 to 30 quid, wouldn't it? | 0:13:34 | 0:13:39 | |
I agree with you. | 0:13:39 | 0:13:41 | |
I think ?90 to ?100. It would be really close. | 0:13:41 | 0:13:44 | |
That's going to be touch and go. It is. | 0:13:44 | 0:13:47 | |
Right, first up, the Beswick dog figures. | 0:13:50 | 0:13:53 | |
This is getting to be a bit like a shaggy dog story! | 0:13:53 | 0:13:56 | |
Who let the dogs out? Well, Carol and Keith did, but unfortunately they can't be with us today. | 0:14:00 | 0:14:05 | |
But best friend has stepped in. Laurie, how long have you known them? | 0:14:05 | 0:14:08 | |
About 10 years now. | 0:14:08 | 0:14:10 | |
Are you are into the Beswick dog collecting as well? | 0:14:10 | 0:14:13 | |
No, it's not my thing at all. It has not caught on with you. | 0:14:13 | 0:14:17 | |
Well, Keith is flogging them. | 0:14:17 | 0:14:18 | |
The first lot we have got three terriers, | 0:14:18 | 0:14:20 | |
the second lot we've got a bulldog. | 0:14:20 | 0:14:22 | |
We're hoping for ?100, possibly ?150. | 0:14:22 | 0:14:25 | |
You never know. People go barking over these dogs at the moment! | 0:14:25 | 0:14:29 | |
It might go walkies out of the room! | 0:14:29 | 0:14:31 | |
We're going to find out right now. | 0:14:31 | 0:14:33 | |
Good luck and thanks for coming along. This is it. | 0:14:33 | 0:14:36 | |
Lot 27, three Beswick bull terriers. | 0:14:36 | 0:14:39 | |
Start me at ?50, please, for this lot. 50 I'm bid. We're in. | 0:14:39 | 0:14:44 | |
50, 55, 60, 65, 70, 75, 80, 85, 90. | 0:14:44 | 0:14:50 | |
?90 on my right. | 0:14:50 | 0:14:51 | |
95, 100, 110, 120? | 0:14:51 | 0:14:55 | |
?110 on my left. Selling at 110. 120, 130, 140, 150? | 0:14:55 | 0:15:01 | |
140 on my left. Selling at 140. | 0:15:01 | 0:15:03 | |
Are we all done? 150, 160... Yes! 170? | 0:15:03 | 0:15:07 | |
180? ?170 in front. Selling at ?170. | 0:15:08 | 0:15:11 | |
Are we all done at ?170 now? | 0:15:11 | 0:15:15 | |
Yeah, that's the sold sound. | 0:15:15 | 0:15:17 | |
It's amazing how much money they make, isn't it? Yeah. | 0:15:17 | 0:15:20 | |
But they don't do anything for you, did they? No. One more now. | 0:15:20 | 0:15:22 | |
Now, the British mascot. | 0:15:22 | 0:15:24 | |
That's the bulldog. Rather nice. | 0:15:24 | 0:15:27 | |
Who'll start me at ?50, please, for this lot? Start me at ?50. | 0:15:27 | 0:15:30 | |
30 then to start. 30 I am bid. | 0:15:30 | 0:15:33 | |
30, 32, 35, 37, 40, 42, 45, 47. | 0:15:33 | 0:15:39 | |
47 in front. Selling at 47. Are we all done at ?47? | 0:15:39 | 0:15:43 | |
Got you at 47 now. | 0:15:43 | 0:15:46 | |
Yes! The hammer's gone down. ?47. | 0:15:46 | 0:15:48 | |
That's made estimate, not bad. | 0:15:48 | 0:15:50 | |
That makes it... What does that make it, Adam? 217. | 0:15:50 | 0:15:53 | |
?217. That's not bad at all, is it, for four dogs? Yes. | 0:15:53 | 0:15:58 | |
Get on the phone and tell them, won't you? I will, first thing. Thanks for coming in. | 0:15:58 | 0:16:02 | |
Thank you very much. A great result. | 0:16:02 | 0:16:04 | |
What is it about Beswick? | 0:16:04 | 0:16:05 | |
Well, it was discontinued, the factory, so people are getting more into collecting Bes-Wick these days. | 0:16:05 | 0:16:11 | |
I have to say that cos I live on the border of Staffordshire | 0:16:11 | 0:16:14 | |
and they're always telling me off. And he'll get letters. | 0:16:14 | 0:16:16 | |
"Tell him to pronounce it properly!" I'm trying, I'm trying! | 0:16:16 | 0:16:20 | |
I've just been joined by Janet, she's brought the rest of the family along. | 0:16:25 | 0:16:29 | |
Who've we got? Marcus and Sarah. | 0:16:29 | 0:16:30 | |
Hi, Marcus. Hello there. | 0:16:30 | 0:16:32 | |
Is he a football fan? Oh, he is. | 0:16:32 | 0:16:34 | |
Hopefully we're going to hit the back of the net with ?20 or ?30 - signed England autographs. Lovely item. | 0:16:34 | 0:16:40 | |
It's a bit of fun, hopefully - it's a small estimate at ?20, ?30. They will sell, won't they? | 0:16:40 | 0:16:45 | |
Yes, I should think so. | 0:16:45 | 0:16:46 | |
Gary Lineker might come and put a bid on them. | 0:16:46 | 0:16:49 | |
That would be fun. We'll find out right now. | 0:16:49 | 0:16:52 | |
Let's hope we score a good goal. | 0:16:52 | 0:16:53 | |
This is it. It's going under the hammer now. | 0:16:53 | 0:16:56 | |
Thank you. | 0:16:56 | 0:16:58 | |
Lot 244. | 0:16:58 | 0:16:59 | |
This is an A4 page containing a number of signatures | 0:16:59 | 0:17:03 | |
from the '85 to '86 football team. | 0:17:03 | 0:17:05 | |
Bobby Robson, Gary Lineker and co. | 0:17:05 | 0:17:07 | |
Who'll start me at ?20 for this lot? | 0:17:07 | 0:17:11 | |
?20. 20, I am bid. Got you at 20. | 0:17:11 | 0:17:14 | |
Yours at 20. Are we all done at ?20? | 0:17:14 | 0:17:16 | |
Selling... 22? No, just adjusting your hair. | 0:17:16 | 0:17:20 | |
?20. Selling at ?20. | 0:17:20 | 0:17:21 | |
Got you at 20, yours at 20 now. | 0:17:21 | 0:17:25 | |
?20. | 0:17:25 | 0:17:27 | |
That's a good valuation, ?20 to ?30. | 0:17:27 | 0:17:29 | |
Spot-on. I wouldn't know what to put on that. It is so hard. | 0:17:29 | 0:17:33 | |
You think, all those names on there. | 0:17:33 | 0:17:35 | |
I grew up watching those guys playing football, and they are so famous. | 0:17:35 | 0:17:38 | |
I would have valued them at ?10, ?20 EACH. | 0:17:38 | 0:17:40 | |
It just goes to show, doesn't it? | 0:17:40 | 0:17:43 | |
You've got to know your onions. Well done, Nick. | 0:17:43 | 0:17:46 | |
Well, it's novelty value. | 0:17:46 | 0:17:47 | |
All the players - | 0:17:47 | 0:17:49 | |
there's no great rare names, there's no one that's passed away. | 0:17:49 | 0:17:53 | |
Just novelty value, really. | 0:17:53 | 0:17:54 | |
This is one of my favourite lots of the day. | 0:18:00 | 0:18:02 | |
I know it's not worth a great deal, but it's a lovely dog on the front. | 0:18:02 | 0:18:06 | |
A gorgeous silver case. It belongs to Enzo. | 0:18:06 | 0:18:09 | |
I wish it belonged to me cos I wouldn't be selling it, Enzo. | 0:18:09 | 0:18:11 | |
No, why? Because I love dogs and it might come in useful. | 0:18:11 | 0:18:16 | |
That's all right then. But it's got the touch, hasn't it? | 0:18:16 | 0:18:19 | |
I had a chat with the auctioneer earlier, and we loved its size, and the whole style of the thing. | 0:18:19 | 0:18:24 | |
I know its Continental, and we're hoping to get Thomas's top end, plus a little bit more. Oh really? | 0:18:24 | 0:18:30 | |
It's nice, it's quality. | 0:18:30 | 0:18:32 | |
Why are you flogging it? I don't need it. Just fed up with it? | 0:18:32 | 0:18:36 | |
Yes. I've got so much stuff around. | 0:18:36 | 0:18:39 | |
Do something else. Yes, do something else. | 0:18:39 | 0:18:42 | |
Well, good luck with that. Let's hope we get that top end. | 0:18:42 | 0:18:45 | |
It's not my money anyway. Oh, isn't it? | 0:18:45 | 0:18:47 | |
I have to give it to my wife. She's in charge. | 0:18:47 | 0:18:49 | |
She has got the purse strings. Oh yes. | 0:18:49 | 0:18:51 | |
Enzo, this is it. Lot 328, German silver snuffbox. | 0:18:51 | 0:18:54 | |
That's the one with the enamel portrait of the dog on the top. | 0:18:54 | 0:18:57 | |
A pretty one. Who will start me at ?50, please? | 0:18:57 | 0:19:01 | |
Come on, ?50 I'm bid. 55, 60, 65, 70, 75, 80, 85, 90, 95, 100. | 0:19:01 | 0:19:08 | |
110, 120, 130... 130 on the phone. | 0:19:08 | 0:19:12 | |
I've got you at 130 now. | 0:19:12 | 0:19:15 | |
That's fantastic. | 0:19:15 | 0:19:17 | |
You were right, Thomas. ?130. | 0:19:17 | 0:19:20 | |
Very nice. Taking that home to the wife. | 0:19:20 | 0:19:22 | |
OK. | 0:19:22 | 0:19:24 | |
I've just been joined by Mary, and we're about to flog a Troika vase | 0:19:34 | 0:19:37 | |
signed by a Honor Curtis, decorated by her. | 0:19:37 | 0:19:40 | |
I didn't actually know what I'd got until I saw you on Flog It! | 0:19:40 | 0:19:44 | |
and you had got this piece of Troika. | 0:19:44 | 0:19:46 | |
And I thought, "Hey, I've got three pieces of that". | 0:19:46 | 0:19:49 | |
So I went and had a look at them, and sure enough they were signed. | 0:19:49 | 0:19:52 | |
In the money! Back of the net. | 0:19:52 | 0:19:54 | |
I bet you thought, "Right, I'm flogging those!" | 0:19:54 | 0:19:56 | |
Absolutely. I don't blame you. | 0:19:56 | 0:19:59 | |
You brought it along. | 0:19:59 | 0:20:01 | |
That's what the show is all about. | 0:20:01 | 0:20:02 | |
This is it. It's going under the hammer now. Good luck. | 0:20:02 | 0:20:05 | |
This is a rather large piece. As described. Who'll start at ?100? | 0:20:05 | 0:20:10 | |
Come on, 100 to start. | 0:20:10 | 0:20:11 | |
100... Nobody interested at 100. I don't believe it! | 0:20:11 | 0:20:15 | |
Nobody interested? No. 100, I'm bid. | 0:20:15 | 0:20:17 | |
We're away. 100, 110, | 0:20:17 | 0:20:19 | |
120, 130, 140, 150, 160, 170, 180, 190. | 0:20:19 | 0:20:27 | |
200. ?200 now. Frightened the life out me then! | 0:20:27 | 0:20:30 | |
Selling at ?200. I've got to get 200. | 0:20:30 | 0:20:33 | |
220, 240? Are we all done at ?220? | 0:20:33 | 0:20:39 | |
That's great! ?7 it cost me. | 0:20:39 | 0:20:42 | |
That's a good return. | 0:20:42 | 0:20:43 | |
And you've got a couple more pieces at home as well, | 0:20:43 | 0:20:46 | |
so if you want to put them into auction, you know the relative value. | 0:20:46 | 0:20:49 | |
I shall keep an eye out. | 0:20:49 | 0:20:51 | |
Yes. So, a trip to Cornwall now? Yes, absolutely. | 0:20:51 | 0:20:54 | |
Good for you. In the autumn after the tourists have gone. | 0:20:54 | 0:20:57 | |
Oggy, oggy, oggy. Oi! Oi! Oi! | 0:20:57 | 0:20:58 | |
It's going well so far, so now it's time for me to nip out and do some exploring. | 0:21:01 | 0:21:05 | |
Just a few miles down the road from the auction room is the beautiful village of Cookham, | 0:21:12 | 0:21:17 | |
which was the home of artist Sir Stanley Spencer. | 0:21:17 | 0:21:20 | |
He used many of the local characters and scenes from this village | 0:21:20 | 0:21:23 | |
as inspiration and a backdrop for many of his paintings. | 0:21:23 | 0:21:27 | |
Stanley Spencer was born here in 1892, and over the course of his life, painted more than 450 pictures, | 0:21:33 | 0:21:41 | |
exhibiting in galleries all around the world, and they made both him and his beloved Cookham very famous. | 0:21:41 | 0:21:48 | |
Before the First World War, Cookham was a rural community, virtually cut off from the outside world. | 0:21:55 | 0:22:00 | |
Spencer grew up here alongside his 10 brothers and sisters. | 0:22:00 | 0:22:05 | |
It is the most idyllic place. | 0:22:05 | 0:22:06 | |
He called it "a village in heaven". | 0:22:06 | 0:22:10 | |
In 1908, Spencer went to study at the Slade School of Art in London. | 0:22:15 | 0:22:20 | |
His fellow students soon nicknamed him Cookham because he was always talking about his home. | 0:22:20 | 0:22:25 | |
He even travelled back there every evening after classes. | 0:22:25 | 0:22:29 | |
As a child, Spencer came with his mother to worship at this Victorian Methodist chapel. | 0:22:29 | 0:22:35 | |
It's now a public art gallery, housing many of his works. | 0:22:35 | 0:22:39 | |
This one's called Neighbours, and it's a particular favourite of mine. | 0:22:41 | 0:22:45 | |
Every time I look at it, it always puts a big smile on my face. | 0:22:45 | 0:22:48 | |
It's based on a memory of Spencer's older sister Annie. | 0:22:48 | 0:22:52 | |
She's in her back garden, exchanging flowers over the hedge with her next-door neighbour. | 0:22:52 | 0:22:57 | |
Spencer recalls there were no flowers in their back garden, but there were plenty next door. | 0:22:57 | 0:23:02 | |
What he's trying to do is he's trying to evoke the two | 0:23:02 | 0:23:05 | |
very different feelings that you get from the two very different gardens. | 0:23:05 | 0:23:10 | |
This picture is also set in Cookham. | 0:23:21 | 0:23:23 | |
It's an oil on canvas and is based on a local story from 1910 when the tail of Haley's Comet flew | 0:23:23 | 0:23:30 | |
overhead, lighting up the sky with the most amazing sunset. | 0:23:30 | 0:23:34 | |
But the light also frightened this old granny. | 0:23:34 | 0:23:36 | |
She dropped to her knees on the pavement and started praying | 0:23:36 | 0:23:39 | |
because she thought the whole world was coming to an end. | 0:23:39 | 0:23:42 | |
Spencer was a kindly man and he didn't like the idea of anybody being alarmed, so what he's done here, | 0:23:42 | 0:23:48 | |
he's painted the old granny surrounded by heavenly angels | 0:23:48 | 0:23:51 | |
offering her emblems of things she loves to comfort her. | 0:23:51 | 0:23:54 | |
Spencer's cousin, Annie Slack, who worked in the village shop, | 0:23:54 | 0:23:57 | |
offers her a postcard of the village church. | 0:23:57 | 0:24:00 | |
Another strong influence in Spencer's painting was religion, | 0:24:17 | 0:24:20 | |
and this very beautiful churchyard features in several of his works. | 0:24:20 | 0:24:24 | |
He was absolutely fascinated with some of the gravestones, | 0:24:24 | 0:24:28 | |
especially the ones like this, | 0:24:28 | 0:24:29 | |
which were leaning a kilter to one direction. | 0:24:29 | 0:24:32 | |
You'd often find him sitting here, painting away with an old pram by his side. | 0:24:32 | 0:24:36 | |
He used this pram to transport all his canvases, | 0:24:36 | 0:24:39 | |
his easel and his paint and palates around, | 0:24:39 | 0:24:41 | |
just to make life a little bit easier. | 0:24:41 | 0:24:43 | |
Spencer especially liked to portray Biblical events as taking place | 0:24:48 | 0:24:52 | |
in Cookham, setting the New Testament story in and around the village. | 0:24:52 | 0:24:57 | |
In this picture of the Last Supper, Christ sits by the wall of the grain bin in a Cookham malt house. | 0:24:57 | 0:25:04 | |
The view of the river from Cookham Bridge hasn't changed much from when Spencer lived here. | 0:25:10 | 0:25:15 | |
Each year, there's a regatta held right here on the river, | 0:25:15 | 0:25:18 | |
which is a really lively and colourful event, | 0:25:18 | 0:25:20 | |
just as it was in Spencer's day. | 0:25:20 | 0:25:22 | |
This is where he got the inspiration and the setting for the beautiful painting, | 0:25:22 | 0:25:26 | |
Christ Preaching at Cookham Regatta. | 0:25:26 | 0:25:29 | |
Spencer spent four years working on this painting, and he was working on it right up until his death in 1959. | 0:25:29 | 0:25:36 | |
As you can see, it's not finished in many places. | 0:25:36 | 0:25:39 | |
He's pencil sketched all the characters, but he hasn't painted them in yet. | 0:25:39 | 0:25:43 | |
The gentleman in the middle in the black straw hat is Christ - how Spencer saw him. | 0:25:43 | 0:25:48 | |
He's surrounded by his disciples, and lots of children | 0:25:48 | 0:25:51 | |
in an old ferry boat which went up and down the River Thames. | 0:25:51 | 0:25:54 | |
It's just full of all the energy, hustle and bustle and colour of the regatta. | 0:25:54 | 0:25:58 | |
And here, you can see exactly how the artist worked. It's almost mathematical. | 0:26:09 | 0:26:14 | |
He worked with little crib drawings all over the canvas. | 0:26:14 | 0:26:18 | |
He'd have made around 60 chalk drawings of THIS before he even started on the real thing. | 0:26:18 | 0:26:24 | |
Even more remarkable, his brushes were so small, | 0:26:24 | 0:26:27 | |
considering he was working on a massive great big canvas. | 0:26:27 | 0:26:31 | |
Unlike many painters, Spencer received recognition and acclaim during his lifetime. | 0:26:36 | 0:26:41 | |
He worked as an official war artist, and shortly before his death, he was awarded a knighthood. | 0:26:41 | 0:26:48 | |
His tender portrayals of everyday life, his unique visions of Biblical stories, | 0:26:48 | 0:26:53 | |
and his boundless imagination, are what give him his enduring appeal. | 0:26:53 | 0:26:57 | |
Very nice, isn't it? Thank you! | 0:27:04 | 0:27:07 | |
Oh! | 0:27:07 | 0:27:09 | |
Hello, Debbie. Welcome to Flog It! | 0:27:14 | 0:27:16 | |
Hi. Thank you for bringing in something that is so apt to Windsor. | 0:27:16 | 0:27:19 | |
Here we are filming in the shadow of the great walls of Windsor Castle, | 0:27:19 | 0:27:23 | |
and here we are with our own bit of armoury. | 0:27:23 | 0:27:26 | |
How on earth did these come to be in your possession? | 0:27:26 | 0:27:29 | |
They were left to me by a neighbour back in 1980. | 0:27:29 | 0:27:33 | |
Right. Was she a marauding Persian? | 0:27:33 | 0:27:35 | |
No, she was an ex-Tiller girl, actually. | 0:27:35 | 0:27:37 | |
Really? In her nineties. | 0:27:37 | 0:27:39 | |
What a wonderful gift to be given. Yeah. | 0:27:39 | 0:27:42 | |
Was she a collector of sorts? | 0:27:42 | 0:27:44 | |
No, her husband was a merchant - he was in the Merchant Navy and he used travel a lot. | 0:27:44 | 0:27:49 | |
That explains it cos they've come a long way. | 0:27:49 | 0:27:51 | |
All the way from what used to be called Persia. | 0:27:51 | 0:27:54 | |
Which we didn't know. | 0:27:54 | 0:27:56 | |
Of course now it's split up into Iran, Iraq, Syria - that whole region. | 0:27:56 | 0:28:01 | |
Date-wise, they're not early as armour goes. | 0:28:01 | 0:28:04 | |
Obviously, armour goes back thousands of years. | 0:28:04 | 0:28:07 | |
OK. These are probably late 19th century. They're still earlier than I thought. | 0:28:07 | 0:28:12 | |
Which is old, as far as we're concerned, but it's not early as historians go. | 0:28:12 | 0:28:16 | |
Nice decoration on them. They're not a pair. Right. | 0:28:16 | 0:28:20 | |
They are very similar - same region, same date, same type of decoration. | 0:28:20 | 0:28:24 | |
This chasing on the metalwork, we can see here. | 0:28:24 | 0:28:27 | |
These are little bits of enamelling on the top. It's a wonderful design. | 0:28:27 | 0:28:31 | |
Almost too nice to be hacked to bits with a big sword. | 0:28:31 | 0:28:36 | |
Lovely things, and quite rare to see. | 0:28:36 | 0:28:38 | |
We don't see a lot of Middle-Eastern artefacts. | 0:28:38 | 0:28:40 | |
You're happy to sell them, are you? Yes, I think so. | 0:28:40 | 0:28:44 | |
You're not going to miss them? No. They don't hang on the wall and you'd have a big gap? | 0:28:44 | 0:28:48 | |
No. We're downsizing, so we need to start getting rid of stuff. | 0:28:48 | 0:28:51 | |
No battle re-enactments on the back lawn? Not any more. | 0:28:51 | 0:28:54 | |
OK. So, we need to put a sensible price on them. | 0:28:54 | 0:28:58 | |
I think each shield is worth in the region of ?150 to ?250. There or thereabouts. Right, OK. | 0:28:58 | 0:29:04 | |
Per shield. That's good. | 0:29:04 | 0:29:06 | |
Obviously, because it's a niche market, we need to put a reserve on them just to safeguard them, | 0:29:06 | 0:29:11 | |
but they should be well catalogued and illustrated in the sale. | 0:29:11 | 0:29:15 | |
If we say ?120 | 0:29:15 | 0:29:17 | |
as a firm reserve on each shield, would you be happy with that? That's fine. | 0:29:17 | 0:29:21 | |
That should help entice some buyers in and, once they're in, | 0:29:21 | 0:29:25 | |
bidding against each other, get the price up to the top end of that. | 0:29:25 | 0:29:28 | |
Are you happy to proceed? I am. OK, so we'll march on to the saleroom. | 0:29:28 | 0:29:32 | |
Fine. Good luck. | 0:29:32 | 0:29:34 | |
Linda, these chaps had a bit of a fast ride down today, didn't they? | 0:29:44 | 0:29:49 | |
Tell me how they came here. | 0:29:49 | 0:29:50 | |
On my husband's motorbike. Yeah? From Borehamwood, yeah. | 0:29:50 | 0:29:54 | |
Within a rucksack, or were they in a compartment? Is there a compartment...? | 0:29:54 | 0:29:59 | |
Yeah, the top box on the back of the bike. | 0:29:59 | 0:30:02 | |
They got here all right. They have. | 0:30:02 | 0:30:04 | |
Tell me, how did you come by them? | 0:30:04 | 0:30:07 | |
I bought them myself. | 0:30:07 | 0:30:09 | |
I collected them one by one, when I was 19 or 20. | 0:30:09 | 0:30:13 | |
I've got two older brothers and for some reason my nickname as a child was Pooh. | 0:30:13 | 0:30:17 | |
I've always liked Winnie the Pooh. It has memories for you, hasn't it? | 0:30:17 | 0:30:21 | |
Yeah. Yeah. But, I mean, they'd look nice in a child's nursery, | 0:30:21 | 0:30:27 | |
and not having any children, they've been packed away for the last 12 years or more. | 0:30:27 | 0:30:32 | |
That's why you're selling them. Yes. These were made by Beswick. | 0:30:32 | 0:30:36 | |
We've all heard of Beswick. Bes-WICK or Bes-ICK. How do you say it? Bes-ICK. | 0:30:36 | 0:30:40 | |
I would have thought... Because they're Beswick, they're no longer being made. | 0:30:40 | 0:30:45 | |
The Beswick factory has closed down in this country, so that's an advantage. | 0:30:45 | 0:30:50 | |
It is quite collectible and you're right, people do like Winnie the Pooh. | 0:30:50 | 0:30:54 | |
A child's nursery, yes. And it's the complete set. | 0:30:54 | 0:30:58 | |
I would have thought an estimate of ?300 to ?500. Oh, lovely! | 0:30:58 | 0:31:02 | |
Happy? Yes. | 0:31:02 | 0:31:04 | |
And we would probably fix the reserve at ?300. OK. | 0:31:04 | 0:31:08 | |
Would that be OK? That's fine. | 0:31:08 | 0:31:10 | |
I think that would be a good idea. Now, are you going to be able to make the auction? | 0:31:10 | 0:31:16 | |
I'm on holiday, I'm afraid. | 0:31:16 | 0:31:17 | |
Two weeks in Provence. | 0:31:17 | 0:31:19 | |
Lovely. On the bike? No, camper van this time. | 0:31:19 | 0:31:23 | |
Really? We've upgraded. Yeah, a bit more comfort. | 0:31:23 | 0:31:26 | |
Are you going to send a representative? | 0:31:26 | 0:31:28 | |
My brother is going to come to the auction for me. | 0:31:28 | 0:31:31 | |
Super, I'll look forward to meeting him | 0:31:31 | 0:31:33 | |
and hopefully, some good news will come your way. Yeah, lovely. | 0:31:33 | 0:31:37 | |
Sheila, good morning. Morning, Adam. | 0:31:45 | 0:31:48 | |
Thank you for coming along today. | 0:31:48 | 0:31:50 | |
I spotted you outside, didn't I? You did. | 0:31:50 | 0:31:54 | |
I was alerted to a very distinctive piece of Royal Worcester. | 0:31:54 | 0:31:58 | |
What can you tell me about it? | 0:31:58 | 0:32:00 | |
How long have you had it? | 0:32:00 | 0:32:02 | |
It was my mother's, and then I inherited it from my mother. | 0:32:02 | 0:32:07 | |
I believe it was my mother's father's, initially. | 0:32:07 | 0:32:11 | |
It could have been in the family ever since it was manufactured, perhaps. | 0:32:11 | 0:32:15 | |
Probably. Royal Worcester's very distinctive. | 0:32:15 | 0:32:18 | |
The shape and the hand-painted decoration is lovely, isn't it? | 0:32:18 | 0:32:23 | |
It's very pretty. Very pretty and, of course, all hand-painted. | 0:32:23 | 0:32:27 | |
So much china we see at "Flog It!" is mass produced, transfer printed, | 0:32:27 | 0:32:31 | |
and I find it quite difficult sometimes to tell people it's not very valuable. | 0:32:31 | 0:32:36 | |
Luckily, you've got something that is rather valuable. | 0:32:36 | 0:32:39 | |
It's been through the wars. It has. This has happened. | 0:32:39 | 0:32:41 | |
Yes. | 0:32:41 | 0:32:43 | |
So, that's quite a serious break. | 0:32:43 | 0:32:46 | |
It is. Do you know how it happened? | 0:32:46 | 0:32:48 | |
I don't. I think it probably was knocked over at some time. I'll leave that aside. Yes. | 0:32:48 | 0:32:52 | |
So, we've got a Royal Worcester vase with this lovely, hand-painted decoration. | 0:32:52 | 0:32:58 | |
It's signed there by Shuck, Albert Shuck, | 0:32:58 | 0:33:02 | |
who was one of the major Royal Worcester painters and I'm not going to pretend that | 0:33:02 | 0:33:07 | |
I've done my research, because I've got here your research from the top of your shoe box. Yes. | 0:33:07 | 0:33:12 | |
That says, "A Shuck, born 1880, died 1961." | 0:33:12 | 0:33:17 | |
This design, number 2021 on the base, was produced in 1898 | 0:33:17 | 0:33:22 | |
and the date code on the bottom - this series of numbers and dots - | 0:33:22 | 0:33:26 | |
the dots we get on Royal Worcester date it to 1913, so I'm afraid no expert work needed there. | 0:33:26 | 0:33:32 | |
Sheila's done it all for me. | 0:33:32 | 0:33:34 | |
The value, however... Have you got any idea on the value? | 0:33:34 | 0:33:38 | |
I think probably...?250. Yeah. | 0:33:38 | 0:33:42 | |
I mean, bearing in mind the condition, you are probably about right. | 0:33:42 | 0:33:46 | |
You would be looking at a lot more if the lid was fine. Yes. | 0:33:46 | 0:33:49 | |
?600 to ?800, I would think, if it was all perfect, but if we go with a conservative guide, 250 to 350. | 0:33:49 | 0:33:57 | |
That sounds... Put that estimate on, with a reserve of 250... | 0:33:57 | 0:34:00 | |
That sounds fine to me. ..so that it doesn't go for any less. | 0:34:00 | 0:34:04 | |
It shouldn't go for less, because it actually works quite well without the stopper. | 0:34:04 | 0:34:08 | |
Yes. | 0:34:08 | 0:34:10 | |
I'm hoping it's going to make 300 or 400 at the end of it, | 0:34:10 | 0:34:13 | |
because a conservative guide usually get things going. | 0:34:13 | 0:34:16 | |
And as I say, everything I touch turns to "sold". | 0:34:16 | 0:34:19 | |
So we won't be taking it home with us. | 0:34:19 | 0:34:21 | |
We're not used to seeing Persian armour on "Flog It!" | 0:34:24 | 0:34:30 | |
and Nick is very excited by these two shields. | 0:34:30 | 0:34:33 | |
Lot of Beswick today, | 0:34:33 | 0:34:34 | |
this time it's a complete collection of Winnie-the-Pooh figures. | 0:34:34 | 0:34:38 | |
Thomas thinks they will do well. | 0:34:38 | 0:34:41 | |
Its broken stopper might give fussy collectors pause for thought | 0:34:41 | 0:34:45 | |
but Adam is sure this pretty vase is going to hit the mark. | 0:34:45 | 0:34:49 | |
I wonder what auctioneer Simon Brown will think. | 0:34:49 | 0:34:52 | |
I love this, Simon. | 0:34:52 | 0:34:54 | |
It belongs to Sheila. | 0:34:54 | 0:34:55 | |
Unfortunately, there's damage, | 0:34:55 | 0:34:58 | |
quite a bit of damage to the lid considering the size of the vase. | 0:34:58 | 0:35:01 | |
We've got a valuation of ?250-350. | 0:35:01 | 0:35:05 | |
It's been in her family for as long as she knows. | 0:35:05 | 0:35:08 | |
So, it's a bit of their heritage. They're going to flog it. | 0:35:08 | 0:35:12 | |
A beautiful piece. | 0:35:12 | 0:35:14 | |
I personally feel perhaps once upon a time of one of a pair. Yes. | 0:35:14 | 0:35:19 | |
A nice pair of garniture vases. | 0:35:19 | 0:35:21 | |
As you say, the damage... | 0:35:21 | 0:35:23 | |
Now, in perfect order, you can see that making 320, 350, | 0:35:23 | 0:35:29 | |
possibly ticking on to the sort of early 400s | 0:35:29 | 0:35:32 | |
but with that damage, I think we're going to struggle. | 0:35:32 | 0:35:36 | |
Royal Worcester collectors, they are purists. | 0:35:36 | 0:35:39 | |
You're buying a great maker's name. | 0:35:39 | 0:35:42 | |
You're buying condition as well | 0:35:42 | 0:35:45 | |
and this just doesn't have the condition for them, I don't think. | 0:35:45 | 0:35:49 | |
Not for a Royal Worcester collector. They're fussy. | 0:35:49 | 0:35:52 | |
If we are to sell this at a reasonable price, | 0:35:52 | 0:35:57 | |
hopefully it will be somebody that comes into the auction house | 0:35:57 | 0:36:00 | |
that has a vase not dissimilar to this and will make a pair. | 0:36:00 | 0:36:04 | |
I would be happy if we got 250 to 270 for it. Yeah. | 0:36:04 | 0:36:09 | |
I really would. | 0:36:09 | 0:36:12 | |
I can't see it making any more than 250. | 0:36:12 | 0:36:14 | |
But you can see it struggling through. Yes. So can I, just. | 0:36:14 | 0:36:17 | |
I've been joined by Debbie in the nick of time in this packed saleroom. | 0:36:30 | 0:36:34 | |
Let's hope we can hit the top end of the estimate for these shields. | 0:36:34 | 0:36:38 | |
Hope so. Not strictly a pair. | 0:36:38 | 0:36:41 | |
No. We are looking for ?120 for each of them. | 0:36:41 | 0:36:45 | |
This is a really odd thing for a neighbour to leave you, isn't it? | 0:36:45 | 0:36:49 | |
They could have left you lots of things but two shields?! | 0:36:49 | 0:36:52 | |
We used to admire them, going past them in the hallway | 0:36:52 | 0:36:55 | |
and say that we quite liked them because they were unusual. | 0:36:55 | 0:36:58 | |
Did you put them on the wall in your hallway when they left? | 0:36:58 | 0:37:01 | |
No. I'll hand over to Nick. All the pressure's on you, Nick. | 0:37:01 | 0:37:05 | |
I hope we get that top end. | 0:37:05 | 0:37:07 | |
I'm sure we will. They are nice things, they've got age behind them. | 0:37:07 | 0:37:11 | |
Advertised properly, they will go. | 0:37:11 | 0:37:14 | |
They've got the look. Lot 250 - late 19th century Persian shield. | 0:37:14 | 0:37:17 | |
Beautiful shield. Who'll start me at ?200 for this? | 0:37:17 | 0:37:20 | |
Come on. 100 then to start. 100, I'm bid. Got you at 100. | 0:37:20 | 0:37:25 | |
110, 120, 130, 140, 150, 160. | 0:37:25 | 0:37:28 | |
This is good. 170, 180. | 0:37:28 | 0:37:30 | |
180 on my right. Selling at 180. | 0:37:30 | 0:37:33 | |
Are we all done at 180? Selling at 180. | 0:37:33 | 0:37:37 | |
The hammer's going down. | 0:37:37 | 0:37:39 | |
Let's see if we can get 180 for the next one. | 0:37:39 | 0:37:43 | |
Lot 216, a similar lot. | 0:37:43 | 0:37:45 | |
In good order. Start me at ?100, please. | 0:37:45 | 0:37:48 | |
100 I'm bid. | 0:37:48 | 0:37:50 | |
Got you at 100, 110, 120, 130, 140, | 0:37:50 | 0:37:53 | |
150, 160, 170, 180. | 0:37:53 | 0:37:55 | |
180 on my right, selling at 180. | 0:37:55 | 0:37:58 | |
Not bad at all. | 0:37:59 | 0:38:01 | |
Very pleased with that. That's a result. isn't it? | 0:38:01 | 0:38:04 | |
We would not have known where to get rid of them anyway. | 0:38:04 | 0:38:08 | |
They're quite specialist. What will you do with the money? | 0:38:08 | 0:38:11 | |
Our daughter dropped out of university | 0:38:11 | 0:38:13 | |
because she didn't want to take out a student loan. | 0:38:13 | 0:38:16 | |
I think this can go towards textbooks as she is going back. Is she? | 0:38:16 | 0:38:20 | |
To finish off her degree. Ah. | 0:38:20 | 0:38:22 | |
So that will be put to great use. | 0:38:22 | 0:38:23 | |
Students haemorrhage money. It's expensive to be a student now. | 0:38:23 | 0:38:27 | |
Especially if you are a parent supporting them. | 0:38:27 | 0:38:30 | |
What is she going to be studying? Law. | 0:38:30 | 0:38:32 | |
Law? She'll look after you then. I hope so. | 0:38:32 | 0:38:34 | |
We've got a full set of Winnie the Pooh Beswick figures going under the hammer now. They belong to Linda. | 0:38:40 | 0:38:45 | |
She made the valuation day but can't be here for the auction. | 0:38:45 | 0:38:49 | |
We've got Dave, her brother. | 0:38:49 | 0:38:50 | |
Thank you for coming along. | 0:38:50 | 0:38:52 | |
Your sister collected all of these, one by one, a big collection. | 0:38:52 | 0:38:56 | |
You saw her doing this and now this collection is worth ?300 to ?500, hopefully more. | 0:38:56 | 0:39:03 | |
Did you ever collect anything in the family? | 0:39:03 | 0:39:06 | |
I'm a hoarder, I've got loads of things. | 0:39:06 | 0:39:08 | |
Are you going to putting anything in? | 0:39:08 | 0:39:11 | |
Nothing at the moment. Maybe in the future. | 0:39:11 | 0:39:14 | |
If we get a good result here, maybe you'll sell a few things on. | 0:39:14 | 0:39:18 | |
Will we get that top end? | 0:39:18 | 0:39:19 | |
I don't know, ?500 is a big ask, isn't it? | 0:39:19 | 0:39:23 | |
It is a big ask. | 0:39:23 | 0:39:25 | |
There's a little bit of Beswick here as well though. | 0:39:25 | 0:39:28 | |
It is encouraging because of that has all sold reasonably well. | 0:39:28 | 0:39:32 | |
It's a full set so quite positive. | 0:39:32 | 0:39:34 | |
It's a full set. Fingers crossed. This is it. | 0:39:34 | 0:39:38 | |
Start me at ?200, please, for this lot. | 0:39:38 | 0:39:42 | |
?200, anybody interested? | 0:39:42 | 0:39:44 | |
200 I'm bid. We're in. 220, 240, 220 - are we all done at 220? | 0:39:44 | 0:39:52 | |
Nobody else? | 0:39:52 | 0:39:54 | |
See me afterwards if you're interested. | 0:39:54 | 0:39:56 | |
It didn't go. It didn't go. | 0:39:56 | 0:39:58 | |
Oh, well. | 0:39:58 | 0:40:00 | |
There's a lot of them. | 0:40:00 | 0:40:02 | |
There was interest at 200, somebody bid but nobody else | 0:40:02 | 0:40:07 | |
and he ducked out. | 0:40:07 | 0:40:09 | |
I think you need a specialist collecting sale to sell something like this. | 0:40:09 | 0:40:14 | |
Maybe next time. There is another sale on another day. | 0:40:14 | 0:40:17 | |
We've got some quality for you right now. | 0:40:23 | 0:40:26 | |
Sheila's Royal Worcester vase. | 0:40:26 | 0:40:27 | |
It's damaged. We chatted to the auctioneer earlier. | 0:40:27 | 0:40:30 | |
Here's the man who put the value on it. What's the phrase? | 0:40:30 | 0:40:33 | |
Everything you touch... Turns to sold, yeah. | 0:40:33 | 0:40:36 | |
Sheila, it's a good job you've got this man with you here | 0:40:36 | 0:40:39 | |
because he has this knack of getting things away | 0:40:39 | 0:40:42 | |
and Simon the auctioneer slightly disagreed with the valuation. | 0:40:42 | 0:40:47 | |
He said that Worcester collectors are purists, they don't want the damage | 0:40:47 | 0:40:51 | |
but if they've got one that might be one of a pair | 0:40:51 | 0:40:54 | |
and they have got one missing, they might buy this to make their set up. | 0:40:54 | 0:40:58 | |
In good condition, it's going to be 600 - 800. | 0:40:58 | 0:41:00 | |
Exactly, so... With the damage taken into account, we should be all right. | 0:41:00 | 0:41:05 | |
I was with Adam on this so I think we are going to have a happy ending. | 0:41:05 | 0:41:10 | |
Everything he touches turns to sold. Let's find out, this is it. | 0:41:10 | 0:41:14 | |
Lot 13. Early 20th century Royal Worcester vase. A pretty one there. | 0:41:15 | 0:41:20 | |
A lovely vase. It is gorgeous. | 0:41:20 | 0:41:22 | |
Start me at ?200 for this. 100, then to start. | 0:41:22 | 0:41:26 | |
At 100. Nobody interested? | 0:41:26 | 0:41:29 | |
At 100 I'm bid, 110, 120, 130, 140, | 0:41:29 | 0:41:33 | |
150, 160, 170, 180, | 0:41:33 | 0:41:40 | |
190, 200, 220, | 0:41:40 | 0:41:46 | |
240, 240. Got you at 240. Are we all done at 204? | 0:41:46 | 0:41:51 | |
I'm selling at 240. | 0:41:51 | 0:41:55 | |
260, 280. | 0:41:55 | 0:41:58 | |
280 on the phone. Are we all done at ?280 now? Selling at ?280. | 0:42:00 | 0:42:05 | |
Are we all done now? | 0:42:05 | 0:42:08 | |
Yes, I'm so happy. There was a moment when no one was interested. | 0:42:08 | 0:42:13 | |
A terrible thing to say. You've got to have confidence in him. | 0:42:13 | 0:42:16 | |
Confidence! | 0:42:16 | 0:42:17 | |
Well done. | 0:42:17 | 0:42:19 | |
I know. So annoying but so wonderful. | 0:42:19 | 0:42:23 | |
What will you put the money towards? | 0:42:23 | 0:42:25 | |
Well, I'm having grandchildren visiting me in the summer holidays | 0:42:25 | 0:42:29 | |
so they're all going to be taken out to special places. | 0:42:29 | 0:42:32 | |
Lots of ice creams. | 0:42:32 | 0:42:34 | |
That was my mother's | 0:42:34 | 0:42:36 | |
and I know she never met all the grandchildren | 0:42:36 | 0:42:38 | |
but she would love to think that was treating the grandchildren. | 0:42:38 | 0:42:43 | |
What a wonderful idea. Have a great summer. Yes, thank you. | 0:42:43 | 0:42:47 | |
That's it. Another day over, another auction done on "Flog It!" | 0:42:55 | 0:42:59 | |
We've had mixed results but a great time in Buckinghamshire. | 0:42:59 | 0:43:02 | |
If you fancy taking part, then come along to one of our valuation days. | 0:43:02 | 0:43:06 | |
You can pick up the details on the website at bbc.co.uk/lifestyle. | 0:43:06 | 0:43:11 | |
Then, hopefully, if our experts pick your item, | 0:43:11 | 0:43:14 | |
you can come to an auction room just like this one and experience all the thrills for yourself. | 0:43:14 | 0:43:19 | |
Until the next time, it's goodbye. | 0:43:19 | 0:43:21 | |
For more information about "Flog It!", | 0:43:30 | 0:43:32 | |
including how the programme was made, | 0:43:32 | 0:43:34 | |
visit the website at bbc.co.uk/lifestyle | 0:43:34 | 0:43:38 |