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And it boasts 39 colleges, including this one, Christchurch, | :00:35. | :00:45. | |
which is right opposite our venue for today - Oxford Town Hall. | :00:46. | :00:56. | |
The good and the great have been educated at Oxford. | :00:57. | :00:59. | |
Just listen to this for an impressive list. | :01:00. | :01:01. | |
But our two experts who are going to use their knowledge | :01:02. | :01:11. | |
and educate the good people of Oxford on antiques | :01:12. | :01:14. | |
Not a lot. It has been sitting in my cabinet for years. | :01:15. | :01:32. | |
So it has been passed down through the family? Yes. | :01:33. | :01:41. | |
And is there any foreign connection in your family? | :01:42. | :01:45. | |
My husband looked on the Internet for this and I believe it's French. | :01:46. | :01:51. | |
That's right. I understand you've done a little bit of research on it | :01:52. | :01:55. | |
and you have come up with the name of the French firm, Christofle, | :01:56. | :01:58. | |
Now, those marks under the foot I know can sometimes be misleading. | :01:59. | :02:12. | |
They can lead you to suspect that the mounts on this jug are silver. | :02:13. | :02:19. | |
Obviously that's going to affect on the value. | :02:20. | :02:34. | |
It's crisply moulded. It's decorative. | :02:35. | :02:39. | |
You've got these fine sort of scrolling acanthus moulded handle. | :02:40. | :02:45. | |
And the glass itself - I think the firm and Baccarat perhaps had a kind | :02:46. | :02:48. | |
of connection there, so this could well be a Baccarat crystal glass. | :02:49. | :02:53. | |
Another good quality high-end French maker of glass. | :02:54. | :02:58. | |
But back to this piece. It's a jug, obviously. | :02:59. | :03:01. | |
And I suspect perhaps a claret jug, to decant red wine into. | :03:02. | :03:06. | |
Have you had it valued? I know you did some research. | :03:07. | :03:33. | |
So it didn't put a price so we have no idea. | :03:34. | :03:41. | |
Because it is silver plate we're going to have to bear that in mind. | :03:42. | :03:59. | |
Would you be happy with that? That sounds fair. OK. | :04:00. | :04:07. | |
If we try it in the auction, we will put an estimate of 100-150. | :04:08. | :04:11. | |
we might have some French wine drinkers in the saleroom. | :04:12. | :04:22. | |
Fingers crossed. And we will sell it for you. | :04:23. | :04:25. | |
Hello, Rosalind. Hello, Mark. Nice to see you here in Oxford. | :04:26. | :04:38. | |
I moved into my house in Oxford in 1991 | :04:39. | :04:50. | |
and there were several interesting things in the house when I moved in. | :04:51. | :04:54. | |
This was one of them and it reminded me of the days when we had a pub | :04:55. | :04:59. | |
So you had a little shop attached? A little shop attached to the pub. | :05:00. | :05:09. | |
You could do your shopping... And have a beer? | :05:10. | :05:11. | |
And have a beer at the same time. That is a very canny idea, isn't it? | :05:12. | :05:14. | |
Wonderful, yes. And what did you used to call these? | :05:15. | :05:18. | |
Because of the five bars of chocolate. Yes, yes. | :05:19. | :05:24. | |
Wonderful. Basically, what we've got is an advertising piece. | :05:25. | :05:28. | |
And you've also got a name. It was obviously given as a gift, in 1894. | :05:29. | :05:47. | |
Yes. So it is actually quite an early piece of Fry's memorabilia, | :05:48. | :05:50. | |
Have you any idea of what it might be worth? | :05:51. | :05:56. | |
is it worth anything or not? I think it is worth something. | :05:57. | :06:07. | |
I would have thought it's only around ?30-?40 but who knows? | :06:08. | :06:23. | |
In auction, it might go for a bit more. Are you happy to put it in? | :06:24. | :06:27. | |
And let's hope that, as they used to say in the advert, that it's full of | :06:28. | :06:38. | |
Eastern promise in the saleroom and we might get a good price for it. | :06:39. | :06:42. | |
Well, that would be nice. Thank you very much. Thank you, Mark. | :06:43. | :06:52. | |
Linda, thank you for coming along today. Thank you. | :06:53. | :06:55. | |
And obviously, during the war, carried them round with her. | :06:56. | :07:08. | |
They are not English, they're Continental, German in fact. | :07:09. | :07:25. | |
And if we open the rather tatty little box, but none the less... | :07:26. | :07:29. | |
You've still got the original little information booklet there. | :07:30. | :07:35. | |
decorations on the cards, shall we say, and just | :07:36. | :07:43. | |
flicking through these, they are delicately drawn and coloured. | :07:44. | :07:48. | |
They seem more subtle and less fearful than modern tarot cards. | :07:49. | :07:53. | |
Basically, an enemy. An enemy. Oh dear. That's the snake. | :07:54. | :08:06. | |
I'm not sure with the actual readings. | :08:07. | :08:14. | |
I've found out a little bit online and managed to get back to 1930. | :08:15. | :08:43. | |
I think value-wise, you're probably looking in the region of ?20-?30, | :08:44. | :08:55. | |
I didn't actually think they were worth that much. Really? | :08:56. | :09:04. | |
If we can try them at the auction at that sort of estimate, ?20-?30, | :09:05. | :09:09. | |
and really, at that level I would advise not putting a reserve on. | :09:10. | :09:13. | |
I know the box is a bit tatty and everyone says how important that is, | :09:14. | :09:20. | |
Nice to see you. I gather you've had quite a lot of driving today. | :09:21. | :09:47. | |
More importantly, for bringing this rather interesting plaque with you. | :09:48. | :10:00. | |
And I know your name is Thomas Shaw, so obviously a family connection. | :10:01. | :10:07. | |
so I thought I'd bring it up and see how it went. | :10:08. | :10:28. | |
Wonderful. Did you find out why Thomas Shaw was awarded it? | :10:29. | :10:32. | |
He was a wool expert from London, England. | :10:33. | :10:35. | |
I believe something was going on in Australia | :10:36. | :10:37. | |
This is where it is interesting because you get | :10:38. | :10:54. | |
a lot of these plaques from the 19th century particularly. | :10:55. | :10:57. | |
attended these international conferences. | :10:58. | :11:20. | |
Purely because it's Victoria, obviously, in Australia. Australia. | :11:21. | :11:29. | |
Having said all that, you've also got a book that mentions | :11:30. | :11:41. | |
I've been assured that the saleroom we're using uses the Internet, | :11:42. | :12:00. | |
Now, it might be that in a specialist sale it might make more. | :12:01. | :12:21. | |
But if the auction house does the job right and attracts those buyers, | :12:22. | :12:25. | |
we might find we've got a sleeper. You never know, I suppose. | :12:26. | :12:28. | |
Exactly. If we get two rich Australians who want it, and | :12:29. | :12:32. | |
I think we probably will attract interest from Australia. | :12:33. | :12:35. | |
So I'm glad you've done that and we would love to put it in the show. | :12:36. | :12:47. | |
I look forward to seeing you at the auction. You too. | :12:48. | :12:51. | |
Well, we have something for everybody in today's auction. | :12:52. | :12:54. | |
Can anyone predict how well the German tarot cards will do? | :12:55. | :13:08. | |
And there's a lovely bit of family history with Tom Shaw's medallion. | :13:09. | :13:15. | |
For our auction today we're in a beautiful part of the countryside. | :13:16. | :13:19. | |
We're in Watlington, just outside of Oxford. | :13:20. | :13:22. | |
Will we hit the top end of our experts' valuations? | :13:23. | :13:30. | |
A set of tarot cards. They belonged to Linda. | :13:31. | :13:51. | |
They were her mum's, who had them during the war. | :13:52. | :13:54. | |
It's a complete set and our experts have put ?20-?30 on them. | :13:55. | :13:58. | |
I think that's a good, sensible value. | :13:59. | :14:01. | |
?30, no problem. What are your predictions? | :14:02. | :14:12. | |
Well...is there anybody there? The table's moving! | :14:13. | :14:14. | |
So first to wield the gavel is Simon's colleague, Francis Ogley. | :14:15. | :14:28. | |
And I hope you're right. It's a good name. | :14:29. | :14:43. | |
I'm hoping it will go, because you can still use it. | :14:44. | :14:52. | |
It's got the look, hasn't it? It really does have the look. | :14:53. | :14:55. | |
What I want to know is, good question, why are you flogging this? | :14:56. | :15:00. | |
The cut-glass and plated mount claret jug by Christofle, 11 inches. | :15:01. | :15:12. | |
That's what reserves are for. We protect it. | :15:13. | :15:46. | |
So far, so good. We're certainly raising the temperature in the room. | :15:47. | :16:02. | |
It's so hot, our next lot just might melt. | :16:03. | :16:05. | |
It's that chocolate book of nursery rhymes brought in by Rosalind. | :16:06. | :16:09. | |
Not a great deal of value, but it's so lovely, it's charming. | :16:10. | :16:12. | |
I hope we get the top end of that estimate. Mark? Will we do it? | :16:13. | :16:36. | |
I love this item. And I hope it makes way above the top estimate. | :16:37. | :16:39. | |
Secretly, that's what I'm praying for. It would be nice. | :16:40. | :16:45. | |
The talking's over. It's up to the bidders. | :16:46. | :16:53. | |
This is a novelty book, formed as a block of J Fry's chocolate. | :16:54. | :16:57. | |
Chocolate surprise nursery rhymes. ?30? ?25 I'm bid. 28, anywhere? | :16:58. | :17:02. | |
?55, and ?50 then, right in the corner, at ?50, all done at 50. | :17:03. | :17:22. | |
That's not bad, is it? It was the top end of the estimate, you know? | :17:23. | :17:28. | |
That's the all-important question on Flog It. | :17:29. | :17:37. | |
So they haven't told you anything yet? Not really. | :17:38. | :18:09. | |
Erm, general span. OK. Come on - and, and? | :18:10. | :18:19. | |
What were the predictions? We are all dying to know. | :18:20. | :18:21. | |
Double top estimate - that's what we want. | :18:22. | :18:31. | |
The fortune-telling cards or tarot cards, if you prefer. | :18:32. | :18:41. | |
Come on... 10, then, to start me. ?10 I am bid. | :18:42. | :18:48. | |
You didn't get the prediction I wanted. | :18:49. | :19:00. | |
You must have drawn the card upside down, I think. | :19:01. | :19:02. | |
Isn't that how it works? Yes, it must be. | :19:03. | :19:05. | |
And I've just been joined by young Tom Shaw, here. | :19:06. | :19:18. | |
You got up at 6 o'clock this morning. | :19:19. | :19:20. | |
Yes, had quite a long drive from South Wales. | :19:21. | :19:24. | |
He's got here in the nick of time. Most of the Flog It owners | :19:25. | :19:27. | |
live in the area but you've come a long way. So good on you. | :19:28. | :19:31. | |
I had a chat to the auctioneer. | :19:32. | :19:33. | |
He doesn't quite see Mark's valuation, 2-3. | :19:34. | :19:37. | |
The trouble is, I actually agree with the auctioneer. | :19:38. | :19:40. | |
I would hang on to this, if I were you. | :19:41. | :19:56. | |
I was thinking that myself as I was coming up here. | :19:57. | :19:59. | |
Thomas Shaw, the wool expert. What can we say for that? | :20:00. | :20:10. | |
?100, then. 50, I'm bid. 50, 55, 60, at ?65 then, anywhere, ?60? | :20:11. | :20:21. | |
At ?60? 70, ?70, then, are you all happy at ?70? | :20:22. | :20:25. | |
I would love to own something like that. | :20:26. | :20:41. | |
Yes, quite special with my name as well. Was thinking on the way up. | :20:42. | :20:44. | |
I'm happy to take it home. No doubt. | :20:45. | :20:51. | |
Don't forget, there's more auction action later on in the show but one | :20:52. | :20:59. | |
of the lots we've just sold was a set of tarot cards. | :21:00. | :21:02. | |
Now, I don't know anything about them, but I do believe in them. | :21:03. | :21:05. | |
So now is my chance to go and find out more. | :21:06. | :21:09. | |
Mention the word "tarot" and people conjure up images of | :21:10. | :21:11. | |
mystical tarot card readings conducted by fortune-tellers. | :21:12. | :21:16. | |
One of the foremost experts in the country is Cilla Conway, | :21:17. | :21:19. | |
who hopefully can dispel some of the myth associated with tarot. | :21:20. | :21:24. | |
Cilla, thank you for taking time out to talk to us today. | :21:25. | :21:27. | |
What are the general misconceptions of tarot? | :21:28. | :21:30. | |
Basically, that they're the Devil's Picture Book. | :21:31. | :21:33. | |
The tarot is often thought of as the royal road into the unconscious. | :21:34. | :21:52. | |
There's an Italian river tributary, Taro. T-A-R-0. | :21:53. | :21:56. | |
What dates are we talking about? It was about 1379, | :21:57. | :22:04. | |
but probably they were around for 50 years, at least, before that. | :22:05. | :22:09. | |
We know about them because they were condemned from a pulpit, | :22:10. | :22:13. | |
saying they were evil and should not be used. | :22:14. | :22:15. | |
What about playing a part in religion, because I know the Church | :22:16. | :22:19. | |
The church actually did us quite a favour | :22:20. | :22:25. | |
Even now Church people are so anti-tarot. | :22:26. | :22:36. | |
It's the first one you look at, and I'm looking down there. | :22:37. | :22:45. | |
The ways it's panned out, people don't read it as death, | :22:46. | :23:00. | |
they may read it as the death of something. | :23:01. | :23:03. | |
Change that's either forced on you or that you choose. | :23:04. | :23:10. | |
If you think the original packs were 40 years on from the Black Death, | :23:11. | :23:15. | |
so it's not really surprising that death figures quite largely. | :23:16. | :23:21. | |
Yes. And has the artwork changed much? | :23:22. | :23:23. | |
The original packs were done on wood blocks. | :23:24. | :23:28. | |
but the meanings and the suits and everything remain much as they were. | :23:29. | :23:42. | |
Cups, or chalices, have now transmogrified into hearts | :23:43. | :23:46. | |
and all the four suits are similar like that. | :23:47. | :23:50. | |
So you've got spades which were swords, | :23:51. | :23:53. | |
discs or pentacles, which were the diamonds | :23:54. | :23:58. | |
and batons, which might have related to peasants, for example. | :23:59. | :24:02. | |
You've also done your own artwork on a tarot card. | :24:03. | :24:06. | |
I went looking for packs and I thought they were too crude. | :24:07. | :24:16. | |
Then one evening I was doodling and found this fool, this card, | :24:17. | :24:29. | |
appearing on my pad in front of me, and I thought, "Wow." | :24:30. | :24:33. | |
In actual fact, we think that playing cards appropriated the fool. | :24:34. | :24:46. | |
They will work from the cards through their own intuition completely, | :24:47. | :25:00. | |
so they'll begin with the cards as a starting point. | :25:01. | :25:03. | |
Some people, and I'm one of them, will work only through the cards | :25:04. | :25:07. | |
and it'll be what the cards represent that I put into the reading. | :25:08. | :25:11. | |
Well, you've singled out four decks you've brought along. | :25:12. | :25:20. | |
Can you give me a brief overview of each one and maybe cut the cards. | :25:21. | :25:26. | |
1415 or thereabouts, the Visconti tarot. | :25:27. | :25:32. | |
Very beautiful, full of illuminated manuscript, gold, whatever. | :25:33. | :25:36. | |
I've cut it at judgement, which is actually quite interesting. | :25:37. | :25:40. | |
Very Christian iconography of the angels calling the dead, | :25:41. | :25:46. | |
God above the angels and the people coming out of the graves. | :25:47. | :25:51. | |
This is like a call for a new life, you might see it as. | :25:52. | :25:56. | |
This one is the Thoth pack, painted in the 1940s by Lady Freda Harris | :25:57. | :26:01. | |
for the arch-magician, Aleister Crowley. | :26:02. | :26:03. | |
Very powerful deck, a lot of people don't like it | :26:04. | :26:08. | |
because it has a very particular angle. | :26:09. | :26:11. | |
You need quite a lot of study to be able to use it. | :26:12. | :26:14. | |
This one is quite a good one to look at, the five of swords. | :26:15. | :26:20. | |
The feeling it gives me is about despair, deceit, feeling despondent. | :26:21. | :26:27. | |
That sort of thing. OK. The next deck... | :26:28. | :26:30. | |
A kind of celebration, happiness, marriage... | :26:31. | :26:42. | |
The support of friends would all come into that card, | :26:43. | :26:48. | |
and sometimes, just sometimes, a triangular relationship. | :26:49. | :26:51. | |
Lastly, the very small deck you've got. | :26:52. | :26:53. | |
This is the Ryder-Waite, it's a sort of industry standard now. | :26:54. | :26:58. | |
It was painted by Pamela Coleman in around 1910. | :26:59. | :27:03. | |
Basically, beautiful pack to use, really, really direct. | :27:04. | :27:11. | |
This one, which I've chosen, three wands. | :27:12. | :27:15. | |
The wands are all about creativity and intuition. | :27:16. | :27:18. | |
You've got somebody looking out and thinking about what his next move is. | :27:19. | :27:21. | |
or he's thinking about how he could work with some new idea he's got. | :27:22. | :27:31. | |
Hopefully, we've dispelled some of those preconceptions. | :27:32. | :27:43. | |
Well, we've got father and son today, Neville and Josh. | :27:44. | :27:53. | |
Can you tell us a little bit about it? | :27:54. | :27:57. | |
I can. It belongs to my father, Josh's grandfather. | :27:58. | :28:00. | |
My Dad bought it at a household sale in about 1958 | :28:01. | :28:04. | |
for the princely sum of five shillings. | :28:05. | :28:07. | |
and he took the back off it and there was a grey hair across the mechanism. | :28:08. | :28:13. | |
He removed it and it started ticking away | :28:14. | :28:15. | |
and ticked quite faithfully for another 30 years until it stopped. | :28:16. | :28:19. | |
and does everything it should do now. | :28:20. | :28:26. | |
Five shillings was quite a lot of money in 1958. It was. | :28:27. | :28:29. | |
Do you know what five shillings is? No, I'm not really sure. | :28:30. | :28:32. | |
25p. Way before your time, Josh. Yeah, yeah. | :28:33. | :28:39. | |
I wanted to find an interesting item that somebody would like. | :28:40. | :28:48. | |
And be part of the show. Yeah. Let's have a little look at the clock now. | :28:49. | :28:52. | |
What I liked about it was this rather nice oval case. | :28:53. | :28:55. | |
That's the first thing that looked rather nice about it. | :28:56. | :28:59. | |
When you actually open it and take out the movement, | :29:00. | :29:02. | |
you've really got quite a basic travelling clock. | :29:03. | :29:05. | |
I understand you can set the alarm on it. | :29:06. | :29:09. | |
You can set the alarm for whatever time you wish to be alarmed at. | :29:10. | :29:12. | |
When it does alarm, unfortunately, it alarms until the spring has run down. | :29:13. | :29:16. | |
You don't set the alarm. You don't set the alarm. | :29:17. | :29:24. | |
If we take the back off, we can see exactly what it does here. | :29:25. | :29:29. | |
what the movement of the clock is, an eight-day timepiece. | :29:30. | :29:34. | |
We've also got a fitted key, so we've got everything we need there. | :29:35. | :29:38. | |
anything about it till the other week. | :29:39. | :29:49. | |
I found he got it repaired and all sorts like that. | :29:50. | :29:53. | |
It's been locked away in the cupboard. A bit of a waste, really. | :29:54. | :29:58. | |
It's better to give it to someone who's gonna appreciate it. | :29:59. | :30:01. | |
Yeah. Well, I like it. I think if we were putting it in for auction, | :30:02. | :30:05. | |
we'd have to bear in mind there's a little bit of damage on the case. | :30:06. | :30:09. | |
I think that could be repaired, it's such a nice case. | :30:10. | :30:12. | |
We don't want to give it away on the day. Would you be happy with that? | :30:13. | :30:26. | |
I certainly would be. I look forward to seeing you both at the auction. | :30:27. | :30:36. | |
They are very collectible. But this is extremely collectible. | :30:37. | :30:50. | |
My sister-in-law was clearing out and she said, "Can you make use of this?" | :30:51. | :31:00. | |
Then I couldn't get the slider to work, | :31:01. | :31:12. | |
Did you try and research its history or find out what it does? | :31:13. | :31:17. | |
And you've left it there for how long? A couple or three years. | :31:18. | :31:25. | |
Did your sister-in-law have connections with the brewery trade? | :31:26. | :31:29. | |
It's called the Skid Stick. I'm sure they'd love this. | :31:30. | :31:39. | |
The only reason I know it's related to the brewery industry | :31:40. | :31:48. | |
is because when you pull this one out, | :31:49. | :31:50. | |
it can measure and gauge ale, wine, malt and cider. | :31:51. | :31:55. | |
But I do know it's related to the brewery industry | :31:56. | :32:02. | |
because of what it tells me on there. | :32:03. | :32:03. | |
Incidentally, inside one of them, if I slide that one open, | :32:04. | :32:08. | |
I'd put this somewhere around circa 1870 to 1890. | :32:09. | :32:26. | |
Somebody's done that deliberately, maybe to deceive, | :32:27. | :32:29. | |
but I would love to know how this works. | :32:30. | :32:31. | |
Hopefully, the auctioneer will be able to tell me. | :32:32. | :32:34. | |
I'm gonna try and do some research and find out exactly what it does. | :32:35. | :32:39. | |
I know that the slide rule collectors' club | :32:40. | :32:41. | |
or anybody that's interested in instruments like this | :32:42. | :32:44. | |
will find it a delight to play with, and it's a real curio. | :32:45. | :32:48. | |
It'll never do any good in the drawer. | :32:49. | :32:52. | |
No. It need to be looked at and played with. | :32:53. | :32:55. | |
and I thought it just as well go to somebody | :32:56. | :33:00. | |
who could either make use of it or would be glad to display it. | :33:01. | :33:04. | |
Yeah. I think I can see this selling for in-between ?50 and ?100. | :33:05. | :33:09. | |
Shall we flog it? Yes. OK. ?50 to ?100. | :33:10. | :33:13. | |
Lovely. Let's hope it does top end, shall we? Thank you very much. | :33:14. | :33:23. | |
A nice map of Berkshire you've brought in to show us. | :33:24. | :33:27. | |
It was part of our wedding present in 1971 | :33:28. | :33:32. | |
Did you live in Berkshire at the time? Yes. Yes, you did. | :33:33. | :33:42. | |
And of course you're wearing the St John Ambulance Brigade's uniform. | :33:43. | :33:46. | |
Yes. We're here providing first aid cover, so I brought our map along | :33:47. | :33:50. | |
just in case there was time to be valued like the Flog It people do. | :33:51. | :33:54. | |
You are selling this on your behalf? Our behalf, yes. | :33:55. | :33:57. | |
it's nice to get one of you St John Ambulance people up on camera. | :33:58. | :34:04. | |
Every one that I do, you do a valiant job in the background. | :34:05. | :34:06. | |
Going back to the map, it is a very nice one. It's by John Speed. | :34:07. | :34:11. | |
I believe so, but I can only go by what's on the back. | :34:12. | :34:14. | |
I don't think there's any doubt about that. | :34:15. | :34:16. | |
It's 17th century. The colouring might be later. | :34:17. | :34:19. | |
We've got, obviously, Windsor represented, | :34:20. | :34:27. | |
a wonderful prospect of Windsor Castle, | :34:28. | :34:30. | |
I often wondered who he was. I'm wondering that as well. | :34:31. | :34:36. | |
I was hoping you weren't going to ask me. I don't know, actually. | :34:37. | :34:40. | |
If he's been stuck on a paper... For 400 years! ..you'd be unhappy. | :34:41. | :34:48. | |
We've got all the borders and counties. | :34:49. | :34:51. | |
It's generally in quite good condition. | :34:52. | :34:54. | |
Often they're in these quite simple frames. | :34:55. | :35:02. | |
I would have a plain, wooden frame, myself, if I had it. | :35:03. | :35:04. | |
I like it. The value does depend on what county is it. | :35:05. | :35:09. | |
They're not priceless. They're not hugely valuable. | :35:10. | :35:24. | |
No. I would have thought we'd get around about ?200 to ?300. | :35:25. | :35:28. | |
Really? We never thought of the value, really. | :35:29. | :35:33. | |
You've had it as a wedding present for 35 years. | :35:34. | :35:37. | |
It's been hanging on your wall. Yes, in the darkest corner. | :35:38. | :35:41. | |
No. What about your husband, Alan? He doesn't hate it as much as I do. | :35:42. | :35:47. | |
I guess that's why you're flogging it. | :35:48. | :35:49. | |
Right now we're heading straight back to Watlington. | :35:50. | :35:55. | |
The first of our items if Josh and Neville's clock. | :35:56. | :35:58. | |
Hopefully Linda's map should attract a lot of local interest. | :35:59. | :36:15. | |
I think this has to be one of my favourite little items of the day, | :36:16. | :36:19. | |
As you know, it's a slide rule, a gauge, publicans would have used. | :36:20. | :36:29. | |
It's a really nice thing. I actually think this is my favourite object. | :36:30. | :36:33. | |
We've got 1,200 or 1,300 lots in here. | :36:34. | :36:35. | |
Oh, good, good... That's the one I really think is the best of the lot. | :36:36. | :36:38. | |
for that unfortunate purpose, the excise duty | :36:39. | :36:45. | |
so you can calculate how much alcohol there is in a beer barrel. | :36:46. | :36:50. | |
And there's even a rule in there for cider. | :36:51. | :36:54. | |
I think that was an ambitious dealer trying to sell it, to tie in with... | :36:55. | :37:02. | |
Yes, I mean, why would a "Williams" make any difference to it? | :37:03. | :37:08. | |
Just an optimist. Will we get that ?100, do you think? | :37:09. | :37:12. | |
It is. Yes, a very tactile object with a lot of surface quality. | :37:13. | :37:27. | |
We're looking at the top end here, we want 150 quid plus. | :37:28. | :37:44. | |
It's got a lovely story, because it survived a burglary, didn't it? | :37:45. | :37:47. | |
Somebody stole it, they just threw it down a bunch of stairs | :37:48. | :37:52. | |
and it landed in the hallway down at the bottom. | :37:53. | :37:55. | |
They took the TV and video, but left the clock. | :37:56. | :37:58. | |
It was your father's. He bought it for five bob in 1958. | :37:59. | :38:06. | |
The shape is nice and it's a lovely fitted box. | :38:07. | :38:16. | |
Under the circumstances, one understands why it is. | :38:17. | :38:24. | |
Oh, set bells ringing! It was used as an alarm clock, wasn't it? | :38:25. | :38:29. | |
It was. So, you've got yourself a battery alarm clock now. | :38:30. | :38:33. | |
Something a bit more functional. A bit more reliable. | :38:34. | :38:37. | |
It's just about to go under the hammer. This is it. | :38:38. | :38:40. | |
Travelling alarm clock, white enamel dial. | :38:41. | :38:43. | |
80, then, to start me. 50 if you like. | :38:44. | :38:47. | |
95. 100 with you. At ?100. 110? At ?100. Are you all happy at ?100? | :38:48. | :39:02. | |
That was short and sweet, right on the reserve. | :39:03. | :39:06. | |
He ran it right up, there was a bid on the book. | :39:07. | :39:09. | |
Who's getting the hundred quid, then? | :39:10. | :39:14. | |
I think Josh here. I think it's going to a cattery. | :39:15. | :39:17. | |
Our cats have just gone into a cattery this week. | :39:18. | :39:19. | |
We're going on holiday for three weeks whilst we're moving house. | :39:20. | :39:25. | |
that's Linda who helped us out at the valuation day, | :39:26. | :39:45. | |
because she represents the St John Ambulance Brigade, | :39:46. | :39:48. | |
but we've got her husband, Alan, who's also... | :39:49. | :39:50. | |
St John Ambulance. St John Ambulance, yes. I love this map. | :39:51. | :39:54. | |
Let's face it, right on the border. Yeah. | :39:55. | :39:58. | |
Hope it does well. Speed is one of the best cartographers. | :39:59. | :40:01. | |
Let's hope we get that top end of the estimate. Will we crack it? | :40:02. | :40:05. | |
I think so. It's a typical Speed map. | :40:06. | :40:07. | |
It's got nice imagery and Windsor Castle running across the top. | :40:08. | :40:10. | |
It's got part of Oxfordshire, part of Buckinghamshire on there. | :40:11. | :40:14. | |
Let's hope the map collectors are here. | :40:15. | :40:18. | |
Speed's Berkshire. 17th century, hand-carved map, Hogarth frame. | :40:19. | :40:26. | |
200 for that. 100 to start me. ?100? 100. | :40:27. | :40:30. | |
180. Selling at 180. We're all done at 180. | :40:31. | :40:43. | |
That's using his discretion on that ?200. | :40:44. | :40:55. | |
My wife will be pleased. She'll be pleased. | :40:56. | :40:58. | |
I'm a little bit disappointed... I'm like you, Paul. | :40:59. | :41:02. | |
But we got it away. That's the name of the game - we flogged it. | :41:03. | :41:24. | |
Belongs to Stanley, and it's just about to go under the hammer. | :41:25. | :41:32. | |
Had a chat to the auctioneer earlier. He loved it. | :41:33. | :41:35. | |
I think we're going to get a great result. | :41:36. | :41:45. | |
The auctioneer might buy it himself, he was that in love with it! | :41:46. | :41:48. | |
Fingers crossed. Going under the hammer. | :41:49. | :41:51. | |
A publican's or brewer's boxwood rule. | :41:52. | :41:54. | |
130 with you by the door, at ?130. 140 anywhere? | :41:55. | :42:14. | |
You see, it was rare, and people do collect these. | :42:15. | :42:27. | |
It's an instrument, a gentleman's toy, to calculate things with. | :42:28. | :42:33. | |
So, what are you going to do with ?130, Stanley? | :42:34. | :42:38. | |
That's a nice surprise, isn't it? Well, I expected to take it home. | :42:39. | :42:44. | |
No, you didn't, did you? I did, really. | :42:45. | :42:47. | |
The wife brought one or two things which were of no value, and I said, | :42:48. | :42:51. | |
I zoomed in on that one, I spotted that, didn't I? | :42:52. | :42:55. | |
You certainly did. Thank you very much, Stanley. | :42:56. | :42:58. | |
bring them along to one of our valuation days. | :42:59. | :43:04. | |
It could be you flogging something, just like Stanley was here. | :43:05. | :44:31. | |
The anthems ahead of Scotland's last match of 2013. The Tartan | :44:32. | :44:34. |