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If you're old enough to remember The Biggest Aspidistra In The World, | 0:00:03 | 0:00:07 | |
then you'll be familiar with one of the greatest names in entertainment | 0:00:07 | 0:00:12 | |
in the 1930s and '40s. Yes, Dame Gracie Fields was born right here in Rochdale in 1898. | 0:00:12 | 0:00:19 | |
Today we're bringing you our own entertainment with Flog It! | 0:00:19 | 0:00:25 | |
Rochdale has a rich industrial past and now has a bustling town centre. | 0:00:56 | 0:01:01 | |
Our Gracie wasn't the only famous name to hail from here. | 0:01:01 | 0:01:05 | |
Mike Harding, Lisa Stansfield and Anna Friel are among many stars of stage and screen from the town. | 0:01:05 | 0:01:12 | |
This magnificent town hall is our venue today. | 0:01:15 | 0:01:19 | |
We've got the all-dancing Anita Manning and Nigel Smith to dazzle you with their valuations | 0:01:19 | 0:01:25 | |
of all the antiques for auction. Let's hope there's a big queue! | 0:01:25 | 0:01:31 | |
There's going to be plenty to choose from - hundreds of people and hundreds of antiques. | 0:01:36 | 0:01:42 | |
It looks like Anita has already spotted something. | 0:01:42 | 0:01:46 | |
When I was a wee girl, | 0:01:51 | 0:01:53 | |
I used to go to the cinema on a Saturday morning. | 0:01:53 | 0:01:58 | |
-Lady and the Tramp was one of my favourite movies. -It was mine. | 0:01:58 | 0:02:04 | |
Well, what we have here are three little Wade animals. | 0:02:04 | 0:02:08 | |
We have Lady, we have the Tramp and we have good old Trusty. | 0:02:08 | 0:02:13 | |
-Tell me, where did you get them? -A friend of mine bought them. She died of cancer, unfortunately. | 0:02:13 | 0:02:20 | |
She bought me one every so often because she knew I liked them. | 0:02:20 | 0:02:25 | |
-So when did she buy them? -It must have been the early '60s. | 0:02:25 | 0:02:29 | |
-'62, '63, I should imagine. It was a long time ago. -I loved that. | 0:02:29 | 0:02:34 | |
I remember Peggy Lee singing! She was the voiceover for Lady. | 0:02:34 | 0:02:39 | |
-Yes. -It was so wonderful. -Yes. | 0:02:39 | 0:02:42 | |
They're not worth a huge amount of money, not a huge amount. | 0:02:42 | 0:02:47 | |
But I would imagine that if we put them into auction | 0:02:47 | 0:02:51 | |
we would get maybe | 0:02:51 | 0:02:53 | |
£100-£150 for them. | 0:02:53 | 0:02:55 | |
-For all three of them? -Yeah. Would you be happy to sell at that? | 0:02:55 | 0:03:00 | |
It will be a bit of a wrench because it was from my friend, | 0:03:00 | 0:03:05 | |
but I think it's time they moved on. | 0:03:05 | 0:03:08 | |
So £100 firm reserve, estimate £100-£150. | 0:03:08 | 0:03:14 | |
-We'll flog them and I'll look forward to seeing you. -Flog them. | 0:03:14 | 0:03:19 | |
-Liz. -Hello. -Thanks for coming along. | 0:03:23 | 0:03:26 | |
-You've got a lovely smile. Will you be smiling when I tell you about this? -I hope so. -Are you confident? | 0:03:26 | 0:03:33 | |
Um, well, I don't like it. | 0:03:33 | 0:03:36 | |
It's an Art Deco sugar caster. It's Clarice Cliff. | 0:03:36 | 0:03:41 | |
Everybody knows about Clarice Cliff now. | 0:03:41 | 0:03:45 | |
We've sold a lot of it now. Still commercial, but not my taste. | 0:03:45 | 0:03:50 | |
-Not mine either. -So you've decided to sell it. -Yes. | 0:03:50 | 0:03:54 | |
Let's have a closer look. It's quite a vivid pattern. Lovely, brightly-coloured trees. | 0:03:54 | 0:04:00 | |
The sad thing, which I think might affect its value - in fact, I'm sure - | 0:04:00 | 0:04:05 | |
is, if you turn it upside down, it hasn't actually got a Clarice Cliff mark. | 0:04:05 | 0:04:11 | |
-No, nothing. -Nothing. A lot of collectors will be unnerved slightly by that. | 0:04:11 | 0:04:17 | |
There are fakes about. This definitely isn't. It's right. | 0:04:17 | 0:04:22 | |
But a marked piece and an unmarked piece are two different things, so we've got to be conservative. | 0:04:22 | 0:04:28 | |
Anyway, it's a great thing. | 0:04:28 | 0:04:31 | |
-Not to my taste, not to your taste. So let's sell it. -Yes, please! | 0:04:31 | 0:04:34 | |
And put the money into something you do like. | 0:04:34 | 0:04:37 | |
Will you promise me you'll reinvest it in an antique? | 0:04:37 | 0:04:40 | |
No... A work of art, yes. | 0:04:40 | 0:04:42 | |
A piece of modern art. Something nice. | 0:04:42 | 0:04:45 | |
I was thinking of something to remember my auntie by, | 0:04:45 | 0:04:48 | |
-who it belonged to. -I would think a couple of hundred pounds for this. | 0:04:48 | 0:04:54 | |
-Really? -Yeah. -Wow! | 0:04:54 | 0:04:57 | |
-Do you want a reserve on it? -Yes. -Or do you just want rid of it? | 0:04:57 | 0:05:01 | |
-I do want to get rid of it, but... -Let's put £100 on it. | 0:05:01 | 0:05:05 | |
-OK. -You're not greedy. -No. -Give them a chance of a bargain. | 0:05:05 | 0:05:10 | |
That'll draw them all in and hopefully make a bit more. | 0:05:10 | 0:05:14 | |
-OK. -Then buy something decent. -Lovely. | 0:05:14 | 0:05:18 | |
David, this is an excellent woolwork sampler. | 0:05:23 | 0:05:26 | |
Is there a family connection or did you acquire it? | 0:05:26 | 0:05:30 | |
The only family connection was with my wife's first husband's great aunt. | 0:05:30 | 0:05:38 | |
-Right. -Who we think was Jane Roberts. | 0:05:38 | 0:05:42 | |
The auntie was Gladys and we think Jane Roberts was her mother. | 0:05:42 | 0:05:46 | |
So this has been in the family a long time. | 0:05:46 | 0:05:49 | |
-Since 1883. -120-odd years! | 0:05:49 | 0:05:51 | |
We have seen them before. We've seen a lot of silk samplers and cotton samplers. This is wool. | 0:05:51 | 0:05:59 | |
But the images, considering its date - | 0:05:59 | 0:06:02 | |
"Jane Roberts sewing work made in the year 1883." | 0:06:02 | 0:06:06 | |
You've got the stately home with the pond and trees. A close-up of the big house. Excellent. | 0:06:06 | 0:06:14 | |
The colour is there. It's quite vivid. It's not been in the sun. | 0:06:14 | 0:06:18 | |
The frame is right. It's walnut veneering | 0:06:18 | 0:06:21 | |
on a pine frame. | 0:06:21 | 0:06:23 | |
That is so right, so important. The mount is right as well. | 0:06:23 | 0:06:28 | |
I think, safely, | 0:06:28 | 0:06:29 | |
we could put this into auction at £300-£400. | 0:06:29 | 0:06:32 | |
-That much? -It's a nice-sized sampler. | 0:06:32 | 0:06:35 | |
-I must admit, it does seem rather bigger... -Lovely image. | 0:06:35 | 0:06:39 | |
We'll put it in for sale at £300-£400. We'll protect it with a fixed reserve at £300. | 0:06:39 | 0:06:45 | |
-OK? Happy with that? -Yes, thank you. -Let's sell it. | 0:06:45 | 0:06:49 | |
Now then, Lily. What can you tell me about him? He's cute, isn't he? | 0:06:53 | 0:07:00 | |
My husband inherited it from an aunt when she died. When my husband died, I inherited it. | 0:07:00 | 0:07:06 | |
I love teddy bears, they're great fun. | 0:07:06 | 0:07:08 | |
They all have their own little characters, but this one's a little bit special. | 0:07:08 | 0:07:12 | |
-Yes, he is. -Shall we show everybody? | 0:07:12 | 0:07:14 | |
His head comes off! | 0:07:16 | 0:07:18 | |
And what it is inside is a little scent phial. | 0:07:20 | 0:07:25 | |
-You put perfume in it. -Mm. | 0:07:25 | 0:07:27 | |
This would date, probably, from around about the 1920s, I'd think. | 0:07:27 | 0:07:32 | |
-It's a little German bear. -Yes. | 0:07:32 | 0:07:35 | |
Probably made by Schuco. | 0:07:35 | 0:07:38 | |
What spurred you to come along today? I know you're a Flog It fan. | 0:07:38 | 0:07:42 | |
Just to see if it was valuable. | 0:07:42 | 0:07:44 | |
Collectors buy these on two levels. | 0:07:44 | 0:07:46 | |
There are scent bottle collectors and teddy bear collectors. | 0:07:46 | 0:07:50 | |
It's a double bonus, really. And they are popular. | 0:07:50 | 0:07:55 | |
-We could estimate him somewhere around £60-£80. -Yes. | 0:07:55 | 0:07:59 | |
He's nice, he's got character. He's in lovely condition. | 0:07:59 | 0:08:03 | |
-We could do very well with him. Are you happy to sell him? -Yes. | 0:08:03 | 0:08:08 | |
What would you invest £100 in? | 0:08:08 | 0:08:10 | |
Well, I'll give my son half and I'll have half towards a holiday. | 0:08:10 | 0:08:16 | |
-Right. -Won't be a lot, will it? -A mini-break. -Yes. | 0:08:16 | 0:08:21 | |
-Let's be confident. -OK. -Everyone will love him. | 0:08:21 | 0:08:23 | |
I'll put £60 reserve on him and we'll turn him into cash for you. | 0:08:23 | 0:08:29 | |
-We'll flog him. -Very good. | 0:08:29 | 0:08:31 | |
Lynn, I am SO pleased! | 0:08:35 | 0:08:38 | |
Here we are in Rochdale, and what we have | 0:08:38 | 0:08:41 | |
are letters and postcards from Rochdale's finest daughter, Gracie Fields. | 0:08:41 | 0:08:48 | |
-Tell me, where did you get them? -Well, my husband went to an auction about 20 years ago. | 0:08:48 | 0:08:55 | |
We were collecting books at the time and he bid on a box of books, | 0:08:55 | 0:09:00 | |
brought them home and was looking through them for first editions | 0:09:00 | 0:09:05 | |
and at the bottom of the box was these letters and postcards. | 0:09:05 | 0:09:10 | |
Were you quite excited? | 0:09:10 | 0:09:12 | |
We was, because we knew that Gracie lived in Rochdale, | 0:09:12 | 0:09:16 | |
but we just put them in the drawer and left them there. | 0:09:16 | 0:09:20 | |
Then when I heard that the Flog It team was coming to Rochdale, | 0:09:20 | 0:09:25 | |
I thought we'd bring them down just to see. | 0:09:25 | 0:09:29 | |
She was absolutely wonderful and renowned. She travelled in the US and all over the world. | 0:09:29 | 0:09:36 | |
Here we have two postcards - one with Gracie's photograph on it | 0:09:36 | 0:09:43 | |
and we have another one from Capri where she lived, latterly. | 0:09:43 | 0:09:49 | |
And this is to Phyllis Reynolds, just a typical holiday postcard. | 0:09:49 | 0:09:54 | |
"Many thanks. Best wishes." Et cetera. | 0:09:54 | 0:09:58 | |
But what really makes it for me, Lynn, is this letter here. | 0:09:58 | 0:10:03 | |
If we take it out... | 0:10:03 | 0:10:06 | |
It's from Capri and it was written in 1968. | 0:10:08 | 0:10:14 | |
"My dear Phyllis and your dear sister, we just returned to Capri and found your lovely gift | 0:10:14 | 0:10:20 | |
"of hankies!" Isn't that nice? | 0:10:20 | 0:10:24 | |
"Bless on you both. Thank you very, very much also for your kind letter. Birthday wishes. | 0:10:24 | 0:10:31 | |
"We've enjoyed a lovely holiday in Brighton and London. All my good wishes and thank you, Gracie." | 0:10:31 | 0:10:38 | |
-Isn't that wonderful? -Yeah. -It's wonderful. I love it. | 0:10:38 | 0:10:43 | |
They're not worth an enormous amount of money. | 0:10:43 | 0:10:47 | |
I think if we put them in, say, with an estimate of £40-£60 I'm sure they will go higher, | 0:10:47 | 0:10:54 | |
but I think to give a reasonable estimate will encourage the bidding. | 0:10:54 | 0:10:59 | |
-Would you be happy to put them in at that price? -Yes. | 0:10:59 | 0:11:04 | |
-A good turn on your couple of pound box of books! -It was. | 0:11:04 | 0:11:09 | |
We've had a wonderful collection of items at the valuation day | 0:11:12 | 0:11:16 | |
and Lynn's postcards have inspired me | 0:11:16 | 0:11:18 | |
to find out a little more about Rochdale's First Lady. | 0:11:18 | 0:11:22 | |
There's not much olde worlde charm left in Rochdale these days. | 0:11:28 | 0:11:32 | |
Even back in the 1930s and '40s it was a hard-working mill town, | 0:11:32 | 0:11:37 | |
part of Lancashire's harsh industrial landscape. | 0:11:37 | 0:11:41 | |
But the people are at the heart of Rochdale. They're so proud of their heritage. | 0:11:43 | 0:11:50 | |
If you look around, a flavour of the old days still lingers. | 0:11:50 | 0:11:55 | |
-# Sing as we go... # -There was no one prouder of her Rochdale heritage | 0:11:55 | 0:12:01 | |
or did more to put this town on the international map than the world-famous star, Gracie Fields, | 0:12:01 | 0:12:08 | |
who was born here in 1898. | 0:12:08 | 0:12:10 | |
Our Gracie ended up a Hollywood star, and by the end of the 1930s | 0:12:12 | 0:12:16 | |
she was the highest-paid entertainer in the world, but she never forgot she was a Lancashire lass. | 0:12:16 | 0:12:22 | |
Whenever she came back, people turned up in their thousands. | 0:12:22 | 0:12:28 | |
# Once I had a secret love | 0:12:44 | 0:12:48 | |
# That lived within the heart of me... # | 0:12:50 | 0:12:55 | |
Gracie was born Grace Stansfield and she grew up with two sisters and a brother in Molesworth Street. | 0:12:55 | 0:13:01 | |
As a young child, she worked part-time in one of the mills. | 0:13:01 | 0:13:05 | |
She knew she'd be a big star because her mother told her. | 0:13:05 | 0:13:09 | |
She said, "If you don't get your act together, you'll end up in a mill for the rest of your life." | 0:13:09 | 0:13:15 | |
At the age of seven, Gracie won her first talent contest. | 0:13:15 | 0:13:20 | |
By 1931 she was in Hollywood. | 0:13:20 | 0:13:23 | |
Over a five-year period she made a small fortune, | 0:13:23 | 0:13:27 | |
but Gracie said that to her, home always meant Rochdale and its folk. | 0:13:27 | 0:13:33 | |
When the war broke out in 1939, Gracie's popularity dipped for the first time in her career. | 0:13:33 | 0:13:40 | |
She was married to her second husband, Monty Banks. He was an Italian and, therefore, the enemy. | 0:13:40 | 0:13:46 | |
She left Britain to be with him, touring Canada, the USA and Europe, | 0:13:46 | 0:13:51 | |
raising thousands of pounds and morale for the war effort. | 0:13:51 | 0:13:55 | |
Gracie never took her fans for granted and she always took time out to stop and chat with them | 0:13:55 | 0:14:02 | |
and sometimes even sing them a song. | 0:14:02 | 0:14:05 | |
No matter how famous she became, people loved her because she remained down to earth. | 0:14:05 | 0:14:12 | |
Do you look back on those days in Rochdale and think, "Without this, I wouldn't be Gracie Fields"? | 0:14:12 | 0:14:20 | |
I wouldn't, definitely. I wouldn't know people so well if I had a silver spoon in my mouth. | 0:14:20 | 0:14:27 | |
And I wouldn't understand other people's reactions to things. | 0:14:27 | 0:14:31 | |
I love to get on a bus today. People can't understand that. | 0:14:31 | 0:14:35 | |
I don't want a taxi. I love people. | 0:14:35 | 0:14:39 | |
I want to see them. I know how they feel and I feel the same way. | 0:14:39 | 0:14:44 | |
So when I sing a song, either a tragedy, a dramatic song, or a comic song, | 0:14:44 | 0:14:50 | |
I feel I know how to handle it. | 0:14:50 | 0:14:53 | |
In 1978, at the age of 80, Gracie returned to Rochdale for the last time. | 0:14:53 | 0:15:00 | |
As usual, people turned out in their thousands to welcome her. | 0:15:00 | 0:15:04 | |
It was a day for pure nostalgia as Rochdale welcomed home the original Lancashire lass | 0:15:04 | 0:15:10 | |
who made their town famous. Gracie was clearly delighted to be back | 0:15:10 | 0:15:15 | |
and she had some treats in store for everyone. | 0:15:15 | 0:15:18 | |
Then, at a local school, a chance for youngsters to meet the legend they were brought up with. | 0:15:18 | 0:15:24 | |
And then shake my box! | 0:15:24 | 0:15:27 | |
The following year, she went to Buckingham Palace, where she was made a dame. | 0:15:31 | 0:15:37 | |
# ..the hour For me to say goodbye... # | 0:15:38 | 0:15:45 | |
Gracie died in Italy in 1979. | 0:15:46 | 0:15:49 | |
A memorial service was held here in the church where she was christened. | 0:15:49 | 0:15:54 | |
Many famous names turned up to honour our Gracie, | 0:15:54 | 0:15:59 | |
the girl from Rochdale who made good and never forgot she was a Lancashire lass at heart. | 0:15:59 | 0:16:06 | |
We've seen some super items so far, so let's have a look at what's going off to auction. | 0:16:11 | 0:16:18 | |
Lynn's letters from Gracie Fields won't make a fortune, but they're a great piece of showbiz history. | 0:16:18 | 0:16:24 | |
Speaking of showbiz, this rather nice modern collection of Disney figures | 0:16:24 | 0:16:29 | |
should catch someone's eye at the auction. | 0:16:29 | 0:16:31 | |
And there's another famous name associated with the sugar shaker, | 0:16:31 | 0:16:35 | |
which I think will do rather better than Nigel's estimate. | 0:16:35 | 0:16:39 | |
Needlework samplers are always in big demand at auctions. | 0:16:39 | 0:16:43 | |
This one, handed down through David's family, should do really well. | 0:16:43 | 0:16:47 | |
But one thing's for sure - | 0:16:47 | 0:16:48 | |
there's going to be some fierce bidding before someone gets their claws into this little bear. | 0:16:48 | 0:16:54 | |
Before our items are sold off at the Calder Valley auction house, | 0:16:54 | 0:16:57 | |
I'm going to speak to our auctioneer, Ian Peace, | 0:16:57 | 0:17:00 | |
about that Schuco bear. | 0:17:00 | 0:17:02 | |
A very tiny bear. A tiny, tiny bear on this massive great big table! | 0:17:02 | 0:17:07 | |
He's a little Schuco bear. His head comes off. | 0:17:07 | 0:17:11 | |
He belongs to Lily. She inherited him from an aunt. | 0:17:11 | 0:17:16 | |
We've got a valuation of £60-£80. | 0:17:16 | 0:17:19 | |
-Yep. -He's almost like a novelty key ring! -It is. | 0:17:19 | 0:17:24 | |
It's charming, it's small and it's a scent bottle. I think £60-£80 is on the low side. | 0:17:24 | 0:17:31 | |
I think it's got a chance of £120-£130, £140. | 0:17:31 | 0:17:35 | |
Unfortunately, the reserve has been put up by the vendor. | 0:17:35 | 0:17:39 | |
I do know one that went down in Sussex for £170, so we may just make it. | 0:17:39 | 0:17:45 | |
When I saw £60-£80, I thought exactly what you said. | 0:17:45 | 0:17:50 | |
It would do that any day. We've now upped the ante. | 0:17:50 | 0:17:55 | |
-I shall work hard. -It's got the sweet smell of success. | 0:17:55 | 0:17:59 | |
Speaking of sweet success, | 0:17:59 | 0:18:00 | |
first up, it's the sugar shaker by Clarice Cliff. | 0:18:00 | 0:18:04 | |
I wish I had a fiver for every time I've said this - it wouldn't be Flog It without Clarice Cliff. | 0:18:06 | 0:18:12 | |
I've joined up with Liz here, who's flogging her Clarice Cliff sugar shaker. | 0:18:12 | 0:18:16 | |
-That's right. -£100-£200. -Yes. -Let's hope we get that top end. | 0:18:16 | 0:18:21 | |
What is the money going to go towards, Liz? | 0:18:21 | 0:18:25 | |
-I don't want to make Nigel blush, but... -Come on! | 0:18:25 | 0:18:29 | |
-Nothing fazes Nigel. -I'm going to put it towards a Clarice Cliff tattoo. -One on your body?! | 0:18:29 | 0:18:37 | |
Yes. The pattern that we're selling. | 0:18:37 | 0:18:41 | |
-So you're going to get a crocus? -No, it's a cottage. -A little cottage landscape. | 0:18:41 | 0:18:47 | |
-The whole thing? -Not the whole thing. -Whereabouts? -Um... | 0:18:47 | 0:18:53 | |
A Clarice Cliff oval sugar shaker. | 0:18:53 | 0:18:57 | |
I'm going to open this at...£150. | 0:18:57 | 0:19:00 | |
£150. 150. | 0:19:00 | 0:19:03 | |
At 160. 170. 180. 190. | 0:19:03 | 0:19:06 | |
200. And 10. 220. | 0:19:06 | 0:19:09 | |
-Fantastic! They love it. -250. | 0:19:09 | 0:19:12 | |
260. 270. £270. | 0:19:12 | 0:19:15 | |
At £270. 280. 290. | 0:19:15 | 0:19:18 | |
-Three tattoos! -300. And 10. | 0:19:18 | 0:19:22 | |
320. 330. | 0:19:22 | 0:19:24 | |
At £330. | 0:19:24 | 0:19:26 | |
£330-worth of tattoos! Painful! | 0:19:26 | 0:19:30 | |
At £340, ladies and gentlemen. | 0:19:30 | 0:19:33 | |
£340. The hammer's going down. | 0:19:33 | 0:19:36 | |
-Wonderful. -Oh, my God! -Clarice always does the business. | 0:19:36 | 0:19:41 | |
I wouldn't blame you | 0:19:41 | 0:19:43 | |
-if you changed your mind. -I might buy jewellery! | 0:19:43 | 0:19:46 | |
She was christened Gracie Stansfield, we all know her as Gracie Fields | 0:19:50 | 0:19:55 | |
and we've got memorabilia brought in by Lynn. | 0:19:55 | 0:19:57 | |
-Your husband found this in an auction room. -Yes. | 0:19:57 | 0:20:00 | |
We've got £40-£60 put on by our expert, Anita. We should do that! | 0:20:00 | 0:20:04 | |
Everybody wants a bit of Gracie! | 0:20:04 | 0:20:06 | |
In the right area. They're not uncommon - she was a prolific letter writer, | 0:20:06 | 0:20:12 | |
but I think the letter is very sweet, thanking someone for a box of hankies. Lovely. | 0:20:12 | 0:20:19 | |
And we're thanking you for bringing it in. It really is a special topic. | 0:20:19 | 0:20:24 | |
-There's lots of local interest. -Yeah. -Good luck. | 0:20:24 | 0:20:27 | |
A letter hand-written by Gracie Fields, together with three envelopes and two signed postcards. | 0:20:27 | 0:20:33 | |
Number 36 is the lot. | 0:20:33 | 0:20:35 | |
20? 20, thank you. | 0:20:35 | 0:20:37 | |
£20. 5 anywhere? At £20. And 5. | 0:20:37 | 0:20:40 | |
At 25. At 25. 30 do I see? | 0:20:40 | 0:20:44 | |
At 25. 30. And 5. At 35. 40 do I see? At £35. | 0:20:44 | 0:20:50 | |
-Good. -Are we all done at £35? 40, sir. | 0:20:50 | 0:20:54 | |
We're in the market at 40. Any further bids at 40? | 0:20:54 | 0:20:58 | |
-At £40, then, here in the room. All done? -Yes... -At 40. | 0:20:58 | 0:21:03 | |
-Well done. -We got right on the estimate. | 0:21:03 | 0:21:07 | |
-40 quid. That's OK, isn't it? -Yes. | 0:21:07 | 0:21:10 | |
-That'll do me. -You've got to treat your husband. He found them. | 0:21:10 | 0:21:15 | |
-Well, I suppose so. -Suppose so! | 0:21:15 | 0:21:18 | |
I've been looking forward to this. We've got a sampler, it's gorgeous. I've put £300-£400 on it. | 0:21:22 | 0:21:28 | |
-David brought it along. And who's with you? -My wife, Sally. | 0:21:28 | 0:21:32 | |
-Sally, hello. -Hello. -This is really yours. | 0:21:32 | 0:21:36 | |
Yes. It was my aunt's. My late aunt's. | 0:21:36 | 0:21:40 | |
-Sally broke her hip! -I was line dancing and I fell! | 0:21:40 | 0:21:44 | |
-Line dancing?! All the cowboy stuff? -Yes. | 0:21:44 | 0:21:48 | |
-Hoo-ha! -Yee-ha! | 0:21:48 | 0:21:50 | |
-Do you both go line dancing? -No, I go occasionally. | 0:21:50 | 0:21:55 | |
-That must be really exciting. -It was, until I landed in hospital. | 0:21:55 | 0:21:59 | |
-And did your hip in. -Yes. We had to cancel our holiday. | 0:21:59 | 0:22:04 | |
-Where were you going? -Spain. | 0:22:04 | 0:22:07 | |
I've told him if this sells he can take me somewhere else! | 0:22:07 | 0:22:11 | |
It's going under the hammer. | 0:22:11 | 0:22:14 | |
A large needlework sampler, 1883. | 0:22:14 | 0:22:17 | |
-Come on, bidders. -£200? | 0:22:17 | 0:22:19 | |
150, then. 150, 150. At 160. 170. | 0:22:19 | 0:22:24 | |
180. 190. 200. | 0:22:24 | 0:22:27 | |
And 10. At £210. At 220. | 0:22:27 | 0:22:30 | |
-220, 220. 230? -Yes. -230. | 0:22:30 | 0:22:34 | |
-240. -And 250? Yeah. -250. | 0:22:34 | 0:22:38 | |
-260. -Yeah. -270. 280. | 0:22:38 | 0:22:41 | |
It's worth much, much more! | 0:22:41 | 0:22:44 | |
£280 I'm bid. | 0:22:44 | 0:22:46 | |
A fresh bid of 290. At £290. | 0:22:46 | 0:22:49 | |
-300, thank you. £300. At £300. -That's the reserve done. | 0:22:49 | 0:22:55 | |
Any further bids? At £300, then. | 0:22:55 | 0:22:58 | |
We're selling. Yes, just! | 0:22:58 | 0:23:01 | |
Right. Not Spain this time, though. | 0:23:03 | 0:23:06 | |
No. We might go to Cornwall. | 0:23:06 | 0:23:08 | |
Yes! | 0:23:08 | 0:23:10 | |
-You'll enjoy it down in Cornwall. -I'm sure we will. -I did go to Cornwall, about 40 years ago. | 0:23:10 | 0:23:16 | |
It hasn't changed much! It's still beautiful! | 0:23:16 | 0:23:20 | |
Next up, the Lady and the Tramp. I'm surrounded by two ladies. | 0:23:23 | 0:23:28 | |
I have been accused of looking like a tramp recently on Flog It! | 0:23:28 | 0:23:33 | |
-We've got those lovely Disney figures. They're the larger version. -They're called blow-up figures. | 0:23:33 | 0:23:39 | |
-Blow-up? -Bigger, better, more expensive. -More money! | 0:23:39 | 0:23:44 | |
-We need more money for Poldie. -I want a thousand for them. | 0:23:44 | 0:23:49 | |
You're not going to get a thousand! But hopefully the top end. | 0:23:49 | 0:23:53 | |
The money will go towards your art materials. | 0:23:53 | 0:23:57 | |
Poldie makes cards. She's made me one. | 0:23:57 | 0:24:01 | |
-I've got a lovely lady banging the drum. You're from Austria? -Yes. | 0:24:01 | 0:24:06 | |
-You came over to Oldham how many years ago? -53 years. | 0:24:06 | 0:24:10 | |
-Wow. What brought you over here? -Work, Paul. Work. -In the mills? -Oh, yes. | 0:24:10 | 0:24:16 | |
-Hard graft? -Yes, it was. But I was 22 at the time and it was easy. | 0:24:16 | 0:24:22 | |
-Keen, eager. -Well... -Why did you stay? Did you meet a man? | 0:24:22 | 0:24:27 | |
Unfortunately, yes! | 0:24:27 | 0:24:29 | |
Anita's met a few and got rid of them! | 0:24:31 | 0:24:34 | |
Lot 10. Three Wade Porcelain Walt Disney models. Lady and the Tramp. | 0:24:34 | 0:24:39 | |
Shall we say £100? 80? 50, thank you. At £50. | 0:24:39 | 0:24:44 | |
And 60. At 60. At 70. | 0:24:44 | 0:24:46 | |
-80. 90. 100. -(Yes, they've sold.) | 0:24:46 | 0:24:51 | |
£100. 110. 120. 130. 140. | 0:24:51 | 0:24:54 | |
-150. 160. -They absolutely love them. | 0:24:54 | 0:24:58 | |
At 160 in the doorway. £160, then. Hang on - there's two cards there. | 0:24:58 | 0:25:03 | |
-160. -Bidding war! | 0:25:03 | 0:25:06 | |
Anybody else at the back of the room? | 0:25:06 | 0:25:09 | |
-170 here. -170! -180. | 0:25:09 | 0:25:12 | |
180. Against you, sir. 190. | 0:25:13 | 0:25:16 | |
£190 here at the front. 190 - it's going. | 0:25:16 | 0:25:21 | |
-Yes! -The hammer has gone down. | 0:25:21 | 0:25:24 | |
-£190. Great! -Wonderful! | 0:25:24 | 0:25:27 | |
Wonderful. | 0:25:27 | 0:25:29 | |
What a great result! | 0:25:29 | 0:25:31 | |
-Seriously, what's £190 going towards? -My overdraft! -We've all got them, haven't we? | 0:25:33 | 0:25:40 | |
-With a vice like that... -A vice like making cards. | 0:25:40 | 0:25:45 | |
-I could do with a bigger flat. -Could you? -For all the stuff! I have boxes everywhere. | 0:25:45 | 0:25:51 | |
-It's purgatory. -Thank you so much for coming in. | 0:25:51 | 0:25:55 | |
-As a 22-year-old, you would have been in lots of trouble! -I'd have given you a run for your money. | 0:25:55 | 0:26:01 | |
Yes! | 0:26:01 | 0:26:03 | |
Next up, we've got Lily and that lovely little Schuco bear. | 0:26:09 | 0:26:13 | |
We had a valuation from Nigel of £60-£80. | 0:26:13 | 0:26:18 | |
Lily has upped the value without you knowing. | 0:26:18 | 0:26:23 | |
She's had a chat with Ian. You weren't happy with £60-£80. | 0:26:23 | 0:26:27 | |
-No, it wasn't enough. -So you've upped it to £150. | 0:26:27 | 0:26:32 | |
-Oh! -I did have a chat to Ian. | 0:26:32 | 0:26:35 | |
-We both fell in love with this little bear. -Think it will sell? -We think it's got a chance at 150. | 0:26:35 | 0:26:42 | |
He is so cute. You just want to love that little bear. | 0:26:42 | 0:26:46 | |
-If he doesn't sell for any more than 150, you've done all right. Protect your investment. -Yes. | 0:26:46 | 0:26:52 | |
OK, going under the hammer now. | 0:26:52 | 0:26:55 | |
Lot 261. A German Schuco miniature teddy bear in gold plush. | 0:26:55 | 0:27:00 | |
I'll start this at £100. At £100. | 0:27:00 | 0:27:04 | |
110. 120. | 0:27:04 | 0:27:07 | |
120. 130. 140. | 0:27:07 | 0:27:10 | |
-150. 160. -Sold it. Yes! -170. 180. | 0:27:10 | 0:27:14 | |
190. 200. | 0:27:14 | 0:27:16 | |
-This is more like it, isn't it? -Yes! | 0:27:16 | 0:27:20 | |
And 10. And 20. 230. | 0:27:20 | 0:27:22 | |
240. At £240. | 0:27:22 | 0:27:25 | |
At £240. Any further bids? | 0:27:25 | 0:27:28 | |
-Brilliant. They love it. -I thought it was rare(!) | 0:27:28 | 0:27:33 | |
The hammer has gone down at £240, Lily. | 0:27:36 | 0:27:40 | |
-Well done! -Lily, how about that? | 0:27:40 | 0:27:43 | |
-We're shaking! -Yes! | 0:27:44 | 0:27:47 | |
-What are you going to do with £240? -Well, I was going to give my son half of it. | 0:27:47 | 0:27:54 | |
He takes me about a lot. He said he doesn't want it. | 0:27:54 | 0:27:58 | |
-I bought him a little ornament. -In the sale? -Yes. -Good for you! | 0:27:58 | 0:28:02 | |
-She's selling AND buying! -Yes! | 0:28:02 | 0:28:05 | |
-You've got your finger on the pulse. -I'm delighted. | 0:28:05 | 0:28:09 | |
It's great to meet you. Thank you for bringing a lovely bear. | 0:28:09 | 0:28:13 | |
-We'll all enjoyed that moment. -Thanks. -It's what Flog It is about. | 0:28:13 | 0:28:18 | |
-I hope you've enjoyed the show. We enjoyed making it. -Yes. | 0:28:18 | 0:28:23 | |
It's cheerio from Nigel, Lily and myself. Take care. | 0:28:23 | 0:28:27 | |
Subtitles by Subtext for Red Bee Media Ltd - 2007 | 0:28:39 | 0:28:43 | |
E-mail us at [email protected] | 0:28:44 | 0:28:47 |