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MUSIC: "Better On Holiday" by Franz Ferdinand | 0:00:02 | 0:00:05 | |
Today, Flog It is in the home of the holiday camp. | 0:00:11 | 0:00:13 | |
Mention Skegness and what springs to mind? Butlins! | 0:00:13 | 0:00:17 | |
In 1936, Billy Butlin opened his first holiday camp here in Skegness | 0:00:47 | 0:00:51 | |
on the site of a former turnip field. It provided value for money, | 0:00:51 | 0:00:56 | |
good accommodation and entertainment for the holidaying masses. | 0:00:56 | 0:01:00 | |
Clearly, a winning formula! | 0:01:00 | 0:01:03 | |
And here at the Embassy Theatre, | 0:01:03 | 0:01:05 | |
I'm hoping for a winning formula with our experts, Elizabeth Talbot | 0:01:05 | 0:01:09 | |
and David Barby, and it looks like the happy campers | 0:01:09 | 0:01:11 | |
have turned out in their droves! There are hundreds of people here! | 0:01:11 | 0:01:15 | |
Bags and boxes full, brimming with antiques. | 0:01:15 | 0:01:18 | |
Hopefully, they're off to auction. | 0:01:18 | 0:01:21 | |
Amongst these antiques, David has already made his first find. | 0:01:21 | 0:01:25 | |
A collection of intriguing, tiny boxes. | 0:01:25 | 0:01:28 | |
-Daisy, this is a lovely echo from the past. -Yes? | 0:01:28 | 0:01:33 | |
Both 18th and 19th century, and all with an element of personal hygiene. | 0:01:33 | 0:01:41 | |
Do you collect objects of this nature, or did you just acquire these through family inheritance? | 0:01:41 | 0:01:46 | |
Family inheritance, from an aunt. | 0:01:46 | 0:01:50 | |
And what was the appeal to you to hang on to them? | 0:01:50 | 0:01:52 | |
They intrigued me, these little boxes that people put small tablets in, patches and so forth. | 0:01:52 | 0:01:59 | |
-That's right. -And if you move, you can take them with you. | 0:01:59 | 0:02:02 | |
That's true. It's the expertise in construction I find so intriguing. | 0:02:02 | 0:02:06 | |
-Yes. -Particularly with this little box here, which is ivory and it has | 0:02:06 | 0:02:11 | |
-a delicate inlay of gold all the way around. -Yes, exquisite. -Absolutely! | 0:02:11 | 0:02:16 | |
So, when you open this up... | 0:02:16 | 0:02:18 | |
..you've got an interior where on this little velvet section, | 0:02:20 | 0:02:23 | |
you would put your toothpick, normally silver. | 0:02:23 | 0:02:26 | |
-Yes. -And then this mirror, which is very much, sort of, discoloured now. | 0:02:26 | 0:02:30 | |
But just enough to show my teeth. | 0:02:30 | 0:02:32 | |
-Yes. -So, I'd take the toothpick out and then just clean. | 0:02:32 | 0:02:36 | |
So, that fogging is actually to one's advantage? | 0:02:36 | 0:02:38 | |
If you've got filthy teeth, you can't see them very well! | 0:02:38 | 0:02:41 | |
Well, not really! | 0:02:41 | 0:02:43 | |
The one I find fascinating is this box here. | 0:02:43 | 0:02:47 | |
-Yes? -Because this is a simple little oval box and this velvet lining here | 0:02:47 | 0:02:54 | |
could have had, sort of, personal implements, | 0:02:54 | 0:02:57 | |
maybe for nails or teeth or something like that. | 0:02:57 | 0:03:01 | |
-Yes. -But what is so intriguing, | 0:03:01 | 0:03:03 | |
again with this one, you have this gold mount all the way round | 0:03:03 | 0:03:07 | |
-and it's encasing under glass a little watercolour drawing. -Yes. | 0:03:07 | 0:03:12 | |
Of a coastal scene. | 0:03:12 | 0:03:15 | |
-It would have been lovely if it was Skegness, but it's not. -No! | 0:03:15 | 0:03:18 | |
Because this is an estuary and on the other side of the estuary, | 0:03:18 | 0:03:22 | |
there is a range of hills or mountains. | 0:03:22 | 0:03:24 | |
-Yes. -Right in the middle of the scene there's a little frigate, | 0:03:24 | 0:03:29 | |
which has a steam funnel, | 0:03:29 | 0:03:31 | |
so you're looking at the, sort of, middle of the 19th century. | 0:03:31 | 0:03:37 | |
About 1840, 1850, that sort of period. | 0:03:37 | 0:03:40 | |
This piece, I like immensely, because I love enamel boxes, | 0:03:40 | 0:03:45 | |
and if we open it, | 0:03:45 | 0:03:46 | |
it's got a little mirror inside. | 0:03:46 | 0:03:48 | |
-Yes. -So, this would be used for patches that you would take out | 0:03:48 | 0:03:52 | |
and put on all those spots. | 0:03:52 | 0:03:53 | |
And so easy just to pop in a purse. | 0:03:53 | 0:03:55 | |
Oh, waistcoat. Waistcoat pocket. | 0:03:55 | 0:03:57 | |
-Waistcoat. Absolutely. -Waistcoat pocket. So, this is quite nice. | 0:03:57 | 0:04:01 | |
And then, the absolute wonder | 0:04:01 | 0:04:05 | |
of your collection is this little case here | 0:04:05 | 0:04:09 | |
-which is called an etui. -Etui? | 0:04:09 | 0:04:11 | |
And inside... | 0:04:11 | 0:04:14 | |
..There's a little press catch there. | 0:04:14 | 0:04:16 | |
-Yeah. -I can open it and there you have a lady's delightful | 0:04:16 | 0:04:23 | |
-pair of scissors. -Tiny! | 0:04:23 | 0:04:26 | |
If she snagged her sleeve, her lace, | 0:04:26 | 0:04:28 | |
she would be able to take out these various implements and use them. | 0:04:28 | 0:04:32 | |
I think it's gilt metal. | 0:04:32 | 0:04:33 | |
It would be lovely if it were silver or gold, but I don't think it is. | 0:04:33 | 0:04:37 | |
Very nice indeed. Now, how much are we going to realise for these pieces? | 0:04:37 | 0:04:42 | |
Well, I think somewhere between £500 and £600. | 0:04:42 | 0:04:46 | |
How splendid! | 0:04:46 | 0:04:47 | |
How it is to be sold, well, I'm going to leave that to the auctioneer. | 0:04:47 | 0:04:51 | |
-Yes? -Because he may decide to put them in as one collection, | 0:04:51 | 0:04:56 | |
-or to sell them individually. -Yes. | 0:04:56 | 0:04:59 | |
But he knows his market for these. | 0:04:59 | 0:05:02 | |
-Right. -So, I'm going to leave it up to him to say how he wants to sell them. -Excellent. | 0:05:02 | 0:05:07 | |
-Now, are you agreeable to that? -Perfectly. | 0:05:07 | 0:05:10 | |
-Will you be at the auction? -Of course! -So shall I! -Good! | 0:05:10 | 0:05:13 | |
I'll look forward to seeing you. | 0:05:13 | 0:05:14 | |
-Thank you very much for bringing these. -Thank you. | 0:05:14 | 0:05:17 | |
Sheila, hello. Thanks for bringing | 0:05:26 | 0:05:28 | |
your Staffordshire flatback figure group. What can you tell me about it? | 0:05:28 | 0:05:31 | |
Not much, except that it belonged to my parents. | 0:05:31 | 0:05:35 | |
Now, given the age of it, which I think is probably from about 1880, | 0:05:35 | 0:05:38 | |
presumably they must have inherited it themselves? | 0:05:38 | 0:05:41 | |
-Oh, I'd say from their parents. -OK. | 0:05:41 | 0:05:43 | |
So, possibly three generations of the family. | 0:05:43 | 0:05:46 | |
Yes, it's been there as long as me! | 0:05:46 | 0:05:47 | |
And, so, we come to today and you've decided you want to sell it. | 0:05:47 | 0:05:51 | |
-I do. -And why is that? -Because I don't like it! | 0:05:51 | 0:05:54 | |
-You don't like it? -No, I don't like it. -Oh, dear! -I know. | 0:05:54 | 0:05:57 | |
-It's a Staffordshire flatback figure, which will be familiar to a lot of people. -Yes. | 0:05:57 | 0:06:02 | |
What I like about it is that it's not the rarest of models, | 0:06:02 | 0:06:05 | |
but it's slightly unusual and it brought a smile to my face, | 0:06:05 | 0:06:09 | |
because we have the two figures here on a daybed | 0:06:09 | 0:06:12 | |
and it's the way the drapes are sagging in the middle, but it just | 0:06:12 | 0:06:15 | |
looks as though it's straining under the weight of two people. | 0:06:15 | 0:06:18 | |
-It does. -I like the lady, the young woman up here. | 0:06:18 | 0:06:22 | |
A parakeet on her arm, a pretty little tiered skirt and who I take | 0:06:22 | 0:06:27 | |
to be her suitor, who's taking a break from his lute playing there | 0:06:27 | 0:06:32 | |
to kneel and have a chat! | 0:06:32 | 0:06:34 | |
As I say, he's not the rarest of figures and Staffordshire has taken a bit of a tumble over | 0:06:34 | 0:06:40 | |
the last few years, much as a lot of goods have, but they are picking up slightly. | 0:06:40 | 0:06:44 | |
It's in good order so I think it still would find a market quite comfortably at the moment. | 0:06:44 | 0:06:50 | |
You don't like it, but have you any idea of what it might be worth? | 0:06:50 | 0:06:54 | |
-Have you sort of given it that thought? -Well, I thought probably 60 to 100, maybe. | 0:06:54 | 0:06:59 | |
It might be. I think it's more likely to fetch comfortably around 50 to 70. | 0:06:59 | 0:07:05 | |
I mean, splitting hairs slightly, but I think more like £50 to £70. | 0:07:05 | 0:07:09 | |
And, if it were about £50 to £70, would you still be happy to sell it? | 0:07:09 | 0:07:13 | |
-Yes, I would, yeah. -You would. | 0:07:13 | 0:07:14 | |
Would you like a reserve on it so it's protected and if it doesn't sell, you have it back? | 0:07:14 | 0:07:20 | |
Not really, no! | 0:07:20 | 0:07:21 | |
-Testing you there! -I know you were! | 0:07:21 | 0:07:24 | |
No, no. I think it has to go. | 0:07:24 | 0:07:26 | |
-It has to go. See how the market takes it? -Yeah. | 0:07:26 | 0:07:29 | |
-OK, well, in that case, we'll take it, we'll put it in auction, £50 to £70. -Yes. | 0:07:29 | 0:07:33 | |
-See if we can find a nice new home for it. -OK. | 0:07:33 | 0:07:36 | |
Susan, you've just put a big smile on my face | 0:07:40 | 0:07:42 | |
cos you've brought in some furniture which I love. | 0:07:42 | 0:07:45 | |
-It's a classic low back Windsor stick chair. -Right. | 0:07:45 | 0:07:48 | |
So, how long have you had this? | 0:07:48 | 0:07:50 | |
I've had it for ten years and I was left it from two old ladies. | 0:07:50 | 0:07:54 | |
I was their domestic for ten years and they left me it in their will. | 0:07:54 | 0:07:58 | |
And you've used this and sat on it for the last ten years? | 0:07:58 | 0:08:01 | |
And I've polished it and looked after it, so I'd like | 0:08:01 | 0:08:04 | |
it to go to somebody who's going to care for it just as much. | 0:08:04 | 0:08:07 | |
It's a very late Victorian chair. | 0:08:07 | 0:08:09 | |
We're, sort of, talking about 1890s. | 0:08:09 | 0:08:12 | |
This is what I would call a local chair to Skegness. | 0:08:12 | 0:08:15 | |
This is made in that triangle from Lincoln to Nottingham to Newark. | 0:08:15 | 0:08:19 | |
It's come from that area. | 0:08:19 | 0:08:21 | |
I can tell it's a Newark chair because of these two ring turnings. | 0:08:21 | 0:08:24 | |
It's as simple as that. And this particular Christmas tree splat. | 0:08:24 | 0:08:29 | |
-Oh, that's what you call it, is it? -Yeah, I can identify this as 20 miles around Newark. | 0:08:29 | 0:08:35 | |
When these were originally made, | 0:08:35 | 0:08:37 | |
they would have been made in the forests by travelling workmen | 0:08:37 | 0:08:40 | |
that would travel around villages. They would set up a pole lathe, | 0:08:40 | 0:08:44 | |
fell the tree and this would be made while the timber was still very fresh and green. | 0:08:44 | 0:08:49 | |
Quite a few people were involved in making a chair. | 0:08:49 | 0:08:51 | |
One person would have used an adze and he would have made this seat. | 0:08:51 | 0:08:55 | |
This is made of elm. | 0:08:55 | 0:08:56 | |
His job description was called a bottomer. | 0:08:56 | 0:08:59 | |
He purely made these seats. | 0:08:59 | 0:09:01 | |
-Just the end bits. -The bottoms for your bum! Like a tractor seat. | 0:09:01 | 0:09:05 | |
-Can you see that? -Yes, how it's curved, yeah. | 0:09:05 | 0:09:07 | |
The next guy on the job would have been the turner, the wood turner. | 0:09:07 | 0:09:11 | |
-Now, he turned the legs and the arm supports, OK? -Right. | 0:09:11 | 0:09:16 | |
He also turned the sticks. | 0:09:16 | 0:09:18 | |
Then, along came the guy who's job description was the assembler. | 0:09:18 | 0:09:22 | |
-He put the whole thing together, yeah? -Oh, right. | 0:09:22 | 0:09:24 | |
-And I think this is a great practical kitchen chair. -Right. | 0:09:24 | 0:09:29 | |
If you've got kids and dogs and you're not precious | 0:09:29 | 0:09:32 | |
and you want to use a chair and make it functional, | 0:09:32 | 0:09:36 | |
but invest in a piece of history, this is the chair for you. | 0:09:36 | 0:09:39 | |
-Oh, that's nice, then. -And I think it will do somewhere in the region of £120 to £150. | 0:09:39 | 0:09:45 | |
-That's lovely. -I think we should put a reserve of £80 on this. | 0:09:45 | 0:09:49 | |
Don't let it go for anything less. | 0:09:49 | 0:09:51 | |
That's fine. Thank you. Yes, that's it. | 0:09:51 | 0:09:53 | |
-Let's put it into auction. -Thank you. | 0:09:53 | 0:09:55 | |
-Sue, hello. -Hello. -Are you having a lovely day? | 0:10:03 | 0:10:06 | |
-I'm having a lovely day. -Excellent. -Very enjoyable. | 0:10:06 | 0:10:09 | |
Well, I've picked out what you've brought cos I think this is charming. | 0:10:09 | 0:10:13 | |
Tell me what you have here? | 0:10:13 | 0:10:14 | |
I don't really know what it is. I know the name | 0:10:14 | 0:10:18 | |
Vesta has been mentioned. | 0:10:18 | 0:10:22 | |
-OK. -Dad died in '96 and we were sorting out the drawers, | 0:10:22 | 0:10:27 | |
and Mum said, there's a bit of rubbish in there, just clear it out, you can have what you want. | 0:10:27 | 0:10:32 | |
-OK. -So, I liked the colour of it. | 0:10:32 | 0:10:36 | |
And basically, it's been in a drawer for 12 years. | 0:10:36 | 0:10:40 | |
It caught my eye because of this electric blue. | 0:10:40 | 0:10:43 | |
-It's a stunning colour. -Yes. | 0:10:43 | 0:10:44 | |
You mention the word Vesta and you are quite right. | 0:10:44 | 0:10:47 | |
What we have here is a late Victorian, Edwardian Vesta case. | 0:10:47 | 0:10:53 | |
-Right. -It would have taken a little book of matches that would sit in there quite comfortably | 0:10:53 | 0:10:59 | |
and on the outside is this stunning... | 0:10:59 | 0:11:01 | |
-Do you know what this is made of? -Is it ceramic? -No, it's not ceramic. | 0:11:01 | 0:11:05 | |
Good guess. It's enamelled. | 0:11:05 | 0:11:07 | |
-Oh, enamel, right. -Now, enamel is, in effect, molten glass. | 0:11:07 | 0:11:12 | |
-Oh, right, yes. -So, what they did was they painted | 0:11:12 | 0:11:15 | |
this wonderful greyhound in a little landscape | 0:11:15 | 0:11:19 | |
with this wonderful blue surround. | 0:11:19 | 0:11:22 | |
I think it works beautifully. | 0:11:22 | 0:11:24 | |
It's amazing that in its history it hasn't come to any grief. | 0:11:24 | 0:11:28 | |
There's no damage, no crack and that is just lovely. So, that's what I am excited about. | 0:11:28 | 0:11:33 | |
-I see. -The box itself is fairly straightforward. | 0:11:33 | 0:11:35 | |
-The lid is lovely. -Yes, yes. | 0:11:35 | 0:11:37 | |
When it comes to assessing it for open market value at the moment, | 0:11:37 | 0:11:41 | |
because it's not a solid silver or a solid gold case, | 0:11:41 | 0:11:45 | |
I think the value will be restricted to round about £60 to £80. | 0:11:45 | 0:11:49 | |
-Right. -And with that in mind, would you like a reserve on it? | 0:11:49 | 0:11:52 | |
-Yes and I would value your opinion. -OK, then. | 0:11:52 | 0:11:55 | |
Well, I think that if we put a £60 threshold on it, but perhaps asked the auctioneer to use his discretion | 0:11:55 | 0:12:02 | |
of one bid maybe, so that if it got close enough and there would be one bid difference, he'd sell it. | 0:12:02 | 0:12:07 | |
If it were any greater discrepancy, it would be saved and kept | 0:12:07 | 0:12:10 | |
back for you, so it wouldn't be sold for a huge amount less than £60. | 0:12:10 | 0:12:14 | |
-That's fine. -But I'm hoping for it to be £80, nearer, so... | 0:12:14 | 0:12:18 | |
But £60 to £80 with a £60 discretionary reserve. | 0:12:18 | 0:12:22 | |
That would be lovely, yeah. Thank you. | 0:12:22 | 0:12:24 | |
The queue is still pouring in through the door, | 0:12:24 | 0:12:27 | |
so we've got plenty more to see, but right now it's time to take our first lots off to the auction. | 0:12:27 | 0:12:33 | |
David definitely had a happy start to the day with the discovery of the exquisite boxes. | 0:12:33 | 0:12:39 | |
I wonder if the auctioneer will sell them as one lot or split them up? | 0:12:39 | 0:12:42 | |
Good luck to Daisy. | 0:12:42 | 0:12:45 | |
It's such a shame Sheila doesn't like her Staffordshire flatback, but I think if you inherit things | 0:12:45 | 0:12:51 | |
which aren't to your taste, it's better to sell them on to someone who will appreciate them. | 0:12:51 | 0:12:56 | |
What a great little chair! It's the kind of piece with real rustic charm which needs to be used and loved. | 0:12:56 | 0:13:01 | |
Let's hope we find a good home for it. | 0:13:01 | 0:13:04 | |
And finally, the enamel Vesta case. | 0:13:04 | 0:13:06 | |
It's in perfect condition, and I think well worth the £60 to £80 Elizabeth valued it at. | 0:13:06 | 0:13:12 | |
For today's sale, we've travelled to Golding Young in Grantham. | 0:13:12 | 0:13:16 | |
It's a wonderful bright, breezy morning. | 0:13:16 | 0:13:18 | |
People are queuing at the burger van, working up an appetite for the day ahead. | 0:13:18 | 0:13:22 | |
Fingers crossed we're going to be on the money and I think we're going to be in for a few surprises. | 0:13:22 | 0:13:27 | |
And the man weaving the magic here today is auctioneer Colin Young | 0:13:29 | 0:13:32 | |
and the first lot going under his hammer is the Vesta case. | 0:13:32 | 0:13:35 | |
5 anywhere else now? At 32 bid. | 0:13:35 | 0:13:37 | |
Last call, then. Going at £32! | 0:13:37 | 0:13:40 | |
Sue, why are you flogging this? It's a lovely Vesta. Nice box. | 0:13:40 | 0:13:43 | |
Well, it's been in the family for a while, but it's been in a drawer for | 0:13:43 | 0:13:47 | |
the past 12 years since Dad died, and I'd like to buy an ornament to remember him by. | 0:13:47 | 0:13:54 | |
Let's hope we can get you around £100. | 0:13:54 | 0:13:56 | |
It might be pushing it, that's the top end. We've got £60 to £80 on it. | 0:13:56 | 0:14:00 | |
I would hope so. It's in good order. The enamelling is very, very nice, | 0:14:00 | 0:14:04 | |
and I think it's got many positives, so I'm quite optimistic. | 0:14:04 | 0:14:07 | |
We've got two sets of collectors after this. The little enamel boxes and animal lovers. | 0:14:07 | 0:14:12 | |
Yes, so that will always help! | 0:14:12 | 0:14:14 | |
Fingers crossed! Straight out of the traps and there we go! | 0:14:14 | 0:14:17 | |
Lot Number 95 is the late 19th century gilt metal Vesta case | 0:14:17 | 0:14:20 | |
with a greyhound on grass. Who's going to start me at £50? 50? | 0:14:20 | 0:14:25 | |
Thank you. £50. 5 bid. 60... | 0:14:25 | 0:14:27 | |
-We're in! We've done it! -At £60 I'm bid. 5 now, surely? | 0:14:27 | 0:14:30 | |
At £60, I'm bid. I'll take 2 if it's going to... | 0:14:30 | 0:14:33 | |
It does! 62. 65. 5 bid. 65. 68. 68. 70. At 70 bid. 2. 72. 75. 78? | 0:14:33 | 0:14:39 | |
78 bid. 80 bid. Make it 5? Let's make some progress. | 0:14:39 | 0:14:42 | |
-85, I see? 85 now. -Come on, one more! | 0:14:42 | 0:14:44 | |
I'll take 2, then. No, it doesn't work. £80. | 0:14:44 | 0:14:47 | |
We're on the market and we're selling. Make no mistake. At £80. | 0:14:47 | 0:14:50 | |
The top end of our estimate! Well done, Elizabeth! | 0:14:50 | 0:14:53 | |
A good part of the country for greyhounds! | 0:14:53 | 0:14:55 | |
Yes. And well done Colin Young. | 0:14:55 | 0:14:57 | |
So, you've got £80, less a bit of commission. | 0:14:57 | 0:15:00 | |
-Yes, that's fine. -That's a good day out. | 0:15:00 | 0:15:02 | |
That's lovely. Yes, it is, yes. | 0:15:02 | 0:15:04 | |
A good day at the races! | 0:15:04 | 0:15:06 | |
55. 55 now. £80 bid. At 110. | 0:15:08 | 0:15:13 | |
It's my time to be the expert and this little Windsor chair needs a good home. It belongs to Susan. | 0:15:13 | 0:15:18 | |
-Hi. -You've had it for 10 years? | 0:15:18 | 0:15:20 | |
-I have. -You've enjoyed sitting on it? -I have. -Very practical? | 0:15:20 | 0:15:23 | |
-Yes. -Had a little chat to Colin about it. He likes it as well. | 0:15:23 | 0:15:27 | |
So, it's good pedigree, you know? | 0:15:27 | 0:15:29 | |
It's just lacking colour, and that comes with age, that patina. | 0:15:29 | 0:15:32 | |
So, give it 100 years and everybody will be going, | 0:15:32 | 0:15:35 | |
oh, isn't this wonderful! | 0:15:35 | 0:15:36 | |
It's got a personality, like I said to you at the valuation day. | 0:15:36 | 0:15:40 | |
But at a reserve of £80, it's got to sell. | 0:15:40 | 0:15:43 | |
-I hope it goes. -It's a good, practical chair. | 0:15:43 | 0:15:45 | |
We're going to find out right now. It's really down to the bidders now. | 0:15:45 | 0:15:49 | |
Lot Number 600 is a late 19th century | 0:15:49 | 0:15:51 | |
low back Windsor chair with pierced vase splat. | 0:15:51 | 0:15:54 | |
Who's going to start me at £100? 100? 80 to go then, surely. 80? | 0:15:54 | 0:15:58 | |
50? Thank you. £50 I'm bid. 50 bid. 5 do I see now? 55 bid. | 0:15:58 | 0:16:01 | |
60. At 60 bid. 5 bid. 70 bid. | 0:16:01 | 0:16:03 | |
5 bid. 80 bid. 5 bid. 90 bid. 5, do I see? At £90 I'm bid. 5? | 0:16:03 | 0:16:08 | |
At 95. 100. 110 make it? 110. 120. | 0:16:08 | 0:16:11 | |
130 now? 120. | 0:16:11 | 0:16:13 | |
Any more bids? At 120 bid. 5? This is cheap. | 0:16:13 | 0:16:15 | |
At 120. We've done, we're finished and we're going then at £120. | 0:16:15 | 0:16:20 | |
-Spot on. -That's good. | 0:16:20 | 0:16:21 | |
-Pleased it's gone? -Yeah. | 0:16:21 | 0:16:23 | |
It'll go to a nice home and it'll have another 200 years of use | 0:16:23 | 0:16:27 | |
because that chair is built to last. | 0:16:27 | 0:16:29 | |
Well, next up is Sheila's Staffordshire flatback figure with a value of £50 to £70. | 0:16:33 | 0:16:38 | |
I like this and Sheila's not keen on it, | 0:16:38 | 0:16:40 | |
as we found out at the valuation day. | 0:16:40 | 0:16:42 | |
It took a lot of persuading to look at it! | 0:16:42 | 0:16:44 | |
Proper, proper country pottery. | 0:16:44 | 0:16:46 | |
-It looks fantastic on a Welsh dresser. -And I'm a country girl. | 0:16:46 | 0:16:49 | |
-A country girl! Why don't you like it? -I just don't! | 0:16:49 | 0:16:52 | |
There's plenty of collectors though that love Staffordshire figures. | 0:16:52 | 0:16:56 | |
It's a big area. And again, it's the condition that's so good. | 0:16:56 | 0:17:00 | |
A nice, colourful example. | 0:17:00 | 0:17:01 | |
And it's got the parrot! I like the parrot. | 0:17:01 | 0:17:03 | |
-There's a home for it in anybody's house. -I think so. | 0:17:03 | 0:17:06 | |
-Except mine! -Except yours! | 0:17:06 | 0:17:09 | |
Lot Number 265 is a 19th century | 0:17:09 | 0:17:11 | |
Staffordshire pottery flatback group. It's a courting couple. | 0:17:11 | 0:17:15 | |
30 to go? 30? 20, then, surely? £20 bid. At £20 bid. 2 do I see now? | 0:17:15 | 0:17:19 | |
-Come on! -2 bid. 5? 5 bid. | 0:17:19 | 0:17:21 | |
28 bid. 30 now. £30 bid. At £30 bid. | 0:17:21 | 0:17:23 | |
32 do I see? At £30 bid. | 0:17:23 | 0:17:25 | |
2 anywhere else now, surely? 32 bid? | 0:17:25 | 0:17:28 | |
-Come on! -35. 38. | 0:17:28 | 0:17:30 | |
40, may I say? 40 bid. 2 now, do I see? At £40 bid. | 0:17:30 | 0:17:33 | |
-A bit more! -No, at £40 we're on the market. | 0:17:33 | 0:17:35 | |
We're going to sell, make no mistake. | 0:17:35 | 0:17:37 | |
Last call, then, all done and finished at £40. | 0:17:37 | 0:17:40 | |
Well, it found a home. | 0:17:40 | 0:17:43 | |
-It did. -That struggled, didn't it? | 0:17:43 | 0:17:45 | |
-Yes. -Still, it's gone and you're pleased cos you didn't like it, | 0:17:45 | 0:17:49 | |
-but we could have done a bit more? -It could. -A bit gloomy. | 0:17:49 | 0:17:53 | |
-Yeah, a bit gloomy. -It's gone, Sheila. It's gone. | 0:17:53 | 0:17:56 | |
We did our best! | 0:17:56 | 0:17:58 | |
80 bid. | 0:17:58 | 0:18:00 | |
Well, it looks like Daisy's selling part of her collection? | 0:18:02 | 0:18:06 | |
-Absolutely. -Yeah? -A small selection. | 0:18:06 | 0:18:08 | |
Small. Why did you start with these four items? | 0:18:08 | 0:18:11 | |
The first one, the enamel one, is my favourite, actually, because it's been much used. | 0:18:11 | 0:18:18 | |
-And I think there must be so much history with it. -Yeah. | 0:18:18 | 0:18:22 | |
And it's sweet and I love enamel, | 0:18:22 | 0:18:24 | |
but yes, that's the first one to go. | 0:18:24 | 0:18:26 | |
Well, we're starting off with that one, then there's a couple of ivory | 0:18:26 | 0:18:30 | |
little cases and that lovely little etui, which I love. | 0:18:30 | 0:18:33 | |
-You valued all of these, David, £500 to £600 in one lot? -Yes. | 0:18:33 | 0:18:36 | |
-Colin's decided to sell them separately. -Which is sensible. | 0:18:36 | 0:18:39 | |
Well, you knew he was going to do that. | 0:18:39 | 0:18:42 | |
-Yeah. -So, we're going to start with the little enamel box. | 0:18:42 | 0:18:45 | |
Lot Number 140 is the 19th century | 0:18:45 | 0:18:47 | |
French enamelled and gilt metal box. 30? | 0:18:47 | 0:18:50 | |
-30, surely? -Come on! -Come on! -20 to go then, surely? 20 bid. | 0:18:50 | 0:18:54 | |
22. 25. 28. 30. 2. 35. 38. | 0:18:54 | 0:18:57 | |
Bid 40. And 2. 42. At 42. | 0:18:57 | 0:18:59 | |
This is cheap. 45 now, surely. At 42 it's on the market and selling. 45. | 0:18:59 | 0:19:03 | |
45. 48. 48. Bid 50. And 5. 55. | 0:19:03 | 0:19:06 | |
Bid 60. And 5. | 0:19:06 | 0:19:08 | |
Bid 70. 70 bid. 75. Bid 80, now. No? | 0:19:08 | 0:19:12 | |
75. 78, if it helps, then? At 75. Last call, then. | 0:19:12 | 0:19:15 | |
All done and finished and selling then, £75. | 0:19:15 | 0:19:17 | |
That's one gone, 75. | 0:19:17 | 0:19:19 | |
The next is the tooth pick. | 0:19:19 | 0:19:21 | |
What shall we say for this one? Start me at £50 for it. 50? | 0:19:21 | 0:19:25 | |
30 then. 30, Who's first in? Thank you. 30. 35, now. | 0:19:25 | 0:19:28 | |
35 was on the net. 35. Bid 40. 45. | 0:19:28 | 0:19:30 | |
Bid 50. And 5. Bid 60. 55 bid. | 0:19:30 | 0:19:33 | |
60, now, do I see? 60. At 60 bid. | 0:19:33 | 0:19:35 | |
5 bid. 70 bid. 5 bid. | 0:19:35 | 0:19:37 | |
80 bid. 5? £80, I'm bid. 5 anywhere else now? £80, I'm bid. | 0:19:37 | 0:19:40 | |
Any more bids? 5, do I see? | 0:19:40 | 0:19:42 | |
5 now, surely? Thank you. 85. Bid 90. At 90 bid. | 0:19:42 | 0:19:44 | |
-95? 95. 100. -We've got to 100. | 0:19:44 | 0:19:47 | |
And 10 now? Thank you. 110. | 0:19:47 | 0:19:49 | |
At 110. 120 now? 110. | 0:19:49 | 0:19:51 | |
Are we all done and finished, then? | 0:19:51 | 0:19:52 | |
At £110. Last call. | 0:19:52 | 0:19:55 | |
I'm selling at £110. | 0:19:55 | 0:19:57 | |
Well done, that man! | 0:19:57 | 0:19:59 | |
-Yes! The internet does work. -Yes, doesn't it? | 0:19:59 | 0:20:02 | |
The next one is another ivory box. It's the one with the D end. | 0:20:02 | 0:20:05 | |
Who's going to start me at £50? 50 straight in. 50. | 0:20:05 | 0:20:08 | |
I'm bid 50. At £50 I'm bid. 5. 55 bid. 60 bid. 65. 70. £70, I'm bid. | 0:20:08 | 0:20:12 | |
At 70 bid. 5, anywhere else? At £70 bid. 5 anywhere else? | 0:20:12 | 0:20:15 | |
At 70. Are we all done? At 70. Last call, then. Going at £70. | 0:20:15 | 0:20:20 | |
That's OK. We're still on track for your £500 to £600. | 0:20:20 | 0:20:24 | |
Lot Number 155 is an 18th century | 0:20:24 | 0:20:26 | |
lady's gilt metal and banded agate etui. £100, surely. 100. | 0:20:26 | 0:20:31 | |
Thank you. Down there at 100. 120 now, may I say? At £100 bid. | 0:20:31 | 0:20:34 | |
120? 120. 140? 140. 160? | 0:20:34 | 0:20:37 | |
-160 now. Do I see 160? -180, come on! | 0:20:37 | 0:20:38 | |
180. 200. 220 now. £200 I am bid. | 0:20:38 | 0:20:42 | |
At 200. 220? 220. 240. 260. 280. | 0:20:42 | 0:20:46 | |
-We've done it. -300. 320. | 0:20:46 | 0:20:48 | |
340. 360 now. 340 is all I'm bid. | 0:20:48 | 0:20:50 | |
-At 340. 360 or not now? 340. Any more bids? -Thank you! -At 340. | 0:20:50 | 0:20:54 | |
At 340. Last call, then. I'm selling, make no mistake, at £340. | 0:20:54 | 0:20:58 | |
Brilliant! We got your top end, then. | 0:20:58 | 0:21:00 | |
-Oh, that is good! -We have gone toppies! | 0:21:00 | 0:21:03 | |
-We have! -That is good. | 0:21:03 | 0:21:04 | |
You were spot on. You said £500 to £600. | 0:21:04 | 0:21:07 | |
I think we've just topped £600... | 0:21:07 | 0:21:09 | |
-For once in my life! -The prayer was answered! -It was! | 0:21:09 | 0:21:12 | |
-I am so pleased! -For once in my life! Bless you! | 0:21:12 | 0:21:18 | |
Thank you both so much. What fun! | 0:21:18 | 0:21:21 | |
The great thing about Flog It is that I get the chance to go | 0:21:26 | 0:21:29 | |
out and about all over the British Isles | 0:21:29 | 0:21:32 | |
to explore weird and wonderful things which people | 0:21:32 | 0:21:35 | |
are passionate about and today is certainly no exception. | 0:21:35 | 0:21:38 | |
The place I'm going to visit is a real gem and you wouldn't | 0:21:38 | 0:21:41 | |
expect to find this in the heart of Lincolnshire. | 0:21:41 | 0:21:44 | |
The Parrot Sanctuary was set up in 2003. | 0:21:47 | 0:21:52 | |
It's home to almost 1,700 birds and is the result of one man's extraordinary passion. | 0:21:52 | 0:21:59 | |
So, how did it all start, and what drove Steve Nicholls, | 0:21:59 | 0:22:02 | |
the man behind it all, to set up this national sanctuary here, just outside Skegness? | 0:22:02 | 0:22:08 | |
Steve, I've met some collectors in my time before on the show, but nothing like this! | 0:22:12 | 0:22:17 | |
You and your extended family! | 0:22:17 | 0:22:19 | |
-It is quite big now, yes. -Where did a passion for parrots start? | 0:22:19 | 0:22:23 | |
-I've always been an animal oriented person. -Yeah. Did you have a parrot as a kid? | 0:22:23 | 0:22:28 | |
We had budgies, we had cockatiels, things like that, | 0:22:28 | 0:22:32 | |
but then, in my early 20s, I started to become more fascinated. | 0:22:32 | 0:22:38 | |
And then it developed, and I quickly identified that | 0:22:38 | 0:22:42 | |
-we didn't have a lot of knowledge of the pet parrot. -Yeah. | 0:22:42 | 0:22:45 | |
And no matter how fabulous they are and how nice we are with them, | 0:22:45 | 0:22:49 | |
there was a big mismatch with parrots and people. | 0:22:49 | 0:22:53 | |
I wanted to further my studies, so I actually bought one parrot, which was a cockatoo. | 0:22:53 | 0:22:58 | |
-That's one of those over there. -That's right, one of the large ones. | 0:22:58 | 0:23:01 | |
There was a reason for what I was doing. I didn't collect them as pets. | 0:23:01 | 0:23:05 | |
I wanted to study them and try to help them, and help people that kept them. | 0:23:05 | 0:23:09 | |
And I realised that there needed to be a place like this. | 0:23:09 | 0:23:12 | |
So, all of these are unwanted birds that people give you? | 0:23:12 | 0:23:15 | |
They're unwanted, but loved. | 0:23:15 | 0:23:17 | |
The people genuinely do love them, but they realise that they can't give them what they need. | 0:23:17 | 0:23:23 | |
They need things to do. | 0:23:23 | 0:23:26 | |
It's a case of they're a very social, interactive creature, so all day, they will be playing with each other. | 0:23:26 | 0:23:33 | |
They will be biting, pinching food. They will be doing things that keeps them preoccupied. | 0:23:33 | 0:23:37 | |
In a cage, you can only play with that plastic yellow toy so many times before you become demented. | 0:23:37 | 0:23:43 | |
What state are they in when they arrive? | 0:23:43 | 0:23:46 | |
That's the main state that they come in. The self-mutilation. | 0:23:46 | 0:23:49 | |
They'll sit there, just bored, and pull a feather out. | 0:23:49 | 0:23:52 | |
It becomes a habit and then they'll turn up to us with no feathers on. | 0:23:52 | 0:23:57 | |
So, the self-mutilation is the worst, but it is a physical deformity, there's a mental deformity. | 0:23:57 | 0:24:03 | |
Most of them sadly actually do suffer from mental diseases where it's stereotypical to a human, | 0:24:03 | 0:24:08 | |
where they rock backwards and forwards, and don't know | 0:24:08 | 0:24:11 | |
-how to present themselves with other animals. -Yeah. | 0:24:11 | 0:24:14 | |
They're beautiful, aren't they? Striking colours. | 0:24:14 | 0:24:17 | |
Well, that's their downfall. | 0:24:17 | 0:24:19 | |
If they were just a plain, dull brown, nobody would be interested in having them in. | 0:24:19 | 0:24:25 | |
What would one of these cost in a pet shop now? | 0:24:25 | 0:24:27 | |
Between £1,500 and £2,000. | 0:24:27 | 0:24:29 | |
-It's a lot of money, isn't it? -It is a big commitment. | 0:24:29 | 0:24:32 | |
We actually get people that will buy these on Sunday and then phone me on a Monday | 0:24:32 | 0:24:37 | |
and say, can they eat fruit, and what size cage do they need? | 0:24:37 | 0:24:40 | |
We have to say, right, let's start it from scratch. Why have you bought one of these? | 0:24:40 | 0:24:45 | |
-Yes. -And they saw it because it's sat here and it's fabulous while it's in the shop. Very difficult. | 0:24:45 | 0:24:50 | |
We don't want to say, yes, we've got nearly 1,700 parrots here | 0:24:50 | 0:24:53 | |
and we should have them all and nobody else should have any. | 0:24:53 | 0:24:56 | |
But here are certain birds out there that are far better suited to being with people | 0:24:56 | 0:25:01 | |
than others that are better off in this kind of environment. | 0:25:01 | 0:25:04 | |
Name me some of the breeds you've got here. | 0:25:04 | 0:25:07 | |
Well, we've got 101 species. | 0:25:07 | 0:25:09 | |
Now, if you imagine there are 334 species of parrot in the world, that means we've got a third of them here. | 0:25:09 | 0:25:15 | |
-Yeah. -And we've got all the macaws from South America and the Amazons from South America. | 0:25:15 | 0:25:21 | |
The cockatoos from Australia, and then, we've got the Indian ringnecks from India. | 0:25:21 | 0:25:27 | |
We're absolutely surrounded! Shall we take a look at the rest? | 0:25:27 | 0:25:31 | |
-Yes, certainly. -I'm absolutely fascinated by them all. -That's OK. | 0:25:31 | 0:25:35 | |
PARROTS SQUAWKING LOUDLY | 0:25:41 | 0:25:43 | |
Gosh! | 0:25:43 | 0:25:45 | |
These are noisy, aren't they? | 0:25:45 | 0:25:47 | |
-These are the real noisy ones. -Look at this one! | 0:25:47 | 0:25:50 | |
-That's Peter, that! -Now, he's got more of an Elvis Presley haircut! | 0:25:50 | 0:25:54 | |
-He has. -Do you see how gentle he was? -Oh, they're very dextrous with their beaks. | 0:25:56 | 0:26:00 | |
It's just they're also very loud. | 0:26:00 | 0:26:03 | |
-Wow! They're quite aggressive, aren't they? -They can be, yes. | 0:26:03 | 0:26:08 | |
They're very, very aggressive. | 0:26:08 | 0:26:09 | |
-Watch your head as you come in. -I'm surprised they aren't fluttering everywhere! | 0:26:14 | 0:26:19 | |
No, these are quite relaxed, steady birds, these. | 0:26:19 | 0:26:22 | |
This is a lovely big colony, and they get their own nice feeling, being together. | 0:26:22 | 0:26:27 | |
It's really nice that they can actually fly around and interact with each other. | 0:26:27 | 0:26:31 | |
-Well, just this is just their play area for them to chew... -Gosh! | 0:26:31 | 0:26:35 | |
-This is Rio! -You know, I felt that! I thought, what the hell was happening there? | 0:26:35 | 0:26:39 | |
He won't let anybody go on telly without him being there. | 0:26:39 | 0:26:42 | |
-Do you know the names of all of these birds? -Only the characters. | 0:26:42 | 0:26:45 | |
I think you are the most eccentric collector I've ever met, Steve. | 0:26:45 | 0:26:49 | |
And, you know, I take my hat off to you! I really do. | 0:26:49 | 0:26:52 | |
You and the family. | 0:26:52 | 0:26:53 | |
Where does it go from here? | 0:26:53 | 0:26:55 | |
-Well, all we can do is keep collecting, but on a good side. -OK. | 0:26:55 | 0:26:59 | |
Ultimately, we'll be the largest rehabilitation centre | 0:26:59 | 0:27:02 | |
for parrots in the world, and it'll belong to the UK, | 0:27:02 | 0:27:05 | |
to all the guys that come to see them, and more than anything, to these lovely birds. | 0:27:05 | 0:27:09 | |
This fascinating place is a real testament to Steve's passion and drive. | 0:27:09 | 0:27:14 | |
What an inspirational, unique individual. | 0:27:14 | 0:27:18 | |
Back at the Embassy Theatre, we've still got a room brimming with people. | 0:27:25 | 0:27:30 | |
David and Elizabeth have certainly got their work cut out getting through this lot! | 0:27:30 | 0:27:36 | |
James, are you into the classics? | 0:27:36 | 0:27:38 | |
Not desperately, no. | 0:27:38 | 0:27:41 | |
I didn't think you were, otherwise you wouldn't be selling this! | 0:27:41 | 0:27:45 | |
This is quite a good model, actually. It's hard paste porcelain. | 0:27:45 | 0:27:49 | |
It's German. | 0:27:49 | 0:27:51 | |
Dating from the earlier part of the 19th century. | 0:27:51 | 0:27:54 | |
And you've got this distinctive sort of raised circular plinth | 0:27:54 | 0:27:57 | |
with the sort of Greek key pattern, | 0:27:57 | 0:27:59 | |
which was a feature of porcelain produced at that particular time. | 0:27:59 | 0:28:03 | |
And also, it's part and parcel of the neo-classical movement. | 0:28:03 | 0:28:06 | |
This is an extremely elegant figure. | 0:28:06 | 0:28:10 | |
When you look at the detail, the hair, wonderful! | 0:28:10 | 0:28:14 | |
-And of course, there's his wonderful feet. -What, those long toes? | 0:28:14 | 0:28:17 | |
Yes, those long toes. | 0:28:17 | 0:28:19 | |
James, have you got a foot fetish? | 0:28:19 | 0:28:21 | |
No, I don't think so! | 0:28:21 | 0:28:23 | |
-But I think, to a certain extent, there is an element of restoration. -I think maybe you're right, yes. | 0:28:23 | 0:28:30 | |
Yeah, and dare I be so bold as to take it up and start passing it through my mouth? | 0:28:30 | 0:28:38 | |
The reason I do that is to test to see if there's any restoration. | 0:28:41 | 0:28:45 | |
-You know how you test pearls, whether they're synthetic or cultured? -Yeah. | 0:28:45 | 0:28:51 | |
If there's a slight give, it feels plasticky, that's synthetic pearls. | 0:28:51 | 0:28:56 | |
And exactly the same sensation on this one here. | 0:28:56 | 0:29:00 | |
I haven't left any indentation there, but I do think that possibly is a restored section. | 0:29:00 | 0:29:06 | |
But it's such an exquisite figure, I can understand why somebody went to great expense in having it restored. | 0:29:06 | 0:29:13 | |
-With the restoration, it does affect the value. -I'm sure it does. | 0:29:13 | 0:29:17 | |
-And I think the auctioneer will be happy to put it up for sale with a guide round about 80 to 120. -Right. | 0:29:17 | 0:29:23 | |
-If it goes for more, I shall be delighted. -So will I! | 0:29:23 | 0:29:27 | |
Do you want to place a reserve on it, or just want it to ride in the sale room? | 0:29:27 | 0:29:31 | |
-No, I think... -Is it something that you want to get rid of? -I don't... | 0:29:31 | 0:29:34 | |
Not for nothing, no. I mean, you know, maybe it's £80 or something. | 0:29:34 | 0:29:38 | |
-OK, let's put a reserve of £80. I think that's sensible. -OK, thank you very much. | 0:29:38 | 0:29:42 | |
And if it doesn't go, you can put it back on the mantelpiece! | 0:29:42 | 0:29:45 | |
-Mary, hello. -Hello, Elizabeth. | 0:29:54 | 0:29:57 | |
I've been sitting, drooling over this lovely - what is called an object of virtue - | 0:29:57 | 0:30:02 | |
this lovely gem of craftsmanship, and I'd like to hear your story about it, because I think it's lovely. | 0:30:02 | 0:30:07 | |
Well, I bought it in the 1960s, the mid 1960s, | 0:30:07 | 0:30:12 | |
from an antiques fair in Chichester, and it just caught my eye. | 0:30:12 | 0:30:18 | |
I love its sort of tactile shape, you know, and it sits in the palm of my hand. | 0:30:18 | 0:30:24 | |
I used to use it when I put my make-up on before I went out. | 0:30:24 | 0:30:30 | |
-I used to go round the folk clubs, singing. -Really? | 0:30:30 | 0:30:32 | |
I was very much part of that scene in those days. | 0:30:32 | 0:30:35 | |
And yes, I've always loved it. | 0:30:35 | 0:30:38 | |
You must have been the best equipped folk singer in the time, then, because what we have here, | 0:30:38 | 0:30:42 | |
which isn't obvious from just looking from the outside, | 0:30:42 | 0:30:45 | |
is a little vanity mirror, and I think that is just charming. Do you know what it's made from? | 0:30:45 | 0:30:50 | |
Well, I know it's tortoiseshell, and I understand it's not really tortoiseshell, but turtle shell. | 0:30:50 | 0:30:56 | |
That's one thing I have learned from Flog It! | 0:30:56 | 0:30:58 | |
And I presume it's inlaid with silver. | 0:30:58 | 0:31:02 | |
Absolutely. The silver is so fine, that it is impossible for it | 0:31:02 | 0:31:06 | |
-ever to have been assayed, so you cannot look for a mark to date it. -I see. | 0:31:06 | 0:31:10 | |
The silver is inlaid, and then it's chased, so the bird, which I think is... | 0:31:10 | 0:31:15 | |
I don't know what kind of bird you thought it was? | 0:31:15 | 0:31:18 | |
I don't know. I think it looks like an imaginary bird. | 0:31:18 | 0:31:22 | |
It's kind of part eagle, I think. | 0:31:22 | 0:31:24 | |
Part ho-ho bird, part lots of... | 0:31:24 | 0:31:26 | |
-I know! -But the silver is then chased to give the detail of the feathers, | 0:31:26 | 0:31:30 | |
just to give it that three-dimensional appeal. | 0:31:30 | 0:31:33 | |
-Yes. -Absolute charming thing. So, you used to use it, does that mean you don't use it anymore? | 0:31:33 | 0:31:39 | |
I like having it, but at a certain age, you don't look in mirrors so often. | 0:31:39 | 0:31:43 | |
Oh, get away! I can't believe that at all. | 0:31:43 | 0:31:47 | |
-But you're thinking of selling it now? -I think so, yes. -It is very much a collector's piece. | 0:31:47 | 0:31:52 | |
It is, as I said at the beginning, classed as an object of virtue, | 0:31:52 | 0:31:56 | |
and I think that it would go to a specialist collector, | 0:31:56 | 0:31:59 | |
-who would, at the moment, be prepared to pay somewhere between £70 and £100 for it. -Right. | 0:31:59 | 0:32:07 | |
Would you like a reserve on it? | 0:32:07 | 0:32:09 | |
-I'm not really bothered, I'd leave that to the auctioneer. -I think that's a good idea. | 0:32:09 | 0:32:14 | |
He will monitor it and we can have a chat nearer the time and he'll look after it for you, | 0:32:14 | 0:32:19 | |
but £70 to £100, and we'll see what response we get. | 0:32:19 | 0:32:22 | |
-Splendid! -See you at the auction. -Thank you. | 0:32:22 | 0:32:24 | |
Well, Dee, | 0:32:31 | 0:32:34 | |
you've travelled the world, haven't you? | 0:32:34 | 0:32:36 | |
-No, not me. -Oh, not you? | 0:32:36 | 0:32:38 | |
No, my grandmother. | 0:32:38 | 0:32:40 | |
-Well, she travelled the world, didn't she? -No, she was born in India. | 0:32:40 | 0:32:46 | |
Her parents lived in India. | 0:32:46 | 0:32:49 | |
Her father owned a tea plantation, | 0:32:49 | 0:32:53 | |
and she was born and brought up out in Lahore, Bangladesh. | 0:32:53 | 0:33:00 | |
Well, why I say travelled the world is because this is quite a sort of eclectic selection of objects, | 0:33:00 | 0:33:06 | |
and I can see that she may have travelled to India, | 0:33:06 | 0:33:10 | |
in this little bracelet here with lacquer detail. | 0:33:10 | 0:33:14 | |
This little necklace with the carved flowers, this may be Indian. | 0:33:14 | 0:33:19 | |
This certainly is Indian. Extraordinary little thing. | 0:33:19 | 0:33:22 | |
It's like a little mace, it's got holes at the end and you put your pins in there. | 0:33:22 | 0:33:27 | |
Oh! | 0:33:27 | 0:33:28 | |
This is a buckle and a brooch | 0:33:28 | 0:33:31 | |
with a red lacquer centre, and that was produced in China. | 0:33:31 | 0:33:36 | |
I never heard of her going to China. | 0:33:36 | 0:33:38 | |
And these lovely carved ivory pieces, | 0:33:38 | 0:33:43 | |
which include a little mirror, a shoehorn, | 0:33:43 | 0:33:47 | |
and then these exquisite buttons, | 0:33:47 | 0:33:49 | |
but rather frightening, because each is a carved baboon head! | 0:33:49 | 0:33:54 | |
So, can you remember those as a child? | 0:33:54 | 0:33:56 | |
Yes, I can, and they were sewn on to a cardigan that my mother had made for me. | 0:33:56 | 0:34:01 | |
-Really? -And my grandmother used to cut them off every time the cardigan went for washing, | 0:34:01 | 0:34:08 | |
and then sew them back on again. | 0:34:08 | 0:34:10 | |
-Goodness me! -And I was never frightened by them! | 0:34:10 | 0:34:13 | |
You probably just thought they were pretty buttons. | 0:34:13 | 0:34:16 | |
Yes, they're lovely. | 0:34:16 | 0:34:18 | |
Well, that really is quite a lovely collection, | 0:34:18 | 0:34:20 | |
but the most amazing piece is this bangle here, | 0:34:20 | 0:34:26 | |
which, although it's not marked gold, I think is gold, | 0:34:26 | 0:34:31 | |
and it's set with turquoise and ruby. | 0:34:31 | 0:34:35 | |
-And the most wonderful sort of snarling snake's head. -Now, that's horrifying! | 0:34:35 | 0:34:40 | |
-It is horrifying, isn't it? -Yes. | 0:34:40 | 0:34:42 | |
But this was a sort of fashionable bracelet to be worn by Victorian ladies. A lovely collection. | 0:34:42 | 0:34:49 | |
Why do you want to sell them? | 0:34:49 | 0:34:53 | |
It lives in a little wicker basket box, and that's just where it is. | 0:34:53 | 0:34:59 | |
I don't do anything with it, and I thought, what's the point of it being there? | 0:34:59 | 0:35:05 | |
-The bracelet is too small. -Was that worn by any member of your family? | 0:35:05 | 0:35:10 | |
-My grandmother. -Oh, right! You remember that, can you? -Yes, but she was very small. | 0:35:10 | 0:35:14 | |
I think with the jewellery, it ought to be sold, maybe, | 0:35:14 | 0:35:19 | |
-as one lot of ethnic jewellery, and this bangle probably sold separately. -Mmm-hmm. | 0:35:19 | 0:35:25 | |
OK. So, when I say ethnic jewellery, obviously, the Indian pieces and the ivory sections here, | 0:35:25 | 0:35:30 | |
and these pieces, I think they'll realise something in the region of about £60 to £100. | 0:35:30 | 0:35:38 | |
Well, there's a thing! | 0:35:38 | 0:35:41 | |
-When we come to this snake bracelet, not everybody's choice. -No. | 0:35:41 | 0:35:45 | |
But I think it's fantastic. | 0:35:45 | 0:35:47 | |
I think this is probably going to sell for 80 to 160 on its own. | 0:35:47 | 0:35:50 | |
-Oh, lovely. -So, you'll be happy at that? -Mmm. | 0:35:50 | 0:35:53 | |
I would suggest that the ivory jewellery has a reserve, let's say, | 0:35:53 | 0:35:59 | |
-round about £50. -Mmm-hmm. | 0:35:59 | 0:36:02 | |
Your snake bracelet, we'll put a reserve, a definite reserve, fixed at £80. | 0:36:02 | 0:36:07 | |
Oh, lovely. | 0:36:07 | 0:36:09 | |
-Don't forget, this is all part of your history going. -I know, I know. I've got other stuff, as well. | 0:36:09 | 0:36:14 | |
Have you really? | 0:36:14 | 0:36:16 | |
Well, let's get to the auction room and see how this next selection of items goes down with the bidders. | 0:36:16 | 0:36:22 | |
This porcelain figure is really a beautiful thing, | 0:36:22 | 0:36:25 | |
but I wonder if its restoration will hold it back | 0:36:25 | 0:36:27 | |
when it goes under the hammer. | 0:36:27 | 0:36:29 | |
Mary's vanity mirror was used a lot during her career | 0:36:29 | 0:36:32 | |
as a folk singer in the 1960s, but now it's time to sell it on. | 0:36:32 | 0:36:37 | |
And this selection of ethnic jewellery | 0:36:37 | 0:36:39 | |
and this striking snake bracelet belonged to Dee's grandmother, and they've certainly had a history. | 0:36:39 | 0:36:45 | |
I hope Dee doesn't regret letting them go. | 0:36:45 | 0:36:48 | |
James, you're selling some inheritance. Your aunt gave you this Meissen figure. | 0:36:48 | 0:36:52 | |
-David has put £80 to £120 on it. -Yeah. -Why do you want to get rid of this? | 0:36:52 | 0:36:56 | |
-Not particularly fond of it. -No? | 0:36:56 | 0:36:58 | |
No, it's not really something I would, you know, miss. | 0:36:58 | 0:37:01 | |
-Have on display, or... -I've had it on display, but I won't miss it. | 0:37:01 | 0:37:05 | |
Well, plenty of people out there will love this, and at £80 to £120, it's going to sell. | 0:37:05 | 0:37:10 | |
Lot number 245 is a 19th century Meissen figure of Apollo. | 0:37:10 | 0:37:15 | |
Who's going to start me at 100 for this little beauty? 100. | 0:37:15 | 0:37:18 | |
-100 on the internet. Straight in at 100. -Oh, wow! | 0:37:18 | 0:37:22 | |
-In at the top end! -110. 120 now? | 0:37:22 | 0:37:23 | |
120 bid. 130 anywhere else now? | 0:37:23 | 0:37:26 | |
At 120 is all I'm bid. At 120. 130 now, do I see anywhere else? | 0:37:26 | 0:37:30 | |
At 120. It's an internet bid, then. You're all out in the room, then? | 0:37:30 | 0:37:34 | |
Selling, make no mistake, at £120. | 0:37:34 | 0:37:36 | |
Yes! Fantastic! The top end of the estimate. | 0:37:36 | 0:37:39 | |
Straight in and straight out. Blink and you'll miss that one! | 0:37:39 | 0:37:42 | |
Quickly! 12 bid. 12 in the room. And 15 now. | 0:37:42 | 0:37:45 | |
This item is absolutely gorgeous. | 0:37:46 | 0:37:48 | |
We all love it. Mary loves it, myself and Elizabeth. | 0:37:48 | 0:37:51 | |
It's a 19th century vanity mirror. | 0:37:51 | 0:37:54 | |
Why are you selling this, Mary? | 0:37:54 | 0:37:56 | |
It's been on the road with you, you've loved this and cherished it. | 0:37:56 | 0:38:00 | |
Well, I think it deserves a new face. Mine is completely worn out! | 0:38:00 | 0:38:04 | |
Nothing wrong with your face! | 0:38:05 | 0:38:08 | |
Lot Number 125 is the 19th century tortoiseshell | 0:38:08 | 0:38:11 | |
and silver pique work vanity mirror. | 0:38:11 | 0:38:14 | |
A very pretty little lot. | 0:38:14 | 0:38:16 | |
Who's going to start me at £50 for it? 50? | 0:38:16 | 0:38:18 | |
Straight in, 50? Thank you, 50. 60? | 0:38:18 | 0:38:20 | |
We've sold it. Straight in! | 0:38:20 | 0:38:22 | |
55. 60. And five now. 65. 70. | 0:38:22 | 0:38:26 | |
Five, surely? 75? | 0:38:26 | 0:38:28 | |
75 bid. 80 bid. Five. 90. | 0:38:28 | 0:38:31 | |
Five. 100. Ten now. 110 bid. | 0:38:31 | 0:38:35 | |
20 or not, now? 120, surely? | 0:38:35 | 0:38:37 | |
110 at the back of the room. 120. | 0:38:37 | 0:38:39 | |
130. At 135. | 0:38:39 | 0:38:41 | |
We may have an internet bidder. We do! | 0:38:41 | 0:38:43 | |
135, 140, thank you, sir. At 140. 145? | 0:38:43 | 0:38:47 | |
145. 50 now? 150. | 0:38:47 | 0:38:50 | |
155. 160. Thank you. 170. | 0:38:50 | 0:38:53 | |
180 now in the room? 180. 190? 190. | 0:38:53 | 0:38:56 | |
200. 20 anywhere else, now? | 0:38:56 | 0:38:59 | |
220, it's the last call. | 0:38:59 | 0:39:01 | |
At 200, my bid's in the room, then. | 0:39:01 | 0:39:04 | |
At £200. All done. Selling then, in the room. | 0:39:04 | 0:39:06 | |
And definitely selling at £200. | 0:39:06 | 0:39:09 | |
-Thank you very much. -£200! | 0:39:09 | 0:39:10 | |
Now that's a real, true reflection of its value. | 0:39:10 | 0:39:13 | |
I think someone is buying all the love that little piece contains, you know? | 0:39:13 | 0:39:17 | |
-The feelgood factor is there. -Yeah, it's a charming thing. | 0:39:17 | 0:39:20 | |
-Well, Mary, that was a nice encore, wasn't it? -It certainly was. | 0:39:20 | 0:39:24 | |
Next up, some ethnic jewellery belonging to Dee here. | 0:39:30 | 0:39:33 | |
-They were your grandmother's? -Yes. | 0:39:33 | 0:39:35 | |
She was born in India, and this is where they originate. | 0:39:35 | 0:39:38 | |
Been in the family a long time, but Dee's flogging them. | 0:39:38 | 0:39:41 | |
We've got the little snake bracelet which is, oh, I think, a come and get me at £80 to £160. | 0:39:41 | 0:39:47 | |
It's lovely. Typical Victorian. | 0:39:47 | 0:39:49 | |
-They loved these snake bracelets. -Talk me through the next lot. | 0:39:49 | 0:39:52 | |
The other item that's coming up, these are a miscellaneous collection of ivory. | 0:39:52 | 0:39:57 | |
Some buttons with monkey heads, and some other bits and pieces | 0:39:57 | 0:40:00 | |
that were collected from, I suppose, the Far East when your... | 0:40:00 | 0:40:04 | |
That's it. My grandmother got given them as presents from the local Raj, | 0:40:04 | 0:40:09 | |
because she used to go to school with his family. | 0:40:09 | 0:40:12 | |
Let's hope they create an awful lot of interest here in Grantham. | 0:40:12 | 0:40:16 | |
Ethnic art is something to invest in right now. | 0:40:16 | 0:40:18 | |
-It's hard to put a price on. -Absolutely. -So, well done, David. | 0:40:18 | 0:40:22 | |
The snake's coming up first. | 0:40:22 | 0:40:23 | |
Lot number 45 is a Victorian hinged snake bangle this time. | 0:40:23 | 0:40:27 | |
No hallmarks, but a fabulous looking item. £50, surely? | 0:40:27 | 0:40:30 | |
Thank you. £50 bid. At 55. 60. | 0:40:30 | 0:40:32 | |
At 60 bid. Five? | 0:40:32 | 0:40:34 | |
Bid 70, do I see? 70? 70. Five. 80. | 0:40:34 | 0:40:37 | |
Five. 90. Five. | 0:40:37 | 0:40:40 | |
100. And ten on the book. 120. 130. | 0:40:40 | 0:40:44 | |
140. 150. 160 in the room. | 0:40:44 | 0:40:47 | |
-160! That's good! -170 now? | 0:40:47 | 0:40:49 | |
Surely 170? Thank you, 170. 180. | 0:40:49 | 0:40:51 | |
190. 190, do I see? | 0:40:51 | 0:40:54 | |
190 on the net. Two, now? | 0:40:54 | 0:40:56 | |
-Two? 220 now? -This is very good. | 0:40:56 | 0:41:00 | |
-They like it. -Yes, they love it. | 0:41:00 | 0:41:01 | |
It's beautiful, actually. | 0:41:01 | 0:41:03 | |
Another bidder. 240. 260. 280, now? | 0:41:03 | 0:41:06 | |
280. 300. 320, now? | 0:41:06 | 0:41:10 | |
320. 340. 360, now? | 0:41:10 | 0:41:13 | |
360, do I see? I have 340 here. | 0:41:13 | 0:41:16 | |
-360! -We're at 340. 340 here. | 0:41:16 | 0:41:20 | |
-360, now. -360! -380, now? 380. 400? | 0:41:20 | 0:41:23 | |
400. 420? 420. 440. 460. | 0:41:23 | 0:41:28 | |
480. 500. | 0:41:28 | 0:41:30 | |
-550. -I don't think it's that ethnic! | 0:41:30 | 0:41:33 | |
600. 650, now? At 600, I'm bid. | 0:41:33 | 0:41:35 | |
At 600. Are there any more bids? 50 anywhere else, now? | 0:41:35 | 0:41:39 | |
Either net or room? At 600 in the middle of the room, then. | 0:41:39 | 0:41:42 | |
Last call, then. Going at £600. | 0:41:42 | 0:41:45 | |
-Oh! -Oh, wow! Wow! | 0:41:45 | 0:41:47 | |
Would you like a seat? | 0:41:47 | 0:41:48 | |
-No, no! -And well done that man, Colin Young, as well. | 0:41:48 | 0:41:51 | |
He really teased that bit out of people. | 0:41:51 | 0:41:53 | |
£600 for the first item, for which we were hoping to get | 0:41:53 | 0:41:57 | |
around about 80 to 100, and now we have, we're hoping for £60 to £80 for the next of the lots. | 0:41:57 | 0:42:01 | |
What shall we say for this one? Starting me at £50 for it. 50? | 0:42:01 | 0:42:05 | |
30, then. 30? Who's first in? Thank you. 30. 35 now? | 0:42:05 | 0:42:08 | |
35 was on the net. 35. Bid 40. 45. | 0:42:08 | 0:42:11 | |
-Anything now is a bonus, isn't it, really? -Yes. | 0:42:11 | 0:42:13 | |
55 bid. 60, now, do I see? 60? At 60 bid. Five bid. 70 bid. | 0:42:13 | 0:42:17 | |
Five bid. 80 bid. | 0:42:17 | 0:42:19 | |
Five, now, surely? Thank you. | 0:42:19 | 0:42:20 | |
-85. -Ooh! It's topping now! -You are topping it up now, Dee! | 0:42:20 | 0:42:24 | |
100. Ten, now, do I see? Thank you. 110. 120. 140? 140. | 0:42:24 | 0:42:27 | |
160? 160, now? Do I see 160? | 0:42:27 | 0:42:30 | |
At 140. Last call, then. I'm selling, make no mistake, at 140. | 0:42:30 | 0:42:34 | |
-Wow! -Gosh! -Thank you. | 0:42:34 | 0:42:37 | |
Those are the moments we love, actually. | 0:42:37 | 0:42:40 | |
I told you were going to be in for a few surprises today, didn't I? | 0:42:40 | 0:42:43 | |
-I think it's made Dee's day here, don't you? -It certainly has! | 0:42:43 | 0:42:46 | |
It's made your year! What are you going to put all that money towards? | 0:42:46 | 0:42:50 | |
-I've no idea, but I'll spend it! -£740! | 0:42:50 | 0:42:56 | |
If you've got anything like that at home, please bring it along to one of our valuation days. | 0:42:56 | 0:43:01 | |
You never know, you could end up in the auction room, | 0:43:01 | 0:43:04 | |
just like Dee here, with a wonderful surprise. £740! | 0:43:04 | 0:43:07 | |
We've had a great day in Grantham, I hope you've enjoyed the show. We certainly have. | 0:43:07 | 0:43:12 | |
Until the next time, it's goodbye. | 0:43:12 | 0:43:14 | |
-Thank you. -So good! | 0:43:14 | 0:43:16 | |
For more information about Flog It, including how the programme was made, | 0:43:16 | 0:43:20 | |
visit the website at bbc.co.uk | 0:43:20 | 0:43:22 | |
Subtitles by Red Bee Media Ltd | 0:43:34 | 0:43:37 | |
E-mail [email protected] | 0:43:37 | 0:43:40 |