Kilmarnock Flog It!


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Today I've crossed the border into Scotland,

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into the largest town in East Ayrshire.

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Welcome to Flog It! from Kilmarnock.

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The crowds have gathered outside today's venue, the Palace Theatre,

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at this busy junction in the heart of Kilmarnock.

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This grand concert hall was opened in the 1860s and over the years,

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it's endured various closures and developments, changing from theatre

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to cinema and back again to theatre.

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Well, it looks like all the locals have turned out in force today

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and already the experts are working the crowd.

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I'd better join them.

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Today's entertainers are veteran expert James Lewis

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and new boy David Fletcher.

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They're keen to find all those important valuables to take off to auction.

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And coming up later in the show a familiar lady at auction weaves her magic.

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100, 110...

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And we get some exciting results.

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-What do you think of that?

-I'm speechless!

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-Sweet music to our ears.

-It is that, aye.

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But now to the valuation tables and opening the show

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is our old hand James and he's spotted some beauties from overseas.

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Rita, tell me, what are a fabulous pair of French Grecian maidens doing here in Kilmarnock?

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Well, I'd have to ask myself that.

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-No, no. I went along to the antique fair in Edinburgh...

-Right.

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..which I go to every couple of months and I bought them there.

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-OK, how long have you had them?

-Five years.

-OK.

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So why are you flogging them now?

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They've been on my wall five years, I thought it would be nice to get something different to look at.

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Fantastic. Well, I love them.

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I have to say they're really wonderful quality

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and I'm sure you've seen the signature down at the bottom here.

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I have indeed.

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F Barbedienne for Ferdinand Barbedienne,

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and Ferdinand Barbedienne was a sculptor

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but he actually started in France as a wallpaper designer.

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-Really?

-And he was a trainee saddle maker as well.

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-Wow.

-So he was from the start having made saddles and then going into interior design and wallpaper making

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his influence really was on the overall look rather than

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on the actual sculpture, he was an interior designer.

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-Right.

-So it was something that always has what we call "the look"

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and these are typical of his work.

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They're influenced by ancient Greece,

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they're made probably 1840 to 1860 and they're wonderful quality and as you say,

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they're just wall plaques, and they're lovely, I think they're great.

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So tell me, are you a massive collector of antiques?

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The house is stuffed full of antiques and bits and bobs and we say to the children that all the stuff

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is their inheritance and they say, "But, Mum. It's a load of rubbish."

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It's all about investment, and getting the money back that you paid, so what did you pay for them?

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Paid £160 for them.

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Well, we need to get you that money back...

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-Yes, please.

-And I think we'll do that quite easily.

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I would put an estimate of 180 to 250 with a bit of discretion,

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-then fingers crossed it might do even better.

-Yes.

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-Is that all right?

-Yes, please.

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Brilliant. Let's see what happens.

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James has got one under his belt and now to our new expert, David. Well, he's spotted a little gem.

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Marjorie, this is sensational,

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a little group comprising a brooch and a pair of ear pendants.

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What can you tell me about them?

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Actually, I inherited them from my Aunt Mary,

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who moved out to Long Beach.

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Sadly, she died quite young and I inherited them from her

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along with some other items of jewellery.

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-Have you ever worn them yourself?

-Yes, I have worn them.

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-The earrings in particular, yes.

-Marvellous.

-I enjoyed wearing them.

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They're real eye-catchers aren't they?

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-Yes.

-The jewellery itself comprises three gold pieces,

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each one of which is set with an emerald

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backed by a piece of green foil, which just made them

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catch the light and sparkle in the way that a gemstone might do.

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These trembly bits are prone to damage and there is a certain

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amount of bending that has occurred there, which is a bit of a problem.

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Have you any idea what they might be worth?

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Um, about 300 - 500? I don't know.

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I think you're spot on.

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I think somewhere between those two figures.

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You should be doing my job, I think you've hit the nail on the head, really.

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They would have been made, I don't think I mentioned this, in about 1860

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so they would be catalogued as Victorian, in the middle of Victoria's reign.

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And, as you say, I would suggest an estimate of 300 - 500.

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The reserve just a little bit below the bottom estimate,

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280, if that would be acceptable to you?

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-Yes.

-OK?

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Have you got anything nice planned to spend the money on?

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-We're going out to California, my fiance and I.

-Splendid.

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-And it's near Long Beach where Aunt Mary used to live...

-That's right.

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So perhaps I can visit some of her friends...

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How fitting.

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OK, I'll look forward to seeing you at the sale and I'm sure they will do very well.

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Tim, may I have a look at your walking cane?

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-Certainly.

-Every fine gentleman should have a stick.

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-They should.

-Does that look better? Does it suit me?

-Absolutely.

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Tell me its history. How did you come by it?

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Well, it's actually my mother's. She's had it for years and years and years.

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I remember playing with it as a boy but that's all I know about it

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to be honest with you, apart from it's having little secrets in it.

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There are little secrets and we shall reveal them in just a moment.

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-It's actually a Malacca cane.

-Right.

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-A lot of the good quality canes were made of Malacca, it's a tropical cane, basically.

-Right.

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A good straight grain, easy to work with, and this is circa 1920s.

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-Right.

-It's not a great deal of age but it was at the time when the Edwardians were hunting

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and shooting and fishing and just really pondering around the countryside, dressed up...

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-Right.

-Enjoying themselves. Anyway, I can't wait to do this.

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-Carry on.

-So we'll take this off because inside the cap there is...

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This is the little surprise. I'll use my finger here, look,

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very carefully...

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to reveal a little, tiny...it's like a stirrup cup, really, isn't it?

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-Look at that. So you can take a wee tot...

-Yeah.

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..out on a frosty morning, in the winter.

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And where do you get the whisky from? Well, the flask is inside the cane, isn't it?

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Yeah.

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I'm astonished at the size of the flask, actually.

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-Here we go. It's still got its original silver stopper with cork, making it watertight.

-Yeah.

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Because you don't want to lose any of that whisky, do you?

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Look at that.

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It'll keep you warm on a winter's morning.

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How about that?

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Everything is in such good condition. Isn't that lovely?

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-It is, yes.

-Have you any idea how much this is worth?

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Haven't a clue.

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Well, because it's complete, these flasks usually break and they go missing.

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-Yeah.

-And they get replaced with all sorts of things.

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I think we could put this into auction with a value of £100 to £150

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but I wouldn't be surprised if it made a little bit more.

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Mmm...yeah.

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-Were you surprised with that?

-Yes, I was actually.

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Because it doesn't look quality from the outside.

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The components are all there and it's totally original.

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That's where the value is.

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-OK.

-The collectors would like to own this. We'll put a fixed reserve on

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-at £100 if you're happy.

-Yeah.

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-Yeah?

-Yeah.

-Do you want to sell it?

-Yeah.

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I'll see you at the auction room and I think I'm ready to go now, I think that's rather smart.

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-Thank you, Tim.

-Thank you.

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Liz, I can tell that this is a Royal Doulton pot,

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or a Royal Doulton jardiniere to give it its grand title.

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I'll tell you a bit more about how I know that in a minute. What can you tell me about it?

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Well, actually it was inherited from my mother, who went to auctions quite regularly.

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Right. What did she do with it?

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That was never ever a favourite of hers for some reason.

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-No.

-And she obviously kept plastic daffodils in it.

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There's nothing wrong with plastic daffodils but it cries out for an aspidistra.

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-Yes.

-Really. And they were very fashionable in the late 19th,

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early 20th century when this was made.

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I know this is Royal Doulton because I've seen a lot of similar items,

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all featuring this blue and white transfer-printed decoration.

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The decoration comprises two panels,

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each depicting a romantic...

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it could almost be a Tuscan landscape, couldn't it?

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Northern Italy.

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It evokes a distant time and a sunnier climate

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and you get very nostalgic about these things,

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so it's a piece of escapism, really, in that sense.

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Pots like this are fashionable, popular today,

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although they're not used for the same purposes,

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which makes me think to ask, what do you use it for?

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Well, I actually keep receipts in it.

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Keep receipts in it. OK. Your bookkeeping is about as good as mine if you can fill that with receipts.

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If you want to keep on top of your bookkeeping, you file your receipts immediately,

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you don't chuck 'em in a blue and white pot.

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Anyway, that's digressing.

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I'm pretty certain this would do very well if we came to sell it

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so I suggest an estimate of 100 to 150

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and a reserve of £100 if that's OK with you?

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-That would be fine.

-Good.

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Well, we're half way through our day and we've found our first items

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to take off to auction and this is where it gets exciting

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because we put those valuations to the test and as you know,

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anything can happen in an auction room.

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So what will happen to this fab four?

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Firstly there's Liz's Royal Doulton pot that her mother filled with plastic daffodils.

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It will be joined by my stylish find.

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Every fine gentleman should have a stick. Does that look better?

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-Does it suit me?

-It does. Absolutely.

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Tim's walking cane with secret drinking flask and mini glass should appeal to the Scottish bidders.

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David valued the stunning emerald and gold mourning brooch

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and earrings at £300 to £500.

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Marjorie is selling these inherited pieces

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to raise funds for a trip to California.

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And finally, James loved Rita's two bronze plaques by sculptor Ferdinand Barbedienne.

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James valued them at £180 to £250,

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but at auction will the bidders have their own ideas?

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Get me a chair.

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And now we're off to Glasgow to find out

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because those items have been catalogued by Flog It! favourite Anita Manning

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ready for today's sale at the Great Western auction rooms.

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As you can see, the room is absolutely packed full of kit.

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I think we'd better get things started.

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And to kick things off that fantastic set of gold and emerald jewellery.

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Now we've got those, they're just about to go under the hammer

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but unfortunately the owner, Marjorie, is in California on holiday.

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But we do have her best friend here, Elizabeth.

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Now you've been best friends for how long? Well, since you were what?

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About 18 or 19.

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-That's about ten years or so.

-Something like that, yes.

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And did you ever see this brooch?

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Yes, I did. She wore it on one or two celebrations of mine,

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my 60th birthday and things like that, she wore it then.

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-But I don't think she's worn it since then.

-Right. That's why she's decided to sell it?

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Yes. It's in a safe and not being used,

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so she's decided it's time for her to let it go.

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In a safe. Oh, it's that valuable. We got three to five, David.

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We have. It's a nice little assemblage, really, the three items.

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-Yes.

-And it's that lovely little trembling effect you get

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from the little dangly bits that are going to make the sale really.

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They're eye catching.

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Hopefully, they'll be eye-catching to somebody here, they're about to go under the hammer.

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-Good luck.

-Thank you.

-You're going to get on the phone and tell her the good news?

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-Yes, I think she'll phone me this evening.

-Will she? OK, it's going under the hammer.

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Lot 100, ladies and gentlemen,

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we have the brooch with the step cut emerald in the centre

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and the pair of earrings.

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That is a wonderful Victorian set.

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Can we say £500? 300?

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Will you start me at £200 for the emerald set? 200 bid.

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-200, any advance at 210?

-Come on.

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It's always a nerve-wracking time this.

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240, 250, 260, 270, 280...

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-We're getting there Elizabeth, we're getting there.

-280.

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Any advance on 280? All done at 280, all done at 280, 280.

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Yes. The reserve was 280. Just!

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Just edged it. It's so tense when the bidding starts as low as 100, 150,

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you're thinking they're never going to get there...

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-Yes.

-But they do.

-It climbs, it climbs.

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People are reluctant to make that first bid that's the problem.

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-That's right, yes.

-He who dares!

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If you ever get stuck for something to drink out of you should be buying this next lot, it's a walking stick.

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-Yeah, and it belongs to Tim. Well, Tim's mother in fact.

-Yeah.

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It's a wonderful walking cane with a little secret surprise and it's just great.

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I had a little chat to Anita off screen before the auction started

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-and she said it is such a fun item...

-Yeah?

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When it arrived at the auction room straight from the valuation day

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-with the couriers she ran round to the pub which is next door and showed the landlord...

-Right.

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-And he fell in love with it so hopefully he's going to be buying it.

-It should be good.

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-I think that's a great thing for a landlord to have, don't you?

-Yeah.

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Lot 250. Now this is a 19th century Malacca drinking flask cane.

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It is an unusual and rare item.

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Will you start me at 100? 50 then? 50 bid.

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60, 70, 80, 90, 100,

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110, 120, 130.

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-130.

-It's sold, isn't it?

-Yeah.

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With Ian at 130 for this rare cane.

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Any advance on 130.

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-Come on, we'd like a bit more.

-Any advance? 140, back in.

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150.

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With Ian at 150, any advance on 150? All done at 150, 150.

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-Hammer's gone down.

-Spot on.

-I think Mum would be pleased.

-Spot on.

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-£150.

-Yeah.

-That's not bad is it?

-Yeah.

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And hopefully the landlord did buy it.

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200, 210, 220.

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220, any advance on 220...

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We've got a top name going under the hammer right now, a bit of Royal Doulton.

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-It's a pot with a value of £100 to £150 and it belongs to Liz. Hello, there.

-Hello.

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Now you kept, Mum kept plastic daffodils in this and you kept your...?

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-Receipts in it.

-The receipt pot.

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The Royal Doulton receipt pot. Will we get that top end?

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Well, I don't think we will, Paul. I've had second thoughts about this.

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Bit of mixed feelings since valuation day.

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Yes, I have I'm afraid. I think I was so seduced about Liz's stories

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about keeping daffodils and her receipts in there,

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I thought, "What a wonderful idea."

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As a result of all that I think I slightly over-valued it

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so we got our heads together, Liz and I,

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and we've spoken to Anita and we've dropped the reserve. Not significantly...

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-OK.

-But £80.

-OK. Hopefully it shouldn't effect the result.

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I'd like to see it do what David said initially, between 100 and 150.

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Lot 598 is this very nice, now it's Royal Doulton,

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it's blue and white, it's a large jardiniere

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decorated with village scenes.

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Can we say 200? 150? £100.

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100, £50 then?

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£30. 30 bid.

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Any advance on 30 in the Doulton?

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40, 50, 60, 70, 80.

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£80. Any advance on £80?

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All done at £80. £80.

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-£80.

-That's fine.

-Well done.

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I think we did the right thing.

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-You did, didn't you?

-I'm chuffed.

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That's fine. I'm very happy to have that.

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What are you going to put the money towards?

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-A meal out.

-Oh, good. Good.

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Right, Rita, are you ready for this?

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-Absolutely, Paul.

-It's the moment of truth.

-It is.

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The bronze plaques are going under the hammer.

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We've got 180 to 250 on them. Will we get that top end?

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If we get top end we've done really well.

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-OK.

-I think sort of 200, 220's about the mark for them.

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-OK.

-But, you know, who knows?

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-Great auctioneer.

-Yes.

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She's great. From Glasgow, you see.

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She is, isn't she? Yeah.

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We're going to find out what Anita can do for us.

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Let's see some magic. Good luck.

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Lot 583, a beautiful pair of cast bronze wall plaques.

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Now they're by Ferdinand Barbedienne

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and they're depicting two classical maidens.

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Start me at £200, £100 apiece.

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Start me at 200. One bid, one bid.

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110, 120, 130, 140.

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150, 160, 170,

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180, 190, 200, 210,

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220, 230, 240, 250,

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260, 270,

0:18:260:18:30

280, 290, 300...

0:18:300:18:34

-These are my things?

-Sorry?

-These are mine, aren't they?

0:18:340:18:38

-These are yours, yes.

-20,

0:18:380:18:40

330, 340, 350, 360, 370...

0:18:400:18:46

-370.

-380, 390, 400.

0:18:460:18:52

Get me a chair.

0:18:520:18:54

420, 440, 460, 480, 500...

0:18:540:19:01

-It's frightening now.

-It is, isn't it?

0:19:010:19:04

520, 540. £540.

0:19:040:19:08

Any advance on 540?

0:19:080:19:12

All done at 540, 540.

0:19:120:19:16

£540. The hammer's gone down on Rita's plaques.

0:19:160:19:20

What do you think of that?

0:19:200:19:22

-I'm speechless.

-Cor. So am I. I think James is.

0:19:220:19:26

You know, you often see great results, but that,

0:19:260:19:29

I just cannot see that amount of money in those plaques. Fantastic.

0:19:290:19:32

Do you know what it was? It was our bonny Glasgow girl, Anita Manning,

0:19:320:19:36

-on the rostrum don't you think?

-She's very good.

0:19:360:19:38

-We should give her a round of applause.

-We should, shouldn't we?

0:19:380:19:41

We've got off to a great start and we'll be back to do battle in the auction room later.

0:19:410:19:47

But first we're off to visit a collection

0:19:470:19:50

any knight would be proud of.

0:19:500:19:52

This is Dean Castle Country Park on the edge of Kilmarnock town.

0:19:540:19:58

At the heart of these stunning grounds is the magnificent historic castle itself.

0:19:580:20:02

But it's the collection, a wonderful collection,

0:20:020:20:04

that I've come to see today that's housed inside the castle.

0:20:040:20:07

The armoury here at Dean is a magnificent collection.

0:20:190:20:22

It was brought together by just one man

0:20:220:20:24

and it provides a fascinating insight

0:20:240:20:27

into the realm of knights in shining armour

0:20:270:20:29

and the conflict throughout the Middle Ages.

0:20:290:20:32

Late on in the 19th century

0:20:340:20:35

Dean Castle was inherited in a terrible condition

0:20:350:20:39

by the eighth Lord Howard de Walden, Thomas to his friends.

0:20:390:20:43

The eighth lord was a great benefactor to history.

0:20:430:20:46

Not only did he bring this evocative castle back to life

0:20:460:20:49

but he also established the glorious collection I am here to see.

0:20:490:20:53

And thanks to the generosity of his son, the castle and armoury

0:20:530:20:57

was donated to the people of Kilmarnock for all to enjoy.

0:20:570:21:01

My guide to this incredible collection

0:21:170:21:19

is museum officer Linda Fairlie.

0:21:190:21:22

-This suit of armour is an Italian suit and it has...

-16th century?

0:21:220:21:26

-It is 16th century and it's very light, it's light in weight.

-Yeah.

0:21:260:21:31

There's not a lot of weight in that one. The breast plate is very light.

0:21:310:21:35

So how did the eighth lord amass such a wonderful collection?

0:21:350:21:38

-How did he put it together?

-Well, he had the help of a dealer in London.

0:21:380:21:43

His name was Joubert and Joubert advised him on the weaponry to buy.

0:21:430:21:47

He had a great deal of knowledge himself and he wrote books on armour

0:21:470:21:51

but Joubert was certainly the dealer in London who was of most help to him.

0:21:510:21:56

How much is in the collection?

0:21:560:21:58

There's in excess of 250 items in the collection.

0:21:580:22:01

90-odd swords, there are helmets,

0:22:010:22:03

there are suits of armour, lots of decorative pieces.

0:22:030:22:06

It's not like a military collection where there are lots and lots

0:22:060:22:10

of the same type of thing, it has a whole variety of examples.

0:22:100:22:13

-And you can see how it's developed over the centuries as well, can't you?

-Yeah.

0:22:130:22:17

-Not only as a cutting edge weapon but also as a piece of protection.

-That's right.

0:22:170:22:21

Conflict in the Middle Ages was dominated by the knight in shining armour.

0:22:220:22:26

Forward.

0:22:260:22:28

Battledress in various forms had been used throughout recorded history

0:22:280:22:33

but only in the Middle Ages did the developments in metalworking

0:22:330:22:37

enable sheet armour to be widely adopted.

0:22:370:22:39

An arms race followed, with conflict spurring

0:22:390:22:42

great innovations in design of armour

0:22:420:22:45

and soon it became just as important

0:22:450:22:47

outside the realms of conflict.

0:22:470:22:49

Armour was a huge status symbol,

0:22:520:22:54

the equivalent of a sports car or luxury yacht.

0:22:540:22:57

Elaborately decorated and beautifully crafted,

0:22:570:22:59

style became important as fashion dictated trends.

0:22:590:23:04

Beauty and craftsmanship is abundantly evident in the Dean's collection

0:23:050:23:10

and, for Linda, it is this that is most interesting.

0:23:100:23:13

You've selected some pieces, Linda, for us to look at.

0:23:210:23:24

What interests you most about these?

0:23:240:23:27

I think these ones are interesting.

0:23:270:23:29

The piece we looked at earlier, the armour, is a lightweight suit that would be worn on parade.

0:23:290:23:34

This one is exceedingly heavy, it's at the other end of the spectrum

0:23:340:23:39

and it's early to mid-17th century.

0:23:390:23:42

It's Hungarian, originally this would have been bright blue.

0:23:420:23:45

It would have been polished steel and then heat treated

0:23:450:23:48

and it would have ended up being almost peacock blue with all the gilding,

0:23:480:23:53

it just would have been amazing.

0:23:530:23:55

There's this sense that you can't move in this sort of armour and you really can,

0:23:550:23:59

they're so well made that the articulation on them is wonderful

0:23:590:24:02

and you can move quite freely, really.

0:24:020:24:04

One thing that does interest me is the gun.

0:24:100:24:12

-Can I pick that up?

-Yes, you can.

0:24:120:24:14

Can you tell me about this?

0:24:150:24:17

Yes, this is a really interesting piece.

0:24:170:24:19

It's beautifully decorated, it's a rifle carbine,

0:24:190:24:24

it dates from about 1660 and the interesting thing about this

0:24:240:24:28

is that it's one of the few English pieces that we have in the collection.

0:24:280:24:32

The collection is mainly European.

0:24:320:24:35

-Yeah.

-Italy, Germany are the main, but there are one or two notable exceptions and this is one of them.

0:24:350:24:41

-It was made by Hughes...

-Hughes, it says here.

0:24:410:24:44

-Yes.

-Wootton Bassett. It says it here and it says it...

0:24:440:24:47

That's incredible, that's near me in Marlborough, in Wiltshire.

0:24:470:24:51

Yeah, yeah. And he is known only to have made five weapons.

0:24:510:24:54

Two pairs of pistols, and they are in Copenhagen and Vienna museums,

0:24:540:24:59

-and this is the only rifle carbine that we know off.

-It's beautiful.

0:24:590:25:03

-It's a beautiful piece.

-Look at the craftsmanship and the detail.

0:25:030:25:06

-Yes.

-It is a work of art. And the bat extends?

-It does indeed.

0:25:060:25:10

There's a little button just here and with any luck it will just pull out

0:25:100:25:13

and that allowed it the carbine...

0:25:130:25:15

Goes into the shoulder.

0:25:150:25:17

-The carbine was used on horseback.

-Yes.

0:25:170:25:20

And it's not as long as a flintlock rifle as such,

0:25:200:25:23

smaller than that and it can be turned into a pistol as well,

0:25:230:25:27

so the muzzle can screw off and it turns back into a pistol.

0:25:270:25:31

This is possibly one of the nicest guns I have ever held.

0:25:310:25:34

-Yes, it's beautiful, really beautiful.

-It really is.

0:25:340:25:37

What's your favourite piece in the collection, if you can have one?

0:25:370:25:41

Well, it is quite difficult.

0:25:410:25:43

Possibly a basinet, which is on display but another piece

0:25:430:25:47

is this tiny little piece here and this is a wheel lock spanner.

0:25:470:25:52

It's beautifully decorated and, basically, it's like a Swiss army knife of an earlier date.

0:25:520:25:59

It dates from 16th century and it is counterfeit damascened,

0:25:590:26:03

which means that it has been cross hatched

0:26:030:26:05

and then the gold has been battered into it

0:26:050:26:08

and that's held as a key and that's held it in place.

0:26:080:26:11

It's the fact they've gone to the trouble to decorate

0:26:110:26:15

-a tiny little thing like that.

-That's beautiful isn't it?

-Yes.

0:26:150:26:18

Thank you so much for showing me round,

0:26:180:26:20

I know this is just a small part of it and there is so much more to see.

0:26:200:26:23

-There is indeed and it was my pleasure.

-Thank you.

-Thank you.

0:26:230:26:26

And now it's time to battle through the crowds

0:26:460:26:49

back at the Palace Theatre.

0:26:490:26:51

And James has quite a reaction to his next item.

0:26:510:26:55

Ann, I love this. Do you?

0:26:570:27:00

-I'm not particularly bothered.

-No?

0:27:000:27:03

-No.

-Oh, it's fantastic.

0:27:030:27:05

Look at that. That's a typical piece of Scottish hardstone and silverwork,

0:27:050:27:12

only ever made in Scotland but taking all of its influence

0:27:120:27:16

from a Roman or possibly... no, in fact, Greek...

0:27:160:27:20

-Yes, it's a Greek key.

-A Greek amphora.

0:27:200:27:23

Set with Scottish hardstones and I think that would have been used as a scent bottle.

0:27:230:27:27

I can't see what else it could be.

0:27:270:27:30

It's got a little detachable or screw off cover

0:27:300:27:34

that then slides, then you can see the hole from the centre.

0:27:340:27:38

But this, I don't think, started life...

0:27:380:27:41

-With the...

-With the scent bottle.

0:27:410:27:43

I think that is a chatelaine

0:27:430:27:45

so it would have probably been suspended

0:27:450:27:48

from a lady's dress or skirt

0:27:480:27:51

and each one of these is a little separate tool.

0:27:510:27:54

Now, it could be a baby's feeding spoon, little separate fork.

0:27:540:28:00

It's too jaggy for a baby, that fork.

0:28:000:28:02

Oh, yes, the fork wouldn't be for a baby.

0:28:020:28:04

But that...

0:28:040:28:07

that looks remarkably like

0:28:070:28:10

an ear cleaner.

0:28:100:28:12

Ever tried it?

0:28:120:28:14

-You can do it on yourself, thanks.

-Come on, have a go, go on.

0:28:140:28:18

Go away.

0:28:180:28:19

Well, I'm not going to start poking my own ears.

0:28:190:28:23

But you know, it's amazing that if you look at the ancient excavations,

0:28:230:28:27

the Roman's had these and they called them ear spoons.

0:28:270:28:31

-Mmm?

-And you know...

-Is it not a bit broken off the edge?

0:28:310:28:34

No, I don't think so.

0:28:340:28:36

See that little rounded end?

0:28:360:28:39

-Yes.

-It's just a little spoon.

0:28:390:28:41

And it's much more sensible that a cotton bud.

0:28:410:28:44

-Well, cotton bud would just shove wax back in again.

-Yeah.

0:28:440:28:48

But, on the other hand, I would think you could do your ear drum

0:28:480:28:51

-a great deal of damage with that.

-You certainly could with that.

0:28:510:28:55

But, no, I think they're great.

0:28:570:28:59

-I mean, I think that was probably made in China.

-Oh.

0:28:590:29:02

In Shanghai or possibly Hong Kong around 1890 to 1910.

0:29:020:29:08

I think by the time this little lot finds its way into the auctions,

0:29:080:29:11

I think Anita may well split them up into two lots

0:29:110:29:14

but I'm going to leave them together,

0:29:140:29:17

put an auction estimate of £100 to £150

0:29:170:29:19

and I think they'll do that and do that easily.

0:29:190:29:22

We'll be able to go for fish and chips when we're finished with it.

0:29:220:29:26

Will you take me for fish and chips?

0:29:260:29:28

Is that a deal if it does that?

0:29:280:29:30

-Yes.

-Shake on it.

0:29:300:29:32

Deal. Fantastic.

0:29:320:29:33

-Hello, Robert.

-Hi there.

-Thank you for coming to join us today.

0:29:500:29:53

-Have you come far?

-Catrine, ten miles away.

0:29:530:29:55

Ten miles. Not too bad. Now, tell me what this is you've brought in for me and where you bought it.

0:29:550:30:01

Well, I got it from my mum who passed away quite recently.

0:30:010:30:04

-OK.

-And she told me it was a Clarice Cliff jam pot.

-Right.

0:30:040:30:09

She's absolutely right.

0:30:090:30:11

It's typical of Clarice Cliff,

0:30:110:30:13

in the sense that it's decorated in those bright colours

0:30:130:30:18

that are characteristic of the Art-Deco style, 1930s style.

0:30:180:30:23

-Where did your mum buy it?

-She got it in a charity shop for £5.

0:30:230:30:27

-£5.

-£5.

-OK.

0:30:270:30:30

If we turn it upside down we'll see that it's marked

0:30:300:30:33

and this will also tell us the name of the title, which is Nasturtium,

0:30:330:30:38

so we know exactly what the pattern is, the nature of the decoration is.

0:30:380:30:44

There's one thing about it that strikes me as being slightly odd.

0:30:440:30:49

Have you twigged what that might be?

0:30:490:30:51

-No.

-Well, I'm a bit concerned that the cover doesn't belong to the base.

-Right.

0:30:510:30:59

-I think if it did, you would find this type of decoration echoed in the lid.

-It would carry on up the lid.

0:30:590:31:04

That's exactly right.

0:31:040:31:05

It's the right shape, I mean, the object itself forms the shape of an egg, as you can see,

0:31:050:31:12

-and it has one of these popular Art-Deco handles...

-Right.

0:31:120:31:16

But the fact that it's filled, that's typical of the Art-Deco style.

0:31:160:31:20

It would be more logical to have a piercing through the handle so you could pick it up.

0:31:200:31:25

So it's not terribly functional but it makes it dead stylish, really,

0:31:250:31:30

-and that's what Clarice Cliff is all about, style.

-Style.

0:31:300:31:33

We should now think about what it might make at auction.

0:31:330:31:36

I think if it were absolutely certain that the top and the base matched

0:31:360:31:40

-we'd be looking at a figure of around about £100.

-Right.

0:31:400:31:44

As it doesn't match, I think we're going to have to come down a bit.

0:31:440:31:49

-I think this is worth between £40 and £60.

-Right.

0:31:490:31:53

-Not a huge amount of money but more than your mum paid for it.

-Aye, aye.

0:31:530:31:56

So what would you do with the money?

0:31:560:31:59

Well, I would buy some mementos or keepsake for Mum.

0:31:590:32:03

A keepsake of your mother, that's a lovely thought.

0:32:030:32:05

Something I could keep that I liked.

0:32:050:32:08

-Yes, something that would remind you of her and remind you indirectly of the Clarice Cliff...

-Aye, aye.

0:32:080:32:14

-..Pot that she bought from a charity shop.

-That's right.

0:32:140:32:18

-And I hope will have happy associations for you because you brought it along to Flog It!

-Right.

0:32:180:32:23

-And I look forward to seeing you at the auction sale.

-Right. Thanks.

-Thank you.

0:32:230:32:27

George, I have to say, when I first saw you in the queue outside

0:32:320:32:36

I thought I was going to see you busking,

0:32:360:32:39

but here we are, give me a pull with this.

0:32:390:32:41

Do you play the concertina?

0:32:410:32:43

-No, no.

-No?

-The guitar.

-Oh, there's somewhat of a different skill in that isn't there.

-Yeah.

0:32:430:32:48

So tell me, where did you come to gain a concertina?

0:32:480:32:51

Well, my uncle worked in a cleansing department in Glasgow.

0:32:510:32:54

A cleansing department. What's a cleansing department?

0:32:540:32:57

-Bin man, he works for...

-Oh, a bin man. OK.

-The council.

0:32:570:33:00

And he used to pick up a lot of things and he brought me this

0:33:000:33:04

and some records and a print and when he died they passed on to me

0:33:040:33:08

-so it's really no good to me so better somebody gets the use of it.

-Yeah.

0:33:080:33:13

And that likes that sort of thing and get it back to its original state.

0:33:130:33:17

-Isn't that amazing what people do and what they throw away?

-Aye.

-Gosh.

0:33:170:33:21

So whatever I get for it will go to restore an old guitar that I've got.

0:33:210:33:25

-Restore one?

-Yeah.

-Why not buy a new guitar?

0:33:250:33:28

Cos I like the one I've got, it's from the '60s and it's a wee bit damaged.

0:33:280:33:31

-Electric or acoustic?

-Both. Semi-electric.

0:33:310:33:35

-And do you play in a band?

-No, no.

0:33:350:33:37

-Just for fun.

-Just for fun.

-Brilliant.

0:33:370:33:40

Well, let's have a look at this.

0:33:400:33:42

C. Wheatstone & Co, inventors, patentees and manufacturers

0:33:420:33:47

of concertinas, violas, based in London.

0:33:470:33:51

Now I'm not a specialist in the concertinas so I've phoned a few friends,

0:33:510:33:57

and I looked it up on the internet before coming to the table here,

0:33:570:34:00

and Wheatstone's first concertinas are listed between 1842 and 1847.

0:34:000:34:06

This one is slightly later than that,

0:34:060:34:09

probably made between 1860 and 1890

0:34:090:34:12

-but the value really depends so much on how many keys...

-Yeah.

0:34:120:34:16

And on the quality of the materials.

0:34:160:34:18

This one is ebonised rather than rosewood

0:34:180:34:21

-and the front and back plates are pierced chrome rather than pierced silver...

-Uh huh.

0:34:210:34:25

But it's still a very good model.

0:34:250:34:28

-Yeah.

-I think it's going to make between £150 and £250.

0:34:280:34:32

Right, right, that'd be quite good.

0:34:320:34:34

How much do you think it's going to cost to have your guitars restored?

0:34:340:34:38

I think about a £100 to £150 to get them restored.

0:34:380:34:40

-Fingers crossed that'll pay for it.

-Oh, aye, that'd be great.

0:34:400:34:43

Well, our experts have been very busy working flat out.

0:34:460:34:49

It's now time to test our valuations as we go off to auction and here's a quick rundown of what we're taking.

0:34:490:34:54

Firstly, this brightly painted Clarice Cliff preserve jar with one small problem.

0:34:540:35:00

Well, I'm a bit concerned that the cover doesn't belong to the base.

0:35:000:35:06

But Robert's bound to make a profit, his mum got it for a fiver.

0:35:060:35:10

George's concertina made by London makers Wheatstone

0:35:100:35:14

was saved from the bin

0:35:140:35:15

and could now prove to be a bit of a star in the auction.

0:35:150:35:18

And last by no means least,

0:35:200:35:23

Ann's unusual scent bottle with silver tools valued at £100 to £150.

0:35:230:35:29

-Ann, I love these?

-Why?

-Do you?

0:35:290:35:31

-I'm not particularly bothered.

-No?

-No.

0:35:310:35:34

Let's hope the bidders share James' enthusiasm.

0:35:340:35:38

Well, our auctioneer, Anita, is definitely on James' side.

0:35:400:35:45

We have two separate things here, Paul.

0:35:450:35:48

We have this absolutely divine little scent bottle and I love Scottish polished agate.

0:35:480:35:53

-You like the stones.

-Yes, I love the stones, I love them.

0:35:530:35:57

-I'd rather have the mossy hues of Scottish pebble jewellery than diamonds.

-Yes.

0:35:570:36:03

But, added to this, we have this little...

0:36:030:36:06

-Collection of tools.

-Collection of tools.

0:36:060:36:09

-It would have been part of a chatelaine, maybe at one point.

-Yes.

0:36:090:36:14

-I particularly like this little...

-Moth.

-Butterfly.

-Is it a butterfly.

0:36:140:36:17

-Or moth motif there.

-It's lovely.

0:36:170:36:20

I think it's very sweet and I kept them together.

0:36:200:36:23

Yeah, I'm pleased you kept them together because James wanted them to be together.

0:36:230:36:27

Well, again, it's the psychology of selling. He's an auctioneer.

0:36:270:36:30

-Yes.

-The people who look at that will know that they are two separate items...

-Yes.

0:36:300:36:35

And perhaps they're getting two for the price of one.

0:36:350:36:37

So are we OK with the money?

0:36:370:36:39

-Top end?

-It might struggle at the top end, Paul.

-Lower end then.

0:36:390:36:42

Lower end. Lower end.

0:36:420:36:44

But I'll do my very best.

0:36:440:36:47

Well, they belong to Ann and she's arrived ready for the sale and I've got a question for her.

0:36:470:36:54

I want to know why you're selling this because it's gorgeous, it's good,

0:36:540:36:58

it's quality and it's something, it's something that,

0:36:580:37:01

well, if we were allowed to buy,

0:37:010:37:03

I know James and I would probably have a go at it.

0:37:030:37:05

-Well, it's been in the family for a long time...

-Yes.

0:37:050:37:09

And, at my age, there's not really any sense and nobody else wants it.

0:37:090:37:15

Oh, that's a shame isn't it.

0:37:150:37:16

So you're going to let it go to a collector anyway?

0:37:160:37:19

Yes. Maybe somebody will get some fun out of it.

0:37:190:37:22

But it's quality, they're silver and they've been beautifully made as well.

0:37:220:37:25

And I know, I was listening over your shoulder at the valuation day

0:37:250:37:29

and thinking what's James going to say about the little spoon?

0:37:290:37:32

You know, it could be a baby spoon or something,

0:37:320:37:35

or one of them was an ear cleaner.

0:37:350:37:36

Yes. I would have done myself an injury with that.

0:37:360:37:39

You would, wouldn't you? You'd burst your eardrum.

0:37:390:37:41

-I did try and clean her ears with it...

-Oh, charming.

0:37:410:37:44

-But you wouldn't let me.

-They're clean already.

0:37:440:37:46

-Isn't he naughty? Let's take a look at James's.

-You don't want to.

0:37:460:37:50

Oh, could do with some work there.

0:37:500:37:51

131 is the Scottish silver scent bottle

0:37:510:37:55

and it has, and it's a separate item,

0:37:550:37:57

a chatelaine with a lovely,

0:37:570:38:00

a silver chatelaine with a lovely little butterfly detail.

0:38:000:38:04

So you have two lots there really, two items in that lot.

0:38:040:38:08

Will you start me at 100? 100 bid.

0:38:080:38:12

100. 110, 120, 130, 140, 150, 160.

0:38:120:38:19

160. 160, 170, 180...

0:38:220:38:24

-She's pulling those bids.

-This is good, isn't it?

-190.

0:38:240:38:29

190, it's on the floor at £190.

0:38:290:38:35

190.

0:38:350:38:37

All done at 190, 190.

0:38:370:38:40

-Yes.

-That's it.

0:38:400:38:43

Quality always sells. We got top money for that.

0:38:430:38:46

-Fantastic.

-We did.

0:38:460:38:47

-Yeah.

-Thank you.

-He was right.

0:38:470:38:49

Well, it wouldn't be Flog It!, would it, without this next lot.

0:38:510:38:54

Can you guess what I'm going to say? Yes, Clarice Cliff.

0:38:540:38:57

It's a preserve pot, it belongs to Robert.

0:38:570:38:59

Now we've got the pot but unfortunately Robert can't be with us today but we do have David,

0:38:590:39:04

our expert that put the value on this.

0:39:040:39:06

-I did.

-£40 to £60, somewhere around there we're hoping for.

0:39:060:39:09

I mean, it's by no means the best lot in the sale

0:39:090:39:11

but if you're looking to start collecting Clarice Cliff

0:39:110:39:14

you've got to start somewhere and why not buy some like this?

0:39:140:39:17

It's fully marked, it's brightly decorated,

0:39:170:39:19

we're a little bit concerned that the top might belong to it

0:39:190:39:22

but a good place to start.

0:39:220:39:23

Lot 463, ladies and gentlemen,

0:39:230:39:26

the Clarice Cliff bizarre Nasturtium daffodil shape preserve pot and cover.

0:39:260:39:32

And I can start the bidding at £40.

0:39:320:39:34

-OK.

-It's with me at 40.

0:39:340:39:36

50, 60, 70, 80, 90, 100, 110.

0:39:360:39:43

110.

0:39:430:39:46

I have a bid of 120 so the bid's with me at 120.

0:39:460:39:51

Are you out, sir? Out. 120 with me.

0:39:510:39:53

130, I'm out, fresh bidder.

0:39:530:39:57

Fresh bidder at 130 and I'm out.

0:39:570:39:59

140, fresh bidder again. 140.

0:39:590:40:03

£140.

0:40:030:40:05

150, 160.

0:40:050:40:09

160. It's on the floor at £160.

0:40:090:40:13

Any advance on 160? 160.

0:40:130:40:17

-Gosh.

-Fantastic.

-£160.

0:40:170:40:19

Robert will be so pleased with that because I know he was expecting £60

0:40:190:40:23

for sort of the top end of the estimate.

0:40:230:40:25

-Yes.

-What did I say? Clarice never lets us down, does it?

0:40:250:40:28

-Now he'll be able to buy something lovely in memory of his mum.

-Yes.

0:40:280:40:31

So I'm really sorry he's not able to be here but that's good news for him anyway.

0:40:310:40:35

George, Wheatstone concertinas are big business

0:40:410:40:43

and we've seen it on the show before, we've had some great results.

0:40:430:40:47

It all depends on how many buttons.

0:40:470:40:48

-Right.

-We've got a valuation or around £150 to £250 put on by James

0:40:480:40:52

but we're hoping, we're hoping for a big crescendo, a lovely big ending to this one.

0:40:520:40:58

I'm totally confused, I have to admit.

0:40:580:41:00

You know, on the valuation day I looked at this and I thought,

0:41:000:41:03

"Now is it a good one or isn't it a good one?"

0:41:030:41:05

-It's a great make, it's the best.

-A great make but I didn't know if it was a really, really good one

0:41:050:41:09

so I checked up on the internet and I thought, "Fabulous, yes,

0:41:090:41:12

"found that one, that one and that one, they've all sold for around £200,

0:41:120:41:16

"let's put 150 to 250 on it."

0:41:160:41:17

A week last Friday, a week last Thursday, I was taking a sale where I put exactly that estimate.

0:41:170:41:22

I'm not going to tell you, I've written on here what it made.

0:41:220:41:24

OK. We're going to have a grand reveal later on.

0:41:240:41:27

Lot 233 is the Wheatstone concertina with brass label

0:41:270:41:32

in original box with paper label.

0:41:320:41:35

I am holding bids on this item and I can start the bidding at £300.

0:41:350:41:41

We're straight in at 300.

0:41:410:41:43

Any advance on 300?

0:41:430:41:44

320, 350, 380, 400, 420, 450,

0:41:440:41:50

480, 500, 520, 550, 580, 600, 620, 640...

0:41:500:41:57

-Getting higher and higher.

-680.

0:41:570:42:01

680. 700.

0:42:010:42:02

700. 720, 750, 780.

0:42:020:42:09

£780. 780.

0:42:090:42:14

-800 on the phone.

-Oh.

-Yes, 800 on the phone.

0:42:140:42:17

800, 820, 840, 860...

0:42:170:42:22

-Sweet music to our ears, isn't it?

-It is that, aye.

0:42:220:42:24

880, 900,

0:42:240:42:28

920, 940, 960,

0:42:280:42:34

980, 1,000.

0:42:340:42:39

1,050, 1,100.

0:42:390:42:44

1,100 with Lara on the phone.

0:42:440:42:48

1,100. Any advance on 1,100?

0:42:480:42:52

All done at 1,100, 1,100.

0:42:520:42:55

-Yes.

-1,100. Why didn't you say that on the day?

0:42:550:42:59

Because it was only a week last Thursday.

0:42:590:43:01

-But I have to say the box of this one was fantastic condition in comparison to theirs.

-Yeah.

0:43:010:43:06

-Is that right.

-Yeah, brilliant.

-Fantastic, George.

0:43:060:43:09

-That's superb.

-That'll get the guitar.

-Aye.

0:43:090:43:11

Should get the granddaughter a new one and all. She's only three, so...

0:43:110:43:14

-Oh, she's only three. Start them young.

-That's right.

0:43:140:43:17

-You never know, she might be the most famous singer songwriter in the next 20 years time.

-That's good.

0:43:170:43:22

-Fantastic.

-What a great result. Thank you so much for bringing that in.

0:43:220:43:25

-Yes, did well.

-And to James for the valuation.

0:43:250:43:27

I hope you've enjoyed today's show.

0:43:270:43:29

We've got plenty more surprises to come in the future so whatever you do keep watching.

0:43:290:43:33

Until the next time, bye-bye.

0:43:330:43:35

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0:43:420:43:45

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0:43:450:43:48

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