Lissanoure Castle Flog It!


Lissanoure Castle

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Today we're in Northern Ireland, just a few miles in from the dramatic coastline of County Antrim.

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We're here to enjoy the magnificent scenery and the antiques.

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Welcome to Flog It!

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Talking of beautiful scenery, we've all heard of the Giant's Causeway,

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but it's amazing to think that when it was first discovered in the late 17th century, there was a split

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over whether it was created by man, nature or a big giant!

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There's no disputing it is a stunning, beautiful sight.

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Later, I'll explore the myths and the facts.

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So many people have arrived today that we've filled up Lissanoure Castle's barn.

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We have a giant-sized task on our hands. Hundreds of people have been waiting patiently

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so let's get started.

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The first thing I have to do is introduce you to our experts.

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We have Catherine Southon, who started in galleries

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but moved on to a speciality in scientific and maritime objects.

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And joining her we have Will Axon, an auctioneer and valuer in Yorkshire and Rutland.

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Will is a bit of a hoarder, but judging by what's come in, I don't think he's alone!

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Coming up on today's show: I find an eye-popping treasure.

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My eyes went boom when I saw this!

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-So does Catherine.

-It's one of the best pieces I've seen on Flog It!

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And I find a piece of magic.

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Legend has it that if you wriggle three times while sitting in this chair

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and make a wish, it'll come true.

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Lissanoure Castle's barn in County Antrim is filling up

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and I think it'll take us a while

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to get through everyone.

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Catherine Southon is our first expert to the tables. Let's take a look at what she's spotted.

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Peter, it's lovely to see a nice early piece of silver here. Do you know much about this?

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I got it at a house clearance in County Sligo about 13 years ago.

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Including commission it was £146.

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OK, so what drew you to this?

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-It was just very attractive. I liked the raised work on it.

-Yeah.

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It is very nice. I'll tell you something rather interesting.

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If you turn this over, you can see it's quite early,

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18th century, the little cup here.

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We can see here that it's made in Newcastle.

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There's the Newcastle marker. And the date letter there tells us it's 1760.

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When you look at silver of this period, a lot of cups were plain.

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This decoration here was done much later.

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What actually drew you to this, the decoration over here,

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is something much later, probably Victorian in date.

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We'd usually be looking at quite a plain cup for 18th-century silver.

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What I like is we've got initials here, the maker's initials.

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That's John Langland. It's really nice to identify it and know who it is made by.

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-And it hasn't been polished away!

-Absolutely. The marks are nice and crisp, which is wonderful.

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You were attracted by the decoration. Do you have it on display in a cabinet?

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Not in a cabinet, on a table.

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-Right.

-My wife collects perfume bottles.

-Oh, lovely.

-It's among those. Some have silver tops.

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-It probably complemented them nicely.

-Yeah.

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-You say you paid £146 for it.

-Yes.

-You'd like to see a little return.

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-Why are you selling it?

-I need the money!

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Fair enough. Need I say more? I think today you could easily get £200-£250 on that.

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-How does that sound?

-OK.

-Perhaps we should put a reserve on of £180?

-Yes, that'll be fine.

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-And we'll take it to auction.

-Yes.

-The only thing letting it down is the Victorian decoration.

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-Which drew me to it!

-That's unusual. It's something you picked up on.

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If this didn't have the decoration, you'd probably be looking more at £300, £350, something like that.

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But hopefully more people at the auction will have the same idea and they'll like this decoration.

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-I hope it does well for you.

-Thank you.

-And let's hope it gets you a little bit of a profit.

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That's a quality item to start the show and now we go from silver to a bit of gold with Will and Ian.

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Ian, thanks for coming today. I could see you in your waistcoat with this in your watch pocket.

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-Does this watch ever see the light of day?

-No, I've never used it.

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-It doesn't see the light of day at all.

-It lives in a drawer?

-This is a very rare outing for it.

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-Is it something you inherited? You wouldn't buy something you didn't use.

-It's been inherited.

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-It was my grandfather's.

-Those were the days when they really did use the old pocket watch.

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A well-to-do grandfather. He's got a gold-cased pocket watch.

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Not very good for telling the time when you can't see the dial. Do you know what we call these?

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-Em, the hunter?

-You're right. The full hunter. You've got that and the half hunter.

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-Half hunters have the small, glazed aperture on the middle so you can still see the hands.

-OK.

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The full hunter is as we have here. Two hinged covers on each side to stop the glass getting broken

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when you're out hunting.

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We can see a good, nice, clean dial which is what we like.

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Crisp, clear numbers. No real damage on that enamel dial.

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Once they're damaged, they're very difficult to fix. And the maker is Waltham, USA.

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Waltham are an American manufacturer of clocks.

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They produced a wide range of clocks and watches. I noticed on the back of the case you've got the mark

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saying it's a Dennison case.

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So the movement's American, then it was put in a gold case in this country,

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hence the English hallmarks. Value-wise, the fact that it is gold-case comes into it.

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Say I say it's worth £100, £150, what do you think?

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-Yeah! Sounds all right.

-Sounds all right?

-Yeah.

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I think we should put it in at that level. If we say £100-£150,

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I'm hoping for 150 or a bit more, just for the weight of gold in it.

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Let's reserve it at that £100. It's daft to let it go for less.

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And hopefully you'll get 150 or more. What will you do with it?

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-I'm sure my wife's already decided!

-Oh, dear. It's like that, is it?

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-Well, go home and tell her I said it was worth 20 quid.

-Good idea!

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Nice plan there, Will. Let's hope it does make more than £20.

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Next up, it looks like Christine has brought in something right up Catherine's street.

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As soon as I saw this name Betts, I pounced on you in the queue!

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It's fantastic.

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Betts is known for making portable globes.

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That's exactly what this is. I'll let you open this up.

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I find if you press it down at this end, it's easier.

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I can't push it up.

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There we go.

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What a spectacular piece. Also known as the umbrella globe.

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Obviously you can appreciate these are very fragile and often get torn.

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-This looks to be in immaculate condition.

-It's very rarely opened. It's kept in the box at home.

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That's another thing. To have its original tube is something you don't hear of.

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-Where did you get it?

-My mother and father had it in Scotland when they went to auctions in Ayr.

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-I inherited it.

-They clearly had a fantastic eye.

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This is one of the best pieces I've seen on Flog It! It's wonderful as I'm passionate about globes.

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I'm so interested in it. On here is the cartouche.

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We've got the name Betts. "Betts's Portable Terrestrial Globe.

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"Compiled from the latest and best authorities."

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Betts produced these globes for quite a period.

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This one probably dates to early 20th century.

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Someone has written in pencil there "pre-war". Was that your dad?

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I don't know. Could have been.

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-It's not something you're interested in?

-It doesn't get looked at

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and I'd rather somebody else could enjoy it. I thought it had belonged to a school.

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Or perhaps a gentleman travelling on a ship around the world.

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As a travelling instrument, it's something he could get out and perhaps track his journey.

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-Do you have any idea of price on it?

-Not really, no.

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I would like to say that we could easily get £400-£500.

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I think perhaps we should put a reserve on of about 350.

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-OK.

-But I think maybe £400-£500 at auction.

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-It's a superb piece and any day that should make £350 at least.

-That's great.

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-Are you sad to see it go?

-Yes, I am sad in a way but my dad would be so pleased

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that other people were interested.

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-And I'm sure it'll go to a good home.

-Yes.

-A lot of people will get excited.

-Hope so!

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-I'm excited, anyway! Let's hope it makes top end. Thank you, Christine.

-Thank you.

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There's certainly enthusiasm a-plenty for the globe.

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We'll see how it does a little later.

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Next up, I spy something else sweet.

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-That looks absolutely fabulous. What do you recommend?

-Meringues. I made them.

-Did you?

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-Bless you. How much do they cost?

-£1.50.

-I'll get someone to pay you a bit later! I haven't any money!

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I bet they all say that! Got to keep your energy up. Look at the size of the queue here.

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It's going to be a long day. We should let our experts get on with it while I have a bite of this.

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How embarrassing! Thankfully, Will is taking things seriously.

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Frank, you look like a man who likes to wear a bit of bling.

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-Is this your personal sovereign ring and coin?

-No.

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-Where does this come from?

-I got that one there

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-about 20 years ago.

-Right.

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-And that one there belongs to my wife.

-Does it?

-Yes.

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And she no longer wears it.

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-Does she know you've got it?

-Yes.

-I hope so or we're both in trouble!

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Now I suppose two years ago a sovereign was worth maybe £70-£80.

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-That sort of level.

-Yeah.

-Nowadays, it's probably £120-£150,

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just for the single full sovereign. That's a sort of indication

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-of how much the price of gold has gone up.

-Yeah.

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-So up to £120, £150 for the full sovereign.

-Yes.

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The half sovereign, while it's been mounted in a ring, I've had a look at the mount.

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If it's been soldered in, then that does devalue them.

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Coin collectors can't get them out of the ring crisply.

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But I'm pretty sure that's been mounted in a way that could come out again, so that's good.

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In our saleroom, the buyers start at one end of the cabinets, they weigh everything,

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they know exactly what they'll pay for these.

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So it's easy for us because this type of thing always makes its money at sales.

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What I would say is can we put it in at an estimate of £150-£250

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with a fixed reserve at £150?

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So we'd be looking at 150 upwards. What do you feel to that?

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-Do you have to phone the wife?

-Well, you said £150-£250.

-That's right.

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So what about putting a reserve of 200 on?

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If I put the reserve at 200 - it might make 200 - I'd need to put the estimate at 200-300.

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The reserve can't be higher than the bottom estimate, by law.

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If you say 200, let's compromise, meet each other halfway

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and I'll say 200 with 10% discretion for the auctioneer.

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-Worst-case scenario, he'd sell at 180.

-OK.

-Yes?

-That's OK.

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Let's go for £200-£300, then, as an estimate with the reserve at £200 with discretion.

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I still think at 180 they should make that. If they get to 200, great.

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-And the wife will be happy.

-She'll be happy.

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Right now I'm going to give you a lesson in some local history.

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The dramatic coast of County Antrim is famously known for the Giant's Causeway, a World Heritage Site.

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But there's more history here than you might realise.

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The Causeway School has been here since it was erected in 1914.

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It was built in memory of a wealthy local man, Lord Edward Macnaghten.

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His family were dedicated to the area and thought it needed a bigger and more progressive school.

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But this was to be no ordinary building.

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In fact, famous architect Clough Williams-Ellis, the man behind the village of Portmeirion,

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was commissioned to design it.

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The famous artistic influences didn't stop there.

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The Macnaghten family were friends with artist Rosamund Praeger.

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The school is lucky enough to house five works by Praeger.

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There's some sculpture, including a panel of Lord Macnaghten,

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and drawings for a series of artworks based on Gaelic legend.

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'The school was closed in 1962 and was unfortunately left to deteriorate

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'until 1987 when it was reopened as a museum.

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'Fortunately, it's been restored to its former glory and now used

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'to teach classes from Northern Irish primary schools about how they would have been taught last century.

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'Ann, or Miss Kilpatrick, has agreed to give me a lesson.'

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-Ann, it's wonderful to meet you. You're obviously head teacher here?

-Sometimes you would think so, yes.

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But Daniel McConaghy was the first headmaster here.

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This school was called the Lord Edward Macnaghten Memorial School

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and it was created to give children here at the Causeway the very best education.

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Children had to walk for miles to come to school, very often in their bare feet.

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-Not everyone had a pair of shoes.

-No, life was tough.

-It was indeed.

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-Hopefully, the kids today appreciate how lucky they are.

-Exactly.

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But I bet they get frightened when they first clap eyes on this and they see the canes here.

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Yes, they're always worried about the canes.

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'Of course, things would have been very different back then.

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'There would have been around 50 pupils of varying ages per room

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'with some of the older ones instructing the younger children to help out the teacher.'

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I can see many items here today that will remind the viewers at home of their own schooldays.

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-Lots of memories here.

-Yes.

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-What are we looking at here?

-This is the punishment book.

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The "crime" and the punishment was noted down.

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-Shall I read a couple out?

-Yes.

-"Throwing bread while the principal was absent for a few minutes."

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He got two slaps with the cane. How about that?

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There's a girl there. She threw a stone and it cut another girl on the forehead in the playground.

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She got two slaps, one on each hand.

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Throwing a snowball in school - two slaps and the cane!

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Lots for throwing things, really.

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Nothing's changed. Kids are still throwing their pens and rubbers, maybe not bread, at each other.

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Lots of toys around. Children were various ages.

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Yes, they were here from when they were four until they were 14.

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-That's a big age group.

-It is.

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-How many children would have been here?

-Initially, there would have been about 100 children.

-Gosh!

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-There really wasn't enough room for everyone to sit down.

-Go on. Give it a go.

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That's cute, that, isn't it?

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'Of course, these methods of teaching are a lot different from those in modern schools today.

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'That's not to say that going back to basics would be a bad idea.'

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So are we standing in the right position?

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Yes, our toes have to be exactly at the studs to toe the line.

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-Why are there studs on the floor?

-Because children had to come here to stand for a standing lesson.

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-Because there weren't enough seats?

-That's right.

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They had to toe the line and stand up very straight, hands by their sides.

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-Do you think that's where the phrase "toeing the line" came from?

-Yes, I think it is.

-Fascinating.

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I love the floor. This is pitch pine and it really has stood the test of time.

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It's full of character, lots of ink stains.

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You see where it's worn all around the knots? They're impervious to wear as they're full of resin.

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-Now, when you walk on it, you can feel the knots. It's quite uncomfortable.

-Yes, under your feet.

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But that's its life, that's its character.

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It's beautiful.

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-There's ink everywhere, isn't there?

-Yes.

-They must have been chucking it around. Lots of blotting paper.

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-What's this?

-This is the window here.

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You'd put this on your page and you would use your dip pen and ink

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to copy exactly what you see.

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This would have been a really important lesson back in Victorian times.

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-Do you know what they say? The pen is mightier than the sword.

-Yes.

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-To be able to read and write is a real gift.

-It certainly is.

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Can I have a go at copying some of that and see how difficult or easy it is with these old nibbed pens?

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You'll find there's even more ink going over the floor and the desks.

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-You'll be better at the teacher's table.

-Can I sit here?

-Of course.

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Do you know something? I feel quite important here. It's really nice.

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Oh, dear, look! You've got something prepared for me.

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I've only just picked the nib pen up. I haven't started and it's already all over my fingers.

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That's not a good sign, is it? And Ann's just walked off laughing!

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Here goes...

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My father was a schoolteacher and I used to watch him work quite a lot when I was a little boy...

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writing away.

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That's it. I've given it my best shot. I'm already covered in ink.

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I've thoroughly enjoyed my lesson here and soaking up the atmosphere.

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It's reminded me of one of my first schools many, many years ago.

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And I'm just going to pick my little window off and leave it here with you to look at.

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And now for my favourite part of the show.

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Let's head straight to the auction and see what the bidders think.

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So we're selling

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Peter's decorative silver cup,

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Ian's nine-carat gold pocket watch,

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Frank's sovereign ring and coin,

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and Christine's antique pop-up globe.

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Let's see what the market's like at McAfee Auctions in nearby Ballycastle.

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This is what I like to see - a jam-packed auction room. I hope they bid on our lots.

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Before the sale started, I had a quick word with today's auctioneer Gerry

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and this is what he said.

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Catherine fell in love with this and we've got a value of £400-£500.

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Now my gut feeling is it's worth every penny of that,

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but to get to that figure, I personally would pitch this at £200-£300.

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It's a lovely thing and great to have the cover.

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I haven't sold one before, so I'm somewhat blind.

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I think it's punchy at £400-£500.

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-It may do OK. There have been inquiries.

-Good.

-One English call. Not sure if they'll be on the phone.

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But I'm not overly hopeful.

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-It's a cracking thing.

-Lovely.

-The condition is superb.

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I think because of its rarity and its condition, it should go.

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Fingers crossed, it might get away, but just a wee bit cautious.

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Hopefully we'll find some worldwide bidders here, Gerry, and this could just go out of orbit. Keep watching.

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Well, I've got high hopes for it, but there's only one way to find out. It's first under the hammer.

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We're looking at £400-£500, with its original case. Beautiful.

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We've got a reserve of £350.

0:23:060:23:08

-It's one of the nicest things I've seen.

-I'm sorry to see it go.

0:23:080:23:12

It was my dad's and I'm sorry he wasn't here to share this today.

0:23:120:23:17

-He would have loved it.

-Let's hope the people recognise the quality and want to own this.

0:23:170:23:23

It's a rare gem.

0:23:230:23:25

Lot 440 is the Betts patent portable globe.

0:23:250:23:29

In excellent condition.

0:23:290:23:32

-And it has its original tube.

-Come on.

-Also in that condition.

0:23:320:23:38

£400 for it?

0:23:380:23:40

350?

0:23:400:23:42

Starting me at £200. £200 now for the portable globe.

0:23:420:23:46

-At £200 for the portable globe.

-Oh, come on. This is such a fantastic piece.

0:23:460:23:53

At £200, the portable globe now. At £200.

0:23:530:23:56

£200. 220. 240.

0:23:560:23:59

Portable globe at 240. 260.

0:23:590:24:01

At 260. 280. At 280 now.

0:24:010:24:05

At 280.

0:24:050:24:08

You've got £300. The portable globe now at £300.

0:24:080:24:13

320. At 320.

0:24:130:24:15

At £320.

0:24:150:24:17

-330.

-One bid away.

-At 330.

0:24:170:24:20

At 330 for the portable globe.

0:24:200:24:23

Last call before we leave it.

0:24:230:24:26

At £330. Sorry, I'll have to leave that. The owner hoped for more.

0:24:260:24:31

It was close. We were literally one bid away. If he'd used discretion

0:24:310:24:35

at 340 or so. We'd a fixed reserve at 350.

0:24:350:24:39

-But I really didn't want to sell it for nothing because it is a really fine, fine piece.

-Yes.

0:24:390:24:45

-And such sentimental value as well.

-Maybe it's meant to be.

0:24:450:24:49

-And you've to hang on to it.

-Yeah.

0:24:490:24:52

Well, that's a shame, but Christine does seem happy to keep it for now.

0:24:520:24:57

Next up is the gold pocket watch.

0:24:570:25:00

A favourite of mine, but owner Ian couldn't make it to the auction, so it's just Will and me.

0:25:000:25:06

-I like this. I like this a lot. Watches are good value.

-Exactly.

0:25:070:25:12

Certainly when they're gold-case, they've got value in the case. I'm sure someone will fancy it.

0:25:120:25:18

A dressy thing. Let's find out what the bidders think.

0:25:180:25:22

Lot number 620 is the gold gent's hunter pocket watch.

0:25:220:25:27

Waltham of USA. An American watch.

0:25:270:25:29

Perfect working order. What do we get for that?

0:25:290:25:33

150 for it? 150? 130?

0:25:330:25:37

-Come on, come on.

-120?

0:25:370:25:40

£100? £100 for it?

0:25:400:25:42

£60 bid. £70 here. £80 here.

0:25:420:25:47

-£90 here.

-Creeping up.

-£100. 110. 120.

0:25:470:25:52

130. 140.

0:25:520:25:55

140 beside me. A lovely pocket watch there.

0:25:550:26:00

£140. At 150. New one in at 150.

0:26:000:26:03

160.

0:26:030:26:05

160. 170. Beside me at £180.

0:26:050:26:09

I am selling it now at 180. All out and selling at £180.

0:26:090:26:14

-180, yes!

-Pleased with that.

-That's a very good result.

0:26:140:26:18

-We'll have to tell Ian now.

-Give him the good news.

0:26:180:26:23

Above estimate. That's a good result.

0:26:230:26:26

Now it's time to see how Frank's sovereigns fare.

0:26:260:26:29

They've been split into two lots, the coin going first.

0:26:290:26:32

Let's put the gold under the hammer. We've just been joined by Frank.

0:26:320:26:36

We've got the half sovereign and the full sovereign first.

0:26:360:26:40

It's a good time to sell gold.

0:26:400:26:43

We have a very good gold sovereign.

0:26:450:26:48

1876. In a presentation box. A very nice gold sovereign.

0:26:480:26:53

150 for the gold sovereign? 150?

0:26:530:26:56

125? Start it off at £100.

0:26:560:26:59

-At £100.

-Got to be worth more than that.

0:26:590:27:03

105. 110.

0:27:030:27:05

115. Bid left at 120.

0:27:050:27:08

125. With me at 130.

0:27:080:27:10

130 for the gold sovereign. 130.

0:27:100:27:13

135 beats me. At 135. At 135 for the sovereign.

0:27:140:27:19

-Should be more than this.

-Sovereign at 140.

0:27:190:27:22

145. 150.

0:27:220:27:26

155. 160. 160 here.

0:27:260:27:29

165.

0:27:290:27:31

170. Here now at 170. Selling it now at £170.

0:27:310:27:36

175. 180.

0:27:360:27:38

Sovereign there at £180.

0:27:380:27:41

-I'm selling this at £180.

-That's a good result.

0:27:410:27:45

Right. Let's see what the next one does.

0:27:450:27:49

A lovely gold half sovereign. Well set in a gent's ring.

0:27:490:27:54

£100 to start me for this one?

0:27:540:27:56

Play it the hard way. 50 I'm getting. 60. 70.

0:27:560:28:01

80. £80 now. At £80 now. 90. 100.

0:28:010:28:05

-They're keen.

-110. 120. 130 beside me.

0:28:050:28:09

At 130. Selling the ring now at 130.

0:28:090:28:13

-At 130. 140.

-This is great. This is great.

0:28:130:28:17

Selling the ring at £150. All out?

0:28:170:28:21

What a good result! Great result. Top money. That's top gold prices.

0:28:210:28:26

-You've got to be happy.

-Yes, I am.

0:28:260:28:29

-Well done, Frank.

-Are you going to treat the wife now?

-I will.

0:28:290:28:33

-Good.

-Treat myself, too.

-Good.

0:28:330:28:36

A great result for Frank and his wife.

0:28:360:28:39

Now Peter's silver cup.

0:28:390:28:41

-Why are you selling it, Peter?

-I really don't know!

0:28:430:28:47

-Have you thought about it?

-I thought I might be able to use the money for something else.

-OK.

0:28:480:28:54

Hopefully we'll get £200-£250. That's what Catherine's hoping for.

0:28:540:28:59

-Fingers crossed.

-Thanks.

-This is it.

0:28:590:29:02

Now we have a very good silver tankard.

0:29:020:29:06

Newcastle, 1760.

0:29:060:29:09

Fantastic silver tankard. 250 for it?

0:29:090:29:13

A couple of hundred pounds for it? A very good silver tankard.

0:29:130:29:19

Newcastle, 1760. An early one.

0:29:190:29:22

£100 to start me. At £100. £100 beside me now.

0:29:220:29:26

At 100. And 10.

0:29:260:29:28

-120. 130. 140.

-(Come on.)

-150.

0:29:280:29:32

160. 170. 180. Beside me now at 180.

0:29:320:29:38

The tankard now at 180. At 180 beside me. 180.

0:29:380:29:42

We'd like slightly more now. Bidding's at 180.

0:29:420:29:45

The bid's beside me at £180. Selling at 180.

0:29:450:29:50

-180.

-That's the reserve.

-Right on the reserve. Well, we did it.

0:29:500:29:55

-We did it. Just.

-Just.

-Just.

0:29:550:29:57

-That was close. It was exciting. Up and up and up. It just stopped and that's it. OK?

-Yeah.

0:29:570:30:03

-We did our best. It's gone and it's sold.

-Thank you, Peter.

-Thank you.

-Thank you very much.

0:30:030:30:09

Someone got a good deal for such a decorative piece, but at least it made the reserve.

0:30:090:30:16

So far, so good. You've just seen our first few lots going.

0:30:160:30:21

We are coming back here later, so don't go away. There's going to be one or two big surprises.

0:30:210:30:28

While we're filming in the area, I took the opportunity to explore

0:30:280:30:33

one of the most dramatic coastlines in the world. Look at this.

0:30:330:30:37

County Antrim in Northern Ireland, home to one of the most dramatic and luscious coastlines in the world,

0:30:450:30:51

known as the Causeway Coast.

0:30:510:30:53

It's here at the top of the cliff that I start my journey to see the wonder of the Giant's Causeway.

0:30:560:31:02

It's a World Heritage Site, visited by half a million people a year.

0:31:020:31:06

It's the most popular tourist attraction in Northern Ireland, but was it created by nature or legend?

0:31:060:31:12

That's what I'm here to find out.

0:31:120:31:15

The discovery of the causeway was reported to the wider world in 1694.

0:31:160:31:20

Such a dramatic sight of the rock columns jutting into the sea caused much discussion

0:31:200:31:26

as to whether it had been created by nature, man or a local giant.

0:31:260:31:32

It gained notoriety as word spread and after an artist, Susanna Drury, painted it in watercolours.

0:31:340:31:41

The causeway soon became a tourist attraction.

0:31:410:31:45

Commercial opportunities opened up for many people. All along the path,

0:31:450:31:50

there were stalls selling home-made souvenirs and refreshments for all the travellers.

0:31:500:31:56

One lady even set up her little shop by a well, selling the water but with free whiskey,

0:31:560:32:02

using a loophole in the law to get away without charging for alcohol.

0:32:020:32:06

So what did they come to see? Well, looking at the Grand Causeway,

0:32:120:32:16

a spectacular sight, a series of basalt columns, some 40,000 of them.

0:32:160:32:23

It really is quite breathtaking.

0:32:230:32:26

The majority of the columns are hexagonal in shape,

0:32:310:32:34

but there are many five, seven and eight-sided versions.

0:32:340:32:38

It's so understandable to see why many people thought that this could have been created by ancient workers

0:32:380:32:45

in a brick-like fashion. Or single-handedly by one giant.

0:32:450:32:49

But the legend of the giant allegedly responsible for the creation of it

0:32:490:32:55

is a story in itself, so we'd better start there.

0:32:550:32:58

The legend begins many years ago when Finn McCool and his warriors heard that a giant,

0:32:580:33:06

Benandonner, from Scotland, was up for a fight.

0:33:060:33:09

Finn and his rival started throwing rocks at each other in the sea,

0:33:090:33:13

creating the causeway we see today!

0:33:130:33:16

When the Scottish giant arrived, Finn ran to his wife to seek some advice.

0:33:180:33:22

She suggested that he dressed as a baby and lay in the cradle

0:33:220:33:26

so when Benandonner saw the size of Finn's baby, he thought his dad must be absolutely massive.

0:33:260:33:33

So he beat a hasty retreat back to Scotland, tearing up the causeway.

0:33:330:33:38

There are many versions of this legend and many other stories featuring Finn McCool.

0:33:430:33:49

He remains today an important figure in history.

0:33:490:33:53

But if we're talking giants, how big are we talking?

0:33:530:33:57

This rock is reputedly the giant's boot, kicked off by Finn or Benandonner when he ran home.

0:33:570:34:04

Apparently, it works out at a size 93.5.

0:34:040:34:08

Compare that to my size 9.5 and you get an idea of just how huge he was.

0:34:080:34:15

And there is a lot of other evidence littered throughout the coast supporting the McCool legend.

0:34:160:34:22

In the first bay, we see Finn's trusty steed,

0:34:220:34:26

a camel so tired from his journey that he's still sitting.

0:34:260:34:30

And over on the far bay are the chimneys of his house and his organ,

0:34:300:34:36

but another bit of magic has captured my imagination.

0:34:360:34:39

I've perched in this natural seat, the Wishing Chair.

0:34:390:34:43

It's right in the middle of the causeway.

0:34:430:34:46

Legend has it that if you wriggle three times while sitting in this chair, and make a wish,

0:34:460:34:52

it's bound to come true. So let's give it a go.

0:34:520:34:56

There we are. I'm not going to tell you what I wished for, but this chair is jolly comfortable.

0:34:560:35:03

In fact, it's so well worn, it's perfect.

0:35:030:35:08

But I can't come here today and not talk about the likelihood that the causeway was, in fact,

0:35:080:35:14

a natural geological event. Volcanic movement millions of years ago forced lava above ground

0:35:140:35:22

and when it cooled down it shrank and cracked to form this pattern.

0:35:220:35:26

I can see why many people thought this was man-made. These columns seem to float out of the ground

0:35:260:35:32

and appear regular in shape and size and in brick-like fashion.

0:35:320:35:37

Just look at that. But there are other causeways around the world,

0:35:370:35:42

including one in Staffa, home to the Scottish giant Benandonner,

0:35:420:35:46

thus perpetuating the myth of the causeway.

0:35:460:35:50

Whatever the reasons behind the Giant's Causeway, whichever you choose to believe,

0:35:590:36:04

this has to be one of the most dramatic sights in the world

0:36:040:36:09

and, for me, this part of the causeway is like taking a walk with the ancient Irish spirits.

0:36:090:36:14

There's a unique combination of majesty and sheer beauty.

0:36:140:36:18

Our valuation day is at Lissanoure Castle in County Antrim and there's plenty more to explore.

0:36:240:36:30

Coming up: it's a large bird that catches my attentions.

0:36:300:36:34

The biggest I have seen if it is what I think it is.

0:36:340:36:39

Will turns make-up artist.

0:36:390:36:41

Do you not powder your nose with it or sit it on a dressing table?

0:36:410:36:46

Catherine's instincts kick in.

0:36:460:36:48

I love this platinum and diamond combination.

0:36:480:36:52

And there's a mystery behind a pair of candelabras.

0:36:520:36:56

How does glass from mid-Europe come to be in Northern Ireland?

0:36:560:37:00

First up is Will, who is talking to Janet about her compact.

0:37:010:37:06

You've brought a bit of the Middle East.

0:37:060:37:09

What can you tell me about this box?

0:37:090:37:12

My father had it made for my mother back in 1941

0:37:120:37:16

when he was in India. It's made from Indian silver rupees.

0:37:160:37:20

-Right.

-He gave the craftsman 200. The craftsman kept 100 as his fee

0:37:200:37:27

and the other 100 was melted down and he used a foot-operated lathe to scoop out the inside

0:37:270:37:34

and he then engraved the top to make it into a compact. The whole thing cost £7 and 10 shillings.

0:37:340:37:41

-In old money.

-OK, good value.

-Good value.

0:37:410:37:44

What really caught my eye when you brought it out

0:37:440:37:48

-was this decoration on the cover. We've got this Middle Eastern boat...

-That's right.

0:37:480:37:54

..within this nice florally-engraved border, which again made me curious.

0:37:540:38:00

Let's have a look inside. We're both cheating a bit - there's a nice type note inside

0:38:000:38:06

that tells us when it was made, where, and what it was made of.

0:38:060:38:12

I like the little bit that says any of the shavings from it

0:38:120:38:16

were literally his little profit. He probably swept them all up and put them in his Christmas fund!

0:38:160:38:23

I've had a close look. As is often with Middle Eastern silver,

0:38:230:38:27

-it's not marked at all.

-No.

-So we have to be a little careful.

0:38:270:38:31

-We'll have to catalogue it as white metal. So your father commissioned it for your mother.

-That's right.

0:38:310:38:38

-Do you not powder your nose with it or have any dressing table to sit it on?

-No.

0:38:380:38:44

-It's in a drawer in my jewellery box. It's never seen.

-We hear that a lot.

0:38:440:38:50

-I don't think it will be hugely valuable.

-No.

0:38:500:38:54

But it's interesting. It's just a little bit different.

0:38:540:38:58

I mean it's obviously going to be worth £7.50. He'll get his money back, or you will.

0:38:580:39:05

-I'm going to say to you it's going to be worth around £40.

-Right. That's fine.

-If it's OK,

0:39:050:39:11

-I'll put the estimate at £30-£50.

-Right.

-OK?

0:39:110:39:15

I'm pretty known for asking people not to put reserves on things.

0:39:150:39:20

If you want to sell it, let it sell. How do you feel?

0:39:200:39:24

-I think we'll let it go.

-So we'll put the estimate at £30-£50, we'll live dangerously without a reserve

0:39:240:39:31

-and I'm confident that on the day it's going to find a new home.

-Well, I hope so.

0:39:310:39:37

-I'll see you at the sale.

-Thank you.

0:39:370:39:40

That's an interesting item.

0:39:400:39:43

Next up, Catherine is at the table with Martin and Elaine.

0:39:430:39:47

What a piece of Belleek this is. Absolutely beautiful.

0:39:470:39:49

We have a bonbon dish that was probably originally one of a pair.

0:39:490:39:55

-Where did this come from?

-My mum's house.

0:39:550:39:58

She's passed away now three years ago.

0:39:580:40:02

She used to frequent all the charity shops, so she must have picked it up in later life.

0:40:020:40:08

Let's turn it over because your mother had quite a good eye.

0:40:080:40:12

We can see here the mark on the bottom, the Belleek mark.

0:40:120:40:16

It's from the first period. It was the early stamp.

0:40:160:40:19

The reason we know that is it's the black stamp and it just says the name "Belleek".

0:40:190:40:25

-Later on, they added "County Fermanagh". Is that right?

-Yes.

0:40:250:40:29

Later on, they also said "made in Ireland", but this is the early stamp with just "Belleek" on it.

0:40:290:40:35

This stamp was used from 1863 to 1890,

0:40:350:40:40

but I think that this piece probably dates from more towards 1888, 1890, that sort of date.

0:40:400:40:47

But I just love the delicate colour here,

0:40:470:40:50

this wonderful pink that we can see here, the highlighted pink on the coral and the shells.

0:40:500:40:56

And also the way that we've got the nice, delicate pink around the outside.

0:40:560:41:01

Why do you want to sell this? Does it not sit nicely in your home?

0:41:010:41:06

-The fear is of it getting broken. And I have two older brothers. We can't share it as it sits.

-No.

0:41:060:41:12

I think the best way is for us to sell it and share the money

0:41:120:41:16

and buy something, then we can have something each.

0:41:160:41:20

Elaine, you really don't like this. I can tell.

0:41:200:41:23

I'm getting the vibe.

0:41:230:41:26

-It's lovely, but it just doesn't fit in with our house.

-It doesn't fit in your house?

-No.

0:41:260:41:32

-You've got children, have you?

-Yeah, and a dog.

-And a dog?

0:41:320:41:36

It's definitely no place for a dog. It's far too delicate, isn't it?

0:41:360:41:40

Belleek used to fetch rather high prices.

0:41:400:41:44

I think the prices are slightly lower now.

0:41:440:41:47

A lovely piece like this, I would say at auction would probably fetch between about £70 to £90.

0:41:470:41:53

-How does that sound?

-I don't know the value of it, but hopefully somebody can...

0:41:530:41:58

Well, £70 to £90, I think, and let's put a reserve on of £70.

0:41:580:42:03

And I hope that it really does do the top end of that

0:42:030:42:07

because it is a nice piece, a nice, early piece, nice colour.

0:42:070:42:11

I think the thing to do is send it off to auction

0:42:110:42:15

and let's hope we attract lots of other Belleek collectors

0:42:150:42:18

-who have one bonbon dish and want another.

-And need the pair.

0:42:180:42:22

Now I've headed out to the courtyard to talk to Caroline.

0:42:230:42:27

Tell me about this bronze.

0:42:270:42:29

It's been in my family from the beginning of the 20th century.

0:42:290:42:35

It belonged to my great-grandfather who lived in Sutton.

0:42:350:42:39

And it's been passed down through the family to me.

0:42:390:42:43

-In the family all that time.

-Yes, I remember it as a child.

-Where do you have it at home?

0:42:430:42:48

-Sitting on the fireplace.

-I hoped you'd say that. These look best on the hearth.

0:42:480:42:55

-It really is a large bird, isn't it?

-Yes.

-The biggest I have seen...

0:42:550:43:00

if it is what I think it is. Can I tell you?

0:43:000:43:04

Let's turn it upside down. I'm looking for a maker's mark. There - a B inside a vase.

0:43:040:43:10

-Can you see that?

-Yes. What does that mean?

-That means it's made by Franz Bergman.

0:43:100:43:17

-And this is the real McCoy. This is an Austrian, cold-painted bronze.

-Well.

0:43:170:43:24

The Bergmans were an Austrian family working in practice from around 1861 to 1936,

0:43:240:43:32

just before the start of WWII. The family specialised in small animals.

0:43:320:43:37

And some figures, but mainly animals. They loved animals.

0:43:370:43:42

And they could model animals almost life-like,

0:43:420:43:46

like this one is, in wax. That's how they worked that.

0:43:460:43:51

Then a mould is taken from the wax and cast in the bronze.

0:43:510:43:55

-It's the best way of reproducing images like this.

-Very interesting.

0:43:550:44:01

Then they're painted when the bronze is cold, with life-like colours.

0:44:010:44:05

This bird, this cock pheasant, has been repainted at some stage.

0:44:050:44:09

Just here, the plumes on the breast. You can see that it doesn't have the consistent wear

0:44:090:44:16

that the rest of the bird has.

0:44:160:44:18

It's got so much expression. So much expression.

0:44:180:44:23

Now...

0:44:230:44:24

the good news is it's worth a lot of money.

0:44:240:44:27

So I'm very impressed, very excited.

0:44:270:44:30

-So am I!

-I'm quite scared to put a valuation on this!

0:44:300:44:34

Because you know, obviously, size is very important.

0:44:340:44:38

The smaller ones are worth £300-£500 and this has got to be worth XYZ.

0:44:380:44:43

-Double? Treble? Quadruple?

-Keep going!

0:44:430:44:47

My gut feeling says £1,000-£2,000.

0:44:490:44:52

Wow.

0:44:520:44:53

-If we put it into auction with a valuation of, say, £1,000-£1,500.

-Mm-hm.

0:44:540:45:01

-And put a reserve on at £1,000?

-Yes.

-I look forward to seeing you in the auction room

0:45:010:45:07

and hopefully it will fly away!

0:45:070:45:10

I do have high hopes for that colourful pheasant. Back inside,

0:45:110:45:16

-Catherine's talking to Isobel about her brooch.

-Thank you for bringing

0:45:160:45:21

your beautiful diamond and platinum brooch.

0:45:210:45:23

It's not conventional with a pin on the back.

0:45:230:45:26

I'm guessing you take this off

0:45:260:45:30

and then probably pin this into your lapel

0:45:300:45:33

and then put the arrowhead...

0:45:330:45:36

..back on like that. A really lovely item.

0:45:380:45:41

It probably dates to about 1920s.

0:45:410:45:44

This lovely feathered effect at the back,

0:45:440:45:48

you can see each one is inset

0:45:480:45:50

with a rose-cut diamond. And then again at the top.

0:45:500:45:54

A rose-cut diamond on the arrowhead. Where did you get this from?

0:45:540:45:59

From my sister. It was a gift from her husband many years ago from an antique shop.

0:45:590:46:06

-And did she wear it?

-She did, yes.

0:46:060:46:09

-And did she give it to you?

-Yes.

-It's passed on to you.

0:46:090:46:13

-Do you ever wear it?

-No. I've never worn it.

-Never?

-No.

0:46:130:46:17

-It's been in a box for 30 years.

-Right.

0:46:170:46:21

When your sister wore it, did she wear it to glamorous occasions?

0:46:210:46:26

Yeah, well, social functions and church.

0:46:260:46:29

-Do you have any idea of how much it's worth?

-No idea.

0:46:290:46:33

-I think it's worth about £80-£120 at auction.

-Right, right.

0:46:330:46:38

-At least. I would like to see it making about £150, maybe towards £200.

-Right.

0:46:380:46:44

But I think if you put an estimate on of £80-£120, and then attract the buyers,

0:46:440:46:50

what is great about it is it's not your conventional brooch.

0:46:500:46:55

It is unusual, it's 1920s as well. And I just love this platinum and diamond combination.

0:46:550:47:02

-And the fact that it is a nice arrow shape.

-Yeah, very original.

0:47:020:47:07

-It is original. Would you be sorry to see this go?

-Not particularly.

0:47:070:47:12

I have no sentimental value of it. It's been in a box in a drawer for years and years.

0:47:120:47:18

You never even look at it.

0:47:180:47:21

I think then it is time to move on.

0:47:210:47:24

-Let somebody else have the pleasure.

-Absolutely. And it's the sort of object that should do very well.

0:47:240:47:31

It's not conventional

0:47:310:47:33

and it is classic and very elegant.

0:47:330:47:36

-Thank you for bringing it along.

-Thank you.

0:47:360:47:39

The arrow brooch might just hit the mark with bidders, but for now Will is with Mary

0:47:390:47:45

-and her dramatic candelabras.

-How does glass from mid-Europe come to be in Northern Ireland?

0:47:450:47:53

I couldn't tell you! They happen to be in the house and were left to me.

0:47:530:47:58

-It was part of the furniture.

-So you've been left a house and its contents?

-Yes.

0:47:580:48:04

-And that was part of it.

-And they don't tickle your fancy?

0:48:040:48:10

-They don't go with my decor.

-Well, they're very much of their time.

0:48:100:48:15

19th century, European, Bohemian to be precise, glass.

0:48:150:48:20

Very much of that period where a lot of it was candlelight, natural light and gaslight.

0:48:200:48:27

Hence these lustres hanging down from these coloured-glass vases.

0:48:270:48:31

This sort of lead crystal was very good at reflecting light

0:48:310:48:36

I said Bohemia. They were well known for this coloured glass.

0:48:360:48:40

Flashed or paste. You have two layers.

0:48:400:48:44

You've got the red glass and the white glass, milk glass.

0:48:440:48:48

They carve away the outer layers to expose the red underneath.

0:48:480:48:53

It was a cheap method to produce multicoloured glass,

0:48:530:48:56

which fitted in with Bohemia creating this commercial glassware.

0:48:560:49:01

And then decorated, quite beautifully, with little roses and white flowers and this gilding.

0:49:010:49:07

Now there are some issues. One of them is kind of complete.

0:49:070:49:12

The other one, the lustres are loose, missing, broken.

0:49:120:49:17

That's a shame. Collectors are fussy. We've got condition, wear,

0:49:170:49:22

we've got a little bit of loss to the gilding, so I have to be pretty mean on how I estimate.

0:49:220:49:28

I'm going to say you might get up to £100 for the two.

0:49:280:49:32

-How does that sound?

-It's OK.

0:49:320:49:35

Let's put them in at £50-£100. A nice, wide estimate, keep it open.

0:49:350:49:39

-And let's reserve them at £30. Shall we fix them at 30?

-Yes.

0:49:390:49:45

Otherwise you pay the commission and have nothing left.

0:49:450:49:49

So we're agreed, Mary? £50-£100. Keep it quite loose.

0:49:490:49:53

-It's a shame they weren't perfect or that would have been a nice little inheritance there!

-True!

0:49:530:50:00

-I look forward to seeing you.

-Thank you.

0:50:000:50:03

Hopefully that low estimate will encourage bidders

0:50:030:50:06

so Mary has some success with selling them.

0:50:060:50:09

What a superb turnout to our valuation day!

0:50:090:50:13

It's time to take our final items to Ballycastle

0:50:130:50:17

to the auction room to see whether there are any surprises in store.

0:50:170:50:20

We've got Janet's silver compact,

0:50:200:50:24

the Belleek bonbon dish,

0:50:240:50:26

Isobel's diamond and platinum arrow brooch,

0:50:260:50:30

Mary's colourful candelabras,

0:50:300:50:33

and Caroline's exquisite bronze pheasant.

0:50:330:50:36

Standard seller's commission here is 15% plus VAT,

0:50:360:50:41

something you need to consider when selling items at auction.

0:50:410:50:45

First up is Mary.

0:50:450:50:48

-All the money's going towards your daughter's holidays. How much have you so far?

-Not very much!

0:50:480:50:54

-Well, this will be a good start.

-I hope so.

-Fingers crossed. Good luck, Mary.

0:50:540:51:00

-Going under the hammer now.

-A couple of drop lustres here.

0:51:000:51:05

Gilt and ruby lustres. £100?

0:51:050:51:08

£100 for the lustres?

0:51:080:51:11

90? 80? £50.

0:51:110:51:13

-We're in.

-£50 bid.

0:51:130:51:15

55. 60 bid.

0:51:150:51:18

65. £70. 75.

0:51:180:51:21

80. 5. 90.

0:51:210:51:25

5. 100. And 5.

0:51:250:51:28

110.

0:51:280:51:30

120. 130.

0:51:310:51:33

It's here at £130.

0:51:330:51:36

Beside me at 130. I'm selling the pair at £130.

0:51:360:51:40

Yes!

0:51:400:51:42

£130. They loved them. That's a good result

0:51:420:51:46

-and a good start to that holiday fund.

-It certainly is.

0:51:460:51:51

A good result and great news for Mary to pass on to her daughter.

0:51:520:51:56

Meanwhile, Isobel's jewelled arrow brooch is up next.

0:51:560:52:01

Isobel can't be with us today. We have another gorgeous lady, Catherine Southon. £80-£120.

0:52:010:52:07

-Yes. I mean, brooches generally are quite hard to sell at auction.

-They're not fashionable.

0:52:070:52:13

-But this is quite elegant. I think it could do all right.

-OK, good luck.

0:52:130:52:19

Good luck to Isobel. We've got to get past the £80. Going under the hammer right now.

0:52:190:52:25

Lot number 658.

0:52:260:52:28

A platinum and diamond brooch.

0:52:280:52:31

I can start this off at £50 and £60.

0:52:310:52:33

A lovely wee platinum and diamond brooch at £60.

0:52:330:52:37

-We want more than that.

-65.

-A bit more interest, please.

0:52:370:52:41

65 in the room. With me at £70.

0:52:410:52:44

75 in the room.

0:52:440:52:46

The bid is with me at £80.

0:52:460:52:48

£80 with me.

0:52:480:52:51

I'm going to sell it now at £80. If we're all out.

0:52:510:52:54

Selling it at £80. All done.

0:52:540:52:57

-He sold it.

-We must tell Isobel.

-We'd have liked more, but she'll be happy.

0:52:570:53:03

That just shows how important it is to have a reserve.

0:53:030:53:07

Janet's taken that warning to heart.

0:53:070:53:10

-Who's had a change of plan?

-Me!

-We now have a new reserve which is at your highest end.

0:53:100:53:17

-Really?

-Why did you change your mind?

-It's got a lot of sentimental value

0:53:170:53:23

and I suddenly thought, "If my sisters find out, I'm dead!"

0:53:230:53:28

-It's a nice thing.

-I know it is.

0:53:280:53:31

-I'm regretting it now.

-Oh, it's a bit late now! You should have withdrawn it!

0:53:310:53:37

What do the bidders think?

0:53:370:53:39

Who'll give me £100 for this one?

0:53:390:53:41

100? 90? 80?

0:53:410:53:44

£50 for this silver engraved compact?

0:53:440:53:47

£35 bid. £40. For the silver compact.

0:53:470:53:51

-That's it, Gerry. Get it up.

-£35 bid there.

0:53:510:53:54

Give it another call at £35. Sorry, have to leave that one.

0:53:540:53:59

-I'm pleased for Janet!

-She's more delighted than if it had sold!

0:53:590:54:04

-Yes, I am!

-Keep the customer satisfied.

0:54:040:54:08

We don't mind at all, especially now it's staying in the family.

0:54:080:54:12

We're selling the Belleek shell dish next and the whole family has turned up to see it go.

0:54:120:54:19

It's great to see you. Is this your first auction room?

0:54:190:54:22

Isn't it exciting? Lots of energy, lots of antiques and lots of people!

0:54:220:54:26

We couldn't come to Northern Ireland without having a bit of Belleek.

0:54:260:54:30

It's just about to go under the hammer, so let's see what happens.

0:54:300:54:34

Lot number 602 is the first period Belleek shell dish,

0:54:350:54:40

a lovely piece of Belleek.

0:54:400:54:43

£100 for the first period piece of Belleek?

0:54:430:54:47

£50 bid. The first period Belleek at £50.

0:54:470:54:50

£50 bid now. At £50. 55.

0:54:500:54:52

-Come on.

-£60.

0:54:520:54:54

65. £70.

0:54:540:54:56

75. £80 at the back.

0:54:560:54:59

85 in front. £90. At the back at £90.

0:54:590:55:03

95. You've got it at 95.

0:55:030:55:05

£100. 105.

0:55:050:55:07

110. 115.

0:55:070:55:10

-Oh, brilliant.

-120. The first period now at 125.

0:55:100:55:14

130...

0:55:180:55:20

135. 140.

0:55:200:55:22

145.

0:55:220:55:24

150. 155.

0:55:240:55:27

Here now at 155.

0:55:270:55:29

A nice piece of Belleek now at 155.

0:55:290:55:32

I'm going to sell it here at 155.

0:55:320:55:35

We're both out here at 155 and I'm selling...

0:55:350:55:38

-Yes!

-Great. Quality, quality, quality.

0:55:380:55:41

That first period gets it away at the top end.

0:55:410:55:44

Are you happy? That was a big result for your first auction.

0:55:440:55:48

Hopefully, you'll do a bit of buying and selling when you're older!

0:55:480:55:52

Well over estimate and that's a good result for Lewis's first auction experience.

0:55:520:55:57

This is what I've been waiting for. That Bergman bronze. It belongs to Caroline and David.

0:55:590:56:05

-Thank you so much for bringing it. We didn't see you on the day.

-No.

0:56:050:56:10

-But you were there.

-I was.

-Looking at the other antiques.

0:56:100:56:14

I had a chat to the auctioneer. He said there has been interest and a couple of phone bids.

0:56:140:56:20

He's hoping he's got a couple of locals that collect bronzes.

0:56:200:56:24

They've been musing over this, saying, "I might go for this."

0:56:240:56:29

-So hopefully it'll stay locally.

-That would be nice.

-But you don't really care! It's about the price!

0:56:290:56:36

The more competition, the better.

0:56:370:56:40

A cold-painted bronze figurine of a pheasant.

0:56:400:56:44

By Franz Bergman.

0:56:440:56:47

Start it with me at 700. 750.

0:56:470:56:49

£800. With me at £800.

0:56:490:56:52

850.

0:56:520:56:53

850 on the phone. 900.

0:56:530:56:57

950 on the phone. At 950.

0:56:570:57:00

The bronze is at 950.

0:57:000:57:03

-Round it up.

-1,050.

0:57:030:57:05

£1,100.

0:57:050:57:07

1,150. £1,200.

0:57:070:57:10

1,250. On the phone at 1,250.

0:57:100:57:14

1,250 on the phone. 1,300. 1,350 on the phone.

0:57:140:57:18

On the phone at 1,350. 1,400.

0:57:180:57:22

-This is more like it! Isn't it?

-Yeah.

0:57:220:57:25

On the phone at £1,450.

0:57:250:57:28

A superb bronze at £1,450.

0:57:280:57:31

-I am going to sell it. At 1,500.

-Brilliant.

0:57:330:57:37

£1,500. 1,550. At 1,550.

0:57:370:57:40

On the phone at £1,550.

0:57:400:57:43

-Yes! Hammer's gone down. £1,550. Happy?

-Fantastic, yes.

0:57:430:57:49

-Thank you so much for bringing it in.

-Thank YOU.

-Real quality.

0:57:490:57:53

What'll you do with all that money? Remember, there's commission to pay.

0:57:530:57:57

We've had a tough couple of years with illness in the family, so we'll treat ourselves to a holiday.

0:57:570:58:03

-Wonderful. Enjoy it.

-We will.

0:58:030:58:05

Just fabulous. I was on the money and that's it for our Flog It items today.

0:58:050:58:11

We've had a fabulous time here. A few hits and a few misses, but that's auctions for you.

0:58:120:58:18

The highlight for me had to be the big smile on Janet's face when we failed to sell her compact!

0:58:180:58:24

It takes all sorts to make a great show. Hope you enjoyed it.

0:58:240:58:29

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