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Welcome to Cirencester and to the heart | 0:00:03 | 0:00:05 | |
of the British antiques and collectables trade. | 0:00:05 | 0:00:08 | |
We're in the Cotswolds, where every single town has a scattering | 0:00:08 | 0:00:11 | |
of period listed buildings and wonderful antique shops, | 0:00:11 | 0:00:15 | |
so what a perfect place to Flog It! | 0:00:15 | 0:00:17 | |
Cirencester is one of those places packed with character and charm. | 0:00:37 | 0:00:41 | |
Everywhere you turn there are pretty houses made from | 0:00:41 | 0:00:44 | |
local sandstone and interesting streets lined with quirky shops. | 0:00:44 | 0:00:48 | |
And the peaceful countryside is never far away. | 0:00:48 | 0:00:51 | |
All that adds up to a location that's brimming much-loved collectables, | 0:00:51 | 0:00:55 | |
and hopefully ready to give up a few of its treasures. | 0:00:55 | 0:00:59 | |
We've a wonderful queue gathering outside the Corn Hall. | 0:00:59 | 0:01:02 | |
These people have been waiting patiently, and hopefully, | 0:01:02 | 0:01:05 | |
at the end of the show, | 0:01:05 | 0:01:07 | |
they'll go home with lots of money | 0:01:07 | 0:01:08 | |
if these bags and boxes are full of treasures that we can sell in auction. | 0:01:08 | 0:01:12 | |
Yes, this is the programme where we value your unwanted antiques | 0:01:12 | 0:01:16 | |
and collectables and then help you sell them. | 0:01:16 | 0:01:19 | |
Our team of experts is led by the very capable Thomas Plant and Michael Baggot. | 0:01:19 | 0:01:25 | |
I'm sure we can do something for you with those. | 0:01:25 | 0:01:28 | |
Michael started early in the antiques business, | 0:01:28 | 0:01:31 | |
making his first deal at primary school. | 0:01:31 | 0:01:33 | |
So there's no kidding him. He's a silver specialist, | 0:01:33 | 0:01:36 | |
but that won't stop him spotting other collectables. | 0:01:36 | 0:01:39 | |
I'll leave that to my colleague cos he's the toy man. | 0:01:39 | 0:01:42 | |
Thomas Plant claims to be the action man of the team. | 0:01:42 | 0:01:45 | |
He's a James Bond fan with a love of skiing and fencing. | 0:01:45 | 0:01:50 | |
There's only one thing he loves more than jewellery though | 0:01:50 | 0:01:53 | |
and that's giving advice. | 0:01:53 | 0:01:54 | |
When this was made, the brass would be really shiny. | 0:01:54 | 0:01:58 | |
-Well, I wasn't about to clean it. -No, life is too short. | 0:01:58 | 0:02:02 | |
Coming up: | 0:02:02 | 0:02:04 | |
Thomas is on sparkling form and has some good news for Lynn about her ring. | 0:02:04 | 0:02:09 | |
I always thought it was costume jewellery. | 0:02:09 | 0:02:11 | |
You've seen the valuers. | 0:02:11 | 0:02:12 | |
They've told you what these stones are here. | 0:02:12 | 0:02:15 | |
-They have. -They're not glass, are they? -No. | 0:02:15 | 0:02:17 | |
I have a battle on my hands with Phyllis | 0:02:17 | 0:02:20 | |
as she tries to wring every penny out of this pot. | 0:02:20 | 0:02:23 | |
OK, you win. | 0:02:23 | 0:02:24 | |
Thanks, Phyllis. | 0:02:27 | 0:02:29 | |
Michael is brewing up some excitement over a large piece of silverware. | 0:02:29 | 0:02:33 | |
At the time, Americans were buying silver in droves. | 0:02:33 | 0:02:37 | |
The price of silver was high. | 0:02:37 | 0:02:39 | |
It was worth every penny when you bought it. | 0:02:39 | 0:02:42 | |
So, has it gone up in value since then or down? | 0:02:42 | 0:02:45 | |
Stay tuned to find out. | 0:02:45 | 0:02:47 | |
So many people, which means an awful lot of antiques. | 0:02:54 | 0:02:57 | |
We do have a full house here. | 0:02:57 | 0:02:58 | |
I think it's about time we went treasure hunting. | 0:02:58 | 0:03:01 | |
And Michael is first at the tables. | 0:03:01 | 0:03:03 | |
He's gone for one of my favourite subjects to kick things off with. | 0:03:03 | 0:03:07 | |
It's a pretty item of silverware, brought in my Muriel. | 0:03:07 | 0:03:10 | |
Muriel, thank you for bringing this lovely little silver jug in today. | 0:03:10 | 0:03:14 | |
Can you tell me how you acquired it? | 0:03:14 | 0:03:17 | |
It was in a cardboard box with a lot of odds and ends and the lady said, | 0:03:17 | 0:03:23 | |
"If you're interested in what's in the box, you can have it for £5." | 0:03:23 | 0:03:27 | |
There was some china, | 0:03:27 | 0:03:29 | |
Japanese plates. | 0:03:29 | 0:03:32 | |
Some other silver things, but they were silver plated. | 0:03:32 | 0:03:36 | |
-Where was this at? -It was around Bristol. | 0:03:36 | 0:03:38 | |
A car boot sale at Bristol. | 0:03:38 | 0:03:40 | |
-We used to live in Bristol. -Good grief. | 0:03:40 | 0:03:42 | |
Was that long time ago? | 0:03:42 | 0:03:44 | |
Yes, over five years. | 0:03:44 | 0:03:47 | |
Don't say five years is a long time ago. | 0:03:47 | 0:03:51 | |
I'm thinking back 20 years. | 0:03:51 | 0:03:53 | |
Well, to find that in a car boot sale, even five years ago, | 0:03:53 | 0:03:58 | |
is a fantastic achievement. | 0:03:58 | 0:04:00 | |
Have you got any idea when it was made? Who made it? | 0:04:00 | 0:04:04 | |
No idea whatsoever. | 0:04:04 | 0:04:06 | |
Well, it's a form we call a helmet-shaped cream jug. | 0:04:06 | 0:04:09 | |
If we turn it upside down, | 0:04:09 | 0:04:11 | |
you can see why cos it's shaped like a helmet. | 0:04:11 | 0:04:15 | |
It should be marked and it's marked under the lip here. | 0:04:15 | 0:04:19 | |
If I just breathe on those, I will be able to see them a bit clearer. | 0:04:19 | 0:04:22 | |
And we've got the maker's mark, SH. | 0:04:24 | 0:04:27 | |
-And we've got a set of marks for London, 1794. -Oh, gracious! | 0:04:27 | 0:04:32 | |
-It's over 200 years old. -Oh, gracious! | 0:04:32 | 0:04:36 | |
-What a fantastic buy for... The box for £5. -Odds and ends it was. | 0:04:36 | 0:04:41 | |
These cream jugs were made and bought by a lot of middle class people | 0:04:41 | 0:04:46 | |
because they're fairly light, quite thin silver. | 0:04:46 | 0:04:50 | |
Rather than having any cast decoration, they simply punch | 0:04:50 | 0:04:55 | |
around the rim to give this beaded effect. | 0:04:55 | 0:04:58 | |
And because of that, they are quite fragile and prone to damage. | 0:04:58 | 0:05:01 | |
Now there's been a little bit of repair at the handle there. | 0:05:01 | 0:05:05 | |
But, nonetheless, it's a Georgian silver cream jug. | 0:05:05 | 0:05:09 | |
So we're going to show you a good return | 0:05:09 | 0:05:10 | |
on your £5 if you put it into auction. | 0:05:10 | 0:05:13 | |
In pristine condition it would probably be £150 - £200. | 0:05:13 | 0:05:19 | |
We've got to take into account the little bits of damage and the wear on it. | 0:05:19 | 0:05:23 | |
Nevertheless, it's a little jug that at £70-£100. | 0:05:23 | 0:05:27 | |
We put a fixed reserve of £70 on it. | 0:05:27 | 0:05:29 | |
I think there'll be hands flying into the air at the auction. | 0:05:29 | 0:05:33 | |
Lovely. Thank you. | 0:05:33 | 0:05:35 | |
-So, you're happy to put it in? -Yes, please. | 0:05:35 | 0:05:37 | |
We'll put it in and hope it pours out a profit on the day. | 0:05:37 | 0:05:40 | |
That would be lovely, wouldn't it? | 0:05:40 | 0:05:43 | |
-Thank you very much, Muriel. -Thank you. | 0:05:43 | 0:05:45 | |
Well, it seems Muriel is absolutely delighted with Michael's valuation. | 0:05:45 | 0:05:49 | |
What a way to start the show! | 0:05:49 | 0:05:51 | |
And I've spotted a rather bigger item, | 0:05:51 | 0:05:53 | |
it's this jardiniere belonging to Phyllis. | 0:05:53 | 0:05:55 | |
-Phyllis, are you a collector? -I am, yes. | 0:05:58 | 0:06:01 | |
-How many pieces do you have? -50 - 100. | 0:06:01 | 0:06:03 | |
Do you know what we're talking about? | 0:06:03 | 0:06:06 | |
You know what this is, don't you? It's Wemyss. | 0:06:06 | 0:06:08 | |
We've seen it on the show before. | 0:06:08 | 0:06:11 | |
So, why are you selling this? | 0:06:11 | 0:06:13 | |
I have too many pieces and we're downsizing. | 0:06:13 | 0:06:16 | |
Is this the first to go? | 0:06:16 | 0:06:18 | |
No, the second lot to go. | 0:06:18 | 0:06:20 | |
How much did you pay for this vase? | 0:06:20 | 0:06:22 | |
-£385. -When was that? | 0:06:22 | 0:06:24 | |
In the early '90s. | 0:06:24 | 0:06:27 | |
You know all about Wemyss, obviously. | 0:06:28 | 0:06:30 | |
-I enjoy Wemyss. -There's the mark. | 0:06:30 | 0:06:32 | |
It tells us it's Wemyss. The condition is very good. | 0:06:32 | 0:06:35 | |
Very, very good. | 0:06:35 | 0:06:37 | |
Wemyss is the brainchild of Robert Heron and it is probably | 0:06:37 | 0:06:41 | |
the most sought-after Scottish pottery from the factory in Fife | 0:06:41 | 0:06:45 | |
which was started in 1882. | 0:06:45 | 0:06:48 | |
I think he got lucky by employing Karel Nekola, | 0:06:48 | 0:06:51 | |
a wonderful artist. And look at the decoration. | 0:06:51 | 0:06:54 | |
-Beautiful. -That's what you get. -Beautiful. | 0:06:54 | 0:06:57 | |
Wonderful, wonderful. There's a big market for Wemyss. | 0:06:57 | 0:07:00 | |
I think you paid the right money for it, I have to say. | 0:07:00 | 0:07:03 | |
I don't think you'll be in for a big surprise. | 0:07:03 | 0:07:05 | |
If we put this into auction, | 0:07:05 | 0:07:08 | |
I think I would like to put £400-£500 on this. | 0:07:08 | 0:07:12 | |
Hopefully, we'll get you your money back. | 0:07:12 | 0:07:15 | |
Let's put £400 - £500 on this with a reserve of £400. | 0:07:15 | 0:07:20 | |
Would you be happy with discretion? | 0:07:20 | 0:07:22 | |
-Maybe. -Maybe. Is that yes or no? | 0:07:22 | 0:07:25 | |
-No. -OK. Well, you're steering this. You know this. | 0:07:25 | 0:07:31 | |
I have to go with what you say. | 0:07:31 | 0:07:33 | |
The auctioneer might ring you up and say, "Can we have discretion?" | 0:07:33 | 0:07:36 | |
-It covers all the bases then, doesn't it? -Well, yes, it does. | 0:07:36 | 0:07:39 | |
It gets people interested if it's not too high, as well. | 0:07:39 | 0:07:42 | |
You are starting off at a high trade price, £400. | 0:07:42 | 0:07:45 | |
Everybody knows that's its price. | 0:07:45 | 0:07:48 | |
OK, £400 with discretion. OK, you win. | 0:07:48 | 0:07:50 | |
SHE LAUGHS | 0:07:50 | 0:07:53 | |
Thanks, Phyllis. | 0:07:53 | 0:07:56 | |
-It's hard going, isn't it? -I like it. | 0:07:59 | 0:08:02 | |
I know you do, but you know what I'm saying. | 0:08:02 | 0:08:06 | |
Everybody wants a bargain in auctions. That's why people go to auctions. | 0:08:06 | 0:08:10 | |
Otherwise, you would go to antique shop instead, | 0:08:10 | 0:08:12 | |
and there'd be price tag saying £400. | 0:08:12 | 0:08:15 | |
And then you try and knock the dealer down still. | 0:08:15 | 0:08:17 | |
You say, "Come on, you give everyone 10%. | 0:08:17 | 0:08:19 | |
"Why don't you give me 20? I'll be your new best friend." | 0:08:19 | 0:08:23 | |
Phyllis might just need a few friends in the sale room | 0:08:26 | 0:08:29 | |
if this jardiniere is going to make her £400 reserve. | 0:08:29 | 0:08:34 | |
From someone who knows how much she wants to a lady | 0:08:34 | 0:08:38 | |
who had no idea how much her item was worth. | 0:08:38 | 0:08:42 | |
Lynn has brought in what she originally thought was a costume jewellery ring. | 0:08:42 | 0:08:47 | |
So, Lynn, tell me, why did you come along and bring this ring? | 0:08:47 | 0:08:50 | |
Well, it's been lying in a box in my drawer for at least 20 years now. | 0:08:50 | 0:08:55 | |
I've always thought it was a piece of costume jewellery. | 0:08:55 | 0:08:59 | |
I thought, seeing as Flog It! was in town, | 0:08:59 | 0:09:01 | |
I'd come and see if they can tell me any more about it. | 0:09:01 | 0:09:05 | |
You have seen the valuers and they have told you what these | 0:09:05 | 0:09:09 | |
-stones are here. -They have. | 0:09:09 | 0:09:11 | |
-They are not glass, are they? -No. | 0:09:11 | 0:09:12 | |
They're a carbon, they are diamonds. | 0:09:12 | 0:09:15 | |
-They are, apparently. -What is that stone in the middle? | 0:09:15 | 0:09:18 | |
-It's a sapphire. -It's a nice blue sapphire. | 0:09:18 | 0:09:21 | |
Not a dark, dark blue. Not too much aluminium. | 0:09:21 | 0:09:24 | |
It's a nice blue sapphire. These are lovely diamonds. | 0:09:24 | 0:09:28 | |
Really nice, white-coloured stones. | 0:09:28 | 0:09:30 | |
They are also cut in what we call the "old cut style". | 0:09:30 | 0:09:34 | |
So that helps date the ring, early Edwardian, I would say. | 0:09:34 | 0:09:39 | |
I reckon you've got over one-and-a-half carats of diamond in there. | 0:09:39 | 0:09:43 | |
The little sapphire is of minimal value. | 0:09:43 | 0:09:45 | |
Although the shank - this is what we call the shank on a ring - | 0:09:45 | 0:09:49 | |
isn't marked, it could possibly be 18 carat gold | 0:09:49 | 0:09:51 | |
and this white here would probably be platinum. Where did you get it from? | 0:09:51 | 0:09:55 | |
I inherited it from, dare I say, my ex-husband's aunt. | 0:09:55 | 0:10:01 | |
It was just in a box of assorted things that were left. | 0:10:01 | 0:10:05 | |
What would you have done with it if you had not come here? | 0:10:05 | 0:10:08 | |
Left it in the drawer for another 20 years. | 0:10:08 | 0:10:11 | |
Really, just sat there? | 0:10:11 | 0:10:13 | |
Yes, more than likely, | 0:10:13 | 0:10:15 | |
until my daughters found it after I'd left this mortal coil. | 0:10:15 | 0:10:20 | |
-Are they into jewellery? -No, they're not. | 0:10:20 | 0:10:22 | |
The thing is about diamonds, | 0:10:22 | 0:10:24 | |
diamonds are worth money when they're over a carat. | 0:10:24 | 0:10:27 | |
When you have a diamond which is one single stone over a carat, | 0:10:27 | 0:10:31 | |
it tends to hold its value extremely well. | 0:10:31 | 0:10:33 | |
Little stones set into something don't add to up to the figure of a single stone. | 0:10:33 | 0:10:37 | |
But for little stones set within a pretty setting, | 0:10:37 | 0:10:40 | |
which is also very clean as it hasn't been worn. | 0:10:40 | 0:10:43 | |
I would value these diamonds per carat at about £300 a carat. | 0:10:43 | 0:10:49 | |
So, the ring would be worth at auction today about £400 - £600. | 0:10:49 | 0:10:55 | |
Would you be interested in selling? | 0:10:55 | 0:10:57 | |
I would be. | 0:10:57 | 0:10:59 | |
I have no real use for it. | 0:10:59 | 0:11:01 | |
So I think it would be a shame for it to sit in the drawer | 0:11:01 | 0:11:04 | |
when somebody else might appreciate it and wear it. | 0:11:04 | 0:11:08 | |
It's a fine thing. I would certainly say one should have a reserve | 0:11:08 | 0:11:12 | |
of £400 with a little discretion. | 0:11:12 | 0:11:14 | |
Are you going to come to the auction? | 0:11:14 | 0:11:16 | |
Yes, I would love to, I really would. | 0:11:16 | 0:11:19 | |
It will be all of the part of the experience that today has been as well. | 0:11:19 | 0:11:22 | |
It's been very, very fascinating. I've enjoyed it. | 0:11:22 | 0:11:25 | |
A Flog It! valuation is certainly an experience. | 0:11:25 | 0:11:29 | |
If it's one you would like to share, keep watching. | 0:11:32 | 0:11:35 | |
At the end of the programme, I will tell you how you can take part. | 0:11:35 | 0:11:39 | |
Now, three items ready to go off to auction. | 0:11:39 | 0:11:42 | |
Here's a quick recap of what we're selling. | 0:11:42 | 0:11:45 | |
This 200-year-old-jug belongs to Muriel. | 0:11:45 | 0:11:47 | |
Michael valued it at £70 - £100. | 0:11:47 | 0:11:52 | |
The floral jardiniere is an unwanted part of Phyllis's Wemyss collection. | 0:11:52 | 0:11:56 | |
She's pushing for top-dollar bids here, but I'm not so sure. | 0:11:56 | 0:12:01 | |
Lynn had a pleasant surprise when we told her this ring is certainly not | 0:12:01 | 0:12:05 | |
the costume jewellery she had imagined. | 0:12:05 | 0:12:07 | |
It is covered in real diamonds and a sapphire. | 0:12:07 | 0:12:10 | |
So, come on bidders, get your cash ready. | 0:12:10 | 0:12:13 | |
Our auction is at the sale rooms of Moore Allen & Innocent, just outside of Cirencester. | 0:12:14 | 0:12:19 | |
They've been in business since the 1840s. | 0:12:19 | 0:12:21 | |
Today's sale contains a mix of antiques and general items. | 0:12:21 | 0:12:26 | |
It looks like somebody's selling a complete | 0:12:28 | 0:12:30 | |
collection of Staffordshire greyhounds, all in pairs. | 0:12:30 | 0:12:35 | |
Must be a dog lover. | 0:12:35 | 0:12:36 | |
Obviously, someone did own a greyhound. | 0:12:36 | 0:12:41 | |
Our auctioneer has a very busy day ahead of him, | 0:12:41 | 0:12:45 | |
with 800 lots in the catalogue, including ours. | 0:12:45 | 0:12:47 | |
A reminder here, the sellers pay a commission of 15%, plus VAT. | 0:12:47 | 0:12:55 | |
Our first lot is this silver jug, brought in by Muriel. | 0:12:55 | 0:12:57 | |
We're hoping the slight damage to the handle won't put the bidders off. | 0:12:57 | 0:13:02 | |
You can't get greener than antiques. It's classic recycling. | 0:13:04 | 0:13:07 | |
They keep going around and around and around. | 0:13:07 | 0:13:10 | |
And hopefully up in price. That's exactly what we want here today. | 0:13:10 | 0:13:13 | |
-I know you got this little silver cream jug for £5, didn't you? -Yes. | 0:13:13 | 0:13:19 | |
-Where was that? -A car boot sale. | 0:13:19 | 0:13:22 | |
Muriel, I think you have great eyes for looking out for bargains. | 0:13:22 | 0:13:26 | |
We're looking at, hopefully, £100 at the top end of the estimate. | 0:13:26 | 0:13:30 | |
-£70 - £100. -It's a period piece. | 0:13:30 | 0:13:32 | |
It's done the rounds. | 0:13:32 | 0:13:35 | |
Ending up in a car boot, at some point. | 0:13:35 | 0:13:37 | |
It's small, it's collectable. You can make a collection of cream jugs. | 0:13:37 | 0:13:41 | |
They're affordable. | 0:13:41 | 0:13:42 | |
I just think it's delightful. | 0:13:42 | 0:13:44 | |
Let's hope we get the top end, shall we? | 0:13:44 | 0:13:47 | |
Let's do some recycling. Here we go. | 0:13:47 | 0:13:50 | |
And lot number 265 is the George III | 0:13:50 | 0:13:54 | |
helmet-shaped cream jug, 1794. | 0:13:54 | 0:13:59 | |
Who will start me? | 0:13:59 | 0:14:00 | |
Should be £100 to start me. | 0:14:00 | 0:14:03 | |
Good looking little piece there. | 0:14:05 | 0:14:06 | |
£100. £80. | 0:14:06 | 0:14:09 | |
£50. Yes, £50 a bid there. | 0:14:11 | 0:14:14 | |
55. 60. 5. 70. 5. | 0:14:14 | 0:14:18 | |
At 75. 80 there. | 0:14:18 | 0:14:19 | |
At £80, 5 if you like. 80 here. | 0:14:19 | 0:14:22 | |
85 on my right. At 85, 90 now. | 0:14:22 | 0:14:27 | |
At £85... | 0:14:27 | 0:14:28 | |
He's calling for 90. We've got 85. | 0:14:28 | 0:14:32 | |
90 new. Five if you like, sir. 100. | 0:14:32 | 0:14:37 | |
100 where we wanted to start. 110. 120. | 0:14:37 | 0:14:42 | |
At 120. At £120. Sure? | 0:14:42 | 0:14:48 | |
120. | 0:14:48 | 0:14:51 | |
Excellent. £120. You see, that is brilliant recycling, isn't it? | 0:14:52 | 0:14:57 | |
-Yes, marvellous. -It will go round and round again. | 0:14:57 | 0:15:00 | |
Hopefully, someone will have that three or four years and move it on. | 0:15:00 | 0:15:04 | |
Someone will lose some money along the way and someone will make a bit more. That's how it works. | 0:15:04 | 0:15:09 | |
And we'll see it in ten years' time on Flog It! | 0:15:09 | 0:15:11 | |
-Well done, you. -Thank you very much. | 0:15:11 | 0:15:13 | |
And quite right, too. | 0:15:13 | 0:15:16 | |
It was a beautiful piece when it was made 200 years ago | 0:15:16 | 0:15:19 | |
and it's still beautiful now. | 0:15:19 | 0:15:20 | |
It will outlive us all. Next we are selling Phyllis's jardiniere. | 0:15:20 | 0:15:24 | |
She paid £385 for it five years ago. | 0:15:24 | 0:15:28 | |
But I'm doubtful that she's going to see much more today. | 0:15:28 | 0:15:31 | |
Unfortunately, we don't have Phyllis, but this is Paul her son. | 0:15:33 | 0:15:37 | |
I know this is your first auction, isn't it? | 0:15:37 | 0:15:39 | |
-Yeah, quite exciting. -Come on, are you going to buy anything? | 0:15:39 | 0:15:44 | |
We shall see. There are a few items. | 0:15:44 | 0:15:46 | |
I've looked around. Maybe I'll come back. | 0:15:46 | 0:15:49 | |
It's packed. I hope they all want to buy a bit of Wemyss. | 0:15:49 | 0:15:52 | |
Right now it is going under the hammer | 0:15:52 | 0:15:54 | |
and hopefully Paul can get on the phone and tell Phyllis, | 0:15:54 | 0:15:57 | |
who's somewhere in the Panama Canal, we've sold it. | 0:15:57 | 0:16:00 | |
It's going under the hammer now. | 0:16:00 | 0:16:02 | |
A piece of Wemyss ware. | 0:16:04 | 0:16:06 | |
And that is the large trumpet-shaped vase there. | 0:16:06 | 0:16:10 | |
Who will start me? Should be £500 really. Who will start me. Three? | 0:16:10 | 0:16:14 | |
I can start you at £280 on the book. | 0:16:16 | 0:16:19 | |
It looks cheap at £280. | 0:16:19 | 0:16:21 | |
At £280. I'll take £290. | 0:16:23 | 0:16:26 | |
280, 290. 300. | 0:16:26 | 0:16:27 | |
310, 320. At 320. 330 now. | 0:16:27 | 0:16:33 | |
At 320. At 320. 330 anywhere? | 0:16:33 | 0:16:38 | |
At £320. | 0:16:38 | 0:16:40 | |
-At £320 on the book. -It's struggling. | 0:16:40 | 0:16:44 | |
£330 anywhere? £320. | 0:16:44 | 0:16:47 | |
You're all out in the room. At £320. | 0:16:47 | 0:16:53 | |
Didn't sell. Ever so sorry. | 0:16:53 | 0:16:55 | |
It's OK. Can't always win. | 0:16:55 | 0:16:58 | |
At least it's quite easy to pick up and put back in the car. | 0:16:58 | 0:17:02 | |
At least it's not a chest of drawers. | 0:17:02 | 0:17:05 | |
Mum will be disappointed. | 0:17:05 | 0:17:06 | |
I'm sure there's a space on the shelf it can go back onto. | 0:17:06 | 0:17:08 | |
Or you might just inherit this collection. | 0:17:08 | 0:17:12 | |
-Maybe I will get this piece for being here today. -Thank you so much. | 0:17:12 | 0:17:16 | |
Thank you. | 0:17:16 | 0:17:17 | |
At least Paul's looking on the bright side. | 0:17:17 | 0:17:20 | |
Talking of bright, | 0:17:20 | 0:17:21 | |
we have that sparkling diamond and sapphire ring up next. | 0:17:21 | 0:17:25 | |
And the great thing about a Flog It! valuation is you can bring your items along, | 0:17:25 | 0:17:29 | |
find out all about them and find out exactly what they are worth. | 0:17:29 | 0:17:33 | |
You thought this ring was costume jewellery. | 0:17:33 | 0:17:36 | |
-I did. -What a pleasant surprise when Thomas said £400 - £600. | 0:17:36 | 0:17:42 | |
-I was flabbergasted. -Were you? | 0:17:42 | 0:17:44 | |
I was. A very pleasant surprise. | 0:17:44 | 0:17:47 | |
It's a good job you never gave it away | 0:17:47 | 0:17:49 | |
or discarded it thinking it was only worth £6. | 0:17:49 | 0:17:51 | |
Absolutely, yes. | 0:17:51 | 0:17:53 | |
It excited Thomas. It sparkled in the room. | 0:17:53 | 0:17:55 | |
Hopefully, it will sparkle here today. | 0:17:55 | 0:17:57 | |
We need two or three keen bidders. | 0:17:57 | 0:17:59 | |
-Let's find out how it goes. Shall we? -Yes. | 0:17:59 | 0:18:02 | |
Here's the lozenge-shaped diamond and sapphire ring. | 0:18:03 | 0:18:06 | |
Super little ring. Should be £500, really. | 0:18:08 | 0:18:11 | |
Start me at four. | 0:18:13 | 0:18:16 | |
Three. At 300 a bid. 320. 340. | 0:18:16 | 0:18:22 | |
360. 380. | 0:18:22 | 0:18:24 | |
-400. -We've done it. | 0:18:24 | 0:18:26 | |
At 400. At 420. | 0:18:26 | 0:18:28 | |
At 420. At 440 now. | 0:18:28 | 0:18:29 | |
At 420, good-looking ring at 420. | 0:18:31 | 0:18:33 | |
Selling at 420. 440 now. | 0:18:33 | 0:18:39 | |
At 420. Are you sure now, then? | 0:18:39 | 0:18:42 | |
At 420. | 0:18:42 | 0:18:45 | |
The hammer's gone down. £420. | 0:18:45 | 0:18:48 | |
That is good. Better than sitting in the drawer. | 0:18:48 | 0:18:51 | |
Exactly. Don't forget there is commission to pay. | 0:18:51 | 0:18:55 | |
-That's right. -Happy shopping. -Absolutely. | 0:18:55 | 0:18:58 | |
Thank you very much indeed. | 0:18:58 | 0:19:00 | |
Well, it makes you want to rush off and check your old sock drawer | 0:19:00 | 0:19:04 | |
just in case there is something valuable hidden at the back. | 0:19:04 | 0:19:07 | |
Don't do it yet. | 0:19:07 | 0:19:09 | |
We have more exciting auction action later in the show. | 0:19:09 | 0:19:12 | |
Now, it may not be the biggest or the most ornate, | 0:19:22 | 0:19:25 | |
but this rare gem of a Jacobean country house | 0:19:25 | 0:19:28 | |
has something special about it. | 0:19:28 | 0:19:30 | |
This is Chastleton House in Oxfordshire. | 0:19:32 | 0:19:35 | |
It was here in the 1990s | 0:19:35 | 0:19:36 | |
that a brand new experiment in conservation was launched. | 0:19:36 | 0:19:40 | |
When the National Trust acquired Chastleton House | 0:19:45 | 0:19:48 | |
they adopted a new approach. | 0:19:48 | 0:19:49 | |
Rather than restore this wonderful Jacobean building | 0:19:49 | 0:19:52 | |
back to its former glory, they decided to leave it as found. | 0:19:52 | 0:19:57 | |
Now, I'm in the main kitchen to the house | 0:19:57 | 0:20:00 | |
and this was in daily use right up until 1952. | 0:20:00 | 0:20:04 | |
The soot-blackened ceiling above me hasn't been cleaned for nearly 400 years | 0:20:04 | 0:20:09 | |
and when I say soot-blackened, I really mean soot-blackened. | 0:20:09 | 0:20:13 | |
Look at that. | 0:20:13 | 0:20:15 | |
Isn't that incredible? | 0:20:15 | 0:20:17 | |
Gosh! | 0:20:17 | 0:20:19 | |
You could scrape that off, couldn't you, with a chisel. | 0:20:19 | 0:20:22 | |
In a way you look up there and you take it in, you don't really mind it. | 0:20:22 | 0:20:26 | |
After a while I could probably live with that, | 0:20:26 | 0:20:29 | |
but my wife would go mad. She would. | 0:20:29 | 0:20:32 | |
In 1991, this hands-off approach | 0:20:32 | 0:20:35 | |
went against many years of National Trust policy. | 0:20:35 | 0:20:39 | |
Usually, they dress a house to represent | 0:20:39 | 0:20:41 | |
one notable time in history, redecorating, changing fittings | 0:20:41 | 0:20:45 | |
and bringing in furniture to illustrate how the house might just have looked. | 0:20:45 | 0:20:51 | |
Here at Chastleton they saw a opportunity | 0:20:51 | 0:20:53 | |
to experiment with something different. | 0:20:53 | 0:20:56 | |
The house had been in the same family since it was built in 1612 | 0:20:56 | 0:21:01 | |
and had somehow escaped the updates | 0:21:01 | 0:21:03 | |
and makeovers experienced by so many country houses. | 0:21:03 | 0:21:07 | |
So the Trust realised by keeping the family's mix and match | 0:21:07 | 0:21:10 | |
of tastes of furniture, wall hangings and decor, | 0:21:10 | 0:21:13 | |
the house would appear frozen in time | 0:21:13 | 0:21:16 | |
at the point their conservators first arrived. | 0:21:16 | 0:21:18 | |
The National Trust have also left more recent redecoration untouched. | 0:21:18 | 0:21:23 | |
This room was fitted out with book cases | 0:21:23 | 0:21:25 | |
in 1850 to be used as a library, | 0:21:25 | 0:21:28 | |
but what's not in keeping the library is this mad, red wallpaper. | 0:21:28 | 0:21:33 | |
This striking red wallpaper was hung by the family 100 years later, | 0:21:33 | 0:21:38 | |
in the 1960s and it's totally out of keeping with the style of the room. | 0:21:38 | 0:21:42 | |
But instead of stripping it off and restoring the room | 0:21:42 | 0:21:45 | |
to how it might have looked in 1850, | 0:21:45 | 0:21:46 | |
after much debate the National Trust decided to leave the wallpaper in place. | 0:21:46 | 0:21:52 | |
I like it. It's very eccentric. | 0:21:52 | 0:21:55 | |
I'm pleased they've kept it. | 0:21:55 | 0:21:56 | |
It shows the house has been lived in by a family. | 0:21:56 | 0:22:00 | |
While it may look like the National Trust haven't done much work here, | 0:22:04 | 0:22:08 | |
they have done the important things, | 0:22:08 | 0:22:10 | |
spending six years and a huge amount of money | 0:22:10 | 0:22:12 | |
repairing the roof, replacing wiring and defending against damp. | 0:22:12 | 0:22:17 | |
Their policy was to protect Chastleton House, | 0:22:17 | 0:22:19 | |
but not to disturb the character that reflects its 400 years of life. | 0:22:19 | 0:22:25 | |
I'm come to the oak-panelled hall | 0:22:25 | 0:22:28 | |
to meet the house steward, Sebastian Conway. | 0:22:28 | 0:22:30 | |
What is the philosophy behind the National Trust | 0:22:30 | 0:22:34 | |
leaving Chastleton House as found? | 0:22:34 | 0:22:36 | |
It was a giant leap forward. | 0:22:36 | 0:22:39 | |
Instead of taking this house back to a glory day in the 18th or 19th century, | 0:22:39 | 0:22:43 | |
to really show the public how we found Chastleton. | 0:22:43 | 0:22:48 | |
This sort of treasure house, this time-capsule of a property | 0:22:48 | 0:22:52 | |
which has been unaltered really by any sense of modernity. | 0:22:52 | 0:22:56 | |
How do you balance conservation against restoration. What do you do? | 0:22:56 | 0:23:01 | |
The approach at Chastleton, really is to do little and often. | 0:23:01 | 0:23:04 | |
Never going overboard, never affecting how the house looks too much | 0:23:04 | 0:23:08 | |
-and trying to, importantly, keep it as we found it. -Yeah. | 0:23:08 | 0:23:11 | |
What's the evidence, in let's say this room alone, | 0:23:11 | 0:23:14 | |
of how you found it? | 0:23:14 | 0:23:15 | |
Well, if you look around, | 0:23:15 | 0:23:17 | |
you'll see there's the peeling paper all around the room. | 0:23:17 | 0:23:20 | |
The cracks which have appeared, you can see those. | 0:23:20 | 0:23:23 | |
There are the cobwebs which are in the house and in this room here. | 0:23:23 | 0:23:26 | |
There is a fine layer of dust on most furniture and the panelling. | 0:23:26 | 0:23:30 | |
It is pretty evident here. | 0:23:30 | 0:23:32 | |
You can see it if I run my finger across, | 0:23:32 | 0:23:34 | |
how much dust is coming off in my hand. | 0:23:34 | 0:23:37 | |
There is a story really about when the first conservators were here | 0:23:37 | 0:23:40 | |
actually spraying the cobwebs with hair spray to make them last longer. | 0:23:40 | 0:23:44 | |
What about dust on the furniture? | 0:23:46 | 0:23:47 | |
Did you polish anything? I'm looking at things. | 0:23:47 | 0:23:51 | |
Everything is really, really dry. The panelling is dry. | 0:23:51 | 0:23:54 | |
-The tables look dry. -It's dry, yes. | 0:23:54 | 0:23:56 | |
We don't polish. We don't wax. | 0:23:56 | 0:23:58 | |
Basically, we just brush. We brush very occasionally, | 0:23:58 | 0:24:01 | |
maybe once a week and that's really as a rarity. | 0:24:01 | 0:24:03 | |
Most things get brushed once a season. | 0:24:03 | 0:24:06 | |
So, it is once a year. | 0:24:06 | 0:24:07 | |
Chastleton House is unlike any other National Trust house I've been to. | 0:24:09 | 0:24:12 | |
You can feel the sense of history and the passing of time. | 0:24:12 | 0:24:16 | |
Cobwebs and all! | 0:24:16 | 0:24:17 | |
It gives the house a unique character and the experiment has proved such a success | 0:24:17 | 0:24:22 | |
the Trust is adopting it for other, larger stately homes. | 0:24:22 | 0:24:26 | |
Back at our valuation day at the Corn Hall in Cirencester, | 0:24:33 | 0:24:36 | |
there's still a good crowd all wanting their antiques valued. | 0:24:36 | 0:24:40 | |
Let's join up with our expert, Thomas, who's with Arthur and Maggie. | 0:24:40 | 0:24:44 | |
He's finding out that Maggie has some hidden talents. | 0:24:44 | 0:24:50 | |
I want to know about your badges here. What are they all about? | 0:24:50 | 0:24:53 | |
That one was when I did a couple of wing walks. | 0:24:53 | 0:24:57 | |
-Wing walks? -Wing walks. And the second one I did when I was 75. | 0:24:57 | 0:25:02 | |
-So you did wing walking at 75? -Yes. | 0:25:02 | 0:25:05 | |
Wing walking at 75. Wow! | 0:25:06 | 0:25:08 | |
And parachute jumping. I've parachuted jumped, as well. | 0:25:08 | 0:25:11 | |
-In a tandem? -Oh, yeah. | 0:25:11 | 0:25:14 | |
I wouldn't go on my own, I would have never have got to the bottom! | 0:25:14 | 0:25:18 | |
You are a very, very brave woman. | 0:25:18 | 0:25:20 | |
So, planes have obviously been part of a life for some time? | 0:25:20 | 0:25:23 | |
I think probably from my father. Yes. | 0:25:23 | 0:25:25 | |
There he is in the First World War. | 0:25:25 | 0:25:27 | |
That's right, that was the First World War. | 0:25:27 | 0:25:29 | |
-He was an engineer, is that right? -Yes. | 0:25:29 | 0:25:31 | |
He worked in the Royal Flying Corps. | 0:25:31 | 0:25:34 | |
This here RFC is Royal Flying Corps which predates the RAF. | 0:25:34 | 0:25:39 | |
-Yes. -So this was First World War? | 0:25:39 | 0:25:41 | |
Yes. He was in the First World War and the Second World War. Yes. | 0:25:41 | 0:25:47 | |
-What was his name. -Theodore Frederick Saunders. | 0:25:47 | 0:25:51 | |
Theodore Frederick Saunders. | 0:25:51 | 0:25:55 | |
So airport technical notes. | 0:25:55 | 0:25:57 | |
-It's quite a dry book really, isn't it? -Yes. | 0:25:57 | 0:26:00 | |
But what's nice is it's stamped Royal Flying Corps. | 0:26:00 | 0:26:04 | |
It is an interesting book, but a little bit dry. | 0:26:04 | 0:26:07 | |
I understand, that's why I don't know what else to do with it. | 0:26:07 | 0:26:11 | |
This book is actually quite interesting. | 0:26:11 | 0:26:13 | |
OK, it's technical notes again. | 0:26:13 | 0:26:15 | |
It has pictures of all the planes. | 0:26:15 | 0:26:19 | |
As a schoolboy, I remember doing the First World War | 0:26:19 | 0:26:23 | |
in my history lessons and we learnt about the Sopwith Camel | 0:26:23 | 0:26:27 | |
and the other Sopwith biplanes and while flicking through, | 0:26:27 | 0:26:32 | |
I found all these technical drawings and details | 0:26:32 | 0:26:35 | |
-of the Sopwith biplane. -Yes. | 0:26:35 | 0:26:36 | |
-It is quite interesting, isn't it? -Yes, very. | 0:26:36 | 0:26:40 | |
-I have looked through it. -Certainly, from this period there isn't much about. | 0:26:40 | 0:26:44 | |
If it does have a value. | 0:26:44 | 0:26:47 | |
-Also being quite rare it also doesn't have a massive market. -No. | 0:26:47 | 0:26:50 | |
So, we're not looking at lots of money here. | 0:26:50 | 0:26:53 | |
It will be under £50, I'm afraid. | 0:26:53 | 0:26:55 | |
-That's all right. -It will be £30 - £50. | 0:26:55 | 0:26:58 | |
Are you happy with that? | 0:26:58 | 0:27:00 | |
Put it at the lowest estimate, | 0:27:00 | 0:27:01 | |
I would put £50, but if it goes at the lower estimate... | 0:27:01 | 0:27:04 | |
We can put it in at £30, can we? | 0:27:04 | 0:27:06 | |
-We'll probably reserve at £30 with a bit of discretion. -Yes. | 0:27:06 | 0:27:10 | |
It could make more, just because the interest in militaria, | 0:27:10 | 0:27:14 | |
the Royal Flying Corps and the First World War | 0:27:14 | 0:27:17 | |
is in a high peak at the moment. | 0:27:17 | 0:27:18 | |
Where have they been in your house? | 0:27:18 | 0:27:20 | |
In a drawer upstairs. | 0:27:20 | 0:27:23 | |
Unfortunately, my son lives up in Scotland, | 0:27:23 | 0:27:27 | |
I don't think he is very aircraft-minded. | 0:27:27 | 0:27:31 | |
I don't think that to him they would be of great value, | 0:27:32 | 0:27:36 | |
if you know what I mean. | 0:27:36 | 0:27:38 | |
We look forward to seeing you at the auction. | 0:27:38 | 0:27:40 | |
-No more wing walking before the auction. -They won't let me. | 0:27:40 | 0:27:44 | |
No, come on Maggie, at your age you should be settling down | 0:27:44 | 0:27:48 | |
to something more gentle, maybe bungee jumping(!) | 0:27:48 | 0:27:51 | |
That is absolutely lovely. | 0:27:53 | 0:27:55 | |
That's making me buzz. | 0:27:55 | 0:27:57 | |
I'm quite excited about that. Is that something you want to sell? | 0:27:57 | 0:28:00 | |
-No. -It's a gorgeous brooch. | 0:28:00 | 0:28:02 | |
It's not silver. | 0:28:02 | 0:28:05 | |
I think a novelty brooch like that is worth around £40 - £50 | 0:28:05 | 0:28:09 | |
because it's so individual. | 0:28:09 | 0:28:12 | |
If that was silver, it would be £300-£400. | 0:28:12 | 0:28:16 | |
Napoleon Bonaparte was fascinated by bees. | 0:28:16 | 0:28:19 | |
The Sevres factory actually made his diner service for him, you know the fine porcelain. | 0:28:19 | 0:28:23 | |
Hand-painted little bees on all the saucers. | 0:28:23 | 0:28:27 | |
He wore bees on his tunics. | 0:28:27 | 0:28:29 | |
Oh, that's beautiful! | 0:28:29 | 0:28:32 | |
There's certainly plenty to keep our workers busy. It looks like Michael's on a tea break. | 0:28:32 | 0:28:37 | |
He's with Tim, who's brought in some classic silver. | 0:28:37 | 0:28:40 | |
Tim, thank you for bringing in this absolutely breathtaking teapot and stand. | 0:28:41 | 0:28:47 | |
It's wonderful. | 0:28:47 | 0:28:49 | |
What do you know about it? | 0:28:49 | 0:28:52 | |
It's not a family heirloom. | 0:28:52 | 0:28:55 | |
I bought it to give to my parents for their golden wedding anniversary in 1982. | 0:28:55 | 0:29:03 | |
I bought it in London. I know it's by Peter and Ann Bateman. | 0:29:03 | 0:29:08 | |
Bateman is a great name to conjure with. | 0:29:08 | 0:29:10 | |
The dynasty really starts off with Hester and she managed | 0:29:10 | 0:29:16 | |
a whole workshop of silversmiths and produced a range of affordable silver. | 0:29:16 | 0:29:24 | |
Then, of course, we've got the following generation. | 0:29:24 | 0:29:27 | |
We've got Peter, Ann and William. | 0:29:27 | 0:29:29 | |
There are various combinations of their marks and partnership. | 0:29:29 | 0:29:33 | |
In this case we're dealing with... | 0:29:33 | 0:29:35 | |
Peter and Ann Bateman. | 0:29:35 | 0:29:37 | |
We've got the date there for 1792. The engraving here. | 0:29:37 | 0:29:42 | |
This wonderful late 18th-century bright cut engraving, which became | 0:29:42 | 0:29:48 | |
all the fashion, simply because they improved the quality of the steel | 0:29:48 | 0:29:53 | |
on the burins they were using to the point where rather than scratching a line, they could scoop out | 0:29:53 | 0:29:59 | |
areas of the surface and as they did that, it brightly polished them. | 0:30:00 | 0:30:04 | |
So you get this faceting with the engraving. | 0:30:04 | 0:30:08 | |
It's wonderful borders and we've got the original cartouche here and those initials are... | 0:30:08 | 0:30:14 | |
-Match that. -Exactly match that. | 0:30:14 | 0:30:16 | |
And we've got here, really rather attractive, the carved ivory pineapple finial. | 0:30:16 | 0:30:21 | |
If you think how rare pineapples were at the end of the 18th century. | 0:30:21 | 0:30:27 | |
Hugely expensive and if you had a valued guest | 0:30:27 | 0:30:32 | |
to your house and could afford it, you would serve a pineapple. | 0:30:32 | 0:30:35 | |
So it became the symbol of welcome. | 0:30:35 | 0:30:39 | |
Which is why we've got it there. Wow. | 0:30:39 | 0:30:42 | |
They are super pieces and they are in lovely condition. | 0:30:42 | 0:30:45 | |
Dare I ask - in 1982, were they, erm...? | 0:30:45 | 0:30:48 | |
London isn't the cheapest place to buy silverware. | 0:30:48 | 0:30:51 | |
It is not the cheapest place! | 0:30:51 | 0:30:53 | |
I think I paid £400 for it. | 0:30:53 | 0:30:55 | |
£400. | 0:30:55 | 0:30:57 | |
At the time, Americans were buying Bateman silver in droves. | 0:30:57 | 0:31:01 | |
The price of silver was high. | 0:31:01 | 0:31:03 | |
It was worth every penny of £400 when you bought it. | 0:31:03 | 0:31:06 | |
I think it would be prudent to put an estimate of £700 to £1,000 on. | 0:31:06 | 0:31:13 | |
A fixed reserve of £700. | 0:31:13 | 0:31:16 | |
But delightful to see. Wonderful Georgian silver on Flog It! | 0:31:18 | 0:31:22 | |
Thank you, Tim, for bringing them in. They've made my day. | 0:31:22 | 0:31:25 | |
Michael certainly loves his silver. | 0:31:25 | 0:31:27 | |
That's two nice items ready for auction. | 0:31:27 | 0:31:30 | |
We've just enough time for one more valuation. | 0:31:30 | 0:31:32 | |
Thomas is with Chris, who has brought in a beautifully decorated cross. | 0:31:32 | 0:31:37 | |
Thank you for bringing along your cross, Chris. | 0:31:38 | 0:31:41 | |
This is your daughter? | 0:31:41 | 0:31:44 | |
Hannah wanted to bring some jewellery. | 0:31:44 | 0:31:46 | |
Yeah. | 0:31:46 | 0:31:48 | |
-Did you get it valued? -Yes. | 0:31:48 | 0:31:50 | |
Not a positive result, then? | 0:31:50 | 0:31:52 | |
-Not worth anything. -That's a shame. | 0:31:52 | 0:31:54 | |
Chris, this is your item. | 0:31:54 | 0:31:55 | |
-Yeah. -What do you know about it? | 0:31:55 | 0:31:57 | |
Well, I think it's Italian. | 0:31:57 | 0:31:59 | |
-Yeah. -I didn't really know anything. | 0:31:59 | 0:32:02 | |
How did it come into your possession? | 0:32:02 | 0:32:04 | |
My mum gave it me and I've just had it a long time. | 0:32:04 | 0:32:07 | |
-Your mother had it from...? -I've got no idea. | 0:32:07 | 0:32:09 | |
Where is your family from? | 0:32:09 | 0:32:11 | |
-Warwickshire. -Nowhere else? | 0:32:11 | 0:32:13 | |
-No Italians. -No foreign fields. -No. | 0:32:13 | 0:32:16 | |
Maybe your grandmother would have picked it up? | 0:32:16 | 0:32:18 | |
Possibly, I don't know. | 0:32:18 | 0:32:19 | |
-Did they travel? -I don't know. | 0:32:19 | 0:32:22 | |
Mum just had it a long time and I've had it years. | 0:32:22 | 0:32:26 | |
-She gave me a few things. -What have you been doing with it? | 0:32:26 | 0:32:28 | |
-I've just had in a jewellery box. -Really? | 0:32:28 | 0:32:30 | |
Mmm. I've never worn it. | 0:32:30 | 0:32:32 | |
As to its origins, we know it is Italian. | 0:32:32 | 0:32:36 | |
Date, 1850s, it's mid-Victorian. | 0:32:36 | 0:32:39 | |
It's the kind of thing.... | 0:32:39 | 0:32:41 | |
I asked if your family travelled - it's the kind of thing you would pick up on a Grand Tour | 0:32:41 | 0:32:45 | |
if you were a Catholic from Britain. | 0:32:45 | 0:32:48 | |
You might be in Rome and take it back as a memento of your trip. | 0:32:48 | 0:32:54 | |
These are what we call micro-mosaic. | 0:32:54 | 0:32:56 | |
It's lots of little tiny shards of glass, inlaid to make a picture. | 0:32:56 | 0:33:01 | |
It's set in a base metal. | 0:33:01 | 0:33:04 | |
I wouldn't imagine it to be gold. | 0:33:04 | 0:33:06 | |
It is a base metal. | 0:33:06 | 0:33:08 | |
It is widely collected and it's got the symbolism to do with Christ. | 0:33:08 | 0:33:13 | |
The ladder which went to take Christ off the cross and the dove of peace and the holy spirit. | 0:33:13 | 0:33:17 | |
-The pillar I have no idea. -No. | 0:33:17 | 0:33:19 | |
I literally do not know. | 0:33:19 | 0:33:21 | |
And the flowers, I'm sure they're just decoration on there. | 0:33:21 | 0:33:24 | |
It's been finely done and I love this type of stuff. I really do. I think it's wonderful. | 0:33:24 | 0:33:28 | |
Lovely and colourful. | 0:33:28 | 0:33:30 | |
Regarding value, I think it's worth between £150-£200. | 0:33:30 | 0:33:34 | |
I mean, I wouldn't be surprised if it made that £200 | 0:33:34 | 0:33:38 | |
but I would suggest a reserve at £150, with discretion, which is 10-20% below that bottom estimate. | 0:33:38 | 0:33:45 | |
-So are you happy to flog it? -Yes, fine. -Do you like it? | 0:33:45 | 0:33:48 | |
It's OK, yeah. | 0:33:48 | 0:33:49 | |
-Just OK. -I like the flowers. | 0:33:49 | 0:33:51 | |
The flowers are pretty, aren't they? Are you going to come to the auction? | 0:33:51 | 0:33:54 | |
-Oh, yes. -You won't be able to come. -It's on a school day. -It's on a school day, unfortunately. | 0:33:54 | 0:33:59 | |
-But we look forward to seeing you, Chris. -Lovely, thank you very much. | 0:33:59 | 0:34:03 | |
We'll all be in for a few lessons at the sale room, | 0:34:03 | 0:34:06 | |
especially the economics of how much that cross is worth. | 0:34:06 | 0:34:09 | |
Our lots are going off to Moore, Allen and Innocent's Cirencester sale room. | 0:34:09 | 0:34:14 | |
This is what we're taking with us. | 0:34:14 | 0:34:17 | |
Maggie and Arthur's technical aircraft books are a slice of history | 0:34:17 | 0:34:20 | |
and her father's special connection makes it quite unique. | 0:34:20 | 0:34:24 | |
The micro-mosaic cross brought in by Chris and Hannah took a lot of detailed work to make. | 0:34:24 | 0:34:30 | |
Let's hope the bidders appreciate it. | 0:34:30 | 0:34:32 | |
We have Tim's silver teapot and stand, a lovely example dating | 0:34:32 | 0:34:35 | |
from the 1790s and clearly marked as the work of the Bateman family. | 0:34:35 | 0:34:41 | |
Michael loves it. | 0:34:41 | 0:34:43 | |
Auctioneer Philip Allwood thinks it could be overpriced. | 0:34:43 | 0:34:47 | |
This looks absolutely fabulous. | 0:34:47 | 0:34:49 | |
I'm not a big teapot person, but this to me looks more like a centrepiece. It really does. | 0:34:49 | 0:34:56 | |
If you wanted to find an example of a Georgian teapot, this has got to be it. | 0:34:56 | 0:35:01 | |
The shape is exactly what you'd expect. | 0:35:01 | 0:35:03 | |
By Bateman, late 18th century. | 0:35:03 | 0:35:04 | |
-It's got everything going for it, hasn't it? -Yeah. -A classy piece. | 0:35:04 | 0:35:08 | |
Very, very smart, | 0:35:08 | 0:35:10 | |
perfect in every way. | 0:35:10 | 0:35:12 | |
-I just ideally would be liking to see it more like £400-£500 rather than £700 to £1,000. -Yeah. | 0:35:12 | 0:35:21 | |
There's a fixed reserve at £700. | 0:35:21 | 0:35:23 | |
Yeah. There's only one thing will stop this selling - I think we're just slightly on the high side. | 0:35:23 | 0:35:30 | |
But a good thing - if you wanted to buy one, this is a good example. | 0:35:30 | 0:35:34 | |
Fingers crossed. | 0:35:34 | 0:35:37 | |
-And everything else. -Both of them! | 0:35:37 | 0:35:39 | |
We'll stay with crosses right now, because our first item | 0:35:41 | 0:35:44 | |
to go under the hammer is the Italian micro-mosaic cross, belonging to Chris. | 0:35:44 | 0:35:48 | |
It's been in the family a fair bit of time. | 0:35:48 | 0:35:50 | |
A little while. | 0:35:50 | 0:35:52 | |
And it's never been worn? | 0:35:52 | 0:35:54 | |
I've never worn it. And I don't remember my mum ever wearing it. | 0:35:54 | 0:35:57 | |
It's beautiful. Absolutely beautiful. | 0:35:57 | 0:36:00 | |
-I know you've had a chat with Phillip, haven't you? -Yes. | 0:36:00 | 0:36:02 | |
-You're slightly worried about the valuation, you just want this to sell. -Yes. | 0:36:02 | 0:36:06 | |
Phillip's advised you to drop the reserve right down. He's going to use his discretion. | 0:36:06 | 0:36:11 | |
-That's right. -It could go for a lot less. -That's fine. I'm quite happy with that. | 0:36:11 | 0:36:17 | |
We're going to find out, Thomas. | 0:36:17 | 0:36:18 | |
You're not really happy about that. | 0:36:18 | 0:36:20 | |
I know there's quality in this. | 0:36:20 | 0:36:22 | |
I don't like things being given away. | 0:36:22 | 0:36:24 | |
-We are in the open market and the open market will decide. -OK. | 0:36:24 | 0:36:29 | |
And 355 is the Italian gold-coloured crucifix pendant with the micro- mosaic decoration. Super piece. | 0:36:29 | 0:36:37 | |
Who'll start me? | 0:36:37 | 0:36:40 | |
Should be a couple of hundred. Start me at 100. | 0:36:40 | 0:36:42 | |
£100? | 0:36:42 | 0:36:44 | |
80? | 0:36:44 | 0:36:47 | |
50 to get off. 50 bid, thank you. | 0:36:47 | 0:36:49 | |
-At £50. -Come on! Slow start. | 0:36:49 | 0:36:52 | |
And five if you like now. | 0:36:52 | 0:36:54 | |
-At £50. -No-one likes giving anything away to start with. -At 55. | 0:36:54 | 0:36:58 | |
Got to be cheap at 55. 60 anywhere? | 0:36:58 | 0:37:00 | |
60. At £60, five? 70, five... | 0:37:00 | 0:37:05 | |
80, five. At £85 on my left here. | 0:37:05 | 0:37:10 | |
At £85. It's selling, make no mistake at 85. | 0:37:10 | 0:37:14 | |
At £85. 90 if you like. | 0:37:14 | 0:37:16 | |
At 90, still cheap. Five if you like. | 0:37:16 | 0:37:21 | |
At £90, on my right. | 0:37:21 | 0:37:24 | |
At £90, are you all sure? | 0:37:24 | 0:37:26 | |
Selling here on my right at 90... | 0:37:26 | 0:37:31 | |
Good, well it's gone. We're pleased. | 0:37:31 | 0:37:33 | |
I know Thomas is a little disappointed. | 0:37:33 | 0:37:36 | |
I thought it would have made a little more. | 0:37:36 | 0:37:38 | |
Then again it is a religious work of art and they do not sell as well as they should. | 0:37:38 | 0:37:43 | |
-It does put a lot of buyers off. -Well done. | 0:37:43 | 0:37:45 | |
Thank you very much. | 0:37:45 | 0:37:47 | |
Thomas was clearly a little disappointed there but the auctioneer knew his stuff | 0:37:47 | 0:37:51 | |
and the advice to drop the reserve was spot on. | 0:37:51 | 0:37:54 | |
So, will he be right about this next item? | 0:37:54 | 0:37:57 | |
Michael's valued this silver teapot and stand at £700-£1,000. | 0:37:57 | 0:38:02 | |
The auctioneer thinks it might just struggle. | 0:38:02 | 0:38:06 | |
It belongs to Tim. Unfortunately he can't be with us today. | 0:38:06 | 0:38:09 | |
We do have Michael, our expert who put the £700-£1,000 on this. | 0:38:09 | 0:38:12 | |
We've had a chat to the auctioneer and we thought this was just so tasteful it's exquisite. | 0:38:12 | 0:38:17 | |
-It really is. -It's a beautiful design. | 0:38:17 | 0:38:20 | |
-In lovely condition. -Good makers? | 0:38:20 | 0:38:23 | |
And Bateman a fantastic name. | 0:38:23 | 0:38:25 | |
Everything matches, all the armorials, the crests are all the same. | 0:38:25 | 0:38:29 | |
We have seen silver selling extremely well today. | 0:38:29 | 0:38:31 | |
I think the trade are covering all the silver lots. | 0:38:31 | 0:38:34 | |
Hopefully ours is no exception. Let's hope we get top money, because it's a choice piece. | 0:38:34 | 0:38:38 | |
If you're going to buy a teapot, buy this one. Anyway, it's going under the hammer now. | 0:38:38 | 0:38:42 | |
George III silver teapot and stand by Peter and Ann Bateman. | 0:38:43 | 0:38:47 | |
Where are you going to be for this? Super little lot. | 0:38:47 | 0:38:50 | |
Super piece, where are you going to be for that? Who'll start me? £800? | 0:38:51 | 0:38:57 | |
Five? | 0:38:57 | 0:38:59 | |
I can start you here on the book at 440. On the book here at 440. | 0:38:59 | 0:39:05 | |
At 440. | 0:39:05 | 0:39:08 | |
Good piece there at 440. 460. 480. | 0:39:08 | 0:39:12 | |
With me at 480. 500 now. | 0:39:12 | 0:39:15 | |
At 480. At 480. 500. 520. | 0:39:16 | 0:39:21 | |
540. 560. At 560. 580 now. | 0:39:21 | 0:39:26 | |
At 560. At 560. | 0:39:26 | 0:39:30 | |
Looks a good piece at 560. 580. | 0:39:30 | 0:39:32 | |
600. 620. | 0:39:32 | 0:39:35 | |
640. 660. | 0:39:35 | 0:39:38 | |
680. 700. On my left at 700. Book's out now at 700. | 0:39:38 | 0:39:43 | |
Someone's got a good buy, I think. | 0:39:43 | 0:39:45 | |
720 if you like now. | 0:39:45 | 0:39:47 | |
At £700. On my left is 700. | 0:39:47 | 0:39:49 | |
720 anywhere? | 0:39:49 | 0:39:52 | |
At 700. Are you sure now? It's selling... | 0:39:52 | 0:39:56 | |
At 700... | 0:39:56 | 0:39:59 | |
Sold, just. | 0:39:59 | 0:40:02 | |
Skin of its teeth. I think there was one really interested buyer and no-one else to push him up. | 0:40:02 | 0:40:07 | |
-He did very well actually. -He did. | 0:40:07 | 0:40:10 | |
Just made it. Tim should be happy because he's nearly doubled the £400 he paid for it almost 30 years ago. | 0:40:10 | 0:40:18 | |
Now hoping to fly high with her World War One | 0:40:18 | 0:40:22 | |
technical aircraft manuals and notes is wing-walking pensioner Maggie. | 0:40:22 | 0:40:26 | |
Are you ready for this, Maggie and Arthur? | 0:40:26 | 0:40:29 | |
We most certainly are. | 0:40:29 | 0:40:31 | |
Maggie's always ready. Maggie's a wing walker, aren't you? | 0:40:31 | 0:40:33 | |
-I am. -What was it like up there? | 0:40:33 | 0:40:35 | |
-Fantastic. -Yeah? | 0:40:35 | 0:40:37 | |
I'd do it again if they let me. They won't. | 0:40:37 | 0:40:39 | |
And we're talking about those two technical flying manuals with | 0:40:39 | 0:40:43 | |
two photographs of your father. | 0:40:43 | 0:40:45 | |
One's in the First World War and the other from the Second World War. | 0:40:45 | 0:40:48 | |
Incredible. Has anyone else in the family done a wing walk? | 0:40:48 | 0:40:52 | |
-No. -They are all too chicken, aren't they? | 0:40:52 | 0:40:54 | |
I've got to say you're very brave. I wouldn't do it. I wouldn't do it, Thomas. | 0:40:54 | 0:40:57 | |
You wouldn't get me up there. | 0:40:57 | 0:40:59 | |
I'm a little agoraphobic with big high spaces, seeing the ground beneath me. | 0:40:59 | 0:41:04 | |
And she's done parachuting as well. | 0:41:04 | 0:41:06 | |
-And you've done parachuting. Have you done any? -No way! | 0:41:06 | 0:41:09 | |
So you watch from the ground below and you're like, oh, gosh. | 0:41:09 | 0:41:12 | |
-Oh, gosh. -It's all for charity. | 0:41:12 | 0:41:14 | |
All for charity, good luck. Let's see what this does. | 0:41:14 | 0:41:18 | |
-Let's see if this flies away, shall we? -Hope so. | 0:41:18 | 0:41:21 | |
The World War One Department of Aircraft production technical notes. | 0:41:21 | 0:41:25 | |
There we go. A couple of volumes there. | 0:41:26 | 0:41:29 | |
Again, good wartime memorabilia there. | 0:41:29 | 0:41:32 | |
Who'll start me, it should be 50 to get on, really. | 0:41:32 | 0:41:34 | |
£30? | 0:41:34 | 0:41:36 | |
A bid here at 30. | 0:41:36 | 0:41:38 | |
At £30, In front of me 30. Five now? | 0:41:38 | 0:41:41 | |
At 30. Got to be cheap at 30. Five? | 0:41:43 | 0:41:45 | |
40. Five. 50. | 0:41:45 | 0:41:48 | |
Five. 60. At £60 in front of me now. | 0:41:48 | 0:41:52 | |
70, five. | 0:41:52 | 0:41:54 | |
80, five. 90. | 0:41:54 | 0:41:56 | |
They're doing well. | 0:41:56 | 0:41:59 | |
100. | 0:42:00 | 0:42:03 | |
At 100 here now. | 0:42:03 | 0:42:06 | |
Gracious me. | 0:42:06 | 0:42:07 | |
At £100. 110 if you like. | 0:42:07 | 0:42:10 | |
At 1o0, are you sure in front of me? | 0:42:10 | 0:42:12 | |
At 110 back in. | 0:42:12 | 0:42:14 | |
120 if you like, sir. At 110... | 0:42:14 | 0:42:17 | |
Have another, you're here now. | 0:42:17 | 0:42:19 | |
At 110. | 0:42:19 | 0:42:21 | |
120 if you like. At 110, it's right at the back at 110. | 0:42:21 | 0:42:26 | |
Sold. £110. | 0:42:26 | 0:42:29 | |
That's absolutely... | 0:42:29 | 0:42:31 | |
That could pay for another wing walk if you would be allowed to do it. | 0:42:31 | 0:42:34 | |
We've got £110 now. What are you going to do with that? | 0:42:34 | 0:42:37 | |
It will go to charity. | 0:42:37 | 0:42:40 | |
We've got our 60th wedding anniversary coming up next week. | 0:42:40 | 0:42:44 | |
Congratulations. | 0:42:44 | 0:42:46 | |
And take the family out for a meal. | 0:42:46 | 0:42:48 | |
-You've got to do that, haven't you? -Exactly. | 0:42:48 | 0:42:50 | |
What a wonderful celebration. Thank you. | 0:42:50 | 0:42:52 | |
Let's hope Maggie keeps her feet on the ground at the party. | 0:42:52 | 0:42:56 | |
What a terrific result to end the programme. | 0:42:56 | 0:42:59 | |
£110 was more than double Thomas's top estimate. | 0:42:59 | 0:43:02 | |
If you've got any antiques and collectables you want to sell, we would love to see you, | 0:43:02 | 0:43:06 | |
but you've got to come to one of our valuation days and you can check the details | 0:43:06 | 0:43:10 | |
in your local press or you can log on: | 0:43:10 | 0:43:14 | |
Click F for Flog It! Follow the links and hopefully we'll be coming to a town very near you soon. | 0:43:17 | 0:43:21 | |
So come on, bring them along. | 0:43:21 | 0:43:23 | |
Subtitles by Red Bee Media Ltd | 0:43:37 | 0:43:41 | |
E-mail [email protected] | 0:43:41 | 0:43:43 |