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Peace and quiet is on the agenda today. | 0:00:05 | 0:00:08 | |
We've come to scenic Fife in Scotland. | 0:00:08 | 0:00:11 | |
With over 400 acres of country estate here at Balbirnie House, | 0:00:11 | 0:00:15 | |
there's plenty of space to gather your thoughts and marvel at our spectacular backdrop. | 0:00:15 | 0:00:22 | |
Welcome to Flog It! | 0:00:22 | 0:00:24 | |
'It's a glorious day in Scotland. | 0:00:51 | 0:00:54 | |
'The sun is shining and the anticipation is building.' | 0:00:54 | 0:00:57 | |
Waiting to have their items valued | 0:00:59 | 0:01:02 | |
are our wonderful fans who have come to this magnificent setting | 0:01:02 | 0:01:06 | |
to meet our team of experts, | 0:01:06 | 0:01:09 | |
led today by the gorgeous Anita Manning | 0:01:09 | 0:01:12 | |
and the very dapper, in his new Panama hat, James Lewis. | 0:01:12 | 0:01:16 | |
I'm keen to find out what's in all these bags and boxes. | 0:01:16 | 0:01:20 | |
Let's get started. | 0:01:20 | 0:01:22 | |
'A handsome barometer's caught my eye.' | 0:01:25 | 0:01:28 | |
We don't need to read it. There's not a cloud in the sky. | 0:01:28 | 0:01:32 | |
'Anita and James have got stuck in, and there's plenty to look at. | 0:01:32 | 0:01:38 | |
'Anita's an auctioneer in Glasgow. | 0:01:38 | 0:01:41 | |
'She'll be looking out for local treasures with a bit of Scottish history.' | 0:01:41 | 0:01:47 | |
It's an awful wee shield. It must be for Pygmies! | 0:01:47 | 0:01:51 | |
'Or maybe not! | 0:01:53 | 0:01:55 | |
'Derby auctioneer James is also on the lookout for something interesting.' | 0:01:55 | 0:02:00 | |
-Isn't that a nipple sucker? -LAUGHTER | 0:02:00 | 0:02:04 | |
-Do I have a volunteer? Something like that. -Or an abscess. | 0:02:04 | 0:02:09 | |
It could be for an abscess. God! I shouldn't have mentioned nipples! | 0:02:09 | 0:02:14 | |
'Hm. Best move on. | 0:02:14 | 0:02:16 | |
'And coming up on today's show, | 0:02:16 | 0:02:20 | |
'prepare to see shocked faces as our clever owners show our experts some remarkable finds.' | 0:02:20 | 0:02:27 | |
-I found it in a market in London for £1. -No! That is ridiculous! | 0:02:27 | 0:02:31 | |
-How much did you pay for them. -£2 each. -£2 EACH? -I think so. | 0:02:32 | 0:02:38 | |
I picked it up in a charity shop for next to nothing. | 0:02:38 | 0:02:42 | |
I've never found one in a charity shop. I've been looking for years! | 0:02:42 | 0:02:46 | |
It looks like the whole of Scotland has turned up. | 0:02:53 | 0:02:57 | |
That's an awful lot of antiques to value. | 0:02:57 | 0:03:00 | |
Our experts have their work cut out, and it's not an exact science. | 0:03:00 | 0:03:05 | |
James is our first expert to the tables. | 0:03:05 | 0:03:08 | |
Let's look at what he spotted. | 0:03:08 | 0:03:11 | |
'Fiona has brought in something that can only thrill snuffbox collector James Lewis.' | 0:03:14 | 0:03:20 | |
Fiona, thank you SO much for bringing | 0:03:20 | 0:03:24 | |
what anybody who watches Flog It! | 0:03:24 | 0:03:27 | |
will know is my favourite subject. | 0:03:27 | 0:03:30 | |
I love my snuffboxes. | 0:03:30 | 0:03:32 | |
I've collected them for ten years and I'm an absolute addict. | 0:03:32 | 0:03:38 | |
Is this something that you're passionate about? | 0:03:38 | 0:03:43 | |
I'm afraid not. I know nothing about it. | 0:03:43 | 0:03:46 | |
I must have picked it up in a charity shop | 0:03:46 | 0:03:50 | |
-years ago... -Charity shop! | 0:03:50 | 0:03:52 | |
..for next to nothing. | 0:03:52 | 0:03:55 | |
-I can't have paid much for it. -Charity shop! | 0:03:55 | 0:03:59 | |
I've never found one in a charity shop. I've been looking for years! | 0:03:59 | 0:04:05 | |
Well done, you! What did you think it was? | 0:04:05 | 0:04:08 | |
I don't know. I just thought it was a little box. | 0:04:08 | 0:04:12 | |
What did you think it was made from? What period did you think it was? | 0:04:12 | 0:04:17 | |
-I'm afraid I thought it was plastic. -OK. | 0:04:17 | 0:04:20 | |
I wondered, because of the picture, whether it might have some age. | 0:04:20 | 0:04:25 | |
Well, it certainly does. | 0:04:25 | 0:04:27 | |
It really is just the most beautiful quality. | 0:04:27 | 0:04:31 | |
This is a snuffbox made...around 1800, | 0:04:31 | 0:04:37 | |
1820. | 0:04:37 | 0:04:39 | |
The lady or the gentleman who was taking snuff from this box | 0:04:39 | 0:04:44 | |
would have been around during the Napoleonic Wars. | 0:04:44 | 0:04:48 | |
Nelson had just been killed at Trafalgar. | 0:04:48 | 0:04:51 | |
Wellington might be around the Battle of Waterloo. | 0:04:51 | 0:04:55 | |
This little box could be English or it could be French. | 0:04:55 | 0:05:00 | |
-What's this over it? Glass? -Yes. This is a very fine piece of glass. | 0:05:00 | 0:05:06 | |
The socle that's holding it in place is probably made from gold. | 0:05:06 | 0:05:11 | |
The ivory border and, if we hold that up to the light, | 0:05:11 | 0:05:15 | |
-you see that's lined in tortoiseshell. -Yes. | 0:05:15 | 0:05:19 | |
But the miniature in the centre is beautiful! | 0:05:19 | 0:05:23 | |
Hand-painted, a beautiful young girl. | 0:05:23 | 0:05:25 | |
The miniature alone is saleable. Forget the box. | 0:05:25 | 0:05:29 | |
The miniature is a piece of art. | 0:05:29 | 0:05:32 | |
-I can't believe all this! -It's lovely! | 0:05:32 | 0:05:36 | |
But snuff is a form of tobacco taking. It's always been controversial. | 0:05:36 | 0:05:42 | |
In 1600, 1603, King James would say that if anybody was caught | 0:05:42 | 0:05:47 | |
-taking snuff in his presence, they would go to the Tower. -Oh! | 0:05:47 | 0:05:51 | |
100 years later, Queen Anne was patron of the British Snuff Taking Association. | 0:05:51 | 0:05:57 | |
Where has it been for the last few years? | 0:05:57 | 0:06:00 | |
-It just sits on my dressing table. -You use it for earrings? | 0:06:00 | 0:06:05 | |
No. Until today, I'd never opened it because it was very stiff. | 0:06:05 | 0:06:11 | |
-What do you think it's worth? -Would it be about 40? | 0:06:11 | 0:06:15 | |
Would you sell it to me for 40? | 0:06:15 | 0:06:17 | |
-I would, yes. -You shouldn't. -Oh! | 0:06:17 | 0:06:21 | |
-How about 80? -That would be even better. -How about 100? | 0:06:21 | 0:06:24 | |
-My goodness! It can't be worth all that! -I think 100 is a minimum. | 0:06:24 | 0:06:29 | |
-Goodness! -I really do. -Goodness! | 0:06:29 | 0:06:32 | |
I think that's 120-180, something like that. | 0:06:32 | 0:06:37 | |
-Goodness! -I think it's a really lovely pretty little box. | 0:06:37 | 0:06:41 | |
-I'm just gob-smacked! -Thank you for bringing it. | 0:06:41 | 0:06:45 | |
It's a lovely thing to see. | 0:06:45 | 0:06:47 | |
'Fiona thought it wasn't worth anything! | 0:06:47 | 0:06:50 | |
'It's always worth getting a valuation. | 0:06:50 | 0:06:54 | |
'Moving on, Brenda's with Anita and something more recognisable.' | 0:06:54 | 0:07:00 | |
Brenda, you have brought along the Rolls-Royce of wristwatches. | 0:07:00 | 0:07:06 | |
I'm always delighted to see little wristwatches from the '30s and '40s. | 0:07:06 | 0:07:12 | |
I've found that they're becoming very collectable and very popular. | 0:07:12 | 0:07:17 | |
But these are different, something special. | 0:07:17 | 0:07:20 | |
-Tell me, where did you get them? -I'm afraid I can't remember, Anita! | 0:07:20 | 0:07:25 | |
I've had them a long time. | 0:07:25 | 0:07:28 | |
I go around various fairs or auctions | 0:07:28 | 0:07:33 | |
-and just, er... -Was there any reason why you bought watches? | 0:07:33 | 0:07:37 | |
My father, when his mother died, there was a grandmother clock that somebody had taken to bits. | 0:07:37 | 0:07:44 | |
My dad put it back together again, and then had an interest in watches and clocks. | 0:07:44 | 0:07:50 | |
I would imagine that when you were collecting your own stuff, | 0:07:50 | 0:07:55 | |
-if you saw a watch or clock you would go for it. -I would. Yes. | 0:07:55 | 0:08:00 | |
Both of these are still working! | 0:08:00 | 0:08:04 | |
What we have here are two Rolex watches. | 0:08:04 | 0:08:08 | |
Rolex is the most wonderful and prestigious company, | 0:08:08 | 0:08:12 | |
still making the best watches in the world, a Swiss company. | 0:08:12 | 0:08:17 | |
We have two separate periods here. | 0:08:17 | 0:08:20 | |
I would say that this one comes from the 1930s. | 0:08:20 | 0:08:23 | |
This one, a little bit later. | 0:08:23 | 0:08:26 | |
I haven't opened up the back of these watches. I need a wee knife. | 0:08:26 | 0:08:31 | |
But they are 9-carat gold. | 0:08:31 | 0:08:35 | |
This one has a bracelet which is also 9-carat gold. | 0:08:35 | 0:08:40 | |
This one here has a bracelet which is rolled gold. | 0:08:40 | 0:08:44 | |
I don't think that was the original bracelet. Did you wear these? | 0:08:44 | 0:08:48 | |
I wore this one. | 0:08:48 | 0:08:51 | |
Price-wise, I think I'll give a wide estimate, Brenda. | 0:08:51 | 0:08:55 | |
An estimate of £200 to £400. How would you feel about that estimate? | 0:08:55 | 0:09:01 | |
-All right. Yes. -Would you be happy? -Yes. | 0:09:01 | 0:09:04 | |
We'll put a reserve price of £200, but I think that is a bare minimum, | 0:09:04 | 0:09:09 | |
which will only protect it. | 0:09:09 | 0:09:12 | |
-Right. -I think that these will sail away. | 0:09:12 | 0:09:16 | |
-Oh, right. -Are you happy with that? -Yes. -That's good. | 0:09:16 | 0:09:20 | |
They're both in working order. They come from a prestigious company. | 0:09:20 | 0:09:26 | |
They are made of gold. Gold is high just now. | 0:09:26 | 0:09:29 | |
We cannot lose! | 0:09:29 | 0:09:31 | |
Right. | 0:09:31 | 0:09:33 | |
'You don't hear conviction like THAT very often! Anita knows her market. | 0:09:35 | 0:09:41 | |
'Talking of familiar subjects, I found a bit of wood brought in by Steve.' | 0:09:41 | 0:09:46 | |
Steve, you've struggled in with a piece of furniture, | 0:09:46 | 0:09:50 | |
and we always need furniture. | 0:09:50 | 0:09:53 | |
If you come to a valuation day, please bring some furniture. | 0:09:53 | 0:09:57 | |
How did you come across this tilt-top table? | 0:09:57 | 0:10:00 | |
It was a donation to the British Heart Foundation. | 0:10:00 | 0:10:05 | |
When it came in and we looked at it, we just said that it looked old, | 0:10:05 | 0:10:09 | |
it didn't look like a put-together piece, modern. | 0:10:09 | 0:10:13 | |
Do you know, that house dates back to 1777, doesn't it? | 0:10:13 | 0:10:19 | |
-I believe so. -Yeah. That's the date, within... | 0:10:19 | 0:10:23 | |
20 years, I'd put on this table - late 18th century. | 0:10:23 | 0:10:27 | |
It's a piece of country furniture and, of course, made in oak. | 0:10:27 | 0:10:32 | |
Many were made in oak or elm or fruit woods. | 0:10:32 | 0:10:35 | |
City pieces were tended to be made in mahogany. | 0:10:35 | 0:10:38 | |
If I tilt that up... | 0:10:38 | 0:10:41 | |
They were like that because they were an occasional table. | 0:10:41 | 0:10:45 | |
You brought them out, used them, | 0:10:45 | 0:10:48 | |
put your wine on them, then put them to the side. | 0:10:48 | 0:10:51 | |
And if you turn them round that way against the wall, | 0:10:51 | 0:10:56 | |
they look quite decorative | 0:10:56 | 0:10:58 | |
and don't take up a lot of space. | 0:10:58 | 0:11:02 | |
The grain is very good. | 0:11:02 | 0:11:04 | |
It's a nice broad decorative grain. | 0:11:04 | 0:11:07 | |
The colour is still there. That's the most important thing about oak. | 0:11:07 | 0:11:12 | |
The older it gets, the tighter the grain and the better the patina. | 0:11:12 | 0:11:16 | |
There's so many decades of dirt and polish gone onto that surface. | 0:11:16 | 0:11:24 | |
If I turn it around this way, you see it started life together. | 0:11:24 | 0:11:29 | |
In many of these, | 0:11:29 | 0:11:31 | |
-tops don't belong to the bases, but can you see this mark? -Yeah. | 0:11:31 | 0:11:37 | |
Can you see the end grain? That's rubbed on the under side. | 0:11:37 | 0:11:42 | |
That's been there for a long time. | 0:11:42 | 0:11:44 | |
There's no extra holes here. | 0:11:44 | 0:11:47 | |
These cleats that hold the planks together have never been moved. | 0:11:47 | 0:11:52 | |
The bad thing is that it has been reduced in height by eight inches. | 0:11:52 | 0:11:57 | |
It would have been a supper or wine table and, now, it's a coffee table. | 0:11:57 | 0:12:02 | |
-Can you see the central column? -Yes. | 0:12:02 | 0:12:06 | |
Architecturally, it doesn't finish right. | 0:12:06 | 0:12:09 | |
There should be ring turnings at the top to mirror those at the bottom. | 0:12:09 | 0:12:14 | |
I think we've got to put a sensible price on it of £60 to £90. | 0:12:14 | 0:12:19 | |
-I think that's a good valuation. -Is that OK? -It's going to charity. | 0:12:19 | 0:12:24 | |
That's great. Let's hope we can get £90, the top end of the estimate. | 0:12:24 | 0:12:30 | |
It's a nice piece of country furniture. | 0:12:30 | 0:12:33 | |
We know now that we've got some history of the table. Very good. | 0:12:33 | 0:12:38 | |
-I think we'll set a reserve at £50, don't you? -Yeah. | 0:12:38 | 0:12:42 | |
So a valuation of 60 to 90 with a reserve at 50. | 0:12:42 | 0:12:45 | |
Hopefully, it'll tempt a dealer or a DIY enthusiast, | 0:12:45 | 0:12:49 | |
-or somebody that wants a nice coffee table with a lot of history. -Fine. | 0:12:49 | 0:12:53 | |
I think that's a lovely piece for anyone to have at home. | 0:12:53 | 0:12:59 | |
You've just seen our first items ready to go off to auction. | 0:12:59 | 0:13:04 | |
There's a few corkers! We might be in for one or two big surprises! | 0:13:04 | 0:13:09 | |
So, we'll leave you with a reminder of the items we're taking with us. | 0:13:09 | 0:13:14 | |
'James was a fan of Fiona's snuffbox but she didn't know much about it. | 0:13:18 | 0:13:22 | |
'Now she knows it's worth something, will Fiona be tempted to keep it? | 0:13:22 | 0:13:27 | |
'Brenda's gold ladies' wristwatches are a classy lot. | 0:13:27 | 0:13:32 | |
'The gold value alone is a big plus, but they're also a lovely design. | 0:13:32 | 0:13:38 | |
'And Steve's wooden tilt-top table is a great find. | 0:13:38 | 0:13:42 | |
'It's been reduced in height, | 0:13:42 | 0:13:44 | |
'but that doesn't detract from its usefulness. | 0:13:44 | 0:13:48 | |
'We're at Thomson Roddick Scottish Auctions, south of Edinburgh. | 0:13:52 | 0:13:56 | |
'It's a busy sale with two auctioneers - Sybelle Thomson | 0:13:56 | 0:14:01 | |
'and Gavin Tavendale.' | 0:14:01 | 0:14:03 | |
I'm feeling nervous cos this is where we up the tempo. | 0:14:04 | 0:14:08 | |
It's time to put our first valuations to the test. | 0:14:08 | 0:14:13 | |
I had a quick chat with auctioneer Sybelle Thomson to see what she had to say about one of our items. | 0:14:13 | 0:14:20 | |
Time is definitely up for Brenda's watches. | 0:14:20 | 0:14:23 | |
Not one gold Rolex here - two! | 0:14:23 | 0:14:26 | |
We have a valuation of £200 to £400, with a fixed reserve of £200. | 0:14:26 | 0:14:31 | |
-I think these will fly away. -It's quite cheap for Rolex. There's always a lot of demand for them. | 0:14:31 | 0:14:39 | |
But the main demand for Rolex is for the gentlemen's watches. Like yours! | 0:14:39 | 0:14:44 | |
The ladies' watches aren't as collectable, | 0:14:44 | 0:14:48 | |
but I think they'll do well and hopefully get the top estimate. | 0:14:48 | 0:14:52 | |
-Brilliant! The £400 mark. -Live in hope. -That's what we like to see. | 0:14:52 | 0:14:57 | |
'Fingers crossed for the watches, coming up later. | 0:15:00 | 0:15:04 | |
'First, Fiona's snuffbox. | 0:15:04 | 0:15:06 | |
'Putting it under the hammer is auctioneer Gavin.' | 0:15:06 | 0:15:11 | |
Next, one of my favourite lots. | 0:15:11 | 0:15:13 | |
-A tiny snuffbox that belongs to Fiona and not for much longer. -Hope so. | 0:15:13 | 0:15:18 | |
Pretty little watercolour. Tortoiseshell interior. | 0:15:18 | 0:15:22 | |
It's got everything going for it. And the price, £100 to £180. | 0:15:22 | 0:15:26 | |
-You picked it up for nothing. How much? -I can't remember. | 0:15:26 | 0:15:30 | |
It was so insignificant. | 0:15:30 | 0:15:32 | |
We need a few gents that can splash out on a lovely snuffbox. | 0:15:32 | 0:15:36 | |
-Wish I could buy it. -We're not allowed to. -No. | 0:15:36 | 0:15:40 | |
A 19th-century circular patch box in ebony mount. | 0:15:40 | 0:15:46 | |
200? 100? £50? 50's bid. 50. | 0:15:46 | 0:15:49 | |
In the room at 50. | 0:15:49 | 0:15:52 | |
Five. 60. Five. | 0:15:52 | 0:15:54 | |
70. Five. 80... | 0:15:54 | 0:15:56 | |
-This is good, Fiona. Really good. -Not yet it's not. | 0:15:56 | 0:16:00 | |
No. It's not, is it? We need a lot more! | 0:16:00 | 0:16:03 | |
..all done at 100? | 0:16:03 | 0:16:07 | |
110. 120. | 0:16:07 | 0:16:10 | |
130. 140. 150... | 0:16:10 | 0:16:13 | |
-Now it's good. -That's good! | 0:16:13 | 0:16:16 | |
..All done at 150? | 0:16:16 | 0:16:18 | |
-Spot-on. -Thank you very much. -What are you going to do with that? | 0:16:18 | 0:16:23 | |
-I'm giving it to the Pakistani flood victims. -That's really sweet of you. | 0:16:23 | 0:16:29 | |
-Well done. -Thank you. | 0:16:29 | 0:16:31 | |
'I think James would have snapped up the snuffbox, given the chance. | 0:16:31 | 0:16:35 | |
'Next is the wooden table I liked.' | 0:16:35 | 0:16:40 | |
Now I'm hoping for top dollar here because the money's going to to the British Heart Foundation. | 0:16:40 | 0:16:46 | |
Steve brought this table to our valuation day, a lovely sunny day. | 0:16:46 | 0:16:51 | |
-Fond memories! -The one day of the year. | 0:16:51 | 0:16:54 | |
Oh, wasn't it? We've had plenty down south, but it's sunny today and everyone's smiling. | 0:16:54 | 0:17:01 | |
The 19th-century oak tripod snap-top table. | 0:17:01 | 0:17:06 | |
£100 for a nice snap-top table? 100? | 0:17:06 | 0:17:08 | |
50? | 0:17:11 | 0:17:13 | |
30 bid. With the gentleman at 30. | 0:17:13 | 0:17:15 | |
35. 40. Five. 50. £50. | 0:17:15 | 0:17:19 | |
Gentleman seated at 50. Anyone going on for a nice table? | 0:17:19 | 0:17:24 | |
55. You're out seated. | 0:17:24 | 0:17:26 | |
At 55. Anyone else? Can I tempt anybody else? At £55... | 0:17:26 | 0:17:32 | |
That's OK! It's obviously gone to the trade. Thank you so much. | 0:17:34 | 0:17:38 | |
'That was worth Steve bringing it in and getting some many for charity. | 0:17:38 | 0:17:43 | |
'Now it's the Rolexes being put to the test, | 0:17:43 | 0:17:47 | |
'and auctioneer Gavin's back on the rostrum.' | 0:17:47 | 0:17:52 | |
-Did you ever wear one? -I did. -Which one? | 0:17:52 | 0:17:55 | |
I wore the one with the full bracelet. | 0:17:55 | 0:17:59 | |
They're gold. And they work. And they're a great name. | 0:17:59 | 0:18:03 | |
-So it doesn't get much better. -It doesn't. | 0:18:03 | 0:18:05 | |
We just need a couple of people to bid against each other. | 0:18:05 | 0:18:10 | |
We're going to find out now. Good luck, Brenda. | 0:18:10 | 0:18:12 | |
Two ladies' 9-carat gold Rolex wristwatches. | 0:18:12 | 0:18:17 | |
300? 200? | 0:18:17 | 0:18:19 | |
£100. 100 bid. At 100. | 0:18:19 | 0:18:21 | |
100. 110. 120. | 0:18:21 | 0:18:23 | |
130. 140. 140. 140 in the room. | 0:18:23 | 0:18:28 | |
150. 150. 160. 170. | 0:18:28 | 0:18:30 | |
180. 190. 200. 210. | 0:18:30 | 0:18:34 | |
Standing at the back at 210. | 0:18:34 | 0:18:36 | |
210. Standing at 210. | 0:18:36 | 0:18:39 | |
220. 230... | 0:18:39 | 0:18:42 | |
-Someone's on the phone. -..240. | 0:18:42 | 0:18:45 | |
250. | 0:18:45 | 0:18:47 | |
260. 270. | 0:18:47 | 0:18:50 | |
280. | 0:18:50 | 0:18:54 | |
290. | 0:18:54 | 0:18:55 | |
300. 320. | 0:18:55 | 0:18:58 | |
340. 360. | 0:19:02 | 0:19:05 | |
380. | 0:19:06 | 0:19:08 | |
380 on the telephone. 380. 380. | 0:19:08 | 0:19:11 | |
All done at 380? At £380... | 0:19:11 | 0:19:15 | |
You can always rely on a phone bidder sitting at home thinking, | 0:19:15 | 0:19:19 | |
"Yes, I do really want it!" | 0:19:19 | 0:19:21 | |
-They pushed it to the top. £380. Brilliant. -Absolutely. | 0:19:21 | 0:19:26 | |
-Happy? -Yes, I am. Thank you. | 0:19:26 | 0:19:28 | |
-There is commission to pay, 15% plus VAT. -Yes. I know. | 0:19:28 | 0:19:32 | |
-Are you going to buy more antiques or treat yourself? -Buy more antiques! -Oh, good! | 0:19:32 | 0:19:38 | |
'Fantastic result for Brenda and her elegant timepieces. | 0:19:38 | 0:19:44 | |
'That's it for the auction for now, | 0:19:44 | 0:19:46 | |
'but we're coming back later in the show.' | 0:19:46 | 0:19:50 | |
I'm ready for today's performance. | 0:19:55 | 0:19:58 | |
And the venue for the bright lights and showbiz | 0:19:58 | 0:20:01 | |
is the Carnegie Hall, world famous for its musical events. | 0:20:01 | 0:20:06 | |
You're thinking, "He's gone to New York!" | 0:20:06 | 0:20:09 | |
No, I haven't. This is the Carnegie Hall in Dunfermline. | 0:20:09 | 0:20:13 | |
It's the same benefactor and founder behind both Halls, | 0:20:13 | 0:20:17 | |
Mr Andrew Carnegie, Scotland's most generous multimillionaire. | 0:20:17 | 0:20:22 | |
I'm here to tell you all about him. | 0:20:22 | 0:20:24 | |
'Before I explore Carnegie's Scottish background | 0:20:26 | 0:20:29 | |
'let me introduce you to his story. | 0:20:29 | 0:20:32 | |
'Andrew Carnegie was born in Dunfermline to kind and hard-working parents. | 0:20:32 | 0:20:38 | |
'Through his family, he learned morals, respect | 0:20:38 | 0:20:42 | |
'and what can be achieved through sheer hard work. | 0:20:42 | 0:20:46 | |
'When he was 12, work dried up for his weaver father. | 0:20:46 | 0:20:50 | |
'The family sold up, and borrowed enough to emigrate to America. | 0:20:50 | 0:20:55 | |
'From the moment they arrived, Andrew worked hard. | 0:20:57 | 0:21:01 | |
'He started as a bobbin boy in a factory, but quickly got promoted. | 0:21:01 | 0:21:07 | |
'His quick thinking and ambition meant he was a natural entrepreneur. | 0:21:07 | 0:21:13 | |
'Through investments and businesses he became a multimillionaire.' | 0:21:13 | 0:21:18 | |
Andrew's generosity with his hard-earned cash spread worldwide. | 0:21:21 | 0:21:25 | |
It was the donations to his beloved Scotland that has brought me to his boyhood town of Dunfermline. | 0:21:25 | 0:21:32 | |
Carnegie's story of wealth and success starts here from humble beginnings, Moodie Street. | 0:21:42 | 0:21:48 | |
This is the house Andrew was born in. | 0:21:48 | 0:21:51 | |
His father worked downstairs all day while his family lived upstairs. | 0:21:51 | 0:21:56 | |
They ate and slept up there. They educated themselves up there. | 0:21:56 | 0:22:00 | |
Andrew's parents led by example so he could succeed in a dignified manner. | 0:22:00 | 0:22:07 | |
Andrew's father was a damask weaver, a very skilled trade. | 0:22:17 | 0:22:21 | |
His wife wound bobbins upstairs, singing to a young Andrew. | 0:22:21 | 0:22:25 | |
Perhaps that's where he got his love of music. | 0:22:25 | 0:22:28 | |
When work dried up, Andrew's mother, Margaret, | 0:22:28 | 0:22:31 | |
set up a shop repairing shoes and doing odd jobs. | 0:22:31 | 0:22:35 | |
Whatever sacrifices they had to make, Andrew never went without. | 0:22:35 | 0:22:40 | |
He was always smartly turned out in a white starched collar. | 0:22:40 | 0:22:44 | |
It was his parents' work ethic that inspired Andrew to improve himself. | 0:22:44 | 0:22:49 | |
After moving to the States, his mother showed her resourcefulness | 0:22:49 | 0:22:54 | |
and did whatever she could to keep her family going. | 0:22:54 | 0:22:58 | |
It was Margaret Carnegie who lent her son the huge sum of 600, | 0:22:58 | 0:23:04 | |
by mortgaging their house, so he could buy shares in Adams Express. | 0:23:04 | 0:23:09 | |
It was a bold move, which led him on the path to success, | 0:23:09 | 0:23:13 | |
becoming a steel tycoon. | 0:23:13 | 0:23:15 | |
That savvy mind and family support | 0:23:15 | 0:23:17 | |
meant that, by the time Andrew was 33, | 0:23:17 | 0:23:21 | |
he had assets worth 400,000. | 0:23:21 | 0:23:23 | |
By the time he retired at the age of 65, | 0:23:23 | 0:23:27 | |
he was worth a staggering 400 million, a great deal of money! | 0:23:27 | 0:23:31 | |
He wanted to distribute his wealth to deserving causes. | 0:23:31 | 0:23:35 | |
He devoted a lot of time to philanthropy as well as business. | 0:23:35 | 0:23:39 | |
What do you buy somebody for their birthday who has everything? | 0:23:39 | 0:23:43 | |
His wife, Louise, for his 60th birthday bought him this house, his birthplace. | 0:23:43 | 0:23:49 | |
Today, it's run as a tribute to him and the worthy causes he funded. | 0:23:49 | 0:23:54 | |
'I met Lorna Owers, the curator at the Carnegie Birthplace Museum, | 0:23:59 | 0:24:04 | |
'so I could find out more about Carnegie, the man.' | 0:24:04 | 0:24:09 | |
I gather he didn't have much education. He started school at eight. What happened before? | 0:24:09 | 0:24:15 | |
School was optional, you could choose, and you paid a penny a week. | 0:24:15 | 0:24:20 | |
It was quite an outlay for a family at that time. | 0:24:20 | 0:24:24 | |
Before that, anything he learned was from his family. | 0:24:24 | 0:24:27 | |
-In America, he came across a makeshift library? -That's right. | 0:24:27 | 0:24:31 | |
Colonel Anderson had his own private library. | 0:24:31 | 0:24:35 | |
Andrew gained access, as a working boy. | 0:24:35 | 0:24:38 | |
He allowed them to borrow books on a Saturday. | 0:24:38 | 0:24:42 | |
-Hundreds of books, he had. -Yes. He had 400. | 0:24:42 | 0:24:46 | |
-Do you think that's what inspired him to donate libraries around the world? -Yes. | 0:24:46 | 0:24:51 | |
He wanted everyone to benefit from education, | 0:24:51 | 0:24:55 | |
to have access to books, the way he had. | 0:24:55 | 0:24:59 | |
'He was inspired by all things new and inventive. | 0:24:59 | 0:25:02 | |
'He regarded knowledge as a treasure. | 0:25:02 | 0:25:05 | |
'Imagine what it was like for a teenage boy from Dunfermline | 0:25:05 | 0:25:09 | |
'to end up in a developing city like Pittsburgh, | 0:25:09 | 0:25:13 | |
'with the railroad and the theatre, things that he'd never seen before.' | 0:25:13 | 0:25:18 | |
-There's the great man himself. -Yes. | 0:25:20 | 0:25:24 | |
-What age was he when that was painted? -About 70. -Was he? -Yes. | 0:25:24 | 0:25:28 | |
-He lived till he was what, 83? -83. That's right. Yes. | 0:25:28 | 0:25:32 | |
He's got a twinkle in his eye. | 0:25:32 | 0:25:34 | |
He definitely has. He was quite a character. | 0:25:34 | 0:25:38 | |
-Did he miss Scotland much? -I think he did. He came back several times. | 0:25:38 | 0:25:42 | |
He owned Skibo Castle as a holiday home. | 0:25:42 | 0:25:46 | |
Otherwise, he gave buildings. | 0:25:46 | 0:25:48 | |
He gave the town the Carnegie Hall, the library, the swimming baths | 0:25:48 | 0:25:55 | |
and, of course, Pittencrief Park. | 0:25:55 | 0:25:57 | |
Carnegie vowed that if he had the opportunity, he would buy the park and give it to the town. | 0:25:57 | 0:26:03 | |
-It gave him great satisfaction. -I bet it did. | 0:26:03 | 0:26:06 | |
Lorna, thank you for talking to us. It's been fascinating. | 0:26:06 | 0:26:11 | |
What a wonderful story. Such an inspiration to everybody. | 0:26:11 | 0:26:14 | |
The city's very lucky to have so many fabulous buildings | 0:26:16 | 0:26:20 | |
donated to it by such a famous resident. | 0:26:20 | 0:26:23 | |
For me, Dunfermline gave something to Carnegie in his formative years. | 0:26:23 | 0:26:28 | |
It forged the tenacity and the pride to succeed later in life | 0:26:28 | 0:26:33 | |
as a phenomenal businessman. | 0:26:33 | 0:26:35 | |
It's a true tale of triumph against all odds. | 0:26:35 | 0:26:39 | |
'We're in Balbirnie House in Fife. | 0:26:45 | 0:26:47 | |
'There are plenty of people to see and treasures to be unearthed. | 0:26:47 | 0:26:54 | |
'Still to come, Anita spots some familiar Moorcroft. | 0:26:54 | 0:26:57 | |
'But are they valuable? | 0:26:57 | 0:26:59 | |
'And will Andrew's beaded snake prove to be a wise buy? | 0:27:00 | 0:27:05 | |
'First, Anita's over at the tables | 0:27:07 | 0:27:10 | |
'with Betty and Jim, who have an eye for a famous maker.' | 0:27:10 | 0:27:16 | |
Thank you for bringing this wonderful pair of vases. | 0:27:16 | 0:27:20 | |
They are, of course, Moorcroft, one of my favourites. | 0:27:20 | 0:27:25 | |
Tell me where you got them. | 0:27:25 | 0:27:27 | |
-Betty purchased them. -I bought them at a car boot sale. | 0:27:27 | 0:27:31 | |
Aye. Quite near here, yes. | 0:27:31 | 0:27:33 | |
-Was it Cairngorm? -A car boot sale?! | 0:27:33 | 0:27:36 | |
A pair of Moorcroft vases! How much did you pay? | 0:27:36 | 0:27:40 | |
-I think they were £2 each. GASPS: -£2 each? | 0:27:40 | 0:27:44 | |
We splashed out! | 0:27:44 | 0:27:46 | |
Did you beat the trader down? | 0:27:46 | 0:27:48 | |
-No, no. -No, no. -This was ten, 12 years ago. | 0:27:48 | 0:27:52 | |
-Aye. -I wasn't aware that these colours would be Moorcroft | 0:27:52 | 0:27:57 | |
when I first bought them. | 0:27:57 | 0:27:59 | |
-Do you go to car boot sales a lot? -Yes. -Are you avid collectors? -Yes. | 0:27:59 | 0:28:05 | |
-Are you mad collectors? -Yes. | 0:28:05 | 0:28:07 | |
-Magpies. -Magpies! | 0:28:07 | 0:28:10 | |
I'm always delighted to see Moorcroft on Flog It! | 0:28:10 | 0:28:14 | |
It's one of my favourite potteries. | 0:28:14 | 0:28:16 | |
I love the colours and the vibrance of the patterns. | 0:28:16 | 0:28:20 | |
Moorcroft, of course, started in the late 1880s. | 0:28:20 | 0:28:24 | |
William Moorcroft started with his friend Macintyre. | 0:28:24 | 0:28:28 | |
In 1924, he started his own factory. | 0:28:28 | 0:28:32 | |
That was really the birth of Moorcroft. | 0:28:32 | 0:28:36 | |
It was what we call an art pottery. | 0:28:36 | 0:28:39 | |
Everything was handmade, nothing mass produced. | 0:28:39 | 0:28:42 | |
Every single pot was different. | 0:28:42 | 0:28:45 | |
These little ones here are from a later date, about the 1930s. | 0:28:45 | 0:28:52 | |
They're called the wheat sheaf pattern. | 0:28:52 | 0:28:55 | |
They're in beautiful condition. | 0:28:55 | 0:28:57 | |
We do have a little trace of tube-lining, | 0:28:57 | 0:29:02 | |
the running slip that we see often on the Moorcroft pieces. | 0:29:02 | 0:29:07 | |
If we look, we can see the blue stamp here and "made in England". | 0:29:07 | 0:29:15 | |
So not the earliest stuff, but still very, very charming. | 0:29:15 | 0:29:20 | |
Why do you want to sell them? | 0:29:20 | 0:29:22 | |
We have to sell at some time because we're swamped under. | 0:29:22 | 0:29:27 | |
-Is your collection moving in on you? -It eventually moves to a box. | 0:29:27 | 0:29:31 | |
-It's on display then we buy something else... -And it goes up in the loft. | 0:29:31 | 0:29:37 | |
Yeah. Auction estimate. If they were coming into auction, | 0:29:37 | 0:29:41 | |
I would put a conservative estimate of 150 to 250 on them. | 0:29:41 | 0:29:45 | |
-Would you be happy to sell them at that? -Ecstatic. -Ecstatic?! | 0:29:45 | 0:29:51 | |
Well, it's a good profit on a couple of quid. | 0:29:51 | 0:29:54 | |
You obviously have a very good eye. So we'll put them in at 150 to 250. | 0:29:54 | 0:30:00 | |
We'll put a reserve of say, 150, | 0:30:00 | 0:30:03 | |
but we'll give the auctioneer discretion, 10%. | 0:30:03 | 0:30:07 | |
Thank you for bringing them along. They're a delight. | 0:30:07 | 0:30:10 | |
-And keep on car booting. -Oh, yes! | 0:30:10 | 0:30:13 | |
I was going to ask what you'd do with the money. Straight to the car boot sale! | 0:30:13 | 0:30:19 | |
On the plane to Benidorm! | 0:30:19 | 0:30:22 | |
'There have to be some rewards for getting up early for those car boot sales.' | 0:30:22 | 0:30:29 | |
Let's get YOU in the frame. | 0:30:31 | 0:30:33 | |
If you'd like to take part in Flog It! come to one of our valuation days. | 0:30:34 | 0:30:40 | |
You can get details of venues from our BBC website. Log on to... | 0:30:40 | 0:30:44 | |
If you don't have a computer, check the details in your local press. | 0:30:46 | 0:30:52 | |
We'll be coming to an area very near you soon and we'd love to see you. | 0:30:52 | 0:30:57 | |
'James has found a bit of wildlife at Balbirnie. | 0:30:57 | 0:31:00 | |
'Let's join him at the tables with Andrew.' | 0:31:00 | 0:31:04 | |
Of all the things I was expecting in Fife, | 0:31:04 | 0:31:08 | |
a Turkish prisoner of war snake dated 1919 is not one of them! | 0:31:08 | 0:31:13 | |
What's it doing here and where did you find it? | 0:31:13 | 0:31:17 | |
I found it in a market in London when I was about eight, for £1. | 0:31:17 | 0:31:22 | |
No. That is ridiculous! That is a really good bargain. | 0:31:22 | 0:31:26 | |
It's an interesting thing. | 0:31:26 | 0:31:28 | |
I don't know why Turkish prisoners of war decided | 0:31:28 | 0:31:32 | |
it would be a good thing to make snakes. | 0:31:32 | 0:31:35 | |
You're sitting there in your prisoner of war camp | 0:31:35 | 0:31:39 | |
thinking, "What can I do? I'm going to make a beadwork snake!" | 0:31:39 | 0:31:43 | |
They made them in their hundreds and thousands. | 0:31:43 | 0:31:46 | |
Obviously, they sold them well. | 0:31:46 | 0:31:48 | |
They were very kind. It doesn't take a genius to work out what it is! | 0:31:48 | 0:31:53 | |
It says "Turkish Prisoners 1919" along the side. | 0:31:53 | 0:31:57 | |
When I saw this, I have to be honest, | 0:31:57 | 0:32:00 | |
I thought, "First World War, 1914-1918." That's what I learnt! | 0:32:00 | 0:32:05 | |
That's what I've thought since. | 0:32:05 | 0:32:08 | |
But I phoned a friend and they said, "No, you're wrong." | 0:32:08 | 0:32:12 | |
The peace treaty was signed between Britain and Germany | 0:32:12 | 0:32:17 | |
in 1918, so the war between the major parts finished in 1918. | 0:32:17 | 0:32:22 | |
There was fighting on various fronts including Russia until 1919. | 0:32:22 | 0:32:26 | |
-So the prisoners weren't released. -OK. | 0:32:26 | 0:32:30 | |
I've seen these snakes all over the place, at antiques fairs. | 0:32:30 | 0:32:34 | |
They always sell well so how you found it for £1, I don't know. | 0:32:34 | 0:32:39 | |
-Aged eight, what attracted you to that? -The looks, generally. | 0:32:39 | 0:32:44 | |
-The mad colours and beautiful green. -It is completely bonkers! | 0:32:44 | 0:32:48 | |
-Isn't it? -Yeah. -It doesn't look slightly realistic. -No. | 0:32:48 | 0:32:53 | |
-Did you have sisters to taunt with it? -I did. I have two. | 0:32:53 | 0:32:58 | |
-Stick it in their bed? -Definitely. Got played with. -Oh, great fun. | 0:32:58 | 0:33:03 | |
Value? I don't know. | 0:33:03 | 0:33:06 | |
-£40 to £60? -OK. -Something like that. | 0:33:06 | 0:33:08 | |
Your £1 investment's done all right. They come in various sizes. | 0:33:08 | 0:33:14 | |
This is a particularly long one, so that's in its favour. | 0:33:14 | 0:33:18 | |
-Shall we put £40 reserve on it? -That sounds good to me. | 0:33:18 | 0:33:22 | |
-What will you spend the money on? -A holiday. | 0:33:22 | 0:33:25 | |
-Where are you going? -Los Angeles. -All right for some! -Not bad. | 0:33:25 | 0:33:30 | |
-When are you going? -In a few weeks. -Are you around for the auction? -Definitely. | 0:33:30 | 0:33:36 | |
Fingers crossed it will do well. | 0:33:36 | 0:33:38 | |
'A beaded snake must rank high on a list of intriguing items we've seen on a valuation day. | 0:33:38 | 0:33:46 | |
'Let's see what mystic magic Wilma and Kendal have to show Anita.' | 0:33:46 | 0:33:51 | |
What a great wee object! | 0:33:51 | 0:33:55 | |
It's a chap on a flying carpet made of bronze. | 0:33:55 | 0:34:00 | |
-Where did you get him? -He actually belongs to my mother. | 0:34:00 | 0:34:04 | |
She got him from her mother, who was a housekeeper | 0:34:04 | 0:34:08 | |
to a big house just outside Cupar. | 0:34:08 | 0:34:11 | |
It belonged to a Mrs Wilson from the Pilkington family, | 0:34:11 | 0:34:16 | |
and she used to change all the stuff in her house | 0:34:16 | 0:34:20 | |
and would offer my gran anything | 0:34:20 | 0:34:22 | |
cos it was going to charity or in the bin. | 0:34:22 | 0:34:25 | |
That was very generous. I'm glad this didn't go in the bin. | 0:34:25 | 0:34:29 | |
-Kendal, tell me, do you like it? -Yeah. -Uh-huh. | 0:34:29 | 0:34:33 | |
-Do you have it on display? -No. | 0:34:33 | 0:34:35 | |
He sat on the hall table at my mum's. We used him to keep a bit of paper down. | 0:34:35 | 0:34:42 | |
He's been used as a paper weight now and again. | 0:34:42 | 0:34:45 | |
-He disappeared months ago when she was changing her rooms. -Maybe he flew out the window! | 0:34:45 | 0:34:51 | |
When I went to look for him today, he seemed to have appeared by magic. | 0:34:51 | 0:34:56 | |
-Flew back in! -Yeah. Just sitting there with his back to us! | 0:34:56 | 0:35:01 | |
Let's look at him. He is a charming little bronze. He's made of bronze. | 0:35:01 | 0:35:06 | |
Probably made in Austria. | 0:35:06 | 0:35:09 | |
I haven't been able to find any maker's name or cast mark | 0:35:09 | 0:35:15 | |
on this little creature. | 0:35:15 | 0:35:17 | |
But it looks very much in the style of Lorenzl, who came from Austria. | 0:35:17 | 0:35:23 | |
The colour would have been painted while the bronze was cold. | 0:35:23 | 0:35:29 | |
It has a particular look. | 0:35:29 | 0:35:31 | |
We call it an Austrian cold-painted bronze. | 0:35:31 | 0:35:35 | |
Lorenzl often did animal figures, | 0:35:35 | 0:35:38 | |
but he was also interested in eastern subjects. | 0:35:38 | 0:35:42 | |
We're seeing this reflected in this character here. | 0:35:42 | 0:35:47 | |
He's an eastern gentleman. | 0:35:47 | 0:35:50 | |
He's sitting on a magic carpet | 0:35:50 | 0:35:52 | |
and he's counting his money. | 0:35:52 | 0:35:55 | |
One of the charming things, the thing I most like about this, | 0:35:55 | 0:35:59 | |
is the rumple in the edge of that carpet! | 0:35:59 | 0:36:04 | |
Isn't that an intriguing and charming detail? | 0:36:04 | 0:36:07 | |
I like this very much. | 0:36:07 | 0:36:11 | |
I would like to put him into auction with an estimate of £100 to £200. | 0:36:11 | 0:36:16 | |
-Really? -Uh-huh. I think that he's a smashing wee figure. | 0:36:16 | 0:36:20 | |
I would love to have found a maker's name. That would make a difference. | 0:36:20 | 0:36:25 | |
We can put him in at £100 to £200 with a reserve of, say, £80. | 0:36:25 | 0:36:31 | |
-Would you be happy with that, Kendal? -Yes! | 0:36:31 | 0:36:35 | |
It is a matter of going to auction. I know you'll be back at school then, but your mum will be there. | 0:36:35 | 0:36:43 | |
If it's OK, I'd like to bring my mum along, the owner of the little man. | 0:36:43 | 0:36:48 | |
That would be marvellous, and I hope this little guy takes a flier. | 0:36:48 | 0:36:54 | |
We've found our final lots for the day so it's time to say farewell to Balbirnie House. | 0:37:03 | 0:37:09 | |
There's more action to come in the auction. | 0:37:09 | 0:37:12 | |
'We're selling Wilma's magic carpet cold-painted bronze figure. | 0:37:12 | 0:37:18 | |
'It hasn't got a maker's mark but Anita has high hopes for it. | 0:37:18 | 0:37:23 | |
'The Turkish beaded snake was bought by Andrew when he was just eight. | 0:37:23 | 0:37:28 | |
'Let's hope he's got a beady eye for a profit. | 0:37:28 | 0:37:31 | |
'Betty and Jim's Moorcroft vases were a bargain at £4. | 0:37:31 | 0:37:35 | |
'Will they fetch their true value at auction? | 0:37:35 | 0:37:38 | |
'Before the sale, I caught up with auctioneer Sybelle Thomson | 0:37:42 | 0:37:48 | |
'to find out what she thinks.' | 0:37:48 | 0:37:51 | |
I keep saying Moorcroft never lets us down, but you never know. | 0:37:51 | 0:37:56 | |
Hopefully, these will fly away. They belong to Jim and Betty. | 0:37:56 | 0:38:01 | |
-They got them for £2 each at a car boot sale! -That's a bargain! | 0:38:01 | 0:38:05 | |
I think they will fly away. They're the waving corn pattern. | 0:38:05 | 0:38:09 | |
It's an interesting colour and the vendor might get a nice surprise. | 0:38:09 | 0:38:14 | |
-200? -Eugh! Pushing... -150? -150. | 0:38:14 | 0:38:17 | |
I hope they'll go the top estimate. | 0:38:17 | 0:38:20 | |
'More on Moorcroft later. | 0:38:20 | 0:38:23 | |
'First, let's see how Wilma and her mother Mary's bronze gets on.' | 0:38:23 | 0:38:29 | |
-Good luck! -Thank you. -I think we're going to be in for a little surprise here. We're looking at £100 to £200. | 0:38:30 | 0:38:38 | |
-It's a little rug seller. -Yes. -Selling Persian rugs. | 0:38:38 | 0:38:42 | |
It's absolutely delightful. I love the nicks in the rug. | 0:38:42 | 0:38:46 | |
And he's counting his money! | 0:38:46 | 0:38:49 | |
-Lots of it! I think you're going to go home with lots of it! -Hopefully. | 0:38:49 | 0:38:54 | |
-We could easily double the top end. -I'd love to see that. | 0:38:54 | 0:38:59 | |
We could triple it. You never know at an auction! This is so exciting. | 0:38:59 | 0:39:04 | |
I think this is a classic lot. Let's see it go. | 0:39:04 | 0:39:08 | |
The Vienna cold-painted bronze of the rug seller. | 0:39:08 | 0:39:13 | |
£50 for this. 30? | 0:39:13 | 0:39:15 | |
30 bid. 35. 40. Five... | 0:39:15 | 0:39:18 | |
-That's low! -..60. Five. | 0:39:18 | 0:39:22 | |
70. Five. 80. Five. 90... | 0:39:22 | 0:39:25 | |
-There is a phone. -Good. | 0:39:25 | 0:39:28 | |
..110. 120. 130. | 0:39:28 | 0:39:30 | |
< 140. 140. | 0:39:30 | 0:39:33 | |
Right at the back. 150. | 0:39:33 | 0:39:35 | |
160. Do you want in now, sir? 170. | 0:39:35 | 0:39:39 | |
180. 190. 190. | 0:39:39 | 0:39:42 | |
-Any advance on £190...? -There's another line. | 0:39:42 | 0:39:46 | |
200 on the phone. It's against you at 200. | 0:39:46 | 0:39:49 | |
210. | 0:39:49 | 0:39:51 | |
< 220. | 0:39:52 | 0:39:54 | |
220. | 0:39:54 | 0:39:55 | |
On the telephone at £220... | 0:39:55 | 0:40:00 | |
-Brilliant! I'm ever so pleased. -Much more than I expected. | 0:40:01 | 0:40:05 | |
-She still can't believe it. -The wee man has gone. | 0:40:05 | 0:40:09 | |
-The wee man has gone. -He has gone! | 0:40:09 | 0:40:12 | |
'What a result for a bronze masquerading as a paperweight! | 0:40:13 | 0:40:18 | |
'Now it's Andrew's bargain snake.' | 0:40:18 | 0:40:20 | |
-You bought this in a flea market when you were eight? -Yes. For £1. | 0:40:20 | 0:40:25 | |
You've really looked after your investment. | 0:40:25 | 0:40:29 | |
-Are you like that with everything? -If I know it's got some sort of worth, I'll keep it safe. | 0:40:29 | 0:40:35 | |
This man's going to be very rich! | 0:40:35 | 0:40:38 | |
Let's hope we make James's top end. It's going under the hammer now. | 0:40:38 | 0:40:43 | |
The Turkish prisoner of war beadwork snake. | 0:40:43 | 0:40:47 | |
I must start this at £25. 25. | 0:40:47 | 0:40:50 | |
30. Five. | 0:40:50 | 0:40:52 | |
40. Five. 50. Five. | 0:40:52 | 0:40:54 | |
I'll come to you. 60. Five. 65. | 0:40:54 | 0:40:57 | |
70. Five. 80. £80 on my left. | 0:40:57 | 0:41:00 | |
At 80. | 0:41:00 | 0:41:02 | |
85. 90. | 0:41:02 | 0:41:04 | |
100. 110. | 0:41:04 | 0:41:06 | |
110. 120. 120. Standing at 120. | 0:41:06 | 0:41:10 | |
Anyone else want in? | 0:41:10 | 0:41:13 | |
At £120... | 0:41:13 | 0:41:16 | |
-A good result. -The condition was very good. -And a good big size. | 0:41:16 | 0:41:21 | |
We've seen prisoner of war beadwork on the show before, by Italians and Turkish prisoners of war. | 0:41:21 | 0:41:27 | |
-They've struggled because beads are missing. -Very good condition. | 0:41:27 | 0:41:32 | |
-Excellent condition. Well done you! -Well done you! | 0:41:32 | 0:41:37 | |
'That's double top estimate for the sneaky snake. | 0:41:38 | 0:41:42 | |
'I hope Betty and Jim do that well with their Moorcroft vases.' | 0:41:42 | 0:41:46 | |
Why are you selling them? | 0:41:46 | 0:41:48 | |
-It's a good time to sell, I suppose. -We don't have them on show. | 0:41:48 | 0:41:53 | |
-Are you decluttering? -Yes. -Have you got lots? -Lots. -Lots and lots? | 0:41:53 | 0:41:58 | |
This couple are a pair of mad collectors. | 0:41:58 | 0:42:03 | |
Boot sales, charity shops, so they've got a big collection and they've got a great eye. | 0:42:03 | 0:42:10 | |
Let's find out what this lot think, the bidders. Ready? It's going under the hammer now. | 0:42:10 | 0:42:15 | |
The very nice pair of Moorcroft blue ground posy vases. | 0:42:15 | 0:42:22 | |
I've three closed bids on them. | 0:42:22 | 0:42:24 | |
I must start them at £330... | 0:42:24 | 0:42:28 | |
330 straight in! Oh, Betty! | 0:42:28 | 0:42:32 | |
..400. 400. 420. | 0:42:34 | 0:42:38 | |
450. | 0:42:43 | 0:42:45 | |
480... | 0:42:45 | 0:42:47 | |
-Was this a "come and buy me"? -You know me, Paul! | 0:42:47 | 0:42:50 | |
..500. 500. | 0:42:52 | 0:42:54 | |
-I'm wobbling. This is fantastic. -Phone beside me at £500. | 0:42:54 | 0:42:59 | |
Would anyone else like in at £500? | 0:42:59 | 0:43:01 | |
At £500... | 0:43:01 | 0:43:03 | |
-How about that? -Did you enjoy that? | 0:43:04 | 0:43:07 | |
-We got our £2 worth! -If you'd turned up and settled for £200, | 0:43:07 | 0:43:12 | |
you'd have said, "That's OK." | 0:43:12 | 0:43:14 | |
But no, a bit more and a bit more. | 0:43:14 | 0:43:17 | |
It goes to show, quality always sells. | 0:43:17 | 0:43:20 | |
Great name. Great condition. Thank you for coming in. | 0:43:20 | 0:43:24 | |
What a wonderful end to a fantastic day here just south of Edinburgh. | 0:43:24 | 0:43:29 | |
I can't wait to come back to Scotland. | 0:43:29 | 0:43:32 | |
Many more surprises to come, but from all of us, it's goodbye. | 0:43:32 | 0:43:37 | |
Subtitles by Red Bee Media Ltd | 0:43:52 | 0:43:55 | |
E-mail [email protected] | 0:43:55 | 0:43:58 |