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Hello. Welcome to Syon House in west London, | 0:00:32 | 0:00:35 | |
the traditional home of the Duke of Northumberland | 0:00:35 | 0:00:38 | |
whose family have lived here for over 400 years. | 0:00:38 | 0:00:40 | |
Favoured and visited by many a high-ranking royal | 0:00:40 | 0:00:44 | |
including Charles I, Queen Victoria and our very own monarch, Queen Elizabeth. | 0:00:44 | 0:00:49 | |
The grand scale and splendour of this magnificent house | 0:00:49 | 0:00:52 | |
for me resembles the Imperial Rome of a Hollywood epic. | 0:00:52 | 0:00:56 | |
So it comes as no surprise that this house is in constant demand | 0:00:56 | 0:00:59 | |
as a filming location. | 0:00:59 | 0:01:01 | |
It's provided the eye-catching backdrop for blockbusters such as Gosford Park | 0:01:01 | 0:01:05 | |
and The Madness of King George. | 0:01:05 | 0:01:07 | |
Over the years, we've seen our fair share of famous items grace the valuation tables | 0:01:07 | 0:01:12 | |
and where there's fame, there's often a small fortune attached as I found out. | 0:01:12 | 0:01:17 | |
I hope you enjoy looking at these clips of illustrious items from the Flog It archives. | 0:01:17 | 0:01:22 | |
We start today's journey through the archives | 0:01:26 | 0:01:29 | |
back in 2009, where Anita Manning was star-struck | 0:01:29 | 0:01:33 | |
when she met Rita and her Fab Four dolls in Weston-super-Mare. | 0:01:33 | 0:01:37 | |
-I love them! -I do, too. | 0:01:39 | 0:01:41 | |
# Yeah, yeah, yeah, yeah! # | 0:01:41 | 0:01:44 | |
-These are wonderful. I'm a great Beatles fan. -You are? | 0:01:44 | 0:01:48 | |
-Yes. -Good. Glad to hear it. -I believe you must be as well. | 0:01:48 | 0:01:52 | |
Yes, as long as I can remember. | 0:01:52 | 0:01:54 | |
Far more years than I care to remember. | 0:01:54 | 0:01:57 | |
-So you listened to them? -I did, all the time. -You diced? | 0:01:57 | 0:02:01 | |
I did. I drove my parents mad with the record player. | 0:02:01 | 0:02:04 | |
-Did you fall in love to the music? -Absolutely. | 0:02:04 | 0:02:07 | |
And with them, yes. Especially George. | 0:02:07 | 0:02:10 | |
-He was your favourite? -He was, yes. -Tell me, | 0:02:10 | 0:02:13 | |
-where did you get them? -I bought them in Bristol about 11 years ago. | 0:02:13 | 0:02:17 | |
-£80 for the four. -You had to have them? -I did, yes. | 0:02:17 | 0:02:20 | |
I did, yes. | 0:02:20 | 0:02:22 | |
-Have they been on display in your house? -For a little while. | 0:02:22 | 0:02:26 | |
But ten of the 11 years, they've been in a box under my bed. | 0:02:26 | 0:02:30 | |
Right. Let's have a close look at them. We have the four of them. | 0:02:30 | 0:02:34 | |
-They really are soft toys. -They are. | 0:02:34 | 0:02:37 | |
-They're made by an American company called Applause. -Right. | 0:02:37 | 0:02:43 | |
We have John, Paul, | 0:02:43 | 0:02:45 | |
-George and Ringo with his drumsticks. -Yes. | 0:02:45 | 0:02:51 | |
Now, these date from the 1980s. | 0:02:51 | 0:02:55 | |
-1987, I think. -1987. | 0:02:55 | 0:02:58 | |
-We have a little booklet. -Oh, yes. | 0:02:58 | 0:03:00 | |
Each with their own little details in. | 0:03:00 | 0:03:02 | |
"Beatles forever. The Fab Four." | 0:03:02 | 0:03:06 | |
-Absolutely. -Absolutely lovely. | 0:03:06 | 0:03:09 | |
-Now, you paid £80 for them. -Yes. | 0:03:09 | 0:03:12 | |
-For all of them. -I would like to put them into auction | 0:03:12 | 0:03:16 | |
-with an estimate of 50 to £80. -Yeah, that's fine. | 0:03:16 | 0:03:21 | |
-Fine. -Would you be happy? -Yes, fine. Absolutely fine. | 0:03:21 | 0:03:24 | |
I've had a lot of pleasure with them. | 0:03:24 | 0:03:26 | |
-Fine. That's fine. -We'll put a reserve of, say, £50. | 0:03:26 | 0:03:30 | |
-If we don't make that, you can take them back home again. -Fine. | 0:03:30 | 0:03:34 | |
If they sell, what are you going to do with the money? | 0:03:34 | 0:03:37 | |
I think I'll have a weekend away somewhere. Might be Liverpool! | 0:03:37 | 0:03:41 | |
Or it might be London, where I come from. | 0:03:41 | 0:03:44 | |
-Well, I think that would be a nice thing to do. -OK. | 0:03:44 | 0:03:48 | |
-I'll be at the auction. -Good. -We'll hope they'll do well. -Yep. | 0:03:48 | 0:03:51 | |
-And we'll have some fun! -I look forward to that. | 0:03:51 | 0:03:54 | |
We'll see a bit later if Rita got her ticket to ride! | 0:03:54 | 0:03:59 | |
Now, it's over to Corby where in 2006 | 0:03:59 | 0:04:02 | |
I was bowled over when I met Sue. | 0:04:02 | 0:04:05 | |
-Are you the cricket fan? -No, it was my dad's. It belonged to him. | 0:04:06 | 0:04:10 | |
He won it in 1987 | 0:04:10 | 0:04:12 | |
at our local cricket club. | 0:04:12 | 0:04:14 | |
I guess local meaning Northants. | 0:04:14 | 0:04:17 | |
-Because it's signed by the Northants squad here. -It is. | 0:04:17 | 0:04:21 | |
-As opposed to Yorkshire. You've got to support the locals. -Yes. | 0:04:21 | 0:04:24 | |
It is signed by the whole squad in '87. It's in fantastic condition. | 0:04:24 | 0:04:28 | |
-Is this something you'd like to sell? -Not really, it's just an object of interest. | 0:04:28 | 0:04:33 | |
-The memory. -We'll keep it in our family. | 0:04:33 | 0:04:35 | |
Value, something like this in auction is going to realise around £150. | 0:04:35 | 0:04:39 | |
-Hopefully the top end, £200, if you get it in the right sporting sale. -OK. -So hang on to it. | 0:04:39 | 0:04:44 | |
Meanwhile, across the room, David Barby had some politics to deal with | 0:04:49 | 0:04:53 | |
when Mary brought in an unwanted heirloom. | 0:04:53 | 0:04:57 | |
-Mary, are you a Liberal supporter? -Definitely not. I'm a true blue. | 0:04:57 | 0:05:01 | |
Oh, good. So am I! Why have you got this in your house, then? | 0:05:01 | 0:05:04 | |
Well, about 1960, an aunt died, a great-aunt. | 0:05:04 | 0:05:10 | |
And we had to clear her house out. I found him under the stairs! | 0:05:10 | 0:05:14 | |
I decided I would take him home, but I didn't like the look of him. | 0:05:14 | 0:05:19 | |
He's such a grumpy-looking old man. | 0:05:19 | 0:05:21 | |
So he hung in the woodshed for years and years! | 0:05:21 | 0:05:26 | |
With his face to the wall! | 0:05:27 | 0:05:29 | |
Oh, dear! He wasn't such a bad old stick, was he, really? | 0:05:29 | 0:05:33 | |
He was very philanthropic, certainly towards the ladies of the night! | 0:05:33 | 0:05:38 | |
-Really? -He tried to encourage them to go onto the straight road. -Oh. | 0:05:38 | 0:05:42 | |
This is quite an interesting piece. | 0:05:42 | 0:05:45 | |
It's a tile. It's a ceramic picture. The technique of it is quite clever. | 0:05:45 | 0:05:50 | |
-Think in terms of black and white in reverse. -Yes. | 0:05:52 | 0:05:55 | |
So those areas which are slightly darker have a deeper groove or moulding | 0:05:55 | 0:05:59 | |
in the actual ceramic mould. | 0:05:59 | 0:06:01 | |
When they poured glaze over it, it would receive more glaze and appear darker. | 0:06:01 | 0:06:06 | |
-I see. -So it's done in reverse. -Something like a negative? | 0:06:06 | 0:06:09 | |
Yes, absolutely. But the likeness is very good. It was taken from a photograph. | 0:06:09 | 0:06:14 | |
All the details are here. By a person calling himself Mr Mendelssohn. | 0:06:14 | 0:06:18 | |
It's dated here 1898. | 0:06:18 | 0:06:21 | |
At auction, I think the value of this is in the region of 40 to £60. | 0:06:22 | 0:06:28 | |
You're joking! | 0:06:28 | 0:06:31 | |
Did you expect more? | 0:06:31 | 0:06:32 | |
No! | 0:06:32 | 0:06:33 | |
-How much would you have paid for it? -Nothing - I'd have given it away! | 0:06:35 | 0:06:39 | |
Well, the gentleman has a very good history | 0:06:39 | 0:06:43 | |
and from the potting point of view, it's an excellent experimental piece of work. | 0:06:43 | 0:06:47 | |
So this is quite good. And there are so many of these produced towards the end of the 19th century | 0:06:47 | 0:06:54 | |
-that people do collect them. -You dear old man, you're not so bad after all! | 0:06:54 | 0:06:58 | |
Not at all. Give him a pat on the head! | 0:06:58 | 0:07:00 | |
We'll come back to Corby later | 0:07:03 | 0:07:04 | |
to see if grumpy Gladstone cracked a smile in the sale room. | 0:07:04 | 0:07:08 | |
Next it's Southend, where in 2009, | 0:07:09 | 0:07:12 | |
Ruth caught Thomas Plant's eye with her autograph book | 0:07:12 | 0:07:16 | |
stuffed full of famous signatures. | 0:07:16 | 0:07:19 | |
I used to be a film extra in the '70s and '80s and I collected signatures for my son. | 0:07:20 | 0:07:24 | |
-I've got some interesting names in there. -You have. -Yes. | 0:07:24 | 0:07:28 | |
I've got it open at a page which is lovely. | 0:07:28 | 0:07:30 | |
-It's Christopher Reeve. -Yes. | 0:07:30 | 0:07:32 | |
-He's done a little Superman there! -He has, yes. | 0:07:32 | 0:07:35 | |
-I've heard that he was a very, very nice man. -He was. | 0:07:35 | 0:07:38 | |
I worked with him on two Superman films and he was a fantastic person. | 0:07:38 | 0:07:43 | |
-Really friendly. -And I turn the page and there's Sean! -Yes. | 0:07:43 | 0:07:47 | |
-What was he like? -He was lovely. | 0:07:47 | 0:07:49 | |
-Yes? -A really nice man. | 0:07:49 | 0:07:51 | |
-A bit flirty, but he was lovely. -Was he? -Yes! | 0:07:51 | 0:07:54 | |
I worked with him on a film called Outlands. An outer space type thing. | 0:07:54 | 0:07:58 | |
He just knew everybody and he was very friendly. | 0:07:58 | 0:08:01 | |
So it's nice, really. | 0:08:01 | 0:08:03 | |
And for me especially, I've put my eye-glass chain here so I can turn it over. | 0:08:03 | 0:08:08 | |
-Talk about this one here. -Yes. | 0:08:08 | 0:08:10 | |
"Follow the FORCE! Mark Hamill." I think that's a very rare signature. | 0:08:10 | 0:08:14 | |
-Right. OK. -My understanding is Mark Hamill is not somebody who likes the limelight now. | 0:08:14 | 0:08:19 | |
-Yes. -He did the three Star Wars films. And nothing else after that, really. | 0:08:19 | 0:08:24 | |
There must have been a few roles for him. Where did you meet him? | 0:08:24 | 0:08:28 | |
I worked on Return of the Jedi, one of the Star Wars, 1985 I think it was. | 0:08:28 | 0:08:34 | |
And he was also very, very friendly. He was lovely to work with. | 0:08:34 | 0:08:38 | |
I just went up, "Can I have your autograph?" and he obliged. | 0:08:38 | 0:08:42 | |
-He put, "Follow the force", which I thought was great. -Great, isn't it? | 0:08:42 | 0:08:46 | |
-In this book, you have plenty of other signatures. -Yes. -Burt Reynolds. | 0:08:46 | 0:08:50 | |
-Burt Reynolds, yes. -What was he like? Was he a big man? A big bear? | 0:08:50 | 0:08:54 | |
-Just lovely. -Really? -Really nice man. | 0:08:54 | 0:08:57 | |
-You must have had such a good time. -I did. It was a wonderful time. | 0:08:57 | 0:09:00 | |
-And I did collect some great names in there. -Why are you selling it? | 0:09:00 | 0:09:04 | |
Well, I used to collect them for my son. He doesn't really want it. | 0:09:04 | 0:09:08 | |
So it's a shame. I think somebody who would appreciate those names | 0:09:08 | 0:09:13 | |
could maybe keep it in their collection. | 0:09:13 | 0:09:15 | |
The auctioneers will have to go through it | 0:09:15 | 0:09:18 | |
-and they'll make a list of who's in there. -Right. | 0:09:18 | 0:09:21 | |
-Signatures are not worth huge amounts of money, but Mark Hamill may be worth £40 on its own. -Yes. | 0:09:21 | 0:09:27 | |
-Sean Connery, 20 to 30. Christopher Reeve, 40 to 60. -Yes. | 0:09:27 | 0:09:31 | |
-We're already at £80. -Yes. -All the others on there, | 0:09:31 | 0:09:34 | |
-I think we've got some quite good signatures here. -Good. | 0:09:34 | 0:09:38 | |
I think it could make 120 to £180. | 0:09:38 | 0:09:41 | |
That would be wonderful. | 0:09:41 | 0:09:43 | |
-I'd like to fix the reserve at 80, and we've got a good chance of making some money. -Good. | 0:09:43 | 0:09:48 | |
We'll find out later if the signatures in Ruth's book were worth the paper they were written on! | 0:09:50 | 0:09:56 | |
I'm heading over to Nottingham now, back to 2006, | 0:09:57 | 0:10:00 | |
where Philip Serrell and Mark were reliving their halcyon days! | 0:10:00 | 0:10:04 | |
Let me guess. You are 47 years old? | 0:10:05 | 0:10:08 | |
-Slightly older. -Really? | 0:10:08 | 0:10:11 | |
-Tell me. -51. -You're making me feel better! -Thank you! -I'm 52 | 0:10:11 | 0:10:15 | |
-and these are toys of our childhood. -They are. | 0:10:15 | 0:10:18 | |
-Absolutely fabulous. -I love them to bits. | 0:10:18 | 0:10:21 | |
You've got some great cars here. That is a Ferrari 250 LM. | 0:10:21 | 0:10:26 | |
Le Mans is the LM. | 0:10:26 | 0:10:28 | |
-The back lifts up, look. -Beautiful. | 0:10:28 | 0:10:31 | |
That would be worth about £3 million, if it was the real thing. | 0:10:31 | 0:10:35 | |
I know. But it's a dream world. | 0:10:35 | 0:10:37 | |
Absolutely. Then you've got a Lotus Elan. | 0:10:37 | 0:10:41 | |
-It's the old Esso - tiger in my tank. -That's right. | 0:10:41 | 0:10:44 | |
-It's one of my favourites. -The tiger in the tank on the back. | 0:10:44 | 0:10:47 | |
And they're all boxed. | 0:10:47 | 0:10:49 | |
And we've got the Wall's ice cream van here. | 0:10:49 | 0:10:52 | |
These are all Corgi. | 0:10:52 | 0:10:54 | |
So they all date from, probably 1960s, aren't they? | 0:10:54 | 0:10:58 | |
About '67, eight, nine, '70. | 0:10:58 | 0:11:02 | |
-Late '60s, most of these. -They started to produce different things to make the cars quirkier. | 0:11:02 | 0:11:08 | |
-So some of them had suspension. The Mini was the first to have suspension. -Yes. | 0:11:08 | 0:11:13 | |
Then others would have lights. The engine lifted up. | 0:11:13 | 0:11:17 | |
This is a great one. Look at that. Steering. | 0:11:17 | 0:11:19 | |
You turn the thing on the roof and off it goes! | 0:11:19 | 0:11:23 | |
It's a driving school car, with the L plates on the front. | 0:11:23 | 0:11:27 | |
Brilliant. Look at that. | 0:11:27 | 0:11:29 | |
So you are now going to sell your childhood? | 0:11:29 | 0:11:31 | |
-I am. -Yep. I think they're going to show you a healthy return. | 0:11:31 | 0:11:35 | |
This little group here. What would that have been, about 4/6? | 0:11:35 | 0:11:39 | |
-Six and thruppence. -Hold on. | 0:11:39 | 0:11:41 | |
Six shillings is 30 pence. So that's 31 pence, isn't it? | 0:11:41 | 0:11:48 | |
So you've probably got under £10-worth of cars here. | 0:11:48 | 0:11:51 | |
I think this little lot is going to make 200 to £300 | 0:11:51 | 0:11:54 | |
and we'll put a reserve on this little lot of £150 for you. | 0:11:54 | 0:11:58 | |
I've pulled one out separately because it's a James Bond Aston Martin D.B.5. | 0:11:58 | 0:12:04 | |
It was that car that when Bond flicked over the gear lever, | 0:12:04 | 0:12:08 | |
-and pressed the button on the top, he shot Mr Goldfinger's assistant straight out through the roof! -Yes. | 0:12:08 | 0:12:15 | |
-That's the one in the film. -The thing is, when Corgi made these, they knew what we were like. | 0:12:15 | 0:12:21 | |
They knew we'd lose the one guy in the blue overall! | 0:12:21 | 0:12:25 | |
-So they put two guys in, didn't they? -Correct. | 0:12:25 | 0:12:27 | |
-Have you still got the two guys? -Yes. -Let's have a look. This is sad. -Awful, isn't it? | 0:12:27 | 0:12:32 | |
-So you press that there. -Yep. -Ooh, there's the man. | 0:12:32 | 0:12:37 | |
-And then we press the... -Press... -Press the exhaust, don't you? | 0:12:37 | 0:12:42 | |
-It brings the screen up. -The screen comes up. This is exciting! | 0:12:42 | 0:12:45 | |
Do you press another one at the front? That one there? | 0:12:45 | 0:12:49 | |
Then the machine guns at the front. | 0:12:49 | 0:12:52 | |
The bullet-proof screen. | 0:12:52 | 0:12:54 | |
We've catapulted the little guy in the blue overalls into kingdom come. | 0:12:54 | 0:12:58 | |
-Yeah. Still with the car is the spare man. -The spare man. | 0:12:58 | 0:13:03 | |
And the top secret instructions! | 0:13:03 | 0:13:07 | |
-Doesn't get any better than this, does it? Goodness me. -That's authentic. -Why sell that? | 0:13:07 | 0:13:12 | |
-It's been in the collection a long time. It's sitting there. -I can't believe it. | 0:13:12 | 0:13:16 | |
That is going to make 50 to £80. Reserve £40. | 0:13:16 | 0:13:22 | |
-But I think that's a top car. Are you happy to sell them? -I am, yes. | 0:13:22 | 0:13:26 | |
-You're bonkers! -Probably am! | 0:13:26 | 0:13:28 | |
We'll find out later! | 0:13:28 | 0:13:30 | |
Here's a recap of the first part of my collection of favourite star items. | 0:13:32 | 0:13:36 | |
Lovely Rita had Anita singing the praises for her iconic Beatles dolls. | 0:13:37 | 0:13:42 | |
Thomas Plant thought Ruth's book of autographs was a sign of success. | 0:13:43 | 0:13:48 | |
But did it do the business in the sale room? | 0:13:48 | 0:13:51 | |
It was fame in the fast lane for Philip when Mark brought in his James Bond Corgi car. | 0:13:52 | 0:13:57 | |
But was his collection licensed to thrill? | 0:13:57 | 0:14:00 | |
Finally, will anyone rescue poor Gladstone from the depths of Mary's shed? | 0:14:02 | 0:14:07 | |
Let's find out. | 0:14:11 | 0:14:12 | |
-Not only has it been in the shed, but facing the wall in the shed! -In the wood shed. | 0:14:14 | 0:14:19 | |
-You wouldn't give it house space? -I'd rather have you or David looking at me! | 0:14:19 | 0:14:23 | |
That's a nice compliment! | 0:14:23 | 0:14:26 | |
-Yeah! -This is quite an interesting tile, actually. | 0:14:26 | 0:14:29 | |
When it was first made, they couldn't decide if it was done by photographic process | 0:14:29 | 0:14:34 | |
or if it was hand-modelled. To this day, we don't know how it was produced. | 0:14:34 | 0:14:38 | |
Probably modelled by a Tory who wanted to make him look "Grr!" | 0:14:38 | 0:14:43 | |
-"Let's hit him with the ugly stick!" -Absolutely! -You're too political! | 0:14:43 | 0:14:47 | |
It's going under the hammer now. Good luck, Mary. | 0:14:47 | 0:14:50 | |
He's almost breaking into a smile, there! | 0:14:51 | 0:14:54 | |
£40 bid and you're all out. £40 I'm bid. | 0:14:54 | 0:14:58 | |
£40. Five. | 0:14:58 | 0:14:59 | |
£50 on commission. At 55. 60. | 0:14:59 | 0:15:02 | |
Five. 70. | 0:15:02 | 0:15:04 | |
You're both out. £70 with the lady. | 0:15:04 | 0:15:07 | |
Five. | 0:15:08 | 0:15:09 | |
£75. | 0:15:11 | 0:15:12 | |
All sold and away at £75. Are we done? | 0:15:13 | 0:15:17 | |
-Don't believe it! -Yes! | 0:15:17 | 0:15:19 | |
-Fantastic! £75! -I can't believe that! | 0:15:19 | 0:15:22 | |
I can't believe that! | 0:15:22 | 0:15:24 | |
-Somebody loved it. -They did. What will you put that towards? | 0:15:24 | 0:15:28 | |
A fortnight ago I bought a four-legged friend. | 0:15:28 | 0:15:32 | |
-What, a dog? -No. | 0:15:32 | 0:15:34 | |
-A cat? -No. | 0:15:34 | 0:15:35 | |
-A badger? Fox? -No! -What, then? | 0:15:35 | 0:15:38 | |
-A horse? -A heifer. -Did you? | 0:15:38 | 0:15:41 | |
She needs a new halter. | 0:15:41 | 0:15:43 | |
That's the heifer you bought? Have you given her a name? Look! | 0:15:43 | 0:15:47 | |
How much did she cost? | 0:15:47 | 0:15:50 | |
I daren't tell you! | 0:15:51 | 0:15:53 | |
Gladstone found one avid supporter, at least! | 0:15:54 | 0:15:56 | |
Now to Somerset to see if Rita's Beatles dolls found new fans. | 0:15:58 | 0:16:02 | |
-Will we need any help? Help me if you can! -I might! | 0:16:05 | 0:16:09 | |
Guess what it is - those Beatles dolls. | 0:16:09 | 0:16:12 | |
-I hope we get £50 for these. -I hope so. -Or a little bit more. | 0:16:12 | 0:16:15 | |
-Yes. -Found in Bristol. -Yes. | 0:16:15 | 0:16:17 | |
Why have you decided to sell them now? I know you're a fan. | 0:16:17 | 0:16:20 | |
I've got a lot of Beatles memorabilia anyway. | 0:16:20 | 0:16:23 | |
I've got all the records and books. These are dust collectors. | 0:16:23 | 0:16:28 | |
-I thought I'd let them go. -Bring them along to Anita! -I know! | 0:16:28 | 0:16:32 | |
The collectables market is vibrant. | 0:16:33 | 0:16:37 | |
-People love The Beatles. -Yeah. -Yeah, yeah, yeah! | 0:16:37 | 0:16:40 | |
Let's find out if everybody here in Clevedon likes them, shall we? | 0:16:40 | 0:16:45 | |
Here we go. | 0:16:45 | 0:16:46 | |
We have a set of four dressed dolls, depicting The Beatles. | 0:16:50 | 0:16:53 | |
I've got £35 on the book. Give me 40. | 0:16:55 | 0:16:58 | |
Four of them. 40, 40, 40? | 0:16:58 | 0:17:00 | |
£40 widow. £40 widow? | 0:17:00 | 0:17:02 | |
-40 I'm bid. Take five. -Fresh legs. -And 50? | 0:17:02 | 0:17:06 | |
And five. | 0:17:06 | 0:17:08 | |
And 60? | 0:17:08 | 0:17:09 | |
60 near the door now. | 0:17:09 | 0:17:11 | |
£55, your bid, sir. Waving the catalogue at 55. | 0:17:11 | 0:17:15 | |
60, anyone else? | 0:17:15 | 0:17:17 | |
All done, then, at £55. | 0:17:17 | 0:17:20 | |
£55! | 0:17:20 | 0:17:22 | |
-Is the money going towards more Beatles memorabilia? -Maybe a trip to Liverpool. | 0:17:25 | 0:17:29 | |
-To The Cavern? -I think so, yes. | 0:17:29 | 0:17:31 | |
-Enjoy it, won't you? -I will do. | 0:17:31 | 0:17:33 | |
-Maybe a trip on The Mersey, as well! -Yes, I've been on The Mersey. | 0:17:33 | 0:17:37 | |
A nice result for Rita! | 0:17:38 | 0:17:41 | |
Over to Southend, now. | 0:17:41 | 0:17:43 | |
Did the famous names in Ruth's book turn heads in the sale room? | 0:17:43 | 0:17:47 | |
-Which was the favourite? -I think probably Sean Connery. | 0:17:49 | 0:17:52 | |
Very suave. Very sexy man. | 0:17:52 | 0:17:55 | |
-Good value for money, Thomas. -Really good value for money. | 0:17:55 | 0:17:58 | |
Some wonderful signatures there. | 0:17:58 | 0:18:00 | |
It's kind of like an end of an era for you, isn't it? All these memories. | 0:18:00 | 0:18:05 | |
Yes, but they're all up here, still! | 0:18:05 | 0:18:08 | |
-That's the main thing. Treasure those. You can't sell those! -No! | 0:18:08 | 0:18:12 | |
A bit of interest. Commission bids, two of them. | 0:18:15 | 0:18:18 | |
I'm clearing the book at £100. Bid's here at £100. All done? Here with me | 0:18:18 | 0:18:23 | |
at 100 - and ten. 120. | 0:18:23 | 0:18:25 | |
-130. 140. -Good. | 0:18:25 | 0:18:27 | |
-150. 160. -Very good. | 0:18:27 | 0:18:30 | |
In the room at £170. Against you on the phone at 170. | 0:18:30 | 0:18:34 | |
Are we all done, then, at £170? | 0:18:34 | 0:18:36 | |
Last time. Hammer up and down. | 0:18:36 | 0:18:38 | |
At £170. | 0:18:38 | 0:18:40 | |
Well done, auctioneer! 170! Good valuation, Thomas! | 0:18:40 | 0:18:44 | |
-I'm very happy. -I've spent half of it already today! -Oh? On what? | 0:18:44 | 0:18:48 | |
-Here? -I bought a lovely locket for myself. -Today? -Yes. | 0:18:48 | 0:18:51 | |
That's what we like to see. | 0:18:51 | 0:18:53 | |
Putting the money back in the trade! | 0:18:53 | 0:18:55 | |
Thomas was right on the money there. | 0:18:55 | 0:18:58 | |
Now, Nottingham, where I caught up with auctioneer Stuart West | 0:19:00 | 0:19:03 | |
for a chat about Mark's Corgi cars. | 0:19:03 | 0:19:06 | |
I had one of these. I've still got the car, but not the box. There's a lot of value in the box. | 0:19:08 | 0:19:14 | |
We've got a value here of 50 to £80 and it is Aston Martin D.B.5. | 0:19:14 | 0:19:20 | |
Not the real one, but the next best thing! | 0:19:20 | 0:19:22 | |
I think that's quite cheap. | 0:19:22 | 0:19:24 | |
I agree. It should really outstrip that estimate quite easily. | 0:19:24 | 0:19:28 | |
-Lots of other toys in the sale. -So there'll be interest. | 0:19:28 | 0:19:32 | |
The toys and juvenalia buyers will be there. Fingers crossed, we'll do well. | 0:19:32 | 0:19:37 | |
-It's a cracking little car. -Good condition, with the box. | 0:19:37 | 0:19:41 | |
-It's a shame the box isn't 100%, or we'd have been talking... -£200. | 0:19:41 | 0:19:46 | |
-Easily. -Yeah. -Easily. -It's all in the packaging, now. | 0:19:46 | 0:19:49 | |
They don't just want the car, they want the whole thing. | 0:19:49 | 0:19:52 | |
Let's see whether they raced out of the sale room. | 0:19:55 | 0:19:58 | |
-Why are you flogging? -The time's come to move on. | 0:20:00 | 0:20:03 | |
Let's hope we get the top end of Philip's estimate. | 0:20:03 | 0:20:06 | |
-I reckon we'll get 80, possibly 120. -I hope so. We're all boys, aren't we? | 0:20:06 | 0:20:10 | |
Disappointed to hear you're a naughty boy. | 0:20:10 | 0:20:13 | |
Nah. That's the nearest thing to an Aston Martin D.B.5 I'm ever going to get! | 0:20:13 | 0:20:19 | |
The Corgi toys model 261. | 0:20:22 | 0:20:25 | |
Special Agent 007. | 0:20:25 | 0:20:28 | |
Being shown with its original box. | 0:20:28 | 0:20:30 | |
And I'm bid on commission £40. | 0:20:30 | 0:20:32 | |
Any advance on 40? Two. | 0:20:32 | 0:20:34 | |
Five. Eight, sir. | 0:20:34 | 0:20:36 | |
With you at £48. 50. Five. | 0:20:36 | 0:20:39 | |
-Come on, steady climb! -It's got to go. | 0:20:39 | 0:20:41 | |
With you at 75. Do I see 80? 80's bid. | 0:20:45 | 0:20:48 | |
Seated at £80. Any advance on 80? | 0:20:49 | 0:20:51 | |
Gentleman seated at £80. | 0:20:51 | 0:20:52 | |
All done at £80. | 0:20:52 | 0:20:55 | |
-80 quid. -Very good. -That's good. | 0:20:56 | 0:20:58 | |
The Bond car drove up a nice result. | 0:21:00 | 0:21:02 | |
So let's see how the rest of Mark's collection performed. | 0:21:02 | 0:21:06 | |
Various models and nicely boxed as well. | 0:21:10 | 0:21:14 | |
Lots of bids with me on commission. | 0:21:14 | 0:21:16 | |
And I have to start it at £190. | 0:21:16 | 0:21:21 | |
Looking for 200. With me at 190. 200. | 0:21:21 | 0:21:24 | |
210. 220. | 0:21:24 | 0:21:25 | |
Your bid of 220. 30. 40. | 0:21:25 | 0:21:28 | |
50. 60. 70. | 0:21:28 | 0:21:31 | |
And 80. 90. | 0:21:31 | 0:21:32 | |
300. 320, sir? | 0:21:32 | 0:21:34 | |
-No, he didn't want to... -You're out. | 0:21:34 | 0:21:37 | |
With you at £300. And 20 bid. | 0:21:37 | 0:21:39 | |
40. 360. | 0:21:39 | 0:21:41 | |
380. 400. | 0:21:41 | 0:21:42 | |
420. 440. | 0:21:42 | 0:21:44 | |
All done at 420. Do I see 40? | 0:21:45 | 0:21:48 | |
Any advance on 420? | 0:21:48 | 0:21:50 | |
All done, then. 40. He's back in. | 0:21:50 | 0:21:52 | |
460. You're out. With you at 440. | 0:21:52 | 0:21:55 | |
All done, then, at £440. | 0:21:55 | 0:21:57 | |
-Yes! What a result! -Absolutely! | 0:21:59 | 0:22:02 | |
What will you put all that towards? 440 quid, less commission. | 0:22:02 | 0:22:06 | |
I'll probably add to my cigarette card collection. | 0:22:06 | 0:22:10 | |
-How long have you been collecting? -About 15 years. | 0:22:10 | 0:22:13 | |
15 years. OK. How many hundreds or thousands have you got? | 0:22:13 | 0:22:18 | |
About 100,000. | 0:22:18 | 0:22:20 | |
Do you know exactly what each one is? | 0:22:21 | 0:22:23 | |
No! | 0:22:23 | 0:22:25 | |
Those cars really revved up the auction room in Nottingham. | 0:22:32 | 0:22:35 | |
But what happens if toy cars no longer get your motor running? | 0:22:35 | 0:22:39 | |
And you want one of these? | 0:22:44 | 0:22:45 | |
The real thing. That's exactly what Peter Nelson decided to collect. | 0:22:45 | 0:22:49 | |
He searched far and wide to assemble the world's biggest collection | 0:22:49 | 0:22:53 | |
of cars of the stars. | 0:22:53 | 0:22:55 | |
And they're right here in Edinburgh. | 0:22:55 | 0:22:57 | |
Peter, where did it all start? | 0:22:57 | 0:23:00 | |
I was driving my old MG TC and somebody jumped in front of me and asked to borrow it for a TV series. | 0:23:00 | 0:23:06 | |
That set me off thinking, "What happens to all the cars from TV and film?" | 0:23:06 | 0:23:11 | |
I travelled around the world to track them down. | 0:23:11 | 0:23:14 | |
Hop out. This is from Back To The Future. | 0:23:14 | 0:23:16 | |
Tell me all about them, Doc! | 0:23:16 | 0:23:18 | |
Mr Bean's mini! What a bit of fun. Is this the first car you bought? | 0:23:28 | 0:23:32 | |
The first car I ever had was a Mini, so I had to get a Mini from TV or film. | 0:23:32 | 0:23:38 | |
You wanted one. How much did you pay for this? | 0:23:38 | 0:23:40 | |
It's worth £50, really, but I paid 100 times that amount. | 0:23:40 | 0:23:45 | |
-Why? What's special about it? -Well, nothing. -Nothing! | 0:23:45 | 0:23:48 | |
What's the first film car you ever bought? | 0:23:48 | 0:23:50 | |
The first major car was the Trotters' van. | 0:23:50 | 0:23:54 | |
I saw it in a magazine. It was £995. | 0:23:54 | 0:23:57 | |
I bought it, sent it up to the museum. But then | 0:23:57 | 0:24:02 | |
the BBC rang up and said, "Somebody sold the van. Can we hire it back?" | 0:24:02 | 0:24:06 | |
-It was a big mistake and they wanted it back! -I hired it back for £995! -Good for you! | 0:24:06 | 0:24:11 | |
-Oh, my word! Look! -# -Da-na-na-na-na Batman! -# | 0:24:19 | 0:24:24 | |
How did you come across this? | 0:24:24 | 0:24:26 | |
This is my favourite car of all time. | 0:24:26 | 0:24:29 | |
I pestered Warner Brothers life out. 50 phone calls I had to make! | 0:24:29 | 0:24:33 | |
In the end, they said it should go to a museum. | 0:24:33 | 0:24:36 | |
"Leave me alone! You can have it!" It's huge! | 0:24:36 | 0:24:39 | |
What's underneath it? Is there a real car and does it drive? | 0:24:39 | 0:24:42 | |
There is. It was based on a Chevrolet Impala chassis. | 0:24:42 | 0:24:45 | |
Then they built this fabulous body on it. | 0:24:45 | 0:24:47 | |
-It's all fibreglass. -Yep. -And where was it built? | 0:24:47 | 0:24:50 | |
It was originally built in London. A firm called Protoco built it. | 0:24:50 | 0:24:55 | |
-What a great job they did of it. -It's incredible! | 0:24:55 | 0:24:58 | |
-Value-wise, are you allowed to talk about that? -No, I'm contracted not to say how much I paid for it. | 0:24:58 | 0:25:03 | |
But a car recently, without an engine or an interior | 0:25:03 | 0:25:08 | |
was sold for 380,000. | 0:25:08 | 0:25:10 | |
What's the most expensive film car sold to date? | 0:25:10 | 0:25:14 | |
Well, the most expensive film car wasn't exactly sold. | 0:25:14 | 0:25:18 | |
But one was stolen and the insurance company had to pay 4.2 million for it! | 0:25:18 | 0:25:24 | |
-What car was that? -It was James Bond's original Aston Martin D.B.5. | 0:25:24 | 0:25:28 | |
It was stolen in America and has gone forever. | 0:25:28 | 0:25:31 | |
-That's the one with the toys, the rocket launcher, the visor at the back, machine guns! -Yes. | 0:25:31 | 0:25:37 | |
-You haven't driven this down the high street? -Yes, I have. | 0:25:37 | 0:25:40 | |
It's an absolutely incredible car. You start it up and it sounds unbelievable. | 0:25:40 | 0:25:45 | |
-The whole town wakes up! -I bet it does! | 0:25:45 | 0:25:47 | |
Let me have a look at the front end. What does it look like? Cos it's so long! | 0:25:47 | 0:25:52 | |
A fabulously designed vehicle. Couldn't be better for a film. | 0:25:52 | 0:25:56 | |
How long is that? How many feet? | 0:25:56 | 0:25:57 | |
-It's about 24 feet. -Parking must be a nightmare! | 0:25:57 | 0:26:01 | |
Absolutely! | 0:26:01 | 0:26:02 | |
This brings back lots of memories for me. | 0:26:08 | 0:26:10 | |
The first movie my parents took me to see was The Love Bug. | 0:26:10 | 0:26:14 | |
It's got Herbie in it - and here she is! | 0:26:14 | 0:26:16 | |
-How did you come across her? -A phone call one night from Florida. | 0:26:16 | 0:26:20 | |
This chap said he had two of the original Herbie cars from the film and was I interested? | 0:26:20 | 0:26:25 | |
Of course I was, because Herbie was the star. It's great collecting cars that were the stars of the film. | 0:26:25 | 0:26:31 | |
Chitty Chitty Bang Bang or Herbie or Kit from Knight Rider. | 0:26:31 | 0:26:34 | |
What about provenance, originality? How can you tell that this was the car in the film? | 0:26:34 | 0:26:40 | |
It's quite easy with this one cos it was titled to Walt Disney Productions. | 0:26:40 | 0:26:44 | |
Most of the cars often are titled or the log books are in the name of the film company. | 0:26:44 | 0:26:51 | |
-So you can get an idea from that. -That's good provenance, then. | 0:26:51 | 0:26:54 | |
Or the registration number is the one used in the film | 0:26:54 | 0:26:59 | |
in British cars. | 0:26:59 | 0:27:01 | |
But you've got to be very careful cos there's so many replicas | 0:27:01 | 0:27:04 | |
and people try and pass off things which are not real. | 0:27:04 | 0:27:07 | |
So I do a lot of detective work and research to find out if they are the actually things. | 0:27:07 | 0:27:13 | |
If we wanted to start to collect cars of the stars, where can we get hold of them? | 0:27:13 | 0:27:17 | |
-Apart from buying them from you. -Well, that's it. | 0:27:17 | 0:27:20 | |
I've cornered the market in them! I've got them all, really. | 0:27:20 | 0:27:24 | |
But there's so many things connected with TV and film that you can collect. | 0:27:24 | 0:27:28 | |
You can collect props, film posters, or autographs of film stars. | 0:27:28 | 0:27:34 | |
It's brought back lots of memories for me. Thanks, Herbie! | 0:27:34 | 0:27:38 | |
Toot-toot! | 0:27:38 | 0:27:39 | |
If I could go home with any car in Peter's collection, | 0:27:43 | 0:27:46 | |
it would be this one, the Volvo P1800 driven by Simon Templar, The Saint. | 0:27:46 | 0:27:51 | |
A practical every day classic. | 0:27:53 | 0:27:56 | |
Now for more of my favourite A-list items from the archives. | 0:28:04 | 0:28:08 | |
Off to Swindon next, where, in 2008, | 0:28:10 | 0:28:13 | |
David Barby was waxing lyrical | 0:28:13 | 0:28:15 | |
when he came across Diane's stunning silver visitor's card case. | 0:28:15 | 0:28:20 | |
This is absolutely devastating! Do you know what it is? | 0:28:20 | 0:28:25 | |
We've always thought it was a visitor's card case. | 0:28:25 | 0:28:28 | |
Perfectly correct. Have you seen one like this before? | 0:28:28 | 0:28:31 | |
-Not so much decoration on it. -This is beautiful! | 0:28:31 | 0:28:36 | |
It's not just bright-cut, so you get the shiny elements in the decoration, | 0:28:36 | 0:28:41 | |
but it's also raised work as well. | 0:28:41 | 0:28:43 | |
When you look at all these flower heads and scrolls, | 0:28:43 | 0:28:46 | |
it's all raised. | 0:28:46 | 0:28:48 | |
Possibly cast originally, then chased away. | 0:28:48 | 0:28:53 | |
You have all this lovely open work here on a matt ground. | 0:28:53 | 0:28:56 | |
But what is such a feature | 0:28:56 | 0:28:58 | |
is the decoration in the centre panel here, | 0:28:58 | 0:29:01 | |
which is of a house. Do you know what the house is? | 0:29:01 | 0:29:04 | |
No. We would like to know. | 0:29:04 | 0:29:07 | |
That house is important and the one on the other side is important. | 0:29:07 | 0:29:11 | |
-Because it commemorates two major writers of the day. -Oh. | 0:29:11 | 0:29:16 | |
This one is Abbotsford. | 0:29:16 | 0:29:19 | |
-Where's that? -Who lived at Abbotsford? | 0:29:19 | 0:29:21 | |
Sir Walter Scott. | 0:29:21 | 0:29:23 | |
Oh! | 0:29:23 | 0:29:24 | |
On the other side, we have Newstead Abbey. | 0:29:24 | 0:29:28 | |
Who lived at Newstead Abbey? | 0:29:29 | 0:29:31 | |
Byron, the poet! | 0:29:31 | 0:29:33 | |
Oh! | 0:29:33 | 0:29:34 | |
So this commemorates two major literary figures of the early 19th century. | 0:29:34 | 0:29:41 | |
When I say early 19th century, | 0:29:41 | 0:29:44 | |
this little box dates from 1836. | 0:29:44 | 0:29:48 | |
1836? | 0:29:48 | 0:29:50 | |
-1836. -Gosh! | 0:29:50 | 0:29:52 | |
-Earlier than we thought. -Yes. | 0:29:52 | 0:29:54 | |
This was made in Birmingham by a company called Taylor and Perry. | 0:29:54 | 0:30:00 | |
-Right. -It's lovely! | 0:30:00 | 0:30:03 | |
Does this belong to you? | 0:30:03 | 0:30:05 | |
No, it's my father's. | 0:30:05 | 0:30:06 | |
-How much do you think it's worth yourself? -He did think about 200 to 300. | 0:30:06 | 0:30:13 | |
200 to 300. Well, I think he's got a sensible head on his shoulders. | 0:30:13 | 0:30:17 | |
-Where is he now, that you had to come along? -He's on a half-world cruise! | 0:30:17 | 0:30:21 | |
Oh! He doesn't really need the money, does he? | 0:30:21 | 0:30:24 | |
-He's working, though, on it. -Oh? What does he do? | 0:30:24 | 0:30:27 | |
-He's a dance host for Saga. -Really? | 0:30:27 | 0:30:30 | |
-Yes. -What a fascinating way to see the world! -Yes! | 0:30:30 | 0:30:33 | |
He left last week from Southampton to Sydney. | 0:30:33 | 0:30:37 | |
-Brilliant. -Australia. -Brilliant. | 0:30:37 | 0:30:39 | |
I reckon if it goes up for auction we should get something in the region of 400 to £600. | 0:30:39 | 0:30:46 | |
-Excellent. -That sort of price range. | 0:30:46 | 0:30:49 | |
But the factors are the decoration and the subject matter. | 0:30:49 | 0:30:54 | |
-Right. -Newstead Abbey. Abbotsford. | 0:30:54 | 0:30:56 | |
Locally made, Birmingham. | 0:30:56 | 0:30:58 | |
You've got all the ingredients. And the condition is so important. | 0:30:58 | 0:31:02 | |
-That's in perfect condition. -Yep. | 0:31:02 | 0:31:04 | |
I think it's a collectors' piece and I've seen wonderful collections of card cases. | 0:31:04 | 0:31:09 | |
But not as beautiful as this. | 0:31:10 | 0:31:12 | |
I think it's going to make the top end of the price. | 0:31:12 | 0:31:14 | |
I'll reveal whether that literary gem became a best-seller a bit later. | 0:31:16 | 0:31:21 | |
But first, let me show you three superstar items | 0:31:21 | 0:31:26 | |
that I think deserve another chance to shine in the limelight. | 0:31:26 | 0:31:30 | |
First up, this rather auspicious item. A slice of Andrew and Fergie's wedding cake | 0:31:30 | 0:31:36 | |
that John brought in to our valuation room in 2008 in Torquay. | 0:31:36 | 0:31:40 | |
My horses and I were on the procession and all the staff got a piece of wedding cake. | 0:31:40 | 0:31:45 | |
-Must have been a big old cake! -It was, yeah! | 0:31:45 | 0:31:48 | |
It was another fine result in Skegness in 2008 | 0:31:49 | 0:31:52 | |
when Kathleen's collection of famous shots snapped up a cool £170 at auction. | 0:31:52 | 0:31:59 | |
But it was clear from Colleen's Rolling Stones photos in 2009 | 0:32:01 | 0:32:05 | |
that gave Philip Serrell some serious satisfaction. | 0:32:05 | 0:32:08 | |
Do you know, you've made my day? | 0:32:08 | 0:32:11 | |
-Are you a Stones fan? -I'm a huge Stones fan. | 0:32:11 | 0:32:15 | |
Wild Horses couldn't stop it from reaching £520 in the sale room. | 0:32:15 | 0:32:21 | |
But I can't resist giving you another quick blast of The Beatles | 0:32:21 | 0:32:25 | |
as I take you back to Dunstable where in 2009 | 0:32:25 | 0:32:28 | |
I got to flick through the pages of Derek's rather special book. | 0:32:28 | 0:32:32 | |
John Lennon has got to be one of my all-time heroes. | 0:32:32 | 0:32:36 | |
How did you come by this little book? | 0:32:36 | 0:32:38 | |
It was left to me by my grandmother who passed away when I was in my early teens. | 0:32:38 | 0:32:43 | |
-It was left to me and I've had it ever since. -How did your grandmother get hold of this? | 0:32:43 | 0:32:48 | |
-She worked at Jonathan Cape, the publishers. -OK. | 0:32:48 | 0:32:51 | |
That's where she met him and got his autograph. | 0:32:51 | 0:32:53 | |
I don't doubt the signature at all. It's so hard. | 0:32:53 | 0:32:56 | |
-Yes. -Because there are so many fakes. | 0:32:56 | 0:32:59 | |
To tell whether or not it's genuine. I've seen enough in my time | 0:32:59 | 0:33:03 | |
-to be pretty sure. -Yeah. | 0:33:03 | 0:33:05 | |
-Obviously the auctioneer will want to do more research. -Obviously. | 0:33:05 | 0:33:09 | |
-It's the first publication, so that will carry weight to the value as well. -Good. | 0:33:09 | 0:33:15 | |
-But it is quite interesting to read it. -Yeah. | 0:33:15 | 0:33:21 | |
-It's almost madness, in a way. -It is. | 0:33:21 | 0:33:23 | |
It's hard to make sense of. | 0:33:23 | 0:33:25 | |
He drew the illustrations as well. "The Wrestling Dog". | 0:33:25 | 0:33:29 | |
Incredible. | 0:33:30 | 0:33:32 | |
All credit to you, because at the age of 13, | 0:33:32 | 0:33:34 | |
I would have got my felt tip pen out! | 0:33:34 | 0:33:37 | |
I'm not joking, Derek! | 0:33:37 | 0:33:39 | |
-I would have coloured them all in. Very neatly, mind you! Accurately! -Of course! | 0:33:39 | 0:33:45 | |
-But I would have devalued this. -I think with the signature, I was more keen to look after it. -Exactly. | 0:33:45 | 0:33:52 | |
Any idea of the value? | 0:33:54 | 0:33:56 | |
Have you done any research? | 0:33:56 | 0:33:58 | |
Slightly. Around the £1,000 mark. | 0:33:58 | 0:34:02 | |
It depends if he's signed to somebody, that can devalue the signature. | 0:34:04 | 0:34:08 | |
That devalues them. Because it's not personalised, it's worth a bit more. | 0:34:08 | 0:34:13 | |
-Right. -Also, funnily enough, signatures in pencil last longer. | 0:34:13 | 0:34:18 | |
Pencil lead won't fade so much. | 0:34:18 | 0:34:20 | |
-Whereas ink will gradually fade over time. -Right. | 0:34:20 | 0:34:23 | |
I would like to get this into auction with a value of 800 to £1,200. | 0:34:23 | 0:34:28 | |
That's where I feel it's going to find its own level. | 0:34:28 | 0:34:32 | |
Yeah. | 0:34:32 | 0:34:33 | |
So we could be looking hopefully in the middle at £1,000. | 0:34:33 | 0:34:38 | |
-Which is what you want, isn't it? -Yes. | 0:34:38 | 0:34:42 | |
-Could I get that reserve a little lower? -Um... | 0:34:42 | 0:34:45 | |
-No, I'd really like... -You want £1,000. -£1,000, please, yes. | 0:34:45 | 0:34:50 | |
Do you mind if we set the reserve at 1,000? | 0:34:50 | 0:34:53 | |
-No. No, I don't mind. -OK. | 0:34:53 | 0:34:56 | |
-All right, I'll go with you on this one. -OK. | 0:34:56 | 0:34:58 | |
Let's call the valuation 1,000 to £1,200. | 0:34:58 | 0:35:03 | |
Lovely. | 0:35:03 | 0:35:04 | |
-I think it will just get away. -Yeah. | 0:35:04 | 0:35:07 | |
Only just! | 0:35:07 | 0:35:09 | |
-It's right on the borderline. -Yeah. | 0:35:09 | 0:35:12 | |
Great. | 0:35:12 | 0:35:14 | |
From a '60s superstar to a modern-day legend. | 0:35:15 | 0:35:17 | |
All the way back to 2002 to Swindon where Kate Bliss discovered | 0:35:17 | 0:35:23 | |
that little Chris Hawkins had some big boots to fill! | 0:35:23 | 0:35:26 | |
Chris, you've got a really exciting lot for us today. | 0:35:29 | 0:35:32 | |
-We've got David Beckham's boots! -Yep. | 0:35:32 | 0:35:36 | |
Tell me how did you come by these? | 0:35:36 | 0:35:38 | |
It was on the internet, a competition to win them. | 0:35:38 | 0:35:42 | |
It was a quiz where you had to fill out the answers about football. | 0:35:42 | 0:35:45 | |
You had to get four out of five answers to go through and they put your name in a hat. | 0:35:45 | 0:35:49 | |
They were bought at auction by the company who owned the website | 0:35:49 | 0:35:54 | |
-for about 14,000, I think. -Is that right? -Yeah. | 0:35:54 | 0:35:58 | |
So after the competition, a few weeks later, | 0:35:58 | 0:36:01 | |
we got a message saying, "You've won the boots and you'll get them soon." | 0:36:01 | 0:36:08 | |
Wow! So are you a big fan of Manchester United? | 0:36:08 | 0:36:12 | |
I can't exactly say they're my favourite. Mine's Newcastle United. | 0:36:12 | 0:36:16 | |
They're best. Shearer. All the way. | 0:36:16 | 0:36:19 | |
So are you looking to sell them? | 0:36:19 | 0:36:22 | |
I'd be very pleased if I could sell them. | 0:36:22 | 0:36:24 | |
Have you had them valued since? | 0:36:24 | 0:36:27 | |
Yeah, I went on a website | 0:36:27 | 0:36:29 | |
-and they think about 2,500 to £3,000. -Right. | 0:36:29 | 0:36:34 | |
-I'd be happy to get that. -Right. | 0:36:34 | 0:36:37 | |
Well, David Beckham's loved the world over, isn't he? | 0:36:37 | 0:36:41 | |
Even I knew that and I know nothing about football. | 0:36:41 | 0:36:44 | |
Anything connected with him is very popular and very saleable at auction. | 0:36:44 | 0:36:49 | |
Sport memorabilia is actually quite a different market. | 0:36:49 | 0:36:54 | |
Something associated with such a personality, | 0:36:54 | 0:36:56 | |
having said that, will be worth a lot to sport enthusiasts. | 0:36:56 | 0:37:02 | |
So value, you thought about 2,500, £3,000. | 0:37:02 | 0:37:06 | |
To do them justice, they ought to go into a specialist sport memorabilia sale. | 0:37:06 | 0:37:13 | |
Where people can pick up on them there. | 0:37:13 | 0:37:16 | |
But you found them on the internet and that may be the best place to market them. | 0:37:16 | 0:37:20 | |
There's a lot of interest from Japan in this sort of thing, particularly Beckham. | 0:37:20 | 0:37:24 | |
If the auction house markets them in the correct way, and gets the right buyer, they have potential. | 0:37:24 | 0:37:30 | |
Let me do a bit more research for you and see how we can market them. | 0:37:30 | 0:37:35 | |
And we can set a reserve figure so it wouldn't go below a certain amount. | 0:37:35 | 0:37:39 | |
If the bidding didn't come up to that, you could have them back. | 0:37:39 | 0:37:43 | |
But we'll do our best and see what we can do. | 0:37:43 | 0:37:46 | |
How exciting. Something completely different! | 0:37:46 | 0:37:49 | |
So let me refresh your memory before I reveal | 0:37:50 | 0:37:53 | |
which of my last famous three items scored the biggest hit. | 0:37:53 | 0:37:57 | |
Was it instant Karma for Derek's autographed first edition John Lennon memoir? | 0:37:58 | 0:38:02 | |
Diane's silver visitor's card case brought a sparkle to David Barby's eye, | 0:38:04 | 0:38:08 | |
but did it shine through in the Cheltenham sale room? | 0:38:08 | 0:38:11 | |
Chris's David Beckham boots kicked us all into a football frenzy | 0:38:12 | 0:38:16 | |
so keep watching to see how high they scored at a sporting sale. | 0:38:16 | 0:38:20 | |
It's over to Cheltenham first | 0:38:24 | 0:38:26 | |
to see what kind of interest Diane's silver card case drummed up. | 0:38:26 | 0:38:30 | |
It's the best thing in the sale! | 0:38:32 | 0:38:34 | |
-Unbelievably good. -Yeah. -Really is good. | 0:38:34 | 0:38:37 | |
What will you do with the money? | 0:38:37 | 0:38:39 | |
Actually, it's my dad's, so it will all go to him. | 0:38:39 | 0:38:42 | |
-Hopefully he'll give me a bit of commission! -Let's hope we get that top end. | 0:38:42 | 0:38:46 | |
I'd like 600. | 0:38:46 | 0:38:48 | |
Victorian silver castle-topped card case. Repousse decorated. | 0:38:49 | 0:38:54 | |
300 to start. | 0:38:54 | 0:38:56 | |
£300. Bid at 300. At 300. | 0:38:56 | 0:38:58 | |
320. 350. | 0:38:59 | 0:39:01 | |
380. 400. | 0:39:01 | 0:39:03 | |
-Diane, we're selling. -420. | 0:39:03 | 0:39:05 | |
450. 480. | 0:39:05 | 0:39:07 | |
500. 520. 550. | 0:39:07 | 0:39:10 | |
At 550. | 0:39:11 | 0:39:13 | |
At 550. Are we all done? At 550 near me. | 0:39:13 | 0:39:17 | |
-I feel greedy. Come on! -At 550. | 0:39:17 | 0:39:20 | |
£550, Diane! | 0:39:21 | 0:39:24 | |
-Excellent! -You must be happy. David's very happy. -I'm delighted. | 0:39:24 | 0:39:28 | |
-Dad will be over the moon! -Yes, when he gets back. | 0:39:28 | 0:39:31 | |
-He's on a cruise at the moment. -Is he? -On his way to Australia. | 0:39:31 | 0:39:35 | |
-Sounds like he doesn't need the money! -No, he doesn't! | 0:39:35 | 0:39:38 | |
Diane's dad could certainly carry on cruising after that result! | 0:39:38 | 0:39:42 | |
Now to Tring, to find out if Derek's John Lennon book did the business. | 0:39:44 | 0:39:48 | |
There is a bit more Beatles memorabilia around, so fingers crossed. | 0:39:50 | 0:39:54 | |
Fingers crossed the Beatles fans will find this. | 0:39:54 | 0:39:58 | |
-I'm nervous, really. -Are you? -I'm wondering if it'll go or not. | 0:39:58 | 0:40:02 | |
-Fingers crossed. -Let's not end up being jealous guys, shall we? | 0:40:02 | 0:40:07 | |
Here we go. | 0:40:07 | 0:40:08 | |
There it is. Shall we start at 500. Thank you very much. 500 we're bid. | 0:40:10 | 0:40:16 | |
520 we have now. 550. | 0:40:16 | 0:40:19 | |
580. 600. | 0:40:19 | 0:40:21 | |
Let's move on. 650. 700. | 0:40:21 | 0:40:24 | |
And 750. | 0:40:24 | 0:40:25 | |
800. | 0:40:25 | 0:40:27 | |
850. 900 bid. | 0:40:27 | 0:40:29 | |
At 900 I'm bid. £900. Madam, 950, thank you. | 0:40:29 | 0:40:33 | |
At £950. At £950. | 0:40:33 | 0:40:36 | |
So 1,000 we've got. Thank you. 1,000 is bid for it now. | 0:40:36 | 0:40:39 | |
At 1,000. 1,050. 1,050. | 0:40:39 | 0:40:43 | |
Are you going to meet 11? 1,050. | 0:40:43 | 0:40:45 | |
You'll never get another chance. | 0:40:45 | 0:40:47 | |
1,100. That's the way. At £1,100, then. | 0:40:47 | 0:40:50 | |
OK. I shall sell it, then. | 0:40:50 | 0:40:52 | |
That hammer went down quickly. Well done, auctioneer. Good man. | 0:40:52 | 0:40:56 | |
-£1,100. -Yep. Not bad! -Not bad, was it? | 0:40:56 | 0:41:00 | |
-Not bad. Happy? -Yes. | 0:41:00 | 0:41:02 | |
I am. I'm certainly very happy! What will you put the money towards? | 0:41:02 | 0:41:06 | |
Some of it will be to help the cost of my son's driving lessons. | 0:41:06 | 0:41:10 | |
The rest, I don't know yet. Haven't made plans. | 0:41:10 | 0:41:14 | |
-Enjoy it, won't you? -I will do! Thank you very much. | 0:41:14 | 0:41:17 | |
Quality always sells. And what a name, as well. | 0:41:17 | 0:41:20 | |
A smash hit, and my estimate was right on the money. | 0:41:20 | 0:41:24 | |
Finally, when I took Chris and his mum to a specialist auction in 2002, | 0:41:26 | 0:41:30 | |
the young lad almost became as big a star as David Beckham! | 0:41:30 | 0:41:34 | |
-How are you feeling? -Very nervous. -Are you? | 0:41:37 | 0:41:39 | |
-Butterflies. Very shaky. -How's Mum? | 0:41:39 | 0:41:41 | |
Not very well! | 0:41:41 | 0:41:43 | |
-Extremely nervous! -I bet you are. | 0:41:43 | 0:41:46 | |
-You said it was like standing in the queue for? -The Big Dipper. -Big dipper! | 0:41:46 | 0:41:51 | |
-I think it might be as well! -Yeah! | 0:41:51 | 0:41:53 | |
These are going to sell, Kate? | 0:41:53 | 0:41:56 | |
Chris has his lucky tee-shirt on, I've got my lucky... I'd better not tell you! | 0:41:56 | 0:42:00 | |
-There they are. -Here we go. -Come on! | 0:42:02 | 0:42:05 | |
We can open here at 550. 600. 650. | 0:42:05 | 0:42:08 | |
Any advance on £650? | 0:42:08 | 0:42:10 | |
At 650. 700. 750. | 0:42:10 | 0:42:13 | |
800. 850. 900. 950. | 0:42:16 | 0:42:19 | |
-£1,000 on the telephone. Any advance on 1,000? 1,100 in the room. -Great! | 0:42:20 | 0:42:25 | |
1,200. | 0:42:25 | 0:42:28 | |
-Going on, sir? Back on the telephone at 1,300. -That's good! | 0:42:28 | 0:42:33 | |
1,400. | 0:42:33 | 0:42:35 | |
1,500. | 0:42:35 | 0:42:37 | |
At £1,500. In the room at 1,500. Any advance at £1,500? | 0:42:37 | 0:42:42 | |
I can feel you shaking! | 0:42:43 | 0:42:45 | |
-Are you pleased with that? -Yeah, I am. | 0:42:47 | 0:42:50 | |
I was hoping to get a lot more, but that will definitely do! | 0:42:50 | 0:42:53 | |
-That'll do you, won't it? -Yeah! | 0:42:53 | 0:42:55 | |
-How are you feeling? -I'm glad it's over! | 0:42:55 | 0:42:58 | |
Those football boots of David Beckham's certainly hit the back of the net! What a result. | 0:43:07 | 0:43:12 | |
It goes to show how lucrative the market is for celebrity memorabilia. | 0:43:12 | 0:43:17 | |
That brings us to the end of the show. | 0:43:17 | 0:43:20 | |
I hope you've enjoyed our trip through the archives and do join me again soon. | 0:43:20 | 0:43:24 | |
But for now, from Syon House, it's goodbye. | 0:43:24 | 0:43:27 | |
Subtitles by Red Bee Media Ltd | 0:43:45 | 0:43:48 |