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How do you make money for nothing? | 0:00:06 | 0:00:09 | |
The answer could be hiding in the 20 million tonnes | 0:00:11 | 0:00:14 | |
of household waste we throw out every year. | 0:00:14 | 0:00:18 | |
Before you throw that away, is there any chance | 0:00:18 | 0:00:20 | |
-I can have a quick chat to you about it? -Yeah, sure. | 0:00:20 | 0:00:22 | |
That's why entrepreneur Sarah Moore wants to get | 0:00:22 | 0:00:25 | |
her hands on things before they hit the skip. | 0:00:25 | 0:00:28 | |
I am a passionate buyer, maker and user of old stuff. | 0:00:30 | 0:00:34 | |
And I've turned that passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I turn old stuff into new stuff and sell it for a profit. | 0:00:37 | 0:00:41 | |
Sarah is ready to sift through as many boots and bin bags | 0:00:41 | 0:00:45 | |
as she needs to... | 0:00:45 | 0:00:46 | |
Look at that absolute box of joy. These are just fantastic. | 0:00:46 | 0:00:50 | |
..in her search for tip treasure. | 0:00:50 | 0:00:53 | |
We've got to be able make something out of that, haven't we? | 0:00:54 | 0:00:57 | |
And with some of the country's elite designers and makers... | 0:00:57 | 0:01:01 | |
-I've got a little something for you. -I thought you might. | 0:01:01 | 0:01:03 | |
Oh, this is a hard one! | 0:01:03 | 0:01:05 | |
..she can transform her finds into desirable... | 0:01:05 | 0:01:09 | |
Oh, my word. | 0:01:09 | 0:01:10 | |
..beautiful... | 0:01:10 | 0:01:12 | |
Oof! | 0:01:12 | 0:01:13 | |
-..valuable... -Cher-ching! | 0:01:13 | 0:01:16 | |
..and hopefully saleable items. | 0:01:16 | 0:01:19 | |
Well, I love this, so I would really like to have it. | 0:01:19 | 0:01:22 | |
If Sarah is successful, then she can hand the profits back | 0:01:23 | 0:01:26 | |
to the very people who had no idea | 0:01:26 | 0:01:28 | |
there was cash to be made from their trash. | 0:01:28 | 0:01:31 | |
That is incredible, isn't it? | 0:01:31 | 0:01:34 | |
The Bredbury recycling centre in Stockport near Manchester. | 0:01:45 | 0:01:49 | |
Every year we throw away ten million pieces of furniture | 0:01:49 | 0:01:53 | |
at centres like this. | 0:01:53 | 0:01:56 | |
Most ends up in landfill, but some could be reused. | 0:01:56 | 0:02:00 | |
There is tonnes and tonnes of rubbish coming through this place every day. | 0:02:01 | 0:02:05 | |
And I'm a woman on a mission. | 0:02:05 | 0:02:07 | |
I'm out there to find those little pieces | 0:02:07 | 0:02:10 | |
that are worth their weight in gold. | 0:02:10 | 0:02:12 | |
Sarah has special permission to scout these skips, | 0:02:15 | 0:02:18 | |
so please don't go raiding your local recycling centre. | 0:02:18 | 0:02:22 | |
-That's seen some fun, then? -It has. | 0:02:22 | 0:02:25 | |
She's searching for three pieces which, once reworked and sold, | 0:02:25 | 0:02:29 | |
will produce a payout for their original owner. | 0:02:29 | 0:02:32 | |
Copper is very on trend, you know that? What would you make out of it? | 0:02:32 | 0:02:36 | |
-Some skis. -Skis? -Yeah. | 0:02:36 | 0:02:38 | |
Not sure about the skis. | 0:02:38 | 0:02:41 | |
But I don't want to SNOW on anyone's parade! | 0:02:41 | 0:02:44 | |
-Looks like Sarah may be off to a flying start. -Is this going? | 0:02:45 | 0:02:49 | |
-It is. -She's spotted John, | 0:02:49 | 0:02:51 | |
who is off-loading a big old item of furniture. | 0:02:51 | 0:02:55 | |
-It's really heavy. -It is. | 0:02:55 | 0:02:57 | |
-Was it yours or...? -It was actually a great-aunt of my wife's. | 0:02:57 | 0:03:02 | |
Wow, that's brilliant. Lovely. | 0:03:02 | 0:03:04 | |
So it looks like it's got some Bakelite handles on it, | 0:03:04 | 0:03:06 | |
so it's obviously got some age to it, hasn't it? | 0:03:06 | 0:03:08 | |
-I would say it's sort of turn of the century kind of thing. -Brilliant. | 0:03:08 | 0:03:13 | |
And so what was your wife's aunt's name? | 0:03:13 | 0:03:16 | |
-Oh, gosh, I forgot! -Something like Maud or Audrey, isn't it? | 0:03:16 | 0:03:19 | |
-You've put me on the spot now! I've forgotten. -Come on, John! | 0:03:19 | 0:03:22 | |
-Mary. It was Mary. -Mary. | 0:03:22 | 0:03:24 | |
Fantastic. Well, if you don't mind us taking Mary's chest of drawers away. | 0:03:24 | 0:03:28 | |
Of course. I would much rather it was put to some good use | 0:03:28 | 0:03:31 | |
-than get thrown away on the tip. -I absolutely love it. | 0:03:31 | 0:03:33 | |
I think it's got real substance to it. | 0:03:33 | 0:03:36 | |
Shall we just pop...? That way. That'd be fab. Thank you. | 0:03:36 | 0:03:39 | |
Great Aunt Mary's chest of drawers | 0:03:39 | 0:03:41 | |
could have major profit potential. | 0:03:41 | 0:03:43 | |
Good work, Sarah. | 0:03:43 | 0:03:45 | |
If we just pop it... I'll just go in here with it. | 0:03:45 | 0:03:47 | |
That'll be great. Thank you. | 0:03:47 | 0:03:48 | |
Getting a hand with the heavy lifting. Genius! | 0:03:48 | 0:03:51 | |
What a great old piece of furniture. | 0:03:53 | 0:03:56 | |
It's obviously got some history to it. It's not in perfect condition. | 0:03:56 | 0:03:59 | |
There's a massive split all down the side here. | 0:03:59 | 0:04:02 | |
And there's a few chips off the corners of it. | 0:04:02 | 0:04:04 | |
But this is a solid, heavy - it's really heavy - piece of furniture. | 0:04:04 | 0:04:08 | |
Something really good to work with. | 0:04:08 | 0:04:11 | |
And Sarah's enthusiasm has got a cabinet-maker John thinking. | 0:04:11 | 0:04:15 | |
Personally, if I was to do something with it, I would strip it, | 0:04:15 | 0:04:19 | |
seal it, wax it, put new handles on. And just... | 0:04:19 | 0:04:22 | |
Because it's a good, solid piece of furniture, it can be reused. | 0:04:22 | 0:04:25 | |
If we just restore this, I think it would look lovely. | 0:04:25 | 0:04:28 | |
But I think we can probably push it a bit further than that | 0:04:28 | 0:04:30 | |
and make something really special out of it. | 0:04:30 | 0:04:33 | |
So it's a really pleasing find. | 0:04:33 | 0:04:35 | |
And with radical furniture rejuvenator Zoe Murphy lined up | 0:04:35 | 0:04:40 | |
to take on the project, this could become a treasure chest. | 0:04:40 | 0:04:45 | |
Zoe is a screen-printing and textile-design queen. | 0:04:45 | 0:04:48 | |
Her bright, '50s-inspired designs | 0:04:48 | 0:04:51 | |
have taken the reconditioned furniture world by storm. | 0:04:51 | 0:04:55 | |
She even sells bespoke pieces to Liberty's of London, | 0:04:55 | 0:04:59 | |
and her work sells at a premium. | 0:04:59 | 0:05:02 | |
I work predominantly by putting images onto old pieces of furniture. | 0:05:02 | 0:05:06 | |
Everything I make is a lot of the time about fun. | 0:05:06 | 0:05:10 | |
I'm based in Margate. | 0:05:11 | 0:05:13 | |
I really kind of revel | 0:05:13 | 0:05:14 | |
in all the sort of faded glory and glamour of the place. | 0:05:14 | 0:05:17 | |
So I really believe that things should always be given | 0:05:17 | 0:05:19 | |
a second chance, and I try to see the good in stuff like that. | 0:05:19 | 0:05:23 | |
Let's hope Zoe sees the good in Great Aunt Mary's chunky chest. | 0:05:23 | 0:05:28 | |
Back at the recycling centre... | 0:05:31 | 0:05:33 | |
..and Sarah is searching out a second item. | 0:05:34 | 0:05:37 | |
Would it be OK to have a look through your rubbish? Would you mind? | 0:05:37 | 0:05:39 | |
-Not at all. -Really? -Yeah, sure. | 0:05:39 | 0:05:41 | |
Nearby, Neil has some interesting-looking kitchen worktops | 0:05:43 | 0:05:48 | |
destined for the skip. | 0:05:48 | 0:05:49 | |
And he's roped in father-in-law Roy to help him out. | 0:05:49 | 0:05:53 | |
I'm just the odd-job man. I'm the guy who supplies the trailer | 0:05:53 | 0:05:56 | |
and the car to bring the rubbish to the tip. | 0:05:56 | 0:06:00 | |
-Do you mind if I have a look at your rubbish? -No, no, help yourself. | 0:06:00 | 0:06:03 | |
-New kitchen, is it? Old kitchen? -Well, it's part of... | 0:06:03 | 0:06:08 | |
We've just put a new kitchen in. | 0:06:08 | 0:06:09 | |
-Right. -And it's what's actually left over. | 0:06:09 | 0:06:11 | |
-Really? So you're getting rid of that bit? -Yeah, yeah, yeah. | 0:06:11 | 0:06:14 | |
-It's heavy. -Don't worry. I'm not going to touch it. I was just... | 0:06:14 | 0:06:17 | |
Just looking at it. | 0:06:17 | 0:06:19 | |
Would it be something that I might be able to work with, or...? | 0:06:19 | 0:06:21 | |
Well, yeah. When we put it in I thought, "Crikey, it's a shame to throw it away, but..." | 0:06:21 | 0:06:25 | |
-Oh, you've got more of it! -Yeah, yeah. | 0:06:25 | 0:06:28 | |
Fantastic. This is my lucky day. | 0:06:28 | 0:06:29 | |
Just here would be lovely. Thank you. | 0:06:29 | 0:06:32 | |
That's amazing. It's got a lovely, luxury feel to it. | 0:06:32 | 0:06:36 | |
I bet your kitchen looks great, doesn't it? | 0:06:36 | 0:06:38 | |
-Does your kitchen look good, Neil? -Yeah. -Yeah? | 0:06:38 | 0:06:41 | |
These worktops are sometimes known as engineered stone, | 0:06:41 | 0:06:44 | |
which is essentially ground-up stone, | 0:06:44 | 0:06:47 | |
in this case marble bound together by resin. | 0:06:47 | 0:06:50 | |
Is there any care that they've told you about using with it? | 0:06:50 | 0:06:53 | |
-It's man-made, so it's a resin. -OK. | 0:06:53 | 0:06:55 | |
So you polish it all up, polish all the joints out of it. | 0:06:55 | 0:06:57 | |
-It's a bit like Corian. -That's what I was thinking. | 0:06:57 | 0:06:59 | |
Fantastic. I don't know what I'm going to do with it now. | 0:06:59 | 0:07:02 | |
These big chunks of it make it really useful. That's brill. | 0:07:02 | 0:07:04 | |
Thanks ever so much. | 0:07:04 | 0:07:06 | |
And straightaway you can see that these could be made into... | 0:07:06 | 0:07:09 | |
um, er... | 0:07:09 | 0:07:11 | |
Neil, Roy? | 0:07:11 | 0:07:13 | |
-I have no idea. -Make a desk out of it. -No, I don't know. | 0:07:13 | 0:07:18 | |
-Make some chopping boards out of it. -Yeah, chopping boards, yeah. Yeah. | 0:07:18 | 0:07:22 | |
-But the big piece, that might do for a worktop somewhere. -Yeah. | 0:07:22 | 0:07:25 | |
In a small kitchen. Maybe. I don't know. Don't know. | 0:07:25 | 0:07:28 | |
And Sarah has got her thinking cap on, too. | 0:07:30 | 0:07:33 | |
It's really heavy, it's really chunky. It feels... | 0:07:33 | 0:07:36 | |
It's got a cold, stone-like feeling to it. | 0:07:36 | 0:07:40 | |
So that makes it quite appealing. | 0:07:40 | 0:07:41 | |
Are there are a couple of side tables there? | 0:07:41 | 0:07:44 | |
Is that something that goes in somebody's garden | 0:07:44 | 0:07:46 | |
on a really cool pair of legs. | 0:07:46 | 0:07:48 | |
Perhaps reworking this man-made marble is a job for a woman. | 0:07:48 | 0:07:53 | |
And if anyone can re-purpose this surface, | 0:07:55 | 0:07:57 | |
it's artist blacksmith Bex Simon. | 0:07:57 | 0:08:00 | |
Bex's mastery of some of the toughest materials around | 0:08:00 | 0:08:03 | |
allows her to create original, | 0:08:03 | 0:08:06 | |
organically inspired designed pieces. | 0:08:06 | 0:08:08 | |
And, although it can be hot, heavy work, | 0:08:08 | 0:08:12 | |
it can also be truly rewarding. | 0:08:12 | 0:08:14 | |
This sort of thing is quite new to us, | 0:08:14 | 0:08:16 | |
cos we normally work on a commission basis. | 0:08:16 | 0:08:19 | |
So to be presented something | 0:08:19 | 0:08:22 | |
and turn it into something else is quite exciting for us. | 0:08:22 | 0:08:27 | |
So I like the challenge. | 0:08:27 | 0:08:28 | |
And I'm really interested to see what she's found | 0:08:28 | 0:08:31 | |
and what we can do to it, so, yeah, it'll be good. | 0:08:31 | 0:08:35 | |
Let's hope that the man-made marble sparks Bex's imagination, | 0:08:37 | 0:08:42 | |
providing a searing profit for Neil and Roy. | 0:08:42 | 0:08:44 | |
With two items allocated to those clever craftspeople, | 0:08:51 | 0:08:55 | |
Sarah is back, searching the site for something of a personal project. | 0:08:55 | 0:08:59 | |
Yeah, I don't know whether I'd be able make something or not. | 0:08:59 | 0:09:03 | |
It's really... I think I might struggle to do something with it. | 0:09:03 | 0:09:05 | |
-Thank you ever so much for your time. -OK. No problem. | 0:09:05 | 0:09:10 | |
So therapeutic. | 0:09:10 | 0:09:12 | |
As therapeutic as this may be, | 0:09:13 | 0:09:15 | |
I don't think there's money to be made in broken crockery. | 0:09:15 | 0:09:19 | |
And, at the other end of the dump, | 0:09:19 | 0:09:22 | |
Joanne has some old dining chairs that catch Sarah's eye. | 0:09:22 | 0:09:26 | |
-You've got a couple of them? You've got three? -Yeah, there's about three. | 0:09:26 | 0:09:29 | |
Fab. I'd love to have a look at all three. | 0:09:29 | 0:09:31 | |
I'm just trying to work out how old they are. So these... | 0:09:31 | 0:09:34 | |
Yeah, I think these are quite interesting, because we've got three of them. | 0:09:34 | 0:09:37 | |
That's fab, that's brilliant. Thank you. | 0:09:37 | 0:09:41 | |
-And what else have you got? Dolls in there as well? -Yeah. | 0:09:41 | 0:09:44 | |
A friend gave us some. And I gave them to my granddaughter | 0:09:44 | 0:09:48 | |
-and she was scared of them. -Oh, really? -That one. | 0:09:48 | 0:09:51 | |
That one, she was really scared of that one. | 0:09:51 | 0:09:53 | |
You can probably see why, can't you? From a child's point of view! | 0:09:53 | 0:09:57 | |
Wow. I think those we can't do much with. | 0:09:57 | 0:10:00 | |
But I think the chairs might be worth... | 0:10:00 | 0:10:03 | |
If I could do something with them, is it all right to keep in contact | 0:10:03 | 0:10:06 | |
-and show you what I did with them and that kind of thing? -Yeah. -Yeah? | 0:10:06 | 0:10:08 | |
-Fab. -So you're going to restore things like that, is it? | 0:10:08 | 0:10:11 | |
Yeah. And these have got a recognisable retro style to them. | 0:10:11 | 0:10:15 | |
So if somebody is doing up their house and they want it | 0:10:15 | 0:10:18 | |
to have a 1950s look, 1960s look, | 0:10:18 | 0:10:20 | |
then people are trying to buy up things like this | 0:10:20 | 0:10:23 | |
to complete their look. | 0:10:23 | 0:10:25 | |
So, er... They might... | 0:10:25 | 0:10:27 | |
It would be really interesting to see what you could make | 0:10:27 | 0:10:30 | |
out of something like that. | 0:10:30 | 0:10:31 | |
Well, I think it will only ever be a chair, | 0:10:31 | 0:10:33 | |
but it might just be...you know, just modernised a bit. | 0:10:33 | 0:10:37 | |
If these chairs scrub up well, | 0:10:39 | 0:10:41 | |
Joanne could be sitting pretty with a profit. | 0:10:41 | 0:10:44 | |
I don't think there'd be any value in them, as they are, no. | 0:10:45 | 0:10:49 | |
But if she does 'em up, then sells them, good on her. | 0:10:50 | 0:10:54 | |
Well done for working hard on 'em. | 0:10:54 | 0:10:56 | |
I wish I had that talent to be able to do it. And the time. | 0:10:58 | 0:11:03 | |
I'd love to give them a new lease of life. | 0:11:04 | 0:11:07 | |
I'm thinking strip off this tired old Dralon | 0:11:07 | 0:11:09 | |
and put something really bright and beautiful on their seats. | 0:11:09 | 0:11:12 | |
It would be really great if, after a little makeover, | 0:11:12 | 0:11:15 | |
we might be able to get over £50 each for these beauties. | 0:11:15 | 0:11:19 | |
And after we've taken out some expenses, | 0:11:19 | 0:11:21 | |
I reckon £100 to hand over - that would be great, wouldn't it? | 0:11:21 | 0:11:25 | |
Now Sarah's designers each have their restoration projects. | 0:11:28 | 0:11:32 | |
Zoe will reimagine John's chest of drawers. | 0:11:32 | 0:11:36 | |
Bex will cook up something fantastic | 0:11:36 | 0:11:38 | |
with Neil and Roy's kitchen worktops. | 0:11:38 | 0:11:41 | |
And Sarah will set about Joanne's old seats, | 0:11:41 | 0:11:44 | |
hopefully ending up with something sensational. | 0:11:44 | 0:11:48 | |
I've saved three fabulous pieces here today. | 0:11:48 | 0:11:51 | |
And I'm going to make lots of money from them. I hope! | 0:11:51 | 0:11:55 | |
It's back to the sunny seaside town of Margate | 0:12:02 | 0:12:06 | |
where furniture design guru Zoe is poised to discover | 0:12:06 | 0:12:10 | |
just what it is that Sarah wants to get off her chest. | 0:12:10 | 0:12:14 | |
I'm really excited, because Sarah is bringing along | 0:12:14 | 0:12:16 | |
a piece of furniture for me to have a look at. | 0:12:16 | 0:12:20 | |
I'm thinking it probably will be something that is really well made | 0:12:20 | 0:12:23 | |
but definitely shabby and needing some care and attention. | 0:12:23 | 0:12:27 | |
So that should be good. I trust her. | 0:12:27 | 0:12:30 | |
Do you? | 0:12:30 | 0:12:31 | |
Yeah, I think so. | 0:12:31 | 0:12:33 | |
-Hiya. -Hiya, how are you doing? -I'm really well. | 0:12:33 | 0:12:37 | |
-How are you? -Good. Good to see you. Now, don't look. | 0:12:37 | 0:12:40 | |
I don't know if you're going to like it or not. | 0:12:40 | 0:12:43 | |
-It's massive! -It's really heavy as well. Are you all right to just help? | 0:12:43 | 0:12:47 | |
-Yes. -Bring it in out... | 0:12:47 | 0:12:50 | |
-Oh, my goodness. -It's so heavy. -What a monster! | 0:12:50 | 0:12:53 | |
-So someone was throwing this away? -Yeah, yeah. -Oh, why? | 0:12:53 | 0:12:56 | |
Who did it belong to? | 0:12:56 | 0:12:58 | |
I think the guy said he'd had it in his garage for ages. | 0:12:58 | 0:13:02 | |
He'd been storing things in it, and he was a cabinet-maker. | 0:13:02 | 0:13:05 | |
-Had he made it? -No, no. I think it had just been in his family. | 0:13:05 | 0:13:08 | |
I actually really like it. It looks really good quality. | 0:13:08 | 0:13:12 | |
It's got all the dovetail joints and everything, so it is a solid piece. | 0:13:12 | 0:13:15 | |
I had all sorts of ideas, but I've just seen one of your new pieces. | 0:13:15 | 0:13:19 | |
It's just blown away all the thoughts I had about it. | 0:13:19 | 0:13:22 | |
So I'd really like to hear what you think you could do with it. | 0:13:22 | 0:13:25 | |
It's really big, but it looks really well made. | 0:13:25 | 0:13:28 | |
I love padding drawer linings with fabric | 0:13:28 | 0:13:31 | |
or bright-coloured patterned papers and boards | 0:13:31 | 0:13:34 | |
and creating almost like oversized treasure chests. | 0:13:34 | 0:13:38 | |
Have you had any initial thoughts about what style of pattern | 0:13:38 | 0:13:41 | |
or what kind of thing we could use for it? | 0:13:41 | 0:13:43 | |
In here is the beginnings of a bit of an illustration | 0:13:43 | 0:13:47 | |
about a slightly more traditional, more Arts & Crafts, | 0:13:47 | 0:13:50 | |
sort of heritage designs that could go onto a piece like this. | 0:13:50 | 0:13:53 | |
Masculine and kind of audacious and...and making a statement. | 0:13:53 | 0:13:58 | |
I think that looks fantastic. | 0:13:58 | 0:14:00 | |
I actually love the bird, I have to say. | 0:14:00 | 0:14:03 | |
-That looks quite cool on there. -I think that'll be brilliant. | 0:14:03 | 0:14:06 | |
Big, bold, audacious floral prints. | 0:14:06 | 0:14:08 | |
New handles, new linings. | 0:14:08 | 0:14:10 | |
I'm sure when it's finished it's going to be the kind of piece | 0:14:10 | 0:14:14 | |
which would easily be able to DRAW a crowd. | 0:14:14 | 0:14:18 | |
It sounds like it's going to be a labour of love. | 0:14:18 | 0:14:20 | |
How much does that mean it's going to cost? | 0:14:20 | 0:14:22 | |
I think around about at the £900 mark for us | 0:14:22 | 0:14:26 | |
to work onto this, for how many days it takes, | 0:14:26 | 0:14:28 | |
do all of the design work, print all of those custom designs onto it, | 0:14:28 | 0:14:32 | |
reline everything and make it perfect, ready to go. | 0:14:32 | 0:14:36 | |
I think that sounds amazing, | 0:14:36 | 0:14:37 | |
cos I know it's going to be a huge amount of hard work. | 0:14:37 | 0:14:40 | |
Just lining A drawer takes a long time, doesn't it? | 0:14:40 | 0:14:42 | |
And to take on this, I think that's great. | 0:14:42 | 0:14:44 | |
£900 is certainly not pennies. | 0:14:44 | 0:14:47 | |
But you'd expect to pay top rates for Zoe's input | 0:14:47 | 0:14:51 | |
on a project of this size. | 0:14:51 | 0:14:52 | |
Wow, that girl has such a fantastic ideas. | 0:14:52 | 0:14:55 | |
The energy coming out of that studio is amazing. | 0:14:55 | 0:14:58 | |
And that chest of drawers is going to look a million dollars | 0:14:58 | 0:15:01 | |
when it's finished. | 0:15:01 | 0:15:03 | |
I'm actually quite fond of this. | 0:15:03 | 0:15:05 | |
I'm looking forward to lining all these different drawers, | 0:15:05 | 0:15:08 | |
plus a nice big surface area to get a gorgeous print onto as well. | 0:15:08 | 0:15:12 | |
So, yeah, I'm really looking forward to doing it. | 0:15:12 | 0:15:15 | |
Great Aunt Mary's sizeable chest of drawers | 0:15:15 | 0:15:18 | |
will take a sizeable budget to turn them from shabby to chic. | 0:15:18 | 0:15:22 | |
And with such a big spend, | 0:15:22 | 0:15:24 | |
Sarah will need to sell for more than £900 to make a profit. | 0:15:24 | 0:15:29 | |
From the seaside to the heart of the Surrey countryside, | 0:15:33 | 0:15:37 | |
with its rolling farmland, picturesque villages | 0:15:37 | 0:15:40 | |
and its...piles of rusting metal?! | 0:15:40 | 0:15:43 | |
Sarah reckons her newly acquired worktops are best in the hands | 0:15:49 | 0:15:53 | |
of Bex Simon. | 0:15:53 | 0:15:55 | |
Bex and husband Dave | 0:15:55 | 0:15:56 | |
create all manner of metal fixtures and fittings | 0:15:56 | 0:15:59 | |
in their blacksmith's workshop, and they simply love a challenge. | 0:15:59 | 0:16:04 | |
I'm really looking forward to seeing what Sarah is going to bring today. | 0:16:04 | 0:16:09 | |
What do you reckon we're making? A coffee table? A chair? | 0:16:09 | 0:16:13 | |
A boat? | 0:16:13 | 0:16:15 | |
We think we're building a boat today! | 0:16:17 | 0:16:20 | |
Well, whatever you end up making, | 0:16:20 | 0:16:22 | |
she's hoping her man-made marble will float YOUR boat. | 0:16:22 | 0:16:27 | |
-Hiya. -Hi. | 0:16:27 | 0:16:29 | |
Oh, both of you. How are you? Got a little something for you. | 0:16:29 | 0:16:32 | |
Let's have a look. | 0:16:32 | 0:16:34 | |
-Oh, wow. -I've got quite a bit of it. -Yeah. -I've got three nice bits. | 0:16:34 | 0:16:38 | |
Brilliant, thank you. It's quite heavy. | 0:16:38 | 0:16:40 | |
-And you might be thinking it's not very metal. -Yeah. | 0:16:40 | 0:16:44 | |
-It's very posh. -Yes, it is posh. That's exactly what I thought. | 0:16:44 | 0:16:47 | |
So I was wondering about making some tables out of it with metal legs. | 0:16:47 | 0:16:51 | |
Oh, yeah, sure. How many pieces have you got? | 0:16:51 | 0:16:54 | |
I have got three... I think this... | 0:16:54 | 0:16:56 | |
I brought this one in because it was the smallest and the lightest. | 0:16:56 | 0:16:59 | |
-Shall I go and get the other bits? -Let's have a look. | 0:16:59 | 0:17:02 | |
This material is a bit of a departure for metal-worker Bex, | 0:17:03 | 0:17:07 | |
but at least Sarah is looking for metal legs. | 0:17:07 | 0:17:11 | |
Tell me about, you know, | 0:17:11 | 0:17:12 | |
the bottom sort of frame that you had in mind, then. | 0:17:12 | 0:17:15 | |
I know you've got your really long pieces of metal. | 0:17:15 | 0:17:18 | |
It's a bit crazy to have the top | 0:17:18 | 0:17:21 | |
and then it's like screw up a piece of metal | 0:17:21 | 0:17:24 | |
so it... | 0:17:24 | 0:17:26 | |
um, does really weird things, and make legs out of it. | 0:17:26 | 0:17:30 | |
I think doing three of those, that is going to take us a long time, | 0:17:30 | 0:17:35 | |
cos to make it, you know, level and looking nice... | 0:17:35 | 0:17:41 | |
I mean, that could be quite good fun. | 0:17:41 | 0:17:44 | |
I'm up for that. | 0:17:44 | 0:17:47 | |
So, that's three tables with geometric metal frame legs. | 0:17:47 | 0:17:51 | |
Bex doesn't look convinced about the way forward, | 0:17:51 | 0:17:54 | |
but Dave seemed more decisive. | 0:17:54 | 0:17:56 | |
If it was between £100 and £150 per table... | 0:17:56 | 0:18:01 | |
If it's going well, we can, you know, really go to town. | 0:18:01 | 0:18:05 | |
-Yeah. You'd get more bends. -You'd get more bends. | 0:18:05 | 0:18:08 | |
-If it's a nightmare, you know, we'll just simplify it. -A lot. | 0:18:08 | 0:18:12 | |
We will just work with that budget. | 0:18:12 | 0:18:14 | |
I hope you haven't stuck your neck out, Dave. | 0:18:14 | 0:18:16 | |
And I hope it goes really well! | 0:18:16 | 0:18:19 | |
-No, it will be fine. -Take care. Thanks ever so much. Bye! | 0:18:19 | 0:18:22 | |
You seem like you're going to enjoy this one. | 0:18:25 | 0:18:30 | |
Yeah, no. I've got a good feeling about this one. | 0:18:30 | 0:18:34 | |
-Uh-oh! -Yes. | 0:18:34 | 0:18:36 | |
I've just buried it! | 0:18:36 | 0:18:38 | |
Oh, no, here we go! I'll get my coat! | 0:18:38 | 0:18:42 | |
I hope I haven't caused too much marital disharmony there. | 0:18:42 | 0:18:47 | |
Didn't seem like they were both thinking along the same lines. | 0:18:47 | 0:18:49 | |
So fingers crossed that's all all right. | 0:18:49 | 0:18:51 | |
I'm hoping with the marble and those really funky geometric shapes, | 0:18:51 | 0:18:55 | |
they should look really cool. | 0:18:55 | 0:18:57 | |
With an approximate cost of £150 each for three tables, | 0:18:57 | 0:19:01 | |
we are looking at a total bill of around £450. | 0:19:01 | 0:19:05 | |
Selling them as a matching set | 0:19:05 | 0:19:07 | |
could mean that Sarah might make a decent profit. | 0:19:07 | 0:19:11 | |
From the rural idyll that is Surrey, | 0:19:14 | 0:19:17 | |
we're shifting the action over to Sussex, | 0:19:17 | 0:19:19 | |
where it's time for Sarah to get busy with her very own project. | 0:19:19 | 0:19:23 | |
I've been dying to get started on these. | 0:19:24 | 0:19:27 | |
They look so dated at the moment, and I'm sure that if I sand them down, | 0:19:27 | 0:19:30 | |
I can make them look pale and modern, | 0:19:30 | 0:19:33 | |
and have a think about what to cover on that. They'll look great. | 0:19:33 | 0:19:36 | |
Sarah sets out by unscrewing those sad seats. | 0:19:36 | 0:19:41 | |
So this is not the first time that this chair has been re-covered. | 0:19:41 | 0:19:44 | |
You can see there's a nasty brown Dralon | 0:19:44 | 0:19:48 | |
that I'm thinking must be around 1980. | 0:19:48 | 0:19:50 | |
And underneath it the original vinyl | 0:19:50 | 0:19:53 | |
that would have been on the chairs when they were bought. | 0:19:53 | 0:19:56 | |
OK, so... That's how they would have been originally. | 0:19:56 | 0:20:01 | |
So that will be pretty easy to re-cover. | 0:20:01 | 0:20:03 | |
And these chair frames are really solid. | 0:20:03 | 0:20:05 | |
So we've got a great base to start with. | 0:20:05 | 0:20:06 | |
Just need to get sanding. | 0:20:06 | 0:20:08 | |
Wherever possible, it's a good idea | 0:20:08 | 0:20:10 | |
to sand along the grain of the wood, | 0:20:10 | 0:20:12 | |
as sanding across the grain can lead to unsightly scratches. | 0:20:12 | 0:20:16 | |
I've literally been sanding this down for five minutes, | 0:20:17 | 0:20:21 | |
and I think that the transformation is amazing. | 0:20:21 | 0:20:24 | |
It looks crisp and clean, fresh and expensive. | 0:20:24 | 0:20:30 | |
And an expensive look is just what we're after | 0:20:30 | 0:20:33 | |
if we are to pocket a profit. | 0:20:33 | 0:20:35 | |
Now, I'm thinking... | 0:20:35 | 0:20:38 | |
For the new covers of the chair, | 0:20:38 | 0:20:40 | |
I need to have something that is fitting with the frames | 0:20:40 | 0:20:43 | |
that I've created. | 0:20:43 | 0:20:45 | |
So I do have a couple of bits that are on era for this kind of thing. | 0:20:45 | 0:20:49 | |
Maybe that's a bit early, bit of 1940s. | 0:20:49 | 0:20:51 | |
That is probably more about me again. But that... | 0:20:51 | 0:20:54 | |
That might be really cool. | 0:20:55 | 0:20:57 | |
I bought this in a charity shop for £2, | 0:20:57 | 0:21:00 | |
so this is not going to cost me a lot of money. | 0:21:00 | 0:21:02 | |
That looks amazing. | 0:21:02 | 0:21:04 | |
That looks great. That is... | 0:21:04 | 0:21:06 | |
It's just different. It is almost geometric. | 0:21:06 | 0:21:08 | |
We've seen a lot of geometric shapes in furnishings recently. | 0:21:08 | 0:21:11 | |
It's really unusual. It's really bright and it's really commercial. | 0:21:11 | 0:21:15 | |
That could be the one, couldn't it? That could be the money-maker. | 0:21:17 | 0:21:20 | |
Looks like there's a bright geometric future ahead | 0:21:20 | 0:21:23 | |
for these chairs. | 0:21:23 | 0:21:26 | |
So all I've got to do now, I reckon, | 0:21:26 | 0:21:28 | |
is about an hour's worth of sanding for each chair, | 0:21:28 | 0:21:31 | |
pop some staples onto these | 0:21:31 | 0:21:33 | |
and then make my £150. | 0:21:33 | 0:21:36 | |
Piece of cake. Walk in the park. Work of a moment. | 0:21:36 | 0:21:39 | |
Work of a moment? | 0:21:39 | 0:21:40 | |
Well, better multiply that by three and crack on! | 0:21:40 | 0:21:45 | |
Using the existing seat pads means Sarah is spending | 0:21:45 | 0:21:49 | |
just £2 on that fab new fabric. | 0:21:49 | 0:21:52 | |
I smell a decent profit for these three beauties! | 0:21:52 | 0:21:55 | |
Meanwhile, in Margate, | 0:21:58 | 0:22:00 | |
Sarah left a tired old chest of drawers beside the seaside, | 0:22:00 | 0:22:04 | |
where Zoe is getting | 0:22:04 | 0:22:05 | |
this not-inconsiderable restoration project underway. | 0:22:05 | 0:22:09 | |
OK. Oh! | 0:22:09 | 0:22:12 | |
Still a monster thing. | 0:22:12 | 0:22:14 | |
I think we are probably going to take the lid off, | 0:22:14 | 0:22:16 | |
strip the whole thing back to see what kind of condition | 0:22:16 | 0:22:19 | |
the wood is underneath, | 0:22:19 | 0:22:20 | |
and then changing some of these handles as well. | 0:22:20 | 0:22:23 | |
These are kind of like plasticky, fake Bakelite ones. | 0:22:23 | 0:22:26 | |
I've noticed on all the drawers there's actually a keyhole | 0:22:26 | 0:22:30 | |
and a lock on every single one. | 0:22:30 | 0:22:33 | |
So, fingers crossed we'll be able to get these locks working again. | 0:22:33 | 0:22:37 | |
We need to get these panels off in order to access | 0:22:39 | 0:22:43 | |
the way to remove the lid. | 0:22:43 | 0:22:45 | |
I've had to do a lot worse to furniture in order to restore it, | 0:22:45 | 0:22:47 | |
would you believe? | 0:22:47 | 0:22:49 | |
So sometimes demolishing it, seemingly, | 0:22:49 | 0:22:51 | |
is the way that you can take it apart to get it back together again. | 0:22:51 | 0:22:55 | |
Here we go. | 0:22:55 | 0:22:57 | |
So from chest of drawers to jigsaw puzzle - | 0:22:57 | 0:22:59 | |
definitely not a project for the faint-hearted. | 0:22:59 | 0:23:03 | |
Zoe's next job is to strip the wood. | 0:23:03 | 0:23:05 | |
And for this she uses a professional paint and varnish remover. | 0:23:05 | 0:23:09 | |
I leave this for about a minute maybe. | 0:23:09 | 0:23:12 | |
Nice and thick. | 0:23:12 | 0:23:14 | |
And when it bubbles up... | 0:23:14 | 0:23:17 | |
it will have loosened all of the varnish. | 0:23:17 | 0:23:19 | |
Always, always wear heavy-duty, protective gauntlets | 0:23:19 | 0:23:23 | |
and a face mask when applying a chemical paint stripper. | 0:23:23 | 0:23:27 | |
The stripper is working perfectly! | 0:23:27 | 0:23:29 | |
It's lifting the varnish, which is really good... | 0:23:29 | 0:23:33 | |
although the wood underneath isn't amazing. | 0:23:33 | 0:23:35 | |
A lot of the damage and water marks are still there. | 0:23:35 | 0:23:39 | |
So I'm going to have to look at getting them out a bit as well. | 0:23:39 | 0:23:42 | |
That looks like it's been in someone's shed | 0:23:42 | 0:23:45 | |
and it's had a leak onto it or something like that. | 0:23:45 | 0:23:47 | |
With some of the heavy, dirty work out of the way, | 0:23:47 | 0:23:50 | |
Zoe can start thinking more | 0:23:50 | 0:23:52 | |
about the design stage of this rejuvenation. | 0:23:52 | 0:23:55 | |
Back in the blistering heat of the Surrey countryside... | 0:24:00 | 0:24:04 | |
..Bex and Dave are getting even hotter | 0:24:05 | 0:24:08 | |
under their respective collars | 0:24:08 | 0:24:10 | |
with Sarah's triple table challenge. | 0:24:10 | 0:24:13 | |
We're starting work on these slabs. | 0:24:13 | 0:24:15 | |
We're are going to make a couple of coffee tables | 0:24:15 | 0:24:19 | |
and a console table. | 0:24:19 | 0:24:21 | |
So we're just making a temporary desk outside, cos obviously | 0:24:21 | 0:24:26 | |
we will probably be working with some long rods and stuff. | 0:24:26 | 0:24:29 | |
So we're going to see if we can make all three right now. | 0:24:29 | 0:24:34 | |
Lengths of steel rod will form the table legs. | 0:24:34 | 0:24:38 | |
Once Bex cuts the rods down to manageable lengths, | 0:24:38 | 0:24:41 | |
each one will be bent into shape. | 0:24:41 | 0:24:44 | |
Bex starts work on the legs for the smallest table | 0:24:44 | 0:24:46 | |
by welding rods to a piece of steel plate. | 0:24:46 | 0:24:49 | |
That will just hold it in place. | 0:24:49 | 0:24:52 | |
What we'll do now is we'll sort of heat it and start bending. | 0:24:52 | 0:24:56 | |
The steel will start to become malleable | 0:24:59 | 0:25:02 | |
as its temperature increases, | 0:25:02 | 0:25:04 | |
and if you want to know just how hot red-hot is, | 0:25:04 | 0:25:08 | |
well, it's upwards of 500 degrees centigrade. | 0:25:08 | 0:25:11 | |
So this is the perfect job for this sort of weather(!) | 0:25:11 | 0:25:15 | |
Basically, I haven't drawn it out. | 0:25:15 | 0:25:17 | |
Again, it's going to grow organically. | 0:25:17 | 0:25:20 | |
And while Bex bends, Dave drills. | 0:25:20 | 0:25:25 | |
With the table designs developing organically, | 0:25:25 | 0:25:28 | |
this really is a case of trial and error. | 0:25:28 | 0:25:30 | |
It's all back to front. | 0:25:32 | 0:25:34 | |
I'm all confused! | 0:25:34 | 0:25:35 | |
It's making it so you look at it and you enjoy looking at it | 0:25:35 | 0:25:39 | |
rather than you feel uncomfortable looking at it. | 0:25:39 | 0:25:43 | |
At the moment I'm uncomfortable. But we'll sort it out. | 0:25:43 | 0:25:47 | |
It's part of the fun. | 0:25:47 | 0:25:49 | |
But now Dave has spotted a flaw in the smallest surface. | 0:25:49 | 0:25:52 | |
So how does that affect their plans? | 0:25:52 | 0:25:55 | |
What do you want to do about that? | 0:25:55 | 0:25:57 | |
You know, high-end table, chip in it. | 0:25:58 | 0:26:02 | |
It's not really... | 0:26:03 | 0:26:05 | |
If that one is chipped, find a bigger one. | 0:26:06 | 0:26:09 | |
We've got other ones over there. | 0:26:09 | 0:26:12 | |
Yeah, I know, but we've made that for this one. | 0:26:12 | 0:26:15 | |
With the smallest surface now chipped, | 0:26:15 | 0:26:18 | |
the guys decide to go for plan B | 0:26:18 | 0:26:21 | |
and try the biggest table on the existing legs. | 0:26:21 | 0:26:24 | |
It's running out of time and not having anything or, like, | 0:26:24 | 0:26:27 | |
slightly built and very botched, | 0:26:27 | 0:26:29 | |
which I would be really mortified at, | 0:26:29 | 0:26:33 | |
or trying to make something work and look nice, you know, | 0:26:33 | 0:26:36 | |
that a customer will, you know, like and still put in the house. | 0:26:36 | 0:26:39 | |
-So plan B. -SHE LAUGHS | 0:26:39 | 0:26:42 | |
So, we're down from three tables to one. | 0:26:42 | 0:26:46 | |
Time to marry the largest tabletop to those spaghetti legs. | 0:26:46 | 0:26:50 | |
-I think that's our best... -Bet. -..option now. | 0:26:50 | 0:26:53 | |
-It looks better being a more contained... -Yeah. | 0:26:53 | 0:26:57 | |
-..block within the table. -Yeah. | 0:26:57 | 0:27:00 | |
Like I don't feel as annoyed with it, you know. | 0:27:00 | 0:27:03 | |
So that looks nice. | 0:27:03 | 0:27:06 | |
-Oh, I want a glass of wine tonight! -SHE LAUGHS | 0:27:06 | 0:27:09 | |
Back at the barn in Sussex, | 0:27:12 | 0:27:14 | |
those seat covers are going from drab to delightful. | 0:27:14 | 0:27:18 | |
That's perfect. That's absolutely smooth, really tight. | 0:27:20 | 0:27:24 | |
If you're going to sit on that, that's not going to cause any problems. | 0:27:24 | 0:27:27 | |
So I'd say that's actually quite a professional-looking finish. | 0:27:27 | 0:27:31 | |
Well, we wouldn't expect anything less! | 0:27:31 | 0:27:34 | |
So I've finished the chair. | 0:27:34 | 0:27:36 | |
I've sanded it all over and I've waxed it down. | 0:27:36 | 0:27:39 | |
So you can see the grain of the beech coming out | 0:27:39 | 0:27:42 | |
and just the natural colour of the wood. | 0:27:42 | 0:27:44 | |
And I think it looks so much fresher than it did before. | 0:27:44 | 0:27:48 | |
These seats were in a sorry state. | 0:27:48 | 0:27:50 | |
But now they are a triumph in triplicate. | 0:27:50 | 0:27:54 | |
My £2 car-boot fabric, I think, has transformed these chairs. | 0:27:57 | 0:28:02 | |
It's now beautifully hard-wearing, | 0:28:02 | 0:28:04 | |
and sitting really well with this lovely grain up here. | 0:28:04 | 0:28:07 | |
In fact, I think they look like a million dollars. | 0:28:07 | 0:28:10 | |
And I'm only going to ask £150. | 0:28:10 | 0:28:12 | |
Sarah sanded these beautiful beech chairs | 0:28:14 | 0:28:17 | |
and spent a massive £2 on fresh fabric covers. | 0:28:17 | 0:28:21 | |
If she can shift them for £50 each, | 0:28:21 | 0:28:24 | |
there could be a very healthy profit. | 0:28:24 | 0:28:26 | |
Back at the dump, Joanne's chairs had seen better days, | 0:28:32 | 0:28:36 | |
possibly in the Swinging '60s. | 0:28:36 | 0:28:38 | |
But Sarah spotted their potential. | 0:28:38 | 0:28:40 | |
These have got a recognisable retro style to them. | 0:28:40 | 0:28:43 | |
So I'd love to give them a new lease of life. | 0:28:43 | 0:28:46 | |
I don't think there'd be any value in them, as they are, no. | 0:28:46 | 0:28:49 | |
But if she does 'em up and sells 'em, good on her. | 0:28:49 | 0:28:52 | |
Sarah invited retro furniture dealer Martin to check out her chairs. | 0:28:52 | 0:28:57 | |
So what did he make of them? | 0:28:57 | 0:28:59 | |
This is 1950s, '60s, and people love this look. | 0:28:59 | 0:29:02 | |
For Martin, these were a must-have for his shop in London. | 0:29:02 | 0:29:07 | |
Sarah has come back to Stockport to update Joanne | 0:29:09 | 0:29:12 | |
on her three forlorn chairs. | 0:29:12 | 0:29:14 | |
The refurb was inexpensive, so just how much profit has been made? | 0:29:14 | 0:29:20 | |
DOG BARKS | 0:29:20 | 0:29:21 | |
Got friends. | 0:29:21 | 0:29:23 | |
Hello. | 0:29:23 | 0:29:24 | |
-Hiya. Hello again. How are you? -I'm fine, thank you. | 0:29:24 | 0:29:27 | |
I've got some pictures to show you of | 0:29:27 | 0:29:29 | |
your chairs that we found at the tip. | 0:29:29 | 0:29:31 | |
But I was trying to remember where you said they came from | 0:29:31 | 0:29:34 | |
-and their history. -Oh, right. | 0:29:34 | 0:29:35 | |
Originally, they were my husband's before we lived together. | 0:29:35 | 0:29:39 | |
-I rubbed them down and did that to them. -Wow, look at them! | 0:29:39 | 0:29:42 | |
They're dead bright. They were dead dull before. | 0:29:42 | 0:29:46 | |
They're really nice, they're really nice. | 0:29:46 | 0:29:49 | |
I don't think it'd go with my wallpaper, though. | 0:29:49 | 0:29:52 | |
-And it turns out that somebody did really like them. -Oh, really? | 0:29:52 | 0:29:55 | |
And they were what they were looking for. | 0:29:55 | 0:29:57 | |
So I did actually make a profit. | 0:29:57 | 0:29:59 | |
-Oh, right. -And that profit is for you. | 0:29:59 | 0:30:02 | |
-Wow. -There's £100 there for you. | 0:30:02 | 0:30:05 | |
You're joking? I never expected that! | 0:30:05 | 0:30:09 | |
Sarah has only spent £2 transforming the chairs, | 0:30:09 | 0:30:12 | |
and she managed to negotiate a sale of £102 with Martin | 0:30:12 | 0:30:17 | |
so that she could hand over the full £100 to Joanne. | 0:30:17 | 0:30:21 | |
-What will you do with 100 quid? -Well, we're going camping next week. | 0:30:21 | 0:30:25 | |
-So I think that'll cover the petrol. -Fantastic. | 0:30:25 | 0:30:29 | |
-I hope you have a lovely time camping. -Thank you. | 0:30:29 | 0:30:32 | |
-Thanks for doing that. -I'll think of you. -That's brilliant. -Take care. | 0:30:32 | 0:30:36 | |
-Bye-bye. -Bye! | 0:30:36 | 0:30:38 | |
I can't believe that the profit on them is £100. | 0:30:38 | 0:30:41 | |
That's... That's amazing. It's absolutely brilliant. | 0:30:41 | 0:30:45 | |
I really enjoyed working on those retro chairs, | 0:30:45 | 0:30:48 | |
and I love the idea that Joanne is going off to spend that money | 0:30:48 | 0:30:51 | |
on her camping holiday. | 0:30:51 | 0:30:53 | |
Sarah is back in magnificent Margate, where she left | 0:31:00 | 0:31:03 | |
furniture and fabric designer doyenne Zoe with a sizeable task. | 0:31:03 | 0:31:09 | |
Now, I left Zoe with a real challenge. | 0:31:09 | 0:31:11 | |
She had a big, broken, brutal-looking chest of drawers. | 0:31:11 | 0:31:14 | |
So I can't wait to see if she's managed | 0:31:14 | 0:31:16 | |
to bring that delicate Zoe magic to it. | 0:31:16 | 0:31:19 | |
Zoe took a tired, tatty old chest of drawers... | 0:31:23 | 0:31:26 | |
..and has created a stunning piece of bespoke furniture... | 0:31:28 | 0:31:32 | |
..with hand-printed surfaces, lovingly restored woodwork | 0:31:34 | 0:31:38 | |
and new fixtures and fittings. | 0:31:38 | 0:31:40 | |
I'm keen to know what she thinks about | 0:31:42 | 0:31:44 | |
the all-over print on the front, | 0:31:44 | 0:31:46 | |
because that's something a little different. | 0:31:46 | 0:31:48 | |
I don't normally do that, | 0:31:48 | 0:31:50 | |
but I loved making the pattern for them, so hopefully she'll love them. | 0:31:50 | 0:31:54 | |
-Hiya. -Hello. How are you? -Really well. How are you? -Very good. | 0:31:54 | 0:31:59 | |
-It's amazing out there today. -It is very nice. | 0:31:59 | 0:32:01 | |
Thank you for bringing the good weather to Margate. | 0:32:01 | 0:32:04 | |
-I have something to show you here. -Is that it? -Yes, it is. | 0:32:04 | 0:32:06 | |
-I can see it. -Are you ready? -Yeah. | 0:32:06 | 0:32:09 | |
SARAH GASPS | 0:32:09 | 0:32:10 | |
-What do you think? -I think it's fantastic. What have you done? | 0:32:12 | 0:32:16 | |
-Is it paper? Is it...? -This is all hand-printed onto the surfaces. | 0:32:16 | 0:32:23 | |
And this design has actually been made | 0:32:23 | 0:32:26 | |
-especially for this chest as well. -It's bespoke. | 0:32:26 | 0:32:29 | |
Me pulling on all my textile design background. | 0:32:29 | 0:32:33 | |
It is transformed, isn't it? | 0:32:33 | 0:32:35 | |
It was never going to look like this, you know. | 0:32:35 | 0:32:40 | |
I can't believe you've done it. This interior is just inspired. | 0:32:40 | 0:32:44 | |
And I think when people open it, it will be such a surprise. | 0:32:44 | 0:32:46 | |
-Does it work? -Yes. | 0:32:46 | 0:32:48 | |
I hated the idea of passing on something that had a function | 0:32:48 | 0:32:51 | |
but that was redundant. | 0:32:51 | 0:32:52 | |
So I jemmied out all of the locks | 0:32:52 | 0:32:55 | |
and took them up to my local locksmith, | 0:32:55 | 0:32:58 | |
who kind of winced a bit | 0:32:58 | 0:32:59 | |
when I said, "Can you fit some keys for this?" | 0:32:59 | 0:33:02 | |
But he did an amazing job, | 0:33:02 | 0:33:03 | |
and actually we've got two keys that fit every single one. | 0:33:03 | 0:33:06 | |
And they've even got little tassels on as well, so... | 0:33:06 | 0:33:09 | |
I know that we had quite a big budget on this. | 0:33:09 | 0:33:11 | |
I think we left you with £900 to play with. How has that come out? | 0:33:11 | 0:33:15 | |
Are we still on budget for that? | 0:33:15 | 0:33:17 | |
Yes, we're on budget, just. | 0:33:17 | 0:33:19 | |
I always seem to go a little bit over on things | 0:33:19 | 0:33:22 | |
that I'm really fond of. But, yeah, we are definitely on the 900. | 0:33:22 | 0:33:25 | |
I think it looks lovely. | 0:33:27 | 0:33:29 | |
And your finish is always surprisingly good | 0:33:29 | 0:33:32 | |
for what you can do with an old piece of furniture. | 0:33:32 | 0:33:35 | |
So... I don't know how you do it. But I'm so pleased that you do! | 0:33:35 | 0:33:38 | |
This restoration wasn't cheap. | 0:33:40 | 0:33:42 | |
But then, creating a unique design classic was never going to be. | 0:33:42 | 0:33:46 | |
Zoe's design and labour costs came in at a whopping £900. | 0:33:46 | 0:33:51 | |
So Sarah needs to beat that to make a profit. | 0:33:51 | 0:33:54 | |
Back at the dump, this old chest of drawers had seen better days | 0:33:59 | 0:34:03 | |
and was on the brink of oblivion, | 0:34:03 | 0:34:05 | |
although cabinet-maker John did recognise it as being | 0:34:05 | 0:34:08 | |
a fine bit of furniture. | 0:34:08 | 0:34:10 | |
I would strip it and seal it, wax it, put new handles on. And just... | 0:34:10 | 0:34:15 | |
Because it's a good solid piece of furniture, it can be reused. | 0:34:15 | 0:34:17 | |
But it's fair to say that Zoe has completely transformed this item. | 0:34:17 | 0:34:23 | |
And it was sold to Janet at Margate's Lombard Street Gallery. | 0:34:26 | 0:34:30 | |
Sarah's visiting John to let him know the fate of his furniture. | 0:34:35 | 0:34:39 | |
But with costly reimagining, is there any profit in the air? | 0:34:39 | 0:34:43 | |
-Hi there. Hi. I'm Sarah. -Hi, Sarah, how are you? I'm Charlotte. | 0:34:46 | 0:34:49 | |
-Hi, Charlotte. Hello again, John. -Hi, Sarah. Nice to see you again. | 0:34:49 | 0:34:52 | |
-Are you well? -Fine, thank you. -Just thought I'd come back | 0:34:52 | 0:34:55 | |
and catch up with you about your chest of drawers. | 0:34:55 | 0:34:57 | |
I've got some pictures here. | 0:34:57 | 0:35:00 | |
-Oh, wow. -Wow! -Do you like it? -I do, I really do. That's amazing. | 0:35:00 | 0:35:05 | |
Zoe works with pattern and screen printing | 0:35:05 | 0:35:08 | |
and lots of different techniques | 0:35:08 | 0:35:09 | |
and really breathes new life into furniture. | 0:35:09 | 0:35:12 | |
I wouldn't have thought to put those colours with that either. | 0:35:12 | 0:35:15 | |
It's lovely. | 0:35:15 | 0:35:16 | |
So it was always our intention to try | 0:35:16 | 0:35:19 | |
and sell your chest of drawers after we had done that to it. | 0:35:19 | 0:35:22 | |
-So we did sell it and we made £100 profit on it. -Really? -Wow. | 0:35:22 | 0:35:26 | |
And I've got that here for you. Who gets the money? | 0:35:26 | 0:35:30 | |
Me! Me! Thank you so much. | 0:35:30 | 0:35:34 | |
Our absolute pleasure. So what do you think you might do with £100? | 0:35:34 | 0:35:38 | |
-I think we may go out tonight. -I think we might go out tonight. | 0:35:38 | 0:35:41 | |
-What do you think? -Something to eat and a drink. | 0:35:41 | 0:35:43 | |
-Definitely, definitely, yeah. -Lovely. Well, I think Aunt Mary... | 0:35:43 | 0:35:46 | |
-You can raise a toast to Aunt Mary. -We will. | 0:35:46 | 0:35:48 | |
We'll raise a glass to her tonight, definitely. | 0:35:48 | 0:35:50 | |
-Thank you for that. -Lovely. Really nice to see you. | 0:35:50 | 0:35:54 | |
Yeah, and you. I appreciate that. We'll have a few drinks tonight. | 0:35:54 | 0:35:58 | |
-I'll be thinking of you. -Thank you, Sarah. | 0:35:58 | 0:36:01 | |
-Take care. Bye-bye. -Bye. -Bye. | 0:36:01 | 0:36:03 | |
So, Aunt Mary's drawers cost £900 to take them from dingy to desirable. | 0:36:03 | 0:36:09 | |
This allowed Sarah to achieve a sale price of £1,000, | 0:36:09 | 0:36:13 | |
which left a profit of £100 to be handed over to Charlotte and John. | 0:36:13 | 0:36:19 | |
What's done with it is something that we could never | 0:36:19 | 0:36:21 | |
have envisaged being done. | 0:36:21 | 0:36:23 | |
-We wouldn't have done that ourselves. -Absolutely not. | 0:36:23 | 0:36:25 | |
-And the colours that were used... -It looks fantastic. | 0:36:25 | 0:36:28 | |
Absolutely brilliant. Could never imagine that to look like that. | 0:36:28 | 0:36:31 | |
It was wonderful. Wonderful. | 0:36:31 | 0:36:33 | |
Well, that was a great reaction, and hardly surprising, really, | 0:36:33 | 0:36:37 | |
given that fantastic transformation of that old chest of drawers. | 0:36:37 | 0:36:40 | |
Back at Bex's forge, | 0:36:49 | 0:36:51 | |
the largest kitchen worktop cut-off has now been transformed | 0:36:51 | 0:36:56 | |
into an eye-catching, iconic coffee table | 0:36:56 | 0:36:59 | |
with the best-looking yellow legs in town, | 0:36:59 | 0:37:02 | |
setting off the composite marble | 0:37:02 | 0:37:05 | |
and creating a unique designer piece. | 0:37:05 | 0:37:07 | |
I'm here to pick up my white marble coffee table. | 0:37:10 | 0:37:14 | |
I've only got one and I was hoping for three, | 0:37:14 | 0:37:16 | |
but there is a chance if it looks really good | 0:37:16 | 0:37:18 | |
that I'll still be able to make some profit out of it. | 0:37:18 | 0:37:21 | |
Bex and Dave are anxiously awaiting Sarah's arrival. | 0:37:21 | 0:37:24 | |
So how is this going to go, then? Tears, no tears? | 0:37:24 | 0:37:29 | |
-This is a "no tears". -No tears. | 0:37:29 | 0:37:31 | |
Sarah asked for three matching tables with gilt legs. | 0:37:31 | 0:37:35 | |
So how will she feel about her single coffee table | 0:37:35 | 0:37:38 | |
with yellow metalwork? | 0:37:38 | 0:37:40 | |
-It's what she asked for, basically. -Yeah. | 0:37:40 | 0:37:42 | |
But we have gone down to one. From three. | 0:37:42 | 0:37:46 | |
But it's a very good one rather than three slapdash...ones. | 0:37:46 | 0:37:52 | |
THEY LAUGH | 0:37:52 | 0:37:54 | |
But, no, it is good. It's worked out really nice. | 0:37:54 | 0:37:57 | |
It's a smiling table. | 0:37:57 | 0:37:59 | |
Hi, guys. What have you got there? | 0:38:01 | 0:38:05 | |
Do I want to see? Do I want to see? | 0:38:05 | 0:38:07 | |
Oh, wow! | 0:38:10 | 0:38:12 | |
Now, that is a real bit of fun, isn't it? It looks very cool. | 0:38:12 | 0:38:16 | |
Oh, that's mad under there, isn't it? | 0:38:17 | 0:38:20 | |
It's huge as well. I don't remember it being quite that big. | 0:38:20 | 0:38:23 | |
The finish is beautiful as well, isn't it? | 0:38:25 | 0:38:27 | |
It's worked out really nicely, that top. | 0:38:27 | 0:38:30 | |
Like with those lovely crisp edges. | 0:38:30 | 0:38:32 | |
It's really cool. I like the way all the angles change, wherever you go. | 0:38:32 | 0:38:36 | |
Yeah, it's organised chaos! | 0:38:36 | 0:38:39 | |
I think when you think it was literally about to be hoofed over | 0:38:41 | 0:38:44 | |
into a skip, I think you should be very proud | 0:38:44 | 0:38:47 | |
of what you've done with it. | 0:38:47 | 0:38:51 | |
You were quite enthusiastic about the work and you weren't, | 0:38:51 | 0:38:53 | |
so how did it work out in the end? | 0:38:53 | 0:38:55 | |
Well, you know, it was harder than we thought, | 0:38:55 | 0:38:58 | |
getting it so it's level and it works and everything like that. | 0:38:58 | 0:39:02 | |
So, you know, we wanted it to look right. | 0:39:02 | 0:39:05 | |
So, no, I think it's worked out really nicely. | 0:39:05 | 0:39:08 | |
So I know in our initial chat, we thought | 0:39:11 | 0:39:13 | |
we might really go for it for three tables, and that was at £150 a table. | 0:39:13 | 0:39:17 | |
How much are we looking? | 0:39:17 | 0:39:19 | |
Well, I think we were saying about 250 to cover this one. | 0:39:19 | 0:39:24 | |
I think that that just... It looks great, and at that money, | 0:39:24 | 0:39:27 | |
I think I'm really pleased with it. | 0:39:27 | 0:39:29 | |
-Yeah, brilliant. That's good. Another result. -Another result! | 0:39:29 | 0:39:34 | |
I think it's so cool to see the transformation | 0:39:38 | 0:39:40 | |
of leftover kitchen scrap into fantastic designer coffee table. | 0:39:40 | 0:39:45 | |
And I think there's some money to be made out of it as well, | 0:39:45 | 0:39:48 | |
even though there's only one. | 0:39:48 | 0:39:50 | |
That did go well. So, phew. | 0:39:50 | 0:39:53 | |
-Yeah, another one down. -Yeah. | 0:39:54 | 0:39:56 | |
# Another one bites the dust! # | 0:39:56 | 0:39:58 | |
I'm starting to get all singy again! | 0:39:58 | 0:40:01 | |
OK, we're down from three tables to one, | 0:40:04 | 0:40:06 | |
but the single coffee table has cost £250. | 0:40:06 | 0:40:10 | |
So can Sarah sell it for more than that and turn a profit? | 0:40:10 | 0:40:15 | |
Neil and father-in-law Roy took a trip to the tip | 0:40:21 | 0:40:25 | |
to jettison some offcuts from a new kitchen worktop. | 0:40:25 | 0:40:28 | |
Roy wasn't particularly inspired as to what they could become. | 0:40:28 | 0:40:32 | |
I have no idea. The big piece, that might do for a worktop somewhere. | 0:40:32 | 0:40:37 | |
-Yeah. -You know, in a small kitchen. Maybe. I don't know. Don't know. | 0:40:37 | 0:40:41 | |
But Bex and Dave created an inspirational coffee table. | 0:40:43 | 0:40:48 | |
With a brand-new custom-made coffee table to sell, | 0:40:48 | 0:40:51 | |
Sarah decided that this piece should be sold to someone | 0:40:51 | 0:40:54 | |
with an eye for the unusual. | 0:40:54 | 0:40:56 | |
And London's department store for antiques, vintage and retro, | 0:40:56 | 0:41:00 | |
The Old Cinema, was just the place. | 0:41:00 | 0:41:03 | |
Sarah has travelled to Stockport to catch up with Neil, | 0:41:04 | 0:41:07 | |
from whose kitchen the spare worktop came. | 0:41:07 | 0:41:10 | |
She is here to show him what became of his kitchen cast-offs | 0:41:10 | 0:41:14 | |
and to hand over any profit. | 0:41:14 | 0:41:16 | |
-Hi, Neil, how are you doing? -Not bad, and you? -Yeah, very well. | 0:41:16 | 0:41:20 | |
-Nice to see you again. -And you. | 0:41:20 | 0:41:21 | |
I've got a couple of bits to show you about | 0:41:21 | 0:41:24 | |
-what we did with that old worktop. -Yeah. | 0:41:24 | 0:41:26 | |
We thought it would make a really lovely kind of luxury coffee table. | 0:41:26 | 0:41:30 | |
And we decided that it would look lovely | 0:41:30 | 0:41:32 | |
-if it had some really fine metalwork to make the legs underneath. -Yeah. | 0:41:32 | 0:41:36 | |
And we wanted to make it into something quite interesting. | 0:41:36 | 0:41:38 | |
So I've got a little picture here to show you of how it ended up. | 0:41:38 | 0:41:41 | |
-This is how it ended up. -Oh, that's all right, isn't it? | 0:41:41 | 0:41:44 | |
-Do you think so? -It's nice, that. -We sold your worktop-cum-table, | 0:41:44 | 0:41:48 | |
and after we'd paid Bex her expenses and all her time for doing it, | 0:41:48 | 0:41:51 | |
-I've got 75 quid here... -Fantastic. -..to give to you for your... | 0:41:51 | 0:41:55 | |
-for dropping it off at the tip. -Thank you very much. | 0:41:55 | 0:41:57 | |
So, Neil's offcuts cost £250 | 0:41:57 | 0:42:01 | |
for Bex and Dave to transform into this contemporary coffee table. | 0:42:01 | 0:42:06 | |
With a sale price of £325, | 0:42:06 | 0:42:09 | |
Sarah has achieved a profit of £75 to hand over to Neil. | 0:42:09 | 0:42:13 | |
-What would you do with 75 quid? -Probably spend it on my daughter. | 0:42:15 | 0:42:18 | |
-Oh, really? -Yeah. -Has she got stuff on her wish list at the moment? | 0:42:18 | 0:42:21 | |
She's got all sorts on her wish list. | 0:42:21 | 0:42:23 | |
Well, thank you for being there that day | 0:42:23 | 0:42:25 | |
and dropping off your lovely worktop, | 0:42:25 | 0:42:27 | |
-and I hope your daughter enjoys what you buy for her. -I'm sure she will. | 0:42:27 | 0:42:30 | |
-Thank you very much. -Thanks a lot. Bye-bye. | 0:42:30 | 0:42:33 | |
Another satisfied customer. | 0:42:35 | 0:42:37 | |
Today, all three saved items have made a profit. | 0:42:41 | 0:42:44 | |
From the three dated chairs spruced up by Sarah | 0:42:46 | 0:42:49 | |
to the drab drawers returned to former glories by Zoe, | 0:42:49 | 0:42:53 | |
and, finally, the composite marble worktop | 0:42:53 | 0:42:57 | |
transformed into the crazy-legged coffee table by Bex and Dave. | 0:42:57 | 0:43:01 | |
We're really on a roll. | 0:43:03 | 0:43:04 | |
That is three great transformations, and three chunks of cash handed over. | 0:43:04 | 0:43:09 | |
And all going to prove that just with a little ingenuity, | 0:43:09 | 0:43:12 | |
you really can make money for nothing. | 0:43:12 | 0:43:14 |