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How do you make money for nothing? | 0:00:06 | 0:00:08 | |
The answer could be hiding in the 20 million tonnes of household | 0:00:11 | 0:00:16 | |
waste we throw out every year. | 0:00:16 | 0:00:18 | |
Just before you throw it away, would it be possible to have a quick look at it? | 0:00:18 | 0:00:22 | |
That's why entrepreneur Sarah Moore | 0:00:22 | 0:00:25 | |
wants to get her hands on things before they hit the skip. | 0:00:25 | 0:00:28 | |
I am a passionate buyer, user and renovator of second-hand stuff. | 0:00:30 | 0:00:35 | |
And I've turned that passion into a moneymaking business. | 0:00:35 | 0:00:37 | |
I turn old into new, and I sell it for a profit. | 0:00:37 | 0:00:40 | |
Sarah's ready to sift through as many boots and binbags as she needs to... | 0:00:42 | 0:00:47 | |
That's vintage gold, isn't it? | 0:00:47 | 0:00:49 | |
It's really exciting. | 0:00:49 | 0:00:51 | |
..in her search for tip treasure. | 0:00:51 | 0:00:53 | |
I love it! | 0:00:55 | 0:00:56 | |
And with some of the country's elite designers and makers... | 0:00:57 | 0:01:02 | |
What are we going to do with that? | 0:01:02 | 0:01:04 | |
Oh, no! | 0:01:04 | 0:01:05 | |
..she can transform her finds into desirable... | 0:01:05 | 0:01:09 | |
Amazing! | 0:01:09 | 0:01:11 | |
..beautiful... | 0:01:11 | 0:01:12 | |
..valuable... | 0:01:13 | 0:01:15 | |
Kerching! | 0:01:15 | 0:01:16 | |
..and, hopefully, saleable items. | 0:01:16 | 0:01:19 | |
That's £80 profit. | 0:01:19 | 0:01:21 | |
If Sarah is successful, then she can hand the profits back to the very | 0:01:23 | 0:01:27 | |
people who had no idea there was cash to be made from their trash. | 0:01:27 | 0:01:32 | |
Oh, fantastic. That's unbelievable! | 0:01:32 | 0:01:34 | |
Today, we're at the Witley Recycling Centre, near Guildford. | 0:01:47 | 0:01:51 | |
Where 800 tonnes of waste is dumped by Surrey locals every month. | 0:01:52 | 0:01:57 | |
It's so exciting. | 0:01:58 | 0:01:59 | |
People are flooding in here all day long, | 0:01:59 | 0:02:02 | |
and I'm going to turn their old into gold, their trash into cash, | 0:02:02 | 0:02:06 | |
and make some money for nothing. | 0:02:06 | 0:02:08 | |
Remember that Sarah has special permission to rummage about today, | 0:02:09 | 0:02:13 | |
so don't go pestering people at your local recycle centre, | 0:02:13 | 0:02:17 | |
or you'll be the one getting thrown out. | 0:02:17 | 0:02:20 | |
What are you clearing out? What's going on today? | 0:02:20 | 0:02:22 | |
Sarah's combing through cars, looking for three unwanted items | 0:02:22 | 0:02:26 | |
to turn into cash for whoever's dumping them. | 0:02:26 | 0:02:29 | |
-I'm loving the look. -Well, thank you. -Thank you. -That's my smart look. | 0:02:29 | 0:02:32 | |
Flattery will get you everywhere, Sarah. | 0:02:32 | 0:02:35 | |
At the far side of the centre, | 0:02:36 | 0:02:38 | |
Philip may be about to dump just what Sarah's been looking for. | 0:02:38 | 0:02:42 | |
That's vintage gold, isn't it? | 0:02:42 | 0:02:44 | |
Any chance I could have a word with you about your sewing machine? | 0:02:44 | 0:02:46 | |
Of course. | 0:02:46 | 0:02:48 | |
-Are you throwing everything? -Everything must go. | 0:02:48 | 0:02:51 | |
Wow. So, how long have you had this? | 0:02:51 | 0:02:53 | |
I don't know. I think it's been probably around about 40, 50 years. | 0:02:53 | 0:02:57 | |
Right, yeah, it looks about that age, doesn't it? | 0:02:57 | 0:03:00 | |
-It's heavy. -That's all right, heavy's great. | 0:03:02 | 0:03:05 | |
-It hasn't got the sewing machine in it as well? -Probably. | 0:03:07 | 0:03:11 | |
-It has, it has. -Do you actually want it? -I really want it, yes. | 0:03:11 | 0:03:15 | |
I've got such a lot of things to dispose of today! | 0:03:15 | 0:03:18 | |
The sewing machine is more than enough for now, Philip. | 0:03:18 | 0:03:21 | |
But what you think Sarah will do with it? | 0:03:21 | 0:03:24 | |
Hopefully she's a good girl, she'll learn to sew on it. | 0:03:24 | 0:03:27 | |
Careful, Phil. That attitude's about as out of date as the sewing machine. | 0:03:27 | 0:03:31 | |
It is absolutely beyond use, but it's these legs, and this lovely flywheel, | 0:03:32 | 0:03:38 | |
and all the bits down here that I think are where the money is. | 0:03:38 | 0:03:42 | |
But everybody has made tables out of these things. | 0:03:42 | 0:03:45 | |
I've got to find something to make out of it that is really original and inspired. | 0:03:45 | 0:03:50 | |
And, at the moment, I'm lacking inspiration. | 0:03:50 | 0:03:53 | |
I'm hoping, with a little thought, | 0:03:53 | 0:03:56 | |
this could be something fantastic and, actually, quite valuable. | 0:03:56 | 0:03:59 | |
So, that's the first item all sewn up. | 0:03:59 | 0:04:02 | |
Sarah may not be sure how to transform it into a money-maker, | 0:04:02 | 0:04:06 | |
but she knows a man who could. | 0:04:06 | 0:04:08 | |
Rupert Blanchard is one of the country's leading | 0:04:12 | 0:04:15 | |
reclamation and bespoke furniture makers. | 0:04:15 | 0:04:18 | |
He's used to turning Sarah's foraged furniture into something saleable. | 0:04:18 | 0:04:23 | |
I'm really looking forward to Sarah coming and to see what she's managed to discover. | 0:04:23 | 0:04:28 | |
I hope it's something that I'm familiar with, | 0:04:28 | 0:04:32 | |
and I can identify its history. | 0:04:32 | 0:04:34 | |
But I want to add something to it, so I want to completely destroy it | 0:04:34 | 0:04:38 | |
and turn it into something brand-new, but retain somewhat of its past story, | 0:04:38 | 0:04:43 | |
its past history and its past relationship with someone. | 0:04:43 | 0:04:46 | |
And really build a new relationship with it now, | 0:04:46 | 0:04:49 | |
make something brand-new and start making new stories. | 0:04:49 | 0:04:54 | |
Rupert does love working with unloved items. | 0:04:54 | 0:04:57 | |
But Sarah could be stitching him up with this one. | 0:04:57 | 0:05:00 | |
So, Sarah's saved her first item from the skip. | 0:05:04 | 0:05:07 | |
But she has two more to find. | 0:05:07 | 0:05:10 | |
And another piece of classic manufacturing has just pulled up. | 0:05:10 | 0:05:13 | |
I absolutely love it, how long have you had? | 0:05:13 | 0:05:15 | |
I've had about five years. | 0:05:15 | 0:05:16 | |
Well, it's lovely to see it being used. | 0:05:16 | 0:05:18 | |
The car's not up for grabs, Sarah. | 0:05:18 | 0:05:21 | |
Get a move on and find your next item. | 0:05:21 | 0:05:24 | |
Ah, wait. | 0:05:24 | 0:05:25 | |
Emma might have just the thing. | 0:05:25 | 0:05:28 | |
Go on, have a sneaky peek while she's away. | 0:05:28 | 0:05:31 | |
Wow. I wonder if I'm going to be able to have that, look at that! | 0:05:31 | 0:05:35 | |
I think it's made of metal, and that makes it really easy to use | 0:05:35 | 0:05:37 | |
so I'll just see if I can get hold of that, hold on. | 0:05:37 | 0:05:40 | |
Hi, there. | 0:05:40 | 0:05:41 | |
I'm looking for things that I might be able to recycle, | 0:05:41 | 0:05:44 | |
-or making to something else. -Oh, OK. -I was wondering if it might... | 0:05:44 | 0:05:47 | |
-If you might share this, or let me have it? -You can have it. | 0:05:47 | 0:05:50 | |
-You are welcome to take it. -Really? Oh, it's quite heavy, isn't it? | 0:05:50 | 0:05:52 | |
-It's not that bad. -I know, actually in the scale of baths... | 0:05:52 | 0:05:55 | |
I thought it was going to be heavier. | 0:05:55 | 0:05:58 | |
Well spotted, Sarah. | 0:05:58 | 0:06:00 | |
Spending most days at the dump, you are due a bath! | 0:06:00 | 0:06:03 | |
-That's brilliant. I love the shape of it. -Exciting. | 0:06:03 | 0:06:06 | |
Well, thank you ever so much for letting us take it away. | 0:06:06 | 0:06:09 | |
-No worries. Have fun! -Thank you. | 0:06:09 | 0:06:11 | |
Sarah clearly sees potential with Emma's bath. | 0:06:11 | 0:06:15 | |
But what on earth could she make from it? | 0:06:15 | 0:06:17 | |
I'm thinking she's going to make some kind of weird '60s seats, or something. | 0:06:17 | 0:06:22 | |
I love this bath. | 0:06:22 | 0:06:24 | |
It's made of tin, I'm going to be able to cut it up and make something fabulous out of it, | 0:06:24 | 0:06:27 | |
and I reckon if I made two armchairs, I could make 500 quid out of this. | 0:06:27 | 0:06:31 | |
Emma's guess wasn't too far off. | 0:06:33 | 0:06:36 | |
So, with Sarah's second item in line for a radical redesign, | 0:06:36 | 0:06:40 | |
she'll have to call in the services of a designer who loves heavy metal. | 0:06:40 | 0:06:44 | |
Bex Simon is one of the country's best artist blacksmiths, | 0:06:49 | 0:06:53 | |
creating high-end interior furniture and bespoke metalwork commissions. | 0:06:53 | 0:06:59 | |
Bex is normally specially commissioned for unique pieces of artwork, | 0:06:59 | 0:07:03 | |
and has no idea what's coming her way. | 0:07:03 | 0:07:05 | |
Working with found objects is quite different from what we normally do, | 0:07:05 | 0:07:09 | |
cos we work with our clients, or we produce designs and we work with them. | 0:07:09 | 0:07:13 | |
So, this is kind of like really freeing up the mind | 0:07:13 | 0:07:16 | |
and seeing what object we've got. | 0:07:16 | 0:07:19 | |
And how we can make it work into something really cool, | 0:07:19 | 0:07:22 | |
modern and, yeah, desirable. | 0:07:22 | 0:07:25 | |
So, it's going to be fun. | 0:07:25 | 0:07:27 | |
It would seem bath chairs are the obvious choice. | 0:07:28 | 0:07:32 | |
So, how will Bex make them stand out? | 0:07:32 | 0:07:34 | |
Sarah's successfully found two items for designers Rupert and Bex. | 0:07:40 | 0:07:45 | |
Now, she needs to find a third she can apply her own skills to. | 0:07:45 | 0:07:49 | |
And with the day getting on, she may not get to be so choosy. | 0:07:49 | 0:07:53 | |
Oh, hang on a minute! There's that. | 0:07:53 | 0:07:55 | |
Hmm. A plastic plant pot. | 0:07:55 | 0:07:58 | |
I think we'll keep on looking. | 0:07:58 | 0:08:01 | |
But, as luck would have it, | 0:08:01 | 0:08:03 | |
Elizabeth may have just saved the day with her box of old taps. | 0:08:03 | 0:08:07 | |
My husband, when he did the central heating years and years ago, | 0:08:07 | 0:08:11 | |
couldn't bear to ever throw anything away. | 0:08:11 | 0:08:14 | |
I'm like him, I can understand that. | 0:08:14 | 0:08:17 | |
So, I'm gradually getting rid of them because they're no use to me. | 0:08:17 | 0:08:20 | |
But, I mean, I was going to put them in the recycling. | 0:08:20 | 0:08:22 | |
Do you know, I'm looking for things that I might be able to add to projects, | 0:08:22 | 0:08:26 | |
or make something out of. | 0:08:26 | 0:08:27 | |
-Right. -And, yeah, these are just what I'm after. | 0:08:27 | 0:08:31 | |
Something really chunky and old. They've got that classic look. | 0:08:31 | 0:08:34 | |
That would be really nice, yes. | 0:08:34 | 0:08:36 | |
I'm just only too pleased for them to be reused. | 0:08:36 | 0:08:39 | |
Thank you so much. | 0:08:39 | 0:08:40 | |
When we moved into our house many, many years ago, | 0:08:41 | 0:08:44 | |
and my husband had old pipes, couldn't throw them away, of course, | 0:08:44 | 0:08:48 | |
and re-did it and they've just been in the garage ever since. | 0:08:48 | 0:08:52 | |
Look at that absolute box of joy. These are just fantastic. | 0:08:52 | 0:08:57 | |
They're not perfect, they're in a bit of a state, but I have to be able | 0:08:57 | 0:09:00 | |
to make something brilliant out of these, don't you think? | 0:09:00 | 0:09:03 | |
OK, bye-bye. | 0:09:03 | 0:09:05 | |
It was great meeting that lady and it was really sweet that she let me have those tap and things. | 0:09:05 | 0:09:10 | |
I just hope I can do them justice and make something lovely out of them. | 0:09:10 | 0:09:13 | |
Sarah's three-item search is complete. | 0:09:13 | 0:09:16 | |
Philip's sewing machine will be going to Rupert. | 0:09:18 | 0:09:21 | |
Bex will work on Emma's old bath. | 0:09:21 | 0:09:24 | |
And Sarah will be hoping to create a cash flow from Elizabeth's taps. | 0:09:24 | 0:09:28 | |
It's been a fantastic day here today, and I've met some great people. | 0:09:28 | 0:09:32 | |
But I've also been making some really big | 0:09:32 | 0:09:35 | |
promises about what I'm going to do with their rubbish. | 0:09:35 | 0:09:38 | |
I think I might have my work cut out. | 0:09:38 | 0:09:40 | |
Sarah's first stop is the seaside resort of Margate. | 0:09:46 | 0:09:50 | |
For over 200 years, the town has been a popular holiday destination for Londoners. | 0:09:50 | 0:09:56 | |
But with the recent opening of the Turner Contemporary, | 0:09:56 | 0:09:59 | |
a cultural renaissance has been happening here. | 0:09:59 | 0:10:02 | |
And designer Rupert Blanchard is at the heart of it. | 0:10:02 | 0:10:05 | |
He's looking forward to another special delivery from Sarah. | 0:10:05 | 0:10:09 | |
I did hear from Sarah that she's going to bring me something | 0:10:09 | 0:10:13 | |
that she thinks is going to really challenge me this time. | 0:10:13 | 0:10:16 | |
I'm not so sure. | 0:10:16 | 0:10:18 | |
She's not seen some of the rubbish I've actually worked with, | 0:10:18 | 0:10:20 | |
so I'm happy for her to bring it on. | 0:10:20 | 0:10:23 | |
Rupert? | 0:10:23 | 0:10:26 | |
-I have got something I need a hand to bring in. -OK. | 0:10:26 | 0:10:29 | |
-It's heavy. -Is it an elephant? | 0:10:29 | 0:10:31 | |
No, it's definitely not... Well, it might be the elephant in the room, | 0:10:31 | 0:10:34 | |
but come and have a look at it. | 0:10:34 | 0:10:37 | |
Ooh... OK. | 0:10:37 | 0:10:40 | |
-Oops. -Watch your toes! | 0:10:40 | 0:10:41 | |
-That's fab. -There you go. | 0:10:41 | 0:10:44 | |
Let me pop that up there. I think it still opens up. | 0:10:44 | 0:10:47 | |
Still working. | 0:10:47 | 0:10:48 | |
Just about. Is it beyond repair? Is it beyond use? | 0:10:48 | 0:10:51 | |
Nothing's beyond use. Nothing's beyond repair, is it? | 0:10:51 | 0:10:53 | |
It's all, er... We can do something with it. | 0:10:53 | 0:10:56 | |
I was wondering if maybe we could | 0:10:56 | 0:10:58 | |
use it as some kind of flip-up thing, | 0:10:58 | 0:11:00 | |
where somebody's got a screen, either their laptop in there, | 0:11:00 | 0:11:03 | |
or it's the TV screen, or something like that. | 0:11:03 | 0:11:05 | |
So it's a possible home office-y... | 0:11:05 | 0:11:08 | |
thing. | 0:11:08 | 0:11:10 | |
Perfect. | 0:11:10 | 0:11:12 | |
I think you're saving it at just the right point before it does crumble. | 0:11:12 | 0:11:16 | |
The sewing machine itself, the mechanism still works, | 0:11:16 | 0:11:19 | |
so maybe you'll turn a handle and your screen comes up. | 0:11:19 | 0:11:23 | |
Maybe you do something, and it actually appears. | 0:11:23 | 0:11:27 | |
There's definitely a lot to play with. | 0:11:27 | 0:11:30 | |
What do you think? | 0:11:30 | 0:11:31 | |
That is a challenge. It is a... | 0:11:31 | 0:11:35 | |
I think this one might take a couple more cups of tea. | 0:11:35 | 0:11:38 | |
Or perhaps something stronger. | 0:11:38 | 0:11:40 | |
Well, you can't hurry creativity, can you? | 0:11:43 | 0:11:45 | |
But I've got every faith in Rupert's designs, | 0:11:45 | 0:11:48 | |
and I'm really looking forward to seeing what he comes up with. | 0:11:48 | 0:11:51 | |
I really want to do something new with this. | 0:11:51 | 0:11:54 | |
Something quite exciting, and maybe I need to think about | 0:11:54 | 0:11:56 | |
its original use and how to | 0:11:56 | 0:11:58 | |
push it further into the modern world. | 0:11:58 | 0:12:01 | |
So because Rupert has absolutely no idea | 0:12:02 | 0:12:05 | |
what he's going to do, we can't estimate a cost for this job. | 0:12:05 | 0:12:10 | |
Let's check up on him later, | 0:12:10 | 0:12:11 | |
when he's had a chance to think. | 0:12:11 | 0:12:13 | |
So while we leave Rupert to put the kettle on, | 0:12:19 | 0:12:22 | |
we travel further inland to the Surrey countryside, | 0:12:22 | 0:12:26 | |
where waiting for Sarah are scrap-scavengers Bex | 0:12:26 | 0:12:30 | |
and husband Dave. | 0:12:30 | 0:12:32 | |
Sarah thinks a bath is just what these two need. | 0:12:32 | 0:12:35 | |
It's a bath! | 0:12:35 | 0:12:36 | |
Don't take it personally. | 0:12:36 | 0:12:38 | |
Oh, wow. OK. | 0:12:38 | 0:12:41 | |
It's tin. It's not one of the cast iron ones, | 0:12:41 | 0:12:43 | |
so it's not too heavy, but | 0:12:43 | 0:12:46 | |
it's metal, so I thought of you. | 0:12:46 | 0:12:48 | |
And obviously how dirty we are and we need a bath! | 0:12:49 | 0:12:53 | |
Tin baths are a cheaper alternative to heavy cast iron. | 0:12:54 | 0:12:58 | |
It should make no difference to the sale price, | 0:12:58 | 0:13:01 | |
once they've turned it into... | 0:13:01 | 0:13:03 | |
What's it being turned into? | 0:13:03 | 0:13:05 | |
So I was sort of wondering whether this could be | 0:13:05 | 0:13:08 | |
a pair of armchairs. I was just wondering if we could cut | 0:13:08 | 0:13:13 | |
each end off to make a kind of like cool armchair. | 0:13:13 | 0:13:17 | |
That would probably work quite well. | 0:13:17 | 0:13:19 | |
What I haven't done is actually sat in it. Do you think maybe we should | 0:13:19 | 0:13:22 | |
put it on the ground and sort of see how big... Is it possible to get | 0:13:22 | 0:13:25 | |
two out of it, do you think? Pop it down. | 0:13:25 | 0:13:26 | |
OK, you sit that side. I'll sit this side. | 0:13:26 | 0:13:29 | |
Two birds in a bath. | 0:13:29 | 0:13:30 | |
You've got the taps end, I win. | 0:13:32 | 0:13:34 | |
I always end up with the taps end. | 0:13:34 | 0:13:36 | |
OK, so my end's comfortable. How's yours? | 0:13:36 | 0:13:38 | |
I'm sort of quite propped up, but that's OK. | 0:13:38 | 0:13:40 | |
The only thing I was wondering about - just having a couple of | 0:13:40 | 0:13:43 | |
holes in it so we could put | 0:13:43 | 0:13:45 | |
a cushion pad on it, maybe just on the base. | 0:13:45 | 0:13:47 | |
A cushion pad so you don't slide out of it. | 0:13:47 | 0:13:49 | |
Yeah, no, definitely. | 0:13:49 | 0:13:50 | |
If I get out, will you... | 0:13:50 | 0:13:52 | |
THEY LAUGH | 0:13:52 | 0:13:54 | |
Yeah. I think we can go for that, definitely. Give it a go. | 0:13:54 | 0:13:59 | |
Give anything a go. | 0:13:59 | 0:14:01 | |
It's a clever idea to turn the bath | 0:14:02 | 0:14:04 | |
into two separate saleable seats to double the potential profit... | 0:14:04 | 0:14:09 | |
It's quite cool up this end. | 0:14:09 | 0:14:11 | |
..as long as we don't break the bank making it. | 0:14:11 | 0:14:15 | |
I suppose we're looking at £30-£40 to get a cushion made | 0:14:15 | 0:14:19 | |
if I was to make up a very simple square to go in it. | 0:14:19 | 0:14:22 | |
If we've got, say, £400-500 | 0:14:22 | 0:14:25 | |
to do what we need to do, | 0:14:25 | 0:14:27 | |
I reckon we could have a good go | 0:14:27 | 0:14:29 | |
at doing it with that. | 0:14:29 | 0:14:31 | |
Fab. Well, that sounds like a great plan. | 0:14:31 | 0:14:33 | |
Shall I leave it with you? | 0:14:33 | 0:14:35 | |
OK. | 0:14:35 | 0:14:36 | |
Don't sound too enthusiastic, Bex. | 0:14:36 | 0:14:39 | |
Two bathtub armchairs. That should be easy, right? | 0:14:39 | 0:14:43 | |
There's quite a few unknowns, as usual, aren't there? | 0:14:43 | 0:14:45 | |
Yeah. | 0:14:45 | 0:14:47 | |
How much enamel's going to stay on it, | 0:14:47 | 0:14:49 | |
how much the shape's going to fall apart. | 0:14:49 | 0:14:52 | |
But we will remain positive. | 0:14:52 | 0:14:54 | |
That's more like it. | 0:14:55 | 0:14:57 | |
The armchairs should cost between £400-£500 to make. | 0:14:57 | 0:15:01 | |
Plus a little extra for the cushions. | 0:15:01 | 0:15:04 | |
Selling them for any more than that means Sarah's in profit. | 0:15:04 | 0:15:07 | |
So with Becks about to crack on with the bath, and Rupert... | 0:15:14 | 0:15:19 | |
Well, hopefully he has some idea now of what he's going to make. | 0:15:19 | 0:15:24 | |
It's back to the barn and time for Sarah to make some money | 0:15:24 | 0:15:27 | |
from a pile of plumbing. | 0:15:27 | 0:15:29 | |
So I picked up this whole box of taps at a tip, | 0:15:29 | 0:15:32 | |
and thought, "Brilliant! They'll be so easy to use, | 0:15:32 | 0:15:34 | |
"there are so many of them, they're really old fashioned | 0:15:34 | 0:15:37 | |
"and charming looking," but now I've got them all back home, | 0:15:37 | 0:15:41 | |
I just don't know what to do with them. | 0:15:41 | 0:15:43 | |
Why don't you get them all out and maybe something will come to you? | 0:15:43 | 0:15:46 | |
That one's quite cool... | 0:15:46 | 0:15:49 | |
So? | 0:15:53 | 0:15:55 | |
Any ideas? | 0:15:57 | 0:15:59 | |
What's with you and Rupert today? Get those creative juices flowing! | 0:15:59 | 0:16:02 | |
I thought maybe I could use them to make some really smart lighting. | 0:16:02 | 0:16:06 | |
You know, have some blue bulbs coming out of them, | 0:16:06 | 0:16:09 | |
but really it's very complicated, what's inside them. | 0:16:09 | 0:16:11 | |
But then I'm wondering... | 0:16:11 | 0:16:14 | |
Maybe, with these sort of angular bits, | 0:16:14 | 0:16:17 | |
if I can make a towel rail, | 0:16:17 | 0:16:19 | |
something useful for the bathroom. I think I should put them back | 0:16:19 | 0:16:22 | |
somewhere where there is water involved. | 0:16:22 | 0:16:24 | |
Otherwise they'll just look inappropriate. | 0:16:24 | 0:16:26 | |
And hope that there's some way of fixing them together, | 0:16:26 | 0:16:28 | |
perhaps onto a backboard that would | 0:16:28 | 0:16:30 | |
make a really cool place to hang a towel. | 0:16:30 | 0:16:32 | |
Towel rail? That'll do. | 0:16:32 | 0:16:34 | |
They're quite good. There's one there. | 0:16:34 | 0:16:37 | |
OK, I've got two of those. | 0:16:37 | 0:16:38 | |
Except I didn't see a rail in that box. | 0:16:38 | 0:16:41 | |
And I have got this piece of copper pipe left over. | 0:16:41 | 0:16:44 | |
It's not brilliant, but I think maybe... | 0:16:44 | 0:16:47 | |
Yeah, it does fit. | 0:16:47 | 0:16:49 | |
This one's starting to come together. | 0:16:49 | 0:16:52 | |
The thing could sort of come out of the wall on those bits. | 0:16:52 | 0:16:55 | |
And because it's all made from plumbing, | 0:16:55 | 0:16:57 | |
it'll be a heated towel rail. | 0:16:57 | 0:16:59 | |
Am I right? | 0:16:59 | 0:17:01 | |
Yeah, it's never going to be heated... I mean, it could be | 0:17:01 | 0:17:03 | |
if I got it plumbed in, | 0:17:03 | 0:17:05 | |
but I think it should be decorative only, because I've got no budget to | 0:17:05 | 0:17:09 | |
spend on this, and I just want it to look pretty cool, | 0:17:09 | 0:17:12 | |
and a pretty quick fix. | 0:17:12 | 0:17:14 | |
Cheapskate. | 0:17:14 | 0:17:16 | |
So while Sarah puts together her pipes, | 0:17:18 | 0:17:23 | |
back in Margate, Rupert's had a bit of time to think about what he'll do | 0:17:23 | 0:17:29 | |
with the old sewing machine, and... | 0:17:29 | 0:17:32 | |
We're no further forward. | 0:17:33 | 0:17:35 | |
This one is my biggest challenge to date. | 0:17:35 | 0:17:38 | |
There's a lot of very easy things you could do with it, | 0:17:38 | 0:17:42 | |
but I want to come up with something new. | 0:17:42 | 0:17:44 | |
This is approximately 100 years old now. | 0:17:44 | 0:17:47 | |
It's broken, the wood's delaminated, | 0:17:47 | 0:17:50 | |
metal has rusted, corroded and snapped. | 0:17:50 | 0:17:53 | |
Depending on what you want to do with this, | 0:17:53 | 0:17:55 | |
you could spend hundreds, you could spend nothing. | 0:17:55 | 0:17:59 | |
My preference is always spending nothing. | 0:17:59 | 0:18:01 | |
With no idea how this is going to turn out, | 0:18:01 | 0:18:04 | |
Rupert plunges right in. | 0:18:04 | 0:18:07 | |
I'm going to start by taking it apart, | 0:18:07 | 0:18:09 | |
lay out very neatly what I've got to work with | 0:18:09 | 0:18:12 | |
and hopefully that'll help me in the design process. | 0:18:12 | 0:18:15 | |
First, Rupert carefully removes the original sewing machine, | 0:18:17 | 0:18:22 | |
pulls out the drawers... | 0:18:22 | 0:18:24 | |
These are quite genius things, | 0:18:24 | 0:18:26 | |
how they're put together, | 0:18:26 | 0:18:27 | |
there's so many different components. | 0:18:27 | 0:18:29 | |
..and finally Rupert unscrews the wooden top from the cast iron base. | 0:18:29 | 0:18:34 | |
Rupert subscribes to the art of knolling, | 0:18:35 | 0:18:38 | |
which essentially means taking things to pieces, | 0:18:38 | 0:18:41 | |
laying them out neatly, and then having a think. | 0:18:41 | 0:18:44 | |
So I've taken Sarah's discovery apart now into many, | 0:18:44 | 0:18:47 | |
many components. | 0:18:47 | 0:18:49 | |
There's a lot of beautiful elements. | 0:18:49 | 0:18:51 | |
Lovely little design details going on. | 0:18:51 | 0:18:55 | |
But what I do with them I still don't know. | 0:18:55 | 0:18:57 | |
A few more cups of tea... | 0:18:57 | 0:19:00 | |
More tea? | 0:19:00 | 0:19:02 | |
I'll just go and get an ice cream while you think, shall I? | 0:19:02 | 0:19:05 | |
The Singer company, who manufactured the first practical sewing machine | 0:19:05 | 0:19:09 | |
for general use, was established back in 1851. | 0:19:09 | 0:19:13 | |
By 1900, Singer was producing 40 different sewing machine models, | 0:19:13 | 0:19:18 | |
and by... | 0:19:18 | 0:19:19 | |
Ugh, I've had enough of this. I can't stand it! | 0:19:19 | 0:19:22 | |
Rupert, tell me you've got something for us! | 0:19:22 | 0:19:25 | |
Hurray! Something new! And it's a big bit of wood. | 0:19:25 | 0:19:29 | |
Rupert, what's the plan? | 0:19:29 | 0:19:31 | |
I've gone through so many options | 0:19:31 | 0:19:33 | |
trying to come up with the right one. | 0:19:33 | 0:19:35 | |
So I think | 0:19:35 | 0:19:37 | |
I'm trying to do | 0:19:37 | 0:19:40 | |
some kind of table, but with | 0:19:40 | 0:19:44 | |
something a bit extra, an extra little | 0:19:44 | 0:19:47 | |
twist, an extra little kick to it. | 0:19:47 | 0:19:49 | |
I'm not going to say quite what it is, cos I want to surprise Sarah. | 0:19:49 | 0:19:53 | |
People are either going to love or hate this one. | 0:19:53 | 0:19:56 | |
Ooh, a surprise! | 0:19:58 | 0:20:00 | |
I like a surprise. | 0:20:00 | 0:20:01 | |
Some kind of a table with something else. Excellent. | 0:20:01 | 0:20:04 | |
For the tabletop, Rupert's using | 0:20:06 | 0:20:08 | |
some reclaimed wood he had lying about. | 0:20:08 | 0:20:11 | |
And while we were away, he's also applied a spray-varnish finish | 0:20:12 | 0:20:16 | |
to the metal base to stop rusting. | 0:20:16 | 0:20:19 | |
Rupert really wanted to make this piece unique, | 0:20:19 | 0:20:23 | |
and even reached out to social media for inspiration. | 0:20:23 | 0:20:26 | |
I put it on Twitter, after coming up with lots of different things, | 0:20:26 | 0:20:30 | |
to see what other people thought. | 0:20:30 | 0:20:32 | |
And one of the things, I did think of this before, | 0:20:32 | 0:20:36 | |
I wanted to do, like, a rotisserie chicken, turn it into a barbecue. | 0:20:36 | 0:20:41 | |
You'd have a chicken on it and push the pedal to slowly turn. | 0:20:41 | 0:20:45 | |
If that's the kind of ideas you're considering, I can't wait to see | 0:20:45 | 0:20:49 | |
what your secret surprise is! | 0:20:49 | 0:20:51 | |
Back in Sussex, Sarah's one step closer to making a towel rail | 0:20:59 | 0:21:04 | |
from the box of old taps. | 0:21:04 | 0:21:05 | |
But she still has to source a wooden back panel | 0:21:07 | 0:21:10 | |
that will eventually fix the rail to the wall. | 0:21:10 | 0:21:13 | |
But luckily, Sarah's a holder of all things... | 0:21:14 | 0:21:18 | |
Well, of all things. | 0:21:18 | 0:21:19 | |
And after a quick trip to the shed, | 0:21:19 | 0:21:21 | |
she usually finds something she can work with. | 0:21:21 | 0:21:24 | |
I'm trying to find a backboard that I can mount the whole towel rail on. | 0:21:24 | 0:21:30 | |
And I had this bed, in fact a pair of beds, | 0:21:30 | 0:21:33 | |
that I have had for about five years, | 0:21:33 | 0:21:35 | |
and they are completely broken. They've fallen apart. | 0:21:35 | 0:21:38 | |
But I've always loved the wood and thought one day | 0:21:38 | 0:21:41 | |
I might use it in a project, so that... | 0:21:41 | 0:21:43 | |
That will work really well. | 0:21:43 | 0:21:46 | |
It's really heavy. It must be mahogany or something. | 0:21:47 | 0:21:51 | |
And it's old. I think it's French. | 0:21:51 | 0:21:53 | |
It's a really good green colour. | 0:21:53 | 0:21:54 | |
With that, I think, with all that copper and gold, | 0:21:56 | 0:21:59 | |
pretty much untouched will be perfect. | 0:21:59 | 0:22:01 | |
So with a back panel scavenged from...herself, | 0:22:01 | 0:22:05 | |
it's time for Sarah to plug in those power tools. | 0:22:05 | 0:22:09 | |
She's using an electric jigsaw to cut the old bed frame | 0:22:09 | 0:22:13 | |
the correct length for the towel rail. | 0:22:13 | 0:22:16 | |
Next, it's time for the power drill. | 0:22:18 | 0:22:22 | |
She's using a flat wood drill bit, which is perfect for bigger holes. | 0:22:22 | 0:22:26 | |
Hopefully that's all right. | 0:22:28 | 0:22:30 | |
Quite an achievement for just over an hour's worth of work. | 0:22:30 | 0:22:35 | |
But will anyone buy it? | 0:22:35 | 0:22:37 | |
Sarah's spent just £12 on extra metal fittings | 0:22:40 | 0:22:43 | |
to attach the rail to the backboard, | 0:22:43 | 0:22:45 | |
so she's got to make more than £12 from it, surely? | 0:22:45 | 0:22:49 | |
Meanwhile, back at the Forge, | 0:22:53 | 0:22:55 | |
Bex and Dave are about to start the process | 0:22:55 | 0:22:58 | |
of turning the bath from something you lie in | 0:22:58 | 0:23:01 | |
to something you'll want to sit on. | 0:23:01 | 0:23:03 | |
Are we just cutting it in half? | 0:23:03 | 0:23:06 | |
Sarah was hoping to get two saleable seats out of it, | 0:23:06 | 0:23:09 | |
one from each end, but do the team think it's a possibility? | 0:23:09 | 0:23:13 | |
We've never done anything with a bath before. | 0:23:13 | 0:23:15 | |
Apart from washed ourselves after work! | 0:23:15 | 0:23:19 | |
And then it's pretty grubby. | 0:23:19 | 0:23:21 | |
It can't be worse than that! | 0:23:21 | 0:23:24 | |
Or maybe it can. | 0:23:24 | 0:23:26 | |
Bex starts by drawing up plans for the frame. | 0:23:28 | 0:23:31 | |
But what can they do to make it not so bath-y? | 0:23:31 | 0:23:36 | |
There's got to be something about the design that... | 0:23:36 | 0:23:38 | |
moves it on from being half a bath in a frame | 0:23:38 | 0:23:44 | |
to a considered chair. | 0:23:44 | 0:23:46 | |
What about if we made a big frame and turned it into a swing?! | 0:23:46 | 0:23:51 | |
SHE LAUGHS | 0:23:51 | 0:23:53 | |
A bucket swing. | 0:23:53 | 0:23:54 | |
No. | 0:23:54 | 0:23:56 | |
Maybe keep on thinking. | 0:23:56 | 0:23:58 | |
Dave gets to work cutting the first seat from the plughole end. | 0:23:59 | 0:24:03 | |
Dave's very careful not to chip away at the enamel, | 0:24:04 | 0:24:08 | |
which could spoil the finish. | 0:24:08 | 0:24:10 | |
Once it's removed, he'll have a better idea | 0:24:14 | 0:24:17 | |
of what needs to be done next. | 0:24:17 | 0:24:19 | |
But first off, how are you going to plug off the plughole? | 0:24:19 | 0:24:23 | |
Why don't we get a plug? | 0:24:23 | 0:24:25 | |
Genius! | 0:24:25 | 0:24:27 | |
Put a plug in there. | 0:24:27 | 0:24:28 | |
-Yeah. Bit quirky. -Yeah. | 0:24:28 | 0:24:31 | |
And get some taps! | 0:24:31 | 0:24:33 | |
That would be uncomfortable! | 0:24:33 | 0:24:35 | |
That would be like how I have a bath - | 0:24:37 | 0:24:39 | |
somebody else gets the comfy end! | 0:24:39 | 0:24:42 | |
Too much information. | 0:24:43 | 0:24:46 | |
You said it. | 0:24:46 | 0:24:47 | |
But you know the old saying - | 0:24:47 | 0:24:49 | |
the couple that bathes together, stays together. | 0:24:49 | 0:24:52 | |
OK. | 0:24:52 | 0:24:53 | |
In the interests of keeping costs low, | 0:24:53 | 0:24:56 | |
Bex and Dave are using scrap iron they had lying about, | 0:24:56 | 0:25:00 | |
which they are bending into curves to form the base | 0:25:00 | 0:25:03 | |
the bath will rest upon. | 0:25:03 | 0:25:05 | |
With this, again because we're working to a budget, | 0:25:06 | 0:25:09 | |
you know, we can't really order in the stuff that we need, | 0:25:09 | 0:25:13 | |
so we're just looking to see what we can use. | 0:25:13 | 0:25:16 | |
So it is, it's really testing your design ability. | 0:25:16 | 0:25:20 | |
You know, you're not sort of sat down drawing it out, you know, | 0:25:20 | 0:25:24 | |
having a big sort of conversation with a client, | 0:25:24 | 0:25:27 | |
you're literally, "Right, here it is, let's get on with it." | 0:25:27 | 0:25:31 | |
I can see this starting to come together. | 0:25:32 | 0:25:36 | |
Sawing the bath in half has left a sharp edge on the seat, | 0:25:36 | 0:25:39 | |
but Bex is hoping to keep it as-is. | 0:25:39 | 0:25:42 | |
We'll test it out at the end with bare legs. | 0:25:42 | 0:25:45 | |
-Your legs. -Yeah. Have to shave them first! | 0:25:47 | 0:25:51 | |
Still too much information. | 0:25:52 | 0:25:55 | |
Bex is welding extra support beams to the base, | 0:25:57 | 0:26:00 | |
as the curved steel will be too soft to support some people's bottoms. | 0:26:00 | 0:26:05 | |
While Dave is giving the bath a paint job. | 0:26:05 | 0:26:08 | |
But it's taken a lot to get to this stage, | 0:26:10 | 0:26:12 | |
with time running out, so instead of two bath seats, | 0:26:12 | 0:26:16 | |
it looks like Sarah will just be getting one. | 0:26:16 | 0:26:19 | |
We were going to build the front and the back one, | 0:26:19 | 0:26:22 | |
but, again, it's taken us longer. | 0:26:22 | 0:26:25 | |
As per usual. | 0:26:25 | 0:26:26 | |
So, yeah, we'll probably have to give her a call | 0:26:26 | 0:26:29 | |
and let her know what's going on. | 0:26:29 | 0:26:31 | |
To be honest, as long as it doesn't cost a fortune to construct, | 0:26:31 | 0:26:35 | |
I'm sure Sarah will be happy. | 0:26:35 | 0:26:38 | |
Back at the barn, Sarah has downed power tools | 0:26:43 | 0:26:46 | |
and is nearing the end of her own restoration project. | 0:26:46 | 0:26:49 | |
She's attached the rail and bits of old taps | 0:26:51 | 0:26:54 | |
to the wooden back panel, | 0:26:54 | 0:26:56 | |
and now is nailing more bits of broken bed to the sides | 0:26:56 | 0:27:00 | |
for a classy finish. | 0:27:00 | 0:27:01 | |
When Sarah found the old taps, they were headed for the skip. | 0:27:04 | 0:27:08 | |
But now, it's a modern, funky towel rail. | 0:27:09 | 0:27:13 | |
Sarah used matching black steam valve handles | 0:27:18 | 0:27:21 | |
that make the piece more industrial than domestic. | 0:27:21 | 0:27:24 | |
The extra material, Sarah used for compression joints, | 0:27:24 | 0:27:28 | |
which form an L shape attaching the rail to the backboard. | 0:27:28 | 0:27:32 | |
And the backboard? Well, it was an old bed, | 0:27:32 | 0:27:35 | |
but I think it does the job nicely. | 0:27:35 | 0:27:37 | |
All in all, a quick and effective turnaround, Sarah. | 0:27:37 | 0:27:42 | |
Just for a change, I have to say, | 0:27:42 | 0:27:44 | |
that was refreshingly fun to make. | 0:27:44 | 0:27:46 | |
It's really quite simple if you're using | 0:27:46 | 0:27:48 | |
any of these compression joints that you can get at plumber's merchants, | 0:27:48 | 0:27:51 | |
because they literally tighten up together | 0:27:51 | 0:27:53 | |
and give you a really secure join. | 0:27:53 | 0:27:56 | |
Probably not waterproof if you don't really know what you're doing, | 0:27:56 | 0:27:59 | |
but certainly good enough for making this kind of thing. | 0:27:59 | 0:28:01 | |
So probably, all in all, it was only about an hour and a half to make, | 0:28:01 | 0:28:05 | |
and I only spent £12 on materials. | 0:28:05 | 0:28:07 | |
So hopefully, enough here to make some profit. | 0:28:07 | 0:28:11 | |
I'm sure you'll find some plumbing lover | 0:28:11 | 0:28:14 | |
to buy it for more than £12. | 0:28:14 | 0:28:16 | |
So go on - get it sold. | 0:28:16 | 0:28:18 | |
Back at the dump, Sarah loved the look of Elizabeth's old box | 0:28:24 | 0:28:28 | |
and asked if she could tinker with her taps. | 0:28:28 | 0:28:30 | |
That would be really nice, yes. | 0:28:30 | 0:28:32 | |
I'm just only too pleased for them to be re-used! | 0:28:32 | 0:28:35 | |
Sarah was smitten. | 0:28:35 | 0:28:37 | |
Look at that absolute box of joy. | 0:28:37 | 0:28:39 | |
These are just fantastic. | 0:28:39 | 0:28:41 | |
And Elizabeth was happy to say goodbye to the old relics. | 0:28:41 | 0:28:44 | |
We moved into our house many, many years ago, | 0:28:44 | 0:28:46 | |
and they've just been in the garage ever since. | 0:28:46 | 0:28:48 | |
Brilliant they're going to be re-used. | 0:28:48 | 0:28:51 | |
Sarah sold the towel rail to a trendy London shop | 0:28:51 | 0:28:55 | |
and now she's back in Guildford to show Elizabeth | 0:28:55 | 0:28:58 | |
what she's done to her husband's taps, | 0:28:58 | 0:29:00 | |
and to hand over any profit. | 0:29:00 | 0:29:02 | |
Hi, there! | 0:29:11 | 0:29:12 | |
-Hi, Elizabeth, it's Sarah from the tip. How are you? -Fine, thank you. | 0:29:12 | 0:29:15 | |
-I just thought I'd update you about what happened with your taps. -Yes. | 0:29:15 | 0:29:20 | |
Were you wondering what we might do with them? | 0:29:20 | 0:29:23 | |
Well, I couldn't think of anything, actually! | 0:29:23 | 0:29:25 | |
They're just old taps to me. | 0:29:25 | 0:29:26 | |
Yeah, well, we had... It was actually something that I worked on, | 0:29:26 | 0:29:30 | |
so had a good look at them, I was thinking about all sorts of things, | 0:29:30 | 0:29:33 | |
maybe turning them into lighting or something. | 0:29:33 | 0:29:35 | |
But in the end I thought it's probably better to keep them | 0:29:35 | 0:29:39 | |
in the kind of water environment, so I turned them into a towel rail. | 0:29:39 | 0:29:43 | |
-Oh, my goodness! -What do you think? | 0:29:43 | 0:29:45 | |
That's amazing, isn't it? Yes. | 0:29:45 | 0:29:48 | |
-I know these were your late husband's. -Yes. | 0:29:48 | 0:29:51 | |
-I hope he would approve. -He would, he would! | 0:29:51 | 0:29:54 | |
So after the stuff has been made, we try and sell it, | 0:29:54 | 0:29:58 | |
and they were actually sold for £75! | 0:29:58 | 0:30:01 | |
-Goodness me! -What do you think about that? -I can't believe it. | 0:30:01 | 0:30:04 | |
-And from £75, I've got £63 to give to you. -Oh, goodness me! | 0:30:04 | 0:30:10 | |
So let me... | 0:30:10 | 0:30:12 | |
Right, thank you very much! | 0:30:12 | 0:30:14 | |
I'll send that to a charity. | 0:30:14 | 0:30:16 | |
Did he support a particular charity? | 0:30:16 | 0:30:18 | |
Well, we had two. Because he had dementia, | 0:30:18 | 0:30:21 | |
he used to go to a day centre, so half of the money went there, | 0:30:21 | 0:30:27 | |
and the rest went to a place called the Rainbow Centre | 0:30:27 | 0:30:30 | |
where my little grandson attends, for disabled children. | 0:30:30 | 0:30:34 | |
Sarah's rustic take on a towel rail | 0:30:35 | 0:30:37 | |
cost just £12. | 0:30:37 | 0:30:40 | |
The item didn't hang around too long | 0:30:40 | 0:30:42 | |
and was picked up for £75, | 0:30:42 | 0:30:44 | |
giving Elizabeth the chance to spread some love | 0:30:44 | 0:30:47 | |
with the £63 profit. | 0:30:47 | 0:30:49 | |
-Thank you very, very much! -Absolute pleasure. | 0:30:52 | 0:30:55 | |
So, while Elizabeth heads off to spend the spoils from the towel rail, | 0:30:55 | 0:30:59 | |
we're back in Margate, where Sarah's about to pop in on Rupert | 0:30:59 | 0:31:03 | |
and finally find out what his super-secret surprise is. | 0:31:03 | 0:31:08 | |
When we left him, there were talks of rotisserie chicken barbecues | 0:31:09 | 0:31:12 | |
and all sorts. | 0:31:12 | 0:31:14 | |
Now, Rupert's putting on the finishing touches, | 0:31:14 | 0:31:18 | |
so hurry up, Sarah, and get in there. | 0:31:18 | 0:31:20 | |
The wait is killing me! | 0:31:20 | 0:31:22 | |
I love it here at Rupert's place | 0:31:22 | 0:31:25 | |
because I think, like me, he might be a bit of a hoarder. | 0:31:25 | 0:31:28 | |
I can't wait, though, to see what he's done with | 0:31:28 | 0:31:31 | |
our sewing machine table, because when I left him, | 0:31:31 | 0:31:33 | |
he was scratching his head and he hadn't got a single idea | 0:31:33 | 0:31:36 | |
about what he was going to do with it. | 0:31:36 | 0:31:37 | |
So who knows? | 0:31:37 | 0:31:39 | |
Before, the old crumbling sewing machine was no use to anyone. | 0:31:42 | 0:31:47 | |
Now, it's a very cool, functional worktable, with... | 0:31:49 | 0:31:53 | |
..a desk fan that is operated by the original foot pedal. | 0:31:55 | 0:31:59 | |
Rupert, you're bonkers. | 0:31:59 | 0:32:02 | |
Rupert used a very simple finish to the metal | 0:32:02 | 0:32:05 | |
to maintain some of its history. | 0:32:05 | 0:32:08 | |
A clear wax on the tabletop brings out the natural grain | 0:32:08 | 0:32:12 | |
of the scavenged wood, | 0:32:12 | 0:32:14 | |
but the secret surprise of the day is that fan. | 0:32:14 | 0:32:17 | |
Rupert has rigged the original Victorian engineering | 0:32:17 | 0:32:20 | |
to turn the blades with a push of your foot. | 0:32:20 | 0:32:23 | |
It's one of a kind. | 0:32:23 | 0:32:26 | |
-Hiya! -Welcome back. -How are you? | 0:32:26 | 0:32:29 | |
-I'm very good, how are you? -Yeah...hey, is that my... | 0:32:29 | 0:32:32 | |
-Is that my sewing machine surprise? -Do you want to see it? | 0:32:32 | 0:32:35 | |
-Yeah, go on, then. Come on. -It's certainly a surprise, | 0:32:35 | 0:32:37 | |
because it doesn't actually have a sewing machine any more. | 0:32:37 | 0:32:40 | |
Oh, wow! | 0:32:40 | 0:32:42 | |
OK, so, | 0:32:42 | 0:32:43 | |
I thought maybe a rotisserie chicken, | 0:32:43 | 0:32:45 | |
maybe a giant pencil sharpener - lots of things | 0:32:45 | 0:32:48 | |
I've spent a lot of this week failing at, | 0:32:48 | 0:32:50 | |
and then I decided, mmm, on a hot day in a workshop, | 0:32:50 | 0:32:53 | |
what better than a fan? | 0:32:53 | 0:32:55 | |
I absolutely love it. Let's see it in action. | 0:32:55 | 0:32:58 | |
Yep. So there's a little hidden pole under here. | 0:32:58 | 0:33:01 | |
OK. | 0:33:01 | 0:33:03 | |
And so now for the pedal. | 0:33:03 | 0:33:05 | |
I'll get it going. | 0:33:05 | 0:33:08 | |
It's genius! | 0:33:10 | 0:33:11 | |
Well, it's... | 0:33:11 | 0:33:13 | |
I just really wanted to use the action somehow. | 0:33:14 | 0:33:17 | |
The sewing machine itself had completely seized up, | 0:33:17 | 0:33:20 | |
there were some bits missing internally, | 0:33:20 | 0:33:22 | |
like someone had already taken parts off of it, | 0:33:22 | 0:33:25 | |
so I started looking at it and realised it was all about the base. | 0:33:25 | 0:33:28 | |
The base is a real classic. | 0:33:28 | 0:33:29 | |
# Because you know I'm all about that bass | 0:33:29 | 0:33:32 | |
# 'Bout that bass No treble... # | 0:33:32 | 0:33:34 | |
Rupert's bringing booty back with his big, beautiful base. | 0:33:34 | 0:33:38 | |
# No treble. # | 0:33:38 | 0:33:39 | |
Go on, Sarah, give it a whirl. | 0:33:39 | 0:33:41 | |
# Yeah, my mama she told me Don't worry about your size... # | 0:33:43 | 0:33:48 | |
I don't know who's going to buy it, but it sure looks like a lot of fun. | 0:33:48 | 0:33:52 | |
And all for only £200! | 0:33:54 | 0:33:56 | |
Sarah might be laughing all the way to the bank. | 0:33:56 | 0:34:00 | |
Back at the dump, Sarah was poring over Philip's ancient sewing machine. | 0:34:04 | 0:34:08 | |
I think it's been probably around for about 40 or 50 years. | 0:34:08 | 0:34:13 | |
Sarah wanted to do something extraordinary with it. | 0:34:13 | 0:34:15 | |
The challenge will be to make something that's really amazing | 0:34:15 | 0:34:18 | |
and quite different. | 0:34:18 | 0:34:20 | |
Even if Philip didn't. | 0:34:20 | 0:34:21 | |
Hopefully, if she's a good girl, she'll learn to sew on it. | 0:34:21 | 0:34:25 | |
And after I-don't-know-how-many cups of tea, | 0:34:25 | 0:34:28 | |
Rupert lived up to the challenge, | 0:34:28 | 0:34:30 | |
and he's certainly made something different. | 0:34:30 | 0:34:32 | |
Sarah invited one of London's top retro furniture dealers in | 0:34:32 | 0:34:37 | |
to see if it would be something that would sell in his shop, | 0:34:37 | 0:34:40 | |
The Old Cinema. | 0:34:40 | 0:34:42 | |
It's good, it's interesting. It's really fun, isn't it? | 0:34:42 | 0:34:45 | |
I love this. Does it work? Yes, it does! | 0:34:45 | 0:34:47 | |
He was blown away by its originality, | 0:34:47 | 0:34:50 | |
but questioned who would buy such a thing. | 0:34:50 | 0:34:53 | |
It can't go into someone's home. I couldn't sell it. | 0:34:53 | 0:34:55 | |
But it's... I love it! | 0:34:58 | 0:35:00 | |
He took it anyway. | 0:35:00 | 0:35:02 | |
Sarah's returned to Guildford to tell Philip that his sewing machine | 0:35:02 | 0:35:06 | |
became a foot-powered fan, | 0:35:06 | 0:35:09 | |
and to hand over the profit. | 0:35:09 | 0:35:11 | |
-Hello again! -We must stop meeting like this. | 0:35:13 | 0:35:16 | |
It's much nicer here than the tip, isn't it? | 0:35:16 | 0:35:18 | |
It is, it is. | 0:35:18 | 0:35:19 | |
Now, I remember when I met you at the tip, | 0:35:19 | 0:35:22 | |
you were clearing out lots and lots of stuff, | 0:35:22 | 0:35:24 | |
you had a van full of it, didn't you? | 0:35:24 | 0:35:26 | |
Unfortunately, yes, this is true. | 0:35:26 | 0:35:28 | |
I thought there were all sorts of interesting things in there, | 0:35:28 | 0:35:30 | |
and the piece that was really heavy, but I'm glad that we took, | 0:35:30 | 0:35:33 | |
was your sewing machine and the table that went with it. | 0:35:33 | 0:35:36 | |
Do you know, I was so glad you took it, as well. | 0:35:36 | 0:35:38 | |
It was such a relief | 0:35:38 | 0:35:39 | |
to have somebody help me off the van with that! | 0:35:39 | 0:35:42 | |
It's got nothing to do with age, I deny it entirely. | 0:35:42 | 0:35:45 | |
But we did take it to an amazing young designer | 0:35:45 | 0:35:48 | |
called Rupert Blanchard, and he created the world's first | 0:35:48 | 0:35:52 | |
table with a fan on it, using the mechanism from your sewing machine. | 0:35:52 | 0:35:57 | |
Oh! That is brilliant. | 0:35:57 | 0:35:59 | |
Actually, I was completely not expecting that. | 0:35:59 | 0:36:02 | |
That is so funny. | 0:36:03 | 0:36:04 | |
I mean, it was going to be thrown onto the dump, and you saved it. | 0:36:04 | 0:36:08 | |
-Well done, you! -I'm delighted to say | 0:36:08 | 0:36:10 | |
that somebody bought the rather useless/useful piece of equipment | 0:36:10 | 0:36:13 | |
that Rupert managed to create, and a lovely round number, | 0:36:13 | 0:36:16 | |
I've got £100 here to give to you for the fan table, | 0:36:16 | 0:36:21 | |
so, um, it's money for nothing for you to do with whatever you'd like | 0:36:21 | 0:36:25 | |
-to do with that. -I really don't know what to say. | 0:36:25 | 0:36:28 | |
I mean, I was about to throw the whole thing away, | 0:36:28 | 0:36:30 | |
and to get this back, absolutely brilliant. | 0:36:30 | 0:36:32 | |
It was lovely to see you again. | 0:36:32 | 0:36:34 | |
I'll see you at the tip! | 0:36:34 | 0:36:36 | |
Rupert's labour and materials came to £200. | 0:36:38 | 0:36:41 | |
It was sold for £300, | 0:36:41 | 0:36:44 | |
giving Philip a profit of £100. | 0:36:44 | 0:36:47 | |
Well, that's another unusual transformation | 0:36:49 | 0:36:51 | |
I think got approval. | 0:36:51 | 0:36:52 | |
I think it's fair to say that Philip is now...a big fan. | 0:36:52 | 0:36:56 | |
Oh, Sarah! | 0:36:56 | 0:36:57 | |
Shame on you. | 0:36:57 | 0:36:59 | |
Sarah's had success with Rupert's fan table, | 0:37:08 | 0:37:12 | |
but it's time for our bathing blacksmiths | 0:37:12 | 0:37:15 | |
to reveal what they've been up to. | 0:37:15 | 0:37:17 | |
Bex and Dave are putting the finishing touches | 0:37:18 | 0:37:21 | |
to their bright blue bath chair. | 0:37:21 | 0:37:23 | |
So leave that dangling down the back. | 0:37:24 | 0:37:26 | |
Aww, little plugholes. Isn't that nice? | 0:37:26 | 0:37:31 | |
-Look at that! -It's not bad. | 0:37:31 | 0:37:34 | |
Quite pleased with that. | 0:37:34 | 0:37:35 | |
Well done, you two. | 0:37:37 | 0:37:38 | |
I have seen baths made into furniture before, | 0:37:40 | 0:37:43 | |
but I have a feeling what I'm about to look at | 0:37:43 | 0:37:45 | |
has never been done before. | 0:37:45 | 0:37:47 | |
When Sarah brought it to them, it wasn't fit for any bathroom. | 0:37:48 | 0:37:53 | |
But now... | 0:37:53 | 0:37:54 | |
it's a bathing beauty. | 0:37:54 | 0:37:56 | |
Bex and Dave have really outdone themselves | 0:37:59 | 0:38:01 | |
with this piece of funky furniture. | 0:38:01 | 0:38:04 | |
I didn't know they had it in them. | 0:38:04 | 0:38:06 | |
The base of the chair has been welded, riveted, and soldered, | 0:38:06 | 0:38:11 | |
to support the bath securely when sat on. | 0:38:11 | 0:38:14 | |
They applied an undercoat primer to the enamel | 0:38:14 | 0:38:17 | |
to ensure a smooth finish, | 0:38:17 | 0:38:19 | |
and the bright blue paint harks back to its watery past. | 0:38:19 | 0:38:23 | |
And to finish it all off, the plughole features are just lovely. | 0:38:23 | 0:38:27 | |
It is amazing. | 0:38:31 | 0:38:33 | |
THEY LAUGH | 0:38:33 | 0:38:35 | |
Guys, it's really modern and really funky, isn't it?! | 0:38:35 | 0:38:38 | |
We didn't want to keep the bath just the white bath colour | 0:38:38 | 0:38:43 | |
and, um, you know, I wanted to have that feeling of water | 0:38:43 | 0:38:47 | |
-and... -Oh, look! I love the chain! | 0:38:47 | 0:38:50 | |
Sarah's even brought her own little cushion | 0:38:50 | 0:38:52 | |
to give it her own test drive. | 0:38:52 | 0:38:54 | |
-It's comfortable, as well, isn't it? -Yeah. | 0:38:54 | 0:38:57 | |
It makes me smile because it's got humour attached to it, | 0:38:57 | 0:39:00 | |
but also in a very cool sort of way. | 0:39:00 | 0:39:04 | |
Cos, like, yeah, I keep feeling chuffed with it! | 0:39:04 | 0:39:07 | |
How much did you spend? I don't care. | 0:39:07 | 0:39:09 | |
Wow! | 0:39:09 | 0:39:11 | |
That's the first time I've heard Sarah say that. | 0:39:11 | 0:39:13 | |
And just as well, because Bex and Dave | 0:39:13 | 0:39:16 | |
have gone slightly over budget with this one, | 0:39:16 | 0:39:19 | |
racking up £400-worth of labour costs | 0:39:19 | 0:39:22 | |
plus about 80 quid's worth of paint. | 0:39:22 | 0:39:25 | |
Sarah will be looking to slap a high price tag on this | 0:39:25 | 0:39:28 | |
when it comes to be sold. | 0:39:28 | 0:39:30 | |
So just in case this wasn't clear, I absolutely love that chair. | 0:39:30 | 0:39:35 | |
It might be over budget, but, as far as I'm concerned, | 0:39:35 | 0:39:38 | |
it's got bags of style and it should sell really well. | 0:39:38 | 0:39:41 | |
It is an inspired piece of design. | 0:39:41 | 0:39:43 | |
That was a brilliant reaction! | 0:39:45 | 0:39:46 | |
I mean, it is quite a striking piece. | 0:39:46 | 0:39:49 | |
It's still got the bath-y feel about it, | 0:39:49 | 0:39:52 | |
but, you know, in quite a cool way. | 0:39:52 | 0:39:55 | |
It is, it's good, yeah. Really pleased with the blue. | 0:39:55 | 0:39:58 | |
-The blue was a good choice, wasn't it? -Well done. -Thanks! | 0:39:58 | 0:40:01 | |
And the brown! | 0:40:01 | 0:40:03 | |
The brown was a good choice, too... | 0:40:03 | 0:40:05 | |
-Can I have another? -Well done. | 0:40:05 | 0:40:07 | |
Back at the dump... | 0:40:14 | 0:40:16 | |
I wonder if I'm going to be able to have that. Look at that. | 0:40:16 | 0:40:19 | |
..Emma wanted shot of her old bath, | 0:40:19 | 0:40:21 | |
trading it in for a new model. | 0:40:21 | 0:40:23 | |
It was actually cheaper to buy a whole new one. | 0:40:23 | 0:40:26 | |
Sarah had grand plans for it. | 0:40:26 | 0:40:29 | |
I reckon if I made two armchairs? | 0:40:29 | 0:40:31 | |
And Emma agreed. | 0:40:31 | 0:40:33 | |
I'm thinking she's going to make | 0:40:33 | 0:40:35 | |
some kind of weird '60s seats or something. | 0:40:35 | 0:40:37 | |
And that's kind of exactly what they became. | 0:40:37 | 0:40:40 | |
Kind of. | 0:40:40 | 0:40:41 | |
Now, Sarah's back in Surrey to show Emma what Bex and Dave have achieved. | 0:40:43 | 0:40:48 | |
Hi, Emma! Sarah from the tip. | 0:40:55 | 0:40:57 | |
Nice to see you. And you, how are you? I'm very good, thank you. | 0:40:57 | 0:41:00 | |
-How are you? -Yeah, very well. | 0:41:00 | 0:41:02 | |
I've just got some pictures to show you of what we did with your bath. | 0:41:02 | 0:41:05 | |
-Oh, lovely. -We took it to Guildford to this fantastic artist-blacksmith | 0:41:05 | 0:41:09 | |
-who's called Bex Simon... -Oh, wow! -..and she and her husband | 0:41:09 | 0:41:11 | |
have been doing some lovely things with this. | 0:41:11 | 0:41:14 | |
And your bath has been turned into | 0:41:14 | 0:41:16 | |
-a somewhat glamorous, I would say, seat. -Oh, my gosh! | 0:41:16 | 0:41:20 | |
It has been completely sprayed blue, | 0:41:20 | 0:41:24 | |
all the white bits of it, | 0:41:24 | 0:41:27 | |
and they have made a lovely frame for it, | 0:41:27 | 0:41:29 | |
and kept some of the quirky bits on it like the chain and the plug. | 0:41:29 | 0:41:33 | |
-What do you think? -I'm amazed, utterly amazed. | 0:41:33 | 0:41:36 | |
Normally at this point I'd like to say, "I've sold your bath | 0:41:36 | 0:41:39 | |
"and I'm here to give you some money for nothing," | 0:41:39 | 0:41:41 | |
but as of yet your bath hasn't sold. | 0:41:41 | 0:41:43 | |
-If it does...or when it does, I should say... -Yeah. | 0:41:43 | 0:41:45 | |
..it would be great to be back in touch | 0:41:45 | 0:41:47 | |
and I'd be handing over some money for nothing! | 0:41:47 | 0:41:50 | |
So despite this wonderful transformation by Bex and Dave, | 0:41:52 | 0:41:56 | |
the search continues to find this unique chair a new home. | 0:41:56 | 0:42:00 | |
But with costs of £480 spent | 0:42:00 | 0:42:03 | |
and no income generated, | 0:42:03 | 0:42:05 | |
this could be a potential loss for Sarah | 0:42:05 | 0:42:07 | |
of £480. | 0:42:07 | 0:42:10 | |
If they do make any money out of it, | 0:42:10 | 0:42:13 | |
which would be absolutely lovely, | 0:42:13 | 0:42:15 | |
I would like to give any profit to the RSPCA in Wormley | 0:42:15 | 0:42:19 | |
for a donkeys and horses sanctuary. | 0:42:19 | 0:42:21 | |
I think they're overrun with little ponies and donkeys | 0:42:21 | 0:42:25 | |
that need some extra care, and a bit of cash would be lovely. | 0:42:25 | 0:42:29 | |
Well, Emma loved what we did with her old bath, | 0:42:29 | 0:42:32 | |
which is always a relief. | 0:42:32 | 0:42:33 | |
And now I've got to redouble my efforts to sell it, | 0:42:33 | 0:42:36 | |
because the money will be going to such a great cause. | 0:42:36 | 0:42:38 | |
So, Sarah's managed to save three unwanted items | 0:42:46 | 0:42:50 | |
from the jaws of destruction. | 0:42:50 | 0:42:52 | |
Three fabulous transformations | 0:42:54 | 0:42:57 | |
that have come so far since we left the tip. | 0:42:57 | 0:42:59 | |
The bath is now a stylish seat, | 0:42:59 | 0:43:02 | |
the old sewing machine a hip desk with extras, | 0:43:02 | 0:43:05 | |
and the taps, they haven't left the bathroom, | 0:43:05 | 0:43:07 | |
but they have got a whole new purpose. | 0:43:07 | 0:43:09 | |
It just goes to show, once again, with a little ingenuity, | 0:43:09 | 0:43:12 | |
you can make some money for nothing. | 0:43:12 | 0:43:14 |