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How do you make money for nothing? | 0:00:06 | 0:00:08 | |
The answer could be hiding in the 20 million tonnes of household | 0:00:11 | 0:00:16 | |
waste we throw out every year. | 0:00:16 | 0:00:18 | |
Before you throw that away, | 0:00:18 | 0:00:19 | |
-is there any chance I could have a quick chat you about it? -Yes, sure. | 0:00:19 | 0:00:22 | |
That's why entrepreneur Sarah Moore wants to get her | 0:00:22 | 0:00:25 | |
hands on things before they hit the skip. | 0:00:25 | 0:00:28 | |
I am a passionate buyer, user and renovator of second-hand stuff. | 0:00:30 | 0:00:34 | |
I've turned that passion into a moneymaking business. | 0:00:34 | 0:00:38 | |
I turn old into new, and I sell it for a profit. | 0:00:38 | 0:00:40 | |
Sarah is ready to sift through as many boots | 0:00:42 | 0:00:44 | |
and bin bags she needs to... | 0:00:44 | 0:00:47 | |
That is the most fabulous thing I've seen here. This is so exciting. | 0:00:47 | 0:00:51 | |
..in her search for tip treasure. | 0:00:51 | 0:00:53 | |
I love rifling through the rubbish. | 0:00:54 | 0:00:56 | |
And with some of the country's elite designers and makers. | 0:00:57 | 0:01:01 | |
-Hello, hello. -What have you got today? | 0:01:01 | 0:01:03 | |
I want to do what's right for this piece of rubbish. | 0:01:03 | 0:01:05 | |
She can transform her finds into desirable... | 0:01:05 | 0:01:10 | |
-Look at that! -..beautiful... | 0:01:10 | 0:01:13 | |
Speechless. | 0:01:13 | 0:01:14 | |
..valuable... | 0:01:14 | 0:01:15 | |
You're joking. | 0:01:15 | 0:01:16 | |
..and hopefully saleable items. | 0:01:16 | 0:01:19 | |
You always talk my kind of money, Jay. I love doing deals with you. | 0:01:19 | 0:01:23 | |
If Sarah is successful, then she can hand the profits back to the very | 0:01:23 | 0:01:27 | |
people who had no idea there was cash to be made from their trash. | 0:01:27 | 0:01:32 | |
Wow! | 0:01:32 | 0:01:33 | |
Today we are at the Witley Community Recycling Centre in Surrey | 0:01:45 | 0:01:48 | |
which is the final resting place for items | 0:01:48 | 0:01:51 | |
which are no longer loved or regarded as useful. | 0:01:51 | 0:01:54 | |
Well, to most people, anyway. | 0:01:54 | 0:01:55 | |
Yesterday we missed some really good things, | 0:01:56 | 0:01:59 | |
cos we went home before the tip closed. | 0:01:59 | 0:02:01 | |
So, today, I'm here till the bitter end and so are you. | 0:02:01 | 0:02:05 | |
Sarah's challenge today is to search out three items which she | 0:02:05 | 0:02:09 | |
believes could be reworked and turned from trash into cash. | 0:02:09 | 0:02:13 | |
And she's just spied Colin with an item which would have most | 0:02:13 | 0:02:16 | |
other people stumped. | 0:02:16 | 0:02:18 | |
I know it sounds really strange, but that looks fantastic, | 0:02:18 | 0:02:21 | |
so was that your gatepost, or...? | 0:02:21 | 0:02:23 | |
It was an old gatepost, yeah. | 0:02:23 | 0:02:25 | |
It was from a house we moved a couple of years ago and, er.. | 0:02:25 | 0:02:28 | |
So you took it with you? | 0:02:28 | 0:02:29 | |
No, no, no, no. Actually, it was an old gatepost. | 0:02:29 | 0:02:33 | |
They put new gateposts in, this was just left at the side, | 0:02:33 | 0:02:35 | |
and, er, I've actually used half of it already. | 0:02:35 | 0:02:38 | |
-OK. -As a lamp. -What? | 0:02:38 | 0:02:41 | |
Do you know something? | 0:02:41 | 0:02:42 | |
I was just thinking that I'm looking for something | 0:02:42 | 0:02:45 | |
to use as a base of a lamp. | 0:02:45 | 0:02:46 | |
That is... Mine might be a side light, | 0:02:46 | 0:02:48 | |
but I think that would make a really cool... | 0:02:48 | 0:02:50 | |
just that little bit there, might be just great for me to use, | 0:02:50 | 0:02:53 | |
if you don't mind me having it? | 0:02:53 | 0:02:54 | |
You're... you're more than welcome to have this lump of wood. | 0:02:54 | 0:02:57 | |
-I'd love it, that's brilliant. -Excellent. | 0:02:57 | 0:03:00 | |
-Thank you so much. -Good luck with that. -Thank you. | 0:03:00 | 0:03:02 | |
It was surplus to requirements, | 0:03:02 | 0:03:05 | |
I just brought it to the local dump to get rid of it. | 0:03:05 | 0:03:07 | |
There you are, somebody else wants to use it, fantastic. | 0:03:07 | 0:03:10 | |
You can't put a price tag on that kind of age, and that grain, | 0:03:10 | 0:03:13 | |
and that look it's got. | 0:03:13 | 0:03:15 | |
I think that this pattern here, on the base will just make the most | 0:03:15 | 0:03:18 | |
fantastic bottom to a light. | 0:03:18 | 0:03:20 | |
And, luckily for Sarah, she has just the couple in mind | 0:03:20 | 0:03:24 | |
who will be able to help her handle that potential light's bottom. | 0:03:24 | 0:03:29 | |
Hidden away in an east London garden shed, | 0:03:29 | 0:03:32 | |
creative couple Abigail Booth and Max Bainbridge run a successful | 0:03:32 | 0:03:36 | |
business making handmade homeware from reclaimed natural materials. | 0:03:36 | 0:03:41 | |
We're so flooded with manufactured throwaway consumer items, | 0:03:41 | 0:03:45 | |
it's like, actually, we decided we wanted | 0:03:45 | 0:03:48 | |
to make things that lasted. | 0:03:48 | 0:03:50 | |
Being out in, kind of, woodlands and forest, sourcing stuff, | 0:03:50 | 0:03:53 | |
there's a real physicality that you have to enjoy. | 0:03:53 | 0:03:58 | |
Colin's old stump will clearly be in safe hands with Max and Abigail. | 0:03:58 | 0:04:01 | |
Back in Witley at the tip, the plundering continues with | 0:04:05 | 0:04:08 | |
Sarah on the lookout for her next item to salvage. | 0:04:08 | 0:04:11 | |
It could be anything. That's what's so exciting. | 0:04:12 | 0:04:15 | |
It's almost palpable. | 0:04:15 | 0:04:16 | |
Other lawnmowers. | 0:04:17 | 0:04:19 | |
Talking of gardens, what type of socks does a gardener wear? | 0:04:19 | 0:04:24 | |
Garden hose, of course! | 0:04:25 | 0:04:27 | |
Oh, gawd. | 0:04:27 | 0:04:28 | |
With two more items left to find, Sarah has spotted the white | 0:04:31 | 0:04:34 | |
van of Dominic and Bernard. | 0:04:34 | 0:04:36 | |
I love the look of your sofa. | 0:04:36 | 0:04:39 | |
Well, the sofa was going to be dumped, | 0:04:39 | 0:04:40 | |
it is unbelievably uncomfortable. | 0:04:40 | 0:04:42 | |
If it isn't comfortable, than that is a bit of a problem, isn't it? | 0:04:42 | 0:04:46 | |
Brilliant, shall we just pop it down over this way? | 0:04:47 | 0:04:50 | |
Actually, we should put the cushions as they should be, | 0:04:52 | 0:04:55 | |
not as we've thrown them. | 0:04:55 | 0:04:56 | |
Hand it over to an expert. Here you go. | 0:04:56 | 0:04:59 | |
These are lovely, these are feather cushions, they've got | 0:04:59 | 0:05:01 | |
-a really good weight to them, haven't they? -That's one way of putting it. | 0:05:01 | 0:05:04 | |
I think that it is something that looks like it was a really | 0:05:04 | 0:05:07 | |
quality, heavy-duty piece of furniture when it was first made. | 0:05:07 | 0:05:10 | |
And I'm looking for things that maybe I can give a new lease of life to. | 0:05:10 | 0:05:14 | |
-Would it be something you would let me have a go at? -Absolutely. | 0:05:14 | 0:05:17 | |
-I mean, if you could add value to that, that's fine. -That's great. | 0:05:17 | 0:05:20 | |
Can't wait to get my hands on it and do something with it. That's fantastic. | 0:05:20 | 0:05:24 | |
I absolutely love this. | 0:05:24 | 0:05:27 | |
It is charming, it is sweet, it is little, | 0:05:27 | 0:05:30 | |
it will refurbish beautifully and it will be commercial. | 0:05:30 | 0:05:33 | |
This will fit into any house. It's not some | 0:05:33 | 0:05:35 | |
enormous piece that can't fit anywhere. So this is a real find. | 0:05:35 | 0:05:39 | |
Oh, look, it wheels really easily, too. | 0:05:39 | 0:05:42 | |
If only we were all so easily pleased. | 0:05:42 | 0:05:46 | |
My wife must have had it for... | 0:05:46 | 0:05:50 | |
20 to 30 years. | 0:05:50 | 0:05:52 | |
And I don't think it was new then, but I'm very pleased somebody | 0:05:52 | 0:05:55 | |
thinks they can make something better of it. | 0:05:55 | 0:05:58 | |
I might be some time. | 0:05:58 | 0:06:00 | |
There's no time for lounging around when we have to find | 0:06:00 | 0:06:03 | |
a solution for that sofa. | 0:06:03 | 0:06:05 | |
Luckily, Sarah knows a man who can help. | 0:06:05 | 0:06:07 | |
Upholsterer and furniture maker Anthony Devine runs | 0:06:11 | 0:06:14 | |
one of the UK's leading upholstery schools in Manchester. | 0:06:14 | 0:06:18 | |
He does, though, have a slightly unconventional approach. | 0:06:18 | 0:06:23 | |
I'm not traditionally kind of trained as a designer, | 0:06:23 | 0:06:27 | |
so I don't draw anything out, | 0:06:27 | 0:06:29 | |
I don't particularly plan anything out, I just kind of lunge at it. | 0:06:29 | 0:06:33 | |
Lunging or not, his skill is the art of being experimental | 0:06:33 | 0:06:37 | |
within the ethos of design. | 0:06:37 | 0:06:39 | |
Whilst staying in the realms of traditional upholstery technique. | 0:06:39 | 0:06:43 | |
I like to explore other things than what a traditional | 0:06:43 | 0:06:46 | |
upholsterer would do, so I would use digital fabrics. | 0:06:46 | 0:06:50 | |
I like to mix, like, kind of screen printing | 0:06:50 | 0:06:53 | |
and printing your own fabrics. Yes, | 0:06:53 | 0:06:56 | |
I like to explore opportunities. | 0:06:56 | 0:06:59 | |
That's great news, as although Anthony doesn't know it yet, | 0:06:59 | 0:07:03 | |
Sarah is about to provide him with his next big opportunity. | 0:07:03 | 0:07:07 | |
In the shape of the old, floral, saggy sofa. | 0:07:07 | 0:07:11 | |
With two items already safely banked, | 0:07:13 | 0:07:16 | |
the search continues for the third and final item of the day. | 0:07:16 | 0:07:20 | |
So there's no time for any of that monkeying around. | 0:07:20 | 0:07:23 | |
It's one thing clearing up and keeping the dump shipshape, | 0:07:25 | 0:07:28 | |
but Sarah has spotted an oceangoing vessel in the boot | 0:07:28 | 0:07:32 | |
of Richard's Cavalier. | 0:07:32 | 0:07:33 | |
-Make my day, tell me that you are throwing out the canoe. -It's yours. | 0:07:33 | 0:07:38 | |
-No way. -What you're supposed to say, "Is that a kayak in your Cavalier, | 0:07:38 | 0:07:42 | |
-"or are you just pleased to see me?" -SARAH LAUGHS | 0:07:42 | 0:07:44 | |
I'll make the jokes around here, thank you. | 0:07:44 | 0:07:47 | |
-So... -Is that a kayak, and is it free to take? -It is, yes. | 0:07:47 | 0:07:52 | |
We are looking for things we might be able to make into other things, | 0:07:52 | 0:07:55 | |
and perhaps recycle or restore. But I think that this just looks | 0:07:55 | 0:07:59 | |
so fantastic, I've got to be able to make it into something. | 0:07:59 | 0:08:01 | |
-It is natural, isn't it? -Yes, it really is. -I'm so pleased because I | 0:08:01 | 0:08:05 | |
thought, "What do I do with it? I can't..." | 0:08:05 | 0:08:07 | |
I'm having great difficulty getting it in there, | 0:08:07 | 0:08:09 | |
I had to take a seat out to do it. | 0:08:09 | 0:08:11 | |
And I had actually thought of sawing off the end. | 0:08:11 | 0:08:14 | |
-I'm so pleased you didn't. -I tried everything, and I thought, "How | 0:08:14 | 0:08:17 | |
"can you deliver a canoe with it cut up like a cucumber?" | 0:08:17 | 0:08:22 | |
It is fabulous. Let's have a closer look at it. | 0:08:22 | 0:08:26 | |
Was it yours, and have you canoed and kayaked all over the place in it? | 0:08:26 | 0:08:30 | |
No, there's no great history of daring-do with this. | 0:08:30 | 0:08:34 | |
Fantastic. Fantastic. It's just brilliant, | 0:08:35 | 0:08:38 | |
we haven't had anything like this that we can work on, | 0:08:38 | 0:08:40 | |
so if we could take it away and maybe I could come back | 0:08:40 | 0:08:43 | |
and show you what I've done with it, would that be all right? | 0:08:43 | 0:08:46 | |
Yes. Seriously, you're going to try do something with it? | 0:08:46 | 0:08:50 | |
-Other than being a canoe? -Yes, definitely. And then you're asking me what I'm going to do. | 0:08:50 | 0:08:54 | |
I haven't got a clue. Right now, I haven't got a clue. | 0:08:54 | 0:08:57 | |
I haven't known that to stop you before, Sarah. | 0:08:57 | 0:09:00 | |
-Is it a one-woman canoe? -It couldn't be better. Yeah, it's all right. | 0:09:00 | 0:09:03 | |
Brilliant. Thank you so much. | 0:09:03 | 0:09:06 | |
We've just been up and down the river, playing about. | 0:09:06 | 0:09:09 | |
But it's got to go because we are going to somewhere else | 0:09:09 | 0:09:12 | |
and we can't keep it, and it hasn't even got | 0:09:12 | 0:09:13 | |
a river where we are going, so there's not a lot of point. | 0:09:13 | 0:09:17 | |
I can't wait to design something around this. | 0:09:17 | 0:09:19 | |
I'm thinking sofa, I'm thinking drinks, I'm thinking just | 0:09:19 | 0:09:24 | |
amazing, this is going to look fantastic, it's going to be great. | 0:09:24 | 0:09:27 | |
I'm going to make a fortune out of this. | 0:09:27 | 0:09:29 | |
Do you ever get the feeling of being up a creek without a paddle? | 0:09:29 | 0:09:32 | |
Well, the good news is, on this occasion, we do have a kayak. | 0:09:32 | 0:09:36 | |
So, Max and Abigail will lick the lump of wood into some | 0:09:36 | 0:09:40 | |
sort of shape, Anthony will alter the floral sofa, | 0:09:40 | 0:09:44 | |
and Sarah will grab the gunnels and tackle the kayak herself. | 0:09:44 | 0:09:49 | |
I've found some little gems today. | 0:09:49 | 0:09:51 | |
They might look like diamonds in the rough at the moment, | 0:09:51 | 0:09:53 | |
but by the time I've finished with them, | 0:09:53 | 0:09:55 | |
they're going to be shiny bright and worth an absolute fortune. | 0:09:55 | 0:10:00 | |
Walthamstow, in east London, is home to a unique | 0:10:04 | 0:10:07 | |
and quirky garden shed, which is where creative couple Max | 0:10:07 | 0:10:11 | |
and Abigail specialise in producing luxury handmade homeware. | 0:10:11 | 0:10:16 | |
They are blissfully unaware of what Sarah is bringing along today. | 0:10:16 | 0:10:20 | |
Knowing Sarah, it could be anything. | 0:10:20 | 0:10:22 | |
-You could end up with some palettes... -It could be anything. | 0:10:22 | 0:10:26 | |
But they have had experience of Sarah's dump finds before. | 0:10:26 | 0:10:30 | |
What Sarah thinks is a kind of feasible idea could be | 0:10:30 | 0:10:33 | |
-somewhat of a challenge. -Yes. | 0:10:33 | 0:10:36 | |
There are some things that I begin to wonder why I've rescued, | 0:10:36 | 0:10:40 | |
and this is definitely one of them. | 0:10:40 | 0:10:43 | |
I don't know why I didn't put it in the skip. | 0:10:43 | 0:10:45 | |
But I'm hoping Max and Abigail will be able to manage to make | 0:10:45 | 0:10:48 | |
something out of it. | 0:10:48 | 0:10:49 | |
I've no idea what Max and Abigail are going to do with that lump of old wood. | 0:10:49 | 0:10:54 | |
You could say "I'm stumped". Obviously. | 0:10:54 | 0:10:58 | |
-Hiya. -How are you? -Good. | 0:10:58 | 0:11:01 | |
-A little something for you to work some magic on. -Fantastic. | 0:11:02 | 0:11:06 | |
-Magic is the... -Magic will be needed. | 0:11:06 | 0:11:09 | |
Yeah, it is not the finest piece of wood I've ever seen. | 0:11:12 | 0:11:16 | |
-Let's be optimistic. -I'm not sure that optimism is enough here. | 0:11:16 | 0:11:21 | |
-Yeah. What should we call it, striking? -Yes. | 0:11:25 | 0:11:28 | |
SARAH LAUGHS | 0:11:28 | 0:11:29 | |
Striking is a good word. | 0:11:29 | 0:11:31 | |
-Good... Wow. -It was a gatepost, obviously, | 0:11:31 | 0:11:35 | |
and the guy who dropped it off had cut this bit off and reclaimed | 0:11:35 | 0:11:38 | |
the other bits, he could use it. | 0:11:38 | 0:11:40 | |
-So this really is the waste of the waste. -So he took the good bit. -SHE LAUGHS | 0:11:40 | 0:11:44 | |
So he took the best bit of a kind of bad lot. | 0:11:44 | 0:11:47 | |
Let's look at underneath because there is some supposedly solid... | 0:11:47 | 0:11:51 | |
That is pretty solid. This bit here. | 0:11:51 | 0:11:54 | |
Is it something that is worth taking on, or do I take this back | 0:11:54 | 0:11:56 | |
to the tip and just say, "We've tried, but actually this is not workable? | 0:11:56 | 0:12:00 | |
-No, I think we will definitely give it a go. -I was going to say, don't give it back before we've tried. | 0:12:00 | 0:12:05 | |
A couple of examples we've got of where we've worked things in the past, where | 0:12:05 | 0:12:08 | |
it is kind of taking... Just taking | 0:12:08 | 0:12:11 | |
a kind of a lump that is really quite badly rotten. | 0:12:11 | 0:12:16 | |
-Like this. -What kind of money should we be talking about, | 0:12:16 | 0:12:19 | |
to just have a go at turning that into something? | 0:12:19 | 0:12:23 | |
I think, for the sake of just giving it a go, I think 50 quid, | 0:12:23 | 0:12:26 | |
just to cover the cost of labour and that kind of stuff. And we will... | 0:12:26 | 0:12:29 | |
We'll just have a bit of a play and see what we can do. | 0:12:29 | 0:12:32 | |
I would just be amazed if you can transform that into anything, so I | 0:12:32 | 0:12:36 | |
don't think you have to feel worried about taking that on and making... | 0:12:36 | 0:12:40 | |
-I would just love to see something made out of it. -OK. | 0:12:40 | 0:12:43 | |
We will see this as a bit... Just a bit of an experiment, | 0:12:43 | 0:12:47 | |
-and give it a bit of a go. -Great. | 0:12:47 | 0:12:48 | |
Well, let me give you these lovely things back | 0:12:48 | 0:12:50 | |
-and I'll leave you with that little beauty. -Excellent. -Bye-bye. -Thanks. | 0:12:50 | 0:12:55 | |
'Well, I think it is pretty amazing that Max' | 0:12:55 | 0:12:57 | |
and Abigail could even begin to think about taking on a project like that. | 0:12:57 | 0:13:00 | |
And I know that if they can't do anything with it, then, | 0:13:00 | 0:13:03 | |
-really, nobody can. -Not what we were expecting, if I'm honest. | 0:13:03 | 0:13:08 | |
As we were saying to Sarah, just to kind of have a play, give it a go. | 0:13:08 | 0:13:11 | |
And, um, see what we can get, really. | 0:13:11 | 0:13:14 | |
So, Sarah has left Abigail | 0:13:14 | 0:13:16 | |
and Max with a budget of just £50 to play with. | 0:13:16 | 0:13:19 | |
If their magic doesn't produce the goods for this old gatepost, | 0:13:19 | 0:13:23 | |
it will be once more destined for the dump. | 0:13:23 | 0:13:26 | |
Sarah is coming today. I'm just waiting to see. | 0:13:31 | 0:13:34 | |
Normally you just don't know what you're getting when she turns up. | 0:13:34 | 0:13:38 | |
Who knows what she's going to bring? But every time she surprises me. | 0:13:38 | 0:13:41 | |
Looks really cool when you find it at a tip, | 0:13:41 | 0:13:43 | |
but, by the time you bring it here, it is just looking a bit embarrassing. | 0:13:43 | 0:13:47 | |
'A chair would be nice and simple.' | 0:13:47 | 0:13:49 | |
But things are never quite that simple, so, yes, hopefully a chair. | 0:13:49 | 0:13:52 | |
Just a nice...nice-looking mid-century modern kind of chair. | 0:13:52 | 0:13:56 | |
Right. | 0:13:56 | 0:13:58 | |
-Hiya. -Hello, are you all right? -How are you? | 0:13:59 | 0:14:02 | |
-I'm very good, thank you. -I'm actually a bit embarrassed about what I've brought here for you. | 0:14:02 | 0:14:06 | |
-Come and have a look. -Oh, my God. | 0:14:06 | 0:14:09 | |
-Ta-da! -Oh, my God. | 0:14:11 | 0:14:13 | |
-It's not that bad. -It's not that bad. | 0:14:13 | 0:14:16 | |
I have seen a lot worse. Should we get it inside? | 0:14:16 | 0:14:20 | |
Do that, yes, and then we can have a proper look at it. | 0:14:20 | 0:14:22 | |
I think it is on wheels, but we could lift it. | 0:14:22 | 0:14:24 | |
Do you want me to go backwards, being a gent and all? | 0:14:24 | 0:14:26 | |
Oh, that is very nice. Don't look at my bum. | 0:14:26 | 0:14:30 | |
-Right. -See, nice and substantial. | 0:14:30 | 0:14:33 | |
-Well made. -The frame's not bad. The frame's not bad, I'll give you that. | 0:14:33 | 0:14:36 | |
How far is that going to go? So... | 0:14:40 | 0:14:42 | |
the people who dropped it off said they lived in a little cottage, | 0:14:42 | 0:14:46 | |
so they had always needed quite petite pieces. | 0:14:46 | 0:14:50 | |
But their major complaint about it was the fact that | 0:14:50 | 0:14:52 | |
whenever they sat in it, it was actually just really uncomfortable. | 0:14:52 | 0:14:55 | |
It looks really soft. I mean, the seats are very soft. | 0:14:55 | 0:14:58 | |
The cushions are virtually gone. We will lose these straightaway. | 0:14:58 | 0:15:02 | |
Out of fashion, don't like the frills. | 0:15:02 | 0:15:05 | |
We need to improve on the seat depth, | 0:15:05 | 0:15:07 | |
so I think we lose these, as well. | 0:15:07 | 0:15:09 | |
And then we either retain the seat cushions - but we definitely | 0:15:10 | 0:15:14 | |
need to bring them forward so it increases that back to front - or | 0:15:14 | 0:15:19 | |
we basically just have a fixed seat, so imagine it looking more like that. | 0:15:19 | 0:15:24 | |
See how it is turning more modern? | 0:15:24 | 0:15:26 | |
All them out there. And then put a bit of shape into the back of it. | 0:15:27 | 0:15:32 | |
Maybe raise it up, get rid of these skirts at the bottom. | 0:15:32 | 0:15:35 | |
And see how it is starting to lose all its weight? | 0:15:35 | 0:15:37 | |
You are talking a really good game here, | 0:15:37 | 0:15:39 | |
but it sounds like it might be really expensive. | 0:15:39 | 0:15:42 | |
-What kind of money are we talking about? -Do it for 800. | 0:15:42 | 0:15:45 | |
-All in for 800? -900. | 0:15:45 | 0:15:48 | |
Can we leave it at eight and see if you can squeeze it in? | 0:15:50 | 0:15:52 | |
-If it runs over budget... -Right, we will go 800. | 0:15:52 | 0:15:56 | |
Because it is you, Sarah. | 0:15:58 | 0:16:00 | |
That sofa is now in a really safe pair of hands with Anthony. | 0:16:02 | 0:16:06 | |
I love his ideas for it, it's going to look really high-end, | 0:16:06 | 0:16:09 | |
really luxury. And hopefully have a price tag to match. | 0:16:09 | 0:16:13 | |
It is going to grow as we get involved in it. | 0:16:13 | 0:16:15 | |
Some things may change, we may change things back. | 0:16:15 | 0:16:18 | |
But hopefully it won't look too dissimilar to this, | 0:16:18 | 0:16:21 | |
but...different when she returns. | 0:16:21 | 0:16:24 | |
So, Anthony has radical plans, but with a price tag of £800, | 0:16:24 | 0:16:29 | |
Sarah is going to have to achieve a premium price | 0:16:29 | 0:16:33 | |
if she's to make a profit on this saggy sofa. | 0:16:33 | 0:16:36 | |
From a saggy seat to a potentially soggy seat. | 0:16:38 | 0:16:42 | |
Back home, Sarah has grand plans for Richard's old kayak. | 0:16:42 | 0:16:46 | |
As it turns out, I don't think there's anybody else | 0:16:48 | 0:16:52 | |
other than me who could actually work on this. | 0:16:52 | 0:16:54 | |
But I think it's going to be amazing | 0:16:56 | 0:16:58 | |
and possibly one of my favourite projects. | 0:16:58 | 0:17:01 | |
When you see a kayak, you don't automatically think, wow, | 0:17:03 | 0:17:07 | |
that's going to make an ideal desk! | 0:17:07 | 0:17:09 | |
But that's the plan Sarah has for this little beauty. | 0:17:09 | 0:17:12 | |
I just thought it was a really obvious thing to do, | 0:17:12 | 0:17:14 | |
to turn it into a desk. | 0:17:14 | 0:17:16 | |
I was wondering about polishing it all up | 0:17:16 | 0:17:18 | |
and making it look like a really smart version | 0:17:18 | 0:17:21 | |
but I think I've got to keep these signs of wear and tear | 0:17:21 | 0:17:23 | |
because they're all part of its history, aren't they? | 0:17:23 | 0:17:26 | |
On a very serious note, this kayak is made from fibreglass, which, | 0:17:26 | 0:17:30 | |
when cut, can produce particles which are dangerous to health. | 0:17:30 | 0:17:35 | |
We could make a dog bed. | 0:17:35 | 0:17:36 | |
Would you like a canoe dog bed? | 0:17:36 | 0:17:39 | |
Bramble takes no time at all | 0:17:39 | 0:17:41 | |
to think of an answer to that question. | 0:17:41 | 0:17:44 | |
Fibreglass should only be cut by a professional wearing | 0:17:46 | 0:17:49 | |
the correct personal protective equipment. | 0:17:49 | 0:17:52 | |
I think what we're saying is, don't do this at home. | 0:17:52 | 0:17:55 | |
Cut fibreglass, that is, not change a kayak into a desk. | 0:17:55 | 0:17:59 | |
Sarah has managed to find a local company | 0:18:03 | 0:18:06 | |
who are specialists in bespoke | 0:18:06 | 0:18:08 | |
design metal and glass fibre fabrication. | 0:18:08 | 0:18:11 | |
Colin is awaiting her arrival, kayak and all. | 0:18:11 | 0:18:14 | |
I haven't bothered cleaning it because I was thinking, | 0:18:17 | 0:18:19 | |
if I can't do anything with it, | 0:18:19 | 0:18:21 | |
then I'll not waste my time cleaning it. | 0:18:21 | 0:18:23 | |
So I'm thinking, desk. | 0:18:23 | 0:18:26 | |
-Right. -Do you see that immediately? | 0:18:26 | 0:18:29 | |
Well, I assume you'll just cut a section out and lay it in flat? | 0:18:29 | 0:18:33 | |
Yes, it will literally be hopefully just a cut along here | 0:18:33 | 0:18:36 | |
and then around here. | 0:18:36 | 0:18:37 | |
And along here. | 0:18:37 | 0:18:39 | |
Just those little cuts and then maybe some sort of support in here. | 0:18:39 | 0:18:43 | |
I don't know what you'd call that kind of thing. | 0:18:43 | 0:18:46 | |
-Let's call it a bulkhead, then! -OK, bulkhead, another term. | 0:18:46 | 0:18:50 | |
So if there's one up there and maybe one there? | 0:18:50 | 0:18:53 | |
If to support the legs up to the bulkheads | 0:18:53 | 0:18:57 | |
-we put the ply through there. -I'm loving the we! | 0:18:57 | 0:19:00 | |
That will give the support right the way across, | 0:19:02 | 0:19:05 | |
it won't bow or anything under the weight. | 0:19:05 | 0:19:07 | |
So that should be absolutely fine. | 0:19:07 | 0:19:09 | |
So, with a plan in mind, Sarah is having the kayak cut | 0:19:09 | 0:19:13 | |
with all the necessary safety precautions in place. | 0:19:13 | 0:19:16 | |
As we never had a paddle, let's hope this drastic alteration | 0:19:16 | 0:19:20 | |
doesn't leave us up a creek, as we no longer have a kayak either. | 0:19:20 | 0:19:24 | |
Fantastic! | 0:19:24 | 0:19:26 | |
-You've made my day. -I've made something! | 0:19:26 | 0:19:29 | |
Don't be rude about my kayak! | 0:19:29 | 0:19:31 | |
Never one to miss an opportunity, Sarah pushes on, | 0:19:33 | 0:19:36 | |
creating the strengthening bulkheads. | 0:19:36 | 0:19:39 | |
So how much do you think it's going to be for all of that | 0:19:42 | 0:19:44 | |
with the materials, what are we looking at? | 0:19:44 | 0:19:46 | |
Because there's obviously more than where we started from earlier. | 0:19:46 | 0:19:49 | |
I know, but I think demonstrating to people what you can do | 0:19:49 | 0:19:53 | |
with something as opposed to throwing it away | 0:19:53 | 0:19:55 | |
is an amazing thing, so I'll say £50. | 0:19:55 | 0:19:58 | |
I can't just give you £50. | 0:19:58 | 0:20:01 | |
-75? -OK. | 0:20:01 | 0:20:03 | |
Honesty, you have been amazing. | 0:20:03 | 0:20:06 | |
Back with Max, Abigail and the rotting gatepost. | 0:20:09 | 0:20:12 | |
So that's all really kind of gone. | 0:20:12 | 0:20:15 | |
That's all breaking away there, so we'll just have a look. | 0:20:15 | 0:20:20 | |
We'll break this down a bit more | 0:20:20 | 0:20:22 | |
and see what else we can get, but all of that is really gone. | 0:20:22 | 0:20:27 | |
Now, I'm no expert on dead wood, | 0:20:27 | 0:20:30 | |
but when I see a large bloke hitting a small piece of wood | 0:20:30 | 0:20:33 | |
with a big hammer and very little happens, | 0:20:33 | 0:20:36 | |
that would indicate that it's rather more solid than first meets the eye. | 0:20:36 | 0:20:40 | |
But of course, if at first you don't succeed, | 0:20:40 | 0:20:43 | |
try, try again with a chainsaw. | 0:20:43 | 0:20:47 | |
We'll probably get something quite decent, | 0:20:50 | 0:20:53 | |
-quite a decent size out of that, I think. -Very unexpected. | 0:20:53 | 0:20:58 | |
Yeah, it's great. OK, let's see what we can do. | 0:20:58 | 0:21:01 | |
I don't like to say, I told you so. | 0:21:01 | 0:21:03 | |
After removing the old rotten surround | 0:21:03 | 0:21:05 | |
at the heart of this old oak, | 0:21:05 | 0:21:07 | |
there does appear to be enough wood to work with after all. | 0:21:07 | 0:21:11 | |
-That would be fine. -Could you get quite a decent size? | 0:21:11 | 0:21:14 | |
Obviously it's going to be round so it only needs to be square, really. | 0:21:14 | 0:21:18 | |
If it's going to be round, it only needs to be square! | 0:21:18 | 0:21:22 | |
I'll have to go and think about that one for a bit. | 0:21:22 | 0:21:25 | |
Max, meanwhile, cracks on, turning the now square - | 0:21:25 | 0:21:28 | |
soon to be round - stump on the lathe. | 0:21:28 | 0:21:31 | |
The core seems to be pretty solid, which is good as well as surprising, | 0:21:31 | 0:21:36 | |
because when Sarah brought it, it was not even touch and go, | 0:21:36 | 0:21:39 | |
I just thought we wouldn't get anything. | 0:21:39 | 0:21:41 | |
It's actually good that there's some solid wood that we can work with | 0:21:41 | 0:21:44 | |
and turn something out of. | 0:21:44 | 0:21:46 | |
Cool. It's quite amazing. If I say so myself! | 0:21:50 | 0:21:54 | |
No, I'm really pleased. That's great. | 0:21:54 | 0:21:58 | |
It's testament to how hard the oak is, isn't it? | 0:21:58 | 0:22:01 | |
Yes, that's all it's testament to, isn't it? | 0:22:01 | 0:22:05 | |
Just the hardness of the oak, yeah! | 0:22:05 | 0:22:07 | |
We'll let Sarah take all the credit, then, | 0:22:08 | 0:22:11 | |
for bringing all the magnificent materials that she brought us! | 0:22:11 | 0:22:17 | |
She knew all along it was going to be good! | 0:22:17 | 0:22:21 | |
In Manchester, Anthony is well underway with his plans | 0:22:24 | 0:22:28 | |
to modernise that old floral sofa. | 0:22:28 | 0:22:30 | |
I've put the first base coat on | 0:22:32 | 0:22:34 | |
and we're going to put some more spray on here | 0:22:35 | 0:22:38 | |
and then we will pull this apart. | 0:22:38 | 0:22:40 | |
I'm going to photograph it from above | 0:22:40 | 0:22:42 | |
and then have it digitally printed. | 0:22:42 | 0:22:44 | |
To be honest, people will probably think, what is going on? | 0:22:46 | 0:22:50 | |
But these are the ideas that tick away in my head. | 0:22:50 | 0:22:55 | |
You're scaring me a little bit there, Anthony! | 0:22:55 | 0:22:58 | |
Perhaps you should take up a hobby. | 0:22:58 | 0:23:00 | |
Spend a little time away from soft furnishings. | 0:23:00 | 0:23:03 | |
Do something different at the weekends, maybe! | 0:23:03 | 0:23:05 | |
I've stripped a fair few sofas in my time, | 0:23:05 | 0:23:08 | |
but never quite like this before. | 0:23:08 | 0:23:10 | |
It's just started exposing. Bits and pieces. | 0:23:11 | 0:23:16 | |
Right, I'm going to fill in the finer detail after that. | 0:23:16 | 0:23:19 | |
That's pretty much how we want it to look in terms of deconstruction. | 0:23:19 | 0:23:23 | |
So now the process is, what we're going to do is prepare it | 0:23:24 | 0:23:29 | |
so we can photograph it and have it digitally printed. | 0:23:29 | 0:23:32 | |
Taking photos of all the destructive detail | 0:23:32 | 0:23:35 | |
inflicted on the poor old sofa | 0:23:35 | 0:23:37 | |
will allow Anthony to create a brand-new reupholstered seat, | 0:23:37 | 0:23:41 | |
which looks as though it has been vandalised. | 0:23:41 | 0:23:43 | |
We've photographed these at very high resolution | 0:23:43 | 0:23:46 | |
and we're sending it to our printers and they'll put it through | 0:23:46 | 0:23:51 | |
a huge printer and print it all onto fabric for us. | 0:23:51 | 0:23:55 | |
Of course, before beginning to reupholster, | 0:23:56 | 0:23:59 | |
all that old covering has to be removed and fortunately, | 0:23:59 | 0:24:03 | |
while Anthony is at the printers, able assistant Lee | 0:24:03 | 0:24:06 | |
is let loose on the sofa, and not in a gentle way either. | 0:24:06 | 0:24:09 | |
Just converting it from being what was a kind of country cottage | 0:24:11 | 0:24:16 | |
style sofa into something a bit more modern and urban | 0:24:16 | 0:24:20 | |
and one of the ways we're going to do that is by dropping | 0:24:20 | 0:24:23 | |
the height of the back probably down to here somewhere. | 0:24:23 | 0:24:27 | |
Also going to slightly lower the arm | 0:24:27 | 0:24:30 | |
by probably removing this part here and all of this. | 0:24:30 | 0:24:36 | |
Also, while we're here, the first thing you do when you're covering | 0:24:36 | 0:24:40 | |
a sofa is rip out the seat and see what goodies you can find as well. | 0:24:40 | 0:24:45 | |
What do we have, a winning lottery ticket? From 2004. | 0:24:45 | 0:24:51 | |
We're still waiting on the big reveal where we open it | 0:24:51 | 0:24:54 | |
and we strip it and all the wads of cash fall out. | 0:24:54 | 0:24:57 | |
Which we would obviously return to the rightful owner! | 0:24:57 | 0:25:00 | |
Not so sure Lee thinks that's a great idea. | 0:25:00 | 0:25:03 | |
So, the physical transformation of the sorry sofa begins | 0:25:03 | 0:25:07 | |
by dismantling the frame and reshaping it | 0:25:07 | 0:25:09 | |
into a new contemporary figure. | 0:25:09 | 0:25:12 | |
Ta-da! Done. | 0:25:12 | 0:25:13 | |
Not much to this upholstery malarkey. | 0:25:13 | 0:25:15 | |
I reckon I could have done that. | 0:25:15 | 0:25:18 | |
Sorry, you're not finished. | 0:25:18 | 0:25:20 | |
Sarah is due in about 72 hours. | 0:25:22 | 0:25:26 | |
T-72 hours, so yeah, | 0:25:26 | 0:25:29 | |
we should be about ready for her to sit on it, I think. | 0:25:29 | 0:25:32 | |
She might need to bring her own cushion by the looks of things. | 0:25:33 | 0:25:37 | |
Back at home in West Sussex, Sarah feels as though | 0:25:39 | 0:25:42 | |
she's paddling upstream with her kayak transformation. | 0:25:42 | 0:25:46 | |
Next time somebody drops off a kayak at the tip, I'll probably think twice | 0:25:47 | 0:25:52 | |
about picking it up because turning it into a desk, | 0:25:52 | 0:25:54 | |
a little bit of a nightmare. | 0:25:54 | 0:25:56 | |
Sarah has bought online, | 0:25:56 | 0:25:57 | |
a set of four pre-bent hairpin legs which she is bolting through | 0:25:57 | 0:26:01 | |
the holes that she has drilled in the bottom of the boat. | 0:26:01 | 0:26:04 | |
Where I thought everything would just neatly bolt together, | 0:26:04 | 0:26:08 | |
I'm having to adjust it slightly every time, | 0:26:08 | 0:26:11 | |
mainly using a hammer. | 0:26:11 | 0:26:14 | |
Once the alterations were complete, | 0:26:16 | 0:26:18 | |
all that was left was to give it a lick of paint. | 0:26:18 | 0:26:21 | |
Just trying to get a real depth of colour to it | 0:26:22 | 0:26:25 | |
so it looks really well finished. | 0:26:25 | 0:26:27 | |
And a real good polish. | 0:26:29 | 0:26:31 | |
If you'd like to take on a really challenging project, | 0:26:33 | 0:26:36 | |
try turning a canoe into a console table. | 0:26:36 | 0:26:39 | |
It's really hard work, but definitely worth it. | 0:26:39 | 0:26:42 | |
When Sarah kept this kayak from being discarded at the dump, | 0:26:45 | 0:26:49 | |
it was a sorry-looking item and I know there were those of you | 0:26:49 | 0:26:52 | |
who thought she had bitten off more than she could chew. | 0:26:52 | 0:26:55 | |
Well, without hesitation, Sarah has sunk her teeth in | 0:26:55 | 0:26:59 | |
and created an eye-catching console table. | 0:26:59 | 0:27:02 | |
Admittedly, its proportions would not suit your average semi. | 0:27:03 | 0:27:07 | |
But it is sure to attract admiring glances | 0:27:07 | 0:27:09 | |
wherever it finds its new home. | 0:27:09 | 0:27:12 | |
To turn the old kayak into a console table, Sarah has spent | 0:27:13 | 0:27:18 | |
£125 on materials and a further £175 on Labour, which totals £300. | 0:27:18 | 0:27:25 | |
All she is looking for now is somebody with a need | 0:27:25 | 0:27:28 | |
for a kayak console table who owns a rather long hall. | 0:27:28 | 0:27:33 | |
Back at the dump, | 0:27:33 | 0:27:35 | |
Sarah's keen eye spotted a kayak in the back of Richard's car. | 0:27:35 | 0:27:39 | |
There is no great history of daring-do with this. | 0:27:39 | 0:27:42 | |
Richard couldn't believe what he was hearing. | 0:27:42 | 0:27:45 | |
Seriously? You are going to try and do something with it other than it being a canoe? | 0:27:45 | 0:27:49 | |
Yes, definitely. Then you are going to ask me what I'm going to do and the answer is I haven't got a clue. | 0:27:49 | 0:27:54 | |
Luckily, inspiration came to Sarah and with a little help | 0:27:54 | 0:27:58 | |
from friends, she was able to turn it into a kayak console table. | 0:27:58 | 0:28:02 | |
Sarah was lucky enough to sell the kayak console table | 0:28:02 | 0:28:06 | |
to specialist retro homeware shop The Old Cinema in London. | 0:28:06 | 0:28:11 | |
Sarah's returned to Haslemere to show Richard | 0:28:12 | 0:28:15 | |
what became of his kayak and to hand over any profit. | 0:28:15 | 0:28:18 | |
-Hello. -Hi, Richard. Lovely to see you again. | 0:28:18 | 0:28:21 | |
Come on down. Let me show you the pictures of the kayak. | 0:28:21 | 0:28:24 | |
So there are lots of lovely designers who we have got | 0:28:25 | 0:28:28 | |
who are helping us make things into amazing stuff from the tip, | 0:28:28 | 0:28:32 | |
and one of them worked with fibreglass. | 0:28:32 | 0:28:35 | |
So I have embraced fibreglass | 0:28:36 | 0:28:39 | |
and I have turned your kayak into a kayak console. | 0:28:39 | 0:28:45 | |
Oh, that is terrific. That is ace. | 0:28:45 | 0:28:48 | |
In my mind's eye, when I was making it, I thought | 0:28:48 | 0:28:50 | |
it's going to end up in somewhere like a shop or somewhere where | 0:28:50 | 0:28:53 | |
you could have a till on it or perhaps in a very cool bar, | 0:28:53 | 0:28:57 | |
mixing music on it or something like that. | 0:28:57 | 0:28:59 | |
It's a real winner, isn't it? | 0:28:59 | 0:29:01 | |
It is a winner. Somebody loved it and they bought it. | 0:29:01 | 0:29:04 | |
It cost £300 to make it look like a gleaming, | 0:29:04 | 0:29:07 | |
fantastic console table and I sold it for £450. | 0:29:07 | 0:29:10 | |
-So I've got £150 to give to you. -That is wonderful. | 0:29:10 | 0:29:14 | |
This is going to go towards the next kayak and your next success! | 0:29:14 | 0:29:19 | |
Do you need another kayak? | 0:29:19 | 0:29:21 | |
-Have you got room for another kayak in your life?! -No. That's history. | 0:29:21 | 0:29:25 | |
But this tops it completely. Just wonderful. And what you've created. | 0:29:25 | 0:29:29 | |
That is fantastic. I am so pleased you let me have it. | 0:29:29 | 0:29:32 | |
It was a really good, fun project. | 0:29:32 | 0:29:34 | |
So, Richard, who knows how far our console canoes will go? | 0:29:34 | 0:29:38 | |
There is a great future. | 0:29:38 | 0:29:39 | |
So with the kayak costing £300 to convert, and Sarah managing | 0:29:41 | 0:29:46 | |
a sale of £450, that has left a profit for Richard of £150. | 0:29:46 | 0:29:51 | |
I love it when they love it, and that was another great example | 0:29:52 | 0:29:56 | |
of somebody who wanted their transformed trash back. | 0:29:56 | 0:29:59 | |
The final result is superb. The finish is terrific. | 0:30:01 | 0:30:04 | |
The idea was inspired. And whoever's got it, I'm really quite envious. | 0:30:04 | 0:30:08 | |
I think it is terrific. I think it is a slightly better table than a canoe, in fact. | 0:30:08 | 0:30:12 | |
Although we find ourselves back in the very urban setting of | 0:30:14 | 0:30:18 | |
Walthamstow, Sarah has returned very sheepishly to Max | 0:30:18 | 0:30:22 | |
and Abigail's to see what has become of the rotten old gate post. | 0:30:22 | 0:30:26 | |
Last time I was here, I dropped off a gatepost that literally crumbled | 0:30:26 | 0:30:30 | |
in Max and Abigail's hands before they had even started working on it. | 0:30:30 | 0:30:34 | |
So the chances of making a profit on this one, I think, are really slim. | 0:30:34 | 0:30:37 | |
She was pretty embarrassed at what she was leaving us with | 0:30:37 | 0:30:40 | |
and I don't think we were particularly filled with hope. | 0:30:40 | 0:30:44 | |
That old gate post was certainly nothing to look at back at the dump. | 0:30:44 | 0:30:47 | |
But with a huge amount of skill and craft, what was once deemed | 0:30:50 | 0:30:54 | |
beyond salvage has become a range of wondrous wooden bowls. | 0:30:54 | 0:30:58 | |
Consisting of two sets of pinch bowls, | 0:30:58 | 0:31:01 | |
an oak pot and three further shallow bowls, Max and Abigail have | 0:31:01 | 0:31:06 | |
worked their magic to create some truly beautiful wooden tableware. | 0:31:06 | 0:31:10 | |
This is my favourite bit. | 0:31:14 | 0:31:17 | |
Even though that gate post was really bad, I am still excited. | 0:31:17 | 0:31:20 | |
You are joking! | 0:31:24 | 0:31:26 | |
-Seriously? -Yes. -100%. | 0:31:27 | 0:31:30 | |
-That's the reaction we wanted, wasn't it? -That's good. | 0:31:31 | 0:31:34 | |
That has gone down well. | 0:31:34 | 0:31:36 | |
Absolute genius. Honestly, I'm... | 0:31:36 | 0:31:39 | |
-Are these pieces that came out of it as well? -Yes. | 0:31:40 | 0:31:43 | |
We thought it was quite nice to just kind of keep... | 0:31:43 | 0:31:45 | |
Keep a bit of the signs of age. | 0:31:45 | 0:31:47 | |
So here you can really see, actually... That's the edge. | 0:31:47 | 0:31:50 | |
There was a hell of a lot of solid. | 0:31:50 | 0:31:52 | |
It wasn't much of that before you actually hit solid wood. | 0:31:52 | 0:31:55 | |
To come back and find this is... | 0:31:55 | 0:31:57 | |
Yes, really cool. | 0:31:59 | 0:32:02 | |
I think I left you with a budget of £50. | 0:32:02 | 0:32:04 | |
Because you managed to do so much work, has that changed? | 0:32:04 | 0:32:07 | |
There was a slight amount of cursing of your name after you left! | 0:32:07 | 0:32:10 | |
But then I would say we spent probably about £100, | 0:32:12 | 0:32:16 | |
if that sounds OK with you? | 0:32:16 | 0:32:18 | |
I think what we have produced, we can hopefully make that back. | 0:32:21 | 0:32:25 | |
-And more. -With some profit on top as well. | 0:32:25 | 0:32:28 | |
I am definitely going to check your gate posts on the way out, | 0:32:28 | 0:32:31 | |
because I can't believe that all came out of that thing! | 0:32:31 | 0:32:34 | |
That's amazing. Really cool. | 0:32:34 | 0:32:35 | |
-That's brilliant. Thank you so much for those. -Thanks very much. | 0:32:35 | 0:32:38 | |
-You are welcome. Thank you. -Genuine surprise. | 0:32:38 | 0:32:41 | |
So this completely exceeds my expectation | 0:32:41 | 0:32:44 | |
of what I was going to see here today. | 0:32:44 | 0:32:46 | |
From rotten old gate post to this. | 0:32:46 | 0:32:48 | |
The level of craftsmanship is amazing. | 0:32:48 | 0:32:52 | |
And I might even make as much as £50 worth of profit. | 0:32:52 | 0:32:55 | |
We genuinely thought we weren't going to get much | 0:32:55 | 0:32:58 | |
-and it wasn't going to be that great, but... -I think she's pleased. | 0:32:58 | 0:33:02 | |
Yes. I think she's really pleased. | 0:33:02 | 0:33:04 | |
So even with Max and Abigail upping the cost, this transformation | 0:33:05 | 0:33:10 | |
from a gammy old gate post to wooden pinch pots of perfection | 0:33:10 | 0:33:14 | |
cost just £100. | 0:33:14 | 0:33:16 | |
I think I can see these selling for a profit, at a pinch. | 0:33:16 | 0:33:20 | |
Back in Whitley, Sarah was not the only one to spot | 0:33:24 | 0:33:27 | |
the potential of the old rotten gatepost. | 0:33:27 | 0:33:29 | |
Colin had already had a bright idea. | 0:33:29 | 0:33:31 | |
-I've used half of it already. -OK. -As a lamp. | 0:33:31 | 0:33:36 | |
Surplus to requirements. | 0:33:38 | 0:33:40 | |
I just brought it to the local dump to get rid of it. There you are. | 0:33:40 | 0:33:43 | |
Somebody else wants to use it. Fantastic! | 0:33:43 | 0:33:45 | |
You can't make things look like that, so for me that is just perfect. | 0:33:45 | 0:33:48 | |
-Excellent. -Thank you so much. -Good luck with that. -Thank you. | 0:33:48 | 0:33:51 | |
Having been transformed from gate post to tableware, | 0:33:51 | 0:33:54 | |
all that remained was for Sarah to find a sale, | 0:33:54 | 0:33:57 | |
and online homeware retail outlet Such & Such | 0:33:57 | 0:34:00 | |
stepped into the breach. | 0:34:00 | 0:34:02 | |
They snapped up the complete collection. | 0:34:02 | 0:34:05 | |
Looking forward to having them on the site. | 0:34:05 | 0:34:07 | |
-Seeing people's responses to them is always nice. -Yes. | 0:34:09 | 0:34:12 | |
-There you go. -Thank you very much. See you again. Goodbye. | 0:34:13 | 0:34:17 | |
Sarah has returned to Surrey to deliver the good news to Colin, | 0:34:24 | 0:34:28 | |
along with, hopefully, some cash. | 0:34:28 | 0:34:30 | |
-Hello. -Hi, Colin. How are you? -I haven't seen you since Whitley dump. | 0:34:30 | 0:34:35 | |
Yes, it is much nicer around here, isn't it? | 0:34:35 | 0:34:38 | |
It is much nicer than Whitley dump, for sure, yes. | 0:34:38 | 0:34:41 | |
Have I just seen the other half of your gate post? | 0:34:41 | 0:34:43 | |
-You may well have done. -Is it out there with a light on it? | 0:34:43 | 0:34:45 | |
You may well have just seen the other half of my gate post. | 0:34:45 | 0:34:48 | |
I didn't need the part I took to the dump. | 0:34:48 | 0:34:51 | |
That's all I needed, so I threw it away. | 0:34:51 | 0:34:54 | |
You laughed at me at the tip. | 0:34:54 | 0:34:57 | |
You laughed at me taking your gate post away. | 0:34:57 | 0:34:59 | |
Only because I've already done something with it, you see. | 0:34:59 | 0:35:02 | |
It was only the small part I didn't need. | 0:35:02 | 0:35:05 | |
It turns out you weren't the only person to laugh at me because Max and | 0:35:05 | 0:35:09 | |
Abigail, who I took your old gate post to, they really laughed as well. | 0:35:09 | 0:35:14 | |
I'm not surprised. | 0:35:14 | 0:35:15 | |
So here, I have some pictures to show you of what they made. | 0:35:15 | 0:35:19 | |
That is absolutely incredible. | 0:35:19 | 0:35:22 | |
It had that big spiky bit left in it, didn't it? | 0:35:22 | 0:35:24 | |
So all these little bowls came out of that | 0:35:24 | 0:35:27 | |
and they turned some bowls from the larger chunkier bit as well. | 0:35:27 | 0:35:30 | |
I did not expect that. That is absolutely incredible. | 0:35:31 | 0:35:34 | |
-We have sold all of those bowls for £165. -Golly. | 0:35:34 | 0:35:38 | |
-Which is good news, because your old stump... -No! | 0:35:38 | 0:35:41 | |
£65. | 0:35:46 | 0:35:47 | |
-That is incredible. -I'm really chuffed, actually. | 0:35:49 | 0:35:52 | |
-For an old post, I get £65? -Yes. -Golly. | 0:35:52 | 0:35:55 | |
That is incredible, isn't it? Absolutely incredible. | 0:35:55 | 0:35:58 | |
With costs of £100 and a sale price of £165, Colin has £65 profit. | 0:36:01 | 0:36:07 | |
So what will he do with this massive windfall? | 0:36:07 | 0:36:10 | |
I'm a great advocate of charity, and it will go to a good cause. | 0:36:11 | 0:36:14 | |
It will probably go to the Alzheimer's Society. | 0:36:14 | 0:36:17 | |
That is very generous of you. | 0:36:17 | 0:36:19 | |
If you want to spend any of it on you, it's money for nothing, | 0:36:19 | 0:36:22 | |
so you are allowed to do exactly what you like with it. | 0:36:22 | 0:36:24 | |
I might equally just treat myself to a small libation | 0:36:24 | 0:36:27 | |
in the local hostelry. | 0:36:27 | 0:36:28 | |
I think that sounds like a grand plan! | 0:36:28 | 0:36:31 | |
Sarah is returning to Anthony's workshop back in Manchester | 0:36:34 | 0:36:37 | |
to collect what was the forlorn floral sofa. | 0:36:37 | 0:36:41 | |
We only got the fabric less than 24 hours ago, | 0:36:41 | 0:36:45 | |
so we basically had to transform it overnight, so I haven't been to bed. | 0:36:45 | 0:36:49 | |
When I was last here, | 0:36:51 | 0:36:52 | |
Anthony had some radical plans for my chintzy old sofa. | 0:36:52 | 0:36:56 | |
He is a master of upholstery and I know he won't disappoint. | 0:36:56 | 0:36:59 | |
This one, erm, is... | 0:37:01 | 0:37:03 | |
Well, it's out of my comfort zone and definitely out of hers. | 0:37:03 | 0:37:08 | |
So we'll see how she likes it. | 0:37:08 | 0:37:10 | |
Anthony has taken that old floral sofa destined for the dump | 0:37:13 | 0:37:18 | |
and transformed it into a brand-new refurbished floral sofa | 0:37:18 | 0:37:23 | |
that looks like it's destined for the dump! | 0:37:23 | 0:37:27 | |
Underneath that unusual appearance, | 0:37:27 | 0:37:29 | |
this saggy old sofa has been stripped back to the bare bones, | 0:37:29 | 0:37:33 | |
massaged and moulded into a new modern shape and covered | 0:37:33 | 0:37:37 | |
in brand-new material created with cutting-edge printing techniques. | 0:37:37 | 0:37:41 | |
-Hello. -Hello. How are we? -Really well. How are you doing? | 0:37:41 | 0:37:46 | |
-Good to see you. -And you. How has it gone? | 0:37:46 | 0:37:49 | |
Let's go. | 0:37:50 | 0:37:51 | |
-Oh, my word! -There is a lot to take in. | 0:37:53 | 0:37:56 | |
Do you like it? It's the new shabby chic. | 0:37:57 | 0:37:59 | |
That is what we are calling it. | 0:37:59 | 0:38:01 | |
It looks like it might be dirty, doesn't it? | 0:38:01 | 0:38:04 | |
Just get that bit of fluff off! | 0:38:04 | 0:38:06 | |
I think it's really clever. | 0:38:06 | 0:38:09 | |
-Isn't it? -I'm not sure if it has ever been done before. | 0:38:09 | 0:38:13 | |
To put back the old texture onto the new... Yes. | 0:38:13 | 0:38:16 | |
-Can you just get that bit of fluff off the end there? -No, that's real. | 0:38:16 | 0:38:20 | |
I was looking at that. There is a mark on the back as well. | 0:38:20 | 0:38:23 | |
Who do you reckon is going to snap this up? Where is this going? | 0:38:23 | 0:38:26 | |
I'm thinking probably design agencies, PR companies, | 0:38:26 | 0:38:31 | |
marketing, somebody who has got like a kind of funky office | 0:38:31 | 0:38:35 | |
and wants a reception area. | 0:38:35 | 0:38:38 | |
So we are looking for a funky office currently without a sofa | 0:38:38 | 0:38:42 | |
to snap up this chic and unique seat. | 0:38:42 | 0:38:45 | |
But in order to know how much to charge, | 0:38:45 | 0:38:48 | |
we have to know how much we spent. | 0:38:48 | 0:38:50 | |
I had to bring Lee in because I was running behind. | 0:38:51 | 0:38:55 | |
You put me under pressure all the time. | 0:38:55 | 0:38:57 | |
But I will take him out for a pint and we're still on budget. | 0:38:57 | 0:39:01 | |
I will buy the pork scratchings, OK? I like pork scratchings. | 0:39:01 | 0:39:06 | |
I didn't know you could get pork scratchings | 0:39:06 | 0:39:09 | |
quite so far south as Sussex! | 0:39:09 | 0:39:11 | |
I thought they became crackling as it passes Watford! | 0:39:11 | 0:39:14 | |
So with a deal struck, | 0:39:14 | 0:39:16 | |
all that remains is to get the sofa in the van. | 0:39:16 | 0:39:19 | |
Oh, and sell it, of course. | 0:39:19 | 0:39:21 | |
Well, Anthony has definitely delivered on the radical. | 0:39:23 | 0:39:27 | |
That sofa is a really clever design | 0:39:27 | 0:39:29 | |
and he's identified that niche market to help me sell it. | 0:39:29 | 0:39:33 | |
Obviously, it's not Sarah's normal kind of style. | 0:39:33 | 0:39:37 | |
It's different to what I'm used to, | 0:39:37 | 0:39:39 | |
although these things are always rattling around in my head. | 0:39:39 | 0:39:42 | |
Yes, I'm really pleased. Really pleased. | 0:39:42 | 0:39:44 | |
Despite an initial scare regarding the budget being blown, | 0:39:46 | 0:39:50 | |
Anthony has in fact been able to complete this project for the | 0:39:50 | 0:39:53 | |
agreed amount of £800 - and a packet of pork scratchings, of course. | 0:39:53 | 0:39:58 | |
Back at the dump in Whitley, Sarah spotted Bernard and Dominic | 0:40:01 | 0:40:04 | |
sneaking a sofa from the back of their van. | 0:40:04 | 0:40:08 | |
The sofa was going to be dumped. It is unbelievably uncomfortable. | 0:40:08 | 0:40:11 | |
-Would it be something you would let me have a go at? -Absolutely. | 0:40:11 | 0:40:14 | |
I mean, if you can add value to that, that's fine. | 0:40:14 | 0:40:17 | |
I cant wait to get my hands on it and do something with it. That's fantastic. | 0:40:17 | 0:40:21 | |
Sarah was not the only one keen to get her hands | 0:40:21 | 0:40:24 | |
on Bernard and Dominic's old sofa. | 0:40:24 | 0:40:27 | |
Family-run business Smithers of Stamford, | 0:40:27 | 0:40:30 | |
who specialise in the sale of one-off vintage retro | 0:40:30 | 0:40:33 | |
and quirky items, were also quick to see the appeal | 0:40:33 | 0:40:36 | |
and snapped up Anthony's shabby chic sofa. | 0:40:36 | 0:40:39 | |
Sarah has returned to Whitley to catch up with Bernard and meet | 0:40:40 | 0:40:44 | |
Sue, the sofa's owner, to show what became of their once saggy seat. | 0:40:44 | 0:40:48 | |
-Hello again. Hi, there. Sarah. -Good to see you again. | 0:40:51 | 0:40:54 | |
-This is my wife, Sue. -Hi there, Sue. How do you do? Sarah. -I'm fine. Nice to meet you. | 0:40:54 | 0:40:58 | |
Thank you very much for letting us come and show you a little bit of what we did with... | 0:40:58 | 0:41:02 | |
-Was it your daughter's... -It's my daughter's sofa. | 0:41:02 | 0:41:06 | |
Well, it was actually my sofa. | 0:41:06 | 0:41:08 | |
-I lent it to my daughter because she needed some furniture. -OK. | 0:41:08 | 0:41:12 | |
-I need you to brace yourselves, OK? -Because of what you've done to it? | 0:41:12 | 0:41:15 | |
-Yes! -Anything is better than throwing it away, isn't it? | 0:41:15 | 0:41:19 | |
It definitely hasn't been thrown away. Don't be too shocked. | 0:41:19 | 0:41:23 | |
Basically, it has been graffitied and torn apart | 0:41:23 | 0:41:26 | |
and then photographed and then reupholstered. | 0:41:26 | 0:41:29 | |
-Goodness me. It's amazing. -It's not what you'd expect, is it? | 0:41:29 | 0:41:32 | |
No, it's not what you'd expect. | 0:41:32 | 0:41:34 | |
It actually takes £800 to get something to look like that. | 0:41:34 | 0:41:37 | |
-I was going to say. -I can imagine. | 0:41:37 | 0:41:39 | |
While we were deliberating about whether we thought it was amazing or not, somebody made an offer on it. | 0:41:39 | 0:41:44 | |
No! | 0:41:44 | 0:41:45 | |
Yes, we had an offer that made us £180 worth of profit to give back to you. | 0:41:45 | 0:41:50 | |
Gosh! £180. For something that went to the dump. That's fantastic. | 0:41:50 | 0:41:54 | |
-It's amazing. -I'm glad you met! It's fantastic. Thank you so much. | 0:41:54 | 0:41:58 | |
Is there anything you are saving up for, or that you need? | 0:41:58 | 0:42:01 | |
We are going on holiday soon. We'll spend it, or we'll go out for a meal, or, I don't know. | 0:42:01 | 0:42:05 | |
-We will buy something nice with it. -Lovely. Well, it's all yours. | 0:42:05 | 0:42:08 | |
It won't be another sofa, that's for sure! | 0:42:08 | 0:42:11 | |
Anthony managed to transform Bernard and Sue's old floral sofa | 0:42:11 | 0:42:16 | |
for £800, and with the sale making £980, that was £180 profit | 0:42:16 | 0:42:22 | |
for Bernard and Sue, just for taking an old floral sofa to the tip. | 0:42:22 | 0:42:27 | |
So that was one of the more radical transformations, | 0:42:27 | 0:42:30 | |
but I think we got away with it. | 0:42:30 | 0:42:31 | |
What I wasn't expecting was for Sue and Bernard actually to really like it. | 0:42:31 | 0:42:35 | |
-Yes, I do. -It's now a bit quirky, isn't it? -It's very quirky. | 0:42:35 | 0:42:39 | |
-Very quirky. -It's great. It's really good. | 0:42:39 | 0:42:42 | |
So Sarah has managed to make money from all three items saved from the dump. | 0:42:46 | 0:42:50 | |
The wooden tableware turned from an old oak stump. | 0:42:50 | 0:42:54 | |
The vandalised shabby chic sofa. | 0:42:54 | 0:42:57 | |
And, of course, the kayak console table. | 0:42:57 | 0:43:00 | |
That was a really mad mix of things. | 0:43:03 | 0:43:05 | |
Some old bits of wood, a sofa, and my favourite, the canoe. | 0:43:05 | 0:43:09 | |
I am really glad we took a chance on them | 0:43:09 | 0:43:11 | |
and they all made a little bit of money for nothing. | 0:43:11 | 0:43:14 |