Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
How do you make money for nothing? | 0:00:06 | 0:00:08 | |
The answer could be hiding in the 20 million tonnes of household waste | 0:00:11 | 0:00:15 | |
we throw out every year. | 0:00:15 | 0:00:17 | |
Sorry to bother you. Before you throw that away, | 0:00:17 | 0:00:19 | |
-is there any chance I could have a quick chat to you about it? -Yeah, sure. | 0:00:19 | 0:00:22 | |
That's why entrepreneur Sarah Moore | 0:00:22 | 0:00:24 | |
wants to get her hands on things before they hit the skip. | 0:00:24 | 0:00:28 | |
I am a passionate buyer, maker and user of old stuff | 0:00:29 | 0:00:34 | |
and I've turned that passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I turn old stuff into new stuff and sell it for a profit. | 0:00:37 | 0:00:41 | |
Sarah's ready to sift through as many boots and bin bags | 0:00:41 | 0:00:44 | |
as she needs to... | 0:00:44 | 0:00:46 | |
Look at that absolute box of joy, | 0:00:46 | 0:00:48 | |
these are just fantastic. | 0:00:48 | 0:00:50 | |
..in her search for tip treasure. | 0:00:50 | 0:00:52 | |
We've got to be able to make something out of that, haven't we? | 0:00:53 | 0:00:56 | |
And with some of the country's elite designers and makers... | 0:00:57 | 0:01:00 | |
-I've got a little something for you. -Yeah, I thought you might. | 0:01:00 | 0:01:03 | |
Aw, this is a hard one. | 0:01:03 | 0:01:05 | |
..she can transform her finds into desirable... | 0:01:05 | 0:01:09 | |
Oh, my word! | 0:01:09 | 0:01:10 | |
..beautiful... | 0:01:10 | 0:01:12 | |
Oosh! | 0:01:12 | 0:01:13 | |
..valuable... | 0:01:13 | 0:01:14 | |
Cha-ching! | 0:01:14 | 0:01:16 | |
..and hopefully saleable items. | 0:01:16 | 0:01:18 | |
Well, I love this, so I would really like to have it. | 0:01:18 | 0:01:22 | |
If Sarah is successful, then she can hand the profits back | 0:01:22 | 0:01:26 | |
to the very people who had no idea | 0:01:26 | 0:01:29 | |
there was cash to be made from their trash. | 0:01:29 | 0:01:31 | |
That is incredible, isn't it? | 0:01:31 | 0:01:34 | |
For most people, a trip to the tip is about as exciting | 0:01:48 | 0:01:52 | |
as rearranging your sock drawer. | 0:01:52 | 0:01:54 | |
But most people aren't Sarah Moore. | 0:01:54 | 0:01:58 | |
It's loads of fun here. | 0:01:58 | 0:01:59 | |
There's stuff coming through the gates all the time | 0:01:59 | 0:02:01 | |
and I'm hoping in the trunk of one of these cars is some real tip treasure. | 0:02:01 | 0:02:05 | |
Sarah's been given special permission | 0:02:05 | 0:02:08 | |
from the Bredbury Recycling Centre, near Manchester, | 0:02:08 | 0:02:10 | |
to search for three items before they get skipped. | 0:02:10 | 0:02:13 | |
We're looking for things that we might be able to re-use and... | 0:02:13 | 0:02:16 | |
-Recycle. -Yeah, recycle. | 0:02:16 | 0:02:17 | |
But she's not after just any old rubbish. | 0:02:17 | 0:02:20 | |
Just wondering what that was. | 0:02:20 | 0:02:21 | |
Old vacuum attachment of some shape or form, so... | 0:02:21 | 0:02:23 | |
Oh, my word, look at it! | 0:02:23 | 0:02:25 | |
Sarah needs to find things with the potential to turn a profit. | 0:02:25 | 0:02:29 | |
And it doesn't take her long to spot her first item, | 0:02:30 | 0:02:34 | |
poking out of Justine's rather glamorous-looking convertible. | 0:02:34 | 0:02:37 | |
-Hiya! -Hi, there. | 0:02:39 | 0:02:41 | |
What are you throwing out today? | 0:02:41 | 0:02:42 | |
It's a cast-iron soil pipe, we're having a new bathroom fitted. | 0:02:42 | 0:02:46 | |
Oh, really? I just love the fact that it's got this really old paint on it. | 0:02:46 | 0:02:50 | |
-Yeah. -And... | 0:02:50 | 0:02:51 | |
I did speak to my decorator about that | 0:02:51 | 0:02:53 | |
-and he said that to rub all that down... -Oh, yeah? | 0:02:53 | 0:02:56 | |
..and repaint it when he paints the outside of the house | 0:02:56 | 0:02:59 | |
is not cost-effective cos it would be about a day's labour | 0:02:59 | 0:03:02 | |
-just to rub the whole pipe down. -Really? | 0:03:02 | 0:03:03 | |
And it had to be changed anyway cos of the new bathroom. | 0:03:03 | 0:03:06 | |
I know it sounds really strange | 0:03:06 | 0:03:07 | |
that somebody might want to take away a soil pipe, | 0:03:07 | 0:03:09 | |
but we are looking for old stuff, | 0:03:09 | 0:03:11 | |
-you know, particularly stuff that has a bit of integrity and... -Yeah. | 0:03:11 | 0:03:14 | |
-..like, we could remake into stuff. -Right. | 0:03:14 | 0:03:16 | |
I'm not sure if anybody will take on a soil pipe, | 0:03:16 | 0:03:18 | |
but would you mind if we kept it, just to see...? | 0:03:18 | 0:03:20 | |
-Not at all. -Really? | 0:03:20 | 0:03:22 | |
Doing me a favour by taking it. | 0:03:22 | 0:03:24 | |
You might want to wear some gloves for this one, Sarah! | 0:03:24 | 0:03:29 | |
A soil or sewage pipe is usually attached to the side of a building | 0:03:29 | 0:03:33 | |
to remove waste from the upstairs toilets. | 0:03:33 | 0:03:37 | |
And there's just one more section to it. | 0:03:38 | 0:03:40 | |
Keep them coming, Justine! | 0:03:40 | 0:03:41 | |
After all, you can never have too much old soil pipe. | 0:03:41 | 0:03:45 | |
It looks like it hasn't been used for a while. Has it not been used? | 0:03:45 | 0:03:47 | |
-Oh, it's been used. -Really? I don't want to think about that, do I?! | 0:03:47 | 0:03:50 | |
-Yeah. -Thank you so much. If we just pop it here, that would be great. | 0:03:50 | 0:03:53 | |
By the looks of things, this pipe has seen quite a bit of action. | 0:03:53 | 0:03:57 | |
But exactly how old is it? | 0:03:57 | 0:04:00 | |
-It's a very old terraced house, 1926... -OK. | 0:04:00 | 0:04:03 | |
..it was built, but it's the original cast-iron pipe. | 0:04:03 | 0:04:06 | |
Yeah, well, do you know something? It's going to a better place. | 0:04:06 | 0:04:09 | |
-Oh, that's good. -Thank you so much. | 0:04:09 | 0:04:11 | |
You are very welcome. Bye! Bye! | 0:04:11 | 0:04:13 | |
Sarah seems happy, but what's Justine thinking? | 0:04:15 | 0:04:18 | |
I'm just glad to get... I'm just glad to get rid of it! | 0:04:18 | 0:04:20 | |
I don't know what she'll do with it. | 0:04:20 | 0:04:23 | |
Justine does have some concerns, though. | 0:04:23 | 0:04:26 | |
I'd have put my make-up on if I'd have known | 0:04:26 | 0:04:28 | |
I was being on the television. | 0:04:28 | 0:04:30 | |
Not to worry, Justine, while you pop off to the powder room, | 0:04:30 | 0:04:33 | |
Sarah can take a closer look at her first item. | 0:04:33 | 0:04:37 | |
It's a really old cast... Uh, probably Victorian downpipe. | 0:04:40 | 0:04:44 | |
It's really battered and I'm not quite sure why I've saved it, | 0:04:44 | 0:04:48 | |
but I do know somebody who might have some good ideas | 0:04:48 | 0:04:51 | |
to turn this old thing into something valuable. | 0:04:51 | 0:04:54 | |
Bex Simon is a renowned artist blacksmith that can bang, | 0:05:00 | 0:05:04 | |
grind, weld and smelt metal into bespoke beauties. | 0:05:04 | 0:05:10 | |
Bex is normally commissioned for unique pieces of artwork | 0:05:10 | 0:05:14 | |
and has no idea what's coming her way. | 0:05:14 | 0:05:17 | |
Working with found objects is quite different from what | 0:05:17 | 0:05:20 | |
we normally do, cos we work with our clients and we produce designs | 0:05:20 | 0:05:24 | |
and we work with them, so this is kind of, like, really freeing up | 0:05:24 | 0:05:27 | |
the mind and seeing, you know, what object we've got and how we can | 0:05:27 | 0:05:32 | |
make it work into something really cool, modern and...yeah, desirable. | 0:05:32 | 0:05:37 | |
So it's going to be fun. | 0:05:37 | 0:05:39 | |
Let's just hope Bex is still smiling when she sees Sarah's pipe dream. | 0:05:40 | 0:05:45 | |
And that it doesn't just all end up causing a stink. | 0:05:45 | 0:05:49 | |
One item down, two more to go, and as Sarah's search continues, | 0:05:53 | 0:05:56 | |
the dump is definitely getting busier. | 0:05:56 | 0:06:00 | |
Oh, that's classy, isn't it? I love it. | 0:06:03 | 0:06:05 | |
That is a special little pony, isn't it? | 0:06:05 | 0:06:08 | |
I don't think so, Sarah. | 0:06:08 | 0:06:09 | |
There's only one ride left for that old nag. | 0:06:09 | 0:06:11 | |
Every time somebody pulls up, | 0:06:15 | 0:06:16 | |
who knows what's going to be in the back of that van? It could be... | 0:06:16 | 0:06:19 | |
It could be it. | 0:06:19 | 0:06:20 | |
You might be right, Sarah, but Richard and Tom look pretty keen | 0:06:20 | 0:06:22 | |
to dump that old blanket box, so you'd better be quick. | 0:06:22 | 0:06:27 | |
-Hiya. -Hiya. | 0:06:27 | 0:06:28 | |
I'm really sorry to bother you. | 0:06:28 | 0:06:29 | |
Um, I'm up here today trying to find stuff that we might be able | 0:06:29 | 0:06:32 | |
to make into other things. | 0:06:32 | 0:06:33 | |
-Would it be all right just to have a look at what you're dropping off and maybe chat to you? -Yeah. | 0:06:33 | 0:06:37 | |
-So, whose is it, what's it doing here, how did it get here? -It's... | 0:06:37 | 0:06:40 | |
Well, it's a bedding box, it was my mum's, she's moving house. | 0:06:40 | 0:06:43 | |
We've tried to offer it to a charity shop, but... | 0:06:43 | 0:06:46 | |
-But they didn't want it either, so... -Really? | 0:06:46 | 0:06:48 | |
Yeah, it's a last resort, tip. | 0:06:48 | 0:06:49 | |
I think it's really quite cool, actually. Would you mind if I... | 0:06:49 | 0:06:53 | |
took it away and tried to make something out of it? | 0:06:53 | 0:06:55 | |
-Yeah, absolutely. -Yeah? -By all means. | 0:06:55 | 0:06:57 | |
-Thank you ever so much for your help. -Yeah, no worries. | 0:06:58 | 0:07:00 | |
-I really like that. That's made my day, so thank you so much. -Good. | 0:07:00 | 0:07:03 | |
-I'll...get in touch. -All right, cheers. | 0:07:03 | 0:07:05 | |
Thank you, thank you. | 0:07:05 | 0:07:07 | |
I love it, and I think... | 0:07:09 | 0:07:11 | |
I think we're going to make something really valuable out of it too. | 0:07:11 | 0:07:14 | |
What about Richard and Tom? | 0:07:14 | 0:07:15 | |
Do they think there could be any money in it? | 0:07:15 | 0:07:17 | |
Give it a bit of sanding, make it really stand out, make it... | 0:07:17 | 0:07:20 | |
-Yeah, I mean, it's... -Something... | 0:07:20 | 0:07:22 | |
It's still in good nick, isn't it? So, it's... | 0:07:22 | 0:07:24 | |
It'd seem a shame to get rid of it, but like I say, | 0:07:24 | 0:07:27 | |
we had no other option, so... | 0:07:27 | 0:07:28 | |
-Good luck to her. -Good luck, definitely. | 0:07:28 | 0:07:30 | |
-Yeah. -I look forward to seeing what the final product looks like. | 0:07:30 | 0:07:33 | |
I really like this old blanket box | 0:07:33 | 0:07:35 | |
and I think it's got heaps of potential. | 0:07:35 | 0:07:37 | |
I'm thinking cocktail cabinet, I'd like legs on it, | 0:07:37 | 0:07:40 | |
I'd like fantastic doors. | 0:07:40 | 0:07:41 | |
And I'd like a price tag to match | 0:07:41 | 0:07:43 | |
because I think that this little beauty is going to turn | 0:07:43 | 0:07:46 | |
a real profit, and that means I can surprise those lovely lads | 0:07:46 | 0:07:49 | |
who dropped it off with a whole load of cash. | 0:07:49 | 0:07:52 | |
So, Richard and Tom could be in for a real windfall, | 0:07:52 | 0:07:56 | |
especially as Sarah has got just the man to tackle the blanket box. | 0:07:56 | 0:08:00 | |
Rupert Blanchard is one of the country's leading | 0:08:08 | 0:08:11 | |
bespoke furniture-makers. | 0:08:11 | 0:08:13 | |
He searches the country for undervalued materials | 0:08:13 | 0:08:16 | |
to rework into contemporary designs. | 0:08:16 | 0:08:19 | |
Basically, other people's waste, I find some kind of beauty in it | 0:08:19 | 0:08:23 | |
and spend a lot of time | 0:08:23 | 0:08:25 | |
and give rubbish a lot of attention to try and bring it back into use. | 0:08:25 | 0:08:30 | |
Rupert's been working with reclaimed materials for almost a decade | 0:08:30 | 0:08:33 | |
and sells his high-end designs all over the world. | 0:08:33 | 0:08:37 | |
I like giving things a second, a third, a fourth chance. | 0:08:37 | 0:08:41 | |
Bringing something back into use is incredibly satisfying. | 0:08:41 | 0:08:44 | |
Well, let's hope Rupert's satisfied | 0:08:44 | 0:08:46 | |
when he sees the salvaged blanket box. | 0:08:46 | 0:08:49 | |
Sarah has already found two items at the tip. | 0:08:55 | 0:08:58 | |
Now she needs to search for her third and final item, | 0:08:58 | 0:09:01 | |
which she will work on herself. | 0:09:01 | 0:09:04 | |
But time is running out and the crushers have already | 0:09:05 | 0:09:08 | |
swallowed most of the day's offerings. | 0:09:08 | 0:09:10 | |
I just find it difficult to watch that | 0:09:11 | 0:09:13 | |
because they're just crushing great stuff, so I think I'm going to | 0:09:13 | 0:09:16 | |
have to go and get back to work now because...that's just too scary! | 0:09:16 | 0:09:20 | |
Lots of things, just sometimes it's just not quite right. | 0:09:22 | 0:09:26 | |
What's he for? | 0:09:26 | 0:09:27 | |
-BOTH: -It's a toilet roll holder. -Really? | 0:09:27 | 0:09:29 | |
-Yeah. -I've never seen one like that before. | 0:09:29 | 0:09:31 | |
SARAH LAUGHS | 0:09:31 | 0:09:33 | |
Hang on, Sarah, Vicky's just pulled up with a trailer-load | 0:09:33 | 0:09:37 | |
of potential treasures. | 0:09:37 | 0:09:39 | |
Hiya, sorry to bother you, I was just wondering before you | 0:09:39 | 0:09:42 | |
chuck everything out, if it'd be OK to have a look at what you are | 0:09:42 | 0:09:44 | |
-throwing away and just see if there is anything we might recycle? -Yeah. | 0:09:44 | 0:09:47 | |
-What... Are you clearing something out, or... -Yeah, my grandad's house. | 0:09:47 | 0:09:50 | |
-Oh, no! -So, a lot of my grandma's old belongings, sadly. | 0:09:50 | 0:09:54 | |
-OK. -But a bit of everything. | 0:09:54 | 0:09:57 | |
-So, some old wardrobes and cupboards and then, like, sewing machine. -OK. | 0:09:57 | 0:10:01 | |
And would it be really bad to just rootle around and have a look? | 0:10:01 | 0:10:03 | |
-No, help yourself. -Really, are you sure? -Yeah. | 0:10:03 | 0:10:05 | |
There are some sweet little bits in here. | 0:10:05 | 0:10:08 | |
Really lovely and I don't... I feel a bit funny rifling through them. | 0:10:10 | 0:10:13 | |
-They are really sweet things. -I know. | 0:10:16 | 0:10:18 | |
But sometimes, you know what it's like, you get to a stage | 0:10:18 | 0:10:20 | |
where it doesn't fit in your house, | 0:10:20 | 0:10:22 | |
it doesn't go with your look, or whatever. | 0:10:22 | 0:10:24 | |
If there's a few bits in here... That certainly has an appeal. | 0:10:25 | 0:10:28 | |
I really appreciate you letting me have a look, | 0:10:28 | 0:10:31 | |
-especially as it is your family's stuff. -Fine. Mm-hm. | 0:10:31 | 0:10:33 | |
If it's OK, I'd love to see if there's something there and come back to you... | 0:10:33 | 0:10:36 | |
-That's fine. -Brilliant. If you're happy, I'm going to take this off and... -You go. | 0:10:36 | 0:10:39 | |
-Thank you so much for sharing it. -No problem. | 0:10:39 | 0:10:41 | |
Sarah's found her final item. | 0:10:41 | 0:10:43 | |
But exactly why is Vicky letting go of her grandma's stuff? | 0:10:43 | 0:10:47 | |
I'm helping my grandad clear out my grandma's old room. | 0:10:47 | 0:10:50 | |
He's finally ready to let go of a few things of my grandma's. | 0:10:50 | 0:10:54 | |
Cos he's getting on a bit, we needed to clean out the rooms, | 0:10:54 | 0:10:56 | |
so he's got more space to move around. | 0:10:56 | 0:10:58 | |
It would be nice if it could be reused for someone else | 0:10:58 | 0:11:00 | |
who would get pleasure out of it, | 0:11:00 | 0:11:02 | |
cos I know my grandma certainly did with a lot of these things. | 0:11:02 | 0:11:05 | |
So, it would be nice if it could go elsewhere rather than in the bin. | 0:11:05 | 0:11:08 | |
So, this is a really eclectic little collection of stuff. | 0:11:08 | 0:11:12 | |
Part of the stuff she dropped off were these plates, this china. | 0:11:12 | 0:11:15 | |
Now, I haven't had a proper chance to look at them yet, | 0:11:15 | 0:11:17 | |
and I'm not sure if there's going to be any value in this box. | 0:11:17 | 0:11:20 | |
But I couldn't let her throw it away without having a proper look. | 0:11:20 | 0:11:22 | |
So you never know, there might be some value in here yet. | 0:11:22 | 0:11:25 | |
Well, let's hope you're right, Sarah, | 0:11:25 | 0:11:27 | |
because it's now time to try and turn your refuse picks into pounds. | 0:11:27 | 0:11:32 | |
Working on the soil pipe will be artist blacksmith Bex. | 0:11:34 | 0:11:38 | |
While Rupert will be unleashing his creative carpentry | 0:11:38 | 0:11:42 | |
on the blanket box. | 0:11:42 | 0:11:44 | |
And Sarah's hoping to find some hidden treasures | 0:11:44 | 0:11:47 | |
in Vicky's grandma's box of china. | 0:11:47 | 0:11:50 | |
We have had a fantastic day here. | 0:11:50 | 0:11:53 | |
I've got some amazing pieces | 0:11:53 | 0:11:54 | |
and just the right people lined up to make them into something fantastic. | 0:11:54 | 0:11:58 | |
And to make some money along the way. | 0:11:58 | 0:12:00 | |
Sarah's first stop is Surrey, where tucked away down a country lane | 0:12:06 | 0:12:11 | |
is blacksmith Bex and her husband Dave's workshop. | 0:12:11 | 0:12:14 | |
So, I'm waiting for Sarah to come! I don't know what she's bringing. | 0:12:17 | 0:12:21 | |
So... Yeah, let's hope it's something really interesting! | 0:12:21 | 0:12:25 | |
Oh, don't worry, Bex. It's interesting all right. | 0:12:25 | 0:12:28 | |
Hi, guys! | 0:12:28 | 0:12:30 | |
-Hello! -Look what I've brought you. | 0:12:30 | 0:12:32 | |
-Oh, no! Oh, no! -It's a downpipe. | 0:12:32 | 0:12:35 | |
-I've got, like, a whole house-worth of downpipe. -Oh, wow! | 0:12:35 | 0:12:38 | |
So, probably... | 0:12:38 | 0:12:40 | |
-What have we got? ..about 15 feet of it altogether. -Gosh, wow. | 0:12:40 | 0:12:44 | |
Cor, it's got beautiful, pitted... | 0:12:44 | 0:12:46 | |
-Yeah, it's got some good, good finish on it. -It's lovely. | 0:12:46 | 0:12:49 | |
It is lovely, but it is a downpipe. | 0:12:49 | 0:12:51 | |
BEX LAUGHS | 0:12:51 | 0:12:53 | |
-There you go. Do you want to hear the plan? -Uh, go on. Go on, then. | 0:12:53 | 0:12:57 | |
This is really exciting. | 0:12:57 | 0:12:59 | |
OK, so, bear with me, cos it takes a bit of...imagination. | 0:12:59 | 0:13:02 | |
-So, I was thinking that if we could cut them in half... -Yeah. | 0:13:02 | 0:13:05 | |
And if we could have lots of half little tubes, you know, | 0:13:05 | 0:13:09 | |
-sort of like guttering sort of style... -Yeah, yeah. | 0:13:09 | 0:13:11 | |
And have, you know, like, tube, tube, tube, tube, | 0:13:11 | 0:13:13 | |
-we could make ourselves a lounger. -Oh, right! | 0:13:13 | 0:13:16 | |
And I can get some little velvet cushions made to make it up | 0:13:16 | 0:13:20 | |
-into a round again. -Oh, wow! | 0:13:20 | 0:13:22 | |
And then have it, like, you know, like a luxury, | 0:13:22 | 0:13:25 | |
amazing chair that you have in the corner of the sitting room. | 0:13:25 | 0:13:28 | |
Oh, my gosh, that sounds really nice. Really nice. | 0:13:28 | 0:13:30 | |
With Bex up for the challenge, it's time to hit the drawing board. | 0:13:30 | 0:13:35 | |
What you want to see is, you want to see the half, don't you, like this? | 0:13:35 | 0:13:39 | |
Yeah, exactly. | 0:13:39 | 0:13:40 | |
And then you've got your, the cushion, going on the top, | 0:13:40 | 0:13:43 | |
-like, that's what you want to see. -Yeah. | 0:13:43 | 0:13:45 | |
And it could be sort of like that with an extra one on the headrest | 0:13:45 | 0:13:48 | |
-and more here... -Oh, right, I get you. | 0:13:48 | 0:13:50 | |
So, if we are talking about, you know, a frame... | 0:13:50 | 0:13:53 | |
Getting all of these pieces into position and the legs, how long... | 0:13:53 | 0:13:57 | |
You know, is that... What kind of money are we talking about for that? | 0:13:57 | 0:14:00 | |
Um... | 0:14:00 | 0:14:01 | |
I reckon for both of us working on it, | 0:14:01 | 0:14:05 | |
about 600 quid to do that? | 0:14:05 | 0:14:07 | |
So, 600 quid on the frame, it's probably going to cost me a couple | 0:14:07 | 0:14:11 | |
of hundred quid to get the cushions done, so an 800-quid piece... | 0:14:11 | 0:14:15 | |
Another challenge on our hands! | 0:14:15 | 0:14:18 | |
I'll leave you to it, shall I? Don't say I never spoil you! | 0:14:18 | 0:14:22 | |
As Sarah heads off, | 0:14:23 | 0:14:24 | |
there's one all-important question on Bex's mind. | 0:14:24 | 0:14:28 | |
When do you think the last time some... | 0:14:28 | 0:14:31 | |
Probably a few days ago. | 0:14:31 | 0:14:35 | |
-No, seriously! -I expect so. | 0:14:35 | 0:14:37 | |
This has been ripped off a house. | 0:14:37 | 0:14:39 | |
I'm going to wash my hands. Have we got some detergent? | 0:14:42 | 0:14:45 | |
-Have you given them a sniff? -Have you?! | 0:14:45 | 0:14:48 | |
Smell your hands. | 0:14:48 | 0:14:50 | |
It might be dirty work, but it's not cheap. | 0:14:50 | 0:14:53 | |
With a budget of £600 for the frame, | 0:14:53 | 0:14:55 | |
plus an extra £200 for the cushions, | 0:14:55 | 0:14:59 | |
let's hope Sarah isn't flushing her money down the drain. | 0:14:59 | 0:15:04 | |
Sarah's next stop is sunny Margate on the coast of Kent. | 0:15:06 | 0:15:10 | |
Once a mecca for British tourists in the 1950s, | 0:15:10 | 0:15:14 | |
it suffered a major decline over the years | 0:15:14 | 0:15:16 | |
due to cheap package deals sending the holidaymakers overseas. | 0:15:16 | 0:15:20 | |
But today, Margate is a place where vintage is an advantage, | 0:15:24 | 0:15:28 | |
and reclamation is the order of the day. | 0:15:28 | 0:15:31 | |
And one man leading the way in all things repurposed | 0:15:32 | 0:15:37 | |
is furniture redesigner Rupert Blanchard. | 0:15:37 | 0:15:39 | |
I'm really looking forward to Sarah turning up today | 0:15:41 | 0:15:44 | |
and see what she has managed to discover. | 0:15:44 | 0:15:47 | |
Hopefully it's something fun, | 0:15:47 | 0:15:49 | |
but I'm really happy to play with anything that she has come up with. | 0:15:49 | 0:15:54 | |
Let's hope Rupert is still in a playful mood | 0:15:56 | 0:16:00 | |
after he takes a closer look at what Sarah has brought him. | 0:16:00 | 0:16:03 | |
So, blanket box. | 0:16:03 | 0:16:05 | |
-What do you think? -Blanket box. | 0:16:05 | 0:16:07 | |
Well... | 0:16:07 | 0:16:09 | |
I didn't expect this. | 0:16:09 | 0:16:11 | |
It's rather unusual proportions. | 0:16:11 | 0:16:14 | |
-Quite a high thing, and it's all veneer plywood? -Yes. | 0:16:15 | 0:16:19 | |
I don't think it has a huge amount of integrity to it. | 0:16:19 | 0:16:22 | |
It is not really solid, | 0:16:22 | 0:16:24 | |
and it was probably quite cheap when it was made. | 0:16:24 | 0:16:26 | |
-It's light, isn't it? You can tell. -Yes. But that is good. | 0:16:26 | 0:16:30 | |
Big but light. | 0:16:30 | 0:16:32 | |
So, what are we going to do with that? | 0:16:32 | 0:16:34 | |
OK, so I've had a few thoughts about this. | 0:16:34 | 0:16:37 | |
Part of it, I was wondering if it is something that goes up on legs | 0:16:37 | 0:16:41 | |
and made into some kind of cocktail cabinet, or perhaps turning it round | 0:16:41 | 0:16:45 | |
and using the back as the front, | 0:16:45 | 0:16:46 | |
or even turning it on its side | 0:16:46 | 0:16:49 | |
and making it into something like a desk, or using it that way. | 0:16:49 | 0:16:53 | |
You're saying some sort of desk-y, cabinet-y... | 0:16:53 | 0:16:57 | |
..thing. | 0:16:59 | 0:17:00 | |
Rupert does not seem convinced. | 0:17:00 | 0:17:03 | |
The question is, can he see the potential that Sarah saw | 0:17:05 | 0:17:10 | |
when she salvaged it? | 0:17:10 | 0:17:12 | |
I don't know. | 0:17:12 | 0:17:13 | |
Is it something that you think is workable or not, | 0:17:13 | 0:17:16 | |
because it's OK to say you're not sure that this is... | 0:17:16 | 0:17:19 | |
-No, I can definitely work with it. -Great. | 0:17:19 | 0:17:22 | |
I'm just coming up with the thing that's right for it. | 0:17:22 | 0:17:25 | |
Is this something then that I leave with you for a few days, | 0:17:25 | 0:17:28 | |
give you a call and we can see if you have some thoughts about it? | 0:17:28 | 0:17:31 | |
I think so. | 0:17:31 | 0:17:32 | |
I think it will keep me warm through the winter on the fire. | 0:17:32 | 0:17:37 | |
No! It will end up being something great. | 0:17:39 | 0:17:42 | |
So, Sarah is going to leave Rupert to it | 0:17:43 | 0:17:45 | |
in the hope that a good idea does come his way. | 0:17:45 | 0:17:48 | |
I can't say it's my favourite of all the pieces | 0:17:48 | 0:17:52 | |
I've ever worked with, but that's my challenge, really, | 0:17:52 | 0:17:56 | |
to make it my favourite piece. | 0:17:56 | 0:17:58 | |
Every piece I work on, if I'm not happy to have this in my own home, | 0:17:58 | 0:18:02 | |
I don't want to work on it. | 0:18:02 | 0:18:04 | |
Let's hope Rupert has a moment of inspiration soon. | 0:18:06 | 0:18:09 | |
Because, without a plan, Sarah has no idea what the budget might be. | 0:18:09 | 0:18:14 | |
But at this stage, | 0:18:14 | 0:18:15 | |
she's just hoping the blanket box doesn't go up in smoke. | 0:18:15 | 0:18:19 | |
While Sarah waits to hear back from Rupert, she has headed to her farm | 0:18:25 | 0:18:30 | |
to see if there are any hidden gems in Vicky's grandma's box of china. | 0:18:30 | 0:18:34 | |
I absolutely love a little box like this | 0:18:36 | 0:18:38 | |
because you just don't know what's in it. | 0:18:38 | 0:18:40 | |
I had a very quick look, and this caught my eye. | 0:18:40 | 0:18:43 | |
This sweet little jug and I couldn't stand the thought of somebody | 0:18:43 | 0:18:46 | |
chucking that away because, honestly, that is 1940, something like that. | 0:18:46 | 0:18:50 | |
It's just too sweet to get chucked and broken. | 0:18:50 | 0:18:53 | |
So, I don't know what else is in here. | 0:18:53 | 0:18:55 | |
I'm looking at the plates and things and thinking, | 0:18:55 | 0:18:58 | |
there's probably not a lot of value, but it's worth checking just in case. | 0:18:58 | 0:19:02 | |
At least it's vintage. | 0:19:03 | 0:19:05 | |
Giftware. Stoke-on-Trent. | 0:19:09 | 0:19:10 | |
I think they're sentimental value, rather than actually cash value. | 0:19:10 | 0:19:14 | |
Sweet little cottage garden - maybe in a vintage shop | 0:19:14 | 0:19:17 | |
you might get a couple of pounds for that, but not brilliant condition. | 0:19:17 | 0:19:21 | |
Foreign ware. Made in Japan. Oh dear. The saucer that went with that... | 0:19:23 | 0:19:27 | |
There's a few breakages in here. | 0:19:27 | 0:19:29 | |
They'll be from Woolworths, or something like that. | 0:19:29 | 0:19:32 | |
No value there, I don't think. Well, we know how much that was. | 0:19:32 | 0:19:36 | |
A little nest of bowls for dipping or something. 99p from Superdeal. | 0:19:36 | 0:19:40 | |
Probably not worth 99p now. | 0:19:40 | 0:19:42 | |
Now that's more exciting. | 0:19:44 | 0:19:45 | |
That's Clarice Cliff, and her stuff is really collectable. | 0:19:45 | 0:19:49 | |
Especially the early stuff. | 0:19:49 | 0:19:51 | |
I'd say, looking at that shape, | 0:19:51 | 0:19:52 | |
which has got those real Art Deco lines to it, | 0:19:52 | 0:19:55 | |
that that is an early piece. | 0:19:55 | 0:19:57 | |
You might be right, which means this bowl could be from the 1920s, | 0:19:58 | 0:20:02 | |
when Clarice Cliff first became a famous ceramics artist. | 0:20:02 | 0:20:07 | |
It's got a couple of nibbles around the rim. | 0:20:07 | 0:20:10 | |
But, I still think the shape of that, that has got real appeal. | 0:20:10 | 0:20:15 | |
That is a find, as far as I'm concerned, | 0:20:15 | 0:20:17 | |
in that box, this is a find. | 0:20:17 | 0:20:19 | |
Really worth saving from going in the tip. Right, what else? | 0:20:19 | 0:20:25 | |
That's its ladle. | 0:20:27 | 0:20:29 | |
Now, that's cool. That's another great piece. | 0:20:29 | 0:20:32 | |
I'm really pleased with that. That is 25 quid, probably. | 0:20:32 | 0:20:35 | |
So that, I think, is a little gem. | 0:20:35 | 0:20:37 | |
I'm hoping that will bring some proper money in for Vicky. | 0:20:37 | 0:20:41 | |
That's it, Sarah. | 0:20:41 | 0:20:43 | |
Nothing like a bit of elbow grease to ease the wheels of commerce. | 0:20:43 | 0:20:47 | |
Because Clarice Cliff is so collectable and valuable, | 0:20:47 | 0:20:50 | |
you do get people trying to make forgeries and fakes, | 0:20:50 | 0:20:53 | |
but you can see just by this wear here, this is a genuine piece | 0:20:53 | 0:20:57 | |
it's been around for ages and it's well used. | 0:20:57 | 0:21:00 | |
This is definitely the real deal. | 0:21:00 | 0:21:02 | |
Of course, it's not all about brawn. | 0:21:02 | 0:21:05 | |
Research is just as important. | 0:21:05 | 0:21:07 | |
You can see, this book has got all sorts of things in it, | 0:21:07 | 0:21:10 | |
but there are loads of pages just for the Clarice Cliff stuff | 0:21:10 | 0:21:13 | |
because it's so collectable, people love it, which is really good. | 0:21:13 | 0:21:17 | |
It makes that really quite exciting. | 0:21:17 | 0:21:19 | |
OK, so that is a Bobbins pattern Stamford bowl. | 0:21:19 | 0:21:24 | |
So, that is the same shape as this one. | 0:21:24 | 0:21:28 | |
Having discovered exactly what it is, | 0:21:29 | 0:21:31 | |
Sarah now wants to place the bowl and ladle in an online auction. | 0:21:31 | 0:21:36 | |
Serious Clarice Cliff collectors | 0:21:36 | 0:21:38 | |
love her bizarre ware designs and bold colours. | 0:21:38 | 0:21:42 | |
So, Sarah is taking great care | 0:21:42 | 0:21:44 | |
to capture plenty of good photos for the auction. | 0:21:44 | 0:21:47 | |
Let's just hope her attention to detail lures in some big bidders. | 0:21:49 | 0:21:53 | |
Meanwhile, at their West Surrey workshop, | 0:21:56 | 0:21:58 | |
Bex and Dave are trying to psych themselves up to start work. | 0:21:58 | 0:22:03 | |
So, we are working with the pipe, making it into a chaise longue. | 0:22:03 | 0:22:09 | |
It's pretty disgusting, really, isn't it? You are touching it. | 0:22:12 | 0:22:16 | |
Yes, well, someone is going to have to touch it. | 0:22:16 | 0:22:20 | |
Hence wearing this. | 0:22:20 | 0:22:22 | |
Yes, well they are just downpipes from someone's house, | 0:22:22 | 0:22:26 | |
so they're basically poo pipes from someone's toilet, really. | 0:22:26 | 0:22:31 | |
Definitely not eating my sandwiches after working on this! | 0:22:32 | 0:22:36 | |
While Bex gets on with the design of the frame, | 0:22:38 | 0:22:41 | |
Dave has drawn the short straw. | 0:22:41 | 0:22:43 | |
He's working on the pipe. | 0:22:44 | 0:22:46 | |
How are you feeling about that, Dave? | 0:22:47 | 0:22:49 | |
Yes, try not to crack them, | 0:22:49 | 0:22:51 | |
and just cut them as neatly as we can, as quickly as we can. | 0:22:51 | 0:22:55 | |
That's it, Dave. | 0:22:55 | 0:22:56 | |
Stay focused on the task and try not to think about what might be inside. | 0:22:56 | 0:23:01 | |
First, he needs to mark, then cut the pieces of pipe in two. | 0:23:02 | 0:23:08 | |
He will then send the dimensions of the new half pipes to Sarah | 0:23:08 | 0:23:11 | |
so she can make the cushions. | 0:23:11 | 0:23:13 | |
Meanwhile, Bex bends the sections of the frame into shape. | 0:23:15 | 0:23:19 | |
True to his word, Dave is making short work of cutting the pipe. | 0:23:21 | 0:23:25 | |
And Bex's frame is coming along too. | 0:23:27 | 0:23:30 | |
Now, she just needs to test the final shape. | 0:23:30 | 0:23:34 | |
So professional. | 0:23:34 | 0:23:35 | |
Why does my head come to on that? | 0:23:40 | 0:23:43 | |
SHE GIGGLES | 0:23:43 | 0:23:46 | |
There? Am I in? | 0:23:46 | 0:23:48 | |
-Right. -Yeah, you're at the top. | 0:23:50 | 0:23:52 | |
-Then this, do we need to cut that down? -No. -Is that at a good... | 0:23:52 | 0:23:57 | |
-Yeah? -Yeah. -OK, it's not very comfortable. | 0:23:59 | 0:24:04 | |
This is no laughing matter. | 0:24:07 | 0:24:09 | |
And neither is the state of the insides of the pipes. | 0:24:09 | 0:24:14 | |
Luckily, Dave's on hand again to clean them up once and for all. | 0:24:16 | 0:24:21 | |
Now, as soon as the pipes are dry, they can be sealed with varnish | 0:24:21 | 0:24:25 | |
and attached to Bex's frame. | 0:24:25 | 0:24:26 | |
Back in Margate, Rupert has finally come up with a plan | 0:24:33 | 0:24:36 | |
for that bothersome blanket box. | 0:24:36 | 0:24:39 | |
So, another piece of fun. | 0:24:41 | 0:24:44 | |
Very badly made, very bad condition, | 0:24:44 | 0:24:47 | |
sadly unloved piece of furniture. | 0:24:47 | 0:24:50 | |
We came up with the idea to make this a large sideboard, | 0:24:50 | 0:24:54 | |
literally by blowing this one apart, | 0:24:54 | 0:24:59 | |
almost like a Christmas cracker | 0:24:59 | 0:25:02 | |
that you pull apart in the middle, | 0:25:02 | 0:25:04 | |
and either end of the Christmas cracker remains our chest, | 0:25:04 | 0:25:09 | |
and in the middle is a brand-new section. | 0:25:09 | 0:25:12 | |
Hopefully we will make a big, impressive piece of furniture today. | 0:25:12 | 0:25:16 | |
First, Rupert has to decide where, | 0:25:16 | 0:25:19 | |
and how, he wants to cut the box in half. | 0:25:19 | 0:25:21 | |
I want to cut through two angles in this piece, | 0:25:21 | 0:25:24 | |
not straight in the middle. | 0:25:24 | 0:25:26 | |
I really want to give it a slightly dynamic edge. | 0:25:26 | 0:25:30 | |
So, I'm going to completely freestyle this | 0:25:31 | 0:25:34 | |
and it's going to be quite, quite random. | 0:25:34 | 0:25:36 | |
I'm going to match up the line on top, | 0:25:39 | 0:25:41 | |
so my next scoreline will be straight across the lid. | 0:25:41 | 0:25:45 | |
Again, I'm not doing a straight line, I'm going at an angle. | 0:25:45 | 0:25:48 | |
It's going to be a very angular piece. | 0:25:48 | 0:25:50 | |
It's time for Rupert to make his first nervous cut on the lid. | 0:25:52 | 0:25:56 | |
So, this is the scary bit. | 0:25:58 | 0:25:59 | |
This is the bit where it might collapse. | 0:26:01 | 0:26:03 | |
With the lid safely cut, it's time to tackle the rest of the box. | 0:26:08 | 0:26:13 | |
It always seems a little bit sad | 0:26:20 | 0:26:22 | |
when I've cut straight through a piece of furniture. | 0:26:22 | 0:26:25 | |
Old vintage furniture, for me it takes on some kind of human quality. | 0:26:25 | 0:26:30 | |
I would never intentionally put a healthy piece down, | 0:26:30 | 0:26:34 | |
but I'm doing it for the right reasons. | 0:26:34 | 0:26:37 | |
This is going to be a brand-new piece, | 0:26:37 | 0:26:39 | |
and it is going to be cherished somewhere. | 0:26:39 | 0:26:41 | |
Last cut. | 0:26:41 | 0:26:43 | |
One more chance for it to fall apart. | 0:26:43 | 0:26:45 | |
This one's going to be the worst. | 0:26:45 | 0:26:47 | |
There you go. So... | 0:26:58 | 0:26:59 | |
A lot of weird angles. But, slowly this cabinet is getting bigger now. | 0:27:01 | 0:27:07 | |
With the old piece successfully cut in half, | 0:27:07 | 0:27:10 | |
Rupert can now build the new middle section. | 0:27:10 | 0:27:13 | |
He's making a simple shelving unit, | 0:27:16 | 0:27:19 | |
and in keeping with his ethical ethos, | 0:27:19 | 0:27:22 | |
Rupert is using recycled wood. | 0:27:22 | 0:27:24 | |
With all the pieces secured together, | 0:27:24 | 0:27:26 | |
what finish is Rupert thinking? | 0:27:26 | 0:27:28 | |
I think the middle section at the moment will probably be | 0:27:28 | 0:27:32 | |
one bold primary colour. | 0:27:32 | 0:27:34 | |
Did you have any specific colour in mind? | 0:27:34 | 0:27:37 | |
Let's hope Sarah likes custard. | 0:27:39 | 0:27:41 | |
Otherwise this piece could still be finding its way onto the bonfire. | 0:27:41 | 0:27:46 | |
Good luck, Rupert. | 0:27:47 | 0:27:49 | |
Meanwhile, Sarah has placed the Clarice Cliff ladle and bowl | 0:27:52 | 0:27:56 | |
in an online auction. | 0:27:56 | 0:27:58 | |
She's now nervously waiting to see if they fetch a good price. | 0:28:00 | 0:28:04 | |
But the auction is almost over. | 0:28:06 | 0:28:08 | |
At the moment, they're stuck at £41. | 0:28:08 | 0:28:11 | |
I hope I've got more bids out there for these things. | 0:28:11 | 0:28:14 | |
At the moment, there are six people bidding on it. | 0:28:14 | 0:28:18 | |
Three minutes. | 0:28:18 | 0:28:19 | |
It's making me really nervous. | 0:28:21 | 0:28:23 | |
Especially with you lot watching. | 0:28:23 | 0:28:25 | |
Two minutes ten seconds. | 0:28:26 | 0:28:29 | |
I just want a little bit more for it. | 0:28:29 | 0:28:32 | |
One minute 25 seconds to go, | 0:28:34 | 0:28:37 | |
and it's still only at 41 quid. | 0:28:37 | 0:28:39 | |
That's really disappointing. | 0:28:39 | 0:28:41 | |
I definitely think it's worth more than that. | 0:28:41 | 0:28:43 | |
Probably people doing their gardening or something. | 0:28:43 | 0:28:46 | |
Five, four, three, | 0:28:46 | 0:28:48 | |
two, one, damn. | 0:28:48 | 0:28:50 | |
Oh, it's gone up. Somebody's bid right at the last minute. | 0:28:51 | 0:28:54 | |
OK, so the bowl and ladle have sold for £50. I'm pleased with that. | 0:28:54 | 0:28:59 | |
I'll take £50, and to be able to hand that money over to someone | 0:28:59 | 0:29:02 | |
who was going to throw the bowl and ladle away, that's money for nothing. | 0:29:02 | 0:29:06 | |
When Sarah first met Vicky at the tip, she was performing a sad task. | 0:29:09 | 0:29:14 | |
-Are you clearing something out? -Yes, my grandad's house. | 0:29:14 | 0:29:17 | |
So, a lot of my grandma's old belongings. | 0:29:17 | 0:29:19 | |
Horrified by the thought of seeing all of Vicky's grandma's stuff | 0:29:19 | 0:29:24 | |
slung in a skip, Sarah decided to take a chance | 0:29:24 | 0:29:27 | |
on a box of unknown china. | 0:29:27 | 0:29:29 | |
It'd be nice if it could be reused for someone else | 0:29:29 | 0:29:31 | |
who'd get pleasure out of it - I know my grandma certainly did | 0:29:31 | 0:29:34 | |
with a lot of these things. | 0:29:34 | 0:29:36 | |
Sarah's gamble paid off | 0:29:36 | 0:29:37 | |
when she discovered the Clarice Cliff bowl and ladle. | 0:29:37 | 0:29:40 | |
Now, that's more exciting. | 0:29:40 | 0:29:41 | |
That's Clarice Cliff and her stuff is really collectable. | 0:29:41 | 0:29:45 | |
That's a find. | 0:29:45 | 0:29:46 | |
As far as I'm concerned, in that box, this is a find. | 0:29:46 | 0:29:49 | |
Although Sarah was disappointed with the final sale price, | 0:29:49 | 0:29:53 | |
hopefully Vicky will still appreciate the effort | 0:29:53 | 0:29:57 | |
and, of course, the little extra spending money. | 0:29:57 | 0:30:00 | |
Sarah is in Bramhall | 0:30:01 | 0:30:03 | |
to hand over the profit she made on the Clarice Cliff bowl. | 0:30:03 | 0:30:07 | |
-Hi! -Hi, this is my sister. -I'm Sarah, hello. -And this is my grandad, Ken. | 0:30:08 | 0:30:13 | |
Hi there. Come on out, I've got a little something to show you. | 0:30:13 | 0:30:18 | |
I wondered if you had remembered. | 0:30:18 | 0:30:20 | |
In the box of china, there was a bowl that looked like that? | 0:30:20 | 0:30:25 | |
-Oh, yes. -Yes, yes. | 0:30:25 | 0:30:27 | |
When I saw the stamp on the bowl, | 0:30:27 | 0:30:29 | |
I turned it over and it said Clarice Cliff, | 0:30:29 | 0:30:32 | |
I got quite excited about what you might have popped in your box. | 0:30:32 | 0:30:36 | |
So, I did a bit of research and a bowl like this, | 0:30:36 | 0:30:39 | |
because of its very strong Art Deco lines, is actually quite collectable. | 0:30:39 | 0:30:44 | |
I popped it online to see what sort of interest I could get, and it | 0:30:44 | 0:30:47 | |
turns out that a collector saw it and wanted it, and paid £50 for it. | 0:30:47 | 0:30:52 | |
-That's brilliant. -Yes, so that £50 actually comes back to you. | 0:30:52 | 0:30:56 | |
-So, who would like £50? -Grandad? -Thanks very much. | 0:30:56 | 0:31:00 | |
Any ideas what you might do with £50? | 0:31:00 | 0:31:03 | |
I was thinking I would have to get a new set of Crown Green bowls. | 0:31:03 | 0:31:07 | |
That's a lovely idea. | 0:31:07 | 0:31:09 | |
From one bowl to another bowl, that's very appropriate. | 0:31:09 | 0:31:13 | |
With a straight online sale and no material costs, | 0:31:13 | 0:31:17 | |
Vicky and Sonia's grandad gets to pocket the full £50 profit | 0:31:17 | 0:31:22 | |
from the sale of the bowl. | 0:31:22 | 0:31:24 | |
I actually found that quite emotional because it's such a lovely story, | 0:31:24 | 0:31:27 | |
that grandma's old bowl is going to buy Ken a whole set of new bowls. | 0:31:27 | 0:31:31 | |
In Surrey, the final rivet is going into the frame | 0:31:38 | 0:31:41 | |
of the new lounge chair. | 0:31:41 | 0:31:43 | |
Now, Bex and Dave can do their finishing touches. | 0:31:47 | 0:31:51 | |
Dave is stripping back the outside of the pipe | 0:31:52 | 0:31:55 | |
to reveal the different layers of paint. | 0:31:55 | 0:31:58 | |
While Bex is welding the final fix to the frame. | 0:31:59 | 0:32:04 | |
I think Sarah's just around the corner, | 0:32:04 | 0:32:06 | |
so we're just putting the last one in. It's looking really nice. | 0:32:06 | 0:32:10 | |
When Bex first saw the humble soil pipe, | 0:32:10 | 0:32:13 | |
it had only just been torn off the side of a building. | 0:32:13 | 0:32:17 | |
But now, by marrying the old pipe with a new steel frame, | 0:32:17 | 0:32:21 | |
she's utterly transformed it into a luxurious lounger. | 0:32:21 | 0:32:25 | |
The elegant lines, riveted finishes, and rustic pipe | 0:32:25 | 0:32:30 | |
all combine to form a chair that's just bursting with individual style. | 0:32:30 | 0:32:34 | |
Well, this is a really exciting moment | 0:32:37 | 0:32:40 | |
because it's not often that you pick up a lounger made out of a poo pipe. | 0:32:40 | 0:32:43 | |
I can't wait to see what Bex and Dave have managed to do | 0:32:43 | 0:32:46 | |
with those old pipes, and I'm also a bit nervous | 0:32:46 | 0:32:49 | |
because I've got to show them the cushions I've made for it. | 0:32:49 | 0:32:52 | |
Hello, hello! | 0:32:52 | 0:32:54 | |
That is amazing! Its shape is lovely. | 0:32:54 | 0:32:57 | |
I really like that organic... | 0:32:57 | 0:32:59 | |
It looks like a caterpillar track, doesn't it? | 0:32:59 | 0:33:02 | |
-It's got that beautiful swoop to it. -Yes. | 0:33:02 | 0:33:05 | |
Is it... Is it sanitised, is it clean? | 0:33:05 | 0:33:09 | |
Yes, it's all clean, washed and lacquered and everything. | 0:33:09 | 0:33:14 | |
It doesn't smell. It doesn't smell at all. | 0:33:15 | 0:33:17 | |
That's lovely, all the different paint, the layers of paint. | 0:33:17 | 0:33:20 | |
That is amazing. | 0:33:20 | 0:33:22 | |
The contrast between this metal, and then your new metal, | 0:33:22 | 0:33:25 | |
is really beautiful. Each one is really bouncing off the other. | 0:33:25 | 0:33:30 | |
This is great detail, really clever. | 0:33:30 | 0:33:32 | |
So nice to give it that luxury look. | 0:33:32 | 0:33:35 | |
-Yes. -It's really beautiful. Is it comfortable, have you sat in it? | 0:33:35 | 0:33:40 | |
-Have you tried it? -It's not bad. | 0:33:40 | 0:33:41 | |
It does need its cushions though, definitely. | 0:33:41 | 0:33:44 | |
I feel really nervous now! | 0:33:44 | 0:33:47 | |
Before Sarah completes the new lounger with her cushions, | 0:33:49 | 0:33:53 | |
she's decided to take it out into the garden. | 0:33:53 | 0:33:56 | |
Sarah's putting the cushions on the chaise longue, | 0:33:59 | 0:34:03 | |
so we're eagerly waiting to go and have a look. | 0:34:03 | 0:34:07 | |
So, what do you think? | 0:34:07 | 0:34:09 | |
I think she'll have done a really good job. | 0:34:11 | 0:34:14 | |
Yeah. I hope so, because I'm rubbish liar. | 0:34:14 | 0:34:17 | |
I'll just go... | 0:34:17 | 0:34:18 | |
..and then cry. | 0:34:21 | 0:34:22 | |
Do you want to have a look? | 0:34:24 | 0:34:25 | |
I like the way you have to come through a curtain. | 0:34:25 | 0:34:29 | |
Oh, wow! | 0:34:29 | 0:34:31 | |
Oh, all the colours are the same as the back. | 0:34:31 | 0:34:35 | |
-Wow! -Is that a good "Oh, wow"? -Yes, I like it. | 0:34:38 | 0:34:42 | |
-Yes. -Yes, that's nice. | 0:34:42 | 0:34:44 | |
With the cushions meeting with Bex and Dave's approval, | 0:34:45 | 0:34:49 | |
there's only one thing left to check. | 0:34:49 | 0:34:52 | |
It's lovely. | 0:34:52 | 0:34:53 | |
It's really cool, it's really relaxing. | 0:34:53 | 0:34:57 | |
Thank goodness for that! | 0:34:57 | 0:34:59 | |
When Justine pulled up at the tip in her fancy-looking convertible, | 0:35:00 | 0:35:04 | |
-no-one could have guessed what she was planning to dump. -Hi there. | 0:35:04 | 0:35:07 | |
-What are you throwing out today? -It's a cast-iron soil pipe. | 0:35:07 | 0:35:11 | |
But if Sarah was surprised, Justine was shocked. | 0:35:11 | 0:35:15 | |
I'd have put my make up on if I'd known I'd be on the television! | 0:35:15 | 0:35:18 | |
Undeterred, Justine helped Sarah unload her grim cargo. | 0:35:18 | 0:35:22 | |
It looks like it hasn't been used for a while. | 0:35:22 | 0:35:25 | |
-Oh, it's been used. -Really? | 0:35:25 | 0:35:26 | |
I don't want to think about that, do I? | 0:35:26 | 0:35:29 | |
I'm just glad to get rid of it. I don't know what she will do with it. | 0:35:29 | 0:35:34 | |
Well, Justine, the humble soil pipe has been glamorously transformed | 0:35:35 | 0:35:41 | |
into a luxury lounge chair, | 0:35:41 | 0:35:43 | |
which Sarah had absolutely no trouble in selling | 0:35:43 | 0:35:47 | |
to the trendy London furniture store The Old Cinema. | 0:35:47 | 0:35:51 | |
-Hi, Sarah. -Hi, Justine, lovely to see you again. -And you. | 0:36:01 | 0:36:05 | |
-Much nicer surroundings than last time. -Yes! | 0:36:05 | 0:36:08 | |
Now, since we have had your pipe, | 0:36:08 | 0:36:09 | |
have you thought about what we might have done with it? | 0:36:09 | 0:36:12 | |
To be honest, | 0:36:12 | 0:36:13 | |
I didn't really think you'd be able to do anything with it. | 0:36:13 | 0:36:17 | |
After a bit of debating about what we should do, we turned it into... | 0:36:17 | 0:36:20 | |
-Are you ready for this? -Go on, I've no idea. | 0:36:20 | 0:36:23 | |
-This is a really good transformation. -Oh, wow! | 0:36:23 | 0:36:26 | |
Your downpipe is now a lounger. | 0:36:26 | 0:36:29 | |
Gosh. | 0:36:29 | 0:36:31 | |
It is now a high-end interiors piece of furniture. | 0:36:31 | 0:36:34 | |
-I could have had that in my house then! -Yeah, you could! | 0:36:34 | 0:36:38 | |
I'm absolutely stunned. | 0:36:38 | 0:36:39 | |
We had to spend £800, | 0:36:39 | 0:36:41 | |
-but I'm really pleased to say that it did sell for a profit. -Right. | 0:36:41 | 0:36:45 | |
-We sold it for £1,200. -Oh, my gosh! | 0:36:45 | 0:36:48 | |
So that means I've got 400 quid's worth of cash to give to you | 0:36:48 | 0:36:52 | |
-for your poo pipe. -Oh, my gosh! | 0:36:52 | 0:36:55 | |
Thank you very much. | 0:36:55 | 0:36:57 | |
It's an absolute pleasure. | 0:36:57 | 0:36:59 | |
Wow, I didn't expect anything! | 0:36:59 | 0:37:01 | |
Work and materials on the downpipe lounger cost £800. | 0:37:02 | 0:37:07 | |
It sold for a whopping £1,200, | 0:37:07 | 0:37:10 | |
meaning Justine gets the £400 profit. | 0:37:10 | 0:37:15 | |
With the money I will put it towards taking my mum on holiday | 0:37:15 | 0:37:19 | |
in September for her 80th birthday. | 0:37:19 | 0:37:21 | |
So, spending a lot of time and money | 0:37:23 | 0:37:25 | |
renovating an old downpipe could have been money down the drain, | 0:37:25 | 0:37:28 | |
but I'm really pleased to say it was money for Justine. | 0:37:28 | 0:37:31 | |
So, with two items successfully sold, | 0:37:35 | 0:37:38 | |
can Sarah make it three out of three? | 0:37:38 | 0:37:42 | |
It's time for her to see the final item in Margate. | 0:37:42 | 0:37:46 | |
I am a little bit worried. | 0:37:46 | 0:37:48 | |
I left Rupert with a really old-fashioned looking blanket box, | 0:37:48 | 0:37:51 | |
and a quite tall order, to turn it into something amazing. | 0:37:51 | 0:37:56 | |
So, fingers crossed he's managed to pull it out of the bag. | 0:37:56 | 0:37:59 | |
When Sarah last saw it, the blanket box was old and flimsy, | 0:37:59 | 0:38:04 | |
and just moments away from being turned into firewood. But now... | 0:38:04 | 0:38:08 | |
Rupert has blown the dull old box apart and joined it all back | 0:38:09 | 0:38:13 | |
together again with a vibrant and contemporary middle section. | 0:38:13 | 0:38:18 | |
The end result is a bold and substantial 21st-century sideboard. | 0:38:18 | 0:38:24 | |
But will Sarah like it? | 0:38:26 | 0:38:28 | |
How are you doing? | 0:38:29 | 0:38:31 | |
Another item ready for you. | 0:38:32 | 0:38:34 | |
I think it's... I think it's genuinely absolutely smashing. | 0:38:36 | 0:38:41 | |
-How on earth have you done that? -It's a bit nuts, this one. | 0:38:41 | 0:38:45 | |
I haven't done much that's unrecognisable | 0:38:45 | 0:38:47 | |
-to the original piece. -Apart from slash into it! | 0:38:47 | 0:38:51 | |
I have made what was a piece of furniture that didn't have | 0:38:51 | 0:38:55 | |
much of a useful function any more in the home | 0:38:55 | 0:38:58 | |
into something that hopefully does now, into a very big sideboard, | 0:38:58 | 0:39:02 | |
by literally pulling it apart. | 0:39:02 | 0:39:04 | |
It's stunning. Can I have a closer look? | 0:39:04 | 0:39:07 | |
You can, yes. Obviously, I have used a new section in here. | 0:39:07 | 0:39:11 | |
This is made from OSB, or sterling board, | 0:39:11 | 0:39:14 | |
which is actually the waste chippings around a tree | 0:39:14 | 0:39:18 | |
when they've taken the main lengths of timber out of a trunk, | 0:39:18 | 0:39:21 | |
so it's a sustainable product. | 0:39:21 | 0:39:25 | |
I've restored the original piece. Other than cutting it in half, | 0:39:25 | 0:39:28 | |
I have actually restored it by repolishing it and refinishing it. | 0:39:28 | 0:39:33 | |
You might actually like to lift those up and find that there is... | 0:39:33 | 0:39:38 | |
-Oh, my word! -The original function of the cabinet is still there, | 0:39:38 | 0:39:42 | |
-so the piece still exists in its original form. -That is genius. | 0:39:42 | 0:39:47 | |
You can tidy the living room at a moment's notice | 0:39:47 | 0:39:50 | |
when the kids have been playing. | 0:39:50 | 0:39:52 | |
And, either end, it does the same thing. | 0:39:52 | 0:39:55 | |
I think it's the work of a genius. | 0:39:55 | 0:39:57 | |
The fact you've got that storage in there as well, | 0:39:57 | 0:40:00 | |
I wasn't expecting that when I saw it. And this fantastic colour. | 0:40:00 | 0:40:05 | |
Anybody else, Rupert, they'd have just cut it in half. | 0:40:05 | 0:40:09 | |
They wouldn't have put those angles in it. I think it is... | 0:40:09 | 0:40:13 | |
inspiring stuff you've created here. | 0:40:13 | 0:40:15 | |
It was such a light, insignificant piece that I dropped off to you. | 0:40:15 | 0:40:19 | |
I didn't think anybody would be able to make anything like this, | 0:40:19 | 0:40:22 | |
and this is stunning. | 0:40:22 | 0:40:24 | |
It certainly is, Sarah. | 0:40:24 | 0:40:26 | |
Let's just hope you can give it a stunning price tag to match. | 0:40:26 | 0:40:30 | |
Back at the dump, brothers Richard and Tom | 0:40:33 | 0:40:36 | |
were at pains to bin their old blanket box. | 0:40:36 | 0:40:39 | |
We tried to offer it to a charity shop | 0:40:39 | 0:40:42 | |
but they didn't want it either. | 0:40:42 | 0:40:44 | |
-Really? -So, last resort, the tip. | 0:40:44 | 0:40:46 | |
Would you mind if I took it away and tried to make something out of it? | 0:40:46 | 0:40:50 | |
Yes, absolutely. By all means. | 0:40:50 | 0:40:52 | |
It seems a shame to get rid of it, but we had no other option. | 0:40:53 | 0:40:56 | |
Who would have thought somebody would actually want it! | 0:40:56 | 0:41:01 | |
Little could the boys have imagined that the charity shop reject | 0:41:01 | 0:41:05 | |
would be transformed into a contemporary sideboard. | 0:41:05 | 0:41:08 | |
This is great. | 0:41:10 | 0:41:11 | |
And, when Sarah showed it to Martin, one of the country's leading | 0:41:11 | 0:41:14 | |
retro furniture dealers, he snapped it up on the spot. | 0:41:14 | 0:41:18 | |
This isn't just recycling something, it is taking something and making it | 0:41:18 | 0:41:23 | |
better and fun and artistic, and it is really creative stuff. | 0:41:23 | 0:41:27 | |
So, now it is time for Sarah to reveal to Richard | 0:41:27 | 0:41:30 | |
the fate of his old blanket box. | 0:41:30 | 0:41:32 | |
And she might just have another surprise in her back pocket. | 0:41:34 | 0:41:39 | |
-Hiya! -Oh, hi. -Nice to see you again. -Yes, nice to see you. | 0:41:41 | 0:41:45 | |
-How are you? -Yes, really well. Remember your blanket box? -Yes. | 0:41:45 | 0:41:48 | |
It turned out to be really good to use to do something else with, | 0:41:48 | 0:41:52 | |
so I thought I'd show you what we did with it. | 0:41:52 | 0:41:54 | |
-What do you reckon? -I was not expecting that. | 0:41:54 | 0:41:57 | |
That's definitely original and yes, quite unique. | 0:41:57 | 0:42:00 | |
-We've actually managed to sell it. -Wow! | 0:42:00 | 0:42:02 | |
-It made £100 profit. -Really? | 0:42:02 | 0:42:04 | |
-And that is for you. -No way! OK, unbelievable. | 0:42:04 | 0:42:08 | |
Any ideas what you might do with 100 quid? | 0:42:08 | 0:42:11 | |
It's a shame my brother isn't here | 0:42:11 | 0:42:12 | |
because the pair of us took it to the tip. | 0:42:12 | 0:42:14 | |
It's his 21st coming up, | 0:42:14 | 0:42:16 | |
-so possibly I might treat him on his birthday. -Fantastic. | 0:42:16 | 0:42:20 | |
I think that would be a great use of the money. | 0:42:20 | 0:42:23 | |
It is nice to receive something for nothing, so yes, it's lovely. | 0:42:23 | 0:42:26 | |
-I hope you get some benefit from it as well. -I'm sure I will. | 0:42:26 | 0:42:29 | |
-Really nice to see you. -And you. -OK, bye-bye. -Thank you. | 0:42:29 | 0:42:32 | |
Transforming the blanket box into a stylish sideboard cost £400. | 0:42:32 | 0:42:38 | |
It sold for £500, | 0:42:38 | 0:42:40 | |
meaning the £100 profit is Richard's | 0:42:40 | 0:42:44 | |
to be as generous to his brother as he likes. | 0:42:44 | 0:42:47 | |
Today, all three saved items have made a profit, | 0:42:48 | 0:42:51 | |
from the Clarice Cliff bowl being snapped up by a keen collector, | 0:42:51 | 0:42:56 | |
to the old soil pipe, repurposed to a lounger with poise. | 0:42:56 | 0:43:00 | |
All the way to a blanket box, | 0:43:00 | 0:43:02 | |
transformed into a terrific sideboard. | 0:43:02 | 0:43:05 | |
That's brilliant. | 0:43:07 | 0:43:09 | |
That's three things saved from being lost forever, | 0:43:09 | 0:43:12 | |
and three people walking away with money for nothing. | 0:43:12 | 0:43:15 |