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How do you make money for nothing? | 0:00:06 | 0:00:09 | |
The answer could be hiding in the 20 million tonnes | 0:00:11 | 0:00:15 | |
of household waste we throw out every year. | 0:00:15 | 0:00:18 | |
Just before you throw it away, would it be possible to have a quick look? | 0:00:19 | 0:00:22 | |
That's why entrepreneur Sarah Moore | 0:00:22 | 0:00:25 | |
wants to get her hands on things before they hit the skip. | 0:00:25 | 0:00:28 | |
I'm a passionate buyer, user and renovator of second-hand stuff | 0:00:29 | 0:00:34 | |
and I've turned that passion into a money-making business. | 0:00:34 | 0:00:37 | |
I turn old into new and I sell it for a profit. | 0:00:37 | 0:00:41 | |
Sarah is ready to sift through as many boots and bin bags | 0:00:42 | 0:00:45 | |
as she needs to... | 0:00:45 | 0:00:47 | |
That's vintage gold, isn't it? It's really exciting. | 0:00:47 | 0:00:50 | |
..in her search for tip treasure. | 0:00:50 | 0:00:53 | |
I love it. | 0:00:55 | 0:00:56 | |
And with some of the country's elite designers and makers... | 0:00:57 | 0:01:01 | |
What are we going to do with that? | 0:01:02 | 0:01:04 | |
Oh, no! | 0:01:04 | 0:01:06 | |
-..she can transform her finds into desirable... -Amazing. | 0:01:06 | 0:01:10 | |
..beautiful... | 0:01:10 | 0:01:12 | |
..valuable... | 0:01:13 | 0:01:14 | |
-Ka-ching. -..and hopefully saleable items. | 0:01:14 | 0:01:19 | |
That's £80 profit. | 0:01:19 | 0:01:21 | |
If Sarah is successful, she can hand the profits back | 0:01:22 | 0:01:26 | |
to the very people who had no idea | 0:01:26 | 0:01:28 | |
there was cash to be made from their trash. | 0:01:28 | 0:01:31 | |
Fantastic. That's unbelievable. | 0:01:31 | 0:01:34 | |
The bustling Merchants Way Recycling Centre near Walsall | 0:01:45 | 0:01:49 | |
can process up to 2,000 carloads of rubbish a day | 0:01:49 | 0:01:53 | |
and they take all sorts. | 0:01:53 | 0:01:55 | |
I love the fact you never know what you're going to find. | 0:01:55 | 0:01:58 | |
Check these out. Aren't they cool? | 0:01:58 | 0:02:00 | |
Sarah wants to be able to prove to the dumpers | 0:02:00 | 0:02:03 | |
that they could be making some serious readies from their refuse. | 0:02:03 | 0:02:07 | |
To do that, she's been given special permission from the council | 0:02:07 | 0:02:11 | |
to search for three unwanted items before they get binned. | 0:02:11 | 0:02:14 | |
-I like your Christmas trees. -Thank you. | 0:02:14 | 0:02:18 | |
She may have just missed out on some festive treats | 0:02:18 | 0:02:21 | |
but with more vehicles arriving every minute, | 0:02:21 | 0:02:23 | |
it doesn't take Sarah long to spot her first item | 0:02:23 | 0:02:27 | |
nestling in the back of Judith's car. | 0:02:27 | 0:02:30 | |
-Hiya. Are these yours? -Yes. Well, they're my mum's. | 0:02:30 | 0:02:33 | |
Sorry to bother you. Is it all right to have a quick chat about them? | 0:02:33 | 0:02:37 | |
-Yeah, sure. -Are they a pair of bedside cabinets? -Yes. | 0:02:37 | 0:02:40 | |
Lovely. Would it be possible to pull them out and have a look? | 0:02:40 | 0:02:44 | |
-Wow. They've got some age, haven't they? -Yeah. I think about the 1950s. | 0:02:47 | 0:02:51 | |
-OK. Have they been in your family? -Yeah. | 0:02:51 | 0:02:54 | |
-They're in good condition, aren't they? -Uh-huh. -Lovely. | 0:02:56 | 0:03:00 | |
-Do you remember these growing up? -Oh, yeah. | 0:03:00 | 0:03:03 | |
They were Mum and Dad's wedding present. | 0:03:03 | 0:03:05 | |
-Fantastic. They would have had them since new, wouldn't they? -Oh, yes. | 0:03:05 | 0:03:09 | |
-His and hers. -That's right. | 0:03:09 | 0:03:11 | |
I'm looking for stuff like this that I can maybe do something else with. | 0:03:11 | 0:03:15 | |
If it would be OK to take those away, I'd love to see | 0:03:15 | 0:03:18 | |
-if I can do something with them. -Certainly, yeah. | 0:03:18 | 0:03:20 | |
Brilliant. Thank you so much for that. | 0:03:21 | 0:03:24 | |
They're lovely. | 0:03:25 | 0:03:26 | |
It's a shame to be throwing them away | 0:03:29 | 0:03:32 | |
but if something is going to be done that's nice with them, | 0:03:32 | 0:03:35 | |
it's nice to see that. | 0:03:35 | 0:03:37 | |
I love this little pair of cabinets. | 0:03:39 | 0:03:41 | |
They're really sweet and they're really useful. | 0:03:41 | 0:03:44 | |
I'm not quite sure if I should decorate them, add some details | 0:03:44 | 0:03:47 | |
or leave them the way they are, | 0:03:47 | 0:03:49 | |
but I'm sure I can make money out of them. | 0:03:49 | 0:03:51 | |
Sarah knows just the man to help her turn old cabinets into new money. | 0:03:54 | 0:03:59 | |
Jay Blades is a builder turned philosophy graduate | 0:04:00 | 0:04:03 | |
turned furniture restorer. | 0:04:03 | 0:04:05 | |
Jay has his finger on the pulse of modern design interiors, | 0:04:06 | 0:04:10 | |
reworking the very best of British craftsmanship | 0:04:10 | 0:04:14 | |
and bringing it into the 21st century. | 0:04:14 | 0:04:16 | |
I've always had a passion for the kind of heritage | 0:04:16 | 0:04:20 | |
that the British designers have produced over the years. | 0:04:20 | 0:04:23 | |
Traditionalists would love to keep it as it is, | 0:04:23 | 0:04:26 | |
but to be reintroduced into the market, | 0:04:26 | 0:04:28 | |
I like to add a bit of colour and something a bit quirky. | 0:04:28 | 0:04:31 | |
I enjoy adding my bit. | 0:04:31 | 0:04:33 | |
I'm not necessarily worried about other people's reactions. | 0:04:33 | 0:04:36 | |
It's more about, do I like it? If I like it, then it's good. | 0:04:36 | 0:04:40 | |
Well, here's hoping Jay has a soft spot | 0:04:40 | 0:04:43 | |
for this 1950s wedding present. | 0:04:43 | 0:04:46 | |
Sarah is now searching for her second item, | 0:04:51 | 0:04:54 | |
but she's still found time to try and inspire Nigel | 0:04:54 | 0:04:57 | |
about what to do with his old shelves. | 0:04:57 | 0:05:00 | |
I love to make something out of anything, | 0:05:00 | 0:05:03 | |
but I've tried it as a planter and I can't find any use for it. | 0:05:03 | 0:05:06 | |
I know they do upright vegetable gardens these days, | 0:05:06 | 0:05:09 | |
so you can put them against the wall and grow stuff. | 0:05:09 | 0:05:12 | |
I'm going to take that back and put strawberries in that. | 0:05:12 | 0:05:15 | |
-That's a really good idea. -I'm taking that home. | 0:05:15 | 0:05:18 | |
I'm glad you just pricked my conscience then. | 0:05:18 | 0:05:21 | |
Nice work, Sarah. | 0:05:21 | 0:05:23 | |
But be careful or there will be nothing left for you. | 0:05:23 | 0:05:26 | |
And don't even think about it. | 0:05:26 | 0:05:28 | |
You know you can't just grab something out of the skip, | 0:05:28 | 0:05:31 | |
so behave yourself. | 0:05:31 | 0:05:33 | |
Instead, why don't you sneak a peek | 0:05:33 | 0:05:35 | |
at what treasures Richard might be about to tip? | 0:05:35 | 0:05:38 | |
I've spied something exciting in the back of your car. | 0:05:39 | 0:05:42 | |
Sorry to bother you. | 0:05:42 | 0:05:43 | |
-That's OK. -Is that yours? Have you had a long time? | 0:05:43 | 0:05:47 | |
I've had it, oh, nearly 40 years, but it wasn't mine originally. | 0:05:47 | 0:05:50 | |
It was given to me and I've been just using it to keep tools in. | 0:05:50 | 0:05:54 | |
Really, and you've just had enough of it now? | 0:05:54 | 0:05:56 | |
We're moving house, so we want to clear out | 0:05:56 | 0:05:59 | |
a lot of stuff we don't need any more. | 0:05:59 | 0:06:01 | |
It's got a great shape to it, hasn't it? | 0:06:01 | 0:06:03 | |
And it looks so battered and worn. | 0:06:03 | 0:06:04 | |
-It's really cool. -It's got character. -Yeah, I really like that. | 0:06:04 | 0:06:08 | |
I'm looking for things that I can repurpose or upcycle, | 0:06:08 | 0:06:12 | |
or turn into other things, and there's something about that | 0:06:12 | 0:06:16 | |
that is just so beautifully worn. | 0:06:16 | 0:06:19 | |
You can't recreate that and it's really quite appealing for me. | 0:06:19 | 0:06:22 | |
-OK, it's all yours if you want it. -I'd really like it, I really would. | 0:06:22 | 0:06:26 | |
I don't know what I'm going to do with it, but I absolutely love that. | 0:06:26 | 0:06:29 | |
-Thank you very much for letting me have it. -You're welcome. | 0:06:29 | 0:06:32 | |
Well done, Sarah. I had a feeling Richard was going to come up trumps, | 0:06:32 | 0:06:35 | |
but does he think you'll do with his old toolbox? | 0:06:35 | 0:06:38 | |
I haven't got a clue. | 0:06:38 | 0:06:41 | |
I can't imagine, but it would be interesting to see. | 0:06:41 | 0:06:44 | |
I can't wait to see what she does with it. | 0:06:44 | 0:06:46 | |
I absolutely love this. | 0:06:46 | 0:06:47 | |
There's something about its chunkiness that is shouting laptop | 0:06:47 | 0:06:50 | |
or some sort of place where you put some technology. | 0:06:50 | 0:06:53 | |
It would be amazing if you opened it up | 0:06:53 | 0:06:55 | |
and you had a screen on the top and a keyboard in the bottom. | 0:06:55 | 0:06:58 | |
I think this could be a portable office. | 0:06:58 | 0:07:00 | |
Lots of space for other things. | 0:07:00 | 0:07:03 | |
Just really cute and it's got just about the right amount of patina | 0:07:03 | 0:07:07 | |
and wear on it that makes it really appealing to have on your desk, | 0:07:07 | 0:07:10 | |
a chunky little piece of loveliness. | 0:07:10 | 0:07:12 | |
Are you sure, Sarah? | 0:07:12 | 0:07:14 | |
A 21st-century office in an antique box? | 0:07:14 | 0:07:18 | |
It all sounds a bit far-fetched, | 0:07:18 | 0:07:20 | |
but if it's something electrical you want, | 0:07:20 | 0:07:23 | |
then there is one man that might just be able to help. | 0:07:23 | 0:07:26 | |
Meet Horse, electronics superbrain. | 0:07:26 | 0:07:30 | |
Horse was chief engineer | 0:07:30 | 0:07:32 | |
for a world-renowned audio recording company for over a decade. | 0:07:32 | 0:07:37 | |
He has now taken his love for restoring vintage sound equipment | 0:07:37 | 0:07:40 | |
and made into a business. | 0:07:40 | 0:07:42 | |
My name is Mark, everyone calls me Horse. | 0:07:42 | 0:07:46 | |
I'm an electronics engineer by trade. | 0:07:46 | 0:07:49 | |
I enjoy refurbishing vintage equipment. | 0:07:49 | 0:07:53 | |
I'm also interested in antique radio equipment. | 0:07:53 | 0:07:56 | |
It's always a shame to see stuff like that go to waste. | 0:07:56 | 0:07:59 | |
I think it's great that people are giving a second life | 0:07:59 | 0:08:03 | |
to something that would have essentially just been smashed up | 0:08:03 | 0:08:07 | |
and thrown in the rubbish. So, yeah, it's definitely a job AND a passion. | 0:08:07 | 0:08:10 | |
Horse might know his way round a circuit board, | 0:08:10 | 0:08:13 | |
but let's just hope he doesn't get his wires in a twist | 0:08:13 | 0:08:16 | |
when Sarah presents him with this empty old toolbox. | 0:08:16 | 0:08:19 | |
Sarah has now got two items crossed off her list, | 0:08:23 | 0:08:26 | |
but she can't relax just yet. | 0:08:26 | 0:08:28 | |
She still needs to find her third and final piece. | 0:08:28 | 0:08:31 | |
It looks like she's not the only one who's hard at it. | 0:08:33 | 0:08:36 | |
We're emptying garden waste. | 0:08:36 | 0:08:38 | |
We cut my friend's garden and we're getting rid of the stuff. | 0:08:38 | 0:08:41 | |
It's hard work, though. | 0:08:41 | 0:08:42 | |
We've got to get on with. Whistle while you work! | 0:08:44 | 0:08:46 | |
HE WHISTLES "WHISTLE WHILE YOU WORK" | 0:08:46 | 0:08:50 | |
Keith looks relaxed, though. He's about to dump an old sofa. | 0:08:51 | 0:08:55 | |
Hold on, boys, hold on. | 0:08:55 | 0:08:57 | |
There's no missing what you've got the back of the car. | 0:08:57 | 0:08:59 | |
-Is it time for a new sofa? -No, just cleared a house, actually. | 0:08:59 | 0:09:02 | |
-My sister was renting her house for a few months, she lives abroad. -OK. | 0:09:02 | 0:09:06 | |
Of course, Heart Foundation has came down, they wouldn't take it, | 0:09:06 | 0:09:09 | |
so I just picked it up and threw it in the back of the car. | 0:09:09 | 0:09:12 | |
I'm impressed you got it in here! It looks like quite a big piece. | 0:09:12 | 0:09:16 | |
Shall I help you get it out? | 0:09:16 | 0:09:17 | |
Would it be possible to have a closer look at it? | 0:09:17 | 0:09:20 | |
Deary me, Sarah! | 0:09:20 | 0:09:21 | |
I know things are getting desperate, | 0:09:21 | 0:09:23 | |
but surely you can't be serious about Keith's tatty old sofa. | 0:09:23 | 0:09:28 | |
I'm after big pieces of furniture that I can refurbish, | 0:09:28 | 0:09:30 | |
perhaps bring into modern design and that kind of stuff so, for me, | 0:09:30 | 0:09:35 | |
this is a really exciting thing to see here. | 0:09:35 | 0:09:38 | |
It would be great if I could stop it going into the skip, | 0:09:38 | 0:09:41 | |
-and take it away and try and do something to it. -Right. | 0:09:41 | 0:09:44 | |
Lovely, thank you. | 0:09:47 | 0:09:48 | |
Keith seems in a bit of a hurry to get away. | 0:09:48 | 0:09:52 | |
Mind you, I'd be keen to see the back of that sofa, too. | 0:09:52 | 0:09:55 | |
But what on earth does he think Sarah will do with it? | 0:09:55 | 0:09:59 | |
Well, I don't know cos Sarah says she can do a lot with it. | 0:09:59 | 0:10:03 | |
It'll be really interesting to find out what she can do with it. | 0:10:03 | 0:10:05 | |
It certainly will be interesting, Keith, | 0:10:05 | 0:10:07 | |
but is Sarah still feeling confident | 0:10:07 | 0:10:10 | |
about tackling this charity shop reject? | 0:10:10 | 0:10:13 | |
Part of me looks at this and thinks, | 0:10:13 | 0:10:15 | |
"I'm not sure I can take it away with me cos I just hate the colour." | 0:10:15 | 0:10:18 | |
But underneath it, I know it's got a clean, white, bright cover | 0:10:18 | 0:10:21 | |
and once I've exposed that, | 0:10:21 | 0:10:23 | |
I think I'm going to feel a bit more positive towards it | 0:10:23 | 0:10:25 | |
and I can cover it in some really bright, exciting fabrics | 0:10:25 | 0:10:29 | |
and make it saleable. | 0:10:29 | 0:10:31 | |
Everybody needs a good, comfortable sofa and this is one of those. | 0:10:31 | 0:10:35 | |
If you say so, Sarah, but one thing is for sure, | 0:10:35 | 0:10:38 | |
Keith is not hanging about any longer, | 0:10:38 | 0:10:40 | |
just in case you change your mind. | 0:10:40 | 0:10:42 | |
Thank you, bye! | 0:10:42 | 0:10:44 | |
So the sorry sofa completes a hat-trick of salvage swag for Sarah, | 0:10:46 | 0:10:50 | |
which she now has to try and convert into hard cash. | 0:10:50 | 0:10:54 | |
The bedside cabinets will be reworked by Jay, | 0:10:54 | 0:10:58 | |
the old toolbox will be placed in Horse's capable hands | 0:10:58 | 0:11:01 | |
and Sarah will be trying to bring a smile back to the sad sofa. | 0:11:01 | 0:11:05 | |
It's a dirty job, but somebody's got to do it. | 0:11:05 | 0:11:08 | |
I've had a great day here raking through the rubbish | 0:11:08 | 0:11:11 | |
and I think I'm going to clean up. | 0:11:11 | 0:11:13 | |
Sarah's first stop is deep in the heart of the Black Country - | 0:11:18 | 0:11:22 | |
Wolverhampton - where a thriving arts and crafts scene is emerging. | 0:11:22 | 0:11:26 | |
Leading the charge is woodworking genius Jay Blades. | 0:11:26 | 0:11:31 | |
As ever, Jay has absolutely no idea | 0:11:31 | 0:11:33 | |
what Sarah has in store for him today, | 0:11:33 | 0:11:36 | |
so exactly how confident is he feeling? | 0:11:36 | 0:11:39 | |
Depending on what she brings, | 0:11:39 | 0:11:41 | |
I will be able to see if I can work my magic on it, | 0:11:41 | 0:11:45 | |
but also Sarah will have some ideas | 0:11:45 | 0:11:47 | |
that might not be commercially viable. | 0:11:47 | 0:11:49 | |
Also, she might have some ideas that ARE commercially viable, | 0:11:49 | 0:11:53 | |
but might cost more for us to actually make. | 0:11:53 | 0:11:56 | |
-Hello, hello! -Hello! -Jay? -How you doing? | 0:11:58 | 0:12:02 | |
-I've got a little something for you, but I might need a hand. -OK. | 0:12:02 | 0:12:05 | |
-These are quite cool. -I'm glad you said that! -These are very cool. | 0:12:08 | 0:12:12 | |
I tell you what, they're quite light, | 0:12:12 | 0:12:14 | |
which is nice cos I've been carrying them around a bit. | 0:12:14 | 0:12:17 | |
So, what do you reckon to these? A nice pair of bedside cabinets? | 0:12:17 | 0:12:22 | |
Yes, we can do quite a bit with these. | 0:12:22 | 0:12:26 | |
The thing that I would kind of do with these | 0:12:26 | 0:12:29 | |
would be try to restore the outside and then inside, | 0:12:29 | 0:12:33 | |
just go with a fusion of colour | 0:12:33 | 0:12:36 | |
and, hopefully, put some holes in here | 0:12:36 | 0:12:39 | |
so it becomes kind of like a more modern thing | 0:12:39 | 0:12:41 | |
so people can charge their phones in there and stuff like that | 0:12:41 | 0:12:44 | |
and I might, depending on how the cupboard comes out, | 0:12:44 | 0:12:47 | |
I might introduce a colour there, but I wouldn't use a colour | 0:12:47 | 0:12:52 | |
that would make this look a bit too out there. It's going to blend in. | 0:12:52 | 0:12:57 | |
Actually, I like that. | 0:12:57 | 0:12:59 | |
I think a little pop of colour at the bottom, I think that's a good idea. | 0:12:59 | 0:13:02 | |
It makes them fresh and maybe change the handles on them, | 0:13:02 | 0:13:06 | |
maybe, as well, if you find something appropriate, | 0:13:06 | 0:13:09 | |
but obviously, you know what I'm like. I've got a budget in mind. | 0:13:09 | 0:13:12 | |
How much do you reckon it would cost? | 0:13:12 | 0:13:14 | |
I'd say this would be about £75 for the two | 0:13:14 | 0:13:17 | |
cos I'll have to remove the backs, work on the inside | 0:13:17 | 0:13:22 | |
and take off the doors, restore the actual... | 0:13:22 | 0:13:28 | |
-That might be a problem there. -It's ballooned a bit, hasn't it? -Yeah. | 0:13:28 | 0:13:32 | |
Depending on how good the veneer does come up, | 0:13:32 | 0:13:34 | |
I think you will definitely double your money on these ones, yeah. | 0:13:34 | 0:13:38 | |
Definitely. | 0:13:38 | 0:13:39 | |
Well, that's potentially great news. | 0:13:39 | 0:13:42 | |
With labour and materials estimated at £75, | 0:13:42 | 0:13:47 | |
Sarah could be in for a tidy profit, | 0:13:47 | 0:13:50 | |
but only if Jay can bring those 65-year-old bedside cabinets | 0:13:50 | 0:13:55 | |
into the 21st century. | 0:13:55 | 0:13:57 | |
Next up, Sarah's off to Manchester. | 0:14:00 | 0:14:03 | |
Famed as being one of the founding cities of the Industrial Revolution, | 0:14:03 | 0:14:07 | |
it is perhaps best known today | 0:14:07 | 0:14:09 | |
for its football teams and thriving music scene. | 0:14:09 | 0:14:12 | |
But it is also home to a man called Horse, | 0:14:14 | 0:14:17 | |
one of the country's leading audio engineers | 0:14:17 | 0:14:21 | |
and he has no idea what Sarah is bringing. | 0:14:21 | 0:14:25 | |
I'm expecting anything, anything at all, really. | 0:14:25 | 0:14:28 | |
I'm hoping it's something that will possibly lend itself | 0:14:28 | 0:14:32 | |
in some way towards being some kind of audio device | 0:14:32 | 0:14:37 | |
as that's kind of my main thing. | 0:14:37 | 0:14:40 | |
But I've no idea what it's going to actually be. | 0:14:41 | 0:14:44 | |
Well, let's just hope for Horse's sake | 0:14:45 | 0:14:48 | |
that Sarah's changed her mind | 0:14:48 | 0:14:50 | |
about that futuristic office in a box idea. | 0:14:50 | 0:14:53 | |
-Hiya! -Hiya! -How are you? -Yeah, good, thanks. | 0:14:53 | 0:14:57 | |
-Shall we go into the workshop? -Yeah, yeah. -Cool. -Thank you. | 0:14:57 | 0:15:00 | |
-Right, then, what have we got? -Well, it's quite sweet. | 0:15:01 | 0:15:04 | |
Actually, looking at it here, | 0:15:04 | 0:15:06 | |
it seems that there's bits on it that really need some work, | 0:15:06 | 0:15:10 | |
but I think it does still open | 0:15:10 | 0:15:12 | |
and inside it's good, sturdy wooden construction. | 0:15:12 | 0:15:15 | |
-Yeah. -So I thought... -Yeah. -I thought maybe... | 0:15:15 | 0:15:20 | |
It makes a noise, that's as far as I got! | 0:15:21 | 0:15:24 | |
-Some sort of amazing speaker. -Yeah. | 0:15:24 | 0:15:27 | |
I don't know if it's something that you put and you open up, | 0:15:27 | 0:15:29 | |
like an old record player. I have no real plans for it, | 0:15:29 | 0:15:34 | |
other than the fact that it would be so nice if you could make that... | 0:15:34 | 0:15:37 | |
-Something to make a noise. -What do you think? | 0:15:37 | 0:15:39 | |
Cos it's got a handle, I'd want to make it portable, | 0:15:40 | 0:15:43 | |
but you could still make a decent sounding | 0:15:43 | 0:15:45 | |
kind of like a ghetto blaster sort of thing, | 0:15:45 | 0:15:48 | |
and make it rechargeable, possibly, I'll look into that as well. | 0:15:48 | 0:15:52 | |
I was thinking maybe have it so it doesn't open, | 0:15:52 | 0:15:54 | |
so you can actually just house the system inside. | 0:15:54 | 0:16:00 | |
Speakers in here... | 0:16:00 | 0:16:02 | |
That looked a bit dodgy! | 0:16:02 | 0:16:05 | |
Do you think it will withstand the process? OK, that sounds good. | 0:16:05 | 0:16:08 | |
I totally agree. If you don't need to see inside, | 0:16:08 | 0:16:10 | |
there's no point in making it complicated, is there? | 0:16:10 | 0:16:13 | |
It maybe makes it a bit easier. | 0:16:13 | 0:16:14 | |
Maybe have a panel on the back or on the side with adjustments on. | 0:16:14 | 0:16:19 | |
OK, so to make something like that, | 0:16:19 | 0:16:21 | |
what kind of value are we talking about | 0:16:21 | 0:16:23 | |
in terms of what I need to pay you? | 0:16:23 | 0:16:25 | |
I reckon probably 300 to 350. | 0:16:25 | 0:16:30 | |
Probably. | 0:16:30 | 0:16:32 | |
OK, that sounds quite expensive, | 0:16:32 | 0:16:36 | |
but what do you think the retail price would be for something | 0:16:36 | 0:16:39 | |
if it's got really good sound quality? | 0:16:39 | 0:16:42 | |
Yeah, I don't think 450 is out of the realms of possibility | 0:16:42 | 0:16:46 | |
if it does sound good, you know, and obviously if it looks good. | 0:16:46 | 0:16:50 | |
-I think this has got the potential to kind of like... -Break? | 0:16:50 | 0:16:54 | |
Sort of to look weathered enough to be cool but not quite... | 0:16:54 | 0:17:00 | |
-Useless. -Yeah! | 0:17:00 | 0:17:03 | |
Horse certainly has a big challenge on his hands | 0:17:03 | 0:17:06 | |
and it's a big risk for Sarah, too. | 0:17:06 | 0:17:08 | |
With labour and materials estimated at £350, | 0:17:08 | 0:17:12 | |
converting the box into a speaker is not going to be cheap, | 0:17:12 | 0:17:17 | |
so let's just hope that Horse can make it sing. | 0:17:17 | 0:17:20 | |
It's time for Sarah to head home | 0:17:27 | 0:17:29 | |
to the idyllic countryside of West Sussex. | 0:17:29 | 0:17:32 | |
It's a far cry from the tip | 0:17:32 | 0:17:35 | |
and Sarah's dog Bramble is happy to see her home. | 0:17:35 | 0:17:39 | |
But, lurking in the barn, there's something | 0:17:41 | 0:17:44 | |
that isn't quite so welcome in this beautiful landscape. | 0:17:44 | 0:17:47 | |
The salvaged sofa is so unappealing, | 0:17:48 | 0:17:52 | |
even Bramble's turning her nose up at it. | 0:17:52 | 0:17:55 | |
Don't worry, Bramble, Sarah is sure to have a plan. | 0:17:55 | 0:17:58 | |
This sofa has got a lot of substance to it, | 0:17:59 | 0:18:02 | |
but it's definitely lacking in style at the moment. | 0:18:02 | 0:18:05 | |
I'm looking for a way to update it, | 0:18:05 | 0:18:07 | |
make it look fresh, make it look exciting | 0:18:07 | 0:18:09 | |
and make it look saleable, | 0:18:09 | 0:18:10 | |
but I think my best choice is ripping off the covers. | 0:18:10 | 0:18:13 | |
I'd like to surface stitch some new fabric to it | 0:18:13 | 0:18:16 | |
to give it a really light, floral, refreshing look. | 0:18:16 | 0:18:19 | |
First things first, let's get rid of the maroon. | 0:18:19 | 0:18:22 | |
That's it, Sarah. Don't forget to check down the back - | 0:18:24 | 0:18:28 | |
it might be the only way you make any money on this item. | 0:18:28 | 0:18:31 | |
That's quite promising, really, isn't it? | 0:18:36 | 0:18:39 | |
It's well made. It's improved immeasurably already. | 0:18:41 | 0:18:45 | |
Sarah should be pleased. | 0:18:45 | 0:18:47 | |
Not only is the sofa in good condition, | 0:18:47 | 0:18:49 | |
it also has the regulation fire safety tags attached. | 0:18:49 | 0:18:53 | |
But she can't leave it looking like that. | 0:18:53 | 0:18:56 | |
No offence, Bramble, but dog hair and white sofas - | 0:18:56 | 0:19:00 | |
it's not a good look. | 0:19:00 | 0:19:01 | |
So, what exactly is Sarah going to cover it with? | 0:19:01 | 0:19:05 | |
I found some of these old linen pillowcases I've had for ages | 0:19:05 | 0:19:10 | |
that I got at a car boot sale. | 0:19:10 | 0:19:11 | |
They're really nice and I'm hoping | 0:19:11 | 0:19:14 | |
that I might be able to make the back cushions for the sofa out of those, | 0:19:14 | 0:19:17 | |
and I've washed everything else. | 0:19:17 | 0:19:19 | |
But I don't quite know what I'm going to do yet, so I'm going to go | 0:19:19 | 0:19:23 | |
and start laying things on the sofa, find out if I've got enough fabric | 0:19:23 | 0:19:27 | |
and then get stuck in. | 0:19:27 | 0:19:29 | |
Come on! | 0:19:31 | 0:19:33 | |
But it's not just Sarah's fabric that is worrying her. | 0:19:33 | 0:19:36 | |
There are swallows in here, I think they're about to fledge. | 0:19:36 | 0:19:40 | |
Look, they have! | 0:19:40 | 0:19:41 | |
So those are baby swallows having flying lessons up there, | 0:19:41 | 0:19:44 | |
which is very sweet for them, | 0:19:44 | 0:19:46 | |
but I really don't want anything they might leave behind going on the sofa. | 0:19:46 | 0:19:52 | |
I think if the swallows are in here, I'm going to take the sofa outside. | 0:19:52 | 0:19:56 | |
With the sofa safely out of harm's way, Sarah can finally get started. | 0:19:59 | 0:20:04 | |
The plan is to cover the whole of this frame as it is | 0:20:04 | 0:20:07 | |
in these lovely strawberries and chintzes. | 0:20:07 | 0:20:10 | |
Sarah managed to scavenge these feather cushions | 0:20:10 | 0:20:14 | |
back at the tip, but before she can cover them, | 0:20:14 | 0:20:17 | |
she has to tackle the sofa. | 0:20:17 | 0:20:18 | |
First up, Sarah has to staple a base layer of fabric | 0:20:21 | 0:20:24 | |
to the sofa's wooden frame. | 0:20:24 | 0:20:26 | |
When you're doing this kind of thing, | 0:20:26 | 0:20:28 | |
don't hold back on the staples cos they're cheap. | 0:20:28 | 0:20:31 | |
But the effect you want needs to be really tight. | 0:20:31 | 0:20:34 | |
It takes quite a while to get the first layer | 0:20:35 | 0:20:38 | |
tightly wrapped in place. | 0:20:38 | 0:20:40 | |
Bramble's found a way of entertaining herself, though. | 0:20:40 | 0:20:43 | |
Er, excuse me! | 0:20:43 | 0:20:45 | |
But if the stapling wasn't taking long enough, | 0:20:47 | 0:20:49 | |
it's going to take Sarah even longer to hand-stitch | 0:20:49 | 0:20:53 | |
all the extra patches on so we'll find out later | 0:20:53 | 0:20:57 | |
if she really can turn these rags into riches. | 0:20:57 | 0:21:00 | |
Over in Wolverhampton, Jay ready to work his magic. | 0:21:04 | 0:21:08 | |
We're starting on the bedside cabinets | 0:21:11 | 0:21:14 | |
that Sarah has brought in | 0:21:14 | 0:21:16 | |
and just trying to get my colour scheme | 0:21:16 | 0:21:18 | |
to make sure that everything works. | 0:21:18 | 0:21:20 | |
What I'm hoping to achieve is keeping this as it is, | 0:21:20 | 0:21:25 | |
as neutral as it possibly can, | 0:21:25 | 0:21:28 | |
so trying to bring this back to its former glory and then, | 0:21:28 | 0:21:31 | |
inside the door, the wow factor inside. | 0:21:31 | 0:21:35 | |
So I'm hoping to paint this one colour | 0:21:35 | 0:21:38 | |
and then have wallpaper on the door, | 0:21:38 | 0:21:40 | |
and probably wallpaper on the shelf that's inside there, | 0:21:40 | 0:21:44 | |
and I'm just checking to see if this colour lifts this wallpaper. | 0:21:44 | 0:21:49 | |
So the colour that I see that has the minimal amount | 0:21:49 | 0:21:52 | |
is a blue that's here, so rather than copying this blue, | 0:21:52 | 0:21:55 | |
I'm going for that blue that's right there. | 0:21:55 | 0:21:58 | |
That little, minute piece of blue, I'm trying to just lift that. | 0:21:58 | 0:22:02 | |
Having decided on his colour scheme, | 0:22:02 | 0:22:05 | |
Jay can get cracking on wallpapering those shelves and doors. | 0:22:05 | 0:22:09 | |
He starts by applying an even coat of PVA glue to the wood | 0:22:09 | 0:22:13 | |
and the paper. Then, this is where you need a steady hand, Jay. | 0:22:13 | 0:22:18 | |
Mind you don't get any creases! | 0:22:18 | 0:22:21 | |
Sarah won't be able to sell it with a lumpy finish. | 0:22:21 | 0:22:24 | |
And that looks perfect. | 0:22:24 | 0:22:27 | |
Now, while the paper dries, | 0:22:27 | 0:22:29 | |
Jay can paint the insides of the cabinets | 0:22:29 | 0:22:32 | |
with the carefully chosen paint. | 0:22:32 | 0:22:34 | |
With the first coat now on, | 0:22:37 | 0:22:38 | |
Jay wants to see how it will look with the wallpapered shelf. | 0:22:38 | 0:22:42 | |
That is really, really cool. I am really, really chuffed with that. | 0:22:44 | 0:22:48 | |
This has passed the test of it being in my house. | 0:22:48 | 0:22:52 | |
I would have this in my house, just the way that looks now. | 0:22:52 | 0:22:56 | |
I haven't even put the door on | 0:22:56 | 0:22:58 | |
and the shelf alone just makes that. | 0:22:58 | 0:23:01 | |
I really like it. | 0:23:01 | 0:23:03 | |
If Jay likes the cabinets that much, maybe he can buy them off Sarah. | 0:23:03 | 0:23:08 | |
Well, you never know! | 0:23:08 | 0:23:09 | |
Back in Manchester, electrical engineer Horse has got | 0:23:12 | 0:23:16 | |
all of the components ready to build the new speaker. | 0:23:16 | 0:23:19 | |
He's even made a new handle for the box | 0:23:19 | 0:23:22 | |
out of one of his girlfriend's old belts, | 0:23:22 | 0:23:25 | |
but today, he's really stepping into the unknown. | 0:23:25 | 0:23:28 | |
The next bit is going to be the point of no return, really, | 0:23:28 | 0:23:33 | |
which is drilling a hole | 0:23:33 | 0:23:36 | |
and then jigsawing out the holes for the speakers. | 0:23:36 | 0:23:40 | |
It's a bit out of my comfort zone | 0:23:40 | 0:23:42 | |
because I'm not that used to doing it, but yeah. | 0:23:42 | 0:23:45 | |
More at home with his circuit boards, | 0:23:45 | 0:23:47 | |
just how confident is Horse feeling about a spot of carpentry? | 0:23:47 | 0:23:51 | |
I could have measured it completely wrong and then I've ruined the box, | 0:23:51 | 0:23:56 | |
and any chance of doing anything good with it, | 0:23:56 | 0:23:58 | |
but, I don't know, fingers crossed. | 0:23:58 | 0:24:01 | |
Oh, dear. This doesn't look too promising. | 0:24:01 | 0:24:04 | |
Let's just hope Horse kept his receipts for the speakers, | 0:24:04 | 0:24:08 | |
otherwise one slip with that jigsaw could prove costly. | 0:24:08 | 0:24:11 | |
With the first hole cut, it's time to see | 0:24:20 | 0:24:23 | |
if Horse's measurements add up. | 0:24:23 | 0:24:25 | |
Will the speaker fit or fall straight through the hole? | 0:24:25 | 0:24:28 | |
I'll just double-check. | 0:24:28 | 0:24:30 | |
There we go. Not too bad! | 0:24:30 | 0:24:34 | |
Nice one, Horse, I never doubted you(!) | 0:24:36 | 0:24:38 | |
Now you just need to do it all again for the second speaker. | 0:24:38 | 0:24:42 | |
With both speaker holes successfully cut, | 0:24:51 | 0:24:54 | |
there is just one more piece of carpentry required. | 0:24:54 | 0:24:58 | |
There's going to be a control panel for the volume on/off. | 0:24:58 | 0:25:03 | |
I've premade that out of a piece of chequer plate | 0:25:06 | 0:25:10 | |
that they'd normally use for fire escapes and things. | 0:25:10 | 0:25:12 | |
I thought it looked quite cool on this. | 0:25:12 | 0:25:14 | |
But I just need to make the actual hole in the side of the box now. | 0:25:14 | 0:25:19 | |
So there's going to be some tidying up to do, but, eventually... | 0:25:33 | 0:25:38 | |
This piece of wood is so that it's further recessed | 0:25:40 | 0:25:44 | |
to protect the control knobs, | 0:25:44 | 0:25:46 | |
but it's going to sit back like that. | 0:25:46 | 0:25:49 | |
I'll have to tart this up a bit, but it's roughly there, it's fine. | 0:25:49 | 0:25:55 | |
I'll have to put some edging around there as well, | 0:25:55 | 0:25:57 | |
some leather or something. But, yeah, I'm quite pleased with that. | 0:25:57 | 0:26:01 | |
With the box now virtually ready, | 0:26:01 | 0:26:04 | |
Horse just needs to wire up the electronic components | 0:26:04 | 0:26:08 | |
and the new mobile speaker is good to go. | 0:26:08 | 0:26:11 | |
Meanwhile in West Sussex, after hours of stapling and sewing, | 0:26:19 | 0:26:23 | |
Sarah has almost finished the new sofa. | 0:26:23 | 0:26:26 | |
So, the more I sew onto this sofa, the more I like the look of it. | 0:26:28 | 0:26:33 | |
I have patched all the way round really tightly | 0:26:33 | 0:26:35 | |
and I know you can see the stitches, | 0:26:35 | 0:26:37 | |
but it's all part of its handmade charm. | 0:26:37 | 0:26:39 | |
I can't make it look much neater than that, | 0:26:39 | 0:26:41 | |
so I thought I might as well really go for the rustic look. | 0:26:41 | 0:26:43 | |
So I've just sewn these panels | 0:26:43 | 0:26:46 | |
of vintage offcuts all the way around here, | 0:26:46 | 0:26:50 | |
using a curved upholstery needle. | 0:26:50 | 0:26:53 | |
With the patchwork complete, | 0:26:53 | 0:26:55 | |
now all Sarah needs to do is to add the cushions. | 0:26:55 | 0:27:00 | |
She made some basic covers for them earlier | 0:27:00 | 0:27:02 | |
by using more of the vintage fabric. | 0:27:02 | 0:27:05 | |
I can hardly remember what it looked like when it was maroon... | 0:27:06 | 0:27:09 | |
thank goodness. | 0:27:09 | 0:27:11 | |
Thank goodness, indeed, because the old sofa was so tired and worn | 0:27:11 | 0:27:16 | |
it was even rejected by a charity shop. | 0:27:16 | 0:27:19 | |
But now, Sarah has utterly transformed it. | 0:27:19 | 0:27:23 | |
With just a bundle of vintage remnants, | 0:27:23 | 0:27:26 | |
she's made the sofa bright and welcoming | 0:27:26 | 0:27:28 | |
and just bursting with old world charm. | 0:27:28 | 0:27:31 | |
And, after all her hard work, | 0:27:31 | 0:27:33 | |
I think it's time Sarah put her feet up. | 0:27:33 | 0:27:36 | |
So I hardly want to sit on it | 0:27:36 | 0:27:38 | |
cos I just know I'm going to have to plump up the cushions again, | 0:27:38 | 0:27:41 | |
but... | 0:27:41 | 0:27:43 | |
Now, that is a really good selling point because this is so comfortable. | 0:27:43 | 0:27:47 | |
It really is. It's lovely. | 0:27:47 | 0:27:51 | |
Sarah's success is measured in sales | 0:27:56 | 0:27:59 | |
and she always seeks out the best opportunities | 0:27:59 | 0:28:02 | |
to maximise profits, hosting regularly her own furniture | 0:28:02 | 0:28:07 | |
and clothing sales from home, advertising and selling online... | 0:28:07 | 0:28:12 | |
Let's get that online. | 0:28:14 | 0:28:16 | |
..or meeting commercial buyers in person to sell direct. | 0:28:16 | 0:28:19 | |
Seeing this is really refreshing. | 0:28:19 | 0:28:22 | |
It's good and people are going to want more of it. | 0:28:22 | 0:28:25 | |
It's going to grow, I think, this thing that you are doing. | 0:28:25 | 0:28:28 | |
With opportunities galore in the things we throw out, | 0:28:28 | 0:28:31 | |
Sarah is always looking to make money for nothing. | 0:28:31 | 0:28:34 | |
Back at the tip, Keith's old sofa made quite an impression. | 0:28:38 | 0:28:42 | |
Hold on, boys, hold on. | 0:28:42 | 0:28:43 | |
There is no missing what you've got in the back of the car! | 0:28:43 | 0:28:46 | |
I'm impressed you got in here. | 0:28:46 | 0:28:48 | |
Having served its purpose and being rejected by a charity shop, | 0:28:48 | 0:28:51 | |
Keith was only too happy to let Sarah take the sofa away. | 0:28:51 | 0:28:55 | |
Sarah said she can do a lot with it. | 0:28:55 | 0:28:58 | |
It'll be really interesting to find out what she can do with it. | 0:28:58 | 0:29:00 | |
Well, after covering the sofa in beautiful vintage fabrics, | 0:29:00 | 0:29:04 | |
Sarah decided to put it up for sale in one of her barn sales | 0:29:04 | 0:29:09 | |
and the response was overwhelming. | 0:29:09 | 0:29:11 | |
I've just sold the sofa. | 0:29:12 | 0:29:14 | |
Now it's time to show Keith what she did | 0:29:18 | 0:29:21 | |
and to see if there were any profits from the sale. | 0:29:21 | 0:29:24 | |
-Hi, Keith! -Hello, Sarah. -How you doing? -Very well, thank you. | 0:29:27 | 0:29:30 | |
-Nice to see you again. -Nice to see you, too. | 0:29:30 | 0:29:32 | |
I've got a little few things to show you about the sofa that we took. | 0:29:32 | 0:29:36 | |
I've got some pictures on here. That's the one, isn't it? | 0:29:36 | 0:29:39 | |
Yes, that's the one, yes. | 0:29:39 | 0:29:41 | |
So we stripped off all the covers from it | 0:29:41 | 0:29:44 | |
and I actually chose some vintage fabrics to reupholster it, | 0:29:44 | 0:29:47 | |
-and looking completely different, I think. -Wow! | 0:29:47 | 0:29:50 | |
-What do you think? -Wow, fantastic! I just can't recognise it. | 0:29:50 | 0:29:54 | |
It looks good, but did it make any money? | 0:29:54 | 0:29:57 | |
We did go through a bit of a process with the sofa and I spent £120 on it. | 0:29:57 | 0:30:01 | |
Oh, right. | 0:30:01 | 0:30:03 | |
-But I did manage to sell it for £1,200. -Wow! | 0:30:03 | 0:30:08 | |
So, Keith, I've got for you £1,080 for your sofa. | 0:30:08 | 0:30:13 | |
Oh... | 0:30:13 | 0:30:15 | |
-It's all yours. -Thank you! Wow! | 0:30:15 | 0:30:18 | |
Absolutely flabbergasted, I really am. | 0:30:20 | 0:30:22 | |
From the day when I took it to the tip, | 0:30:22 | 0:30:24 | |
I did not expect for this to happen. | 0:30:24 | 0:30:28 | |
With £120 for materials, Sarah made the sofa ten times more valuable, | 0:30:28 | 0:30:33 | |
which means Keith really is walking away with £1,080. | 0:30:33 | 0:30:38 | |
I just wonder if you had any plans | 0:30:38 | 0:30:41 | |
for what you might do with over £1,000. | 0:30:41 | 0:30:43 | |
-Well, I think I'll put it towards a holiday. -Oh, fantastic! | 0:30:43 | 0:30:46 | |
That will be great. | 0:30:46 | 0:30:47 | |
Well, I tell you what, I am so pleased to have worked on it. | 0:30:47 | 0:30:51 | |
I love the fact that that might take you somewhere, | 0:30:51 | 0:30:53 | |
and it was really cool to have saved the sofa and made it into money. | 0:30:53 | 0:30:57 | |
-Thank you. -My pleasure! Thank you so much. -Thank you so much. | 0:30:57 | 0:31:00 | |
Over in Wolverhampton, | 0:31:06 | 0:31:07 | |
Jay is applying the finishing touches to the bedside cabinets. | 0:31:07 | 0:31:11 | |
Well, Sarah is due any minute | 0:31:16 | 0:31:18 | |
to come and pick these up and I'm in a bit of a rush | 0:31:18 | 0:31:22 | |
to try and get these finished, so excuse me while I crack on. | 0:31:22 | 0:31:25 | |
-Jay? -Hello! -Hiya, how you doing? | 0:31:32 | 0:31:35 | |
I'm very good, but I'm not ready for you to see them just yet. | 0:31:35 | 0:31:38 | |
Do you want me to come back in a minute? | 0:31:38 | 0:31:40 | |
Just give me two minutes and I should be ready. | 0:31:40 | 0:31:43 | |
-I'll go and have a coffee. I'll see you in a sec. -All right. | 0:31:43 | 0:31:45 | |
Don't worry, Sarah, I think it will be worth the wait. | 0:31:45 | 0:31:48 | |
When she last saw them, | 0:31:50 | 0:31:52 | |
the 65-year-old bedside cabinets were looking tired and worn. | 0:31:52 | 0:31:56 | |
But now, with a delicate restoration of the veneer, | 0:31:56 | 0:32:00 | |
a splash of colour and designer wallpaper on the doors | 0:32:00 | 0:32:04 | |
and shelves, Jay has reinvented these relics for modern living. | 0:32:04 | 0:32:08 | |
That's gorgeous! | 0:32:12 | 0:32:14 | |
Jay is pleased with them, | 0:32:14 | 0:32:15 | |
but it's now finally time to find out what Sarah thinks. | 0:32:15 | 0:32:20 | |
-Oh, there they are! -What do you think? | 0:32:21 | 0:32:24 | |
-They look fab. They're really shiny, aren't they? -They are really shiny. | 0:32:24 | 0:32:28 | |
I'm loving the blue. It's a good colour combination. | 0:32:28 | 0:32:30 | |
-May I look inside? -Of course you can. | 0:32:30 | 0:32:32 | |
-What have you done? -Well, basically, we've painted them blue inside | 0:32:32 | 0:32:36 | |
and on the lip at the bottom, | 0:32:36 | 0:32:38 | |
and then put some wallpaper on the shelf | 0:32:38 | 0:32:42 | |
and also some wallpaper on the back of the door. | 0:32:42 | 0:32:45 | |
I drilled some holes in the back, so you can charge up your phone, | 0:32:45 | 0:32:50 | |
or your laptop, whatever you've got on the side of your bed. | 0:32:50 | 0:32:54 | |
Well, I think what you've done is give them that really fresh update | 0:32:54 | 0:32:57 | |
that means that people who have a funky house will love these | 0:32:57 | 0:33:00 | |
and they didn't look like that before, | 0:33:00 | 0:33:02 | |
so I think what you've achieved | 0:33:02 | 0:33:03 | |
-on that budget is really quite impressive. -Thank you. | 0:33:03 | 0:33:06 | |
I think Jay has really managed, just with a light touch, | 0:33:09 | 0:33:12 | |
to make those cabinets look contemporary. | 0:33:12 | 0:33:14 | |
He's put that lovely designer wallpaper in there | 0:33:14 | 0:33:16 | |
and that popping blue collar on the base, | 0:33:16 | 0:33:18 | |
and now I have a chance of selling them for some real money. | 0:33:18 | 0:33:21 | |
I think Sarah's reaction was really, really cool. | 0:33:23 | 0:33:25 | |
She really liked them | 0:33:25 | 0:33:27 | |
and, hopefully, she should be able to sell them. | 0:33:27 | 0:33:29 | |
As I said, they will pass my house test, so let's see if she can do it. | 0:33:29 | 0:33:35 | |
When Sarah first met Judith at the tip, | 0:33:35 | 0:33:37 | |
she was letting go of her parents' old bedside cabinets. | 0:33:37 | 0:33:41 | |
Wow, they've got some age, haven't they? | 0:33:41 | 0:33:44 | |
Yeah, I think about 1950s, I think, Mum and Dad's wedding present. | 0:33:44 | 0:33:48 | |
-His and hers? -Yeah, that's right. | 0:33:48 | 0:33:50 | |
Brilliant, thank you so much for that. | 0:33:50 | 0:33:53 | |
It's a shame to be throwing them away, | 0:33:53 | 0:33:55 | |
but if something's going to be done that's nice with them, | 0:33:55 | 0:33:58 | |
it's nice to see, that. | 0:33:58 | 0:33:59 | |
Top vintage furniture dealer Martin couldn't agree more. | 0:33:59 | 0:34:03 | |
-Who did that? -Jay Blades. -Did he? It's amazing, I like that. | 0:34:03 | 0:34:08 | |
Bedside tables, and particularly a pair, are really desirable things, | 0:34:08 | 0:34:11 | |
so they're easy to sell. | 0:34:11 | 0:34:13 | |
Martin was so confident the cabinets would sell | 0:34:13 | 0:34:16 | |
that he bought them for his shop. | 0:34:16 | 0:34:17 | |
Now, Sarah is off to tell Judith | 0:34:19 | 0:34:21 | |
what happened to her parents' old wedding present | 0:34:21 | 0:34:23 | |
and hopefully to give Judith a gift of her own. | 0:34:23 | 0:34:26 | |
Hi, there! Hello again. It's Sarah, how do you do? | 0:34:28 | 0:34:33 | |
I've just got a couple of pictures and things to show you | 0:34:33 | 0:34:36 | |
about your cabinets that you dropped off. | 0:34:36 | 0:34:38 | |
We had a look at them and we were wondering about turning them | 0:34:38 | 0:34:41 | |
into a cocktail cabinet or doing something with them like that. | 0:34:41 | 0:34:44 | |
-Yeah, yeah. -But, actually, I took them to a designer called Jay Blades, | 0:34:44 | 0:34:47 | |
who loves colour and gets really passionate | 0:34:47 | 0:34:50 | |
about furniture and updating it, and mainly keeping it just the way it is. | 0:34:50 | 0:34:54 | |
He had some good ideas about turning them | 0:34:54 | 0:34:56 | |
into slightly more modern bedside cabinets | 0:34:56 | 0:34:59 | |
-so they could keep their original use. -Yeah, yeah. | 0:34:59 | 0:35:01 | |
So I've got a couple of pictures that I can show you of them. | 0:35:01 | 0:35:04 | |
-He had an idea... -Oh, they look lovely. -Do you like them? | 0:35:04 | 0:35:07 | |
Yeah, yeah. And the picture inside, that's lovely. | 0:35:07 | 0:35:09 | |
Mum would like that, she would... | 0:35:09 | 0:35:11 | |
She wouldn't have minded a bit of colour on there? | 0:35:11 | 0:35:13 | |
No, no, no, she would have liked that and she would have liked | 0:35:13 | 0:35:16 | |
the thought of them being used, not just discarded. | 0:35:16 | 0:35:20 | |
I gave Jay a budget of £75 to update them, | 0:35:20 | 0:35:23 | |
and so he did all that painting and restoration of the veneer | 0:35:23 | 0:35:27 | |
and that kind of thing, and they were bought for £125, | 0:35:27 | 0:35:31 | |
so that means I have got a little £50 present for you. | 0:35:31 | 0:35:36 | |
Thank you very much. Thank you. | 0:35:36 | 0:35:39 | |
So I hope that's a good return and I wonder, with the £50, | 0:35:39 | 0:35:43 | |
is there anything in particular you'd do with that kind of money? | 0:35:43 | 0:35:46 | |
I think I'd like to buy some flowers with the money | 0:35:46 | 0:35:49 | |
for Mum and Dad, that would be nice. | 0:35:49 | 0:35:51 | |
-Mum loved flowers. -That's really lovely! | 0:35:51 | 0:35:55 | |
It's nice to think that it goes back full circle. | 0:35:55 | 0:35:59 | |
Breathing new life into the cabinets cost £75. | 0:36:00 | 0:36:04 | |
It didn't take long for Martin to snap them up for £125, | 0:36:04 | 0:36:09 | |
meaning Judith can enjoy shopping for flowers with her 50 quid. | 0:36:09 | 0:36:13 | |
Well, I am delighted that Judith approved of what we did | 0:36:15 | 0:36:18 | |
with her cabinets and the fact that she thought her mum would like it too. | 0:36:18 | 0:36:21 | |
And spending that money on a big bunch of flowers | 0:36:21 | 0:36:24 | |
in memory of her mother, well, that's a very sweet idea. | 0:36:24 | 0:36:27 | |
In Manchester, Sarah is on her way to collect the third and final item. | 0:36:33 | 0:36:38 | |
When she last saw it, the old toolbox had some charm, | 0:36:40 | 0:36:43 | |
but no longer had a purpose. | 0:36:43 | 0:36:45 | |
But now, Horse has turned it into a fully functional | 0:36:47 | 0:36:50 | |
and stylish mobile speaker, | 0:36:50 | 0:36:52 | |
complete with a rechargeable battery, | 0:36:52 | 0:36:55 | |
Bluetooth connectivity and even a USB charger. | 0:36:55 | 0:36:59 | |
So, how is he feeling about Sarah coming to see it? | 0:37:01 | 0:37:04 | |
I think there's quite a transformation, | 0:37:05 | 0:37:07 | |
so I think hopefully she is pleased with it. | 0:37:07 | 0:37:10 | |
I think it looks quite cool. I'm a massive nerd, | 0:37:10 | 0:37:14 | |
so I quite like the idea of a Bluetooth-powered speaker, | 0:37:14 | 0:37:18 | |
but I'm not sure everyone's that fussed about it. | 0:37:18 | 0:37:21 | |
-I love surprises, Horse. How's it gone? -Pretty good. -Oh! | 0:37:21 | 0:37:26 | |
You're nuts, do you know that? You're nuts! Look at that! Wow! | 0:37:28 | 0:37:35 | |
So you've been really busy, haven't you? | 0:37:35 | 0:37:38 | |
What on earth have you put inside there to make it like that? | 0:37:38 | 0:37:42 | |
There is a very hefty battery, | 0:37:42 | 0:37:44 | |
so you've always got this kind of compromise | 0:37:44 | 0:37:47 | |
between battery life and weight, so that's the battery. | 0:37:47 | 0:37:50 | |
It's not short of a car battery, really, but it's going to last. | 0:37:50 | 0:37:56 | |
OK, so, normally, this won't be on show, will it? | 0:37:56 | 0:37:59 | |
No, no, no, normally these are shut | 0:37:59 | 0:38:03 | |
and then there's also screws to put on the side, | 0:38:03 | 0:38:05 | |
just to properly seal it, | 0:38:05 | 0:38:07 | |
cos you wouldn't really want it open. So, yeah... | 0:38:07 | 0:38:10 | |
Horse, you're really clever, do you know that? | 0:38:10 | 0:38:12 | |
It's got an instantly attractive look about it and this bit here... | 0:38:12 | 0:38:17 | |
talk me through what gadgets you've got in here and how it works. | 0:38:17 | 0:38:20 | |
So the on and off switch is the big switch there. Main volume control. | 0:38:20 | 0:38:26 | |
That's an input, so you can plug anything into it | 0:38:26 | 0:38:29 | |
that's got a mini jack connector, from like a smart phone or whatever. | 0:38:29 | 0:38:33 | |
This switch either turns it to the input | 0:38:33 | 0:38:36 | |
or if you turn it to the right, | 0:38:36 | 0:38:37 | |
it engages the internal Bluetooth receiver, | 0:38:37 | 0:38:40 | |
so you can just use it without having anything connected to it. | 0:38:40 | 0:38:44 | |
This is the voltage that the battery is at, | 0:38:44 | 0:38:47 | |
so when that drops below a certain point, | 0:38:47 | 0:38:50 | |
you're going to lose volume and fidelity, | 0:38:50 | 0:38:52 | |
so it just tells you whereabouts you are. | 0:38:52 | 0:38:55 | |
The USB charger there that will send power to any USB device. | 0:38:55 | 0:38:58 | |
-So you can charge something on there as well? -You can. | 0:38:58 | 0:39:01 | |
I think it's that kind of attention to detail | 0:39:01 | 0:39:04 | |
that just makes it so lovely. | 0:39:04 | 0:39:06 | |
It feels like it's a well thought out design. | 0:39:06 | 0:39:09 | |
-Well done, it's cool. -Brilliant. | 0:39:09 | 0:39:12 | |
Ace! You've aced it. I absolutely love it. | 0:39:12 | 0:39:16 | |
Shall I...demonstrate? | 0:39:16 | 0:39:18 | |
It's a really good mixture, isn't it, of retro and new? | 0:39:20 | 0:39:24 | |
Yeah, I think so, I think so. | 0:39:24 | 0:39:26 | |
CLASSICAL MUSIC PLAYS | 0:39:26 | 0:39:29 | |
I want to go on a big picnic right now | 0:39:37 | 0:39:39 | |
and have something really coming out of that somewhere. | 0:39:39 | 0:39:42 | |
It needs be taken out, doesn't it? It needs to go on a journey | 0:39:42 | 0:39:44 | |
-because of what it is. -Yeah, yeah, exactly. | 0:39:44 | 0:39:46 | |
It's completely made for that purpose, so yeah. | 0:39:46 | 0:39:49 | |
I think it's absolutely amazing. | 0:39:49 | 0:39:51 | |
Thank you so much. I'm going to take that right now. | 0:39:51 | 0:39:54 | |
Well, I think this really speaks for itself, don't you? | 0:39:58 | 0:40:02 | |
CLASSICAL MUSIC PLAYS | 0:40:02 | 0:40:04 | |
Well, the speaker is a definite hit with Sarah. | 0:40:04 | 0:40:07 | |
Now, if she can bear to let it go, she needs to try and sell it. | 0:40:07 | 0:40:13 | |
When Sarah first spotted Richard's old toolbox at the tip, | 0:40:14 | 0:40:17 | |
it was coming to the end of its useful life. | 0:40:17 | 0:40:20 | |
-I've had it nearly 40 years. -Really? And you've just had enough of it now? | 0:40:20 | 0:40:26 | |
We're moving house, so we need to clear out | 0:40:26 | 0:40:29 | |
a lot of stuff we don't use any more. | 0:40:29 | 0:40:31 | |
It's got a great shape to it, hasn't it? | 0:40:31 | 0:40:33 | |
And it looks so battered and worn, and it's really cool. | 0:40:33 | 0:40:36 | |
-It's got character. -Yeah. | 0:40:36 | 0:40:37 | |
The characterful box just needed a new purpose and, with Horse's help, | 0:40:37 | 0:40:42 | |
that's exactly what it got. | 0:40:42 | 0:40:43 | |
Now, it's time for Sarah to show Richard | 0:40:45 | 0:40:48 | |
what happens to his old box | 0:40:48 | 0:40:50 | |
and hopefully she's got some profits to share with him, too. | 0:40:50 | 0:40:54 | |
-Hi there, Richard, how are you? -Hello, Sarah. -Hi there! -How are you? | 0:40:54 | 0:40:57 | |
Yeah, very well. Nice to see you again. | 0:40:57 | 0:41:00 | |
I've just got a bit of an update about the box or case, | 0:41:00 | 0:41:03 | |
or whatever you called it. | 0:41:03 | 0:41:04 | |
-What did you call it? -I think it's a case, but... | 0:41:04 | 0:41:07 | |
I know that when we caught up at the tip, | 0:41:07 | 0:41:09 | |
it was something you said you just used for storage | 0:41:09 | 0:41:11 | |
and you'd had for ages. | 0:41:11 | 0:41:12 | |
When we took it away, did you have any ideas what we might do with it? | 0:41:12 | 0:41:16 | |
None whatsoever, so I'm quite excited to see what you have done. | 0:41:16 | 0:41:20 | |
We decided we'd make it into the most amazing boombox. | 0:41:20 | 0:41:24 | |
Oh, excellent! | 0:41:24 | 0:41:26 | |
A music machine the like of which you've never seen before. | 0:41:26 | 0:41:29 | |
I've got some pictures to show you. | 0:41:29 | 0:41:31 | |
It went to a chap called Horse | 0:41:31 | 0:41:33 | |
and he turned it into this fantastic machine, | 0:41:33 | 0:41:37 | |
and he has plumbed in the most amazing sound system in there. | 0:41:37 | 0:41:41 | |
That looks amazing! That's a work of art. It's beautiful. | 0:41:41 | 0:41:46 | |
Now, normally at this point, | 0:41:46 | 0:41:47 | |
I would say that I've spent £300 on it and I've sold it for X. | 0:41:47 | 0:41:52 | |
-At the moment, I haven't sold it. -Right. | 0:41:52 | 0:41:54 | |
But I've got high hopes for it. It's such a great looking machine. | 0:41:54 | 0:41:57 | |
I personally absolutely love it, but what I'd like to do is, | 0:41:57 | 0:42:01 | |
when it sells, just come back to you and give you the money for it. | 0:42:01 | 0:42:04 | |
Wow! Thank you! | 0:42:04 | 0:42:06 | |
So, despite this amazing transformation by Horse, | 0:42:06 | 0:42:12 | |
the search continues to find this unique speaker a new home. | 0:42:12 | 0:42:16 | |
But the cost of £350 and no profit generated, | 0:42:16 | 0:42:21 | |
this could be a potential loss for Sarah of 350 quid. | 0:42:21 | 0:42:25 | |
So I'm really disappointed that I wasn't handing over money | 0:42:26 | 0:42:29 | |
to Richard, but I've got high hopes that his boombox will sell | 0:42:29 | 0:42:32 | |
and I'll be back here with some cash soon. | 0:42:32 | 0:42:35 | |
So, Sarah's managed to make a profit on two of the three salvaged items - | 0:42:38 | 0:42:43 | |
the bedside cabinets beautifully brought back to life by Jay. | 0:42:43 | 0:42:47 | |
I'm sure it won't be long before Richard's utterly unique speaker | 0:42:47 | 0:42:51 | |
will be blasting some sweet sounds. | 0:42:51 | 0:42:54 | |
And, of course, we had the unwanted sofa | 0:42:56 | 0:42:59 | |
transformed into a showstopper by Sarah. | 0:42:59 | 0:43:03 | |
We have transformed, restored and repurposed three things | 0:43:03 | 0:43:07 | |
that were destined for the dump and handed over some money for nothing. | 0:43:07 | 0:43:11 | |
Maybe next time you take a trip to the tip, I could do the same for you. | 0:43:11 | 0:43:15 |