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-Can I have a little rummage around in your rubbish? -Yeah. | 0:00:03 | 0:00:06 | |
How do you make money for nothing? | 0:00:06 | 0:00:08 | |
I love that! | 0:00:10 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes | 0:00:11 | 0:00:15 | |
of household waste we throw out every year. | 0:00:15 | 0:00:18 | |
So heavy. They don't make them like this any more. Look at that. | 0:00:18 | 0:00:22 | |
That's why entrepreneur Sarah Moore | 0:00:22 | 0:00:24 | |
wants to get her hands on things before they hit the skip. | 0:00:24 | 0:00:28 | |
I'm a passionate maker, buyer and user of old stuff. | 0:00:30 | 0:00:34 | |
And I've turned that passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:37 | 0:00:41 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:45 | |
Say something nice about it. | 0:00:45 | 0:00:47 | |
My juices are flowing in this one. | 0:00:47 | 0:00:48 | |
They are going to be wow. | 0:00:48 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
Isn't that stunning?! | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
Oh, wow! | 0:00:58 | 0:00:59 | |
..and hopefully saleable items. | 0:00:59 | 0:01:02 | |
That is bonkers. | 0:01:02 | 0:01:03 | |
If Sarah is successful, then she can hand the profits back | 0:01:03 | 0:01:07 | |
to the very people who had no idea there was cash to be made | 0:01:07 | 0:01:10 | |
from their trash. | 0:01:10 | 0:01:12 | |
-We got £350. -Whoa! | 0:01:12 | 0:01:15 | |
The Witley Recycling Centre in Surrey is the final destination | 0:01:25 | 0:01:29 | |
for thousands of items that have become unwanted and unloved. | 0:01:29 | 0:01:34 | |
It's also where Sarah's beginning her search. | 0:01:34 | 0:01:37 | |
It's coming in here all day long, and I am like a magpie. | 0:01:37 | 0:01:39 | |
If I see something in there, | 0:01:39 | 0:01:41 | |
I want to have it and I want to take it away | 0:01:41 | 0:01:43 | |
and do something with it. | 0:01:43 | 0:01:44 | |
Sarah's been given special permission | 0:01:45 | 0:01:47 | |
from all the recycling centres she visits, | 0:01:47 | 0:01:50 | |
and is looking for four items to transform. | 0:01:50 | 0:01:53 | |
I'll give you a little warning if I see anything good. | 0:01:54 | 0:01:56 | |
SHE HONKS HORN | 0:01:56 | 0:01:58 | |
Right, Sarah, let's get started. | 0:02:01 | 0:02:04 | |
First to catch her eye is something in Jeanette's boot. | 0:02:05 | 0:02:08 | |
You having a big clear-out, then? | 0:02:10 | 0:02:12 | |
-I've been having a big clear-out for over a month. -Really? | 0:02:12 | 0:02:15 | |
-What are you throwing away? What are you clearing out? -My husband's... | 0:02:15 | 0:02:19 | |
My late husband's lean-to, where he used to do his work. | 0:02:19 | 0:02:23 | |
So I've had all sorts of things. | 0:02:23 | 0:02:25 | |
-So is that just an old petrol can? -Yeah. | 0:02:25 | 0:02:28 | |
I'm not likely to use it, so it can go. That's the line I'm taking. | 0:02:28 | 0:02:32 | |
-I really like this. -You're welcome to it. -Really? | 0:02:32 | 0:02:35 | |
It's got a lovely look to it. | 0:02:35 | 0:02:36 | |
I know it's old and battered, | 0:02:36 | 0:02:38 | |
but there's something about that old typography | 0:02:38 | 0:02:41 | |
and all those bits on there. | 0:02:41 | 0:02:42 | |
I think we've had it since about 1965, | 0:02:42 | 0:02:44 | |
cos that's when we first got a car. | 0:02:44 | 0:02:46 | |
Oh, really? Oh, that's fantastic. | 0:02:46 | 0:02:48 | |
-Yeah, so... -And yours truly returned to work. | 0:02:48 | 0:02:50 | |
JEANETTE LAUGHS | 0:02:50 | 0:02:52 | |
-Would it be all right to take that away? -Oh, yes, I'm only throwing it. | 0:02:52 | 0:02:56 | |
Thank you so much for letting us take it away and talking to us. | 0:02:56 | 0:02:59 | |
-You're welcome. -Thank you. | 0:02:59 | 0:03:02 | |
What do you reckon that rusty can will look like | 0:03:02 | 0:03:05 | |
when Sarah's done with it, Jeanette? | 0:03:05 | 0:03:07 | |
I've no idea. | 0:03:07 | 0:03:09 | |
I have seen people make animals out of little bits of metal, | 0:03:09 | 0:03:14 | |
and that's all I can think of, to be truthful. | 0:03:14 | 0:03:17 | |
So this is a really lovely old petrol can. | 0:03:17 | 0:03:20 | |
It's got beautiful typography on it, | 0:03:20 | 0:03:23 | |
screaming out from the era when it was made, | 0:03:23 | 0:03:25 | |
probably '50s, '60s. | 0:03:25 | 0:03:27 | |
It's not in great condition, | 0:03:27 | 0:03:28 | |
but it's chunky and I've worked with these kind of things before - | 0:03:28 | 0:03:31 | |
if you get it right, these can look absolutely beautiful. | 0:03:31 | 0:03:34 | |
And she's got just the person in mind to take it to. | 0:03:34 | 0:03:38 | |
If you like lamps made from all sorts of crazy stuff, | 0:03:43 | 0:03:46 | |
Guy Trench is your man. | 0:03:46 | 0:03:48 | |
Retired North Sea diver Guy works tirelessly | 0:03:50 | 0:03:53 | |
with his band of happy helpers to make one-of-a-kind furnishings | 0:03:53 | 0:03:57 | |
from, well, anything, really. | 0:03:57 | 0:04:01 | |
I love what I do. | 0:04:01 | 0:04:02 | |
I mean, every day I get up, | 0:04:02 | 0:04:04 | |
I just walk across the yard, get into my workshops | 0:04:04 | 0:04:06 | |
and have a look around. | 0:04:06 | 0:04:07 | |
And I'll suddenly see something in the corner and I think, | 0:04:07 | 0:04:10 | |
"Oh, wouldn't that be great just to do that today?" | 0:04:10 | 0:04:13 | |
And how about every single day you go to work | 0:04:14 | 0:04:16 | |
you're doing something different? | 0:04:16 | 0:04:18 | |
I mean, it's just marvellous! | 0:04:18 | 0:04:20 | |
Will Guy's passion for all things old | 0:04:20 | 0:04:22 | |
be enough to get excited about the rusty petrol can? | 0:04:22 | 0:04:26 | |
Hiya! | 0:04:28 | 0:04:29 | |
-Oh, hi, Sarah. Lovely to see you again. -And you. And you. | 0:04:29 | 0:04:33 | |
Oh, every time I come in here, I see something completely different. | 0:04:33 | 0:04:36 | |
-It's a good look, isn't it? -It's a good look. | 0:04:36 | 0:04:39 | |
I am a bit embarrassed to add that to it then. | 0:04:39 | 0:04:41 | |
Ah! | 0:04:41 | 0:04:43 | |
I just couldn't see it go into the metal skip and get thrown away | 0:04:43 | 0:04:46 | |
because there is something about the typography and the bits on it | 0:04:46 | 0:04:49 | |
that I thought had enough appeal to maybe go into an interior. | 0:04:49 | 0:04:52 | |
It is a sort of '60s, '70s petrol can. | 0:04:52 | 0:04:56 | |
I think my dad had one of these in his old Ford Capri. | 0:04:56 | 0:04:59 | |
You open it up here and you pull your petrol through here. | 0:04:59 | 0:05:04 | |
-It's quite a clever design. -It is a clever design. It's... | 0:05:04 | 0:05:07 | |
-Keith, are you about here? -Yeah. -Come have a look at this. | 0:05:07 | 0:05:11 | |
Yeah, come and say enthusiastic things | 0:05:11 | 0:05:14 | |
about my quite ugly petrol can. | 0:05:14 | 0:05:16 | |
OK, so I was thinking, I have had a little play with it. | 0:05:16 | 0:05:19 | |
What do you reckon? Not something you usually convert, is it? | 0:05:19 | 0:05:23 | |
No. The lettering is nice. The colour is not that great, is it? | 0:05:23 | 0:05:26 | |
I was wondering about an old headlight | 0:05:26 | 0:05:28 | |
or something to come off it | 0:05:28 | 0:05:29 | |
so that it ties it back in to the fact that it's come out of a garage, | 0:05:29 | 0:05:32 | |
or it's car-related. | 0:05:32 | 0:05:34 | |
Luckily, Guy has some old headlights lying around. | 0:05:34 | 0:05:37 | |
What you want... | 0:05:37 | 0:05:39 | |
What you are saying is that | 0:05:39 | 0:05:40 | |
if we just had this sort of silvery bit here, | 0:05:40 | 0:05:42 | |
and we put that on the front there... | 0:05:42 | 0:05:44 | |
That might work. And I was sort of wondering what it would be like | 0:05:44 | 0:05:48 | |
if you had something coming out of the top of it, more like a... | 0:05:48 | 0:05:51 | |
Something like that. But... | 0:05:51 | 0:05:54 | |
-It almost looks like a sort of road thing, doesn't it? -Yeah. | 0:05:54 | 0:05:56 | |
You put that on a railway. A railway light. | 0:05:56 | 0:05:59 | |
It looks like petrol pump or, you know, whatever. | 0:05:59 | 0:06:01 | |
I mean, realistically, because this isn't brilliant, | 0:06:01 | 0:06:05 | |
-I would be reluctant to spend much more than 150... -Right, OK. | 0:06:05 | 0:06:08 | |
Well, whatever we do, it will be a total one-off. | 0:06:08 | 0:06:11 | |
So whoever you're selling it to, | 0:06:11 | 0:06:13 | |
it's the only one in the world that looks like this. | 0:06:13 | 0:06:17 | |
It's a challenge, but if you're prepared to take it up... | 0:06:17 | 0:06:20 | |
-Yep, we'll give it a go. -Give me a shout when it's up and running. | 0:06:20 | 0:06:23 | |
Thank you. | 0:06:23 | 0:06:24 | |
This time she's left me with a real challenge. | 0:06:26 | 0:06:28 | |
We're going to do our best at giving it a good go. | 0:06:28 | 0:06:31 | |
It's the real mark of a maker to take on a challenging item | 0:06:33 | 0:06:36 | |
and turn it into something fantastic. | 0:06:36 | 0:06:39 | |
I think Guy is the man for the job. | 0:06:39 | 0:06:41 | |
With a capped budget of £150 | 0:06:44 | 0:06:46 | |
and with Guy still to work out how to make it, | 0:06:46 | 0:06:49 | |
will this petrol can prove to be too challenging? | 0:06:49 | 0:06:53 | |
One item found and three still to find. | 0:07:00 | 0:07:04 | |
Back at Witley, Sarah might be onto something. | 0:07:04 | 0:07:07 | |
It's the plastic version, isn't it? Yeah. | 0:07:07 | 0:07:10 | |
I've got a really clear idea about what I need. | 0:07:10 | 0:07:12 | |
If it looks too new, it's just not good enough. | 0:07:12 | 0:07:15 | |
If you can't cut it up, if it hasn't got that real strength, | 0:07:15 | 0:07:18 | |
if it's flat-packed, there's just no point in taking it away. | 0:07:18 | 0:07:21 | |
So I feel a bit rude, but sometimes it's yes, sometimes it's no. | 0:07:21 | 0:07:24 | |
Well, how about these pine drawers | 0:07:26 | 0:07:28 | |
being unloaded by Corinne and Graham? | 0:07:28 | 0:07:31 | |
-Chucking it out? -Yeah. -Had enough? | 0:07:31 | 0:07:33 | |
The drawers don't work particularly well, they're quite sticky, so... | 0:07:33 | 0:07:37 | |
-That is so annoying, isn't it? -I know. | 0:07:37 | 0:07:39 | |
It looks like a nice, solid bit of furniture, though. | 0:07:39 | 0:07:42 | |
-Is it quite heavy? -Yeah. -It's fairly heavy, yeah. | 0:07:42 | 0:07:44 | |
Do you want a hand getting it out? | 0:07:44 | 0:07:46 | |
Got the muscle. | 0:07:46 | 0:07:47 | |
I can pop it down here. | 0:07:47 | 0:07:50 | |
Brilliant. It looks really solid. But as you say... | 0:07:50 | 0:07:53 | |
-Oh, my word, they don't work, do they? -No! | 0:07:53 | 0:07:56 | |
-They don't work at all, do they? -No! | 0:07:56 | 0:07:58 | |
They are supposed to, though, aren't they? | 0:07:58 | 0:07:59 | |
Yes, absolutely, it's just that it's... | 0:07:59 | 0:08:02 | |
It's budging a little bit. | 0:08:02 | 0:08:04 | |
-It's seen better days for you, basically. -Yes. -Definitely, yeah. | 0:08:04 | 0:08:07 | |
Past its best for us. | 0:08:07 | 0:08:09 | |
OK. Well, I think it'd be great to have a go at it. | 0:08:09 | 0:08:12 | |
I don't know if it's something that we would keep as it is | 0:08:12 | 0:08:15 | |
or if we would perhaps send it somewhere to somebody | 0:08:15 | 0:08:17 | |
who might cut it up and do something else with it. | 0:08:17 | 0:08:20 | |
-Can I take it away and see if I can do something to it? -Oh, yeah. | 0:08:20 | 0:08:23 | |
I'm here all day, if you want to stay and help. | 0:08:23 | 0:08:26 | |
What do Corinne and Graham think should happen to their old drawers? | 0:08:28 | 0:08:32 | |
I think she might chop it up completely. | 0:08:32 | 0:08:35 | |
Because with those sticky drawers, I just can't see a way around them, | 0:08:35 | 0:08:38 | |
so I think she might repurpose the wood somehow. | 0:08:38 | 0:08:42 | |
This type of furniture, | 0:08:42 | 0:08:43 | |
people have been slapping paint on it for the last ten, 15 years, | 0:08:43 | 0:08:47 | |
and pretty much nobody has a piece of old gold pine left. | 0:08:47 | 0:08:51 | |
But I think it's really good to see it in this condition | 0:08:51 | 0:08:54 | |
because it's a blank canvas for us, | 0:08:54 | 0:08:55 | |
and I can make anything I like out of this. | 0:08:55 | 0:08:58 | |
Indeed. | 0:08:58 | 0:08:59 | |
And there's two men I know | 0:08:59 | 0:09:01 | |
who would relish a challenge like this one. | 0:09:01 | 0:09:03 | |
Furniture restorers Tom and Johnny | 0:09:08 | 0:09:10 | |
just love to breathe new life back into old furniture. | 0:09:10 | 0:09:14 | |
These young hotshots have only been working together for a year, | 0:09:16 | 0:09:19 | |
but have already made a name for themselves with their expert wood | 0:09:19 | 0:09:23 | |
and metal restoration techniques and imaginative designs. | 0:09:23 | 0:09:28 | |
What I like about what we do is working with friends. | 0:09:28 | 0:09:31 | |
That's always a good point. | 0:09:31 | 0:09:33 | |
But just having something to start from and having an end result. | 0:09:33 | 0:09:36 | |
The actual craft and figuring out the problem | 0:09:36 | 0:09:38 | |
and solving the problem is what's enjoyable about it as well. | 0:09:38 | 0:09:42 | |
It's done like a puzzle. | 0:09:42 | 0:09:43 | |
You know, it comes in not in very great condition | 0:09:43 | 0:09:45 | |
and then you get to see the person's reaction when you get it back. | 0:09:45 | 0:09:48 | |
That's what I enjoy the most. | 0:09:48 | 0:09:49 | |
Well, fellas, Sarah's latest find is certainly going to test your skills. | 0:09:49 | 0:09:54 | |
-Hello. -Hi, Sarah. -How are you doing? -Yeah, I'm good. -You all right? | 0:09:57 | 0:10:00 | |
-How are you doing, you all right? -Yeah, cool. | 0:10:00 | 0:10:02 | |
I've got something really heavy. | 0:10:02 | 0:10:03 | |
-I definitely need a hand bringing it in. -Cool. Let's see. | 0:10:03 | 0:10:05 | |
Yeah? Come and... | 0:10:05 | 0:10:07 | |
Come and see what little tip treasure I've got this time. | 0:10:07 | 0:10:10 | |
Tip treasure? I think that remains to be seen. | 0:10:10 | 0:10:13 | |
-Cool. -All right. | 0:10:13 | 0:10:15 | |
Cool. I'll take cool. | 0:10:15 | 0:10:16 | |
-Any chance you can give me a hand out with it? -Yeah. -Sure. | 0:10:16 | 0:10:19 | |
Are the boys happy or just relieved? | 0:10:19 | 0:10:22 | |
It's sometimes difficult to tell. | 0:10:22 | 0:10:25 | |
It looks slightly better up there. What do you think? | 0:10:27 | 0:10:31 | |
-Yeah. -Yeah! | 0:10:31 | 0:10:34 | |
I mean it has got solid drawers, but the drawers don't open. | 0:10:34 | 0:10:36 | |
This is one of the problems, and why it was being dropped off. | 0:10:36 | 0:10:39 | |
-Um, yeah, things like that. -THEY LAUGH | 0:10:39 | 0:10:42 | |
This one opens. And it's dovetailed. It's really solid. | 0:10:42 | 0:10:45 | |
I think it's just had all these sort of trims and mouldings stuck onto it | 0:10:45 | 0:10:48 | |
-to give that mock country look. -I saw that, yeah. | 0:10:48 | 0:10:51 | |
I think it's kind of over to you | 0:10:51 | 0:10:52 | |
on what you think you're capable of doing with it, | 0:10:52 | 0:10:55 | |
or if you've got some ideas for it, | 0:10:55 | 0:10:56 | |
-cos it needs help at the moment. -I think we're going to start... | 0:10:56 | 0:11:00 | |
-Getting rid of the trim. -Yeah, removing this. We'll take these off. | 0:11:00 | 0:11:04 | |
Uh... | 0:11:04 | 0:11:05 | |
-Cheaply put together, then. -At least, you know, there's nothing... | 0:11:05 | 0:11:09 | |
That can be sanded back, so we can have just the, you know, | 0:11:09 | 0:11:11 | |
the nice flat front rubbed and these kind of trims | 0:11:11 | 0:11:14 | |
which kind of don't really do much. | 0:11:14 | 0:11:15 | |
So is this the thing that's just making it look really dated? | 0:11:15 | 0:11:18 | |
-Isn't it? -Yeah. Like, all round the bottom here, that's just nailed on. | 0:11:18 | 0:11:21 | |
So that should come off quite easily. | 0:11:21 | 0:11:23 | |
I now have the picture of it on its legs, looking really sleek, | 0:11:23 | 0:11:25 | |
a nice square, chunky-looking, plainer-looking wooden top to it. | 0:11:25 | 0:11:29 | |
Sounds great. How long is that going to take you | 0:11:29 | 0:11:31 | |
and what kind of budget am I going to be coming back to find? | 0:11:31 | 0:11:35 | |
Um... I think it is going to be around sort of 280, all-in. | 0:11:35 | 0:11:41 | |
OK, 280, and that would include some new legs for it, would it? | 0:11:41 | 0:11:45 | |
Yeah, we think we can do it within that budget. | 0:11:45 | 0:11:47 | |
-I'm going to take your 280 quid and say thanks so much. -No problem. | 0:11:47 | 0:11:52 | |
-Pleasure. -And take care. -Cheers. Bye. -Bye! | 0:11:52 | 0:11:55 | |
-All right. -Yeah. -Let's get started then. | 0:11:55 | 0:11:58 | |
I'm actually really pleased how that went | 0:11:58 | 0:12:00 | |
because I wasn't engaged with that piece of furniture | 0:12:00 | 0:12:03 | |
and now I think it is going to look fantastic. | 0:12:03 | 0:12:05 | |
Those boys have given me a good budget as well, | 0:12:05 | 0:12:07 | |
so I stand to make maybe even a chunky profit too. | 0:12:07 | 0:12:10 | |
I think we're going to have a lot of fun with this one. | 0:12:11 | 0:12:13 | |
Yeah, it's got a lot of potential. | 0:12:13 | 0:12:16 | |
There's a lot we need to remove before we can start adding, | 0:12:16 | 0:12:18 | |
-but it's going to be cool, I think, isn't it? -Yeah, definitely. | 0:12:18 | 0:12:21 | |
Yeah, I'm excited about this one. | 0:12:21 | 0:12:23 | |
Sarah has left Tom and Johnny a budget of £280 - | 0:12:23 | 0:12:29 | |
but will they be able to overcome the problem of those stuck drawers? | 0:12:29 | 0:12:33 | |
Nestled in the Essex countryside | 0:12:45 | 0:12:47 | |
are Guy Trench and his skilled companion Keith. | 0:12:47 | 0:12:50 | |
They've got the challenge of turning an old rusty petrol can | 0:12:51 | 0:12:55 | |
into motor-themed lighting. | 0:12:55 | 0:12:58 | |
Sarah's dropped this can off. | 0:12:59 | 0:13:01 | |
And what this is going to look like, I think, | 0:13:01 | 0:13:03 | |
is that we'll set this up. | 0:13:03 | 0:13:05 | |
We'll probably put something in here to hold this like that. | 0:13:05 | 0:13:08 | |
And then we'll put just an electric light bulb there. | 0:13:08 | 0:13:11 | |
I think that could look quite cool. | 0:13:11 | 0:13:13 | |
It's quite plain, it's simple, it says petrol can, | 0:13:13 | 0:13:17 | |
it says sort of, with the bulb lit up - | 0:13:17 | 0:13:19 | |
an old fancy fashioned bulb with the elements going sort of down - | 0:13:19 | 0:13:22 | |
it is sort of looking like fire coming out of it. | 0:13:22 | 0:13:25 | |
And, yeah, I think it could look OK. | 0:13:25 | 0:13:28 | |
I don't know until we've had a go at it yet, so... | 0:13:28 | 0:13:31 | |
We'll have look at this. | 0:13:31 | 0:13:32 | |
Certainly sounds like there's a clear plan now, | 0:13:33 | 0:13:36 | |
as Guy gets to work with the wire brush | 0:13:36 | 0:13:39 | |
to remove the worst of the rust and the flaky paint. | 0:13:39 | 0:13:42 | |
So... We're getting sort of a little bit of colour back into here. | 0:13:45 | 0:13:49 | |
We're not losing...not making this dark enough here, | 0:13:49 | 0:13:52 | |
so I think a bit of Jacobean black polish might do the trick. | 0:13:52 | 0:13:56 | |
We just want to dull it down a bit so it doesn't look quite | 0:13:56 | 0:13:58 | |
so in-your-face. | 0:13:58 | 0:14:00 | |
That's a job for Keith, I think. | 0:14:00 | 0:14:02 | |
It's like magic. | 0:14:02 | 0:14:03 | |
Now it's coming up to be quite a nice colour. It's now coming alive. | 0:14:03 | 0:14:07 | |
You know, we're losing the brown rusty, | 0:14:07 | 0:14:09 | |
we're now getting sort of darker colours coming into it. | 0:14:09 | 0:14:11 | |
Yeah, look at it coming up now, beautiful. Lovely. | 0:14:11 | 0:14:14 | |
My guess is it is what it is, and we're going to leave it like this, | 0:14:16 | 0:14:21 | |
this colour here, and then do the electrics on it and go from there. | 0:14:21 | 0:14:26 | |
In order to ensure the safety of the light, | 0:14:26 | 0:14:29 | |
Guy does not tackle electrics himself, | 0:14:29 | 0:14:32 | |
but calls upon the qualified help of Steve the electrician. | 0:14:32 | 0:14:36 | |
Steve is quite a good thinker on these ideas, | 0:14:37 | 0:14:39 | |
and so we have quite a bit of discussion beforehand | 0:14:39 | 0:14:42 | |
on sort of the best route. | 0:14:42 | 0:14:43 | |
I may have an idea, he may even change it around | 0:14:43 | 0:14:45 | |
to something which is more practical. | 0:14:45 | 0:14:47 | |
It's nice to have somebody to have feedback and chat to | 0:14:47 | 0:14:50 | |
-and get it absolutely looking 100 right. -Yeah. | 0:14:50 | 0:14:55 | |
-I think that's the thing, there is no right or wrong, is there? -No. | 0:14:55 | 0:14:58 | |
It's just sometimes you look at things a different way | 0:14:58 | 0:15:01 | |
and, you know, what with the modern materials, | 0:15:01 | 0:15:04 | |
we can do different things with lighting, as well, | 0:15:04 | 0:15:07 | |
so there's lots of possibilities these days. | 0:15:07 | 0:15:10 | |
Steve's also attaching a granite plinth to the bottom of the can | 0:15:10 | 0:15:15 | |
for both aesthetics and stability. | 0:15:15 | 0:15:17 | |
But you never know, when you find these things | 0:15:17 | 0:15:19 | |
you just keep on playing with them and cleaning them up a bit more | 0:15:19 | 0:15:22 | |
and suddenly they start coming to life and then all of a sudden, bang, | 0:15:22 | 0:15:25 | |
"Hey, that looks really good." You know, erm... | 0:15:25 | 0:15:28 | |
I think, you know, this is taking shape | 0:15:31 | 0:15:32 | |
and my least favourite thing now is becoming... | 0:15:32 | 0:15:35 | |
I think it's going to look OK. | 0:15:35 | 0:15:37 | |
It's going to look quite cool. | 0:15:37 | 0:15:38 | |
In Thornton Heath, near Croydon, | 0:15:47 | 0:15:49 | |
Tom and Johnny are getting started on the chest of drawers. | 0:15:49 | 0:15:52 | |
-First, though, let's get these drawers out and numbered up. -Yeah. | 0:15:57 | 0:16:00 | |
-Make sure we can get them out first, I think is the key. -Yeah. | 0:16:00 | 0:16:03 | |
-They're pretty stuck in there. -Yeah. Yeah. | 0:16:03 | 0:16:05 | |
It's well and truly stuck. | 0:16:05 | 0:16:08 | |
We need to get this out. | 0:16:08 | 0:16:10 | |
I'm not quite sure how we're going to do that. | 0:16:10 | 0:16:12 | |
The wood's swelled. | 0:16:12 | 0:16:13 | |
When it gets lots of moisture in the air, | 0:16:13 | 0:16:15 | |
it kind of soaks it up like a sponge and expands. That's why it jams. | 0:16:15 | 0:16:19 | |
To free the drawers, Tom and Johnny are using brute strength. | 0:16:19 | 0:16:22 | |
However, too much force could cause irreparable damage. | 0:16:22 | 0:16:26 | |
This was always going to be the first big challenge in this one, | 0:16:26 | 0:16:30 | |
getting these out without sort of damaging it too much. | 0:16:30 | 0:16:33 | |
For a better grip, Tom has devised a plan to use the screw holes | 0:16:33 | 0:16:37 | |
of the old handles to attach a long piece of wood. | 0:16:37 | 0:16:41 | |
This provides the boys with something substantial to pull on. | 0:16:41 | 0:16:45 | |
Just give it... If we sort of do... Yeah, there you go. | 0:16:46 | 0:16:49 | |
-Leverage. -One way of doing it. | 0:16:51 | 0:16:53 | |
I was wondering if it was ever going to come out, to be honest. | 0:16:53 | 0:16:56 | |
Two more to go - but these ones are a little bit easier to access. | 0:16:56 | 0:16:59 | |
Finally! | 0:16:59 | 0:17:00 | |
It's almost like an anticlimax, | 0:17:03 | 0:17:05 | |
cos all it is is getting a drawer out. | 0:17:05 | 0:17:07 | |
With the drawers removed, | 0:17:09 | 0:17:11 | |
the old-fashioned pine moulding is taken off. | 0:17:11 | 0:17:14 | |
And to prevent the drawers from sticking in the future, | 0:17:14 | 0:17:17 | |
the sides and edges of each drawer are being planed | 0:17:17 | 0:17:20 | |
in an attempt to make them fit and slide perfectly. | 0:17:20 | 0:17:24 | |
It seems better than it was, but it's catching here, still. | 0:17:24 | 0:17:28 | |
So I'm just trying to figure out if it's tight on the sides | 0:17:28 | 0:17:31 | |
or if it's the top or bottom edge. It could be both. | 0:17:31 | 0:17:34 | |
It looks very tight there, | 0:17:34 | 0:17:36 | |
so I might just take a little bit off that top edge. | 0:17:36 | 0:17:39 | |
Trying to get these drawers to run smoothly | 0:17:42 | 0:17:43 | |
is basically a trial and error thing. | 0:17:43 | 0:17:46 | |
You've just got to take a bit off here, take a bit off there, | 0:17:46 | 0:17:49 | |
figure out where it's tightening up | 0:17:49 | 0:17:51 | |
and just keep taking little bits off, a little bit at a time. | 0:17:51 | 0:17:53 | |
So it can take a while, sometimes. | 0:17:53 | 0:17:56 | |
There's something about a drawer sliding in, | 0:17:56 | 0:17:58 | |
it's quite a weird sensation when it fits. | 0:17:58 | 0:18:00 | |
Even though it should do in the first place but, yeah, it's good. | 0:18:00 | 0:18:03 | |
With the drawer sliding effortlessly, | 0:18:03 | 0:18:06 | |
it's time to remove all the old varnish. | 0:18:06 | 0:18:08 | |
The guys are using a paint stripper, | 0:18:10 | 0:18:12 | |
which is why they're wearing protective gloves and masks. | 0:18:12 | 0:18:16 | |
So you need to put quite a bit of this on | 0:18:16 | 0:18:18 | |
and sort of keep the surface quite wet. | 0:18:18 | 0:18:21 | |
Sometimes, the polish, it'll react very quickly | 0:18:21 | 0:18:23 | |
and you can take it off again pretty much instantly | 0:18:23 | 0:18:26 | |
and other times you need to keep it on there for up to 20 minutes, | 0:18:26 | 0:18:30 | |
half an hour, sometimes. | 0:18:30 | 0:18:31 | |
Chemical paint removers are the best way to remove old paint coverings | 0:18:31 | 0:18:35 | |
if you want to prevent damage to the wood underneath. | 0:18:35 | 0:18:39 | |
However, they should be treated with extreme caution | 0:18:39 | 0:18:42 | |
as they can cause a variety of health problems | 0:18:42 | 0:18:44 | |
if not used correctly. | 0:18:44 | 0:18:47 | |
With the varnish gone, the whole thing is given a final sanding | 0:18:47 | 0:18:51 | |
before the addition of a very modern twist. | 0:18:51 | 0:18:54 | |
It's going to really change the overall look | 0:18:54 | 0:18:56 | |
of the piece of furniture having these legs on it. | 0:18:56 | 0:18:59 | |
It's going to make it look a lot more modern. | 0:18:59 | 0:19:01 | |
The original style of the piece was kind of Victorian furniture | 0:19:01 | 0:19:07 | |
but we've removed all of that styling, | 0:19:07 | 0:19:09 | |
so now it's just going to be a lot more clean lines | 0:19:09 | 0:19:11 | |
and kind of more of a 20th century look. | 0:19:11 | 0:19:15 | |
-Right, it's ready to stand up, I think. -Cool, let's have a look. | 0:19:15 | 0:19:18 | |
That's added a bit of weight. | 0:19:21 | 0:19:22 | |
Cool. | 0:19:25 | 0:19:26 | |
-I think that's going to look good, isn't it? -Yeah, that's awesome. | 0:19:31 | 0:19:34 | |
It's going to be really cool. Definitely a lot better than it was. | 0:19:34 | 0:19:37 | |
Sarah has returned to Essex, | 0:19:45 | 0:19:47 | |
where Guy has been working on the rusty old petrol can, | 0:19:47 | 0:19:50 | |
which had reached the end of the road. | 0:19:50 | 0:19:53 | |
Sarah brought this along to me and I have to say | 0:19:54 | 0:19:56 | |
I didn't like it at all. It's one of my least favourite to do. | 0:19:56 | 0:20:00 | |
But it's much, much better than I thought it was going to turn out. | 0:20:00 | 0:20:03 | |
So, yeah, I think it ticks the box again. | 0:20:03 | 0:20:06 | |
I'm back here to see what Guy's managed to do | 0:20:07 | 0:20:09 | |
with that old blue petrol can | 0:20:09 | 0:20:10 | |
cos when I dropped it off he really wasn't sure about it, | 0:20:10 | 0:20:13 | |
so I'm going to go and find out. | 0:20:13 | 0:20:15 | |
When Sarah salvaged the rusty old fuel can, | 0:20:16 | 0:20:19 | |
it's motoring days were over. | 0:20:19 | 0:20:21 | |
Now Guy has managed to turn it into stylish designer lighting. | 0:20:24 | 0:20:28 | |
By polishing the surface, highlighting the patina and wear | 0:20:29 | 0:20:33 | |
and with the addition of the old-fashioned looking bulb, | 0:20:33 | 0:20:36 | |
he's managed to create... | 0:20:36 | 0:20:38 | |
a petrol can with a bulb on top. | 0:20:38 | 0:20:41 | |
-Oh, wow, Guy! -SHE LAUGHS | 0:20:45 | 0:20:47 | |
Hiya! | 0:20:47 | 0:20:48 | |
Go on, then. What do you think of it? | 0:20:49 | 0:20:53 | |
You know, it was a '60s, '70s plain boring can and... | 0:20:53 | 0:20:58 | |
but now, oh, wow - | 0:20:58 | 0:21:00 | |
we've made it look like it's firing fire out of it, you know? | 0:21:00 | 0:21:04 | |
We've polished it up, we've given it a good gleam, | 0:21:04 | 0:21:06 | |
which has dulled down the colours here a lot | 0:21:06 | 0:21:09 | |
but given it a really rich colour | 0:21:09 | 0:21:10 | |
and with that rust coming through there, | 0:21:10 | 0:21:12 | |
I think it just makes it look really cool. | 0:21:12 | 0:21:15 | |
I love it. I think it's quirky, I think it's entertaining. It's funny. | 0:21:15 | 0:21:19 | |
When you look at it, you want to smile, don't you, | 0:21:19 | 0:21:21 | |
-cos it's really unusual. -Yeah. | 0:21:21 | 0:21:23 | |
I love the base you've put it on and it really adds to it, doesn't it? | 0:21:23 | 0:21:27 | |
I love using these bases, which I always put on my lights. | 0:21:27 | 0:21:30 | |
It's granite, it's textured, so it sort of looks like antique. | 0:21:30 | 0:21:34 | |
We're using, again, the old silk wire here. | 0:21:34 | 0:21:37 | |
Again, it's a little touch, a little detail | 0:21:37 | 0:21:38 | |
going to a decent clicker switch | 0:21:38 | 0:21:40 | |
so you don't have to put your hands up here to turn the light on. | 0:21:40 | 0:21:44 | |
And it's obviously got a PAT certificate, | 0:21:44 | 0:21:46 | |
so it's all tested ready for one of your clients. | 0:21:46 | 0:21:49 | |
The budget for this transformation was £150. | 0:21:49 | 0:21:52 | |
How have we got on? | 0:21:52 | 0:21:54 | |
Spot-on. No problem at all with that. We can do it for that price. | 0:21:54 | 0:21:57 | |
Oh, that's great. You've created something really simple, elegant, | 0:21:57 | 0:22:01 | |
really cool from an old can. | 0:22:01 | 0:22:03 | |
Well done, Guy. | 0:22:03 | 0:22:05 | |
I think Sarah was very pleased with it. | 0:22:05 | 0:22:07 | |
It wasn't my favourite thing. | 0:22:07 | 0:22:09 | |
I didn't know, really, what to do with it | 0:22:09 | 0:22:12 | |
and just a little bit of thinking, a bit of playing with it | 0:22:12 | 0:22:14 | |
and it really has turned out extremely well. | 0:22:14 | 0:22:18 | |
Well, I am so pleased that Guy got behind this | 0:22:19 | 0:22:22 | |
because look what he's created. | 0:22:22 | 0:22:24 | |
It's just so quirky. | 0:22:24 | 0:22:26 | |
When Sarah spotted Jeanette in Witley, | 0:22:28 | 0:22:31 | |
she was having a ruthless clear out. | 0:22:31 | 0:22:33 | |
I'm not likely to use it, so it can go. That's the line I'm taking. | 0:22:34 | 0:22:38 | |
The rusty old petrol can was enough to fuel Jeanette's imagination. | 0:22:38 | 0:22:43 | |
I have seen people make animals out of little bits of metal | 0:22:43 | 0:22:48 | |
and that's all I can think of, to be truthful. | 0:22:48 | 0:22:51 | |
Guy transformed it into a trendy new light | 0:22:51 | 0:22:54 | |
and it was snapped up by a shop by the seaside - | 0:22:54 | 0:22:58 | |
Eastbourne, to be exact, | 0:22:58 | 0:22:59 | |
and the Little Chelsea Antiques Emporium run by Steve. | 0:22:59 | 0:23:04 | |
Two, three... | 0:23:05 | 0:23:08 | |
Yay! | 0:23:08 | 0:23:09 | |
Sarah has returned to Witley to catch up with Jeanette | 0:23:12 | 0:23:15 | |
and to show her what became of her old rusty can. | 0:23:15 | 0:23:19 | |
-Hi, Jeanette. Lovely to see you again. -Nice to see you. | 0:23:23 | 0:23:26 | |
-How are you? -I'm fine. | 0:23:26 | 0:23:29 | |
I've finished my work on my conservatory, | 0:23:29 | 0:23:31 | |
which was what the clear-out was all about, so I'm well pleased. | 0:23:31 | 0:23:35 | |
Excellent. | 0:23:35 | 0:23:37 | |
And is it right to say that petrol can was from your first car in 1965? | 0:23:37 | 0:23:41 | |
That's right. | 0:23:41 | 0:23:42 | |
Yeah, so it did... It did have a real retro look to it, didn't it? | 0:23:42 | 0:23:46 | |
Oh, it did, yes. | 0:23:46 | 0:23:47 | |
-So do you want to see what we did with it? -Yes. | 0:23:47 | 0:23:49 | |
-What do you think? -I'm astonished! | 0:23:49 | 0:23:53 | |
I wouldn't give it houseroom but lovely. | 0:23:53 | 0:23:55 | |
THEY LAUGH | 0:23:55 | 0:23:58 | |
Did you hear that? Wouldn't give it houseroom. | 0:23:58 | 0:24:00 | |
Well, other people like it - an antique shop in Eastbourne. | 0:24:00 | 0:24:04 | |
They took one look at it and they bought it | 0:24:04 | 0:24:06 | |
and I've got a little bit of profit for your petrol can. | 0:24:06 | 0:24:09 | |
-I have got £25 here to give to you. -Oh, good heavens. Thank you. | 0:24:09 | 0:24:13 | |
I'm astonished! | 0:24:13 | 0:24:15 | |
-Well, I'm really pleased. -That's a big surprise. | 0:24:15 | 0:24:17 | |
Oh, excellent. We like surprises. | 0:24:17 | 0:24:19 | |
I hope that you can find something to do with the £25. | 0:24:19 | 0:24:22 | |
Oh, I'm sure I shall. | 0:24:22 | 0:24:23 | |
I shall probably buy something for the conservatory | 0:24:23 | 0:24:26 | |
that's newly constructed but... And I shall probably buy a lamp... | 0:24:26 | 0:24:31 | |
-That would be funny, wouldn't it? -..but not one like that. | 0:24:31 | 0:24:35 | |
Well, I hope you don't mind too much | 0:24:35 | 0:24:36 | |
-what we did with your old petrol can. -Oh, no, no. | 0:24:36 | 0:24:39 | |
I'm pleased to see somebody's made use of what was my rubbish. | 0:24:39 | 0:24:42 | |
Well, I hope you find a lamp that suits you and thank you so much | 0:24:42 | 0:24:45 | |
for letting us have your old petrol can. Lovely to see you again. | 0:24:45 | 0:24:48 | |
-Thank you. -Bye-bye. -Bye-bye. | 0:24:48 | 0:24:50 | |
Clearly Jeanette's not a fan of rusty lighting. | 0:24:50 | 0:24:52 | |
The cost of creating the motor-themed lamp was £150. | 0:24:54 | 0:24:58 | |
Sarah managed to sell it for 175, | 0:24:58 | 0:25:01 | |
which left £25 profit to hand over to Jeanette. | 0:25:01 | 0:25:05 | |
Well, I think Jeanette was pleasantly surprised | 0:25:07 | 0:25:09 | |
that we were able to re-use her rubbish. | 0:25:09 | 0:25:11 | |
And although it might not have been up her street, | 0:25:11 | 0:25:13 | |
I think there's plenty of mileage left in that old tank. | 0:25:13 | 0:25:16 | |
That's our first item producing a profit. | 0:25:20 | 0:25:23 | |
Sarah's travelled to Altrincham near Manchester | 0:25:23 | 0:25:26 | |
to try and find another money-maker - | 0:25:26 | 0:25:28 | |
and she's in the groove. | 0:25:28 | 0:25:30 | |
Down at the tip. | 0:25:30 | 0:25:31 | |
Let's get down...to business. | 0:25:33 | 0:25:35 | |
And it's not long before Sarah homes in on Paul. | 0:25:37 | 0:25:41 | |
-Hiya. -Hello. | 0:25:42 | 0:25:44 | |
That looks like some interesting stuff in there. | 0:25:44 | 0:25:46 | |
Yeah, it's just the contents of a garage | 0:25:46 | 0:25:48 | |
that's built up over the years. | 0:25:48 | 0:25:50 | |
OK, can I have a closer look? | 0:25:50 | 0:25:52 | |
Can I have a little rummage around in your rubbish? | 0:25:52 | 0:25:54 | |
Yeah, you're welcome. Yeah. | 0:25:54 | 0:25:55 | |
Luckily for Sarah, Paul's having a clear-out, | 0:25:55 | 0:25:58 | |
as he's soon going to be moving home... | 0:25:58 | 0:26:02 | |
An old toolbox. | 0:26:02 | 0:26:03 | |
So she's on the hunt for a gem in his junk. | 0:26:03 | 0:26:06 | |
Lovely, I love that. | 0:26:06 | 0:26:07 | |
Who'd have thought an old toolbox would catch her eye? | 0:26:07 | 0:26:11 | |
-I really like that. -Right, OK. | 0:26:11 | 0:26:13 | |
It's got, I think they call it "pateena" these days. | 0:26:13 | 0:26:15 | |
Most people call it rust and wear on it. | 0:26:15 | 0:26:17 | |
But there may be something I could do with it. | 0:26:17 | 0:26:20 | |
Well, I call it patina, but it's all the same thing. | 0:26:21 | 0:26:24 | |
Oh, look. She's spied a filing cabinet, too. | 0:26:27 | 0:26:29 | |
I really like that. It's decorative as well as being industrial. | 0:26:32 | 0:26:36 | |
They've got a certain look to them. Don't know what that look is. | 0:26:36 | 0:26:39 | |
Rubbish chic or something. | 0:26:39 | 0:26:41 | |
The next new trend, maybe. | 0:26:41 | 0:26:43 | |
But what does Paul think Sarah will make with them? | 0:26:43 | 0:26:46 | |
I'm not too sure, but I have seen some of her stuff before, | 0:26:46 | 0:26:50 | |
and I'd be interested to see what she does with it. | 0:26:50 | 0:26:53 | |
There's a real sense of history with this lovely old case, | 0:26:53 | 0:26:55 | |
and I am loving the utility chic of this filing cabinet. | 0:26:55 | 0:26:59 | |
I'm going to take them to somebody | 0:26:59 | 0:27:00 | |
who makes magic out of metal like this and money for me. | 0:27:00 | 0:27:04 | |
Artist blacksmith Bex Simon is an expert in manipulating | 0:27:05 | 0:27:10 | |
metal into high-end furniture and bespoke metalwork commissions. | 0:27:10 | 0:27:15 | |
When I went to art college | 0:27:15 | 0:27:16 | |
and I was looking around to see what degree I wanted to do, | 0:27:16 | 0:27:20 | |
I went into the forge and I saw people working with fire | 0:27:20 | 0:27:25 | |
and the anvils and hammering metal. | 0:27:25 | 0:27:28 | |
Oh, that was it. I just knew that that was what I needed to do. | 0:27:28 | 0:27:32 | |
Together with husband Dave, this formidable team has the skill | 0:27:32 | 0:27:37 | |
and imagination to create something special from...any old iron. | 0:27:37 | 0:27:42 | |
There's nothing more exciting to come into work, light a fire, | 0:27:42 | 0:27:47 | |
heat up your metal. It's very magical. | 0:27:47 | 0:27:50 | |
I hope Bex still feels that way | 0:27:50 | 0:27:52 | |
when she gets a load of the rusty toolbox and filing cabinet. | 0:27:52 | 0:27:56 | |
As soon as I saw this, I totally thought Bex and Dave. | 0:27:56 | 0:27:58 | |
I think they're going to love this. | 0:27:58 | 0:28:00 | |
-What do you do with a filing cabinet? -File stuff. -You file stuff. | 0:28:00 | 0:28:03 | |
-Paint it. -Paint it. -SHE LAUGHS | 0:28:03 | 0:28:06 | |
-Crush it! -SHE LAUGHS | 0:28:09 | 0:28:12 | |
Steady on there, Bex. | 0:28:12 | 0:28:14 | |
No! | 0:28:15 | 0:28:16 | |
-What's the matter? -It's a filing cabinet. -Yeah? | 0:28:17 | 0:28:22 | |
It's beautiful! | 0:28:22 | 0:28:24 | |
-How can you not love my cubby little filing cabinet? -Oh, my goodness me. | 0:28:24 | 0:28:28 | |
-Shall we take it in and have a look? -Yes, sorry. | 0:28:28 | 0:28:31 | |
They don't like my filing cabinet. I'm really offended. | 0:28:31 | 0:28:33 | |
Anything but a filing cabinet. | 0:28:33 | 0:28:35 | |
-I found this at a tip, you know. -Amazing. | 0:28:35 | 0:28:38 | |
And if Bex has anything to do with it, it's going straight back there. | 0:28:38 | 0:28:43 | |
I'm thinking classic 1950s styling here. It's got beautiful handles. | 0:28:43 | 0:28:47 | |
The drawer's go in and out. Look. | 0:28:47 | 0:28:49 | |
SHE WHISTLES | 0:28:55 | 0:28:56 | |
I think I've broken it. | 0:28:56 | 0:28:58 | |
Demand a refund. | 0:28:58 | 0:28:59 | |
Oh, no, that's right, it was being thrown away. | 0:28:59 | 0:29:02 | |
I can't imagine why. | 0:29:02 | 0:29:04 | |
If we're going to work on this... | 0:29:04 | 0:29:08 | |
Yeah, what do you think? | 0:29:08 | 0:29:10 | |
..I really don't want it to look anything like a filing cabinet | 0:29:10 | 0:29:13 | |
at all cos I really, really don't like them. | 0:29:13 | 0:29:16 | |
I'd never have guessed(!) | 0:29:16 | 0:29:17 | |
So what we can do is take out all the drawers separately | 0:29:17 | 0:29:24 | |
and then go next door and just squash them in a press... | 0:29:24 | 0:29:30 | |
to make them completely flat. | 0:29:30 | 0:29:32 | |
We'll take the handles off, and so each one becomes like a shelf, | 0:29:32 | 0:29:38 | |
so it's like an open shelving thing. | 0:29:38 | 0:29:40 | |
So the only reference back to it | 0:29:40 | 0:29:44 | |
would be like these handles. | 0:29:44 | 0:29:46 | |
She really doesn't like filing cabinets. I thought this was lovely. | 0:29:46 | 0:29:49 | |
I don't know where I'm going wrong here. | 0:29:49 | 0:29:51 | |
Maybe Bex will feel the love for the old toolbox. | 0:29:51 | 0:29:55 | |
Not looking great - but bags of potential. | 0:29:55 | 0:30:00 | |
I'm in the bathroom, and I'm getting ready in the morning, | 0:30:02 | 0:30:05 | |
and a lovely bathroom cabinet on the wall, mirror... | 0:30:05 | 0:30:09 | |
DOOR CREAKS | 0:30:09 | 0:30:11 | |
-It's got a lovely, like, cross... -It's beautiful. -..there. | 0:30:11 | 0:30:14 | |
It's stylish, it's got lovely, original paintwork. | 0:30:14 | 0:30:18 | |
I think this is the gem and that is the... You don't have to do both. | 0:30:18 | 0:30:22 | |
-You could just do one. -Could be OK. | 0:30:22 | 0:30:25 | |
-Just needs a hammer. -Ease the hinges a bit. | 0:30:25 | 0:30:28 | |
Yeah, hammer some of these, like, dents out kind of things. | 0:30:28 | 0:30:34 | |
OK, so basically you're not feeling the love for these. | 0:30:34 | 0:30:37 | |
You want to crush this and hammer this. | 0:30:37 | 0:30:39 | |
Why don't I just leave you with some budget, | 0:30:39 | 0:30:42 | |
a little leap of faith and I'll come back, | 0:30:42 | 0:30:45 | |
and there'll be something saleable that is in profit? | 0:30:45 | 0:30:47 | |
Yeah. If it's not going anywhere, we'll stop... | 0:30:47 | 0:30:51 | |
-We'll ditch it. -..and say we've lost a few hours on that. It's a no-goer. | 0:30:51 | 0:30:56 | |
I think go for it, but if it reaches over 300 quid level in budget, | 0:30:56 | 0:31:00 | |
then give me a call because I need to sign that off | 0:31:00 | 0:31:02 | |
to make sure that I think we're going to be in profit. | 0:31:02 | 0:31:04 | |
So on that basis, are you happy to go for it? | 0:31:04 | 0:31:06 | |
-Yeah, let's do it. -Fantastic. | 0:31:06 | 0:31:08 | |
Well, I think it's pretty safe to say that Bex | 0:31:12 | 0:31:14 | |
is not keen on filing cabinets. | 0:31:14 | 0:31:17 | |
They're just so ugly. They really are. | 0:31:17 | 0:31:20 | |
I hope that between them, | 0:31:20 | 0:31:23 | |
Dave and Bex manage to make something out of those two items. | 0:31:23 | 0:31:26 | |
Otherwise, I'm just going to come back to a little pancake | 0:31:26 | 0:31:29 | |
of a filing cabinet and not a lot of profit. | 0:31:29 | 0:31:31 | |
-Wish us luck. -SHE LAUGHS | 0:31:33 | 0:31:36 | |
With a starting budget of £300, | 0:31:36 | 0:31:38 | |
will Bex and Dave salvage anything from Sarah's finds? | 0:31:38 | 0:31:42 | |
Sarah's returned to South London | 0:31:51 | 0:31:53 | |
to find out how Tom and Johnny got on with the pine drawers. | 0:31:53 | 0:31:58 | |
We're hoping when Sarah comes along | 0:31:58 | 0:31:59 | |
that she's going to like what we've done with the piece, | 0:31:59 | 0:32:01 | |
the colours. I hope she likes the paint. | 0:32:01 | 0:32:03 | |
I think that's the most drastic change. | 0:32:03 | 0:32:06 | |
I think it's worked quite accurately to what we proposed | 0:32:06 | 0:32:09 | |
we were going to do but it's always a bit hairy, I suppose, isn't it, | 0:32:09 | 0:32:12 | |
when you don't know what... | 0:32:12 | 0:32:13 | |
When someone hasn't seen something like that. | 0:32:13 | 0:32:15 | |
When Sarah dropped off the pine drawers | 0:32:15 | 0:32:17 | |
they were old-fashioned and out of favour. | 0:32:17 | 0:32:19 | |
Tom and Johnny have transformed them almost beyond recognition. | 0:32:22 | 0:32:26 | |
They've squared all the edges, creating clean lines. | 0:32:27 | 0:32:31 | |
The dumpling feet have been replaced | 0:32:31 | 0:32:33 | |
by stylish industrial-looking pin legs | 0:32:33 | 0:32:36 | |
and the handles have been updated. | 0:32:36 | 0:32:39 | |
Finally, the top has been stripped, sanded, bleached and re-waxed | 0:32:39 | 0:32:42 | |
and the carcass has been painted a stylish teal colour. | 0:32:42 | 0:32:46 | |
-Hello? -Hi. -Hey, are you all right? | 0:32:50 | 0:32:52 | |
-Yeah, really well. How you doing? -Yeah, good. -Nice to see you. | 0:32:52 | 0:32:54 | |
How you doing? | 0:32:54 | 0:32:56 | |
-No way is that it? -BOTH: -Yeah. | 0:32:56 | 0:32:59 | |
-Looks quite different! -Guys, that's amazing! | 0:32:59 | 0:33:01 | |
How... | 0:33:01 | 0:33:03 | |
It looks fresh and modern and really cool, doesn't it? | 0:33:03 | 0:33:07 | |
-BOTH: -Yeah. -Can I see if the drawers open? | 0:33:07 | 0:33:09 | |
Yeah. | 0:33:09 | 0:33:11 | |
Oh, they work beautifully, don't they? | 0:33:12 | 0:33:14 | |
That is a really fresh look. | 0:33:17 | 0:33:21 | |
I love the little hairpin legs to make it look fresh. | 0:33:21 | 0:33:24 | |
-Brought it up higher as well. -Yeah. And nice choice of handles. | 0:33:24 | 0:33:27 | |
-And that is the original pine top? -Yeah. -Yeah. -Did it have... | 0:33:27 | 0:33:30 | |
I can't remember what it had. Was it... | 0:33:30 | 0:33:32 | |
It had the mouldings on the side, | 0:33:32 | 0:33:33 | |
-which were that fake Victorian, wasn't it? -Yeah. | 0:33:33 | 0:33:36 | |
So we took that right off and took it back | 0:33:36 | 0:33:38 | |
and then had to quite heavily sand the top, as well, | 0:33:38 | 0:33:41 | |
cos it was quite pitted and scratched | 0:33:41 | 0:33:42 | |
and had water stains all over it. | 0:33:42 | 0:33:45 | |
I left you I think with about 280 quid, bar fixings. | 0:33:45 | 0:33:48 | |
How did you come out on budget? | 0:33:48 | 0:33:51 | |
Pretty good. I think we ran over by about £10. | 0:33:51 | 0:33:53 | |
Yeah, I think it was about 290 all in, yeah. | 0:33:53 | 0:33:56 | |
I'm so pleased with what you managed to achieve. Thank you so much. | 0:33:56 | 0:33:59 | |
-Cheers. -Take care. -Bye. | 0:33:59 | 0:34:01 | |
Well done, boys. I think Sarah really liked it. | 0:34:03 | 0:34:06 | |
Those lads have done so well, haven't they? | 0:34:06 | 0:34:08 | |
That now looks like a beautiful crisp piece of furniture | 0:34:08 | 0:34:12 | |
that you want to have in your home. Bingo! | 0:34:12 | 0:34:16 | |
-It went really well, yeah. -Yeah. | 0:34:16 | 0:34:17 | |
She seemed really surprised, which was good. A really good surprise. | 0:34:17 | 0:34:20 | |
Yeah, she seemed really happy. | 0:34:20 | 0:34:22 | |
I think she genuinely thought it looked really good. | 0:34:22 | 0:34:25 | |
Either that or she's a very good actor. | 0:34:25 | 0:34:26 | |
THEY LAUGH | 0:34:26 | 0:34:28 | |
When Sarah first met Corinne and Graham, | 0:34:28 | 0:34:30 | |
she discovered their old pine drawers | 0:34:30 | 0:34:32 | |
had more than just cosmetic problems. | 0:34:32 | 0:34:34 | |
The drawers don't work particularly well, | 0:34:34 | 0:34:36 | |
-they're quite sticky, so... -That is so annoying, isn't it? | 0:34:36 | 0:34:39 | |
I know. | 0:34:39 | 0:34:40 | |
Thankfully that didn't put Sarah off. | 0:34:40 | 0:34:43 | |
-They don't work at all, do they? -No! | 0:34:43 | 0:34:45 | |
They are supposed to though, aren't they? It's not just... | 0:34:45 | 0:34:47 | |
Yes, absolutely. | 0:34:47 | 0:34:49 | |
Once transformed, Sarah advertised the drawers online - and they sold. | 0:34:50 | 0:34:55 | |
She's now travelled near to Guildford | 0:34:55 | 0:34:57 | |
to visit Corinne and Graham - but will she be handing over any profit? | 0:34:57 | 0:35:02 | |
-Hi, there! -Hiya. -Hello. How are you doing? | 0:35:05 | 0:35:07 | |
-Yeah, good thanks. You? -Oh, hello. | 0:35:07 | 0:35:09 | |
-Oh, hello, Sarah. -Nice to see you again. -Nice to see you. | 0:35:09 | 0:35:11 | |
I said when I saw you at the tip that I would be back in touch | 0:35:11 | 0:35:15 | |
if I'd managed to do anything with your chest of drawers. | 0:35:15 | 0:35:18 | |
-Yeah. -Yeah. -It turned out that we took your chest of drawers | 0:35:18 | 0:35:20 | |
to these fantastic furniture restorers. | 0:35:20 | 0:35:22 | |
They're guys who work in South London called Tom and Johnny. | 0:35:22 | 0:35:26 | |
They had one look at it | 0:35:26 | 0:35:28 | |
and decided to give it a really lovely fresh makeover. | 0:35:28 | 0:35:32 | |
-Wow. -So I've got some pictures to show you how it ended up. | 0:35:32 | 0:35:36 | |
-Excellent. -Are you ready for this? | 0:35:36 | 0:35:37 | |
-Yeah. -Oh, wow! Look at that! -Oh, my goodness! | 0:35:37 | 0:35:41 | |
No! That's not the same one! | 0:35:41 | 0:35:43 | |
That's excellent, isn't it? | 0:35:43 | 0:35:45 | |
That's fantastic. I can't believe it! | 0:35:45 | 0:35:48 | |
Should have kept it. | 0:35:48 | 0:35:49 | |
-You should have kept it. -You wouldn't have been able to do that. | 0:35:49 | 0:35:52 | |
-Wow. -Do you like it? -Yeah, I really do. -Very much so, yeah. | 0:35:52 | 0:35:54 | |
Hadn't really got my head round what you would do with it | 0:35:54 | 0:35:57 | |
-or how it would end up looking. -So, yeah, somebody absolutely loved it | 0:35:57 | 0:36:00 | |
and was really pleased that it hadn't gone to anybody else. | 0:36:00 | 0:36:02 | |
-And I've got a little bit of profit to hand over. -Oh, gosh. | 0:36:02 | 0:36:05 | |
-After we paid the boys, I've got £35 here... -Wow. | 0:36:05 | 0:36:09 | |
..to hand over for your chest of drawers. Who gets that? | 0:36:09 | 0:36:12 | |
-Shall I take that? Lovely. -Graham will take that. | 0:36:12 | 0:36:14 | |
-Thank you so much. -That's very kind of you. -Oh, it's a pleasure. | 0:36:14 | 0:36:17 | |
£35. What is going to happen to that? | 0:36:17 | 0:36:20 | |
-Something for the garden, I would think. -Excellent. | 0:36:20 | 0:36:24 | |
Lovely to see you. Thank you so much for your time today | 0:36:24 | 0:36:27 | |
and that cold day at the tip. | 0:36:27 | 0:36:28 | |
-Definitely. -Thanks ever so much. Bye-bye. -See you, bye. -Bye. | 0:36:28 | 0:36:32 | |
Tom and Johnny charged a total of £290 | 0:36:34 | 0:36:37 | |
to transform the sticky drawers. | 0:36:37 | 0:36:39 | |
They sold for £325, | 0:36:39 | 0:36:42 | |
which allowed Sarah to hand over £35 to Corinne and Graham. | 0:36:42 | 0:36:47 | |
Well, Tom and Johnny put bags of style into that old chest of drawers | 0:36:48 | 0:36:52 | |
and I think that Corinne and Graham appreciated all their hard work, | 0:36:52 | 0:36:56 | |
so I'm pleased they liked what we did with it. | 0:36:56 | 0:36:58 | |
With another item making a profit, | 0:37:01 | 0:37:04 | |
it's back to the dump. | 0:37:04 | 0:37:05 | |
This time, Sarah's looking for an item to work on herself. | 0:37:05 | 0:37:09 | |
-What are you chucking out? -Cardboard. | 0:37:09 | 0:37:11 | |
Oh, that's no good. | 0:37:11 | 0:37:13 | |
She's being unusually choosy. | 0:37:13 | 0:37:15 | |
-Are you coming back with any furniture later, then? -No. | 0:37:15 | 0:37:18 | |
No time for small talk. | 0:37:18 | 0:37:20 | |
No furniture? | 0:37:20 | 0:37:22 | |
If it's furniture you're after, Sarah, | 0:37:22 | 0:37:25 | |
take a look in Adrian's boot. | 0:37:25 | 0:37:27 | |
It's got a lovely pair of legs on it, hasn't it? | 0:37:30 | 0:37:33 | |
More than a pair. | 0:37:33 | 0:37:35 | |
-Two pairs. -Two pairs of legs. | 0:37:35 | 0:37:37 | |
I see you've got a sweet little piano stool | 0:37:37 | 0:37:39 | |
and something of a dressing table. | 0:37:39 | 0:37:41 | |
It's been up in the loft for a long time. | 0:37:41 | 0:37:43 | |
And it's really just clearing it out. | 0:37:43 | 0:37:47 | |
We have grandchildren and they like to play up there. | 0:37:47 | 0:37:50 | |
This makes a little bit of room for them. | 0:37:50 | 0:37:52 | |
You're throwing stuff out of a certain era here | 0:37:52 | 0:37:54 | |
that is appealing to people today. Lots of people like... | 0:37:54 | 0:37:57 | |
It's a vintage look, I have to say. | 0:37:57 | 0:37:59 | |
-OK. -Vintage is now over 25 years old, so... | 0:37:59 | 0:38:01 | |
What should I be doing with it, then, do you think? | 0:38:01 | 0:38:03 | |
Bringing it here and letting me have a look at it. | 0:38:03 | 0:38:06 | |
Ray Miller, Liverpool. | 0:38:07 | 0:38:09 | |
So it's not far from home, is it? | 0:38:09 | 0:38:11 | |
They say brown furniture's making a massive comeback. | 0:38:11 | 0:38:13 | |
Oh. | 0:38:13 | 0:38:15 | |
And it's no surprise. | 0:38:15 | 0:38:17 | |
Furniture from this era is often beautifully made | 0:38:17 | 0:38:20 | |
with bags of character | 0:38:20 | 0:38:21 | |
and it will last much longer than the average pine flat pack nonsense. | 0:38:21 | 0:38:26 | |
Sarah's sure that she can turn space saving | 0:38:26 | 0:38:29 | |
into real savings for Adrian. | 0:38:29 | 0:38:31 | |
I hope that she can use them and maybe sell them. | 0:38:33 | 0:38:37 | |
That's fine by me. | 0:38:37 | 0:38:38 | |
It would be nice for them to have a good home. | 0:38:38 | 0:38:41 | |
These are a sweet little pair of vintage items. | 0:38:43 | 0:38:46 | |
The table, nice legs on it. | 0:38:46 | 0:38:48 | |
It's got a little pie crust edge to it. | 0:38:48 | 0:38:51 | |
And this stool was probably in front of a dressing table in the 1950s. | 0:38:51 | 0:38:55 | |
Together, these are the kind of things that I'm seeing £5 each | 0:38:55 | 0:38:59 | |
in a charity shop. Not great in this state - | 0:38:59 | 0:39:02 | |
but these have potential to make profit. | 0:39:02 | 0:39:05 | |
And, keen to maximise that potential... | 0:39:06 | 0:39:08 | |
..Sarah's travelled back home to Sussex. | 0:39:10 | 0:39:13 | |
Sarah wastes no time in collecting some raw materials | 0:39:20 | 0:39:24 | |
for her project - and it's from another dump. | 0:39:24 | 0:39:27 | |
You stay there. Back in a min. | 0:39:27 | 0:39:30 | |
As a huge fan of all things discarded, | 0:39:30 | 0:39:32 | |
Sarah knows exactly where to find her nearest one - | 0:39:32 | 0:39:36 | |
in her own garden. | 0:39:36 | 0:39:37 | |
I'm looking for buried treasure. | 0:39:40 | 0:39:42 | |
If you live in the middle of the country, | 0:39:43 | 0:39:46 | |
100 years ago, nobody collected your rubbish, | 0:39:46 | 0:39:48 | |
so you had to put it somewhere. | 0:39:48 | 0:39:50 | |
Many old and rural properties have a historic rubbish heap | 0:39:50 | 0:39:53 | |
similar to this one hidden away. | 0:39:53 | 0:39:56 | |
And you'll just find little pits with bottles | 0:39:56 | 0:40:01 | |
and old batteries and broken up old enamel, all over the place. | 0:40:01 | 0:40:05 | |
Sarah's been attacking hers for years. | 0:40:05 | 0:40:08 | |
It's probably her favourite place. | 0:40:08 | 0:40:10 | |
She's already got quite a collection | 0:40:10 | 0:40:13 | |
of Edwardian and Victorian bottles and jars - | 0:40:13 | 0:40:16 | |
but she's just a few short. | 0:40:16 | 0:40:17 | |
These are the inspiration for my next item. | 0:40:17 | 0:40:20 | |
Wait and see. | 0:40:21 | 0:40:22 | |
Gloves might have been a good idea, Sarah. | 0:40:22 | 0:40:25 | |
She's clearly got a plan for those - | 0:40:25 | 0:40:27 | |
and she's set aside that old white chair | 0:40:27 | 0:40:30 | |
so that she can concentrate on the table. | 0:40:30 | 0:40:33 | |
This sweet little table I found at the tip, | 0:40:34 | 0:40:36 | |
in its own right, it probably isn't worth very much. | 0:40:36 | 0:40:39 | |
So I'm going to use my dug-up treasure | 0:40:39 | 0:40:41 | |
to turn our table into a posy table. | 0:40:41 | 0:40:43 | |
The Victorians had a habit of covering any available surface | 0:40:44 | 0:40:48 | |
with interesting objects. | 0:40:48 | 0:40:50 | |
In the spring and summer months, | 0:40:50 | 0:40:52 | |
stately homes would proudly display floral blooms as posies | 0:40:52 | 0:40:56 | |
from their walled gardens. | 0:40:56 | 0:40:58 | |
We're going to bring the posy table right back in fashion. | 0:40:59 | 0:41:02 | |
Everybody is going to want one of these. | 0:41:02 | 0:41:04 | |
I certainly do. | 0:41:04 | 0:41:05 | |
Oh, yes, me too, for my stately, er, block of flats. | 0:41:05 | 0:41:09 | |
But, as usual, Sarah's taking things one step further. | 0:41:10 | 0:41:14 | |
She's marking the position of the jars she's dug up, | 0:41:14 | 0:41:17 | |
and she's going to embed them in the table. | 0:41:17 | 0:41:20 | |
All I've got to do now is make some little holes in the top of the table | 0:41:22 | 0:41:25 | |
for them to go in. | 0:41:25 | 0:41:27 | |
I'm going to use this! | 0:41:27 | 0:41:28 | |
That terrifying-looking drill | 0:41:28 | 0:41:30 | |
is fitted with a hole cutter | 0:41:30 | 0:41:31 | |
that you can get in any decent DIY store. | 0:41:31 | 0:41:34 | |
That's scary. | 0:41:35 | 0:41:37 | |
Make sure you're a seasoned driller before attempting this. | 0:41:37 | 0:41:41 | |
Oh, that's perfect. | 0:41:47 | 0:41:49 | |
That will definitely do. | 0:41:49 | 0:41:51 | |
They look really cool. | 0:41:52 | 0:41:53 | |
Next, Sarah tidies up the holes | 0:41:53 | 0:41:55 | |
and lightly sands the surface for painting. | 0:41:55 | 0:41:58 | |
So I'm painting it a lovely blue-black colour, | 0:42:01 | 0:42:04 | |
so that when the posies are in it, they really stand out. | 0:42:04 | 0:42:07 | |
What do you think, Bramble? Bram, what do you think? | 0:42:08 | 0:42:11 | |
Well, Bramble's not impressed, and I'm not surprised - | 0:42:11 | 0:42:14 | |
this isn't the most elegant of paint jobs. | 0:42:14 | 0:42:16 | |
I'm not seeking perfection here. | 0:42:16 | 0:42:18 | |
I want a really rough, rustic look. | 0:42:18 | 0:42:20 | |
A really bad paint job will obviously just add to its charms. | 0:42:20 | 0:42:23 | |
She's doing two coats. | 0:42:23 | 0:42:25 | |
That dusty blue on the top and black on the legs. | 0:42:25 | 0:42:28 | |
But Bramble's had enough. | 0:42:28 | 0:42:30 | |
It's like watching paint dry. | 0:42:30 | 0:42:32 | |
It literally is! | 0:42:33 | 0:42:35 | |
HE YAWNS | 0:42:35 | 0:42:36 | |
So what I'm going to do now is just take off all these crispy edges, | 0:42:40 | 0:42:44 | |
to make it look like I haven't just made it. | 0:42:44 | 0:42:46 | |
First, she paints it, then she rubs it off again. | 0:42:46 | 0:42:50 | |
It's hard work, this. | 0:42:50 | 0:42:51 | |
I could do with a bit of a lie-down myself. | 0:42:51 | 0:42:53 | |
What I'm trying to do is imagine how it would have been worn out | 0:42:53 | 0:42:56 | |
if somebody had been using it, like putting all the pots in these holes, | 0:42:56 | 0:42:59 | |
and where they picked it up on the edges. | 0:42:59 | 0:43:01 | |
For Sarah's final trick, | 0:43:01 | 0:43:02 | |
adding a layer of dark wax to complete that vintage feel. | 0:43:02 | 0:43:06 | |
So you can buy these waxes | 0:43:06 | 0:43:09 | |
in all sorts of different colours, | 0:43:09 | 0:43:11 | |
or you can even stir paint into clear wax | 0:43:11 | 0:43:14 | |
and make your own bespoke coloured finish. | 0:43:14 | 0:43:17 | |
Still bored, Bramble? | 0:43:19 | 0:43:20 | |
Bramble! Sausages! | 0:43:20 | 0:43:22 | |
BRAMBLE BARKS | 0:43:22 | 0:43:23 | |
I knew she could hear me. | 0:43:23 | 0:43:25 | |
Sarah's well on her way with her take on Victorian extravagance. | 0:43:26 | 0:43:31 | |
And, with just £5 spent on wax and paint, | 0:43:31 | 0:43:34 | |
it may even make a healthy profit. | 0:43:34 | 0:43:36 | |
But will she actually be able to sell such an unusual item? | 0:43:36 | 0:43:40 | |
At her workshop in Guildford, Surrey, | 0:43:49 | 0:43:51 | |
it's time for Bex to face her nemesis. | 0:43:51 | 0:43:54 | |
-Do you want to have a go at having a look at this? -No. | 0:43:54 | 0:43:59 | |
SHE LAUGHS | 0:43:59 | 0:44:01 | |
I really don't like them. | 0:44:01 | 0:44:03 | |
If you can take it apart for me, get all the drawers out... | 0:44:03 | 0:44:07 | |
-Yeah, I can do that. -Yeah, if you do that for me first days, then I'll... | 0:44:07 | 0:44:12 | |
-There you go. -Oh, OK. Thanks(!) | 0:44:14 | 0:44:18 | |
Nice try. | 0:44:18 | 0:44:19 | |
Explain to me what you're trying to do. | 0:44:21 | 0:44:23 | |
-Squash it flat. -Just the whole thing? -Yeah. | 0:44:23 | 0:44:25 | |
So the plan is to make a shelving unit using | 0:44:27 | 0:44:30 | |
the drawers of the filing cabinet as the shelves. | 0:44:30 | 0:44:33 | |
Stomach muscles in. | 0:44:33 | 0:44:34 | |
Stomach muscles. | 0:44:34 | 0:44:36 | |
In the past, Bex has used her pneumatic press | 0:44:36 | 0:44:39 | |
to shape and straighten metal... | 0:44:39 | 0:44:40 | |
..but this is the first time she's squashed anything with it. | 0:44:42 | 0:44:46 | |
-Oh, what a nice shape! -Yeah. | 0:44:55 | 0:44:58 | |
Ooh, oh, look at that, that's really nice. | 0:44:58 | 0:45:02 | |
Look at the way the corners have gone. | 0:45:04 | 0:45:06 | |
Nice one. It's like a tray. | 0:45:06 | 0:45:09 | |
-I can go and make some tea. -THEY LAUGH | 0:45:09 | 0:45:13 | |
See? That wasn't so difficult after all. | 0:45:15 | 0:45:17 | |
All right, Mr Tea Boy? | 0:45:17 | 0:45:19 | |
Now, on to the toolbox. | 0:45:21 | 0:45:23 | |
A quick buff was the plan | 0:45:27 | 0:45:29 | |
to make it into a bathroom or kitchen cabinet. | 0:45:29 | 0:45:32 | |
But... | 0:45:32 | 0:45:34 | |
This is taking ages. | 0:45:34 | 0:45:36 | |
It's working, though. | 0:45:41 | 0:45:43 | |
Yeah, but it's, like... To do the whole thing... | 0:45:43 | 0:45:47 | |
-Well, you've nearly done the whole thing. -Well, no, but I think... | 0:45:47 | 0:45:52 | |
Look, imagine being someone who is going to buy... | 0:45:52 | 0:45:57 | |
This was supposed to be a quick and easy job with real retail value. | 0:46:00 | 0:46:04 | |
It looks like a piece of junk. | 0:46:05 | 0:46:08 | |
Um, no, but a very artistically treated piece of junk. | 0:46:08 | 0:46:13 | |
Nice sales pitch, Dave. | 0:46:13 | 0:46:16 | |
Well, you know, just look at that. At the moment, | 0:46:16 | 0:46:19 | |
I'm not feeling the potential any more. | 0:46:19 | 0:46:22 | |
I mean, an idea that I did just have was those hinges. | 0:46:22 | 0:46:27 | |
You know how the old metal hinges, they're all scrolled | 0:46:27 | 0:46:33 | |
and beautiful, and they're like on a wooden door. | 0:46:33 | 0:46:36 | |
I know what you mean, | 0:46:36 | 0:46:37 | |
but I can see the budget just going completely out the window on that. | 0:46:37 | 0:46:42 | |
I know, but just doing this, I don't think the finish is good enough. | 0:46:42 | 0:46:45 | |
I think that's all right. | 0:46:45 | 0:46:47 | |
Really? | 0:46:47 | 0:46:48 | |
I think that'll be OK. | 0:46:48 | 0:46:50 | |
Well, at least someone is optimistic. | 0:46:51 | 0:46:53 | |
Personally, though, I think this one could be Bex's undoing. | 0:46:53 | 0:46:58 | |
I don't like this one. | 0:46:58 | 0:46:59 | |
In Sussex, Sarah's posy table needs a final flourish. | 0:47:09 | 0:47:14 | |
As pretty much nobody's heard of a posy table. | 0:47:14 | 0:47:16 | |
We really need to get these things in context | 0:47:18 | 0:47:20 | |
to take pictures to sell them. | 0:47:20 | 0:47:23 | |
Sarah arranges the flowers and places all the jars in their holes. | 0:47:28 | 0:47:33 | |
OK, that should do it. | 0:47:33 | 0:47:35 | |
But has she brought that humdrum brown table into bloom? | 0:47:35 | 0:47:39 | |
Sarah took an unwanted old white seat | 0:47:39 | 0:47:41 | |
and an average occasional table from the recycling centre. | 0:47:41 | 0:47:45 | |
She soon decided to concentrate her efforts on the table. | 0:47:45 | 0:47:49 | |
Now, Sarah's taken it back in time | 0:47:53 | 0:47:56 | |
and transformed it into a posy table | 0:47:56 | 0:47:58 | |
that wouldn't look out of place | 0:47:58 | 0:48:00 | |
in the reception of a 19th-century stately home. | 0:48:00 | 0:48:04 | |
Those Victorian jars she found in her garden tip | 0:48:05 | 0:48:08 | |
present her bouquets beautifully. | 0:48:08 | 0:48:11 | |
And their colours pop out against the dusty blue | 0:48:11 | 0:48:13 | |
of the warm-looking table. | 0:48:13 | 0:48:15 | |
And Sarah knows exactly who to target for a sale. | 0:48:16 | 0:48:19 | |
I'm really pleased how this has turned out. | 0:48:22 | 0:48:24 | |
The flowers in it look lovely and that's important | 0:48:24 | 0:48:27 | |
because if I'm going to sell this to a florist, it needs to really work. | 0:48:27 | 0:48:30 | |
Definitely worth embracing those power tools. | 0:48:30 | 0:48:32 | |
At the dump, Sarah spotted some of Adrian's furniture. | 0:48:35 | 0:48:39 | |
It's got a lovely pair of legs on it, hasn't it? | 0:48:39 | 0:48:41 | |
It was up in the loft for a long time | 0:48:41 | 0:48:44 | |
and it's really just clearing it out. | 0:48:44 | 0:48:48 | |
Which, sadly, had worn out its welcome. | 0:48:48 | 0:48:50 | |
You can accumulate only so much. | 0:48:50 | 0:48:52 | |
Sarah turned the table into a stunning floral display. | 0:48:52 | 0:48:56 | |
Blooming marvellous! | 0:48:58 | 0:48:59 | |
It looks great and was snapped up by Sara Hughes, | 0:49:00 | 0:49:03 | |
the owner of a vintage furniture store in Marlow, Buckinghamshire. | 0:49:03 | 0:49:08 | |
What Sarah's done with it is really imaginative | 0:49:08 | 0:49:10 | |
and I just think it's really fun | 0:49:10 | 0:49:12 | |
and I've got customers who are florists who'll love it. | 0:49:12 | 0:49:14 | |
And now, Sarah's at Adrian's home to surprise him with the good news. | 0:49:17 | 0:49:21 | |
-Hello, there. -Hello, there. | 0:49:23 | 0:49:24 | |
Lovely to see you, how are you? | 0:49:24 | 0:49:26 | |
-Hi, there. I'm Sarah. -Pleased to see you. | 0:49:26 | 0:49:27 | |
-This is my wife, Sarah. -Another Sarah. Lovely. -Two Sarahs. | 0:49:27 | 0:49:30 | |
That keeps it very easy for me. | 0:49:30 | 0:49:32 | |
So it was your things, the stool and the little occasional table, | 0:49:32 | 0:49:36 | |
you were dropping off at the recycling centre. | 0:49:36 | 0:49:38 | |
Had they been family pieces, or...? | 0:49:38 | 0:49:41 | |
The stool, yes. The table, no. | 0:49:41 | 0:49:43 | |
I set the stool aside | 0:49:43 | 0:49:44 | |
and it was actually the table that I decided to work on, | 0:49:44 | 0:49:47 | |
because it had such an interesting shape to it. | 0:49:47 | 0:49:49 | |
I've actually got some pictures here to show you of how it turned out. | 0:49:49 | 0:49:52 | |
But before I do, have you ever heard of a posy table? | 0:49:52 | 0:49:55 | |
A posy table? Presumably for flowers. | 0:49:55 | 0:49:57 | |
What's a posy table? | 0:49:57 | 0:49:59 | |
Well, I can show in a moment, but a friend of mine told me about it | 0:49:59 | 0:50:02 | |
and it is this lovely table that gardeners in big estates | 0:50:02 | 0:50:05 | |
used to prepare little bouquets and buttonholes | 0:50:05 | 0:50:08 | |
-for the ladies and gentlemen of the house. -Wow. Wow! | 0:50:08 | 0:50:11 | |
I've got some pictures to show you. | 0:50:11 | 0:50:13 | |
-Lovely. -So here is your table. | 0:50:13 | 0:50:15 | |
Oh! | 0:50:15 | 0:50:17 | |
Can we have it back? | 0:50:18 | 0:50:19 | |
-Isn't that lovely? -It is. Oh, yeah. | 0:50:20 | 0:50:23 | |
-Do you approve of its re-use? -Oh, yes, absolutely. -It's lovely. | 0:50:23 | 0:50:26 | |
-It's nice to have something that is now going to be used. -A second life. | 0:50:26 | 0:50:29 | |
Yes, well, it's been snapped up by a shop | 0:50:29 | 0:50:31 | |
and I've managed to make you a little bit of profit on it. | 0:50:31 | 0:50:33 | |
Oh, excellent. | 0:50:33 | 0:50:35 | |
So here is... | 0:50:35 | 0:50:36 | |
£130... | 0:50:36 | 0:50:39 | |
Wow! | 0:50:39 | 0:50:41 | |
For your occasional table. | 0:50:41 | 0:50:44 | |
As we say round here, better than a poke in the eye with a sharp stick. | 0:50:44 | 0:50:47 | |
Lovely! Well, yes, I think it's definitely better than that. | 0:50:47 | 0:50:49 | |
-That's wonderful. -It is, terrific. | 0:50:49 | 0:50:52 | |
Have you got thoughts about what you might do with it? | 0:50:52 | 0:50:54 | |
-Well, yes, we have. -Alzheimer's Society. | 0:50:54 | 0:50:56 | |
My mother died about ten years ago | 0:50:56 | 0:50:59 | |
and Dad looked after her for a number of years, | 0:50:59 | 0:51:01 | |
well supported by the Alzheimer's Society. | 0:51:01 | 0:51:03 | |
Well, I think that is absolutely lovely, | 0:51:03 | 0:51:05 | |
and I was really inspired by your old table, | 0:51:05 | 0:51:07 | |
and that's a great place for that to go. | 0:51:07 | 0:51:09 | |
-Splendid. Thank you very much. -A total pleasure. | 0:51:09 | 0:51:12 | |
Lovely to have met you and to catch up with you, Adrian. | 0:51:12 | 0:51:14 | |
-Thank you very much. -Thank you. Bye-bye. -Bye-bye. -Thank you. | 0:51:14 | 0:51:16 | |
Sarah spent a modest £5 on the makeover. | 0:51:20 | 0:51:23 | |
She sold the posy table for a whopping £135, | 0:51:23 | 0:51:28 | |
earning Adrian and his wife Sarah | 0:51:28 | 0:51:30 | |
£130 of profit. | 0:51:30 | 0:51:32 | |
Well, if Adrian and Sarah's reaction is anything to go by, | 0:51:32 | 0:51:36 | |
there are going to be posy tables popping up everywhere. | 0:51:36 | 0:51:39 | |
I'm delighted that they like what I did with it, | 0:51:39 | 0:51:41 | |
and I'm so pleased that that money is going to such a worthy cause. | 0:51:41 | 0:51:45 | |
Over in Surrey... | 0:51:55 | 0:51:56 | |
..it's time for Bex to reveal to Sarah | 0:51:59 | 0:52:01 | |
what has become of the old filing cabinet and toolbox. | 0:52:01 | 0:52:05 | |
I was really quite pleased when I found the filing cabinet | 0:52:05 | 0:52:08 | |
at the tip, but Bex and Dave were not keen on it at all. | 0:52:08 | 0:52:11 | |
In fact, when I left them, they said they were going to crush it, | 0:52:11 | 0:52:15 | |
and I was going to pay them for the privilege. | 0:52:15 | 0:52:17 | |
Can't imagine what they've done with it. | 0:52:17 | 0:52:20 | |
Oh, it has been a challenge, | 0:52:20 | 0:52:22 | |
cos, obviously, a filing cabinet is quite... | 0:52:22 | 0:52:25 | |
Well, it's just quite big and bulky and... | 0:52:25 | 0:52:28 | |
-As blacksmiths, there's not a lot you can do... -No. | 0:52:28 | 0:52:32 | |
..with that sort of material. | 0:52:32 | 0:52:34 | |
I think we've managed to come up with something | 0:52:34 | 0:52:37 | |
out of the two items | 0:52:37 | 0:52:39 | |
that works quite well in a...in a... | 0:52:39 | 0:52:43 | |
sort of wacky kind of way. | 0:52:43 | 0:52:46 | |
It's one for a niche buyer, I think, this one. | 0:52:46 | 0:52:49 | |
No, stop pigeonholing it. | 0:52:49 | 0:52:51 | |
Don't pigeonhole it. | 0:52:51 | 0:52:53 | |
So a shelving unit and a bathroom cabinet, then. | 0:52:55 | 0:52:58 | |
Nothing so conventional from Bex. | 0:53:02 | 0:53:05 | |
She fought her phobia of filing cabinets | 0:53:05 | 0:53:08 | |
and has seamlessly brought together the old toolbox | 0:53:08 | 0:53:12 | |
and filing cabinet to produce this contemporary lock-up. | 0:53:12 | 0:53:15 | |
A drawer of the cabinet was squashed to form a shelf | 0:53:16 | 0:53:20 | |
and the lid of the toolbox makes an eye-catching door. | 0:53:20 | 0:53:23 | |
And the quirks continue on the side with these...hinge detail things. | 0:53:25 | 0:53:31 | |
THEY LAUGH | 0:53:32 | 0:53:35 | |
What's so funny? I actually quite like it. | 0:53:38 | 0:53:41 | |
-LAUGHS: -Everything I've ever thought about you. | 0:53:41 | 0:53:43 | |
Look at that! | 0:53:43 | 0:53:45 | |
Oh, my word! | 0:53:45 | 0:53:47 | |
What...? That is bonkers! | 0:53:47 | 0:53:50 | |
May I open it? How does it open? | 0:53:50 | 0:53:51 | |
-Open it up for me. -You just open it up like that. | 0:53:51 | 0:53:54 | |
And then we flattened one of the drawers and just put it back in, | 0:53:54 | 0:53:58 | |
-but a flattened drawer. -It is lovely. | 0:53:58 | 0:54:01 | |
They are... They are fantastic. | 0:54:01 | 0:54:04 | |
They look sort of alien, don't they? | 0:54:04 | 0:54:07 | |
Yeah, well, it's basically based on circuit boards, | 0:54:07 | 0:54:11 | |
cos it's, you know, filing and systems and stuff. | 0:54:11 | 0:54:15 | |
It is brilliant. | 0:54:15 | 0:54:17 | |
It's funny, it's useful... These hinges, really cool. | 0:54:17 | 0:54:22 | |
Bex and Dave took on those two tip finds and won. | 0:54:23 | 0:54:27 | |
What's more, they managed to do it within the agreed budget. | 0:54:27 | 0:54:31 | |
I was, I have to say, a teeny bit worried | 0:54:31 | 0:54:34 | |
about the crunch, crunch, sort of idea that you had before, | 0:54:34 | 0:54:37 | |
so it's actually quite a relief, as well. | 0:54:37 | 0:54:39 | |
SHE LAUGHS | 0:54:39 | 0:54:42 | |
Well, it's not often you get a good old laugh | 0:54:42 | 0:54:44 | |
out of an old filing cabinet. | 0:54:44 | 0:54:46 | |
They've done a fantastic job. | 0:54:46 | 0:54:47 | |
My turn now to make some money out of it. | 0:54:47 | 0:54:50 | |
Paul was moving home and clearing out his garage | 0:54:52 | 0:54:56 | |
when Sarah spotted the filing cabinet and toolbox | 0:54:56 | 0:54:59 | |
in the back of his van. | 0:54:59 | 0:55:01 | |
I really like that. It's decorative as well as being industrial. | 0:55:01 | 0:55:04 | |
Paul struggled to see its potential... | 0:55:04 | 0:55:07 | |
I'm not too sure, but I have seen some of her stuff before, | 0:55:07 | 0:55:10 | |
and I'd be interested to see what she does with it. | 0:55:10 | 0:55:13 | |
..and Bex certainly took some convincing. | 0:55:13 | 0:55:16 | |
But she finally unleashed its quirky charm. | 0:55:16 | 0:55:19 | |
It didn't take long for Sarah to entice Nick, | 0:55:22 | 0:55:25 | |
an online retailer, into buying the bespoke piece | 0:55:25 | 0:55:29 | |
to sell through his shop, Smithers of Stamford. | 0:55:29 | 0:55:32 | |
This is absolutely bonkers. I love it. | 0:55:36 | 0:55:38 | |
Sarah's on her way to Paul's new home | 0:55:40 | 0:55:42 | |
to tell him what became of his old filing cabinet and toolbox. | 0:55:42 | 0:55:46 | |
-Hello. -Hi, Paul. How are you? -Good. | 0:55:47 | 0:55:50 | |
So you've made the move? | 0:55:50 | 0:55:52 | |
Yeah, we're here. Eventually, yeah. | 0:55:52 | 0:55:55 | |
And so from what I remember, you were clearing out | 0:55:55 | 0:55:57 | |
-the garage in your old house, is that right? -That's right, yes. | 0:55:57 | 0:55:59 | |
Yeah, so I loved the look of your sweet little filing cabinet, | 0:55:59 | 0:56:03 | |
-and we took away an old metal box case as well. -Yeah. | 0:56:03 | 0:56:07 | |
I took them to Bex Simon, who is a fantastic blacksmith artist | 0:56:07 | 0:56:10 | |
who works with her partner, Dave. And between them, | 0:56:10 | 0:56:13 | |
they decided they were going to make one lovely piece of furniture. | 0:56:13 | 0:56:16 | |
-Would you like to see it? -Oh, yeah, I'd love to. | 0:56:16 | 0:56:18 | |
OK, so brace yourself cos it doesn't look | 0:56:18 | 0:56:21 | |
-quite like you might remember it. -Crikey! | 0:56:21 | 0:56:24 | |
-Wow! That's...that's...striking. -Striking! | 0:56:24 | 0:56:29 | |
I was wondering what you'd make of it. | 0:56:29 | 0:56:33 | |
But that looks fantastic. | 0:56:33 | 0:56:35 | |
And it's been sold, | 0:56:35 | 0:56:36 | |
-so it's gone off to a retro vintage store. -OK. | 0:56:36 | 0:56:39 | |
And I've got £40 here, which is the profit made | 0:56:39 | 0:56:41 | |
-from selling your filing cabinet. -Yes, brilliant! | 0:56:41 | 0:56:43 | |
-Thanks very much. -So you've just moved. | 0:56:43 | 0:56:45 | |
Is there anything you think you might be using that for? | 0:56:45 | 0:56:48 | |
We're looking at shrubs this weekend, | 0:56:48 | 0:56:50 | |
so I think the garden's going to get a little makeover in one corner. | 0:56:50 | 0:56:53 | |
Oh, fantastic. Well, if that helps to go towards that, | 0:56:53 | 0:56:55 | |
then I'm really pleased. But thank you so much for letting me have it. | 0:56:55 | 0:56:58 | |
It's bright and it's beautiful, | 0:56:58 | 0:57:00 | |
and it's going to go on to be in the heart of somebody else's home. | 0:57:00 | 0:57:02 | |
-It's lovely, really nice to catch up. -Thank you. | 0:57:02 | 0:57:04 | |
-Bye-bye. -Yeah, lovely. | 0:57:04 | 0:57:05 | |
Well, Bex completely squashed Paul's filing cabinet, | 0:57:07 | 0:57:10 | |
but we managed to squeeze a little profit out of it too, | 0:57:10 | 0:57:13 | |
and I think Paul's happy with that. | 0:57:13 | 0:57:15 | |
Coming in on budget of £300 and selling for £340 means | 0:57:15 | 0:57:21 | |
Bex and Dave turned Paul's old metal into a £40 profit. | 0:57:21 | 0:57:25 | |
Not bad, considering she hated it at the start. | 0:57:25 | 0:57:28 | |
Sarah's saved four waste wonders from the skips. | 0:57:38 | 0:57:42 | |
Jeanette's rusty petrol can | 0:57:45 | 0:57:47 | |
has become motor-themed lighting. | 0:57:47 | 0:57:49 | |
Corinne and Graham's pine drawers | 0:57:50 | 0:57:52 | |
went through a thoroughly modern makeover. | 0:57:52 | 0:57:55 | |
Adrian's table took a trip back in time... | 0:57:56 | 0:57:59 | |
and the filing cabinet and toolbox became a new-look lock-up. | 0:57:59 | 0:58:03 | |
Well, handing over money for nothing is a great feeling, | 0:58:07 | 0:58:10 | |
and knowing that we've saved something | 0:58:10 | 0:58:12 | |
that can go and take pride of place in a new home, | 0:58:12 | 0:58:14 | |
and maybe be loved again - | 0:58:14 | 0:58:15 | |
well, that's even better. | 0:58:15 | 0:58:17 |