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-Can I have a little rummage around in your rubbish? -Yeah. | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:06 | 0:00:10 | |
I love that. | 0:00:10 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes | 0:00:11 | 0:00:15 | |
of household waste we throw out every year. | 0:00:15 | 0:00:18 | |
So heavy. They don't make them like this any more. Look at that. | 0:00:18 | 0:00:21 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:21 | 0:00:26 | |
before they hit the skip. | 0:00:26 | 0:00:28 | |
I'm a passionate maker, buyer and user of old stuff, | 0:00:30 | 0:00:34 | |
and I've turned that passion into a money-making business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:37 | 0:00:41 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:46 | |
Say something nice about it. | 0:00:46 | 0:00:47 | |
My juices are flowing in this one. They are going to be wow. | 0:00:47 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
Isn't that stunning? | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
Oh, wow. | 0:00:57 | 0:00:59 | |
..and, hopefully, saleable items. | 0:00:59 | 0:01:02 | |
That is bonkers. | 0:01:02 | 0:01:03 | |
If Sarah is successful, then she can hand the profits back | 0:01:03 | 0:01:07 | |
to the very people who had no idea | 0:01:07 | 0:01:09 | |
there was cash to be made from their trash. | 0:01:09 | 0:01:12 | |
Got, um, £350. | 0:01:12 | 0:01:15 | |
No. | 0:01:15 | 0:01:16 | |
Today we're at the recycling centre in Walsall, | 0:01:26 | 0:01:30 | |
where Sarah is searching for those ever elusive hidden gems. | 0:01:30 | 0:01:34 | |
Old cardboard, decimated flat-pack | 0:01:37 | 0:01:40 | |
and polystyrene are not going to cut it. | 0:01:40 | 0:01:42 | |
I'm after those solid pieces I can attach a serious price tag to. | 0:01:42 | 0:01:46 | |
She's been given special permission to ransack the rubbish, | 0:01:47 | 0:01:51 | |
and she's on a mission to find two items | 0:01:51 | 0:01:53 | |
that can be brought back to life and sold on for a profit. | 0:01:53 | 0:01:57 | |
And the first thing Sarah spots today is a vision in red | 0:01:57 | 0:02:01 | |
in Zia's car. | 0:02:01 | 0:02:03 | |
-Hiya. -Hi. | 0:02:03 | 0:02:04 | |
-Getting rid of the sofa? -Yes, we are, yeah. -Oh, it's a chair. | 0:02:04 | 0:02:07 | |
I thought it was a sofa. | 0:02:07 | 0:02:09 | |
Is it...? It's yours? You're just chucking it out? | 0:02:09 | 0:02:12 | |
-It looks in really good condition. -It is, but the springs have gone. | 0:02:12 | 0:02:15 | |
The chair is a red herring. | 0:02:15 | 0:02:17 | |
It's the red leather that's caught Sarah's eye. | 0:02:17 | 0:02:21 | |
The price tag on leather goods is growing. | 0:02:21 | 0:02:24 | |
Repurposing the leather from this sofa could be a real money-maker. | 0:02:24 | 0:02:29 | |
I think what I might do is just take the cushions away. | 0:02:29 | 0:02:32 | |
I think I should be able to get enough material out of those, | 0:02:32 | 0:02:35 | |
and then recycle the chair, if that's all right. | 0:02:35 | 0:02:38 | |
-That's fine. -Cos those are some really lovely cushions. | 0:02:38 | 0:02:41 | |
I think it would be great to take those away, if you don't mind. | 0:02:41 | 0:02:44 | |
No problem. | 0:02:44 | 0:02:45 | |
What does Zia think of Sarah scarpering with his cushions? | 0:02:47 | 0:02:50 | |
Hopefully, somebody can get some use out of it | 0:02:51 | 0:02:53 | |
rather than just throwing it in the rubbish bin and go to landfill. | 0:02:53 | 0:02:56 | |
Now, there is just heaps of leather in these cushions. | 0:02:59 | 0:03:03 | |
I really want to see what it's like on the inside | 0:03:03 | 0:03:05 | |
but I can't do that without ripping... Oh, no, look. | 0:03:05 | 0:03:09 | |
OK, so, it's a sort of pink suede on the inside. | 0:03:09 | 0:03:12 | |
I'm thinking maybe this would make, you know, | 0:03:12 | 0:03:14 | |
loads of handbags out of this, or maybe even a coat. | 0:03:14 | 0:03:17 | |
Really good find cos there's just heaps of potential | 0:03:17 | 0:03:20 | |
with what we've got here. | 0:03:20 | 0:03:22 | |
And Sarah knows just the man | 0:03:22 | 0:03:24 | |
to turn all that potential into profit. | 0:03:24 | 0:03:26 | |
When you think bags, think Neil Wragg. | 0:03:28 | 0:03:31 | |
From salvaged unwanted materials, | 0:03:31 | 0:03:33 | |
Neil creates everything from handbags to haversacks, | 0:03:33 | 0:03:37 | |
and prides himself on the fact that his handmade bespoke bags | 0:03:37 | 0:03:42 | |
will last a lifetime. | 0:03:42 | 0:03:43 | |
I love being able to create something | 0:03:44 | 0:03:46 | |
from what would be rubbish, I suppose, to other people. | 0:03:46 | 0:03:51 | |
You could have, for example, a tent that was at Glastonbury | 0:03:51 | 0:03:56 | |
and saw the Rolling Stones and then now it becomes a bag, | 0:03:56 | 0:04:00 | |
and it's seen quite a life already. | 0:04:00 | 0:04:03 | |
But will Neil be able to raise the old leather cushions | 0:04:03 | 0:04:06 | |
from the dead too? | 0:04:06 | 0:04:08 | |
One item down, one still to find. | 0:04:15 | 0:04:18 | |
The weather's taken a turn for the worse, | 0:04:18 | 0:04:20 | |
but I'm not going to let that dampen my sunny disposition. | 0:04:20 | 0:04:24 | |
Will Jamie and dad, Jeff, brighten Sarah's day? | 0:04:26 | 0:04:30 | |
Oh, wow. | 0:04:31 | 0:04:33 | |
-Hiya. -Hello. -Whose is that then? | 0:04:33 | 0:04:36 | |
My nan's, it was. | 0:04:36 | 0:04:37 | |
Oh, really? That is a fantastic sofa. | 0:04:37 | 0:04:41 | |
-So, you just... -In the skip. -Really? -Yep. | 0:04:41 | 0:04:45 | |
I think it looks amazing. I like everything about it. | 0:04:45 | 0:04:47 | |
The style of it, the fabric's really retro. | 0:04:47 | 0:04:50 | |
It's a good size. Not too big. | 0:04:50 | 0:04:53 | |
And it's got that kind of | 0:04:53 | 0:04:54 | |
retro look that people are stuffing into their houses again, | 0:04:54 | 0:04:57 | |
-so if you let me have it, that would make my day. -Yeah. | 0:04:57 | 0:05:01 | |
Absolutely love it. | 0:05:01 | 0:05:03 | |
It looks to me like Sarah might be putting | 0:05:05 | 0:05:08 | |
passion before profit on this one. | 0:05:08 | 0:05:12 | |
-Jamie, thanks so much for letting me have that. -OK. | 0:05:12 | 0:05:14 | |
That's absolutely made my day. I love it. | 0:05:14 | 0:05:16 | |
Wow. That's going to take some work. | 0:05:16 | 0:05:19 | |
I have got the most amazing upholsterer lined up. | 0:05:19 | 0:05:22 | |
They are original, funky. | 0:05:22 | 0:05:24 | |
They're going to breathe new life into this | 0:05:24 | 0:05:26 | |
and there's going to be money to be made. | 0:05:26 | 0:05:28 | |
Welcome to the world of Anthony Devine. | 0:05:32 | 0:05:35 | |
Anthony's unique and quirky upholstery | 0:05:35 | 0:05:38 | |
has earned him the reputation as one of the most imaginative | 0:05:38 | 0:05:41 | |
craftspeople around. | 0:05:41 | 0:05:43 | |
Anthony can upholster almost anything, | 0:05:43 | 0:05:47 | |
but he loves a good chair. | 0:05:47 | 0:05:49 | |
Some chairs you just know. | 0:05:49 | 0:05:50 | |
You know that this is the one | 0:05:50 | 0:05:52 | |
and you just know you're onto a winner. | 0:05:52 | 0:05:55 | |
You can look beyond the kind of dirt and the holes and the grime | 0:05:57 | 0:06:01 | |
and you think, "Yes, we've got a gem here," | 0:06:01 | 0:06:04 | |
and then it's a matter of teaming it up with the right fabric. | 0:06:04 | 0:06:08 | |
And then from ugly ducklings arrive beautiful swans. | 0:06:08 | 0:06:13 | |
Well, Anthony, can you transform this into a beautiful swan? | 0:06:14 | 0:06:19 | |
Success. | 0:06:22 | 0:06:23 | |
Sarah has secured both items. | 0:06:23 | 0:06:26 | |
Neil will repurpose the red leather. | 0:06:26 | 0:06:29 | |
And Anthony will get busy bringing the old-fashioned sofa | 0:06:29 | 0:06:33 | |
up-to-date. | 0:06:33 | 0:06:34 | |
It never ceases to amaze me what people throw away. | 0:06:37 | 0:06:40 | |
I'm so pleased I was here today to save a couple of pieces | 0:06:40 | 0:06:43 | |
that I think are dumped diamonds that'll bring home big bucks. | 0:06:43 | 0:06:47 | |
Nestled between Salford and Manchester | 0:06:53 | 0:06:56 | |
is master upholsterer Anthony Devine's workshop. | 0:06:56 | 0:07:00 | |
He's got an amazing track record of transforming crumpled couches | 0:07:00 | 0:07:04 | |
into sexy sofas. | 0:07:04 | 0:07:07 | |
When the doors are opened and you get the first glimpse, | 0:07:07 | 0:07:10 | |
you see one and you just know you're onto a winner. | 0:07:10 | 0:07:13 | |
-Some things just kind of click. -Anthony! | 0:07:13 | 0:07:16 | |
You brought a sofa. | 0:07:18 | 0:07:20 | |
-Tell me you love it. -I love it. | 0:07:22 | 0:07:24 | |
-Come on. -Yes. -Let's get it in. Let's do the business. | 0:07:24 | 0:07:26 | |
Yes. Now you're listening to what I want. | 0:07:26 | 0:07:29 | |
Anthony clearly wants very strange things. | 0:07:29 | 0:07:31 | |
-It's not too heavy. -Oh, this is perfect. | 0:07:31 | 0:07:35 | |
This is one of my favourite finds. | 0:07:37 | 0:07:40 | |
I love it. I love it, love it, love it. | 0:07:40 | 0:07:43 | |
There is just something about it. | 0:07:43 | 0:07:45 | |
The '70s-ness of it is oozing out of it. | 0:07:45 | 0:07:48 | |
It's like a Star Wars sofa. | 0:07:48 | 0:07:50 | |
I'm not sure oozing is a desirable trait in a discarded sofa. | 0:07:50 | 0:07:54 | |
Everything has to be thread-perfect on it | 0:07:55 | 0:08:00 | |
if we're looking at the penthouse. | 0:08:00 | 0:08:02 | |
OK. So, this is now going to be called the penthouse sofa. | 0:08:02 | 0:08:06 | |
Yeah, just don't tell its glamorous new owners | 0:08:06 | 0:08:08 | |
that it was nearly the skip sofa when they buy it. | 0:08:08 | 0:08:12 | |
Now, colours, design. Bear with me on this. | 0:08:12 | 0:08:16 | |
I know. Go on. | 0:08:16 | 0:08:18 | |
I'm thinking quartz pink, rose quartz. It's bang on trend. | 0:08:18 | 0:08:22 | |
It works beautifully with gold. | 0:08:22 | 0:08:25 | |
I think it would look beautiful in it. | 0:08:25 | 0:08:28 | |
What do you think? | 0:08:28 | 0:08:29 | |
Anthony's clearly delighted. | 0:08:29 | 0:08:31 | |
-Um, I... -Can't hold back his enthusiasm... | 0:08:31 | 0:08:34 | |
-Uh... -..for Sarah's artistic vision. -Yes. | 0:08:34 | 0:08:38 | |
Don't worry, Anthony. | 0:08:38 | 0:08:39 | |
Sarah knows exactly what she's doing. | 0:08:39 | 0:08:42 | |
But can she afford it? | 0:08:42 | 0:08:43 | |
I'm thinking around the 1,250 mark. | 0:08:46 | 0:08:51 | |
We'd give enough good fabric and it gives me enough to be able | 0:08:51 | 0:08:54 | |
to put everything back and make a little bit for me. | 0:08:54 | 0:08:58 | |
Wow. With that huge budget, | 0:08:58 | 0:09:00 | |
the pressure is going to be on for Anthony to deliver. | 0:09:00 | 0:09:03 | |
This is where we're aiming at. We're up there. | 0:09:03 | 0:09:05 | |
-Yeah, the suite. -Sweet suite. | 0:09:05 | 0:09:07 | |
In the suite, penthouse suite. There you go. | 0:09:07 | 0:09:10 | |
Loving your work. Oh, I've done it again! | 0:09:12 | 0:09:14 | |
This one I really like. | 0:09:16 | 0:09:19 | |
Between you and me, I'm a big fan of this one. | 0:09:19 | 0:09:22 | |
That really is one of my favourite skip finds. | 0:09:24 | 0:09:26 | |
Anthony has taken on board some of the things I've suggested, | 0:09:26 | 0:09:30 | |
and I'm just hoping that I've made the right call on it. | 0:09:30 | 0:09:33 | |
I'm just going to enjoy making it | 0:09:33 | 0:09:35 | |
rather than kind of selecting the fabrics and the outcome of it. | 0:09:35 | 0:09:40 | |
I... Yeah. | 0:09:40 | 0:09:43 | |
Pink. | 0:09:43 | 0:09:44 | |
With labour costs of £1,000 and another 250 for fabric, | 0:09:45 | 0:09:50 | |
Sarah will be expecting something pretty spectacular | 0:09:50 | 0:09:54 | |
for her 1,250 spend. | 0:09:54 | 0:09:57 | |
I hope Anthony can pull it off, regardless of the colour. | 0:09:57 | 0:10:01 | |
Sarah's next stop is Marlow near High Wycombe in Buckinghamshire, | 0:10:06 | 0:10:10 | |
where Neil Wragg is on a mission to rescue pretty much anything, | 0:10:10 | 0:10:14 | |
from offcuts to inner tubes, | 0:10:14 | 0:10:17 | |
and turn them into beautiful handcrafted bags. | 0:10:17 | 0:10:21 | |
Sarah is coming today, and we shall see what she brings. | 0:10:21 | 0:10:24 | |
Hopefully, it'll be something I can sew together | 0:10:24 | 0:10:26 | |
that doesn't break too many needles. | 0:10:26 | 0:10:28 | |
You know, it's very difficult making a bag from paving slabs. | 0:10:28 | 0:10:31 | |
You're in luck, Neil. | 0:10:31 | 0:10:32 | |
They're not made of concrete, and she's not after much. | 0:10:32 | 0:10:35 | |
Now, in my wildest dreams, | 0:10:35 | 0:10:37 | |
I would like these tired, red sofa cushions | 0:10:37 | 0:10:40 | |
turned into a whole range of designer luggage. | 0:10:40 | 0:10:43 | |
I hope Neil likes a challenge. | 0:10:43 | 0:10:45 | |
Yeah, me too. | 0:10:45 | 0:10:47 | |
-Hello. -Hi. Hi, Sarah. How are you doing? | 0:10:49 | 0:10:51 | |
I'm really well. I've got presents for you. | 0:10:51 | 0:10:53 | |
Right. I'm a little worried. | 0:10:53 | 0:10:54 | |
There's loads here, aren't there? | 0:10:54 | 0:10:56 | |
Right, well, we've got some funky red cushions. | 0:10:56 | 0:11:01 | |
One, two, three, four, five. | 0:11:01 | 0:11:03 | |
Do you know something, | 0:11:03 | 0:11:04 | |
I thought there was more than enough here | 0:11:04 | 0:11:06 | |
to make something out of, | 0:11:06 | 0:11:07 | |
so you must be able to make a purse out of this lot, Neil. | 0:11:07 | 0:11:09 | |
-Come on. -I think we can do more than a carrier bag, yeah. | 0:11:09 | 0:11:13 | |
So, we're game on for a bag then, you reckon? | 0:11:13 | 0:11:15 | |
Yes. You've brought be something that I can sew and it's not alive. | 0:11:15 | 0:11:18 | |
I absolutely love the messenger bags that you make, | 0:11:18 | 0:11:21 | |
so I was wondering about maybe one of those out of it. | 0:11:21 | 0:11:25 | |
-Easily, yeah. -And a big, usable, expensive weekend bag out of it. | 0:11:25 | 0:11:30 | |
OK, well, we can do that as well. | 0:11:30 | 0:11:33 | |
But the idea is that things would last a lifetime, | 0:11:33 | 0:11:35 | |
so we've got a good start with the fabric. | 0:11:35 | 0:11:38 | |
I love what you're saying because this has already had its life, | 0:11:38 | 0:11:40 | |
so now if we can make luggage out of it, | 0:11:40 | 0:11:43 | |
another 50 years of wear, that's brilliant. | 0:11:43 | 0:11:46 | |
Phew. That went better than expected. | 0:11:46 | 0:11:48 | |
Neil seems pretty unflappable, but there's always a snag. | 0:11:48 | 0:11:52 | |
I'm worried that it's not as saleable in this colour, | 0:11:53 | 0:11:56 | |
so I'm wondering if you've ever dyed stuff before | 0:11:56 | 0:11:58 | |
or if you think you might be able to make it a bit more stylish, | 0:11:58 | 0:12:01 | |
a bit darker, a bit richer. | 0:12:01 | 0:12:02 | |
We can give it a go. | 0:12:02 | 0:12:04 | |
Not the most confidence-inspiring answer from Neil. | 0:12:04 | 0:12:07 | |
I'm not sure dying is something he's keen on. | 0:12:07 | 0:12:11 | |
So, I think I'm sold. | 0:12:11 | 0:12:12 | |
I've got a messenger bag on one shoulder, | 0:12:12 | 0:12:14 | |
I've got beautiful, scrunchy, rich-looking holdall on the other. | 0:12:14 | 0:12:18 | |
-How much is that going to cost me to make me two of those? -OK. | 0:12:18 | 0:12:20 | |
We're looking at £95 for the messenger bag | 0:12:20 | 0:12:23 | |
and then the holdall, we could say the same thing. | 0:12:23 | 0:12:26 | |
Thank you ever so much. I hope the dying goes well. | 0:12:26 | 0:12:29 | |
-Part of the journey. -Ooh! | 0:12:29 | 0:12:31 | |
Well, that is another load of old rubbish off my mind | 0:12:35 | 0:12:38 | |
and into Neil's. | 0:12:38 | 0:12:39 | |
And if he gets it right, I shall be making bags of money. | 0:12:39 | 0:12:42 | |
It wouldn't be Sarah if there wasn't something awkward. | 0:12:43 | 0:12:46 | |
She wants me to recolour it, so that's going to be the challenge. | 0:12:46 | 0:12:48 | |
So, we'll see. | 0:12:48 | 0:12:50 | |
That's £95 for Neil's tried and tested messenger bag design, | 0:12:50 | 0:12:55 | |
and the same again for a completely new holdall design. | 0:12:55 | 0:12:59 | |
In total, that's £190 committed. | 0:12:59 | 0:13:02 | |
With a new dying technique to master | 0:13:02 | 0:13:04 | |
and some worn-out leather to work with, | 0:13:04 | 0:13:07 | |
I do hope Neil can pull it off. | 0:13:07 | 0:13:09 | |
In Manchester, Anthony is having a rip-roaring time with the sofa | 0:13:13 | 0:13:18 | |
with partner, Susie, and daughter, Poppy, watching on. | 0:13:18 | 0:13:22 | |
The plan is to finish it in this season's luxury pink | 0:13:22 | 0:13:25 | |
and sell it for millions. | 0:13:25 | 0:13:27 | |
Luckily, Anthony enjoys this bit. | 0:13:27 | 0:13:30 | |
To be honest, stripping is never a chore. | 0:13:30 | 0:13:33 | |
Crikey. I thought this was a child-friendly show. | 0:13:33 | 0:13:36 | |
I think this one is trying to warn us. | 0:13:36 | 0:13:39 | |
With its innards exposed, | 0:13:39 | 0:13:41 | |
Anthony can get a good look at its bottom. | 0:13:41 | 0:13:44 | |
This has probably had thousands of hours of people sitting on it, | 0:13:44 | 0:13:48 | |
and, you know, looks all good. | 0:13:48 | 0:13:50 | |
Nicely intact. Things were just built to last. | 0:13:50 | 0:13:53 | |
Until you get your hands on them, Anthony. | 0:13:54 | 0:13:56 | |
It doesn't look great. | 0:13:56 | 0:13:58 | |
Most people will be thinking, "Oh, my God. Look." | 0:13:58 | 0:14:01 | |
But this is how a sofa looks. | 0:14:01 | 0:14:03 | |
Uh, yeah. | 0:14:03 | 0:14:04 | |
Let's hide those ragged bits of wooden springs ASAP. | 0:14:04 | 0:14:09 | |
First, Anthony covers the base with hessian | 0:14:09 | 0:14:11 | |
and then glues new foam onto the arms. | 0:14:11 | 0:14:16 | |
Starting with one of the arms, | 0:14:16 | 0:14:18 | |
Anthony is making a base layer of calico shaped to fit snugly. | 0:14:18 | 0:14:22 | |
This bit is kind of critical, really. | 0:14:22 | 0:14:25 | |
This was the one that provides the shape - | 0:14:25 | 0:14:27 | |
almost the foundations for putting the top fabric on | 0:14:27 | 0:14:30 | |
and the overall look. | 0:14:30 | 0:14:31 | |
I'm sure Sarah will be tickled pink with the progress. | 0:14:33 | 0:14:37 | |
So, the fabric's arrived. | 0:14:37 | 0:14:39 | |
I can't wait to see that specific shade of rose quartz | 0:14:39 | 0:14:42 | |
Sarah was going on about. | 0:14:42 | 0:14:43 | |
We were struggling to find the rose pink quartz, | 0:14:43 | 0:14:47 | |
so we just decided to go for this more subtle bright gold all over. | 0:14:47 | 0:14:53 | |
Clearly a new definition of the word subtle. | 0:14:53 | 0:14:56 | |
Sarah knows nothing about this at this stage, | 0:14:56 | 0:14:59 | |
and she is probably going to kill me. | 0:14:59 | 0:15:03 | |
I think Sarah might go from pink to incandescent crimson | 0:15:03 | 0:15:07 | |
when she hears about this. | 0:15:07 | 0:15:09 | |
This is going to go in here, like so. | 0:15:09 | 0:15:12 | |
Then we have to sew a piece of piping around here, like so, | 0:15:12 | 0:15:17 | |
and then sew the actual arm itself, | 0:15:17 | 0:15:21 | |
pull it on and hopefully that'll be as crisp as a cucumber. | 0:15:21 | 0:15:25 | |
Are cucumbers crisp? | 0:15:27 | 0:15:29 | |
Yeah, I'd say so. | 0:15:29 | 0:15:31 | |
With a lot still to do, Anthony's going for gold. | 0:15:32 | 0:15:35 | |
You are going to work, arm. You are going to work. | 0:15:36 | 0:15:39 | |
You're a very naughty boy. | 0:15:42 | 0:15:43 | |
I think it'll be you that gets a spanking | 0:15:43 | 0:15:46 | |
when Sarah hears about the new colour scheme. | 0:15:46 | 0:15:49 | |
Yeah. That's what I mean by... | 0:15:49 | 0:15:50 | |
..as crisp as a cucumber. | 0:15:51 | 0:15:53 | |
It may be crisp, but it's not exactly what Sarah's expecting. | 0:15:54 | 0:15:59 | |
Pretty quickly, | 0:15:59 | 0:16:00 | |
an even bigger problem with the material presents itself. | 0:16:00 | 0:16:03 | |
I've put a halt on the sofa. | 0:16:06 | 0:16:08 | |
It's starting to show scuffs I'm a little bit concerned about | 0:16:08 | 0:16:12 | |
for the strength of the fabric. | 0:16:12 | 0:16:14 | |
It's unfortunate and it's a decision | 0:16:14 | 0:16:15 | |
I don't want to take, but I really think | 0:16:15 | 0:16:17 | |
we're going to have to try and think of something new on this one. | 0:16:17 | 0:16:20 | |
I thought that gold finish was something new. | 0:16:20 | 0:16:24 | |
But with Sarah after the top end of the market, | 0:16:24 | 0:16:27 | |
a scuffed finish isn't really going to cut the mustard. | 0:16:27 | 0:16:31 | |
Back to the drawing board, Anthony. | 0:16:31 | 0:16:33 | |
In Marlow, Neil is getting to grips with all that lovely red leather | 0:16:38 | 0:16:42 | |
that he's transforming into a messenger bag and holdall. | 0:16:42 | 0:16:47 | |
First, Neil cuts the leather to his ready-made templates. | 0:16:47 | 0:16:51 | |
Sometimes it's quite cool to keep these seams in | 0:16:51 | 0:16:54 | |
so that it looks like it was a sofa. | 0:16:54 | 0:16:56 | |
Sarah has also asked for the leather to be transformed | 0:16:58 | 0:17:02 | |
from its current red to a darker colour black. | 0:17:02 | 0:17:04 | |
Neil paints an oil-based dye | 0:17:07 | 0:17:09 | |
directly onto the surface of the leather. | 0:17:09 | 0:17:12 | |
He'll then leave it to dry between coats. | 0:17:15 | 0:17:18 | |
Get a few coats buffered up and finish it off with some cream. | 0:17:19 | 0:17:24 | |
With the leather now ready, Neil is choosing and cutting | 0:17:27 | 0:17:29 | |
parts of the Scout tent canvas he's using for lining. | 0:17:29 | 0:17:33 | |
You don't know where it's already been. | 0:17:33 | 0:17:35 | |
It could've been a tent that saw the Stones at Glastonbury. | 0:17:35 | 0:17:38 | |
It could've been a tent that has done a trek to the Himalayas. | 0:17:38 | 0:17:42 | |
You don't want to lose their personality, | 0:17:42 | 0:17:44 | |
so we might keep in some of the old writing or labels. | 0:17:44 | 0:17:47 | |
We can keep some of these in. Makes it look very tent-like. | 0:17:47 | 0:17:53 | |
I have to use the clips cos you can't use pins with leather, | 0:17:53 | 0:17:56 | |
cos you'll end up with holes all over the place. | 0:17:56 | 0:17:59 | |
I'm sewing everything inside out, so there's no stitching being shown. | 0:17:59 | 0:18:03 | |
So, this is the body of the bag. | 0:18:05 | 0:18:07 | |
See, if you've sewn everything upside down, | 0:18:07 | 0:18:09 | |
back to front. | 0:18:09 | 0:18:10 | |
We've got one pocket there, which is obviously the old tent. | 0:18:12 | 0:18:17 | |
One pocket there for your tablet. | 0:18:17 | 0:18:18 | |
One pocket there for your mobile phone. | 0:18:18 | 0:18:20 | |
Better get on the next phase. | 0:18:20 | 0:18:22 | |
That messenger bag needs a covering flap. | 0:18:24 | 0:18:27 | |
And he still has to make the holdall, | 0:18:27 | 0:18:29 | |
something he's never done before. | 0:18:29 | 0:18:32 | |
I need to attach it to the top... | 0:18:32 | 0:18:33 | |
..first, and then I can turn it right side out afterwards. | 0:18:37 | 0:18:41 | |
Shall we just leave him to it? | 0:18:41 | 0:18:43 | |
In Manchester, Anthony has had a very long night | 0:18:47 | 0:18:50 | |
putting the final touches onto what was an old blue sofa | 0:18:50 | 0:18:54 | |
and then went gold for a bit. | 0:18:54 | 0:18:56 | |
It's anyone's guess what colour it is now. | 0:18:56 | 0:18:59 | |
I think Sarah is going to love it. | 0:18:59 | 0:19:00 | |
And you know, on this one, I might have even pleased her | 0:19:00 | 0:19:03 | |
because it'll be exactly what she's asked for, | 0:19:03 | 0:19:06 | |
and that's just not like me at all. | 0:19:06 | 0:19:07 | |
Sarah's invested heavily in this one, Anthony. | 0:19:07 | 0:19:10 | |
I hope you've done the right thing. | 0:19:10 | 0:19:12 | |
I am so excited to see what Anthony has done with that sad '70s sofa. | 0:19:12 | 0:19:16 | |
If he's realised its potential, | 0:19:16 | 0:19:18 | |
it should be a fantastic interior design piece by now. | 0:19:18 | 0:19:21 | |
Sarah asked Anthony to transform | 0:19:21 | 0:19:24 | |
a dilapidated old settee from the '60s | 0:19:24 | 0:19:27 | |
into a bang-on-trend penthouse sofa. | 0:19:27 | 0:19:30 | |
It's now a delicious rose quartz vision. | 0:19:32 | 0:19:36 | |
Anthony has given it clean lines | 0:19:37 | 0:19:39 | |
and improved its proportions with a single raised cushion. | 0:19:39 | 0:19:44 | |
He's added sumptuous piping detailing on the arms, | 0:19:44 | 0:19:47 | |
and with flashes of gold on the buttons, | 0:19:47 | 0:19:50 | |
he's created exactly the penthouse sofa Sarah was looking for. | 0:19:50 | 0:19:54 | |
Oh, my word. | 0:19:58 | 0:20:00 | |
Isn't it amazing? | 0:20:00 | 0:20:02 | |
Where's the enthusiasm? Look at it. | 0:20:02 | 0:20:04 | |
-Sorry, I've been up all night. -Look at it! | 0:20:04 | 0:20:06 | |
-Beautiful. I love the little gold touches. -Just a little hint. | 0:20:08 | 0:20:12 | |
A little bit. | 0:20:12 | 0:20:13 | |
A hint, Anthony? Anything to confess? | 0:20:13 | 0:20:16 | |
There was going to be a lot more gold. | 0:20:17 | 0:20:21 | |
We were going to have this all over. | 0:20:21 | 0:20:24 | |
We got the arm on, | 0:20:24 | 0:20:25 | |
we got all the front done and then we had to call a halt | 0:20:25 | 0:20:28 | |
because it just wasn't stable enough. | 0:20:28 | 0:20:31 | |
And Sarah breathes a huge sigh of relief. | 0:20:31 | 0:20:34 | |
Whatever trauma you've been through, I think it's worth it. | 0:20:34 | 0:20:37 | |
-This is stunning. -I wouldn't say that. | 0:20:37 | 0:20:40 | |
And just as a little reminder, we also have a... | 0:20:40 | 0:20:44 | |
-Aw. -But the problem is you'd have just slipped off it. | 0:20:44 | 0:20:47 | |
Wouldn't that have been the same, though, | 0:20:47 | 0:20:49 | |
if the sofa had been in gold? | 0:20:49 | 0:20:51 | |
Oh, it looked amazing. | 0:20:51 | 0:20:52 | |
Despite the whole experiment in gold, | 0:20:52 | 0:20:55 | |
Anthony has also managed to bring the sofa in on budget too. | 0:20:55 | 0:20:59 | |
I'm really pleased I've come here, and it is pink, and it worked out. | 0:21:01 | 0:21:04 | |
I'm going to shake your hand, | 0:21:04 | 0:21:05 | |
and I would like you to properly say... | 0:21:05 | 0:21:07 | |
Well done. I'm so pleased. Thank you so much. | 0:21:07 | 0:21:10 | |
Thank you, Sarah. Thank you. | 0:21:10 | 0:21:11 | |
It was all worth it in the end, Anthony. | 0:21:11 | 0:21:14 | |
Wow. That kind of transformation makes a long workday at the tip | 0:21:15 | 0:21:19 | |
really worthwhile. | 0:21:19 | 0:21:21 | |
And I know Anthony is not pleased it's not covered in lame, | 0:21:21 | 0:21:23 | |
but as far as I'm concerned, | 0:21:23 | 0:21:25 | |
rose quartz means I'm going to be sitting on a gold mine. | 0:21:25 | 0:21:28 | |
I just can't believe it's gone from the back of a car | 0:21:28 | 0:21:30 | |
to looking like it should be on the front page of a magazine. | 0:21:30 | 0:21:34 | |
-Sarah swooped in on Jamie and his dad... -Hiya. | 0:21:34 | 0:21:38 | |
..to rescue a threadbare sofa. | 0:21:38 | 0:21:40 | |
-Jamie, thanks so much for letting me have that. -OK. | 0:21:40 | 0:21:42 | |
-She suggested Anthony turn it pink... -Uh... | 0:21:42 | 0:21:45 | |
-..and after just a little dithering... -Yes. | 0:21:45 | 0:21:47 | |
..he did exactly that. | 0:21:47 | 0:21:50 | |
Now Sarah is back in Walsall to update Jamie and Jeff | 0:21:50 | 0:21:54 | |
on what became of the dilapidated sofa. | 0:21:54 | 0:21:57 | |
-How are you both? -I'm fine, thanks. I'm fine. | 0:21:57 | 0:22:00 | |
So, you were clearing out things from your mother's house, right? | 0:22:00 | 0:22:03 | |
That's right. That's right, yes. She had an accident. A bad fall. | 0:22:03 | 0:22:06 | |
She's been in the nursing home now for several months. | 0:22:06 | 0:22:09 | |
She was quite happy for it to go to the tip, so that's where it went. | 0:22:09 | 0:22:12 | |
-Would you like to see some pictures of how it ended up? -I would. | 0:22:12 | 0:22:15 | |
-Take a deep breath, OK? -Go on, then. Oh, blimey. | 0:22:15 | 0:22:19 | |
-Do you recognise that? -No. | 0:22:19 | 0:22:21 | |
-Does it look like the sofa you remember? -Nothing like it. | 0:22:22 | 0:22:26 | |
Now, I've shared it and I've had lots of interest in it, | 0:22:26 | 0:22:29 | |
-but I haven't managed to sell it yet. -Right, OK. | 0:22:29 | 0:22:31 | |
But I think there is a buyer out there who's going to love that, | 0:22:31 | 0:22:34 | |
and I just need a little bit more time and then hopefully | 0:22:34 | 0:22:37 | |
I'll be back in touch with some profit to share with you. | 0:22:37 | 0:22:39 | |
It isn't about the money anyway. You've done something with it. | 0:22:39 | 0:22:43 | |
It's sad going to landfill or being burned. | 0:22:43 | 0:22:46 | |
-Mum will be delighted when she sees that. -Really? | 0:22:46 | 0:22:48 | |
-Thank you very much. Thank you. -Lovely to see you again. | 0:22:48 | 0:22:51 | |
-Thank you. Bye-bye. -Bye-bye. | 0:22:51 | 0:22:53 | |
With Anthony's labour and materials | 0:22:55 | 0:22:57 | |
coming in at over £1,200 and no sale, | 0:22:57 | 0:23:01 | |
that equals a substantial potential loss of £1,250. | 0:23:01 | 0:23:06 | |
But once that certain buyer with deep pockets has been found, | 0:23:06 | 0:23:10 | |
Sarah will be back with a profit for Jamie and Jeff. | 0:23:10 | 0:23:13 | |
In Marlow, Neil has transformed | 0:23:17 | 0:23:19 | |
those old red leather cushions into bags. | 0:23:19 | 0:23:22 | |
I've enjoyed it. | 0:23:24 | 0:23:25 | |
It's been nice to get a really high-quality finish product | 0:23:25 | 0:23:29 | |
from fairly challenging leather. | 0:23:29 | 0:23:32 | |
I'm back in Marlow to pick up hopefully some high-end luggage, | 0:23:32 | 0:23:36 | |
but I have been a little bit anxious | 0:23:36 | 0:23:38 | |
because the materials I left Neil with were anything but high-end. | 0:23:38 | 0:23:42 | |
Sarah left Neil with some unsightly and worn red cushions, | 0:23:43 | 0:23:48 | |
hoping he could make some luggage. | 0:23:48 | 0:23:50 | |
They are now two beautiful handcrafted bags. | 0:23:52 | 0:23:55 | |
Neil has carefully dyed the leather to give the bags a high-end sheen. | 0:23:57 | 0:24:02 | |
The messenger bag has been dyed black and has pockets galore, | 0:24:02 | 0:24:06 | |
incorporating charming details from the Scout tents he's used as lining. | 0:24:06 | 0:24:12 | |
And that holdall, now a dark brown, is almost indestructible | 0:24:12 | 0:24:17 | |
with sturdy straps and reinforced corners. | 0:24:17 | 0:24:20 | |
Sarah's got to be impressed with these, Neil. | 0:24:22 | 0:24:25 | |
Here they are. | 0:24:25 | 0:24:26 | |
So, we have what they started off as and what they finished up as. | 0:24:26 | 0:24:32 | |
Neil, they are amazing. | 0:24:32 | 0:24:33 | |
-Good. I'm glad you like them. -I'm blown away. Honestly. | 0:24:33 | 0:24:36 | |
It was fun. | 0:24:36 | 0:24:37 | |
The transformation, the dyeing, the changing of the colour. | 0:24:37 | 0:24:41 | |
The leather is good enough quality, so it's made a decent bag. | 0:24:41 | 0:24:45 | |
It's actually a work of art. I'm crying. Don't look at me. | 0:24:45 | 0:24:49 | |
Oh, dear. | 0:24:49 | 0:24:50 | |
-It's fantastic. -Yeah. Great. | 0:24:53 | 0:24:55 | |
Sarah is delighted with Neil's craftsmanship, | 0:24:55 | 0:24:59 | |
but has he blown the budget? | 0:24:59 | 0:25:01 | |
Even though there was some extra designing | 0:25:03 | 0:25:05 | |
and some extra dyeing to do, it was straightforward, | 0:25:05 | 0:25:08 | |
so they've come within budget. | 0:25:08 | 0:25:10 | |
I shall have no problem selling those. | 0:25:10 | 0:25:12 | |
Brilliant. | 0:25:12 | 0:25:14 | |
Thank you so much. They are just brilliant. | 0:25:14 | 0:25:18 | |
It was a pleasure. | 0:25:18 | 0:25:19 | |
I could not have been more surprised and delighted | 0:25:24 | 0:25:28 | |
with what Neil has managed to produce - | 0:25:28 | 0:25:30 | |
two stunning bags on budget. | 0:25:30 | 0:25:32 | |
Absolutely amazed. | 0:25:34 | 0:25:37 | |
I didn't expect her to be quite so emotional | 0:25:37 | 0:25:39 | |
about a pair of leather bags, | 0:25:39 | 0:25:41 | |
but she seemed to be really pleased with them. | 0:25:41 | 0:25:44 | |
At the recycling centre, Zia's leather armchair | 0:25:44 | 0:25:47 | |
was being put out to pasture, | 0:25:47 | 0:25:49 | |
and his ideas for it were lacking imagination. | 0:25:49 | 0:25:53 | |
Any ideas what we might make out of them? | 0:25:53 | 0:25:55 | |
Uh, I think cushions would be a nice easy option. | 0:25:55 | 0:25:59 | |
But Sarah had bigger ideas for Neil to implement. | 0:25:59 | 0:26:02 | |
He gave the old leather a new life as luggage. | 0:26:02 | 0:26:07 | |
They were soon bagged by Nick and Kim, | 0:26:07 | 0:26:09 | |
who run vintage and retro retailer Smithers of Stamford. | 0:26:09 | 0:26:13 | |
-What do you reckon? -Yeah, I like them. I love the stitching. | 0:26:13 | 0:26:17 | |
Yeah, apparently it was made from an old sofa, a leather sofa. | 0:26:17 | 0:26:21 | |
Now Sarah is back in the Midlands with some cash for Zia. | 0:26:21 | 0:26:25 | |
-Hiya. -Hi. -Zia, lovely to see you again. | 0:26:27 | 0:26:29 | |
-Nice to see you again. -How are you? -I'm very well, thank you. | 0:26:29 | 0:26:31 | |
Now, I last saw you at the tip and you were dropping off | 0:26:31 | 0:26:34 | |
your old sofa cushions. | 0:26:34 | 0:26:35 | |
-Had you had the sofa for ages? -Around six or seven years. | 0:26:35 | 0:26:39 | |
Obviously, we were about to dispose of it. | 0:26:39 | 0:26:41 | |
Quite interesting to see what you've done with it. | 0:26:41 | 0:26:43 | |
They went off to a lovely guy called Neil in Marlow. | 0:26:43 | 0:26:46 | |
He specialises in making bags from refound materials. | 0:26:46 | 0:26:49 | |
I've got some pictures here of what he made. | 0:26:49 | 0:26:51 | |
-I want to see what do you think. -OK. | 0:26:51 | 0:26:54 | |
Wow. | 0:26:54 | 0:26:55 | |
That's amazing. It looks nothing like the cushions we gave you. | 0:26:55 | 0:26:59 | |
There's more. | 0:26:59 | 0:27:00 | |
He made a messenger bag and a going away bag. | 0:27:00 | 0:27:03 | |
That's absolutely amazing. | 0:27:03 | 0:27:05 | |
I'd never have imagined they'd turn out like that. | 0:27:05 | 0:27:07 | |
And we have actually sold those two bags, | 0:27:07 | 0:27:10 | |
and I've got some profit that I'd like to share with you. | 0:27:10 | 0:27:13 | |
Thank you very much. | 0:27:13 | 0:27:14 | |
So, I've got £60 here to give to you that came from those bags. | 0:27:14 | 0:27:17 | |
-Thank you very much. -So, that's... Absolute pleasure. | 0:27:17 | 0:27:20 | |
Is there anything that £60 is needed for at the moment? | 0:27:20 | 0:27:23 | |
I think I'll treat the kids, really. | 0:27:23 | 0:27:25 | |
-They just got back from school, so we'll give them a treat. -Lovely. | 0:27:25 | 0:27:28 | |
-Thank you so much for your time today. -No, you're welcome. | 0:27:28 | 0:27:31 | |
-Thank you. -Take care. Bye-bye. -Bye. | 0:27:31 | 0:27:32 | |
Well, I think Zia was quite surprised | 0:27:35 | 0:27:37 | |
with what we did with his old cushions. | 0:27:37 | 0:27:38 | |
And as a transformation, I think it would be difficult | 0:27:38 | 0:27:41 | |
to beat sofa into luxury luggage. | 0:27:41 | 0:27:43 | |
Neil charged a total of £190 for labour and materials for the bags. | 0:27:44 | 0:27:50 | |
Sarah sold them for £250, leaving a profit of £60 for Zia | 0:27:50 | 0:27:56 | |
and his kids. | 0:27:56 | 0:27:57 | |
Sarah took two tawdry treasures from the tip in Walsall. | 0:28:02 | 0:28:07 | |
Whose is that then? | 0:28:07 | 0:28:08 | |
Jeff's mum's blue settee was transformed | 0:28:08 | 0:28:11 | |
into a stunning pink sofa, | 0:28:11 | 0:28:13 | |
and Zia's worn leather cushions were dyed and stitched | 0:28:13 | 0:28:17 | |
into stylish bags. | 0:28:17 | 0:28:19 | |
Well, I love those transformations | 0:28:19 | 0:28:21 | |
from drab old trash into something rather flash. | 0:28:21 | 0:28:24 | |
And with the help of Neil and Anthony's amazing talents, | 0:28:24 | 0:28:27 | |
I think we've managed to create some pretty classy items. | 0:28:27 | 0:28:31 |