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What are you chucking out today then? | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:06 | 0:00:09 | |
Don't throw them, don't throw them! | 0:00:09 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes | 0:00:11 | 0:00:15 | |
of household waste we throw out every year. | 0:00:15 | 0:00:18 | |
-Thanks so much for letting me have that. -OK. | 0:00:18 | 0:00:19 | |
I think that's absolutely made my day, I love it. | 0:00:19 | 0:00:22 | |
That's why entrepreneur Sarah Moore | 0:00:22 | 0:00:24 | |
wants to get her hands on things before they hit the skip. | 0:00:24 | 0:00:28 | |
I'm a passionate buyer, maker, and user of old stuff, | 0:00:31 | 0:00:34 | |
and I turned that passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:42 | 0:00:46 | |
-What do you reckon to that? -Quite smart, isn't it? | 0:00:46 | 0:00:49 | |
-Tell me you love it. -I love it! | 0:00:49 | 0:00:50 | |
She can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
Isn't it amazing? | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:56 | |
That's quite a statement piece! | 0:00:56 | 0:00:59 | |
..and, hopefully, saleable items. | 0:00:59 | 0:01:01 | |
-I'll take you down to the till, that's fantastic! -OK, fantastic. | 0:01:01 | 0:01:05 | |
If Sarah is successful, then she can hand the profits back | 0:01:05 | 0:01:08 | |
to the very people who had no idea | 0:01:08 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:14 | |
Wow! That's amazing! | 0:01:14 | 0:01:15 | |
Sarah's starting her search in Surrey today, | 0:01:29 | 0:01:32 | |
at the delightful Whitley Recycling Centre. | 0:01:32 | 0:01:35 | |
Where other people see trash, I see profit. | 0:01:35 | 0:01:38 | |
Making desirable items out of old rubbish is so satisfying. | 0:01:38 | 0:01:43 | |
She's on a mission to find four items that can be transformed to | 0:01:43 | 0:01:48 | |
treasure and hopefully make some money along the way. | 0:01:48 | 0:01:51 | |
-Pat Butcher? -Very becoming, Sarah. | 0:01:53 | 0:01:56 | |
Before Sarah was let loose on the tip, she had to seek special | 0:01:56 | 0:02:01 | |
permission to do so by those nice recycling centre owners. | 0:02:01 | 0:02:05 | |
There is nothing going through here that is going to escape me. | 0:02:05 | 0:02:09 | |
I am not letting the good stuff hit that tip. | 0:02:09 | 0:02:11 | |
Speaking of the good stuff, | 0:02:13 | 0:02:14 | |
it looks like Carl might have just that in the back of his Jeep. | 0:02:14 | 0:02:19 | |
Oh, now, that's the best boot-full I've seen all day. | 0:02:19 | 0:02:21 | |
-Yeah, they're a bit tired. -Are they yours? | 0:02:21 | 0:02:24 | |
-My mum and dad's, yeah. -Fantastic. | 0:02:24 | 0:02:27 | |
Do you think they bought them new? | 0:02:27 | 0:02:30 | |
Ooh, they're heavy, aren't they? | 0:02:30 | 0:02:32 | |
I don't think... I don't think they bought them brand-new. | 0:02:32 | 0:02:35 | |
I think they've had them about 25 years. | 0:02:35 | 0:02:37 | |
They look like they're sort of 1930s, '40s, something like that. | 0:02:37 | 0:02:41 | |
-How many have you got? -Six. -Six? Oh, my word. | 0:02:41 | 0:02:44 | |
It's my lucky, lucky day. | 0:02:44 | 0:02:46 | |
Hold on, I'm going to line them up so they're out of the way. | 0:02:46 | 0:02:49 | |
Some people are very easily pleased. | 0:02:49 | 0:02:52 | |
They've got such a great look to them. | 0:02:52 | 0:02:54 | |
It's such a shame the seats are going, | 0:02:54 | 0:02:55 | |
but the tops look like they're salvageable, don't they? | 0:02:55 | 0:02:58 | |
This one is the worst one. | 0:02:58 | 0:03:00 | |
I just don't know... | 0:03:00 | 0:03:04 | |
I don't know what's best to do with them, | 0:03:04 | 0:03:06 | |
in order to mend them but I know somebody who takes on this | 0:03:06 | 0:03:09 | |
kind of thing all the time, so they're coming to... | 0:03:09 | 0:03:11 | |
they'll go to somewhere we can really sort them out. | 0:03:11 | 0:03:14 | |
I'm going to check one out. I bet they're comfortable, aren't they? | 0:03:14 | 0:03:18 | |
-So, have they got a nice, new set of them? -Yes. | 0:03:18 | 0:03:22 | |
I'm so pleased for them cos I get their old ones. That's amazing. | 0:03:22 | 0:03:25 | |
They've got fantastic style and a really good look to them | 0:03:25 | 0:03:27 | |
so I'm really pleased you're going to let me have them. Thanks so much. | 0:03:27 | 0:03:31 | |
I really appreciate it. Take care. | 0:03:31 | 0:03:34 | |
Sarah has taken on not one but six old, battered chairs. | 0:03:34 | 0:03:38 | |
The mind boggles. | 0:03:38 | 0:03:40 | |
What does Carl think? | 0:03:40 | 0:03:42 | |
They're a bit of a tired state, | 0:03:42 | 0:03:43 | |
but apparently there's going to be something good happening | 0:03:43 | 0:03:46 | |
to them so I'm quite looking forward to seeing what happens. | 0:03:46 | 0:03:48 | |
You and me both, Carl. | 0:03:48 | 0:03:51 | |
These are absolutely cracking. | 0:03:51 | 0:03:54 | |
There are six of them, | 0:03:54 | 0:03:55 | |
they've got beautiful, worn leather on the backs of them. | 0:03:55 | 0:03:57 | |
Unfortunately, the seat pads have really deteriorated | 0:03:57 | 0:04:00 | |
but the style of these is amazing. It's bang on trend. | 0:04:00 | 0:04:03 | |
Got lovely, pale grey and some lined oak coming down here on the legs. | 0:04:03 | 0:04:08 | |
These are absolutely cracking. | 0:04:08 | 0:04:10 | |
Are they? Really? | 0:04:10 | 0:04:12 | |
Never mind cracking, they look more cracked to me. | 0:04:12 | 0:04:15 | |
I know just the person who can restore those seats | 0:04:15 | 0:04:18 | |
and I'm going to be sitting on a pretty penny here. | 0:04:18 | 0:04:21 | |
Jay Blades is a builder turned philosophy graduate | 0:04:25 | 0:04:28 | |
turned furniture restorer. | 0:04:28 | 0:04:30 | |
Jay's passion is modern interior design. | 0:04:30 | 0:04:34 | |
He specialises in reworking the very best of British craftsmanship | 0:04:34 | 0:04:38 | |
and bringing it into the 21st century. | 0:04:38 | 0:04:40 | |
If you want to have a go at what I do, your best bet is to find | 0:04:41 | 0:04:45 | |
a piece of furniture that isn't really worth that much money. | 0:04:45 | 0:04:47 | |
You might have bought it in a charity shop | 0:04:47 | 0:04:49 | |
or a car-boot sale for about £5. | 0:04:49 | 0:04:51 | |
And just play around with it. | 0:04:51 | 0:04:53 | |
Some people like working with spray cans. | 0:04:53 | 0:04:55 | |
Some people like working with artist brushes. | 0:04:55 | 0:04:57 | |
Whatever your creativity is, allow it to just ooze onto the furniture | 0:04:57 | 0:05:00 | |
cos the reality is that furniture | 0:05:00 | 0:05:02 | |
was more than likely going to go into a landfill site. | 0:05:02 | 0:05:05 | |
So you upcycling it gives that piece of furniture | 0:05:05 | 0:05:08 | |
an extended lifetime. | 0:05:08 | 0:05:10 | |
But can you extend the life of this set of worn-out chairs? | 0:05:10 | 0:05:13 | |
Another workout. I love these chairs. | 0:05:16 | 0:05:21 | |
It's not often that you find a set that turns up in a tip | 0:05:21 | 0:05:24 | |
and such a stylish one is a really rare thing. | 0:05:24 | 0:05:27 | |
I'm hoping Jay can give them a sympathetic update that keeps | 0:05:27 | 0:05:30 | |
all their original qualities but gives them something special. | 0:05:30 | 0:05:33 | |
I need a hand getting them in. | 0:05:33 | 0:05:35 | |
Say no more, Jay's your man. | 0:05:35 | 0:05:37 | |
-Yeah, they are definitely special. -Oh, he sounds keen. | 0:05:39 | 0:05:42 | |
-So, what do you think? -I think these are quality. Tiptop quality. | 0:05:42 | 0:05:47 | |
They were certainly top of the tip. | 0:05:47 | 0:05:50 | |
-These were going to be thrown away? -Yes. -Seriously? -Seriously. | 0:05:50 | 0:05:54 | |
I'm really pleased that I happened to be there on the day | 0:05:54 | 0:05:57 | |
that these turned up because there are six of them, a set. | 0:05:57 | 0:05:59 | |
-They're in good nick apart from the obvious seat problem. -Yeah! | 0:05:59 | 0:06:03 | |
I don't know who's made these, but these are really a joy. | 0:06:03 | 0:06:06 | |
These are really, really beautiful. | 0:06:06 | 0:06:07 | |
Jay's really taken with the quality construction of the oak chairs | 0:06:07 | 0:06:11 | |
but how would he restore them? | 0:06:11 | 0:06:13 | |
Now, I know you're a man with your own ideas, | 0:06:13 | 0:06:15 | |
so, come on, what would you do? | 0:06:15 | 0:06:17 | |
I have too many ideas, that's my problem. | 0:06:17 | 0:06:19 | |
We should be able to bring them back to the 21st century, | 0:06:19 | 0:06:22 | |
bring them up to today and really give them a beautiful punch. | 0:06:22 | 0:06:25 | |
Is it possible at this stage that you can pluck | 0:06:25 | 0:06:28 | |
a figure out that you think, to refurbish the whole lot? | 0:06:28 | 0:06:31 | |
It's probably really difficult | 0:06:31 | 0:06:32 | |
to put a figure on it without knowing exactly what they are, | 0:06:32 | 0:06:35 | |
so, do you want to come back to me when you've had a chance to do a bit | 0:06:35 | 0:06:38 | |
of research and we can make a plan | 0:06:38 | 0:06:39 | |
about which direction we're going in? | 0:06:39 | 0:06:41 | |
Yeah, I'd feel a lot more comfortable if I just do | 0:06:41 | 0:06:43 | |
a little bit of research and a little bit of taking apart. | 0:06:43 | 0:06:46 | |
I am really happy to leave them in your hands. | 0:06:46 | 0:06:48 | |
I know that you're going to do right by them. | 0:06:48 | 0:06:50 | |
Sarah is taking a massive risk here. | 0:06:50 | 0:06:53 | |
She's leaving Jay with a big job | 0:06:53 | 0:06:55 | |
that has no plan to speak of and no budget agreed. | 0:06:55 | 0:06:59 | |
So Jay has got a bit of work to do researching those chairs before | 0:07:01 | 0:07:04 | |
he decides exactly what is the best path for them but I know they're in | 0:07:04 | 0:07:07 | |
really safe hands and I'm hoping that when | 0:07:07 | 0:07:10 | |
he updates them they'll be even more valuable. | 0:07:10 | 0:07:13 | |
I cannot wait to start dissecting them. | 0:07:13 | 0:07:16 | |
I don't know what I'm going to put on there | 0:07:16 | 0:07:19 | |
until I've taken them apart. | 0:07:19 | 0:07:21 | |
Cos then the chairs will reveal themselves to me. | 0:07:21 | 0:07:23 | |
Once the wood has been fully restored | 0:07:23 | 0:07:25 | |
and we've glued things back, then it will say to me, | 0:07:25 | 0:07:27 | |
"This is what I need you to put onto me." | 0:07:27 | 0:07:29 | |
And I cannot do that until they are naked. | 0:07:29 | 0:07:33 | |
And, at the moment, they are fully dressed. | 0:07:33 | 0:07:35 | |
Sarah will have to wait until Jay has done his detective work on | 0:07:35 | 0:07:39 | |
the six chairs to find out what that little lot might cost her. | 0:07:39 | 0:07:43 | |
But, with no clear brief or budget, | 0:07:43 | 0:07:45 | |
will this project spiral out of control? | 0:07:45 | 0:07:48 | |
That's the first item on the way and there's no time to hang around | 0:07:52 | 0:07:56 | |
as Sarah still has three more to find. | 0:07:56 | 0:07:59 | |
Sarah's now at the Walsall Recycling Centre in Greater Manchester. | 0:07:59 | 0:08:04 | |
Treasure time! Come to Mama! | 0:08:04 | 0:08:05 | |
With her eagle eyes, if she sees an opportunity, she will swoop. | 0:08:07 | 0:08:11 | |
Like a bird of prey. | 0:08:13 | 0:08:15 | |
Except that's a pigeon, but, you know, you get the idea. | 0:08:15 | 0:08:18 | |
The ever vigilant Sarah has spotted Alan arriving with... I have no idea. | 0:08:22 | 0:08:27 | |
Sarah swoops in for a closer look. | 0:08:29 | 0:08:32 | |
Oh, hiya. | 0:08:32 | 0:08:34 | |
You've got some interesting-looking things in there. | 0:08:34 | 0:08:36 | |
What are you throwing out? | 0:08:36 | 0:08:38 | |
Just stuff from my late mother-in-law's house. | 0:08:38 | 0:08:42 | |
OK, that sounds like a big job. Are you clearing out lots of stuff? | 0:08:42 | 0:08:44 | |
Not too much. Not too much. | 0:08:44 | 0:08:46 | |
But just some of the bulky, heavy stuff. | 0:08:46 | 0:08:49 | |
It's a shame in a way, but we don't really know where else to take it | 0:08:49 | 0:08:52 | |
-other than the tip, so... -No, you definitely get to that stage. | 0:08:52 | 0:08:55 | |
I know there are so many things with furniture that you can't | 0:08:55 | 0:08:58 | |
re-use unless they've got the right certificates and stuff. | 0:08:58 | 0:09:01 | |
-I'd love to have a look at it. Is there any chance I can see? -Yeah. | 0:09:01 | 0:09:04 | |
Wow. It's quite cool, isn't it? Does it move? | 0:09:08 | 0:09:12 | |
-No, there's just... There used to be... -A table that came out of that. | 0:09:12 | 0:09:15 | |
A table, there. | 0:09:15 | 0:09:17 | |
-A similar design one that's all leather as well. -Really? | 0:09:17 | 0:09:20 | |
With these two wing-backed chairs, | 0:09:20 | 0:09:22 | |
she could be onto something good here. | 0:09:22 | 0:09:24 | |
A pair of chairs. How exciting. | 0:09:24 | 0:09:27 | |
Well done. Wow. | 0:09:27 | 0:09:28 | |
I have to say, that both those chairs are really interesting | 0:09:31 | 0:09:34 | |
because they're old, they're chunky. | 0:09:34 | 0:09:36 | |
In a way, I'm glad that they are going to be reused because they do | 0:09:36 | 0:09:39 | |
seem too good to throw out, | 0:09:39 | 0:09:41 | |
but there are just so big in a small bungalow, which is where she is. | 0:09:41 | 0:09:44 | |
If I could take those two chairs, and then, if I managed to do | 0:09:44 | 0:09:47 | |
-something with them, could I come and show you what I have done? -Yes. | 0:09:47 | 0:09:50 | |
That would be lovely. | 0:09:50 | 0:09:51 | |
Lovely indeed. | 0:09:53 | 0:09:54 | |
Sarah has her first find in the bag | 0:09:55 | 0:09:58 | |
and has roped the guys from the tip in to help. Good work, lads. | 0:09:58 | 0:10:02 | |
But what does Alan think Sarah will get up to with his chairs? | 0:10:03 | 0:10:07 | |
I don't know. It makes me think, really. | 0:10:07 | 0:10:10 | |
I presume it's not going to be just recycled as furniture, but something | 0:10:10 | 0:10:14 | |
else, so it'll be interesting to see what happens to them. | 0:10:14 | 0:10:16 | |
I'll just tell you if they're comfortable, cos that is the key. | 0:10:16 | 0:10:20 | |
Oh, yeah. | 0:10:20 | 0:10:21 | |
That's actually got "IKEA" written on the back, | 0:10:21 | 0:10:24 | |
so it's not as old as you think it is. | 0:10:24 | 0:10:26 | |
-Everyone's a comedian. -Very comfortable. | 0:10:26 | 0:10:29 | |
But the look they have at the moment | 0:10:29 | 0:10:31 | |
is just not going to go into everybody's house | 0:10:31 | 0:10:34 | |
and I want to make them commercial, saleable and expensive. | 0:10:34 | 0:10:37 | |
And given the style of them, this needs a specialist upholsterer. | 0:10:37 | 0:10:40 | |
This is going to have to go to somebody who really knows what | 0:10:40 | 0:10:43 | |
they're doing, who can cope with the fact that there's wood and fabric. | 0:10:43 | 0:10:46 | |
I've got just the person in mind. | 0:10:46 | 0:10:47 | |
Meet Ray Clarke, upholsterer extraordinaire. | 0:10:51 | 0:10:55 | |
Ray made a name for himself in the world of fashion design, | 0:10:55 | 0:10:58 | |
before discovering his love of vintage furniture. | 0:10:58 | 0:11:02 | |
His fresh, modern designs mix practicality, comfort and luxury. | 0:11:02 | 0:11:08 | |
I never intended to become an upholsterer at the beginning. | 0:11:08 | 0:11:12 | |
It wasn't the thing I set out to do. | 0:11:12 | 0:11:15 | |
I suppose you could say upholstery found me. | 0:11:15 | 0:11:18 | |
With my creative background in fashion design and textile design, | 0:11:20 | 0:11:25 | |
I was able to use those skills and redirect them. | 0:11:25 | 0:11:28 | |
Now, this is all I do. I just give birth to chairs. I love them. Yeah. | 0:11:28 | 0:11:34 | |
Normally weight is a benchmark for quality. | 0:11:34 | 0:11:37 | |
This is definitely heavy but if it's quality, I'm not sure. | 0:11:37 | 0:11:40 | |
I'm hoping that between the pair of chairs we're going to be able | 0:11:40 | 0:11:44 | |
to create something really lovely | 0:11:44 | 0:11:46 | |
and Ray is going to take up the challenge. | 0:11:46 | 0:11:48 | |
-Ray, how are you? How are you doing? -Good to see you. | 0:11:50 | 0:11:54 | |
I've got a couple of little... I'm not going to say beauties. | 0:11:54 | 0:11:57 | |
I've got a couple of little chairs for you. | 0:11:57 | 0:11:59 | |
Any chance you can give me a hand? This one is really heavy. Hold on. | 0:11:59 | 0:12:03 | |
Is that all right up there? | 0:12:03 | 0:12:05 | |
Lovely. | 0:12:07 | 0:12:09 | |
So these two came into the tip as a pair. | 0:12:11 | 0:12:14 | |
But they don't have to stay together. | 0:12:14 | 0:12:16 | |
I'd much rather work on this one, to be honest than this one, I think. | 0:12:16 | 0:12:19 | |
Simply because this one's got a lot more character. | 0:12:19 | 0:12:23 | |
The orange chair will be put aside | 0:12:25 | 0:12:27 | |
so Ray can concentrate on the black one. | 0:12:27 | 0:12:30 | |
I did wonder about just really making it pack a punch. | 0:12:31 | 0:12:35 | |
Well, actually, Sarah, truth to tell, | 0:12:35 | 0:12:38 | |
-I've been kind of developing my own fabric. -Really? | 0:12:38 | 0:12:43 | |
-So that's a new thing for you? -Yes. Completely. | 0:12:43 | 0:12:45 | |
What kind of fabric is it? | 0:12:45 | 0:12:47 | |
Fabric is based on different types of new world and old world monkeys. | 0:12:47 | 0:12:53 | |
Are you going to be able to nail it in time to get it on here? | 0:12:53 | 0:12:55 | |
-I think so. -So, it sounds like, to me, | 0:12:55 | 0:12:57 | |
you're going to pour your heart and soul into this little chair. | 0:12:57 | 0:13:00 | |
It will be a work of art. | 0:13:00 | 0:13:03 | |
Ray's dreaming big, but what will his time and materials cost? | 0:13:04 | 0:13:09 | |
So, we're looking at around 800, 850 mark. | 0:13:09 | 0:13:13 | |
OK, if I can leave you chiselling away at the cost, | 0:13:13 | 0:13:16 | |
if I need it around £800, I love the idea of the monkeys, so... | 0:13:16 | 0:13:19 | |
It's going to rock. It's going to rock. Go for it, OK? Thank you. | 0:13:19 | 0:13:23 | |
-Take care. -Thank you very much. | 0:13:23 | 0:13:25 | |
Yes! Yes. | 0:13:25 | 0:13:27 | |
I think he's pretty happy with this project. | 0:13:28 | 0:13:31 | |
Well, that chair sounds like it's going to look amazing and | 0:13:32 | 0:13:35 | |
I don't want to hamper Ray's creativity, so I think saying yes | 0:13:35 | 0:13:38 | |
to a lot of monkey business all over it is definitely the way to go. | 0:13:38 | 0:13:41 | |
And I think I'm going to have a little chance | 0:13:41 | 0:13:44 | |
of making a bit of profit. Fingers crossed. | 0:13:44 | 0:13:47 | |
This is awesome. | 0:13:47 | 0:13:49 | |
Oh, sorry, it's very difficult to contain my emotions, I'm sorry. | 0:13:49 | 0:13:54 | |
No apology needed. | 0:13:54 | 0:13:56 | |
Ray has a big budget of around £800 to remake that chair, | 0:13:57 | 0:14:03 | |
but he's never created a new fabric for upholstery before, | 0:14:03 | 0:14:06 | |
so Sarah's taking a risk on this one. | 0:14:06 | 0:14:10 | |
Back to the west Midlands now and the city of Wolverhampton, | 0:14:15 | 0:14:18 | |
home to master restorer Jay Blades, who can't wait to get going. | 0:14:18 | 0:14:23 | |
Sarah dropped off these beautiful oak chairs, absolutely beautiful. | 0:14:23 | 0:14:29 | |
Jay is a big fan of these quality handmade chairs, | 0:14:29 | 0:14:32 | |
which probably date from the 1940s. | 0:14:32 | 0:14:35 | |
My job today is just to remove stuff really carefully. | 0:14:35 | 0:14:39 | |
Yep, this is going to be a real labour of love for Jay. | 0:14:39 | 0:14:42 | |
He's going to reupholster all six chairs | 0:14:42 | 0:14:45 | |
whilst maintaining their original handmade features. | 0:14:45 | 0:14:48 | |
Good luck, Jay! | 0:14:48 | 0:14:49 | |
So enough with the talking. Um... | 0:14:49 | 0:14:52 | |
-Let's get stripping. -Wahey! | 0:14:52 | 0:14:53 | |
The chair. Not me. | 0:14:53 | 0:14:55 | |
RECORD SCRATCH Oh, I see. Sorry. | 0:14:55 | 0:14:57 | |
Jay gets down to moving the tack which secure the chair's piping | 0:14:58 | 0:15:03 | |
with the appropriately-named tack-lifting tool. | 0:15:03 | 0:15:07 | |
And it's not long before he spots a piece of impressive craftsmanship. | 0:15:07 | 0:15:11 | |
That's amazing. They've actually stitched, | 0:15:11 | 0:15:14 | |
and it looks like they hand-stitched underneath here, the leather. | 0:15:14 | 0:15:17 | |
Now that in itself... Come on, who does that in this day and age? | 0:15:17 | 0:15:21 | |
That is just sheer craftsmanship. | 0:15:21 | 0:15:23 | |
Everything that I discover about the chairs... | 0:15:23 | 0:15:27 | |
CAMERA CLICKS | 0:15:27 | 0:15:28 | |
..will then be reflected back into the chair, | 0:15:28 | 0:15:30 | |
and how I work with it, the fabric I choose. | 0:15:30 | 0:15:33 | |
And also, ultimately, the price. | 0:15:33 | 0:15:35 | |
But I don't want to outprice either myself or Sarah, | 0:15:35 | 0:15:39 | |
who's then going to sell these on. | 0:15:39 | 0:15:41 | |
The challenge for Jay is to comprehensively modernise the chairs | 0:15:41 | 0:15:44 | |
whilst keeping an eye on his labour costs. | 0:15:44 | 0:15:48 | |
He hasn't yet agreed a budget with Sarah, | 0:15:48 | 0:15:50 | |
and she'll want to stand a chance of turning a profit. | 0:15:50 | 0:15:53 | |
He gets straight to work, | 0:15:57 | 0:15:59 | |
removing the chair's old, disintegrating coverings, | 0:15:59 | 0:16:02 | |
supporting webbings and stuffing... | 0:16:02 | 0:16:04 | |
..all of which need to be replaced. | 0:16:06 | 0:16:08 | |
With that done, Jay starts building a chair back up. | 0:16:11 | 0:16:15 | |
Got to put new, new webbing on there. | 0:16:15 | 0:16:18 | |
He's using a tool called a webbing stretcher | 0:16:18 | 0:16:21 | |
to make sure the seat base is taut. | 0:16:21 | 0:16:24 | |
Doing webbing is very similar to tuning a fine instrument - | 0:16:24 | 0:16:27 | |
-you have to get it... -WEBBING TWANGS | 0:16:27 | 0:16:29 | |
..where it makes a really lovely sound. | 0:16:29 | 0:16:32 | |
Because, basically, the webbing is the foundation... | 0:16:32 | 0:16:36 | |
..that's going to hold all of the seat in place | 0:16:38 | 0:16:41 | |
for the next 50 to 100 years, hopefully. | 0:16:41 | 0:16:44 | |
Once Jay's fitted the new webbing, | 0:16:49 | 0:16:51 | |
he still has to work out how he'll cover them. | 0:16:51 | 0:16:54 | |
The chair... | 0:16:54 | 0:16:55 | |
HE CHUCKLES | 0:16:55 | 0:16:57 | |
..is really, really cool. | 0:16:57 | 0:16:58 | |
It's a beautiful form chair. | 0:16:58 | 0:17:01 | |
Yeah, we know you love them, Jay, but there's loads of work to do, | 0:17:01 | 0:17:04 | |
and still no word on the budget. | 0:17:04 | 0:17:06 | |
Will he be able to deliver six sympathetically-restored | 0:17:08 | 0:17:12 | |
and reupholstered chairs that Sarah will be able to make some profit on? | 0:17:12 | 0:17:16 | |
Back in busy East London, Ray's hard at work on the wingback armchair. | 0:17:25 | 0:17:30 | |
In fact, he seems to have ripped it to bits. | 0:17:30 | 0:17:33 | |
Hmm. | 0:17:33 | 0:17:34 | |
I've basically gone a bit nuts on the chair. | 0:17:35 | 0:17:38 | |
I've stripped it back down to bare word | 0:17:38 | 0:17:40 | |
so I can get it prepared for a new colour of wood stain. | 0:17:40 | 0:17:44 | |
Ray needs to remove all of the chairs' dated upholstery | 0:17:47 | 0:17:51 | |
and strip the wooden frame before he can begin to modernise it. | 0:17:51 | 0:17:55 | |
He's got a big budget of around £800 to do that, | 0:17:55 | 0:17:59 | |
but time is money, and this is a seriously time-consuming job. | 0:17:59 | 0:18:03 | |
I hate it when they snap off. | 0:18:07 | 0:18:09 | |
Takes, like, patience and some determination as well. | 0:18:11 | 0:18:16 | |
-THROUGH GRITTED TEETH: -Argh! They keep snapping off! | 0:18:16 | 0:18:20 | |
Great patience, yeah(!) | 0:18:20 | 0:18:22 | |
Ray's also been hard at work on the real stars of this piece, | 0:18:23 | 0:18:27 | |
his menagerie of monkeys. | 0:18:27 | 0:18:29 | |
I've just looked up certain types of monkeys, and just illustrated them. | 0:18:29 | 0:18:35 | |
His signature fabric will be printed up from his monkey sketches. | 0:18:35 | 0:18:40 | |
Because of the types of monkey I've chosen as well, | 0:18:40 | 0:18:42 | |
they give me an opportunity to maybe explore colour | 0:18:42 | 0:18:45 | |
in quite a vast range. | 0:18:45 | 0:18:47 | |
So you've got the gold of the tamarin here, | 0:18:47 | 0:18:51 | |
and then you go on to the red howler, | 0:18:51 | 0:18:55 | |
and then there's a black howler as well. | 0:18:55 | 0:18:58 | |
So, hopefully, this will be more of a surprise for Sarah | 0:18:58 | 0:19:00 | |
when she gets to see this, | 0:19:00 | 0:19:02 | |
cos I really didn't have a chance to show her. | 0:19:02 | 0:19:05 | |
His final designs will be sent to a fabric printing company | 0:19:05 | 0:19:09 | |
to be transferred onto a velvety fabric. | 0:19:09 | 0:19:12 | |
Obviously, I want the print process to go quite well, | 0:19:14 | 0:19:18 | |
to capture all the definition, or as much of the definition as possible. | 0:19:18 | 0:19:22 | |
But I'm also asking a tall order, | 0:19:22 | 0:19:24 | |
because I realise what I'm asking for | 0:19:24 | 0:19:27 | |
is the illustrations to go into a pile fabric, | 0:19:27 | 0:19:30 | |
as opposed to just a plain, flat fabric. | 0:19:30 | 0:19:32 | |
So there may be some compromise I might have to make at some point. | 0:19:32 | 0:19:38 | |
But, um, we'll see. | 0:19:38 | 0:19:39 | |
It's getting me all lumpy in the throat as well at the moment, | 0:19:39 | 0:19:42 | |
I'm that excited. | 0:19:42 | 0:19:44 | |
Ray's passionate about his monkey designs, | 0:19:45 | 0:19:48 | |
but he still has a lot of work to do on that chair. | 0:19:48 | 0:19:52 | |
Once his labour costs are factored in, | 0:19:52 | 0:19:54 | |
can he really manage to deliver it on Sarah's budget? | 0:19:54 | 0:19:57 | |
From London to the East Midlands, | 0:20:09 | 0:20:11 | |
where chairs of a very different kind | 0:20:11 | 0:20:13 | |
have been given the once-over by Jay. | 0:20:13 | 0:20:15 | |
Now, if I remember right, Sarah wanted to keep things...simple. | 0:20:17 | 0:20:22 | |
But, knowing Jay... | 0:20:22 | 0:20:24 | |
Oh, what's that?! | 0:20:24 | 0:20:25 | |
Sarah probably wanted me to do more of a classical | 0:20:25 | 0:20:28 | |
kind of restoration of them. | 0:20:28 | 0:20:30 | |
You haven't gone as mad as I normally would go, | 0:20:30 | 0:20:33 | |
but I've done something that's really tasteful, I believe. | 0:20:33 | 0:20:37 | |
They're probably some of the best work I've ever produced. | 0:20:37 | 0:20:40 | |
That sounds encouraging, | 0:20:40 | 0:20:42 | |
but is it the most expensive work you've ever produced? | 0:20:42 | 0:20:45 | |
I was keen for some sympathetic restoration, | 0:20:45 | 0:20:47 | |
but I think Jay might have had other ideas. | 0:20:47 | 0:20:50 | |
So I'm really excited to see what he's done with them, | 0:20:50 | 0:20:52 | |
and to find out what the budget is. | 0:20:52 | 0:20:54 | |
When Sarah saved them, they were really showing their age. | 0:20:56 | 0:20:59 | |
But now Jay has... | 0:21:02 | 0:21:04 | |
Well, done what Jay does best. | 0:21:04 | 0:21:07 | |
The simple restoration has turned into an explosion | 0:21:07 | 0:21:10 | |
of elegant colour and design. | 0:21:10 | 0:21:12 | |
Jay upholstered four with the lovely butterfly fabric, | 0:21:12 | 0:21:16 | |
and the two bigger ones have now got a cosy tartan look. | 0:21:16 | 0:21:20 | |
All six have been expertly restored, | 0:21:20 | 0:21:22 | |
but with that modern Jay Blades attitude. | 0:21:22 | 0:21:26 | |
-I can't wait to see what you've been up to! -Yeah, come and have a look. | 0:21:26 | 0:21:30 | |
Oh, my word! | 0:21:30 | 0:21:32 | |
-Don't they look different? -They do. -How you doing? -I'm very good. | 0:21:33 | 0:21:36 | |
So talk me through the carvers, in different materials. | 0:21:36 | 0:21:38 | |
The carvers are in different material, | 0:21:38 | 0:21:40 | |
cos we've got an orange... | 0:21:40 | 0:21:41 | |
an orange that matches up to the butterflies. | 0:21:41 | 0:21:43 | |
OK, yeah, yeah, I can see that. | 0:21:43 | 0:21:45 | |
Yeah, I didn't use the same material, | 0:21:45 | 0:21:47 | |
cos I thought it would have been a little bit overkill, | 0:21:47 | 0:21:49 | |
and it isn't my kind of style, actually, | 0:21:49 | 0:21:51 | |
to do everything all the same. | 0:21:51 | 0:21:53 | |
I always have to have a little bit of a twist. | 0:21:53 | 0:21:55 | |
And the twist is the carvers. | 0:21:55 | 0:21:57 | |
They have a lovely feeling to them. They're really well done. | 0:21:57 | 0:22:01 | |
So talk me through it. A bit of velvet on the back? | 0:22:01 | 0:22:04 | |
-Velvet on the back to marry them all up. -Yeah? | 0:22:04 | 0:22:07 | |
So they've all got that. The only problem that I had was... | 0:22:07 | 0:22:11 | |
-I don't know if you remember the piping that we had on there... -Yeah? | 0:22:11 | 0:22:14 | |
..which was in leather... | 0:22:14 | 0:22:15 | |
Unfortunately, Jay wasn't able to use | 0:22:15 | 0:22:17 | |
the hand-stitched original piping that he loved so much. | 0:22:17 | 0:22:20 | |
When it got down to brass tacks, | 0:22:20 | 0:22:22 | |
the brass and the tacks were too old to re-use. | 0:22:22 | 0:22:25 | |
So did you try and reattach them? | 0:22:25 | 0:22:27 | |
Yeah, about 50 times. | 0:22:27 | 0:22:29 | |
THEY LAUGH | 0:22:29 | 0:22:31 | |
Even without the piping, | 0:22:31 | 0:22:32 | |
the chairs certainly get Sarah's mark of approval. | 0:22:32 | 0:22:35 | |
Now, how about that budget? | 0:22:35 | 0:22:37 | |
What they've come out is about £130, £135 each chair. | 0:22:37 | 0:22:43 | |
135? So, at that kind of price, I'm going to need to place them | 0:22:43 | 0:22:47 | |
somewhere where they get the right exposure. | 0:22:47 | 0:22:49 | |
Well, funny you should say that. | 0:22:49 | 0:22:51 | |
Even though they're individual, and they've cost a bit, | 0:22:51 | 0:22:54 | |
we found a buyer and we're definitely going to be in profit. | 0:22:54 | 0:22:56 | |
And she wants to buy all of them - | 0:22:56 | 0:22:58 | |
she doesn't just want to buy one or two. She wants to buy all of them. | 0:22:58 | 0:23:00 | |
-I can't believe it. So you do the work and you sell them? -Yes! | 0:23:00 | 0:23:04 | |
Crikey! What a service! | 0:23:04 | 0:23:06 | |
Jay's friend and sometime client snapped up the chairs | 0:23:06 | 0:23:10 | |
before Sarah even had a chance to see them. | 0:23:10 | 0:23:12 | |
Thank you so much for taking them on and, yeah, and selling them as well. | 0:23:12 | 0:23:17 | |
-No problem. -Massive achievement! -All right. -Thanks a lot! | 0:23:17 | 0:23:19 | |
You take care now. | 0:23:19 | 0:23:21 | |
Ah, Jay - what a lege. How are you feeling after that? | 0:23:21 | 0:23:25 | |
To tell you the truth, I'm really chuffed with the chairs. | 0:23:25 | 0:23:28 | |
Chuffed with the chairs, and sold the chairs. | 0:23:28 | 0:23:30 | |
So I'm a happy bumblebee right about now. | 0:23:30 | 0:23:33 | |
Are bees particularly happy? | 0:23:33 | 0:23:35 | |
Oh, now that is the best boot-full I've seen all day. | 0:23:41 | 0:23:44 | |
Sarah was lucky enough to spot Carl and his mum and dad's old chairs. | 0:23:44 | 0:23:49 | |
I think they've had them about 25 years. | 0:23:49 | 0:23:51 | |
Sarah couldn't contain her excitement. | 0:23:51 | 0:23:53 | |
Oh, my word! It's my lucky, lucky day. | 0:23:53 | 0:23:56 | |
And Carl was just happy to get rid of them. | 0:23:56 | 0:23:59 | |
I'm quite looking forward to seeing what happens. | 0:23:59 | 0:24:01 | |
Bloomin' Jay Blades is what happened! | 0:24:01 | 0:24:03 | |
Not only did he give them a fancy makeover, but he sold them too. | 0:24:03 | 0:24:07 | |
Sarah's travelled to Surrey to meet up with Carl once more, | 0:24:09 | 0:24:13 | |
but how much profit can she handover? | 0:24:13 | 0:24:16 | |
-Hi, Carl. -Hiya. -How you doing? -Nice to see you. Yeah, good, thank you. | 0:24:20 | 0:24:23 | |
Nice to see you too. So is this where those chairs came from? | 0:24:23 | 0:24:26 | |
-It is, yeah, yeah. -You've had them and grown with them, haven't you? | 0:24:26 | 0:24:29 | |
I have, yeah. My mum and dad had them | 0:24:29 | 0:24:31 | |
sort of a year before I was born, so... | 0:24:31 | 0:24:33 | |
-OK, so they've got some... -Yeah, my whole life, yeah. | 0:24:33 | 0:24:35 | |
-They've got some age to them, then? -They have, yeah. | 0:24:35 | 0:24:37 | |
I don't know if you thought what we might do with them | 0:24:37 | 0:24:39 | |
-after we took them away? -Well, I thought you... | 0:24:39 | 0:24:41 | |
I don't know, really, maybe just recovered them or something. | 0:24:41 | 0:24:44 | |
But I don't know. | 0:24:44 | 0:24:45 | |
Well, we did a lot of research on your chairs, actually. | 0:24:45 | 0:24:48 | |
-We couldn't find an establish maker who made them. -Right. | 0:24:48 | 0:24:50 | |
So they went to Northampton, to a guy called Jay Blades. | 0:24:50 | 0:24:54 | |
-I've got some pictures, to show you what he did to them. -Excellent. | 0:24:54 | 0:24:57 | |
-So they now look... -Wow, yeah. | 0:24:57 | 0:25:00 | |
-Different! -Different. -Yeah, I mean... | 0:25:00 | 0:25:02 | |
Definitely changed them up a bit but, yeah, they look great, I think. | 0:25:02 | 0:25:06 | |
Somebody completely fell in love with them, and they bought them. | 0:25:06 | 0:25:08 | |
-Oh, OK. -So there's profit to be shared. -Oh, OK. | 0:25:08 | 0:25:11 | |
-In fact, I've got just a little bit here for you. -Great. | 0:25:11 | 0:25:13 | |
-I have got £240 profit. -Whoa. That's amazing, yeah. | 0:25:13 | 0:25:18 | |
For something that we were going to throw away. That's great. | 0:25:18 | 0:25:21 | |
What are you going to do with that? | 0:25:21 | 0:25:22 | |
Well, I think it will go back to my mum, | 0:25:22 | 0:25:24 | |
cos she's looking for some replacement chairs now. | 0:25:24 | 0:25:27 | |
So, yeah, probably go towards them. Great. | 0:25:27 | 0:25:28 | |
-Really appreciate you dropping them off. -No problem. | 0:25:28 | 0:25:30 | |
-And it was great to catch up. -Cheers. Thanks, bye. -OK, bye-bye. | 0:25:30 | 0:25:34 | |
Jay pulled it out of the bag. | 0:25:34 | 0:25:36 | |
Having cost £810 to do them up, | 0:25:36 | 0:25:39 | |
he then sold them for a cracking £1,050, | 0:25:39 | 0:25:43 | |
giving Carl and his mum £240 to invest | 0:25:43 | 0:25:46 | |
in a new set of chairs to replace those old ones. | 0:25:46 | 0:25:49 | |
With a profit already under her belt, | 0:25:56 | 0:25:59 | |
Sarah's going back on the prowl to find another hidden gem. | 0:25:59 | 0:26:02 | |
Come on, then. | 0:26:05 | 0:26:06 | |
She does so with some style and grace. | 0:26:06 | 0:26:09 | |
And if it's style she's after, | 0:26:09 | 0:26:11 | |
perhaps Robert's old sewing machine could add a bit of flair. | 0:26:11 | 0:26:15 | |
Is that going back into the car or into the skip? | 0:26:18 | 0:26:20 | |
Was hoping somebody would be able to re-use it. | 0:26:20 | 0:26:22 | |
It's a really sweet little one, isn't it? | 0:26:22 | 0:26:24 | |
-Do you ever remember it being used? -I do. | 0:26:24 | 0:26:26 | |
My mum regularly made clothes for us. Ugh... | 0:26:26 | 0:26:28 | |
Really? I bet they went down well at school, didn't they? | 0:26:28 | 0:26:31 | |
No, I didn't dare wear them to school. | 0:26:31 | 0:26:34 | |
Luckily, I had a uniform that you had to buy from a shop in Guildford. | 0:26:34 | 0:26:37 | |
-No. -Have you got the key? | 0:26:37 | 0:26:38 | |
Er... | 0:26:38 | 0:26:40 | |
Not with me. It's probably at home somewhere. | 0:26:40 | 0:26:44 | |
-I'd forgotten all about the key. -Where is it? -This end here. | 0:26:44 | 0:26:46 | |
OK, they actually all open with the same thing. | 0:26:46 | 0:26:48 | |
It's very simple, it's just a flat key. | 0:26:48 | 0:26:51 | |
A small screwdriver will open it. | 0:26:51 | 0:26:53 | |
-I'd like to have a look inside. -Of course. | 0:26:53 | 0:26:55 | |
Because there are Singers and then there are Singers. | 0:26:55 | 0:26:57 | |
Some of them are really collectable, some of them are just decorative, | 0:26:57 | 0:27:00 | |
but some of them are just hundreds of pounds worth of Singer. | 0:27:00 | 0:27:02 | |
But you need a key! You need a key! | 0:27:02 | 0:27:05 | |
Do you want me to have a quick look in my store? | 0:27:05 | 0:27:08 | |
Yes, if you got a key or a screwdriver, that would be great. | 0:27:08 | 0:27:10 | |
Do you have a second? I'll be back in a mo. | 0:27:10 | 0:27:12 | |
Where is Sarah going to find a screwdriver at the dump? | 0:27:12 | 0:27:16 | |
Ah, perhaps in the tool box graveyard | 0:27:16 | 0:27:19 | |
you'll find in many recycling centres. | 0:27:19 | 0:27:22 | |
I'm just wondering if there's a little screwdriver | 0:27:22 | 0:27:25 | |
or anything we can use. | 0:27:25 | 0:27:26 | |
You know how to pick a lock too, Sarah? Very talented. | 0:27:26 | 0:27:29 | |
-That might. -Yeah, give that a go. Yeah. | 0:27:29 | 0:27:32 | |
Harder than it looks, eh? | 0:27:33 | 0:27:34 | |
Right for tight, loose for left. | 0:27:37 | 0:27:39 | |
Oh, I really want to see in here now. | 0:27:40 | 0:27:43 | |
Oh, good. Now it's stuck. | 0:27:45 | 0:27:47 | |
Would you mind if I took it away as the mystery machine? | 0:27:47 | 0:27:50 | |
If it is in usable condition or valuable, or I can sell it for you, | 0:27:50 | 0:27:53 | |
can I get back in touch and show you what we've done with it? | 0:27:53 | 0:27:55 | |
Yeah, that would be super. Yeah, thank you very much. | 0:27:55 | 0:27:57 | |
Thank you ever so much. Really nice to have met you here. | 0:27:57 | 0:27:59 | |
Ooh, the mystery machine! | 0:27:59 | 0:28:01 | |
Sarah's taking a gamble on there being something usable under there. | 0:28:01 | 0:28:05 | |
From what you can remember, Robert, | 0:28:05 | 0:28:07 | |
do you think Sarah will be able to make anything from it? | 0:28:07 | 0:28:10 | |
I don't want say a doorstop, | 0:28:10 | 0:28:11 | |
cos that just wouldn't be appropriate! | 0:28:11 | 0:28:14 | |
Um... | 0:28:14 | 0:28:15 | |
Maybe a lampstand? | 0:28:15 | 0:28:18 | |
Maybe a beautiful lampstand. That would be nice. | 0:28:18 | 0:28:21 | |
It really is quite exciting, what might be under there. | 0:28:22 | 0:28:25 | |
I just need to find a key so I can find out. | 0:28:25 | 0:28:28 | |
Well, I know a couple of boys with the key, and the secret for success. | 0:28:28 | 0:28:33 | |
This is Josh and Oli - | 0:28:39 | 0:28:41 | |
best mates who just love to create. | 0:28:41 | 0:28:44 | |
The pair thrive on taking disused materials | 0:28:47 | 0:28:50 | |
and turning them into unique, handmade furnishings | 0:28:50 | 0:28:53 | |
with flair and imagination. | 0:28:53 | 0:28:55 | |
Definitely love what we do. I think we're really lucky, in that sense. | 0:28:58 | 0:29:02 | |
I think what makes us different is that we have got original ideas, | 0:29:03 | 0:29:07 | |
and we have got our own style to bring to the table. | 0:29:07 | 0:29:10 | |
Josh's background is in woodwork, | 0:29:10 | 0:29:12 | |
but my background's in graphic design. | 0:29:12 | 0:29:14 | |
But it's like a really nice combination, | 0:29:14 | 0:29:16 | |
and I think we've got some pretty crazy ideas, | 0:29:16 | 0:29:19 | |
and think quite out of the box. | 0:29:19 | 0:29:20 | |
Yeah, I think it does make us stand out from the rest. | 0:29:20 | 0:29:23 | |
Well, you have to think outside the box for this sewing machine, | 0:29:25 | 0:29:29 | |
or whatever's IN that box. | 0:29:29 | 0:29:30 | |
Well, I've brought the vintage sewing machine to Josh and Oli | 0:29:33 | 0:29:36 | |
to see if they can open it up | 0:29:36 | 0:29:37 | |
and then transform it into something amazing. | 0:29:37 | 0:29:39 | |
But, as I haven't actually seen inside it, | 0:29:39 | 0:29:42 | |
I'm just hoping I'm not about to stitch them up. | 0:29:42 | 0:29:44 | |
-Hello. -Hello. -Hello. -How are you? -OK. | 0:29:46 | 0:29:49 | |
-Oh, I've got something for you. -Right. | 0:29:49 | 0:29:52 | |
Actually, I need a hand with it. | 0:29:52 | 0:29:54 | |
This came to the recycling centre, and it doesn't have its key with it. | 0:29:54 | 0:29:58 | |
-Right. -So I have never seen inside it. -Oh, OK. | 0:29:58 | 0:30:02 | |
-And I'm hoping it's just... -Maybe it's not a sewing machine? | 0:30:02 | 0:30:04 | |
Could be anything in there. So, first things first... | 0:30:04 | 0:30:07 | |
So the first thing is to try and see if you can open it. | 0:30:07 | 0:30:10 | |
Normally, they just have a flat key that goes in here. | 0:30:10 | 0:30:14 | |
-Is it an actual key? -So a bit of breaking in? -Yeah. | 0:30:14 | 0:30:17 | |
So it's kind of... I don't know if you've got anything... | 0:30:17 | 0:30:20 | |
Really, guys, it's just going to be a sewing machine. | 0:30:20 | 0:30:24 | |
But if it's a collectable one, | 0:30:24 | 0:30:25 | |
some rare models can sell for several hundred pounds, | 0:30:25 | 0:30:29 | |
believe it or not. | 0:30:29 | 0:30:30 | |
Or it could be just one of the newer electric ones. | 0:30:30 | 0:30:34 | |
Oh, it's electric! | 0:30:34 | 0:30:35 | |
Ah, I shouldn't have got my hopes up. | 0:30:35 | 0:30:37 | |
I mean, there are hundreds of these going into the tips every day. | 0:30:37 | 0:30:42 | |
Unwanted Singer sewing machines | 0:30:42 | 0:30:45 | |
have become very popular with the upcycling crowd... | 0:30:45 | 0:30:48 | |
Little light in there. | 0:30:49 | 0:30:51 | |
..making everything from lighting to desk fans. | 0:30:51 | 0:30:55 | |
Can the boys come up with something original? | 0:30:55 | 0:30:58 | |
Can the boys come up with something? | 0:31:02 | 0:31:04 | |
Anything? | 0:31:06 | 0:31:07 | |
HE IMITATES A SEWING MACHINE | 0:31:07 | 0:31:09 | |
Yes, it's a sewing machine, Oli. | 0:31:09 | 0:31:11 | |
It would almost be cool to take the whole thing | 0:31:11 | 0:31:15 | |
into the individual components and then, like... | 0:31:15 | 0:31:17 | |
We could see what we could do with them. | 0:31:17 | 0:31:19 | |
..lay them out as like a blueprint, almost. | 0:31:19 | 0:31:21 | |
What can you put it back into that's completely different | 0:31:21 | 0:31:23 | |
and that moves in a funny way or something. | 0:31:23 | 0:31:26 | |
The only thing I would say, | 0:31:26 | 0:31:27 | |
it is really difficult to sell non-functioning things. | 0:31:27 | 0:31:30 | |
One other option is to go down the route of using the box. | 0:31:30 | 0:31:33 | |
That might be a way we could make something | 0:31:33 | 0:31:35 | |
that would actually be useful and would sell. | 0:31:35 | 0:31:38 | |
So if I left you with a budget of sort of 250, 300 quid... | 0:31:38 | 0:31:42 | |
-take it apart, see what happens. -We'll see what happens, yeah! | 0:31:42 | 0:31:45 | |
-And come back in surprise me! -Yeah. -OK, cool. -All right. | 0:31:45 | 0:31:48 | |
-Brilliant. Thanks ever so much. -Cheers. | 0:31:48 | 0:31:51 | |
So, boys, you've got carte blanche to do whatever you want. | 0:31:51 | 0:31:54 | |
Hey! Not that! | 0:31:54 | 0:31:56 | |
Well, they've sewn a few ideas about what they might come up with, | 0:31:56 | 0:31:59 | |
but that sewing machine is a real challenge. | 0:31:59 | 0:32:02 | |
So it's going to be a total surprise to see what they make out of it. | 0:32:02 | 0:32:05 | |
They've set a budget of £250 to £300. | 0:32:05 | 0:32:10 | |
It's a fair chunk of money, so Sarah's taking a gamble | 0:32:10 | 0:32:13 | |
on the boys coming up with something that will be saleable. | 0:32:13 | 0:32:16 | |
Or coming up with anything at all. | 0:32:16 | 0:32:19 | |
Back in East London, Ray has finished his makeover | 0:32:24 | 0:32:27 | |
of the hotly-anticipated armchair. | 0:32:27 | 0:32:29 | |
He is waiting for Sarah... | 0:32:29 | 0:32:32 | |
anxiously. | 0:32:32 | 0:32:33 | |
-I'm proper nervous. -HE LAUGHS | 0:32:33 | 0:32:35 | |
Just hoping she really likes it, yeah. | 0:32:35 | 0:32:38 | |
Oh, no. What have I done?! | 0:32:38 | 0:32:41 | |
You've done up an armchair, Ray. Don't worry. | 0:32:41 | 0:32:44 | |
Although Sarah is also on tenterhooks. | 0:32:46 | 0:32:50 | |
I've come to see Ray and to find out | 0:32:50 | 0:32:52 | |
how the armchair has turned out, that I left him. | 0:32:52 | 0:32:54 | |
And this is one of the projects that has really been on my mind, | 0:32:54 | 0:32:57 | |
because Ray is inventing a whole new fabric to go on the chair, | 0:32:57 | 0:33:01 | |
and doing all the upholstery. | 0:33:01 | 0:33:02 | |
So this is just one of those things that could go either way. | 0:33:02 | 0:33:07 | |
Either way, the transformation is now complete. | 0:33:07 | 0:33:10 | |
When Sarah dropped off the chair, | 0:33:10 | 0:33:12 | |
it was solid but badly needed bringing up-to-date. | 0:33:12 | 0:33:15 | |
But now Ray has worked his magic. It's utterly transformed. | 0:33:27 | 0:33:31 | |
Ray's hand-illustrated menagerie of monkeys | 0:33:33 | 0:33:36 | |
are rendered on a luxurious moleskin velvet, | 0:33:36 | 0:33:41 | |
which he's positioned to show off the stylish simians | 0:33:41 | 0:33:44 | |
to their best effect. | 0:33:44 | 0:33:45 | |
The chair has been entirely reupholstered | 0:33:47 | 0:33:50 | |
with quality finishings, | 0:33:50 | 0:33:51 | |
and the original wood has been stained in a cool, contrasting grey. | 0:33:51 | 0:33:56 | |
Ray took a big creative risk | 0:33:58 | 0:34:00 | |
on designing his own unique monkey fabric, | 0:34:00 | 0:34:03 | |
and it's paid off splendidly. | 0:34:03 | 0:34:06 | |
Well done, Ray. | 0:34:06 | 0:34:08 | |
But what will Sarah make of it? | 0:34:09 | 0:34:12 | |
-Hiya. -Hi. Ohh... | 0:34:12 | 0:34:15 | |
-You're not nervous, are you? -Just a little bit, yeah. | 0:34:15 | 0:34:18 | |
-Let me see. -I'll pull it off. | 0:34:18 | 0:34:19 | |
One, two, three. | 0:34:19 | 0:34:21 | |
# Ta-da! # | 0:34:21 | 0:34:23 | |
I absolutely adore it. | 0:34:23 | 0:34:24 | |
-You've done so well there. It's so cool! -Thank you. | 0:34:24 | 0:34:29 | |
She likes it! | 0:34:29 | 0:34:30 | |
The woman from Del Monte says yes! | 0:34:30 | 0:34:33 | |
She does indeed. | 0:34:34 | 0:34:36 | |
-Which is your favourite monkey? -I do like the black howler. -Yeah? | 0:34:36 | 0:34:39 | |
And I love the golden tamarin. Oh, come round here. | 0:34:39 | 0:34:42 | |
-I want to take you round the back. -I'm going on tour! -Yeah. | 0:34:42 | 0:34:45 | |
-So around the back... -So who's he, a howler? | 0:34:45 | 0:34:47 | |
Yeah, it's a black howler. And that's a red howler. | 0:34:47 | 0:34:50 | |
That chair is a triumph. | 0:34:50 | 0:34:52 | |
What's so odd is I can't even relate to the chair | 0:34:52 | 0:34:54 | |
-that I brought to you. -No. -Because of what you've done to it. | 0:34:54 | 0:34:57 | |
It's like you're showing me something I've never seen before. | 0:34:57 | 0:35:01 | |
With the very highest praise, | 0:35:01 | 0:35:03 | |
Sarah's delighted with Ray's monkey chair. | 0:35:03 | 0:35:06 | |
It's, like, meant so much to me to try to do this. | 0:35:06 | 0:35:09 | |
So thank you for giving me the opportunity to do this. Honestly. | 0:35:09 | 0:35:13 | |
Yeah, thanks. I'm properly made up, I really am. | 0:35:13 | 0:35:16 | |
It's smiles all round for the painstakingly-finished chair. | 0:35:17 | 0:35:21 | |
On that note, Sarah's got a question. | 0:35:21 | 0:35:24 | |
But she doesn't want to PRY-MATE. | 0:35:24 | 0:35:27 | |
You see? | 0:35:27 | 0:35:29 | |
Has it gone over budget? | 0:35:29 | 0:35:30 | |
I'm feeling now that my original... | 0:35:30 | 0:35:33 | |
..costs were probably a little bit low. | 0:35:34 | 0:35:37 | |
It took longer than I thought, | 0:35:37 | 0:35:38 | |
so therefore, labour-wise, it would have been a bit more expensive. | 0:35:38 | 0:35:42 | |
The amount of work that's gone into the chair | 0:35:43 | 0:35:46 | |
has pushed Ray's labour costs up, | 0:35:46 | 0:35:48 | |
meaning he's gone around £150 over budget, | 0:35:48 | 0:35:52 | |
at a total cost of around £950. | 0:35:52 | 0:35:56 | |
However, Sarah's still confident. | 0:35:56 | 0:35:58 | |
I will try so hard to sell this at very high-end, | 0:35:59 | 0:36:03 | |
so we turn a really good profit over on this. | 0:36:03 | 0:36:06 | |
If you would, that would mean a lot. | 0:36:06 | 0:36:08 | |
Great job, lovely finish, | 0:36:08 | 0:36:09 | |
and I think you should be very proud of that. | 0:36:09 | 0:36:12 | |
-Well done. -Thank you. | 0:36:12 | 0:36:13 | |
She likes it. | 0:36:16 | 0:36:18 | |
You know, these monkeys - you're so tricky, I'm telling you. | 0:36:20 | 0:36:23 | |
MONKEYS CALL AND WHOOP | 0:36:23 | 0:36:25 | |
Those tricky monkeys are a triumph. | 0:36:25 | 0:36:27 | |
Ray took a chance on a creative idea that really paid off, | 0:36:27 | 0:36:32 | |
but it came at a high cost to Sarah's budget. | 0:36:32 | 0:36:34 | |
Back in Walsall recycling centre, | 0:36:42 | 0:36:45 | |
Sarah found Alan about to off-load two armchairs. | 0:36:45 | 0:36:49 | |
A pair of chairs. How exciting! | 0:36:49 | 0:36:52 | |
Alan was happy for Sarah to nab them. | 0:36:52 | 0:36:55 | |
In a way, I'm glad they're going to be reused, | 0:36:55 | 0:36:57 | |
cos they just seem too good to throw out. | 0:36:57 | 0:37:00 | |
So Sarah spirited them straight to Ray in East London... | 0:37:00 | 0:37:05 | |
Lovely. | 0:37:05 | 0:37:06 | |
..who immediately took a shine to one chair in particular. | 0:37:06 | 0:37:10 | |
Now Sarah's on her way back to Walsall | 0:37:11 | 0:37:14 | |
to update Alan on what became of his armchair. | 0:37:14 | 0:37:17 | |
-Hello. -Hi there, Alan. How are you doing? -I'm very well, thank you. | 0:37:21 | 0:37:23 | |
-You? -Yeah. Very nice to see you again. | 0:37:23 | 0:37:25 | |
-I said I'd be in touch with news about your chairs. -Yes. | 0:37:25 | 0:37:29 | |
I took it to an upholsterer called Ray Clarke. | 0:37:29 | 0:37:32 | |
So I've got some pictures of what he did to it. | 0:37:32 | 0:37:35 | |
Gosh! Wow. | 0:37:35 | 0:37:37 | |
-Is that recognisable? -That's tremendous, isn't it? | 0:37:37 | 0:37:41 | |
It has been transformed. | 0:37:41 | 0:37:43 | |
-He has redesigned it. -Yeah. | 0:37:43 | 0:37:44 | |
He has given it a whole new lease of life. | 0:37:44 | 0:37:47 | |
These are the pictures of it in his studio. | 0:37:47 | 0:37:49 | |
I've never seen anything like that before. That's unbelievable. | 0:37:49 | 0:37:51 | |
It's unbelievable. Just think what... | 0:37:51 | 0:37:53 | |
What are we all throwing away, really? | 0:37:53 | 0:37:55 | |
-Yes, well... -It's got that potential. | 0:37:55 | 0:37:58 | |
It has got huge potential and it is out there now waiting to be sold... | 0:37:58 | 0:38:02 | |
-Yeah. -..and I've got high hopes that it's going to generate | 0:38:02 | 0:38:05 | |
-some profit for you and I'll keep in touch... -Wonderful. | 0:38:05 | 0:38:07 | |
..and be knocking on your door with some money in the future. | 0:38:07 | 0:38:10 | |
-Thank you ever so much. -My pleasure, pleasure. | 0:38:10 | 0:38:13 | |
Well, I think that Alan was really impressed | 0:38:13 | 0:38:16 | |
with all Ray's hard work because that chair really is a unique piece | 0:38:16 | 0:38:19 | |
and I'm sure it's going to sell well | 0:38:19 | 0:38:21 | |
and I'm going to be sending cash back to Alan very soon. | 0:38:21 | 0:38:24 | |
Ray's materials and painstaking labour on the chair | 0:38:26 | 0:38:30 | |
came in at just under £1,000. | 0:38:30 | 0:38:33 | |
This niche item has yet to sell, so it's currently a potential loss | 0:38:33 | 0:38:37 | |
of that £950. | 0:38:37 | 0:38:39 | |
Sarah's back at the tip, on the hunt for one last item | 0:38:47 | 0:38:50 | |
to work on herself. | 0:38:50 | 0:38:52 | |
Nothing to see here. | 0:38:52 | 0:38:55 | |
Perhaps Michael can offer up something of interest. | 0:38:55 | 0:38:58 | |
-Is it dead? Is not working any more? -No, it works perfectly well. | 0:38:59 | 0:39:02 | |
It works perfectly well. | 0:39:02 | 0:39:03 | |
-The motor's very, very good... -Right. | 0:39:03 | 0:39:05 | |
It's just that the blades are blocked. | 0:39:05 | 0:39:07 | |
Somebody who knows anything about it could do it. | 0:39:07 | 0:39:09 | |
It seems in quite a good condition. | 0:39:09 | 0:39:10 | |
I've never thought about taking a lawnmower | 0:39:10 | 0:39:12 | |
-away from the dump before. -You're very welcome to it. | 0:39:12 | 0:39:15 | |
-How old is it? -I don't really know. I would think it's 10-12 years old. | 0:39:15 | 0:39:19 | |
-OK, so it's had a good use. -It gets serviced every year. | 0:39:19 | 0:39:23 | |
-Yeah. -So it's good. | 0:39:23 | 0:39:24 | |
If it still works, there's potential I may be able to | 0:39:24 | 0:39:26 | |
make something out of it so I'd love to have a go | 0:39:26 | 0:39:29 | |
at using the parts or doing something with it. | 0:39:29 | 0:39:31 | |
-You're very welcome. -Thank you so much for letting me take that away. | 0:39:31 | 0:39:34 | |
-OK. -Does it go backwards? | 0:39:34 | 0:39:36 | |
This is not looking promising. | 0:39:36 | 0:39:38 | |
-Don't have it on that, that'll stop it. -OK. | 0:39:38 | 0:39:41 | |
I've got a new lawnmower but I haven't got enough room in my | 0:39:42 | 0:39:45 | |
garage for both of them. | 0:39:45 | 0:39:47 | |
The old one works perfectly well apart from the gears have locked. | 0:39:47 | 0:39:51 | |
Sarah does look confident that she can mow up some moolah, | 0:39:51 | 0:39:56 | |
but what does Michael think she can do with it? | 0:39:56 | 0:39:58 | |
I'm sort of quite fascinated myself. | 0:39:58 | 0:40:00 | |
Somebody with a little bit of mechanical knowledge | 0:40:00 | 0:40:03 | |
or imagination could do something with it. | 0:40:03 | 0:40:06 | |
I'm sure the motor can drive anything, really. | 0:40:06 | 0:40:09 | |
You probably think I'm gaga taking this old garden mower but it's | 0:40:09 | 0:40:13 | |
been really well looked after and the engine still works. | 0:40:13 | 0:40:16 | |
That may be so, Sarah, but I still can't see | 0:40:16 | 0:40:19 | |
what you're going to do with that, other than cut some grass. | 0:40:19 | 0:40:22 | |
At home in Sussex, Sarah has wasted no time in having the lawnmower | 0:40:34 | 0:40:37 | |
stripped down to its many component parts. | 0:40:37 | 0:40:42 | |
Well, who knew if you took a lawnmower apart you would get | 0:40:43 | 0:40:46 | |
so many pieces and there are some fantastic bits here. | 0:40:46 | 0:40:49 | |
There's lots of lovely nuts and bolts | 0:40:49 | 0:40:51 | |
I think would make some lovely jewellery | 0:40:51 | 0:40:53 | |
but the standout feature I think has to be this fantastic cutter blade. | 0:40:53 | 0:40:58 | |
It's such a sculptural thing and just looking at it | 0:40:58 | 0:41:01 | |
makes me think, I want to make something out of that | 0:41:01 | 0:41:03 | |
and I think lighting is the best thing. | 0:41:03 | 0:41:05 | |
Lighting is really commercial, very saleable | 0:41:05 | 0:41:07 | |
and actually quite a simple make | 0:41:07 | 0:41:08 | |
if you've got something as lovely and strong as this. | 0:41:08 | 0:41:11 | |
So with the help of this off-the-peg lighting set, | 0:41:11 | 0:41:14 | |
I'm going to make a lamp with this bit as the base. | 0:41:14 | 0:41:17 | |
But before I can start, I've got to get the hacksaw out | 0:41:17 | 0:41:19 | |
to get this out of that. | 0:41:19 | 0:41:22 | |
Of course, the simple way to remove | 0:41:22 | 0:41:24 | |
the blade from its casing would be to just undo the bolts. | 0:41:24 | 0:41:29 | |
Money for nothing, they say. | 0:41:29 | 0:41:30 | |
It's hard work making money for nothing. | 0:41:30 | 0:41:32 | |
Before lawnmowers were invented, grass was cut using scythes. | 0:41:32 | 0:41:37 | |
It wasn't until 1830 that an English engineer, | 0:41:37 | 0:41:40 | |
Edward Budding, patented the first lawnmower. | 0:41:40 | 0:41:44 | |
I'm pretty sure he didn't envisage | 0:41:44 | 0:41:46 | |
his invention being used for lighting. | 0:41:46 | 0:41:49 | |
That was a lot of hard work but that is every part as sculptural | 0:41:49 | 0:41:53 | |
as I'd hoped, and this bit, another part of the lawnmower... | 0:41:53 | 0:41:56 | |
(I don't know what.) | 0:41:56 | 0:41:58 | |
..is going to make the best base for it. | 0:41:58 | 0:42:00 | |
I reckon put it that way up. | 0:42:00 | 0:42:03 | |
It looks like a light already, doesn't it? | 0:42:03 | 0:42:05 | |
I've just got to clean it up and see if I can get the wire going | 0:42:05 | 0:42:07 | |
through the holes that happen to be there already, | 0:42:07 | 0:42:10 | |
and that's going to look amazing. | 0:42:10 | 0:42:12 | |
Sarah gives the blades a thorough clean with warm, soapy water | 0:42:14 | 0:42:17 | |
to remove old encrusted grass and mud. | 0:42:17 | 0:42:21 | |
Next, in order to remove any sharp edges and make the blades safe, | 0:42:21 | 0:42:25 | |
Sarah uses a coarse sandpaper and a whole load of elbow grease. | 0:42:25 | 0:42:30 | |
Finally, the little bits and bobs are given a thorough wash. | 0:42:30 | 0:42:34 | |
I'm just cleaning up these two pieces because these are | 0:42:36 | 0:42:39 | |
going to help me connect this to that. | 0:42:39 | 0:42:42 | |
I love the way that design evolves when you're reusing pieces like this | 0:42:43 | 0:42:46 | |
because that is a really chunky, lovely bit | 0:42:46 | 0:42:50 | |
and it adds so much by putting it on there, and you probably wouldn't | 0:42:50 | 0:42:52 | |
design that unless you'd just found it. | 0:42:52 | 0:42:55 | |
Well, unless, of course, you're Edward Budding, | 0:42:55 | 0:42:57 | |
inventor of the lawnmower, then you probably did design it. | 0:42:57 | 0:43:01 | |
OK, so onto the final stage, which is wiring up the lamp | 0:43:01 | 0:43:04 | |
and I've got this fantastic lighting component. | 0:43:04 | 0:43:06 | |
And loads of lighting shops have these now, so you can choose | 0:43:06 | 0:43:08 | |
the bulb holder and the flex that you have, either the colour | 0:43:08 | 0:43:11 | |
or if it's twisted like this one. | 0:43:11 | 0:43:13 | |
It makes a really quick and easy way of making a light. | 0:43:13 | 0:43:15 | |
So I've just got to get this wired up | 0:43:15 | 0:43:17 | |
and I think it's going to look pretty cool. | 0:43:17 | 0:43:19 | |
So I think we go from the top. | 0:43:19 | 0:43:22 | |
Sarah's costs for the lawnmower lighting are £60, | 0:43:22 | 0:43:26 | |
which includes the cost of the flex, light fitting, bulb | 0:43:26 | 0:43:29 | |
and also the services of a qualified electrician | 0:43:29 | 0:43:32 | |
to make sure everything's safe. | 0:43:32 | 0:43:34 | |
But will she really be able to create a desirable interior piece | 0:43:34 | 0:43:39 | |
from a bit of old lawnmower? | 0:43:39 | 0:43:41 | |
Elsewhere in Sussex, have Josh and Oli come up with | 0:43:46 | 0:43:49 | |
a plan for the old sewing machine? | 0:43:49 | 0:43:52 | |
The hope is that once it's stripped down to its component parts, | 0:43:52 | 0:43:56 | |
inspiration will strike. | 0:43:56 | 0:43:58 | |
-Somewhere within this is... -Some gold. -Yeah. | 0:44:00 | 0:44:03 | |
Gold paint, maybe. | 0:44:05 | 0:44:06 | |
As a backup plan, the boys have still got the wooden box | 0:44:08 | 0:44:11 | |
the sewing machine came in. | 0:44:11 | 0:44:13 | |
It might be a safer bet than what they're doing just... | 0:44:13 | 0:44:16 | |
Oh, no, here we go. | 0:44:16 | 0:44:19 | |
It looks like Oli's come up with something. | 0:44:19 | 0:44:22 | |
Oh, he's made himself a little friend. | 0:44:22 | 0:44:25 | |
-Josh, I made a robot. -Oh, sweet. | 0:44:25 | 0:44:28 | |
Yeah, that'll do. Get Sarah back now. | 0:44:28 | 0:44:31 | |
Yeah, get Sarah back in and let her see her £300 robot. | 0:44:31 | 0:44:35 | |
Oh, Josh! Oli spent ages on that. | 0:44:35 | 0:44:40 | |
Sorry, Oli. | 0:44:40 | 0:44:42 | |
This is not confidence inspiring, boys. | 0:44:44 | 0:44:47 | |
Perhaps a fresh look at things might help | 0:44:47 | 0:44:51 | |
and the very next day... | 0:44:51 | 0:44:53 | |
After a lot of head scratching we've decided to use the wooden box | 0:44:55 | 0:44:58 | |
to make a mobile barbershop. | 0:44:58 | 0:45:00 | |
So this will be for a barber who wants to go from door to door | 0:45:01 | 0:45:04 | |
and they can keep all of their products and scissors in here. | 0:45:04 | 0:45:08 | |
A barber's kit? Excellent. | 0:45:08 | 0:45:10 | |
Wait, but what's this? | 0:45:10 | 0:45:13 | |
I thought it would be a real shame just to let all of these components | 0:45:13 | 0:45:16 | |
go to waste so I'm trying to figure out some kind of, like, | 0:45:16 | 0:45:19 | |
little mechanical desk toy. | 0:45:19 | 0:45:21 | |
At first thought a little turtle comes to mind because of this guy. | 0:45:21 | 0:45:26 | |
I'm a little bit lost at the moment. | 0:45:26 | 0:45:28 | |
I don't quite know if it's possible and how I'm going to do it. | 0:45:28 | 0:45:31 | |
Yep, you heard it right, | 0:45:31 | 0:45:34 | |
Josh is going to make a mechanical reptile desk toy. | 0:45:34 | 0:45:38 | |
With so much time used up already, it'll be a race to the finish | 0:45:38 | 0:45:42 | |
between the tortoise and the... | 0:45:42 | 0:45:46 | |
hair. | 0:45:46 | 0:45:47 | |
I'm going to kind of make a little shell for the turtle | 0:45:47 | 0:45:50 | |
and I want this big cog to sit on top. | 0:45:50 | 0:45:52 | |
When you turn this cog, it's going to power this here | 0:45:52 | 0:45:57 | |
and so the turtle's head is going to move in and out. | 0:45:57 | 0:46:01 | |
-Who wouldn't be excited about this? -Sarah. | 0:46:01 | 0:46:03 | |
Oli's first job with the barber's kit is to remove the existing | 0:46:05 | 0:46:09 | |
varnish with an electric sander ready for a brand-new finish. | 0:46:09 | 0:46:13 | |
A simple, quick job. | 0:46:13 | 0:46:15 | |
Can you just come over here and hold these little bits here? | 0:46:17 | 0:46:20 | |
Josh has a few issues with his turtle thing. | 0:46:22 | 0:46:25 | |
It keeps falling off. | 0:46:25 | 0:46:27 | |
You just need to tweak it a little bit. | 0:46:27 | 0:46:29 | |
Oh, just get back to work, Oli, Josh could be here all day. | 0:46:29 | 0:46:34 | |
At home, Sarah's busy putting the final touches | 0:46:42 | 0:46:45 | |
to the mower transformation. | 0:46:45 | 0:46:47 | |
Great, that's all the dirty work done. | 0:46:51 | 0:46:54 | |
Time for the last adjustments. | 0:46:54 | 0:46:57 | |
That's straight. | 0:46:57 | 0:47:00 | |
Time to get this illuminated. | 0:47:00 | 0:47:02 | |
When Sarah took possession of the mower at the tip, | 0:47:13 | 0:47:16 | |
its days of trimming lawns were over. | 0:47:16 | 0:47:19 | |
Sarah's used the dismantled mower's sculpted blades to create | 0:47:23 | 0:47:28 | |
a unique table lamp. | 0:47:28 | 0:47:30 | |
The surfaces have been cleaned and waxed and it's finished off | 0:47:30 | 0:47:33 | |
with a contemporary colour-matched flex and a classic style bulb. | 0:47:33 | 0:47:37 | |
The finally finished article is certainly something to behold. | 0:47:37 | 0:47:41 | |
Well, I hope that looks like it's gone | 0:47:44 | 0:47:45 | |
from cutting grass to cutting edge. | 0:47:45 | 0:47:47 | |
I'm going to get some pictures taken of it, | 0:47:47 | 0:47:49 | |
share it around and see if I can turn a profit on it. | 0:47:49 | 0:47:53 | |
Once those pictures hit the net, I'm sure there'll be a stampede | 0:47:53 | 0:47:56 | |
of enthusiastic gardeners looking to illuminate | 0:47:56 | 0:47:59 | |
a dark corner of a room. | 0:47:59 | 0:48:02 | |
When Sarah spotted Michael at the tip, | 0:48:02 | 0:48:04 | |
initially she lacked motivation... | 0:48:04 | 0:48:07 | |
I've never thought about taking a lawnmower away from the dump before. | 0:48:07 | 0:48:11 | |
..but it wasn't all bad news about the mower. | 0:48:11 | 0:48:14 | |
The old one worked perfectly well apart from the gears have locked. | 0:48:14 | 0:48:17 | |
So what do you do with a mower with seized gears? | 0:48:18 | 0:48:21 | |
That's right, strip it down and turn it into a lamp. | 0:48:21 | 0:48:25 | |
The lamp was snapped up by an interior design shop, | 0:48:25 | 0:48:29 | |
Sara Hughes in Marlow - run, funnily enough, by Sara. | 0:48:29 | 0:48:34 | |
It's got memories of old-fashioned lawnmowers, which I rather like. | 0:48:34 | 0:48:38 | |
It's the sort of thing your grandfather used and you imagine | 0:48:38 | 0:48:40 | |
them pushing them along. | 0:48:40 | 0:48:42 | |
Our Sarah has travelled to Sale, near Altrincham, | 0:48:42 | 0:48:45 | |
to show Michael what happened to the lawnmower. | 0:48:45 | 0:48:47 | |
-Hi, there. Hello, Michael. -Hi, how are you? -I'm very well. | 0:48:53 | 0:48:56 | |
-How are you? -Fine, thank you. | 0:48:56 | 0:48:57 | |
I said at the tip that I wanted to keep in touch, so here I am. | 0:48:57 | 0:49:00 | |
Here we are. | 0:49:00 | 0:49:02 | |
I took away your old lawnmower but your lawnmower was still | 0:49:02 | 0:49:05 | |
-slightly working when I took it away from you. -It was. | 0:49:05 | 0:49:08 | |
-It still worked but it was jammed, wasn't it? -Yeah, it was. | 0:49:08 | 0:49:11 | |
I have made something out of it but have you thought what that might be? | 0:49:11 | 0:49:14 | |
I have no idea what... | 0:49:14 | 0:49:16 | |
Apart from a lawnmower again, I couldn't think what you... | 0:49:16 | 0:49:19 | |
Imagine what you might have made of it. | 0:49:19 | 0:49:20 | |
It was a bit of a puzzle and I did have quite a long think about it but | 0:49:20 | 0:49:24 | |
in the end I made a light out of it | 0:49:24 | 0:49:26 | |
and I've got some pictures here to show you. | 0:49:26 | 0:49:28 | |
Go on, then. I'll put my glasses on so I can see it clearly. | 0:49:28 | 0:49:31 | |
Your old lawnmower, I used a little bit of it | 0:49:31 | 0:49:34 | |
and it turned out like this. | 0:49:34 | 0:49:36 | |
Wow! How on earth did you do that? | 0:49:36 | 0:49:39 | |
Well, actually it was really easy | 0:49:39 | 0:49:42 | |
because your lawnmower blade had all right holes in it. | 0:49:42 | 0:49:45 | |
-Oh, that's the blades, yes. -Yeah. | 0:49:45 | 0:49:47 | |
Had all the right holes in it and all the right pieces in just | 0:49:47 | 0:49:51 | |
the position to make it into a lamp. | 0:49:51 | 0:49:53 | |
-I was... -That's your interior design expertise, isn't it? | 0:49:53 | 0:49:56 | |
Well, it did look quite striking. | 0:49:56 | 0:49:58 | |
Your lawnmower blade has gone on to be bought by a shop | 0:49:58 | 0:50:02 | |
down in Marlow. | 0:50:02 | 0:50:04 | |
They have all sorts of very smart things in their shop | 0:50:04 | 0:50:06 | |
and now they've got your lawnmower light and I've got a little bit of | 0:50:06 | 0:50:09 | |
money to share with you. I've got a £40 profit to give to you... | 0:50:09 | 0:50:12 | |
-Good grief! -..for the old lamp made out of your blade. | 0:50:12 | 0:50:15 | |
That's incredible. That is absolutely incredible. | 0:50:17 | 0:50:20 | |
What might you do with that? | 0:50:20 | 0:50:22 | |
I know what I'm going to do with it because in the '90s I was | 0:50:22 | 0:50:26 | |
a bank manager, and I don't tell people that very often because... | 0:50:26 | 0:50:30 | |
But we were better then, I think. | 0:50:30 | 0:50:32 | |
I opened a little bank in the Royal School for the Deaf | 0:50:32 | 0:50:34 | |
where they had multiple handicaps and we had dinners for them | 0:50:34 | 0:50:37 | |
and raised money and we opened this little bank | 0:50:37 | 0:50:39 | |
and they all came and banked, so I'll give it to them. | 0:50:39 | 0:50:42 | |
Oh, well, that is a fantastic place for it to go. | 0:50:42 | 0:50:45 | |
-Really good to catch up. -That is wonderful. | 0:50:45 | 0:50:46 | |
-Wonderful, thank you. -Absolute pleasure. -Thank you. | 0:50:46 | 0:50:49 | |
Thank you so much. | 0:50:49 | 0:50:50 | |
A total of £60 was spent creating classic lighting | 0:50:53 | 0:50:56 | |
from the lawnmower. | 0:50:56 | 0:50:58 | |
Sarah managed to sell the lamp for £100, | 0:50:58 | 0:51:01 | |
which left her with a profit of £40 to give to Michael. | 0:51:01 | 0:51:04 | |
Well, I think Michael approved of my cutting edge design | 0:51:07 | 0:51:10 | |
and the money is going to a really good place, too. | 0:51:10 | 0:51:12 | |
It's the moment of truth for our sewing machine duo. | 0:51:19 | 0:51:22 | |
When we left them, Oli was getting on well with his box | 0:51:22 | 0:51:26 | |
of barber's bits and Josh was still tinkering with his toy turtle. | 0:51:26 | 0:51:30 | |
It's time for Sarah to find out just what they've been up to. | 0:51:30 | 0:51:34 | |
I see vintage sewing machines at the tip all day long, | 0:51:36 | 0:51:40 | |
I'm just hoping that Josh and Oli have done something inspirational | 0:51:40 | 0:51:42 | |
with this one to give us all a few more ideas | 0:51:42 | 0:51:45 | |
about what to do with them. | 0:51:45 | 0:51:46 | |
Well, it took them long enough | 0:51:46 | 0:51:48 | |
but where once there was a sewing machine... | 0:51:48 | 0:51:50 | |
..now it's a sleek and cool-looking mobile barber's shop. | 0:51:54 | 0:52:01 | |
The functional backboard is equipped to carry | 0:52:01 | 0:52:03 | |
all your barbering essentials. | 0:52:03 | 0:52:05 | |
Included is a cut-throat razer made from | 0:52:05 | 0:52:08 | |
a decorative plate from the sewing machine | 0:52:08 | 0:52:11 | |
and a handmade shaving brush. | 0:52:11 | 0:52:14 | |
To top it all off, the box has a chalk board paint finish. | 0:52:17 | 0:52:20 | |
But that's not all, folks... | 0:52:22 | 0:52:26 | |
Josh made this turtle. | 0:52:26 | 0:52:28 | |
-Hi, guys. -Hey, Sarah. | 0:52:31 | 0:52:33 | |
-How are you doing? -Yeah, good thanks. -All right. | 0:52:33 | 0:52:35 | |
-How are you? -Yeah, really well. | 0:52:35 | 0:52:37 | |
What have you been up to? | 0:52:37 | 0:52:38 | |
This is what we've made with the sewing machine you gave us. | 0:52:38 | 0:52:41 | |
Oh, no way! | 0:52:41 | 0:52:42 | |
It looks exciting but what's inside it?! | 0:52:42 | 0:52:46 | |
Remember it didn't have a key so we made this key | 0:52:46 | 0:52:48 | |
so you can unlock it. | 0:52:48 | 0:52:50 | |
It's a mobile barber's kit. | 0:52:50 | 0:52:53 | |
It's really beautiful. It's so clever. | 0:52:53 | 0:52:57 | |
You've got a little dish for your shaving cream and shaving brush | 0:52:57 | 0:53:02 | |
and we even made a razor. | 0:53:02 | 0:53:05 | |
I know what you've... | 0:53:05 | 0:53:06 | |
-That's from the front of the sewing machine. -Yeah. | 0:53:06 | 0:53:09 | |
Fantastic, that is really clever. Lovely. | 0:53:09 | 0:53:11 | |
What did you do with all the rest of it? | 0:53:11 | 0:53:13 | |
-Well, yeah, I have got a little extra surprise for you. -Have you? | 0:53:13 | 0:53:17 | |
-So... -So while I was doing this... -Yeah? | 0:53:17 | 0:53:20 | |
Josh had his own little project. | 0:53:20 | 0:53:23 | |
This is a little desk turtle. | 0:53:23 | 0:53:26 | |
I've always wanted a desk turtle! | 0:53:26 | 0:53:28 | |
How come I've never had a desk turtle? | 0:53:28 | 0:53:31 | |
That is so funny. That is just hilarious. | 0:53:31 | 0:53:34 | |
So all of the components actually came from the machine. | 0:53:34 | 0:53:38 | |
-The drive belt is off the original motor. -Lovely. | 0:53:38 | 0:53:40 | |
-And just, yeah, I used all the components that I could. -Fantastic. | 0:53:40 | 0:53:44 | |
I really like what you've done there. | 0:53:44 | 0:53:46 | |
Thank you for making something commercial out of the other bit... | 0:53:46 | 0:53:49 | |
What are you saying?! What, the turtle's not commercial? | 0:53:49 | 0:53:52 | |
OK, so 300 quid - are we splitting that between that | 0:53:52 | 0:53:55 | |
or have we gone slightly over budget? | 0:53:55 | 0:53:58 | |
I think... We tried to keep to budget. | 0:53:58 | 0:54:01 | |
-I think we probably put more time in it than... -Yeah. | 0:54:01 | 0:54:03 | |
-..what we were going to but we'll call it 300. -Really? -Yeah. | 0:54:03 | 0:54:06 | |
OK, well, I think the world's first fully operational desk turtle | 0:54:06 | 0:54:11 | |
and mobile barber shop is a triumph. | 0:54:11 | 0:54:14 | |
-Thank you ever so much. -Cool, you're welcome. | 0:54:14 | 0:54:16 | |
Well, I have learnt to expect the unexpected every time I come here. | 0:54:20 | 0:54:23 | |
A fantastic transformation of the old sewing machine | 0:54:23 | 0:54:25 | |
and I think there's money to be made even from that desktop turtle. | 0:54:25 | 0:54:29 | |
Is that going back in the car or into the skip? | 0:54:36 | 0:54:38 | |
When Sarah enquired about Robert's sewing machine at the dump, | 0:54:38 | 0:54:42 | |
it brought back painful memories for him. | 0:54:42 | 0:54:44 | |
My mum regularly made clothes for us. | 0:54:44 | 0:54:46 | |
-HE SIGHS -Really...? | 0:54:46 | 0:54:48 | |
Despite not being able to see inside, Sarah wanted it. | 0:54:48 | 0:54:52 | |
Would you mind if I took it away as the mystery machine? | 0:54:52 | 0:54:56 | |
And Robert hazarded a guess about what it might become. | 0:54:56 | 0:54:59 | |
Maybe a lamp stand, maybe beautiful lamp stand. | 0:54:59 | 0:55:04 | |
Well, I bet even 100 monkeys with 100 typewriters wouldn't | 0:55:04 | 0:55:08 | |
have come up with what Josh made. | 0:55:08 | 0:55:10 | |
But, the barber's box proved to be a hit and was bought by Nick, | 0:55:12 | 0:55:16 | |
a regular customer of Sarah's who runs | 0:55:16 | 0:55:19 | |
an online vintage and retro shop. | 0:55:19 | 0:55:21 | |
Sarah's travelled to Hascombe in Surrey to hand over the | 0:55:25 | 0:55:28 | |
profits from the barber's box to Robert and she's even got | 0:55:28 | 0:55:32 | |
a certain little something for him in that bag. | 0:55:32 | 0:55:35 | |
-Hi, Robert. -Hello. Hi, Sarah. How are you? -I'm very well. | 0:55:37 | 0:55:40 | |
-How are you? Oh, hello. Who are you? -I'm Skye. -Hi, Skye. | 0:55:40 | 0:55:43 | |
-Hello. -I'm Mia. -Mia. Oh, hi, there, Mia. | 0:55:43 | 0:55:46 | |
When I first met you at the recycling centre, | 0:55:46 | 0:55:48 | |
-we couldn't open your sewing machine. -No. | 0:55:48 | 0:55:51 | |
It's odd that I've actually found the key since but I wasn't sure if | 0:55:51 | 0:55:55 | |
you were coming back so I threw it out | 0:55:55 | 0:55:57 | |
probably, what a month ago, Skye, was it? | 0:55:57 | 0:55:59 | |
Well, that didn't matter because I've actually taken | 0:55:59 | 0:56:01 | |
the sewing machine to somebody who knew how to get into it. | 0:56:01 | 0:56:04 | |
Have you thought about something that might have been done with it? | 0:56:04 | 0:56:07 | |
I thought rather uninspiringly that you might make it into a lamp. | 0:56:07 | 0:56:11 | |
My wife thought you might use it as a stand for a coffee table. | 0:56:11 | 0:56:15 | |
So we're interested or intrigued to see | 0:56:15 | 0:56:17 | |
what it might have turned out like. | 0:56:17 | 0:56:19 | |
I've got some pictures to show you of what they did | 0:56:19 | 0:56:22 | |
with your sewing machine. | 0:56:22 | 0:56:23 | |
-So here is a mobile barber shop. -Wow! | 0:56:23 | 0:56:26 | |
I love that colour, don't you? | 0:56:26 | 0:56:29 | |
-So it's proved really popular and it's sold. -Really? -Yes. | 0:56:29 | 0:56:32 | |
-How fantastic. -Yeah, so I have actually got £25 here... | 0:56:32 | 0:56:36 | |
-Ahh! -..to give to you for your old sewing machine. | 0:56:36 | 0:56:39 | |
Thank you so much. Great. | 0:56:39 | 0:56:40 | |
This money is going to go to a lovely local charity. | 0:56:40 | 0:56:44 | |
So thank you. | 0:56:44 | 0:56:45 | |
Oh, it's an absolute pleasure. | 0:56:45 | 0:56:46 | |
That sounds like a great place for that to go. | 0:56:46 | 0:56:48 | |
Before I go, I've got a little something here | 0:56:48 | 0:56:50 | |
as a memento for you. | 0:56:50 | 0:56:52 | |
Here is the world's first sewing machine desk turtle paperweight. | 0:56:52 | 0:56:57 | |
-Wow! Isn't that cool?! Do you want to have a turn? -It's really cool. | 0:56:58 | 0:57:01 | |
They saved some of the bits of it. | 0:57:01 | 0:57:02 | |
They wanted to make something mechanical out of it. | 0:57:02 | 0:57:04 | |
I remember this wheel, my mum sitting at the table | 0:57:04 | 0:57:06 | |
-turning that wheel around. -Wow, so cool! | 0:57:06 | 0:57:08 | |
That's really sweet, isn't it? | 0:57:08 | 0:57:10 | |
It's a memento from your sewing machine and just to say thank you | 0:57:10 | 0:57:13 | |
-so much for letting us take it away. -Thank you so much. -My pleasure. | 0:57:13 | 0:57:16 | |
-Lovely to have caught up with you. -And you too, thanks. | 0:57:16 | 0:57:18 | |
Nice to meet you, girls. | 0:57:18 | 0:57:19 | |
Josh and Oli's labour and materials came in at £300. | 0:57:21 | 0:57:25 | |
With the barber's box selling for an impressive £325, | 0:57:25 | 0:57:30 | |
£25 can be shared with Robert. | 0:57:30 | 0:57:33 | |
Well, that really wasn't about the money, was it? | 0:57:33 | 0:57:36 | |
I think Robert liked what we did with his sewing machine and | 0:57:36 | 0:57:38 | |
I think he's going to cherish that turtle. Lovely. | 0:57:38 | 0:57:41 | |
Sarah managed to give four items destined for the dump | 0:57:47 | 0:57:50 | |
a whole new lease of life. | 0:57:50 | 0:57:52 | |
The set of chairs were reinvented by Jay. | 0:57:52 | 0:57:55 | |
Ray's huge creative risk was a masterpiece. | 0:57:56 | 0:58:01 | |
Josh and Oli reimagined the old sewing machine. | 0:58:01 | 0:58:04 | |
And Sarah created a lamp from a mower. | 0:58:06 | 0:58:09 | |
Whilst it's nice to turn a profit it's not all about the money. | 0:58:12 | 0:58:17 | |
I mean, I literally dumped rubbish onto the doorsteps of our artisans | 0:58:17 | 0:58:20 | |
and they picked up the challenge and transformed it into fantastic items. | 0:58:20 | 0:58:24 | |
Now, that is an achievement. | 0:58:24 | 0:58:27 |