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-Can I have a little rummage around in your rubbish? -Yeah. | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:07 | 0:00:10 | |
I love that. | 0:00:10 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes of | 0:00:11 | 0:00:15 | |
household waste we throw out every year. | 0:00:15 | 0:00:18 | |
It's so heavy, they don't make them like this any more. Look at that. | 0:00:18 | 0:00:21 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:21 | 0:00:26 | |
before they hit the skip. | 0:00:26 | 0:00:28 | |
I'm a passionate maker, buyer and user of old stuff | 0:00:30 | 0:00:34 | |
and I've turned that passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:40 | 0:00:46 | |
Say something nice about it. | 0:00:46 | 0:00:47 | |
My juices are flowing in this one. They are going to be wow! | 0:00:47 | 0:00:50 | |
She can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
Isn't that stunning? | 0:00:53 | 0:00:56 | |
Valuable... | 0:00:56 | 0:00:57 | |
Oh, wow! | 0:00:57 | 0:00:59 | |
And, hopefully, saleable items. | 0:00:59 | 0:01:02 | |
That is bonkers. | 0:01:02 | 0:01:03 | |
If Sarah is successful then she can hand the profits back to the very | 0:01:03 | 0:01:08 | |
people who had no idea there was cash to be made from their trash. | 0:01:08 | 0:01:12 | |
We've got £350. | 0:01:12 | 0:01:15 | |
No! | 0:01:15 | 0:01:17 | |
Welcome to Walsall recycling centre. | 0:01:27 | 0:01:30 | |
A nonstop hive of activity. | 0:01:32 | 0:01:34 | |
With the nation becoming more and more aware of the benefits of | 0:01:38 | 0:01:41 | |
regenerating unwanted possessions, | 0:01:41 | 0:01:44 | |
one woman is on a mission to turn your trash into hard cash. | 0:01:44 | 0:01:50 | |
I love turning a profit where others see trash. | 0:01:50 | 0:01:53 | |
Making old stuff that's drab into desirable and fab | 0:01:53 | 0:01:56 | |
is just so satisfying. | 0:01:56 | 0:01:58 | |
But before you make a beeline for your local tip, take note. | 0:01:59 | 0:02:04 | |
Sarah's been given special permission to seek out two items | 0:02:04 | 0:02:07 | |
that can be rejuvenated and sold on for a profit. | 0:02:07 | 0:02:11 | |
And Brian, with his broken up sofa, has caught her eye. | 0:02:13 | 0:02:16 | |
-Nice sofa. -It was a nice sofa. | 0:02:18 | 0:02:20 | |
What's happened to it? | 0:02:22 | 0:02:24 | |
We broke it up because it's not very good now | 0:02:24 | 0:02:27 | |
-so we just got rid of it. -Have you got the bits, or not? | 0:02:27 | 0:02:30 | |
Little bits in there, but they're broken. | 0:02:30 | 0:02:32 | |
-Come on, let's see, I like the back of it. -We've jumped on it. -Have you? | 0:02:32 | 0:02:35 | |
-Yes. -You boys have all the fun, don't you? -I know. | 0:02:35 | 0:02:38 | |
Let's have a look. | 0:02:40 | 0:02:42 | |
All the rest of it's broken. | 0:02:45 | 0:02:46 | |
-Have you got the arm bits? -Have you got the other bits? | 0:02:46 | 0:02:48 | |
-It's in there somewhere. -Are those its legs? | 0:02:48 | 0:02:50 | |
-Those are the legs. -I'm loving it more by the minute. | 0:02:50 | 0:02:55 | |
So that goes on there. | 0:02:55 | 0:02:56 | |
Come on Sarah, | 0:02:58 | 0:03:00 | |
you must be well used to the game of furniture jigsaw by now. | 0:03:00 | 0:03:04 | |
Oh, yeah, that bit goes there. | 0:03:04 | 0:03:06 | |
-Great. -All the cushions are in the back of me car. | 0:03:06 | 0:03:10 | |
Brilliant, so you... | 0:03:10 | 0:03:11 | |
That's 1970 that sofa. | 0:03:11 | 0:03:13 | |
Check out the expert eye. I'm impressed. | 0:03:13 | 0:03:16 | |
-It's written all over it. It's got a date on it. -Oh, right. | 0:03:16 | 0:03:19 | |
Expert, you see. | 0:03:19 | 0:03:21 | |
That's cheating. | 0:03:21 | 0:03:22 | |
Now I've got all those bits that you've smashed up do you think I can take them away, | 0:03:23 | 0:03:26 | |
put them back together and see if I can make it back into a lovely sofa again? | 0:03:26 | 0:03:30 | |
I don't know, because part of it's broken. | 0:03:31 | 0:03:33 | |
-You could try. -I shall definitely be able to get that fixed. | 0:03:33 | 0:03:36 | |
Fine. | 0:03:36 | 0:03:37 | |
The question is, what will become of Brian's old sofa? | 0:03:37 | 0:03:42 | |
I don't know to be honest, I don't know. It would be good to find out. | 0:03:42 | 0:03:46 | |
I know what you're thinking, she's bonkers. | 0:03:49 | 0:03:52 | |
Correct. | 0:03:52 | 0:03:53 | |
But this is going to be brilliant. | 0:03:53 | 0:03:54 | |
I know it's in pieces but it is going to look fantastic | 0:03:54 | 0:03:57 | |
when it's finished. Trust me. | 0:03:57 | 0:04:00 | |
Watch. | 0:04:00 | 0:04:02 | |
Oh, we will Sarah, we will. | 0:04:02 | 0:04:04 | |
But who's Sarah picked to help her transform this item? | 0:04:07 | 0:04:10 | |
Say hello to Josh and Oli, designer makers, | 0:04:16 | 0:04:19 | |
business partners and best pals. | 0:04:19 | 0:04:22 | |
These lads use natural and recycled materials to create bespoke, | 0:04:24 | 0:04:29 | |
handcrafted and high-end furnishings. | 0:04:29 | 0:04:31 | |
We've been friends for years, I don't know how long, but ages now. | 0:04:35 | 0:04:39 | |
We teamed up and it's quite a nice combination of skills that we have. | 0:04:39 | 0:04:42 | |
I think we've got a lot of ideas between us, | 0:04:42 | 0:04:45 | |
a lot of fresh thinking and it just works together | 0:04:45 | 0:04:47 | |
quite nicely as a team. | 0:04:47 | 0:04:49 | |
The fact that we haven't fallen out completely and we've been working | 0:04:50 | 0:04:53 | |
together this long kind of shows it's working. | 0:04:53 | 0:04:56 | |
Yeah. | 0:04:56 | 0:04:57 | |
Here's two young lads full of positivity and optimism. | 0:04:57 | 0:05:02 | |
Hopefully Sarah and this old sofa won't put an end to all that. | 0:05:02 | 0:05:06 | |
It's all me, me, me with Sarah, but for good reason. | 0:05:14 | 0:05:18 | |
It's now time to find a project for herself. | 0:05:18 | 0:05:22 | |
I would say if it's made out of chipboard I can't do much with it. | 0:05:22 | 0:05:25 | |
And it doesn't take long for Barry to present Sarah | 0:05:26 | 0:05:29 | |
with a toy from the good old days. | 0:05:29 | 0:05:32 | |
What's in your bag then, throwing anything good out? | 0:05:33 | 0:05:36 | |
Well, an old railway station. | 0:05:36 | 0:05:39 | |
That does look cool. | 0:05:39 | 0:05:41 | |
-Can I have a look at it? -Yes, you can. | 0:05:41 | 0:05:43 | |
So this was yours, was it? | 0:05:43 | 0:05:45 | |
Funnily enough, I was working in a toy shop. | 0:05:45 | 0:05:49 | |
-Right. -In the late '50s. | 0:05:49 | 0:05:53 | |
-Right. -And all through these years I've kept them, | 0:05:53 | 0:05:56 | |
my children have played with them. | 0:05:56 | 0:05:58 | |
-Yeah. -The grandchildren have played with them. | 0:05:58 | 0:06:01 | |
It was a well-loved toy. | 0:06:02 | 0:06:05 | |
But for the past few years it's been gathering dust in Barry's attic. | 0:06:05 | 0:06:09 | |
So, age wise it looks kind of Art Deco, or... | 0:06:09 | 0:06:12 | |
It is old, very. | 0:06:12 | 0:06:14 | |
So it's the Trix Manyways station set made in England, number 22. | 0:06:14 | 0:06:20 | |
Beautiful cast aluminium, it's lovely. | 0:06:20 | 0:06:23 | |
So I definitely don't think that this can go into the metal. | 0:06:23 | 0:06:26 | |
No, I would like to do some research on it and find out if it's | 0:06:26 | 0:06:30 | |
collectable, if it's the kind of thing that people are still buying. | 0:06:30 | 0:06:33 | |
It's lovely, look at that bit. | 0:06:33 | 0:06:34 | |
That must be the middle of the roof somewhere I think, mustn't it? | 0:06:36 | 0:06:40 | |
-Yes. -It's got such lovely styling, somebody'll want to buy this. | 0:06:40 | 0:06:42 | |
Someone will have all the other bits. I love it. | 0:06:42 | 0:06:45 | |
For Barry, the idea of Sarah breathing new life into a toy | 0:06:47 | 0:06:51 | |
so close to his heart is one which he's clearly happy about. | 0:06:51 | 0:06:55 | |
My whole family's played with them. | 0:06:55 | 0:06:58 | |
They've enjoyed them. We've fixed them up together. | 0:06:59 | 0:07:02 | |
It's so nice. | 0:07:02 | 0:07:03 | |
How cool is this? | 0:07:05 | 0:07:06 | |
I really don't know what I've found here, | 0:07:09 | 0:07:11 | |
it looks like the kind of thing that might have been made | 0:07:11 | 0:07:14 | |
in mass production in the '30s, but I love the styling on it. | 0:07:14 | 0:07:19 | |
I am loving the aluminium and that it has such great colour on it. | 0:07:19 | 0:07:23 | |
I'll have to have a really good think about this because this could | 0:07:23 | 0:07:26 | |
go in all sorts of different directions. | 0:07:26 | 0:07:29 | |
Quite cool though, isn't it? | 0:07:29 | 0:07:30 | |
Very cool, Sarah. | 0:07:31 | 0:07:33 | |
It's been a good day at the tip and Sarah has two very different items. | 0:07:35 | 0:07:40 | |
Josh and Oli will be dealing with the broken up sofa | 0:07:40 | 0:07:44 | |
and Sarah will get creative with the toy railway station set. | 0:07:44 | 0:07:49 | |
Transforming today's eclectic selection of items is going to be | 0:07:49 | 0:07:52 | |
just the challenge we love, | 0:07:52 | 0:07:54 | |
but there is going to have to be some radical transformation | 0:07:54 | 0:07:57 | |
if we're going to really bring the money home. | 0:07:57 | 0:07:59 | |
This is Chichester in West Sussex. | 0:08:06 | 0:08:09 | |
A vibrant town with a thriving music, film and arts scene. | 0:08:12 | 0:08:16 | |
While it may be forward thinking, | 0:08:21 | 0:08:23 | |
it's hard not to be impressed by the town's illustrious history. | 0:08:23 | 0:08:27 | |
Its medieval architecture is striking. | 0:08:27 | 0:08:30 | |
This dynamic link between the past and present inspires designers | 0:08:31 | 0:08:35 | |
Josh and Oli to create contemporary bespoke furniture | 0:08:35 | 0:08:39 | |
with traditional materials. | 0:08:39 | 0:08:41 | |
And if that happens to involve a blowtorch, | 0:08:43 | 0:08:46 | |
they're a couple of happy chappies. | 0:08:46 | 0:08:48 | |
I wonder what they'll make of the '70s sofa Sarah's | 0:08:48 | 0:08:52 | |
wheeling their way. | 0:08:52 | 0:08:53 | |
We love what Sarah does because we are into restoring old items | 0:08:53 | 0:08:57 | |
and keeping things going. So always interested to see what she's going to bring us. | 0:08:57 | 0:09:02 | |
We are kind of on the same page in that respect, aren't we? | 0:09:02 | 0:09:04 | |
-Yeah. -We're looking forward to seeing what she's going to bring us today. | 0:09:04 | 0:09:09 | |
Hello? Hiya. | 0:09:09 | 0:09:10 | |
Hello. | 0:09:10 | 0:09:12 | |
Come and see my flat pack. | 0:09:12 | 0:09:14 | |
OK. Wow. | 0:09:14 | 0:09:15 | |
It's not supposed to be a flat pack. | 0:09:15 | 0:09:17 | |
-Cool. -Yeah. -What is it? | 0:09:19 | 0:09:21 | |
-Sofa. -1970s, beautiful styling, lovely lines. | 0:09:21 | 0:09:25 | |
-Shall we get it in? -Yeah. | 0:09:25 | 0:09:28 | |
I think it's fair to say first impressions were underwhelming. | 0:09:28 | 0:09:32 | |
It might be easier to get rid of the cushions because I think whatever we | 0:09:32 | 0:09:35 | |
do they are not going to be part of the plan, are they? | 0:09:35 | 0:09:37 | |
It has been smashed up. | 0:09:40 | 0:09:42 | |
-Yeah. -I thought that it has got '70s style | 0:09:42 | 0:09:46 | |
oozing out of every broken pore. | 0:09:46 | 0:09:49 | |
I think, yeah, '70s are back in but for me, like, | 0:09:49 | 0:09:52 | |
the kind of lacquered mahogany look | 0:09:52 | 0:09:54 | |
isn't really that fresh at the moment. | 0:09:54 | 0:09:57 | |
So maybe we do something with the frame, like, | 0:09:57 | 0:09:59 | |
we love to scorch things so why not try that? | 0:09:59 | 0:10:02 | |
-Just go at it with a blowtorch. -Burn baby, burn. | 0:10:02 | 0:10:05 | |
Yeah, let's just burn this thing and forget about it. | 0:10:05 | 0:10:07 | |
But no, if we scorch this entire frame, | 0:10:07 | 0:10:10 | |
so what you see here will be a really nice matte black | 0:10:10 | 0:10:13 | |
with a lot of texture going on. | 0:10:13 | 0:10:15 | |
And then the idea is to put some really contrasting, | 0:10:15 | 0:10:20 | |
maybe maple or sycamore slats on it. | 0:10:20 | 0:10:23 | |
And just turn it into like a really clean, crisp, | 0:10:23 | 0:10:26 | |
stylish '70s looking seat. | 0:10:26 | 0:10:28 | |
How much is it going to cost to turn this into cool, crisp, high-end luxury living? | 0:10:28 | 0:10:32 | |
-Lots! -Lots? -Yeah. | 0:10:32 | 0:10:34 | |
Well, it's going to be a fiddly one, isn't it? | 0:10:34 | 0:10:38 | |
There's a lot of things that we've seen already that could cause us trouble. | 0:10:38 | 0:10:41 | |
-I'm reckoning about 700. -Yeah, I think so. | 0:10:41 | 0:10:44 | |
How does that sound? | 0:10:44 | 0:10:46 | |
You're going to burn it and charge me 700 quid? | 0:10:46 | 0:10:49 | |
-Pretty much, yeah. -Well, if you think you can pull it off, | 0:10:49 | 0:10:51 | |
-if I can come back here... -It will look good in the end, yeah. | 0:10:51 | 0:10:54 | |
..and make profit. | 0:10:54 | 0:10:56 | |
-Best of luck. -Thank you. | 0:10:57 | 0:10:59 | |
I'm getting a scorched sofa and a 700 quid bill. | 0:11:02 | 0:11:05 | |
Let's hope that's the right decision. | 0:11:05 | 0:11:07 | |
We're quite excited about this one actually. | 0:11:09 | 0:11:11 | |
There's a lot of work to be done. | 0:11:11 | 0:11:13 | |
I think it could look really cool in the end. | 0:11:13 | 0:11:15 | |
Yeah, after we've put our touch on it, I think it will be a nice, | 0:11:15 | 0:11:18 | |
sleek looking seat. | 0:11:18 | 0:11:20 | |
Done a bit of scorching, put a bit of fresh wood on there. | 0:11:20 | 0:11:22 | |
Bish bash bosh, done. | 0:11:22 | 0:11:25 | |
Josh and Oli have a whopping £700 to spend on this sofa. | 0:11:27 | 0:11:31 | |
Let's hope that budget won't go up in smoke. | 0:11:31 | 0:11:34 | |
Sarah's now travelled home after dropping off the sofa. | 0:11:41 | 0:11:44 | |
Come on. | 0:11:46 | 0:11:47 | |
Once Bramble's been for walkies, Sarah can get started on her item. | 0:11:47 | 0:11:52 | |
She picked out the Art Deco style train station set. | 0:11:56 | 0:12:00 | |
It's definitely cool. | 0:12:02 | 0:12:03 | |
That deco styling is so strong in these pieces. | 0:12:03 | 0:12:06 | |
Altogether now, finally. | 0:12:07 | 0:12:09 | |
It's got bags of style. | 0:12:09 | 0:12:11 | |
Sarah had hoped she could sell the well-loved station set as is | 0:12:11 | 0:12:16 | |
to a collector but it's too scuffed and scratched. | 0:12:16 | 0:12:19 | |
So she's had a bright idea. | 0:12:19 | 0:12:21 | |
Sarah's going to make five desk lights. | 0:12:25 | 0:12:28 | |
She's already had Perspex, which will make up the light housing, | 0:12:28 | 0:12:32 | |
made to order and she'll combine them with pieces from the train set | 0:12:32 | 0:12:36 | |
and her LEDs to make lovely little lamps. | 0:12:36 | 0:12:40 | |
So these are the bits back from the fabricators and these are the | 0:12:40 | 0:12:43 | |
windows, roof and side sections. | 0:12:43 | 0:12:46 | |
I'm hoping they all fit together with our train set to make | 0:12:46 | 0:12:49 | |
a lovely little desk light. | 0:12:49 | 0:12:50 | |
But it's not looking very impressive at the moment. | 0:12:52 | 0:12:55 | |
Each Perspex light box is made up of eight separate pieces, | 0:12:58 | 0:13:02 | |
which Sarah will have the oh so fiddly job of gluing together. | 0:13:02 | 0:13:07 | |
There is one set's worth there. | 0:13:07 | 0:13:09 | |
I have got some two-pack glue... | 0:13:10 | 0:13:12 | |
..with quite a long working time | 0:13:14 | 0:13:16 | |
so I don't have to hurry too much with it. | 0:13:16 | 0:13:19 | |
You just mix these equal quantities together, | 0:13:19 | 0:13:23 | |
give it a stir | 0:13:23 | 0:13:24 | |
and then it makes this really strong bond when it's all mixed up. | 0:13:24 | 0:13:28 | |
Let's hope the measurement Sarah supplied to the Perspex cutter | 0:13:28 | 0:13:32 | |
were right. If not, disaster. | 0:13:32 | 0:13:35 | |
That's a great fit. | 0:13:38 | 0:13:40 | |
I never doubted her for a second. | 0:13:41 | 0:13:43 | |
That's beginning to look quite cool, isn't it? | 0:13:45 | 0:13:47 | |
Here comes the hard bit though. | 0:13:47 | 0:13:49 | |
I'm not quite sure how to do this. | 0:13:50 | 0:13:53 | |
She's now got to glue the roof and side sections together. | 0:13:53 | 0:13:57 | |
Those fix together. | 0:13:58 | 0:14:00 | |
And then that goes on there. | 0:14:00 | 0:14:01 | |
I get the feeling this is all a little bit more complicated | 0:14:03 | 0:14:06 | |
than Sarah imagined. | 0:14:06 | 0:14:08 | |
This requires precision, dexterity, patience. | 0:14:09 | 0:14:13 | |
I don't have any of those, it's a nightmare. | 0:14:13 | 0:14:15 | |
This is so fiddly. | 0:14:19 | 0:14:20 | |
Next time I go to make something can you remind me to go the simplest | 0:14:23 | 0:14:26 | |
route, doesn't have to be surprising. | 0:14:26 | 0:14:29 | |
Just make a few pounds, that's all I'm after. | 0:14:29 | 0:14:32 | |
Come on now, Sarah, stay positive. | 0:14:32 | 0:14:35 | |
This is easy, this is a walk in the park, this is a great thing to do. | 0:14:35 | 0:14:38 | |
That's more like it. | 0:14:38 | 0:14:40 | |
Uh-oh. | 0:14:42 | 0:14:44 | |
Sarah has spent £70 on the Perspex and LEDs. | 0:14:44 | 0:14:49 | |
Let's hope it's money well spent | 0:14:49 | 0:14:51 | |
and she actually manages to finish all five lights. | 0:14:51 | 0:14:55 | |
Not far away, Josh and Oli are getting started on the sofa. | 0:14:58 | 0:15:02 | |
All right, shall we start with getting these old straps off, then? | 0:15:05 | 0:15:09 | |
Yeah, OK. | 0:15:09 | 0:15:10 | |
The lads made their reputation creating bespoke furniture. | 0:15:13 | 0:15:16 | |
Transforming the likes of this is a brave new world for them. | 0:15:16 | 0:15:20 | |
I've never done anything like this before. | 0:15:22 | 0:15:24 | |
Once we've worked out how the slats are going to go across | 0:15:25 | 0:15:30 | |
and probably once we've worked out what we are going to do | 0:15:30 | 0:15:34 | |
with the legs, | 0:15:34 | 0:15:35 | |
I think they're really the two most difficult parts. | 0:15:35 | 0:15:39 | |
The rest of it should be all right. | 0:15:39 | 0:15:40 | |
So, aside from the seat part and the legs part, | 0:15:41 | 0:15:44 | |
everything else is fine. | 0:15:44 | 0:15:46 | |
Hmm... That's comforting. | 0:15:46 | 0:15:48 | |
The sofa frame was constructed using the traditional mortise and tenon | 0:15:51 | 0:15:55 | |
method, a technique which has been used for thousands of years. | 0:15:55 | 0:15:59 | |
But the mortise holes and tenon tongues are badly damaged. | 0:15:59 | 0:16:03 | |
It's all feeling a little bit rickety, | 0:16:03 | 0:16:06 | |
so we've just got to try and work out the best way of getting it back | 0:16:06 | 0:16:09 | |
to a state where you can sit on it again. | 0:16:09 | 0:16:13 | |
The only option is to repair the joints. | 0:16:16 | 0:16:20 | |
I was a bit cheeky about these boys earlier, | 0:16:20 | 0:16:23 | |
but their expertise is beyond reproach. | 0:16:23 | 0:16:26 | |
The traditional craftsmanship they use to mend the joints | 0:16:26 | 0:16:29 | |
is second to none. | 0:16:29 | 0:16:32 | |
It's nice when you get to the end of it and it's kind of looking fresh | 0:16:32 | 0:16:35 | |
again and you've just got a nice match | 0:16:35 | 0:16:38 | |
and a nice filling there. So then we can put the tenon back in | 0:16:38 | 0:16:41 | |
and glue it just as it was. | 0:16:41 | 0:16:44 | |
Should be as strong as it was brand-new, then. | 0:16:44 | 0:16:47 | |
When the repaired tenon is slotted back into the mended mortise, | 0:16:50 | 0:16:54 | |
it's a perfect fit. | 0:16:54 | 0:16:55 | |
The lads use strap clamps to hold the sofa in position | 0:16:57 | 0:17:01 | |
while the glue dries. | 0:17:01 | 0:17:03 | |
I don't think we're going to make a sofa any more. | 0:17:08 | 0:17:10 | |
It's just a big, old sort of bass guitar now, so... | 0:17:10 | 0:17:13 | |
Scrap that idea. | 0:17:13 | 0:17:15 | |
Right then, lads. Let's get a groove on. | 0:17:15 | 0:17:17 | |
Nice! | 0:17:21 | 0:17:23 | |
Let's slow it down. | 0:17:23 | 0:17:25 | |
And back up for the big finish. | 0:17:28 | 0:17:31 | |
Yeah, man! | 0:17:36 | 0:17:38 | |
But it's back to business and there's some blowtorching to be done. | 0:17:41 | 0:17:44 | |
A charred finish is a difficult technique to master, | 0:17:49 | 0:17:53 | |
but, if they get it right, it will give the sofa a striking look. | 0:17:53 | 0:17:57 | |
It just gives a nice, like, texture to the wood. | 0:17:57 | 0:18:01 | |
It also preserves the wood as well. | 0:18:01 | 0:18:02 | |
It's like a natural way of doing that. | 0:18:02 | 0:18:04 | |
It just brings it back to a nice, even, matte black finish. | 0:18:04 | 0:18:08 | |
The lads are taking safety precautions against fumes | 0:18:09 | 0:18:12 | |
released from the old wood stain. | 0:18:12 | 0:18:14 | |
Although Josh could do with pulling up his trousers. | 0:18:16 | 0:18:19 | |
Fingers crossed this gives the sofa the sleek and stylish look they're | 0:18:20 | 0:18:24 | |
after. If they get this wrong, it could warp the wood. | 0:18:24 | 0:18:28 | |
Elsewhere in the Sussex countryside, | 0:18:33 | 0:18:35 | |
Sarah's putting the finishing touches to her desk lamps. | 0:18:35 | 0:18:39 | |
Well, that's five lights completed. | 0:18:43 | 0:18:45 | |
They're quite crisp and clean for me. | 0:18:45 | 0:18:48 | |
This toy train station set provided Sarah with a bright idea... | 0:18:49 | 0:18:54 | |
Which she has brought stunningly to life. | 0:18:56 | 0:18:59 | |
The addition of the toy figures pinched from her daughter's toy box | 0:19:02 | 0:19:06 | |
lend the platforms scale and prospective and add to the fun. | 0:19:06 | 0:19:10 | |
The LED lights are battery-powered and remote controlled | 0:19:14 | 0:19:17 | |
so there's no electrical wiring. | 0:19:17 | 0:19:19 | |
I can see these being snapped up by a train enthusiast | 0:19:22 | 0:19:26 | |
who is still a kid at heart. | 0:19:26 | 0:19:28 | |
Well, they're a little bit play-worn and definitely quirky, | 0:19:29 | 0:19:32 | |
but I think somebody will give these a good home. | 0:19:32 | 0:19:35 | |
Three generations of Barry's family had played with the toy train set, | 0:19:37 | 0:19:41 | |
so he was happy Sarah saved it. | 0:19:41 | 0:19:43 | |
The whole family's played with them. | 0:19:44 | 0:19:46 | |
They've enjoyed them, we've fixed them up together. | 0:19:46 | 0:19:50 | |
It's so nice. | 0:19:50 | 0:19:52 | |
Then it was Sarah's turn to have a play. | 0:19:52 | 0:19:55 | |
Makeover's complete, | 0:20:00 | 0:20:01 | |
all five desk lights were snapped up by Mark from Keswick Collectables, | 0:20:01 | 0:20:06 | |
an antique shop in the Lake District. | 0:20:06 | 0:20:09 | |
Oh, wow! | 0:20:09 | 0:20:11 | |
And now Sarah's on her way to Barry's home | 0:20:12 | 0:20:15 | |
to show him what became of the toy he was about to sling in the skip. | 0:20:15 | 0:20:19 | |
-Hi, Barry. -Hello. -How are you doing? -Nice to meet you. -Very nice to see you. | 0:20:21 | 0:20:24 | |
-So, is this the house where the train set was in the attic? -Yes. -Lovely. | 0:20:24 | 0:20:28 | |
Well, it was a lovely piece, but it had been played with by quite a few children. | 0:20:28 | 0:20:32 | |
So was that your children or grandchildren? | 0:20:32 | 0:20:34 | |
Yes, grandchildren... All of them, they've all played with it at some time. | 0:20:34 | 0:20:37 | |
Well, it was my job to take it on | 0:20:37 | 0:20:40 | |
and it was a lovely thing and I made it into... Are you ready? | 0:20:40 | 0:20:44 | |
-Yes. -It has been turned into desk lights. | 0:20:44 | 0:20:48 | |
-Smashing, yeah. -Put it together on a little block | 0:20:49 | 0:20:52 | |
and turned it into five individual desk lights. | 0:20:52 | 0:20:55 | |
Brilliant, absolutely brilliant. | 0:20:55 | 0:20:58 | |
-Really? -Yes. -Because it is such a worry. | 0:20:58 | 0:21:00 | |
You take somebody's stuff and do something to it. | 0:21:00 | 0:21:02 | |
So you approve, then? | 0:21:02 | 0:21:03 | |
Yes. Now it's not scrapped or buried, it's of use at last. | 0:21:03 | 0:21:08 | |
They were lovely to work on and somebody has bought them, | 0:21:08 | 0:21:11 | |
a collectables shop, so I've got a little bit of money | 0:21:11 | 0:21:14 | |
to give back to you for your old train set. | 0:21:14 | 0:21:16 | |
So I've got £50 for you. | 0:21:16 | 0:21:19 | |
So, what might you do with £50? | 0:21:19 | 0:21:21 | |
Well, could I please give it to Children In Need? | 0:21:21 | 0:21:24 | |
That... If you'd like to do that, that would be lovely. | 0:21:24 | 0:21:28 | |
-Please. -Yes. -Very nice. So that's a lot of people it's done good, | 0:21:28 | 0:21:31 | |
Plus it's... | 0:21:31 | 0:21:33 | |
The station itself, the old station is put to good use. | 0:21:33 | 0:21:37 | |
-I'm happy. -Really? | 0:21:37 | 0:21:38 | |
Yes. Well, that's really generous of you. | 0:21:38 | 0:21:40 | |
There are five little lights that will go off into five new houses. | 0:21:40 | 0:21:43 | |
Your station is going on another journey. | 0:21:43 | 0:21:45 | |
-Brilliant. -It was really good to see you again. | 0:21:45 | 0:21:48 | |
-Thank you ever so much. -Thank you. -Bye-bye. -Bye-bye. | 0:21:48 | 0:21:51 | |
Well, that was really lovely to see Barry's reaction to his old train set | 0:21:56 | 0:22:00 | |
because he and his family had obviously had so much fun using it | 0:22:00 | 0:22:03 | |
and I really enjoyed making it into something else | 0:22:03 | 0:22:05 | |
and I think he was really enthusiastic | 0:22:05 | 0:22:07 | |
about the fact it was going on another journey. | 0:22:07 | 0:22:09 | |
Sarah paid 70 pounds for materials. | 0:22:12 | 0:22:15 | |
They sold for 120, | 0:22:15 | 0:22:18 | |
making a profit of £50, which is now on its way to charity. | 0:22:18 | 0:22:22 | |
I'm really looking forward to seeing how Josh and Oli | 0:22:27 | 0:22:31 | |
have got on with the '70s sofa. | 0:22:31 | 0:22:33 | |
And I'm not the only one. | 0:22:33 | 0:22:34 | |
No, not them. | 0:22:36 | 0:22:37 | |
Her. | 0:22:38 | 0:22:39 | |
I left the boys with a massive challenge, | 0:22:42 | 0:22:44 | |
a completely smashed up sofa, | 0:22:44 | 0:22:46 | |
and I can't wait to see what they've done with it. | 0:22:46 | 0:22:48 | |
It was beat up and broken down, but with Josh and Oli's help, | 0:22:51 | 0:22:55 | |
Sarah hoped it could be brought back to life. | 0:22:55 | 0:22:58 | |
Wow! It's been born again like a phoenix from the flames. | 0:23:03 | 0:23:07 | |
The scorched wood has been sanded down | 0:23:10 | 0:23:12 | |
to create a smooth matt-black finish. | 0:23:12 | 0:23:15 | |
This contrasts beautifully with the light American maple timber | 0:23:18 | 0:23:22 | |
used for the seat. | 0:23:22 | 0:23:24 | |
Craftsmanship on display here is second to none. | 0:23:25 | 0:23:29 | |
It's unique, bold and super stylish. | 0:23:29 | 0:23:33 | |
-Hello? -Oh, hello. | 0:23:38 | 0:23:41 | |
Oh, lads! | 0:23:41 | 0:23:42 | |
We're just having a little coffee break. | 0:23:43 | 0:23:45 | |
-Hey! -Hello. | 0:23:45 | 0:23:46 | |
Wow! | 0:23:48 | 0:23:49 | |
How cool is that? | 0:23:51 | 0:23:52 | |
Let's see it without the rug on it. | 0:23:52 | 0:23:54 | |
Oh! | 0:23:54 | 0:23:55 | |
Work of art. Did you scorch it? | 0:23:57 | 0:23:59 | |
-Yeah. -Yeah, we scorched the frame. -It's genius. | 0:23:59 | 0:24:02 | |
I don't know what to say. | 0:24:02 | 0:24:03 | |
It was so badly broken and beaten up beforehand. | 0:24:03 | 0:24:07 | |
It's beautiful. | 0:24:08 | 0:24:09 | |
-Is it comfortable? -Yeah. | 0:24:09 | 0:24:11 | |
Try it out. | 0:24:11 | 0:24:12 | |
Oh, yeah. | 0:24:14 | 0:24:15 | |
It's lovely. Isn't it? | 0:24:16 | 0:24:18 | |
Oh, the finish you've got on this... | 0:24:18 | 0:24:20 | |
-Nice and smooth, isn't it? -Yeah, great contrast. | 0:24:20 | 0:24:22 | |
It's... It's fantastic. | 0:24:22 | 0:24:25 | |
I mean, the actual frame itself is really nice | 0:24:25 | 0:24:27 | |
and there's loads of curves and it's really well put together. | 0:24:27 | 0:24:30 | |
So I think once we actually had it reassembled and fixed up... | 0:24:30 | 0:24:35 | |
Yeah, it's a really nice shape, isn't it? | 0:24:35 | 0:24:37 | |
And then just sorting out the two colours, | 0:24:37 | 0:24:39 | |
I think just works really well. | 0:24:39 | 0:24:41 | |
But this looks sleek and designer | 0:24:41 | 0:24:44 | |
and the contrast between the dark and the pale is just brilliant. | 0:24:44 | 0:24:48 | |
It's such a lovely piece. | 0:24:48 | 0:24:50 | |
Cool. | 0:24:50 | 0:24:51 | |
Sarah is overjoyed. | 0:24:52 | 0:24:54 | |
The boys have done a bang-up job and it's bang on their £700 budget. | 0:24:55 | 0:25:01 | |
Are we calling it a sofa? Bench? What are you calling it? | 0:25:01 | 0:25:04 | |
-What have you been referring to it as? -Indoor bench. | 0:25:04 | 0:25:05 | |
I kind of see it in a nice kind of conservatory, or something. | 0:25:05 | 0:25:08 | |
It's not your sofa, but it's like a... | 0:25:08 | 0:25:10 | |
It's a place where you might sit and read a book or something. | 0:25:10 | 0:25:13 | |
I think we're getting all of the 1970s essence that was, you know, | 0:25:13 | 0:25:17 | |
part of its charm, but with a bang up-to-date makeover. | 0:25:17 | 0:25:20 | |
It's a very stylish thing now. | 0:25:20 | 0:25:23 | |
-Real credit to you. -Thank you very much. | 0:25:23 | 0:25:25 | |
I'm impressed. | 0:25:25 | 0:25:27 | |
And, more importantly, so is the boss. | 0:25:27 | 0:25:30 | |
I was a bit worried about it when | 0:25:30 | 0:25:33 | |
it turned up, but I think | 0:25:33 | 0:25:36 | |
we've managed to get something quite nice out of it. | 0:25:36 | 0:25:39 | |
Seeing it now, | 0:25:39 | 0:25:40 | |
it's like a brand-new sofa, isn't it? | 0:25:41 | 0:25:43 | |
Indoor bench, Josh. | 0:25:43 | 0:25:44 | |
It's an indoor bench. | 0:25:44 | 0:25:45 | |
Sarah spotted the sofa just as Brian was about to chuck it in the skip. | 0:25:50 | 0:25:55 | |
All the rest of it's broken. | 0:25:56 | 0:25:58 | |
He was flummoxed as to what Sarah would do with it. | 0:25:58 | 0:26:01 | |
I don't know, to be honest. I don't know. | 0:26:01 | 0:26:03 | |
It would be good to find out. | 0:26:03 | 0:26:05 | |
Don't worry, Brian, you're about to. | 0:26:05 | 0:26:07 | |
Sarah has made her way to Brian's house, | 0:26:11 | 0:26:14 | |
where, hopefully, he'll be as impressed as we are. | 0:26:14 | 0:26:17 | |
-Oh, hello! -Hi, Brian. | 0:26:21 | 0:26:22 | |
Hi, there. How are you doing? | 0:26:22 | 0:26:24 | |
I'm fine, thank you. | 0:26:24 | 0:26:25 | |
Now, I said that I'd be back in touch | 0:26:25 | 0:26:27 | |
if there was something I could do with your sofa. | 0:26:27 | 0:26:29 | |
Now, you had had a good time smashing it up, hadn't you? | 0:26:29 | 0:26:32 | |
I did, yes. | 0:26:32 | 0:26:33 | |
I'd got to get it loaded on the trailer, so, yeah, it was smashed up. | 0:26:33 | 0:26:36 | |
Yeah, it made quite a few people laugh | 0:26:36 | 0:26:38 | |
that we had taken something that had been through that process. | 0:26:38 | 0:26:42 | |
So, did you think we'd rebuild it? | 0:26:42 | 0:26:44 | |
What did you think we were going to do with it? | 0:26:44 | 0:26:46 | |
Not with the way it had been smashed up. No, I didn't. | 0:26:46 | 0:26:48 | |
Well, I've got some pictures to show you | 0:26:48 | 0:26:50 | |
and brace yourself because, I took it to some lovely young lads | 0:26:50 | 0:26:54 | |
and they set fire to it. | 0:26:54 | 0:26:55 | |
-Oh, right! -OK? -Yes! | 0:26:55 | 0:26:58 | |
But it ended up like this. | 0:26:58 | 0:26:59 | |
-Oh, wow! -So, this is the bit they burned. | 0:26:59 | 0:27:01 | |
They scorched the frame to make it black | 0:27:01 | 0:27:03 | |
and it's got a beautiful texture to it and a lovely finish. | 0:27:03 | 0:27:06 | |
-It's lovely. -Do you think it's all right? | 0:27:06 | 0:27:09 | |
-I do, yes. -Have you ever seen anything like that before? | 0:27:09 | 0:27:12 | |
No, not really, no, but it's good. I like it. Yeah. | 0:27:12 | 0:27:16 | |
-It's really nice, yes. -I'm pleased you like it. | 0:27:16 | 0:27:18 | |
Well, it's still for sale. | 0:27:18 | 0:27:19 | |
It's out there now and I'm sure we're going to get a great buyer for it. | 0:27:19 | 0:27:23 | |
So, as soon as I have money, I'll give you a call | 0:27:23 | 0:27:25 | |
and send it over to you. | 0:27:25 | 0:27:27 | |
-Great. -I really liked seeing what the boys had done to it. | 0:27:27 | 0:27:30 | |
-Yeah. -To see it in the flesh, it's a lovely thing, | 0:27:30 | 0:27:32 | |
so I really appreciate you letting us have it. | 0:27:32 | 0:27:34 | |
Great, that's lovely Thank you very much. | 0:27:34 | 0:27:36 | |
-Thank you ever so much. Nice to catch up with you. Bye-bye. -And you. Bye now. | 0:27:36 | 0:27:40 | |
Josh and Oli charged £700 for the makeover, | 0:27:42 | 0:27:46 | |
but, at present, the seat remains unsold. | 0:27:46 | 0:27:49 | |
So, for now, that remains a loss. | 0:27:49 | 0:27:51 | |
But I've no doubt Brian will be seeing a little profit | 0:27:51 | 0:27:55 | |
in his pocket sometime soon. | 0:27:55 | 0:27:57 | |
Sarah saved two unwanted items from the skip | 0:28:01 | 0:28:04 | |
and now rather than being chucked in the landfill, | 0:28:05 | 0:28:08 | |
they've been given a new lease of life. | 0:28:08 | 0:28:11 | |
Well, making money for nothing is definitely satisfying, | 0:28:13 | 0:28:16 | |
but saving stuff and seeing it transformed, well, | 0:28:16 | 0:28:18 | |
I think that might be even better. | 0:28:18 | 0:28:20 |