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What are you chucking out today then? | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:06 | 0:00:09 | |
Don't throw them, don't throw them! | 0:00:09 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes | 0:00:11 | 0:00:15 | |
of household waste we throw out every year. | 0:00:15 | 0:00:18 | |
-Thanks so much for letting me have that. -OK. | 0:00:18 | 0:00:19 | |
I think that's absolutely made my day, I love it. | 0:00:19 | 0:00:22 | |
That's why entrepreneur Sarah Moore | 0:00:22 | 0:00:24 | |
wants to get her hands on things before they hit the skip. | 0:00:24 | 0:00:28 | |
I'm a passionate buyer, maker, and user of old stuff, | 0:00:31 | 0:00:34 | |
and I turned that passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:42 | 0:00:46 | |
-What do you reckon to that? -Quite smart, isn't it? | 0:00:46 | 0:00:49 | |
-Tell me you love it. -I love it! | 0:00:49 | 0:00:50 | |
She can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
Isn't it amazing? | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:56 | |
That's quite a statement piece! | 0:00:56 | 0:00:59 | |
..and, hopefully, saleable items. | 0:00:59 | 0:01:01 | |
-I'll take you down to the till, that's fantastic! -OK, fantastic. | 0:01:01 | 0:01:05 | |
If Sarah is successful, then she can hand the profits back | 0:01:05 | 0:01:08 | |
to the very people who had no idea | 0:01:08 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:14 | |
Wow! That's amazing! | 0:01:14 | 0:01:15 | |
Today, Sarah's at the Whitley Recycling Centre in Surrey | 0:01:27 | 0:01:30 | |
and, like all parts of the country, it processes tonnes of rubbish. | 0:01:30 | 0:01:35 | |
I think today is going to be a great dump day. | 0:01:35 | 0:01:37 | |
There are people flooding in here as fast as they can. | 0:01:37 | 0:01:40 | |
Somebody is going to have some treasure in their trash. | 0:01:40 | 0:01:44 | |
Sarah, who has been granted special permission to be here, by the way, | 0:01:44 | 0:01:48 | |
is searching for three items which have the potential | 0:01:48 | 0:01:51 | |
to be transformed from trash to cash. | 0:01:51 | 0:01:53 | |
-I've got a fish tank in there. -Fish tank. Is that...? | 0:01:54 | 0:01:57 | |
Oh, that's what it is. | 0:01:57 | 0:01:58 | |
-Yeah, he died yesterday. That's going in. -Oh, no! That was quick! | 0:01:58 | 0:02:02 | |
LAUGHTER And, talking of water tanks, | 0:02:02 | 0:02:03 | |
Sarah has spotted something of interest in the back of Neil's car. | 0:02:03 | 0:02:08 | |
-What are you giving up? -Well, we're clearing out an old attic... -Yeah? | 0:02:08 | 0:02:11 | |
..and we've had a chimney taken down, so there was an aerial | 0:02:11 | 0:02:14 | |
-up on there that's no longer used. -OK, and what's...? | 0:02:14 | 0:02:16 | |
-Is that the water tank? -That's the old galvanised water tank - | 0:02:16 | 0:02:19 | |
great for planting things in the garden. | 0:02:19 | 0:02:21 | |
-I understand that - we've got toilets at home. -Oh, yeah? | 0:02:21 | 0:02:24 | |
-What, planted? -You see, I'm a plumber. -OK. | 0:02:24 | 0:02:26 | |
We've got toilets at home that are covered with... | 0:02:26 | 0:02:29 | |
-We've got plants and things in them. -Excellent. | 0:02:29 | 0:02:31 | |
-They're so bulky. -They are. | 0:02:31 | 0:02:33 | |
-And they're very heavy. -People love them, people love them. | 0:02:33 | 0:02:36 | |
-Let's have a... Can I have a quick root around with it? -Yes, you can. | 0:02:36 | 0:02:39 | |
So, I'm hoping the bottom of this has got a bit of patina, | 0:02:39 | 0:02:42 | |
-decorative, a few rivets? -There you go, a few rivets. | 0:02:42 | 0:02:45 | |
-It's fab! -Good? Do you like it? | 0:02:46 | 0:02:47 | |
-Brilliant! Yeah, I absolutely love it. -Good, good. -Put that there. | 0:02:47 | 0:02:50 | |
Neil's old water tank is made from galvanised metal, | 0:02:50 | 0:02:53 | |
which means it's got a corrosion resistant zinc coating | 0:02:53 | 0:02:57 | |
to prevent rusting. | 0:02:57 | 0:02:58 | |
Perfect for water tanks, but it's a tricky material to repurpose | 0:02:58 | 0:03:03 | |
and could cause problems further down the line. | 0:03:03 | 0:03:06 | |
-I'd love to take that away. -Yeah? | 0:03:06 | 0:03:08 | |
And I'd love to keep in touch and... | 0:03:08 | 0:03:09 | |
hopefully have made something amazing out of it. | 0:03:09 | 0:03:12 | |
You can have my e-mail address. | 0:03:12 | 0:03:13 | |
You can do whatever you like on it, so, you know, feel free. | 0:03:13 | 0:03:16 | |
Trading e-mail addresses. Let's keep things professional, eh, Sarah? | 0:03:16 | 0:03:21 | |
So, Neil, what do you think she's going to do with your old water tank? | 0:03:21 | 0:03:25 | |
I can't think of what you could use it for, | 0:03:25 | 0:03:27 | |
unless it's to hold something up. | 0:03:27 | 0:03:29 | |
Um... Supportive because it's quite strong. | 0:03:29 | 0:03:32 | |
Um... I can't think of what else she could actually use it for, | 0:03:32 | 0:03:35 | |
so I'll be intrigued to find out. | 0:03:35 | 0:03:37 | |
Now it's cut up, I know just who to take this to, | 0:03:39 | 0:03:42 | |
and I think we're going to make some money on it. | 0:03:42 | 0:03:44 | |
Artist blacksmith Bex Simon | 0:03:49 | 0:03:51 | |
is an expert in manipulating metal into high-end furniture | 0:03:51 | 0:03:55 | |
and bespoke metalwork commissions. | 0:03:55 | 0:03:58 | |
When I went to art college and I was looking around to see what | 0:03:58 | 0:04:01 | |
degree I wanted to do, I went into the forge | 0:04:01 | 0:04:05 | |
and I saw people working with fire, and the anvils, | 0:04:05 | 0:04:09 | |
and hammering metal. | 0:04:09 | 0:04:11 | |
Ah, that was it. I just knew that that was what I needed to do. | 0:04:11 | 0:04:15 | |
Together with husband Dave, | 0:04:16 | 0:04:18 | |
this formidable team has the skill and imagination | 0:04:18 | 0:04:22 | |
to create something special from any old iron. | 0:04:22 | 0:04:25 | |
There's nothing more exciting to come into work, light a fire... | 0:04:25 | 0:04:30 | |
heat up your metal. It's very magical. | 0:04:30 | 0:04:33 | |
Well, I don't know how magical she'll think it is | 0:04:34 | 0:04:36 | |
when she gets a load of the old water tank. | 0:04:36 | 0:04:39 | |
With one item found, the search goes on for other odds and ends | 0:04:45 | 0:04:49 | |
that could prompt a profit. | 0:04:49 | 0:04:52 | |
I thought this guy was working here - | 0:04:52 | 0:04:54 | |
-that's why I asked him for a hand. -No, he hardly ever works. | 0:04:54 | 0:04:57 | |
Well, while you're all standing about chatting, | 0:04:57 | 0:04:59 | |
you're about to miss something very unusual coming out of Dick's boot. | 0:04:59 | 0:05:05 | |
Wow, that looks interesting. Wow! What are you...? | 0:05:05 | 0:05:07 | |
-What are you throwing out? -It's an old post office truck... -Yeah? | 0:05:07 | 0:05:11 | |
-..they used to put the parcels in. -OK. -And... | 0:05:11 | 0:05:13 | |
It's coach-built. I mean, that's... | 0:05:13 | 0:05:15 | |
Oh, coach-built, there's the crankshaft for the wheels. | 0:05:15 | 0:05:17 | |
So, it was used for... | 0:05:17 | 0:05:19 | |
In the sorting office, they would use these | 0:05:19 | 0:05:22 | |
to move the parcels around | 0:05:22 | 0:05:23 | |
and they probably used that from about 1930s, '40s onwards. | 0:05:23 | 0:05:27 | |
Lovely, it's amazing! | 0:05:27 | 0:05:28 | |
I have no idea if it's something I'll be able to re-use or | 0:05:28 | 0:05:32 | |
make anything out of, but I just feel that it's so beautiful | 0:05:32 | 0:05:35 | |
and the age and the wear on it is so lovely that... | 0:05:35 | 0:05:38 | |
If it's all right to take it away... | 0:05:38 | 0:05:40 | |
You can, please, if you show me where you want me to put it, | 0:05:40 | 0:05:42 | |
-I'll come... -That would be really... That's really kind of you. | 0:05:42 | 0:05:45 | |
If I do manage to do something it'd be really good to maybe | 0:05:45 | 0:05:48 | |
-get back in touch and show you what I've done, or... -All right. | 0:05:48 | 0:05:51 | |
-I'll start with these. That's lovely. -OK. -Thank you so much. | 0:05:51 | 0:05:55 | |
I found it, probably, 10 or 12 years ago. | 0:05:55 | 0:05:57 | |
I refurbished it, the wooden part of it. | 0:05:57 | 0:06:00 | |
I painted it... | 0:06:00 | 0:06:02 | |
and then used it as a... | 0:06:02 | 0:06:04 | |
A decorative... | 0:06:04 | 0:06:05 | |
area for plants for many, many years. | 0:06:05 | 0:06:07 | |
I brought it along here, but luckily I seem to have met somebody | 0:06:07 | 0:06:10 | |
who may be giving it a new home. | 0:06:10 | 0:06:13 | |
-LAUGHTER -I wish her luck. | 0:06:13 | 0:06:14 | |
Now this is one seriously unusual tip find. | 0:06:15 | 0:06:19 | |
It's absolutely beautiful. | 0:06:19 | 0:06:20 | |
It's a coach-built, enormous platform... | 0:06:20 | 0:06:23 | |
wheels that had a basket on it that was used at a post office. | 0:06:23 | 0:06:27 | |
It looks like it'll clean up really well. | 0:06:27 | 0:06:30 | |
There's certainly enough mental and chunky stuff here | 0:06:30 | 0:06:32 | |
to be able to make into something else, so this is really exciting. | 0:06:32 | 0:06:36 | |
And Sarah has just the men in mind who can put their own | 0:06:36 | 0:06:40 | |
stamp on our post office trolley. | 0:06:40 | 0:06:42 | |
Say hello to Josh and Ollie, designer makers, | 0:06:47 | 0:06:51 | |
business partners and best friends. | 0:06:51 | 0:06:54 | |
These boys use natural and recycled materials to create | 0:06:55 | 0:06:59 | |
handcrafted furnishings and high-end interior pieces. | 0:06:59 | 0:07:04 | |
I'm Josh and this is Oli, and we're Forge Creative. | 0:07:06 | 0:07:09 | |
I think the main thing we love is designing new products... | 0:07:09 | 0:07:13 | |
and new furniture. | 0:07:13 | 0:07:14 | |
Where you've got that idea and you come into the workshop | 0:07:14 | 0:07:17 | |
and just see it come to life. | 0:07:17 | 0:07:18 | |
The sort of thing we'd like Sarah to bring us | 0:07:18 | 0:07:20 | |
would probably be something with a bit of character, | 0:07:20 | 0:07:22 | |
a bit of age to it. I think we like something | 0:07:22 | 0:07:24 | |
with a bit of a story. | 0:07:24 | 0:07:26 | |
Like a rusty bit of metal, or like a weathered bit of wood, | 0:07:26 | 0:07:29 | |
something like that, if it's got a bit of history and character to it. | 0:07:29 | 0:07:32 | |
Well, boys, this one sounds right up your street, | 0:07:33 | 0:07:37 | |
but what you're going to do with it I have no idea. | 0:07:37 | 0:07:40 | |
So, that's two items found and one still to go. | 0:07:46 | 0:07:50 | |
Whatever Sarah picks up next will be her own personal project, | 0:07:50 | 0:07:54 | |
so it'll have to be good. | 0:07:54 | 0:07:56 | |
I love a bunny. You can't throw that out! | 0:07:56 | 0:08:00 | |
Oh, yes, he can. | 0:08:00 | 0:08:01 | |
Flamonge. Love flamonge. | 0:08:01 | 0:08:03 | |
So, you're going with the bunny? | 0:08:04 | 0:08:06 | |
Or would you be more interested in what's coming out of Grant's boot? | 0:08:06 | 0:08:10 | |
-Hi, there. -Hi. | 0:08:10 | 0:08:12 | |
-I was just looking at this. -Yeah. | 0:08:12 | 0:08:14 | |
-Have you had it long? -Uh... | 0:08:14 | 0:08:17 | |
-15 years or so. -So that wasn't... | 0:08:17 | 0:08:19 | |
Yeah, it's a lot older than that, isn't it? | 0:08:19 | 0:08:21 | |
-Yeah, it is indeed. I think so. -Yeah. | 0:08:21 | 0:08:23 | |
Grant's brought along his old ottoman | 0:08:23 | 0:08:25 | |
and it looks to be in good nick... Oh, no, it's horrible. | 0:08:25 | 0:08:28 | |
Where'd you get it from before...? | 0:08:28 | 0:08:30 | |
It came from Kidderminster, from an antique shop in Kidderminster. | 0:08:30 | 0:08:33 | |
They're quite useful, aren't they? | 0:08:33 | 0:08:35 | |
I can see it's seen better days. | 0:08:35 | 0:08:37 | |
I know why you're chucking it out, but... | 0:08:37 | 0:08:39 | |
-I quite like it. -You do? -Can I have it? -You can have it, yeah. | 0:08:39 | 0:08:42 | |
I think it's in good enough shape that I might be able | 0:08:42 | 0:08:45 | |
-to breathe some new life into it. -Take it and do as you wish with it. | 0:08:45 | 0:08:47 | |
Right, you're coming with me. Thank you very much! | 0:08:47 | 0:08:50 | |
So, it's a simple upholstery job, | 0:08:50 | 0:08:52 | |
but what does Grant think it'll be worth | 0:08:52 | 0:08:55 | |
after Sarah works her magic on it? | 0:08:55 | 0:08:57 | |
So, if she redoes it, I'm sure she'll get 100 for it, | 0:08:57 | 0:08:59 | |
maybe a little bit more, something like that, so... | 0:08:59 | 0:09:02 | |
A lot more than we paid for it. | 0:09:02 | 0:09:03 | |
It's really in bad shape. | 0:09:03 | 0:09:06 | |
It might be worth just pushing it over into the tip, | 0:09:06 | 0:09:09 | |
but, with some nice fabric on it | 0:09:09 | 0:09:11 | |
a refresh of the paintwork, | 0:09:11 | 0:09:12 | |
there's a chance I might be able to make a few quid on it | 0:09:12 | 0:09:15 | |
and it's something, I think, | 0:09:15 | 0:09:16 | |
I'm definitely going to have to do it myself because... | 0:09:16 | 0:09:19 | |
this could go either way, this one. | 0:09:19 | 0:09:20 | |
With Sarah's search over for another day, | 0:09:20 | 0:09:23 | |
she's saved three items from certain doom. | 0:09:23 | 0:09:26 | |
The galvanised steel water tank | 0:09:26 | 0:09:29 | |
will now be worked on by Bex, | 0:09:29 | 0:09:31 | |
the post office trolley will be | 0:09:31 | 0:09:32 | |
looked after by Josh and Oli, | 0:09:32 | 0:09:34 | |
and Sarah's chosen to work on | 0:09:34 | 0:09:37 | |
the old, crumbling ottoman herself. | 0:09:37 | 0:09:39 | |
It's home time and I'm happy. | 0:09:39 | 0:09:41 | |
I've saved some absolute treasures from the tip today | 0:09:41 | 0:09:43 | |
and I think I've got a real chance to make some good money. | 0:09:43 | 0:09:46 | |
Sarah's first stop is deep in the heart | 0:09:58 | 0:10:00 | |
of the picturesque Surrey countryside, | 0:10:00 | 0:10:03 | |
where she can wave goodbye to the rust and dust of the dump | 0:10:03 | 0:10:07 | |
and step into... | 0:10:07 | 0:10:09 | |
Oh, well. | 0:10:09 | 0:10:11 | |
Blacksmith Bex Simon is standing by with husband Dave | 0:10:11 | 0:10:15 | |
and they're sure to get a surprise when they see the old water tank. | 0:10:15 | 0:10:19 | |
So, I used to feel quite nervous about what Sarah was going to, | 0:10:19 | 0:10:23 | |
you know, bring around for us to work with, | 0:10:23 | 0:10:26 | |
but now I've sort of become a bit more to expect the unexpected. | 0:10:26 | 0:10:32 | |
So, I'm looking forward to seeing what she'll bring today. | 0:10:32 | 0:10:35 | |
It's rusty, it's riveted and it's cut up into little pieces. | 0:10:37 | 0:10:41 | |
Who else to bring it to but Bex and Dave? | 0:10:41 | 0:10:43 | |
I have got high hopes for this beautiful old water tank, | 0:10:43 | 0:10:46 | |
but this is made out of galvanised metal | 0:10:46 | 0:10:48 | |
and I know that can be tricky to work with. | 0:10:48 | 0:10:51 | |
And, by tricky, you mean poisonous. SHE LAUGHS NERVOUSLY | 0:10:51 | 0:10:54 | |
The layer of zinc coating the metal | 0:10:54 | 0:10:56 | |
releases quite harmful fumes when heated. | 0:10:56 | 0:10:59 | |
Hmm... Good luck, you two. | 0:10:59 | 0:11:01 | |
It's quite heavily galvanised, so... | 0:11:01 | 0:11:04 | |
You know, to work with this, we'll have to wear sort of masks. | 0:11:04 | 0:11:07 | |
I did know that galvanised is tricky because it's the... | 0:11:07 | 0:11:10 | |
It's the fumes, is that right? | 0:11:10 | 0:11:11 | |
Yeah, you get a really, really nasty headache, quite sick, so... | 0:11:11 | 0:11:15 | |
OK, well, um, I thought... | 0:11:15 | 0:11:17 | |
Beautiful, rustic, galvanised table, maybe sort of console-style, | 0:11:17 | 0:11:22 | |
but pretty straightforward metal table. | 0:11:22 | 0:11:24 | |
Why don't we get it out, | 0:11:24 | 0:11:25 | |
-put it all together and see how big this thing is? -OK. | 0:11:25 | 0:11:28 | |
If Bex and Dave can rustle up a couple of gas masks, | 0:11:28 | 0:11:31 | |
this should be a straightforward job. | 0:11:31 | 0:11:34 | |
Join the bits together, stick some legs on it | 0:11:34 | 0:11:37 | |
and hey, presto, a table! | 0:11:37 | 0:11:39 | |
But what will it cost? | 0:11:39 | 0:11:40 | |
As we're heading for something that is probably not going to be | 0:11:40 | 0:11:44 | |
like the centrepiece table of somebody's dining room, | 0:11:44 | 0:11:46 | |
I think we have to be a bit careful on the price | 0:11:46 | 0:11:49 | |
because we're asking somebody to buy something, | 0:11:49 | 0:11:52 | |
basically, on its decorative appeal. | 0:11:52 | 0:11:53 | |
-What are you thinking? -I think if we could get a good frame together... | 0:11:53 | 0:11:57 | |
..I think maybe if we say £500, | 0:11:59 | 0:12:01 | |
plus whatever materials we're buying. | 0:12:01 | 0:12:04 | |
-Yeah, right. -Does that work for you? | 0:12:05 | 0:12:07 | |
-Love ya! -LAUGHTER | 0:12:07 | 0:12:09 | |
And she's off. | 0:12:09 | 0:12:10 | |
Give me a bell when you've got something to show me. | 0:12:10 | 0:12:12 | |
That was quick. | 0:12:12 | 0:12:14 | |
You got somewhere else to be, Sarah? | 0:12:14 | 0:12:16 | |
So, this is going to be a rough and ready riveted table. | 0:12:16 | 0:12:20 | |
LAUGHTER | 0:12:20 | 0:12:22 | |
That's really easy for you to say. | 0:12:22 | 0:12:25 | |
Well, that's a real relief because that slightly dangerous | 0:12:25 | 0:12:27 | |
zinc material is now in really safe hands | 0:12:27 | 0:12:30 | |
and I think, with the plan that we've come up with, | 0:12:30 | 0:12:33 | |
we're going for a rustic, hearty table. | 0:12:33 | 0:12:35 | |
I think there's some potential there to make some real money. | 0:12:35 | 0:12:38 | |
-Do it again. -The rough and ready riveted table! | 0:12:38 | 0:12:42 | |
SHE STAMMERS | 0:12:42 | 0:12:43 | |
-You're losing it. -I know! | 0:12:45 | 0:12:48 | |
-I said the rough and ready, riveted... -Let's try that again. | 0:12:48 | 0:12:50 | |
LAUGHTER | 0:12:50 | 0:12:51 | |
Let's try it again. | 0:12:51 | 0:12:53 | |
So, if Bex and Dave can get this one done for £500, | 0:12:53 | 0:12:57 | |
plus materials, Sarah's on track to make a good bit of money. | 0:12:57 | 0:13:02 | |
We'll be catching up with them a little later on... | 0:13:02 | 0:13:05 | |
I hope. | 0:13:05 | 0:13:06 | |
So, from Surrey to Sussex and yet another quaint little workshop | 0:13:11 | 0:13:16 | |
tucked away in the lovely countryside. | 0:13:16 | 0:13:18 | |
It's time for Sarah to unload the old mail cart onto Josh and Oli, | 0:13:18 | 0:13:23 | |
our boys with beards. | 0:13:23 | 0:13:25 | |
They may look like a pair of hipsters, but they've got the skills | 0:13:25 | 0:13:29 | |
to transform Sarah's finds into something saleable. | 0:13:29 | 0:13:32 | |
A little bit nervous. | 0:13:32 | 0:13:34 | |
She's usually got a knack of | 0:13:34 | 0:13:35 | |
-bringing some pretty crazy stuff along with her. -Yeah, yeah. | 0:13:35 | 0:13:38 | |
Hopefully it's something that we can see some real good potential in. | 0:13:38 | 0:13:41 | |
I hope Josh and Oli are full of enthusiasm and imagination today | 0:13:41 | 0:13:45 | |
because it is going to take a real leap of faith | 0:13:45 | 0:13:48 | |
to believe that this is going to end up as a high-end interior piece. | 0:13:48 | 0:13:53 | |
-A high-end interiors piece? -Cool! | 0:13:53 | 0:13:55 | |
Looking at all that, I'm not quite sure what you could do! | 0:13:55 | 0:13:58 | |
Yeah, should we try and put it together? | 0:13:58 | 0:14:00 | |
Bex has already got started on her table, | 0:14:00 | 0:14:03 | |
so I'm dying to find out what ideas the boys have. | 0:14:03 | 0:14:06 | |
I mean, straightaway, it kind of lends itself to being a table. | 0:14:06 | 0:14:09 | |
Another table - great(!) | 0:14:09 | 0:14:11 | |
What kind of table are you thinking about making? | 0:14:11 | 0:14:14 | |
We've got some old reclaimed farmhouse doors | 0:14:14 | 0:14:18 | |
that...I feel would go perfect. | 0:14:18 | 0:14:21 | |
-What, those? -These, up there, yeah. | 0:14:21 | 0:14:23 | |
-They're huge. -They're massive, so it would be a dining table. | 0:14:23 | 0:14:27 | |
And, I mean, they would just lend themselves really well | 0:14:27 | 0:14:30 | |
because they're a similar style. | 0:14:30 | 0:14:31 | |
I think that is absolutely inspired. | 0:14:31 | 0:14:33 | |
A dining table will be fantastic. | 0:14:33 | 0:14:35 | |
If you've got the right house to fit it in, | 0:14:35 | 0:14:37 | |
I think that would be an amazing... | 0:14:37 | 0:14:39 | |
Like, what a feature piece that would be. | 0:14:39 | 0:14:41 | |
What do you think the surface of the metal will end up like? | 0:14:41 | 0:14:43 | |
I mean, hopefully, we can keep some of that colour on. | 0:14:43 | 0:14:46 | |
Most of that will come off because it's so flaky. | 0:14:46 | 0:14:48 | |
Yeah, I love the idea of keeping a bit of, you know, | 0:14:48 | 0:14:51 | |
-red on it, so it... -Yeah. | 0:14:51 | 0:14:52 | |
..it reminds you of where it came from. | 0:14:52 | 0:14:54 | |
-I think big dining table sounds fab. -Yeah. | 0:14:54 | 0:14:57 | |
Is it heaps of work? Is it loads of money? | 0:14:57 | 0:14:59 | |
I... I think it will be a fair bit of work, yeah. | 0:14:59 | 0:15:02 | |
Probably around the 750 mark. | 0:15:02 | 0:15:04 | |
Oof! Ouch! | 0:15:04 | 0:15:06 | |
I think 750 quid sounds like... | 0:15:06 | 0:15:08 | |
You know, about the money, and then, if it sells... | 0:15:09 | 0:15:12 | |
Depending on how slick and how exciting it is, | 0:15:12 | 0:15:14 | |
if we've got at least £1,000 for it, then that would be fantastic. | 0:15:14 | 0:15:19 | |
If it sells, Sarah. Big if. | 0:15:19 | 0:15:21 | |
Any chance you can get one of them down? | 0:15:21 | 0:15:24 | |
If not, you can have a £750 bonfire. | 0:15:24 | 0:15:28 | |
I mean, look at the size of it! | 0:15:28 | 0:15:31 | |
This is huge! Have you made many tables this size before? | 0:15:31 | 0:15:34 | |
Uh, not quite this big. | 0:15:34 | 0:15:36 | |
We've made one at about two metres, but this will be enormous. | 0:15:36 | 0:15:39 | |
Great, well... | 0:15:39 | 0:15:41 | |
I hope it goes well! | 0:15:41 | 0:15:42 | |
-LAUGHTER -Thank you. -Thanks. | 0:15:42 | 0:15:44 | |
-See you soon. -Yep, see you soon. -Bye! -Bye! | 0:15:44 | 0:15:46 | |
-Yeah, what do you reckon, then? -Yeah, pretty good. | 0:15:47 | 0:15:50 | |
I think...Sarah's done a good job for us. | 0:15:50 | 0:15:52 | |
Spending £750 on a commission is a bit scary. | 0:15:53 | 0:15:58 | |
It's going to have to look fantastic to make some money. | 0:15:58 | 0:16:01 | |
So, with the table coming in at a whopping £750, | 0:16:03 | 0:16:07 | |
the boys will have to do something pretty special | 0:16:07 | 0:16:10 | |
if Sarah hopes to see a profit. | 0:16:10 | 0:16:12 | |
So, with the makers battling it out in the war of the tables... | 0:16:19 | 0:16:23 | |
..Sarah has travelled back home | 0:16:25 | 0:16:27 | |
and is about to turn the tables on the ottoman. | 0:16:27 | 0:16:30 | |
You see, Bramble? Turn the tables! | 0:16:32 | 0:16:34 | |
DOG WHIMPERS Ooh. | 0:16:34 | 0:16:37 | |
The main problem is this top is in a really bad state, | 0:16:37 | 0:16:40 | |
so what I need to do is strip it back... | 0:16:40 | 0:16:42 | |
And just see if I can fix it up, put some new board | 0:16:43 | 0:16:46 | |
and a bit of fabric over the top of it, | 0:16:46 | 0:16:48 | |
refresh the paintwork, | 0:16:48 | 0:16:49 | |
and see if I can get it done in an hour. | 0:16:49 | 0:16:52 | |
Right, let's get cracking. | 0:16:52 | 0:16:54 | |
Well, if anyone can get it done in an hour, it's Sarah. | 0:16:54 | 0:16:57 | |
She just loves to upholster. | 0:16:57 | 0:16:59 | |
Ah, look! She's even done the clock! | 0:16:59 | 0:17:02 | |
Time is really of the essence. | 0:17:02 | 0:17:04 | |
You really wouldn't want to spend too long | 0:17:04 | 0:17:08 | |
because the end value of this | 0:17:08 | 0:17:09 | |
probably isn't really much more than £40, £50 at the most. | 0:17:09 | 0:17:13 | |
With all the loose materials removed, | 0:17:13 | 0:17:15 | |
Sarah can start to take off the lid | 0:17:15 | 0:17:17 | |
to get a better idea of what she's working with. | 0:17:17 | 0:17:20 | |
Oh, dear. That's not a good sign. | 0:17:20 | 0:17:22 | |
The lid comes off without the hinges! | 0:17:22 | 0:17:25 | |
Right, I really do have my work cut out now. | 0:17:25 | 0:17:28 | |
Did I say an hour? I think an hour might be...slightly optimistic. | 0:17:30 | 0:17:33 | |
With the top off, Sarah gives the whole thing a good rub down | 0:17:35 | 0:17:39 | |
to get it ready for its makeover. | 0:17:39 | 0:17:41 | |
I've got some gold spray that I think will look fantastic on it. | 0:17:43 | 0:17:46 | |
Not that I'm lazy. | 0:17:46 | 0:17:47 | |
Not that painting in-between these crevices would be really dull, | 0:17:47 | 0:17:50 | |
and this would be instant, so I'm going to take it outside | 0:17:50 | 0:17:52 | |
and do a little test to make sure it's going to work. | 0:17:52 | 0:17:55 | |
Remember, if you're spray painting, | 0:17:59 | 0:18:01 | |
always do it in a well-ventilated area | 0:18:01 | 0:18:04 | |
and I don't mean the sides of buildings and bus stops. | 0:18:04 | 0:18:07 | |
With spraying, you get instant gratification. | 0:18:07 | 0:18:10 | |
Very quick, effective results. | 0:18:10 | 0:18:12 | |
And you don't even have to clean the paint brushes afterwards. | 0:18:14 | 0:18:17 | |
Wow! | 0:18:24 | 0:18:25 | |
That is five minutes' work | 0:18:25 | 0:18:27 | |
and I think that looks fantastic! | 0:18:27 | 0:18:29 | |
Leave that to dry. Let's go and get the top done. | 0:18:29 | 0:18:31 | |
With 15 minutes gone already, | 0:18:31 | 0:18:34 | |
Sarah's really going to have to step it up a gear. | 0:18:34 | 0:18:37 | |
She's cutting out some high density fibre board with a jigsaw, | 0:18:40 | 0:18:44 | |
which will add some support to the crumbling lid. | 0:18:44 | 0:18:47 | |
So, that's pretty rustic, but that...can go onto there. | 0:18:47 | 0:18:51 | |
And then I can get this covered in beautiful fabric, | 0:18:51 | 0:18:53 | |
a bit of padding over the top of it | 0:18:53 | 0:18:55 | |
and, I think, I might make the time. | 0:18:55 | 0:18:57 | |
Wow! Look at her go! | 0:19:00 | 0:19:02 | |
Sarah's attaching the hardboard to the lid with a staple gun | 0:19:02 | 0:19:06 | |
before she can start her upholstery. | 0:19:06 | 0:19:09 | |
What I need to do now is just pad the top. | 0:19:09 | 0:19:12 | |
I'm going to use an old blanket because I don't want | 0:19:12 | 0:19:14 | |
to pay for the material to do it. | 0:19:14 | 0:19:15 | |
I'm on a thrifty makeover with this one. | 0:19:15 | 0:19:18 | |
If you're doing this at home, | 0:19:18 | 0:19:19 | |
you can use any old blanket you have lying around, even a dog blanket. | 0:19:19 | 0:19:23 | |
BRAMBLE WHIMPERS Oh, sorry, Bramble. | 0:19:23 | 0:19:26 | |
So, as Sarah attaches it to the lid with her trusty staple gun, | 0:19:26 | 0:19:30 | |
all that's left to do is cover it with material and she's done. | 0:19:30 | 0:19:34 | |
And, with just £5 worth of gold paint to factor into costs, | 0:19:35 | 0:19:39 | |
it's not going to take much to generate a good profit. | 0:19:39 | 0:19:42 | |
So, as Sara cracks on, it's time for our makers to battle it out... | 0:19:46 | 0:19:51 | |
BOXING BELL SOUNDS | 0:19:51 | 0:19:52 | |
..in table wars! | 0:19:52 | 0:19:54 | |
ENERGECTIC MUSIC PLAYS | 0:19:54 | 0:19:55 | |
And, in the red corner, Bex "The Anvil" Simon | 0:20:00 | 0:20:04 | |
and Dave "The Brute" Harris | 0:20:04 | 0:20:07 | |
will be taking on "The Sledgehammer" | 0:20:07 | 0:20:09 | |
Josh Canard...and Oli. | 0:20:09 | 0:20:12 | |
First up, it's Bex and Dave's table, | 0:20:13 | 0:20:17 | |
so let's get ready to rivet! MUSIC SWELLS | 0:20:17 | 0:20:20 | |
So... What do you want to do? | 0:20:21 | 0:20:23 | |
LAUGHTER | 0:20:23 | 0:20:24 | |
At the moment, it looks like a cut up water tank, so... | 0:20:24 | 0:20:28 | |
It's down to us to try and make it, you know, look... | 0:20:28 | 0:20:31 | |
presentable and nice! | 0:20:31 | 0:20:34 | |
Yeah, and worth lots of money. | 0:20:34 | 0:20:36 | |
That's the fighting spirit. | 0:20:36 | 0:20:39 | |
Bex begins by cutting lengths of metal that will form the legs, | 0:20:40 | 0:20:44 | |
while Dave gets cooking on the table top. | 0:20:44 | 0:20:47 | |
He's trimming off the edges with an electric saw | 0:20:51 | 0:20:54 | |
and the all-important gas mask will protect him | 0:20:54 | 0:20:57 | |
from the toxic zinc fumes that are released when the metal is heated. | 0:20:57 | 0:21:01 | |
Bex is heating her table legs in the charcoal forge, | 0:21:06 | 0:21:09 | |
a blacksmith's best friend for centuries. | 0:21:09 | 0:21:11 | |
The basic tools of the trade have pretty much stayed exactly the same. | 0:21:11 | 0:21:16 | |
When you're working with a fire, | 0:21:16 | 0:21:19 | |
a hammer, and the anvil, it's really lovely. | 0:21:19 | 0:21:22 | |
If you go to the British Museum, | 0:21:22 | 0:21:24 | |
you know, there's some old tools that they've, like, dug up | 0:21:24 | 0:21:28 | |
and they are pretty much exactly the same as ours, | 0:21:28 | 0:21:31 | |
maybe a little bit smaller cos people were smaller then. | 0:21:31 | 0:21:35 | |
Is that true? Or did we just have tiny blacksmiths? | 0:21:35 | 0:21:39 | |
Bex's legs are now hot enough that she's able to bend them by hand. | 0:21:40 | 0:21:45 | |
It's now probably about 700 degrees C or... | 0:21:46 | 0:21:51 | |
No, actually, it's probably a bit hotter... About 800. | 0:21:51 | 0:21:55 | |
Remember, working around this kind of heat is very dangerous | 0:21:55 | 0:21:59 | |
and you could end up with nasty burns... | 0:21:59 | 0:22:01 | |
Don't show my mum. | 0:22:01 | 0:22:03 | |
..just like Bex. | 0:22:03 | 0:22:04 | |
It's going, "Hello!" | 0:22:04 | 0:22:05 | |
LAUGHTER | 0:22:05 | 0:22:07 | |
"Hello, how are you today?" | 0:22:07 | 0:22:09 | |
Ugh! | 0:22:09 | 0:22:10 | |
While Bex talks to her finger, Dave is welding a steel frame together, | 0:22:10 | 0:22:15 | |
which the water tank sections can then be riveted to. | 0:22:15 | 0:22:19 | |
So, we're going to put copper rivets in because copper's soft. | 0:22:21 | 0:22:26 | |
With steel rivets, you have to get it red hot. | 0:22:26 | 0:22:28 | |
Because this is galvanised steel, | 0:22:28 | 0:22:30 | |
we don't want to get too much heat to burn the zinc. | 0:22:30 | 0:22:33 | |
Dave's able to bash the copper rivets in cold, | 0:22:33 | 0:22:36 | |
with a hammer and a snap tool, | 0:22:36 | 0:22:38 | |
and leave Bex to drill holes in the legs. | 0:22:38 | 0:22:41 | |
And, after a smattering of tomato sauce, | 0:22:43 | 0:22:45 | |
they should be ready to attach. | 0:22:45 | 0:22:47 | |
The next part on this stage we'll be working together | 0:22:51 | 0:22:54 | |
because it will need four hands, two people. | 0:22:54 | 0:22:59 | |
-Four hands, two minds. -Yeah. | 0:22:59 | 0:23:01 | |
With a bit of arguing in-between. | 0:23:01 | 0:23:03 | |
LAUGHTER | 0:23:03 | 0:23:05 | |
-No, it won't. -Yeah, it will. | 0:23:05 | 0:23:07 | |
LAUGHTER | 0:23:07 | 0:23:09 | |
I think we'll leave them to get on with it. | 0:23:10 | 0:23:14 | |
With Bex and Dave well on the way, | 0:23:14 | 0:23:16 | |
it's time to check in with table number two. | 0:23:16 | 0:23:19 | |
Over in Sussex... | 0:23:24 | 0:23:26 | |
Josh, look, the original Segway. | 0:23:26 | 0:23:29 | |
Yeah, sweet. | 0:23:29 | 0:23:30 | |
..Josh and Oli are clearly taking this challenge very seriously(!) | 0:23:31 | 0:23:35 | |
Come on, boys. Get to work. | 0:23:35 | 0:23:37 | |
So, this is going to be one end support of the dining table, | 0:23:38 | 0:23:43 | |
so the two halves of the table top will sit on here. | 0:23:43 | 0:23:48 | |
Should we get rid of that block | 0:23:48 | 0:23:49 | |
-and see what clearance we've got on that wheel then? -Yeah. | 0:23:49 | 0:23:53 | |
The boys plan to attach the bendy bit to the wheely bit | 0:23:53 | 0:23:57 | |
by first removing the wooden block | 0:23:57 | 0:23:59 | |
and then welding in place. | 0:23:59 | 0:24:02 | |
But there seems to be a little bolt in the way, | 0:24:04 | 0:24:07 | |
so it's time to get drilling. | 0:24:07 | 0:24:09 | |
Oh, are you sure you shouldn't be wearing goggles doing that, Josh? | 0:24:13 | 0:24:18 | |
Naughty boy. | 0:24:18 | 0:24:20 | |
So, Josh is just trying to make a little hole in the axle | 0:24:20 | 0:24:25 | |
so that this bolt, this nut here, will just kind of sit in there. | 0:24:25 | 0:24:30 | |
But we've just realised that the axle is solid, | 0:24:31 | 0:24:34 | |
so Josh is having a bit of a hard time getting through it. | 0:24:34 | 0:24:38 | |
Oh, look at the size of that thing! | 0:24:38 | 0:24:40 | |
-Don't make post carts like this anymore. -DRILL WHIRS | 0:24:47 | 0:24:50 | |
Yeah, I think that's done it. | 0:24:50 | 0:24:52 | |
With the welding saved for later, | 0:24:54 | 0:24:57 | |
Josh moves on to cut some reclaimed wood on the band saw, | 0:24:57 | 0:25:01 | |
which will form a support beam between two metal | 0:25:01 | 0:25:04 | |
brackets from the postal cart frame. | 0:25:04 | 0:25:07 | |
And with another one of those bendy bits on top, | 0:25:07 | 0:25:10 | |
it makes another set of legs... | 0:25:10 | 0:25:13 | |
kind of. | 0:25:13 | 0:25:14 | |
OK, so I think we know that this is all kind of looking all right. | 0:25:14 | 0:25:17 | |
We need to fiddle around with it a little bit. | 0:25:17 | 0:25:19 | |
Should we put this to one side and then we can work with the table top? | 0:25:19 | 0:25:22 | |
-Let's crack on. -Cool. | 0:25:22 | 0:25:25 | |
So, this is one of about five doors | 0:25:25 | 0:25:28 | |
that we got from a friend...from an old barn. | 0:25:28 | 0:25:31 | |
They're supposed to be about 150 years old. | 0:25:32 | 0:25:35 | |
You don't say(!) | 0:25:35 | 0:25:36 | |
It looks like Josh has upcycled his mom's old tumble dryer hose | 0:25:38 | 0:25:42 | |
to clear away the 100-year-old dust, | 0:25:42 | 0:25:45 | |
while Oli works to get the hinges off the door with a socket wrench, | 0:25:45 | 0:25:49 | |
but it's no match for the 100-year-old rust. | 0:25:49 | 0:25:53 | |
It doesn't want to come, does it? | 0:25:53 | 0:25:54 | |
But when in doubt... | 0:25:54 | 0:25:56 | |
smash it with a hammer. | 0:25:56 | 0:25:57 | |
But what they're left with underneath might be a problem. | 0:26:02 | 0:26:05 | |
What do you think, Josh? | 0:26:05 | 0:26:07 | |
Yeah, that's nice...where the rust has soaked into the wood. | 0:26:07 | 0:26:10 | |
Really? | 0:26:10 | 0:26:12 | |
That will make quite a nice feature. | 0:26:12 | 0:26:14 | |
I don't fancy eating my dinner off it. | 0:26:14 | 0:26:16 | |
So, we have to incorporate these in some way, don't we? | 0:26:16 | 0:26:19 | |
Josh and Oli are firm believers | 0:26:19 | 0:26:21 | |
in using absolutely every part of an item so nothing goes to waste. | 0:26:21 | 0:26:26 | |
Using them somehow as a brace in-between the two doors, or... | 0:26:26 | 0:26:30 | |
But, how to get the rusty hinges onto a table. | 0:26:30 | 0:26:33 | |
Why don't we try and flatten them out and see how well that works? | 0:26:33 | 0:26:36 | |
They might crack or something might go wrong. | 0:26:36 | 0:26:39 | |
Yeah, cool, OK. | 0:26:39 | 0:26:40 | |
Josh is heating the steel with a blowtorch | 0:26:45 | 0:26:47 | |
so it'll be bendy enough to flatten out straight. | 0:26:47 | 0:26:51 | |
Oli can then bash it with a hammer to remove the kinks | 0:26:55 | 0:26:58 | |
and what they're left with is a perfectly flat piece of metal | 0:26:58 | 0:27:02 | |
that, as yet, has no use at all. | 0:27:02 | 0:27:05 | |
But, much like everything else today, | 0:27:05 | 0:27:07 | |
they'll just put it to one side and worry about it later. | 0:27:07 | 0:27:11 | |
Josh and Oli seem to have an awful lot of bits | 0:27:13 | 0:27:16 | |
being worked on individually. | 0:27:16 | 0:27:18 | |
They've still got a huge amount to do | 0:27:18 | 0:27:21 | |
if they hope to assemble it all into a dining table. | 0:27:21 | 0:27:24 | |
With the table challenge well underway, | 0:27:26 | 0:27:29 | |
it's time to see how Sarah's doing with her own | 0:27:29 | 0:27:31 | |
one-hour ottoman makeover challenge. | 0:27:31 | 0:27:34 | |
Time's nearly up. | 0:27:37 | 0:27:38 | |
I'm not quite there, but I'm not far off. | 0:27:39 | 0:27:43 | |
When Sarah rescued it from the dump, | 0:27:43 | 0:27:45 | |
the ottoman was pinky, but certainly not perky. | 0:27:45 | 0:27:48 | |
But now it's a golden treasure chest. | 0:27:50 | 0:27:53 | |
Sarah lined the lid with floral cream fabric | 0:27:56 | 0:27:59 | |
to complement the shiny gold base. | 0:27:59 | 0:28:01 | |
The top is now padded and comfortable, | 0:28:01 | 0:28:04 | |
and secure enough to support the largest of bottoms. | 0:28:04 | 0:28:08 | |
So, I failed the challenge, quarter of an hour too long, | 0:28:10 | 0:28:13 | |
but, I think I've done the right thing by the ottoman. | 0:28:13 | 0:28:15 | |
It was well worth just taking that little bit extra | 0:28:15 | 0:28:18 | |
to make this lovely. | 0:28:18 | 0:28:19 | |
It's got a brand-new lining. | 0:28:20 | 0:28:22 | |
And I think I've got a good chance now of making some money on it. | 0:28:23 | 0:28:27 | |
What do you think, Bramble? | 0:28:27 | 0:28:29 | |
I think she's thinking, "Can I get my blanket back?" | 0:28:29 | 0:28:34 | |
So, with the transformation complete, | 0:28:34 | 0:28:36 | |
all Sarah has to do now is turn it from gold to sold. | 0:28:36 | 0:28:40 | |
-Before its transformation... -Hi, there! -Hi. | 0:28:44 | 0:28:47 | |
..it was just Grant's old ottoman destined for the dump. | 0:28:47 | 0:28:52 | |
It came from Kidderminster, from an antique shop in Kidderminster. | 0:28:52 | 0:28:55 | |
Sarah could see the cash potential... | 0:28:55 | 0:28:57 | |
-Can I have it? -You can have it, yeah. | 0:28:57 | 0:28:59 | |
..and so could Grant. | 0:28:59 | 0:29:01 | |
So, if she redoes it, I'm sure she'll get 100 for it, | 0:29:01 | 0:29:03 | |
maybe a little bit more, or something like that. | 0:29:03 | 0:29:05 | |
A lot more than we paid for it. | 0:29:05 | 0:29:07 | |
Well, 100 might be a bit optimistic, Grant. | 0:29:07 | 0:29:10 | |
Sarah showcased the ottoman at her barn sale | 0:29:11 | 0:29:14 | |
and, after a slow start... | 0:29:14 | 0:29:16 | |
I think there's somebody interested in the ottoman. | 0:29:16 | 0:29:18 | |
..she hooked a buyer. | 0:29:18 | 0:29:19 | |
That is beautiful. | 0:29:19 | 0:29:21 | |
I think the fabric on the top is just so lovely. | 0:29:21 | 0:29:23 | |
-I'll take you down to the till, that's fantastic. -Thanks, Sarah. | 0:29:23 | 0:29:27 | |
And it's sold! | 0:29:27 | 0:29:28 | |
This is usually the bit when Sarah gives Grant the money | 0:29:31 | 0:29:34 | |
and you get to see his big smiley face, but... | 0:29:34 | 0:29:38 | |
Well, since I sold the ottoman, | 0:29:38 | 0:29:40 | |
I haven't been able to get in contact with Grant, | 0:29:40 | 0:29:42 | |
but all is not lost because I did manage to turn a quick profit of £25 | 0:29:42 | 0:29:47 | |
and I'm going to hand that over to Children In Need. | 0:29:47 | 0:29:50 | |
Ah, at least it's going to a good cause. | 0:29:50 | 0:29:53 | |
Sarah spent just a fiver on materials. | 0:29:53 | 0:29:55 | |
And with a sale of £30, | 0:29:55 | 0:29:57 | |
it's £25 profit for the ottoman. | 0:29:57 | 0:30:00 | |
Yeah, it's an all right start. | 0:30:00 | 0:30:02 | |
Now, let's see which one of our tables can rake in the most cash. | 0:30:02 | 0:30:07 | |
And first up, | 0:30:13 | 0:30:15 | |
it's the water tank table. | 0:30:15 | 0:30:17 | |
Sarah's back in Surrey to see how Bex and Dave have got on. | 0:30:17 | 0:30:21 | |
Bex is putting some finishing touches to the table top, | 0:30:21 | 0:30:25 | |
while Dave has a cup of tea and a biscuit. | 0:30:25 | 0:30:27 | |
I dropped off three chunks of battered old water tank, | 0:30:30 | 0:30:34 | |
a material that's really difficult to work with because it's galvanised. | 0:30:34 | 0:30:38 | |
I'm hoping for a table because it's really saleable. | 0:30:38 | 0:30:40 | |
I know, whatever they have done, | 0:30:40 | 0:30:42 | |
it's going to look lovely, | 0:30:42 | 0:30:43 | |
but seeing is believing. | 0:30:43 | 0:30:46 | |
I'm really excited. | 0:30:46 | 0:30:47 | |
I think she's going to like it. | 0:30:47 | 0:30:49 | |
I think this is Sarah's bag, yeah. I think she'll like it. | 0:30:49 | 0:30:54 | |
Well, only one way to find out. | 0:30:54 | 0:30:57 | |
Before, the old water tank had nowhere left to go | 0:30:57 | 0:31:00 | |
but the bottom of a skip. | 0:31:00 | 0:31:01 | |
Now, it's been totally transformed. | 0:31:04 | 0:31:06 | |
Bex's lovely legs are supported with a steel bar | 0:31:07 | 0:31:10 | |
running along the middle | 0:31:10 | 0:31:12 | |
and separate straps attached to the frame | 0:31:12 | 0:31:15 | |
means the rickety water tank top is strong and secure. | 0:31:15 | 0:31:19 | |
Bex applied a simple acrylic lacquer to the top | 0:31:20 | 0:31:23 | |
to retain the industrial feel. | 0:31:23 | 0:31:26 | |
All in all, their rough and ready riveted cable is a cracker. | 0:31:26 | 0:31:30 | |
But is it going to make Sarah jump for joy? | 0:31:31 | 0:31:35 | |
Oh, there she goes. | 0:31:35 | 0:31:36 | |
How cool is that?! | 0:31:36 | 0:31:38 | |
You made it work! Well done. | 0:31:38 | 0:31:41 | |
-That is amazing! -Hi, how are you doing? -I'm really well. | 0:31:41 | 0:31:44 | |
I completely love it! | 0:31:45 | 0:31:48 | |
Look at those! | 0:31:48 | 0:31:50 | |
I can't believe it. | 0:31:50 | 0:31:51 | |
I thought it would be a lot rougher than that, but this is a gem. | 0:31:51 | 0:31:56 | |
Well, I think, because it's riveted all the way 'round, | 0:31:56 | 0:31:59 | |
you know, we just used some nice solid sort of sections | 0:31:59 | 0:32:02 | |
to keep it quite simple, | 0:32:02 | 0:32:04 | |
like the nuts at the end, they're forged nuts, handmade ones. | 0:32:04 | 0:32:09 | |
I think you've managed to finesse something | 0:32:09 | 0:32:11 | |
that should never have been finessed like this. | 0:32:11 | 0:32:13 | |
It's genuinely really beautiful. | 0:32:13 | 0:32:15 | |
Handmade, stunning. | 0:32:15 | 0:32:17 | |
Did it cost a fortune? | 0:32:17 | 0:32:19 | |
We pretty much worked to budget on this one, didn't we? | 0:32:19 | 0:32:22 | |
Well, I think you've created something fabulous, genuinely. | 0:32:22 | 0:32:25 | |
That's going to walk away. | 0:32:25 | 0:32:27 | |
-And so are you. -Bye! -Bye! | 0:32:27 | 0:32:29 | |
I don't want to be overemotional about it, | 0:32:34 | 0:32:37 | |
but I'm overwhelmed by that table. | 0:32:37 | 0:32:39 | |
It was going to end up in the tip | 0:32:39 | 0:32:41 | |
and Bex and Dave have poured their heart and soul into that. | 0:32:41 | 0:32:44 | |
I can't believe how fantastic it looks. | 0:32:44 | 0:32:47 | |
Well, there may have been a few arguments along the way, | 0:32:47 | 0:32:50 | |
but I think it's been worth it. | 0:32:50 | 0:32:52 | |
Do you love me again? | 0:32:52 | 0:32:54 | |
Yeah, I've always loved you, love - | 0:32:54 | 0:32:55 | |
-that's why I married you. -Aw. | 0:32:55 | 0:32:57 | |
Stunning and on budget of £500 plus materials, | 0:32:59 | 0:33:03 | |
this one has a real chance of raking in the cash. | 0:33:03 | 0:33:07 | |
Before the table was a table... | 0:33:09 | 0:33:12 | |
What are you clearing up? | 0:33:12 | 0:33:13 | |
We're clearing out an old attic. | 0:33:13 | 0:33:15 | |
..Sarah stuck her nose in the back of Neil's motor | 0:33:15 | 0:33:18 | |
and found something well good. | 0:33:18 | 0:33:20 | |
-Good, good? Do you like it? -Brilliant! -Good, good. | 0:33:20 | 0:33:23 | |
Good? It was great and Sarah had big ideas of what to do with it. | 0:33:23 | 0:33:28 | |
Neil wasn't as sure. | 0:33:28 | 0:33:30 | |
I can't think of what else she could actually use it for, | 0:33:30 | 0:33:33 | |
so I'll be intrigued to find out. | 0:33:33 | 0:33:34 | |
Well, with a little help from Bex and Dave, | 0:33:36 | 0:33:39 | |
it turned into a shiny show stopper. | 0:33:39 | 0:33:42 | |
Sarah invited around Nick, who runs online vintage and antique outlet | 0:33:42 | 0:33:47 | |
Smithers of Stamford... | 0:33:47 | 0:33:48 | |
-Hiya. -Hi, Sarah. | 0:33:48 | 0:33:50 | |
..hoping he'd be interested in today's tables. | 0:33:50 | 0:33:53 | |
I could see it in a bar in London or something. | 0:33:53 | 0:33:56 | |
And after one look at Bex and Dave's... | 0:33:56 | 0:33:58 | |
Would you put your money where your mouth is and do you think you'd buy it? | 0:33:58 | 0:34:01 | |
Definitely. Yeah, I'll definitely want it. | 0:34:01 | 0:34:03 | |
..he bought it! | 0:34:03 | 0:34:05 | |
Sarah's travelled to Milford in Surrey | 0:34:07 | 0:34:09 | |
to show Neil what Bex and Dave did to his water tank. | 0:34:09 | 0:34:13 | |
Hope she phoned ahead. | 0:34:14 | 0:34:15 | |
-Hello, Neil. How are you? -I'm fine, thank you, you? | 0:34:16 | 0:34:19 | |
Yeah, I've never seen "beware of the chicken" before. | 0:34:19 | 0:34:21 | |
-How are you doing? -No, no, you have to watch the chicken | 0:34:21 | 0:34:23 | |
-and watch where you're walking. -OK. Animals at loose. | 0:34:23 | 0:34:27 | |
OK, so this is the house the tank came out of. | 0:34:27 | 0:34:29 | |
-This is the house the tank came from. -Right. | 0:34:29 | 0:34:31 | |
It's been up in the loft for many years. | 0:34:31 | 0:34:34 | |
-It was you who cut it up, wasn't it? -Yeah, it was, I cut it up. | 0:34:34 | 0:34:37 | |
We had it outside the gate for a month | 0:34:37 | 0:34:38 | |
and then it was time to go to the dump. | 0:34:38 | 0:34:40 | |
-And that was where I met you, wasn't it? -That's where we met you. | 0:34:40 | 0:34:43 | |
Have you thought about what we might have done? | 0:34:43 | 0:34:45 | |
No, I couldn't think what you were going to use it for, | 0:34:45 | 0:34:47 | |
-I really couldn't. -OK. | 0:34:47 | 0:34:48 | |
To turn it into anything there'd have to be a lot more cutting | 0:34:48 | 0:34:51 | |
-and, of course, it's a galvanised tank, so lots of smoke. -Yep. | 0:34:51 | 0:34:54 | |
I'm just intrigued to find out what you could do with it. | 0:34:54 | 0:34:57 | |
Well, we manage to do something and I've got some pictures. | 0:34:57 | 0:35:01 | |
-Let me show you. -What have we got? | 0:35:01 | 0:35:02 | |
-Yeah, that looks like just as I left it... -OK. | 0:35:02 | 0:35:04 | |
..at the dump, leant against the fence. | 0:35:04 | 0:35:06 | |
This is what it was turned into. | 0:35:06 | 0:35:08 | |
Oh, wow! Into a table. | 0:35:08 | 0:35:09 | |
Fantastic. Absolutely wonderful! | 0:35:11 | 0:35:14 | |
We had somebody come to my barn, where I lived, to have a look at it | 0:35:14 | 0:35:18 | |
and we hoped to sell it. | 0:35:18 | 0:35:19 | |
He took one look at it and he said he's got to have it. | 0:35:19 | 0:35:21 | |
-Really? -Yes. -Oh, that's amazing. | 0:35:21 | 0:35:23 | |
So, would you be surprised to learn | 0:35:23 | 0:35:25 | |
that we made a profit of over £100 on your table? | 0:35:25 | 0:35:27 | |
I'd be flabbergasted. That's amazing. | 0:35:27 | 0:35:29 | |
Well, actually quite a lot over £100. | 0:35:29 | 0:35:31 | |
I've actually got £500 here for your water tank table. | 0:35:31 | 0:35:36 | |
No! That is unbelievable. | 0:35:36 | 0:35:39 | |
Wonderful! Thank you. It's amazing. | 0:35:39 | 0:35:42 | |
How on earth do you get £500 | 0:35:42 | 0:35:44 | |
from that bit of old galvanised tank? That's incredible. | 0:35:44 | 0:35:46 | |
Is there anything you can think about immediately | 0:35:46 | 0:35:48 | |
that you might spend that on? | 0:35:48 | 0:35:50 | |
I'm sure the wife will find something to spend it on. | 0:35:50 | 0:35:54 | |
Yeah, that's absolutely amazing. | 0:35:54 | 0:35:56 | |
That is tremendous. Something for nothing. Thank you ever so much. | 0:35:56 | 0:35:59 | |
Thanks, Neil. Take care, bye-bye. | 0:35:59 | 0:36:00 | |
Aw, I think you should spend it on the chickens. | 0:36:00 | 0:36:03 | |
With the extra material costs, | 0:36:03 | 0:36:05 | |
Bex and Dave's total spend was £650. | 0:36:05 | 0:36:10 | |
Nick paid £1,150 for it, | 0:36:10 | 0:36:13 | |
so Neil is walking away with a cool 500 quid. | 0:36:13 | 0:36:16 | |
So, with our first table making a very impressive £500 profit, | 0:36:22 | 0:36:27 | |
it's still all to play for, | 0:36:27 | 0:36:30 | |
as we head back to Sussex in time for Sarah to see | 0:36:30 | 0:36:33 | |
if Josh and Oli's table has the potential to beat half a grand. | 0:36:33 | 0:36:38 | |
Yeah, I reckon Sarah will be shocked. | 0:36:38 | 0:36:40 | |
It's changed beyond recognition, to be honest, | 0:36:40 | 0:36:42 | |
from the pile of crusty metal that she brought us. | 0:36:42 | 0:36:44 | |
It's now a dining table. So, yeah, I think she'll be surprised. | 0:36:44 | 0:36:48 | |
So, I'm back here to find out if Oli and Josh have managed to turn | 0:36:48 | 0:36:52 | |
a rusty old mail cart that I left in pieces | 0:36:52 | 0:36:54 | |
into a high-end dining table. | 0:36:54 | 0:36:57 | |
There's only one way to find out. | 0:36:57 | 0:36:59 | |
When Sarah dropped it off, the mail cart didn't have a leg to stand on, | 0:37:00 | 0:37:04 | |
but now... | 0:37:04 | 0:37:05 | |
..it's a huge table! | 0:37:07 | 0:37:09 | |
The boys ditched the flaky red paint job, | 0:37:12 | 0:37:15 | |
choosing instead to sandblast the metal | 0:37:15 | 0:37:17 | |
and paint with a matte black finish. | 0:37:17 | 0:37:20 | |
They treated the old wood with a simple sealant | 0:37:21 | 0:37:23 | |
and a top oil to keep the wood's age and natural pattern shining through. | 0:37:23 | 0:37:28 | |
Oh, this is a tough one. | 0:37:29 | 0:37:31 | |
I think I like this table more than the other one, | 0:37:31 | 0:37:34 | |
but what will Sarah think? | 0:37:34 | 0:37:35 | |
That's amazing! | 0:37:41 | 0:37:43 | |
-How are you doing, are you all right? -I am now. | 0:37:43 | 0:37:45 | |
-Yeah? -That looks fantastic! | 0:37:46 | 0:37:48 | |
I had no idea it would clean up so much and haven't these worked well? | 0:37:48 | 0:37:51 | |
Yeah, yeah. They came in nicely. | 0:37:51 | 0:37:53 | |
Here's a little feature for you. | 0:37:53 | 0:37:54 | |
So, this is a built-in trivet for your hot pots and pans. | 0:37:54 | 0:37:57 | |
Ah, so that's what you did with the hinges - clever. | 0:37:58 | 0:38:01 | |
That's a great idea, isn't it? | 0:38:01 | 0:38:03 | |
It's practical and it's beautiful. You have done so well with it. | 0:38:03 | 0:38:06 | |
In terms of the bits that you had... | 0:38:06 | 0:38:08 | |
Those are the old handles, those bits up there. | 0:38:08 | 0:38:11 | |
-They've worked really well, haven't they? -Yeah, yeah, yeah. | 0:38:11 | 0:38:13 | |
I'm really surprised how tidy and neat and good-looking it is | 0:38:13 | 0:38:18 | |
because it...battered old doors, | 0:38:18 | 0:38:20 | |
rusty old frame... | 0:38:20 | 0:38:22 | |
-It was never going to look like that. -Right, it did come in well. | 0:38:22 | 0:38:25 | |
So, in terms of budget, there was 750 quid on the table. | 0:38:25 | 0:38:29 | |
-Like what I did there? -Very good, very good. | 0:38:29 | 0:38:31 | |
In order to transform it, did it work? | 0:38:31 | 0:38:33 | |
Have you done it anywhere near budget? | 0:38:33 | 0:38:35 | |
Yeah, I think we are pretty close, yeah. | 0:38:35 | 0:38:37 | |
I mean, it turned into a bit of a labour of love, | 0:38:37 | 0:38:40 | |
but I think, yeah, we're happy with 750. | 0:38:40 | 0:38:42 | |
Well, hasn't this turned into a tight race? | 0:38:44 | 0:38:47 | |
The boys are most definitely still in the running with this one. | 0:38:47 | 0:38:50 | |
Those lads have completely come up trumps. | 0:38:50 | 0:38:53 | |
That table is immense. | 0:38:53 | 0:38:55 | |
It's got charm, character | 0:38:55 | 0:38:57 | |
and I'm going to make loads of money out of it. | 0:38:57 | 0:39:00 | |
Well, it will have to have a higher price tag attached to beat Bex's, | 0:39:00 | 0:39:04 | |
so let the bidding commence. | 0:39:04 | 0:39:05 | |
What are you throwing out? | 0:39:11 | 0:39:13 | |
When Sarah met Dick at the dump, she pounced on his old postal cart. | 0:39:13 | 0:39:17 | |
They would use these to move the parcels around. | 0:39:17 | 0:39:20 | |
Dick was more than happy to give it to Sarah... | 0:39:20 | 0:39:23 | |
You show me where you want me to put it, I'll come... | 0:39:23 | 0:39:25 | |
..and Sarah politely took them away. | 0:39:25 | 0:39:28 | |
I wish her luck. | 0:39:28 | 0:39:30 | |
With the help of Josh and Oli, it became our second tiptop table. | 0:39:30 | 0:39:35 | |
Sarah invited Nick back to see if he fancied two tables, | 0:39:37 | 0:39:41 | |
but having already forked out over £1,000 on Bex's, | 0:39:41 | 0:39:45 | |
Sarah's chances weren't great. | 0:39:45 | 0:39:47 | |
Do you feel it when you see it? Is it...? | 0:39:47 | 0:39:49 | |
Yeah, it's very unique. Yeah, I think we're going to go for it. | 0:39:49 | 0:39:52 | |
-Yeah? -But he bought it as well! | 0:39:52 | 0:39:55 | |
I'm going to make you a seriously good offer on this one, Nick. | 0:39:55 | 0:39:58 | |
Sarah's travelled to Shackleford in Surrey to hand Dick some cash, | 0:39:59 | 0:40:05 | |
but will it be more than £500? | 0:40:05 | 0:40:07 | |
I can hardly wait. | 0:40:08 | 0:40:10 | |
-Hello, there. -Hi, hello. Nice to see you. -Lovely to see you again. | 0:40:13 | 0:40:16 | |
-How are you, all right? -Very well, very well. | 0:40:16 | 0:40:18 | |
I have come to catch up with you | 0:40:18 | 0:40:20 | |
-about what we did with your old mail cart. -Yeah, indeed. | 0:40:20 | 0:40:23 | |
I know that you said that it had come to you | 0:40:23 | 0:40:25 | |
and you had found it, and you had had it for quite a few years. | 0:40:25 | 0:40:29 | |
200 yards up the road here is a crossroads, | 0:40:29 | 0:40:31 | |
and it sat there for two days, | 0:40:31 | 0:40:33 | |
so I walked it down here. | 0:40:33 | 0:40:34 | |
Possibly in the '90s is when I acquired it | 0:40:34 | 0:40:36 | |
because that's also probably the time | 0:40:36 | 0:40:38 | |
that the post office stopped using them, | 0:40:38 | 0:40:41 | |
I would think, maybe. | 0:40:41 | 0:40:43 | |
They certainly used them when I did the post, when I was 18. | 0:40:43 | 0:40:46 | |
-So, were you a posty? -No. Christmas job. | 0:40:46 | 0:40:49 | |
Christmas job, ah, a Christmas posty. | 0:40:49 | 0:40:50 | |
-They're more lucrative at Christmas. -Yes, that's right. | 0:40:50 | 0:40:53 | |
When I took it away, did you have any thoughts about | 0:40:53 | 0:40:56 | |
-what we might be able to do with it? -No, I didn't. | 0:40:56 | 0:40:58 | |
I didn't know whether you would do research | 0:40:58 | 0:41:01 | |
and take it back to what it was, or do something exciting. | 0:41:01 | 0:41:05 | |
OK, well, we went down the exciting route. | 0:41:05 | 0:41:07 | |
We took it to fantastic young guys, who are down near Goodwood, | 0:41:07 | 0:41:10 | |
and they have managed to create...that. | 0:41:10 | 0:41:14 | |
Wow! | 0:41:14 | 0:41:17 | |
But that... Isn't that...? Is that a door or something? | 0:41:17 | 0:41:19 | |
It's a pair of doors and, actually, you can see on the detail | 0:41:19 | 0:41:22 | |
where they have used the hinges for the doors | 0:41:22 | 0:41:24 | |
to make a trivet to go in the middle of it. | 0:41:24 | 0:41:27 | |
Yes, tremendous. That's fantastic. | 0:41:27 | 0:41:28 | |
I really do like that. | 0:41:28 | 0:41:30 | |
I think that's... I mean, that's a clever idea. | 0:41:30 | 0:41:33 | |
I wish I'd thought of that. | 0:41:33 | 0:41:34 | |
So, it turns out that people love investing in a dining table | 0:41:34 | 0:41:38 | |
and I have a dealer who I deal with a lot, | 0:41:38 | 0:41:40 | |
and he took one look at it and snapped it up. | 0:41:40 | 0:41:43 | |
I have got some profit to share with you, actually. | 0:41:43 | 0:41:45 | |
I have got, for you... | 0:41:45 | 0:41:48 | |
I've got £500 here to give to you to do whatever you like with. | 0:41:48 | 0:41:54 | |
-I am staggered. -So, £500, what do you think? | 0:41:54 | 0:41:58 | |
I'm overwhelmed. I did not expect anything like that. | 0:41:58 | 0:42:01 | |
I think my daughters and my grandchildren | 0:42:01 | 0:42:03 | |
might have a fairly good idea what they would like to do with it. | 0:42:03 | 0:42:05 | |
But, yes, I have my own ideas. | 0:42:05 | 0:42:08 | |
that may involve a charity, | 0:42:08 | 0:42:10 | |
but that is tremendous and thank you very much for that. | 0:42:10 | 0:42:12 | |
That's wonderful, thank you. | 0:42:12 | 0:42:14 | |
OK, when are you going to the tip again? | 0:42:14 | 0:42:17 | |
LAUGHTER | 0:42:17 | 0:42:18 | |
Can you believe it? It's a draw! | 0:42:19 | 0:42:21 | |
Coming in on budget of £750 and selling for a mighty £1,250 | 0:42:21 | 0:42:28 | |
means Josh and Oli's table | 0:42:28 | 0:42:30 | |
has made exactly the same as Bex and Dave's. | 0:42:30 | 0:42:33 | |
I'm glad it worked out like that. | 0:42:33 | 0:42:35 | |
I really couldn't choose between them. | 0:42:35 | 0:42:38 | |
So, Sarah has managed to make money from all three items saved from the dump. | 0:42:39 | 0:42:44 | |
The water tank transformed into our first fabulous table... | 0:42:44 | 0:42:48 | |
..and the postal cart made it two. | 0:42:49 | 0:42:51 | |
And, of course, Sarah brought the bling to the crumbling old ottoman. | 0:42:53 | 0:42:57 | |
Well, those were three great items. | 0:42:59 | 0:43:01 | |
Both sets of artisans managed to produce winning tables | 0:43:01 | 0:43:05 | |
and I'm pleased with my little ottoman makeover. | 0:43:05 | 0:43:07 | |
And all three things are going on to have a new lease of life | 0:43:07 | 0:43:11 | |
and, the best bit of all, they all sold for profit. | 0:43:11 | 0:43:14 |