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How do you make Money For Nothing? | 0:00:07 | 0:00:09 | |
What are you dropping off? Anything exciting? | 0:00:09 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes of household | 0:00:11 | 0:00:15 | |
waste thrown out by us every year. | 0:00:15 | 0:00:18 | |
I quite like the look of your chair. I've not seen one like that before. | 0:00:18 | 0:00:22 | |
That's why entrepreneur Sarah Moore wants to get her hands | 0:00:22 | 0:00:25 | |
on things before they hit the skip. | 0:00:25 | 0:00:28 | |
I'm a passionate buyer, maker and user of old stuff | 0:00:30 | 0:00:34 | |
and I've turned that passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:37 | 0:00:41 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:46 | |
-What do you think? -I think it's beautiful. | 0:00:46 | 0:00:48 | |
-I've brought you my washing machine. -Oh, wow. | 0:00:48 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
What have you done?! | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
-Oh, amazing! -..and hopefully saleable items. | 0:00:57 | 0:01:01 | |
That is one clever sandwich. | 0:01:01 | 0:01:04 | |
If Sarah is successful then she can hand the profits back to the very | 0:01:04 | 0:01:08 | |
people who had no idea there was cash to be made from their trash. | 0:01:08 | 0:01:13 | |
Gosh, as much as that? Oh, lovely. | 0:01:13 | 0:01:15 | |
Welcome to Earlswood Recycling Centre... | 0:01:26 | 0:01:29 | |
..a nonstop hive of activity. | 0:01:30 | 0:01:35 | |
Sarah's on a mission to turn your trash into hard cash. | 0:01:35 | 0:01:40 | |
Now, I don't care if it's rickety, rusty or just plain old-fashioned. | 0:01:40 | 0:01:44 | |
I'm all set to play the recycling game. | 0:01:44 | 0:01:46 | |
But before you make a beeline for your local tip, | 0:01:48 | 0:01:52 | |
Sarah's been given special permission | 0:01:52 | 0:01:54 | |
to seek out three items... | 0:01:54 | 0:01:55 | |
What do you reckon? What's in the back? | 0:01:55 | 0:01:58 | |
..that she can rejuvenate, repurpose and sell on for a profit. | 0:01:58 | 0:02:03 | |
First to get Sarah's attention is Peter, | 0:02:04 | 0:02:07 | |
who's here with a boot full of metal. | 0:02:07 | 0:02:09 | |
-Hello there. -Hello. -Hi. Hi, I'm Sarah. | 0:02:09 | 0:02:13 | |
-Hi. Who are you? -You all right? -That's very rude, isn't it? | 0:02:13 | 0:02:15 | |
-What's your name? -Peter. -Peter. Hi. How do you do? What are they? | 0:02:15 | 0:02:18 | |
They're railings. They're cast iron railings, old railings. | 0:02:18 | 0:02:21 | |
They look fab. Where have they come from? | 0:02:21 | 0:02:22 | |
-How long have you had them? -I've had them for about ten years at home. | 0:02:22 | 0:02:26 | |
-OK, and they're from the garden, are they? -Yes, they are. -Wow. | 0:02:26 | 0:02:29 | |
-Can I pick some up and have a look at them? -Of course you can. | 0:02:29 | 0:02:33 | |
-Wow, they're really weighty, aren't they? -They are heavy, yes. | 0:02:33 | 0:02:36 | |
-They don't make them like that any more, do they? -No, no. | 0:02:36 | 0:02:38 | |
-They're fantastic. -No, they're cast. | 0:02:38 | 0:02:40 | |
So, how many have you got there? Is that all of them? | 0:02:40 | 0:02:43 | |
No, I dumped off one this morning, one lot, and one three days ago. | 0:02:43 | 0:02:49 | |
-Right, so I'm lucky to find these here? -Yes. | 0:02:49 | 0:02:51 | |
I love old stuff like this and I'd really like to have | 0:02:51 | 0:02:54 | |
the opportunity to try and make it into something. | 0:02:54 | 0:02:57 | |
-Is there any chance I could have those ones? -You can have them. | 0:02:57 | 0:02:59 | |
You can have them all, yes. | 0:02:59 | 0:03:00 | |
And then if I'm successful in transforming them | 0:03:00 | 0:03:04 | |
into something, could I come and show you what you've done? | 0:03:04 | 0:03:06 | |
You can show me what you've done, yeah. | 0:03:06 | 0:03:08 | |
-I'd be well interested. -Really? Fantastic. | 0:03:08 | 0:03:10 | |
-Well, I'll go off and get a trolley and I'll see you soon. -OK, OK. | 0:03:10 | 0:03:13 | |
Excellent. Well spotted, Sarah. | 0:03:13 | 0:03:16 | |
-A solid start. -That's it. -Thanks so much! -That's all right. | 0:03:16 | 0:03:19 | |
Thoughts on their future, Peter? | 0:03:19 | 0:03:22 | |
I've no idea what she's going to do with them. | 0:03:22 | 0:03:24 | |
Fair enough. Help us out, Sarah. | 0:03:24 | 0:03:26 | |
I just love it when things like this turn up at the recycling | 0:03:26 | 0:03:29 | |
centre on the day that I'm there. Fantastic Victorian railings. | 0:03:29 | 0:03:32 | |
They're heavy-duty, they're cast iron, | 0:03:32 | 0:03:34 | |
they're Gothic, they're black, they're beautiful. | 0:03:34 | 0:03:37 | |
In the right hands, these have huge potential. | 0:03:37 | 0:03:40 | |
And the artisan with the right hands... | 0:03:40 | 0:03:42 | |
..Norman Wilkinson. | 0:03:44 | 0:03:46 | |
What Norman doesn't know about wood ain't worth knowing. | 0:03:46 | 0:03:52 | |
He uses his 25 years of experience to create handmade, | 0:03:52 | 0:03:56 | |
one-of-a-kind furniture that will last a lifetime. | 0:03:56 | 0:04:00 | |
Oh, the reclaim is great because it's... | 0:04:00 | 0:04:03 | |
You know, if you're making a tabletop out of reclaimed timbers | 0:04:03 | 0:04:06 | |
and everything, no two tops will be the same. | 0:04:06 | 0:04:08 | |
So, it's tactile, it's always got its own mind, it's beautiful. | 0:04:08 | 0:04:12 | |
I hope that people will see when they buy it | 0:04:12 | 0:04:15 | |
that we've put our heart and soul into it | 0:04:15 | 0:04:17 | |
and we've put as much love as we can | 0:04:17 | 0:04:19 | |
so, hopefully, that that comes out into it. | 0:04:19 | 0:04:22 | |
That's good to know, Norman, | 0:04:22 | 0:04:24 | |
because you're going to have to dig deep for this project. | 0:04:24 | 0:04:27 | |
That's one item nicely tucked away. | 0:04:31 | 0:04:34 | |
Oh, they look good. | 0:04:34 | 0:04:36 | |
And now Sarah has her sights firmly set on finding item number two. | 0:04:36 | 0:04:40 | |
-Time flies. -It certainly does, Sarah. | 0:04:42 | 0:04:45 | |
All the more reason to crack on. | 0:04:45 | 0:04:48 | |
Maybe Tony's the man to help us move things along. | 0:04:48 | 0:04:52 | |
Anything interesting in there, Tony? | 0:04:52 | 0:04:54 | |
He's making himself at home. Are you setting up camp? | 0:04:54 | 0:04:58 | |
No, just getting rid of a load of rubbish - | 0:04:58 | 0:05:00 | |
-broken tents and bits and pieces. -Right. They're quite cool. | 0:05:00 | 0:05:03 | |
Are you chucking those or are they going back in the car? | 0:05:03 | 0:05:06 | |
No, I'm getting rid of those. | 0:05:06 | 0:05:07 | |
-I don't do car maintenance any more... -OK. | 0:05:07 | 0:05:09 | |
And they're cluttering up my garage. | 0:05:09 | 0:05:11 | |
-Can I have a look? -Of course you can. | 0:05:11 | 0:05:13 | |
Can I have a look at one of them? They're quite sweet, aren't they? | 0:05:13 | 0:05:15 | |
-And so how long have you had them? -They were actually my dad's. | 0:05:15 | 0:05:18 | |
So, probably over 20 years. | 0:05:18 | 0:05:20 | |
I really like the look of them. | 0:05:20 | 0:05:22 | |
I think if you had one, I'd probably be walking past you, | 0:05:22 | 0:05:25 | |
but the fact you've got two of them makes me | 0:05:25 | 0:05:27 | |
think there must be something I can do with them. | 0:05:27 | 0:05:29 | |
Yeah, I don't see know why not. I'm sure there is something. | 0:05:29 | 0:05:31 | |
I'm trying to find stuff that I can recycle or make into something | 0:05:31 | 0:05:34 | |
else and there's something about it, I don't know what it is. | 0:05:34 | 0:05:37 | |
Any chance that I could take them away | 0:05:37 | 0:05:38 | |
and have a go at making something out of them? | 0:05:38 | 0:05:40 | |
I was thinking about leaving them out in case somebody wanted them | 0:05:40 | 0:05:43 | |
for carjacks, but you're more than welcome. | 0:05:43 | 0:05:45 | |
Well, I'm not sure they're going to go back into the car world | 0:05:45 | 0:05:48 | |
but I'm going to have a go at making something and if I succeed, | 0:05:48 | 0:05:50 | |
can I come and find you and show you what I've done? | 0:05:50 | 0:05:52 | |
-Yeah, of course you can. -Brilliant. OK, well, they look fantastic. | 0:05:52 | 0:05:55 | |
-Nice and chunky, a pair of them. -Okey dokey. | 0:05:55 | 0:05:57 | |
-Thank you ever so much. -Good luck with that. You're welcome. -Thanks. Bye-bye! -Bye-bye. | 0:05:57 | 0:06:01 | |
Jolly good. | 0:06:01 | 0:06:03 | |
And any ideas what Sarah might do with them? | 0:06:03 | 0:06:06 | |
Absolutely no idea. I mean, I can't think of anything to do with them. | 0:06:06 | 0:06:09 | |
They've been in the garage probably 10 years | 0:06:09 | 0:06:12 | |
and I haven't used them, so good luck to her, that's what I say. | 0:06:12 | 0:06:16 | |
It saves them going to waste. | 0:06:16 | 0:06:18 | |
Well, Tony, your old garage cast-offs | 0:06:18 | 0:06:21 | |
have made Sarah very happy. | 0:06:21 | 0:06:23 | |
What is not to love? | 0:06:25 | 0:06:27 | |
OK, I know they're rusty, a bit industrial...dirty. | 0:06:27 | 0:06:31 | |
But, honestly, they've got something about them and that is there's | 0:06:31 | 0:06:35 | |
two of them, they're red and they could be practically | 0:06:35 | 0:06:39 | |
put to a good use. | 0:06:39 | 0:06:41 | |
And, who knows? They might make a profit. | 0:06:41 | 0:06:44 | |
And the man Sarah wants to transform these tip treasures... | 0:06:44 | 0:06:48 | |
..Mark Haig. | 0:06:48 | 0:06:49 | |
Bright spark Mark uses his decades of engineering experience to | 0:06:49 | 0:06:54 | |
create one-of-a-kind sculptures from second-hand materials. | 0:06:54 | 0:06:58 | |
Although his true passion...robots. | 0:06:58 | 0:07:02 | |
The thing that makes me smile when I come into work is thinking | 0:07:02 | 0:07:05 | |
that I'm going to be building something that somebody likes. | 0:07:05 | 0:07:09 | |
There's always a challenge. | 0:07:09 | 0:07:10 | |
Every sculpture that I build has got a different challenge to it. | 0:07:10 | 0:07:13 | |
And I love thinking through those challenges. | 0:07:13 | 0:07:16 | |
I suppose it used to be a hobby. | 0:07:16 | 0:07:18 | |
Now it's an obsession. | 0:07:18 | 0:07:20 | |
A strong work ethic and open to challenges - | 0:07:20 | 0:07:24 | |
handy traits for this task. | 0:07:24 | 0:07:27 | |
Two items loaded into the Money For Nothing van. | 0:07:33 | 0:07:36 | |
It's time for Sarah to search for her own pound-making project. | 0:07:36 | 0:07:41 | |
I'm here all day. Something is definitely going to turn up. | 0:07:41 | 0:07:44 | |
That's the spirit, Sarah. That might have potential. | 0:07:44 | 0:07:48 | |
And right on cue, Stephen pays a visit | 0:07:48 | 0:07:51 | |
with some interesting furniture. | 0:07:51 | 0:07:53 | |
-Hiya. -Hiya. I'm Sarah. -Hi, Sarah. | 0:07:53 | 0:07:55 | |
-Chucking out? -Yeah, yeah. | 0:07:57 | 0:07:59 | |
Well, you're in the right place, obviously! | 0:07:59 | 0:08:01 | |
-What are you doing with...? What have you got, table and chairs? -Table and chairs, yeah. | 0:08:01 | 0:08:05 | |
-Have you just had enough of them? -Well, no, it's a friend - | 0:08:05 | 0:08:07 | |
she was clearing out her house, my daughter said she liked them, | 0:08:07 | 0:08:11 | |
and that was a year ago, and I've been looking after them for a year | 0:08:11 | 0:08:14 | |
-but we decided it's time to go. -OK. | 0:08:14 | 0:08:16 | |
So, do you know...? What have you got here? | 0:08:16 | 0:08:19 | |
-A barley twist. -Shall we have it out and have a quick look? -OK. | 0:08:19 | 0:08:23 | |
-And a pair of chairs. Oh, they look nice. I recognise those. -Yeah? | 0:08:26 | 0:08:31 | |
SHE WHISPERS | 0:08:31 | 0:08:33 | |
-Didn't quite catch that, Sarah. -There you go. -Ah, fantastic. | 0:08:33 | 0:08:36 | |
-Well... -You're clearly excited about these chairs. | 0:08:36 | 0:08:40 | |
These, I can tell by the legs, are made by a company called Ercol. | 0:08:40 | 0:08:44 | |
-Really? -A great British furniture manufacturer. Yeah. | 0:08:44 | 0:08:46 | |
I'm not entirely sure what the style's called | 0:08:46 | 0:08:48 | |
but they'll have a name like... | 0:08:48 | 0:08:50 | |
-They're a bit naff, if you ask me. -..Farmhouse. | 0:08:50 | 0:08:52 | |
Yes, maybe not everybody's cup of tea | 0:08:52 | 0:08:53 | |
but there are a whole load of people who love Ercol and collect it. | 0:08:53 | 0:08:56 | |
-Really? OK. -And they get very excited if they get hold | 0:08:56 | 0:08:58 | |
of an E102, or whatever it is. But these... | 0:08:58 | 0:09:00 | |
They've got the blue sticker on the back, so they definitely are. | 0:09:00 | 0:09:03 | |
-Right, OK. -And, yeah, look, made in 1960. | 0:09:03 | 0:09:06 | |
-So a bit of age to them. -Yeah, OK. | 0:09:06 | 0:09:08 | |
So, you might not be a fan but there are loads of people that are. | 0:09:08 | 0:09:11 | |
It would be really cool to take away Farmhouse, | 0:09:11 | 0:09:15 | |
little barley twist table and some chairs | 0:09:15 | 0:09:17 | |
and see if they can be put back into somebody else's house | 0:09:17 | 0:09:19 | |
-or given a new lease of life to. -Yeah, OK. | 0:09:19 | 0:09:22 | |
-Do you mind if I have them? -No, no, by all means. | 0:09:22 | 0:09:25 | |
I was throwing them away anyway. | 0:09:25 | 0:09:27 | |
-Thanks, Steve. I'll be back in touch. -All right, then. | 0:09:27 | 0:09:29 | |
-Thank you. Bye-bye. -Bye. | 0:09:29 | 0:09:31 | |
Terrific stuff. | 0:09:31 | 0:09:33 | |
Sarah's hard work at the tip has paid off. | 0:09:33 | 0:09:36 | |
What does Stephen think she'll do with his table and chairs? | 0:09:36 | 0:09:40 | |
I've got no idea. Probably turn it into firewood. | 0:09:40 | 0:09:44 | |
You may not be a fan, Stephen, | 0:09:44 | 0:09:46 | |
but Sarah sees real potential in your old furniture. | 0:09:46 | 0:09:49 | |
Well, what do you reckon? They're brown, they're not very interesting, | 0:09:50 | 0:09:53 | |
but these chairs are Ercol so that sets them apart | 0:09:53 | 0:09:56 | |
as being collectable and desirable, even in that state. | 0:09:56 | 0:09:59 | |
They've come in with a pretty old-fashioned looking table. | 0:09:59 | 0:10:02 | |
But together they've got a real charm that can be exploited. | 0:10:02 | 0:10:06 | |
I've just got to update them, make them fresh and exciting | 0:10:06 | 0:10:08 | |
and send them off to a new home. | 0:10:08 | 0:10:10 | |
-I can't wait to get started. -Good on you, Sarah. | 0:10:10 | 0:10:14 | |
There we have it, three items found. | 0:10:14 | 0:10:16 | |
Norman will show some mettle with Peter's railings, | 0:10:18 | 0:10:22 | |
Mark's amazing imagination will be required for Tony's axle stands | 0:10:22 | 0:10:28 | |
and Sarah will work her magic on Stephen's | 0:10:28 | 0:10:31 | |
farmhouse table and chairs. | 0:10:31 | 0:10:33 | |
Well, the loot in the boot from the people of Earlswood | 0:10:33 | 0:10:36 | |
has been fantastic. I found some sweet little things. | 0:10:36 | 0:10:39 | |
But I want them to turn a big profit, | 0:10:39 | 0:10:41 | |
so I'm not out of the woods yet. | 0:10:41 | 0:10:44 | |
In the leafy East Sussex village of Hellingly | 0:10:50 | 0:10:54 | |
is furniture aficionado Norman. | 0:10:54 | 0:10:57 | |
I'm always excited to see Sarah. | 0:10:57 | 0:10:59 | |
I'm always excited to see what she's going to bring us, you know? | 0:10:59 | 0:11:02 | |
But she never brings the most important thing, | 0:11:02 | 0:11:04 | |
like a sandwich, pork pie. | 0:11:04 | 0:11:07 | |
Not even a pork pie! Shame on you, Sarah. | 0:11:07 | 0:11:11 | |
Well, I know Norman loves wood but how is he with heavy metal? | 0:11:11 | 0:11:14 | |
I'm thinking he's more Metallica than Dolly Parton. Let's go and see. | 0:11:14 | 0:11:18 | |
-That's so heavy. -Yeah. -Do you like it, though? | 0:11:20 | 0:11:23 | |
Yeah, I think they're great, aren't they? | 0:11:23 | 0:11:25 | |
Is it something you can work with? | 0:11:25 | 0:11:26 | |
Yes, we can work with wood, timber, metal. | 0:11:26 | 0:11:29 | |
Never a doubt. Our Norman will take on any material. | 0:11:29 | 0:11:33 | |
So, what's the plan, Sarah? | 0:11:33 | 0:11:35 | |
How about using these to make some sort of refectory-style table? | 0:11:35 | 0:11:39 | |
So I'm thinking about having them sort of... | 0:11:39 | 0:11:43 | |
I don't know, three at the end, something like that | 0:11:43 | 0:11:45 | |
so that they are part of a table like that. | 0:11:45 | 0:11:48 | |
Does that make sense? | 0:11:48 | 0:11:50 | |
And then maybe doing something so that there are some sunk | 0:11:50 | 0:11:52 | |
-in the middle so you can use them as pot stands. -OK. | 0:11:52 | 0:11:55 | |
-Your turn. -I was thinking we do a refectory style. | 0:11:55 | 0:11:57 | |
-So, like you said, we come down with a leg. -OK. | 0:11:57 | 0:12:01 | |
-A refectory style like that. -So that could be wood? -Have them down there. | 0:12:01 | 0:12:05 | |
That would be wood. We put a wooden frame around | 0:12:05 | 0:12:07 | |
these so then it helps support it and keep them in. | 0:12:07 | 0:12:11 | |
OK, so I can imagine that. | 0:12:11 | 0:12:12 | |
So we've got a couple of lovely chunks | 0:12:12 | 0:12:14 | |
of metal detailing on each end with all of that, | 0:12:14 | 0:12:17 | |
a good usable pot stand trivet down the middle, | 0:12:17 | 0:12:20 | |
so hot potatoes and meat can go in the middle, or whatever. | 0:12:20 | 0:12:22 | |
-And then price? -Erm... | 0:12:22 | 0:12:26 | |
Price? What are you thinking? | 0:12:26 | 0:12:29 | |
-950. -950? I'm supposed to be making a profit! | 0:12:29 | 0:12:33 | |
Is that the best we can do, 950? Knock 100 off, go on. 850. | 0:12:33 | 0:12:38 | |
Go on, then. 850. It's like daylight robbery. | 0:12:38 | 0:12:41 | |
We should call you Dick Turpin really, shouldn't we? | 0:12:41 | 0:12:44 | |
-I'm looking after the good... Have a nice time. -See you later. | 0:12:44 | 0:12:47 | |
And while Sarah scarpers, Norman's feeling positive. | 0:12:47 | 0:12:51 | |
Yeah, it makes a change, metal. Really quite cool. | 0:12:51 | 0:12:55 | |
I think, you know, we'll have some fun along the way. | 0:12:55 | 0:12:57 | |
No problems at all. | 0:12:57 | 0:12:58 | |
Well, that was music to my ears. A lovely plan for the table, | 0:12:58 | 0:13:01 | |
a great bit of re-use. I think that one's going to be a cracker. | 0:13:01 | 0:13:04 | |
Norman has a substantial budget | 0:13:04 | 0:13:07 | |
of £850 for this project. | 0:13:07 | 0:13:09 | |
Optimism abounds. | 0:13:10 | 0:13:12 | |
But has Norman underestimated the scale of the task | 0:13:12 | 0:13:16 | |
and can he help Sarah produce a profit? | 0:13:16 | 0:13:18 | |
Manchester, a vibrant hub of creativity. | 0:13:25 | 0:13:29 | |
And the living embodiment of that is our very own | 0:13:29 | 0:13:33 | |
engineer-cum-robot maker Mark. | 0:13:33 | 0:13:35 | |
He's waiting patiently for Sarah's arrival. | 0:13:35 | 0:13:38 | |
Sarah is coming to visit me today. | 0:13:38 | 0:13:40 | |
I'm not entirely sure what she's dropping off. | 0:13:40 | 0:13:42 | |
Hopefully something metal, but we shall see. | 0:13:42 | 0:13:46 | |
Well, where do you bring a couple of axle stands like this? | 0:13:46 | 0:13:49 | |
Completely obvious - it's Mark Haig. | 0:13:49 | 0:13:51 | |
He is going to do something really special with these. | 0:13:51 | 0:13:54 | |
I've got a couple of ideas. | 0:13:54 | 0:13:56 | |
But I'm sure his are going to blow mine out of the park. | 0:13:56 | 0:13:58 | |
We certainly hope so, Sarah. | 0:13:58 | 0:14:01 | |
-Hiya. -Hello, Sarah. -How are you doing? -I'm all right. | 0:14:01 | 0:14:04 | |
-How are you? -Nice to see you. | 0:14:04 | 0:14:06 | |
It's not looking any less eccentric in here, Mark. | 0:14:06 | 0:14:09 | |
-No, still as crazy as ever. -Look what I've got. -Erm, all right. | 0:14:09 | 0:14:13 | |
HE EXHALES | 0:14:13 | 0:14:14 | |
-Yeah. -Potential? -There's potential in everything, isn't there? | 0:14:14 | 0:14:17 | |
But is it the potential to make a right mess of it? | 0:14:17 | 0:14:20 | |
-Did you have any thoughts? -I had thought that they were | 0:14:20 | 0:14:23 | |
a little bit circus-y. I don't know why. | 0:14:23 | 0:14:25 | |
They look like something that maybe could have a tightrope between them. | 0:14:25 | 0:14:28 | |
And I was wondering about having one of those things that maybe | 0:14:28 | 0:14:30 | |
-wobbles around or moves on a wire. I don't know why. -OK. Interesting. | 0:14:30 | 0:14:36 | |
I like the idea but the first thing I thought was a spaceship. | 0:14:36 | 0:14:41 | |
It just depends on how you look at things, doesn't it? | 0:14:41 | 0:14:43 | |
Of course it's a spaceship. Amazing. | 0:14:43 | 0:14:45 | |
-It's a sort of Sputnik-type affair. -Yeah. | 0:14:45 | 0:14:48 | |
-Maybe we could use that bit there as the base. -Right. | 0:14:48 | 0:14:50 | |
-So that comes up there like that. -Yeah. | 0:14:50 | 0:14:53 | |
And then maybe three rocket lumps off the back. | 0:14:53 | 0:14:56 | |
Obviously, yeah, perfect. | 0:14:56 | 0:14:58 | |
And then something on the front with some wings on it in some way. | 0:14:58 | 0:15:02 | |
I think that's really original. | 0:15:02 | 0:15:03 | |
It'll look...not like a car jack at all. | 0:15:03 | 0:15:06 | |
Or even like an axle stand. | 0:15:06 | 0:15:09 | |
Mark's imagination is ready for takeoff. | 0:15:09 | 0:15:12 | |
And the cost for this mission? | 0:15:14 | 0:15:15 | |
-I reckon 150 for the build without the bulbs. -Each? | 0:15:15 | 0:15:20 | |
-Each. Definitely each. -Definitely each. | 0:15:20 | 0:15:22 | |
-It's always worth checking. -It's always worth. | 0:15:22 | 0:15:24 | |
150, I think that's fine. | 0:15:24 | 0:15:26 | |
I think they're going to really pack a punch | 0:15:26 | 0:15:29 | |
and at that price I should be able to turn a profit on them. | 0:15:29 | 0:15:31 | |
-I'm really excited. -Good stuff. -Thanks, Mark. Always a pleasure. | 0:15:31 | 0:15:34 | |
Pleasure. I'll see you soon. | 0:15:34 | 0:15:36 | |
I'm happy with the scale. I'm not very happy with the quality... | 0:15:36 | 0:15:40 | |
I mean, they're from a tip, but they are fairly damaged and fairly rusty. | 0:15:40 | 0:15:44 | |
So I'm going to have to do some really hard work | 0:15:44 | 0:15:47 | |
on actually fixing things together and then to make it look nice | 0:15:47 | 0:15:51 | |
is going to be another challenge as well. | 0:15:51 | 0:15:55 | |
So, yeah, I'm nervous but this one. | 0:15:55 | 0:15:57 | |
Don't be nervous. | 0:15:57 | 0:16:00 | |
Well, isn't that an amazing idea? | 0:16:00 | 0:16:03 | |
Other people have normal thoughts about things like that | 0:16:03 | 0:16:05 | |
but Mark's are just out of this world. | 0:16:05 | 0:16:07 | |
I think it's going to be really exciting. | 0:16:07 | 0:16:09 | |
A pair of really cracking desk lights. | 0:16:09 | 0:16:11 | |
I can't wait to see them. | 0:16:11 | 0:16:13 | |
And with a budget of £300, | 0:16:15 | 0:16:17 | |
here's hoping the final result | 0:16:17 | 0:16:19 | |
will have a successful landing. | 0:16:19 | 0:16:21 | |
Under the wide skies of the idyllic Sussex countryside... | 0:16:27 | 0:16:32 | |
..Sarah's at home in her workshop | 0:16:33 | 0:16:36 | |
and she's about to tackle the old farmhouse table. | 0:16:36 | 0:16:40 | |
Well, it's quite a sweet little table but it's just not commercial. | 0:16:40 | 0:16:44 | |
It's made of oak, it's got barley twist legs | 0:16:44 | 0:16:46 | |
and it's got a look about it that just doesn't sell for much money. | 0:16:46 | 0:16:49 | |
So I thought, how about using its best bits to make a lovely, | 0:16:49 | 0:16:53 | |
big family-sized table, and fund some of the materials by selling | 0:16:53 | 0:16:56 | |
those two Ercol chair just the way they are? | 0:16:56 | 0:16:59 | |
I can't wait to get started | 0:16:59 | 0:17:01 | |
but I think this one might be a bit of a mission. | 0:17:01 | 0:17:04 | |
The first job is to take it all apart | 0:17:04 | 0:17:06 | |
because I want to use the components for my new table. | 0:17:06 | 0:17:09 | |
Sarah's going to super-size this old table. | 0:17:11 | 0:17:16 | |
And having never attempted this before, | 0:17:16 | 0:17:19 | |
having a clear plan is key. | 0:17:19 | 0:17:23 | |
So, what I'd like to do is use the wider sides of the table | 0:17:23 | 0:17:28 | |
to make the trestles to support a big top, | 0:17:28 | 0:17:31 | |
and then take away this bit and use that for the other leg. | 0:17:31 | 0:17:35 | |
Trestle tables, a simple style of folding furniture. | 0:17:35 | 0:17:41 | |
It was the most common form of table in the West until the 16th century, | 0:17:41 | 0:17:46 | |
and remains to this day a very popular form of dining table. | 0:17:46 | 0:17:51 | |
Right, so, imagine... | 0:17:51 | 0:17:52 | |
Trim that down a little bit... | 0:17:52 | 0:17:55 | |
..hinge those together with the hinges I've reclaimed from the top | 0:17:56 | 0:18:00 | |
and then you've got a three-legged trestle end. | 0:18:00 | 0:18:04 | |
Do the same with the other bit. | 0:18:04 | 0:18:08 | |
A great base for a table. | 0:18:08 | 0:18:10 | |
With the base ready to go, Sarah turns her attention to the tabletop. | 0:18:12 | 0:18:17 | |
And she's picking up new skills along the way. | 0:18:17 | 0:18:22 | |
So this is a chop saw | 0:18:22 | 0:18:23 | |
and you can rent one, or borrow one from a carpenter friend. | 0:18:23 | 0:18:26 | |
That's what I did. | 0:18:26 | 0:18:28 | |
Quite easy to use. | 0:18:28 | 0:18:30 | |
That one, that one... | 0:18:30 | 0:18:34 | |
When using any power tools, please be safe, folks. | 0:18:35 | 0:18:38 | |
Wear a protective mask and safety glasses. | 0:18:38 | 0:18:43 | |
And these are my secret weapons. | 0:18:43 | 0:18:46 | |
I am going to cut little parquet tiles for my old fence | 0:18:46 | 0:18:50 | |
that has fallen down. | 0:18:50 | 0:18:51 | |
They're really dried out now and I think if I put them | 0:18:51 | 0:18:54 | |
on the top of the table in a lovely pattern, | 0:18:54 | 0:18:56 | |
it's going to look rustic, primitive, on-trend | 0:18:56 | 0:19:00 | |
and it's going to cost me nothing. | 0:19:00 | 0:19:03 | |
With the tiles cut, it's back inside, glue in hand, | 0:19:03 | 0:19:06 | |
to apply them to the tabletop. | 0:19:06 | 0:19:09 | |
There were a few marks in the surface of these, | 0:19:09 | 0:19:12 | |
the burns from the saw. | 0:19:12 | 0:19:13 | |
But I'm going to sand the whole lot | 0:19:13 | 0:19:15 | |
and I'll probably lime it at the end. | 0:19:15 | 0:19:17 | |
So I'm just going to go for it. | 0:19:17 | 0:19:19 | |
Yeah, what could go wrong? | 0:19:19 | 0:19:21 | |
Sarah's spent £50.48 on materials so far. | 0:19:21 | 0:19:25 | |
She's trying something completely new, | 0:19:25 | 0:19:28 | |
so let's hope she doesn't fold under the pressure. | 0:19:28 | 0:19:32 | |
In East Sussex, Norman is about to begin work on Peter's old railings. | 0:19:34 | 0:19:40 | |
-What's the plan, Norman? -The plan is to make them into a dining table. | 0:19:40 | 0:19:44 | |
These we're going to make as ends, | 0:19:44 | 0:19:45 | |
so we're going to... We are going to have to chop them and even them up. | 0:19:45 | 0:19:51 | |
And then they're going to be like end panels. | 0:19:51 | 0:19:53 | |
And then we'll put some timber round it and make some feet, | 0:19:53 | 0:19:56 | |
put the stretcher in, then have a top and incorporate these | 0:19:56 | 0:19:59 | |
somewhere in the top or bottom. | 0:19:59 | 0:20:01 | |
But I quite haven't decided which way we're going to go yet. | 0:20:01 | 0:20:04 | |
That's OK, Norman. | 0:20:04 | 0:20:06 | |
Building a dining room table around these old railings | 0:20:06 | 0:20:09 | |
is enough to think about for the moment. | 0:20:09 | 0:20:12 | |
What's first on your long to-do list? | 0:20:12 | 0:20:14 | |
The first plan is to... | 0:20:14 | 0:20:16 | |
I thought we'd get some timber in, we'll get it de-mailed, | 0:20:16 | 0:20:19 | |
cut it up and then we can decide on how big | 0:20:19 | 0:20:22 | |
we're going to go with it and everything, | 0:20:22 | 0:20:23 | |
then put these to one side. | 0:20:23 | 0:20:25 | |
-So, yeah, let's rock and roll. -If you say so, Norman. | 0:20:25 | 0:20:28 | |
You think if I had a penny for every nail I've pulled out | 0:20:32 | 0:20:34 | |
in the years I've pulled nails out, I'd be worth a fortune, wouldn't I? | 0:20:34 | 0:20:38 | |
Yes, but would you really be happy? | 0:20:38 | 0:20:41 | |
All right, let's go for it. | 0:20:42 | 0:20:44 | |
Norman will first build the leg frames that will surround | 0:20:44 | 0:20:48 | |
the railings at each end of the dining table. | 0:20:48 | 0:20:51 | |
I'm just checking I made it the right thickness. | 0:20:51 | 0:20:53 | |
And when I put the holes in, that'll be perfect. | 0:20:53 | 0:20:55 | |
So, yeah, let's rock on. | 0:20:55 | 0:20:57 | |
So we've got to decide now how many of these we're going to use | 0:21:00 | 0:21:04 | |
across here and then we can think about shaping it, | 0:21:04 | 0:21:06 | |
how far we're going to drill down. | 0:21:06 | 0:21:09 | |
And then we can decide on where we're chopping these. | 0:21:09 | 0:21:13 | |
And it's decision time in life, as they say. | 0:21:13 | 0:21:17 | |
Everything depends on how many railings will be used on each | 0:21:17 | 0:21:21 | |
-end of the table. -I think we're sticking with three. | 0:21:21 | 0:21:25 | |
Righty-ho, three on either side but all six will have to be cut to size. | 0:21:25 | 0:21:30 | |
We're going to cut them because there's no spike here to fix to. | 0:21:32 | 0:21:36 | |
So we're going to have to work it or get the angle grinder | 0:21:36 | 0:21:39 | |
and we'll cut across them across them nice and square. | 0:21:39 | 0:21:42 | |
And then when we've drilled and glued them in, they will stay... | 0:21:42 | 0:21:46 | |
..allegedly. | 0:21:46 | 0:21:48 | |
No doubt about it, Norman. | 0:21:48 | 0:21:51 | |
Fantastic! | 0:21:57 | 0:21:59 | |
Let's not get ahead of ourselves. | 0:21:59 | 0:22:02 | |
Still lots to do, most importantly the table legs. | 0:22:02 | 0:22:06 | |
Right, we've cut a leg now, and we need to frame it | 0:22:11 | 0:22:15 | |
because we need something to help secure the top on as well. | 0:22:15 | 0:22:17 | |
So if we frame it and everything, it'll give it a nice secure | 0:22:17 | 0:22:21 | |
and stable job and, you know, once the glues go off, | 0:22:21 | 0:22:25 | |
these will help, and it'll just give it a lot more stability. | 0:22:25 | 0:22:29 | |
An essential part to any dining table. | 0:22:29 | 0:22:33 | |
But Norman has a lot of work ahead of him. | 0:22:33 | 0:22:36 | |
Best leave him to it. | 0:22:36 | 0:22:37 | |
In Manchester, Mark is ready for liftoff as he tries to create | 0:22:42 | 0:22:47 | |
lamps that are out this world. | 0:22:47 | 0:22:49 | |
So, Sarah brought me these axle stands. | 0:22:49 | 0:22:52 | |
They're quite rusty, quite damaged. | 0:22:52 | 0:22:55 | |
My plan is to use them as some kind of lighting, some basis of a light. | 0:22:55 | 0:23:01 | |
A rocket ship theme was agreed | 0:23:02 | 0:23:04 | |
and Sarah had hoped the lights would be a matching pair. However... | 0:23:04 | 0:23:09 | |
Now, the second one myself and Sarah discussed having a mirror image | 0:23:09 | 0:23:12 | |
of the lamps, but I know that I've got this really nice | 0:23:12 | 0:23:16 | |
vase that'll form a real nice basis of this lamp. | 0:23:16 | 0:23:20 | |
And I think if we use the stand as the base of the lamp, | 0:23:20 | 0:23:24 | |
then it'll really pull together | 0:23:24 | 0:23:27 | |
and really make a nice, interesting piece. | 0:23:27 | 0:23:30 | |
So, two individual lamps it is. | 0:23:30 | 0:23:33 | |
It looks good on paper. | 0:23:33 | 0:23:35 | |
-Oh-whoa! -Time to search for the scrap. | 0:23:35 | 0:23:39 | |
This vase is very much, sort of, steampunk, spaceship feel to me. | 0:23:39 | 0:23:45 | |
It looks really pretty. | 0:23:45 | 0:23:47 | |
There's a bit of damage that I'm going to have to work on | 0:23:47 | 0:23:49 | |
but we'll see. | 0:23:49 | 0:23:51 | |
So if this stands up a bit taller... | 0:23:51 | 0:23:55 | |
Something like that. | 0:23:55 | 0:23:56 | |
And then this goes on top like that, | 0:23:56 | 0:24:01 | |
and then we have some sort of a spaceship nose cone | 0:24:01 | 0:24:03 | |
on the front there, maybe. | 0:24:03 | 0:24:05 | |
And then some rocket boosters on the back, | 0:24:05 | 0:24:09 | |
that sort of gives me the idea of what I was looking for. | 0:24:09 | 0:24:12 | |
Steampunk blends the futuristic with the past. | 0:24:12 | 0:24:16 | |
Imagine your smartphone was powered by a steam engine. | 0:24:16 | 0:24:19 | |
So, time for Mark to rustle up some rocket boosters... | 0:24:21 | 0:24:25 | |
..as you do. | 0:24:25 | 0:24:26 | |
I think this is the one. | 0:24:26 | 0:24:28 | |
This is... I've got a kind of steampunk theme going on. | 0:24:28 | 0:24:32 | |
So if that goes on the back there, | 0:24:32 | 0:24:34 | |
it needs a bit of work to make it sit more parallel to the body, | 0:24:34 | 0:24:38 | |
but I think that gives a steampunk lamp theme. | 0:24:38 | 0:24:42 | |
Rocket boosters, check. | 0:24:42 | 0:24:44 | |
Nose cone? | 0:24:45 | 0:24:47 | |
This is a nice, sort of, copper/brassy coloured vase. | 0:24:47 | 0:24:50 | |
It's got the right shape to it | 0:24:50 | 0:24:52 | |
and it might actually pull up the brass on the back | 0:24:52 | 0:24:56 | |
of the sculpture as well. | 0:24:56 | 0:24:58 | |
With the sculpture pieces coming together, | 0:24:58 | 0:25:01 | |
time to focus on the axle stand itself. | 0:25:01 | 0:25:04 | |
So this is pitted and damaged | 0:25:04 | 0:25:07 | |
and I need to do a lot of work on this to remove all this. | 0:25:07 | 0:25:11 | |
I'd normally leave this and celebrate its rustiness | 0:25:11 | 0:25:16 | |
and its retro feel, | 0:25:16 | 0:25:18 | |
but Sarah said that she wanted something nice and crisp and | 0:25:18 | 0:25:21 | |
clean, something that's good enough for an executive desk, if you like. | 0:25:21 | 0:25:26 | |
So, let's get grinding and see how we go. | 0:25:26 | 0:25:29 | |
So, that's coming up really nicely. | 0:25:34 | 0:25:36 | |
It looks like a nice surface for the paint. | 0:25:36 | 0:25:40 | |
So it needs to do a little bit more but it's looking good. | 0:25:40 | 0:25:43 | |
Speaking of looking good, Mark decides to give his choice | 0:25:43 | 0:25:47 | |
of paint a test run on the freshly ground steel. | 0:25:47 | 0:25:51 | |
This is the paint I'm going to be using. | 0:25:51 | 0:25:53 | |
It's a brass coloured plastic-based paint | 0:25:53 | 0:25:56 | |
because it should stick to the metal without much preparation | 0:25:56 | 0:26:00 | |
and without the need for a primer. | 0:26:00 | 0:26:03 | |
Lots to do before mission accomplished. | 0:26:03 | 0:26:06 | |
Let's hope Mark can steer his ships to success. | 0:26:06 | 0:26:12 | |
In Sussex, Sarah is putting the finishing touches to her | 0:26:13 | 0:26:17 | |
all new trestle table. | 0:26:17 | 0:26:19 | |
Let's just hope somebody likes it. | 0:26:19 | 0:26:22 | |
When Sarah found this farmhouse table and chairs, | 0:26:22 | 0:26:25 | |
they were unloved and unwanted. | 0:26:25 | 0:26:27 | |
Sawn up and scaled up, | 0:26:36 | 0:26:38 | |
Sarah has transformed this into a unique dining table. | 0:26:38 | 0:26:42 | |
Reusing an old fencing post to create a parquet patchwork, | 0:26:45 | 0:26:50 | |
the table's geometric top contrasts with the traditional | 0:26:50 | 0:26:53 | |
barley twist legs. | 0:26:53 | 0:26:55 | |
A bit of joinery has transformed those legs, | 0:26:56 | 0:26:59 | |
which now support an extended top - | 0:26:59 | 0:27:02 | |
perfect for even the largest of gatherings. | 0:27:02 | 0:27:06 | |
It's taken a lot of grouting and waxing to perfect the table, | 0:27:06 | 0:27:09 | |
but is Sarah convinced that all the love | 0:27:09 | 0:27:12 | |
lavished on it will be enough to find it a new home? | 0:27:12 | 0:27:16 | |
Well, I have spent hours sanding, grouting and waxing this table. | 0:27:16 | 0:27:22 | |
I think it's worth it. | 0:27:22 | 0:27:23 | |
It's certainly the biggest thing I've ever made. | 0:27:23 | 0:27:26 | |
When Sarah met Stephen, it was clear that the furniture | 0:27:29 | 0:27:33 | |
had lost all value. | 0:27:33 | 0:27:34 | |
I'm not sure what Sarah's going to do with it. | 0:27:34 | 0:27:37 | |
Probably turn it into firewood. | 0:27:37 | 0:27:39 | |
Thankfully, Sarah had other ideas. | 0:27:39 | 0:27:42 | |
Her vision was ambitious, but in the end it turned out a treat. | 0:27:43 | 0:27:47 | |
Sarah took some pretty pics, uploaded them to social media | 0:27:50 | 0:27:55 | |
and before long, the table was snapped up by The Dabbling Duck, | 0:27:55 | 0:27:59 | |
a bed and breakfast in Great Massingham, Norfolk. | 0:27:59 | 0:28:03 | |
Owner Sally is thrilled with the purchase. | 0:28:03 | 0:28:06 | |
It's really quirky. We're a bit quirky here. | 0:28:06 | 0:28:10 | |
Hopefully lots of people will enjoy eating around it | 0:28:10 | 0:28:13 | |
and love it as much as we do. | 0:28:13 | 0:28:15 | |
Now Sarah's off to visit Stephen and hand over the profit. | 0:28:17 | 0:28:21 | |
-Hello, Steve. Hiya. How are you doing? -Nice to see you. -And you. | 0:28:24 | 0:28:27 | |
-Cracking day for it. -This is lovely, yeah. | 0:28:27 | 0:28:29 | |
So, when I first saw you at the recycling centre, | 0:28:29 | 0:28:31 | |
-you'd been looking after furniture for your daughter, is that right? -That's right, yeah. | 0:28:31 | 0:28:35 | |
We thought she would like the furniture | 0:28:35 | 0:28:37 | |
but after a year we decided to get rid of it because | 0:28:37 | 0:28:39 | |
she wasn't going to use it. | 0:28:39 | 0:28:42 | |
OK, well, I'm so pleased that I was there the day you threw | 0:28:42 | 0:28:45 | |
those things away because those chairs are Ercol | 0:28:45 | 0:28:47 | |
-and they're a named designer. -Yeah. -They're desirable. | 0:28:47 | 0:28:50 | |
-So I think you probably remember those. -Yeah. | 0:28:50 | 0:28:52 | |
I polished them up and put them online | 0:28:52 | 0:28:54 | |
and I managed to sell them and make a little bit of profit on those | 0:28:54 | 0:28:57 | |
to fund the work that I did on the table. | 0:28:57 | 0:29:00 | |
It was a project that I took on and it's probably the hardest thing | 0:29:00 | 0:29:04 | |
I've ever done, but I really wanted to try and make something special | 0:29:04 | 0:29:07 | |
-out of it. -OK. -So, your table now looks like this... | 0:29:07 | 0:29:10 | |
Oh, my goodness! | 0:29:10 | 0:29:12 | |
I took the barley twist legs and made trestles out of them | 0:29:12 | 0:29:15 | |
and then used all the lovely oak from the table to make | 0:29:15 | 0:29:17 | |
-the structure of a new top. -OK. | 0:29:17 | 0:29:19 | |
And then I used bits of fence post that I had on my farm, | 0:29:19 | 0:29:23 | |
cut them up like pieces of toast and made a top to go on it. | 0:29:23 | 0:29:26 | |
-Oh, my goodness. -What do you think? -It's amazing that, yeah. | 0:29:26 | 0:29:29 | |
So that was shared on social media, pictures put out there | 0:29:29 | 0:29:34 | |
and we've actually managed to sell it to a fantastic B&B | 0:29:34 | 0:29:36 | |
who are based up in Norfolk. | 0:29:36 | 0:29:39 | |
-And I've got the profit here. I've got £524 there... -What?! | 0:29:39 | 0:29:44 | |
-You're joking! -..and 52p. That's for you. | 0:29:44 | 0:29:48 | |
That is amazing. | 0:29:48 | 0:29:51 | |
I can't believe that! Well, thank you very much. | 0:29:53 | 0:29:56 | |
That's amazing. | 0:29:56 | 0:29:58 | |
Well, obviously... Erm... | 0:29:58 | 0:29:59 | |
-You're speechless, aren't you? -I'm speechless! | 0:30:02 | 0:30:04 | |
OK, mission accomplished. | 0:30:04 | 0:30:05 | |
Mission accomplished, that's all I want to know. | 0:30:05 | 0:30:07 | |
A bit of a surprise after something you've thrown away | 0:30:07 | 0:30:10 | |
-has been recycled. -That's amazing. Thank you so much, Sarah. | 0:30:10 | 0:30:13 | |
It's a bit of a chunk of cash to decide what to do with on the spot. | 0:30:13 | 0:30:17 | |
-Yeah. -But have you got ideas about what kind of things you might do with that? | 0:30:17 | 0:30:20 | |
Well, yeah, um, | 0:30:20 | 0:30:22 | |
the chair and table was going to go to our daughter. | 0:30:22 | 0:30:26 | |
She's doing up her kitchen. | 0:30:26 | 0:30:28 | |
This would probably go very well into her, | 0:30:28 | 0:30:31 | |
into a fund for refurbishing her kitchen, | 0:30:31 | 0:30:34 | |
so I'll still have a job there. | 0:30:34 | 0:30:35 | |
Excellent. Oh, that's a...that old furniture, | 0:30:35 | 0:30:38 | |
it did her proud in the end. | 0:30:38 | 0:30:40 | |
It did make a... Yes, it was... | 0:30:40 | 0:30:41 | |
I'm amazed! £500! | 0:30:41 | 0:30:44 | |
See you at the recycling centre. Thanks so much! | 0:30:44 | 0:30:46 | |
Well that's the final twist in that tale - | 0:30:49 | 0:30:51 | |
over £500 going back to Steve's daughter for her kitchen project. | 0:30:51 | 0:30:55 | |
How ironic! | 0:30:55 | 0:30:56 | |
Sarah spent £50.48 on materials. | 0:30:58 | 0:31:02 | |
The two chairs were in good nick | 0:31:02 | 0:31:05 | |
and sold to a private buyer for £50. | 0:31:05 | 0:31:08 | |
The bed and breakfast bought the table for £525, | 0:31:08 | 0:31:13 | |
giving a total sale of £575... | 0:31:13 | 0:31:18 | |
..leaving Stephen with a rather lovely profit of £524.52. | 0:31:19 | 0:31:25 | |
In East Sussex, Norman is giving his dining table a little extra polish. | 0:31:32 | 0:31:38 | |
How would you rate your experience, Norman? | 0:31:38 | 0:31:42 | |
It all just flowed, actually, to be quite honest. | 0:31:42 | 0:31:44 | |
I was very pleased with it. | 0:31:44 | 0:31:45 | |
There wasn't really, on this one, there wasn't really a problem, so, no, it just flowed and | 0:31:45 | 0:31:49 | |
uh, it just... Sometimes they do, sometimes they don't and this one just flowed, so, yeah, fantastic. | 0:31:49 | 0:31:56 | |
Well, this is exciting, because Norman had some | 0:31:56 | 0:31:58 | |
really rusty railings, and now it's going to be a lovely, high-end table. | 0:31:58 | 0:32:02 | |
Fingers crossed. | 0:32:02 | 0:32:04 | |
When Sarah picked up the old railings from Peter, | 0:32:06 | 0:32:10 | |
they were about to join the rest of their friends in the skip. | 0:32:10 | 0:32:13 | |
Bloomin' 'eck! These could not be further from a tip if they tried! | 0:32:21 | 0:32:26 | |
Taking some rusty railings and creating a centrepiece, | 0:32:27 | 0:32:31 | |
Norman has built a fantastic dining table around them, | 0:32:31 | 0:32:35 | |
incorporating reclaimed wood and an old Victorian grid that Norman had lying around. | 0:32:35 | 0:32:42 | |
He's used all his skills with wood and metal to bring it all together beautifully. | 0:32:42 | 0:32:48 | |
-Hello, hello. -Hello, you. -Hiya. | 0:32:48 | 0:32:50 | |
There you go, there's your table. | 0:32:51 | 0:32:53 | |
-It's cool, isn't it? -I think so. | 0:32:53 | 0:32:55 | |
Talk me through the top. | 0:32:55 | 0:32:56 | |
What have you done to get that to look like that? | 0:32:56 | 0:32:58 | |
Well, with the top, we've used reclaimed joisting, | 0:32:58 | 0:33:01 | |
so we've machined it down to the right thickness and then we've just | 0:33:01 | 0:33:03 | |
finished it in a different way than we normally do, | 0:33:03 | 0:33:06 | |
-so it matches the base. -It's fantastic. | 0:33:06 | 0:33:08 | |
So we've used the same... Yeah. We've made metal rods | 0:33:08 | 0:33:10 | |
-to go through the centre. -So you've got some stability. -For stability, so it keeps it all nice and strong. | 0:33:10 | 0:33:14 | |
Yeah, I think it looks really cool. | 0:33:14 | 0:33:16 | |
I really love those legs. They add character. | 0:33:16 | 0:33:18 | |
You're not going to see anything else like this, are you? | 0:33:18 | 0:33:21 | |
No, not at all. I mean, it is a one-off again. | 0:33:21 | 0:33:23 | |
Yeah, I'm really pleased with the way it's come out. | 0:33:23 | 0:33:25 | |
I can imagine there are all sorts of things we can do with the railings, | 0:33:25 | 0:33:28 | |
but I think what you've done is reposition them | 0:33:28 | 0:33:30 | |
in their best light. They look great on there, | 0:33:30 | 0:33:32 | |
they look like a good design detail, | 0:33:32 | 0:33:34 | |
but we're not relying on their integrity for part of the furniture, | 0:33:34 | 0:33:37 | |
so, yeah, good work. | 0:33:37 | 0:33:39 | |
Perfect. | 0:33:41 | 0:33:42 | |
Sarah gets a top-end table, while Norman had a tip-top time. | 0:33:42 | 0:33:47 | |
I was really pleased with the way it all went, so, yeah, happy days, as they say. | 0:33:47 | 0:33:50 | |
Fantastic. Does that mean I get a discount? | 0:33:50 | 0:33:52 | |
Cos I think I left 850 on this one. | 0:33:52 | 0:33:54 | |
A discount? Didn't you get a discount anyway? | 0:33:54 | 0:33:56 | |
Cheeky thing! | 0:33:56 | 0:33:57 | |
You've got to ask! How did you get on? | 0:33:57 | 0:33:59 | |
You know what they say - if you don't ask, you don't get! | 0:33:59 | 0:34:01 | |
OK, I'm asking. How much was it? | 0:34:01 | 0:34:03 | |
-850. -850? -Yeah. -Put it there! | 0:34:03 | 0:34:06 | |
Really pleased with it. I think that she really liked what we done. | 0:34:07 | 0:34:10 | |
I think it looks fantastic, she thinks it looks fantastic, | 0:34:10 | 0:34:13 | |
so hopefully whoever buys it is going to think it looks fantastic. | 0:34:13 | 0:34:16 | |
So all round, fantastic. | 0:34:16 | 0:34:18 | |
Well, I would say, "Fantastic!" | 0:34:18 | 0:34:20 | |
Well, Norman's done a great job there. | 0:34:20 | 0:34:23 | |
That might look like a simple design, but that table is just the right size, just the right scale, | 0:34:23 | 0:34:27 | |
and is the best use of those railings. That's a winner. | 0:34:27 | 0:34:30 | |
The railings belong to Peter, | 0:34:33 | 0:34:35 | |
who was at a complete loss as to what Sarah could do with them. | 0:34:35 | 0:34:40 | |
I've no idea what she's going to do with them. | 0:34:40 | 0:34:42 | |
Thankfully, Norman was on the case. | 0:34:43 | 0:34:45 | |
And after hours of hard graft, he delivered. | 0:34:45 | 0:34:49 | |
Now, Sarah is off to visit Peter to give him the low-down on what became of his railings. | 0:34:50 | 0:34:56 | |
KNOCKING | 0:34:56 | 0:34:58 | |
-Hello, Peter. -Hello. | 0:34:59 | 0:35:01 | |
-Hello, how are you? -How are you doing? I'm really well. Nice to see you again. | 0:35:01 | 0:35:04 | |
I really liked the look of you turning up at the recycling centre with all that heavy metal. | 0:35:04 | 0:35:08 | |
Those railings have been knocking around for a while, haven't they? | 0:35:08 | 0:35:11 | |
About eight years or so, yes. Nobody wanted them. | 0:35:11 | 0:35:13 | |
-I think that things like that are quite difficult to rework, because they're heavy, tricky to weld. -Yes. | 0:35:13 | 0:35:18 | |
So, any ideas where I might have taken them? | 0:35:18 | 0:35:20 | |
I think you took them to your workshop. | 0:35:20 | 0:35:22 | |
Do you know, I took them to my woodworking friend, Norman. | 0:35:22 | 0:35:25 | |
Oh, OK. | 0:35:25 | 0:35:26 | |
Not an immediate fit, but he will turn his hand to anything. | 0:35:26 | 0:35:30 | |
-Yeah. -Something old, like those railings, that's got | 0:35:30 | 0:35:33 | |
some good detail on them, they are fantastic materials for him to work with. | 0:35:33 | 0:35:36 | |
So he decided that a table was the way forward. | 0:35:36 | 0:35:40 | |
Oh, that's fantastic. | 0:35:40 | 0:35:41 | |
-They really suit... -Never even thought of that. | 0:35:41 | 0:35:45 | |
He's done a lovely top to them, he's put the railings in at the end and made a great support for them. | 0:35:45 | 0:35:50 | |
He's put a grill into the middle of them to reflect all that lovely metal we had from your railings, | 0:35:50 | 0:35:56 | |
-so he's really gone to town with it and made a whopper. -That's great. -What do you think? | 0:35:56 | 0:35:59 | |
That's fantastic. Never thought, ever thought of a table. | 0:35:59 | 0:36:02 | |
Well, they are decorative things, those railings. | 0:36:02 | 0:36:04 | |
-They've got a good look. -Yeah. | 0:36:04 | 0:36:06 | |
I have not long picked it up from him so I haven't had a chance to sell it yet. | 0:36:06 | 0:36:10 | |
-So I thought I'd come along and update you. -Yes. Course, yeah. | 0:36:10 | 0:36:13 | |
-There was an £850 investment to make it look like that. -Was there really? | 0:36:13 | 0:36:17 | |
-Yep. -God. | 0:36:17 | 0:36:18 | |
I didn't want to hold back, but I know that tables like that | 0:36:18 | 0:36:21 | |
of Norman's regularly sell for over £1,000. | 0:36:21 | 0:36:23 | |
-Yes. -So I'm confident in saying that I'll be back... -Oh, definitely. | 0:36:23 | 0:36:26 | |
..with profit for you at some point. As soon as I've found the buyer. | 0:36:26 | 0:36:29 | |
-Yes. That's cool, yeah. -I'll come and show you the colour of the money. | 0:36:29 | 0:36:32 | |
Oh, fantastic. | 0:36:32 | 0:36:34 | |
-Thank you so much. -Lovely, Sarah, thank you, thanks very much. -Thanks, bye-bye! | 0:36:34 | 0:36:37 | |
Well, it's a big table and a big-ticket item, | 0:36:37 | 0:36:40 | |
but I think Peter liked it, | 0:36:40 | 0:36:42 | |
and I'm sure it's not going to be long before there's profit going his way. | 0:36:42 | 0:36:45 | |
Norman's costs came to £850. | 0:36:47 | 0:36:51 | |
Sarah is still looking for the right buyer, | 0:36:52 | 0:36:55 | |
but as soon as it is sold, | 0:36:55 | 0:36:57 | |
the profit will be making its way to Peter. | 0:36:57 | 0:37:00 | |
In Manchester, Mark is ready and waiting for Sarah's arrival. | 0:37:08 | 0:37:13 | |
How are you feeling about the result, Mark? | 0:37:13 | 0:37:16 | |
I'm looking forward to Sarah turning up for these. | 0:37:16 | 0:37:20 | |
She dropped me off two rusty axle stands, | 0:37:20 | 0:37:22 | |
and I created two lamps, | 0:37:22 | 0:37:24 | |
but I'm not sure she'll be expecting what I've come up with. | 0:37:24 | 0:37:29 | |
They're quite original pieces. | 0:37:29 | 0:37:32 | |
Well, I left Mark with a couple of axle stands | 0:37:32 | 0:37:34 | |
that were well past their sell-by date. | 0:37:34 | 0:37:36 | |
If he's managed to make them into fantastic lighting, | 0:37:36 | 0:37:39 | |
I am going to be over the moon. | 0:37:39 | 0:37:40 | |
At first glance, Sarah was unsure about picking up these old garage cast-offs. | 0:37:42 | 0:37:48 | |
Five, four, three, two, one... | 0:37:48 | 0:37:53 | |
Lift-off! | 0:37:53 | 0:37:54 | |
Launching himself full-throttle into this task, | 0:38:00 | 0:38:04 | |
Mark has produced two sleek and shiny rocket-inspired lamps. | 0:38:04 | 0:38:08 | |
The axle stands have pride of place amongst an eclectic collection of bits and bobs | 0:38:11 | 0:38:16 | |
from Mark's Aladdin's cave of a workshop. | 0:38:16 | 0:38:19 | |
Each unique lamp is finished off with Edison light bulbs, | 0:38:21 | 0:38:25 | |
and both lamps have been PAT tested | 0:38:25 | 0:38:27 | |
to make sure they meet all UK electrical safety standards. | 0:38:27 | 0:38:32 | |
Hello, hello! | 0:38:33 | 0:38:35 | |
-Hello, Sarah. -Hi there! | 0:38:35 | 0:38:37 | |
-Oh, Mark! -Hello, Sarah. | 0:38:38 | 0:38:40 | |
Those are amazing! | 0:38:40 | 0:38:42 | |
They're huge! | 0:38:42 | 0:38:43 | |
They are indeed. | 0:38:43 | 0:38:44 | |
So, hold on, there's one there and one there. | 0:38:44 | 0:38:48 | |
-Yeah. -And... They are cracking, aren't they? | 0:38:48 | 0:38:51 | |
So, talk me through it. What's going on? | 0:38:51 | 0:38:53 | |
Well, I decided to do two different lamps. | 0:38:53 | 0:38:55 | |
I think when we initially talked we were going to do two in this sort of Sputnik style. | 0:38:55 | 0:38:59 | |
But as you can see, it actually turned out to be quite large, lengthwise. | 0:38:59 | 0:39:04 | |
So with this one I maybe decided to use it as more of a stand, | 0:39:04 | 0:39:07 | |
so it's more of a sort of zeppelin idea, maybe? | 0:39:07 | 0:39:10 | |
Or there's a kind of a steampunk thing where they've got this, these... They're called the krakens. | 0:39:10 | 0:39:15 | |
-Yeah. -Yeah, you've seen those? -Yeah, yeah. | 0:39:15 | 0:39:18 | |
So this lamp's called the Kraken. | 0:39:18 | 0:39:19 | |
I'm loving the Kraken. | 0:39:19 | 0:39:20 | |
I don't know what that one's called, but I love that, too. | 0:39:20 | 0:39:23 | |
They are so unusual, aren't they? | 0:39:23 | 0:39:25 | |
They are very unusual. | 0:39:25 | 0:39:26 | |
Very, very original. | 0:39:26 | 0:39:27 | |
And, yeah, let's not forget, this one's got a switch on here, | 0:39:27 | 0:39:31 | |
which you just do that with and... | 0:39:31 | 0:39:34 | |
Oh, brilliant, literally brilliant! They are... | 0:39:34 | 0:39:36 | |
-Looks beautiful lit up, doesn't it? -..lovely. | 0:39:36 | 0:39:38 | |
Absolutely cracking! | 0:39:38 | 0:39:40 | |
I think that you did the best thing by the axle stands as well, | 0:39:40 | 0:39:43 | |
because I really couldn't imagine them being stylish. | 0:39:43 | 0:39:45 | |
The fact that you've re-finished them, got rid of that red paint, | 0:39:45 | 0:39:48 | |
very nice bit of redesign on them. | 0:39:48 | 0:39:50 | |
You could say they're out of this world! | 0:39:50 | 0:39:53 | |
But what about the budget? | 0:39:54 | 0:39:56 | |
So, it was £150 a light, but these are way bigger than we talked about, | 0:39:56 | 0:40:00 | |
so you can't be telling me I'm getting those for that money. | 0:40:00 | 0:40:03 | |
Little bit more, I'd say. I'd say 175 for each one. | 0:40:03 | 0:40:07 | |
-OK, so 350 for the pair? -Mm-hm. | 0:40:07 | 0:40:09 | |
I think that's absolutely fine. They're good looking, they're big, | 0:40:09 | 0:40:12 | |
and I think they're very saleable, | 0:40:12 | 0:40:14 | |
so, thank you. I think they are really special. | 0:40:14 | 0:40:16 | |
-Thank you. -Bye! -Bye-bye. | 0:40:16 | 0:40:18 | |
Ecstatic that Sarah loved what I did. | 0:40:18 | 0:40:22 | |
I love these pieces. | 0:40:22 | 0:40:23 | |
I'd have these in my own house. | 0:40:23 | 0:40:25 | |
So, yeah, happy that she's happy, | 0:40:25 | 0:40:27 | |
and hopefully she can sell them. | 0:40:27 | 0:40:29 | |
Thank you, sir! | 0:40:29 | 0:40:31 | |
Well, I'm definitely leaving Manchester on a high. | 0:40:31 | 0:40:33 | |
Those lamps are fantastic | 0:40:33 | 0:40:35 | |
and they are definitely off to new homes. | 0:40:35 | 0:40:36 | |
Just got to find out where! | 0:40:36 | 0:40:38 | |
When Sarah met Tony at the tip, | 0:40:42 | 0:40:45 | |
the axle stands had been waiting to be dumped for a while. | 0:40:45 | 0:40:49 | |
They've been in the garage probably ten years, and I haven't used them. | 0:40:49 | 0:40:52 | |
Luckily, Mark had the right stuff to transform them into beautiful lamps. | 0:40:52 | 0:40:57 | |
One lamp went to a private buyer, | 0:40:59 | 0:41:02 | |
the other to Oddfellows On The Park, | 0:41:02 | 0:41:04 | |
a hotel in Cheadle. | 0:41:04 | 0:41:06 | |
PR director Katie believes the lamp has found the perfect home. | 0:41:06 | 0:41:11 | |
We absolutely love the lamp and we think it fits perfectly here, | 0:41:11 | 0:41:14 | |
because the building is Victorian Gothic, and the lamp just appealed to us | 0:41:14 | 0:41:17 | |
of that whole sort of vintage travel. | 0:41:17 | 0:41:19 | |
It's a little bit quirky as well. | 0:41:19 | 0:41:21 | |
Now Sarah's on her way to see Tony to hand over the profit. | 0:41:22 | 0:41:27 | |
-Hello there. -Hello there. How you doing? -Very well. Nice to see you again. -Nice to see you again. | 0:41:31 | 0:41:34 | |
-I told you I'd be back.... -Absolutely. | 0:41:34 | 0:41:36 | |
..if there was anything that could be done with those car jacks. | 0:41:36 | 0:41:39 | |
Did you wonder what I might do? | 0:41:39 | 0:41:41 | |
Somebody suggested a coffee table | 0:41:41 | 0:41:43 | |
and I thought that might actually be a good idea. I don't know. | 0:41:43 | 0:41:47 | |
I wracked my brains, I had a really good look at them, and I gave up. | 0:41:47 | 0:41:50 | |
So I took them to somebody, he takes one look | 0:41:50 | 0:41:52 | |
at things like your axle stands and says, "I know, let's make..." | 0:41:52 | 0:41:55 | |
-Do you want to see the pictures? -Oh, yes, please. | 0:41:55 | 0:41:57 | |
"Let's make lighting." Have a look. | 0:41:57 | 0:41:59 | |
He has used your axle stands to make... | 0:41:59 | 0:42:04 | |
-That's remarkable. -..fantastic steampunk lighting. -Extraordinary! | 0:42:04 | 0:42:07 | |
Well, Mark's lighting sold instantly, | 0:42:07 | 0:42:09 | |
so there is a little bit of profit here for you. | 0:42:09 | 0:42:11 | |
-I've got £90 for you. -Blimey! -For your axle stands. | 0:42:11 | 0:42:16 | |
Thank you very much! | 0:42:16 | 0:42:17 | |
Gosh, I am surprised. Thank you very much. | 0:42:17 | 0:42:19 | |
I love surprising people! Is that in a good way? | 0:42:19 | 0:42:22 | |
That's extraordinary. Oh, yes, big time, definitely! | 0:42:22 | 0:42:25 | |
Any idea what you might spend £90 on? | 0:42:25 | 0:42:27 | |
Oh, well, we need to replace our stair carpets, so I think that'll go in the stair carpet fund. | 0:42:27 | 0:42:31 | |
Fantastic. | 0:42:31 | 0:42:33 | |
-Thank you very much! -My absolute pleasure, lovely to catch up with you. | 0:42:33 | 0:42:36 | |
-See you in the recycling centre! Bye! -Bye-bye now. | 0:42:36 | 0:42:38 | |
Well, axle stands into steampunk lighting? | 0:42:41 | 0:42:44 | |
All in a day's work. | 0:42:44 | 0:42:45 | |
Mark charged £350 for labour and materials. | 0:42:47 | 0:42:52 | |
The lamps sold for £440, | 0:42:52 | 0:42:55 | |
leaving a £90 profit for Tony. | 0:42:55 | 0:42:58 | |
Sarah salvaged three items from the tip. | 0:43:02 | 0:43:05 | |
Norman produced a show-stopping dining table. | 0:43:06 | 0:43:10 | |
Mark reached new heights with the rocket lights. | 0:43:10 | 0:43:13 | |
And Sarah super-sized the kitchen table. | 0:43:13 | 0:43:18 | |
So that's three more items that have been saved from the skips, | 0:43:18 | 0:43:21 | |
and useful chunks of money handed over to people | 0:43:21 | 0:43:23 | |
whose items were destined to be dumped. | 0:43:23 | 0:43:26 |