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This is Put Your Money Where Your Mouth Is. | 0:00:02 | 0:00:03 | |
The show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:06 | |
against each other in an all-out battle for profit... | 0:00:06 | 0:00:10 | |
Elementary, my dear dealers. | 0:00:10 | 0:00:11 | |
..and gives you the insider's view of the trade. | 0:00:11 | 0:00:15 | |
Ha-ha-ha! Rarr! | 0:00:15 | 0:00:17 | |
Each week, one pair of duelling dealers | 0:00:17 | 0:00:19 | |
will face a different daily challenge... | 0:00:19 | 0:00:21 | |
Catch me if you can! | 0:00:21 | 0:00:23 | |
The axeman cometh. | 0:00:23 | 0:00:25 | |
..putting their reputations on the line. | 0:00:25 | 0:00:28 | |
Argh! Ready for battle. | 0:00:28 | 0:00:30 | |
And giving you their top tips and savvy secrets | 0:00:32 | 0:00:35 | |
on how to make the most money from buying and selling. | 0:00:35 | 0:00:39 | |
Get in there! | 0:00:39 | 0:00:40 | |
Today's auction room clash for cash | 0:00:42 | 0:00:45 | |
pitches the leading lady of the loot, Kate "Absolute" Bliss, | 0:00:45 | 0:00:48 | |
against the villain of all things vintage, Phil "The Fox" Serrell. | 0:00:48 | 0:00:52 | |
Coming up, Phil does some underhand bidding to get ahead. | 0:00:52 | 0:00:56 | |
Did you bid? | 0:00:56 | 0:00:57 | |
Kate tries to keep things under wraps in the auction room. | 0:00:59 | 0:01:02 | |
-This is great, this thing. -Don't tell everybody. -Sorry, sorry. | 0:01:02 | 0:01:06 | |
I like it, anyways. | 0:01:06 | 0:01:07 | |
And Phil feels sick after a trip to the doctor's. | 0:01:07 | 0:01:10 | |
I'm going to need some medical help after this, you know? | 0:01:10 | 0:01:12 | |
Yes, you might well do. | 0:01:12 | 0:01:14 | |
This is Put Your Money Where Your Mouth Is. | 0:01:14 | 0:01:17 | |
The scene is set. Our two luvvies of the lots are waiting in the wings. | 0:01:31 | 0:01:36 | |
Sold. | 0:01:36 | 0:01:37 | |
Both are up for the starring role | 0:01:37 | 0:01:39 | |
in Put Your Money Where Your Mouth Is: The Auction. | 0:01:39 | 0:01:44 | |
Our first auction-ee is sophisticated... | 0:01:44 | 0:01:46 | |
-I can't see a thing. -..super talented... | 0:01:46 | 0:01:49 | |
-Try it on for size. -..and does all her own stunts. | 0:01:49 | 0:01:52 | |
Comme ca. | 0:01:52 | 0:01:53 | |
SHE GASPS | 0:01:53 | 0:01:54 | |
That was close. | 0:01:54 | 0:01:55 | |
It's Kate "Absolute" Bliss. | 0:01:55 | 0:01:59 | |
May the force be with me. | 0:01:59 | 0:02:02 | |
Also finding his motivation is the veteran of the piece, | 0:02:02 | 0:02:05 | |
the dark lord of the deal. | 0:02:05 | 0:02:07 | |
-Ha-ha! -The stormtrooper of selling. | 0:02:07 | 0:02:11 | |
Phew! | 0:02:11 | 0:02:14 | |
It's Phil "The Fox" Serrell. | 0:02:14 | 0:02:17 | |
Live long and prosper. Mr Spock, he's the boy. | 0:02:17 | 0:02:20 | |
Our dynamic dealers need to set their phasers to stun | 0:02:21 | 0:02:24 | |
and out-perform each other at warp speed, | 0:02:24 | 0:02:27 | |
as only one virtuoso can be victorious. | 0:02:27 | 0:02:30 | |
Isn't she lovely? | 0:02:30 | 0:02:31 | |
He's really pretending to be relaxed, but he's not. | 0:02:31 | 0:02:34 | |
All the profit they make will be going to charities of their choice. | 0:02:34 | 0:02:38 | |
They've each got £1,000 of their own money to spend | 0:02:38 | 0:02:41 | |
at this auction full of toys and movie memorabilia, | 0:02:41 | 0:02:43 | |
so quiet on set! | 0:02:43 | 0:02:45 | |
It's lights, camera, action! | 0:02:45 | 0:02:48 | |
Kate Bliss and Phil Serrell - | 0:02:49 | 0:02:51 | |
it's time to put your money where your mouth is! | 0:02:51 | 0:02:56 | |
-Good morning. -How are you? All right? Good to see you. -Yeah, you too. | 0:02:56 | 0:03:00 | |
-How much have we got in our pockets? -£1,000. -£1,000 to spend | 0:03:00 | 0:03:04 | |
-and a lot of lots in there, aren't there? -There's lots. | 0:03:04 | 0:03:07 | |
Now, I have noticed there are a lot of little cars in there | 0:03:07 | 0:03:10 | |
-which might be right up your street. -Boys and their toys. | 0:03:10 | 0:03:13 | |
Yeah, I mean, I'm hoping that, if I can get a little car | 0:03:13 | 0:03:15 | |
or something like that, perhaps sell it to someone who's got an interest. | 0:03:15 | 0:03:18 | |
-I mean, you've got to look, haven't you? -Let's face it, | 0:03:18 | 0:03:21 | |
you know quite a few people with an interest in cars. | 0:03:21 | 0:03:23 | |
Well, we try. We try. | 0:03:23 | 0:03:24 | |
Well, I have to tell you, I'll come clean, I came over last night... | 0:03:24 | 0:03:27 | |
-Sneaky-poos. -And had a little shifty. -Sneaky-poos. | 0:03:27 | 0:03:30 | |
But, I have to tell you, I don't think I'm any further forward. | 0:03:30 | 0:03:33 | |
-Shall we go and have a look? -I think we'd better. -Come on. | 0:03:33 | 0:03:35 | |
Our antiques superstars are at Stroud Auction Rooms | 0:03:38 | 0:03:40 | |
in Gloucestershire and both know they'll need to search hard | 0:03:40 | 0:03:43 | |
to find their profit-busters as this sale has over 700 lots. | 0:03:43 | 0:03:48 | |
Right. Straight to work. | 0:03:48 | 0:03:50 | |
These showroom scene-stealers have cast aside their scripts | 0:03:50 | 0:03:53 | |
and are writing their own winning storylines. | 0:03:53 | 0:03:56 | |
This is a bit of an eclectic sale | 0:03:56 | 0:03:58 | |
with perhaps some items that aren't top quality. | 0:03:58 | 0:04:02 | |
It may be that I don't go for something in perfect condition. | 0:04:02 | 0:04:06 | |
Just go for something really interesting. | 0:04:06 | 0:04:09 | |
Madam Bliss is primed to perform | 0:04:09 | 0:04:12 | |
and, not one to rest on his theatrical laurels, | 0:04:12 | 0:04:14 | |
Phil is a man with a foxy plan. | 0:04:14 | 0:04:17 | |
If you go to an auction, | 0:04:17 | 0:04:18 | |
you've got to react to what you see in front of you. | 0:04:18 | 0:04:20 | |
You've got to try and make something into a story, | 0:04:20 | 0:04:23 | |
so that's just a pine trunk, but, if we sell it to someone | 0:04:23 | 0:04:26 | |
who's got a naval connection or paint it and add value, | 0:04:26 | 0:04:29 | |
that's where the trick is, | 0:04:29 | 0:04:31 | |
so, if there is a plan, that's it. | 0:04:31 | 0:04:33 | |
So, Phil's plan is to have a plan. | 0:04:35 | 0:04:38 | |
Now, this is an eclectic sale, | 0:04:38 | 0:04:40 | |
so being open-minded and creative can make all the difference. | 0:04:40 | 0:04:44 | |
However, Kate is still drawn to her speciality items - | 0:04:44 | 0:04:48 | |
shiny silver and gold. | 0:04:48 | 0:04:51 | |
Jewellery is really my thing, | 0:04:51 | 0:04:52 | |
so I thought I'd have a good look at what is here | 0:04:52 | 0:04:55 | |
and one lot I found is a ring and a pair of earrings set with amber. | 0:04:55 | 0:05:00 | |
Now, the amber is in lovely condition. | 0:05:00 | 0:05:03 | |
It's polished and set in 14 carat | 0:05:03 | 0:05:06 | |
and it's rose gold which has a lovely pinky colour to it. | 0:05:06 | 0:05:10 | |
The earrings are also in great condition | 0:05:10 | 0:05:12 | |
and, although I don't like it personally, | 0:05:12 | 0:05:14 | |
with my commercial head on, there's plenty of people who do. | 0:05:14 | 0:05:18 | |
Meanwhile, Phil's got a licence to thrill | 0:05:21 | 0:05:23 | |
as he spots a signed movie poster with an upper estimate of £250. | 0:05:23 | 0:05:28 | |
MUSIC: From Russia With Love by Matt Monro | 0:05:28 | 0:05:31 | |
Have a look at this. | 0:05:33 | 0:05:34 | |
Every boy thinks he's Bond. | 0:05:34 | 0:05:37 | |
Now, this is from one of the first Bond films - From Russia With Love. | 0:05:37 | 0:05:41 | |
This is signed by Sean Connery, so I'm hoping I can sell this | 0:05:41 | 0:05:45 | |
to someone, if I buy it, who's got that real urge to be Bond. | 0:05:45 | 0:05:49 | |
Not to be outdone, Kate makes a beeline for a collection | 0:05:51 | 0:05:53 | |
of '90s glasses with an estimate of £40-60. | 0:05:53 | 0:05:57 | |
These glasses are made by a firm called Ritzenhoff, | 0:05:57 | 0:06:01 | |
which is a German factory, | 0:06:01 | 0:06:03 | |
and they wanted to raise the profile of drinking milk | 0:06:03 | 0:06:06 | |
and, so, they asked famous architects, designers, | 0:06:06 | 0:06:10 | |
from all over the world to design graphics for the glasses and they... | 0:06:10 | 0:06:14 | |
GLASS CLINKS | 0:06:14 | 0:06:15 | |
Oh! | 0:06:15 | 0:06:17 | |
You almost had a smash hit there, Kate! | 0:06:17 | 0:06:19 | |
They've both eyed up potential profit-makers, | 0:06:20 | 0:06:22 | |
so, without further ado, it's show time. | 0:06:22 | 0:06:25 | |
Please switch off your mobiles and take your seats. | 0:06:28 | 0:06:30 | |
This is going to be a tense tussle for treasures. | 0:06:30 | 0:06:35 | |
The competition may be tough, but Kate is ready for the opening act. | 0:06:35 | 0:06:38 | |
Russian gold 14-carat ring. | 0:06:38 | 0:06:41 | |
Now here's that little amber lot. | 0:06:41 | 0:06:43 | |
Ah, jewellery! You can see her eyes light up. | 0:06:43 | 0:06:46 | |
Let's hope the amber turns to green. | 0:06:46 | 0:06:48 | |
55 at the back. 60. And 5. 70. | 0:06:48 | 0:06:52 | |
And 5. At £75. | 0:06:52 | 0:06:54 | |
The bid's in the room and I'm selling to the room at 75. | 0:06:54 | 0:06:57 | |
-752, thank you. -That's with me. First lot! | 0:06:58 | 0:07:02 | |
Kate held her nerve and bagged a bargain. | 0:07:02 | 0:07:04 | |
The jewellery is hers for £88.50 including fees. | 0:07:04 | 0:07:09 | |
Now, they had estimated that at £70-90, | 0:07:09 | 0:07:13 | |
so I got it almost at the bottom estimate which isn't bad. | 0:07:13 | 0:07:17 | |
With Kate 1-0 up, Phil needs to catch up, | 0:07:17 | 0:07:19 | |
but it's not just each other they've got to look out for, | 0:07:19 | 0:07:22 | |
there's an invisible nemesis | 0:07:22 | 0:07:24 | |
silently stalking the auction room... | 0:07:24 | 0:07:27 | |
At £75. I'm selling to the internet now at 75. | 0:07:27 | 0:07:31 | |
..quietly cleaning up all the goodies. | 0:07:31 | 0:07:34 | |
Selling to the internet at 80. | 0:07:34 | 0:07:36 | |
I'm selling to the internet at 35. | 0:07:36 | 0:07:38 | |
This is all online, so the bidding is going up and up and up. | 0:07:38 | 0:07:41 | |
Nobody is bidding in the room. | 0:07:41 | 0:07:43 | |
The power of the internet at the auction these days. | 0:07:43 | 0:07:46 | |
So, my battle isn't with these guys or even so much with Philip, | 0:07:46 | 0:07:51 | |
it's with that computer up there. | 0:07:51 | 0:07:52 | |
140. 150's with me. Is there 160? | 0:07:52 | 0:07:55 | |
For me, this is just too much money for this. | 0:07:55 | 0:07:57 | |
I'm selling to the net at 180. | 0:07:57 | 0:07:59 | |
Gone. | 0:08:00 | 0:08:02 | |
Sneaky internet! | 0:08:02 | 0:08:04 | |
I think I've got to be braver. | 0:08:05 | 0:08:07 | |
Fortune favours the brave, Miss Bliss, | 0:08:07 | 0:08:09 | |
and, with a steely glint in her eye, | 0:08:09 | 0:08:11 | |
she goes into battle for a set of Victorian weights | 0:08:11 | 0:08:14 | |
with an estimate of £30-50. | 0:08:14 | 0:08:17 | |
And the bid's in with me at £12. Is there 14? | 0:08:17 | 0:08:19 | |
At £12. The bid's 14. 16's with me. | 0:08:19 | 0:08:22 | |
18. 20's with me. 22. 25's with me. | 0:08:22 | 0:08:24 | |
28. I'm out at 28 in the room. | 0:08:24 | 0:08:26 | |
Hello! Phil's muscling in on Kate's act. | 0:08:26 | 0:08:29 | |
35. 35. 38. | 0:08:29 | 0:08:30 | |
Is Philip bidding against me on this? | 0:08:30 | 0:08:32 | |
At £42. I'm selling to the room at 42. | 0:08:32 | 0:08:35 | |
-Yes, that's me. -That was really mean, just as Kate was bidding. | 0:08:35 | 0:08:38 | |
That was really mean and rotten. | 0:08:38 | 0:08:40 | |
Oh, you swine! | 0:08:40 | 0:08:42 | |
Did you bid? | 0:08:42 | 0:08:44 | |
Did you want those weights? | 0:08:47 | 0:08:48 | |
I just thought they were really expensive. | 0:08:48 | 0:08:51 | |
Don't be fooled by their bonhomie. | 0:08:54 | 0:08:56 | |
Kate pays £49.56 including costs for the Victorian weights | 0:08:56 | 0:09:00 | |
and floats further into the lead with two items to Phil's no items. | 0:09:00 | 0:09:04 | |
Kitchenalia is one area of the antiques market | 0:09:06 | 0:09:09 | |
which has become quite collectible | 0:09:09 | 0:09:11 | |
and I think this is a really nice example. | 0:09:11 | 0:09:14 | |
It's a set of brass weights, but what I particularly like about them | 0:09:14 | 0:09:18 | |
is the way they all fit really neatly inside each other. | 0:09:18 | 0:09:24 | |
Look at that for a piece of Victorian engineering, | 0:09:24 | 0:09:28 | |
but the best thing is that this comes with them. | 0:09:28 | 0:09:31 | |
I didn't even realise. | 0:09:31 | 0:09:33 | |
Kate is delighted with her weights | 0:09:33 | 0:09:35 | |
and bag of mysterious Victorian objects | 0:09:35 | 0:09:38 | |
and there's no stopping her now, as next up | 0:09:38 | 0:09:40 | |
is that set of modern German glasses she spotted, | 0:09:40 | 0:09:43 | |
and almost smashed, earlier. | 0:09:43 | 0:09:46 | |
A bid in at £25. Is there 8? At £25. | 0:09:46 | 0:09:49 | |
The bid's with me. 28 takes me in the room. | 0:09:49 | 0:09:51 | |
Is there 30? At £28. Off the book and in the room. | 0:09:51 | 0:09:53 | |
30 at the front. 32. | 0:09:53 | 0:09:54 | |
The bidding's in the room here which is interesting. Not online. | 0:09:54 | 0:09:58 | |
At £40 seated now. Is there 2? | 0:09:58 | 0:09:59 | |
At £40. 42. 45. At £42 standing... | 0:09:59 | 0:10:03 | |
That's with me at the moment. | 0:10:03 | 0:10:05 | |
At 42. Yes! | 0:10:05 | 0:10:07 | |
With auction fees, Kate pays £49.56 for the glasses, | 0:10:08 | 0:10:12 | |
and toasts her success by also purchasing a pottery bull | 0:10:12 | 0:10:16 | |
for £70.80 including costs. | 0:10:16 | 0:10:19 | |
And this model of a Hereford bull is by Beswick and really collectable. | 0:10:19 | 0:10:24 | |
Now, the estimate in the catalogue was £60-£80. | 0:10:24 | 0:10:28 | |
I snapped it up for a hammer price of 60, | 0:10:28 | 0:10:31 | |
so I still think it's got great potential. | 0:10:31 | 0:10:34 | |
Our leading lady is walking the red carpet of success, | 0:10:34 | 0:10:37 | |
leaving Phil for dust. | 0:10:37 | 0:10:40 | |
I'm quite getting into the swing of things here, | 0:10:40 | 0:10:43 | |
but I keep catching glimpses of Serrell | 0:10:43 | 0:10:46 | |
pottering around the saleroom, having a little look at something, | 0:10:46 | 0:10:51 | |
putting it down. | 0:10:51 | 0:10:53 | |
He seems to be having a day off. | 0:10:53 | 0:10:55 | |
But I know Serrell quite well | 0:10:56 | 0:10:58 | |
and he will have his strategy up here. | 0:10:58 | 0:11:01 | |
Well, you'd hope so. | 0:11:01 | 0:11:03 | |
You seem to be very relaxed. | 0:11:05 | 0:11:07 | |
When you've bought nothing, it's pretty easy really. | 0:11:07 | 0:11:11 | |
But it seems The Fox has been cleverly biding his time, | 0:11:11 | 0:11:14 | |
waiting for the right lot to pounce on. | 0:11:14 | 0:11:16 | |
A collection of pharmacy items is up next with a guide price of £30-50, | 0:11:16 | 0:11:20 | |
and it's time for Serrell to take centre stage. | 0:11:20 | 0:11:24 | |
And I'm bid in at £30. Is there 2? At £30. | 0:11:24 | 0:11:27 | |
Oh! And he's bidding! | 0:11:27 | 0:11:28 | |
At £80. The bid's in the room now. £85 at the back. | 0:11:28 | 0:11:31 | |
Is there 90, sir? At £85 standing now. | 0:11:31 | 0:11:34 | |
I don't quite know what I've done here, you know? | 0:11:34 | 0:11:36 | |
Selling to the room at 85. | 0:11:36 | 0:11:37 | |
-Will you promise not to laugh? -What is it? What is it that you want? 125. | 0:11:37 | 0:11:41 | |
I think it's an enema kit. | 0:11:41 | 0:11:43 | |
Just up his street, then! | 0:11:45 | 0:11:47 | |
Cheeky! That's Phil's first item in the doctor's bag | 0:11:47 | 0:11:50 | |
for £100.30 including costs. | 0:11:50 | 0:11:53 | |
I actually think this is great value | 0:11:55 | 0:11:56 | |
because there's some really interesting lots amongst it. | 0:11:56 | 0:11:59 | |
These little inhalers, the salve pots, | 0:11:59 | 0:12:01 | |
I think they're really cool, funky things. | 0:12:01 | 0:12:04 | |
Hopefully, I might have someone in mind for it all. | 0:12:04 | 0:12:07 | |
And, with one buy down, Phil's in the mood for more. | 0:12:07 | 0:12:10 | |
It's taken me a bit of time to get going but I've got a ruck | 0:12:10 | 0:12:13 | |
in about six or seven lots coming up in the next 15 or 20, | 0:12:13 | 0:12:16 | |
so it'll be interesting to see if I get my hand in the air. | 0:12:16 | 0:12:20 | |
But it's Kate's hand that's in the air next. | 0:12:20 | 0:12:23 | |
-45! -Yes! | 0:12:23 | 0:12:26 | |
As she buys an antique map for just over £53 including fees, | 0:12:27 | 0:12:31 | |
and that's five lots to Phil's one. | 0:12:31 | 0:12:34 | |
What a star! | 0:12:34 | 0:12:35 | |
This map is actually 17th-century in date, | 0:12:35 | 0:12:39 | |
and it's done by a man called John Ogilby | 0:12:39 | 0:12:42 | |
and that makes it quite collectable | 0:12:42 | 0:12:44 | |
because he was the first man to produce a road atlas, basically, | 0:12:44 | 0:12:49 | |
of England and Wales and this is a page from that atlas. | 0:12:49 | 0:12:53 | |
Now, to you and me, it doesn't look like your average map | 0:12:53 | 0:12:57 | |
because it's made up of six or seven strips | 0:12:57 | 0:13:01 | |
which show the route along the way. | 0:13:01 | 0:13:03 | |
Having bought it, I'm going to look at it even more closely. | 0:13:03 | 0:13:06 | |
Lift up the mount | 0:13:06 | 0:13:08 | |
and you can see it's the genuine 17th-century article | 0:13:08 | 0:13:11 | |
out of a road atlas of that date | 0:13:11 | 0:13:15 | |
and this isn't stuck down. | 0:13:15 | 0:13:17 | |
Very importantly, you can lift it up. | 0:13:17 | 0:13:20 | |
Now, if that was stuck down, | 0:13:20 | 0:13:22 | |
that would devalue the map quite significantly. | 0:13:22 | 0:13:26 | |
Good to go. | 0:13:26 | 0:13:28 | |
Well, Kate might have a map of the road, | 0:13:28 | 0:13:30 | |
but Phil thinks a faster route to victory might be by locomotive | 0:13:30 | 0:13:35 | |
and steams in with a frame of vintage train tickets | 0:13:35 | 0:13:38 | |
for £33.04 with costs. | 0:13:38 | 0:13:41 | |
Train stuff is really, really, really, very, very collectible | 0:13:41 | 0:13:44 | |
and I just love this. | 0:13:44 | 0:13:45 | |
All it is is some used railway tickets. How smart is that? | 0:13:45 | 0:13:50 | |
But have a look at these here, look. I love this one here. | 0:13:50 | 0:13:52 | |
This is Her Majesty's Forces on leave, | 0:13:52 | 0:13:55 | |
so, clearly, some soldier who came home. | 0:13:55 | 0:13:57 | |
They're lovely looking. There's history there. | 0:13:57 | 0:14:00 | |
There's someone's life story of travel there. | 0:14:00 | 0:14:03 | |
Who am I going to sell it to? | 0:14:03 | 0:14:04 | |
Well, all I've got to do is go and find myself a train buff. | 0:14:04 | 0:14:07 | |
And the action really kicks off as he scores a goal | 0:14:09 | 0:14:11 | |
with an original Wembley seat back signed by Geoff Hurst, | 0:14:11 | 0:14:15 | |
his for £177 including costs. | 0:14:15 | 0:14:19 | |
This is half a seat from Wembley | 0:14:19 | 0:14:22 | |
with a bit of black felt tip scrawl on it | 0:14:22 | 0:14:24 | |
by, admittedly, Sir Geoffrey Hurst, | 0:14:24 | 0:14:27 | |
hat-trick hero of the 1966 World Cup. | 0:14:27 | 0:14:30 | |
It's just dawned on me | 0:14:30 | 0:14:31 | |
that when they revamped Wembley and replaced all the seats, | 0:14:31 | 0:14:37 | |
there's probably another 90,000 or so of these. | 0:14:37 | 0:14:40 | |
Well, there's no time to ponder | 0:14:42 | 0:14:44 | |
because he's due to reprise his most famous role - | 0:14:44 | 0:14:47 | |
Serrell, Phil Serrell. | 0:14:47 | 0:14:49 | |
He's trained his GoldenEye on the signed Bond poster | 0:14:51 | 0:14:54 | |
he spotted earlier with an estimate of £150-250. | 0:14:54 | 0:14:59 | |
At £100, bid to me, 110. 120 is with me. | 0:14:59 | 0:15:01 | |
130, sir. 140 is with me, 150. | 0:15:01 | 0:15:03 | |
I'm out at 150 in the room now, is there 160? | 0:15:03 | 0:15:06 | |
At £150, the bid's in the room and I'm selling to the room, 150. | 0:15:06 | 0:15:09 | |
HE BANGS GAVEL | 0:15:09 | 0:15:10 | |
I think I need to go and sit down. I'm getting quite dizzy here. | 0:15:10 | 0:15:13 | |
There's no sitting down when you're on | 0:15:13 | 0:15:15 | |
Her Majesty's Secret Service, Phil. | 0:15:15 | 0:15:17 | |
The poster is £177 including costs and brings Phil's purchases to four. | 0:15:17 | 0:15:23 | |
Philip looks like he has finally woken up. | 0:15:23 | 0:15:26 | |
It's all good fun this, isn't it? You've got to keep up. | 0:15:26 | 0:15:28 | |
You've got to keep up. | 0:15:28 | 0:15:30 | |
And that flurry of bidding brings us to the halfway mark so let's | 0:15:30 | 0:15:34 | |
find out who's in the blockbuster and who's facing a flop. | 0:15:34 | 0:15:37 | |
Both our dealers started the day with £1,000 of their own money. | 0:15:38 | 0:15:42 | |
Kate is in the lead, bagging five lots costing £311.52, | 0:15:42 | 0:15:47 | |
leaving her with just over £688 for the rest of the day. | 0:15:47 | 0:15:50 | |
Phil has four purchases, spending £487.34, | 0:15:51 | 0:15:56 | |
leaving him with over £512 in his kitty. | 0:15:56 | 0:15:59 | |
After the interval, our dealing duo take their positions | 0:16:01 | 0:16:04 | |
for the second act in our moneymaking melodrama | 0:16:04 | 0:16:08 | |
and, with no time to lose, Phil grabs a collection of treen, | 0:16:08 | 0:16:11 | |
including Georgian bookends for £59 with costs. | 0:16:11 | 0:16:14 | |
Generically, this will fall into the category that we call treen. | 0:16:16 | 0:16:19 | |
Actually, treen is a turned and small wooden object. | 0:16:19 | 0:16:22 | |
These are somewhere between 1880 and about 1920. | 0:16:22 | 0:16:26 | |
Now, these are fruitwood and they are now a pair of bookends | 0:16:27 | 0:16:32 | |
but I think, initially, these were probably either a newel post | 0:16:32 | 0:16:37 | |
or perhaps the cap off a bedpost and you've now got... | 0:16:37 | 0:16:41 | |
..I think, a really cool pair of bookends. | 0:16:43 | 0:16:47 | |
I think that's quite an interesting little lot. | 0:16:47 | 0:16:49 | |
I just hope someone else does. | 0:16:49 | 0:16:51 | |
Our battling behemoths have drawn level with five lots each. | 0:16:51 | 0:16:55 | |
This is turning into a close one. Can Kate pull out in front? | 0:16:55 | 0:16:59 | |
Now, the next lot is a really interesting 19th-century corkscrew. | 0:16:59 | 0:17:02 | |
It's quite an interesting object so I'm just going to see what it | 0:17:02 | 0:17:06 | |
goes for and if it is not too much, I might have a go. | 0:17:06 | 0:17:09 | |
At £25, looking for eight. 28 bid, thank you. | 0:17:09 | 0:17:12 | |
Look at that focus and determination. Go on, Kate. | 0:17:12 | 0:17:16 | |
-50, I have. Looking for... -Two? -As it's you, 52. | 0:17:16 | 0:17:21 | |
£52 then, are we done, at £52? | 0:17:21 | 0:17:23 | |
HE BANGS GAVEL Thank you. | 0:17:23 | 0:17:26 | |
And Kate spins into the lead, | 0:17:26 | 0:17:27 | |
paying £61.36 with costs for the antique corkscrew. | 0:17:27 | 0:17:32 | |
Now, corkscrews are collectable for a number of reasons. | 0:17:32 | 0:17:35 | |
Their age, | 0:17:35 | 0:17:36 | |
the rarity of the mechanism or the name associated with them. | 0:17:36 | 0:17:40 | |
Thomason is a good one to look out for. | 0:17:40 | 0:17:42 | |
But my purchase is without any name. It has a nice winding mechanism. | 0:17:42 | 0:17:49 | |
It's also got a little brush in the handle | 0:17:49 | 0:17:51 | |
and that was used to dust off your bottle from the cellars. | 0:17:51 | 0:17:56 | |
And call the emergency services, she's on fire now, | 0:17:56 | 0:17:59 | |
quickly adding a toy fire engine to her collection | 0:17:59 | 0:18:03 | |
for £47.20, including fees. | 0:18:03 | 0:18:05 | |
It is in super condition. We've got an extending ladder. | 0:18:05 | 0:18:08 | |
The paintwork's lovely and you've got the box. £40 paid... | 0:18:10 | 0:18:15 | |
I'd put my money on a good profit. | 0:18:16 | 0:18:19 | |
Yes, all fired up with money burning a hole in her pocket, she gears | 0:18:19 | 0:18:23 | |
up to bid on another toy vehicle with an estimate of £40-60. | 0:18:23 | 0:18:28 | |
Oh, dear. The anguish. It's £50 on the net. 55. | 0:18:28 | 0:18:33 | |
And again that pesky internet is pushing up the bids. | 0:18:33 | 0:18:36 | |
Try one more. | 0:18:36 | 0:18:38 | |
-Oh...! -Go and then, one more. -65 and selling. | 0:18:39 | 0:18:42 | |
-HE BANGS GAVEL -65. | 0:18:42 | 0:18:44 | |
And she's whooped the web, | 0:18:44 | 0:18:45 | |
adding the toy car to her collection for £76.70 with costs. | 0:18:45 | 0:18:50 | |
There's no doubt that these two items are quality | 0:18:51 | 0:18:54 | |
and highly collectable, but I definitely bought with my heart | 0:18:54 | 0:18:58 | |
rather than my head with this piece | 0:18:58 | 0:19:01 | |
which is kind of reflected in the price I paid. | 0:19:01 | 0:19:04 | |
But it's because I've got a full-size version of one of these. | 0:19:04 | 0:19:08 | |
I've just got to find somebody who is as crazy about these as I am | 0:19:08 | 0:19:11 | |
and I'm laughing. | 0:19:11 | 0:19:12 | |
Well, she had her head turned there but the force is with her. | 0:19:13 | 0:19:17 | |
She's spots a Star Wars Yoda figure. | 0:19:17 | 0:19:21 | |
In a saleroom far, far away, there was Kate Bliss | 0:19:21 | 0:19:24 | |
about to bid on some movie memorabilia. | 0:19:24 | 0:19:27 | |
-AS YODA: -Yoda, she wants. -This is great, this thing. | 0:19:27 | 0:19:30 | |
Don't tell everybody! | 0:19:30 | 0:19:32 | |
Sorry, sorry! I like it anyways. | 0:19:32 | 0:19:35 | |
£80, £80. 85, 90. | 0:19:35 | 0:19:38 | |
£90. 95, 100. 110. | 0:19:38 | 0:19:41 | |
The price has gone light speed into the stratosphere. | 0:19:41 | 0:19:44 | |
-180, 185, no. -No. | 0:19:44 | 0:19:47 | |
-Absolutely no. -180. | 0:19:47 | 0:19:49 | |
HE BANGS GAVEL Oh, why didn't I get it? | 0:19:49 | 0:19:52 | |
Will I regret it in the morning? | 0:19:52 | 0:19:55 | |
Probably, yes. | 0:19:55 | 0:19:56 | |
Mmm, Kate's worrying about future regrets | 0:19:56 | 0:19:58 | |
but Phil is thinking about future sales. | 0:19:58 | 0:20:01 | |
Peter, it's Philip Serrell. | 0:20:01 | 0:20:02 | |
What's he up to? | 0:20:02 | 0:20:04 | |
I'm at an auction and I was thinking of you because one of the lots is | 0:20:04 | 0:20:07 | |
two Thurston scorers. | 0:20:07 | 0:20:10 | |
This type of counter was also used | 0:20:10 | 0:20:12 | |
as a lap counter on vintage Bentleys. | 0:20:12 | 0:20:14 | |
The Fox is using all his wiles | 0:20:14 | 0:20:16 | |
to set up a sale before he even bids on the item! | 0:20:16 | 0:20:19 | |
Have you got one? | 0:20:19 | 0:20:21 | |
Do you want one? | 0:20:21 | 0:20:24 | |
Really? | 0:20:24 | 0:20:25 | |
With a potential buyer in the bag, | 0:20:25 | 0:20:27 | |
Phil can devote a little time to wind up Kate. | 0:20:27 | 0:20:30 | |
Real concentration, this. Focused. | 0:20:32 | 0:20:35 | |
I think he wants the next lot. | 0:20:35 | 0:20:38 | |
And he does. It's the snooker scorers/lap counters | 0:20:38 | 0:20:42 | |
that Phil has a possible buyer for. | 0:20:42 | 0:20:44 | |
They've a guide price of £50 to £80. | 0:20:44 | 0:20:47 | |
Not great condition, though, are they? | 0:20:47 | 0:20:49 | |
Touche! But nothing is putting Phil off! | 0:20:49 | 0:20:52 | |
..5. 60. 5. 70. 5. 80... | 0:20:52 | 0:20:56 | |
Just look at those subtle bidding nuances from the Fox. | 0:20:56 | 0:20:59 | |
100? 100... | 0:20:59 | 0:21:01 | |
-Still going. -..110. 120... | 0:21:01 | 0:21:04 | |
It's zoomed past the estimate! | 0:21:04 | 0:21:06 | |
..180, gentleman - 190. 200. Bid. Thank you. 200. 220. | 0:21:06 | 0:21:11 | |
Have you got enough money? | 0:21:11 | 0:21:13 | |
Selling then at £240... | 0:21:13 | 0:21:17 | |
GAVEL BANGS Well done, you. | 0:21:17 | 0:21:20 | |
So a hammer price of over £160 above the estimate. | 0:21:20 | 0:21:24 | |
Foxy seals the deal at a whacking £283.20, including costs. | 0:21:24 | 0:21:29 | |
-Shall I let you into a little secret? -Go on, then. | 0:21:29 | 0:21:31 | |
I phoned up a man who's got a 1930s Team Blower Bentley | 0:21:31 | 0:21:35 | |
just before the auction, | 0:21:35 | 0:21:37 | |
-and I sent him a picture of them. -He wants them? -Yeah. | 0:21:37 | 0:21:41 | |
So, after Phil's final flutter, | 0:21:41 | 0:21:42 | |
and with the curtain falling on today's performance, let's head | 0:21:42 | 0:21:46 | |
to the box office to check out the takings. | 0:21:46 | 0:21:49 | |
They both started the day with £1,000 of their own money to spend. | 0:21:49 | 0:21:52 | |
Kate is hoping she's seen off the competition with her | 0:21:52 | 0:21:55 | |
eight lots costing £496.78. | 0:21:55 | 0:22:00 | |
Phil bought less with six lots, | 0:22:00 | 0:22:01 | |
but spent a massive £829.54. | 0:22:01 | 0:22:05 | |
But all that matters now is profit. | 0:22:05 | 0:22:08 | |
Our duelling duo have fought hard and strived for stardom, | 0:22:08 | 0:22:10 | |
but how will they review each other's performance? | 0:22:10 | 0:22:14 | |
Do you know if you stand here and look there, you've sort of got... | 0:22:14 | 0:22:18 | |
-21st century lady... -Right. | 0:22:18 | 0:22:21 | |
..18th century misery here, don't you think? | 0:22:21 | 0:22:24 | |
-There's a distinct division, isn't there? -Well, I don't know. | 0:22:24 | 0:22:28 | |
If you look a bit further back, | 0:22:28 | 0:22:29 | |
I would say you're quite cool with your poster, actually. | 0:22:29 | 0:22:32 | |
-What about me half a seat? -Maybe not quite so cool. -No. | 0:22:32 | 0:22:35 | |
-Are you saying I'm quite cool with this, then? -It's a funky lot. | 0:22:35 | 0:22:37 | |
I love your weights. I love your corkscrew. I love your toys. | 0:22:37 | 0:22:41 | |
I don't understand your jewellery. And I'll have a large gin. | 0:22:41 | 0:22:44 | |
SHE LAUGHS | 0:22:44 | 0:22:45 | |
They're not the sort of thing I would normally buy, | 0:22:45 | 0:22:47 | |
but there's something a little bit cool about them. They're German | 0:22:47 | 0:22:50 | |
and I think they're pretty funky. | 0:22:50 | 0:22:52 | |
-What's your most expensive? -Those. -Oh, yes, course. | 0:22:52 | 0:22:55 | |
But you've got a millionaire who's going to buy those. | 0:22:55 | 0:22:57 | |
-I hope he's a multi-millionaire. -Do you know what I like about yours? | 0:22:57 | 0:23:01 | |
I like your train tickets. | 0:23:01 | 0:23:03 | |
-They're funky, aren't they? -I think those are quite fun. -Really cool. | 0:23:03 | 0:23:06 | |
Well, nothing is certain, but may the best man or woman win. | 0:23:06 | 0:23:11 | |
The auction was but a prequel | 0:23:16 | 0:23:18 | |
to the blockbusting main feature of the selling! | 0:23:18 | 0:23:21 | |
As it's only now that our pair of auction-heroes can prove | 0:23:21 | 0:23:24 | |
they've got what it takes to be A-listers. | 0:23:24 | 0:23:28 | |
Both now head back to their hideouts to find a path to profit. | 0:23:28 | 0:23:32 | |
Way over in Worcester, Phil is working his way through his wares. | 0:23:32 | 0:23:36 | |
I found the auction really, really tough. | 0:23:36 | 0:23:39 | |
My James Bond poster signed by Sean Connery, | 0:23:39 | 0:23:42 | |
that's cost the thick end of £180. | 0:23:42 | 0:23:44 | |
I'm sort of kind of hoping I can sell that to someone | 0:23:44 | 0:23:48 | |
who's got a kind of funky shop or whatever, | 0:23:48 | 0:23:50 | |
and this might form part of their display. | 0:23:50 | 0:23:53 | |
At the same sort of money, at £180, | 0:23:53 | 0:23:56 | |
is my Wembley seat signed by Sir Geoff Hurst. I'm going to try | 0:23:56 | 0:23:59 | |
and sell that to someone who's got a footballing interest. | 0:23:59 | 0:24:02 | |
And my railway tickets, I'm just hoping they're not a one-way ticket | 0:24:02 | 0:24:07 | |
at £35. My bits of treen were £55. | 0:24:07 | 0:24:11 | |
I think quite a good little retail lot there. | 0:24:11 | 0:24:13 | |
And this collection of chemist's items, they were £100. | 0:24:13 | 0:24:17 | |
I hope I'm not going to need some sort of medication | 0:24:17 | 0:24:19 | |
having bought those. But for me... | 0:24:19 | 0:24:21 | |
those are my winner or my loser. | 0:24:21 | 0:24:25 | |
My billiard markers. They would have been fitted to 1930s vintage cars | 0:24:25 | 0:24:29 | |
as lap recorders. | 0:24:29 | 0:24:31 | |
You'll remember I phoned a guy on the day who might be | 0:24:31 | 0:24:34 | |
interested in those. I hope he really is interested in those | 0:24:34 | 0:24:38 | |
cos if he's not, I am snookered! | 0:24:38 | 0:24:41 | |
Old Foxy is guaranteed to have a trick shot or two up his sleeve. | 0:24:41 | 0:24:46 | |
Over in her Hereford home, Kate is also looking at her lots. | 0:24:46 | 0:24:50 | |
I think, on reflection, | 0:24:50 | 0:24:53 | |
I've had to pay pretty strong money for my pieces. | 0:24:53 | 0:24:56 | |
With the exception of my jewellery. | 0:24:56 | 0:24:59 | |
An amber specialist, a jeweller, | 0:24:59 | 0:25:01 | |
I think will take those off my hands very readily, with a decent profit. | 0:25:01 | 0:25:05 | |
The weights came with a little bag of an assortment of things | 0:25:05 | 0:25:09 | |
which I've explored, and it's nothing very exciting, | 0:25:09 | 0:25:12 | |
just some very ordinary postal weights. | 0:25:12 | 0:25:15 | |
So the value is in these lovely brass weights that form a set. | 0:25:15 | 0:25:19 | |
I think it would be really nice to sell these to somewhere where | 0:25:19 | 0:25:23 | |
they're going to be used, perhaps in an old-fashioned setting. | 0:25:23 | 0:25:26 | |
The corkscrew, equally, would be nice to sell to somebody | 0:25:26 | 0:25:30 | |
who would like to use it. | 0:25:30 | 0:25:32 | |
The tragedy has happened with my bull. | 0:25:32 | 0:25:36 | |
I unwrapped it and it's got a broken leg. | 0:25:36 | 0:25:40 | |
Which somehow happened in transit. | 0:25:40 | 0:25:42 | |
I'm going to see a restorer friend of mine, see what she says, | 0:25:42 | 0:25:47 | |
and we'll go from there. | 0:25:47 | 0:25:49 | |
Moving onto my glasses, though, these were a really speculative buy. | 0:25:49 | 0:25:54 | |
I think it might be the jugs, though, that are my best sellers. | 0:25:54 | 0:25:57 | |
They're a little bit more commercial, perhaps. | 0:25:57 | 0:26:00 | |
All in all, for these items I've got quite a bit of homework to do. | 0:26:00 | 0:26:05 | |
And Kate also has homework to do on her 17th-century map, | 0:26:05 | 0:26:09 | |
the dinky toy fire engine and the toy land rover. | 0:26:09 | 0:26:12 | |
But now, both our superstar sellers must begin the phone work, | 0:26:12 | 0:26:17 | |
leg work and web work that will help make their profits go stratospheric. | 0:26:17 | 0:26:21 | |
And don't forget, no deal is truly sealed until a hand is shaken | 0:26:21 | 0:26:25 | |
and the money is taken. | 0:26:25 | 0:26:27 | |
Kate is first to get going | 0:26:27 | 0:26:29 | |
and hits her home turf of Hereford with the amber ring and earrings. | 0:26:29 | 0:26:33 | |
She's come to see Anna and Tracy who own a jewellery shop. | 0:26:33 | 0:26:37 | |
Well, I know that you specialise in amber in silver. | 0:26:37 | 0:26:40 | |
These are a little bit different cos they're in 14 carat gold. | 0:26:40 | 0:26:43 | |
It's actually a rose gold. | 0:26:43 | 0:26:45 | |
It's got that pinky tinge to it where they mix the gold with copper. | 0:26:45 | 0:26:48 | |
The fact it's set in gold almost tells us straightaway | 0:26:48 | 0:26:51 | |
-that the amber's genuine. -Yes. -That's a big thing. | 0:26:51 | 0:26:53 | |
So I don't think anybody'd go to the extent of having 14 carat gold | 0:26:53 | 0:26:57 | |
with fake amber or plastic. | 0:26:57 | 0:26:59 | |
-Exactly. -So that makes it a very interesting piece. | 0:26:59 | 0:27:01 | |
I would think they date from probably maybe the '70s, I would say. | 0:27:01 | 0:27:06 | |
-I really like them. -Yeah. | 0:27:06 | 0:27:08 | |
-I think they wouldn't look out of place here. Definitely not. -OK. | 0:27:08 | 0:27:11 | |
Well, let's talk price. I think the ring's worth sort of £90-£100. | 0:27:11 | 0:27:17 | |
And the earrings maybe...£75-£80. | 0:27:17 | 0:27:22 | |
I think... £180? | 0:27:22 | 0:27:25 | |
Well, I'm happy with 180. That sounds fair to me. | 0:27:25 | 0:27:27 | |
-I think that's a good deal, to be fair. -Great. Wonderful. | 0:27:27 | 0:27:31 | |
Thank you very much. | 0:27:31 | 0:27:33 | |
Kate makes a profit of £91.50 for the jewellery. | 0:27:33 | 0:27:37 | |
She's making more money than mere pennies. | 0:27:37 | 0:27:39 | |
And talking of "Moneypenny", Phil thinks he's spied his first target. | 0:27:39 | 0:27:44 | |
Phil is the man with the golden gift of the gab but when he takes | 0:27:44 | 0:27:47 | |
the signed James Bond poster, that cost him £177, to John, | 0:27:47 | 0:27:52 | |
owner of a barbershop, will our man, Mr Serrell, have the Midas Touch? | 0:27:52 | 0:27:57 | |
-Now, there's two reasons why I've come to see you today. -Right. | 0:27:58 | 0:28:01 | |
-Your barbershop is absolutely full of memorabilia. -That's right. | 0:28:01 | 0:28:06 | |
-But you haven't got any James Bond memorabilia. -I haven't, no. | 0:28:06 | 0:28:08 | |
This is a James Bond poster from one of his early films, | 0:28:08 | 0:28:11 | |
From Russia With Love. It's a reprint, | 0:28:11 | 0:28:14 | |
but it's got a signature of the great man himself, Sean Connery. | 0:28:14 | 0:28:17 | |
-What can you bid me for it? -Well... | 0:28:17 | 0:28:20 | |
-Can you bid me 250? -Yeah, OK, I'll meet you at 250. | 0:28:20 | 0:28:23 | |
-Really? -Yeah. -You are a gentleman. -Thank you. -Thank you very much. | 0:28:23 | 0:28:27 | |
That's £250 for that. | 0:28:27 | 0:28:29 | |
Right, now, totally separate deal. | 0:28:29 | 0:28:32 | |
-How much is this going to cost? -250. -Oh, here we go. Done here, aren't I? | 0:28:32 | 0:28:36 | |
Phil makes a killing of £73 on the Bond poster, | 0:28:36 | 0:28:40 | |
and whilst he's there gets a well-deserved haircut, too. | 0:28:40 | 0:28:43 | |
Which he pays for out of his own pocket. | 0:28:43 | 0:28:46 | |
Let's not be too drastic here. | 0:28:48 | 0:28:50 | |
That was a close shave. | 0:28:54 | 0:28:56 | |
Oh, doesn't he look smart? | 0:28:56 | 0:28:58 | |
He's also acting smart. | 0:28:58 | 0:29:00 | |
Still on his home territory, he's got another sale up his sleeve. | 0:29:00 | 0:29:04 | |
He's brought his railways tickets to a specialist vintage ephemera shop | 0:29:04 | 0:29:08 | |
in Worcester, and is meeting owner Keith. Remember, he spent £33 on it. | 0:29:08 | 0:29:12 | |
Do you remember I mentioned to you railway tickets? | 0:29:12 | 0:29:15 | |
-I certainly do. -Someone's kept these. | 0:29:15 | 0:29:18 | |
And I think they're really interesting cos there's first, | 0:29:18 | 0:29:20 | |
second and third class. | 0:29:20 | 0:29:22 | |
But the thing I really love - look at this one here. | 0:29:22 | 0:29:25 | |
-"HM Forces on leave." -Goodness me. | 0:29:25 | 0:29:28 | |
So, presumably, these would be war time, would they? | 0:29:28 | 0:29:30 | |
-I'd have thought so. -Second World War? Now, these came up at auction. | 0:29:30 | 0:29:34 | |
I didn't know what they were worth but I thought it was your sort of | 0:29:34 | 0:29:36 | |
thing, cos you're very much transport-related, aren't you? | 0:29:36 | 0:29:39 | |
-Yeah, we've got all that. -And I was thinking that I'd like to try | 0:29:39 | 0:29:42 | |
and get...70 quid-ish to the right person? | 0:29:42 | 0:29:46 | |
They probably would make 65/70, I would have thought. | 0:29:46 | 0:29:50 | |
-But you've got to earn a little crust out of it, haven't you? -Yeah. | 0:29:50 | 0:29:52 | |
-Can we go 55? -Yeah, I'm happy with that, I'm happy with that. | 0:29:52 | 0:29:55 | |
-Thank you very much indeed. -Thank you. | 0:29:55 | 0:29:57 | |
Looks like we've both got a bargain. | 0:29:57 | 0:29:59 | |
-I hope so! Take care. Cheers now, bye-bye. -Bye. | 0:29:59 | 0:30:03 | |
And Phil collects a profit of £21.96 for the tickets. | 0:30:03 | 0:30:07 | |
First class, Mr Serrell! | 0:30:07 | 0:30:09 | |
Full steam ahead for me. | 0:30:09 | 0:30:10 | |
Ah, but Kate is not one to get left behind, as she heads to Telford | 0:30:12 | 0:30:16 | |
hoping to find a home for her Victorian weights. | 0:30:16 | 0:30:19 | |
I'm in a Victorian town in Shropshire, | 0:30:19 | 0:30:22 | |
which is actually a working museum | 0:30:22 | 0:30:24 | |
and the perfect setting for my Victorian brass weights. | 0:30:24 | 0:30:28 | |
But, before I do anything, | 0:30:28 | 0:30:30 | |
I need to get into character. | 0:30:30 | 0:30:34 | |
So, bonnet on and suitably attired, Miss Bliss promenades to meet Paul, | 0:30:34 | 0:30:39 | |
who works at the museum, hoping to make a profit on the weights. | 0:30:39 | 0:30:44 | |
Ah, Paul! Kate! How do you do? | 0:30:44 | 0:30:46 | |
-How do you do? Lovely to meet you. -What do you think of the gear? | 0:30:46 | 0:30:48 | |
-I think you look rather resplendent. -I went for the posh outfit. | 0:30:48 | 0:30:51 | |
Yes, definitely. Definitely. Very elegant. | 0:30:51 | 0:30:53 | |
And what a fantastic setting. | 0:30:53 | 0:30:55 | |
It's beautiful, isn't it? | 0:30:55 | 0:30:56 | |
And everything as it would have been in a 1900 working-class pharmacy. | 0:30:56 | 0:31:00 | |
Well, my weights have come to exactly the right place, then. | 0:31:00 | 0:31:03 | |
So, we've got some tiny ones. | 0:31:03 | 0:31:05 | |
Now, these are relatively commonplace, | 0:31:05 | 0:31:08 | |
but the ones that I really like and, perhaps, where the value is, | 0:31:08 | 0:31:11 | |
if you like, is this little set of what's known as cupped weights. | 0:31:11 | 0:31:15 | |
-Right. -And these are actually stamped, | 0:31:15 | 0:31:18 | |
-"Apoth", A-P-O-T-H, in the bottom, there. -So, perfect. | 0:31:18 | 0:31:22 | |
Exactly, obviously came out of an apothecary's. | 0:31:22 | 0:31:25 | |
Mm-hmm. But what sort of date do you think they are? | 0:31:25 | 0:31:27 | |
Well, certainly the set of cupped weights, I would put at about 1880. | 0:31:27 | 0:31:31 | |
I'd be very interested in knowing your price for them. | 0:31:31 | 0:31:33 | |
I would hope for perhaps £80-£90. | 0:31:33 | 0:31:36 | |
I'd be happier in, sort of, the 60-70 mark, | 0:31:36 | 0:31:39 | |
if you could get closer to that. | 0:31:39 | 0:31:41 | |
Well, say I come down to 75, and you come up to 75, | 0:31:41 | 0:31:44 | |
does that sound a good mid-way point? | 0:31:44 | 0:31:46 | |
-I think that sounds perfect. Thank you very much, indeed. -Lovely. | 0:31:46 | 0:31:49 | |
Miss Bliss makes £25.44 on the weights, | 0:31:49 | 0:31:52 | |
and she's evened things up with Mr Serrell, | 0:31:52 | 0:31:55 | |
each having two sales. | 0:31:55 | 0:31:56 | |
Phil will be keen to get ahead, | 0:31:56 | 0:31:59 | |
but, before he has a chance, | 0:31:59 | 0:32:01 | |
Kate pulls out another vintage profit when she sells the corkscrew | 0:32:01 | 0:32:04 | |
to Paul, a Ludlow-based wine-bar manager, | 0:32:04 | 0:32:07 | |
for a profit of £48.64. | 0:32:07 | 0:32:11 | |
Splendid! | 0:32:11 | 0:32:12 | |
-All right. Fantastic. -Thank you. | 0:32:13 | 0:32:16 | |
So, with both our sellers doing deals left, right and centre, | 0:32:16 | 0:32:20 | |
let's see where we are at this stage in the selling. | 0:32:20 | 0:32:23 | |
Kate has sold three items | 0:32:23 | 0:32:25 | |
and earned a profit of £165.58, | 0:32:25 | 0:32:28 | |
while Phil has only sold two items, | 0:32:28 | 0:32:31 | |
and notched up £94.96 | 0:32:31 | 0:32:33 | |
worth of profit. | 0:32:33 | 0:32:34 | |
Phil needs to catch up if he's going to win this leg of the race. | 0:32:36 | 0:32:39 | |
And, while we're on the subject of legs, | 0:32:39 | 0:32:42 | |
Kate has taken her broken bull model to ceramic restorer, Julie, | 0:32:42 | 0:32:46 | |
hoping to get it fixed and sale-worthy. | 0:32:46 | 0:32:48 | |
A pretty clean break. | 0:32:48 | 0:32:51 | |
Now, cunning Mr Serrell lined up a potential buyer | 0:32:51 | 0:32:54 | |
for his lap counters before he bought them. | 0:32:54 | 0:32:57 | |
He's now in Bridgnorth, where he's hoping Peter, who restores | 0:32:57 | 0:33:00 | |
and sells classic cars, will still want them | 0:33:00 | 0:33:02 | |
and bring in a profit on the £283.20 | 0:33:02 | 0:33:05 | |
that he paid for them. | 0:33:05 | 0:33:07 | |
Peter, how are you? | 0:33:08 | 0:33:09 | |
-Hello, Philip. Nice to see you. -Lovely to see you. Yeah, yeah, yeah. | 0:33:09 | 0:33:12 | |
-This is your baby? -This is my baby. | 0:33:12 | 0:33:14 | |
What it really needs is a pair of lap counters. | 0:33:14 | 0:33:16 | |
-Do you remember I phoned you at the auction? -You did. | 0:33:16 | 0:33:18 | |
And there was a pair of lap counters and, so, these are...it just clicks. | 0:33:18 | 0:33:22 | |
-There you are, look. -And they work, as well. | 0:33:22 | 0:33:25 | |
-Yeah. -"Thurston and Co", | 0:33:25 | 0:33:26 | |
-but that sounds English. -It does, doesn't it? -Yeah. | 0:33:26 | 0:33:28 | |
They were used in period. | 0:33:28 | 0:33:30 | |
They were, for example, on a car like this - 1935 Squire. | 0:33:30 | 0:33:34 | |
-Have you ever seen any of these for sale? -No. | 0:33:34 | 0:33:37 | |
-No, and I have looked. -This is the right place for these. | 0:33:37 | 0:33:40 | |
This is absolutely the right place for it. | 0:33:40 | 0:33:42 | |
They cost me the thick end of £285. | 0:33:42 | 0:33:44 | |
-Wow. -What are they worth to you? | 0:33:44 | 0:33:48 | |
Well, I'll double your money. | 0:33:48 | 0:33:50 | |
Uh...thank you. You're a gentleman. | 0:33:50 | 0:33:53 | |
So, Phil makes £283.20 on the lap counters, | 0:33:53 | 0:33:57 | |
shifting this selling half up a gear. | 0:33:57 | 0:33:59 | |
-So, this is it. This is lovely. -This is the beast. | 0:33:59 | 0:34:02 | |
-And where would this go? -I would think here. | 0:34:02 | 0:34:05 | |
So, with the counter on the dashboard, | 0:34:05 | 0:34:07 | |
Phil hops in for a lift, very much hoping to lap his opponent. | 0:34:07 | 0:34:10 | |
But Kate is also selling in the fast lane. | 0:34:14 | 0:34:17 | |
Lap one, the 17th-century map helps her navigate her way to | 0:34:17 | 0:34:21 | |
a £46.90 profit from Andrew, who owns a map shop. | 0:34:21 | 0:34:25 | |
Lap two, with the dinky truck and trailer, | 0:34:25 | 0:34:28 | |
she's accelerated her profit margin by £43.30, | 0:34:28 | 0:34:31 | |
selling it to four-by-four enthusiast and collector, James. | 0:34:31 | 0:34:35 | |
Lap three, the toy fire engine brings in a profit | 0:34:35 | 0:34:38 | |
of £12.80, when she sells it to Hereford based collector, Chris. | 0:34:38 | 0:34:42 | |
Next, she's taking her collection of funky glasses | 0:34:42 | 0:34:45 | |
to Vickie, who runs a vintage coffee bar in Cheltenham. | 0:34:45 | 0:34:49 | |
So, we've got roughly, I think, 22/23-ish glasses, | 0:34:49 | 0:34:53 | |
and then these two jugs, which I particularly like. | 0:34:53 | 0:34:56 | |
And, as you can see, they've got quite an arty look to them. | 0:34:56 | 0:34:59 | |
They actually date from the early 1990s. | 0:34:59 | 0:35:03 | |
I think 1993. | 0:35:03 | 0:35:04 | |
The factory is called Ritzenhoff. | 0:35:04 | 0:35:06 | |
They used leading designers to come up with these designs, so they've got | 0:35:06 | 0:35:10 | |
a sort of retro feel about them, and obviously really arty. | 0:35:10 | 0:35:13 | |
And I thought of you because you've | 0:35:13 | 0:35:15 | |
got such a lovely retro setting, here. It looks fabulous. | 0:35:15 | 0:35:19 | |
It might be something that you may want to use or just | 0:35:19 | 0:35:21 | |
-put on display, maybe. -I particularly like the cowboy one. | 0:35:21 | 0:35:24 | |
-Oh, do you? -Yeah. | 0:35:24 | 0:35:25 | |
There's a few of them that I particularly like, that I could use | 0:35:25 | 0:35:29 | |
for display, and then the others, I think, could be | 0:35:29 | 0:35:31 | |
used more for events that we do. | 0:35:31 | 0:35:34 | |
So, how does around the, sort of, £200 mark sound? | 0:35:34 | 0:35:38 | |
150? | 0:35:38 | 0:35:40 | |
Could you go up just a tiny bit for me and say 160? | 0:35:40 | 0:35:42 | |
Yes, because of the cowboy. | 0:35:42 | 0:35:47 | |
-Brilliant, thank goodness I bought that one. -Yes, definitely! | 0:35:47 | 0:35:50 | |
Kate makes a tip-top profit of £110.44 | 0:35:50 | 0:35:53 | |
for the glasses, so it's Happy Days. | 0:35:53 | 0:35:56 | |
MUSIC: Happy Days Theme | 0:35:56 | 0:36:00 | |
I'm in milkshake heaven. | 0:36:08 | 0:36:10 | |
Look at that, that's what these glasses were made for. | 0:36:10 | 0:36:13 | |
However, Phil has a bad case of competitive spirit, | 0:36:13 | 0:36:17 | |
so he's off to see Dr Peter of Guarlford. | 0:36:17 | 0:36:19 | |
He's making a house call with his pharmacy items. | 0:36:19 | 0:36:23 | |
-This is the lot that I told you about... -Yes. | 0:36:23 | 0:36:25 | |
..and, well, I suspect that you're going to know more about it | 0:36:25 | 0:36:28 | |
than I am. How does that work? | 0:36:28 | 0:36:30 | |
Well, this is a Nelson's inhaler. | 0:36:30 | 0:36:34 | |
-It's really for chest problems. -Yeah. | 0:36:34 | 0:36:36 | |
In the olden days, they used to put hot water in here, | 0:36:36 | 0:36:39 | |
a couple of menthol crystals in there. | 0:36:39 | 0:36:41 | |
You would then breathe in and out, really deep breaths, | 0:36:41 | 0:36:44 | |
-and it cleared the lungs. -Did it work? | 0:36:44 | 0:36:46 | |
It's the first line of approach. | 0:36:46 | 0:36:48 | |
I think, if you've got a chest - really, if you can't get | 0:36:48 | 0:36:51 | |
an appointment with your doctor for a day or so, | 0:36:51 | 0:36:54 | |
get stuck into that. Yes. | 0:36:54 | 0:36:55 | |
-Is this of any interest to you? -I've got lots of these things, anyway. | 0:36:55 | 0:36:59 | |
These are quite modern. | 0:36:59 | 0:37:00 | |
I would think 50 or 60, I would be happy to pay. | 0:37:00 | 0:37:03 | |
Oh, please, or I'm going to lose money! | 0:37:03 | 0:37:05 | |
Oh, dear! Remember, Phil paid just over £100 for the lot. | 0:37:05 | 0:37:09 | |
What's the best you can do, Peter? Can I tweak you up a bit, | 0:37:09 | 0:37:12 | |
-because I... -Up to 60, yes. | 0:37:12 | 0:37:14 | |
I can't get you any higher? I'm going to need some medical help | 0:37:14 | 0:37:17 | |
-after this, you know! -Yes, you might well do. Actually, that's nice. | 0:37:17 | 0:37:20 | |
This was for making nightlights. | 0:37:20 | 0:37:23 | |
I think, probably, I'd go as far as 70. | 0:37:23 | 0:37:26 | |
Here you go. | 0:37:26 | 0:37:28 | |
Oh, dear! | 0:37:28 | 0:37:30 | |
This is a nice one, actually. Yes. | 0:37:30 | 0:37:32 | |
This is getting better. Have another look. | 0:37:32 | 0:37:34 | |
Just try and make it a bit better, please! | 0:37:34 | 0:37:36 | |
Yes, OK, I'll give you 100. | 0:37:36 | 0:37:38 | |
I'm going to shake his hand quickly. | 0:37:38 | 0:37:41 | |
Well, Phil makes a loss of 30 pence on the pharmacy equipment | 0:37:41 | 0:37:45 | |
and the poor old thing needs to have a lie down. | 0:37:45 | 0:37:49 | |
But his spirits are lifted a little | 0:37:49 | 0:37:50 | |
when he sells the fruitwood bookends | 0:37:50 | 0:37:52 | |
and treen for a profit of £6 | 0:37:52 | 0:37:54 | |
to Worcester-based antiques dealer, Alyson. | 0:37:54 | 0:37:57 | |
Now, the bull is back. | 0:38:01 | 0:38:04 | |
After a bit of TLC and a bill of £45, | 0:38:04 | 0:38:06 | |
Kate's porcelain bull has been restored to its former glory, | 0:38:06 | 0:38:09 | |
and is ready to re-enter the ring. | 0:38:09 | 0:38:12 | |
Well, I'm in my element, in my wellies on a Herefordshire farm! | 0:38:12 | 0:38:16 | |
And I've come to meet a Hereford cattle breeder. | 0:38:16 | 0:38:19 | |
I'm hoping he wants another one to add to the herd, | 0:38:19 | 0:38:22 | |
that's pretty cheap to keep. | 0:38:22 | 0:38:24 | |
So, what did you think of this fella? Does he live up to the mark? | 0:38:29 | 0:38:32 | |
I know that the Cattle Movement Service wouldn't be very | 0:38:32 | 0:38:34 | |
-happy with him for two reasons - he's not tagged... -Right. | 0:38:34 | 0:38:38 | |
-..and he hasn't got a ring in his nose. -Ah. | 0:38:38 | 0:38:40 | |
And if a bull hasn't got a ring in his nose, | 0:38:40 | 0:38:42 | |
you can't take him out on the road. | 0:38:42 | 0:38:44 | |
Well, the good thing about this fella is the very naturalistic | 0:38:44 | 0:38:47 | |
-modelling... -Yep. -..that Beswick, the porcelain factory, have got here. | 0:38:47 | 0:38:51 | |
Now, this chap dates probably from the latter part of the 20th century. | 0:38:51 | 0:38:55 | |
-And he's in lovely form, as you can see. -Yes. | 0:38:55 | 0:38:58 | |
Now, I must point out, though, he has had a little bit of restoration | 0:38:58 | 0:39:01 | |
-just to one leg, here, which has been professionally done. -Yes. | 0:39:01 | 0:39:05 | |
Is it something you would like to add to your herd, do you think, | 0:39:05 | 0:39:07 | |
-or your collection? -He would look nice in my house, yes. | 0:39:07 | 0:39:10 | |
-He would look nice, yes. -All right, well, | 0:39:10 | 0:39:13 | |
I'm looking for roughly between £150 and 200. | 0:39:13 | 0:39:16 | |
Without his proper markings on and no ring, | 0:39:16 | 0:39:19 | |
-he wouldn't be worth 200. -Oh, OK. | 0:39:19 | 0:39:22 | |
-But as he stands? -About 160. | 0:39:22 | 0:39:25 | |
-Well, that sounds great to me. -All right. | 0:39:25 | 0:39:27 | |
-Thank you very much, indeed. -Thanks for that. | 0:39:27 | 0:39:30 | |
Kate makes £44.20 on the bull and she's delighted. | 0:39:30 | 0:39:33 | |
Well, despite my bull model having a little bit of a bumpy ride | 0:39:34 | 0:39:38 | |
since I bought him, he's now ended up | 0:39:38 | 0:39:40 | |
with the perfect Herefordshire herd. | 0:39:40 | 0:39:43 | |
And, so with that, Kate is all sold up. | 0:39:45 | 0:39:49 | |
Phil, however, still has one item left. | 0:39:49 | 0:39:51 | |
It's the Wembley seat-back signed by Sir Geoff Hurst. | 0:39:51 | 0:39:55 | |
This is the last of my items, and today it's a change of scarf, | 0:39:55 | 0:39:58 | |
because I'm here to watch Worcester City play football. | 0:39:58 | 0:40:01 | |
I just hope this doesn't end up as an own goal. | 0:40:01 | 0:40:04 | |
He's meeting Worcester City chairman, Anthony, | 0:40:05 | 0:40:08 | |
at the grounds they're sharing with Kidderminster FC. | 0:40:08 | 0:40:11 | |
-I've got a bit of history for you, today. -Right. | 0:40:11 | 0:40:14 | |
A seat from Wembley Stadium, | 0:40:14 | 0:40:16 | |
-where I'm sure Worcester City will play one day... -Exactly. | 0:40:16 | 0:40:19 | |
..signed by Sir Geoff Hurst. | 0:40:19 | 0:40:22 | |
Well, let me ask you first of all, if you buy it, and it is an if, | 0:40:22 | 0:40:25 | |
-what will you do with it? -I shall purchase it for the club. | 0:40:25 | 0:40:27 | |
We will do a fundraising evening to raise money for the new | 0:40:27 | 0:40:31 | |
stadium that we are hoping to build in Worcester. | 0:40:31 | 0:40:33 | |
You see, now I feel bit guilty because I'm going to try | 0:40:33 | 0:40:36 | |
-and get a lot of money out of you for this! -Right. | 0:40:36 | 0:40:38 | |
So, I was kind of thinking I should ask you... | 0:40:38 | 0:40:41 | |
-350? -I will give you 300. | 0:40:41 | 0:40:43 | |
You're a star. Thank you very much, indeed. | 0:40:43 | 0:40:47 | |
Phil scores a profit of £123 for the seat, | 0:40:47 | 0:40:51 | |
and he's done. | 0:40:51 | 0:40:53 | |
And that's all of my items gone, | 0:40:53 | 0:40:54 | |
so in the words of the great Kenneth Wolstenholme, | 0:40:54 | 0:40:57 | |
they think it's all over - it is now! | 0:40:57 | 0:40:59 | |
Yes, and it's all over for this beautiful game, too. | 0:41:02 | 0:41:04 | |
So, before we find out who'll be taking home the victory cup, | 0:41:04 | 0:41:08 | |
let's see how much our opponents spent, today. | 0:41:08 | 0:41:10 | |
Our duelling duo each started | 0:41:12 | 0:41:14 | |
with £1,000 of their own money. | 0:41:14 | 0:41:16 | |
Kate bought a total of eight lots, | 0:41:16 | 0:41:18 | |
costing £496.78. | 0:41:18 | 0:41:21 | |
Phil bought fewer lots. | 0:41:21 | 0:41:23 | |
Six in total, but spent more. | 0:41:23 | 0:41:25 | |
A weighty £829.54. | 0:41:25 | 0:41:28 | |
But all that matters now is the bottom line. | 0:41:28 | 0:41:31 | |
All of the money that Phil and Kate have made from today's | 0:41:31 | 0:41:34 | |
challenge will go to the charities of their choice. | 0:41:34 | 0:41:37 | |
So, let's find out who is today's | 0:41:37 | 0:41:39 | |
Put Your Money Where Your Mouth Is champion. | 0:41:39 | 0:41:42 | |
-Whoa, that was a good... -Hey! -What an auction! | 0:41:43 | 0:41:45 | |
-How did you get on? -Well, I really, really enjoyed it. | 0:41:45 | 0:41:48 | |
Oh, new scarf? Good colour. | 0:41:48 | 0:41:50 | |
Well, I went to watch Worcester City play football, | 0:41:50 | 0:41:52 | |
and sold the chairman my Geoff Hurst seat. Do you remember that? | 0:41:52 | 0:41:54 | |
-Did you now? -And what about you? How did you get on? | 0:41:54 | 0:41:57 | |
Well, I went back in time to sell my weights. | 0:41:57 | 0:41:59 | |
-You had those cool glasses, I loved those. -The cool glasses went well. | 0:41:59 | 0:42:02 | |
-Did they? -£110 profit. -That's great. -Thank you very much. | 0:42:02 | 0:42:05 | |
-That's what you want to hear, isn't it? -I did love those, actually. -Yes. | 0:42:05 | 0:42:08 | |
And what about those brass markers you stole from me at the auction? | 0:42:08 | 0:42:11 | |
Stole them - that sort of money?! | 0:42:11 | 0:42:14 | |
What was lovely was that I sold them | 0:42:14 | 0:42:15 | |
to a guy who really, really wanted them. | 0:42:15 | 0:42:17 | |
-Fantastic. -So, are we going to... -A good home. | 0:42:17 | 0:42:20 | |
Yeah, I have a feeling there could have been a good | 0:42:20 | 0:42:22 | |
wedge of profit in that, as well. | 0:42:22 | 0:42:24 | |
-I'm anxious about this. -OK, one, two, three, go! | 0:42:24 | 0:42:27 | |
-Ooh! -Oh! | 0:42:27 | 0:42:29 | |
-Wow! Very good! -That's a chump, isn't it? | 0:42:29 | 0:42:32 | |
Very good. Crikey, was that all the markers? | 0:42:32 | 0:42:35 | |
-£283. -Was it? -£283. -Well done. | 0:42:35 | 0:42:39 | |
I knew I should have bought 'em! | 0:42:39 | 0:42:42 | |
So, Phil is today's winner after having scored profits, | 0:42:42 | 0:42:45 | |
lapped his opponent and proved he's a cut above the rest. | 0:42:45 | 0:42:49 | |
Well, congratulations to Philip. I take my hat off to him. | 0:42:49 | 0:42:52 | |
He bought well and sold even better. | 0:42:52 | 0:42:55 | |
I beat Kate! I'm really pleased about that, | 0:42:55 | 0:42:58 | |
and I can't help but think it's all down to those billiard markers. | 0:42:58 | 0:43:01 | |
It's lovely to sell something to someone who really, really wants it. | 0:43:01 | 0:43:05 | |
But, never fear - tomorrow, Kate gets the chance to fight back | 0:43:06 | 0:43:09 | |
at a car-boot sale in West Sussex. | 0:43:09 | 0:43:12 |