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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's | 0:00:04 | 0:00:05 | |
best-loved antiques experts against each other | 0:00:05 | 0:00:08 | |
in an all-out battle for profit. | 0:00:08 | 0:00:10 | |
Let's make hay while that sun shines. | 0:00:10 | 0:00:12 | |
Each day, one pair of duelling dealers will face a mighty challenge... | 0:00:12 | 0:00:16 | |
I've got a heavy profit here. | 0:00:16 | 0:00:19 | |
..putting their reputations on the line... | 0:00:19 | 0:00:21 | |
Who's there? | 0:00:21 | 0:00:23 | |
They'll give you the insider's view of the trade... | 0:00:23 | 0:00:26 | |
HE GROWLS | 0:00:26 | 0:00:28 | |
..along with their top tips and savvy secrets... | 0:00:28 | 0:00:30 | |
That could present a problem. | 0:00:30 | 0:00:32 | |
..showing you how to make the most money... | 0:00:32 | 0:00:35 | |
Ready for battle. | 0:00:35 | 0:00:37 | |
..from buying and selling. | 0:00:37 | 0:00:39 | |
Get in there! | 0:00:39 | 0:00:40 | |
Coming up, David reveals that old age is all the rage | 0:00:42 | 0:00:45 | |
when it comes to leather. | 0:00:45 | 0:00:47 | |
I love worn-out leather. | 0:00:47 | 0:00:50 | |
It just improves with age. | 0:00:50 | 0:00:53 | |
You can't get that pattern-ation without use, abuse and wear. | 0:00:53 | 0:00:58 | |
Phil's haggling technique backfires. | 0:00:58 | 0:01:01 | |
15, I could do. | 0:01:01 | 0:01:03 | |
PHIL WEEPS | 0:01:03 | 0:01:04 | |
-Now it's 225 again. -No! No, no, no! | 0:01:04 | 0:01:06 | |
And when it comes to selling, it's all about knowing the right lingo. | 0:01:06 | 0:01:10 | |
You'd use this to swing the dingy-thing. | 0:01:10 | 0:01:14 | |
Swing this dingly-dongler, I think we call it in the trade. | 0:01:14 | 0:01:18 | |
This is Put Your Money Where Your Mouth Is. | 0:01:18 | 0:01:21 | |
Welcome, one and all, to our foreign foray. | 0:01:38 | 0:01:41 | |
Today, we're in Maastricht antiques market in Holland, | 0:01:41 | 0:01:44 | |
famed for its cheese, tulips and the birthplace of Vincent van Gogh, | 0:01:44 | 0:01:49 | |
and of course, the European Union. | 0:01:49 | 0:01:52 | |
In this historic city, | 0:01:52 | 0:01:54 | |
50 stalls of wondrous wares await our dealers as they battle to buy, | 0:01:54 | 0:01:58 | |
sell and earn a winning profit. | 0:01:58 | 0:02:01 | |
First up, it's our fancier of finery. | 0:02:01 | 0:02:04 | |
He knows his Rembrandts from his rubbish. | 0:02:04 | 0:02:06 | |
With his eyes on the prize and a head for haggling, it's... | 0:02:06 | 0:02:09 | |
I'm hovering like a hyena. | 0:02:11 | 0:02:14 | |
And trying to beat David | 0:02:14 | 0:02:15 | |
is a man whose antiques artistry knows no bounds. | 0:02:15 | 0:02:18 | |
A forward thinker of fortune with a penchant for the priceless, it's... | 0:02:18 | 0:02:22 | |
I can feel a bit of a spend coming on. | 0:02:25 | 0:02:28 | |
They both have £750 worth of their own euros to spend as they go | 0:02:28 | 0:02:33 | |
head-to-head to make a profit, | 0:02:33 | 0:02:35 | |
which will all be sent to our dealers' chosen charities. | 0:02:35 | 0:02:39 | |
So, David Harper and Phil Serrell, | 0:02:39 | 0:02:42 | |
it's time to put your money where your mouth is. | 0:02:42 | 0:02:45 | |
-I'm cold! -You know what they say about you, Dave. | 0:02:45 | 0:02:48 | |
-You never 'mass a tricht'. -Oh! -Topical, you see! | 0:02:48 | 0:02:50 | |
-Oh, I can't beat it, Phil. -It's best not to, really. | 0:02:50 | 0:02:53 | |
-I thought we were in Belgium. Where are we? -I've been telling you | 0:02:53 | 0:02:56 | |
for days we're going to Holland. | 0:02:56 | 0:02:58 | |
-Hol-land. -Right. How much money have you got? -We've got £750... | 0:02:58 | 0:03:01 | |
-And a lot of stalls to go round. -It looks good. | 0:03:01 | 0:03:03 | |
Shall we try and find something vernacular? | 0:03:03 | 0:03:06 | |
-Vernacular? What, clogs? -Well, you know, local to the area. | 0:03:06 | 0:03:08 | |
-A bit of cheese. -Cheese? | 0:03:08 | 0:03:10 | |
-Yeah. -Cheese and clogs! -Tulips. -Good combination! | 0:03:10 | 0:03:12 | |
-See you later on. -Good luck. -Take care. -Yeah. | 0:03:12 | 0:03:16 | |
Mmm, so now our big spenders have agreed on where they are | 0:03:16 | 0:03:19 | |
and which souvenirs they're going to take back home, | 0:03:19 | 0:03:22 | |
it's time to get down to business, and with "The Fox" out of ear shot, | 0:03:22 | 0:03:25 | |
"Devilish" can dish the dirt. | 0:03:25 | 0:03:28 | |
Right, fantastic, | 0:03:28 | 0:03:29 | |
away from Phil Serrell and his dreadful jokes, | 0:03:29 | 0:03:32 | |
that I've heard 48,000 times. | 0:03:32 | 0:03:34 | |
I'm on my own in a foreign fair, | 0:03:34 | 0:03:36 | |
so I'm going to be looking for something out of the ordinary. | 0:03:36 | 0:03:40 | |
Not the kind of thing you might find at a British fair. | 0:03:40 | 0:03:43 | |
So I'm looking for a little bit of Continental flair. | 0:03:43 | 0:03:47 | |
Yes, David's plan is to get right in there | 0:03:47 | 0:03:49 | |
with the curious Continental collectables. | 0:03:49 | 0:03:52 | |
Whereas for Phil, that's the one thing that's worrying him. | 0:03:52 | 0:03:55 | |
Foreign markets are great. I absolutely love them. | 0:03:55 | 0:03:58 | |
The thing is, you really are a fish out of water here because you're | 0:03:58 | 0:04:02 | |
looking at things that are very local and specific to this area, | 0:04:02 | 0:04:05 | |
and I'm going to buy them here and take them back home. | 0:04:05 | 0:04:09 | |
Is that a clever thing to do? | 0:04:09 | 0:04:10 | |
Well, yes, Phil, that's exactly what you're here to do. | 0:04:10 | 0:04:13 | |
Hmm, while Phil ponders on his position, | 0:04:13 | 0:04:16 | |
David is like the early bird. | 0:04:16 | 0:04:18 | |
The very, very early bird. | 0:04:18 | 0:04:20 | |
-Morning. -Good morning. | 0:04:20 | 0:04:23 | |
Hold on, where is everybody? | 0:04:23 | 0:04:25 | |
I think this is the trick, you know. Get here early | 0:04:25 | 0:04:28 | |
and watch things unload. But have you noticed? There are no buyers. | 0:04:28 | 0:04:32 | |
There's only Phil Serrell and me. I can't believe it! | 0:04:32 | 0:04:35 | |
Here is a massive opportunity for people to get here and bag the best | 0:04:35 | 0:04:39 | |
pieces. If this was in England, I think it'd be teeming with buyers. | 0:04:39 | 0:04:43 | |
With "Devilish" confident that he's got the market almost to himself, | 0:04:43 | 0:04:47 | |
it's not long before he spots a wall light he likes the look of. | 0:04:47 | 0:04:50 | |
Now, let's see how much of the local lingo that he's learned. | 0:04:50 | 0:04:54 | |
Hello, there, good morning. Um, I don't speak Dutch, I'm afraid. | 0:04:54 | 0:04:57 | |
-Er, none, then. -Do you speak English? | 0:04:57 | 0:05:00 | |
-A little bit. -Oh, good. A little bit is enough. | 0:05:00 | 0:05:03 | |
-How much is the little wall light there? -65. -65. OK. | 0:05:03 | 0:05:06 | |
I don't know where I'd go with that one. | 0:05:06 | 0:05:08 | |
What else have you got? What about this doggy here? | 0:05:08 | 0:05:11 | |
Is this a greyhound? Oh, he's actually a pot. | 0:05:11 | 0:05:14 | |
Terracotta, I think. | 0:05:14 | 0:05:15 | |
No great age to him. | 0:05:15 | 0:05:18 | |
Sorry, her. | 0:05:18 | 0:05:20 | |
-A broken paw there. How much is the doggie? -25. | 0:05:20 | 0:05:22 | |
25 euro? | 0:05:22 | 0:05:24 | |
Um, can I give you 20? | 0:05:24 | 0:05:26 | |
-Yes. -20. You're a delight. | 0:05:26 | 0:05:28 | |
Thank you very much, thank you very much. I've bought myself a pet. | 0:05:28 | 0:05:32 | |
David's porcelain pooch sets him back 20 euros, | 0:05:32 | 0:05:35 | |
or £14.81 when converted. | 0:05:35 | 0:05:38 | |
And his new pet is already pulling at his heartstrings. | 0:05:38 | 0:05:43 | |
Now, come on. Who could fail to fall in love with that face? | 0:05:43 | 0:05:47 | |
Isn't she just absolutely gorgeous? | 0:05:47 | 0:05:50 | |
A good-sized greyhound or a whippet, probably 20-30 years old, | 0:05:50 | 0:05:54 | |
the odd chip here and there, a little scar down her neck, | 0:05:54 | 0:05:57 | |
but this all adds to her character. | 0:05:57 | 0:06:00 | |
She is absolutely gorgeous, and we as a nation, the British, | 0:06:00 | 0:06:03 | |
love our animals. | 0:06:03 | 0:06:05 | |
And I'm going to find someone who falls desperately in love with this | 0:06:05 | 0:06:08 | |
gorgeous creature. | 0:06:08 | 0:06:10 | |
So, along with his canine companion, David is off the blocks. | 0:06:10 | 0:06:14 | |
Meanwhile, Phil is on the hunt for his first purchase, | 0:06:14 | 0:06:17 | |
and it appears he's looking for the finer things today. | 0:06:17 | 0:06:21 | |
This is a tuning-fork watch. | 0:06:21 | 0:06:23 | |
If you keep it to your ear, you will hear it hum. | 0:06:23 | 0:06:26 | |
Zzzzz! And that's the humming of your tuning fork. | 0:06:26 | 0:06:28 | |
-And that is 350? -350, yeah. | 0:06:28 | 0:06:31 | |
-OK, thank you much indeed. -You're welcome. | 0:06:31 | 0:06:33 | |
But it seems the price tags on the things he likes... | 0:06:33 | 0:06:36 | |
120 euros. | 0:06:36 | 0:06:38 | |
..are a little too high. | 0:06:38 | 0:06:39 | |
How much are the tiles, please? | 0:06:39 | 0:06:41 | |
95 euros. | 0:06:41 | 0:06:43 | |
No good. There's no middle ground at this fair. | 0:06:43 | 0:06:46 | |
Things are either really cheap and, actually, not too much quality, | 0:06:46 | 0:06:50 | |
or really expensive. | 0:06:50 | 0:06:52 | |
Yes, Phil's struggling with his pricing points today | 0:06:52 | 0:06:55 | |
and is keeping his euros under wraps for now. | 0:06:55 | 0:06:58 | |
But across the market... | 0:06:58 | 0:06:59 | |
This fair is tiny, but brilliant. | 0:06:59 | 0:07:03 | |
Really interesting objects. | 0:07:03 | 0:07:05 | |
And, I think, incredibly cheap. | 0:07:05 | 0:07:07 | |
Ah, well, there's one man that doesn't agree with you, | 0:07:07 | 0:07:11 | |
but he's just spotted something he likes the look of. | 0:07:11 | 0:07:13 | |
A bit of automotive memorabilia. | 0:07:13 | 0:07:15 | |
Hello. | 0:07:17 | 0:07:19 | |
-How much, please? -20. | 0:07:19 | 0:07:21 | |
-Could you take ten euros? -15 euros! -Ten! | 0:07:21 | 0:07:24 | |
-15. No! -Oh, look at the look on his face. Look at the look on his face, | 0:07:24 | 0:07:27 | |
Hmm, recognise that, do you, Phil? | 0:07:27 | 0:07:29 | |
15. I'll have that off you. | 0:07:29 | 0:07:31 | |
-Yes? -Yes, thank you very much. | 0:07:31 | 0:07:33 | |
Yes, Phil knows a good deal when he sees it, | 0:07:33 | 0:07:35 | |
and those shallow pockets get | 0:07:35 | 0:07:36 | |
some action as he bags his first buy of the day | 0:07:36 | 0:07:40 | |
for 15 euros, or £11.11. | 0:07:40 | 0:07:43 | |
This is from that great golden era when | 0:07:43 | 0:07:46 | |
Those Magnificent Men In Their Flying Machines | 0:07:46 | 0:07:49 | |
and Monte Carlo Or Bust! and all that sort of stuff. | 0:07:49 | 0:07:52 | |
So you've got the early days | 0:07:52 | 0:07:53 | |
of motoring and the earlier days of aviation, | 0:07:53 | 0:07:56 | |
and wouldn't it be just lovely if this came from this period? | 0:07:56 | 0:07:59 | |
It doesn't. It's out of period. | 0:07:59 | 0:08:01 | |
This poster's probably ten or 20 years old. | 0:08:01 | 0:08:03 | |
But I think it's quite stylistic. It conveys a really good, | 0:08:03 | 0:08:07 | |
strong image, and I'm hoping I'm going to find somebody who is either | 0:08:07 | 0:08:10 | |
into their flying, or their cars, who might want a poster. | 0:08:10 | 0:08:13 | |
Or perhaps someone with a flying car! Ha-ha! | 0:08:13 | 0:08:16 | |
Close by, David is still looking for the unusual. | 0:08:16 | 0:08:19 | |
But it appears that when he said he wanted collectables | 0:08:19 | 0:08:22 | |
from the Continent, | 0:08:22 | 0:08:24 | |
he wasn't necessarily limiting himself to the European one. | 0:08:24 | 0:08:27 | |
I'll tell you what, tribal art is a fascinating area. | 0:08:27 | 0:08:31 | |
Right now, I'm very much into this sort of ethnic carving. | 0:08:31 | 0:08:34 | |
But you have to really understand it thoroughly, or otherwise, | 0:08:34 | 0:08:37 | |
you can badly get your fingers burnt. | 0:08:37 | 0:08:40 | |
It's going to take me a couple of years probably of reading, studying, | 0:08:40 | 0:08:43 | |
handling before I feel completely and utterly confident | 0:08:43 | 0:08:47 | |
to go out there and spend big money on this stuff. | 0:08:47 | 0:08:50 | |
It's a minefield but massively fascinating. | 0:08:50 | 0:08:55 | |
Yes, very sensible. | 0:08:55 | 0:08:56 | |
Meanwhile, Phil is still being cautious with his cash. | 0:08:56 | 0:09:00 | |
-How much? -125. | 0:09:00 | 0:09:02 | |
And back it goes. | 0:09:02 | 0:09:04 | |
This could be a long day. | 0:09:04 | 0:09:06 | |
How much is that? | 0:09:06 | 0:09:08 | |
-It's 700 and... -No, too much for me. | 0:09:08 | 0:09:11 | |
After a close inspection of almost every item on the stall, | 0:09:11 | 0:09:15 | |
Phil finds a pair of white metal vintage pens and a | 0:09:15 | 0:09:18 | |
Napoleonic-style, early 20th century straw trinket box. | 0:09:18 | 0:09:22 | |
But there's that all-important question again. | 0:09:22 | 0:09:25 | |
What is the very, very best you can do for those two? | 0:09:25 | 0:09:28 | |
-50 together. -50 euros together? | 0:09:28 | 0:09:31 | |
-Yes. -I'll have both those. Thank you very much. | 0:09:31 | 0:09:34 | |
Well, we got there in the end, and Phil gets two pens | 0:09:34 | 0:09:37 | |
and the straw box for a combined price | 0:09:37 | 0:09:40 | |
of just over £37 when converted. | 0:09:40 | 0:09:43 | |
So, what made him splash the cash? | 0:09:43 | 0:09:45 | |
Boys and their toys. | 0:09:46 | 0:09:47 | |
Now, I've got a ballpoint pen and a fountain pen. | 0:09:47 | 0:09:50 | |
I think they're really cool things. | 0:09:50 | 0:09:52 | |
White metal overlay cut | 0:09:52 | 0:09:54 | |
and they would adorn and grace any gentleman's desk. | 0:09:54 | 0:09:57 | |
And at the money I paid, there's got to be a profit in these. | 0:09:57 | 0:10:00 | |
And for me, the real little treasure is this straw workbox. | 0:10:00 | 0:10:03 | |
French prisoners of war got straw, | 0:10:03 | 0:10:06 | |
coloured it and split it and covered boxes and they made things just like | 0:10:06 | 0:10:10 | |
this. It's a real good old-fashioned antique and there's got to be a | 0:10:10 | 0:10:14 | |
-profit in that. -And that double purchase means that our | 0:10:14 | 0:10:17 | |
hard-bargaining Brit now has three items to his opponent's one. | 0:10:17 | 0:10:20 | |
But on the other side of the market, | 0:10:20 | 0:10:22 | |
David could be ringing up his next purchase. | 0:10:22 | 0:10:25 | |
MS Bremen. | 0:10:26 | 0:10:28 | |
Any idea where that's from? | 0:10:28 | 0:10:30 | |
-German. -German, yeah. | 0:10:30 | 0:10:32 | |
And dated 1911 as well. | 0:10:32 | 0:10:34 | |
That's handy. Is it a ship's bell? | 0:10:34 | 0:10:36 | |
-Yes. -From a ship, yeah? -It's a good sound. -Good sound, is it? | 0:10:36 | 0:10:39 | |
-Can I...? -You can try it. | 0:10:39 | 0:10:42 | |
That would wake the sailors up! | 0:10:42 | 0:10:44 | |
You can hear it from one mile. | 0:10:44 | 0:10:46 | |
-A mile! Is that the idea? -Yeah. -Really? -Yeah. -My gosh! | 0:10:46 | 0:10:50 | |
That's very powerful. What sort of price is that? | 0:10:50 | 0:10:53 | |
-15. -15 euros? | 0:10:53 | 0:10:55 | |
-It's not expensive at all. -Yes. -I don't think I could say no to that. | 0:10:55 | 0:10:58 | |
I think I'm going to say yes. Thank you very much. | 0:10:58 | 0:11:01 | |
Without even a haggle, | 0:11:01 | 0:11:02 | |
David chimes in his second purchase | 0:11:02 | 0:11:04 | |
and spends just over £11. | 0:11:04 | 0:11:07 | |
Mmm, someone feels like they're getting good deals today. | 0:11:07 | 0:11:11 | |
That is a really...quite an interesting ship's bell, | 0:11:11 | 0:11:15 | |
lovely with the date - 1911, | 0:11:15 | 0:11:17 | |
just three years before the outbreak of the First World War. | 0:11:17 | 0:11:22 | |
German, certainly. | 0:11:22 | 0:11:24 | |
In period, absolutely. | 0:11:24 | 0:11:26 | |
This is one of the big worries with objects like this. | 0:11:26 | 0:11:28 | |
You know, is it a reproduction? | 0:11:28 | 0:11:30 | |
Well, I'm very happy that it's not. | 0:11:30 | 0:11:32 | |
It's got lots of age to it. It's not the best quality thing | 0:11:32 | 0:11:35 | |
in the world, but it wasn't meant to be. | 0:11:35 | 0:11:37 | |
It's a functioning bit of kit. | 0:11:37 | 0:11:38 | |
And the Bremen would've had lots of these bells, | 0:11:38 | 0:11:41 | |
and then when it's being broken up, bells and all, | 0:11:41 | 0:11:44 | |
bits and pieces of ship, and then just distributed | 0:11:44 | 0:11:46 | |
and sold off. So there we go. | 0:11:46 | 0:11:48 | |
And it rings really well. | 0:11:48 | 0:11:49 | |
HE RINGS BELL | 0:11:49 | 0:11:51 | |
-Time to go shopping. -Well, there is just a little snag with that. | 0:11:51 | 0:11:55 | |
This is it. We have kind of come to the end of the fair. | 0:11:55 | 0:11:58 | |
It's a tiny little fair, in actual fact. | 0:11:58 | 0:12:01 | |
That's it! But lots of stuff and it's certainly cheap, | 0:12:01 | 0:12:05 | |
there's no doubt about it. | 0:12:05 | 0:12:08 | |
Yes, David's wallet is still bursting at the seams and, | 0:12:08 | 0:12:11 | |
as he heads back to the stalls, he finds somewhere to rest it. | 0:12:11 | 0:12:14 | |
So, this thing is a low table | 0:12:14 | 0:12:16 | |
designed as a little smoker's table or a wine table. | 0:12:16 | 0:12:20 | |
What's nice about it... | 0:12:20 | 0:12:22 | |
It's a real thing. It's not a repro. | 0:12:22 | 0:12:24 | |
It shows it as well. | 0:12:24 | 0:12:26 | |
People may criticise it cos it has been kicked and dropped so many times. | 0:12:26 | 0:12:30 | |
It has seen action, this thing, which, to me, adds great character. | 0:12:30 | 0:12:35 | |
Now, "Devilish", what were you just saying | 0:12:35 | 0:12:37 | |
about this being a cheap market? | 0:12:37 | 0:12:39 | |
Probably not much more than five euros. | 0:12:39 | 0:12:42 | |
-60. 60 euros. -16? -60! | 0:12:42 | 0:12:44 | |
Oh, 6-0. Oh! | 0:12:44 | 0:12:46 | |
-Right, OK. -6-0, yeah. | 0:12:46 | 0:12:49 | |
Sorry, language barrier. | 0:12:49 | 0:12:51 | |
Yeah, sure, sure. | 0:12:51 | 0:12:53 | |
-Can it be 40 euros? -50 will be my best price. | 0:12:53 | 0:12:56 | |
-I'm going to have it for 50 euros. Thank you. -Thanks. | 0:12:56 | 0:12:59 | |
Thank you very much indeed. | 0:12:59 | 0:13:01 | |
-You're welcome. -A good piece of period Art Deco. | 0:13:01 | 0:13:04 | |
Clap your eyes on that beauty. | 0:13:04 | 0:13:06 | |
50 euros. | 0:13:06 | 0:13:08 | |
Maybe not as cheap as he would have liked, | 0:13:08 | 0:13:11 | |
but David snaps up this faux tortoiseshell side table | 0:13:11 | 0:13:14 | |
for £37.04. | 0:13:14 | 0:13:17 | |
Super stylish, don't you think? | 0:13:17 | 0:13:19 | |
And absolutely no money. | 0:13:19 | 0:13:22 | |
An in-period, Art Deco, little wine or smoker's table | 0:13:22 | 0:13:27 | |
dated to about 1935, certainly pre-Second World War. | 0:13:27 | 0:13:31 | |
Original condition - worn a little bit - but you've got the chrome, | 0:13:31 | 0:13:34 | |
you've got the metal and then you've got a cast-iron base to give it | 0:13:34 | 0:13:37 | |
plenty of weight, cos this is a small table | 0:13:37 | 0:13:39 | |
and you don't want it getting knocked over. | 0:13:39 | 0:13:42 | |
And then the original top, which is faux tortoiseshell. | 0:13:42 | 0:13:46 | |
And it's so twee, but super, super cool. | 0:13:46 | 0:13:49 | |
I absolutely love it. | 0:13:49 | 0:13:51 | |
And while David continues to build his cache of collectibles, | 0:13:51 | 0:13:54 | |
Phil has some breaking knick-knack news. | 0:13:54 | 0:13:57 | |
This is David Harper, filming Put Your Money Where Your Mouth Is, | 0:13:57 | 0:14:00 | |
for the BBC, at Maastricht in Holland. | 0:14:00 | 0:14:03 | |
Actually, it's not really. It's me. | 0:14:03 | 0:14:05 | |
And that awful impression brings us up to the midway point. | 0:14:08 | 0:14:11 | |
It's time to see who's thriving on this foreign antiques adventure | 0:14:11 | 0:14:15 | |
and who's in need of an international rescue. | 0:14:15 | 0:14:18 | |
So, how much have they spent so far? | 0:14:18 | 0:14:20 | |
With £750 worth of euros to spend, | 0:14:22 | 0:14:26 | |
David has so far bought three pieces and spent £62.96, | 0:14:26 | 0:14:31 | |
which leaves him just over £687 in his kitty. | 0:14:31 | 0:14:36 | |
Phil "The Fox" had a slow start, | 0:14:36 | 0:14:38 | |
but has also got three items and spent just £48.15, | 0:14:38 | 0:14:43 | |
leaving him with over £701 to attack the second half. | 0:14:43 | 0:14:47 | |
But before that, they have time for a quick catch up. | 0:14:48 | 0:14:51 | |
Wow! It's not getting any warmer, that's for sure. | 0:14:52 | 0:14:55 | |
And, I tell you what, this is a really interesting fair. | 0:14:55 | 0:14:59 | |
I can't believe there are no buyers here. | 0:14:59 | 0:15:01 | |
I think the stuff is really cheap. | 0:15:01 | 0:15:03 | |
-They don't get up, do they? -They don't. | 0:15:03 | 0:15:04 | |
They're sensible, but they should be up because I reckon | 0:15:04 | 0:15:07 | |
there are some stonking bargains. | 0:15:07 | 0:15:09 | |
-The early bird and all that. -We're a pair of early... -Talking of which, | 0:15:09 | 0:15:12 | |
-I haven't got time. I've got to get buying. -Oh! -See you. | 0:15:12 | 0:15:15 | |
Well, have you ever seen Phil move so fast? | 0:15:15 | 0:15:17 | |
Could it be that David said something he didn't like | 0:15:17 | 0:15:21 | |
the sound of? Perhaps it was that "C" word - cheap. | 0:15:21 | 0:15:24 | |
David has been doing this for many, many years, | 0:15:24 | 0:15:26 | |
and if there is something cheap out there, | 0:15:26 | 0:15:29 | |
you can bet your bottom dollar he'll go and find it, | 0:15:29 | 0:15:31 | |
so I'll have to get my skates on and really concentrate now. | 0:15:31 | 0:15:35 | |
So, all geed up and ready to sink some of his money into this market, | 0:15:35 | 0:15:39 | |
Phil homes in on some vintage leather luggage. | 0:15:39 | 0:15:43 | |
-How much is that, please? -65. | 0:15:43 | 0:15:46 | |
-It's real leather. -Yeah. Pigskin. Yeah. | 0:15:46 | 0:15:49 | |
It's a lovely thing, isn't it? | 0:15:49 | 0:15:50 | |
But you've got to sort the interior out, haven't you? | 0:15:50 | 0:15:53 | |
You've got to line this, really, haven't you? | 0:15:53 | 0:15:56 | |
-Yes. -What's your best price? | 0:15:56 | 0:15:58 | |
-65. -Would 50 euros buy it? | 0:15:58 | 0:16:00 | |
Yeah, it's OK. | 0:16:02 | 0:16:03 | |
Thank you. I can go on my holidays now, look. | 0:16:03 | 0:16:07 | |
A case! | 0:16:07 | 0:16:09 | |
Well, he certainly dipped into his holiday fund | 0:16:09 | 0:16:11 | |
with his fourth and most expensive item so far, | 0:16:11 | 0:16:15 | |
spending just over £37. | 0:16:15 | 0:16:17 | |
But there's more going on here than meets the eye. | 0:16:17 | 0:16:21 | |
Everything in life is not always what it seems. | 0:16:22 | 0:16:25 | |
This looks like a suitcase, but it hasn't been. If you look inside, | 0:16:25 | 0:16:28 | |
this was originally fitted out | 0:16:28 | 0:16:30 | |
probably for a gentleman's vanity case. | 0:16:30 | 0:16:32 | |
I think the way forward is to line this and you've then got | 0:16:32 | 0:16:36 | |
a really cool, | 0:16:36 | 0:16:38 | |
probably pigskin vintage case. | 0:16:38 | 0:16:41 | |
I'd love to own that. | 0:16:41 | 0:16:43 | |
I just hope someone else feels the same way. | 0:16:43 | 0:16:46 | |
The gentleman's vanity case gives Phil a 4-3 advantage and, | 0:16:46 | 0:16:50 | |
with his chokehold on the cash loosening, | 0:16:50 | 0:16:52 | |
it's not long before he spots another potential purchase. | 0:16:52 | 0:16:55 | |
-But what is it? -How much is that, please? | 0:16:55 | 0:16:59 | |
-20 euros. -It's interesting, isn't it? | 0:16:59 | 0:17:02 | |
-Made out of oak. Yeah. -PHIL KNOCKS ON ITEM | 0:17:02 | 0:17:04 | |
-It's for shoes. -For shoes? -Cleaning. | 0:17:04 | 0:17:07 | |
-For cleaning things, is it? -Yeah, yeah. -Cleaning things. | 0:17:07 | 0:17:10 | |
What's the best you can do it for? | 0:17:10 | 0:17:12 | |
Would 15 euros be good? | 0:17:12 | 0:17:15 | |
-15? -Yes. -Thank you very much. | 0:17:15 | 0:17:17 | |
Bye-bye. | 0:17:17 | 0:17:20 | |
So, Phil pays £11.11 for the box, | 0:17:20 | 0:17:23 | |
but he thinks it wasn't made for shoes but for salt. | 0:17:23 | 0:17:27 | |
This is probably mid-19th century, made out of oak, | 0:17:28 | 0:17:32 | |
and I think in England that's worth probably between £40 and £80, | 0:17:32 | 0:17:38 | |
something like that. So, at 15 euros, | 0:17:38 | 0:17:40 | |
I'm kind of hoping there's a profit in that. | 0:17:40 | 0:17:43 | |
So, Phil is hoping for a healthy profit there come the selling. | 0:17:43 | 0:17:46 | |
And, with that, "The Fox" has nudged ahead with five purchases to David's | 0:17:46 | 0:17:50 | |
three. Meanwhile, our man "Devilish" | 0:17:50 | 0:17:53 | |
is still looking for the unusual. | 0:17:53 | 0:17:55 | |
Now, strike a pose. | 0:17:55 | 0:17:57 | |
That is a tiny, tiny mannequin. | 0:17:57 | 0:17:59 | |
Never seen a mannequin so small. | 0:17:59 | 0:18:01 | |
Shop fitting type things are very, very good news in actual fact, | 0:18:01 | 0:18:05 | |
but they've got to have a bit of style as well. It's lost the style. | 0:18:05 | 0:18:09 | |
I know, darling! It's so last season! | 0:18:09 | 0:18:11 | |
Oh, have a look at that, though. | 0:18:11 | 0:18:13 | |
You know what I want? A man-bag. | 0:18:13 | 0:18:15 | |
Seriously, I've been thinking for ages about getting a man-bag. | 0:18:15 | 0:18:19 | |
Good leather gets better with age. | 0:18:19 | 0:18:21 | |
How much for the man-bag? | 0:18:21 | 0:18:23 | |
-25. -25 euros. | 0:18:23 | 0:18:25 | |
Do you wear a man-bag? | 0:18:25 | 0:18:26 | |
-No. -No, not everybody can get away with wearing a man-bag. | 0:18:26 | 0:18:31 | |
Mmm, I bet you can, though, David. | 0:18:31 | 0:18:33 | |
How old is it? Ten, 20 years old? | 0:18:33 | 0:18:35 | |
1950, 1960. | 0:18:35 | 0:18:37 | |
You think it's as old as that? Cool. | 0:18:37 | 0:18:39 | |
You can have it for 20. | 0:18:39 | 0:18:40 | |
So, as soon as I model it, obviously I look so rubbish, | 0:18:40 | 0:18:45 | |
it goes down in price! | 0:18:45 | 0:18:46 | |
Marvellous! 20 euros, that's great, actually. | 0:18:46 | 0:18:49 | |
It's very cool. You should wear a man-bag. | 0:18:49 | 0:18:52 | |
You would suit a man-bag. | 0:18:52 | 0:18:53 | |
OK, I'm going to buy a man-bag, but not for myself. | 0:18:53 | 0:18:58 | |
I need to find a friend, who is a man, who wants a man-bag. | 0:18:58 | 0:19:03 | |
I'll have it. Thank you. | 0:19:03 | 0:19:05 | |
-Nice day! -You, too. Get a man-bag. | 0:19:05 | 0:19:09 | |
Sorry, what type of bag was it? | 0:19:09 | 0:19:11 | |
Let's just review to find out. | 0:19:11 | 0:19:14 | |
You know what I want? A man-bag. | 0:19:14 | 0:19:16 | |
-Sorry, come again? -Seriously, | 0:19:16 | 0:19:17 | |
I've been thinking for ages about getting a man-bag. | 0:19:17 | 0:19:20 | |
Man-bag. Man-bag. | 0:19:20 | 0:19:22 | |
Man-bag. Man-bag, man-bag, man-bag... | 0:19:22 | 0:19:25 | |
-man-bag... -Oh, man-bag! | 0:19:25 | 0:19:28 | |
Got it! So, our fashionista of finery picked up his | 0:19:28 | 0:19:31 | |
"you know what" bag for £14.81 | 0:19:31 | 0:19:35 | |
and has fulfilled a lifelong dream. | 0:19:35 | 0:19:38 | |
You know, this is a very big day for me. | 0:19:38 | 0:19:40 | |
This is the day that I first buy a man-bag. | 0:19:40 | 0:19:44 | |
I've always wanted one. | 0:19:44 | 0:19:46 | |
I love worn-out leather. | 0:19:46 | 0:19:49 | |
It just improves with age. | 0:19:49 | 0:19:52 | |
You can't get that patination without use, | 0:19:52 | 0:19:55 | |
abuse and wear, and it's fantastic. | 0:19:55 | 0:19:58 | |
Date-wise, the chap thinks it's 1960s. | 0:19:58 | 0:20:01 | |
I think it's a bit later, but I don't think it matters. | 0:20:01 | 0:20:03 | |
It's good quality, nice, thick stitching. Good, thick leather. | 0:20:03 | 0:20:07 | |
Worn in all the right places. Loads of pockets and slips. | 0:20:07 | 0:20:11 | |
It's just brilliant. You can fill it with all sorts of rubbish. | 0:20:11 | 0:20:14 | |
This is it. It is now mine. | 0:20:14 | 0:20:16 | |
I am going to attempt to sell it, obviously. | 0:20:16 | 0:20:18 | |
But in the meantime, before I do sell it, I'm going to wear it. | 0:20:18 | 0:20:22 | |
# Papa's got a brand-new bag... # | 0:20:22 | 0:20:24 | |
Yes, very nice. | 0:20:24 | 0:20:26 | |
And that means our designer dealer is trailing Phil by one item now. | 0:20:26 | 0:20:30 | |
"The Fox" has gone from a gentle simmer to a hot-boiled bargainer | 0:20:31 | 0:20:35 | |
as he turns up the heat with his next seller. | 0:20:35 | 0:20:38 | |
So, tell me about these stoves. | 0:20:38 | 0:20:40 | |
-How much is that one? -175. | 0:20:40 | 0:20:41 | |
-But that's sort of Art Deco-ey, isn't it? -That's Art Deco, yes. | 0:20:41 | 0:20:45 | |
-That one? -675. -Oh! | 0:20:45 | 0:20:47 | |
I like that one. | 0:20:47 | 0:20:49 | |
-It's a good one. -And how much is that one? | 0:20:49 | 0:20:52 | |
-275. -You see, I was thinking a lot less than that. | 0:20:52 | 0:20:55 | |
Oh! You can try... | 0:20:55 | 0:20:57 | |
-I can try. -But I have the freedom to say no. | 0:20:57 | 0:21:00 | |
Absolutely right, yeah. | 0:21:00 | 0:21:01 | |
I'll give you 200 euros for it, and that's me finished. | 0:21:01 | 0:21:04 | |
I haven't got any more. 200 euros. | 0:21:04 | 0:21:07 | |
-Sorry. -Oh, dear! | 0:21:07 | 0:21:09 | |
Phil's not getting the deal he wants. | 0:21:09 | 0:21:11 | |
-But, wait! -215 I could do. -PHIL WEEPS | 0:21:11 | 0:21:14 | |
Oh, it looks like the market's got the better of him. | 0:21:14 | 0:21:17 | |
-Now it's 225 again. -No, no, no. | 0:21:17 | 0:21:19 | |
HE LAUGHS | 0:21:19 | 0:21:21 | |
What about... Look, if I gave you 205 and that gives me a chance. | 0:21:21 | 0:21:25 | |
-OK. -You're a gentleman. | 0:21:25 | 0:21:26 | |
Thank you, thank you. | 0:21:26 | 0:21:28 | |
Having left a big impression all over the seller's scarf, | 0:21:28 | 0:21:31 | |
Phil walks away a happy camper, | 0:21:31 | 0:21:33 | |
getting his wood burner for 205 euros, | 0:21:33 | 0:21:36 | |
or £151.85. | 0:21:36 | 0:21:39 | |
One of the things I love about this business is the way we recycle | 0:21:40 | 0:21:44 | |
everything. This is a cast French stove from about 1900, 1940, | 0:21:44 | 0:21:48 | |
something like that. But we can still use it today. | 0:21:48 | 0:21:51 | |
This would look great in one of the yurts, if you want to go glamping. | 0:21:51 | 0:21:55 | |
My only real regret is I didn't get some wood to put on it, | 0:21:55 | 0:21:58 | |
because it is so blooming cold. | 0:21:58 | 0:21:59 | |
# Relight my fire... # | 0:21:59 | 0:22:02 | |
He might have been economic with his euros all day. | 0:22:02 | 0:22:05 | |
Phil's final purchase, | 0:22:05 | 0:22:06 | |
though, has also been the biggest and means he can beat a triumphant | 0:22:06 | 0:22:10 | |
-retreat. -Well, that's me finished, shopped up. | 0:22:10 | 0:22:13 | |
And this has been a really interesting antiques market | 0:22:13 | 0:22:16 | |
because it's not that big, but there are some really good things here, | 0:22:16 | 0:22:20 | |
and some not such good things here. I just hope that | 0:22:20 | 0:22:23 | |
my, uh, eyes haven't let me down. | 0:22:23 | 0:22:25 | |
Well, you've certainly been watching your wallet closely enough! | 0:22:25 | 0:22:29 | |
Now, with dozens of stalls to choose from, | 0:22:29 | 0:22:32 | |
David ends up at the vendor where Phil bought his wood burner. | 0:22:32 | 0:22:35 | |
And while "The Fox" turned on some very suspect tears to good effect, | 0:22:35 | 0:22:39 | |
David is brewing a charm offensive. | 0:22:39 | 0:22:42 | |
Who fancies a rather nice cup of tea? | 0:22:42 | 0:22:45 | |
I've just been talking to this lovely chap here about a fascinating | 0:22:45 | 0:22:49 | |
-kettle. -It is! -And amazing that it still has its gas connector. | 0:22:49 | 0:22:52 | |
The gas came out of the wall... | 0:22:52 | 0:22:54 | |
-Yeah. -..so that they had tea or hot water all the time. | 0:22:54 | 0:22:58 | |
It's amazing. And then you don't | 0:22:58 | 0:23:00 | |
have to actually take it off its cradle, you simply pour like so. | 0:23:00 | 0:23:03 | |
-You're missing a bit on the handle. -No, I don't think so. -Yeah, here. | 0:23:03 | 0:23:07 | |
-It's coming away. -This is original. -Yeah, that is original, | 0:23:07 | 0:23:10 | |
but the wicker would have come all the way to the end. | 0:23:10 | 0:23:12 | |
I don't think they'd leave that raw, would they? | 0:23:12 | 0:23:15 | |
It's not actually a criticism of it. | 0:23:15 | 0:23:16 | |
I think it's just a sign that it is very original. | 0:23:16 | 0:23:20 | |
This was a very, very posh bit of kit. | 0:23:20 | 0:23:23 | |
I mean, this was for somebody with a lot of money. | 0:23:23 | 0:23:26 | |
-Talking of money... -150 euros for it. | 0:23:26 | 0:23:29 | |
-150? -Yes. | 0:23:29 | 0:23:31 | |
-Could it be much cheaper? -My best price would be 125. | 0:23:31 | 0:23:34 | |
-125, thank you very much. Yeah, thank you. -You're welcome. | 0:23:34 | 0:23:38 | |
So, David's cooking on gas and secures his kettle | 0:23:38 | 0:23:41 | |
for a hefty £92.59. | 0:23:41 | 0:23:43 | |
You know, I really can't tell you how interesting this thing is to me. | 0:23:45 | 0:23:50 | |
It's not just a kettle on a stand. | 0:23:50 | 0:23:53 | |
It is so incredibly modern. | 0:23:53 | 0:23:56 | |
When you think it was designed and made in the late 19th century, | 0:23:56 | 0:23:59 | |
it's incredible. It's almost spaceship style. | 0:23:59 | 0:24:03 | |
In completely original condition. | 0:24:03 | 0:24:06 | |
This is the absolute height of fashion | 0:24:06 | 0:24:09 | |
and very expensive, circa 1890, | 0:24:09 | 0:24:11 | |
and the fact that it's still plumbed in for its gas is mind-blowing. | 0:24:11 | 0:24:16 | |
More tea, Vicar? | 0:24:16 | 0:24:18 | |
And with that, the buying is done and a heady day of canvassing, | 0:24:20 | 0:24:24 | |
negotiating and procuring all manner of wonderful wares comes to an end. | 0:24:24 | 0:24:28 | |
It's time to see what our dealers have spent. | 0:24:28 | 0:24:32 | |
They both started the day with £750 worth of their own euros to spend. | 0:24:32 | 0:24:36 | |
David found the bargains today and bought five items | 0:24:36 | 0:24:39 | |
for £170.36. | 0:24:39 | 0:24:43 | |
Phil was trying not to spend, | 0:24:43 | 0:24:45 | |
but bought six items and spent much more than his opponent - | 0:24:45 | 0:24:49 | |
£248.15. | 0:24:49 | 0:24:53 | |
Well, that was the fair that was, wasn't it? | 0:24:53 | 0:24:56 | |
Not bad for our first visit to Holland. | 0:24:56 | 0:24:58 | |
I've really, really enjoyed it. We've got a great Dutch takeaway. It was a good old fair, wasn't it? | 0:24:58 | 0:25:02 | |
Great fair. Look at this! Such a Continental environment. | 0:25:02 | 0:25:05 | |
-Absolutely right. -It feels distinctly different, doesn't it? | 0:25:05 | 0:25:07 | |
Yeah. So, go on, tell me. | 0:25:07 | 0:25:09 | |
Out of all yours, which is your very favourite piece? | 0:25:09 | 0:25:11 | |
The best object, probably, is the kettle. | 0:25:11 | 0:25:14 | |
-It's quite a cool looking thing, isn't it? -Gas powered. | 0:25:14 | 0:25:16 | |
You take it home, plug it into your gas system... | 0:25:16 | 0:25:19 | |
-Blow yourself up! -Marvellous! | 0:25:19 | 0:25:21 | |
But my man-bag, I've never bought a man-bag before. | 0:25:21 | 0:25:24 | |
-I like that. -I saw you wearing a man-bag the other day, | 0:25:24 | 0:25:26 | |
-and I was admiring it. -No man should be without a bag. | 0:25:26 | 0:25:28 | |
-You're right. -Absolutely right, yeah, yeah. | 0:25:28 | 0:25:31 | |
On the luggage front, you see, I love that. | 0:25:31 | 0:25:32 | |
-That, I would use that. -It's such a good case, isn't it? | 0:25:32 | 0:25:35 | |
Really, really lovely. | 0:25:35 | 0:25:36 | |
I tell you what, it's getting that cold here, | 0:25:36 | 0:25:38 | |
do you have any wood I could put on the fire? | 0:25:38 | 0:25:40 | |
We could do that, actually. | 0:25:40 | 0:25:41 | |
-I've got a mistake, though, I think. -What's that? -Well... | 0:25:41 | 0:25:44 | |
Phil, we both love cars, so you'd be expected to buy that. | 0:25:44 | 0:25:47 | |
Yeah, I know, I know. And I couldn't help myself, | 0:25:47 | 0:25:49 | |
but I don't think there's much profit in it. | 0:25:49 | 0:25:51 | |
But, hey-ho! So, we've done the really easy part, haven't we? | 0:25:51 | 0:25:54 | |
-Buying is just a doddle. -And it's good fun buying. Love it! | 0:25:54 | 0:25:57 | |
Yeah, but the tough part is selling it. | 0:25:57 | 0:25:59 | |
Well, we've got a long train journey. | 0:25:59 | 0:26:00 | |
-Yeah. -We can plot, scheme and plan our selling strategies. | 0:26:00 | 0:26:04 | |
-I've got an idea. -What's that? | 0:26:04 | 0:26:06 | |
I'm going to buy all of your stuff, and you buy all of my stuff, it's | 0:26:06 | 0:26:09 | |
-job sorted. -Job done! | 0:26:09 | 0:26:11 | |
Selling to each other is, of course, against the rules. | 0:26:14 | 0:26:17 | |
So, instead, our pair of Maastricht maestros must head back to good old | 0:26:17 | 0:26:21 | |
Blighty and uncover their own buyers. | 0:26:21 | 0:26:24 | |
Using all available methods, | 0:26:24 | 0:26:26 | |
David and Phil will scour our green and pleasant land to find perfect | 0:26:26 | 0:26:30 | |
homes for all their foreign loot, | 0:26:30 | 0:26:33 | |
focusing on stacking up the biggest possible profits | 0:26:33 | 0:26:36 | |
to go to their chosen charities. | 0:26:36 | 0:26:39 | |
Back at his County Durham digs, | 0:26:39 | 0:26:41 | |
the devilish one is giving his Dutch haul some serious consideration. | 0:26:41 | 0:26:46 | |
I've got to say, that was an amazing experience. | 0:26:46 | 0:26:49 | |
My very first visit to Holland. | 0:26:49 | 0:26:51 | |
Look around you, I mean, come on. | 0:26:51 | 0:26:53 | |
Look at that face of the greyhound. She is absolutely wonderful. | 0:26:53 | 0:26:57 | |
I've spoken to a couple of friends of mine | 0:26:57 | 0:26:59 | |
that have two rescue greyhounds | 0:26:59 | 0:27:01 | |
that they are in love with, rightly so. | 0:27:01 | 0:27:04 | |
So, I think, you will be sorted, don't you worry. | 0:27:04 | 0:27:06 | |
The bell, I've spoken to a girl about this, she's very interested. | 0:27:06 | 0:27:10 | |
Her dad toured the world on ships, and she collects anything maritime. | 0:27:10 | 0:27:14 | |
The table is really cool. | 0:27:14 | 0:27:16 | |
And I know the coolest man, | 0:27:16 | 0:27:19 | |
and he loves Art Deco and he loves chrome and he loves black, | 0:27:19 | 0:27:24 | |
and I think he is going to go crazy over that table. | 0:27:24 | 0:27:29 | |
So, David has a few cast-iron plans up his sleeve, | 0:27:29 | 0:27:32 | |
but he also needs to find buyers for his late-Victorian gas kettle | 0:27:32 | 0:27:36 | |
and that man-bag. | 0:27:36 | 0:27:39 | |
At his Worcestershire lair, | 0:27:39 | 0:27:41 | |
Phil is perusing his pile of precious things. | 0:27:41 | 0:27:43 | |
They've sent me to Holland, and what do I come back with? | 0:27:43 | 0:27:46 | |
Well, I've got a French automobile poster. | 0:27:46 | 0:27:50 | |
I think I might have got that sold to a man who loves cars | 0:27:50 | 0:27:53 | |
and loves posters. I've got a French straw workbox. | 0:27:53 | 0:27:57 | |
I've got a West German pen set, | 0:27:57 | 0:27:59 | |
and I've got this lovely French stove, | 0:27:59 | 0:28:01 | |
which I thought I might struggle with, | 0:28:01 | 0:28:03 | |
but I've found somewhere that I think is going to give it | 0:28:03 | 0:28:07 | |
a perfect home. | 0:28:07 | 0:28:08 | |
So all I've come back with, really, | 0:28:08 | 0:28:11 | |
is just a little bit of Dutch courage. | 0:28:11 | 0:28:14 | |
Well, he may need that | 0:28:14 | 0:28:16 | |
as he also needs to find buyers for his salt box and vintage case. | 0:28:16 | 0:28:20 | |
Filled with competitive spirit, | 0:28:20 | 0:28:22 | |
both our eager beavers are raring to get going, | 0:28:22 | 0:28:25 | |
hitting the phones and the internet and the road | 0:28:25 | 0:28:28 | |
in a bid to turn their purchases into profit. | 0:28:28 | 0:28:30 | |
But, remember, no deal is sealed | 0:28:30 | 0:28:32 | |
until a hand is shaken and the money is taken. | 0:28:32 | 0:28:36 | |
And ding-dong! | 0:28:36 | 0:28:38 | |
Who's this, up bright and early? | 0:28:38 | 0:28:40 | |
Yes, David's launching his selling spree in his hometown | 0:28:40 | 0:28:43 | |
of Barnard Castle. | 0:28:43 | 0:28:45 | |
He's taking his £11 ship's bell to show antiques dealer Heidi, | 0:28:45 | 0:28:49 | |
and if she can't see him coming in those trousers, | 0:28:49 | 0:28:52 | |
she'll certainly hear him. BELL RINGS | 0:28:52 | 0:28:54 | |
-Ooh, hello. -Hello, Heidi. | 0:28:54 | 0:28:56 | |
-Hiya, how are you? -Very well. | 0:28:56 | 0:28:58 | |
-I've heard all about you. -All good, I hope? | 0:28:58 | 0:29:00 | |
And what's this connection with you, Heidi, and maritime? | 0:29:00 | 0:29:03 | |
Have I got this right? | 0:29:03 | 0:29:04 | |
Um, I did spend a lot of my youth on boats, on yachts. | 0:29:04 | 0:29:07 | |
My dad had a boat, so we got dragged along and had many great holidays. | 0:29:07 | 0:29:12 | |
-We crossed the North Sea... -No way! -..went to Holland, | 0:29:12 | 0:29:15 | |
Germany, Denmark... | 0:29:15 | 0:29:17 | |
That's a real adventurous childhood, isn't it? | 0:29:17 | 0:29:21 | |
-It was a bit, yeah. -And you're back in Barnard Castle, what went wrong? | 0:29:21 | 0:29:23 | |
I know, I know! | 0:29:23 | 0:29:25 | |
-You should be on the high seas, in Fiji or something. -No, no. | 0:29:25 | 0:29:28 | |
Well, you might just be able to help me with this bell. | 0:29:28 | 0:29:31 | |
-OK. -So there is the bell. -Oh! | 0:29:31 | 0:29:34 | |
-Now, you say you sailed to Holland. I bought this in Holland. -Right. | 0:29:34 | 0:29:38 | |
MS Bremen. | 0:29:38 | 0:29:40 | |
I mean, I've researched the Bremen - there's a number of them... | 0:29:40 | 0:29:44 | |
-Right. -..and I don't know which one this came from. | 0:29:44 | 0:29:47 | |
There was a Bremen that was launched in 1896... | 0:29:47 | 0:29:50 | |
-Right. -..and then dismantled in 1929, | 0:29:50 | 0:29:53 | |
but whether it comes from that ship or not, I'm not sure. | 0:29:53 | 0:29:56 | |
Why else would you have...put the name on something? | 0:29:56 | 0:29:59 | |
Well, it could be a vintage reproduction. | 0:29:59 | 0:30:01 | |
It's not a new reproduction. It's got patina. | 0:30:01 | 0:30:03 | |
-Mm-hm. -It's good quality and it's made to be used. | 0:30:03 | 0:30:06 | |
It doesn't half ring, | 0:30:06 | 0:30:07 | |
and the guy I bought it off said to me that these things, | 0:30:07 | 0:30:10 | |
the sound would travel, in fog, one mile. | 0:30:10 | 0:30:13 | |
Tiny little bell... | 0:30:13 | 0:30:14 | |
BELL RINGS | 0:30:14 | 0:30:17 | |
That is loud, yeah. | 0:30:17 | 0:30:18 | |
-Have a feel of it. -OK. | 0:30:18 | 0:30:20 | |
It would look lovely hanging on a chain. | 0:30:20 | 0:30:23 | |
-And one of these attached. -Now, what's all this about, then? | 0:30:23 | 0:30:27 | |
You would use this, then, to swing the ding-y thing. | 0:30:27 | 0:30:30 | |
Swing this dingley-dongler, I think we call it in the trade. | 0:30:30 | 0:30:34 | |
-LAUGHS: -I don't know! | 0:30:34 | 0:30:35 | |
So, what would you use it for if you fancied it? | 0:30:35 | 0:30:37 | |
I'm kind of half tempted to put it outside my house. | 0:30:37 | 0:30:41 | |
-Well, the neighbours will love you, won't they? -Oh, they do. | 0:30:41 | 0:30:43 | |
When someone knocks at your door at two in the morning, bing-bong. | 0:30:43 | 0:30:46 | |
They're not that close! | 0:30:46 | 0:30:48 | |
Well, listen, it's £40. | 0:30:48 | 0:30:50 | |
-SHE GASPS -Is that a lot? | 0:30:50 | 0:30:53 | |
Well, I thought you were going to say about 100, so...! | 0:30:53 | 0:30:56 | |
Talk about...falling flat on my face. | 0:30:56 | 0:30:59 | |
It's 140, that's what I said! | 0:30:59 | 0:31:01 | |
£40... | 0:31:01 | 0:31:03 | |
To be honest, for £40, I won't bargain with you. | 0:31:03 | 0:31:06 | |
-Well... -I think £40 is a reasonable price, so I will... | 0:31:06 | 0:31:09 | |
-Yeah. -Fantastic. That doesn't happen very often to me. | 0:31:09 | 0:31:12 | |
I've totally underpriced it. | 0:31:12 | 0:31:14 | |
Thank you very much, Heidi. Been an absolute delight! | 0:31:14 | 0:31:16 | |
David rings up a starting profit of £28.89, but is he happy? | 0:31:16 | 0:31:21 | |
Well, I've got to say, nice sale, lovely, fun person. | 0:31:22 | 0:31:25 | |
But you know what? It could have been more! Aargh! | 0:31:25 | 0:31:29 | |
Yes, while David goes off to add some more noughts to his price list, | 0:31:29 | 0:31:32 | |
Phil is at the foot of the Malvern Hills, | 0:31:32 | 0:31:35 | |
with the stove that cost him just over £150. | 0:31:35 | 0:31:38 | |
The Fox is hoping he can find a permanent home for it | 0:31:38 | 0:31:41 | |
with holiday park owner Jim. | 0:31:41 | 0:31:44 | |
You've sort of specialised in doing these wonderful | 0:31:44 | 0:31:47 | |
-shepherds' huts, have you? -Absolutely, yeah. | 0:31:47 | 0:31:49 | |
We started off with just building the one, which I built as a hobby. | 0:31:49 | 0:31:53 | |
We thought we'd try and let it out, and it went really well, and this | 0:31:53 | 0:31:56 | |
winter we're going to build another one again, | 0:31:56 | 0:31:58 | |
so we'll have four altogether. | 0:31:58 | 0:32:00 | |
The one we're going to build this winter is going to have | 0:32:00 | 0:32:02 | |
-a very rustic, antique-y feel. -Really? -Olde-worlde. | 0:32:02 | 0:32:04 | |
-So this might be of interest to you? -It could well be, yes. | 0:32:04 | 0:32:07 | |
And will it be a bigger hut than this or the same size? | 0:32:07 | 0:32:09 | |
It's going to be a little bigger. | 0:32:09 | 0:32:10 | |
I was thinking at first that this might be a bit too big | 0:32:10 | 0:32:13 | |
for a space this size, but I suppose if you've got a bigger hut, | 0:32:13 | 0:32:15 | |
it'll do the job, won't it? | 0:32:15 | 0:32:17 | |
-Especially on cold winter days. -That's a traditional English fire, | 0:32:17 | 0:32:20 | |
-isn't it? -Yeah. -And this is a French fire. | 0:32:20 | 0:32:22 | |
I would imagine it's a better stove than one of those. | 0:32:22 | 0:32:24 | |
-I think it'll look better in here. -It will. | 0:32:24 | 0:32:26 | |
I don't know what your budget is for replacing these... | 0:32:26 | 0:32:29 | |
They're not expensive. | 0:32:29 | 0:32:31 | |
See, that's not what I wanted to hear, that, really, Jim. | 0:32:31 | 0:32:33 | |
-It isn't? -That's, just, no, that's not what I hear at all, really. | 0:32:33 | 0:32:36 | |
-What did you want to hear? -I wanted to hear £300, | 0:32:36 | 0:32:38 | |
-that's what I wanted to hear, Jim. -Did you? -Yeah, I did. -Right. | 0:32:38 | 0:32:41 | |
-OK. -Yeah. See, it's gone quiet again, now, hasn't it? | 0:32:41 | 0:32:44 | |
-It's nice... -The temperature's dropped a little... | 0:32:44 | 0:32:46 | |
It is nice, Philip. Would you take an offer on it? | 0:32:46 | 0:32:48 | |
-I suppose I would, cos I want to sell it. -Yeah. -What's your offer? | 0:32:48 | 0:32:51 | |
£240? | 0:32:55 | 0:32:57 | |
I think it's worth close to £300, right? | 0:32:57 | 0:32:59 | |
And I'd like to get as close to it as I can get, | 0:32:59 | 0:33:01 | |
so you make me your very best offer... | 0:33:01 | 0:33:04 | |
-Right. -And I will... | 0:33:04 | 0:33:06 | |
It'll be a yay or a nay from me. | 0:33:06 | 0:33:09 | |
OK. What about, what about £250? | 0:33:09 | 0:33:11 | |
-Is that your best? -I think so, yeah. | 0:33:11 | 0:33:13 | |
All right, OK. I'll shake your hand on that. | 0:33:13 | 0:33:15 | |
Thank you very much indeed. Gosh, he grabbed my hand rather quickly, | 0:33:15 | 0:33:18 | |
didn't he? I've just begun to wonder whether I got myself burned here. | 0:33:18 | 0:33:20 | |
Well, that's still a toasty £98.15 profit, | 0:33:20 | 0:33:23 | |
and the competition is hotting up. | 0:33:23 | 0:33:26 | |
Not to be outdone, dapper David has donned his man-bag, | 0:33:26 | 0:33:30 | |
for hopefully the last time, and catwalked over to Stockton-on-Tees. | 0:33:30 | 0:33:34 | |
It cost him just under £15, | 0:33:39 | 0:33:41 | |
so fingers crossed his man friend, Chris, | 0:33:41 | 0:33:43 | |
likes the man-bag. | 0:33:43 | 0:33:45 | |
In Holland, everybody - and I mean everybody, it's by law - | 0:33:45 | 0:33:50 | |
men wear man-bags. | 0:33:50 | 0:33:51 | |
By law, I can't believe that, but I do see it's an original. | 0:33:51 | 0:33:54 | |
Yes, it's vintage. | 0:33:54 | 0:33:56 | |
-It's very nice leather. -Good leather. | 0:33:56 | 0:33:58 | |
-What sort of year? -I would say that's 1970s to '80s, I'm guessing. | 0:33:58 | 0:34:03 | |
About the time I was born. | 0:34:03 | 0:34:05 | |
-Exactly. -Yes. | 0:34:05 | 0:34:06 | |
How much would you pay for a man-bag of that size and that quality, new? | 0:34:07 | 0:34:12 | |
I, I think, brand-new... | 0:34:12 | 0:34:14 | |
-Yeah. -Possibly around £100, £110, but it's used. | 0:34:14 | 0:34:19 | |
But it's got that added, kind of, extra value, because it's vintage. | 0:34:19 | 0:34:23 | |
OK, David, I'll make one offer. | 0:34:23 | 0:34:26 | |
It's a take it or leave it offer. | 0:34:26 | 0:34:28 | |
-OK? -And it's £45. | 0:34:28 | 0:34:31 | |
Ooh... So, I will never see that man-bag ever again? | 0:34:31 | 0:34:34 | |
Only me wearing it. | 0:34:34 | 0:34:36 | |
I would like to see you wearing the man-bag. | 0:34:36 | 0:34:38 | |
-We have a deal? -We've got a deal. | 0:34:38 | 0:34:39 | |
-We have a deal. -Chris, you've made it. | 0:34:39 | 0:34:41 | |
Welcome to the world of man-bags. | 0:34:41 | 0:34:43 | |
Devilish reluctantly relinquishes his handbag, sorry, man-bag, | 0:34:43 | 0:34:47 | |
but at least he has that £30.19 profit to remember it by. | 0:34:47 | 0:34:52 | |
So, David's sold two items to Phil's one, | 0:34:52 | 0:34:54 | |
but Foxy's not in the mood to lag behind, | 0:34:54 | 0:34:57 | |
and is revving his engine back in Worcestershire. | 0:34:57 | 0:35:00 | |
I've got my really cheap car poster and I'm going to try and sell it | 0:35:00 | 0:35:04 | |
to a friend of mine who's got some, well, not so cheap cars. | 0:35:04 | 0:35:07 | |
I just hope there's a little bit of money left in his wallet that | 0:35:07 | 0:35:11 | |
I can try and eek out for my poster. | 0:35:11 | 0:35:13 | |
Well, as long as car enthusiast Will has more than £11 to spend, | 0:35:13 | 0:35:17 | |
Phil will be in the black. | 0:35:17 | 0:35:19 | |
-Nice to see you. -How are you? | 0:35:19 | 0:35:21 | |
-What do you think, then? -Well, it'd be better if you turned it round. | 0:35:21 | 0:35:24 | |
Well, you've seen a picture on my phone, haven't you? | 0:35:24 | 0:35:26 | |
-I have, definitely. -And there's the little beastie, look. | 0:35:26 | 0:35:29 | |
Little, not so little. | 0:35:29 | 0:35:30 | |
-Nice. -And, erm... I love it cos it's sort of... | 0:35:30 | 0:35:33 | |
For me, it's very evocative of those early days of motoring, | 0:35:33 | 0:35:37 | |
and of aviation as well. | 0:35:37 | 0:35:39 | |
What age would you put on it? | 0:35:39 | 0:35:41 | |
-The original? -The original. | 0:35:41 | 0:35:42 | |
I would think the original has got to be somewhere between about | 0:35:42 | 0:35:45 | |
1905, 1910. I could just see, | 0:35:45 | 0:35:48 | |
you know, Tony Curtis driving it in The Great Race | 0:35:48 | 0:35:51 | |
or Those Magnificent Men And Their Flying Machines. | 0:35:51 | 0:35:53 | |
You know, it's that sort of era for me. | 0:35:53 | 0:35:54 | |
It's lovely. And I love the family looking up at the airplane. | 0:35:54 | 0:35:57 | |
Well, if you... The real beautiful thing about this poster is, | 0:35:57 | 0:36:00 | |
if you look very carefully, just down by those trees... | 0:36:00 | 0:36:03 | |
-Yeah. -You've got the Malvern Hills. | 0:36:03 | 0:36:05 | |
How'd you know? | 0:36:05 | 0:36:06 | |
Well, just a little bit of artistic licence. | 0:36:06 | 0:36:08 | |
I do like it. It's very, very nice. | 0:36:09 | 0:36:12 | |
Clearly, there is no age to the poster. | 0:36:12 | 0:36:13 | |
I think you and I are older than this is. | 0:36:13 | 0:36:16 | |
And it's missing a bit of wood off the bottom. | 0:36:16 | 0:36:18 | |
It warrants better than languishing where I found it. | 0:36:18 | 0:36:21 | |
It warrants being put on a wall, | 0:36:21 | 0:36:23 | |
or dare I say... Your walls look pretty full right here. | 0:36:23 | 0:36:26 | |
But...there's a whole ceiling you haven't started, so I think... | 0:36:26 | 0:36:31 | |
-that this could be just bolted up there, couldn't it? -Yeah. | 0:36:31 | 0:36:33 | |
I think you're right. | 0:36:33 | 0:36:35 | |
I'll make sure it goes somewhere where people see it. | 0:36:35 | 0:36:38 | |
No, it's a super picture, that is. I really like it. | 0:36:38 | 0:36:40 | |
Are you interested in buying it off me? | 0:36:40 | 0:36:42 | |
Um, well, I will for the right money, yes. | 0:36:42 | 0:36:44 | |
I was sort of, kind of, hoping I might get, I don't know, £40 for it? | 0:36:44 | 0:36:48 | |
Hm. | 0:36:49 | 0:36:50 | |
Yeah. How would you feel about £18? | 0:36:50 | 0:36:53 | |
Where the hell has £18 come from? | 0:36:53 | 0:36:56 | |
-£18?! -I made it up. -Yeah, well, make another one up. | 0:36:57 | 0:37:00 | |
-OK... -I didn't like that at all. | 0:37:00 | 0:37:02 | |
-£15, then. -No, no, no. | 0:37:02 | 0:37:03 | |
Let me just... If I could just stop you just for one minute, right? | 0:37:03 | 0:37:05 | |
If I could just try and explain it to you. | 0:37:05 | 0:37:08 | |
-You're going the wrong way. -OK! -The way this works, | 0:37:08 | 0:37:10 | |
the price is supposed to go higher, not lower. | 0:37:10 | 0:37:15 | |
OK, let's say, then, how would you feel about £20? | 0:37:15 | 0:37:21 | |
I don't think too much to £20, Willie, cos it's a lot... | 0:37:21 | 0:37:23 | |
I mean, you're going up in twos, here. | 0:37:23 | 0:37:26 | |
I tell you what, I know you're a fair man, | 0:37:27 | 0:37:29 | |
bearing in mind I asked for £40, | 0:37:29 | 0:37:32 | |
you give me what you think your best shot is. | 0:37:32 | 0:37:35 | |
-£25. -And that's your best shot? | 0:37:35 | 0:37:37 | |
-Yep. -Go on, I'll take you. | 0:37:37 | 0:37:39 | |
That haggle went up, down, flying around, | 0:37:39 | 0:37:42 | |
but magnificent Phil ends up pocketing a steady profit | 0:37:42 | 0:37:45 | |
of £13.89. | 0:37:45 | 0:37:48 | |
But, it seems, his work here is not yet done. | 0:37:48 | 0:37:50 | |
While you're hanging around, | 0:37:50 | 0:37:52 | |
how about giving my car a bit of a polish? | 0:37:52 | 0:37:54 | |
-You what? -And don't... Do it properly, this time, as well. | 0:37:54 | 0:37:56 | |
The things I have to do! | 0:37:58 | 0:38:00 | |
Mind you, I'm sort of polishing a profit, here. | 0:38:00 | 0:38:02 | |
Use some elbow grease, Phil! Yes. | 0:38:02 | 0:38:04 | |
Let's catch up with David, who's gone walkies down south | 0:38:04 | 0:38:08 | |
to Buckinghamshire with his terracotta greyhound. | 0:38:08 | 0:38:11 | |
You know, I've got to tell you, | 0:38:11 | 0:38:13 | |
I'm really growing quite attached to this little greyhound. | 0:38:13 | 0:38:15 | |
She really is absolutely gorgeous. | 0:38:15 | 0:38:18 | |
I've come to see a friend of mine, Anthony, who, like me, | 0:38:18 | 0:38:21 | |
is a big dog lover, but he has a particular passion | 0:38:21 | 0:38:25 | |
for greyhounds, so I'm hoping | 0:38:25 | 0:38:27 | |
he's going to give this gorgeous little creature a really happy home. | 0:38:27 | 0:38:31 | |
Whether David can sniff out a profit | 0:38:31 | 0:38:33 | |
rather depends on Anthony and his doggies, | 0:38:33 | 0:38:36 | |
Swift Chocolate Orange and Polaris, taking a shine to her. | 0:38:36 | 0:38:40 | |
So they're both rescue dogs, aren't they? | 0:38:40 | 0:38:42 | |
-They are. -You are gorgeous, you really are! | 0:38:42 | 0:38:45 | |
Now, talking of gorgeous creatures, I mean... | 0:38:45 | 0:38:47 | |
Could you get any more gorgeous than the creature that I purchased, | 0:38:47 | 0:38:51 | |
with you in mind, whilst in Maastricht? | 0:38:51 | 0:38:54 | |
Have you seen this, Orange? What do you reckon to that? | 0:38:54 | 0:38:57 | |
"It's great!" | 0:38:57 | 0:38:58 | |
-Um... -Well, look, I mean, what it is, it's a vintage | 0:38:58 | 0:39:01 | |
glazed terracotta model of... | 0:39:01 | 0:39:04 | |
I'm guessing the model is of a greyhound. | 0:39:04 | 0:39:07 | |
It could be. I think it's either a greyhound, | 0:39:07 | 0:39:09 | |
an Italian greyhound, or a whippet. | 0:39:09 | 0:39:11 | |
It's probably more whippet-like, I think. | 0:39:11 | 0:39:14 | |
Although the paws are very large. | 0:39:14 | 0:39:15 | |
I don't think it's a very tasteful piece. | 0:39:15 | 0:39:18 | |
-Don't you? -No, not really. | 0:39:18 | 0:39:20 | |
Oh. So, hang on a minute. | 0:39:20 | 0:39:21 | |
I'm getting the idea that you don't particularly like the model | 0:39:21 | 0:39:26 | |
of my little greyhound. Is that true? | 0:39:26 | 0:39:28 | |
-No, it's not appealing to me at all. -It's not appealing to you, OK. | 0:39:28 | 0:39:31 | |
Is there going to be some good news? | 0:39:31 | 0:39:33 | |
Yes, it does interest me. | 0:39:33 | 0:39:34 | |
-OK. -I would like to buy it from you, but then donate it to a charity, | 0:39:34 | 0:39:40 | |
for them to raise funds for greyhounds. | 0:39:40 | 0:39:42 | |
-OK. -I would certainly think that an auction would find someone | 0:39:42 | 0:39:47 | |
a little more appreciative of it. | 0:39:47 | 0:39:48 | |
So, I'm going to try and sell you something | 0:39:48 | 0:39:51 | |
that you really don't like, | 0:39:51 | 0:39:53 | |
but you want to donate to a really good cause. | 0:39:53 | 0:39:56 | |
Listen, she owes me almost nothing. | 0:39:56 | 0:40:00 | |
£15, or something. | 0:40:00 | 0:40:02 | |
-I'll offer you £50 for it. -DAVID GASPS | 0:40:02 | 0:40:04 | |
We'll have to high-five on that. | 0:40:04 | 0:40:05 | |
Well, without even needing to beg, roll over or play dead, | 0:40:05 | 0:40:09 | |
David managed to make £35.19 profit. | 0:40:09 | 0:40:12 | |
And that complete turnaround brings us to the halfway mark. | 0:40:12 | 0:40:15 | |
It's been a busy first half of selling | 0:40:15 | 0:40:18 | |
and a closely contended fight so far, but who is in the lead? | 0:40:18 | 0:40:22 | |
Well, that's what David and Phil want to know. | 0:40:22 | 0:40:25 | |
So they've been given a chance to meet up and find out who's been | 0:40:25 | 0:40:29 | |
pocketing the most profits so far. | 0:40:29 | 0:40:31 | |
-Good to see you in London. -How are you? | 0:40:31 | 0:40:33 | |
-Well, not that good. -Really? | 0:40:33 | 0:40:34 | |
-It's just been a disaster from start to finish. -Really? | 0:40:34 | 0:40:37 | |
I really feel down. | 0:40:37 | 0:40:38 | |
-I know I can talk to you. -I hate it when you're down. | 0:40:38 | 0:40:40 | |
-I know, cos you're nice like that. -Yeah. -I appreciate it. | 0:40:40 | 0:40:43 | |
-How down are you? -Very down. -Really? -Yeah. | 0:40:43 | 0:40:45 | |
Sad, that! I mean, sorry. That's awful, that, David. Don't get down. | 0:40:45 | 0:40:49 | |
-Shall we see how we're doing? -Yeah. No, don't get down. Oh! | 0:40:49 | 0:40:52 | |
What's that say? | 0:40:52 | 0:40:53 | |
So far in the competition, you have made more profit than your opponent. | 0:40:53 | 0:40:56 | |
-I told you. -You're down, aren't you? -It's all downhill for me now. | 0:40:56 | 0:40:59 | |
-I'm over! -I hate it when you're down. -Oh, thanks, Phil. | 0:40:59 | 0:41:02 | |
-Shall I take that? -Yeah, would you mind? Just take that away. | 0:41:02 | 0:41:04 | |
He's really down, he is. He's really, really down. | 0:41:04 | 0:41:07 | |
Well, let's see just how far ahead Phil is. | 0:41:07 | 0:41:10 | |
Trailing slightly, David has sold three items, | 0:41:10 | 0:41:14 | |
making a profit of £94.27. | 0:41:14 | 0:41:17 | |
But, in the lead, Phil has only sold two items, | 0:41:17 | 0:41:21 | |
but notched up more profit, just over £112. | 0:41:21 | 0:41:26 | |
I can't believe it! I was only pretending to be worried. | 0:41:28 | 0:41:31 | |
I've been making some cracking profits | 0:41:31 | 0:41:33 | |
and if Philip Serrell is beating me, | 0:41:33 | 0:41:35 | |
it means I've really got to double the ante. Thanks, Phil. | 0:41:35 | 0:41:38 | |
Yes, David must now dig deep and fight | 0:41:38 | 0:41:42 | |
for that extra profit to overtake his rival. | 0:41:42 | 0:41:45 | |
Now, back in Worcestershire, | 0:41:46 | 0:41:48 | |
profit rocket Phil is keen to increase his lead, so has | 0:41:48 | 0:41:51 | |
invited pen collector Jonathan to his saleroom to see if his German | 0:41:51 | 0:41:54 | |
scribblers, that cost just over £22, can mark up a bigger margin. | 0:41:54 | 0:41:59 | |
Thank you for coming. Well, first off, how many pens have you got? | 0:41:59 | 0:42:02 | |
About 1,000. | 0:42:02 | 0:42:04 | |
What's the Holy Grail of pen collecting? | 0:42:04 | 0:42:06 | |
For me, this pen here. This is a 1937 Onoto Magna. | 0:42:06 | 0:42:11 | |
The nib is a two-tone gold. | 0:42:11 | 0:42:13 | |
That's a beautiful thing, isn't it? | 0:42:16 | 0:42:17 | |
This is one of my favourite pens. | 0:42:17 | 0:42:19 | |
Oxo, I believe, did a competition for schoolchildren. | 0:42:19 | 0:42:24 | |
And if you got commended in your handwriting, | 0:42:24 | 0:42:27 | |
they sent you a pen. | 0:42:27 | 0:42:28 | |
And the great thing about that is it's got the box | 0:42:28 | 0:42:31 | |
and the original postage, which says | 0:42:31 | 0:42:33 | |
October 1936. | 0:42:33 | 0:42:35 | |
And it's immaculate. | 0:42:35 | 0:42:37 | |
And that, to me, is a wonderful piece of history. | 0:42:37 | 0:42:41 | |
-So how much was that? -That was £20. | 0:42:41 | 0:42:44 | |
Would you like to see an old one? | 0:42:44 | 0:42:47 | |
-Yeah. -So, this is a 1905 | 0:42:47 | 0:42:50 | |
-sterling silver marked one. -May I look? | 0:42:50 | 0:42:53 | |
Now, what would the value of something like that be? | 0:42:54 | 0:42:57 | |
That one is about £300. | 0:42:57 | 0:43:00 | |
-Why? -Because it's...cos it's so fine. | 0:43:00 | 0:43:03 | |
So, now, tell me about these. Tell me how old they are. | 0:43:03 | 0:43:06 | |
Yeah, I would think '70s, '80s. | 0:43:06 | 0:43:08 | |
-Yeah. -Um, not totally mass produced, | 0:43:08 | 0:43:10 | |
but certainly more produced than those type. | 0:43:10 | 0:43:13 | |
What might you bid for those, at auction, do you think? | 0:43:13 | 0:43:17 | |
I would hope to get them for around about the £60-£70 mark. | 0:43:18 | 0:43:22 | |
OK. HOPE to. That means you might pay a bit more, doesn't it? | 0:43:22 | 0:43:26 | |
-MIGHT do. -If I asked you for £90 for those, would that be excessive? | 0:43:27 | 0:43:31 | |
That would be excessive. I wouldn't be able to go to £90. | 0:43:31 | 0:43:34 | |
-Would you be able to go to £80? -I will give you £80 for those. | 0:43:34 | 0:43:37 | |
-Really? -Cos they're nice pens, and I'll keep them in my collection. | 0:43:37 | 0:43:40 | |
-And you're happy with that? -I'm happy with that. | 0:43:40 | 0:43:41 | |
-You're a gentleman. Thank you very much. -Pleasure. | 0:43:41 | 0:43:44 | |
Phil writes up a neat profit of just under £58. | 0:43:44 | 0:43:46 | |
And, keen to add even more money to his coffer, | 0:43:46 | 0:43:49 | |
sells his mid-19th century salt box to antiques dealer Ian, | 0:43:49 | 0:43:53 | |
in Worcestershire... | 0:43:53 | 0:43:55 | |
-I could push you to £70. -Can I shake your hand, my friend? | 0:43:55 | 0:43:57 | |
-Good man. -Thank you very much. -Thank you, Phil. | 0:43:57 | 0:44:00 | |
..sprinkling another £58.89 | 0:44:00 | 0:44:02 | |
on top of his ever-growing pile of well-earned riches. | 0:44:02 | 0:44:05 | |
Now, rather surprisingly for a man with, shall we say, very short hair, | 0:44:05 | 0:44:10 | |
David is in London to see hairdresser Stuart Phillips. | 0:44:10 | 0:44:13 | |
But no, he's not here to get a cut, he's here to MAKE a cut, | 0:44:13 | 0:44:17 | |
on the Art Deco table that cost him just over £37. | 0:44:17 | 0:44:21 | |
-Now, you love glamour. -Yes. | 0:44:21 | 0:44:24 | |
You love style and fashion. What are your favourite colours? | 0:44:24 | 0:44:26 | |
-Black, silver, chrome-y, sparkly. A bit like the salon, really. -Yeah. | 0:44:26 | 0:44:30 | |
Perfect. And that's why, when I saw that little Art Deco table | 0:44:30 | 0:44:34 | |
-in Maastricht, I thought of you. -Did you? -I did! | 0:44:34 | 0:44:38 | |
-It's actually really... Can I grab it? -Go for it. | 0:44:38 | 0:44:41 | |
-Do you know what, David? You got the colours almost bang on. -Almost? | 0:44:41 | 0:44:44 | |
-Love the chrome. -Good. -Love the black. -Yeah. | 0:44:44 | 0:44:46 | |
I'm not 100% sure on the brown. | 0:44:46 | 0:44:49 | |
OK. Do we chop that off, then, Stuart? | 0:44:49 | 0:44:52 | |
Do you have another table top? | 0:44:52 | 0:44:55 | |
No, I do actually really like this table. | 0:44:55 | 0:44:57 | |
I actually really do like it. | 0:44:57 | 0:44:58 | |
-Now, how old is it? -It's a genuine, in-period Art Deco piece. | 0:44:58 | 0:45:02 | |
You know, the Art Deco period officially started in 1925 | 0:45:02 | 0:45:07 | |
with the Paris Arts and Decorative Fair. | 0:45:07 | 0:45:09 | |
And then it ends, really, at the beginning of the Second World War, | 0:45:09 | 0:45:12 | |
'39, so this dates positively... | 0:45:12 | 0:45:15 | |
-Yeah. -..to '25 to '39. | 0:45:15 | 0:45:17 | |
This, you know, has lived in Holland | 0:45:17 | 0:45:20 | |
-during the war. -Really? -This has seen an awful lot of interesting, | 0:45:20 | 0:45:24 | |
historical events unfold. | 0:45:24 | 0:45:26 | |
And to make that to that standard and sell it in a nice shop, | 0:45:26 | 0:45:30 | |
-it's going to be £700 or £800. -Yeah. -At that quality. -Yeah. | 0:45:30 | 0:45:34 | |
But that's, as an original vintage thing, | 0:45:34 | 0:45:37 | |
it's £85. | 0:45:37 | 0:45:38 | |
As soon as I saw it, the first thing I said was, "I want it." | 0:45:38 | 0:45:41 | |
-That was the first thing I said. -Good. | 0:45:41 | 0:45:43 | |
What do you think about the price? Do you think it's surprisingly cheap? | 0:45:43 | 0:45:46 | |
-Yes, I do. -Yeah. -I thought it was going to be more than that, yes. | 0:45:46 | 0:45:50 | |
Yeah. Well, I'd like to think, then, | 0:45:50 | 0:45:52 | |
-that you think it's good value at 85. -No, I do. -So... | 0:45:52 | 0:45:55 | |
-Do we have a deal at 85? -We do have a deal, sir. | 0:45:55 | 0:45:58 | |
-Stuart, you are an absolute gentleman. -Pleasure, mate. | 0:45:58 | 0:46:00 | |
That's a snip under £48 profit, and everybody's happy. | 0:46:00 | 0:46:04 | |
Our dealers are neck and neck at four items each. | 0:46:04 | 0:46:08 | |
And hoping to make it five is Mr Serrell, | 0:46:08 | 0:46:10 | |
who's in Malvern with his straw box. | 0:46:10 | 0:46:13 | |
He's rather cleverly targeted hay and straw dealer Alan | 0:46:13 | 0:46:16 | |
as a possible buyer, | 0:46:16 | 0:46:18 | |
but can he rake in more than the £14.81 he forked out? | 0:46:18 | 0:46:22 | |
Mr Hughes, how are you? | 0:46:22 | 0:46:24 | |
-Philly! -Good to see you, my friend. | 0:46:24 | 0:46:26 | |
-Lovely to meet you. -I'm a farmer's son, you know, | 0:46:26 | 0:46:28 | |
so all this brings back memories to me... | 0:46:28 | 0:46:31 | |
-Wow. -And I can remember, as an 11-year-old, my job, | 0:46:31 | 0:46:33 | |
my dad's smallholding... | 0:46:33 | 0:46:35 | |
-Yes. -..was to drive the truck around the fields, | 0:46:35 | 0:46:38 | |
and they'd be loading hay and straw. | 0:46:38 | 0:46:40 | |
Now, what I've brought you is this little chap here, look. | 0:46:40 | 0:46:43 | |
-Oh, yes? -Now, there's an interesting story behind these, because... | 0:46:43 | 0:46:47 | |
..in the Napoleonic wars, prisoners of war, | 0:46:49 | 0:46:51 | |
to augment their really meagre food rations, they used to make things. | 0:46:51 | 0:46:55 | |
-Yes? -And they used to make straw workboxes, just like this. | 0:46:55 | 0:46:58 | |
-Well... -Now, this is a later one. This isn't an original one. | 0:46:58 | 0:47:01 | |
If it was an original one I should be asking an awful lot of money. | 0:47:01 | 0:47:04 | |
-Yes... -But, if you look at it, | 0:47:04 | 0:47:06 | |
-you can see all the different strands of straw. -My goodness, | 0:47:06 | 0:47:09 | |
-gracious me... -Right? Straw is almost tubular, isn't it? | 0:47:09 | 0:47:12 | |
It is. Oh, yes, it's tubular. It's hollow. Yes. | 0:47:12 | 0:47:15 | |
It's hollow. So, what they did is they got a splitter... | 0:47:15 | 0:47:18 | |
And they split the straw, and then you just... | 0:47:18 | 0:47:20 | |
-You'd have different... -Yeah. | 0:47:20 | 0:47:23 | |
-..pieces of it, just like that. -Yeah, I see. Yeah. | 0:47:23 | 0:47:25 | |
-And you just, sort of, lay it on, like that. -Yeah, yeah, yeah, I see. | 0:47:25 | 0:47:28 | |
And then you've got different colours, and you can try and dye them. | 0:47:28 | 0:47:31 | |
That is incredible, isn't it? | 0:47:31 | 0:47:33 | |
-Did you know that? -No, I didn't know that. | 0:47:33 | 0:47:34 | |
I can feel the different strands in it, actually. | 0:47:34 | 0:47:37 | |
-It's quite a nice little thing, isn't it? -It is indeed. | 0:47:37 | 0:47:39 | |
And have you seen anything like this before? | 0:47:39 | 0:47:41 | |
I have never, ever seen or heard of this before. | 0:47:41 | 0:47:45 | |
And it's very fitting in our business, isn't it? | 0:47:45 | 0:47:48 | |
I was hoping I might get around £50 for it. | 0:47:48 | 0:47:52 | |
Well! Were you? | 0:47:52 | 0:47:53 | |
Yeah. It's much, much better to travel in hope | 0:47:53 | 0:47:55 | |
than arrive in disappointment. | 0:47:55 | 0:47:57 | |
Well, I think I'm really, very interested in this little box, | 0:47:57 | 0:48:02 | |
but I think we're just getting a little bit high in the clouds | 0:48:02 | 0:48:06 | |
money, Philip, you know, for me. | 0:48:06 | 0:48:08 | |
Would you accept £40 for it? | 0:48:08 | 0:48:11 | |
I will, sir. You're a gentleman. | 0:48:11 | 0:48:13 | |
Thank you very much. Thank you. | 0:48:13 | 0:48:15 | |
I tell you what, then, you go and put that on the shelf | 0:48:15 | 0:48:17 | |
-and I'll carry on doing what you were doing. -OK. | 0:48:17 | 0:48:20 | |
Aw! Phil bales up a profit of just over £25, | 0:48:20 | 0:48:24 | |
and gets to relive his farming youth. | 0:48:24 | 0:48:26 | |
Now, David is still in London and has decided to visit | 0:48:31 | 0:48:34 | |
the Vestry House Museum in Wolthamstow. | 0:48:34 | 0:48:37 | |
He wants to find out more about his Victorian gas kettle | 0:48:37 | 0:48:40 | |
so he can maximise its selling potential. | 0:48:40 | 0:48:43 | |
He's meeting assistant curator Gary. | 0:48:43 | 0:48:46 | |
The Victorians were brilliant at inventing stuff. | 0:48:46 | 0:48:49 | |
I mean, it was almost a fashion, wasn't it? | 0:48:49 | 0:48:51 | |
-In the late 19th century. -Yes, it was. | 0:48:51 | 0:48:53 | |
Things were coming out every week, almost. | 0:48:53 | 0:48:55 | |
-Yeah. -And, you know, to have the most up-to-date sort of thing | 0:48:55 | 0:48:58 | |
that was on the market, just the same as it is today. | 0:48:58 | 0:49:00 | |
So these are our collection of irons. | 0:49:00 | 0:49:03 | |
In the early Victorian period, obviously, it would be heated | 0:49:03 | 0:49:06 | |
-on the range. -Yeah. | 0:49:06 | 0:49:07 | |
-So then we move onto what? -You can see the electric iron, the gas iron. | 0:49:07 | 0:49:11 | |
Interesting, because it's the same period as my kettle. | 0:49:11 | 0:49:13 | |
-Exactly, yes. -1890. -About that. About 1900, perhaps. -Yeah? | 0:49:13 | 0:49:17 | |
-And it didn't last very long, did it? -No, I think definitely | 0:49:17 | 0:49:20 | |
the electric one outlived the gas, | 0:49:20 | 0:49:22 | |
-but possibly the gas was dangerous, so... -I would've thought so. | 0:49:22 | 0:49:25 | |
Yes. | 0:49:25 | 0:49:26 | |
The first domestic gas supplies were extracted from coal | 0:49:28 | 0:49:31 | |
and did indeed lead to more house fires. | 0:49:31 | 0:49:34 | |
But, despite the dangers, | 0:49:34 | 0:49:35 | |
having it piped to the door was a modern convenience | 0:49:35 | 0:49:38 | |
no self-respecting middle class home was without. | 0:49:38 | 0:49:41 | |
-This is a Victorian parlour. -It's a reproduction of about 1880, | 0:49:41 | 0:49:46 | |
what life would've been like in a sort of middle class parlour. | 0:49:46 | 0:49:50 | |
It's a fascinating period - the British Empire, | 0:49:50 | 0:49:53 | |
the last days of Queen Victoria. | 0:49:53 | 0:49:55 | |
And I think my kettle here, that I bought in Maastricht, | 0:49:55 | 0:49:58 | |
falls into that category. I mean, that is very bang on trend, | 0:49:58 | 0:50:02 | |
-we might say. -Absolutely, yeah. | 0:50:02 | 0:50:03 | |
1890, Arts and Crafts. | 0:50:03 | 0:50:05 | |
-Yep. -No doubt made for a very wealthy person, I'm guessing. | 0:50:05 | 0:50:07 | |
Certainly. There was always a kettle in the kitchen, | 0:50:07 | 0:50:11 | |
but then there was a better quality kettle | 0:50:11 | 0:50:13 | |
probably up in the dining room. | 0:50:13 | 0:50:15 | |
If you were entertaining, | 0:50:15 | 0:50:16 | |
you would have your own tea service and kettle. | 0:50:16 | 0:50:18 | |
-It was a real showy-off bit of kit, that. -It's wonderful, isn't it? | 0:50:18 | 0:50:21 | |
Have you ever seen one before? | 0:50:21 | 0:50:23 | |
I've never come across a gas one. | 0:50:23 | 0:50:25 | |
We've got these electric kettles from the 1920s. | 0:50:25 | 0:50:28 | |
That, I must admit, is the first gas one I've ever seen. | 0:50:28 | 0:50:31 | |
-That is definitely museum quality, isn't it? -It certainly is. | 0:50:31 | 0:50:34 | |
So, it seems David may have quite an unusual piece | 0:50:34 | 0:50:37 | |
of Victorian innovation on his hands. | 0:50:37 | 0:50:40 | |
That should push up the price. And talking of making money, | 0:50:40 | 0:50:44 | |
Phil is on the case in Malvern with his vintage, uh, case. | 0:50:44 | 0:50:48 | |
It cost just over £37, so he's hoping antiques dealer Jeremy | 0:50:48 | 0:50:52 | |
can dig a little deeper. | 0:50:52 | 0:50:54 | |
Jeremy, how are you? | 0:50:54 | 0:50:56 | |
-I tell you what, you've got a job. -Just tidying it up. | 0:50:56 | 0:50:58 | |
I tell you what, do you want to have just a quick...? | 0:50:58 | 0:51:01 | |
-Yeah, well, why not? -Shoulders. -A bit there. | 0:51:01 | 0:51:04 | |
-A quick...? -No, I can't do them with that. -OK. | 0:51:04 | 0:51:07 | |
Um... | 0:51:07 | 0:51:09 | |
-I came up and saw you the other day. -Yep. | 0:51:09 | 0:51:11 | |
-And said I'd got a suitcase for you. -Yes, you did. | 0:51:11 | 0:51:13 | |
-There's the beast. -Right. | 0:51:13 | 0:51:15 | |
-Nice looking case. -Well, I bought it in Holland. | 0:51:15 | 0:51:18 | |
I just thought it was a really nice case. | 0:51:18 | 0:51:21 | |
-A vanity case, I would think. -Righto. | 0:51:21 | 0:51:23 | |
-Cos there's a mirror in there. -Yeah. | 0:51:23 | 0:51:25 | |
Which I'd probably take out and throw away. | 0:51:25 | 0:51:27 | |
No. Nice mirror, nice mirror. | 0:51:27 | 0:51:28 | |
-Would you use it? -Yeah, yeah. | 0:51:28 | 0:51:30 | |
-There's a few bits missing inside. -Yeah. When I bought it, | 0:51:30 | 0:51:32 | |
I sort of toyed with the idea of getting it relined. | 0:51:32 | 0:51:34 | |
-I just thought it would make it more usable. -No, I'd just leave it. | 0:51:34 | 0:51:37 | |
-Would you? -Yeah, leave it alone. | 0:51:37 | 0:51:39 | |
Let somebody else do it if they want to do it. Other than that, | 0:51:39 | 0:51:42 | |
mirror's nice. Original mirror. Yeah, that's a nice case. | 0:51:42 | 0:51:45 | |
-Well, I thought it was a really lovely case. -Yeah. | 0:51:45 | 0:51:47 | |
And you could use it as a small weekend case. | 0:51:47 | 0:51:49 | |
But I also thought, you know, I could see a businessman using it. | 0:51:49 | 0:51:52 | |
-Yeah. It'll probably be a young girl that buys that. -Really? -Yep. | 0:51:52 | 0:51:55 | |
Put her things in for the weekend. | 0:51:55 | 0:51:56 | |
That's who we sell them to, yep. | 0:51:56 | 0:51:59 | |
-A few bashes. That actually adds to it. -Really? | 0:51:59 | 0:52:01 | |
I'd have bashed it a bit more if I'd known that. | 0:52:01 | 0:52:03 | |
-So it's of interest to you? -Yes, it certainly is, yeah. | 0:52:03 | 0:52:06 | |
OK. I bought it for the thick end of £40, | 0:52:06 | 0:52:08 | |
and ideally I'd like to double my money. | 0:52:08 | 0:52:11 | |
It's a bit tight at that. | 0:52:11 | 0:52:13 | |
-Go on, then. -I see it at about 50. | 0:52:13 | 0:52:17 | |
Where's the about come into it? | 0:52:17 | 0:52:19 | |
Might be a touch more. | 0:52:19 | 0:52:21 | |
-55 quid? -Yeah. -You happy with that? -If you're happy with it. | 0:52:21 | 0:52:24 | |
-Yeah, yeah, absolutely, right. -Thank you very much. -Thank you. | 0:52:24 | 0:52:27 | |
Phil packs a profit of just under £18, and that was his final item. | 0:52:27 | 0:52:33 | |
Well, that's me all sold up, | 0:52:33 | 0:52:35 | |
and I've really enjoyed it. I just hope I've got enough in the bank | 0:52:35 | 0:52:39 | |
to beat Mr Harper. | 0:52:39 | 0:52:40 | |
Well, it's not long till we find out. | 0:52:42 | 0:52:45 | |
David just has to shift his last item - | 0:52:45 | 0:52:47 | |
the Victorian gas kettle. | 0:52:47 | 0:52:49 | |
He's been told it's quite a rare piece | 0:52:49 | 0:52:52 | |
so has been honing his sales pitch | 0:52:52 | 0:52:54 | |
and thinks Bloomsbury cafe boss Toby will be the perfect new owner. | 0:52:54 | 0:52:59 | |
Remember, it cost just under £93, | 0:52:59 | 0:53:01 | |
so it's full steam ahead. | 0:53:01 | 0:53:04 | |
Here we are in London. I mean, this is cafe society. | 0:53:04 | 0:53:07 | |
-Yes. -You know, people are spending long hours chatting. -That's right. | 0:53:07 | 0:53:11 | |
And Bloomsbury, traditionally, you know, the Bloomsbury set | 0:53:11 | 0:53:14 | |
with their coffees and their hot chocolates. | 0:53:14 | 0:53:15 | |
Didn't seem to hurt their literature, | 0:53:15 | 0:53:17 | |
-so we're very proud to be Bloomsbury. -I'm sure it helped. | 0:53:17 | 0:53:20 | |
It's all that...that social inter-reaction | 0:53:20 | 0:53:22 | |
-stimulates the old brain, doesn't it? -It certainly does. | 0:53:22 | 0:53:24 | |
-The little grey cells. -So you have a love of tea? | 0:53:24 | 0:53:27 | |
-Big tea lover. -Cos that's why I'm here. | 0:53:27 | 0:53:29 | |
I want to introduce you to something that, actually, is very, genuinely, | 0:53:29 | 0:53:33 | |
very special, and designed for hot water for drinks, | 0:53:33 | 0:53:36 | |
but I think there is much more going on there. | 0:53:36 | 0:53:39 | |
Interestingly, my kettle took me on a visit to a museum, | 0:53:39 | 0:53:42 | |
and we've talked about how people were socialising | 0:53:42 | 0:53:45 | |
-during this period, which is about 1890. -Wow. -So it's a proper antique. | 0:53:45 | 0:53:49 | |
It's got that Arts and Crafts kind of shape... | 0:53:49 | 0:53:52 | |
-Yeah. -But, bearing in mind it's well over 100 years, | 0:53:52 | 0:53:55 | |
-it still has a modern look. -It does, and it's very brassy. | 0:53:55 | 0:53:58 | |
-Very brassy. -Which goes with the sort of livery we've got going here. | 0:53:58 | 0:54:01 | |
We've got a few bits of brass... | 0:54:01 | 0:54:03 | |
-Yeah. -So that, that could fit in, and we have an awful lot of teas. | 0:54:03 | 0:54:06 | |
-Well, it's a talking point, that's what it is. -Yeah. | 0:54:06 | 0:54:08 | |
And what's really doubly interesting and I think makes it actually | 0:54:08 | 0:54:11 | |
of a museum standard, genuinely, is this tap down here. | 0:54:11 | 0:54:15 | |
-Yeah, I was wondering about that. -Yeah, it's a gas tap. | 0:54:15 | 0:54:17 | |
-My goodness. So you light it and then keep it warm? -Yeah. | 0:54:17 | 0:54:20 | |
It's something that somebody with plenty of money | 0:54:20 | 0:54:24 | |
would have in their living room, in their drawing room, | 0:54:24 | 0:54:28 | |
-in their entertaining room. -Yeah. | 0:54:28 | 0:54:29 | |
And they would literally plug the blighter into a gas pipe | 0:54:29 | 0:54:34 | |
-in the wall, in the days when only the super rich had gas. -Yeah. | 0:54:34 | 0:54:38 | |
If you were living in 1890, if you had that, you were uber cool. | 0:54:38 | 0:54:42 | |
-Can I pick it up, have a look? -Go for it. -Thanks. | 0:54:42 | 0:54:44 | |
-The kettle will come away. -Oh, yeah... Oh, OK. -Yeah. | 0:54:44 | 0:54:47 | |
So, it's definitely solid brass, then? | 0:54:47 | 0:54:50 | |
Oh, oh, completely. | 0:54:50 | 0:54:52 | |
I mean, really well constructed. Look at the rivets, here. | 0:54:52 | 0:54:55 | |
-Yeah. -So, when we talk about Arts and Crafts, | 0:54:55 | 0:54:57 | |
we talk about something that is fundamentally handmade. | 0:54:57 | 0:55:00 | |
Cool, and it's definitely had quite a bit of use. | 0:55:00 | 0:55:04 | |
And you talk about the Bloomsbury set, this was certainly in existence | 0:55:04 | 0:55:07 | |
and probably being used at the same time the Bloomsbury set were doing | 0:55:07 | 0:55:11 | |
all of what they were doing right here, within a stone's throw, | 0:55:11 | 0:55:13 | |
-weren't they? -Wow, yeah. | 0:55:13 | 0:55:15 | |
And the building itself is roughly the same age as this. | 0:55:15 | 0:55:18 | |
I think 1880-something. | 0:55:18 | 0:55:20 | |
Well, there you go, 1888. | 0:55:20 | 0:55:22 | |
It's bang on date, isn't it? | 0:55:22 | 0:55:23 | |
-So I'm thinking it's kind of in keeping with our vibe. -OK. | 0:55:23 | 0:55:28 | |
But I'm interested in how much it is - you know, | 0:55:28 | 0:55:31 | |
we're not super lucrative as yet. | 0:55:31 | 0:55:32 | |
OK. Look, honestly, genuinely, it's cheap and cheerful and, you know, | 0:55:32 | 0:55:36 | |
I think it could be more, but I need to turn it over quickly... | 0:55:36 | 0:55:38 | |
I'm looking at £140. | 0:55:38 | 0:55:41 | |
-£140? -Yeah. | 0:55:41 | 0:55:43 | |
-What do you think? -I think OK. | 0:55:43 | 0:55:46 | |
-Yeah? -Yeah. Yeah, you've got a deal. | 0:55:46 | 0:55:48 | |
-Really? -£140. -Good man. | 0:55:48 | 0:55:50 | |
Well, David ends his selling spree on a high. | 0:55:50 | 0:55:53 | |
That's a refreshing profit of £47.41, and he's all sold up. | 0:55:53 | 0:55:58 | |
It's almost time to find out who's scaled the dizzy peaks of profit, | 0:55:59 | 0:56:03 | |
and whose dosh has washed down the drain. | 0:56:03 | 0:56:06 | |
First, a quick reminder of how much our experts spent. | 0:56:06 | 0:56:09 | |
Having each started the day with £750 to spend, | 0:56:09 | 0:56:13 | |
David bought five items, | 0:56:13 | 0:56:15 | |
spending a total of £170.36. | 0:56:15 | 0:56:18 | |
Phil bought six items, at £248.15, | 0:56:18 | 0:56:22 | |
but who has made the most profit? | 0:56:22 | 0:56:25 | |
All of the money that David and Phil have made from their challenge | 0:56:25 | 0:56:28 | |
will go to charities of their choice, so let's find out | 0:56:28 | 0:56:31 | |
who is our Put Your Money Where Your Mouth Is champion. | 0:56:31 | 0:56:35 | |
-David, how are you? -Philip, very good. How are you? | 0:56:35 | 0:56:38 | |
-I tell you what, this is very cool. -Have you spotted it? | 0:56:38 | 0:56:40 | |
-That's really good, I love that. -It's a man-bag! | 0:56:40 | 0:56:42 | |
-Well, you bought one, didn't you? -I did buy one, but I was unsure | 0:56:42 | 0:56:45 | |
whether I was ready for a man-bag... | 0:56:45 | 0:56:46 | |
-Oh, no, no... -I sold it to my mate - £45. | 0:56:46 | 0:56:49 | |
-Snapped his hand off. -That's really, really good. | 0:56:49 | 0:56:52 | |
-Man-bag did me well. -That's fantastic! | 0:56:52 | 0:56:54 | |
But which was your star lot, then? | 0:56:54 | 0:56:56 | |
-The most interesting object in the end was the kettle on stand. -Really? | 0:56:56 | 0:57:00 | |
-That had a look, didn't it? -Great look. -And you did well with it? | 0:57:00 | 0:57:03 | |
I did all right. I made about 50 quid. | 0:57:03 | 0:57:05 | |
My best thing was the stove. | 0:57:05 | 0:57:06 | |
-Yeah. -Because I sold it to a man who's sort of into - | 0:57:06 | 0:57:09 | |
I'm not sure what the word is glamping, but like a shepherd's hut? | 0:57:09 | 0:57:12 | |
-Yeah, cool. -And he was building a new one... | 0:57:12 | 0:57:14 | |
-Brilliant. -..and wanted a stove... -Perfect. -And this was just ideal. | 0:57:14 | 0:57:17 | |
-Did it do you well? -I made nearly £100 out of it. | 0:57:17 | 0:57:19 | |
DAVID GASPS | 0:57:19 | 0:57:20 | |
-Philip Serrell, now I am worried. -Is it the moment of truth? | 0:57:20 | 0:57:23 | |
-It is! -Come on, then. | 0:57:23 | 0:57:25 | |
-Oh, my goodness, gracious me. -Are we there? | 0:57:25 | 0:57:27 | |
-Shall I count? -Yeah. -Three... | 0:57:27 | 0:57:29 | |
-Two... -One! -Woo. Woo! | 0:57:29 | 0:57:32 | |
Oh, my gosh... You have nailed ME, Philip Serrell! | 0:57:32 | 0:57:35 | |
-I think that's down to my stove, you know? -Well done, you. -Well... | 0:57:35 | 0:57:38 | |
-Come on, I'll talk to you about man-bags. -Really? | 0:57:38 | 0:57:40 | |
-They give you great confidence. -I need that. I do, I do, I need it... | 0:57:40 | 0:57:44 | |
So, Phil triumphs | 0:57:44 | 0:57:45 | |
and it was the stove that earned him his biggest profit. | 0:57:45 | 0:57:48 | |
This is a very, very strange emotion for me, because I've won, | 0:57:48 | 0:57:52 | |
and that doesn't normally happen. | 0:57:52 | 0:57:53 | |
I can't believe it! | 0:57:53 | 0:57:55 | |
I did so well, but Philip Serrell did better. | 0:57:55 | 0:57:57 | |
But in one way, I'm a winner cos he's really jealous of my man-bag. | 0:57:57 | 0:58:02 | |
Between them, they've made over £460, and every penny of that | 0:58:02 | 0:58:06 | |
will go to good causes. | 0:58:06 | 0:58:07 | |
My charity is The Friends Of The Darlington Memorial Hospital | 0:58:07 | 0:58:11 | |
who help and support patients and the hospital itself. | 0:58:11 | 0:58:15 | |
And my charity is ABC - Anorexia & Bulimia Care, | 0:58:15 | 0:58:19 | |
which offers support for people with eating disorders. | 0:58:19 | 0:58:23 | |
Our excellent experts have really put their money where their mouths | 0:58:23 | 0:58:27 | |
are and shown they can make a profit from buying and selling antiques | 0:58:27 | 0:58:30 | |
when their own money is on the line. | 0:58:30 | 0:58:32 |