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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that features TV's best loved antiques experts | 0:00:03 | 0:00:06 | |
against each other in an all-out battle for profit. | 0:00:06 | 0:00:10 | |
Let's make hay while that sun shines. | 0:00:10 | 0:00:12 | |
Each week, one pair of duelling dealers will face | 0:00:12 | 0:00:15 | |
a different daily challenge. | 0:00:15 | 0:00:17 | |
I've got an heavy profit here! | 0:00:17 | 0:00:18 | |
Putting their reputations on the line. | 0:00:18 | 0:00:21 | |
Who's there? | 0:00:21 | 0:00:22 | |
They'll give you the insider's view of the trade. | 0:00:23 | 0:00:26 | |
Raaar! | 0:00:26 | 0:00:27 | |
Along with their top tips and savvy secrets. | 0:00:27 | 0:00:30 | |
That could present a problem for me. | 0:00:30 | 0:00:32 | |
Showing you how to make the most money... | 0:00:32 | 0:00:34 | |
Ready for battle. | 0:00:34 | 0:00:35 | |
-..from buying and selling. -Get in there! | 0:00:37 | 0:00:40 | |
Coming up, David Harper wobbles. | 0:00:42 | 0:00:44 | |
Oh, my Lord, it's the worst one I've ever ridden in my life! | 0:00:44 | 0:00:47 | |
Phil Serrell uncovers a society with secrets. | 0:00:47 | 0:00:51 | |
I would call it a grave cloth. | 0:00:51 | 0:00:52 | |
And it's where a man becomes a Master Mason. | 0:00:52 | 0:00:55 | |
-And there's some hard haggling in the selling. -£65. | 0:00:55 | 0:00:59 | |
I'm not going to fork out 65 quid on a bit of old junk. | 0:00:59 | 0:01:03 | |
This is Put Your Money Where Your Mouth Is. | 0:01:03 | 0:01:05 | |
Welcome, one and all, to an adventure in antiques. | 0:01:21 | 0:01:24 | |
A contest of collectables but more importantly, a duel of the dealers. | 0:01:24 | 0:01:29 | |
Today, we're up bright and early at Newark Antiques Fair | 0:01:29 | 0:01:32 | |
in Nottinghamshire, where two experts are limbering up | 0:01:32 | 0:01:35 | |
and getting ready to pounce on their purchases. | 0:01:35 | 0:01:38 | |
First up, it's a man who's as dapper as a dandy, | 0:01:38 | 0:01:41 | |
puts passion in possessions and loves to haggle hard. | 0:01:41 | 0:01:45 | |
Why, it's Devilish David Harper. | 0:01:45 | 0:01:48 | |
No mucking about. Buy stuff! | 0:01:48 | 0:01:51 | |
And he's going up against a legend of the saleroom. | 0:01:52 | 0:01:55 | |
A man whose smile is as rare as hen's teeth. | 0:01:55 | 0:01:58 | |
The formidable Phil 'The Fox' Serrell. | 0:01:58 | 0:02:03 | |
That's a sign of the times, that is. | 0:02:03 | 0:02:05 | |
These two godfathers of the gear have £750 of their own money | 0:02:05 | 0:02:10 | |
to buy the best wares and barter for the best bargains | 0:02:10 | 0:02:14 | |
in order to bag the most money. | 0:02:14 | 0:02:15 | |
With all their profits bound for a charity of their choice, | 0:02:15 | 0:02:18 | |
David Harper and Phil Serrell, | 0:02:18 | 0:02:21 | |
it's time to put your money where your mouth is. | 0:02:21 | 0:02:25 | |
Dave, what have you done to me? | 0:02:26 | 0:02:28 | |
It was not my idea to get here at this time. | 0:02:28 | 0:02:31 | |
I'm not sure if it's last night or this morning yet. | 0:02:31 | 0:02:33 | |
Well, go and ask them. | 0:02:33 | 0:02:34 | |
No, don't go and ask them because they're all still in bed. | 0:02:34 | 0:02:37 | |
-Absolutely right. -My goodness me. -Newark, here we are. | 0:02:37 | 0:02:39 | |
-Here we are, £750. -Are you raring to go? | 0:02:39 | 0:02:41 | |
-I'm raring to go, are you raring to go? -Let's get at it. | 0:02:41 | 0:02:44 | |
-Go wake them up. -See you. | 0:02:44 | 0:02:45 | |
Yes, these old dogs are keeping their cards close to their chests. | 0:02:47 | 0:02:50 | |
And despite their bleary eyes, the boys are up for the challenge. | 0:02:50 | 0:02:53 | |
So, how is David tackling today's fair? | 0:02:53 | 0:02:56 | |
Well, here we go. | 0:02:58 | 0:02:59 | |
As you can see, everybody is up, out of their tents | 0:02:59 | 0:03:02 | |
and setting up, so the trick is to get out there, | 0:03:02 | 0:03:05 | |
buy fast and furious and go. | 0:03:05 | 0:03:08 | |
David's going for the bull in the china shop approach. | 0:03:09 | 0:03:12 | |
What about The Fox? | 0:03:12 | 0:03:13 | |
If I've got a plan, I want to try and buy things that I like | 0:03:13 | 0:03:17 | |
because if I like them, hopefully other people will. | 0:03:17 | 0:03:19 | |
And also, I want to buy things that are different, | 0:03:19 | 0:03:22 | |
that you can't look at the price of in a book. | 0:03:22 | 0:03:24 | |
So the quirky, the different, the strange. | 0:03:24 | 0:03:26 | |
Hmm, so Phil thinks there's money to be made in the weird and wacky. | 0:03:26 | 0:03:30 | |
I like things that are tucked away. | 0:03:30 | 0:03:32 | |
So, while The Fox dives headlong into the unusual, | 0:03:33 | 0:03:36 | |
David is determined to buy with his head. | 0:03:36 | 0:03:39 | |
Look at that, we could be twins, couldn't we? | 0:03:39 | 0:03:43 | |
So, I suppose it's a mannequin head, isn't it? | 0:03:43 | 0:03:45 | |
It's an unusual colour because most of them are a clearer colour. | 0:03:45 | 0:03:48 | |
-What sort of age, do you think? -Sort of '70s or '80s. | 0:03:48 | 0:03:50 | |
-Which is very funky and trendy right now. -Yeah. | 0:03:50 | 0:03:52 | |
That kind of last quarter of the 20th century is very on-trend. | 0:03:52 | 0:03:57 | |
The thing is it's not quality, is it? | 0:03:57 | 0:03:59 | |
-It's not a great quality thing. -No. | 0:03:59 | 0:04:01 | |
But funnily enough, the market now | 0:04:01 | 0:04:03 | |
is less concerned with great quality. | 0:04:03 | 0:04:06 | |
It's more concerned with a look, a style. | 0:04:06 | 0:04:09 | |
"How much am I?" | 0:04:09 | 0:04:10 | |
-Best is 20, really. -20 quid? -Yes. | 0:04:10 | 0:04:13 | |
-So she's not going to come to me for a tenner, is she? -No. | 0:04:13 | 0:04:15 | |
-20 quid is fine. -Thank you very much. -Good man, nice to meet you. | 0:04:15 | 0:04:18 | |
Come on, darling. | 0:04:18 | 0:04:19 | |
This business is marvellous because you go through phases | 0:04:23 | 0:04:26 | |
in your career of loving different sections. | 0:04:26 | 0:04:29 | |
Now I'm very much into glassware. | 0:04:29 | 0:04:31 | |
I love glass, I love the individualism of it. | 0:04:31 | 0:04:34 | |
Take that for an example. | 0:04:34 | 0:04:35 | |
A little bubble in the back of her head there, | 0:04:35 | 0:04:38 | |
just a sign that this is an absolute one-off piece. | 0:04:38 | 0:04:43 | |
Light will reflect through that, it'll bounce back, | 0:04:43 | 0:04:45 | |
it'll look the business in the right location. | 0:04:45 | 0:04:48 | |
So, for 20 quid, she's a bargain. | 0:04:48 | 0:04:51 | |
She's great-looking too. | 0:04:51 | 0:04:52 | |
Yes, but now is not the time for romance. | 0:04:55 | 0:04:57 | |
There's more to buy. | 0:04:57 | 0:04:58 | |
Meanwhile, across the fair, | 0:04:58 | 0:05:00 | |
Philip has got his eyes on something alarming. | 0:05:00 | 0:05:03 | |
HE REVS UP SIREN | 0:05:04 | 0:05:08 | |
-How old do you think it is? -Er, I think '50s - late '40s, '50s. | 0:05:12 | 0:05:17 | |
-But how much is it? -175, I'm asking. | 0:05:17 | 0:05:20 | |
See, that's what I love about this business. I said, "How much is it?" | 0:05:20 | 0:05:23 | |
And my new very best friend here said, "I'm asking 175." | 0:05:23 | 0:05:26 | |
-Which isn't sort of an answer to the question, is it? -Wrong answer. | 0:05:26 | 0:05:30 | |
-How much is it? -150. -Is that the death? | 0:05:30 | 0:05:33 | |
-See! -HE LAUGHS | 0:05:33 | 0:05:35 | |
This is a moving escalator, this business. | 0:05:35 | 0:05:38 | |
Who the hell would I ever sell that to? | 0:05:38 | 0:05:40 | |
How many other people are as mad as I am? | 0:05:40 | 0:05:43 | |
Well, Phil, you're unique. | 0:05:43 | 0:05:45 | |
And the thought of tracking down someone else with a love affair | 0:05:45 | 0:05:48 | |
of air raid sirens seems unlikely. | 0:05:48 | 0:05:51 | |
So, perhaps best to walk on by. | 0:05:51 | 0:05:53 | |
Meanwhile, David is re-living his youth | 0:05:54 | 0:05:56 | |
having spotted a pair of vintage water-skis. | 0:05:56 | 0:06:00 | |
You know, sometimes you see an object and it takes you back, | 0:06:00 | 0:06:03 | |
it reminds you of happy days. | 0:06:03 | 0:06:05 | |
Me and my two brothers, we used to ski off the coast of Salford | 0:06:05 | 0:06:08 | |
in the cold, freezing North Sea. | 0:06:08 | 0:06:11 | |
And I haven't been skiing for years. | 0:06:11 | 0:06:14 | |
The reason I'm drawn to these | 0:06:14 | 0:06:15 | |
is because they've got that vintage look. | 0:06:15 | 0:06:17 | |
It's really a trendy market, this '50s, '60s, '70s stuff. | 0:06:17 | 0:06:22 | |
So, are these your skis? Have you ever been water-skiing? | 0:06:22 | 0:06:25 | |
-I haven't, no. -Oh, you've got to try it! It is fantastic. | 0:06:25 | 0:06:29 | |
-Not on them, though. -No, I wouldn't go on them. | 0:06:29 | 0:06:31 | |
I'd put them on the back of a vintage car. | 0:06:31 | 0:06:33 | |
I'm guessing 1960s, '70s? Reminds you of the Beach Boys, doesn't it? | 0:06:33 | 0:06:37 | |
-Summer days. What sort of money are they to me? -55. | 0:06:37 | 0:06:41 | |
55? Can it be 40? | 0:06:42 | 0:06:44 | |
Could be. | 0:06:45 | 0:06:47 | |
-Should be 50. -50 quid, I'll have it. Thank you very much indeed. | 0:06:47 | 0:06:50 | |
We're going skiing! | 0:06:50 | 0:06:51 | |
Are we? Hmm. | 0:06:51 | 0:06:54 | |
Whilst David dreams of fun in the water, | 0:06:54 | 0:06:56 | |
Phil The Fox would like to be skating on top of it. | 0:06:56 | 0:06:59 | |
He's spotted a collection of vintage curling stones | 0:06:59 | 0:07:02 | |
with a price tag of £90 each. | 0:07:02 | 0:07:05 | |
Basically, you get your stone on the ice and it's like, | 0:07:05 | 0:07:08 | |
it's a bit like bowling on ice, isn't it? | 0:07:08 | 0:07:11 | |
All of these stones, they're made of granite. | 0:07:11 | 0:07:13 | |
I think these are quite cool things. | 0:07:13 | 0:07:15 | |
But there's a little bit of inlay just missing off there. | 0:07:15 | 0:07:18 | |
And if you look at this one, there's a bit of a dink just there. | 0:07:18 | 0:07:21 | |
That's wear and tear. | 0:07:21 | 0:07:23 | |
-Wear and tear on granite? -Yes. | 0:07:23 | 0:07:26 | |
The thing is with these, for me, they're not curling stones. | 0:07:26 | 0:07:29 | |
I think they're fantastic doorstops. Would you take 120 for the three? | 0:07:29 | 0:07:33 | |
-120? No, it's too... -Mean is the word you're looking for. | 0:07:34 | 0:07:38 | |
-Yeah. -If I gave you 130 quid now, would it buy them? | 0:07:38 | 0:07:41 | |
-Why not? -You're a gentleman. Thank you very much. | 0:07:41 | 0:07:43 | |
-Thank you very much indeed. -Going to go find an ice rink now. | 0:07:43 | 0:07:46 | |
Water skiing one minute, then ice-skating. Whatever next? | 0:07:46 | 0:07:50 | |
Meanwhile, across the fair, | 0:07:50 | 0:07:52 | |
David has his eye on a rather special early-Victorian writing box. | 0:07:52 | 0:07:57 | |
It really is like a laptop of its day, I suppose. | 0:07:57 | 0:07:59 | |
It's got a lovely inscription. Under the drawer. | 0:07:59 | 0:08:02 | |
The inscription's underneath. | 0:08:02 | 0:08:04 | |
Oh, that's absolutely lovely. | 0:08:04 | 0:08:07 | |
Look at that handwriting. | 0:08:07 | 0:08:08 | |
We've lost the art, the beauty of handwriting. | 0:08:08 | 0:08:11 | |
And look at the little kicks on the G. That is beautiful. | 0:08:11 | 0:08:15 | |
-So, is it a wedding gift? -I think so, yes. | 0:08:15 | 0:08:17 | |
"Bateman of Tenridge Street, Regent's Park." | 0:08:17 | 0:08:21 | |
Married on 15th September 1835. | 0:08:21 | 0:08:24 | |
-That's really sweet. -It tells a story. -It does. | 0:08:24 | 0:08:27 | |
It is lovely when you find a real antique | 0:08:27 | 0:08:30 | |
that you can actually accurately date. | 0:08:30 | 0:08:33 | |
And 1835. All forgotten about now. | 0:08:33 | 0:08:35 | |
From a kid, this was the thing that drew me to objects like this. | 0:08:35 | 0:08:39 | |
It makes you realise that nothing is forever. | 0:08:39 | 0:08:42 | |
Is it incredibly cheap? | 0:08:42 | 0:08:44 | |
-HE CHUCKLES -It can be yours for 45. | 0:08:44 | 0:08:48 | |
Can you make it 30? | 0:08:48 | 0:08:49 | |
-Shall we make it 35? -I think we should. | 0:08:49 | 0:08:51 | |
Thank you very much indeed. Good man. | 0:08:51 | 0:08:54 | |
See you again. | 0:08:54 | 0:08:56 | |
As an object, it's nice but a bit boring. | 0:08:58 | 0:09:01 | |
Pull the drawer out and that's when everything changes. | 0:09:01 | 0:09:06 | |
That text sends shivers the back of my spine. It's fantastic. | 0:09:06 | 0:09:11 | |
And that's what I've just paid the money for. That information. | 0:09:11 | 0:09:16 | |
Real names, real addresses and a real date. | 0:09:16 | 0:09:20 | |
That is one of the big reasons why I'm in this business. | 0:09:20 | 0:09:23 | |
A connection to real people, long gone. | 0:09:23 | 0:09:27 | |
Devilish is certainly connecting with the past today, | 0:09:29 | 0:09:31 | |
having three purchases to Phil's one. | 0:09:31 | 0:09:34 | |
And it's not just history that David has a love affair with. | 0:09:34 | 0:09:37 | |
-Hello, gorgeous. -RECORD SCRATCHES | 0:09:37 | 0:09:39 | |
You're two gorgeous creatures. | 0:09:39 | 0:09:41 | |
MUSIC: Puppy Love by Donny Osmond | 0:09:41 | 0:09:44 | |
Aren't they beautiful? Aren't you gorgeous, eh? | 0:09:44 | 0:09:47 | |
Ah! While Devilish has found the softer side of this fair, | 0:09:47 | 0:09:51 | |
it seems there's a cold wind whipping in from Middle Earth. | 0:09:51 | 0:09:55 | |
And a lost treasure is about to be stumbled upon | 0:09:55 | 0:09:58 | |
by a little hairy hobbit. | 0:09:58 | 0:10:00 | |
Or Phil Serrell, as he's also known. | 0:10:00 | 0:10:02 | |
Yes, The Fox has found a ring. | 0:10:02 | 0:10:05 | |
But not just any ring. | 0:10:05 | 0:10:06 | |
IMITATES GOLLUM: It's the precious! | 0:10:06 | 0:10:08 | |
I think that's really, really cool. It's quite a monument, yeah. | 0:10:08 | 0:10:12 | |
I would say '70s, '80s. | 0:10:12 | 0:10:14 | |
Might not be a good idea to put it on, Phil! | 0:10:14 | 0:10:16 | |
Oh, dear. It's got him. | 0:10:16 | 0:10:19 | |
-So, what's the best you can do? -110. | 0:10:19 | 0:10:22 | |
Go on, then. | 0:10:22 | 0:10:23 | |
The one ring to rule them all snares Phil for £110. | 0:10:23 | 0:10:28 | |
So, what does he think of his precious? | 0:10:28 | 0:10:30 | |
I'm really very, very pleased with this. | 0:10:30 | 0:10:32 | |
Georg Jensen, he's a bang on-trend designer | 0:10:32 | 0:10:36 | |
and I think that's a really cool-looking ring. | 0:10:36 | 0:10:38 | |
And for me, the great thing about that | 0:10:38 | 0:10:40 | |
is it's either a gents or a ladies ring. | 0:10:40 | 0:10:42 | |
In fact, not unlike me, both modern and bang on-trend. | 0:10:42 | 0:10:48 | |
Yes, the ring is obviously playing with his mind. | 0:10:48 | 0:10:52 | |
And that brings us to the halfway point. | 0:10:52 | 0:10:54 | |
It's time to see who's barrelling their way through the bargains | 0:10:54 | 0:10:57 | |
and whose money is running away from them. | 0:10:57 | 0:10:59 | |
From a £750 budget, David has picked up three items | 0:11:03 | 0:11:06 | |
and spent £105, leaving him with £645 to spend. | 0:11:06 | 0:11:12 | |
Phil however has bought two pricey items, | 0:11:13 | 0:11:16 | |
spending more than twice as much as David, £240, | 0:11:16 | 0:11:20 | |
leaving him a £510 in his kitty. | 0:11:20 | 0:11:23 | |
So, our dealers must now throw themselves back into the fray. | 0:11:26 | 0:11:30 | |
Now, Phil's tactic to buy the weird and wacky | 0:11:30 | 0:11:33 | |
and what he likes has gone from the quirky to the, to the... | 0:11:33 | 0:11:37 | |
Is that a gravestone? | 0:11:37 | 0:11:38 | |
What the hell is that? | 0:11:40 | 0:11:41 | |
Ah, it seems to have flummoxed The Fox as well. | 0:11:41 | 0:11:44 | |
-Anyone? -It's a bounty marker. | 0:11:44 | 0:11:46 | |
That line divides FR's land and JW's land. | 0:11:46 | 0:11:51 | |
And that would be set in the ground to set the boundaries. | 0:11:51 | 0:11:55 | |
-I've never seen anything like that before. -No, I haven't. | 0:11:55 | 0:11:57 | |
I'm not being funny but how do you know that's what it is then? | 0:11:57 | 0:12:00 | |
It makes sense because that was probably the depth | 0:12:00 | 0:12:03 | |
it was set in the ground, where the line is. | 0:12:03 | 0:12:05 | |
I think that's a really interesting thing. | 0:12:05 | 0:12:07 | |
Who I can sell it to, I don't know. | 0:12:07 | 0:12:09 | |
What can you do it for? | 0:12:09 | 0:12:10 | |
40 quid. | 0:12:11 | 0:12:13 | |
You ain't going to find another one, are you? | 0:12:13 | 0:12:15 | |
I'm not quite sure that's a reason for buying it, really. | 0:12:15 | 0:12:18 | |
-Would you take 30 quid for it? -35. -Go on, you're a gentleman. | 0:12:18 | 0:12:22 | |
-Thank you very much indeed. -OK. | 0:12:22 | 0:12:24 | |
Quite why I bought it, I don't know. | 0:12:24 | 0:12:27 | |
Well, not the biggest vote of confidence | 0:12:27 | 0:12:29 | |
in his tombstone-shaped purchase. | 0:12:29 | 0:12:31 | |
Still, there's lots of objects to choose from | 0:12:31 | 0:12:33 | |
at this sunny antiques fair. | 0:12:33 | 0:12:35 | |
What about this? | 0:12:35 | 0:12:36 | |
Or that, or those. | 0:12:36 | 0:12:39 | |
Or not. | 0:12:39 | 0:12:40 | |
As Phil unfolds a blanket with a coffin motif. | 0:12:40 | 0:12:43 | |
So, where did this come from? | 0:12:45 | 0:12:47 | |
It was a Masonic place in Newcastle that I got a load of stuff from. | 0:12:47 | 0:12:50 | |
-It's macabre, isn't it? -It is, yes, yes. | 0:12:50 | 0:12:53 | |
There's a thin dividing line between being priceless and worthless | 0:12:53 | 0:12:56 | |
and I'm not actually sure where this fits in on that scale. | 0:12:56 | 0:12:59 | |
Where I'm coming from, there's only one buyer of this. | 0:12:59 | 0:13:02 | |
And if he doesn't want it, I'm between a rock and a hard place. | 0:13:02 | 0:13:05 | |
-So, how much is it? -Well, I'm looking for about 100 quid for it. | 0:13:05 | 0:13:10 | |
-In my eyes, it's 50 quid. -Give me 60 quid and it's yours. | 0:13:11 | 0:13:16 | |
-Go on, then. -Everything's got to go. | 0:13:18 | 0:13:21 | |
-It's just gone, this has. -Yes. | 0:13:21 | 0:13:22 | |
Hmm. £60 and Phil's purchased a blanket once used by the Masons. | 0:13:22 | 0:13:27 | |
Intriguing. But the question is, what does he know about it? | 0:13:27 | 0:13:31 | |
Now, this piece of cloth relates specifically to | 0:13:31 | 0:13:34 | |
a piece of Masonic ceremony. | 0:13:34 | 0:13:36 | |
And where I come from in Worcester, we're lucky enough to have | 0:13:36 | 0:13:38 | |
one of the best Masonic museums in the country. | 0:13:38 | 0:13:41 | |
Now I hope the museum would want to buy this off me | 0:13:41 | 0:13:43 | |
and then the whole story will unfold. | 0:13:43 | 0:13:46 | |
The Fox's mysterious blanket leaves him four items to Devilish's three. | 0:13:46 | 0:13:51 | |
So, David's decided to put the pedal to the metal | 0:13:51 | 0:13:54 | |
and found a stall dedicated to one of his own personal passions - cars. | 0:13:54 | 0:14:00 | |
What's this little baby doing over here? | 0:14:00 | 0:14:02 | |
This is a cross between Karl Kling, the very famous Mercedes driver, | 0:14:02 | 0:14:06 | |
and Mille Miglia, a famous Mercedes winning car. | 0:14:06 | 0:14:10 | |
I think made as a toy as opposed to just a model, | 0:14:10 | 0:14:14 | |
it also doesn't have a steering wheel, have you noticed that? | 0:14:14 | 0:14:17 | |
-Yeah, but, you know, you can't have everything. -No, you can't. | 0:14:17 | 0:14:21 | |
I mean, yes, it is in classic played-in condition. | 0:14:21 | 0:14:23 | |
Well, I think it's less a toy now. | 0:14:23 | 0:14:25 | |
It's more of a desk piece for a wealthy car collector. | 0:14:25 | 0:14:28 | |
Or someone who's just very interested. No markings on the base. | 0:14:28 | 0:14:32 | |
No, but I'm pretty sure that it would be German-made. | 0:14:32 | 0:14:35 | |
-OK, you say German, I say French. -Ah. -Do you know why I say French? | 0:14:35 | 0:14:39 | |
Well, a mystery. Could it be the style of the metalworking? | 0:14:39 | 0:14:43 | |
The availability of this shade of silver paint | 0:14:43 | 0:14:46 | |
or perhaps the size of the wheels? | 0:14:46 | 0:14:48 | |
Surely typical of French producers. | 0:14:48 | 0:14:51 | |
Go on, Devilish. Tell us. | 0:14:51 | 0:14:52 | |
Says "Made in France". | 0:14:52 | 0:14:54 | |
-Oh, you're just showing off there! -HE LAUGHS | 0:14:54 | 0:14:56 | |
How much money is it? | 0:14:56 | 0:14:58 | |
To you, 45. To anybody else, a million pounds. | 0:14:58 | 0:15:02 | |
A million-pound motor for 45 quid? Not bad! | 0:15:02 | 0:15:06 | |
This is a real, proper mantique. | 0:15:06 | 0:15:10 | |
Great colour, in as-played-with condition | 0:15:10 | 0:15:14 | |
but this is just a boy's toy. | 0:15:14 | 0:15:17 | |
There are lots of middle-aged men out there with a bit of spare cash | 0:15:17 | 0:15:21 | |
who would love that in their office. | 0:15:21 | 0:15:23 | |
And that is where this little baby will be heading. | 0:15:23 | 0:15:26 | |
CAR HORN TOOTS | 0:15:26 | 0:15:27 | |
Well, you can't say he's lacking confidence. | 0:15:27 | 0:15:29 | |
Meanwhile, The Fox has been buzzing around | 0:15:29 | 0:15:32 | |
and spent £30 on a vintage beehive, no less. | 0:15:32 | 0:15:35 | |
But to what end? | 0:15:35 | 0:15:37 | |
The point of this would have been | 0:15:37 | 0:15:39 | |
you would attract your new queen bee | 0:15:39 | 0:15:41 | |
in through this little gap here. | 0:15:41 | 0:15:43 | |
The hive would follow her | 0:15:43 | 0:15:45 | |
and you would effectively create a new hive. | 0:15:45 | 0:15:48 | |
People buy them in this country for all sorts of decorative purposes - | 0:15:48 | 0:15:51 | |
they look great in kitchens, they can dress a room. | 0:15:51 | 0:15:54 | |
And with that final purchase, | 0:15:54 | 0:15:56 | |
Phil decides it's time to buzz off and call it a day. | 0:15:56 | 0:15:59 | |
David, however, still has money burning a hole in his pocket. | 0:16:01 | 0:16:04 | |
Speaking of holes in things, | 0:16:04 | 0:16:06 | |
it seems this Soviet-era moped he has his eye on has seen better days. | 0:16:06 | 0:16:11 | |
Look at that thing. | 0:16:11 | 0:16:13 | |
Absolutely screams 1950s Eastern Europe. | 0:16:13 | 0:16:18 | |
I can tell you, Simson, | 0:16:18 | 0:16:20 | |
ancient firm started in the late 19th century. | 0:16:20 | 0:16:23 | |
During the First World War, they were making weapons | 0:16:23 | 0:16:26 | |
for the German army, the famous Mauser rifle. | 0:16:26 | 0:16:29 | |
And this moped dates to about 1955, 1960. | 0:16:29 | 0:16:35 | |
In its original colours, which I absolutely love. | 0:16:35 | 0:16:38 | |
Look at the original seat, completely and utterly worn out. | 0:16:38 | 0:16:41 | |
It's been patched and bodged throughout its life. | 0:16:41 | 0:16:44 | |
The history of the Cold War is written all over that moped. | 0:16:44 | 0:16:50 | |
I absolutely love it to bits. | 0:16:50 | 0:16:53 | |
-Is this yours? -It is. -It's fantastic. | 0:16:53 | 0:16:56 | |
-Where did you get it from? -It's from Hungary. | 0:16:56 | 0:16:58 | |
-So, who brought it over? -My dad brought it over. -Right. | 0:16:58 | 0:17:01 | |
-We just thought it looked nice. -It does look nice, doesn't it? | 0:17:01 | 0:17:04 | |
-I love the colour, don't you? -Yeah, isn't it great? | 0:17:04 | 0:17:06 | |
-It's almost a little piece of art. -Make a really good feature. | 0:17:06 | 0:17:10 | |
-Have you had it working? -No, not yet. -Have you not tried? -No. | 0:17:10 | 0:17:13 | |
-Go on, give it a go. -No, definitely not! | 0:17:13 | 0:17:15 | |
What would be the absolute best for me? | 0:17:15 | 0:17:18 | |
-Well, it's on at 300. We could do it for 280. -Is that it, really? | 0:17:19 | 0:17:23 | |
-That's really it. -As tight as that? -Yeah. | 0:17:23 | 0:17:26 | |
-It couldn't come at 200, could it? -No, I'm really sorry. | 0:17:26 | 0:17:28 | |
Oh, you are terrible! | 0:17:28 | 0:17:30 | |
-Couldn't be 250? -260? | 0:17:30 | 0:17:33 | |
-Go on, then. 260. -Deal. | 0:17:33 | 0:17:36 | |
There you go, 260. Marvellous, thank you very much indeed. | 0:17:36 | 0:17:39 | |
-But you've got to give me a push, OK? -All right. -Clutch in! | 0:17:39 | 0:17:43 | |
Come on! Faster. I'm off. | 0:17:43 | 0:17:46 | |
Oh, my Lord, it's the worst one I've ever ridden in my life. | 0:17:48 | 0:17:50 | |
CRASHING | 0:17:52 | 0:17:54 | |
Oops, that smashing and quite significant purchase | 0:17:54 | 0:17:57 | |
signals the end of our antiques fair foray. | 0:17:57 | 0:17:59 | |
But before our daring dealers compare and contrast, | 0:17:59 | 0:18:02 | |
let's see what they spent. | 0:18:02 | 0:18:04 | |
From a £750 budget, David had spent rather modestly | 0:18:06 | 0:18:11 | |
until that fifth purchase | 0:18:11 | 0:18:13 | |
which boosted his total outlay to £410. | 0:18:13 | 0:18:16 | |
Phil also bought five items | 0:18:18 | 0:18:20 | |
but spent slightly less | 0:18:20 | 0:18:22 | |
with just £365 from his pocket. | 0:18:22 | 0:18:25 | |
-You've had a good old spend, haven't you? -This is a good old spend. | 0:18:27 | 0:18:30 | |
-I love that bike. -Do you like it? -It's so cool, that! | 0:18:30 | 0:18:34 | |
-It's a Harley-Davidson. -Hardly Davidson! | 0:18:34 | 0:18:37 | |
-Not going to get very far on that. How much is that? -260. | 0:18:37 | 0:18:39 | |
-Brave go, isn't it? -Yeah, but it works. | 0:18:39 | 0:18:41 | |
I was actually riding around the fair on it. | 0:18:41 | 0:18:44 | |
Not very well, and pedalling, but I was riding. | 0:18:44 | 0:18:46 | |
What's with the old Eddie the Eagle bit? | 0:18:46 | 0:18:48 | |
Now, that's got nothing to do with being airborne. | 0:18:48 | 0:18:50 | |
-This is on the flat, on water. -Water-skiing? -Water-skiing! -Oh. | 0:18:50 | 0:18:54 | |
-Have you ever water-skied? -What, like this? | 0:18:54 | 0:18:56 | |
-You must be joking, I'd sink. -Do you want to come with me? -No, I do not. | 0:18:56 | 0:18:59 | |
-I want to see you in a wet suit. -Really? -Well, not really. | 0:18:59 | 0:19:02 | |
What about you? You're on ice here? | 0:19:02 | 0:19:04 | |
These curling stones, they're fun things, aren't they? | 0:19:04 | 0:19:06 | |
-Do you do curling? -I do now. -I think you will be. | 0:19:06 | 0:19:09 | |
-Yeah, I'll have to, won't I? -But I think they're all right. | 0:19:09 | 0:19:11 | |
-Interesting thing. -Good decorative lots. -Yes. | 0:19:11 | 0:19:14 | |
What on earth is that? Is it a hat? | 0:19:14 | 0:19:15 | |
It's a beehive. I've decided I might get into apiary. | 0:19:15 | 0:19:18 | |
-What, something to do with monkeys? -Beekeeping. -Beekeeping? | 0:19:18 | 0:19:21 | |
-Yes, I'm in apiarist. -You've been called worse than that. | 0:19:21 | 0:19:24 | |
Absolutely right, and will be. I just hope I don't get stung with it. | 0:19:24 | 0:19:27 | |
-Ha-ha! How much did you pay for that? -30 quid, for a bit of straw. | 0:19:27 | 0:19:30 | |
-Half a straw bale, 30 quid. -You could wear it to a fancy dress. | 0:19:30 | 0:19:33 | |
-I might have to. -So, I've got five, you've got four. -No, no, look. | 0:19:33 | 0:19:36 | |
-Oh, hello, darling. -Hello! | 0:19:36 | 0:19:38 | |
-Hello, that's rather... -Georg Jensen. | 0:19:38 | 0:19:40 | |
Do you mind? Do you mind? | 0:19:40 | 0:19:42 | |
-A really lovely touch. -That is rather, rather nice. | 0:19:42 | 0:19:44 | |
It is, isn't it? I like that. £110. I think there's a profit in that. | 0:19:44 | 0:19:48 | |
Fantastic, well, what a collection. | 0:19:48 | 0:19:50 | |
You and I should have just set up a pitch here and have a go. | 0:19:50 | 0:19:53 | |
I'll shake you by the hand and wish you jolly good luck. | 0:19:53 | 0:19:56 | |
-Sure you don't want to go skiing? -No! -Come skiing. -No! No! | 0:19:56 | 0:19:59 | |
It's now time for the dynamic duo | 0:20:06 | 0:20:08 | |
to turn their attention from purchasing to profit. | 0:20:08 | 0:20:11 | |
Using their knick-knacking networks and all their antiques acumen, | 0:20:12 | 0:20:16 | |
David and Phil will scour the country from north to south | 0:20:16 | 0:20:20 | |
leaving no stone unturned | 0:20:20 | 0:20:21 | |
in search of suitable homes | 0:20:21 | 0:20:23 | |
for their respective treasures. | 0:20:23 | 0:20:25 | |
The profits will go to their chosen charities, but whose will be bigger? | 0:20:25 | 0:20:29 | |
Back at home, at his Durham HQ, David is overjoyed with his haul. | 0:20:32 | 0:20:37 | |
Well, I can tell you something. | 0:20:37 | 0:20:39 | |
I think this is the maddest, most eccentric collection of objects | 0:20:39 | 0:20:44 | |
I have ever bought. | 0:20:44 | 0:20:46 | |
I absolutely love them. | 0:20:46 | 0:20:48 | |
The motorbike is just to die for. | 0:20:48 | 0:20:52 | |
It's a little moped, Eastern European. | 0:20:52 | 0:20:54 | |
A bit ugly but it's gorgeous in its ugliness | 0:20:54 | 0:20:58 | |
and I think it's going to end up being a piece of art. | 0:20:58 | 0:21:01 | |
Something to look at and marvel. | 0:21:01 | 0:21:04 | |
The glass mannequin head. | 0:21:04 | 0:21:07 | |
I'm going to do something very different. | 0:21:07 | 0:21:09 | |
I'm going to turn this blue head into an individual | 0:21:09 | 0:21:13 | |
one-off David Harper artwork. | 0:21:13 | 0:21:16 | |
Well, David is an established artist as well as an antiques aficionado. | 0:21:18 | 0:21:22 | |
So, this visionary of the valuable gets straight to work | 0:21:22 | 0:21:25 | |
creating his masterpiece. | 0:21:25 | 0:21:27 | |
It's quite a nerve-racking moment because it's a one-hit wonder. | 0:21:27 | 0:21:31 | |
Whatever happens, happens. I love looking at people's faces. | 0:21:31 | 0:21:35 | |
Noses, lips, eyes, people-watching. | 0:21:35 | 0:21:38 | |
So, glass is a great one. | 0:21:38 | 0:21:40 | |
Think of it as a canvas. | 0:21:40 | 0:21:42 | |
Can I do something to it... | 0:21:42 | 0:21:44 | |
..to add more value? | 0:21:46 | 0:21:47 | |
Because you can take a £20 head | 0:21:47 | 0:21:50 | |
and turn it into an individual piece of art. | 0:21:50 | 0:21:52 | |
What's an individual piece of art worth? | 0:21:52 | 0:21:54 | |
It's worth what someone's going to pay you for it. | 0:21:54 | 0:21:56 | |
Well, it could be priceless, then! Let's have a look. | 0:21:56 | 0:21:59 | |
Oh, hello! | 0:22:00 | 0:22:02 | |
There we have it. | 0:22:02 | 0:22:03 | |
We've turned one face into several people-watchers. | 0:22:03 | 0:22:07 | |
Hello, baby. | 0:22:07 | 0:22:08 | |
Hmm, as well as turning his Picasso-like creation into profit, | 0:22:10 | 0:22:13 | |
David will also have to sell the 19th-century writing box, | 0:22:13 | 0:22:17 | |
vintage water-skis and model racing car. | 0:22:17 | 0:22:20 | |
Over in the shadow of the Malvern Hills in Worcestershire, | 0:22:20 | 0:22:23 | |
Phil is sizing up his slightly creepy cache of collectables. | 0:22:23 | 0:22:28 | |
My Masonic carpet, I'm rather hoping this doesn't bury me. | 0:22:28 | 0:22:31 | |
And at the same time, we all might learn a little bit more about it. | 0:22:31 | 0:22:35 | |
My boundary marker, I think it's a really cool thing | 0:22:35 | 0:22:38 | |
and I've found a man the other side of the Malvern Hills. | 0:22:38 | 0:22:41 | |
He loves quirky things like this. | 0:22:41 | 0:22:43 | |
I think that the social history behind this will encourage him | 0:22:43 | 0:22:46 | |
to buy it, and hopefully give me a nice little profit. | 0:22:46 | 0:22:49 | |
And I found a Worcester beekeeping society | 0:22:49 | 0:22:52 | |
and I'm hoping that one of their members might just buy this off me. | 0:22:52 | 0:22:55 | |
In retrospect, it might not be the sharpest trick in the book | 0:22:55 | 0:22:59 | |
to go and buy some Scottish curling stones in the Midlands | 0:22:59 | 0:23:03 | |
and move them south, where no-one goes curling. | 0:23:03 | 0:23:06 | |
To the best of my knowledge, | 0:23:06 | 0:23:08 | |
there isn't an ice rink within miles of here. | 0:23:08 | 0:23:10 | |
They could turn out to be hard-core with a handle. | 0:23:10 | 0:23:13 | |
So, Phil thinks he could be skating on thin ice with his curling stones | 0:23:13 | 0:23:17 | |
and he'll also have to find a buyer for his Georg Jensen ring. | 0:23:17 | 0:23:21 | |
With our experts raring to go, they're hitting the phones, | 0:23:21 | 0:23:24 | |
the internet and the road in an effort to convert | 0:23:24 | 0:23:27 | |
their wares into wealth. | 0:23:27 | 0:23:29 | |
But no deal is sealed until the handshake takes place | 0:23:29 | 0:23:33 | |
and the cash is collected. | 0:23:33 | 0:23:34 | |
Keen to get cracking, Phil begins his push for profit | 0:23:36 | 0:23:40 | |
by venturing into a world cloaked in mystery. | 0:23:40 | 0:23:43 | |
I'm at one of Worcester's best kept secrets, the Masonic Museum. | 0:23:44 | 0:23:48 | |
And this room is full of the most fantastic things. | 0:23:48 | 0:23:50 | |
From wonderful engraved glass | 0:23:50 | 0:23:52 | |
to the most fantastic symbolic inlaid tables. | 0:23:52 | 0:23:56 | |
But I'm not here to look at this. | 0:23:56 | 0:23:58 | |
I'm going to try and sell my Masonic carpet and to do that, | 0:23:58 | 0:24:02 | |
I'm going to go into the room where the Masons hold their meetings | 0:24:02 | 0:24:05 | |
and hopefully learn a few more of their secrets. | 0:24:05 | 0:24:08 | |
A few more of their secrets, eh, Phil? | 0:24:08 | 0:24:10 | |
Wink wink, nudge nudge, all that, eh? | 0:24:10 | 0:24:13 | |
Well, Phil was once a trustee at the museum, | 0:24:13 | 0:24:16 | |
so he knows a lot more than what he's letting on. | 0:24:16 | 0:24:19 | |
He's meeting Masonic mate and museum chairman Colin. | 0:24:19 | 0:24:22 | |
Remember, the item cost him £60 | 0:24:22 | 0:24:24 | |
so are we going to be privy to the legendary handshake? | 0:24:24 | 0:24:29 | |
Oh, members only then. | 0:24:29 | 0:24:31 | |
It's interesting, isn't it? | 0:24:31 | 0:24:32 | |
Because everybody perceives freemasonry as being | 0:24:32 | 0:24:34 | |
a totally secret society. Which, of course, it isn't. | 0:24:34 | 0:24:37 | |
Well, only if you're a member. | 0:24:37 | 0:24:39 | |
If you become a Mason, | 0:24:39 | 0:24:40 | |
-you take part in these almost ancient little plays. -Yes. | 0:24:40 | 0:24:44 | |
It's all about symbolism, isn't it? | 0:24:44 | 0:24:45 | |
Which particular bit of symbolism does my carpet relate to? | 0:24:45 | 0:24:49 | |
I would call it a grave cloth. This would take part in the third degree. | 0:24:49 | 0:24:53 | |
And it's where a man becomes a Master Mason. | 0:24:53 | 0:24:55 | |
And in the third degree, he symbolically dies, | 0:24:55 | 0:24:59 | |
the lights go dark and your candidate is very gently | 0:24:59 | 0:25:03 | |
laid into the grave, covered, | 0:25:03 | 0:25:06 | |
and then he's raised from that grave and he's symbolically risen | 0:25:06 | 0:25:11 | |
into light and happiness and brotherhood | 0:25:11 | 0:25:13 | |
with all his other Masons. | 0:25:13 | 0:25:15 | |
I'm assuming it's a rare thing. | 0:25:15 | 0:25:17 | |
I've seen them in black but never seen one in purple. | 0:25:17 | 0:25:19 | |
-How much were you thinking? -Well, it cost me 60 quid. | 0:25:19 | 0:25:23 | |
So, if I gave you 65, you'd make a profit. | 0:25:23 | 0:25:26 | |
Yeah, nice try, I like your style. | 0:25:26 | 0:25:28 | |
What about 160, how does that sound? | 0:25:28 | 0:25:31 | |
145. Go on. | 0:25:31 | 0:25:33 | |
-Oh, there's a handshake coming. -Cheers. | 0:25:33 | 0:25:35 | |
Thank you very much indeed. And that wasn't a Masonic handshake. | 0:25:35 | 0:25:38 | |
That was a mate's handshake. | 0:25:38 | 0:25:39 | |
Oh, right. | 0:25:39 | 0:25:40 | |
Well, it may not have been Masonic, | 0:25:40 | 0:25:42 | |
but that handshake secures Brother Phil with a profit of £85. | 0:25:42 | 0:25:46 | |
Meanwhile, up in Darlington, David has also joined an exclusive club. | 0:25:46 | 0:25:51 | |
He's hit the highway and become a Hells Angel. Well, sort of. | 0:25:51 | 0:25:56 | |
Well, actually not at all. | 0:25:56 | 0:25:58 | |
Ha-ha! Well, any excuse to get dressed up in some cracking gear. | 0:25:58 | 0:26:02 | |
So, here's my moped. Doesn't she look gorgeous? | 0:26:02 | 0:26:05 | |
Started life in Germany, then went to Hungary. | 0:26:05 | 0:26:08 | |
And then shipped to Newark, where I bought it, to Darlington. | 0:26:08 | 0:26:11 | |
He's meeting shop owner and fellow motorbike fanatic Andrew. | 0:26:13 | 0:26:17 | |
Remember, he paid a mighty £260 for this Cold War collectable. | 0:26:17 | 0:26:22 | |
Andrew. | 0:26:22 | 0:26:24 | |
-Very good to see you. -Yeah. -How are you? -Better than the bike. | 0:26:24 | 0:26:28 | |
-HE LAUGHS -Better than the bike! | 0:26:28 | 0:26:30 | |
I assume you're blown away by it. | 0:26:30 | 0:26:32 | |
Yes, something like that, you could say that. Er, does it start? | 0:26:32 | 0:26:36 | |
-What do you think? -Er, possibly not. -No. But it does pedal. | 0:26:36 | 0:26:41 | |
It's a bike, not a motorbike. | 0:26:41 | 0:26:42 | |
It's sort of a bike with a bit of an engine. | 0:26:42 | 0:26:45 | |
-That probably hasn't run for several generations. -So, what is it then? | 0:26:45 | 0:26:49 | |
-It is a Simson moped. -A Simson! That's a bit of a rare bike. | 0:26:49 | 0:26:53 | |
Normally, at this point, I'd ask the mechanic to come | 0:26:53 | 0:26:56 | |
and have a look at it. | 0:26:56 | 0:26:57 | |
I don't think there's much point of that. | 0:26:57 | 0:26:59 | |
I think it speaks for itself, doesn't it? | 0:26:59 | 0:27:01 | |
-You love bikes, you live and breathe bikes. -Yes. | 0:27:01 | 0:27:04 | |
-Now you just have a look at that handlebar. -It's like a push bike. | 0:27:04 | 0:27:06 | |
-And been welded as well. -It's welded. | 0:27:06 | 0:27:08 | |
It's a snapshot of the Cold War, the Eastern Bloc countries. | 0:27:08 | 0:27:13 | |
So what do you think? | 0:27:13 | 0:27:15 | |
Yes, it certainly is different, certainly is different. | 0:27:15 | 0:27:17 | |
-I don't think you're ever going to restore it, are you? -No. | 0:27:17 | 0:27:20 | |
I think it's going to be more of a case of sentimental value. | 0:27:20 | 0:27:22 | |
It's an ornament, it's a piece of art. | 0:27:22 | 0:27:24 | |
Every biker that walks in here, | 0:27:24 | 0:27:26 | |
-they're going to be interested in this. -They certainly are. | 0:27:26 | 0:27:29 | |
-May not be overly complimentary. -So, where are we then? | 0:27:29 | 0:27:31 | |
-Where do we need to be? -Where do we need to be? | 0:27:31 | 0:27:34 | |
-I think I would like to be, erm, 480. -Right. | 0:27:34 | 0:27:40 | |
-£4.80 or...? -HE LAUGHS | 0:27:40 | 0:27:43 | |
-What can you come down to? -How about 450? | 0:27:43 | 0:27:45 | |
-I'd shake hands on £400. -425. | 0:27:45 | 0:27:47 | |
-OK, we'll shake on that. -Good work. | 0:27:47 | 0:27:49 | |
So, David manages to shift his Eastern Bloc buy | 0:27:50 | 0:27:53 | |
and scoots off with £165 to his name. | 0:27:53 | 0:27:56 | |
I think he really quite liked it and something I didn't consider is this. | 0:27:58 | 0:28:02 | |
That bikers love all types of bikes. | 0:28:02 | 0:28:05 | |
And that thing actually is a historic little beauty. | 0:28:05 | 0:28:10 | |
And all revved up, David doesn't hang around. | 0:28:12 | 0:28:15 | |
He spins his wheels of wares to Buckinghamshire | 0:28:15 | 0:28:18 | |
and sells his toy car, that cost him £45, | 0:28:18 | 0:28:21 | |
to petrol head and toy car collector, Anthony. | 0:28:21 | 0:28:24 | |
Can you do 80? | 0:28:24 | 0:28:26 | |
Every pound counts in this one. I'm against Philip Serrell. | 0:28:26 | 0:28:28 | |
-Oh, then definitely. -Thank you very much! | 0:28:28 | 0:28:31 | |
Quite right, Devilish. | 0:28:31 | 0:28:33 | |
Adding £35 profit to his campaign fund to beat The Fox. | 0:28:33 | 0:28:37 | |
David is now leading Phil two sales to one. | 0:28:37 | 0:28:40 | |
But The Fox is ready to strike back, heading to Ledbury in Herefordshire | 0:28:40 | 0:28:44 | |
with his boundary marker to see an architectural antiques dealer. | 0:28:44 | 0:28:48 | |
Don't forget, it owes him £35 but will owner David Urquhart | 0:28:48 | 0:28:53 | |
help him to lay out a profit? | 0:28:53 | 0:28:54 | |
-David, how are you? Lovely to see you. -This thing arrived here today. | 0:28:56 | 0:28:59 | |
-Yes. -I thought, "What the heck's this?" | 0:28:59 | 0:29:00 | |
I mean, you deal in the weird and wonderful. | 0:29:00 | 0:29:02 | |
Have you ever seen anything like that before? | 0:29:02 | 0:29:04 | |
-I've seen boundary markers. -Really? -Yeah, but it's charming, I like it. | 0:29:04 | 0:29:08 | |
Would you sell it to someone for what it is or would it | 0:29:08 | 0:29:11 | |
just be a decorative item for outside? | 0:29:11 | 0:29:13 | |
I'd sell it as a surfboard for someone I really didn't like. | 0:29:13 | 0:29:17 | |
HE LAUGHS | 0:29:17 | 0:29:19 | |
-How much are you going to pay? -30 quid? | 0:29:19 | 0:29:21 | |
There's a very long silence, Philip. | 0:29:24 | 0:29:27 | |
-Well, I was hoping you'd give me 100 quid for it. -Oh, no, no. | 0:29:27 | 0:29:31 | |
-50 and we'll do a deal. -55. | 0:29:31 | 0:29:33 | |
-Go on. -55. | 0:29:33 | 0:29:35 | |
Well, David didn't give much ground away in the deal. | 0:29:35 | 0:29:38 | |
But our stone-cold Fox managed to carve out a small profit of £20. | 0:29:38 | 0:29:43 | |
Well, I've sold it. | 0:29:46 | 0:29:47 | |
But I've still no idea whether that was ridiculously cheap | 0:29:47 | 0:29:50 | |
or ridiculously expensive. | 0:29:50 | 0:29:52 | |
-Who knows? -Well, surely you should, Phil. | 0:29:52 | 0:29:55 | |
Nonetheless, he goes on to sell his precious ring | 0:29:56 | 0:29:59 | |
in his native Worcester to local jeweller Francis. | 0:29:59 | 0:30:02 | |
-Give me your best offer. -We could offer in the region of 180. | 0:30:02 | 0:30:06 | |
Making a £70 profit, which brings us to the halfway mark. | 0:30:06 | 0:30:10 | |
So, let's see whose stock is rising and whose profit is plummeting. | 0:30:10 | 0:30:14 | |
David has made two sales so far and banked £200. | 0:30:17 | 0:30:22 | |
Phil has sold three items but has less to show for it, just £175. | 0:30:22 | 0:30:26 | |
Eager to continue his pitch for profit, our Devilish | 0:30:29 | 0:30:32 | |
has packed his bags and headed south with his piece de resistance. | 0:30:32 | 0:30:36 | |
Right, well, you find me and my completed glass head | 0:30:38 | 0:30:41 | |
right here in the middle of the most vibrant city in the world, London. | 0:30:41 | 0:30:46 | |
I've come to see a friend of mine, Robert Robinson, | 0:30:46 | 0:30:49 | |
who is a big collector of modern art | 0:30:49 | 0:30:50 | |
and hopefully, he's going to like this completed blue glass head. | 0:30:50 | 0:30:54 | |
Well, beauty is in the eye of the beholder. | 0:30:54 | 0:30:57 | |
David paid £20 for his glass head | 0:30:57 | 0:31:00 | |
but will Robert like its new face-lift? | 0:31:00 | 0:31:03 | |
-I'm going to spin it around, I'm going to reveal it. -OK. -OK? | 0:31:03 | 0:31:06 | |
This is always a bit of an anxious moment. | 0:31:06 | 0:31:08 | |
-Let's hope I like it. -I know! | 0:31:08 | 0:31:11 | |
Brace yourself, Robert. | 0:31:11 | 0:31:12 | |
Well, I think it's great. I think it's absolutely fantastic. | 0:31:14 | 0:31:17 | |
So, it's all about people watching. | 0:31:17 | 0:31:19 | |
One of my great hobbies and pastimes. | 0:31:19 | 0:31:21 | |
I'm hoping you can see there are faces in there. | 0:31:21 | 0:31:23 | |
Well, there are, I can actually see there's a number | 0:31:23 | 0:31:26 | |
and obviously, the features and attributes are moved around a bit. | 0:31:26 | 0:31:28 | |
Well, I like it. | 0:31:28 | 0:31:30 | |
It's a rarity to come across something | 0:31:30 | 0:31:31 | |
that hasn't been seen before. | 0:31:31 | 0:31:33 | |
I think the wife will like it, which is more important. | 0:31:33 | 0:31:35 | |
-Right. So, I'm thinking 250. -OK. | 0:31:35 | 0:31:38 | |
I think it's a fair price, to be honest. | 0:31:38 | 0:31:40 | |
Because I can see you put a lot of work into it. | 0:31:40 | 0:31:43 | |
-I like the fact that it's the first. -Might be the last. | 0:31:43 | 0:31:46 | |
And also, I think the painting is fairly good. So, well done. | 0:31:46 | 0:31:50 | |
Fairly good? What do you mean fairly good? | 0:31:50 | 0:31:52 | |
Good grief, no haggle necessary? | 0:31:52 | 0:31:55 | |
David's painted head was a hit with the only critic that mattered, | 0:31:55 | 0:31:59 | |
giving him a huge profit of £230. | 0:31:59 | 0:32:02 | |
Wow, relieved and super pleased. | 0:32:05 | 0:32:07 | |
Glass head has found a pretty good home, I think. | 0:32:07 | 0:32:10 | |
Devilish continues to ride the wave of success, | 0:32:12 | 0:32:14 | |
selling his vintage water-skis he bought for £50 | 0:32:14 | 0:32:17 | |
to a shop owner from Darlington for £70, pocketing £20. | 0:32:17 | 0:32:22 | |
So, The Fox needs to get his skates on. | 0:32:27 | 0:32:31 | |
And he's headed to the picture-postcard town of Burford, | 0:32:31 | 0:32:34 | |
in Oxfordshire. | 0:32:34 | 0:32:35 | |
He's brought his three curling stones | 0:32:35 | 0:32:37 | |
to show specialist antiques sporting goods dealer Manfred. | 0:32:37 | 0:32:41 | |
Oh, blimey! | 0:32:41 | 0:32:43 | |
The set owes him £130. | 0:32:43 | 0:32:46 | |
Would someone buy these to use them? | 0:32:46 | 0:32:48 | |
Or are they just a decorative item? | 0:32:48 | 0:32:51 | |
I'm not aware of people curling with old stones. | 0:32:51 | 0:32:54 | |
But certainly, people buy them as doorstops or just a decorative item. | 0:32:54 | 0:32:59 | |
-They're nice-looking things. -Are they of interest to you? | 0:32:59 | 0:33:02 | |
Yes, they definitely are. I'm impressed by what you brought me. | 0:33:02 | 0:33:05 | |
-Really? -I like them. -I was thinking £70 a piece for them. | 0:33:05 | 0:33:08 | |
Hmm. Manfred's a hard man to read. | 0:33:10 | 0:33:13 | |
You want £210? | 0:33:13 | 0:33:15 | |
-Yes, £210, yes. -Hmm. -Well, hmm. | 0:33:15 | 0:33:18 | |
What are they worth, Manfred? | 0:33:20 | 0:33:21 | |
-I'm not going to tell you what they're worth. -Tell me afterwards. | 0:33:21 | 0:33:24 | |
-But you've got a deal. -Really? -Thank you very much. | 0:33:24 | 0:33:27 | |
Really? | 0:33:27 | 0:33:28 | |
I would have given you that price for this one. | 0:33:28 | 0:33:31 | |
-For that one alone? -Yeah. This is a collector's item. | 0:33:31 | 0:33:35 | |
Oh, no. Phil, what have you done? Pitching it too low. | 0:33:35 | 0:33:39 | |
Looking on the bright side, he has made £80 profit. | 0:33:39 | 0:33:42 | |
Now, you might think | 0:33:44 | 0:33:46 | |
and I now know that I probably could have asked more money for those. | 0:33:46 | 0:33:50 | |
But that's the point, I brought them to one of the country's | 0:33:50 | 0:33:53 | |
leading specialists, he gave me what I wanted and I'm happy with them. | 0:33:53 | 0:33:57 | |
And his knowledge is going to get him more money | 0:33:57 | 0:33:59 | |
but good luck to him because that is what knowledge is all about. | 0:33:59 | 0:34:03 | |
Yes, but you still didn't make as much | 0:34:03 | 0:34:05 | |
as you could have done, did you? | 0:34:05 | 0:34:06 | |
Anyway, both Phil and David each have one item left to sell. | 0:34:06 | 0:34:10 | |
The Fox heads back to Worcestershire to the village of Feckenham. | 0:34:10 | 0:34:14 | |
And the big question is to be or not to be? | 0:34:14 | 0:34:18 | |
Well, it all appears to have gone quite well so far. | 0:34:18 | 0:34:21 | |
I know I'm not going to make a huge profit with this | 0:34:21 | 0:34:23 | |
but it is an opportunity to find out a little bit more about bees. | 0:34:23 | 0:34:26 | |
Remember, he paid £30 for his vintage beehives. | 0:34:26 | 0:34:29 | |
Time to meet apiarist Paul. | 0:34:29 | 0:34:32 | |
-This is what I brought you. -Ah, OK. | 0:34:32 | 0:34:34 | |
Well, you know what that is, don't you? It's a skep. | 0:34:34 | 0:34:37 | |
Well, I bought it off this guy and he told me | 0:34:37 | 0:34:40 | |
it was for collecting a swarm of... | 0:34:40 | 0:34:44 | |
-A swarm? -A swarm of bees, OK. | 0:34:44 | 0:34:46 | |
So, actually, it's not just for collecting, | 0:34:46 | 0:34:48 | |
it's in fact, probably meant for keeping bees in. | 0:34:48 | 0:34:51 | |
What he said to me was that that was there so that bees | 0:34:51 | 0:34:54 | |
could rush in there when they were swarming, that's what he said. | 0:34:54 | 0:34:57 | |
-Clearly he knew nothing. -Yes. | 0:34:57 | 0:34:58 | |
-He had obviously a keen interest but not much knowledge. -Yeah! | 0:34:58 | 0:35:02 | |
So the bees, when they swarm, | 0:35:02 | 0:35:04 | |
they will collect in a hedge or in a tree. | 0:35:04 | 0:35:08 | |
If you're a beekeeper, you're looking out for these swarms. | 0:35:08 | 0:35:11 | |
-They'll be hanging like a rugby ball shaped thing. -Seen them. | 0:35:11 | 0:35:13 | |
And that's where you get your skep and you hold it underneath | 0:35:13 | 0:35:16 | |
and you get the branch and you give it a whack | 0:35:16 | 0:35:20 | |
and they all fall in a blob into the skep. | 0:35:20 | 0:35:23 | |
Do they not get slightly agitated by that? | 0:35:23 | 0:35:26 | |
You would think so but actually swarming bees, | 0:35:26 | 0:35:28 | |
they've had so much to eat before they left | 0:35:28 | 0:35:30 | |
and that makes them very good-humoured. | 0:35:30 | 0:35:32 | |
And they are totally obsessed with following the queen. | 0:35:32 | 0:35:35 | |
So you could actually hold the queen in your fingers | 0:35:35 | 0:35:38 | |
and the bees would literally collect around her without stinging you. | 0:35:38 | 0:35:42 | |
They don't care about... | 0:35:42 | 0:35:43 | |
I'm going to take your word on that one. | 0:35:43 | 0:35:45 | |
We won't test it out this afternoon! | 0:35:45 | 0:35:47 | |
-I will take your word on that one. Have you got one of these? -No. | 0:35:47 | 0:35:49 | |
Do you want one of these? | 0:35:49 | 0:35:51 | |
Well, for sheer intrigue value, yes, it would be great fun. | 0:35:51 | 0:35:54 | |
-Well, it cost me 30 quid. -OK, I would do 35. -I'll shake your hand. | 0:35:54 | 0:35:58 | |
-Brilliant. -I'll shake your hand but on one condition. -What's that? | 0:35:58 | 0:36:01 | |
Now I'm here, I've got to see some bees. | 0:36:01 | 0:36:03 | |
-OK, but we're going to have to get some gear on. -Really? -Absolutely. | 0:36:03 | 0:36:06 | |
Yes, Phil. It's time to face your fear. | 0:36:06 | 0:36:09 | |
FILM TRAILER VOICE: As we present the biggest bee-movie ever. | 0:36:09 | 0:36:13 | |
One man against a million, or so, bees! | 0:36:18 | 0:36:22 | |
So, most of them are down below. | 0:36:22 | 0:36:24 | |
Good, that's the best place for them. | 0:36:24 | 0:36:26 | |
See displays of incredible courage. | 0:36:26 | 0:36:29 | |
-They're beginning to buzz a bit. Is that a sign of agitation? -No. | 0:36:29 | 0:36:32 | |
As our hero comes face-to-face | 0:36:32 | 0:36:34 | |
with one of nature's most ferocious creatures. | 0:36:34 | 0:36:36 | |
A story of adversity in the face of antique beehive selling. | 0:36:38 | 0:36:42 | |
And having walked away rather quickly, The Fox puts £5 profit | 0:36:45 | 0:36:49 | |
into his honey pot, which rounds off his selling. | 0:36:49 | 0:36:52 | |
David however has one item left to sell | 0:36:54 | 0:36:56 | |
and is determined to remain steadfast in his sales offensive. | 0:36:56 | 0:37:00 | |
So, he's decided to play his ace card. | 0:37:00 | 0:37:03 | |
So here I am in Barnes, London, | 0:37:03 | 0:37:05 | |
and I've come to see a great friend of mine. | 0:37:05 | 0:37:07 | |
He's one of the cleverest, funniest people I've ever known | 0:37:07 | 0:37:11 | |
and he's made his life and his work through words. | 0:37:11 | 0:37:16 | |
And I think this writing box is perfect for him. | 0:37:16 | 0:37:20 | |
Oh, this is exciting. | 0:37:20 | 0:37:21 | |
Remember, the Victorian writing desk cost David £35 | 0:37:21 | 0:37:25 | |
but who is this mystery man? | 0:37:25 | 0:37:27 | |
Oh, there you are! Lurking, you rascal. Nice to see you. | 0:37:28 | 0:37:32 | |
Giles, wonderful to see you. | 0:37:32 | 0:37:33 | |
-And you're still wearing those ridiculous trousers? -I am. | 0:37:33 | 0:37:36 | |
-When I told my wife Michelle I was coming to meet you... -Yes? | 0:37:36 | 0:37:40 | |
She said, "Whatever you do, don't buy whatever he's got this time." | 0:37:40 | 0:37:43 | |
-Oh. Thank you! -Anyway, tell me what it is. | 0:37:43 | 0:37:46 | |
This is an early 19th-century writing box, circa 1840. | 0:37:46 | 0:37:50 | |
-The laptop of the 19th century. -Lovely. -Yes, it's plain. | 0:37:50 | 0:37:54 | |
So, the time people like Dickens are writing, that sort of era? | 0:37:54 | 0:37:57 | |
Completely. I've seen many of them. | 0:37:57 | 0:37:59 | |
-But this is what made me think of you. -There's a story, is there? | 0:37:59 | 0:38:02 | |
A story. Something that you would hardly take any notice of. | 0:38:02 | 0:38:08 | |
It's the most wonderful inscription. | 0:38:08 | 0:38:12 | |
And it tells us who owned the box, | 0:38:12 | 0:38:14 | |
when she was married, September 1835. | 0:38:14 | 0:38:18 | |
It tells us where she lived, who her father was. | 0:38:18 | 0:38:22 | |
It says here he's an esquire, that means he's a gentleman. | 0:38:22 | 0:38:25 | |
Yeah, he is a gentleman, he's a dentist in that part of town. | 0:38:25 | 0:38:28 | |
So, the daughter comes from a good family, she's educated. | 0:38:28 | 0:38:33 | |
I can now see the name, it's Bateman and they're of Regent's Park. | 0:38:33 | 0:38:38 | |
-I was brought up literally within 100 yards of this. -You were not! | 0:38:38 | 0:38:43 | |
I genuinely was. | 0:38:43 | 0:38:45 | |
Of course, this is the part of the world that inspired | 0:38:45 | 0:38:48 | |
Arthur Conan Doyle to create Sherlock Holmes | 0:38:48 | 0:38:50 | |
and have him living in Baker Street. | 0:38:50 | 0:38:52 | |
-All of this... -All within a stone's throw. -Is within a stone's throw. | 0:38:52 | 0:38:55 | |
I've traced the family | 0:38:55 | 0:38:57 | |
and I can tell you that not very many years after 1835, | 0:38:57 | 0:39:03 | |
this family who were obviously educated - they could write - | 0:39:03 | 0:39:06 | |
ended up in the workhouse. | 0:39:06 | 0:39:08 | |
But the story runs cold in the early 1840s, it's remarkable. | 0:39:08 | 0:39:14 | |
So, we know where this thing was in its early part of its life. | 0:39:14 | 0:39:17 | |
Where it's been since the '40s, we don't know. | 0:39:17 | 0:39:20 | |
So, here we have the story of a family fallen on hard times. | 0:39:20 | 0:39:24 | |
They begin in Regent's Park in rather grand circumstances | 0:39:24 | 0:39:27 | |
and they end up in the Marylebone workhouse. | 0:39:27 | 0:39:30 | |
-It can happen. -It's very intriguing. | 0:39:30 | 0:39:32 | |
Now tell me honestly, you weren't up all night, because you are a bit | 0:39:32 | 0:39:36 | |
of an artist yourself, inscribing this in order to enhance the value? | 0:39:36 | 0:39:40 | |
Not all night, just a couple of hours on an afternoon. | 0:39:40 | 0:39:43 | |
-I do quite like it. -OK, so price wise, £65. -Oh, please. | 0:39:43 | 0:39:47 | |
And I think you've stolen it. | 0:39:47 | 0:39:49 | |
I'm not going to fork out 65 quid on a bit of old junk. | 0:39:49 | 0:39:52 | |
-I mean, it's charming, the story you've talked up is lovely. -Yes. | 0:39:52 | 0:39:56 | |
-Isn't that worth something? -It is indeed worth something. | 0:39:56 | 0:40:00 | |
-It's a lovely original piece. I'm ready to pay £40. -What about 55? | 0:40:00 | 0:40:05 | |
-£40, that reasonable. I can give you £40. -It's a fiver profit. | 0:40:05 | 0:40:09 | |
-Well done, you! -You're very good at this bartering thing. | 0:40:09 | 0:40:13 | |
I'll spin you. If you win, you get it at 35. If I win, 45. | 0:40:13 | 0:40:18 | |
-Are you up for it? -OK. -Call. | 0:40:18 | 0:40:21 | |
Heads. | 0:40:21 | 0:40:22 | |
-It's tails! -Tails. That's it, 45. That's the way to do deals. | 0:40:24 | 0:40:28 | |
Thank you very much. | 0:40:28 | 0:40:29 | |
Well, Giles isn't just mighty with the pen. | 0:40:29 | 0:40:31 | |
He's a notable negotiator. | 0:40:31 | 0:40:33 | |
And with a little help from Lady Luck, | 0:40:33 | 0:40:35 | |
David comes away with a £10 profit. | 0:40:35 | 0:40:38 | |
And that's all she wrote on Devilish's selling soiree. | 0:40:38 | 0:40:41 | |
Well, not a fantastic profit but always wonderful to catch up | 0:40:43 | 0:40:46 | |
with Giles and that now is me completely and utterly sold out. | 0:40:46 | 0:40:50 | |
So, it's almost time to find out who's smashed the sales | 0:40:52 | 0:40:55 | |
and whose profit has fallen to pieces? | 0:40:55 | 0:40:58 | |
First, a quick reminder of how much our experts spent | 0:40:58 | 0:41:01 | |
at the antiques fair. | 0:41:01 | 0:41:02 | |
From a £750 budget, David bought five items and spent a chunky £410. | 0:41:04 | 0:41:10 | |
Phil also made five purchases but spent a modest £365. | 0:41:12 | 0:41:17 | |
But selling must now give way to profit. | 0:41:19 | 0:41:21 | |
All of the money that Phil and David have made from today's challenge | 0:41:21 | 0:41:24 | |
will go to charities of their choice. | 0:41:24 | 0:41:27 | |
So, let's find out who is today's | 0:41:27 | 0:41:29 | |
Put Your Money Where Your Mouth Is champion. | 0:41:29 | 0:41:32 | |
-Hey, Philip. -Mate, how are you? | 0:41:32 | 0:41:34 | |
-Very good, how are you? -Oh, I'm good. | 0:41:34 | 0:41:36 | |
-This all reminds me because that head thing. -Yes? | 0:41:36 | 0:41:39 | |
-Didn't you send it to a hat shop? -No, I sold it to an art collector. | 0:41:39 | 0:41:43 | |
-What, a glass head? -Yeah. -Why? | 0:41:43 | 0:41:45 | |
Because I looked at the head as a blank canvas. | 0:41:45 | 0:41:49 | |
I created a piece of modern art. | 0:41:49 | 0:41:51 | |
-It's adding value, Philip Serrell, adding value! -So, it did you proud? | 0:41:51 | 0:41:54 | |
-Very well. -Well, well done you. That's good lateral thinking. | 0:41:54 | 0:41:57 | |
Thank you. The beehive thing, was it a beehive? | 0:41:57 | 0:41:59 | |
-I nearly got stung with that. -Oh! You made a loss? | 0:41:59 | 0:42:02 | |
-No, I made a profit. -How did you do that? | 0:42:02 | 0:42:04 | |
I just snuck out of it. What about your...? | 0:42:04 | 0:42:06 | |
The Cold War dream machine, hey? | 0:42:06 | 0:42:07 | |
-I can see that turning into a nightmare. -No! | 0:42:07 | 0:42:09 | |
Did you do well out of that? | 0:42:09 | 0:42:11 | |
Really well, went to a great motorbike dealer. | 0:42:11 | 0:42:13 | |
-You did really well out of that? -Made good money. | 0:42:13 | 0:42:15 | |
You find another. Shall we discover? | 0:42:15 | 0:42:17 | |
-This might not turn out very well. -It might turn up really well for me. | 0:42:17 | 0:42:21 | |
Hellfire! That isn't just a victory, that's a whomping, that. | 0:42:22 | 0:42:26 | |
Good show. Thank you, head. Thank you, moped! | 0:42:26 | 0:42:30 | |
-Take a step back, I'll see you later. -No, no! -No, I've had enough. | 0:42:30 | 0:42:33 | |
I'm not doing this any more. | 0:42:33 | 0:42:35 | |
Yes, David has walked off the winner. | 0:42:35 | 0:42:37 | |
And it was all down to his prowess with the paintbrush. | 0:42:37 | 0:42:40 | |
Fabulous! Sometimes, plans just come together beautifully. | 0:42:41 | 0:42:46 | |
And the antiques fair was a plan that worked rather well. | 0:42:46 | 0:42:51 | |
That wasn't so much a beating as an absolute drubbing | 0:42:51 | 0:42:53 | |
but fair play to David. | 0:42:53 | 0:42:55 | |
He used his head. See? Used his head? Oh, forget it. | 0:42:55 | 0:42:58 | |
Yes, tomorrow it's the grand finale as these men must muster | 0:43:00 | 0:43:03 | |
the energy to guide it one more time in an ultimate battle. | 0:43:03 | 0:43:07 | |
Yes! It's the Showdown. | 0:43:07 | 0:43:10 | |
No! Philip... | 0:43:10 | 0:43:12 |