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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's best loved antiques experts | 0:00:03 | 0:00:06 | |
against each other in an all-out battle for profits. | 0:00:06 | 0:00:10 | |
Let's make hay while that sun shines. | 0:00:10 | 0:00:12 | |
Each week one pair of duelling dealers will | 0:00:12 | 0:00:15 | |
face a different daily challenge. | 0:00:15 | 0:00:17 | |
I've got an 'eavy profit 'ere. | 0:00:17 | 0:00:19 | |
Putting their reputations on the line. | 0:00:19 | 0:00:21 | |
Who's there? | 0:00:21 | 0:00:22 | |
GAVEL BANGS | 0:00:22 | 0:00:23 | |
They'll give you the insider's view of the trade. | 0:00:23 | 0:00:26 | |
HE GROWLS | 0:00:26 | 0:00:27 | |
Along with their top tips and savvy secrets. | 0:00:27 | 0:00:30 | |
That could present a problem. | 0:00:30 | 0:00:32 | |
Showing you how to make the most money... | 0:00:32 | 0:00:35 | |
Ready for battle. | 0:00:35 | 0:00:36 | |
..from buying and selling. | 0:00:37 | 0:00:39 | |
-Get in there. -EVIL LAUGHTER | 0:00:39 | 0:00:41 | |
LIGHTNING STRIKES | 0:00:41 | 0:00:42 | |
Today it's the mightiest contest known to man, | 0:00:42 | 0:00:45 | |
the culmination of a battle-heavy week - | 0:00:45 | 0:00:48 | |
it's the Showdown. | 0:00:48 | 0:00:49 | |
Coming up, Christina shows she's on trend. | 0:00:50 | 0:00:53 | |
We don't see this shape very often, especially in this form. | 0:00:53 | 0:00:56 | |
And anything that is an unusual shape, | 0:00:56 | 0:00:58 | |
an unusual pattern, is selling really well at the moment. | 0:00:58 | 0:01:01 | |
There's shenanigans in the auction room. | 0:01:01 | 0:01:03 | |
Don't break my lot! | 0:01:03 | 0:01:05 | |
-Oh... -SHE LAUGHS | 0:01:06 | 0:01:08 | |
And Mark forgets his trousers. | 0:01:08 | 0:01:11 | |
I don't think I've ever been to an auction with a gentleman in his jim-jams. | 0:01:11 | 0:01:14 | |
-No! -It's a first for both of us, cos neither have I. | 0:01:14 | 0:01:17 | |
This is Put Your Money Where Your Mouth Is. | 0:01:17 | 0:01:20 | |
It's time to batten down your hatches or run for the hills, | 0:01:34 | 0:01:38 | |
as two irrepressible experts of antiques are preparing for | 0:01:38 | 0:01:41 | |
the ultimate profit-punching encounter. | 0:01:41 | 0:01:44 | |
So challenging, it'll make Everest look like a molehill in your nan's back garden. | 0:01:44 | 0:01:48 | |
In this war of the sexes, the men are being represented by | 0:01:50 | 0:01:53 | |
the embodiment of prize-winning machismo. | 0:01:53 | 0:01:56 | |
Oh...it's Mark "The Maverick" Stacey. | 0:01:56 | 0:01:59 | |
Hold on to your seats. Don't go anywhere. | 0:01:59 | 0:02:01 | |
Representing the women, an auctioneer who could charm the birds out of the trees, | 0:02:02 | 0:02:06 | |
it's Christina "The Magpie" Trevanion. | 0:02:06 | 0:02:10 | |
As far as I'm concerned, who dares wins. | 0:02:10 | 0:02:14 | |
Today they'll be battling on four fronts. | 0:02:14 | 0:02:16 | |
At an antiques fair. | 0:02:16 | 0:02:17 | |
An auction. GAVEL BANGS | 0:02:17 | 0:02:19 | |
A car boot sale. | 0:02:19 | 0:02:21 | |
And...a foreign market. | 0:02:21 | 0:02:23 | |
Our experts have £1,000 of their own money to spend on eight items | 0:02:23 | 0:02:28 | |
they think will make gigantic profits. | 0:02:28 | 0:02:31 | |
But Showdown rules require them to put at least half their purchases up for auction, | 0:02:31 | 0:02:35 | |
where all control is lost to the slings and arrows of outrageous bidding - | 0:02:35 | 0:02:40 | |
either making them a fortune, or losing them the contest. | 0:02:40 | 0:02:43 | |
And any profit they do make will go to charity. | 0:02:43 | 0:02:46 | |
So, Mark Stacey and Christina Trevanion, this is it. | 0:02:47 | 0:02:51 | |
Put your money where your mouth is. | 0:02:51 | 0:02:53 | |
Starting in the rain isn't great, isn't? | 0:02:53 | 0:02:55 | |
-But never mind, let's plod on. -We are. What are we here for? | 0:02:55 | 0:02:59 | |
-Well, we are... -MARK LAUGHS | 0:02:59 | 0:03:01 | |
It's a... I'll tell you! | 0:03:01 | 0:03:02 | |
"Welcome to the mighty Showdown", it says here. | 0:03:02 | 0:03:05 | |
-"The rules are simple." -Oh, I like simple. -Good, much like us. | 0:03:05 | 0:03:07 | |
MARK LAUGHS | 0:03:07 | 0:03:09 | |
"You must each buy two items at every one of your regular | 0:03:09 | 0:03:12 | |
"Put Your Money challenges," OK? | 0:03:12 | 0:03:14 | |
-And we have £1,000 to spend. -£1,000! | 0:03:14 | 0:03:18 | |
-A whole thousand pounds. -There's more, though. -Oh. | 0:03:18 | 0:03:21 | |
-"You can sell up to four items wherever you want." -OK. | 0:03:21 | 0:03:25 | |
"The rest will be sold at the Showdown auction in direct competition with your opponent." | 0:03:25 | 0:03:29 | |
-I dread that bit. -HE GASPS | 0:03:29 | 0:03:31 | |
Out of our hands. | 0:03:31 | 0:03:32 | |
"The winner is the expert who makes most profit." | 0:03:32 | 0:03:35 | |
-Come on, let's go spend it. -Come on. | 0:03:35 | 0:03:37 | |
Yes, we have two seasoned experts here | 0:03:37 | 0:03:39 | |
ready to battle the obstacles that lie ahead. | 0:03:39 | 0:03:43 | |
Battlefield number one is the Lincoln Antiques Fair, | 0:03:43 | 0:03:46 | |
where the first challenge is the weather. | 0:03:46 | 0:03:48 | |
THUNDER ROLLS | 0:03:48 | 0:03:49 | |
It's absolutely throwing it down outside, | 0:03:49 | 0:03:52 | |
and to be perfectly honest with you, that's why I'm going outside, | 0:03:52 | 0:03:55 | |
because everyone is going to gravitate in here where it's lovely and dry. | 0:03:55 | 0:03:58 | |
At the risk of looking like a drowned rat very shortly, | 0:03:58 | 0:04:00 | |
I'm heading out there. | 0:04:00 | 0:04:02 | |
Mmm. Interesting tactic. | 0:04:02 | 0:04:04 | |
And the rain isn't dampening Mark's parade either. | 0:04:04 | 0:04:07 | |
When you come to fairs like this, | 0:04:07 | 0:04:09 | |
there are some stands that shine out, you know? | 0:04:09 | 0:04:11 | |
And there's just lots calling me - | 0:04:11 | 0:04:13 | |
which is a very dangerous sign, I feel. | 0:04:13 | 0:04:15 | |
And Mark faces the danger head on, | 0:04:15 | 0:04:17 | |
as he finds a Victorian claret jug | 0:04:17 | 0:04:20 | |
with a price tag of £35. | 0:04:20 | 0:04:23 | |
This is a lovely shape. It's beautifully cast. | 0:04:23 | 0:04:25 | |
It's in a sort of Etruscan style, | 0:04:25 | 0:04:27 | |
which is going back to the whole sort of Roman period. | 0:04:27 | 0:04:31 | |
But the glass is nicely ashed as well, with little starbursts. | 0:04:31 | 0:04:34 | |
Sir, you couldn't do it for 25, I suppose, could you? | 0:04:34 | 0:04:37 | |
-I'll do it for 30. -£30? -Yeah. | 0:04:37 | 0:04:40 | |
£30. I think I'm going to take that. | 0:04:40 | 0:04:42 | |
A £5 discount on the jug, and Mark's up and running. | 0:04:42 | 0:04:46 | |
Across the fair, Christina is braving the weather | 0:04:46 | 0:04:49 | |
by taking shelter in the back of a van. | 0:04:49 | 0:04:52 | |
On a day like today, which is not the nicest of days, | 0:04:52 | 0:04:55 | |
I'm sort of picturing myself standing on a beautiful warm summer's day, | 0:04:55 | 0:05:00 | |
on a beach | 0:05:00 | 0:05:01 | |
in a pink kaftan | 0:05:01 | 0:05:02 | |
with a straw hat flowing in the wind. | 0:05:02 | 0:05:05 | |
Couldn't really get further away from where we are, really, could you? | 0:05:05 | 0:05:09 | |
So, does the price tag being a ray of sunshine to her day? | 0:05:09 | 0:05:13 | |
Go on, what's your best? | 0:05:13 | 0:05:14 | |
-15 quid. -£10. -Fine. | 0:05:16 | 0:05:18 | |
Thank you very much. £10. | 0:05:18 | 0:05:21 | |
And it can make me think like I'm on a beach...somewhere. | 0:05:21 | 0:05:24 | |
So, she shakes on her first buy. | 0:05:25 | 0:05:27 | |
It's that sort of wonderful feeling | 0:05:27 | 0:05:29 | |
of the great British seaside in its height. | 0:05:29 | 0:05:32 | |
And it's got that wonderful, sort of, slightly romantic feel about it. | 0:05:32 | 0:05:35 | |
Great frame as well. | 0:05:35 | 0:05:37 | |
And also, we have got a full artist label on the back, | 0:05:37 | 0:05:40 | |
which we can attribute obviously to a particular artist. | 0:05:40 | 0:05:43 | |
Memories of British seaside holidays, | 0:05:43 | 0:05:45 | |
it's got to be worth more than a tenner, hasn't it? | 0:05:45 | 0:05:47 | |
And what do you need for your seaside holiday? A hotel. | 0:05:47 | 0:05:50 | |
That's quite fun, isn't it? It's a hotel... | 0:05:51 | 0:05:54 | |
..luggage...thing, isn't it? | 0:05:56 | 0:06:00 | |
Hotel luggage thing? | 0:06:00 | 0:06:01 | |
Yes, I think the word you're looking for is trolley, Christina. | 0:06:01 | 0:06:05 | |
How much have you got on those brand-new, rather ghastly... | 0:06:05 | 0:06:08 | |
SELLER LAUGHS | 0:06:08 | 0:06:09 | |
..luggage things? | 0:06:09 | 0:06:10 | |
The very best price to you, Christina, is 240. | 0:06:10 | 0:06:13 | |
-So 240 for the pair? -No, 240 each. | 0:06:13 | 0:06:15 | |
OK. | 0:06:16 | 0:06:17 | |
It would make be happier to be more nearer the 200. | 0:06:17 | 0:06:20 | |
HE LAUGHS | 0:06:20 | 0:06:22 | |
Go on. | 0:06:22 | 0:06:23 | |
-I'll just tell the kids they can't eat again this week, then. -Oh, no, don't... | 0:06:23 | 0:06:26 | |
-And they can't have new shoes again, can they, you know what I mean? -SHE LAUGHS | 0:06:26 | 0:06:30 | |
Yeah, sob stories don't work on the Magpie. | 0:06:30 | 0:06:33 | |
The man agrees to her £200 offer | 0:06:33 | 0:06:34 | |
and she's all bought up for the first round. | 0:06:34 | 0:06:37 | |
Mark, however, needs one more. | 0:06:37 | 0:06:39 | |
He has the whole fair to choose from, | 0:06:39 | 0:06:42 | |
and yet he's drawn to the same stall. | 0:06:42 | 0:06:44 | |
Do you know what? I spotted these earlier on. There's only one left now. | 0:06:45 | 0:06:49 | |
So they're selling like hot cakes. | 0:06:49 | 0:06:51 | |
So, Mark is going for the same item as Christina. | 0:06:51 | 0:06:55 | |
Ladies and gentlemen, this could be | 0:06:55 | 0:06:56 | |
a Put Your Money Where Your Mouth Is first. | 0:06:56 | 0:06:58 | |
The battle of the trolleys. | 0:06:58 | 0:07:01 | |
-Come on, the very best price for your last one. -240, Mark. -No. | 0:07:01 | 0:07:04 | |
No, no, no, no. | 0:07:04 | 0:07:06 | |
They're selling like...mad. | 0:07:06 | 0:07:08 | |
And unexpectedly, | 0:07:08 | 0:07:10 | |
the dealer reveals that the missing trolley | 0:07:10 | 0:07:12 | |
went to Christina for £200. | 0:07:12 | 0:07:14 | |
So, Mark takes advantage. | 0:07:14 | 0:07:16 | |
-Go for 190, go on. -I can't do it. | 0:07:17 | 0:07:19 | |
-You can. -I can't, honestly. -195. | 0:07:19 | 0:07:21 | |
-They cost £200 each. -195, come on. | 0:07:21 | 0:07:24 | |
195. Just the fiver. | 0:07:24 | 0:07:27 | |
-Just for the fun of it. -Christina... | 0:07:27 | 0:07:29 | |
-I got mine cheaper. -SELLER LAUGHS | 0:07:29 | 0:07:32 | |
Who's going to make the most profit? Come on. | 0:07:32 | 0:07:34 | |
Luggage, anyone? | 0:07:35 | 0:07:36 | |
With the antiques fair done, let's take a glance at the scoresheet. | 0:07:38 | 0:07:42 | |
From a £1,000 budget, Mark has spent £225, | 0:07:42 | 0:07:45 | |
leaving 775 in his kitty. | 0:07:45 | 0:07:48 | |
Christina has spent a little less - £210 - | 0:07:48 | 0:07:52 | |
so still has £790 to get through. | 0:07:52 | 0:07:55 | |
And so it's on to round two - the auction. | 0:07:56 | 0:07:59 | |
Our competitors are in Sevenoaks at Ibbett Mosley salerooms. | 0:07:59 | 0:08:03 | |
Things are about to get under way. | 0:08:03 | 0:08:04 | |
But, with the gavel looming, | 0:08:04 | 0:08:06 | |
Mark's nerves are jangling like wind chimes in a wind tunnel. | 0:08:06 | 0:08:09 | |
Am I feeling nervous? Of course I'm not feeling nervous. | 0:08:11 | 0:08:14 | |
What have I got to be nervous about? | 0:08:14 | 0:08:15 | |
I'm only up against someone who is attractive, intelligent, | 0:08:15 | 0:08:19 | |
younger than me... | 0:08:19 | 0:08:20 | |
What's to be worried about? | 0:08:20 | 0:08:22 | |
The auction is looking quite busy, lots of people in the room, so... | 0:08:23 | 0:08:27 | |
I'll have to keep everything crossed. | 0:08:27 | 0:08:29 | |
And it's Christina who's first to go out on a limb, | 0:08:29 | 0:08:32 | |
on a selection of champagne. | 0:08:32 | 0:08:34 | |
I'm thinking the quantity of it, if it's cheap enough, I'll have it. | 0:08:34 | 0:08:39 | |
£20 anywhere for the champagne? | 0:08:39 | 0:08:41 | |
20, I have. 25 now. | 0:08:41 | 0:08:43 | |
50 anywhere else? Coming back at 50. | 0:08:44 | 0:08:46 | |
55. | 0:08:46 | 0:08:48 | |
60 now? | 0:08:48 | 0:08:49 | |
55 with the lady. | 0:08:49 | 0:08:51 | |
60 anywhere else? At £55, all done. | 0:08:51 | 0:08:54 | |
GAVEL BANGS | 0:08:54 | 0:08:56 | |
-55. -£55. Party at mine? -Well done. | 0:08:56 | 0:08:59 | |
CHRISTINA LAUGHS | 0:08:59 | 0:09:00 | |
Yes, Christina is in a celebratory mood, as she pays | 0:09:01 | 0:09:04 | |
£64.90 for the champagne after auction costs are added. | 0:09:04 | 0:09:08 | |
So, is she popping her cork when she gets to see it up close? | 0:09:08 | 0:09:12 | |
Turns out all that glitters is not gold. | 0:09:13 | 0:09:16 | |
And I have bought quite a lot of, some nice examples, | 0:09:16 | 0:09:19 | |
but also some shop's own brands of fairly cheap and fairly | 0:09:19 | 0:09:23 | |
cheerful champagne and also a little bit of whisky thrown in, so... | 0:09:23 | 0:09:27 | |
Oh, dear. A lesson to us all there. | 0:09:28 | 0:09:30 | |
Maybe Christina can get back on the good foot | 0:09:30 | 0:09:32 | |
with an early 20th-century penny slot machine? | 0:09:32 | 0:09:35 | |
It's a great looking thing, really fun thing, | 0:09:36 | 0:09:38 | |
but there is a very buoyant collector's market for these pieces. | 0:09:38 | 0:09:42 | |
So I'm expecting to have to pay for it if I get it at all. | 0:09:42 | 0:09:44 | |
But Christina is not the only one to have marked the lot. | 0:09:44 | 0:09:47 | |
There may be trouble ahead. | 0:09:47 | 0:09:50 | |
This could be a battle royale. | 0:09:50 | 0:09:52 | |
And all over a penny arcade machine. | 0:09:52 | 0:09:54 | |
The bidding gets going | 0:09:56 | 0:09:57 | |
and Mark is against another rival in the room - | 0:09:57 | 0:10:00 | |
while Christina is keeping a low profile. | 0:10:00 | 0:10:02 | |
72. 75. | 0:10:02 | 0:10:05 | |
78. 80. | 0:10:05 | 0:10:06 | |
I'm not bidding on this...yet. | 0:10:06 | 0:10:09 | |
140, 140. | 0:10:09 | 0:10:12 | |
-150 now? It's at 140... -It's getting away. | 0:10:12 | 0:10:14 | |
150 anywhere else? | 0:10:14 | 0:10:16 | |
It looks like Mark's got it. | 0:10:16 | 0:10:18 | |
At £140, all done... | 0:10:18 | 0:10:21 | |
But what's this? | 0:10:21 | 0:10:23 | |
160, going to be an argument in a minute. | 0:10:23 | 0:10:25 | |
What a cheeky monkey! | 0:10:25 | 0:10:27 | |
170? | 0:10:27 | 0:10:28 | |
At £160, all done. | 0:10:28 | 0:10:30 | |
GAVEL BANGS | 0:10:30 | 0:10:31 | |
Mark holds his ground and wins the penny slot machine for £188.80, | 0:10:31 | 0:10:36 | |
after costs, and after Christina pushed the price up. | 0:10:36 | 0:10:40 | |
I wouldn't have minded if she'd bid one penny. | 0:10:40 | 0:10:42 | |
Oh, he doesn't look happy, does he? | 0:10:44 | 0:10:45 | |
But is he pleased with the penny slot machine? | 0:10:45 | 0:10:48 | |
It seems, actually, in not bad condition, | 0:10:48 | 0:10:51 | |
there's a little bit of wear and tear on it. | 0:10:51 | 0:10:54 | |
But the glass is in good condition. | 0:10:54 | 0:10:56 | |
It's got various patent numbers on there. | 0:10:56 | 0:10:58 | |
I would say this was sort of 1910, 1920. | 0:10:58 | 0:11:02 | |
And if I'm right, that could be a really good thing. | 0:11:02 | 0:11:06 | |
So, Mark still has one more item to get, | 0:11:06 | 0:11:09 | |
while Christina bags her second. | 0:11:09 | 0:11:11 | |
With a little frantic waving, she buys a spinning chair for £33.04, | 0:11:11 | 0:11:15 | |
so, will it help her spin out a profit? | 0:11:15 | 0:11:19 | |
Possibly Welsh. | 0:11:20 | 0:11:22 | |
19th-century, maybe just nudging into the early 20th century. | 0:11:22 | 0:11:25 | |
The thing I love about it is this wonderful carved, | 0:11:25 | 0:11:28 | |
what we call a lyre - L-Y-R-E back - as in harp. | 0:11:28 | 0:11:31 | |
Then these wonderful dragons | 0:11:31 | 0:11:33 | |
coming out of it here with their great faces. | 0:11:33 | 0:11:35 | |
And if I can find a spinner that is in need of a chair, | 0:11:35 | 0:11:39 | |
I think I'm quids in. | 0:11:39 | 0:11:41 | |
Well, he may not be a spinner, | 0:11:41 | 0:11:42 | |
but Mark does volunteer to test out Christina's antique chair. | 0:11:42 | 0:11:46 | |
Don't break my lot! | 0:11:47 | 0:11:50 | |
-Oh. -SHE LAUGHS | 0:11:50 | 0:11:52 | |
Yes, Mark's certainly in high spirits, | 0:11:52 | 0:11:54 | |
but he's still in need of another item. | 0:11:54 | 0:11:57 | |
So, as the final gavel falls... GAVEL BANGS | 0:11:57 | 0:12:00 | |
..has he left it too late, or does he still have a trick up his sleeve? | 0:12:00 | 0:12:04 | |
There's one lot I know didn't sell, | 0:12:04 | 0:12:06 | |
which was a set of glass finger bowls and some other glasswares. | 0:12:06 | 0:12:10 | |
I'm rather hoping there's no reserve on it, | 0:12:10 | 0:12:12 | |
and I can steal it for ten quid. | 0:12:12 | 0:12:14 | |
So Maverick Mark lives up to his name | 0:12:16 | 0:12:18 | |
and picks up the glassware for £11.80 in total. | 0:12:18 | 0:12:21 | |
Joy. It's all over. | 0:12:21 | 0:12:24 | |
So what has he got for his money? | 0:12:24 | 0:12:26 | |
They're Edwardian, with this sort of cut, or sliced, decoration, | 0:12:26 | 0:12:30 | |
with a nice star base to it. | 0:12:30 | 0:12:32 | |
And there are eight of them. | 0:12:32 | 0:12:34 | |
But I think those must be worth at least £10 each. | 0:12:34 | 0:12:38 | |
So potentially... | 0:12:38 | 0:12:40 | |
there's a very hot profit in these. | 0:12:40 | 0:12:43 | |
So, as our experts wash their hands of the auction, | 0:12:44 | 0:12:47 | |
let's take a look at the half-time scores. | 0:12:47 | 0:12:50 | |
With two rounds down and a £1,000 budget | 0:12:50 | 0:12:53 | |
Mark has spent £425.60, | 0:12:53 | 0:12:56 | |
leaving over £574 to spend. | 0:12:56 | 0:13:00 | |
Christina's used less money, £307.94, | 0:13:00 | 0:13:03 | |
so has just over £692 for the remaining two rounds. | 0:13:03 | 0:13:07 | |
Next up, round three takes our dealers | 0:13:09 | 0:13:12 | |
to Ford Carboot Sale in Sussex, | 0:13:12 | 0:13:14 | |
where an early start is all-important, | 0:13:14 | 0:13:16 | |
as the beginning of the day can be a little frenetic to say the least. | 0:13:16 | 0:13:20 | |
So, does Christina have a plan of attack? | 0:13:20 | 0:13:23 | |
Strategy...? | 0:13:23 | 0:13:24 | |
-Watch people unpack? -SHE LAUGHS | 0:13:25 | 0:13:28 | |
Oh, dear. | 0:13:29 | 0:13:30 | |
Could it be this ultimate challenge has sent the Magpie cuckoo? | 0:13:30 | 0:13:34 | |
It's very fast and furious. People are unloading. | 0:13:34 | 0:13:37 | |
The dealers are scouting everywhere, grabbing everything that comes out. | 0:13:37 | 0:13:40 | |
Still, Christina is the first to dive in | 0:13:40 | 0:13:42 | |
and emerge with a pair of silhouettes for £20. | 0:13:42 | 0:13:45 | |
This one is actually picked out with gold highlights here. | 0:13:46 | 0:13:49 | |
Really beautiful, | 0:13:49 | 0:13:50 | |
quite early 19th-century little silhouette there | 0:13:50 | 0:13:52 | |
in its nice original ebonised frame | 0:13:52 | 0:13:54 | |
and with a gilt slip. £20? Can't be bad. | 0:13:54 | 0:13:58 | |
No, not bad indeed. | 0:13:58 | 0:14:00 | |
Mark also needs to make a timely purchase, | 0:14:00 | 0:14:02 | |
and it looks like he's about to do just that. | 0:14:02 | 0:14:05 | |
Cast metal, it's a...as you can see, a longcase clock, | 0:14:05 | 0:14:09 | |
or sometimes what are generally referred to as grandfather clocks. | 0:14:09 | 0:14:12 | |
It's quite nicely modelled | 0:14:12 | 0:14:14 | |
with a bit of beading on the clock face there. | 0:14:14 | 0:14:16 | |
It's just quite a fun little item, isn't it? | 0:14:16 | 0:14:18 | |
I'll find out how much it is. Sir? | 0:14:18 | 0:14:20 | |
Can I just ask you how much this is? | 0:14:20 | 0:14:22 | |
Er, £2. | 0:14:22 | 0:14:23 | |
-£2? -£2. | 0:14:23 | 0:14:25 | |
I'll take it for £2, sir, thank you. | 0:14:25 | 0:14:28 | |
Mark makes a miniature dent in his budget with his diddy clock, | 0:14:28 | 0:14:32 | |
and for once picks it up without a haggle. | 0:14:32 | 0:14:35 | |
Listen, I can't really argue for £2, can I? | 0:14:35 | 0:14:38 | |
But you see, that's my problem. Generosity. | 0:14:38 | 0:14:41 | |
Yes, generous to a fault - when an item is £2, that is. | 0:14:42 | 0:14:45 | |
Now, Mark always does have an eye for the flamboyant | 0:14:45 | 0:14:49 | |
and the fabulous, which may explain why he's drawn to this picture. | 0:14:49 | 0:14:52 | |
This isn't going to be everyone's cup of tea, of course. | 0:14:54 | 0:14:56 | |
This is a print, not a watercolour. | 0:14:56 | 0:14:58 | |
This is a performer getting ready, | 0:14:58 | 0:15:01 | |
but it has to be the perfect price. | 0:15:01 | 0:15:04 | |
And in this case, Mark's perfect price is £15. | 0:15:04 | 0:15:08 | |
-I'll do it for 15. -Are you happy with 15? | 0:15:08 | 0:15:10 | |
-Yes. -Fantastic. Let's do that. -OK. -Thank you very much indeed. | 0:15:10 | 0:15:13 | |
So, £15 lighter, is Mark hoping his painting will steal the limelight? | 0:15:13 | 0:15:19 | |
Well, it is not very old, it's not an antique. | 0:15:19 | 0:15:21 | |
It's probably 10 or 20 years old. | 0:15:21 | 0:15:23 | |
It's in a reasonable frame, and once I've had a go | 0:15:23 | 0:15:26 | |
at putting it straight it'll look better. | 0:15:26 | 0:15:28 | |
The reason I bought is the subject. | 0:15:28 | 0:15:31 | |
I mean, it's obviously an entertainer, | 0:15:31 | 0:15:33 | |
who's being transformed. | 0:15:33 | 0:15:35 | |
It's like a butterfly emerging from a chrysalis. | 0:15:35 | 0:15:38 | |
Oh, Mark is made up and bought up at the car boot, | 0:15:38 | 0:15:42 | |
but Christina has one more to go, | 0:15:42 | 0:15:44 | |
and she's found a set of wooden printing blocks | 0:15:44 | 0:15:47 | |
all the way from Germany, | 0:15:47 | 0:15:48 | |
being sold by a vendor all the way from Holland. | 0:15:48 | 0:15:52 | |
Put your ink on there and then print it like that. These are lovely. | 0:15:52 | 0:15:57 | |
I mean, that's very detailed, isn't it? | 0:15:57 | 0:15:59 | |
How much have you got on those? | 0:15:59 | 0:16:01 | |
-The very, very best? -Yes, give me your bestest price. -25. | 0:16:01 | 0:16:05 | |
-For all of them? -Yes. -What's "Thank you" in Dutch? | 0:16:05 | 0:16:08 | |
-Dank je. -Dank je? -Dank je. -Dank je. | 0:16:08 | 0:16:12 | |
Thank you very much. Dank je very much. | 0:16:12 | 0:16:14 | |
-SHE LAUGHS -You're welcome. | 0:16:14 | 0:16:16 | |
So, £25 for the three blocks, | 0:16:16 | 0:16:19 | |
but will they help her print out a profit? | 0:16:19 | 0:16:22 | |
I love the combination of patterns on them. | 0:16:22 | 0:16:24 | |
You've got this quite stylised, almost geometric, | 0:16:24 | 0:16:26 | |
very regular print on this one. | 0:16:26 | 0:16:29 | |
This wonderful one here which is just random foliate and floral. | 0:16:29 | 0:16:32 | |
And then, as a contrast, this wonderful metal example here. | 0:16:32 | 0:16:35 | |
I would love to sell these to somebody who would actually use them | 0:16:35 | 0:16:39 | |
as textile printing blocks. I just think they're fabulous. | 0:16:39 | 0:16:42 | |
But for £25... | 0:16:42 | 0:16:44 | |
I'm made up. | 0:16:44 | 0:16:46 | |
Before the final round, let's take a look at the money. | 0:16:46 | 0:16:49 | |
From £1,000 of their own cash, | 0:16:49 | 0:16:51 | |
Mark has forked out £442.60, | 0:16:51 | 0:16:55 | |
leaving over £557 in his kitty. | 0:16:55 | 0:16:58 | |
Christina has spent £352.94, | 0:16:58 | 0:17:02 | |
going into round four with just over £647. | 0:17:02 | 0:17:06 | |
In this case, round four is the foreign market. | 0:17:07 | 0:17:10 | |
Mark and Christina are in Tongeren in Belgium, | 0:17:10 | 0:17:13 | |
which has outdoor and indoor sections. | 0:17:13 | 0:17:16 | |
There are all kinds of shiny things | 0:17:16 | 0:17:18 | |
to appeal to Christina's magpie tendencies, | 0:17:18 | 0:17:21 | |
but it's Mark who's the first to swoop down on a bit of bling, | 0:17:21 | 0:17:24 | |
as he spies a silver-gilt napkin ring. | 0:17:24 | 0:17:27 | |
-What is the best price on that? -Really best would be 100. | 0:17:27 | 0:17:30 | |
-100 euros? -Yep. -Thank you very much. | 0:17:30 | 0:17:33 | |
Mark pays £74.07 for the napkin ring, | 0:17:33 | 0:17:35 | |
and emerges into the daylight to see what he has got for his money. | 0:17:35 | 0:17:39 | |
It's by a well-known name, Stuart Devlin. | 0:17:41 | 0:17:43 | |
It's very architectural, very angular. | 0:17:43 | 0:17:46 | |
It's silver-gilt, fully hallmarked - London, 1971. | 0:17:46 | 0:17:50 | |
It wasn't cheap, it was 100 euros, but it's a good-looking object. | 0:17:50 | 0:17:54 | |
I'm hoping I shall get a profit out of it. | 0:17:54 | 0:17:57 | |
Yes, Mark there hoping to ring in the profits with his napkin ring. | 0:17:57 | 0:18:00 | |
Meanwhile, across the market, | 0:18:00 | 0:18:02 | |
Christina has spotted a piece of pottery with potential. | 0:18:02 | 0:18:07 | |
Very nice little coffee pot, | 0:18:07 | 0:18:08 | |
blue-printed with this wonderful design, | 0:18:08 | 0:18:11 | |
these sort of bacchanalian cherubs here. | 0:18:11 | 0:18:13 | |
Would you take 30? | 0:18:13 | 0:18:15 | |
No, no. 40 euros. | 0:18:15 | 0:18:17 | |
-What would be your very, very, very best? -40, 40. | 0:18:17 | 0:18:19 | |
-SHE GROANS DISAPPROVINGLY -It's a correct piece. | 0:18:19 | 0:18:22 | |
It's nice. It has got a chip on the inside cover. | 0:18:22 | 0:18:25 | |
35? | 0:18:25 | 0:18:26 | |
Well, then, 35. | 0:18:26 | 0:18:27 | |
So, Christina pays £25.93 for the pot, | 0:18:27 | 0:18:31 | |
drawing even with Mark. | 0:18:31 | 0:18:33 | |
You don't see this shape very often, especially in this form. | 0:18:33 | 0:18:36 | |
Anything that is an unusual shape, an unusual pattern, | 0:18:36 | 0:18:39 | |
is selling really well at the moment. | 0:18:39 | 0:18:41 | |
And I love the pattern on it - | 0:18:41 | 0:18:42 | |
look at this blue and white print here. | 0:18:42 | 0:18:44 | |
These children just frolicking around, | 0:18:44 | 0:18:46 | |
picking grapes, having fun - | 0:18:46 | 0:18:47 | |
what could be more whimsical and more lovely? | 0:18:47 | 0:18:50 | |
Now, it's time for Christina to reclaim her Magpie mantle, | 0:18:50 | 0:18:53 | |
as she spies a sparkly diamond ring. | 0:18:53 | 0:18:56 | |
Oh, that's nice. | 0:18:56 | 0:18:58 | |
OK, what sort of money would you be talking on that one? | 0:18:58 | 0:19:01 | |
Very, very best - | 0:19:01 | 0:19:03 | |
185. | 0:19:03 | 0:19:05 | |
185. | 0:19:05 | 0:19:06 | |
160...and you've got a deal. | 0:19:06 | 0:19:11 | |
-170 and you've got a deal. -170 euros... -Yes, please. | 0:19:11 | 0:19:14 | |
..is a lot of money for this ring, | 0:19:14 | 0:19:17 | |
but you are a delight and I can't resist diamonds, | 0:19:17 | 0:19:20 | |
-so you've got a deal. -Thank you. -Thank you very much. | 0:19:20 | 0:19:23 | |
Oh, my goodness, what have I just done? | 0:19:23 | 0:19:25 | |
Well, Christina, | 0:19:25 | 0:19:27 | |
you've just bought a diamond ring for £125.93. | 0:19:27 | 0:19:31 | |
This is the most beautiful 1920s little | 0:19:31 | 0:19:34 | |
what we call gypsy-set diamond ring, | 0:19:34 | 0:19:36 | |
with a lovely old-cut diamond in there. | 0:19:36 | 0:19:38 | |
The colour is really good, the clarity is really good, | 0:19:38 | 0:19:41 | |
probably just over a quarter of a carat. Really lovely thing. | 0:19:41 | 0:19:43 | |
Christina is done, and can kick back and relax, | 0:19:43 | 0:19:47 | |
while Mark fills his quota with a glass vase | 0:19:47 | 0:19:49 | |
that cost him another 100 euros, | 0:19:49 | 0:19:51 | |
or £74.07. | 0:19:51 | 0:19:53 | |
It was probably produced in the 1960s. | 0:19:55 | 0:19:58 | |
But it's very heavy, and I like that simple design - | 0:19:58 | 0:20:02 | |
that's something that could go into a modern flat or a modern home. | 0:20:02 | 0:20:06 | |
It would even sit quite comfortably on an antique table | 0:20:06 | 0:20:09 | |
just as a very nice sculptural vase. | 0:20:09 | 0:20:12 | |
And that final item brings the showdown buying to an end - | 0:20:12 | 0:20:15 | |
but the real work is still ahead of them. | 0:20:15 | 0:20:18 | |
Before our unstoppable forces begin the selling | 0:20:18 | 0:20:21 | |
of their eight incredible items, | 0:20:21 | 0:20:23 | |
let's see the final spending figures. | 0:20:23 | 0:20:26 | |
Both our experts started the challenge | 0:20:26 | 0:20:28 | |
with £1,000 of their own money. | 0:20:28 | 0:20:30 | |
Mark Stacey has stayed well within his budget, | 0:20:30 | 0:20:32 | |
paying £590.74. | 0:20:32 | 0:20:36 | |
Christina has spent even less - | 0:20:36 | 0:20:38 | |
£504.80 in total. | 0:20:38 | 0:20:41 | |
-All shopped up. -All shopped up. | 0:20:41 | 0:20:44 | |
-Can you believe it? -I can't, it has gone so quickly. | 0:20:44 | 0:20:47 | |
But what are your two favourite pieces? | 0:20:47 | 0:20:50 | |
It's got to be my little bit of bling that I bought today. | 0:20:50 | 0:20:53 | |
-Ooh... -I bought myself some jewellery. | 0:20:53 | 0:20:55 | |
Well, they do say diamonds are a girl's best friend. | 0:20:55 | 0:20:57 | |
I couldn't resist. I just couldn't resist. | 0:20:57 | 0:21:00 | |
And your second one? | 0:21:00 | 0:21:01 | |
Second one, probably... You know my little silhouettes? | 0:21:01 | 0:21:03 | |
I think those would be my favourites. How about you? | 0:21:03 | 0:21:06 | |
Oh, it's difficult because I've bought so well. | 0:21:06 | 0:21:09 | |
I think my...end-of-pier game that I bought at the auction. | 0:21:09 | 0:21:14 | |
I love that. | 0:21:14 | 0:21:16 | |
-I was bidding against you for that. -Yeah, one bid. | 0:21:16 | 0:21:19 | |
That was really saucy of you. Minx. | 0:21:19 | 0:21:22 | |
Well, look, you're obviously not going to need my luck because you bought so well, | 0:21:22 | 0:21:25 | |
but I wish you all the best of luck anyway. | 0:21:25 | 0:21:27 | |
And I DO need to wish you well. | 0:21:27 | 0:21:28 | |
We'll see you at that Showdown Auction. | 0:21:28 | 0:21:30 | |
Now, with their bags bulging with brilliant buys, | 0:21:36 | 0:21:38 | |
our heroic hagglers must use their mastery of the trade | 0:21:38 | 0:21:41 | |
to decide which of their eight items will be sold privately | 0:21:41 | 0:21:44 | |
and which will be sent forth unto the auction. | 0:21:44 | 0:21:48 | |
In his Brightlingsea base, | 0:21:48 | 0:21:50 | |
Mr Stacey is getting to grips with the task ahead of him. | 0:21:50 | 0:21:54 | |
I have to put four items into auctions, and it's tricky. | 0:21:54 | 0:21:58 | |
I've decided to put in things that I think might fly. | 0:21:58 | 0:22:02 | |
The claret jug I particularly like. | 0:22:02 | 0:22:04 | |
It's a nice Etruscan theme going on here. I think it's a nice quality | 0:22:04 | 0:22:08 | |
so maybe that should attract a good buyer. | 0:22:08 | 0:22:12 | |
Then the rather nice silver-gilt napkin ring. | 0:22:12 | 0:22:15 | |
1971, very much of its period. | 0:22:15 | 0:22:18 | |
I'm hoping, with the internet, that might strike a profit. | 0:22:18 | 0:22:23 | |
The glassware I'm going to put into auction. | 0:22:23 | 0:22:25 | |
I think it's a nice auction lot and I didn't pay very much for it. | 0:22:25 | 0:22:29 | |
And the other item... | 0:22:29 | 0:22:31 | |
I've decided to put in is the clock. | 0:22:31 | 0:22:34 | |
It was only £2, so fingers crossed | 0:22:34 | 0:22:38 | |
there may be clock collectors in there who want a paperweight. | 0:22:38 | 0:22:41 | |
Then it comes to the battle of the trolleys. | 0:22:41 | 0:22:44 | |
Mine was £5 cheaper. | 0:22:44 | 0:22:46 | |
But will it make £5 more? I don't know. | 0:22:46 | 0:22:49 | |
So, Mark will need to find private buyers for his remaining items - | 0:22:50 | 0:22:54 | |
the penny slot machine, glass vase and picture. | 0:22:54 | 0:22:57 | |
Meanwhile, over in Shropshire, | 0:22:57 | 0:22:59 | |
Christina is also casting her eye | 0:22:59 | 0:23:01 | |
over what should go to auction. | 0:23:01 | 0:23:03 | |
So I've come to some decisions. | 0:23:03 | 0:23:05 | |
And first thing I'm going to put into auction | 0:23:05 | 0:23:07 | |
is my little oak Welsh spinning chair over here. | 0:23:07 | 0:23:10 | |
I bought it at auction, | 0:23:10 | 0:23:11 | |
so I'm hoping that if I put it back into another auction | 0:23:11 | 0:23:14 | |
which may have some internet bidders, | 0:23:14 | 0:23:15 | |
we'll be able to find somebody that wants the chair. | 0:23:15 | 0:23:17 | |
Second thing is going to be this | 0:23:17 | 0:23:20 | |
little silhouette on the left here, | 0:23:20 | 0:23:22 | |
and then the other example here that has been picked out | 0:23:22 | 0:23:24 | |
with gilt highlights, which is a really lovely example. | 0:23:24 | 0:23:26 | |
The third thing that I'm going to put into the auction | 0:23:26 | 0:23:29 | |
is my group of champagne, my bubbles over here. | 0:23:29 | 0:23:33 | |
Sadly, I can't keep them and drink them. | 0:23:33 | 0:23:36 | |
I think, potentially, with some auction interest... | 0:23:36 | 0:23:39 | |
I didn't pay a huge amount for them, | 0:23:39 | 0:23:41 | |
so I'm hoping to make a bit of a profit on those. | 0:23:41 | 0:23:43 | |
Finally, my gorgeous little blue-printed coffee pot. | 0:23:43 | 0:23:47 | |
I bought it in Belgium, which is a long way away, | 0:23:47 | 0:23:50 | |
and sadly it was damaged in transport. | 0:23:50 | 0:23:51 | |
So I don't know, I'm in two minds | 0:23:51 | 0:23:53 | |
as to whether to have it restored or to sell it as it is | 0:23:53 | 0:23:56 | |
so that whoever buys it can have their restorer attend to it. | 0:23:56 | 0:23:59 | |
So now, I need to find buyers for the rest of my items. | 0:23:59 | 0:24:02 | |
The crowning glory... | 0:24:02 | 0:24:04 | |
is this | 0:24:04 | 0:24:06 | |
rather wonderful luggage cart, | 0:24:06 | 0:24:09 | |
which I'm sitting in here. | 0:24:09 | 0:24:10 | |
I know that Mark Stacey also bought one of these and he paid £5, | 0:24:10 | 0:24:15 | |
five whole pounds less than I did. | 0:24:15 | 0:24:17 | |
So who will be victorious in the profit stakes? | 0:24:17 | 0:24:20 | |
It'll all come down to the luggage rack - we'll have to wait and see. | 0:24:20 | 0:24:24 | |
With Christina's auction lots decided, | 0:24:24 | 0:24:26 | |
this means she'll have to find private buyers | 0:24:26 | 0:24:29 | |
for her printing blocks, picture and diamond ring. | 0:24:29 | 0:24:33 | |
Each of our wily coyotes are determined to ensnare a victory, | 0:24:33 | 0:24:35 | |
but there are no tricks allowed here, | 0:24:35 | 0:24:38 | |
and no deal is sealed until a hand is shaken and the money is taken. | 0:24:38 | 0:24:42 | |
Mark is first to make a move, as he pings over to London, | 0:24:43 | 0:24:46 | |
where he's hoping to start | 0:24:46 | 0:24:48 | |
with his penny slot machine, which cost him nearly £190. | 0:24:48 | 0:24:52 | |
I've come to a very secluded part of north London to meet Pinball Geoff. | 0:24:53 | 0:24:58 | |
My machine has already been taken up to him, because it's quite heavy. | 0:24:58 | 0:25:02 | |
We've had lots of e-mail conversations, | 0:25:02 | 0:25:03 | |
but I'm not convinced he's going to buy it. | 0:25:03 | 0:25:06 | |
Fingers crossed I'm on to a winner. Please! | 0:25:06 | 0:25:08 | |
MUSIC: Pinball Wizard by The Who | 0:25:10 | 0:25:11 | |
Now, Geoff, tell us about the history - do you know much about it? | 0:25:16 | 0:25:19 | |
I have to say, although I'm mainly a pinball machine man, | 0:25:19 | 0:25:22 | |
I've got quite into slot machines over the years. This is an Allwin. | 0:25:22 | 0:25:26 | |
Well, "All win" is rather optimistic, | 0:25:26 | 0:25:28 | |
maybe "Sometimes win" would be a better name. | 0:25:28 | 0:25:31 | |
But when you went to the seaside in the '50s and '60s, | 0:25:31 | 0:25:33 | |
you would have got rows of Allwin machines, which were all slightly different. | 0:25:33 | 0:25:36 | |
Now, most of it is there. | 0:25:36 | 0:25:37 | |
There are some bits have dropped off, that's all a bit knackered. | 0:25:37 | 0:25:42 | |
It could be got going, but would need some work. | 0:25:42 | 0:25:44 | |
It's pointing in a direction that I haven't bought exactly | 0:25:44 | 0:25:47 | |
-the most wonderful machine in the world. -No. | 0:25:47 | 0:25:49 | |
I wouldn't give more than 100 for it, me, | 0:25:49 | 0:25:51 | |
-personally, in its present state. -Right, OK, yeah. | 0:25:51 | 0:25:54 | |
-I don't think I can sell it for 100. -Yeah. -That's too big a loss, really. | 0:25:54 | 0:25:57 | |
Well...that's not the way I wanted it to turn out, | 0:25:57 | 0:26:00 | |
but sometimes you don't win them all. | 0:26:00 | 0:26:02 | |
I've learnt a lot - now I've got to go and find a buyer. | 0:26:02 | 0:26:06 | |
Oh, dear - not the best of starts for Mark. | 0:26:06 | 0:26:09 | |
So, maybe Christina will have better luck. | 0:26:09 | 0:26:12 | |
She's popped over to see | 0:26:12 | 0:26:13 | |
Shropshire-based specialist jeweller Nigel. | 0:26:13 | 0:26:16 | |
Remember the diamond ring that I got? | 0:26:16 | 0:26:19 | |
I did invest over £125 in this, | 0:26:19 | 0:26:22 | |
so here's hoping he's feeling generous. | 0:26:22 | 0:26:25 | |
I've brought you some jewels. | 0:26:27 | 0:26:29 | |
Oh... What sort of trouble are you in this time? | 0:26:29 | 0:26:31 | |
-SHE LAUGHS -I don't know... Well. | 0:26:31 | 0:26:33 | |
-Aaah! -That could be promising. | 0:26:33 | 0:26:36 | |
-Ooh. Good. -Am I allowed to look at it? -Yeah. | 0:26:36 | 0:26:38 | |
Actually, don't look too closely. | 0:26:38 | 0:26:41 | |
I've finally brought you something that you might be interested in. | 0:26:41 | 0:26:44 | |
Well, yes. It's a little Victorian old-cut diamond. | 0:26:44 | 0:26:47 | |
Very pretty. | 0:26:47 | 0:26:48 | |
-Beautiful colour. -Yes. -There is a downside, there is a downside. | 0:26:48 | 0:26:53 | |
-There is a little bit of a chip on the stone. -What?! | 0:26:53 | 0:26:58 | |
-Yeah. -I think you need to polish that. Really? | 0:26:58 | 0:27:02 | |
Do you know what it weighs? | 0:27:02 | 0:27:03 | |
It's about 5.5g. | 0:27:03 | 0:27:05 | |
-About 5.5g, OK. -And it's 18-carat. -OK. | 0:27:05 | 0:27:07 | |
We'd have to take the stone out and re-polish it, | 0:27:07 | 0:27:10 | |
-but we can do that. -Is that possible? -Yeah. | 0:27:10 | 0:27:12 | |
The gold is worth probably about £120. | 0:27:12 | 0:27:16 | |
5.5g of 18-carat, OK. | 0:27:16 | 0:27:19 | |
-About 120. We can re-use the gold in a workshop. -OK. | 0:27:19 | 0:27:22 | |
-The stone... -Is a great colour. -It's a beautiful colour, actually. | 0:27:22 | 0:27:26 | |
-Yeah, it is, isn't it? -It is a lovely colour. | 0:27:26 | 0:27:28 | |
Apart from the chip, it's very clean. It's lovely. | 0:27:28 | 0:27:32 | |
Hmm... | 0:27:32 | 0:27:34 | |
I would say, realistically, we'd offer about 250 for that. | 0:27:34 | 0:27:37 | |
-Oh, would you? -Yeah. | 0:27:37 | 0:27:39 | |
If it wasn't chipped, you'd have done very, very well, | 0:27:39 | 0:27:42 | |
because the offer would have been about 400. | 0:27:42 | 0:27:45 | |
-Really? -Mm. | 0:27:45 | 0:27:47 | |
-£250. -Yep. And that's sort of non-negotiable really | 0:27:47 | 0:27:51 | |
-cos that's a good price. -OK. -That's a good price. | 0:27:51 | 0:27:54 | |
I will bite your hand off at £250. | 0:27:54 | 0:27:57 | |
And so the one they call the Magpie flutters off | 0:27:57 | 0:28:00 | |
with an impressive profit of £124.07. | 0:28:00 | 0:28:04 | |
And she stays in Shropshire to sell her beach painting | 0:28:04 | 0:28:07 | |
to local dealer Sarah | 0:28:07 | 0:28:10 | |
for stock in her new shop... | 0:28:10 | 0:28:11 | |
What about 30? | 0:28:11 | 0:28:13 | |
30, and I'm giving you a leg-up in the industry. | 0:28:13 | 0:28:16 | |
SARAH LAUGHS | 0:28:16 | 0:28:17 | |
Very happy at 30. | 0:28:17 | 0:28:19 | |
..and splashes away | 0:28:19 | 0:28:21 | |
with a sunny £20 profit. | 0:28:21 | 0:28:23 | |
Recovered from his pinball backfire, Mark has headed down the road | 0:28:23 | 0:28:27 | |
to Battersea in south London, to see a pair of interior designers, | 0:28:27 | 0:28:33 | |
and he's taking the vase that cost him just over £74. | 0:28:33 | 0:28:37 | |
I might be in double trouble here, because they like the vase, | 0:28:37 | 0:28:41 | |
but I don't think they like my estimate range of £150-£250. | 0:28:41 | 0:28:44 | |
I think you're going to have to send me all the sympathy, | 0:28:44 | 0:28:47 | |
this is going to be a bumpy ride - don't go anywhere. | 0:28:47 | 0:28:50 | |
Now, I've sent you a photographs... Do take it. | 0:28:50 | 0:28:53 | |
-I think it's wonderful. -It IS heavy, isn't it? | 0:28:53 | 0:28:56 | |
-I think it's a great shape. -It's unusual. | 0:28:56 | 0:28:58 | |
And I love the pinched-in handles, | 0:28:58 | 0:29:00 | |
the sort of exaggerated big loop handles. | 0:29:00 | 0:29:03 | |
It's seriously heavy, it's obviously very nice quality. | 0:29:03 | 0:29:05 | |
But I'm not selling it by the weight. | 0:29:05 | 0:29:07 | |
-That's lucky. -I'd be asking a lot more if I did. | 0:29:07 | 0:29:11 | |
I was hoping for somewhere in the region of... | 0:29:11 | 0:29:14 | |
£150-£250. | 0:29:14 | 0:29:18 | |
-SHE LAUGHS -Oh, dear. -I don't think so. | 0:29:18 | 0:29:20 | |
You see, I know I'm in trouble, because they're cackling. | 0:29:20 | 0:29:23 | |
Now... | 0:29:23 | 0:29:25 | |
THEY LAUGH | 0:29:25 | 0:29:27 | |
We were really thinking about 120. | 0:29:27 | 0:29:30 | |
120. | 0:29:30 | 0:29:32 | |
I told you, didn't I? | 0:29:32 | 0:29:34 | |
I told you this was going to be a bumpy one. | 0:29:34 | 0:29:36 | |
Well, could I squeeze you a fiver, to 125? | 0:29:36 | 0:29:40 | |
-Yes, we're happy at 125. -Group hug. | 0:29:40 | 0:29:44 | |
And it is a heavy old thing. | 0:29:44 | 0:29:45 | |
Well, it's the most expensive doorstop we've ever bought. | 0:29:45 | 0:29:49 | |
Mark makes a clear profit of £50.93 for the vase, | 0:29:52 | 0:29:55 | |
and he's back in the game. | 0:29:55 | 0:29:58 | |
He then goes on to sell his entertainer portrait | 0:29:58 | 0:30:00 | |
to a West Sussex dealer, who pays £20, | 0:30:00 | 0:30:03 | |
which gives him a profit of just a fiver. | 0:30:03 | 0:30:05 | |
Yet, he needn't be worried, as Christina also makes | 0:30:05 | 0:30:09 | |
just a £5 profit | 0:30:09 | 0:30:10 | |
when she sells her printing blocks | 0:30:10 | 0:30:12 | |
to a West London dealer for £30. | 0:30:12 | 0:30:14 | |
And so the Magpie is down to her final private sale. | 0:30:14 | 0:30:18 | |
And the battle begins. | 0:30:18 | 0:30:20 | |
This is it. This is do or die. | 0:30:20 | 0:30:23 | |
Mark and I bought exactly the same of these luggage carriers | 0:30:23 | 0:30:25 | |
and we both spent an awful lot of money on them. | 0:30:25 | 0:30:28 | |
It's a luxury thing, | 0:30:28 | 0:30:29 | |
so I've brought it to the plushest hotel that I know of - | 0:30:29 | 0:30:32 | |
let's hope it carries me to victory. | 0:30:32 | 0:30:33 | |
Will hoteliers Laurence and Victoria | 0:30:36 | 0:30:38 | |
help her unpack a profit from the £200 invested? | 0:30:38 | 0:30:42 | |
Obviously as a top four-star hotel, | 0:30:42 | 0:30:45 | |
you're looking to give your guests | 0:30:45 | 0:30:46 | |
-the best experience possible, aren't you? -Yeah. | 0:30:46 | 0:30:48 | |
Yeah, so that you want them to come in | 0:30:48 | 0:30:50 | |
and feel like it's a luxurious, beautiful... | 0:30:50 | 0:30:53 | |
Well, I mean it IS a luxurious, beautiful country house, isn't it? | 0:30:53 | 0:30:56 | |
-It is. -So I was thinking a luggage carrier might add to the experience. | 0:30:56 | 0:30:59 | |
-It would be a great asset for the team. -Exactly, exactly. | 0:30:59 | 0:31:02 | |
You're a wonderful welcoming committee - | 0:31:02 | 0:31:04 | |
I thought the guests could get their luggage out, place it on here, | 0:31:04 | 0:31:07 | |
then it could be wheeled around the hotel, should you want it to be. | 0:31:07 | 0:31:10 | |
What would you be looking to pay for it? | 0:31:10 | 0:31:12 | |
Er...I'd like to say £500? | 0:31:12 | 0:31:15 | |
-£500. -Yeah. | 0:31:15 | 0:31:17 | |
£500 seems incredibly generous, | 0:31:18 | 0:31:21 | |
so, at £500, I will say thank you very much. | 0:31:21 | 0:31:24 | |
-Are you all right, there? -Yes, fine, thank you. | 0:31:24 | 0:31:26 | |
THEY LAUGH | 0:31:26 | 0:31:27 | |
£500 would be wonderful. I'm very grateful. | 0:31:27 | 0:31:30 | |
Surely even Christina didn't dream she'd get that much - | 0:31:30 | 0:31:33 | |
it's a spectacular profit of £300. | 0:31:33 | 0:31:37 | |
So, how will Mark fare with his? | 0:31:37 | 0:31:40 | |
But, before we get a chance to find out the answer, disaster strikes. | 0:31:40 | 0:31:45 | |
Everything was going incredibly well, swimmingly well - | 0:31:45 | 0:31:48 | |
you know, I was getting out there, selling things - | 0:31:48 | 0:31:51 | |
until a catastrophe struck. | 0:31:51 | 0:31:53 | |
I broke my ankle. | 0:31:53 | 0:31:55 | |
Which means he goes into the halfway point | 0:31:55 | 0:31:57 | |
with two items left to sell, | 0:31:57 | 0:31:59 | |
so let's see how that affects the scores so far. | 0:31:59 | 0:32:03 | |
On the two items Mark has sold, he's made £55.93. | 0:32:03 | 0:32:08 | |
Christina has made all four of her private sales, | 0:32:08 | 0:32:11 | |
making a profit of £449.07. | 0:32:11 | 0:32:14 | |
But, as sure as the sun will set in the west, | 0:32:15 | 0:32:18 | |
so this great competition must reach the point | 0:32:18 | 0:32:20 | |
that can only be described as the Showdown Auction, | 0:32:20 | 0:32:23 | |
cos that's what it is. | 0:32:23 | 0:32:25 | |
Haggling and hustling give over to the turbulent waters | 0:32:25 | 0:32:28 | |
of Sworders Fine Art Auctioneers in Essex. | 0:32:28 | 0:32:30 | |
However, Mark's accident means that he's turned up at the auction house | 0:32:30 | 0:32:34 | |
without his trousers. | 0:32:34 | 0:32:35 | |
Thankfully, he does have his PJs on. | 0:32:35 | 0:32:37 | |
I don't think I've ever been to an auction | 0:32:39 | 0:32:41 | |
-with a gentlemen in his jim-jams before. -Have you not? | 0:32:41 | 0:32:43 | |
-No. -It's a first. | 0:32:43 | 0:32:46 | |
Honestly - you couldn't get more laissez-faire if you tried. | 0:32:46 | 0:32:48 | |
I know! I'm just looking around for somebody with grapes. | 0:32:48 | 0:32:51 | |
SHE LAUGHS | 0:32:51 | 0:32:52 | |
I'll just go get a fan, start fanning you. | 0:32:52 | 0:32:55 | |
Yes, it takes more than a broken ankle to hold our man | 0:32:57 | 0:33:00 | |
the Maverick back. | 0:33:00 | 0:33:02 | |
He may be upset about his breakage, | 0:33:02 | 0:33:04 | |
but that's nothing to how he feels about Christina's coffee pot. | 0:33:04 | 0:33:08 | |
You know, I could cry, really, | 0:33:08 | 0:33:09 | |
because I absolutely adore this coffee pot. | 0:33:09 | 0:33:12 | |
I mean, I'm a lover of blue and white printed ware. | 0:33:12 | 0:33:15 | |
It's lasted 200 years and now it's broken, | 0:33:15 | 0:33:17 | |
but it's still a good-looking thing and | 0:33:17 | 0:33:19 | |
if there's collectors out there, I hope she makes a good profit on it. | 0:33:19 | 0:33:22 | |
Of all of Mark's purchases, this is the one that I'm most anxious about. | 0:33:22 | 0:33:25 | |
It is the most stunningly beautiful 19th-century claret jug. | 0:33:25 | 0:33:29 | |
I'm certainly finding that at the moment | 0:33:29 | 0:33:31 | |
these in my saleroom are doing particularly well. | 0:33:31 | 0:33:34 | |
If this doesn't make over £100 | 0:33:34 | 0:33:35 | |
there is something wrong with the world. | 0:33:35 | 0:33:37 | |
I don't really like this sort of thing, to be honest with you. | 0:33:37 | 0:33:40 | |
This is sort of late 19th century, early 20th century. | 0:33:40 | 0:33:43 | |
It's got nice bits of carving on it, but it's just not my sort of thing. | 0:33:43 | 0:33:46 | |
I like the more primitive 18th-century ones. | 0:33:46 | 0:33:50 | |
This...is a napkin ring. | 0:33:50 | 0:33:51 | |
I think Mark bought it at a very good price, | 0:33:51 | 0:33:54 | |
but Stuart Devlin never, ever seems to make as much | 0:33:54 | 0:33:57 | |
as I think it should. | 0:33:57 | 0:33:58 | |
It's a great entry-level collector's piece. | 0:33:58 | 0:34:00 | |
Is it going to show him a profit? It should do. | 0:34:00 | 0:34:03 | |
And, as the auctioneer lifts his mighty gavel... | 0:34:03 | 0:34:06 | |
Fantastic, we'll make a start. | 0:34:06 | 0:34:08 | |
..first up into the limelight are Christina's silhouettes, | 0:34:08 | 0:34:10 | |
that cost her £20 at the car boot. | 0:34:10 | 0:34:13 | |
-I love the little regency lady. -Really? -Very Jane Austen. | 0:34:14 | 0:34:17 | |
You have to remember I bought these in the dark. | 0:34:17 | 0:34:21 | |
Ah, now the excuses are coming out. | 0:34:21 | 0:34:24 | |
-Start with the works of art silhouettes... -Oh, here they are. | 0:34:25 | 0:34:29 | |
Where shall we start for those? £40 to bid. | 0:34:29 | 0:34:32 | |
-40. -Ooh... -45 to bid now. | 0:34:32 | 0:34:34 | |
Good set of silhouettes there. At £40... | 0:34:34 | 0:34:37 | |
I seriously thought I was going to get a fiver for those. | 0:34:37 | 0:34:40 | |
Ah, but after the auction costs are taken | 0:34:40 | 0:34:42 | |
Christina does only make £5 on the silhouettes. | 0:34:42 | 0:34:45 | |
They really need those prices to rocket | 0:34:45 | 0:34:47 | |
if they want to make a profit, | 0:34:47 | 0:34:48 | |
and up next, it's Mark's clock paperweight. | 0:34:48 | 0:34:51 | |
We'll start the bidding at £30 for this, surely. | 0:34:51 | 0:34:54 | |
Rightly so. | 0:34:54 | 0:34:55 | |
20, then. Any bids at £20? | 0:34:55 | 0:34:58 | |
-Oh, no. Come on. -Any bids now? Any bids? | 0:34:58 | 0:35:01 | |
Oh, no. | 0:35:01 | 0:35:03 | |
Blank faces all round, I'm afraid. | 0:35:03 | 0:35:06 | |
-Did it not sell? -No. | 0:35:06 | 0:35:08 | |
Oh, dear. The clock ornament goes unsold, | 0:35:08 | 0:35:11 | |
meaning Mark has to swallow a loss of £2 | 0:35:11 | 0:35:14 | |
plus minimum auction costs of £15, | 0:35:14 | 0:35:18 | |
making a total lost of £17. | 0:35:18 | 0:35:20 | |
Maybe his napkin ring will fare better. It owes him nearly £75. | 0:35:20 | 0:35:26 | |
It's got to make 100-plus for me to make anything, I think. | 0:35:26 | 0:35:29 | |
50 is bid. | 0:35:29 | 0:35:31 | |
-Oh, there we go. Good start. -Well, we've got 50. | 0:35:31 | 0:35:33 | |
60. 65. 70. | 0:35:33 | 0:35:35 | |
-Brilliant. -At £70. -Oh, come on, a bit more. | 0:35:35 | 0:35:38 | |
£70, here on commission. | 0:35:38 | 0:35:39 | |
-Oh, no... -75. The internet takes it. | 0:35:39 | 0:35:41 | |
-Oh - internet. -Oh, 75. | 0:35:41 | 0:35:43 | |
Make no mistake at 75... | 0:35:43 | 0:35:46 | |
The napkin ring sells for just a smidge more than he paid for it, | 0:35:46 | 0:35:50 | |
so with cost deducted, incurs a lost of £20.83. | 0:35:50 | 0:35:54 | |
Mark has so far made a total loss of nearly £38 at the auction, | 0:35:54 | 0:35:58 | |
and his claret jug doesn't do well either. | 0:35:58 | 0:36:01 | |
35. | 0:36:01 | 0:36:02 | |
GAVEL POUNDS | 0:36:02 | 0:36:03 | |
Christina, what happened? | 0:36:03 | 0:36:06 | |
Yes, THEY may have both loved it, but today's crowd didn't, | 0:36:06 | 0:36:09 | |
pushing Mark a further £10 into the red. | 0:36:09 | 0:36:13 | |
-My goodness. -That's the way it goes at auctions. You can never tell. | 0:36:13 | 0:36:16 | |
That's what makes them so exciting. | 0:36:16 | 0:36:18 | |
Can Christina do any better with her damaged coffee pot? | 0:36:18 | 0:36:22 | |
I had a chat with the auctioneer just before the auction, | 0:36:22 | 0:36:24 | |
and he said in perfect condition it would probably be £200-£300 - | 0:36:24 | 0:36:27 | |
now he thinks it might be 50-ish. | 0:36:27 | 0:36:30 | |
Where should we start that? £50 for it? | 0:36:30 | 0:36:32 | |
Ugh. Wishful thinking. | 0:36:32 | 0:36:33 | |
-40. -Ugh... | 0:36:33 | 0:36:35 | |
30 I'm bid, then. At £30. | 0:36:35 | 0:36:37 | |
-30, it's got a bid at 30. -Oh, has it? | 0:36:37 | 0:36:39 | |
Make no mistake at £30... | 0:36:39 | 0:36:41 | |
The chipped jug chips £10.93 off her profit margins. | 0:36:43 | 0:36:47 | |
Oh, Christina, I'm so sorry. | 0:36:47 | 0:36:50 | |
Really. | 0:36:50 | 0:36:51 | |
No, I'm actually... | 0:36:51 | 0:36:53 | |
-For once, I'm being genuine. -CHRISTINA LAUGHS | 0:36:53 | 0:36:55 | |
And so Mark's final lot comes up - | 0:36:55 | 0:36:58 | |
the finger bowls and glassware, which cost him just under £12. | 0:36:58 | 0:37:02 | |
I can start the bidding here | 0:37:02 | 0:37:03 | |
-at 55, 65... 70. -Yes! | 0:37:03 | 0:37:05 | |
At £70, straight in there. At £70. | 0:37:05 | 0:37:08 | |
-Calm down... -75, 80. | 0:37:08 | 0:37:11 | |
-80?! -There's an internet bid coming in now at £80. | 0:37:11 | 0:37:14 | |
-What?! -You nearly leapt out of your chair. | 0:37:14 | 0:37:17 | |
Do you know, if I had a good leg, I'd dance. | 0:37:17 | 0:37:19 | |
No mistake at £80... | 0:37:19 | 0:37:22 | |
Fantastic! | 0:37:22 | 0:37:24 | |
Good heavens above, Christina! | 0:37:24 | 0:37:26 | |
-I bow down. -Well! | 0:37:26 | 0:37:28 | |
And the bowls bring Mark's first profit | 0:37:28 | 0:37:31 | |
at the auction - £45.40. | 0:37:31 | 0:37:34 | |
Christina still has two lots, and next to come up | 0:37:34 | 0:37:36 | |
is the champagne, which cost her almost £65. | 0:37:36 | 0:37:40 | |
-They've put an estimate at 80-120. -Have they? -Yeah. | 0:37:40 | 0:37:44 | |
We can start the bidding here | 0:37:44 | 0:37:46 | |
-at £45 is bid. -Well, it's got a bid. | 0:37:46 | 0:37:48 | |
Gentleman here in the room at £60. | 0:37:48 | 0:37:50 | |
75, he comes back in. | 0:37:50 | 0:37:52 | |
No? He shakes his head again. £75... | 0:37:52 | 0:37:54 | |
Really? No... | 0:37:54 | 0:37:56 | |
Make no mistake at 75... | 0:37:56 | 0:37:59 | |
-You were very nervous. -I thought it was going to be £10 and that was it. | 0:37:59 | 0:38:02 | |
Once again, the hammer price wasn't quite enough to bring a profit, | 0:38:02 | 0:38:06 | |
and so Christina swallows another loss of £11.66 for the champagne. | 0:38:06 | 0:38:12 | |
Well, it sort of fizzed, though, but not quite a raging bang. | 0:38:12 | 0:38:16 | |
No. Quite. | 0:38:16 | 0:38:19 | |
So it's the final lot. Christina's spinning chair she paid £33 for. | 0:38:19 | 0:38:23 | |
At £25, anyone? I'll sell... | 0:38:23 | 0:38:27 | |
Oh... Oh, has it got a bid? | 0:38:27 | 0:38:28 | |
£20 only... | 0:38:28 | 0:38:31 | |
-£20. -Oh, it sold? -Yes, it sold for £20. | 0:38:31 | 0:38:33 | |
That's fantastic. I'm delighted. | 0:38:33 | 0:38:35 | |
Christina suffers her biggest loss so far - | 0:38:35 | 0:38:38 | |
a whopping £28.04. | 0:38:38 | 0:38:41 | |
And that brings the auction to an end. | 0:38:41 | 0:38:44 | |
Could have been a lot worse, and we've enjoyed ourselves. | 0:38:44 | 0:38:46 | |
-An awful lot worse. -We're still smiling. | 0:38:46 | 0:38:49 | |
Well, let's hope it stays that way, | 0:38:51 | 0:38:53 | |
as Mark still has a couple of sales to make. | 0:38:53 | 0:38:55 | |
He's already turned down £100 for his penny slot machine, | 0:38:55 | 0:38:59 | |
but he's tracked down another pinball enthusiast, | 0:38:59 | 0:39:01 | |
Brad from Ramsgate. | 0:39:01 | 0:39:04 | |
But is he enthusiastic enough? | 0:39:04 | 0:39:06 | |
Can I hit you at 160? | 0:39:06 | 0:39:08 | |
160. Gosh... | 0:39:08 | 0:39:10 | |
Leaves me the option to repair it | 0:39:10 | 0:39:13 | |
and to keep it rather than to sell it. | 0:39:13 | 0:39:17 | |
I... Do you know, I think that's a very fair offer, Brad. | 0:39:17 | 0:39:20 | |
Sometimes you've got to take a hit in life. | 0:39:20 | 0:39:22 | |
Yes, Mark seems to be taking a lot of hits today, | 0:39:23 | 0:39:25 | |
losing £28.80 for the machine, | 0:39:25 | 0:39:29 | |
which means he only has one to go - | 0:39:29 | 0:39:31 | |
the luggage trolley. | 0:39:31 | 0:39:33 | |
Now the battle of the hotel trolleys, | 0:39:33 | 0:39:35 | |
I've come to the Queens Hotel in Brighton to hopefully sell mine. | 0:39:35 | 0:39:40 | |
I hope I'm going to get more than Christina. I'm £5 up, | 0:39:40 | 0:39:43 | |
I paid 195 for mine, so let's go in and find out the final result. | 0:39:43 | 0:39:49 | |
Remember, Christina made an impressive £300 profit on hers - | 0:39:49 | 0:39:54 | |
so how will Mark do when he meets Craig, | 0:39:54 | 0:39:57 | |
the food and beverage manager? | 0:39:57 | 0:39:59 | |
The one thing I've noticed coming here for so many years is | 0:39:59 | 0:40:03 | |
in this wonderful foyer, | 0:40:03 | 0:40:05 | |
you've never had one of these luggage trolleys. | 0:40:05 | 0:40:08 | |
Indeed we haven't. | 0:40:08 | 0:40:09 | |
And I thought it's rather grand, very Brighton. | 0:40:09 | 0:40:12 | |
Something you might be interested in? | 0:40:12 | 0:40:14 | |
I think we could talk about a price, definitely. | 0:40:14 | 0:40:16 | |
So, Craig is making the right noises, but will he buy? | 0:40:16 | 0:40:19 | |
Will Mark make a profit today? | 0:40:19 | 0:40:22 | |
And, more importantly, who will win the battle of the luggage trolley? | 0:40:22 | 0:40:26 | |
Soon, all will be revealed. | 0:40:26 | 0:40:28 | |
But let's first remind ourselves of what they spent today. | 0:40:28 | 0:40:31 | |
From a £1,000 budget, Mark Stacey spent £590.74. | 0:40:31 | 0:40:37 | |
Christina has paid slightly less - £504.80 in total. | 0:40:37 | 0:40:43 | |
But now, it all comes down to profit. | 0:40:43 | 0:40:46 | |
All of the money that Mark and Christina have made from today | 0:40:46 | 0:40:48 | |
will go to charities of their choice. | 0:40:48 | 0:40:50 | |
So, let's find out who is today's | 0:40:50 | 0:40:53 | |
Put Your Money Where Your Mouth Is Showdown Champion. | 0:40:53 | 0:40:56 | |
-How are you? -I'm very well. -Bearing up under the strain? | 0:40:56 | 0:40:59 | |
Bearing up under the strain. | 0:40:59 | 0:41:00 | |
-I'm bearing up under the strain of that auction. -Oh, yes. -Oh! | 0:41:00 | 0:41:03 | |
-Well, at least you made a profit on something! -I did, | 0:41:03 | 0:41:06 | |
but then, you know, by the time everything's deducted... | 0:41:06 | 0:41:09 | |
-But the key thing is... -Yeah. -..the big battle. | 0:41:09 | 0:41:13 | |
-Oh, the mighty battle! -The luggage trolleys. | 0:41:13 | 0:41:16 | |
I'm absolutely dying to know what you sold yours for. | 0:41:16 | 0:41:18 | |
I'm not sure I want to know what you sold yours for. | 0:41:18 | 0:41:20 | |
Go on, you tell me yours and I'll tell you mine. | 0:41:20 | 0:41:22 | |
-Are you sure? -Yeah. -Yours will be bigger than mine. | 0:41:22 | 0:41:25 | |
Um...350. | 0:41:25 | 0:41:28 | |
Oh, OK. I sold mine for 500. | 0:41:28 | 0:41:30 | |
Oh, Christina! | 0:41:30 | 0:41:32 | |
-I'm sorry. -Shall we find out the total, then? | 0:41:32 | 0:41:35 | |
-Shall we? -I think we might know, don't you? -I'm quite excited. | 0:41:35 | 0:41:37 | |
-Ready? One... -Two... | 0:41:37 | 0:41:39 | |
-Three. -Let's go. | 0:41:39 | 0:41:41 | |
Oh, Christina, well done! | 0:41:41 | 0:41:43 | |
£179, that's fantastic. | 0:41:43 | 0:41:44 | |
Well, the losses at the auction, | 0:41:44 | 0:41:46 | |
-and I made a loss on the pinball machine as well. -Oh, you didn't? | 0:41:46 | 0:41:50 | |
-I did. -Oh, I loved that. | 0:41:50 | 0:41:51 | |
I think it was because somebody bid against me at the last minute. | 0:41:51 | 0:41:54 | |
If that hadn't happened.... Christina, you're a naughty woman. | 0:41:54 | 0:41:57 | |
-Oh, I know you love me. -I'll forgive you. | 0:41:57 | 0:41:59 | |
So, Christina won the day | 0:41:59 | 0:42:01 | |
and the battle of the luggage trolley. | 0:42:01 | 0:42:04 | |
Do you want to throw an opening offer at me? | 0:42:04 | 0:42:06 | |
I reckon we'd go for 350. | 0:42:06 | 0:42:08 | |
-I'm very trying, normally. -Well, I've heard. | 0:42:08 | 0:42:11 | |
But I think 350 is fair. | 0:42:11 | 0:42:14 | |
Mark made a healthy £155 profit on his sale, | 0:42:14 | 0:42:17 | |
but it just wasn't enough. | 0:42:17 | 0:42:19 | |
Now, there's one more thing to reveal. | 0:42:19 | 0:42:21 | |
Mark and Christina have been fighting it out | 0:42:21 | 0:42:24 | |
across a week of challenges - so who's made the most profit overall? | 0:42:24 | 0:42:28 | |
Ready? I'm not looking forward to this, Christina. | 0:42:28 | 0:42:31 | |
-Oh, my goodness! -Oh, Christina! | 0:42:31 | 0:42:33 | |
-That is unbelievable. -That's massive. | 0:42:33 | 0:42:36 | |
Well, I'm very pleased for you. I really mean that... | 0:42:36 | 0:42:39 | |
Yes, Christina is the overall winner, | 0:42:41 | 0:42:44 | |
but our plucky pair accrued | 0:42:44 | 0:42:45 | |
over £3,000 between them, | 0:42:45 | 0:42:47 | |
all of which will be going to their chosen charities. | 0:42:47 | 0:42:51 | |
And for Mark, that's The Dream Factory. | 0:42:51 | 0:42:54 | |
My charity is a small charity which makes dreams come true for children | 0:42:54 | 0:42:58 | |
and young adults with life-limiting and severe disablement. | 0:42:58 | 0:43:02 | |
My profits will be going to the Beechtree Community Centre | 0:43:02 | 0:43:05 | |
in Whitchurch, which includes a day centre for elderly people | 0:43:05 | 0:43:08 | |
to combat loneliness and isolation within the community. | 0:43:08 | 0:43:11 | |
It's been a week of thrills and spills, | 0:43:11 | 0:43:13 | |
and our excellent experts have really put their money where their mouths are | 0:43:13 | 0:43:17 | |
and showed that they CAN make a convincing profit | 0:43:17 | 0:43:19 | |
from buying and selling antiques when their own money is on the line. | 0:43:19 | 0:43:24 |