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We've all seen them on TV, but how will the country's | 0:00:02 | 0:00:05 | |
favourite antiques experts fare | 0:00:05 | 0:00:06 | |
when they're challenged to make a profit with their own cash? | 0:00:06 | 0:00:09 | |
Watch out! | 0:00:09 | 0:00:11 | |
Who's going to make the biggest profit of all? Me. | 0:00:11 | 0:00:14 | |
From car boot sales to auction houses, | 0:00:14 | 0:00:17 | |
our experts will be recreating some of their real-life deals | 0:00:17 | 0:00:21 | |
as they go head-to-head and try and make the most money for their chosen charities. | 0:00:21 | 0:00:27 | |
-Come on, Knowles. -The competition is really hot. | 0:00:27 | 0:00:31 | |
The challenge to our experts is clear - dealers, put your money where your mouth is. | 0:00:31 | 0:00:36 | |
Today's experts are our very own debonair dealer Jonty "The Hit Man" Hearnden, | 0:01:06 | 0:01:11 | |
and the First Lady of Antiques, Kate "Absolute" Bliss. | 0:01:11 | 0:01:15 | |
The daughter of an auctioneer, Kate's been surrounded by antiques all her life, | 0:01:15 | 0:01:19 | |
and is now a respected independent valuer, agent and broker | 0:01:19 | 0:01:24 | |
with over a decade of experience under her belt. | 0:01:24 | 0:01:28 | |
My fascination with antiques, really, is the thrill of the chase. | 0:01:28 | 0:01:31 | |
It's being on the lookout for something that really blows me away. | 0:01:31 | 0:01:35 | |
Kate's title of the First Lady of Antiques | 0:01:35 | 0:01:37 | |
comes from dispensing expert advice on Bargain Hunt and Flog It! | 0:01:37 | 0:01:43 | |
Can I be really cheeky and say, what about 12? | 0:01:43 | 0:01:45 | |
Kate's opponent might not have grown up in the antiques world, but with over 30 years' worth of experience | 0:01:45 | 0:01:51 | |
behind him, there isn't much that Jonty Hearnden doesn't know about antiques and collectables. | 0:01:51 | 0:01:57 | |
One of the most exciting parts about being an antique dealer is making the connection between an item | 0:01:57 | 0:02:03 | |
that you have purchased, and to find somebody else likes that item too, | 0:02:03 | 0:02:08 | |
has fallen in love with it. | 0:02:08 | 0:02:09 | |
It's a fantastic link. | 0:02:09 | 0:02:12 | |
A firm favourite with the housewives, this antiques hunter | 0:02:12 | 0:02:15 | |
can regularly be found searching for Cash In The Attic. | 0:02:15 | 0:02:18 | |
So, we have our experts - and with their reputations on the line and their chosen charities | 0:02:19 | 0:02:24 | |
counting on them to deliver the goods, it's time for us to find out the aim of today's game. | 0:02:24 | 0:02:29 | |
-Oh, Mr Hearnden! -Kate, how are you? -Fancy seeing you here. | 0:02:31 | 0:02:34 | |
-I've got a present for you. -I've got one for you! | 0:02:34 | 0:02:37 | |
-Good. -Let's have a look. | 0:02:37 | 0:02:39 | |
What does this say? | 0:02:39 | 0:02:41 | |
"Jonty and Kate, your challenge today is to spend £1,000 | 0:02:41 | 0:02:44 | |
-"of your own money on antiques." -OK. | 0:02:44 | 0:02:47 | |
"You must then resell your purchases, | 0:02:47 | 0:02:49 | |
-"with the aim of making as much profit as possible." -OK. | 0:02:49 | 0:02:53 | |
"The winner is the presenter who makes the most cash." | 0:02:53 | 0:02:58 | |
-OK. Shall I read mine? -What does yours say? | 0:02:58 | 0:03:00 | |
"Today you must buy all of your antiques from" - wait for this - | 0:03:00 | 0:03:04 | |
"an auction house. Good luck." | 0:03:04 | 0:03:06 | |
And it also says, "Good luck to the best boy and girl", | 0:03:06 | 0:03:09 | |
but they've got the "girl" bit crossed out. | 0:03:09 | 0:03:11 | |
-Let me see that. -No. | 0:03:11 | 0:03:13 | |
Well, I'm going to get going. | 0:03:13 | 0:03:15 | |
Is it that way? | 0:03:15 | 0:03:16 | |
Today's battleground is Knutsford in Cheshire. | 0:03:18 | 0:03:20 | |
Steeped in history, its heritage dates back to the Domesday Book, | 0:03:20 | 0:03:24 | |
but in all that time, Knutsford has never seen a scrap | 0:03:24 | 0:03:28 | |
like the one that's about to take place today. | 0:03:28 | 0:03:31 | |
Miss Bliss and Mr H will be going up against each other and a room full of bidders. | 0:03:31 | 0:03:36 | |
It is a tough assignment, but our determined duo are no ordinary antiques experts. | 0:03:36 | 0:03:42 | |
Part of a top secret experiment, Jonty and Kate have been...rebuilt. | 0:03:42 | 0:03:47 | |
Kate Bliss, antiques valuer and broker, has a bionic eye, | 0:03:47 | 0:03:51 | |
which can spot a bargain | 0:03:51 | 0:03:53 | |
at a thousand yards. | 0:03:53 | 0:03:54 | |
Jonty "the million-dollar Hit Man" Hearnden, ladies' man and furniture | 0:03:54 | 0:03:59 | |
expert, has a bionic ear so keen, | 0:03:59 | 0:04:01 | |
he can hear his rivals think. | 0:04:01 | 0:04:04 | |
Together, they could be the perfect partnership - | 0:04:04 | 0:04:07 | |
but determined to win today's contest, they are using | 0:04:07 | 0:04:10 | |
their bionic powers for personal glory. | 0:04:10 | 0:04:13 | |
With the doors to the auction room open, our experts have cast | 0:04:13 | 0:04:16 | |
their eyes over the lots and drawn up their strategies. | 0:04:16 | 0:04:19 | |
They are both looking for quality, undamaged pieces, but with time ticking away until | 0:04:19 | 0:04:23 | |
the auction gets going, the Hit Man and Absolute Bliss are using their antiques powers to track down | 0:04:23 | 0:04:29 | |
the pieces that they think could help them win this competition. | 0:04:29 | 0:04:33 | |
I have found, straight off, this amazing tiny-weeny | 0:04:33 | 0:04:39 | |
little camera on a stand. But it is not a camera. | 0:04:39 | 0:04:42 | |
It is, in fact, a cigarette lighter. | 0:04:42 | 0:04:44 | |
There are dealers who pay big money for lighters. | 0:04:44 | 0:04:48 | |
In the catalogue, it reads £30 to £50. | 0:04:48 | 0:04:52 | |
If I can get it for that sort of money, then I am sure I will find | 0:04:52 | 0:04:56 | |
someone somewhere who will pay me a lot more than that. | 0:04:56 | 0:04:59 | |
So I'm going to just mark this off in my catalogue - | 0:04:59 | 0:05:02 | |
and this little tiny item, I'm just going to see what happens. | 0:05:02 | 0:05:06 | |
We will see how things develop for Jonty and his cigarette lighter | 0:05:06 | 0:05:10 | |
in the auction very shortly. | 0:05:10 | 0:05:11 | |
Now, Miss Bliss is keeping HER cards close to her chest | 0:05:11 | 0:05:15 | |
about her auction room targets today. | 0:05:15 | 0:05:18 | |
But we can reveal she's got her eyes on an Edwardian banjo barometer, | 0:05:18 | 0:05:22 | |
and an eye-catching late 18th-century knife box. | 0:05:22 | 0:05:27 | |
Having selected their targets, it is time for our experts to embark on their auction odyssey. | 0:05:27 | 0:05:33 | |
As all of Kate and Jonty's profits are going to charity, | 0:05:33 | 0:05:36 | |
the auction house has kindly waived its commission. | 0:05:36 | 0:05:39 | |
But with their own money and reputations on the line, | 0:05:39 | 0:05:42 | |
the pressure is still on Miss Bliss and Mr H | 0:05:42 | 0:05:45 | |
to get their items for the best possible price. | 0:05:45 | 0:05:48 | |
The auction has just kicked off, and it is absolutely packed here. | 0:05:50 | 0:05:54 | |
It's Absolute Bliss versus the Hit Man. | 0:05:57 | 0:05:59 | |
There is genuine tension here, because none of us really know what these items are going to sell for. | 0:05:59 | 0:06:05 | |
Let battle commence! | 0:06:05 | 0:06:06 | |
Here we go. | 0:06:06 | 0:06:08 | |
First up is Kate's Edwardian banjo barometer. | 0:06:08 | 0:06:12 | |
Lot three, now, the banjo barometer. | 0:06:12 | 0:06:14 | |
Commissioned bids come in with me here, starting at £100. | 0:06:14 | 0:06:18 | |
110, anywhere? Thank you. 120... | 0:06:18 | 0:06:19 | |
Miss Bliss is prepared to spend up to £200 on the barometer. | 0:06:19 | 0:06:24 | |
150, the gent, in the room. 160, the lady. | 0:06:24 | 0:06:27 | |
170, your bid, sir. 180... | 0:06:27 | 0:06:28 | |
The temperature's rising. | 0:06:29 | 0:06:31 | |
Gent's bid at 210, I've taken. 220 behind you... | 0:06:31 | 0:06:34 | |
220, she's still going. Any advance on 220? | 0:06:34 | 0:06:37 | |
220, I'm selling... | 0:06:37 | 0:06:39 | |
-GAVEL BANGING -£220 it is. | 0:06:39 | 0:06:40 | |
£220, and that one is mine. It's a little bit more than I had thought | 0:06:40 | 0:06:44 | |
I would go - but it's mine now, so it's too late! | 0:06:44 | 0:06:48 | |
It might not have been as cheap as she'd have liked, | 0:06:48 | 0:06:50 | |
but Kate has bagged her first item of the day. | 0:06:50 | 0:06:53 | |
She's on a mission to buy antiques packed with potential profit, | 0:06:53 | 0:06:57 | |
and having bought the banjo barometer, | 0:06:57 | 0:06:59 | |
she also snaps up an Edwardian mahogany balloon clock. | 0:06:59 | 0:07:03 | |
45, lady's bid. I'm out. With you, madam, at 45. | 0:07:03 | 0:07:06 | |
Now, this seems very, very cheap. | 0:07:06 | 0:07:08 | |
The First Lady of Antiques is on an early roll, and she is | 0:07:10 | 0:07:13 | |
also planning to make a move for the late 18th-century knife box. | 0:07:13 | 0:07:16 | |
Now, here we go - this is a really collectable item, | 0:07:16 | 0:07:19 | |
and I might end up spending quite a bit of money. | 0:07:19 | 0:07:22 | |
I don't think Jonty's even started yet! | 0:07:22 | 0:07:25 | |
200, anywhere? 200 I am bid. And 10, anyone? | 0:07:25 | 0:07:27 | |
200 I have. Any advance on £200? | 0:07:27 | 0:07:30 | |
-210 with the lady. -Kate's in. | 0:07:30 | 0:07:32 | |
250. 270. 290. 300. | 0:07:32 | 0:07:35 | |
But there is no shortage of competition. | 0:07:35 | 0:07:37 | |
340, 350... | 0:07:37 | 0:07:39 | |
Lady's bid at 350. Any advance now? At £350, | 0:07:39 | 0:07:42 | |
your bid, madam - all done at 350...? | 0:07:42 | 0:07:46 | |
That's mine. | 0:07:46 | 0:07:47 | |
£350 - which is quite a lot of money, but I think it's lovely. | 0:07:48 | 0:07:52 | |
Nice quality thing, but she is spending all of her money. | 0:07:53 | 0:07:57 | |
Will she make a profit? | 0:07:57 | 0:07:59 | |
Yes, well, that's the million-dollar question. And having seen his rival bag three items in quick succession, | 0:07:59 | 0:08:05 | |
the Hit Man has got HIS first potential purchase in his sights. | 0:08:05 | 0:08:09 | |
Remember, he is hoping to get the novelty lighter for around £50. | 0:08:09 | 0:08:13 | |
Table-top lighter in the form of a camera. £30 for this lot. | 0:08:13 | 0:08:16 | |
£30 anywhere for it? 25... 20 if you will. | 0:08:16 | 0:08:19 | |
£20... | 0:08:19 | 0:08:21 | |
Back to earth with a bump this time. 20 bid, thank you... | 0:08:21 | 0:08:24 | |
Jonty's opened the bidding. | 0:08:24 | 0:08:25 | |
25. 30... | 0:08:25 | 0:08:27 | |
£30 is still pretty cheap. But it's going up fast. | 0:08:27 | 0:08:30 | |
£50, on my right. All done at £50, selling... | 0:08:30 | 0:08:32 | |
-GAVEL BANGING -Thank you, sir. | 0:08:32 | 0:08:34 | |
He has bought it - £50! | 0:08:34 | 0:08:36 | |
So, after a slow start, the Hit Man has bagged his first purchase for today's competition. | 0:08:37 | 0:08:42 | |
But there's no doubting that his rival has had the better of the early skirmishes. | 0:08:42 | 0:08:46 | |
Now, earlier today, as our experts browsed through the pieces on offer, | 0:08:46 | 0:08:53 | |
Miss Bliss picked out some very collectable silver hatpins. | 0:08:53 | 0:08:57 | |
Whilst his rival weighed up their potential profit, | 0:08:58 | 0:09:01 | |
Jonty pinned down another possible target. | 0:09:01 | 0:09:04 | |
I've got a pair of books now. | 0:09:07 | 0:09:09 | |
They are the Ancient History of Liverpool, | 0:09:09 | 0:09:12 | |
Volume One and Volume Two. | 0:09:12 | 0:09:14 | |
Have a look at the detail inside here. | 0:09:14 | 0:09:18 | |
They have got some wonderfully old engraved plates. | 0:09:18 | 0:09:22 | |
I think these are fabulous. | 0:09:22 | 0:09:24 | |
Now, in the catalogue they're estimated between £80 and £120. | 0:09:24 | 0:09:28 | |
And in that sort of ballpark, | 0:09:28 | 0:09:30 | |
I think they are probably worth a sneaky punt. | 0:09:30 | 0:09:33 | |
And I see Kate, the opposition, is over there. | 0:09:33 | 0:09:37 | |
I wonder how she is getting on. I'd better hide these. | 0:09:37 | 0:09:40 | |
Make she hasn't spotted these either. | 0:09:40 | 0:09:43 | |
I'm not sure the books are Kate's cup of tea, | 0:09:45 | 0:09:47 | |
but we'll find out if she makes a move for them shortly. | 0:09:47 | 0:09:50 | |
Before that, Jonty is hoping to bag himself | 0:09:50 | 0:09:52 | |
an Arts and Crafts beechwood page-turner, | 0:09:52 | 0:09:55 | |
with an estimate of £30 to £50. | 0:09:55 | 0:09:57 | |
So, this next lot is being catalogued as a shoehorn. | 0:10:02 | 0:10:06 | |
It is not a shoehorn. It is not even a letter opener. | 0:10:06 | 0:10:09 | |
I think that it's a page-turner. | 0:10:09 | 0:10:12 | |
It's a very tactile Art Nouveau object. | 0:10:12 | 0:10:14 | |
£30 to £50 in the catalogue. Let's see where we go. | 0:10:14 | 0:10:17 | |
Lot 51. £30 anywhere for it? | 0:10:17 | 0:10:20 | |
£20? | 0:10:20 | 0:10:22 | |
20 bid, and five, against you. | 0:10:22 | 0:10:24 | |
30. Five. 40. Five. 50. Five. | 0:10:24 | 0:10:27 | |
60... £60, gent, standing. | 0:10:27 | 0:10:30 | |
That's a bit of a sneaky move - Jonty has just started bidding! | 0:10:30 | 0:10:33 | |
Oh, he didn't buy it. Did he buy it? | 0:10:34 | 0:10:36 | |
Indeed he did, Kate. | 0:10:36 | 0:10:38 | |
She may have got off to a strong start, but she will need to keep her eye on her rival. | 0:10:38 | 0:10:42 | |
The Hit Man snapped up the page-turner for £60. | 0:10:42 | 0:10:46 | |
But Miss Bliss is not could be put off her stride easily, and is | 0:10:46 | 0:10:49 | |
preparing to make her move for the silver hatpins. | 0:10:49 | 0:10:52 | |
105, the bid's on the book against you all. At £105. | 0:10:54 | 0:10:56 | |
Charles Horner. 110, lady's bid. | 0:10:56 | 0:10:58 | |
Commissions are out. With you, madam, at 110. | 0:10:58 | 0:11:01 | |
Any advance on £110? All done and sure at 110... | 0:11:01 | 0:11:03 | |
With you, I'm selling... | 0:11:03 | 0:11:05 | |
Now, those are mine. That's a really nice little lot. | 0:11:05 | 0:11:08 | |
£110, for four good ones, is still a good price, I think. | 0:11:08 | 0:11:13 | |
I have had a good look at these, and some are really good quality. | 0:11:13 | 0:11:17 | |
I will be very interested to see what she does with these. | 0:11:17 | 0:11:20 | |
So, Kate's latest purchase has got the thumbs-up from her rival - | 0:11:20 | 0:11:24 | |
but what is it exactly about the hatpins that has so impressed both our experts? | 0:11:24 | 0:11:28 | |
40 I have, any advance on £40...? | 0:11:28 | 0:11:30 | |
Now, in the mid-1850s, there was a man who had a very good eye for business. | 0:11:32 | 0:11:36 | |
His name was Charles Horner. | 0:11:36 | 0:11:38 | |
Based in Halifax, he had a business making jewellery, thimbles and watches, | 0:11:38 | 0:11:42 | |
but with the rise of the hatpin, he started mass producing good-quality pins | 0:11:42 | 0:11:48 | |
made of silver, sometimes studded with gems. | 0:11:48 | 0:11:50 | |
One of them is broken - the top has come off - | 0:11:50 | 0:11:54 | |
but the other four in the lot are all in nice condition. | 0:11:54 | 0:11:58 | |
This one dates from 1907, | 0:11:58 | 0:12:00 | |
so it is just in the middle of the Art Nouveau period | 0:12:00 | 0:12:03 | |
when really curvy, linear shapes were really highly popular. | 0:12:03 | 0:12:07 | |
There is a little hallmark here, which shows that the silver | 0:12:07 | 0:12:11 | |
was tested in Chester. | 0:12:11 | 0:12:12 | |
But most importantly, we have two magic initials - CH - | 0:12:12 | 0:12:17 | |
which stand for the man himself. | 0:12:17 | 0:12:19 | |
Ah, so it's the collectable NAME that's drawn Kate to the hatpins. | 0:12:21 | 0:12:25 | |
And as the bidding continues, | 0:12:25 | 0:12:27 | |
Jonty is aiming to creep back into contention in today's contest | 0:12:27 | 0:12:30 | |
by bagging another buy. | 0:12:30 | 0:12:32 | |
This is the Pictorial Relics of Ancient Liverpool. | 0:12:32 | 0:12:35 | |
Everything is selling for more money in the room. | 0:12:35 | 0:12:39 | |
This is stiff competition, so it is not just me against Kate, | 0:12:39 | 0:12:42 | |
it is Kate and me against the rest of the world. | 0:12:42 | 0:12:45 | |
Estimate in the catalogue, 80 to 120. | 0:12:45 | 0:12:48 | |
I'm paying more. | 0:12:48 | 0:12:49 | |
Don't know how much more. | 0:12:49 | 0:12:51 | |
Lot 215, Pictorial Relics... | 0:12:52 | 0:12:55 | |
Where are we going to go? Commission bid starting with me at 120, 130... | 0:12:55 | 0:12:59 | |
Jonty is straight in. | 0:12:59 | 0:13:00 | |
140, back in the room - all done at 140? | 0:13:00 | 0:13:02 | |
All sure? | 0:13:02 | 0:13:04 | |
150 online. 160... | 0:13:04 | 0:13:06 | |
The bidding has gone way past the estimate, but Jonty is still in there fighting. | 0:13:06 | 0:13:10 | |
You'll need to re-bid if you're online... | 0:13:10 | 0:13:13 | |
200. Back in the room at 200. | 0:13:13 | 0:13:15 | |
All done at £200? If you're all done and sure, last chance at 200... | 0:13:15 | 0:13:19 | |
200 it is. | 0:13:19 | 0:13:20 | |
At last. £200. I wouldn't have paid much more. | 0:13:20 | 0:13:23 | |
Yes, that's a big buy for the Hit Man. | 0:13:23 | 0:13:25 | |
After a quiet start at today's auction, he is finally splashing the cash, and bought the books. | 0:13:25 | 0:13:32 | |
-SHIRLEY BASSEY: -# Hey, big spender... # | 0:13:32 | 0:13:34 | |
Jonty has just started bidding. | 0:13:34 | 0:13:36 | |
# Hey, big spender... # | 0:13:36 | 0:13:38 | |
Yes! | 0:13:38 | 0:13:40 | |
# Big spender... # | 0:13:40 | 0:13:42 | |
Still going up. | 0:13:42 | 0:13:43 | |
-# Spend... # -He has just bought that. | 0:13:43 | 0:13:46 | |
# ..a little time with me. # | 0:13:46 | 0:13:47 | |
He is starting to bid again. | 0:13:47 | 0:13:49 | |
Jonty's spending spree has netted him a large Pilkington bowl for £85, | 0:13:53 | 0:13:59 | |
and a piece of late 19th-century German majolica ware for £160. | 0:13:59 | 0:14:04 | |
Mr Hearnden has been on a bit of a buying streak, | 0:14:05 | 0:14:09 | |
so it is time we found out which of our superheroes is flying high, | 0:14:09 | 0:14:13 | |
and who is down in the dumps. | 0:14:13 | 0:14:15 | |
At the start of today's contest, both Kate and Jonty | 0:14:17 | 0:14:20 | |
had a budget of up to £1,000 of their own money. | 0:14:20 | 0:14:24 | |
The Hit Man has spent £555 on five items, | 0:14:24 | 0:14:28 | |
leaving up to £445 in his kitty. | 0:14:28 | 0:14:31 | |
Absolute Bliss, on the other hand, has picked up four items | 0:14:33 | 0:14:37 | |
and parted with £725, | 0:14:37 | 0:14:39 | |
leaving her with up to £275 | 0:14:39 | 0:14:42 | |
still to spend. | 0:14:42 | 0:14:44 | |
With their own money and reputations on the line, | 0:14:46 | 0:14:49 | |
it is crucial our experts use their remaining cash wisely. | 0:14:49 | 0:14:53 | |
Earlier today, whilst browsing through | 0:14:53 | 0:14:55 | |
the lots on offer, Jonty picked out an unusual piece of furniture. | 0:14:55 | 0:14:58 | |
Now, I'm genuinely pleased I have spotted this. | 0:15:01 | 0:15:04 | |
Now, what we are looking at here | 0:15:04 | 0:15:06 | |
is essentially a 20th-century hanging corner cupboard. | 0:15:06 | 0:15:09 | |
We've got a single door here, made out of English oak. | 0:15:09 | 0:15:14 | |
But it is no ordinary corner cupboard - for one simple reason. | 0:15:14 | 0:15:18 | |
Carved down at the bottom here is a gnome. | 0:15:19 | 0:15:23 | |
That means that this hanging corner cupboard was made by Tom Whittaker. | 0:15:23 | 0:15:29 | |
Now, he died relatively recently, so this cabinet here is post-war. | 0:15:29 | 0:15:34 | |
So we are talking maybe 1960s, maybe 1950s... Not quite sure. | 0:15:34 | 0:15:39 | |
But what I CAN tell you is that there will be dealers and collectors | 0:15:39 | 0:15:43 | |
that will be very keen to get their hands on this. | 0:15:43 | 0:15:46 | |
It is estimated in the catalogue at between £100 and £200. | 0:15:46 | 0:15:50 | |
If I could find the right buyer, we could be talking - | 0:15:50 | 0:15:53 | |
where is Kate? - we could be talking £400 to £600. | 0:15:53 | 0:15:59 | |
I'm going to keep my powder dry for this. | 0:15:59 | 0:16:01 | |
This is right at the end of the auction sale, so it is tortoise and hare time. | 0:16:01 | 0:16:07 | |
Jonty might be keeping his powder dry, but he is taking a massive gamble. | 0:16:08 | 0:16:12 | |
In order to buy the cupboard he is going to have to | 0:16:12 | 0:16:15 | |
hold on to his remaining kitty until the very end of the auction. | 0:16:15 | 0:16:20 | |
If he does not win it, | 0:16:20 | 0:16:22 | |
he will be left with a lot of cash, and not very many antiques. | 0:16:22 | 0:16:25 | |
Elsewhere in the saleroom, Miss Bliss is hard at work picking out potentially profitable lots. | 0:16:25 | 0:16:31 | |
She has got her eye on a 1907 silver pincushion | 0:16:31 | 0:16:34 | |
and a Victorian snuffbox. | 0:16:34 | 0:16:36 | |
So, it is time to see if she can snap up the first of her targets. | 0:16:36 | 0:16:40 | |
Now, if I have spotted it, I think quite a few other people will have, | 0:16:40 | 0:16:44 | |
but I'm going to have a real go at this because I think it's a really unusual thing. | 0:16:44 | 0:16:48 | |
I'm a big fan of these pincushions, but not when you have them | 0:16:49 | 0:16:54 | |
with a massive great big dent in the side. | 0:16:54 | 0:16:56 | |
I just hope Kate understands what she's doing. | 0:16:57 | 0:16:59 | |
I see she's about ready to bid. | 0:16:59 | 0:17:01 | |
Having grown up around auction houses, Miss Bliss knows exactly what she's doing. | 0:17:02 | 0:17:07 | |
But will she be able to bag the silver pincushion for a good price? | 0:17:07 | 0:17:11 | |
I've got 55, who's got 60 on this? | 0:17:14 | 0:17:17 | |
60. 65. 70. 80. 90. | 0:17:17 | 0:17:20 | |
100... | 0:17:20 | 0:17:22 | |
£100, standing bid. Who'll take 10? | 0:17:22 | 0:17:24 | |
110, lady's bid at 110. Any more now? | 0:17:24 | 0:17:27 | |
Your bid at £110, at the front on the left at 110... | 0:17:27 | 0:17:30 | |
Selling at 110. | 0:17:30 | 0:17:31 | |
GAVEL BANGING Great, that's mine. | 0:17:32 | 0:17:34 | |
£110 - now, I thought that was going to go for quite a lot more. | 0:17:34 | 0:17:38 | |
Now, I've seen these selling on the internet for £400. | 0:17:38 | 0:17:41 | |
Well, Kate seems happy with that purchase - but will she have similar success with her next target? | 0:17:41 | 0:17:47 | |
I've got a sneaky feeling | 0:17:47 | 0:17:49 | |
Kate is going to be bidding on this next lot. | 0:17:49 | 0:17:51 | |
This is a snuffbox. You can't get more Victorian than this. | 0:17:51 | 0:17:54 | |
Look at the decoration, it has just gone up on the board. | 0:17:54 | 0:17:57 | |
-HE INHALES SHARPLY -Is she going to bid on that? | 0:17:57 | 0:18:00 | |
Estimate £100 to £150 in the catalogue. | 0:18:01 | 0:18:04 | |
Where is the profit? | 0:18:04 | 0:18:06 | |
£100 and away for that one. | 0:18:06 | 0:18:08 | |
80, start me? | 0:18:08 | 0:18:11 | |
50, bid at 50. 55. | 0:18:11 | 0:18:13 | |
65... | 0:18:13 | 0:18:14 | |
He has started low, because it is just not very fashionable. | 0:18:14 | 0:18:18 | |
Seated near the back - 90. | 0:18:18 | 0:18:20 | |
£90. Any more? | 0:18:20 | 0:18:22 | |
Lady's bid at 90. Five anywhere? | 0:18:22 | 0:18:24 | |
At £90, it's the lady's bid. All done now...? 95. | 0:18:24 | 0:18:28 | |
100... | 0:18:28 | 0:18:29 | |
£100, lady's bid at 100. | 0:18:29 | 0:18:31 | |
Here to sell, then, at £100... | 0:18:31 | 0:18:34 | |
-B689. -Yes! That's mine at £100. | 0:18:34 | 0:18:38 | |
I thought for a minute that I might have got it at 90, but somebody just sneaked in another bid at the back. | 0:18:38 | 0:18:43 | |
So £100. I don't think there is a huge profit in that, but any profit is good profit, isn't it? | 0:18:43 | 0:18:48 | |
Victoriana? Back in fashion? | 0:18:48 | 0:18:51 | |
Kate...! | 0:18:52 | 0:18:54 | |
Yes, Jonty might not be a fan of the snuffbox, | 0:18:54 | 0:18:57 | |
but at least Kate's spent her money. | 0:18:57 | 0:18:59 | |
The Hit Man on the other hand still has £445 left in his kitty. | 0:18:59 | 0:19:03 | |
He has taken a big gamble by holding back his cash for the corner cupboard. | 0:19:03 | 0:19:08 | |
If he does not get it, he will be left with hundreds of pounds. | 0:19:08 | 0:19:12 | |
This is a massive moment for Mr H. | 0:19:12 | 0:19:14 | |
The lot after next is the gnome hanging corner cupboard. | 0:19:16 | 0:19:19 | |
Now, the room is bidding on some items, not on others at all. | 0:19:19 | 0:19:24 | |
So I'm hopeful | 0:19:24 | 0:19:25 | |
that I might get my corner cupboard for a reasonable price. | 0:19:25 | 0:19:29 | |
There we are. For this nice little corner cupboard... | 0:19:29 | 0:19:32 | |
£150 for it? | 0:19:32 | 0:19:34 | |
-150. -Jonty's first to bid. | 0:19:34 | 0:19:36 | |
220, 240, 260, 280... | 0:19:36 | 0:19:41 | |
Oh, he has got competition... | 0:19:41 | 0:19:43 | |
Yes, 320? 320. | 0:19:43 | 0:19:45 | |
340. | 0:19:45 | 0:19:47 | |
340? Any advance quickly on £340? | 0:19:47 | 0:19:49 | |
The bid's on my right, at 340... | 0:19:49 | 0:19:52 | |
GAVEL BANGING | 0:19:52 | 0:19:53 | |
And he has got it! | 0:19:53 | 0:19:55 | |
I did not want to pay that much for it, so I have got to do my homework, | 0:19:55 | 0:19:58 | |
but I am very, very pleased with that. £340. | 0:19:58 | 0:20:02 | |
I am convinced I can make a profit. | 0:20:02 | 0:20:04 | |
The Hit Man's decision to hold back his money for | 0:20:04 | 0:20:07 | |
the corner cupboard has paid off - but will it make the kind of profit that he thinks it will? | 0:20:07 | 0:20:12 | |
It has been a fiercely fought bidding battle today. | 0:20:12 | 0:20:16 | |
But now let's find out if it is the best boy, or the best girl, | 0:20:16 | 0:20:19 | |
that leaves the saleroom with top marks. | 0:20:19 | 0:20:23 | |
Jonty and Kate were able to spend up to £1,000 of their own money. | 0:20:24 | 0:20:28 | |
After a frugal start today, Jonty spent £895 on six items, | 0:20:28 | 0:20:34 | |
leaving him £105 still in the bank. | 0:20:34 | 0:20:37 | |
His opponent has also bought six items, | 0:20:37 | 0:20:40 | |
but she has parted with £935, | 0:20:40 | 0:20:43 | |
leaving her with £65 unspent. | 0:20:43 | 0:20:46 | |
The winner of today's contest will be he or she that makes the most profit. | 0:20:49 | 0:20:53 | |
But before our experts head home to plan how they're going to sell their stock, | 0:20:53 | 0:20:57 | |
they have got time to look at each other's purchases. | 0:20:57 | 0:21:00 | |
-Hey, Jonty! -Wasn't it so expensive in there? | 0:21:03 | 0:21:05 | |
It really was. But do you know, after today, I think I might just give you a run for your money. | 0:21:05 | 0:21:10 | |
You reckon? What were your best buys? | 0:21:10 | 0:21:11 | |
Well, have you seen my lovely stationery box? | 0:21:11 | 0:21:14 | |
-I like that a lot. -Nice colour, eh? | 0:21:14 | 0:21:16 | |
But you paid...quite a bit, yes? | 0:21:16 | 0:21:18 | |
Well, if that was too much money, you can't say that THAT was, because | 0:21:18 | 0:21:21 | |
that's my second favourite - £45. | 0:21:21 | 0:21:24 | |
That was a bargain. | 0:21:24 | 0:21:26 | |
-Come on, then, let's have a look. -I love this. Have a look at this. | 0:21:26 | 0:21:30 | |
-Page-turner. -Oh, right. | 0:21:30 | 0:21:31 | |
So, would you say that was the most commercial item in the world, Jonty? | 0:21:31 | 0:21:35 | |
Of course - every home needs a page-turner. | 0:21:35 | 0:21:38 | |
As...they need a lovely corner cupboard. | 0:21:38 | 0:21:41 | |
Do you know, I did like that. I looked at that. | 0:21:41 | 0:21:44 | |
It looks sort of Arts and Craftsy, but it is about '50s, isn't it? | 0:21:44 | 0:21:47 | |
-Yes, certainly... -I mean, you could almost call it modern? | 0:21:47 | 0:21:51 | |
That's cheeky. That really is cheeky. | 0:21:51 | 0:21:53 | |
So, are you going to sell all this? | 0:21:53 | 0:21:55 | |
Well, with a bit of luck. I think it is swings and roundabouts. | 0:21:55 | 0:21:58 | |
You've got a bit of a theme going there, it is called brown mahogany. | 0:21:58 | 0:22:02 | |
-Too much brown mahogany... Maybe. -Who's going to win? | 0:22:02 | 0:22:05 | |
The best boy. May the best boy win, I reckon. | 0:22:05 | 0:22:07 | |
Well, I think - may the best GIRL win. | 0:22:07 | 0:22:10 | |
-Good luck. -Good luck to you. | 0:22:10 | 0:22:12 | |
Well, only time will tell who will be today's star pupil, | 0:22:12 | 0:22:16 | |
But after a busy day at auction, Kate is taking home... | 0:22:16 | 0:22:18 | |
an Edwardian banjo barometer, the mahogany balloon mantel clock, | 0:22:18 | 0:22:22 | |
a George III knife box, a collection of silver hatpins, | 0:22:22 | 0:22:26 | |
an elephant-shaped silver pincushion and a Victorian silver snuffbox. | 0:22:26 | 0:22:31 | |
Jonty, meanwhile, is pinning HIS hopes on... | 0:22:31 | 0:22:34 | |
a camera-shaped lighter, two Ancient History of Liverpool books, | 0:22:34 | 0:22:38 | |
an Art Nouveau pewter page-turner, a large Pilkington bowl, | 0:22:38 | 0:22:42 | |
a majolica dish and a Tom Whittaker "Gnome Man" corner cabinet. | 0:22:42 | 0:22:46 | |
Having gone head to head at the auction, | 0:22:48 | 0:22:51 | |
our two experts have made their way home to ready themselves | 0:22:51 | 0:22:54 | |
for the next part of today's challenge. | 0:22:54 | 0:22:55 | |
Pretty much everyone that Kate and Jonty tried to do deals with | 0:22:55 | 0:22:59 | |
will be aware that they are on a mission to raise as much money as possible for their charities, | 0:22:59 | 0:23:04 | |
and our experts will be doing everything in THEIR power | 0:23:04 | 0:23:08 | |
to get the best possible prices when they buy and sell the items | 0:23:08 | 0:23:11 | |
that they hope will drive them to victory. | 0:23:11 | 0:23:13 | |
Hi... Good, thank you very much. Haven't seen you for yonks. | 0:23:13 | 0:23:17 | |
They will be pulling out all the stops to find the best buyers for all their items, | 0:23:17 | 0:23:21 | |
and working their way through their little black books, putting deals together on the phone and by e-mail. | 0:23:21 | 0:23:27 | |
That's great. Look forward to seeing you then. | 0:23:27 | 0:23:30 | |
OK. Bye-bye. | 0:23:30 | 0:23:31 | |
But until they have shaken on it, and money has changed hands, | 0:23:31 | 0:23:34 | |
no deal is truly sealed. | 0:23:34 | 0:23:36 | |
With the selling section of today's competition under way, | 0:23:36 | 0:23:40 | |
both our experts are keen to seal profitable deals. | 0:23:40 | 0:23:44 | |
Miss Bliss has come to see a dealer friend, but there is no sentiment | 0:23:44 | 0:23:49 | |
in business, and she's going to have to work hard | 0:23:49 | 0:23:51 | |
to get the best price for the silver pincushion. | 0:23:51 | 0:23:54 | |
It cost her £110 at auction. | 0:23:54 | 0:23:56 | |
-He's a sweet little chap. -Yes. -What do you think of him? | 0:23:57 | 0:24:01 | |
-He is nice, isn't he? -Yeah, he is. -Pincushion. | 0:24:01 | 0:24:03 | |
I will tell you a bit about him. | 0:24:03 | 0:24:06 | |
He is silver, he is Edward VII, I think, he dates from 1905... | 0:24:06 | 0:24:10 | |
And I thought he would appeal to not only silver collectors | 0:24:10 | 0:24:14 | |
who like little cabinet pieces, | 0:24:14 | 0:24:16 | |
-but also you must get a lot of people looking for sewing-related objects... -Yes. | 0:24:16 | 0:24:20 | |
-Because that's quite a collector's market in itself, isn't it? -Yes. | 0:24:20 | 0:24:23 | |
So, Kate has given it the hard sell. Now it is time to talk money. | 0:24:23 | 0:24:27 | |
I'm really looking for about £200. | 0:24:27 | 0:24:31 | |
-HE INHALES SHARPLY -200? | 0:24:31 | 0:24:33 | |
-That's cheap! -£200? | 0:24:33 | 0:24:35 | |
-Look at him. Look at his little face. -I would love to give you £200... | 0:24:35 | 0:24:38 | |
-I sense there is a "but" coming. -But... | 0:24:38 | 0:24:41 | |
Despite a confident pitch, | 0:24:41 | 0:24:43 | |
Kate's buyer doesn't seem keen on the price tag - | 0:24:43 | 0:24:46 | |
but by starting high, Miss Bliss has given herself some room for manoeuvre. | 0:24:46 | 0:24:51 | |
Her opponent has headed to the capital, to try and find buyers for some of his items. | 0:24:51 | 0:24:56 | |
MUSIC: "London Calling" by The Clash | 0:24:59 | 0:25:02 | |
The Hit Man's years of experience in the antiques business have taught him to think laterally. | 0:25:03 | 0:25:09 | |
He has come up with a cunning plan to try and bank some cash. | 0:25:09 | 0:25:13 | |
I have decided to see if I can sell this to a camera specialist. | 0:25:13 | 0:25:18 | |
So I have come to this little street here, to find, hopefully, just the right buyer. | 0:25:18 | 0:25:24 | |
But I'm not quite sure whether I am literally here... | 0:25:24 | 0:25:27 | |
I've gone down a blind alley, or not. I'm not quite sure about that. | 0:25:27 | 0:25:30 | |
So I'm just going to see how I get on. | 0:25:30 | 0:25:33 | |
Selling the lighter to a camera specialist IS a bit of a gamble. | 0:25:33 | 0:25:37 | |
But will Jonty's blue-sky thinking help snap up | 0:25:37 | 0:25:40 | |
more than the £50 he paid for the lighter at auction? | 0:25:40 | 0:25:44 | |
Hello. I might be being a bit cheeky here, | 0:25:44 | 0:25:47 | |
but I've got a camera to sell - but it doesn't take pictures. | 0:25:47 | 0:25:51 | |
Can you have a look at this for me? | 0:25:51 | 0:25:53 | |
It is actually, believe it or not, | 0:25:53 | 0:25:55 | |
a lighter. | 0:25:55 | 0:25:56 | |
-What do you think? -Superb, very fascinating. | 0:25:56 | 0:25:59 | |
It is a copy of a Leica camera. | 0:25:59 | 0:26:01 | |
I've most probably got | 0:26:01 | 0:26:04 | |
big daddy... | 0:26:04 | 0:26:05 | |
-You've got something similar there? -There. -Oh, wow, look at that! | 0:26:05 | 0:26:09 | |
That's amazing. | 0:26:09 | 0:26:11 | |
Do you think my little lighter is collectable? | 0:26:11 | 0:26:13 | |
Oh, definitely. It is a very nice little thing, | 0:26:13 | 0:26:15 | |
it will go nicely with my little collections of Leicas here. | 0:26:15 | 0:26:19 | |
I'm willing to offer you £200. | 0:26:19 | 0:26:20 | |
Can you write me out a cheque very quickly before you change your mind? | 0:26:20 | 0:26:24 | |
Yes, certainly. The ink might disappear! | 0:26:24 | 0:26:26 | |
That's fantastic, thank you so much. Excellent. | 0:26:26 | 0:26:30 | |
What a result. Jonty did not even have to haggle, | 0:26:30 | 0:26:33 | |
and has walked away with £150 profit. | 0:26:33 | 0:26:35 | |
Wow! That's incredible. | 0:26:35 | 0:26:38 | |
Kate - watch out. | 0:26:38 | 0:26:41 | |
Mr Hearnden is a happy man. | 0:26:41 | 0:26:43 | |
He's banked a huge profit for his novelty lighter. | 0:26:43 | 0:26:45 | |
So now it is crucial that Kate gets a big price for her little elephant. | 0:26:45 | 0:26:50 | |
But how much is the dealer prepared to pay? | 0:26:50 | 0:26:53 | |
I would see that | 0:26:53 | 0:26:54 | |
at 180, maximum. | 0:26:54 | 0:26:56 | |
I think that's fine, Mike. £180. | 0:26:56 | 0:26:59 | |
-Thank you very much. -It's been a pleasure. | 0:26:59 | 0:27:01 | |
Kate has sealed the deal, | 0:27:01 | 0:27:03 | |
and banked a £70 profit for the diminutive pachyderm. | 0:27:03 | 0:27:06 | |
In London, the Hit Man is hard at work, and has lined up what he hopes will be another profitable meeting. | 0:27:06 | 0:27:14 | |
He's seeing dealer friend Chris with his £160 majolica bowl | 0:27:14 | 0:27:16 | |
and £60 page-turner. | 0:27:16 | 0:27:18 | |
Do you like that? | 0:27:19 | 0:27:20 | |
-Arts and Crafts page-turner. -Yes, about turn of the century. | 0:27:20 | 0:27:23 | |
We have got the lovely cabochon stones, they are glass. | 0:27:23 | 0:27:26 | |
-Mm-hm. -Here we have got the pewter, and the lovely... | 0:27:26 | 0:27:29 | |
-That's beech. -Beech? -Yes. | 0:27:29 | 0:27:31 | |
I always thought beech was a light wood. | 0:27:31 | 0:27:33 | |
It is, but this has been stained to look more like a tropical hardwood. | 0:27:33 | 0:27:37 | |
-That's why it doesn't weigh a lot. -Right, beech is a light timber. | 0:27:37 | 0:27:41 | |
-And this? -Well, isn't that lovely? | 0:27:41 | 0:27:43 | |
Really good quality. It's definitely German, and it's late 19th century. | 0:27:43 | 0:27:47 | |
It's not Minton majolica... | 0:27:47 | 0:27:49 | |
No, it's Gerbing and Stephan of Germany. | 0:27:49 | 0:27:51 | |
So we're not talking 700 quid here, Chris. | 0:27:51 | 0:27:54 | |
I am pleased to hear it. | 0:27:54 | 0:27:56 | |
Very pleased to hear it. | 0:27:56 | 0:27:57 | |
-We are talking... -It's nicely done. | 0:27:57 | 0:27:59 | |
Wait for this. ..300 quid. | 0:27:59 | 0:28:02 | |
BEEPING Listen - the pacemaker. | 0:28:02 | 0:28:04 | |
I've warned you before about this. | 0:28:04 | 0:28:06 | |
You know. It's only a temporary one. | 0:28:06 | 0:28:08 | |
He's such an actor. | 0:28:08 | 0:28:10 | |
Well, Chris might think £300 is a heart-stopping amount, | 0:28:10 | 0:28:14 | |
but Jonty is an experienced haggler, and won't be easily deterred | 0:28:14 | 0:28:18 | |
from getting the best possible price for the bowl. | 0:28:18 | 0:28:21 | |
In Herefordshire, Kate is on her way | 0:28:21 | 0:28:23 | |
to try and seal a profitable deal of her own. | 0:28:23 | 0:28:26 | |
Now, she paid £110 for the hatpins - | 0:28:26 | 0:28:29 | |
but one of them is broken, and she is selling to an expert | 0:28:29 | 0:28:32 | |
so she could have her work cut out making a profit. | 0:28:32 | 0:28:36 | |
Well, here are the hatpins. Let me get them out for you. | 0:28:36 | 0:28:39 | |
-Now, I know you're a member of The Hat Pin Society, aren't you? -Yes. | 0:28:39 | 0:28:43 | |
So I think, not only will you be able to tell me lots more about these | 0:28:43 | 0:28:48 | |
that I don't already know, | 0:28:48 | 0:28:50 | |
but I'm hoping I've come to the right person, | 0:28:50 | 0:28:52 | |
and you're going to be interested in buying them. | 0:28:52 | 0:28:54 | |
But have a little look and see what you think. | 0:28:54 | 0:28:57 | |
They are in good condition, which is always a benefit. | 0:28:57 | 0:29:00 | |
And they are marked CH for Charles Horner, | 0:29:00 | 0:29:04 | |
and the date is... | 0:29:04 | 0:29:07 | |
1910, for that pair. | 0:29:07 | 0:29:10 | |
He is the man, isn't he, to look for, if you're buying hatpins. | 0:29:10 | 0:29:14 | |
-Yes. -He was the sort of prime maker, wasn't he? | 0:29:14 | 0:29:16 | |
I do find people come and say, "Have you got any Charles Horner?" | 0:29:16 | 0:29:20 | |
-Right. -This is something. | 0:29:20 | 0:29:22 | |
But there are other designers | 0:29:22 | 0:29:24 | |
who are equally as good as Charles Horner. | 0:29:24 | 0:29:26 | |
What sort of price are you prepared to offer on these five? | 0:29:26 | 0:29:31 | |
-Including the damaged one. -On the five altogether... | 0:29:31 | 0:29:34 | |
I was probably thinking about £160. | 0:29:34 | 0:29:37 | |
OK. Well, I was really hoping to get towards 200. | 0:29:37 | 0:29:42 | |
It is a nice round figure, June! | 0:29:42 | 0:29:45 | |
What do you think about that? I do know that those are damaged... | 0:29:45 | 0:29:49 | |
I would be happy to give you £200. | 0:29:49 | 0:29:51 | |
Well, thank you very much, June, that's really helpful, | 0:29:51 | 0:29:54 | |
and hopefully it will spur me on against Jonty, | 0:29:54 | 0:29:57 | |
who really is quite a mean dealer. | 0:29:57 | 0:29:59 | |
Well, you're not exactly a pushover yourself, Miss Bliss. | 0:29:59 | 0:30:02 | |
£200 for the hatpins adds another £90 profit to the pot | 0:30:02 | 0:30:06 | |
and takes the First Lady of Antiques into the lead. | 0:30:06 | 0:30:09 | |
In London, Jonty is working hard to seal a deal for his majolica bowl. | 0:30:09 | 0:30:15 | |
I think the best offer I can make on that to you is 240. | 0:30:15 | 0:30:17 | |
What?! | 0:30:17 | 0:30:19 | |
OK, I'll come down. | 0:30:19 | 0:30:20 | |
-260. -260? Done. | 0:30:20 | 0:30:23 | |
-Very good. -I HAVE been. | 0:30:23 | 0:30:25 | |
JONTY LAUGHS | 0:30:25 | 0:30:26 | |
Well, that's a great result for Mr Hearnden, and when he seals a deal for the page-turner... | 0:30:27 | 0:30:33 | |
Quickly, 100 quid, then. | 0:30:33 | 0:30:35 | |
..the two items have added a combined £140 to his total. | 0:30:35 | 0:30:40 | |
Take note, Miss Bliss - because I have taken several. | 0:30:40 | 0:30:46 | |
Now, as any dealer will tell you, selling is all about the art of the haggle. | 0:30:46 | 0:30:51 | |
There are many ways to do it, and Kate and Jonty are experts. | 0:30:51 | 0:30:55 | |
There's the cheeky approach... | 0:30:55 | 0:30:57 | |
I was really hoping to get towards 200. | 0:30:57 | 0:31:01 | |
It is a nice round figure, June! | 0:31:01 | 0:31:03 | |
There's the "too good to be true" approach. | 0:31:03 | 0:31:06 | |
Real bargain. Do a big deal, great offer... | 0:31:06 | 0:31:10 | |
150 quid. | 0:31:10 | 0:31:12 | |
There's the "tug on the heartstrings" tactic. | 0:31:12 | 0:31:14 | |
-200 - that's cheap! -£200? | 0:31:14 | 0:31:16 | |
Look at him. Look at his little face. | 0:31:16 | 0:31:18 | |
And those rare golden moments where the buyer makes an offer | 0:31:18 | 0:31:21 | |
that you just can't refuse. | 0:31:21 | 0:31:23 | |
Let me shake your hand. That's so generous, thank you so much. | 0:31:23 | 0:31:27 | |
With our experts making sale after sale, it looks as though | 0:31:27 | 0:31:30 | |
today's competition is going down to the wire - | 0:31:30 | 0:31:33 | |
but who's leading the way, and who needs to pull their socks up? | 0:31:33 | 0:31:38 | |
So far, Jonty has racked up £560 worth of sales, | 0:31:40 | 0:31:44 | |
which have netted him £290 of profit. | 0:31:44 | 0:31:47 | |
It's an excellent start, and has put him in the lead. | 0:31:47 | 0:31:50 | |
Kate has made £380 worth of sales, | 0:31:51 | 0:31:55 | |
but she's only banked £160 worth of profit. | 0:31:55 | 0:31:59 | |
She may be trailing in the race to win today's contest, but the First Lady of Antiques is no pushover. | 0:32:00 | 0:32:06 | |
Determined to bring her rival down, she's set up a meeting with a local | 0:32:06 | 0:32:09 | |
barometer dealer in Leominster, in her home county of Herefordshire. | 0:32:09 | 0:32:13 | |
She's hoping to sell him the barometer that she bought for £220. | 0:32:13 | 0:32:17 | |
Don't forget that even though our experts might have spoken to their potential purchasers | 0:32:17 | 0:32:22 | |
to set up the deals, and may even think they've got it in the bag - | 0:32:22 | 0:32:25 | |
until money changes hands, no sale is secure. | 0:32:25 | 0:32:28 | |
-Hi, Colin. -Hi, Kate. | 0:32:28 | 0:32:30 | |
I think you've got even more barometers in here | 0:32:30 | 0:32:33 | |
-than last time I came! Nice to see you. -And you. | 0:32:33 | 0:32:36 | |
This is the one I told you about on the phone. What do you think? | 0:32:36 | 0:32:38 | |
I know it's an Edwardian one, but I thought it was quite nicely done. | 0:32:38 | 0:32:42 | |
Nice little bit of zebra stringing all the way down and round - | 0:32:42 | 0:32:45 | |
takes a lot of work to do that. | 0:32:45 | 0:32:47 | |
And a nice silver dial there | 0:32:47 | 0:32:49 | |
with the nice engraving in the middle. | 0:32:49 | 0:32:51 | |
It's a good-quality aneroid barometer. | 0:32:51 | 0:32:53 | |
Well, I'm looking for about 300. How does that sound? | 0:32:53 | 0:32:56 | |
Erm, I'd be looking... really top end about 250, really. | 0:32:56 | 0:33:01 | |
Mm-hm. OK... Erm... | 0:33:01 | 0:33:04 | |
What about... Can you meet me halfway? | 0:33:04 | 0:33:07 | |
-Say, 280? -Yes, I'll go to 280. | 0:33:07 | 0:33:09 | |
Fantastic. Thank you very much, Colin. | 0:33:09 | 0:33:11 | |
-Thanks, Kate. -Lovely. Well, there you go. | 0:33:11 | 0:33:13 | |
Kate has managed to bank £60 profit from the sale of the barometer - | 0:33:13 | 0:33:17 | |
but she's not finished yet. | 0:33:17 | 0:33:19 | |
The dealer also sells clocks. | 0:33:19 | 0:33:20 | |
So Kate is going to try and sell him the mantel clock she paid £45 for at auction. | 0:33:20 | 0:33:25 | |
In the capital, the Hit Man has also got a potential sale in his sights. | 0:33:28 | 0:33:31 | |
I've come to Paddington in London, to meet a friend of mine inside this pub. | 0:33:32 | 0:33:36 | |
Now, it's his lunch break. So he's got an hour to kill, | 0:33:36 | 0:33:40 | |
and the Hit Man Hearnden will make a sale to anybody, at any time - including somebody's lunch break. | 0:33:40 | 0:33:45 | |
Now, his name is Paul, and he was born in Liverpool. | 0:33:45 | 0:33:49 | |
And what have I got tucked under my arm? | 0:33:49 | 0:33:50 | |
My Liverpool books. | 0:33:51 | 0:33:52 | |
Watch the Hit Man Hearnden make a sale. | 0:33:52 | 0:33:55 | |
Well, the Hit Man SOUNDS supremely confident, but he could be playing a dangerous game. | 0:33:55 | 0:33:59 | |
Jonty paid £200 for the books, because he was sure that his friend | 0:33:59 | 0:34:03 | |
would want to buy a book that records his home city's heritage. | 0:34:03 | 0:34:06 | |
So, he really has put all his eggs in one Liverpudlian basket. | 0:34:06 | 0:34:10 | |
So these are these fabulous books, Paul. | 0:34:10 | 0:34:13 | |
And as we can see, inside here it says | 0:34:13 | 0:34:15 | |
"The Pictorial Relics Of Ancient Liverpool, by WG Herdman." | 0:34:15 | 0:34:19 | |
-OK? -Yeah. I don't know him, but... | 0:34:19 | 0:34:21 | |
All these fabulous illustrations - | 0:34:21 | 0:34:24 | |
-both books are illustrated to the hilt. -Good grief, Lime Street. | 0:34:24 | 0:34:28 | |
That's where the railway station is...? | 0:34:28 | 0:34:30 | |
It is the main railway station. The main hotels... | 0:34:30 | 0:34:33 | |
But to see it like that is quite incredible - | 0:34:33 | 0:34:35 | |
it's a rural setting. | 0:34:35 | 0:34:37 | |
These are fantastic books. | 0:34:37 | 0:34:39 | |
I fully confess, when I saw them in the auction room, I thought, | 0:34:39 | 0:34:42 | |
-"I know somebody who might well be interested in these." -Yes, and I am. | 0:34:42 | 0:34:47 | |
I mean, these are absolutely superb. | 0:34:47 | 0:34:49 | |
Paul seems interested, but is he prepared to pay the asking price? | 0:34:49 | 0:34:54 | |
In Leominster, Kate has made a £60 profit from her barometer. | 0:34:54 | 0:34:57 | |
But she's now pushing her luck by trying to sell the mantel clock to the same dealer. | 0:34:57 | 0:35:02 | |
She paid £45 for it. | 0:35:02 | 0:35:05 | |
-This is enamelled, isn't it? -It is, yeah. Yeah. | 0:35:05 | 0:35:07 | |
Nice inlay. Needs a little bit of polish on the case. | 0:35:07 | 0:35:10 | |
It does, yeah. | 0:35:10 | 0:35:12 | |
Ah. It's by the Hamburg American Clock Company. | 0:35:12 | 0:35:15 | |
Now I expected that to be French, but it's actually a German clock. | 0:35:15 | 0:35:19 | |
Oh - so is that written on the inside? | 0:35:19 | 0:35:21 | |
This symbol here, that's their trademark. | 0:35:21 | 0:35:24 | |
And they made every type of clock. | 0:35:24 | 0:35:27 | |
And er...I've always had a soft spot for their stuff, for some reason. | 0:35:27 | 0:35:31 | |
-It's just one of those things. -Have you? | 0:35:31 | 0:35:33 | |
I shouldn't have said that, should I? It's going to cost me more now. | 0:35:33 | 0:35:36 | |
Ah - my radar's going now! THEY LAUGH | 0:35:36 | 0:35:39 | |
Well, it can be yours for...150? | 0:35:39 | 0:35:43 | |
Miss Bliss is going in for the kill. | 0:35:44 | 0:35:46 | |
£150 would give her a huge return - | 0:35:46 | 0:35:49 | |
but she's not the only one trying to make a handsome profit. | 0:35:49 | 0:35:53 | |
How much is Jonty's buyer prepared to pay for the Liverpool books? | 0:35:53 | 0:35:57 | |
I would offer you £500. | 0:35:57 | 0:35:59 | |
That's great for me. | 0:35:59 | 0:36:01 | |
-You're a star. -Thank you. | 0:36:01 | 0:36:03 | |
That deal gives Jonty a £300 profit. | 0:36:03 | 0:36:06 | |
Mr H is delighted! | 0:36:06 | 0:36:10 | |
Wow. THAT was one of the best lunchtime sales I've ever made! | 0:36:10 | 0:36:15 | |
I think it's fair to say that everybody's favourite Hit Man | 0:36:15 | 0:36:17 | |
is a happy man - and the pressure is now on Kate. | 0:36:17 | 0:36:21 | |
She's fallen behind, | 0:36:21 | 0:36:22 | |
and has to get every penny she can for the mantel clock. | 0:36:22 | 0:36:25 | |
I'd go to 120...? | 0:36:25 | 0:36:27 | |
130? | 0:36:27 | 0:36:28 | |
Go on, then. Yeah. | 0:36:28 | 0:36:30 | |
-I'll have a deal at 130. -Wonderful. | 0:36:30 | 0:36:33 | |
Thank you, Colin. That's great. | 0:36:33 | 0:36:35 | |
Well, that's an excellent sale for Kate. | 0:36:35 | 0:36:37 | |
And it's banked her £85 of profit. | 0:36:37 | 0:36:40 | |
Well, I've sold the clock AND I've sold the barometer, and I am well chuffed. | 0:36:42 | 0:36:47 | |
So now it's time to hit the road, and have a cup of tea. | 0:36:47 | 0:36:50 | |
Our battling dealers are now entering the final stretch, | 0:36:50 | 0:36:54 | |
and they're both determined to seal the decisive deals. | 0:36:54 | 0:36:57 | |
It's Miss Bliss out in the beautiful Herefordshire countryside... | 0:36:57 | 0:37:01 | |
..versus city slicker Mr H - | 0:37:02 | 0:37:05 | |
whose shares have fallen, because he sold his Pilkington bowl for a loss. | 0:37:05 | 0:37:10 | |
And Kate's taken full advantage | 0:37:13 | 0:37:14 | |
by selling her silver snuffbox for £160, giving her a £60 profit. | 0:37:14 | 0:37:20 | |
With one item each left to sell, Jonty is out in front. | 0:37:20 | 0:37:25 | |
He's left the bright lights of London to try and do his final deal. | 0:37:25 | 0:37:29 | |
Well, I've come to the heart of the Cotswolds, to find my gnome man. | 0:37:29 | 0:37:32 | |
Now, I haven't met Stephen before, but I do know that he's a specialist in this kind of genre of furniture. | 0:37:32 | 0:37:39 | |
And what I'm talking about of course is my hanging corner cupboard, which I bought in the auction rooms, | 0:37:39 | 0:37:44 | |
and I paid £340 for it. | 0:37:44 | 0:37:47 | |
I'm going to see if I can make a big fat profit. | 0:37:47 | 0:37:51 | |
So Stephen, this is the offending article. | 0:37:51 | 0:37:53 | |
This is right up my street, Jonty, | 0:37:53 | 0:37:55 | |
this is exactly the sort of furniture we deal in. | 0:37:55 | 0:37:59 | |
This is, as you already know, the Gnome Man, | 0:37:59 | 0:38:02 | |
and he was a Yorkshire craftsman... | 0:38:02 | 0:38:05 | |
-And his name was Thomas Whittaker. -It was indeed. | 0:38:05 | 0:38:07 | |
Thomas "Gnome Man" Whittaker. | 0:38:07 | 0:38:09 | |
-Didn't he die in '91, is that right? -'91, he died. | 0:38:09 | 0:38:12 | |
And he was working more or less right up to retirement and beyond. | 0:38:12 | 0:38:17 | |
So let's get down to the serious business - | 0:38:17 | 0:38:19 | |
I'm looking for £550. | 0:38:19 | 0:38:22 | |
Now, considering the cupboard cost Jonty just £340 at auction, | 0:38:22 | 0:38:27 | |
£550 is a high price, but he needs to get as much as possible, because | 0:38:27 | 0:38:32 | |
after struggling to get a taker for her knife box, | 0:38:32 | 0:38:35 | |
Miss Bliss has finally lined up a potential buyer. | 0:38:35 | 0:38:38 | |
It's a family friend, but Kate is over £100 behind her rival, so she | 0:38:40 | 0:38:45 | |
needs to be at her ruthless best to get as much as possible for an item she paid £350 for at auction. | 0:38:45 | 0:38:52 | |
It's got this lovely flame mahogany on the sloping lid here. | 0:38:52 | 0:38:55 | |
Probably dates from the early part of the 19th century, | 0:38:55 | 0:38:59 | |
although it could be earlier, sort of late 18th century. | 0:38:59 | 0:39:02 | |
And what we've got here is a lovely shell inlay in the lid, which makes | 0:39:02 | 0:39:05 | |
it a little bit different, | 0:39:05 | 0:39:07 | |
reminiscent of Thomas Sheraton, the designer. | 0:39:07 | 0:39:09 | |
And some lovely chequered stringing here. | 0:39:09 | 0:39:12 | |
This has faded, of course, a little bit, being on the top. | 0:39:12 | 0:39:15 | |
But if you open it up, you can see it's repeated on the inside as well, | 0:39:15 | 0:39:19 | |
-which is rather nice. -Beautiful. | 0:39:19 | 0:39:22 | |
So, it HAS been converted to stationery, | 0:39:22 | 0:39:25 | |
and you've got the compartments here and your little pen tray here. | 0:39:25 | 0:39:28 | |
I think it's a very lovely thing, | 0:39:28 | 0:39:32 | |
and I'm very interested, and I think I'll say yes. | 0:39:32 | 0:39:36 | |
Yes? Excellent! | 0:39:36 | 0:39:38 | |
So, Kate's friend wants to buy the box. | 0:39:38 | 0:39:41 | |
But Kate is lagging behind, | 0:39:41 | 0:39:43 | |
and needs a big profit to put the pressure back on her rival. | 0:39:43 | 0:39:48 | |
Well, I'm looking for about 500, is that all right? | 0:39:49 | 0:39:51 | |
That's fine. It's a very great thing of beauty, and I love it. | 0:39:51 | 0:39:55 | |
Well, thank you very much. | 0:39:55 | 0:39:57 | |
£500 gives Kate a fantastic £150 profit. | 0:39:59 | 0:40:03 | |
We'll find out if Jonty was able to sell the corner cupboard | 0:40:03 | 0:40:06 | |
and snatch a last-gasp victory shortly. | 0:40:06 | 0:40:09 | |
But now, it's time to tot up the profits. | 0:40:09 | 0:40:12 | |
Remember, both our experts could spend up to £1,000 each on today's challenge. | 0:40:12 | 0:40:17 | |
Jonty spent a total of £895, | 0:40:20 | 0:40:23 | |
whilst Kate pushed the boat out and spent £935. | 0:40:23 | 0:40:28 | |
All that remains is to reveal who is today's Put Your Money Where Your Mouth Is champion. | 0:40:33 | 0:40:39 | |
-Hello, Jonty! -Kate, how are you? | 0:40:41 | 0:40:42 | |
I'm very well. I haven't seen you for ages. | 0:40:42 | 0:40:44 | |
It seems an awfully long time since the auction. | 0:40:44 | 0:40:47 | |
-Doesn't it? Have you been a busy bee? -I have. I've been selling away. | 0:40:47 | 0:40:51 | |
But I have to say, there was one or two items which I found really difficult to sell. | 0:40:51 | 0:40:55 | |
-Do you know, I certainly had one of those. -Really? What was that? | 0:40:55 | 0:40:59 | |
Oh, well... Tell me - | 0:40:59 | 0:41:00 | |
Before we get any further, how did you get on with that knife box? | 0:41:00 | 0:41:03 | |
-It was a nice thing, wasn't it? -Good quality. | 0:41:03 | 0:41:05 | |
Do you know, I did struggle, but at the 11th hour, I found | 0:41:05 | 0:41:09 | |
a very distinguished lady who had excellent taste. | 0:41:09 | 0:41:12 | |
-HE LAUGHS -Well, you would say that, wouldn't you? | 0:41:12 | 0:41:15 | |
How about you? How did those books go? | 0:41:15 | 0:41:17 | |
-What, the Liverpool books? -Yes. | 0:41:17 | 0:41:18 | |
Well, I managed to have a bit of success with that, because I found | 0:41:18 | 0:41:22 | |
a mate who was from Liverpool, and he fell in love with them | 0:41:22 | 0:41:26 | |
so he did write out a big fat cheque. | 0:41:26 | 0:41:28 | |
-We'd better found out then, hadn't we? -Shall we? | 0:41:28 | 0:41:31 | |
Can't wait. Ready? After three. | 0:41:31 | 0:41:33 | |
1, 2, 3... There you go. | 0:41:33 | 0:41:36 | |
Oh! Well done, you! | 0:41:36 | 0:41:39 | |
-That's great. Look at that! -200 quid? -We've both done very well. | 0:41:39 | 0:41:43 | |
Do you know, I'm gutted. I thought I knew my way round an auction! | 0:41:43 | 0:41:46 | |
Well, it's the luck of the draw. You never know what you can find. | 0:41:46 | 0:41:49 | |
-True. -Right. I think I owe you a drink. | 0:41:49 | 0:41:50 | |
Well - do you know, that would be the gentlemanly thing to do. | 0:41:50 | 0:41:53 | |
-Come on. -Thank you. | 0:41:53 | 0:41:55 | |
So, it's a victory for Jonty - and it was the corner cupboard | 0:41:58 | 0:42:01 | |
that he bought for £340 that gave him the glory. | 0:42:01 | 0:42:04 | |
So what I'm going to say to you Jonty is, I'm a fair man... | 0:42:04 | 0:42:08 | |
I will offer you £500 for it. | 0:42:08 | 0:42:10 | |
A fabulous profit of £160 | 0:42:10 | 0:42:13 | |
helped the Hit Man secure victory and take today's title. | 0:42:13 | 0:42:16 | |
It's great to beat Kate. She has come from a background | 0:42:16 | 0:42:20 | |
of working within the auction room business, | 0:42:20 | 0:42:23 | |
so to actually beat her at her own game, I feel pretty chuffed. | 0:42:23 | 0:42:26 | |
Well, the fact that Jonty's beaten me is actually quite disappointing. | 0:42:26 | 0:42:29 | |
It just goes to show that my experience as an auctioneer | 0:42:29 | 0:42:32 | |
doesn't really prepare you for being a dealer. | 0:42:32 | 0:42:34 | |
And he sure must have got some lucky breaks! | 0:42:34 | 0:42:37 | |
Well, Jonty may have taken victory today, but both our experts have made splendid amounts of money, | 0:42:37 | 0:42:42 | |
and every penny will be going to their chosen charities. | 0:42:42 | 0:42:45 | |
I'm so pleased that I can donate in excess of £700 to Helen & Douglas House. | 0:42:45 | 0:42:50 | |
It's a very expensive hospice to run, | 0:42:50 | 0:42:53 | |
so that amount of money hopefully will make that much of a difference. | 0:42:53 | 0:42:58 | |
My good cause is the Alzheimer's Society in Herefordshire, who look | 0:42:58 | 0:43:01 | |
after people suffering with dementia and the people who look after them. | 0:43:01 | 0:43:06 | |
So, Jonty won today's challenge, but this competition is far from over. | 0:43:06 | 0:43:10 | |
Because tomorrow, our intrepid antiques hunters will be heading | 0:43:10 | 0:43:13 | |
across the Channel, to do battle at an antiques market in Belgium. | 0:43:13 | 0:43:18 | |
If this is the right price, I've saved the best till last. | 0:43:18 | 0:43:21 | |
And this little gem just might give Jonty Hearnden a run for his money. | 0:43:21 | 0:43:26 | |
I'll do anything to beat that girl Kate Bliss. | 0:43:26 | 0:43:30 | |
Subtitles by Red Bee Media Ltd | 0:43:30 | 0:43:32 | |
E-mail [email protected] | 0:43:32 | 0:43:34 |