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We've all seen them on TV, but how will the country's | 0:00:02 | 0:00:05 | |
favourite antiques experts fare when they're challenged to make a profit with their own cash? | 0:00:05 | 0:00:09 | |
Excellent! | 0:00:09 | 0:00:11 | |
He who laughs last, laughs loudest. | 0:00:11 | 0:00:14 | |
From car boot sales to auction houses, our experts will recreate | 0:00:14 | 0:00:19 | |
some of their real-life deals as they go head-to-head | 0:00:19 | 0:00:22 | |
and try and make the most money for their chosen charities. | 0:00:22 | 0:00:27 | |
Purchase of the week! | 0:00:27 | 0:00:28 | |
Fantastic. I'm thrilled with that. | 0:00:28 | 0:00:31 | |
The challenge to our experts is clear. | 0:00:31 | 0:00:33 | |
Dealers, Put Your Money Where Your Mouth Is. | 0:00:33 | 0:00:36 | |
Today's experts are the suave and sophisticated | 0:01:06 | 0:01:09 | |
Jonty "The Hitman" Hearnden and "Queen of Antiques", Kate "Absolute" Bliss. | 0:01:09 | 0:01:14 | |
The daughter of an auctioneer, Kate has been surrounded by antiques all her life. | 0:01:14 | 0:01:18 | |
So it's hardly surprising that she's gone on to become a respected independent valuer, | 0:01:18 | 0:01:23 | |
agent and broker, with over a decade of experience under her belt. | 0:01:23 | 0:01:27 | |
I think Jonty and I are quite well matched, actually. | 0:01:27 | 0:01:30 | |
He's quite the gent, but he's also quite a dark horse. And I think he's got a very competitive streak. | 0:01:30 | 0:01:35 | |
So I've had to pull my finger out a bit. | 0:01:35 | 0:01:38 | |
Kate's title of Queen of Antiques comes from dispensing expert advice on Bargain Hunt and Flog It. | 0:01:38 | 0:01:44 | |
55? | 0:01:44 | 0:01:46 | |
50 is better for me. | 0:01:46 | 0:01:48 | |
Kate's opponent might not have grown up in the antiques world, | 0:01:48 | 0:01:51 | |
but he's got over 30 years of experience in the trade. | 0:01:51 | 0:01:54 | |
Kate Bliss is a wily, canny thing. | 0:01:54 | 0:01:57 | |
So I think the competition is going to be rather stiff this time around. | 0:01:57 | 0:02:02 | |
A firm favourite with the housewives, this antiques hunter | 0:02:02 | 0:02:05 | |
can regularly be found searching for Cash In The Attic. | 0:02:05 | 0:02:08 | |
So, we have our experts. | 0:02:08 | 0:02:10 | |
They have the contacts and a determination to win. | 0:02:10 | 0:02:13 | |
It's now time for us to find out the aim of today's game. | 0:02:13 | 0:02:16 | |
-Good morning. -Nice jacket. | 0:02:16 | 0:02:18 | |
You're a lady of taste, you've got one yourself. | 0:02:18 | 0:02:20 | |
I thought brown was more my colour, what do you think? | 0:02:20 | 0:02:23 | |
It's good. I've got a golden envelope for you. | 0:02:23 | 0:02:25 | |
-That's for you. -Shall I open this? | 0:02:25 | 0:02:27 | |
-Yeah, you go first. -Here we go, wait for this. | 0:02:27 | 0:02:30 | |
"Jonty and Kate, your challenge today is to spend £750 of your own money on antiques. | 0:02:30 | 0:02:37 | |
"You must then resell your purchases with the aim of making as much profit as possible. | 0:02:37 | 0:02:41 | |
-"The winner is the presenter who makes the most cash." -Sounds tricky. | 0:02:41 | 0:02:44 | |
This one says, "Today you must buy all your antiques from an antiques fair." | 0:02:44 | 0:02:52 | |
-You know your way around fairs, don't you? -Yes, I've had a few fairs in my time(!) | 0:02:52 | 0:02:56 | |
Have you now?! Well, I've heard there's quite a big one round here. | 0:02:56 | 0:02:59 | |
-Really? -Antiques fair, that is. -Let's go for it. -That way? | 0:02:59 | 0:03:02 | |
That way. | 0:03:02 | 0:03:04 | |
Pretty much everybody that Kate and Jonty try to do deals with | 0:03:06 | 0:03:10 | |
will be aware that they're on a mission to raise as much money as possible for charity. | 0:03:10 | 0:03:14 | |
Our experts will be doing everything to persuade people to give them | 0:03:14 | 0:03:18 | |
the best possible prices when they try to buy and sell the items they hope will drive them to victory. | 0:03:18 | 0:03:24 | |
The Hitman and his rival will be doing battle | 0:03:27 | 0:03:29 | |
at the Newark Antiques Fair, on the banks of the River Trent. | 0:03:29 | 0:03:32 | |
Jonty has decided to focus his energies on finding potentially profitable pieces of furniture. | 0:03:32 | 0:03:39 | |
Miss Bliss will be hunting for pieces with a value of less than £250. | 0:03:39 | 0:03:44 | |
I've had a bit of a look round, | 0:03:48 | 0:03:50 | |
but already I've spotted these, which I'm really excited about. | 0:03:50 | 0:03:53 | |
What we've got here is a set of six silver napkin rings. | 0:03:53 | 0:03:57 | |
The Victorians were the first to fold napkins for the table. | 0:03:57 | 0:04:00 | |
And, of course, you needed a ring to hold it in place. | 0:04:00 | 0:04:03 | |
And here, we have one of six. | 0:04:03 | 0:04:06 | |
Originally, they were made in sets | 0:04:06 | 0:04:09 | |
of typically six, just like we have here. | 0:04:09 | 0:04:11 | |
But they were usually engraved with numbers, individually, | 0:04:11 | 0:04:15 | |
to show they were part of a set. Or with monograms or initials. | 0:04:15 | 0:04:19 | |
Or even a family crest. Now the nice thing about this set | 0:04:19 | 0:04:23 | |
is that they are all quite nice and plain. | 0:04:23 | 0:04:26 | |
They're not too light. | 0:04:26 | 0:04:29 | |
A key thing to look for with silver is the weight of silver. | 0:04:29 | 0:04:32 | |
And the other thing is the hallmark, of course. | 0:04:32 | 0:04:34 | |
Dated for 1935 and tested in London, | 0:04:34 | 0:04:38 | |
which is the little leopard's head mark. | 0:04:38 | 0:04:41 | |
But we have another symbol, | 0:04:41 | 0:04:43 | |
which only appears between the years of 1934 and '35. | 0:04:43 | 0:04:48 | |
And that's a double crowned head, the symbol for | 0:04:48 | 0:04:52 | |
the Silver Jubilee of George V, who was on the throne at the time. | 0:04:52 | 0:04:56 | |
So, we know exactly when these were made. | 0:04:56 | 0:04:59 | |
And I think I'm going to snap them up. | 0:04:59 | 0:05:01 | |
So, Miss Bliss getting down to the serious business of haggling. | 0:05:05 | 0:05:09 | |
The Hitman has headed to a stall of garden furniture. | 0:05:09 | 0:05:12 | |
And one piece in particular has caught his eye. | 0:05:12 | 0:05:15 | |
I've really been taken by this | 0:05:16 | 0:05:18 | |
quite simple, stylish bird bath. | 0:05:18 | 0:05:23 | |
Round the top of the bowl here are these moulded oak leaves. | 0:05:23 | 0:05:27 | |
I say moulded, these are not carved, because a piece of furniture | 0:05:27 | 0:05:31 | |
like this is actually made of reconstituted stone. | 0:05:31 | 0:05:35 | |
So, that's ground up pieces of stone pressed into a mould, | 0:05:35 | 0:05:38 | |
and that's the reason why you get this effect round the top here. | 0:05:38 | 0:05:42 | |
Down below, we've got this balustrade of a base. | 0:05:42 | 0:05:45 | |
So it's almost like an urn down at the bottom. | 0:05:45 | 0:05:47 | |
And the plinth has got real age to it. | 0:05:47 | 0:05:50 | |
Look at the wear, look at the ageing. | 0:05:50 | 0:05:52 | |
For goodness sake, there's a bit of moss growing, down at the bottom there. | 0:05:52 | 0:05:57 | |
I would suspect that this item is post Second World War, 1950s, maybe even 1960s. | 0:05:57 | 0:06:03 | |
But it's the simplicity that I like. | 0:06:03 | 0:06:06 | |
So it's all down to a question of price. | 0:06:06 | 0:06:08 | |
Because a little garden ornament like this could be sold | 0:06:08 | 0:06:11 | |
to an awful lot of people. I'll go and check it out. | 0:06:11 | 0:06:13 | |
It looks like Jonty splash some of his cash on the bird bath. | 0:06:13 | 0:06:16 | |
Kate has completed her first deal and has spent £80 on the set of silver napkin rings. | 0:06:16 | 0:06:22 | |
Lovely. Thank you very much. | 0:06:22 | 0:06:24 | |
Well, that's my first buy of the day. | 0:06:24 | 0:06:27 | |
And I'm pleased with those. | 0:06:27 | 0:06:29 | |
So, Kate's up and running, but what about Jonty and his bird bath? | 0:06:30 | 0:06:34 | |
That was the smallest haggle in history. | 0:06:34 | 0:06:36 | |
I eventually got it for £110. | 0:06:36 | 0:06:40 | |
She started off at £120, she wasn't going to take any less than that. | 0:06:40 | 0:06:43 | |
So, I finally bought it at that price, | 0:06:43 | 0:06:47 | |
but I'm hoping that, to the right person, | 0:06:47 | 0:06:49 | |
I'm going to double my money. So, hopefully, £200 in the pot. | 0:06:49 | 0:06:54 | |
I have no idea who that buyer is going to be, but I still love it. | 0:06:54 | 0:06:59 | |
So, on a wing and a prayer, The Hitman snapped up the bird bath. | 0:07:00 | 0:07:03 | |
With pride at stake, he's taking this contest very seriously indeed. | 0:07:03 | 0:07:08 | |
Croquet was very popular in this country, it became popular in the 17th century. | 0:07:08 | 0:07:14 | |
And the interesting part about the game is, | 0:07:14 | 0:07:16 | |
it became popular not so much because you could play outdoors, but it was an equality game. | 0:07:16 | 0:07:22 | |
Men and women could play with equal talent, | 0:07:22 | 0:07:26 | |
because it is a game that you don't need strength to play. | 0:07:26 | 0:07:29 | |
It's still incredibly popular today. | 0:07:29 | 0:07:31 | |
Of course, it's a summer pastime. | 0:07:31 | 0:07:34 | |
But there's always a market for sets like this. | 0:07:34 | 0:07:37 | |
Now, I paid £160 for this set. | 0:07:38 | 0:07:41 | |
So I'm hoping that I can sell this set for in excess of £200. | 0:07:41 | 0:07:48 | |
Kate, do you fancy a game? | 0:07:48 | 0:07:50 | |
Because I'm very good at croquet. | 0:07:50 | 0:07:52 | |
So, Jonty thinks he's on to a winner with the croquet set. | 0:07:59 | 0:08:01 | |
Elsewhere, his rival has given in to temptation. | 0:08:01 | 0:08:05 | |
MUSIC: "Material Girl" by Madonna | 0:08:05 | 0:08:07 | |
With so many sparkly things on offer, a girl has got to go home with a piece of jewellery, hasn't she? | 0:08:16 | 0:08:21 | |
And look what I've just found. I think it's beautiful. | 0:08:21 | 0:08:24 | |
It's Edwardian. It's made of gold, | 0:08:24 | 0:08:27 | |
with a lovely teardrop-shaped amethyst in the centre and then | 0:08:27 | 0:08:31 | |
a little surround of seed pearls. Now, amethyst was a type of quartz | 0:08:31 | 0:08:35 | |
and its value lies in the way the stone is cut, the size of it, | 0:08:35 | 0:08:39 | |
but also the way that the colour is saturated throughout the stone. | 0:08:39 | 0:08:43 | |
And a good little key is to look for the way | 0:08:43 | 0:08:46 | |
the deep purple saturates right through to the edge of the stone. | 0:08:46 | 0:08:50 | |
And this one is a really deep, rich colour, all the way through. | 0:08:50 | 0:08:53 | |
Now, the word amethyst actually comes from | 0:08:53 | 0:08:56 | |
the Greek, "amethystos", which means sober. | 0:08:56 | 0:08:59 | |
And the Greeks believed that, if you wore an amethyst, | 0:08:59 | 0:09:03 | |
it would stop you becoming intoxicated if you were drinking strong liquor. | 0:09:03 | 0:09:07 | |
It's also believed to instil you with a sense of peace and calm and people | 0:09:07 | 0:09:11 | |
used to place them under their pillows to give them sweet dreams. | 0:09:11 | 0:09:14 | |
Now, I'm hoping that this might prove a bit of a nightmare for Jonty. | 0:09:14 | 0:09:18 | |
THUNDER AND LIGHTNING | 0:09:18 | 0:09:21 | |
I paid £150 for this piece and I still think I could get | 0:09:21 | 0:09:27 | |
over 200 by selling it to a top dealer, not far from where I live. | 0:09:27 | 0:09:31 | |
At least mine will fit in my pocket. | 0:09:31 | 0:09:34 | |
I bet that Jonty is buying big lumps of furniture. | 0:09:34 | 0:09:37 | |
How right you are, Miss Bliss. | 0:09:38 | 0:09:40 | |
It may have taken him a while, but it was only a matter of time before The Hitman found himself a sofa. | 0:09:40 | 0:09:45 | |
When it comes to buying antiques, these two can read each other like a pair of vintage books. | 0:09:45 | 0:09:50 | |
I can only assume that Kate is somewhere out there in the market frantically trying to find bargains, | 0:09:50 | 0:09:56 | |
but I'm nice and relaxed, because I've bought myself this very comfortable two-seater sofa | 0:09:56 | 0:10:02 | |
and this very pretty little chair here. | 0:10:02 | 0:10:06 | |
Now the reasons why I bought them, it's not because they look fantastic at the moment. | 0:10:06 | 0:10:11 | |
This sofa, particularly, needs a re-covery, the fabric is in very poor condition. | 0:10:11 | 0:10:16 | |
And this chair here not only needs a re-covery, but needs re-upholstering, as well. | 0:10:16 | 0:10:21 | |
So there's quite a bit of work to be done on both of these upholstered pieces. | 0:10:21 | 0:10:26 | |
And the reason why I bought this is because of the shape. | 0:10:27 | 0:10:30 | |
It's got these lovely scroll arms | 0:10:30 | 0:10:32 | |
and, particularly, these outswept legs. | 0:10:32 | 0:10:35 | |
The most important thing when you're buying upholstery | 0:10:35 | 0:10:38 | |
is to check whether the chair itself is comfortable. | 0:10:38 | 0:10:42 | |
And, yes it is. With this lovely scroll back and these scroll arms, not only do you have the comfort | 0:10:42 | 0:10:48 | |
factor there, but you also have a stylish look. | 0:10:48 | 0:10:51 | |
Whereas this little fella here, I think this is great. | 0:10:51 | 0:10:55 | |
We've got a serpentine front to the seat here. | 0:10:55 | 0:10:58 | |
We've got these scroll arms and these turned legs. | 0:10:58 | 0:11:01 | |
Now just have a look at how chairs like this were upholstered. | 0:11:01 | 0:11:07 | |
Inside here, you've got dried grass. It's straw in here. | 0:11:07 | 0:11:11 | |
This straw is 100 years old. | 0:11:11 | 0:11:13 | |
And above that is a layer of horse hair. It's amazing. | 0:11:13 | 0:11:18 | |
So all of this stuffing in here is original. | 0:11:18 | 0:11:22 | |
The turning on the leg here makes this chair about 100 years old, as well. | 0:11:22 | 0:11:26 | |
So it's more 19th century, than early 20th century. | 0:11:26 | 0:11:29 | |
So chairs like this we call Napoleon Trois - Napoleon III chairs. | 0:11:29 | 0:11:33 | |
He was on the throne at the time in France. | 0:11:33 | 0:11:36 | |
So, these two chairs are French. | 0:11:36 | 0:11:39 | |
Fabulous, but I've got a bit of work to do. | 0:11:39 | 0:11:41 | |
But once they're transformed, they're going to look absolutely stunning. | 0:11:41 | 0:11:45 | |
So, I'm really very, very pleased. | 0:11:45 | 0:11:48 | |
Price? Well, I paid £220 for the sofa and, wait for this, | 0:11:48 | 0:11:55 | |
£130 for this frame. | 0:11:55 | 0:11:57 | |
It's an absolute bargain. | 0:11:57 | 0:12:00 | |
And it's comfy, too. | 0:12:02 | 0:12:04 | |
That's a huge purchase for The Hitman. | 0:12:06 | 0:12:09 | |
With just £750 to play with, he'll need to keep back some of his cash for the repairs that will be needed. | 0:12:09 | 0:12:15 | |
His rival, though, has secured another purchase. | 0:12:15 | 0:12:18 | |
This is a little bit of fun, have a look at this. | 0:12:18 | 0:12:21 | |
This is an Edwardian timepiece. | 0:12:21 | 0:12:23 | |
Dating from the early 20th century, it's made of turned mahogany, | 0:12:23 | 0:12:26 | |
with a lovely little pedestal base | 0:12:26 | 0:12:29 | |
and a lovely grain and patina on the top here. | 0:12:29 | 0:12:33 | |
The dial is enamelled and the movement | 0:12:33 | 0:12:35 | |
is just a basic French movement, typical of this sort of sized clock. | 0:12:35 | 0:12:39 | |
It doesn't have an alarm or a strike, but the workings of it, | 0:12:39 | 0:12:44 | |
the balance escapement and wheel, are typical, | 0:12:44 | 0:12:47 | |
because it doesn't need a pendulum to keep it going. | 0:12:47 | 0:12:51 | |
And that's for a very good reason because it's got a little secret. | 0:12:51 | 0:12:57 | |
If I take the top off and I take the bottom off, | 0:12:58 | 0:13:01 | |
you can see that it all folds down for travelling. | 0:13:01 | 0:13:04 | |
And so it will actually keep working while it's on the move, | 0:13:05 | 0:13:08 | |
just like a watch. The other thing which | 0:13:08 | 0:13:11 | |
the stallholder told me was that he bought it because he's a golfer. | 0:13:11 | 0:13:16 | |
And he thinks, when it's all back together, | 0:13:16 | 0:13:18 | |
it looks a little bit like a golf ball sitting on a tee. | 0:13:18 | 0:13:21 | |
So you never know, I might find a golfer who falls in love with it. | 0:13:21 | 0:13:24 | |
Well, I paid just £30 for this and I'm hoping I might double my money. | 0:13:24 | 0:13:30 | |
CLOCK TICKING | 0:13:30 | 0:13:31 | |
Time is ticking. Better get on. | 0:13:31 | 0:13:34 | |
Yes, time waits for no man or woman. And, with both our experts bagging | 0:13:34 | 0:13:39 | |
items left, right and centre, it's time to find out who's leading the way and who is lagging behind. | 0:13:39 | 0:13:45 | |
Now, remember that our experts began with up to £750 | 0:13:48 | 0:13:52 | |
of their own money at their disposal. | 0:13:52 | 0:13:54 | |
So far Jonty has parted company with £620 for four items, | 0:13:54 | 0:13:59 | |
which leaves him with just £130 still to spend. | 0:13:59 | 0:14:02 | |
Kate has only bought three items and has spent just £260, | 0:14:02 | 0:14:07 | |
which means that she still has £490 in her kitty. | 0:14:07 | 0:14:11 | |
Miss Bliss may be lagging behind in the buying stakes | 0:14:12 | 0:14:15 | |
but the First Lady of Antiques is a fierce competitor, | 0:14:15 | 0:14:19 | |
and it looks like the fightback might be just about to start. | 0:14:19 | 0:14:22 | |
Now, I have just secured myself the most fantastic deal. | 0:14:22 | 0:14:26 | |
I've used all my powers of persuasion and knowledge | 0:14:26 | 0:14:29 | |
and I have bought...a little box. | 0:14:29 | 0:14:32 | |
Well, no. There just happens to be a lovely pair of earrings inside. | 0:14:32 | 0:14:37 | |
Now, I have fallen hopelessly in love with these. | 0:14:37 | 0:14:41 | |
Each one is set with four square-cut, or trap-cut, as they're known, sapphires. | 0:14:41 | 0:14:47 | |
And then, surrounded in the white gold, are brilliant cut diamonds. | 0:14:47 | 0:14:52 | |
Now, the word sapphire comes from the Latin "sapphirus", which does mean blue. | 0:14:52 | 0:14:57 | |
And most people think sapphires have to be blue. | 0:14:57 | 0:14:59 | |
But in fact, you can get them in fancy pink or even yellow colours. | 0:14:59 | 0:15:04 | |
But the blue ones come in various different shades. | 0:15:04 | 0:15:07 | |
The Ceylon, or Sri Lankan sapphire, is often a lovely cornflower blue, | 0:15:07 | 0:15:11 | |
as opposed to a deep jet or inky blue. | 0:15:11 | 0:15:13 | |
And the lighter blue ones that we've got here | 0:15:13 | 0:15:16 | |
are much more commercial these days, particularly in this sort of setting. | 0:15:16 | 0:15:21 | |
Because this is very much Art Deco in style. | 0:15:21 | 0:15:24 | |
It's very square, geometric in design. | 0:15:24 | 0:15:27 | |
Echoed in the very square-cut stones in the centre. | 0:15:27 | 0:15:31 | |
These are actually modern, but the style, Art Deco, is very commercial. | 0:15:31 | 0:15:36 | |
They are rather nice, aren't they? | 0:15:36 | 0:15:39 | |
Well, they were priced at 275. | 0:15:39 | 0:15:41 | |
I've managed to buy them for just over £200. £210. | 0:15:41 | 0:15:46 | |
But I'm still thinking, I might have to keep them for myself. | 0:15:47 | 0:15:51 | |
Now, focus, Miss Bliss. | 0:15:51 | 0:15:53 | |
Those earrings are not for you. | 0:15:53 | 0:15:55 | |
£210 might not seem as if it fits in with the strategy of being tight | 0:15:55 | 0:16:00 | |
with the purse strings, but Kate did knock £65 off the asking price. | 0:16:00 | 0:16:04 | |
Elsewhere, The Hitman has struck again... | 0:16:04 | 0:16:06 | |
Look at this. It's my lovely mirror. | 0:16:07 | 0:16:10 | |
It's pretty, it's mahogany inlay, and I'm a big fan of inlay. | 0:16:10 | 0:16:13 | |
But this is Dutch, | 0:16:13 | 0:16:15 | |
and this mirror would have been made about 150 years ago. | 0:16:15 | 0:16:19 | |
Inlay of this style was very popular in Holland in the 18th and 19th century. | 0:16:19 | 0:16:23 | |
If you look closely, you can see that it's all stylised flower heads. | 0:16:23 | 0:16:27 | |
The mirror frame needs a bit of repair. | 0:16:27 | 0:16:29 | |
We've got a few chips up here, a few breaks, but I'm not too worried about that, | 0:16:29 | 0:16:34 | |
because a mirror like this can just go straight on to somebody's wall. | 0:16:34 | 0:16:38 | |
So, in a smaller room, maybe a bedroom, even a downstairs space, | 0:16:38 | 0:16:42 | |
to hang a mirror like this, there's always room for something like this. I think it's so, so pretty. | 0:16:42 | 0:16:47 | |
The glass itself, the mirror glass, you can tell is 100 years old, | 0:16:47 | 0:16:51 | |
because it's got that almost pitted look to it. | 0:16:51 | 0:16:54 | |
Have a look at this corner here. It's still rather faded. | 0:16:54 | 0:16:58 | |
So I've got it for £130. | 0:16:58 | 0:17:01 | |
Mirror, mirror, on the wall, who's going to make the biggest profit of all? | 0:17:01 | 0:17:05 | |
Me. | 0:17:05 | 0:17:06 | |
Yes, he might be predicting a fairy-tale ending for himself, | 0:17:07 | 0:17:11 | |
but with plenty of money left in her kitty, our very own Snow White is far from finished. | 0:17:11 | 0:17:16 | |
Though with Jonty all spent up, the pressure is most definitely on. | 0:17:16 | 0:17:20 | |
I think I've spotted an antiques expert in distress. | 0:17:23 | 0:17:27 | |
And it's Kate! | 0:17:28 | 0:17:30 | |
As Captain Hearnden has pointed out, Kate is indeed in trouble and is frantically searching | 0:17:32 | 0:17:36 | |
for hidden treasures on which to spend her cash. | 0:17:36 | 0:17:39 | |
After putting in some serious legwork though, | 0:17:40 | 0:17:43 | |
she finally finds what she's looking for | 0:17:43 | 0:17:45 | |
and picks up two decanter sets for £125. | 0:17:45 | 0:17:49 | |
You know, when your luck's out and you're trawling round a fair | 0:17:51 | 0:17:53 | |
trying to find something at the right price and your feet are hurting, don't be put off. | 0:17:53 | 0:17:58 | |
That's how exactly I was just about five minutes ago. | 0:17:58 | 0:18:02 | |
And then, suddenly, out of the blue, I find these two crackers on the same stall. | 0:18:02 | 0:18:06 | |
And what we've got here are two sets of decanters. | 0:18:06 | 0:18:10 | |
And the decanter is still quite a commercial object today. | 0:18:10 | 0:18:14 | |
Its history goes way, way back to Roman times, when wine was stored in great big amphora vases. | 0:18:14 | 0:18:20 | |
But it was then decanted into this sort of vessel, to serve it easily at the table. | 0:18:20 | 0:18:25 | |
But they're also used for another purpose. | 0:18:25 | 0:18:27 | |
And that's because a lot of wine vases got a lot of sediment in them. | 0:18:27 | 0:18:31 | |
And the liquid had to be decanted to get rid of the sediment in the bottle. | 0:18:31 | 0:18:36 | |
And so only the clear, best liquid was put into the decanter to be used at the table. | 0:18:36 | 0:18:42 | |
Although they look similar, they are very different. | 0:18:42 | 0:18:45 | |
We've got here a period piece. | 0:18:45 | 0:18:48 | |
19th century. | 0:18:48 | 0:18:49 | |
A lovely mahogany box, with brass banding. | 0:18:49 | 0:18:52 | |
And the decanters inside are the original pair. | 0:18:52 | 0:18:55 | |
The thing I like about these is, you've got a lovely serrated edge to the decanter. | 0:18:55 | 0:19:01 | |
You've got the original stopper, now that's always worth looking for. | 0:19:01 | 0:19:05 | |
Check that it fits properly and that it isn't chipped underneath. | 0:19:05 | 0:19:10 | |
But also you've got a lovely little pourer moulded into the rim here. | 0:19:10 | 0:19:15 | |
A little bit of damage on this one, but you can't have everything, can you? So there we go. | 0:19:17 | 0:19:21 | |
A lovely set, in its box. | 0:19:21 | 0:19:23 | |
This one is a lovely period box. | 0:19:25 | 0:19:27 | |
In fact, we've got a brass cartouche on the top inscribed "1921, 1931". | 0:19:27 | 0:19:33 | |
So we can date that exactly. | 0:19:33 | 0:19:35 | |
Inside this one, you have a pair of decanters. | 0:19:35 | 0:19:39 | |
But then, just when you think you've got a really nice piece, it gets even better. | 0:19:39 | 0:19:45 | |
You've got a lovely sliding tray, which fits beautifully inside there, | 0:19:46 | 0:19:50 | |
with a set of four tumblers to go with it. £125 for the two. | 0:19:50 | 0:19:56 | |
Well, I reckon I could get £100 for each of those. Fingers crossed. | 0:19:56 | 0:20:01 | |
Well, Jonty, it just seems you're not going to the right places. | 0:20:01 | 0:20:04 | |
More fighting talk from the First Lady. | 0:20:05 | 0:20:08 | |
That brings us to the end of today's bout between our two antique heavyweights. | 0:20:08 | 0:20:12 | |
And it's now time to find out who was floating like a butterfly and who has been stung by a bee. | 0:20:12 | 0:20:18 | |
Jonty "The Hitman" Hearnden came out fighting from the off | 0:20:19 | 0:20:22 | |
and has spent every penny of his £750 kitty on five items. | 0:20:22 | 0:20:27 | |
After a tough first round Kate "Absolute" Bliss | 0:20:27 | 0:20:30 | |
got into the fight, spending £595 on six items, | 0:20:30 | 0:20:35 | |
leaving her with £155 in her kitty. | 0:20:35 | 0:20:39 | |
Remember that buying is only half the battle. | 0:20:40 | 0:20:43 | |
Before our experts head home to try and make a profit from their purchases, | 0:20:43 | 0:20:47 | |
they just can't resist taking a peek at each other's wares. | 0:20:47 | 0:20:50 | |
-So how was your day? -Good. What have you got there? | 0:20:52 | 0:20:55 | |
Look at this, look at this. I love these. What do you think? | 0:20:55 | 0:20:58 | |
Wouldn't suit me. | 0:20:58 | 0:21:00 | |
Not your colour? Hey, go with the jacket! | 0:21:00 | 0:21:02 | |
-No, no, no, no, no. Oh, Kate? -Yes? | 0:21:02 | 0:21:04 | |
-More mahogany? -Well, I've got a bit of a decanter thing going on here. | 0:21:04 | 0:21:08 | |
But this is good, have a look. | 0:21:08 | 0:21:10 | |
-Two decanters, but also, you get glasses. -They're fun. | 0:21:10 | 0:21:14 | |
-What do you think? -If you get stopped for drinking and driving, don't blame me. | 0:21:14 | 0:21:18 | |
I'm not going to touch it! What about this? | 0:21:18 | 0:21:20 | |
-I do like the croquet set. -Yes, that's very nice. -What's with the chair, then? | 0:21:20 | 0:21:24 | |
There's a family of mice live in here. | 0:21:24 | 0:21:26 | |
You do like a project don't you, Jonty? | 0:21:26 | 0:21:28 | |
-Yes, this is a big project. -You've got your work cut out. -Have you got a saw? | 0:21:28 | 0:21:32 | |
-What, for the sofa? -I've got to get that in my car. Do you fancy giving me a hand in with it? | 0:21:32 | 0:21:37 | |
I think I'm going to be here some time. | 0:21:37 | 0:21:39 | |
There's a really nice man over there who I'm sure will give you a hand. | 0:21:39 | 0:21:42 | |
-I've got to go. Sorry, bye! -Bye. | 0:21:42 | 0:21:45 | |
So, assuming that Jonty manages to get them home, he'll be selling... | 0:21:48 | 0:21:53 | |
A bird bath. | 0:21:53 | 0:21:54 | |
A croquet set. | 0:21:55 | 0:21:57 | |
A 19th-century, two-seater sofa. | 0:21:58 | 0:22:01 | |
A Napoleon Trois armchair. | 0:22:01 | 0:22:03 | |
And a mahogany inlaid mirror. | 0:22:03 | 0:22:06 | |
Kate will be selling... | 0:22:06 | 0:22:08 | |
A set of six silver napkin rings. | 0:22:08 | 0:22:10 | |
An Edwardian amethyst pendant. | 0:22:11 | 0:22:13 | |
A mahogany Edwardian timepiece. | 0:22:13 | 0:22:16 | |
Art Deco-styled sapphire and diamond earrings. | 0:22:16 | 0:22:20 | |
A 19th-century decanter set | 0:22:20 | 0:22:23 | |
and an early 20th-century decanter set. | 0:22:23 | 0:22:26 | |
Having gone head-to-head at the Newark Antiques Fair, Kate and Jonty make their way home | 0:22:29 | 0:22:34 | |
to ready themselves for the second part of today's challenge. | 0:22:34 | 0:22:37 | |
They now have to sell all their items and make as much profit as they can. | 0:22:37 | 0:22:42 | |
Our experts can sell their wares to whoever and wherever they choose. | 0:22:42 | 0:22:47 | |
The winner will be the one who makes the biggest profit. | 0:22:47 | 0:22:50 | |
They'll both be pulling out all the stops to try and find | 0:22:50 | 0:22:53 | |
the right buyers, and they are working their way | 0:22:53 | 0:22:56 | |
through their little black books, putting deals together. | 0:22:56 | 0:23:00 | |
But, until they've shaken on it and money has changed hands, no deal is truly sealed. | 0:23:00 | 0:23:05 | |
With the pressure on to sell their wares, both Kate and Jonty | 0:23:05 | 0:23:09 | |
are desperate to secure profitable sales. | 0:23:09 | 0:23:11 | |
In the Big Smoke, The Hitman is calling in a favour. | 0:23:14 | 0:23:17 | |
His 19th-century two-seat sofa is in dire need of an overhaul. | 0:23:17 | 0:23:20 | |
But, having spent all his cash, this favour could cost him a lot more than he was bargaining for. | 0:23:20 | 0:23:26 | |
There she is, Simon. What do you reckon? My little beauty. | 0:23:27 | 0:23:30 | |
How much do you want to spend on it? | 0:23:30 | 0:23:33 | |
I've got no money at all to spend on this. | 0:23:33 | 0:23:35 | |
Not a penny. I'm calling in a huge favour. | 0:23:35 | 0:23:37 | |
Why are you doing this to me now? | 0:23:37 | 0:23:39 | |
-I see. -I know that you're a very generous man. -Oh, fine(!) | 0:23:41 | 0:23:45 | |
OK, if I'm going to do this, then you're going to have to do something for me. | 0:23:45 | 0:23:49 | |
That's fine. Sounds ominous. | 0:23:49 | 0:23:51 | |
I'll pick you out some dirty, horrible chair and I'll make you work for a living. | 0:23:51 | 0:23:55 | |
Thank you very much. Is it in there? | 0:23:55 | 0:23:57 | |
Come on, I'll show you. | 0:23:57 | 0:23:59 | |
The good news is that Jonty's getting his sofa restored. | 0:24:00 | 0:24:03 | |
The bad news, for Jonty, is that in return he's got to get his hands dirty. | 0:24:03 | 0:24:09 | |
So, you've got to take all the old studs out. | 0:24:09 | 0:24:12 | |
The stained, horrible fabric. | 0:24:12 | 0:24:14 | |
All the inside. Don't know what you'll find. | 0:24:14 | 0:24:16 | |
-I'm going to be here for a week? -You'll be here for a little while. | 0:24:16 | 0:24:19 | |
-I'll give you a call when I've finished. -See you later. | 0:24:19 | 0:24:22 | |
Are you off to go and look after my sofa? | 0:24:22 | 0:24:24 | |
-I am indeed. -OK, good. | 0:24:24 | 0:24:26 | |
Now, which one is it? This one here. | 0:24:26 | 0:24:28 | |
This one here. Let's have a look at this. | 0:24:28 | 0:24:31 | |
-# Well, I got work to do -I got work to do | 0:24:32 | 0:24:35 | |
-# Everybody's got work to do -I got work to do... # | 0:24:35 | 0:24:38 | |
Look at that. One nail, three million to go. | 0:24:38 | 0:24:41 | |
Well, Simon might be breathing new life into Jonty's sofa, | 0:24:45 | 0:24:48 | |
but Miss Bliss is determined to seal a deal and bank some profit. | 0:24:48 | 0:24:51 | |
The owner of a local antiques centre is interested in her silver napkin rings, | 0:24:51 | 0:24:56 | |
but will he be prepared to pay more than the £80 Kate paid for them? | 0:24:56 | 0:25:01 | |
I'm looking for 150. | 0:25:01 | 0:25:04 | |
Erm...it's about its money, really. If we could do 130, then we're away. | 0:25:05 | 0:25:09 | |
There's got to be a little bit in it for me. | 0:25:09 | 0:25:11 | |
-Go on, then. 130? -Yes. I'll have them for that. | 0:25:11 | 0:25:14 | |
-I'm happy with that. -Fancy a cup of tea and a catch up? | 0:25:14 | 0:25:17 | |
Yeah, that would be good. | 0:25:17 | 0:25:18 | |
-I'll put the kettle on. -Great, let's have a brew. | 0:25:18 | 0:25:21 | |
A cup of tea and a £50 profit, that's a good deal for Kate. | 0:25:22 | 0:25:25 | |
In London, her rival is making a bit of a meal of his restoration job. | 0:25:25 | 0:25:30 | |
Aargh! Look at that! | 0:25:30 | 0:25:33 | |
I think I'll stick to being an antique dealer. Eugh. | 0:25:33 | 0:25:37 | |
This is just filthy work, mate. | 0:25:37 | 0:25:40 | |
Now you know how we make a living. That's not too bad. | 0:25:40 | 0:25:43 | |
-Would you give me a job? -No. | 0:25:43 | 0:25:45 | |
Now, look, I've stuck to my word, OK? | 0:25:47 | 0:25:50 | |
-How is my sofa getting on? -The sofa, I'd better get on with it now. | 0:25:50 | 0:25:54 | |
You can come back and get it later on. | 0:25:54 | 0:25:56 | |
I need to pick it up later, because I'm in a competition. | 0:25:56 | 0:25:58 | |
I've got serious work to do, profits to make. | 0:25:58 | 0:26:01 | |
-We'll make you some money. -See you later. | 0:26:01 | 0:26:03 | |
So, having paid his dues, Jonty's sofa is well on the way to being totally refurbished. | 0:26:03 | 0:26:09 | |
The Hitman is right about getting on, though, | 0:26:11 | 0:26:14 | |
because Kate has has also banked profits | 0:26:14 | 0:26:16 | |
from the sale of her Edwardian mahogany clock | 0:26:16 | 0:26:18 | |
and one of her decanter sets. | 0:26:18 | 0:26:20 | |
Mr Hearnden, though, is just getting started. | 0:26:27 | 0:26:30 | |
He's returned to Hearnden HQ and has invited a client round to take a look at his armchair. | 0:26:32 | 0:26:37 | |
MUSIC: Theme from "The Persuaders!" | 0:26:37 | 0:26:39 | |
Lady Rosemary Pickering has bought antiques from Jonty in the past, | 0:26:39 | 0:26:43 | |
but will the armchair be to her liking? | 0:26:43 | 0:26:46 | |
He's going to need to use his relentless charm and repartee to get back in the game. | 0:26:46 | 0:26:51 | |
Ladies and gentlemen, Jonty Hearnden is The Persuader. | 0:26:51 | 0:26:56 | |
I know that you were looking for a little bedroom chair. | 0:27:00 | 0:27:03 | |
-Yes. -But here we've got movement. | 0:27:03 | 0:27:04 | |
We've got movement in the arms, we've got movement in the back, we've got the serpentine front here. | 0:27:04 | 0:27:09 | |
So it's got a lovely little shape to it. Well, I think so. | 0:27:09 | 0:27:12 | |
-It's a really nice chair. -Now, you must have a seat. | 0:27:12 | 0:27:15 | |
Well, let's try it. | 0:27:15 | 0:27:18 | |
Is it comfy? | 0:27:19 | 0:27:21 | |
Yes, that's comfortable. | 0:27:21 | 0:27:23 | |
-You look very comfy there. -That is comfortable, I really like that. | 0:27:23 | 0:27:28 | |
-Special price, £350. -350? | 0:27:28 | 0:27:31 | |
Yes. Do you like it? | 0:27:31 | 0:27:32 | |
I love it, I love it. | 0:27:32 | 0:27:34 | |
Give that a thought, because I've got something else to show you. | 0:27:34 | 0:27:38 | |
The Persuader - he's as cunning as a fox and as smooth as silk. | 0:27:39 | 0:27:43 | |
Lady Pickering has fallen for the Napoleon Trois armchair, | 0:27:43 | 0:27:46 | |
but will she be as impressed with Jonty's second item? | 0:27:46 | 0:27:49 | |
They may have spoken on the phone to arrange their meeting, but will the bird bath fit the bill? | 0:27:49 | 0:27:54 | |
So, it comes in three sections, this bird bath. | 0:27:54 | 0:27:57 | |
The top is loose, the pedestal and the base. | 0:27:57 | 0:28:02 | |
So it's all in three sections. | 0:28:02 | 0:28:03 | |
Three sections? I expected something a little bigger. | 0:28:03 | 0:28:06 | |
You want something bigger? | 0:28:06 | 0:28:08 | |
Oh. It sounds as though Lady Pickering isn't quite so enthusiastic about the bird bath. | 0:28:08 | 0:28:13 | |
The Persuader is going to need to use all his charm | 0:28:13 | 0:28:16 | |
and rapier-like wit to convince her to splash out and make a double purchase. | 0:28:16 | 0:28:21 | |
-You might be more interested when I tell you the price. -Well, yes, just tell me. | 0:28:21 | 0:28:26 | |
£220 for the bird bath. | 0:28:26 | 0:28:29 | |
-A bargain. -So, that's 220. And then the chair... | 0:28:29 | 0:28:34 | |
The chair is 350. | 0:28:34 | 0:28:36 | |
I was just wondering, | 0:28:36 | 0:28:38 | |
is there any way in which that could be a different kind of sum? | 0:28:38 | 0:28:44 | |
I can make it higher if you like(!) | 0:28:44 | 0:28:46 | |
You know precisely what I mean. | 0:28:47 | 0:28:49 | |
I was just wondering if you could do a little reduction. | 0:28:49 | 0:28:53 | |
-How about £500 for the two? -For the two? -Yeah. | 0:28:53 | 0:28:58 | |
-Does that sound better? -I think that sounds very nice indeed. -Yes? | 0:28:58 | 0:29:02 | |
Yes, I think I'm going to have them. | 0:29:02 | 0:29:06 | |
-You're a star. -I think so. | 0:29:06 | 0:29:08 | |
Yes? I'm not going to shake hands, can we kiss on this, please? | 0:29:08 | 0:29:12 | |
-Oh, Jonty. -Done. -Lovely. -Wonderful. | 0:29:12 | 0:29:15 | |
It's £500 for the chair and the bird bath, netting Jonty a fantastic | 0:29:16 | 0:29:20 | |
£170 profit for the Napoleon Trois armchair and £90 for the bird bath. | 0:29:20 | 0:29:26 | |
Things are really hotting up in today's competition. | 0:29:28 | 0:29:31 | |
With both dealers sealing profitable deals, it's time to find out | 0:29:31 | 0:29:34 | |
who's heading for a famous triumph and who's heading for a fall. | 0:29:34 | 0:29:38 | |
Jonty has sold his Napoleon Trois armchair and the bird bath, | 0:29:40 | 0:29:44 | |
which has banked him a very impressive £260 worth of profit. | 0:29:44 | 0:29:48 | |
His rival has sold one of her decanters, a clock and a set | 0:29:49 | 0:29:52 | |
of silver napkin rings for £340, giving her £105 worth of profit. | 0:29:52 | 0:29:58 | |
So, both our experts have got profits in the bank. | 0:30:03 | 0:30:06 | |
And with Jonty edging out in front, it's just as well that Kate isn't one for resting on her laurels. | 0:30:06 | 0:30:11 | |
Keen to seal more deals, "Absolute" Bliss hits the road in the hope of selling her remaining decanter set. | 0:30:12 | 0:30:19 | |
Don't forget, both our experts have been setting up potential deals on the phone and by e-mail. | 0:30:19 | 0:30:24 | |
But until money's changed hands, no sale is secured. | 0:30:25 | 0:30:29 | |
-Ah, Louis! -Nice to see you. | 0:30:31 | 0:30:33 | |
-And you, how are you? -Long time no see. | 0:30:33 | 0:30:36 | |
Yes, shop looks good. | 0:30:36 | 0:30:38 | |
-Thank you. -Looks great. Very nice. | 0:30:38 | 0:30:40 | |
-This is the box. -That's the box, fantastic. Shall we go upstairs? | 0:30:40 | 0:30:44 | |
-Lovely, OK, I'll follow you. So, how are things? -Not so bad. | 0:30:44 | 0:30:49 | |
Remember that Kate bought two decanter sets for £125. | 0:30:50 | 0:30:55 | |
Having sold the first set for £150, she's already recouped her costs. | 0:30:55 | 0:31:00 | |
That means every penny she gets from this sale | 0:31:00 | 0:31:03 | |
will be pure profit. | 0:31:03 | 0:31:05 | |
Well, let me pop this down, because it is fairly heavy. | 0:31:06 | 0:31:11 | |
I wonder why. | 0:31:11 | 0:31:12 | |
Well, lovely rosewood box, | 0:31:12 | 0:31:16 | |
with a nice bit of brass banding here. And a carrying handle. | 0:31:16 | 0:31:20 | |
I saw it at an antiques fair and I just thought it was super quality. | 0:31:20 | 0:31:25 | |
Also, which I think is really fun, we have glasses to match. | 0:31:25 | 0:31:31 | |
There we go. And I thought, as you're an interior designer - I know that you like antiques as well - | 0:31:32 | 0:31:38 | |
but you might just find a corner, or one of your clients might have a corner for this, perhaps. | 0:31:38 | 0:31:44 | |
I need to find someone who drinks whisky, don't I? | 0:31:44 | 0:31:47 | |
-That's right. Scotch on the rocks. -Scotch on the rocks. | 0:31:47 | 0:31:51 | |
It would look lovely on a sideboard in somebody's dining room, or even in somebody's, you know, sitting room. | 0:31:51 | 0:31:58 | |
But also it's got that carrying handle, so you could take it with you | 0:31:58 | 0:32:02 | |
on a picnic, even. If you fancied it. | 0:32:02 | 0:32:05 | |
-For the man that has everything. -It is, isn't it? -It seems to be OK. | 0:32:05 | 0:32:09 | |
The decanters are all in good condition, no damage. | 0:32:09 | 0:32:14 | |
That one needs a bit of a clean-out. I should have done that for you. | 0:32:14 | 0:32:17 | |
No, it's all right. | 0:32:17 | 0:32:18 | |
Sign of age. I think that's a good sign. | 0:32:18 | 0:32:21 | |
But they're all in nice condition. | 0:32:21 | 0:32:23 | |
-It's not often that you see the glasses as well, is it? -No. Very different. | 0:32:24 | 0:32:28 | |
Now the glass is much later, it's fairly modern cut glass. | 0:32:28 | 0:32:32 | |
But the box, I would think, dates from around 1900, something like that. | 0:32:32 | 0:32:37 | |
-Your sort of thing? -I might be interested. | 0:32:37 | 0:32:39 | |
-Mm-hm. -What sort of money are we talking about? | 0:32:41 | 0:32:44 | |
Well, how does 250 sound? | 0:32:44 | 0:32:47 | |
-Expensive! -(Oh, Louis!) | 0:32:47 | 0:32:50 | |
Oh, dear. | 0:32:50 | 0:32:51 | |
The proceeds of this sale might be all profit, but things haven't got off to the best of starts. | 0:32:51 | 0:32:57 | |
At Hearnden HQ, it's a case of mirror, mirror, on the wall, who's the canniest dealer of them all? | 0:32:57 | 0:33:04 | |
It could prove to be Jonty, if he can offload his Dutch mirror, that he paid £130 for. | 0:33:05 | 0:33:10 | |
Guy, there's a mirror here that I think you might be interested in. | 0:33:11 | 0:33:15 | |
-Very nice. -Just here. | 0:33:15 | 0:33:17 | |
-Now, what do you think about that? -Very attractive. | 0:33:18 | 0:33:21 | |
It's Dutch, mid-19th century. | 0:33:21 | 0:33:23 | |
Mahogany frame, with inlay all the way around. | 0:33:23 | 0:33:26 | |
There's a bit of damage on the side here. | 0:33:26 | 0:33:29 | |
-Right, I see. -So there's a bit of a chip off the side there. | 0:33:29 | 0:33:33 | |
-Do you want to have a look at it? -Yes, please. -Yeah? | 0:33:33 | 0:33:36 | |
Now...not only have we got a great front to it, | 0:33:36 | 0:33:40 | |
look at the quality of the inlay there. | 0:33:40 | 0:33:43 | |
Probably worth about £100 to me. | 0:33:43 | 0:33:45 | |
£100? I was thinking of doubling that, Guy. | 0:33:45 | 0:33:47 | |
The thing is that I don't actually have anywhere... | 0:33:47 | 0:33:50 | |
I haven't got a plan for it, so it would be an indulgence. | 0:33:50 | 0:33:54 | |
-I'd go 150, Jonty. -I'm feeling generous. -Jolly good. | 0:33:54 | 0:33:57 | |
Even more generous. | 0:33:57 | 0:33:59 | |
-We'll have a sale and I'll give you a cup of tea, as well. -That will be very nice. | 0:33:59 | 0:34:03 | |
-Go on. -OK, thanks. -There's always a first! | 0:34:03 | 0:34:06 | |
So, having sold the mirror for £150, it's another £20 profit. | 0:34:06 | 0:34:11 | |
It might not be an earth-shattering amount, but it's a good result and, in this contest, every penny counts. | 0:34:11 | 0:34:19 | |
Louis still has designs on Kate's decanters, but he's proving to be a tough negotiator. | 0:34:19 | 0:34:23 | |
Can the golden girl of antiques strike a deal? | 0:34:23 | 0:34:27 | |
It's nice, though, isn't it? Do you like it? | 0:34:27 | 0:34:30 | |
You've won me there. | 0:34:30 | 0:34:31 | |
-The price. -The price, OK. | 0:34:31 | 0:34:34 | |
How about 200? | 0:34:36 | 0:34:37 | |
Can I squeeze another 10? | 0:34:39 | 0:34:41 | |
-Why not? OK. That's fine. -Great. -Thanks. -Thank you very much. | 0:34:43 | 0:34:47 | |
So, thanks to the decanter set, the profit is pouring in. | 0:34:47 | 0:34:52 | |
Kate bought two sets for £125 and has sold them for £360, | 0:34:52 | 0:34:57 | |
giving her a huge £235 profit. | 0:34:57 | 0:35:01 | |
It's a fantastic result, | 0:35:02 | 0:35:04 | |
but her rival isn't going to give in without a fight. | 0:35:04 | 0:35:07 | |
So I'm here with my croquet set and I've come to visit an old pal of mine, who's a croquet nut. | 0:35:09 | 0:35:13 | |
And I'm going to see whether he's going to be interested in buying it. | 0:35:13 | 0:35:17 | |
And I quite fancy challenging him to a game. | 0:35:21 | 0:35:23 | |
Jonty paid £160 for the set at the Newark Antiques Market. | 0:35:23 | 0:35:28 | |
As he's on a mission to raise money for charity, he's hoping to persuade Charlie to dig deep. | 0:35:28 | 0:35:33 | |
But before he tries to seal a deal, | 0:35:33 | 0:35:35 | |
he's decided to challenge his friend to a game. | 0:35:35 | 0:35:38 | |
Are you up for a challenge? | 0:35:38 | 0:35:40 | |
-Yeah. I'll take you on, but my rules. -You're on. | 0:35:40 | 0:35:42 | |
-YESTERYEAR BBC VOICE: -Ladies and gentlemen, | 0:35:42 | 0:35:44 | |
welcome to the Put Your Money Where Your Mouth Is croquet challenge. | 0:35:44 | 0:35:48 | |
Jonty's competitive streak means he can't resist | 0:35:51 | 0:35:54 | |
giving his contact a darned good thrashing at croquet. | 0:35:54 | 0:35:59 | |
But was the game enough to persuade Charlie to dig deep and gave Jonty a big profit? | 0:35:59 | 0:36:04 | |
£600, Jonty. | 0:36:05 | 0:36:06 | |
That's very kind. | 0:36:06 | 0:36:08 | |
Well, there you have it. | 0:36:09 | 0:36:10 | |
Jonty Hearnden - antique dealer, raconteur, bon viveur and top-drawer sportsman, to boot! | 0:36:10 | 0:36:16 | |
And, thanks to Charlie, he's just made a whopping £440 profit | 0:36:16 | 0:36:21 | |
and piled the pressure on his rival. | 0:36:21 | 0:36:24 | |
Now, "Absolute" Bliss knows a thing or two about jewellery, being a qualified gemologist. | 0:36:25 | 0:36:31 | |
However, in order to land an all-important sucker-punch, she needs to turn a sizeable profit | 0:36:31 | 0:36:36 | |
from her Art Deco earrings, and the Edwardian pendant. | 0:36:36 | 0:36:39 | |
-Hello, Andrew. -Hello, Kate, how are you? -I'm back from Newark. | 0:36:39 | 0:36:44 | |
-Good to see you again. -The antiques fair. | 0:36:44 | 0:36:46 | |
-You rang me from there. -That's right. -Did it rain? | 0:36:46 | 0:36:48 | |
-It always rains when I go. -No, it didn't, actually. It was really cold, though. | 0:36:48 | 0:36:52 | |
These are what I told you about on the phone. | 0:36:52 | 0:36:55 | |
I told you about some earrings. | 0:36:55 | 0:36:56 | |
-Let's have a look. -Here are the earrings. | 0:36:56 | 0:36:59 | |
There's something else in there, which I'll show you in a minute. | 0:36:59 | 0:37:02 | |
-But what do you think about those? -Very Deco-looking, square. | 0:37:02 | 0:37:05 | |
-They are, yes. Modern, I know, but they've got that Art Deco look about them, haven't they? -They have. | 0:37:05 | 0:37:11 | |
-Repro, but gold. -Yes, yes. -Are they hallmarked? | 0:37:11 | 0:37:15 | |
They are, yes. Have a little look on the back. | 0:37:15 | 0:37:18 | |
Lovely colour from the Ceylon sapphire. | 0:37:18 | 0:37:20 | |
That's a lighter-coloured sapphire, isn't it? | 0:37:20 | 0:37:23 | |
-Much more commercial these days. -Well, it's a better quality stone. | 0:37:23 | 0:37:27 | |
Hopefully you didn't pay too much, because they're nine carat. | 0:37:27 | 0:37:30 | |
-You know that, don't you? -Yes. I know you like 18 carat, don't you? | 0:37:30 | 0:37:33 | |
I prefer 18 carat. | 0:37:33 | 0:37:35 | |
It's just, diamond jewellery, we prefer to sell in 18-carat gold. | 0:37:35 | 0:37:40 | |
However, because these are a Deco repro, they're a shape that people like. | 0:37:40 | 0:37:46 | |
And they're sought-after. But it does depend on the price. | 0:37:46 | 0:37:50 | |
-What's in that box? -Well, this is the other thing. | 0:37:50 | 0:37:53 | |
This was a spontaneous buy. Tell me what you think about that. | 0:37:53 | 0:37:56 | |
The reason I bought it was because I thought that amethyst | 0:37:56 | 0:37:59 | |
was such a lovely colour and such a nice stone. | 0:37:59 | 0:38:01 | |
-It's Edwardian, I think, too, isn't it? -Yes, it is. | 0:38:01 | 0:38:05 | |
The amethyst-pearl combination was used a lot in the Edwardian period. | 0:38:05 | 0:38:09 | |
-They liked that combination. -Yes, this purple colour. | 0:38:09 | 0:38:12 | |
-It's a pretty piece, especially the pear shape. -It is lovely, isn't it? | 0:38:12 | 0:38:17 | |
On a chain, if I can find an old chain for it to go with it... | 0:38:17 | 0:38:19 | |
-That would set it off really nicely. -Excellent, yes. | 0:38:19 | 0:38:24 | |
-You just need a little black dress. Well, not you, personally. -No. | 0:38:24 | 0:38:27 | |
Oh, I don't know(!) Anyway, it would appear that Kate's expertise | 0:38:28 | 0:38:32 | |
in the world of gems and jewellery could get her a result. | 0:38:32 | 0:38:35 | |
Her dealer is interested, but can she get the mark-up required to catch The Hitman? | 0:38:35 | 0:38:39 | |
In London, Jonty's two-seater sofa has been restored and there's interest from a potential buyer. | 0:38:41 | 0:38:47 | |
But can Mr H seal a deal? | 0:38:47 | 0:38:50 | |
Here is the sofa. There it is, in all its splendour. | 0:38:50 | 0:38:53 | |
Well, I've already come down a couple of times to have a look. | 0:38:53 | 0:38:56 | |
I love coming past this shop, there's always something different. | 0:38:56 | 0:39:00 | |
So what do you think about this? | 0:39:00 | 0:39:02 | |
I've got the perfect spot for it. | 0:39:02 | 0:39:04 | |
Yeah? I think it looks great in this sort of freshly covered linen here. | 0:39:04 | 0:39:08 | |
-And the seat, particularly. And these lovely tapering legs. -Yes. | 0:39:08 | 0:39:12 | |
I think it gives a real bit of style to this sofa. | 0:39:12 | 0:39:14 | |
-What do you think? -It's simple, but chic. | 0:39:14 | 0:39:17 | |
It's a great neutral colour too. It's just what I'm looking for. | 0:39:17 | 0:39:20 | |
-And I'm very fussy! -So, where would you put a sofa like this? | 0:39:20 | 0:39:23 | |
In my living room, because I've never been happy with | 0:39:23 | 0:39:27 | |
the living room and we never use it, because I'm not happy with it. | 0:39:27 | 0:39:31 | |
So this would be perfect and I'll have another room in my house. | 0:39:31 | 0:39:34 | |
-Wonderful. -But how much is it? | 0:39:34 | 0:39:37 | |
It's £650. | 0:39:37 | 0:39:38 | |
Ooh, that's a bit more than I was hoping to pay for it. | 0:39:38 | 0:39:41 | |
Is there any negotiation? | 0:39:41 | 0:39:43 | |
Today's challenge is going right to the wire. | 0:39:43 | 0:39:45 | |
Will Jonty's sale of the sofa get him over the final hurdle? | 0:39:45 | 0:39:49 | |
Will Kate's jewellery turn enough profit to pip The Hitman? | 0:39:49 | 0:39:53 | |
All will be revealed very shortly, because it's time to tot up | 0:39:53 | 0:39:57 | |
the profits and find out how much our determined dealers have made. | 0:39:57 | 0:40:01 | |
Both Kate and Jonty were challenged to spend up to £750 | 0:40:04 | 0:40:08 | |
of their own money on antiques. | 0:40:08 | 0:40:11 | |
Mr Hearnden didn't hold back and blew the lot. | 0:40:11 | 0:40:14 | |
Kate, on the other hand, parted with just £595. | 0:40:14 | 0:40:18 | |
The big question, though, is who made the biggest profit? | 0:40:21 | 0:40:24 | |
It's time to bring together the Posh and Becks of the antiques world | 0:40:25 | 0:40:29 | |
and reveal today's Put Your Money Where Your Mouth Is champion. | 0:40:29 | 0:40:32 | |
Jonty, this must have been a walk in the park for you. You go to Newark all the time. | 0:40:35 | 0:40:39 | |
I love it. It's a great place. | 0:40:39 | 0:40:41 | |
You bought those decanters, those were sweet. How did they get on? | 0:40:41 | 0:40:44 | |
-That was a good buy, buying the two together. I actually sold them to different people. -Did you? | 0:40:44 | 0:40:49 | |
For one of them, I looked up an old friend, Louis, who's a great pal of mine, in Ledbury. | 0:40:49 | 0:40:54 | |
And he loved them. | 0:40:54 | 0:40:56 | |
Now, shall we find out? Because I can't wait to see how we've got on. | 0:40:56 | 0:41:00 | |
-Let's have a look. -Ready? After three. | 0:41:00 | 0:41:02 | |
One, two, three... | 0:41:02 | 0:41:04 | |
-Wow! Four figures! -That's amazing. | 0:41:04 | 0:41:09 | |
That's a bit of a thrashing, isn't it? | 0:41:09 | 0:41:12 | |
I didn't realise it was over £1,000. | 0:41:12 | 0:41:15 | |
That's fantastic! Well done, you. | 0:41:15 | 0:41:17 | |
-God, the sofa did go well! -Ha-ha-ha! | 0:41:17 | 0:41:19 | |
And, talking of which, therefore, I owe you lunch. A big slap-up meal. | 0:41:19 | 0:41:24 | |
-Lunch! -How about that? -I'm not going to turn you down. | 0:41:24 | 0:41:26 | |
-Come on. It's all on me. -You lead the way. | 0:41:26 | 0:41:29 | |
Unfortunately for Kate, all that glitters didn't quite turn out to be gold. | 0:41:31 | 0:41:35 | |
-£600? -Mmm, for the two. | 0:41:36 | 0:41:38 | |
-No! No, I can't go that high, Kate. -OK. | 0:41:38 | 0:41:42 | |
-Got to be 520 - the maximum I'd go for. -That's your top? | 0:41:42 | 0:41:45 | |
As all of Kate's profits are going to her good cause, her contact dug especially deep. | 0:41:45 | 0:41:50 | |
But a combined profit of £160 on her two pieces of jewellery | 0:41:50 | 0:41:54 | |
still wasn't enough to win today's contest, | 0:41:54 | 0:41:56 | |
because The Hitman banked an amazing £380 profit on his sofa. | 0:41:56 | 0:42:01 | |
What about 600, how about that? | 0:42:01 | 0:42:03 | |
-And free delivery? -Of course. | 0:42:05 | 0:42:07 | |
-Fantastic. -Yes? -Yes, that's a deal. | 0:42:07 | 0:42:09 | |
-You'd like to buy it? -Yes, please. -It's yours at 600. | 0:42:09 | 0:42:11 | |
Oh, I'm so thrilled. That's great. | 0:42:11 | 0:42:13 | |
£1,100, on the nail. | 0:42:13 | 0:42:17 | |
I am delighted. I'm over the moon that I've made that amount of money. | 0:42:17 | 0:42:21 | |
I think you would call that a resounding defeat. | 0:42:21 | 0:42:26 | |
Fair do's, you've got to hand it to Jonty, he's a bit of a pro, isn't he? | 0:42:26 | 0:42:30 | |
Well, today's title may have gone to Jonty, but both our experts | 0:42:30 | 0:42:33 | |
have raised fabulous sums for two deserving causes. | 0:42:33 | 0:42:38 | |
I chose Helen Douglas House, because it's a charity based not too far away from my home | 0:42:38 | 0:42:43 | |
and I think it's an incredibly worthy cause. | 0:42:43 | 0:42:46 | |
Well, I'm really pleased to have made a profit of just under £500 | 0:42:46 | 0:42:49 | |
to give to the Alzheimer's Society in Herefordshire. | 0:42:49 | 0:42:52 | |
Well, there's no time for Jonty to rest on his laurels, | 0:42:54 | 0:42:58 | |
as tomorrow, battle lines will be drawn at a car-boot sale. | 0:42:58 | 0:43:01 | |
I wonder who's going to be the king or queen of this boot fair? | 0:43:02 | 0:43:07 | |
-I think it will be me. -That is quite a result. | 0:43:07 | 0:43:11 | |
Jonty Hearnden, put that in your pipe and smoke it. | 0:43:11 | 0:43:14 | |
Ready to go over the top and into battle? Follow me. | 0:43:14 | 0:43:18 | |
Subtitles by Red Bee Media Ltd | 0:43:38 | 0:43:41 | |
E-mail [email protected] | 0:43:41 | 0:43:45 |