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This is Put Your Money Where Your Mouth Is, | 0:00:01 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:07 | |
against each other in an all-out battle for profit. | 0:00:07 | 0:00:10 | |
It gives you an inside view on the secrets of the trade. | 0:00:10 | 0:00:13 | |
Coming up, hot tips on the antiques of the future. | 0:00:16 | 0:00:20 | |
If you're keen to start collecting and this appeals to you, | 0:00:20 | 0:00:24 | |
now is the time to buy it. | 0:00:24 | 0:00:26 | |
How you've got to be hard as nails to make it as a dealer. | 0:00:26 | 0:00:30 | |
-I think 325 is a fair figure. -No, otherwise I'd have accepted it. | 0:00:30 | 0:00:35 | |
And how to wrestle your way to a deal, Knocker-Knowles-style! | 0:00:35 | 0:00:40 | |
-Are we getting near? -100. -100? | 0:00:40 | 0:00:42 | |
Today's epic clash pitches two giants of the antiques world | 0:00:57 | 0:01:01 | |
against each other on foreign soil | 0:01:01 | 0:01:04 | |
as Phil "the fox" Serrell... | 0:01:04 | 0:01:06 | |
..and Eric "Knocker" Knowles invade Belgium. | 0:01:09 | 0:01:12 | |
Their challenge to see who can make the biggest profit from buying and selling antiques. | 0:01:12 | 0:01:17 | |
It's Lancashire's likely lad... | 0:01:17 | 0:01:21 | |
It reminds me of a good gate at Burnley football club on a Saturday. | 0:01:21 | 0:01:25 | |
..versus the Midlands mighty mauler. | 0:01:25 | 0:01:28 | |
50 euro for one? They've just become very dear pens. He's just written himself out of the market! | 0:01:29 | 0:01:35 | |
Both our war horses are risking their reputations and their own hard-earned cash | 0:01:35 | 0:01:40 | |
as they compete to see just who is the better dealer. | 0:01:40 | 0:01:43 | |
Today, our mighty veterans will be buying their antiques | 0:01:47 | 0:01:51 | |
in the Belgian capital of Brussels, | 0:01:51 | 0:01:53 | |
where they must battle it out in not one but two markets. | 0:01:53 | 0:01:56 | |
First, the famous flea market in the Place de Jour de Belle, | 0:01:58 | 0:02:01 | |
and then amongst the exclusive antique stalls of Le Sablon. | 0:02:01 | 0:02:06 | |
With £750 of euros to spend, they need over a week of challenges | 0:02:06 | 0:02:10 | |
to make the most profit possible, all of which will go to charity. | 0:02:10 | 0:02:14 | |
Eric Knowles and Philip Serrell, it's time to put your money where your mouth is! | 0:02:14 | 0:02:18 | |
-Have you got a strategy? -I'm going to try and keep in my comfort zone. | 0:02:18 | 0:02:22 | |
I'm going to look at late 19th century, 20th century, and decorative. And you? | 0:02:22 | 0:02:27 | |
If I've got one, I want to buy as much as I can, early doors. Get things in the bag. | 0:02:27 | 0:02:32 | |
-I want to get going now. -Starters orders. Au revoir and bonne chance! | 0:02:32 | 0:02:36 | |
Two British gentlemen on a grand overseas dealing adventure. | 0:02:38 | 0:02:41 | |
From the starting pistol, our rivals are off, | 0:02:41 | 0:02:45 | |
scouting out every inch of this flea market to find the most profitable pieces. | 0:02:45 | 0:02:50 | |
The Fox's strategy is to move fast and buy quickly, propelled by the joys of exploring new territory. | 0:02:52 | 0:02:58 | |
It's exciting because I'm in a different city, different country. What might I find? | 0:02:58 | 0:03:03 | |
It's a flea market. There's everything here - African heads, carpets, chairs, there's everything. | 0:03:03 | 0:03:09 | |
And what a treasure trove this promises to be for Knocker, | 0:03:09 | 0:03:13 | |
who's focused on ceramics and all things decorative. | 0:03:13 | 0:03:17 | |
This place is just completely smothered | 0:03:17 | 0:03:20 | |
in glassware and ceramics and all manner of things. | 0:03:20 | 0:03:25 | |
It's quite exciting because your eyes are going everywhere. Well, mine are! | 0:03:25 | 0:03:30 | |
I don't know what day it is here in Belgium, but it's my birthday! | 0:03:30 | 0:03:36 | |
Our Knocker is like a kid in a candy shop. | 0:03:36 | 0:03:38 | |
But as they pound the aisles, our brave boys must beware. | 0:03:38 | 0:03:42 | |
This place is so packed, that valuable antiques litter the ground. | 0:03:42 | 0:03:46 | |
In this market, you need tiny feet. | 0:03:46 | 0:03:49 | |
It makes you wonder how much stuff gets broken here. | 0:03:49 | 0:03:52 | |
CLATTER OF CHINA | 0:03:52 | 0:03:54 | |
And as if by magic... | 0:03:54 | 0:03:56 | |
Don't focus on this, cos this will bring me out in a rash! | 0:03:56 | 0:03:59 | |
The sight of broken china and I'm getting all itchy! | 0:03:59 | 0:04:03 | |
It can't be easy being such a hopeless potaholic, Eric! | 0:04:03 | 0:04:07 | |
Sticking like a limpet to his "buy quickly" strategy, | 0:04:07 | 0:04:10 | |
the Fox circles and is first to strike, bagging a 19th-century brass cauldron. | 0:04:10 | 0:04:16 | |
35 euros. | 0:04:16 | 0:04:18 | |
-No. -Hang on. Hang on. | 0:04:18 | 0:04:20 | |
-40. -Get out of here! Go on, then! | 0:04:20 | 0:04:23 | |
Phil stumps up the full asking price - 40 euros, or just over £36. | 0:04:23 | 0:04:27 | |
But he's confident of a good return. | 0:04:27 | 0:04:30 | |
When I started in this business in England, 30 years ago, | 0:04:30 | 0:04:34 | |
copper warming pans were £90 and copper kettles were £80. | 0:04:34 | 0:04:38 | |
So what I have been and bought? Brass. | 0:04:38 | 0:04:41 | |
I think this will make a great log bin for somebody. | 0:04:41 | 0:04:44 | |
I'm hoping I can double my money. | 0:04:44 | 0:04:47 | |
In another corner of the market, Eric has locked on to his first target. | 0:04:47 | 0:04:52 | |
This was made probably somewhere around 1880, 1890. You can just imagine | 0:04:53 | 0:04:58 | |
somebody being served that very thick Turkish coffee | 0:04:58 | 0:05:03 | |
on a tray like this. | 0:05:03 | 0:05:05 | |
But what I love about it is the fact that this is all hand-enamelled. | 0:05:05 | 0:05:10 | |
Le dernier prix c'est trente-cinq. | 0:05:10 | 0:05:12 | |
Trente-cinq. That's about 35... Oui, oui, oui. | 0:05:12 | 0:05:15 | |
-Monsieur, voila! -OK. Thank you. -Tres bonne. Thank you. | 0:05:15 | 0:05:19 | |
The 35 euros Eric pays for the tray comes to just under £32. | 0:05:19 | 0:05:24 | |
The Fox is already sizing up his next target. | 0:05:25 | 0:05:28 | |
If you look here, you can see this oak. | 0:05:29 | 0:05:33 | |
You can see how it's had lime rubbed into the grain | 0:05:33 | 0:05:36 | |
and it gives it that faded, almost distressed look. | 0:05:36 | 0:05:39 | |
But that's quite a trendy look back home just now. | 0:05:39 | 0:05:42 | |
The worst part about these is this. | 0:05:42 | 0:05:45 | |
This is just horrible. | 0:05:45 | 0:05:47 | |
But if I can find some nice print, a leopard print or something like that to cover these, | 0:05:47 | 0:05:52 | |
either in this market or back home, | 0:05:52 | 0:05:54 | |
it'll make these look a million dollars. It's all down to price. | 0:05:54 | 0:05:58 | |
Leopard print, eh? Nice! | 0:05:58 | 0:06:00 | |
But first let's see if you can buy them. | 0:06:00 | 0:06:02 | |
-I'll give you 30 euros, the two. -Non. | 0:06:02 | 0:06:05 | |
-Non. -No? 35 - best offer. | 0:06:05 | 0:06:08 | |
40 is the best offer. | 0:06:08 | 0:06:11 | |
The Fox is as hard as nails. He stays put, lets the dealer sweat, and bingo! | 0:06:11 | 0:06:17 | |
Eh, bien. 35, the two. | 0:06:17 | 0:06:19 | |
-35, the two? -Yeah. -Oui. -OK. Thanks. | 0:06:19 | 0:06:22 | |
That's a good deal. It pays to hang around here. | 0:06:22 | 0:06:25 | |
That's just under £32 for the chairs | 0:06:25 | 0:06:28 | |
and our speedy Fox bags his second buy. | 0:06:28 | 0:06:31 | |
Potaholic Knocker isn't managing quite the same pace. | 0:06:32 | 0:06:37 | |
That's a big one. | 0:06:38 | 0:06:40 | |
That's a good-looking pot. | 0:06:41 | 0:06:43 | |
From all four corners of this market, | 0:06:47 | 0:06:49 | |
pots of every conceivable size and shape | 0:06:49 | 0:06:52 | |
are calling out to our Eric! | 0:06:52 | 0:06:54 | |
Those pots, the minute you see them, you know they're German. | 0:06:57 | 0:07:01 | |
But they're West German, made in West Germany | 0:07:01 | 0:07:04 | |
during the 1950s and '60s. | 0:07:04 | 0:07:06 | |
20-odd years ago, you'd find these things in charity shops | 0:07:06 | 0:07:11 | |
and people would look at them and regard them as nothing more than kitsch. | 0:07:11 | 0:07:16 | |
Very bad taste. It has got that retro look, which is very much in vogue at the moment. | 0:07:16 | 0:07:21 | |
Knocker knows his stuff | 0:07:21 | 0:07:24 | |
and sniffs potential profit from a new generation of buyers | 0:07:24 | 0:07:27 | |
who believe pieces of West German kitsch are the antiques of the future. | 0:07:27 | 0:07:31 | |
He's going for a deal for the lamp and the grey jug. | 0:07:31 | 0:07:35 | |
140 is my best price. | 0:07:35 | 0:07:37 | |
That's your best price, I can tell. It's a deal. | 0:07:37 | 0:07:39 | |
140 euros is just over £127 | 0:07:40 | 0:07:44 | |
for the lamp and the jug. | 0:07:44 | 0:07:47 | |
And there's no dragging Eric away from the porcelain. | 0:07:47 | 0:07:50 | |
Let me just say that if you are keen to start collecting | 0:07:50 | 0:07:53 | |
and this type of pottery appeals to you, | 0:07:53 | 0:07:55 | |
now is the time to buy it. It's all period. This is not repro. | 0:07:55 | 0:08:00 | |
With Eric merrily indulging his porcelain addiction, | 0:08:00 | 0:08:04 | |
the Fox is prowling, determined to snap up | 0:08:04 | 0:08:07 | |
speedy buys on anything potentially profitable. | 0:08:07 | 0:08:10 | |
And now it's antique kitchenalia! | 0:08:10 | 0:08:12 | |
This is really interesting. It's a herb chopper. | 0:08:14 | 0:08:18 | |
That would sit on there and you'd rock it back and forth to chop herbs. | 0:08:18 | 0:08:22 | |
It probably dates to around 1900, 1910. | 0:08:22 | 0:08:26 | |
Phil snaps up the herb chopper | 0:08:26 | 0:08:28 | |
for 45 euros, or just under £41. | 0:08:28 | 0:08:31 | |
Knocker is still hopelessly lost in ceramics ecstasy. | 0:08:33 | 0:08:37 | |
It's Christmas, Eric! | 0:08:37 | 0:08:39 | |
He's already bought two West German pieces and now another is tugging at his heart. | 0:08:39 | 0:08:44 | |
-What is our best price? -Best price for this piece, 30 euro. | 0:08:44 | 0:08:48 | |
-30 euro? -30, yes. | 0:08:48 | 0:08:50 | |
OK. All right. | 0:08:50 | 0:08:52 | |
It's talking to me. It's saying, "Buy me." | 0:08:52 | 0:08:55 | |
So I'm going to buy it, OK? | 0:08:55 | 0:08:56 | |
Thank you. | 0:08:56 | 0:08:58 | |
Another great Knocker romance with a happy ending! | 0:08:58 | 0:09:01 | |
OK. Lovely. | 0:09:01 | 0:09:03 | |
Eric's third West German purchase | 0:09:03 | 0:09:05 | |
costs him just over £27. | 0:09:05 | 0:09:08 | |
The flea market now has less than an hour to go. | 0:09:11 | 0:09:14 | |
Our duo need to make the most of their remaining time. | 0:09:14 | 0:09:17 | |
Fox has been moving fast, but it seems his sense of direction can't always keep up. | 0:09:17 | 0:09:24 | |
When I was going round earlier, I saw a nice marble Art Deco clock set. | 0:09:25 | 0:09:30 | |
And now I can't remember where it is! | 0:09:30 | 0:09:33 | |
So if you see something at these fairs, | 0:09:33 | 0:09:35 | |
always put a mental marker as to where it is! | 0:09:35 | 0:09:38 | |
Well, there are plenty of marble Art Deco clocks round here, Phil. | 0:09:38 | 0:09:42 | |
But the bad news for you is | 0:09:42 | 0:09:44 | |
it's Knocker who's homing in on them! | 0:09:44 | 0:09:46 | |
I quite like these clocks. You can see they're marble. | 0:09:47 | 0:09:51 | |
But this one is more interesting. It has a couple of side supports. | 0:09:51 | 0:09:55 | |
They're to offer that central clock moral support! | 0:09:55 | 0:10:00 | |
-Combien, monsieur? -20 euros. -20 euros. | 0:10:00 | 0:10:04 | |
OK. 20 euros, monsieur, oui. Bonne, bonne. | 0:10:04 | 0:10:07 | |
So it's Eric who's first to bag an Art Deco clock | 0:10:07 | 0:10:10 | |
for just over £18. | 0:10:10 | 0:10:12 | |
There was another one to the side for the same money. | 0:10:13 | 0:10:16 | |
I couldn't leave it, so I've bought two! | 0:10:16 | 0:10:18 | |
As Knocker bags his second clock for the same price as the first, | 0:10:18 | 0:10:23 | |
it looks like he's the one who's stolen all the cunning! | 0:10:23 | 0:10:27 | |
Phil's foxiness seems to have deserted him! | 0:10:27 | 0:10:30 | |
He's no idea his rival has snapped up the clocks | 0:10:30 | 0:10:33 | |
because he's fully immersed in haggling for what looks like a boxful of old wood! | 0:10:33 | 0:10:39 | |
How much for those? | 0:10:39 | 0:10:41 | |
-Those? -Yeah. -Give me 30. | 0:10:41 | 0:10:44 | |
25 and I'll take them. | 0:10:44 | 0:10:46 | |
-Oh, it's good. -Yeah? -Yeah. -Good man. Thank you. | 0:10:46 | 0:10:49 | |
Phil seals the deal for just under £23. | 0:10:49 | 0:10:53 | |
But what on earth has he bought? | 0:10:53 | 0:10:56 | |
These are all moulding planes, or box planes. | 0:10:56 | 0:10:59 | |
That, for example, if you look at the way that's formed there, | 0:10:59 | 0:11:02 | |
as you plane that, it's going to give you a groove. | 0:11:02 | 0:11:05 | |
I'll try and sell them to somebody who does woodwork. That's the plan. | 0:11:05 | 0:11:10 | |
With time ticking away, our mighty rivals must scour this market | 0:11:11 | 0:11:15 | |
for every gram of profit left. | 0:11:15 | 0:11:18 | |
But they also need to hold back enough cash for Le Sablon, | 0:11:18 | 0:11:21 | |
the buying location they'll head to next. | 0:11:21 | 0:11:24 | |
Five? | 0:11:25 | 0:11:26 | |
Phil is quick to purchase an old goat's skin, | 0:11:26 | 0:11:29 | |
with a plan in mind for the two chairs he bought earlier. | 0:11:29 | 0:11:32 | |
I'm not sure it's big enough to fit the seat of the chairs, | 0:11:34 | 0:11:37 | |
but at five euros, I reckon I can just sell that at a profit anyway. | 0:11:37 | 0:11:42 | |
One potential seat covering for less than a fiver. | 0:11:42 | 0:11:46 | |
Eric is staying bang on strategy, | 0:11:46 | 0:11:50 | |
seizing on yet another pot in his bid for profit. | 0:11:50 | 0:11:53 | |
-Val Saint Lambert. -Val Saint Lambert. -Belgian, yes? | 0:11:54 | 0:11:57 | |
-Trente-cinq? -Yes. -Trente-cinq? Is that OK? | 0:11:57 | 0:12:00 | |
-It's OK. -Trente-cinq is OK. | 0:12:00 | 0:12:02 | |
Monsieur, thank you very much indeed. | 0:12:02 | 0:12:04 | |
That's just under £32 for the Val Saint Lambert vase. | 0:12:04 | 0:12:09 | |
Madame. May I look? | 0:12:11 | 0:12:13 | |
So 12 is your best? | 0:12:13 | 0:12:14 | |
After buying up everything from a brass cauldron to a herb chopper, | 0:12:14 | 0:12:18 | |
the Fox is taking a religious turn with his final purchase at this flea market. | 0:12:18 | 0:12:23 | |
See, at £10, I think that's quite interesting. | 0:12:23 | 0:12:27 | |
It's got a look to it. I'm really just having a gamble here. | 0:12:27 | 0:12:31 | |
I won't try and beat the lady down cos she looks a bit scary to me! | 0:12:31 | 0:12:34 | |
What's this? The Fox? England's toughest deal-doer? | 0:12:34 | 0:12:39 | |
Intimidated? | 0:12:39 | 0:12:40 | |
But at least he bags his panel, and for less than £11. | 0:12:42 | 0:12:46 | |
And with that, the first part of our duelling duo's Belgian bonanza is over. | 0:12:46 | 0:12:51 | |
Eric and Phil each started the day with £750 of their own money | 0:12:55 | 0:12:59 | |
in their pockets. | 0:12:59 | 0:13:01 | |
So far, Eric's bought six items. | 0:13:01 | 0:13:03 | |
Phil's also bought six items, but spent less. | 0:13:08 | 0:13:11 | |
But the biggest spending is still to come. | 0:13:18 | 0:13:23 | |
Our duelling dealers have got £750-worth of euros to spend, | 0:13:30 | 0:13:34 | |
buying antiques in Brussels that they must now sell back in Blighty. | 0:13:34 | 0:13:38 | |
After their mad dash for bargains at the flea market, | 0:13:39 | 0:13:43 | |
it's time for our warring warriors to invade a posher part of town. | 0:13:43 | 0:13:47 | |
Here at Le Sablon, the game steps up a gear | 0:13:47 | 0:13:50 | |
because the stalls are more exclusive and the antiques a lot pricier. | 0:13:50 | 0:13:55 | |
Well, I've walked up the hill and I'm in Le Sablon, | 0:13:56 | 0:14:00 | |
and I've also gone upmarket. | 0:14:00 | 0:14:03 | |
Because everything here is just that little bit, that little bit special. | 0:14:03 | 0:14:07 | |
Knocker and the Fox have both held back a mighty wedge of euros, | 0:14:07 | 0:14:11 | |
hoping they'll have enough to snap up some profitable pieces. | 0:14:11 | 0:14:15 | |
Phil has over £600 left. | 0:14:15 | 0:14:18 | |
Back in Blighty, he's made his name as an auctioneer | 0:14:18 | 0:14:21 | |
and here he's spotted a piece that is crying out to him. | 0:14:21 | 0:14:25 | |
-Combien? -It's 465. Quatre-cent soixante-cinq. | 0:14:25 | 0:14:29 | |
I've got an ivory gavel here. | 0:14:29 | 0:14:31 | |
Any auctioneer worth his salt, every time that comes down, you're earning. | 0:14:31 | 0:14:35 | |
The laws on selling ivory are very strict, and so they should be. | 0:14:35 | 0:14:39 | |
But you can sell old ivory beyond a certain date | 0:14:39 | 0:14:42 | |
that has been worked. This falls into that category. | 0:14:42 | 0:14:46 | |
It's not a problem from that point of view. | 0:14:46 | 0:14:48 | |
Would 305 euros be any good? | 0:14:48 | 0:14:51 | |
-350, that's the last one. -350? OK. | 0:14:51 | 0:14:54 | |
I'll give you that back and come back and see you. Thank you. | 0:14:54 | 0:14:58 | |
Hard as a rock, auctioneer Phil finds the ivory gavel hard to resist. | 0:14:58 | 0:15:02 | |
But 350 euros is more than half his remaining cash. | 0:15:02 | 0:15:07 | |
And he's not ready to part with it just yet. | 0:15:07 | 0:15:10 | |
Mind you, 350 euros could be an absolute bargain given some of the prices round here! | 0:15:10 | 0:15:15 | |
# Money, money, money, | 0:15:17 | 0:15:19 | |
# Must be funny | 0:15:20 | 0:15:22 | |
# In the rich man's world... # | 0:15:22 | 0:15:24 | |
How much is that, can I ask? | 0:15:24 | 0:15:25 | |
1,400. | 0:15:25 | 0:15:27 | |
-Combien? -2,500 euro. | 0:15:27 | 0:15:31 | |
One of the issues in going up a grade in quality, you go up a grade in price! | 0:15:31 | 0:15:36 | |
Come on, chaps! Stiff upper lips, please! | 0:15:37 | 0:15:41 | |
In this competition, you can't be shrinking violets. | 0:15:41 | 0:15:44 | |
You have to get stuck in there! What say you, Eric? | 0:15:44 | 0:15:48 | |
There's something out there, waiting for me to buy it. | 0:15:48 | 0:15:51 | |
I just know. It's just a matter of trying harder. | 0:15:51 | 0:15:54 | |
This is Baccarat. | 0:15:55 | 0:15:57 | |
-Baccarat. -Yes. It's 1910. | 0:15:57 | 0:16:01 | |
Can I ask how much they are? | 0:16:01 | 0:16:02 | |
225. | 0:16:02 | 0:16:04 | |
225. | 0:16:04 | 0:16:06 | |
Knocker's expert eye has picked out some high quality glassware. | 0:16:06 | 0:16:10 | |
But he's not sure it'll make enough profit back in Blighty. | 0:16:10 | 0:16:14 | |
Baccarat is a very good make. | 0:16:14 | 0:16:16 | |
But it's not a vase that turns up in the British market very often. | 0:16:16 | 0:16:20 | |
There could be a profit there, but not enough to make me pull out 200 euro. | 0:16:20 | 0:16:25 | |
The Fox is waging a wily war of wills for his ivory gavel. | 0:16:25 | 0:16:30 | |
He left the vendor asking 350 euros for it. | 0:16:30 | 0:16:33 | |
He's walked around the block, left her to stew, | 0:16:33 | 0:16:36 | |
and now he's back for round two! | 0:16:36 | 0:16:39 | |
I've got 300 euros. Can I buy your gavel? | 0:16:39 | 0:16:41 | |
-No, no, no. Sorry. -What is your very best? | 0:16:41 | 0:16:44 | |
I told you, 350. 350 euros. | 0:16:44 | 0:16:47 | |
I'll think. Thank you. | 0:16:47 | 0:16:49 | |
Well, that didn't go quite as planned. | 0:16:49 | 0:16:52 | |
Could the Midlands mauler have met his match in this tough Belgian dealer? Time will tell! | 0:16:52 | 0:16:57 | |
And time is ticking away. | 0:16:59 | 0:17:01 | |
Both our boys have been dilly-dallying without buying so much as a sausage! | 0:17:01 | 0:17:06 | |
One of them surely has to crack and splash some cash. | 0:17:06 | 0:17:10 | |
I'm going back to look at those Baccarat vases. | 0:17:13 | 0:17:16 | |
I'm 90 per cent thinking maybe. | 0:17:16 | 0:17:19 | |
-Go on, Knocker! -210 is the very best. -210. -Euro. | 0:17:19 | 0:17:24 | |
Is 200 possible? | 0:17:24 | 0:17:26 | |
-Yes. -If 200 is possible, we say yes. | 0:17:26 | 0:17:29 | |
Well done, Eric. That's over ten per cent over the original asking price. | 0:17:29 | 0:17:33 | |
Two Baccarat vases for just under £182. | 0:17:33 | 0:17:37 | |
They are of a good pedigree, it's fair to say. | 0:17:37 | 0:17:40 | |
You're buying a name with glass, and it counts for a lot. | 0:17:40 | 0:17:44 | |
So, Knocker's feeling flush, but the Fox has still to spend. | 0:17:44 | 0:17:49 | |
He's found some stalls with cheaper items | 0:17:49 | 0:17:53 | |
and he's decided to pluck a pitch | 0:17:53 | 0:17:54 | |
straight out of chapter one of The Dealer's Guide to Sob Stories! | 0:17:54 | 0:17:59 | |
-I need help. Lots of help. -What can I do for you? | 0:17:59 | 0:18:02 | |
I need to buy things and I haven't got any money. | 0:18:02 | 0:18:06 | |
-Is this a cigar cutter? -Yes. | 0:18:06 | 0:18:08 | |
I'm on home ground here, because I'm in Brussels | 0:18:08 | 0:18:13 | |
and I've found an English hallmark. | 0:18:13 | 0:18:17 | |
A cigar cutter. That lifts up like that and you put your cigar in there. | 0:18:17 | 0:18:21 | |
Then you just nip it like that. | 0:18:21 | 0:18:23 | |
What's the very best? | 0:18:23 | 0:18:25 | |
-35 I can take. -I will take that. Thank you. | 0:18:25 | 0:18:29 | |
Phil bags the cigar cutter for just under £32. | 0:18:29 | 0:18:33 | |
And he's not stopping there. | 0:18:33 | 0:18:35 | |
This antique coffee cup is even cheaper. | 0:18:36 | 0:18:40 | |
Vingt-cinq. | 0:18:40 | 0:18:41 | |
Vingt-cinq is 25 euro? | 0:18:41 | 0:18:44 | |
15 euro. Any good? | 0:18:44 | 0:18:47 | |
What about 20 euro? 20 euro and I'll buy it. | 0:18:47 | 0:18:51 | |
-OK. -Yeah? -Right. | 0:18:51 | 0:18:52 | |
So the Fox is proving there are bargains here, if you dig deep enough. | 0:18:52 | 0:18:57 | |
The cup cost him just over £18. | 0:18:59 | 0:19:02 | |
It's quite sweet. Any idea which factory? | 0:19:02 | 0:19:05 | |
-Bruxelle. -Brussels. -Yes. | 0:19:05 | 0:19:07 | |
I'm really pleased. It would appear, if my French is good enough, | 0:19:07 | 0:19:12 | |
that I've bought some Brussels china. | 0:19:12 | 0:19:14 | |
With over £300-worth of euro still burning a hole in his wallet, | 0:19:14 | 0:19:18 | |
Knocker's looking to spend big and deal the Fox a knockout blow. | 0:19:18 | 0:19:23 | |
But how much profit could he squeeze out of an Art Deco archer? | 0:19:23 | 0:19:27 | |
He's very stylish. | 0:19:27 | 0:19:29 | |
But the casting is a bit squiffy. | 0:19:29 | 0:19:33 | |
It's not 100 per cent as I would want it to be. | 0:19:33 | 0:19:36 | |
It's 200 euro. | 0:19:36 | 0:19:38 | |
I'd feel happier if I could pay less than that. | 0:19:38 | 0:19:41 | |
I'll give it a try, anyway. | 0:19:41 | 0:19:43 | |
Can you just give me the very best price on this? | 0:19:43 | 0:19:46 | |
180. It's a very nice quality. | 0:19:46 | 0:19:48 | |
The style, it's Art Deco, huh? | 0:19:48 | 0:19:52 | |
-If it's 180, the best, the best, the best. -OK. -OK. | 0:19:52 | 0:19:57 | |
The bronze archer costs Eric just under £164 | 0:19:57 | 0:19:59 | |
and he knows he's taking a bit of a gamble. | 0:19:59 | 0:20:03 | |
The casting is not as good as I would want it to be. | 0:20:03 | 0:20:07 | |
But anything of that ilk is always going to be desirable. | 0:20:07 | 0:20:13 | |
Thank you very much indeed. Lovely. | 0:20:13 | 0:20:15 | |
Our tustling twosome are practically out of time in the upmarket stalls of Le Sablon. | 0:20:17 | 0:20:23 | |
But the Fox still has the intransigent dealer of an ivory gavel to sort out. | 0:20:24 | 0:20:29 | |
The only thing he hasn't tried is pure undiluted Midlands charm. | 0:20:29 | 0:20:34 | |
I think I'm going to buy that. Can you help me on price at all? | 0:20:35 | 0:20:39 | |
I'll take 340, then. | 0:20:39 | 0:20:41 | |
340 euros. | 0:20:41 | 0:20:42 | |
Can I do 330? | 0:20:42 | 0:20:44 | |
-I know I can be difficult, so yes. -I'll give you 330, yes? -OK. -I love you! | 0:20:44 | 0:20:49 | |
Oh, I say. The charm pays off | 0:20:49 | 0:20:52 | |
and Phil had bagged his beloved gavel for £300. | 0:20:52 | 0:20:56 | |
He certainly had to work for it, though! | 0:20:56 | 0:20:59 | |
She has financially undressed me! | 0:20:59 | 0:21:01 | |
"I would love to help you, but I can't." Thanks so much(!) | 0:21:01 | 0:21:05 | |
I've just been kippered. Properly kippered. | 0:21:05 | 0:21:08 | |
She's lovely, isn't she? | 0:21:08 | 0:21:10 | |
I say, I think there could be a spot of chemistry, there! | 0:21:10 | 0:21:14 | |
But our duelling dealers' brief encounter with the city of Brussels is now over. | 0:21:14 | 0:21:19 | |
So how's their Belgian balance sheet looking now? | 0:21:19 | 0:21:22 | |
After starting the day with £750-worth of euros each, | 0:21:25 | 0:21:28 | |
Eric's spent a grand total of £600 at the prevailing exchange rate | 0:21:28 | 0:21:32 | |
on eight items. | 0:21:32 | 0:21:34 | |
Phil has bought nine items but spent less than his rival, | 0:21:34 | 0:21:38 | |
a total of just over £497. | 0:21:38 | 0:21:41 | |
But it will be the profit they make when they get home | 0:21:41 | 0:21:44 | |
that decides the winner. | 0:21:44 | 0:21:46 | |
Before they cross the Channel, Eric and Phil get the chance to compare purchases. | 0:21:47 | 0:21:52 | |
Can I just say, out of all this stuff, those, they're stunning. | 0:21:52 | 0:21:56 | |
-You like my vases? -Yeah. -I'm quite taken by your chairs, actually. | 0:21:56 | 0:22:00 | |
-They were 35 euros. -No! | 0:22:00 | 0:22:03 | |
-For the pair? -Yes, for the pair. | 0:22:03 | 0:22:06 | |
-I thought they'd got that shabby chic look of today. -Lovely. | 0:22:06 | 0:22:10 | |
The bad news is, I bought that as something to re-upholster them with. | 0:22:10 | 0:22:14 | |
But the look says it all, Eric. | 0:22:14 | 0:22:16 | |
The best thing you can do with that is give it the last rites and bury it! | 0:22:16 | 0:22:20 | |
Now Knocker Knowles and Phil the Fox Serrell must make as much profit as they can | 0:22:20 | 0:22:24 | |
on the items they've bought here in Brussels. | 0:22:24 | 0:22:27 | |
As well as his Baccarat glassware, Eric must sell a hand-painted enamel tray. | 0:22:27 | 0:22:33 | |
Three pieces of '50s and '60s German pottery, | 0:22:33 | 0:22:37 | |
two Art Deco marble clocks, | 0:22:37 | 0:22:39 | |
a Belgian glass vase | 0:22:39 | 0:22:41 | |
and an Art Deco bronze archer. | 0:22:41 | 0:22:44 | |
As well as his chairs and animal skin, | 0:22:44 | 0:22:46 | |
Phil must sell a brass cauldron, | 0:22:46 | 0:22:49 | |
a herb chopper and tray, | 0:22:49 | 0:22:52 | |
some old carpentry planes, | 0:22:52 | 0:22:54 | |
a bronze panel, | 0:22:54 | 0:22:56 | |
a cigar cutter, | 0:22:56 | 0:22:58 | |
a 19th-century coffee cup | 0:22:58 | 0:23:00 | |
and an antique ivory gavel. | 0:23:00 | 0:23:03 | |
Their Belgian buying bonanza is over. | 0:23:06 | 0:23:10 | |
Now back in Blighty, our masters of the antiques universe | 0:23:10 | 0:23:14 | |
must draw on all their legendary guile and experience | 0:23:14 | 0:23:17 | |
to try and sell their way to victory. | 0:23:17 | 0:23:19 | |
They're working their way through their little black books | 0:23:19 | 0:23:23 | |
and putting together deals by phone and email. | 0:23:23 | 0:23:26 | |
But until they've shaken on it and the money's changed hands, no deal is truly sealed. | 0:23:26 | 0:23:32 | |
As always, some items are harder to shift than others! | 0:23:32 | 0:23:35 | |
The problem I've got is this chap. | 0:23:36 | 0:23:38 | |
If this was an Amazon lady with long legs, | 0:23:38 | 0:23:43 | |
I'd have little problem placing her. | 0:23:43 | 0:23:46 | |
But because it's a male subject, I do. It's the way of the market. | 0:23:46 | 0:23:50 | |
The Fox is supremely confident that his two limed-oak chairs are a star buy. | 0:23:50 | 0:23:56 | |
Those chairs, I bought them for nothing, and I should sell them with minimal effort. | 0:23:57 | 0:24:02 | |
The gavel is a different kettle of fish | 0:24:02 | 0:24:04 | |
because I think I paid all the money for that. | 0:24:04 | 0:24:07 | |
At Fox HQ, Phil has come up with a cunning plan | 0:24:12 | 0:24:16 | |
to squeeze maximum profit out of his chairs by impressing a high-end buyer. | 0:24:16 | 0:24:21 | |
Have a look at that seat. It's wholly unattractive. | 0:24:21 | 0:24:24 | |
If we put that on there, in the short term, | 0:24:24 | 0:24:28 | |
it will be illustrative to this lady who's got a really good gallery in the Cotswolds | 0:24:28 | 0:24:33 | |
selling 20th-century furniture. | 0:24:33 | 0:24:36 | |
Phil's roped in his daughter Clem to help him give the chairs a revamp. | 0:24:37 | 0:24:41 | |
If I hold it there, do you want to watch my fingers? Aghh! | 0:24:43 | 0:24:47 | |
Ouch! | 0:24:47 | 0:24:49 | |
100 miles away, Knocker is waxing lyrical about the attributes of his bronze archer. | 0:24:49 | 0:24:54 | |
No, he's got long legs. Definitely got long legs! | 0:24:54 | 0:24:57 | |
There's nothing lacking in the leg department with my archer, I assure you! | 0:24:57 | 0:25:04 | |
But with a whole pile of other pieces from Brussels to shift, | 0:25:04 | 0:25:07 | |
our profit-hungry duo can't afford to stay at home making phone calls. | 0:25:07 | 0:25:12 | |
Oh, no. Eric is heading for an antiques centre in Kent to get his selling underway. | 0:25:12 | 0:25:17 | |
He's going to offer the retro lamp he bought at the flea market for £90 | 0:25:17 | 0:25:21 | |
to specialist dealer, Colin. | 0:25:21 | 0:25:24 | |
There we go. | 0:25:24 | 0:25:26 | |
If I'm not surprised, that's a piece of German technology there, Eric. | 0:25:26 | 0:25:31 | |
-Somebody mentioned the word Scheurich to me. -It looks like one. | 0:25:31 | 0:25:35 | |
It's that sort of colour base. | 0:25:35 | 0:25:37 | |
They were very well known for the reds and browns and the mixture between these combinations. | 0:25:37 | 0:25:43 | |
-They call it Fat Lava. -Why do they call it Fat Lava? | 0:25:43 | 0:25:47 | |
They call it Fat Lava because a number of factories developed this approach | 0:25:47 | 0:25:51 | |
of having this other colour glaze which is rough. The colour schemes aren't complimentary. | 0:25:51 | 0:25:58 | |
-They clash, in many cases. -I'd like to think | 0:25:58 | 0:26:02 | |
-this is sort of top notch. -Yeah, it's good. | 0:26:02 | 0:26:05 | |
-It's good. -OK. I was hoping for somewhere in the region of around about £180 | 0:26:05 | 0:26:12 | |
because I did stick my neck out and have a good punt on this. | 0:26:12 | 0:26:15 | |
That's an audacious asking price from Knocker. It would double his money. | 0:26:15 | 0:26:20 | |
I would see it somewhere about 130. | 0:26:21 | 0:26:24 | |
If you could see it somewhere near 140, | 0:26:24 | 0:26:28 | |
I'd be very tempted to stick that hand about there and wait for yours to join it. | 0:26:28 | 0:26:32 | |
Yes, that's vintage Knowles. In a cracking start to his selling, | 0:26:34 | 0:26:38 | |
Eric's made a profit of nearly £50 on the German lamp. | 0:26:38 | 0:26:42 | |
The pressure is on the Fox. But Knocker's not the only one who can be bold. | 0:26:43 | 0:26:48 | |
Phil's taken the bull by the horns and decided to go straight for a sale of his highest value piece, | 0:26:48 | 0:26:53 | |
the ivory gavel. | 0:26:53 | 0:26:55 | |
It was expensive. It was £300. | 0:26:56 | 0:27:00 | |
But I think it's just about one of the best ivory gavels I've seen. | 0:27:00 | 0:27:05 | |
As he prowls through his home town of Worcester, | 0:27:05 | 0:27:09 | |
Phil's hoping a fellow auctioneer will be knocked out by the gavel | 0:27:09 | 0:27:12 | |
and be prepared to pay him good money for it. | 0:27:12 | 0:27:16 | |
Wish me luck. There's a lot riding on this! | 0:27:16 | 0:27:18 | |
-Champ, how are you? -Serrell! | 0:27:18 | 0:27:20 | |
To make a decent profit on the £300 he paid for the gavel, | 0:27:20 | 0:27:24 | |
the Fox needs to be at his wily and persuasive best. | 0:27:24 | 0:27:28 | |
-I've got just the selling tool for you, Champ. -You're selling! | 0:27:28 | 0:27:32 | |
Want to see it? Isn't that the business? | 0:27:32 | 0:27:34 | |
-What are you quoting for that? -I want £400 for it. | 0:27:34 | 0:27:38 | |
All you have to do is be up there on the rostrum | 0:27:39 | 0:27:42 | |
selling one of your multi-million-pound properties | 0:27:42 | 0:27:45 | |
and the extra commission that that will earn for you | 0:27:45 | 0:27:48 | |
will be realised in a... "Sold! Yours!" | 0:27:48 | 0:27:50 | |
Oh, that's clever! | 0:27:50 | 0:27:53 | |
-I wasn't expecting 400 quid! -Have you ever seen a better gavel? | 0:27:53 | 0:27:56 | |
Probably not. | 0:27:56 | 0:27:58 | |
I can always take it to another auctioneer in town. | 0:27:58 | 0:28:01 | |
-I'll give you 300. -You're getting warmer, Champ. No, 400. -OK. | 0:28:01 | 0:28:05 | |
325. I quite fancy holding that, actually. | 0:28:05 | 0:28:09 | |
I agree. You'd look brilliant. | 0:28:09 | 0:28:11 | |
But don't deprive yourself of the opportunity for an extra 25 quid. | 0:28:11 | 0:28:15 | |
Yes, this is the Fox at his very best! | 0:28:15 | 0:28:18 | |
-I think 325 is a very fair figure, don't you? -No! | 0:28:19 | 0:28:23 | |
Otherwise I'd have accepted it! | 0:28:23 | 0:28:24 | |
Tell you what, this is my best shot, finished, that's the end of it. £350. | 0:28:24 | 0:28:29 | |
All right. I'll do a deal at 350. | 0:28:29 | 0:28:32 | |
Thank you. | 0:28:32 | 0:28:33 | |
That was a master class in tenacious dealing from the Fox, | 0:28:33 | 0:28:38 | |
matching opponent Eric every step of the way with a profit of £50. | 0:28:38 | 0:28:42 | |
I wanted £400. It was my big buy in Brussels. | 0:28:43 | 0:28:48 | |
But would he have paid more? | 0:28:48 | 0:28:49 | |
I don't know, but I've got to be happy with my £50 profit. | 0:28:49 | 0:28:53 | |
Knocker is vying for the advantage again. He's on his way to see Cheryl, | 0:28:54 | 0:28:58 | |
one of his specialist contacts in Kent, | 0:28:58 | 0:29:01 | |
with one of the marble clocks he snapped up at the Brussels flea market for just under £20. | 0:29:01 | 0:29:06 | |
-I think they're jolly nice quality. -They're fabulous, | 0:29:06 | 0:29:10 | |
-but I must do one thing, Eric. -Yeah? | 0:29:10 | 0:29:12 | |
It's like having the knife and fork the wrong way at the dinner table! | 0:29:12 | 0:29:17 | |
-Oh, I see! -I like the continuity of the marble here. | 0:29:17 | 0:29:20 | |
Another thing I need to do. Can I check your pockets? | 0:29:20 | 0:29:23 | |
Yes, what are you looking for? | 0:29:23 | 0:29:25 | |
-The key! -Oh! | 0:29:25 | 0:29:26 | |
It didn't come with a key, but I don't think that is a major issue | 0:29:26 | 0:29:31 | |
because with a clock like this, it's all to do with appearance. | 0:29:31 | 0:29:35 | |
I like big, bold faces and I can imagine that on a lovely white marble mantelpiece. | 0:29:35 | 0:29:41 | |
I'm here to try and persuade you to pay somewhere in the region of £200 for this. | 0:29:41 | 0:29:47 | |
£200 is too much. | 0:29:47 | 0:29:49 | |
Only because the clock doesn't work. As it stands, | 0:29:49 | 0:29:53 | |
I'm going to give you £50. | 0:29:53 | 0:29:57 | |
I would probably home in at, let's say, £120. | 0:29:57 | 0:30:02 | |
That's a big drop, isn't it. Put it there. Put it there. OK. | 0:30:02 | 0:30:06 | |
Where are we with this? We're at 120 with this. | 0:30:06 | 0:30:08 | |
-Are we getting near? -100. -100! | 0:30:08 | 0:30:11 | |
-Yes? -A hundred pounds. You're on. -Thank you. | 0:30:14 | 0:30:17 | |
Nice work, Knocker. A broken wrist, but a whopping profit of over 500 per cent! | 0:30:17 | 0:30:22 | |
And nearly £82 in the bank for his first flea market clock. | 0:30:22 | 0:30:28 | |
But it doesn't stop there. | 0:30:28 | 0:30:31 | |
Eric sells his second marble clock for £60 and nets a profit of just over £40. | 0:30:31 | 0:30:37 | |
Our Lancashire lad's in the zone! | 0:30:37 | 0:30:40 | |
You will sell, you will sell. Keep chanting, Eric, you will sell. | 0:30:40 | 0:30:44 | |
So the Fox really needs to up his game. | 0:30:45 | 0:30:47 | |
He's brought his revamped chairs to the upmarket Cotswold village of Broadway. | 0:30:47 | 0:30:52 | |
They cost him just over £30. | 0:30:52 | 0:30:55 | |
He's taken personal charge of their restyling, | 0:30:55 | 0:30:58 | |
and it's time for their proud presentation to prospective buyer Amanda. | 0:30:58 | 0:31:02 | |
Oh. | 0:31:04 | 0:31:05 | |
Those aren't like the photos you sent me. | 0:31:07 | 0:31:09 | |
They looked more contemporary with the plain yellow covers on. | 0:31:09 | 0:31:13 | |
Oh, Phil, what a boo-boo! | 0:31:13 | 0:31:16 | |
What would you put on them to give them a contemporary look? | 0:31:16 | 0:31:21 | |
-Something very pale and plain. -Like what was on them before? -Yes! | 0:31:21 | 0:31:27 | |
-Aside from that, they're pretty chairs. Woodworm anywhere? -No, they're sound. | 0:31:27 | 0:31:32 | |
I'd think they were probably 1930s. Do you want to buy them? | 0:31:32 | 0:31:36 | |
How much are they? | 0:31:36 | 0:31:38 | |
-£60 a chair. -Each chair? | 0:31:38 | 0:31:40 | |
No. I might give you 60 for the two. | 0:31:40 | 0:31:44 | |
This won't be easy! | 0:31:44 | 0:31:45 | |
-Have them for 100 quid. -100 quid? | 0:31:45 | 0:31:47 | |
I don't want them that bad, Phil! Come down a bit. | 0:31:47 | 0:31:51 | |
Tell you what, I'll go to 70. | 0:31:51 | 0:31:55 | |
You can have them for £80, the two. And that's it finished. | 0:31:55 | 0:31:58 | |
And I'm finished with them! | 0:31:58 | 0:32:00 | |
Deal! | 0:32:01 | 0:32:03 | |
The Fox knows when to take the money and run. | 0:32:04 | 0:32:07 | |
He nets himself a profit of just over £48, | 0:32:07 | 0:32:09 | |
but he's had to work hard for it! | 0:32:09 | 0:32:13 | |
She looked such a lovely girl! | 0:32:13 | 0:32:15 | |
Dear me! Still, they cost me £35 or thereabouts and I've more than doubled my money. | 0:32:15 | 0:32:21 | |
But I think I've earned every single penny! | 0:32:21 | 0:32:25 | |
With the chairs gone, | 0:32:25 | 0:32:27 | |
Phil is good to offload the goatskin he bought as an option for re-covering them. | 0:32:27 | 0:32:31 | |
It makes him a profit of just 45 pence! | 0:32:31 | 0:32:34 | |
But he does a lot better with his large brass cauldron, | 0:32:34 | 0:32:37 | |
purchased for just over £36, | 0:32:37 | 0:32:40 | |
taking a profit of just under £14. | 0:32:40 | 0:32:43 | |
So, with this selling battle bubbling away, | 0:32:43 | 0:32:47 | |
who's surging ahead and who's slipping behind? | 0:32:47 | 0:32:50 | |
And with more sales to come, | 0:33:10 | 0:33:13 | |
this game could still go either way. | 0:33:13 | 0:33:15 | |
Knocker's might profit band wagon is still a-rolling. | 0:33:19 | 0:33:22 | |
He's picked out a specialist glass dealer in London's Mayfair | 0:33:22 | 0:33:26 | |
to try and cash in on the Art Nouveau vases he believes are made by French firm Baccarat. | 0:33:26 | 0:33:31 | |
He paid just over £180 for them, | 0:33:33 | 0:33:35 | |
but will Jagoda be interested in buying them? | 0:33:35 | 0:33:39 | |
-That's one. -OK. -They're in good condition. | 0:33:39 | 0:33:42 | |
-Check their sound. Yes, it's a good sound. So no cracks or chips. -No. | 0:33:42 | 0:33:47 | |
I think they're Baccarat. That would make sense | 0:33:47 | 0:33:50 | |
because Baccarat were not marking at this stage. | 0:33:50 | 0:33:52 | |
They used to put a little paper circular label on the base. | 0:33:52 | 0:33:56 | |
But with all these things, over 110 years or more, | 0:33:56 | 0:34:00 | |
they get washed off or one thing or another. | 0:34:00 | 0:34:03 | |
That's normal for the age. But still it's such a nice pair in good condition. | 0:34:03 | 0:34:07 | |
I'd like to know how much you're asking for them. | 0:34:07 | 0:34:10 | |
I'm looking in the region of £300. | 0:34:10 | 0:34:12 | |
They have no mark, so... What is the best you can do? | 0:34:12 | 0:34:15 | |
Well... As it's you, we could probably come down to about 280. | 0:34:15 | 0:34:20 | |
-What about 250? -You're pushing me hard, you know that? | 0:34:20 | 0:34:23 | |
-Pushing hard. -I'm a dealer. | 0:34:23 | 0:34:25 | |
-250. You pay me 250, you've got a deal. -250 is OK. | 0:34:25 | 0:34:30 | |
-OK. -Thank you. | 0:34:30 | 0:34:31 | |
Good work, Eric. That's a tidy profit of more than £68 | 0:34:31 | 0:34:35 | |
for the Art Nouveau vases. | 0:34:35 | 0:34:37 | |
And our Knocker makes more money on his Brussels glassware | 0:34:37 | 0:34:41 | |
when he sells his Val St Lambert vase for a profit of just over £28. | 0:34:41 | 0:34:46 | |
The Fox has really got his work cut out now. | 0:34:50 | 0:34:53 | |
He's been burning the midnight oil trying to find out more | 0:34:53 | 0:34:56 | |
about the 19th-century coffee cup he bought at Le Sablon. | 0:34:56 | 0:35:00 | |
But he's running out of time and needs to make some money and fast. | 0:35:00 | 0:35:04 | |
So he decides the best option is to sell the cup onto his contact Lee. | 0:35:04 | 0:35:09 | |
I've got a feeling that there was a Brussels factory that was producing these things | 0:35:09 | 0:35:15 | |
around 1800, 1820. But the truthful answer is I don't know. | 0:35:15 | 0:35:19 | |
The thing for me is the challenge to find out a bit more about it. | 0:35:19 | 0:35:23 | |
Just looking at the base, I can see some incised marks. | 0:35:23 | 0:35:27 | |
That's a benefit of you, Lee, cos I can't see those marks! | 0:35:27 | 0:35:30 | |
There's a little scroll here, and then an S. | 0:35:30 | 0:35:33 | |
It's very difficult to see. It's only in a certain light. | 0:35:33 | 0:35:36 | |
So that will be our starting point for perhaps finding out where it's from. | 0:35:36 | 0:35:41 | |
-Are you interested in buying it? -The answer is yes, Philip. | 0:35:41 | 0:35:46 | |
It's an interesting thing. It's a nice thing to own. | 0:35:46 | 0:35:49 | |
I want 25 quid for it, which isn't a huge amount of money | 0:35:49 | 0:35:52 | |
as if you can put a name to the factory, you could double your money and good luck to you. | 0:35:52 | 0:35:57 | |
-Deal? -Yes. -Cheers, Lee. -Thank you. | 0:35:57 | 0:35:59 | |
It's a small profit for Fox. | 0:35:59 | 0:36:02 | |
Just under £7. | 0:36:02 | 0:36:04 | |
But a dealer's got to do what a dealer's got to do. | 0:36:04 | 0:36:07 | |
And Phil goes to another contact of his, Martin, | 0:36:07 | 0:36:11 | |
to try for a deal on his bronze panel. | 0:36:11 | 0:36:14 | |
If you want to sell to the trade, I'm bidding you 50 quid! | 0:36:14 | 0:36:17 | |
He makes just over £39 on the bronze panel | 0:36:17 | 0:36:21 | |
and it all helps in his battle against Knocker. | 0:36:21 | 0:36:23 | |
Our Lancashire lad is back pounding the pavements of London | 0:36:24 | 0:36:28 | |
armed with another of his West German pots. | 0:36:28 | 0:36:31 | |
He's targeting a well-known expert on 20th-century ceramics, | 0:36:31 | 0:36:35 | |
the very dapper Mark Hill. | 0:36:35 | 0:36:37 | |
-He's a rather handsome one. -Well, I thought so, too. | 0:36:38 | 0:36:41 | |
-It's got that very nice '50s angular handle, hasn't it? -It has. | 0:36:41 | 0:36:46 | |
-I'm going to start off at £65. -It's a big price and it's not a big pot. | 0:36:46 | 0:36:52 | |
What I'd like to see, for £65, is something that big. | 0:36:52 | 0:36:56 | |
This stuff has got to be value for money. | 0:36:56 | 0:36:59 | |
If you can buy a big pot like that for £65. | 0:36:59 | 0:37:02 | |
-These have to be the antiques of the future. -Come on, give me an offer. -I'll say £50. | 0:37:02 | 0:37:07 | |
OK. Come on. Put it there. Thank you very much, kind sir. | 0:37:07 | 0:37:11 | |
Yes, a real battle of experts, that one, | 0:37:11 | 0:37:13 | |
but potaholic Knocker nets himself a profit of just under £23. | 0:37:13 | 0:37:19 | |
And Eric goes on to further triumphs. | 0:37:19 | 0:37:22 | |
He sells his final ceramics piece, another German jug, | 0:37:22 | 0:37:25 | |
yielding a profit of over £40. | 0:37:25 | 0:37:28 | |
And he scores a another hit with his 19th-century hand-painted enamel tray. | 0:37:28 | 0:37:33 | |
This is unusual, colourful, and I haven't seen anything quite like it. | 0:37:35 | 0:37:39 | |
Another very tasty profit for Knocker of just over £68. | 0:37:39 | 0:37:44 | |
And that leaves Phil at home in Worcester, plotting feverishly | 0:37:45 | 0:37:49 | |
to rake in maximum profit from his remaining Brussels booty. | 0:37:49 | 0:37:54 | |
Enter friend and bon viveur, Roddy | 0:37:54 | 0:37:57 | |
a prime target for the sale of the silver cigar cutter. | 0:37:57 | 0:38:01 | |
I'm going to hit you with one price | 0:38:01 | 0:38:03 | |
and one price only. | 0:38:03 | 0:38:05 | |
For you to be generous is something very much against the grain, but I'm listening! | 0:38:05 | 0:38:11 | |
-It's 40 quid. -40 pounds?! -40 pounds. | 0:38:11 | 0:38:15 | |
It's a nice little item. I think we could do that. | 0:38:15 | 0:38:19 | |
-Sure? -Yep. I'm absolutely certain. Deal. | 0:38:19 | 0:38:21 | |
Yes, he's still as hard as nails. | 0:38:21 | 0:38:25 | |
The Fox's unrelenting approach nets him a profit of just over £8. | 0:38:25 | 0:38:30 | |
But the ups and downs of Phil's selling campaign don't end there. | 0:38:30 | 0:38:35 | |
He makes a loss of just under £3 when he sells his carpentry planes. | 0:38:35 | 0:38:40 | |
But a profit of just over £9 on his antique herb cutter. | 0:38:40 | 0:38:44 | |
That means the final outcome of today's mighty battle | 0:38:50 | 0:38:53 | |
all comes down to whether Knocker Knowles | 0:38:53 | 0:38:56 | |
can sell his Art Deco archer. | 0:38:56 | 0:38:57 | |
It's just my luck. The most expensive thing I bought in Brussels | 0:38:57 | 0:39:02 | |
is the last thing I've got to sell. What's more, I'm late. | 0:39:02 | 0:39:05 | |
Knocker took a big risk on the archer and paid a whopping £163 for it. | 0:39:05 | 0:39:10 | |
And he's been concerned from the start that this gilded athlete | 0:39:10 | 0:39:14 | |
could be his Achilles' heel. | 0:39:14 | 0:39:16 | |
He's hoping a decorative specialist will think otherwise. | 0:39:16 | 0:39:20 | |
-It's definitely bronze? -It is. Hang on. | 0:39:20 | 0:39:22 | |
-And the gilding and everything is... -As far as I'm aware, it all looks as right as rain. | 0:39:22 | 0:39:28 | |
-OK. -I mean, it's not a great casting, but he looks better when you've got him at eye level. | 0:39:28 | 0:39:36 | |
Once he's in a cabinet against a plain wall, | 0:39:36 | 0:39:38 | |
I think that's his optimum selling area. | 0:39:38 | 0:39:42 | |
-That's right. -So he is for sale. | 0:39:42 | 0:39:46 | |
-We haven't really covered the price, have we? -No. | 0:39:46 | 0:39:49 | |
Like all these things, it really does depend what sort of money it is. | 0:39:49 | 0:39:54 | |
It's nice, but it is only stylised. It's not signed. | 0:39:54 | 0:39:57 | |
Oh, Knocker, the stress is unbearable. | 0:39:57 | 0:40:01 | |
Is your archer a calamity or a corker? | 0:40:01 | 0:40:04 | |
And have you handed the fox a chance to steal the game? | 0:40:04 | 0:40:07 | |
We'll soon find out. | 0:40:07 | 0:40:09 | |
It's time to tot up the totals and reveal who's made the most cash. | 0:40:09 | 0:40:14 | |
Both our dealers had £750-worth of euros to spend in Belgium. | 0:40:16 | 0:40:21 | |
Eric parted with a healthy £600 in his quest for profit. | 0:40:21 | 0:40:25 | |
Whilst opponent Phil was more cautious in his spending | 0:40:25 | 0:40:29 | |
risking just under £500. | 0:40:29 | 0:40:31 | |
Over a week's challenges, all the profit that Eric and Phil make | 0:40:34 | 0:40:38 | |
will go to a charity of their choice. | 0:40:38 | 0:40:40 | |
So, without further ado, it's time to find out who's made the most cash | 0:40:40 | 0:40:44 | |
and who is today's Put Your Money Where Your Mouth Is champion. | 0:40:44 | 0:40:48 | |
Bonjour, mon ami, Monsieur Reynard, ze foxy one! | 0:40:48 | 0:40:52 | |
What about Brussels? | 0:40:52 | 0:40:54 | |
For me, the chairs were just lovely. I was going to go on such a voyage to re-upholster them. | 0:40:54 | 0:40:59 | |
Boy, did I get absolutely dressed down. | 0:40:59 | 0:41:02 | |
This lady I sold them to, she destroyed me. | 0:41:02 | 0:41:05 | |
I'm very sorry to hear that. But on the continent, you get there hoping to find a real treasure. | 0:41:05 | 0:41:12 | |
I didn't find treasure, but I did find things that were affordable. That's always a bonus. | 0:41:12 | 0:41:17 | |
I'm looking forward to this one. Ready? On one, two, three, | 0:41:17 | 0:41:22 | |
go! | 0:41:22 | 0:41:23 | |
Lord above! | 0:41:23 | 0:41:25 | |
-Ooh! -Absolutely caned! -Well, what do we say about that? | 0:41:25 | 0:41:30 | |
I'm going to say, "Back to the drawing board!" | 0:41:30 | 0:41:33 | |
-How did you do that? -It's a case of... -I want a break-down, now. | 0:41:33 | 0:41:36 | |
-Listen... -I want a break-down. -No. -I want a break-down! | 0:41:36 | 0:41:39 | |
You'll get it later. I'm going to buy you that drink. | 0:41:39 | 0:41:42 | |
Looking at your face, you need one. I'll explain it all later. | 0:41:42 | 0:41:46 | |
I don't want a break-down, I think I'm having one! | 0:41:46 | 0:41:49 | |
How did you do that? | 0:41:49 | 0:41:50 | |
Knocker is triumphant. And why? | 0:41:50 | 0:41:53 | |
Because his bronze Art Deco archer landed him an impressive profit after all. | 0:41:53 | 0:41:57 | |
-If I came down to 240, would that be enough to tempt you? -Yes. | 0:41:57 | 0:42:01 | |
-Pleased with that. -Put it there. -Thank you very much. | 0:42:01 | 0:42:04 | |
Eric's profit on the archer sealed the Fox's fate in today's hard-fought contest. | 0:42:04 | 0:42:09 | |
The trouble for me was that Knocker Knowles was in his element | 0:42:12 | 0:42:15 | |
and I didn't pay enough attention to who was going to buy the bits off me that I bought. | 0:42:15 | 0:42:20 | |
That's when I lost my way. | 0:42:20 | 0:42:23 | |
It's always good to win, but for some reason it's that bit sweeter | 0:42:23 | 0:42:26 | |
when you win on foreign soil. | 0:42:26 | 0:42:29 | |
The strange thing was, it was the cheaper items that carried the day. | 0:42:29 | 0:42:33 | |
But the main issue today is the fact that my charity are that little bit better off! | 0:42:33 | 0:42:39 | |
Don't count your chickens yet, Eric. | 0:42:39 | 0:42:42 | |
Plenty more challenges yet before you can bank that profit. | 0:42:42 | 0:42:46 | |
Tomorrow's challenge is a boot sale. | 0:42:46 | 0:42:49 | |
I was looking for a mark that's like a rising sun, and there it is! | 0:42:49 | 0:42:55 | |
-I'll give you ten pence. -20 pence. | 0:42:55 | 0:42:57 | |
-Ten pence and I'll buy it. -15. -No, ten pence. | 0:42:57 | 0:42:59 | |
Subtitles by Red Bee Media Ltd | 0:43:21 | 0:43:24 |