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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:06 | |
against each other in an all-out battle for profit... | 0:00:06 | 0:00:10 | |
I'm a double-your-money girl. | 0:00:10 | 0:00:13 | |
..and gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
You've got to be in it to win it. | 0:00:16 | 0:00:18 | |
Each week, one pair of duelling dealers | 0:00:19 | 0:00:22 | |
-will face a different daily challenge... -Lovely! | 0:00:22 | 0:00:25 | |
We've got some work to do, let's go. | 0:00:25 | 0:00:26 | |
..putting their own money and their hard-earned reputations on the line | 0:00:26 | 0:00:30 | |
as they see who can make the most money from buying and selling. | 0:00:30 | 0:00:36 | |
Get in there. Ha, ha, ha! | 0:00:36 | 0:00:39 | |
Today, veteran showman of the rostrum | 0:00:39 | 0:00:42 | |
Charlie "the Charmer" Ross... | 0:00:42 | 0:00:43 | |
-Here we go. -..pits his wits and antique-buying muscle | 0:00:43 | 0:00:47 | |
against the woman who'll never stint on the vintage, | 0:00:47 | 0:00:50 | |
Katherine "The Great" Higgins. | 0:00:50 | 0:00:55 | |
Coming up, Charlie's chirpy chatter leads to a bidding blunder... | 0:00:55 | 0:01:00 | |
..and while I was talking, they sold it. | 0:01:00 | 0:01:03 | |
..Katherine has her eye on a potential prize-winning profit... | 0:01:03 | 0:01:06 | |
I think there's money to be made here. | 0:01:06 | 0:01:09 | |
How much remains to be seen, but it's definitely a winner. | 0:01:09 | 0:01:12 | |
And when it comes to selling, | 0:01:12 | 0:01:13 | |
Charlie finds out there's nothing like a dame... | 0:01:13 | 0:01:18 | |
What do you want?! | 0:01:18 | 0:01:19 | |
It's Put Your Money Where Your Mouth Is. | 0:01:19 | 0:01:23 | |
Prepare yourselves for an epic battle of the sexes, | 0:01:37 | 0:01:40 | |
as taking each other on today | 0:01:40 | 0:01:43 | |
are two of the most formidable antiquarian opposites | 0:01:43 | 0:01:45 | |
ever to walk the earth... | 0:01:45 | 0:01:48 | |
Don't be fooled by our first contender's legendary charm. | 0:01:51 | 0:01:54 | |
He's the dapper and debonair dealer with the big personality... | 0:01:54 | 0:01:59 | |
I've just bought something. | 0:01:59 | 0:02:01 | |
..and a ruthless eye for the prize. | 0:02:01 | 0:02:03 | |
It's the mercurial master of the auction arts... | 0:02:03 | 0:02:07 | |
Cigar, sir? | 0:02:07 | 0:02:08 | |
And his eye-catching adversary is dazzling but deadly. | 0:02:10 | 0:02:15 | |
Nearly had a deal there. | 0:02:15 | 0:02:17 | |
Her fiery determination and knockout antiques knowledge | 0:02:17 | 0:02:20 | |
pack a very unladylike punch. | 0:02:20 | 0:02:23 | |
It's the ice-cool Queen of the Collectables... | 0:02:23 | 0:02:26 | |
Less than top estimate. Bingo. | 0:02:26 | 0:02:29 | |
This clash of the connoisseurs | 0:02:30 | 0:02:33 | |
gets underway at Sworder's saleroom in Stansted Mountfitchet, | 0:02:33 | 0:02:36 | |
where there's a hefty 845 lots up for grabs. | 0:02:36 | 0:02:41 | |
Both our dealers have each stumped up £1,000 of their own cash | 0:02:41 | 0:02:44 | |
and every penny of profit goes to their chosen charities. | 0:02:44 | 0:02:48 | |
So, Charlie Ross and Katherine Higgins, | 0:02:48 | 0:02:52 | |
it's time to put your money where your mouth is. | 0:02:52 | 0:02:56 | |
-Katherine, good morning. -Good morning, Charlie. -It's cold. | 0:02:59 | 0:03:02 | |
Have you got a note of what you've got to spend? | 0:03:02 | 0:03:05 | |
£1,000, but it's not actually 1,000, | 0:03:05 | 0:03:07 | |
-because you take out the buyer's premium... -Oh, yes. | 0:03:07 | 0:03:10 | |
It's about 800, isn't it? | 0:03:10 | 0:03:12 | |
-We've got to be canny buyers today. -You are always a canny buyer. | 0:03:12 | 0:03:16 | |
But it's my first time here. | 0:03:16 | 0:03:18 | |
There'll be plenty of things, good quality, nice auctioneer, lovely cup of coffee. | 0:03:18 | 0:03:22 | |
Can't go wrong. | 0:03:22 | 0:03:23 | |
Together, this dynamic duo might seem like the perfect match | 0:03:25 | 0:03:29 | |
of suave smoothie and striking sophisticate. | 0:03:29 | 0:03:32 | |
But when they're pitted against each other, it's a no-holds-barred | 0:03:32 | 0:03:36 | |
barnstormer of a battle, as they tussle to take each other down. | 0:03:36 | 0:03:40 | |
Our Titanic twosome leap straight into action, | 0:03:41 | 0:03:44 | |
scoping out as many of the wares as they can before the bidding starts. | 0:03:44 | 0:03:48 | |
And our mistress of miscellanea | 0:03:48 | 0:03:50 | |
is planning on group buying to win this bout. | 0:03:50 | 0:03:53 | |
My strategy today is all about maximising profit, | 0:03:53 | 0:03:57 | |
probably out of group lots. | 0:03:57 | 0:04:00 | |
So, say something is estimated at £50 and it's got ten items in it, | 0:04:00 | 0:04:06 | |
then each of those items individually, you could sell those for £20 or £30 each, | 0:04:06 | 0:04:10 | |
so that does maximise your profit. | 0:04:10 | 0:04:12 | |
Whether it will work has yet to be proved. | 0:04:12 | 0:04:16 | |
And our favourite tweedy type has his own title-winning strategy, | 0:04:16 | 0:04:20 | |
which he reckons will have this fight in the bag. | 0:04:20 | 0:04:24 | |
The real problem with a saleroom is you mark up a few lots | 0:04:24 | 0:04:27 | |
and if you don't buy them, | 0:04:27 | 0:04:29 | |
you get under more and more pressure as the day goes on. | 0:04:29 | 0:04:32 | |
So my strategy is to look at some early lots | 0:04:32 | 0:04:36 | |
and get them bought straightaway. | 0:04:36 | 0:04:37 | |
But it's Katherine who's first to spot some items | 0:04:37 | 0:04:41 | |
that she thinks could help her to victory. | 0:04:41 | 0:04:43 | |
This is what really excites me. | 0:04:44 | 0:04:45 | |
Look inside here. Oh, my gosh. | 0:04:45 | 0:04:48 | |
This is someone's wedding. | 0:04:48 | 0:04:51 | |
These are lovely photographs. | 0:04:51 | 0:04:53 | |
I suppose you... It's one of those classic lots | 0:04:53 | 0:04:56 | |
where you have to buy the trunk in order to buy the photographs. | 0:04:56 | 0:05:00 | |
I love Charlie to bits but he's got no X-ray vision | 0:05:00 | 0:05:02 | |
and he just can't see through things like this. | 0:05:02 | 0:05:05 | |
I can, so I'm one step ahead. | 0:05:05 | 0:05:08 | |
One step ahead always. | 0:05:08 | 0:05:10 | |
Yes, with superior powers like that, | 0:05:12 | 0:05:13 | |
it's no wonder she's known as Katherine The Great. | 0:05:13 | 0:05:18 | |
And she's showing no fear of putting a very stylish boot | 0:05:19 | 0:05:23 | |
into the Charmer from the get-go. | 0:05:23 | 0:05:25 | |
So, while the great one is choosing her weapons, | 0:05:25 | 0:05:28 | |
Charlie the Charmer is weighing up some precious metal. | 0:05:28 | 0:05:32 | |
It's a composite lot. There are two pairs of cufflinks | 0:05:32 | 0:05:35 | |
and a ring. But what really took my eye | 0:05:35 | 0:05:38 | |
was that there are a pair of John F Kennedy cufflinks here | 0:05:38 | 0:05:45 | |
and also a pair of French gold cufflinks. Quite like this lot. | 0:05:45 | 0:05:50 | |
If you buy a composite lot, | 0:05:50 | 0:05:52 | |
you've got three different chances of getting a profit. | 0:05:52 | 0:05:56 | |
Hang on, that sounds like Katherine's strategy. | 0:05:56 | 0:05:59 | |
Has the Charmer been ear-wigging? | 0:05:59 | 0:06:01 | |
The great one is eyeing up some jewellery fit for a queen. | 0:06:01 | 0:06:06 | |
This is where I'm going off the rails | 0:06:06 | 0:06:08 | |
because I'm looking at buying something I really like myself. | 0:06:08 | 0:06:11 | |
I should be keeping my financial head on, but it's just so beautiful. | 0:06:11 | 0:06:15 | |
Why is it great? It's an Austro-Hungarian ring. | 0:06:15 | 0:06:18 | |
It's dating from about 1870s. Beautifully tooled, very elegant | 0:06:18 | 0:06:24 | |
and I think the estimate is £50 to £80. | 0:06:24 | 0:06:27 | |
It's on the front cover of the catalogue - not a good sign - | 0:06:27 | 0:06:30 | |
but I guess it shows that I have got impeccable taste. | 0:06:30 | 0:06:34 | |
That's what it's all about. | 0:06:34 | 0:06:36 | |
Mmm, she's no shrinking violet, | 0:06:36 | 0:06:38 | |
but she may have made a bit of a tactical boo-boo. | 0:06:38 | 0:06:41 | |
The auction has started and our lady is still rifling through the wares, | 0:06:41 | 0:06:46 | |
which gives her dashing opponent free rein on the bidding floor. | 0:06:46 | 0:06:50 | |
the Charmer's first lot is up. | 0:06:50 | 0:06:52 | |
French gold cufflinks. Do I see 240? 280. | 0:06:52 | 0:06:55 | |
300. 320. 340. 360. | 0:06:55 | 0:07:00 | |
380. 400. | 0:07:00 | 0:07:02 | |
420... | 0:07:02 | 0:07:03 | |
Charlie's embroiled in a bidding war. | 0:07:03 | 0:07:06 | |
480. £480, on my right... | 0:07:06 | 0:07:09 | |
Oh, it's one of those days, Rossco. | 0:07:09 | 0:07:11 | |
Mark something up at 450 quid. Listen to it. | 0:07:11 | 0:07:13 | |
640, on the right. Selling at 640. | 0:07:13 | 0:07:15 | |
640 plus premium, of course, would be my whole budget in one go. | 0:07:15 | 0:07:20 | |
Ooh, what a blow for the Charmer. | 0:07:20 | 0:07:22 | |
His first attempt at a purchase dashed in flames. | 0:07:22 | 0:07:26 | |
And to make matters worse, his foe has entered the fray. | 0:07:26 | 0:07:31 | |
My lot is just about to come up. | 0:07:31 | 0:07:33 | |
Katherine's Austro-Hungarian garnet ring is next under the hammer. | 0:07:33 | 0:07:38 | |
I think Katherine is about to bid on something. | 0:07:38 | 0:07:41 | |
He's looking as though he's going to bid on this lot. | 0:07:41 | 0:07:43 | |
It's really cat and mouse this, isn't it? | 0:07:43 | 0:07:46 | |
She keeps peeping over to see what I'm going to be bidding for. | 0:07:48 | 0:07:51 | |
Austro-Hungarian garnet, there we are. | 0:07:54 | 0:07:56 | |
£70 is bid, 80 where now? £70 is bid. | 0:07:56 | 0:07:58 | |
-80. -Here. -70. 80. Lady's bid at 80. | 0:07:58 | 0:08:01 | |
Takes it from the commission. So? | 0:08:01 | 0:08:02 | |
-552. -552, thank you. | 0:08:02 | 0:08:05 | |
She's bought something! | 0:08:05 | 0:08:06 | |
Yes, Katherine makes the first purchase of the day... | 0:08:06 | 0:08:09 | |
What the heck was that? | 0:08:09 | 0:08:10 | |
..bagging the garnet ring for a total of £99.20, including fees, | 0:08:10 | 0:08:15 | |
and she's chuffed to bits. | 0:08:15 | 0:08:17 | |
Less than top estimate. Bingo. | 0:08:18 | 0:08:21 | |
But it's an enthusiasm not shared by the Charmer. | 0:08:21 | 0:08:24 | |
She has just bought an Austro-Hungarian | 0:08:24 | 0:08:28 | |
garnet and turquoise set ring. | 0:08:28 | 0:08:30 | |
Yuck. | 0:08:30 | 0:08:32 | |
Fired by her success, Katherine's bidding again, | 0:08:32 | 0:08:35 | |
this time on a gilt pendant reliquary. | 0:08:35 | 0:08:38 | |
552, thank you. | 0:08:38 | 0:08:40 | |
And again, she strikes, securing the pendant for £74.40, including fees. | 0:08:41 | 0:08:46 | |
I think it's a great piece of British history. | 0:08:50 | 0:08:52 | |
This sort of reliquary would have been worn at the end of a rosary, | 0:08:52 | 0:08:56 | |
used very much as part of the accessory | 0:08:56 | 0:08:58 | |
for religious worship in the Tudor era. | 0:08:58 | 0:09:01 | |
I'd love to unite it with somebody who is passionate about Tudor history. | 0:09:01 | 0:09:04 | |
Our great lady is now ahead by two purchases, | 0:09:04 | 0:09:08 | |
while her opponent is struggling. | 0:09:08 | 0:09:10 | |
No more. | 0:09:10 | 0:09:12 | |
the Charmer's just lost out on another set of cufflinks. | 0:09:12 | 0:09:15 | |
I get the impression this is a bit of a one-sided competition. | 0:09:15 | 0:09:19 | |
It is at the moment, Charlie, old bean. | 0:09:19 | 0:09:21 | |
Frustrated twice in a row? | 0:09:21 | 0:09:22 | |
the Charmer is starting to feel the pressure, | 0:09:22 | 0:09:25 | |
but his rival is merciless. | 0:09:25 | 0:09:27 | |
She's spotted another Austro-Hungarian piece - | 0:09:27 | 0:09:29 | |
a brooch - and she's going for it. | 0:09:29 | 0:09:32 | |
-552, is it? -Thank you. | 0:09:32 | 0:09:35 | |
That's a third purchase for the great one, | 0:09:36 | 0:09:38 | |
at a cost of £55.80, including fees. | 0:09:38 | 0:09:41 | |
Our laughing lady is racing away with this competition, | 0:09:43 | 0:09:46 | |
leaving the Charmer in her wake. | 0:09:46 | 0:09:48 | |
They're ghastly to my taste, | 0:09:48 | 0:09:50 | |
but then I suppose a lot of people would say I have no taste. | 0:09:50 | 0:09:53 | |
Ghastly to you they may be, Charlie, | 0:09:53 | 0:09:55 | |
but you're still three purchases behind, sir! | 0:09:55 | 0:09:58 | |
And Katherine couldn't be more thrilled. | 0:09:58 | 0:10:01 | |
When you see a piece of Victorian jewellery for just under £50, | 0:10:01 | 0:10:04 | |
you've just got to buy it. | 0:10:04 | 0:10:05 | |
It seems extraordinary that it is so cheap, really. | 0:10:05 | 0:10:09 | |
It's a lovely piece, not only because it looks great from the front, | 0:10:09 | 0:10:13 | |
but the back is equally nicely designed. | 0:10:13 | 0:10:15 | |
I think it would look smashing on any lady's outfit. Look at me here. | 0:10:15 | 0:10:19 | |
Wonderful. That goes perfectly with what I'm wearing. | 0:10:19 | 0:10:22 | |
Since I can't have it, | 0:10:22 | 0:10:23 | |
I've got to find somebody who will equally appreciate it. | 0:10:23 | 0:10:26 | |
I think there's money to be made here. | 0:10:26 | 0:10:28 | |
How much remains to be seen, but it's definitely a winner. | 0:10:28 | 0:10:32 | |
Well! So far, Charlie the Charmer's talked the talk, | 0:10:32 | 0:10:35 | |
but he hasn't made a single buy. | 0:10:35 | 0:10:37 | |
Here we go. | 0:10:37 | 0:10:39 | |
He's now got his beady eye on a Tiffany & Co sewing case. | 0:10:39 | 0:10:43 | |
Come on, Charlie! | 0:10:43 | 0:10:45 | |
Tiffany, most famously known, of course, for its glasswork. | 0:10:45 | 0:10:50 | |
There's a lot of chat over there, but not very much action. | 0:10:50 | 0:10:55 | |
This is an ivory sewing case... | 0:10:55 | 0:10:57 | |
..called a necessaire. | 0:10:58 | 0:11:00 | |
I'm going to do my Mr Ross impression now. | 0:11:00 | 0:11:03 | |
This is... | 0:11:03 | 0:11:04 | |
# You've got a beautiful smile | 0:11:04 | 0:11:08 | |
# You're obsessed with talking! | 0:11:08 | 0:11:10 | |
# You'll be coming to bed...# | 0:11:10 | 0:11:12 | |
-About 1910, 1890... -# Rabbit, rabbit, rabbit, rabbit...# | 0:11:12 | 0:11:15 | |
It's a very high quality lot. | 0:11:15 | 0:11:18 | |
Recognise anyone, Charlie? | 0:11:18 | 0:11:20 | |
And while I was talking, they sold it. | 0:11:20 | 0:11:23 | |
-Oh, disaster. -705. | 0:11:23 | 0:11:25 | |
So, the moral of that story, Rossco, | 0:11:25 | 0:11:27 | |
is don't rabbit on about the lots you're about to buy, | 0:11:27 | 0:11:30 | |
because by the time they come up, you've missed them. | 0:11:30 | 0:11:34 | |
Stung for the third time today, | 0:11:34 | 0:11:37 | |
the Charmer is spurred into bidding on a pair of silver saucepans. | 0:11:37 | 0:11:41 | |
-He has them. -I've just bought something! | 0:11:41 | 0:11:44 | |
507, thank you. | 0:11:44 | 0:11:45 | |
Oh, my gosh. It's his first buy. | 0:11:45 | 0:11:47 | |
-Well, I never did. -# Alleluia... # | 0:11:47 | 0:11:50 | |
And about time too! | 0:11:50 | 0:11:51 | |
With commission, Rossco's just spent £136.40 | 0:11:51 | 0:11:56 | |
on a lot he didn't even view before he started bidding. | 0:11:56 | 0:11:58 | |
He's taken a huge gamble, but will it pay off? | 0:11:58 | 0:12:03 | |
Two sauce boats, | 0:12:03 | 0:12:04 | |
Chester, 1927, not a lot of weight but a lot of style. | 0:12:04 | 0:12:09 | |
Look at that. You'd think they were 18th century, looking at them. | 0:12:09 | 0:12:13 | |
Hooped feet... | 0:12:13 | 0:12:15 | |
scrolling handles. | 0:12:15 | 0:12:17 | |
Very nice. | 0:12:17 | 0:12:19 | |
Phew! the Charmer could have come a right cropper there. | 0:12:19 | 0:12:22 | |
Our dapper dealer is back in the game | 0:12:22 | 0:12:25 | |
and now he's got his eye on a job lot of silver items. | 0:12:25 | 0:12:29 | |
It's catalogued as two silver vinaigrettes, | 0:12:31 | 0:12:35 | |
a child's silver rattle | 0:12:35 | 0:12:38 | |
and two silver boxes, and that's exactly what we've got here. | 0:12:38 | 0:12:41 | |
A decent George III box, | 0:12:41 | 0:12:45 | |
with nice, chaste engraving on it | 0:12:45 | 0:12:49 | |
and this, in fact, is a vesta. | 0:12:49 | 0:12:50 | |
There is your striker for your match. | 0:12:50 | 0:12:53 | |
Here, you have a vinaigrette. | 0:12:53 | 0:12:55 | |
Put your little wad in there with your smelling salts. | 0:12:55 | 0:13:01 | |
And then finally, we've got the child's rattle here, | 0:13:01 | 0:13:05 | |
which is silver. | 0:13:05 | 0:13:06 | |
Um, it's got damage. | 0:13:06 | 0:13:09 | |
The rattles here, all the way round, | 0:13:09 | 0:13:13 | |
but they're not all the way round because you can see one, two, three | 0:13:13 | 0:13:17 | |
little brackets missing there... | 0:13:17 | 0:13:20 | |
So, very ornate but damaged. | 0:13:20 | 0:13:24 | |
As the bidding begins, | 0:13:24 | 0:13:26 | |
and with Katherine still two buys ahead of him, | 0:13:26 | 0:13:28 | |
it's crunch time for Charlie. | 0:13:28 | 0:13:31 | |
God, that was close. | 0:13:31 | 0:13:32 | |
Yes, the Charmer triumphs by a nose, | 0:13:32 | 0:13:36 | |
notching up his second purchase | 0:13:36 | 0:13:37 | |
for a hefty £545.60, including fees. | 0:13:37 | 0:13:42 | |
That is over half his budget in one fell swoop | 0:13:42 | 0:13:45 | |
and that brave buy puts him right back in the race. | 0:13:45 | 0:13:48 | |
-It's a baby's game, this. -SHE LAUGHS | 0:13:48 | 0:13:51 | |
Who's your script writer? | 0:13:51 | 0:13:52 | |
-Me. -You need to change it. | 0:13:52 | 0:13:55 | |
Ooh! Well! With that war of words over, | 0:13:55 | 0:13:57 | |
our two powerhouse profiteers retire to their corners. | 0:13:57 | 0:14:01 | |
Time, then, to see how much they've spent so far. | 0:14:01 | 0:14:05 | |
Charlie and Katherine both arrived today | 0:14:05 | 0:14:07 | |
with £1,000 of their own money to spend. | 0:14:07 | 0:14:09 | |
Katherine The Great was quick off the mark, | 0:14:09 | 0:14:11 | |
bagging three purchases for £229.40, | 0:14:11 | 0:14:15 | |
leaving her £770 still to spend... | 0:14:15 | 0:14:19 | |
..while Charlie the Charmer battled through his early frustrations | 0:14:21 | 0:14:24 | |
to buy two items and spent a total of £682, | 0:14:24 | 0:14:28 | |
leaving him with 318 in his kitty. | 0:14:28 | 0:14:31 | |
Today's bruising battle between our antiques avengers is ramping up. | 0:14:34 | 0:14:38 | |
They're watching each other like hawks | 0:14:38 | 0:14:40 | |
and our resident charmer is about to prove he's an expert in psychological warfare | 0:14:40 | 0:14:47 | |
with a little bit of taking the mick. | 0:14:47 | 0:14:49 | |
Now this is Katherine Higgins. | 0:14:51 | 0:14:53 | |
Head nearly on the roof, new wig, flash coat, | 0:14:53 | 0:14:58 | |
very enthusiastic about things that I think look awful. | 0:14:58 | 0:15:03 | |
Charlie, it's more about this. | 0:15:03 | 0:15:06 | |
And I have it, and you don't. | 0:15:06 | 0:15:09 | |
I think she's referencing the fact that I have very little in the hair department. | 0:15:09 | 0:15:13 | |
He just can't do glamour. He just can't do it. | 0:15:13 | 0:15:17 | |
At least mine is an acceptable colour. | 0:15:17 | 0:15:19 | |
Mi-aow! The claws are most definitely out. | 0:15:22 | 0:15:26 | |
Nothing is going to stop our red queen from seeking out ways of getting one up on her opponent. | 0:15:26 | 0:15:31 | |
She's got her eye fixed on a set of 11 signed celebrity photographs. | 0:15:31 | 0:15:36 | |
92, £40 is bid.... | 0:15:37 | 0:15:39 | |
# Falling in love again... # | 0:15:39 | 0:15:41 | |
But, when the bidding starts, there's a mischievous glint in The Charmer's eye. | 0:15:41 | 0:15:46 | |
At 45... | 0:15:46 | 0:15:48 | |
And he's bidding! | 0:15:48 | 0:15:50 | |
Five... | 0:15:50 | 0:15:52 | |
Can't help it. | 0:15:52 | 0:15:53 | |
Oh, and he's got them. | 0:15:54 | 0:15:56 | |
The silver-tongued assassin snatches the vintage snaps | 0:15:56 | 0:15:59 | |
from under Katherine's nose for £55.80, including fees. | 0:15:59 | 0:16:05 | |
Rossco, your luck is changing. | 0:16:05 | 0:16:08 | |
-Did you buy those? -I did. -Botheration. | 0:16:08 | 0:16:12 | |
-I was going to nip in and... -You can have one, with a small profit. | 0:16:12 | 0:16:15 | |
-Which one would you like? -That's a good buy. -Goodbye! -It's a good buy. Goodbye! | 0:16:15 | 0:16:20 | |
Yes, The Charmer's got one up there, and reveals his favourite | 0:16:20 | 0:16:24 | |
of the photos he's swiped from his red rival. | 0:16:24 | 0:16:27 | |
They're all great images, but this, I think, is particularly good. | 0:16:27 | 0:16:32 | |
And this is Marcel Marceau, the master of mime. | 0:16:32 | 0:16:35 | |
Genius, a complete genius. But, er, I'm very thrilled with it. | 0:16:35 | 0:16:40 | |
Some will be worth a few pounds more than others but, | 0:16:40 | 0:16:43 | |
if you average them out at £10 each, that's £110. | 0:16:43 | 0:16:47 | |
That is doubling my money, there or thereabouts. | 0:16:47 | 0:16:51 | |
Fighting talk from The Charmer, | 0:16:51 | 0:16:53 | |
but Katherine the Great hits back hard and fast. | 0:16:53 | 0:16:56 | |
She bids on - and wins - | 0:16:56 | 0:16:57 | |
a World War I officer's service record, | 0:16:57 | 0:17:00 | |
with letters and photographs, for £62, including fees. | 0:17:00 | 0:17:04 | |
The Red Lady means business. | 0:17:05 | 0:17:08 | |
Next up, she's bidding on a mixed lot, which includes two tea sets | 0:17:08 | 0:17:11 | |
and a cut-glass table lamp. | 0:17:11 | 0:17:13 | |
She wins the lot for £55.80, including fees. | 0:17:15 | 0:17:18 | |
and there's one part of this group buy that she has no doubts about. | 0:17:18 | 0:17:23 | |
This is a fantastic screamingly Deco tea service by Alfred Meakin. | 0:17:23 | 0:17:28 | |
Nice, established Staffordshire pottery firm. I love it. | 0:17:28 | 0:17:32 | |
It's got that sort of zig-zag decoration, | 0:17:32 | 0:17:35 | |
lovely, vibrant orange colours, | 0:17:35 | 0:17:37 | |
the little detail, the line around the inside of the rim, | 0:17:37 | 0:17:41 | |
which matches the delicately painted line on the handle itself. | 0:17:41 | 0:17:47 | |
Very, very neat. Very, very decorative. | 0:17:47 | 0:17:50 | |
# Another one bites the dust. # | 0:17:50 | 0:17:51 | |
Katherine the Great is on a roll. | 0:17:51 | 0:17:53 | |
I went on a bit of a spending spree, then. | 0:17:53 | 0:17:55 | |
And, with a quick one-two, | 0:17:55 | 0:17:57 | |
she lands another one smack-bang on The Charmer's chin, | 0:17:57 | 0:18:00 | |
with the purchase of a portfolio of watercolours and etchings | 0:18:00 | 0:18:04 | |
for £68.20. | 0:18:04 | 0:18:06 | |
What I caught a glimpse of was this. | 0:18:06 | 0:18:09 | |
It's a folio of pictures, | 0:18:09 | 0:18:11 | |
but it was this image of an Edwardian lady, | 0:18:11 | 0:18:16 | |
just casually sitting and relaxing. | 0:18:16 | 0:18:18 | |
It's a really wonderful piece of artwork and I can see | 0:18:18 | 0:18:22 | |
that a costume collector would really like to have that. | 0:18:22 | 0:18:25 | |
Katherine is now racing away again, | 0:18:27 | 0:18:29 | |
racking up six purchases to The Charmer's three. | 0:18:29 | 0:18:32 | |
Next on her shopping list is a lot she spotted a earlier, | 0:18:32 | 0:18:36 | |
which contains some old 78s and sheet music. | 0:18:36 | 0:18:39 | |
-552. -Bing Crosby would be proud of me. | 0:18:41 | 0:18:45 | |
And Katherine snatches up the lot for £22.32, including fees. | 0:18:46 | 0:18:49 | |
Katherine is in complete control of the game, | 0:18:53 | 0:18:56 | |
and cements her lead when she goes for her eighth lot, | 0:18:56 | 0:18:59 | |
a group of decorative plates, | 0:18:59 | 0:19:02 | |
and bags them for a cost of £49.60, including fees. | 0:19:02 | 0:19:05 | |
Katherine has upped her lead to a staggering eight purchases | 0:19:07 | 0:19:11 | |
to Charlie's three. | 0:19:11 | 0:19:13 | |
Where has that Charmer got to? | 0:19:13 | 0:19:15 | |
Oh, there he is. | 0:19:15 | 0:19:17 | |
And, to prove he's not larking about, The Charmer has picked out | 0:19:17 | 0:19:20 | |
an item that could put him back in the frame. | 0:19:20 | 0:19:23 | |
This is a modern gilt mirror, the sort of thing that might be given away, almost, in a saleroom. | 0:19:24 | 0:19:29 | |
Certainly wouldn't make much money, but, if you went into a retail shop to buy it, | 0:19:29 | 0:19:34 | |
you'd pay quite a bit of money for it. | 0:19:34 | 0:19:36 | |
The snag with this lot - I looked it up in the catalogue, | 0:19:36 | 0:19:39 | |
and do you know what it said? | 0:19:39 | 0:19:41 | |
It said, "A large gilt-framed mirror, | 0:19:41 | 0:19:46 | |
"together with... a large modern landscape." | 0:19:46 | 0:19:50 | |
That is the most ghastly picture I have ever seen in my life. | 0:19:53 | 0:20:01 | |
Not to your taste, then, Rossco. | 0:20:01 | 0:20:03 | |
But can the Charmer make any headway on Katherine by getting hold of that mirror? | 0:20:05 | 0:20:09 | |
No more, sir. Not a penny more. | 0:20:09 | 0:20:12 | |
Oh, no! Charlie takes a beating yet again. | 0:20:12 | 0:20:16 | |
The Charmer's running out of chances. But all is not yet lost. | 0:20:16 | 0:20:20 | |
-What's your next one? -You wait and see. | 0:20:20 | 0:20:23 | |
Charlie's got his eye on this signed print of a World War II Lancaster bomber. | 0:20:23 | 0:20:28 | |
-£20! -Oh, yes! | 0:20:29 | 0:20:32 | |
Yes, look at the delight. | 0:20:32 | 0:20:34 | |
The Charmer bags purchase number four for just £24.80, | 0:20:34 | 0:20:37 | |
including fees. | 0:20:37 | 0:20:39 | |
And there's no doubt that this is the purchase | 0:20:39 | 0:20:42 | |
Charlie's been holding out for. | 0:20:42 | 0:20:43 | |
I can't be more thrilled with any other purchase today. | 0:20:43 | 0:20:47 | |
Here we have the Lancaster bomber, | 0:20:47 | 0:20:49 | |
which was the British number-one bomber in the Second World War. | 0:20:49 | 0:20:54 | |
This is signed by Leonard Cheshire, who got the VC, | 0:20:54 | 0:20:59 | |
who was probably the most famous... | 0:20:59 | 0:21:02 | |
..bomber crew member in the whole war. | 0:21:04 | 0:21:06 | |
But there must be plenty of people | 0:21:06 | 0:21:09 | |
that would like an iconic memory | 0:21:09 | 0:21:11 | |
of the Bomber Command in the Second World War. | 0:21:11 | 0:21:14 | |
As the end of this auction draws ever nearer, | 0:21:15 | 0:21:18 | |
both our daring dealers are still looking for the bargains | 0:21:18 | 0:21:21 | |
that could swing the competition. | 0:21:21 | 0:21:23 | |
The Charmer has spotted a lot he likes, but could it be out of his league? | 0:21:23 | 0:21:27 | |
I like a good rocking horse. Nicely carved. | 0:21:29 | 0:21:33 | |
It needs a little bit of restoration, but it's Edwardian. | 0:21:33 | 0:21:36 | |
Its estimate - 200 to 300. | 0:21:36 | 0:21:38 | |
I wouldn't mind it for a couple of hundred. | 0:21:38 | 0:21:41 | |
Although he's only notched up four purchases, | 0:21:41 | 0:21:44 | |
The Charmer has spent a lot more than his opponent, | 0:21:44 | 0:21:47 | |
who's still got almost £500 left to spend. | 0:21:47 | 0:21:50 | |
And it's Katherine who makes a play for the rocking horse, | 0:21:50 | 0:21:53 | |
and wins it for £359.60, including fees, | 0:21:53 | 0:21:58 | |
getting her own back on Charlie's vintage-snap stealing | 0:21:58 | 0:22:01 | |
earlier in the day. | 0:22:01 | 0:22:02 | |
It's nicely carved, it's got lovely facial detailing. | 0:22:04 | 0:22:08 | |
It's not perfect, it's not brilliant. | 0:22:08 | 0:22:10 | |
I must be able to improve on what I paid. Whether I will double my money is another question. | 0:22:10 | 0:22:14 | |
And with that, the auction draws to a close. | 0:22:14 | 0:22:17 | |
The gavel gets its final bang | 0:22:17 | 0:22:19 | |
and the lucky buyers congratulate themselves on purchases well made. | 0:22:19 | 0:22:24 | |
So, how much of their £1,000 budgets | 0:22:24 | 0:22:27 | |
did our battling behemoths finally spend? | 0:22:27 | 0:22:31 | |
Charlie the Charmer's strategy of buying early | 0:22:31 | 0:22:33 | |
wasn't exactly successful. | 0:22:33 | 0:22:35 | |
He bought only four lots, spending a total of £760.60. | 0:22:35 | 0:22:40 | |
Katherine the Great stuck to her strategy of buying group lots, | 0:22:40 | 0:22:45 | |
going in hard, fast and often, | 0:22:45 | 0:22:47 | |
bagging a total of nine purchases and spending £847.92. | 0:22:47 | 0:22:52 | |
So which of our duelling dealers is set to win today's battle of the sexes? | 0:22:55 | 0:23:00 | |
Before the selling spree starts, | 0:23:00 | 0:23:02 | |
Katherine and Charlie size up each other's spoils. | 0:23:02 | 0:23:06 | |
I'm sorry, but there's the quality end of the table, isn't there? | 0:23:06 | 0:23:11 | |
-And there's the sort of drossy end. -There is quality here. | 0:23:11 | 0:23:14 | |
I, personally, find that ring the most attractive thing. | 0:23:14 | 0:23:19 | |
And I don't think I'm going to be alone. | 0:23:19 | 0:23:21 | |
I'm sure you know what you're doing with that. | 0:23:21 | 0:23:23 | |
-You're clearly a baby at heart. -Missing the odd bauble. | 0:23:23 | 0:23:26 | |
-The baby is not going to be bothered by that. -Everything I've got has got potential, | 0:23:26 | 0:23:30 | |
and, yeah, I think you've got SOME potential there. | 0:23:30 | 0:23:34 | |
I found it extraordinary how quickly the budget went. | 0:23:34 | 0:23:36 | |
I bought something for 500 quid, which is this mixed lot, | 0:23:36 | 0:23:41 | |
and then the sauce boats, and then there wasn't much left. | 0:23:41 | 0:23:44 | |
-You'll have fun selling that lot, won't you? -I can't wait. It'll be very entertaining. | 0:23:44 | 0:23:48 | |
I can't wait either. | 0:23:48 | 0:23:50 | |
Having bagged all their auction booty, | 0:23:54 | 0:23:57 | |
our antiques avengers now face an even tougher challenge - | 0:23:57 | 0:24:00 | |
to sell it all. | 0:24:00 | 0:24:02 | |
Their aim is to make as much profit as they possibly can | 0:24:02 | 0:24:05 | |
and all that money will be going to their chosen charities. | 0:24:05 | 0:24:09 | |
Our heroes head for home to plot out their selling campaigns. | 0:24:09 | 0:24:13 | |
The Charmer, to the idyll of eye-catching Oxfordshire. | 0:24:13 | 0:24:16 | |
And the Great One to the cool chic of her apartment in cosmopolitan London. | 0:24:18 | 0:24:22 | |
There's no time to lose, and, straightaway, | 0:24:22 | 0:24:26 | |
the Charmer is assessing his mighty haul. | 0:24:26 | 0:24:29 | |
Actually, I'm very happy with what I've bought. | 0:24:29 | 0:24:32 | |
I'm particularly happy with the Leonard Cheshire signed limited-edition print. | 0:24:32 | 0:24:37 | |
These vestas and vinaigrettes are fabulous. | 0:24:37 | 0:24:41 | |
I've got a good chance, splitting them up, of making a profit. | 0:24:41 | 0:24:45 | |
I love the signed photographs, particularly the one of Marcel Marceau, | 0:24:45 | 0:24:49 | |
and the sauce boats are pleasing | 0:24:49 | 0:24:52 | |
although they are 20th-century items. | 0:24:52 | 0:24:54 | |
And what of our Red Queen? | 0:24:56 | 0:24:58 | |
How does Katherine the Great rate the weapons in her armoury? | 0:24:58 | 0:25:01 | |
I'm beginning to panic, actually. I have got quite a lot of things to sell. | 0:25:01 | 0:25:05 | |
I had a blitz at that auction and I have begun a trail to find | 0:25:05 | 0:25:10 | |
someone who has Hungarian links, a bit of Hungarian in their family. | 0:25:10 | 0:25:17 | |
Someone who would really appreciate the Austro-Hungarian ring, | 0:25:17 | 0:25:20 | |
and the potential that it has as a future collectable. | 0:25:20 | 0:25:23 | |
And I've also got this Austro-Hungarian brooch. | 0:25:23 | 0:25:26 | |
I think I will probably sell that onto a specialist dealer in Austro-Hungarian jewellery. | 0:25:26 | 0:25:30 | |
Gosh, this was a group lot but I've got clever ideas | 0:25:30 | 0:25:33 | |
for the three directions this could take. | 0:25:33 | 0:25:36 | |
This folio of drawings - it was a gift, really. | 0:25:36 | 0:25:40 | |
Each one of these illustrations has got something | 0:25:40 | 0:25:44 | |
that will attract a buyer. | 0:25:44 | 0:25:45 | |
Katherine will also have to shift a reliquary, | 0:25:45 | 0:25:49 | |
a rocking horse, some 78 records and sheet music, | 0:25:49 | 0:25:54 | |
a World War I officer's record with photos, and some plates. | 0:25:54 | 0:25:58 | |
Nothing like a bit of hard work for a girl. | 0:25:58 | 0:26:01 | |
Our two determined dealers must now hit the phones as they go all out to find buyers for their items. | 0:26:01 | 0:26:09 | |
But until they've shaken on it and the money's changed hands, no deal is truly sealed. | 0:26:09 | 0:26:13 | |
Charlie the Charmer is one step ahead | 0:26:13 | 0:26:16 | |
of Katherine the Great straightaway. | 0:26:16 | 0:26:18 | |
While at the auction, he was approached by a collector | 0:26:18 | 0:26:22 | |
who was interested in one piece of the silverware that Charlie bought for £540.60. | 0:26:22 | 0:26:28 | |
It was the larger of the two vesta boxes. | 0:26:28 | 0:26:31 | |
So the Charmer has invited the potential purchaser back | 0:26:31 | 0:26:35 | |
to Rossco Towers. | 0:26:35 | 0:26:37 | |
Is that as you remember it? | 0:26:38 | 0:26:41 | |
Now that I see it in the daylight, it looks, yes, the same, but, um... | 0:26:41 | 0:26:46 | |
-But nicer. -I can see the slight blemishes on it today | 0:26:46 | 0:26:49 | |
in the sunlight. | 0:26:49 | 0:26:51 | |
John Wilmot is the maker and I think it dates to 1898. | 0:26:51 | 0:26:56 | |
What do you think? £150? | 0:26:56 | 0:26:59 | |
As an Irishman, I would like a deal. | 0:26:59 | 0:27:02 | |
I will settle on £140 as the cartouche is engraved. | 0:27:02 | 0:27:06 | |
So I'd knock a little bit off for that. | 0:27:06 | 0:27:09 | |
I should have asked you for £160. Then you might have offered me £150. | 0:27:09 | 0:27:12 | |
-Ha-ha! I think £140 is fine. -Thank you. | 0:27:12 | 0:27:15 | |
It's a flying start for Charlie's first piece of silverware | 0:27:15 | 0:27:19 | |
and the wily veteran also pins down a deal for the smaller vesta box | 0:27:19 | 0:27:24 | |
for £125, along with one of the vinaigrettes for £40, | 0:27:24 | 0:27:29 | |
which means he still has two pieces left to sell. | 0:27:29 | 0:27:32 | |
In his campaign to shift the second vinaigrette, | 0:27:33 | 0:27:36 | |
Charlie makes up trip to silver dealer Daniel, in London's West End. | 0:27:36 | 0:27:41 | |
-There it is. -Instantly, looking at it, you can see with this engine turning, it hasn't been worn. | 0:27:41 | 0:27:45 | |
Imagine that going in and out of a pocket, being handled and polished, | 0:27:45 | 0:27:49 | |
you start getting smooth patches on it, and it's not, | 0:27:49 | 0:27:51 | |
it's really crisp. That's really nice. | 0:27:51 | 0:27:53 | |
-£210? -I think that's very fair. £210, I think that's incredibly fair. -Marvellous. | 0:27:53 | 0:27:57 | |
Charlie, lovely to see you. | 0:27:57 | 0:27:59 | |
So with that humdinger of a deal done, | 0:27:59 | 0:28:02 | |
Charlie just has one piece of his silverware lot left to sell - | 0:28:02 | 0:28:05 | |
that silver rattle. | 0:28:05 | 0:28:08 | |
Only then will he know how much profit he's made on the whole lot. | 0:28:08 | 0:28:11 | |
Time for Katherine to enter the fray. | 0:28:13 | 0:28:15 | |
Heading for the Shropshire countryside, | 0:28:15 | 0:28:18 | |
where she's lined up a sale of the rocking horse she spent £359.60 on. | 0:28:18 | 0:28:23 | |
She's meeting specialist dealer and restorer Sally. | 0:28:23 | 0:28:26 | |
-I feel like a child in a sweet shop here. -So do I! | 0:28:26 | 0:28:30 | |
I think we probably have the largest collection in the country. | 0:28:30 | 0:28:34 | |
One thing, instantly, I can see you're not afraid of condition. | 0:28:34 | 0:28:39 | |
The main thing about the horses that look perhaps a little forlorn now | 0:28:39 | 0:28:43 | |
is that they've been very well loved in the past. | 0:28:43 | 0:28:46 | |
There's something very sad about seeing a horse that isn't or hasn't been loved. | 0:28:46 | 0:28:50 | |
So, can Sally work her magic on this particular horse? | 0:28:50 | 0:28:54 | |
Well, there we go. The moment of truth. What do you think? | 0:28:54 | 0:28:58 | |
-He's been well loved, hasn't he? -Yes! -He's had some adventures. | 0:28:58 | 0:29:03 | |
He has had adventures, actually. | 0:29:03 | 0:29:04 | |
Do you have a price in mind? | 0:29:04 | 0:29:06 | |
Around about the £500-ish mark. | 0:29:06 | 0:29:11 | |
OK. | 0:29:11 | 0:29:13 | |
I would go to £480. | 0:29:13 | 0:29:16 | |
£480 sounds a very decent and fair price. | 0:29:16 | 0:29:21 | |
-Thank you. -OK. | 0:29:21 | 0:29:23 | |
So the flame-haired vixen of vintage makes a galloping profit of £120.40 | 0:29:23 | 0:29:28 | |
on the rocking horse, | 0:29:28 | 0:29:31 | |
putting the pressure right back on the Charmer... | 0:29:31 | 0:29:34 | |
who is concentrating on another of his group buys. | 0:29:34 | 0:29:37 | |
He's headed for the Richmond Theatre in Surrey | 0:29:37 | 0:29:41 | |
with the vintage signed photographs he so deftly swiped from under Katherine's nose. | 0:29:41 | 0:29:45 | |
What's going on here? Cinderella. Who's in it? | 0:29:45 | 0:29:49 | |
Graham Hoadly, great old mate of mine, and his passion, | 0:29:49 | 0:29:52 | |
apart from being on the stage, | 0:29:52 | 0:29:54 | |
is collecting signed photographs of great stars. | 0:29:54 | 0:29:59 | |
HIGH-PITCHED VOCAL EXERCISES | 0:30:00 | 0:30:03 | |
Sounds like Hoadly to me. | 0:30:04 | 0:30:09 | |
What do you want?! Oh, it's you. | 0:30:09 | 0:30:13 | |
-How are you, Graham? -I'm all right, Charlie. Come on in. -Thank you. | 0:30:13 | 0:30:16 | |
Come for some beauty tips, have you? He goes for girls with hairy chests. | 0:30:16 | 0:30:20 | |
-Before we carry on, I'm going to take my wig off. -Oh, all right. | 0:30:23 | 0:30:28 | |
I shampooed my hair with Wash and Go. I did, and it went, ha! | 0:30:28 | 0:30:34 | |
-Here we go. -Right. | 0:30:34 | 0:30:36 | |
-Ah. Now that's Isabel Jay. -Now who have we got here? | 0:30:36 | 0:30:40 | |
-Someone in a rather sexy pose. -A very sexy pose. | 0:30:40 | 0:30:43 | |
That's Gabrielle Ray, who was a great picture postcard beauty. | 0:30:43 | 0:30:48 | |
-Who have we got here? -That's Lillian Gish. | 0:30:48 | 0:30:51 | |
Great, great silent film star. Went on into the sound period, of course. | 0:30:51 | 0:30:56 | |
-Well, that, that's Fay Compton. -That's a name I've heard. | 0:30:56 | 0:31:00 | |
Well, yeah, she's very well known. She appeared in films later on | 0:31:00 | 0:31:03 | |
but she was a great theatre star. | 0:31:03 | 0:31:06 | |
Ah, Gertie Gitana. Gertie Gitana. I believe her name was, at one point, | 0:31:06 | 0:31:12 | |
rhyming slang for "banana", so, "I'm going to have a nice Gertie Gitana." | 0:31:12 | 0:31:16 | |
-You can't live without these, can you? -I can't. | 0:31:16 | 0:31:19 | |
No, what do you mean I can't live without them?! | 0:31:19 | 0:31:22 | |
-Are you trying to sell me them? -I am. | 0:31:22 | 0:31:24 | |
I'm not that interested now you say that. | 0:31:24 | 0:31:26 | |
-They're kind of dull, these people. -100 quid? | 0:31:26 | 0:31:28 | |
-70? -90? | 0:31:30 | 0:31:32 | |
-85. -I think that's fantastic. | 0:31:32 | 0:31:35 | |
Shaking on £85 for the ten photographs has given Charlie | 0:31:35 | 0:31:38 | |
a profit of £29.20 already, | 0:31:38 | 0:31:40 | |
with the photo of the mime legend Marcel Marceau still left to sell. | 0:31:40 | 0:31:46 | |
Sterling work from the Charmer. And Katherine's no slouch either | 0:31:46 | 0:31:50 | |
when it comes to travelling the length and breadth of the country on the trail of a sale. | 0:31:50 | 0:31:55 | |
She's motored to a china sourcing company in Warwickshire | 0:31:55 | 0:31:59 | |
with her two tea sets. | 0:31:59 | 0:32:00 | |
120 for that and then you give this for free. | 0:32:00 | 0:32:03 | |
-I tell you what, £130 for everything. Does that sound good to you? -OK. | 0:32:03 | 0:32:07 | |
And it's a lip-smacking sale of £130 for the Great One's crockery. | 0:32:07 | 0:32:13 | |
And she sells the glass candle holder that she brought along | 0:32:13 | 0:32:16 | |
with the tea sets for an additional fiver. | 0:32:16 | 0:32:18 | |
So her total profit on this group lot comes to £79.20. | 0:32:18 | 0:32:24 | |
Why not treat yourself to a nice, reviving cuppa, Katherine? | 0:32:24 | 0:32:28 | |
The Charmer has been researching his Lancaster bomber print, | 0:32:28 | 0:32:33 | |
signed by the original Dambuster himself, Leonard Cheshire. | 0:32:33 | 0:32:37 | |
And he's now on his way down to London | 0:32:37 | 0:32:39 | |
and the headquarters of the charity founded by this World War II hero. | 0:32:39 | 0:32:45 | |
Can Charlie fly in and get a good deal with Managing Director Elias? | 0:32:45 | 0:32:49 | |
I would like to see a couple of hundred pounds for it. | 0:32:49 | 0:32:52 | |
-I tell you what, can we put it up there? -Yeah. | 0:32:52 | 0:32:55 | |
This will give me a better sense of what it's going to look like. | 0:32:55 | 0:32:59 | |
That is nice. | 0:32:59 | 0:33:01 | |
I tell you what, I tell you what, 110 quid, | 0:33:01 | 0:33:05 | |
I think, is actually a very generous price. | 0:33:05 | 0:33:08 | |
-Do you? -Yes. -What about 175? | 0:33:08 | 0:33:12 | |
-I think 150. -Put it there. -Thank you. | 0:33:12 | 0:33:16 | |
That's brilliant. I'm thrilled it's here. Thank you very much. | 0:33:16 | 0:33:19 | |
So Charlie's bang on target, and after framing costs, | 0:33:19 | 0:33:24 | |
takes off with a profit of £106.60. | 0:33:24 | 0:33:27 | |
Both our antiques avengers have been chasing | 0:33:29 | 0:33:32 | |
up and down the country and the sales are racking up. | 0:33:32 | 0:33:35 | |
Charlie is off to a great start with six sales, | 0:33:35 | 0:33:38 | |
five of them from job lots, | 0:33:38 | 0:33:41 | |
and he's made a profit so far of £105.20. | 0:33:41 | 0:33:44 | |
Katherine has sold just two of her lots at this midway stage | 0:33:44 | 0:33:48 | |
but is sitting on a pretty profit of £199.60. | 0:33:48 | 0:33:52 | |
Having notched up nine buys at the auction to Charlie's four, | 0:33:54 | 0:33:57 | |
Katherine's got to crack on. | 0:33:57 | 0:34:00 | |
After researching her packed portfolio of prints, | 0:34:02 | 0:34:04 | |
she's identified the Oxford pub that features in one of them. | 0:34:04 | 0:34:08 | |
I really like detective work. I like completing the story. | 0:34:10 | 0:34:14 | |
The best part of that has been identifying all those scenes | 0:34:14 | 0:34:18 | |
from that folio of pictures and drawings | 0:34:18 | 0:34:20 | |
that I bought at the auction. | 0:34:20 | 0:34:23 | |
So without further delay, our modern Miss Marple hits the road | 0:34:23 | 0:34:27 | |
to present the newly framed print to the pub's marketing manager, Amanda. | 0:34:27 | 0:34:31 | |
I think this painting's just amazing. It's got so much history and heritage, | 0:34:31 | 0:34:36 | |
and it's so relevant to the local area. | 0:34:36 | 0:34:39 | |
-It'll just be amazing hung up in this site. -OK. You like it. | 0:34:39 | 0:34:42 | |
Pictures come at a price, I'm afraid. | 0:34:42 | 0:34:46 | |
-What about, er, 110? -110 sounds good. | 0:34:46 | 0:34:50 | |
For £110, I might actually even hang it on your wall myself. | 0:34:50 | 0:34:55 | |
And with more prints in the portfolio to sell | 0:34:55 | 0:34:58 | |
before we know the extent of her profit, | 0:34:58 | 0:35:00 | |
our rampaging redhead heads down to Findon in East Sussex | 0:35:00 | 0:35:04 | |
with a print featuring the village's sheep fair. | 0:35:04 | 0:35:07 | |
Her sleuthing skills have led her to Alastair, | 0:35:07 | 0:35:10 | |
who helps run the fair today. | 0:35:10 | 0:35:13 | |
And he's not sheepish about paying £125 for the print. | 0:35:13 | 0:35:16 | |
-You've got a deal. -Deal done. -Thank you very much. | 0:35:18 | 0:35:22 | |
And the mean queen of the vintage scene goes on | 0:35:22 | 0:35:25 | |
to sell a selection of the other prints from the portfolio | 0:35:25 | 0:35:28 | |
online for a total of £300.61, | 0:35:28 | 0:35:31 | |
which, after deducting framing costs, | 0:35:31 | 0:35:34 | |
gives her a total profit on the entire lot of £457.43. | 0:35:34 | 0:35:39 | |
And now pray silence, for the Charmer is about to attempt to sell | 0:35:45 | 0:35:49 | |
the last of his signed photographs, Marcel Marceau. | 0:35:49 | 0:35:52 | |
He's back in Oxford and hoping to win over theatre director | 0:35:54 | 0:35:58 | |
and mime enthusiast, Guy. | 0:35:58 | 0:36:01 | |
JAUNTY GALLIC MUSIC | 0:36:01 | 0:36:05 | |
What a result for the Charmer. | 0:37:06 | 0:37:09 | |
That £20 by means that his total profit from the signed photos | 0:37:09 | 0:37:12 | |
comes to £49.20. | 0:37:12 | 0:37:15 | |
Katherine the Great has still got six sales left to make. | 0:37:16 | 0:37:19 | |
She parts with her Austro-Hungarian brooch | 0:37:19 | 0:37:23 | |
for a small loss of £1.80. | 0:37:23 | 0:37:25 | |
But she's hoping to better that with the sale of the Austro-Hungarian ring. | 0:37:28 | 0:37:33 | |
So she heads for Surrey to target her contact, Grace. | 0:37:34 | 0:37:39 | |
Well, my father's Hungarian, so I've got a real interest | 0:37:39 | 0:37:42 | |
and affinity, but never really explored the jewellery side. | 0:37:42 | 0:37:47 | |
So I think it's really exciting. | 0:37:47 | 0:37:49 | |
All the right noises are coming from your side. | 0:37:49 | 0:37:51 | |
It's liked, you have an affinity with it, there's a heritage link. | 0:37:51 | 0:37:56 | |
But it's that million-dollar question. | 0:37:56 | 0:37:58 | |
I would have a price tag of about £500 on it. | 0:37:58 | 0:38:04 | |
Wow! | 0:38:04 | 0:38:06 | |
So, how much can Katherine make on the ring? We'll reveal all later. | 0:38:06 | 0:38:12 | |
Now, the Charmer has sold four pieces of silver from his group buy. | 0:38:12 | 0:38:16 | |
But he's still got the most intriguing piece left, a baby's rattle. | 0:38:16 | 0:38:21 | |
So he's back in London to meet silver dealer Martin. | 0:38:21 | 0:38:24 | |
The maker's mark is JA, which I think is for Joseph Angell. | 0:38:24 | 0:38:28 | |
-A name of which I've heard. -Quite a distinguished, | 0:38:28 | 0:38:31 | |
top-ranking London silversmith between 1810, 1820. | 0:38:31 | 0:38:37 | |
-And what is this? -It's coral. -Is it coral?! -It's coral. | 0:38:37 | 0:38:40 | |
From the eastern Mediterranean. | 0:38:40 | 0:38:42 | |
Coral was used in rattles like this as a chewing stick | 0:38:42 | 0:38:46 | |
-for the teething child. -Is it worth £400? | 0:38:46 | 0:38:49 | |
I think it probably would have been had it had one or two more bells to it. | 0:38:49 | 0:38:53 | |
I think I'd give you, in this condition, | 0:38:53 | 0:38:58 | |
£300 for it. | 0:38:58 | 0:38:59 | |
-What about meeting me halfway? -I'll tell you what, we'll deal at 340 if you pay for the coffees. | 0:38:59 | 0:39:03 | |
-OK? -Done! | 0:39:03 | 0:39:05 | |
Charlie's got to make sure he factors in the costs of the coffee, | 0:39:05 | 0:39:08 | |
but with that top dollar deal he's made a total profit | 0:39:08 | 0:39:13 | |
on the group lot of silver of £305. | 0:39:13 | 0:39:16 | |
With the Charmer going great guns on the silver front, | 0:39:18 | 0:39:20 | |
he makes a saucy little profit of £13.60 on his pair of sauce boats. | 0:39:20 | 0:39:25 | |
That means this charming man is done and dusted. | 0:39:25 | 0:39:28 | |
So, what of Katherine's remaining four lots? | 0:39:31 | 0:39:34 | |
The sheet music sold online for £29.65 | 0:39:34 | 0:39:37 | |
and the old 78s were sold to a collector for £55, | 0:39:37 | 0:39:41 | |
giving the Great One a total profit on the lot of £59.36 after fees. | 0:39:41 | 0:39:48 | |
Her remaining lots, she sold online. | 0:39:48 | 0:39:51 | |
The reliquary made a small but blessed profit of £2.10. | 0:39:51 | 0:39:55 | |
The World War I officer's record | 0:39:59 | 0:40:01 | |
and photos sold for a loss of £61.09. | 0:40:01 | 0:40:05 | |
And the plate sold for a shattering loss of £29.38 after fees. | 0:40:08 | 0:40:14 | |
So, after losses like these, | 0:40:14 | 0:40:17 | |
can Katherine the Great still grab the winner's crown | 0:40:17 | 0:40:20 | |
or will the Charmer's last silver deal | 0:40:20 | 0:40:22 | |
bring him rattling back into the frame? | 0:40:22 | 0:40:24 | |
Both our ace antiques agent have given this battle their all. | 0:40:26 | 0:40:30 | |
They each had £1,000 to spend at the auction in Stansted Mountfitchet. | 0:40:30 | 0:40:35 | |
Charlie kept it simple with four lots, | 0:40:35 | 0:40:37 | |
spending £781.20 including restoration fees, | 0:40:37 | 0:40:42 | |
while Katherine splashed out on nine purchases | 0:40:42 | 0:40:46 | |
with a total spend of £856.90 including framing costs. | 0:40:46 | 0:40:51 | |
But the only thing that matters from here on in is profit. | 0:40:51 | 0:40:55 | |
All the money Charlie and Katherine have made from today's challenge | 0:40:55 | 0:40:58 | |
will be going to charities of their choice. | 0:40:58 | 0:41:00 | |
So without further ado, it's time to find out | 0:41:00 | 0:41:04 | |
who is today's Put Your Money Where Your Mouth Is champion. | 0:41:04 | 0:41:08 | |
-Hello, you. -Lovely to see you. -My Charmer. | 0:41:11 | 0:41:16 | |
How did you do? That auction! It was quite exciting. | 0:41:16 | 0:41:19 | |
I was quite pleased with what I bought. | 0:41:19 | 0:41:21 | |
You bought hundreds of things! | 0:41:21 | 0:41:23 | |
Every time I looked round, there you were, bidding. | 0:41:23 | 0:41:26 | |
-When a girl's got to buy, a girl's got to buy. -Did you sell them all? | 0:41:26 | 0:41:29 | |
I did, actually, I did. The rocking horse was quite fun. | 0:41:29 | 0:41:33 | |
The rocking horse was nice. I liked the rocking horse and I marked it in my catalogue. | 0:41:33 | 0:41:37 | |
But you must be rattling with success, I'm sure. | 0:41:37 | 0:41:41 | |
Ho-ho-ho-ho! Very good. My rattle did well. | 0:41:41 | 0:41:45 | |
Sold it to a silver dealer and I'm thrilled with the profit. | 0:41:45 | 0:41:48 | |
-He was actually at the auction. -Really? -Yeah, but he didn't want all the other bits, | 0:41:48 | 0:41:52 | |
so that was what you call an easy sale. | 0:41:52 | 0:41:54 | |
Come on, then. Show me what you've got, Higgins. | 0:41:54 | 0:41:57 | |
-Well, I'm feeling quite confident here. -I'm not surprised, really. | 0:41:57 | 0:42:00 | |
-One, two, three! -OK. | 0:42:00 | 0:42:05 | |
Oh! | 0:42:05 | 0:42:08 | |
Yes, girl power wins the day! | 0:42:08 | 0:42:11 | |
Do you know, Katherine, you're twice as good as I am? | 0:42:11 | 0:42:15 | |
And I'm going to buy you a very small lunch. | 0:42:15 | 0:42:17 | |
To be expected, darling. | 0:42:17 | 0:42:19 | |
So Katherine's group buying strategy really paid off for her, | 0:42:19 | 0:42:22 | |
but how much did that ghastly ring go for in the end? | 0:42:22 | 0:42:27 | |
I guess, budget, in my mind, was about 300, 350. | 0:42:27 | 0:42:31 | |
I think it would be lovely if we could settle on... | 0:42:31 | 0:42:36 | |
approaching 400. | 0:42:36 | 0:42:38 | |
-I'd be comfortable with that. -OK. I think 400's a really good price. | 0:42:38 | 0:42:42 | |
You will be the belle of the ball. £400. | 0:42:42 | 0:42:45 | |
So that one ornate item gave Katherine the Great | 0:42:45 | 0:42:49 | |
a fantastic profit of £300.80. | 0:42:49 | 0:42:52 | |
I think I did quite well. | 0:42:54 | 0:42:57 | |
Just... Girls have the winning edge - it's quite true, it's evident. | 0:42:57 | 0:43:00 | |
We can do it. Charlie, for an experienced auctioneer, | 0:43:00 | 0:43:04 | |
I did expect better things. | 0:43:04 | 0:43:06 | |
I have succumbed to girl power. | 0:43:06 | 0:43:10 | |
I thought I'd done quite well, really, my profit was chunky. | 0:43:10 | 0:43:13 | |
But hers was outrageous. She's very good. | 0:43:13 | 0:43:18 | |
Well, can our crestfallen Charmer turn it all around? | 0:43:18 | 0:43:22 | |
Charlie attempts to take Katherine's crown tomorrow | 0:43:22 | 0:43:26 | |
when the battle commences at the Ardingly Antiques Fair in West Sussex. | 0:43:26 | 0:43:30 | |
Subtitles by Red Bee Media Ltd | 0:43:46 | 0:43:49 |