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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:07 | |
against each other in an all-out battle for profit. | 0:00:07 | 0:00:10 | |
I'm a double-your-money girl. | 0:00:11 | 0:00:13 | |
And gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
You've got to be in it to win it. | 0:00:16 | 0:00:18 | |
Each week, one pair of duelling dealers | 0:00:19 | 0:00:22 | |
will face a different daily challenge. | 0:00:22 | 0:00:24 | |
'Lovely!' We've got some work to do, let's go. | 0:00:24 | 0:00:26 | |
Putting their own money and their hard-earned reputations on the line | 0:00:26 | 0:00:32 | |
as they see who can make the most money from buying and selling. | 0:00:32 | 0:00:36 | |
Get in there! THUNDERCLAP, CACKLING | 0:00:36 | 0:00:38 | |
Today's all-out battle for profit | 0:00:38 | 0:00:41 | |
pitches ceramics connoisseur Eric Knowles | 0:00:41 | 0:00:44 | |
against the master of memorabilia, John Cameron. | 0:00:44 | 0:00:47 | |
Coming up, John pounces on the prime purchases before his opponent. | 0:00:47 | 0:00:53 | |
I've ended up buying that now. | 0:00:53 | 0:00:54 | |
I'm only buying it because I don't want Eric to get it. | 0:00:54 | 0:00:56 | |
Eric The Unstoppable moves like lightning. | 0:00:56 | 0:01:00 | |
I have seen something else up the road, so don't think me rude, | 0:01:00 | 0:01:03 | |
but I'm going to make a quick dash. | 0:01:03 | 0:01:06 | |
And The Hammer secures a sensational showbiz sale. | 0:01:06 | 0:01:09 | |
OK, we've got a deal. | 0:01:09 | 0:01:12 | |
He probably paid £20 knowing him, | 0:01:12 | 0:01:15 | |
but it's OK, I want him to make some money. | 0:01:15 | 0:01:17 | |
Thank you, David, you're very generous. | 0:01:17 | 0:01:19 | |
It's Put Your Money Where Your Mouth Is. | 0:01:19 | 0:01:22 | |
Grab your sword and tweak your moustache. | 0:01:35 | 0:01:38 | |
Two mighty musketeers of the antiques trade are riding into town. | 0:01:38 | 0:01:43 | |
In this epic bout, it's Eric "Knocker" Knowles, | 0:01:43 | 0:01:46 | |
the Porthos Of Porcelain, | 0:01:46 | 0:01:47 | |
who will have at ye for the most sumptuous of spoils. | 0:01:47 | 0:01:50 | |
Duelling with John "The Hammer" Cameron, | 0:01:51 | 0:01:54 | |
the dashing d'Artagnan of dealers | 0:01:54 | 0:01:56 | |
who will run you through to get his gains. | 0:01:56 | 0:01:59 | |
And at the drop of the gauntlet, they meet at dawn, | 0:01:59 | 0:02:02 | |
rendezvousing at Porte de Vanves free market in Paris. | 0:02:02 | 0:02:05 | |
They are under royal orders to capture the collectables | 0:02:05 | 0:02:08 | |
and sell them on for a big profit. | 0:02:08 | 0:02:11 | |
They have each got £750 worth of euros to spend | 0:02:11 | 0:02:15 | |
and all the profit goes to their chosen charities. | 0:02:15 | 0:02:17 | |
Honour is at stake. | 0:02:17 | 0:02:19 | |
Eric Knowles and John Cameron, | 0:02:19 | 0:02:21 | |
'tis time to put your money where your mouth is. | 0:02:21 | 0:02:24 | |
-Hey. -Good morning, Eric. Good morning. | 0:02:24 | 0:02:27 | |
Bonjour. Hey, listen, you look the part. John, you look French. | 0:02:27 | 0:02:31 | |
I've tried to blend in, but I don't think I'm going to fool anyone, | 0:02:31 | 0:02:34 | |
because the last time I came here, Eric, | 0:02:34 | 0:02:36 | |
I actually addressed a woman as "Monsieur". | 0:02:36 | 0:02:39 | |
What are you going to be looking for? | 0:02:39 | 0:02:41 | |
My main strategy today is I'm looking for decorative things, | 0:02:41 | 0:02:44 | |
things with a bit of visual impact. | 0:02:44 | 0:02:46 | |
You're a bit of a French decorative arts man, so what about you? | 0:02:46 | 0:02:49 | |
I love the deco and I love the nouveau, | 0:02:49 | 0:02:51 | |
but the problem here is, yes, it's here, but at a price. | 0:02:51 | 0:02:55 | |
-Talking of money, do you have your £750? -Yes. | 0:02:55 | 0:02:59 | |
Now, that equates to about 825 euros, is that right? | 0:02:59 | 0:03:02 | |
Yeah, and it looks like it's burning a hole in your pocket. | 0:03:02 | 0:03:04 | |
It certainly is. So let's go and spend some stuff. | 0:03:04 | 0:03:07 | |
May the best man win. Au revoir. And there is my French for the day. | 0:03:07 | 0:03:11 | |
And so today's swashbuckling skirmish begins. | 0:03:12 | 0:03:16 | |
Our two mighty musketeers ride out to outdo each other | 0:03:16 | 0:03:19 | |
in their quest for the finest antiques that France can offer. | 0:03:19 | 0:03:23 | |
But will it be all for one and one for all? | 0:03:23 | 0:03:26 | |
First of all, I've only got a limited amount of time, | 0:03:26 | 0:03:29 | |
because this place closes at two o'clock in the afternoon. | 0:03:29 | 0:03:32 | |
The last time I was here, | 0:03:32 | 0:03:34 | |
there were a few deco and nouveau people over the far side, | 0:03:34 | 0:03:37 | |
so I am going to go in there first, because it is important | 0:03:37 | 0:03:40 | |
that I get off the mark and make a couple of buys as quickly as possible. | 0:03:40 | 0:03:43 | |
So speed is of the essence to Knocker, | 0:03:43 | 0:03:45 | |
but what is The Hammer's cunning plan? | 0:03:45 | 0:03:47 | |
I did say to Eric that I was looking for decorative things, | 0:03:47 | 0:03:50 | |
but really, I'm going to have a good root in some of these cabinets, | 0:03:50 | 0:03:53 | |
try and find those little treasures. | 0:03:53 | 0:03:54 | |
I have made a bit of a faux pas already, though, | 0:03:54 | 0:03:56 | |
I forgot my jeweller's loupe, | 0:03:56 | 0:03:58 | |
so I'm going to have to use the naked eye | 0:03:58 | 0:04:00 | |
in order to scrutinise those little marks. | 0:04:00 | 0:04:03 | |
Forgetting his magnifier puts John at a disadvantage, | 0:04:03 | 0:04:05 | |
but you can bet he won't be telling his opponent, | 0:04:05 | 0:04:08 | |
as this game is all about having an eye for the prize. | 0:04:08 | 0:04:11 | |
So, who will be first off the mark? | 0:04:11 | 0:04:14 | |
It's The Hammer, and he's found something | 0:04:14 | 0:04:16 | |
that's not to be sniffed at. | 0:04:16 | 0:04:18 | |
That's quite sweet. That's a little silverplated snuffbox. | 0:04:18 | 0:04:21 | |
It's a novelty snuffbox modelled as a sailor's cap, | 0:04:21 | 0:04:25 | |
with a little anchor on the top. | 0:04:25 | 0:04:28 | |
It's got 140 euros on it, though, and it is silverplated. | 0:04:28 | 0:04:32 | |
There's not a great deal of age to it, | 0:04:32 | 0:04:33 | |
I think it's probably mid-20th century. | 0:04:33 | 0:04:36 | |
Excusez-moi, sir, do you speak any English? | 0:04:36 | 0:04:38 | |
Because my French is awful. | 0:04:38 | 0:04:39 | |
You do? Saviour. You have got 140 euros on that, | 0:04:39 | 0:04:43 | |
what's your very best price? | 0:04:43 | 0:04:45 | |
-I don't want to mess you around. -The very best would be 100. | 0:04:45 | 0:04:49 | |
-100 euros would be your very best price? -Very best price. | 0:04:49 | 0:04:52 | |
I think I will have to take it. Thank you very much. | 0:04:52 | 0:04:55 | |
Thank you very much indeed. | 0:04:55 | 0:04:57 | |
And thank you for speaking English, it makes my job slightly easier. | 0:04:57 | 0:05:00 | |
So its first blood to the Flashing Blade | 0:05:00 | 0:05:03 | |
as he captures the cap snuffbox for just under £91. | 0:05:03 | 0:05:06 | |
While it's looking like plain sailing for The Hammer, | 0:05:06 | 0:05:09 | |
our Knocker seems to be rather adrift. | 0:05:09 | 0:05:12 | |
I'm maintaining inner calm. | 0:05:12 | 0:05:14 | |
Whereas I'm also trying to avoid showing outer panic, | 0:05:15 | 0:05:19 | |
because I have been going for the best part of about 45 minutes | 0:05:19 | 0:05:25 | |
and I've not bought a single thing. | 0:05:25 | 0:05:27 | |
Go on, Eric, the bargains are out there, you've just got to search. | 0:05:27 | 0:05:31 | |
# I've been searching low and high... # | 0:05:31 | 0:05:35 | |
The mighty Hammer is a man of action | 0:05:35 | 0:05:38 | |
and he's spotted a French classic to crow over. | 0:05:38 | 0:05:41 | |
Excusez-moi. Combien? | 0:05:41 | 0:05:43 | |
MAN SPEAKS FRENCH | 0:05:43 | 0:05:46 | |
Trois cent cinquante. | 0:05:46 | 0:05:48 | |
-Trois cent... -It's 350. -350. | 0:05:48 | 0:05:50 | |
-It's a nice thing. -Lalique. | 0:05:50 | 0:05:52 | |
Yeah, it's Lalique. It's not terribly old. | 0:05:52 | 0:05:55 | |
-It is a little expensive for me. -How much do you pay? | 0:05:55 | 0:05:58 | |
-Hm. I don't wish to insult you. -"Insult". What is "insult"? | 0:05:58 | 0:06:03 | |
-I don't wish to offend. -Ah. | 0:06:03 | 0:06:06 | |
What is your very, very, very best price? | 0:06:06 | 0:06:10 | |
"Very best price" - three little words every stallholder dreads. | 0:06:10 | 0:06:15 | |
Very good price, 250. | 0:06:15 | 0:06:17 | |
It's a drop of 100 euros already, | 0:06:19 | 0:06:22 | |
but is The Hammer going to chicken out? | 0:06:22 | 0:06:25 | |
I would pay 200. | 0:06:25 | 0:06:27 | |
-No, 250... -Listen, you're a good man. | 0:06:27 | 0:06:30 | |
Just give me price. | 0:06:30 | 0:06:33 | |
£200, I would give you £200. | 0:06:33 | 0:06:34 | |
John, you're not in Portsmouth now, it's euros here. | 0:06:34 | 0:06:38 | |
So with The Hammer locked in battle, | 0:06:38 | 0:06:41 | |
is Knocker in any danger of evening the score yet? | 0:06:41 | 0:06:44 | |
Time is pressing and I've yet to make a purchase, | 0:06:44 | 0:06:47 | |
but I can assure you the intent is intense. | 0:06:47 | 0:06:54 | |
Eric, we need action, not intent. | 0:06:54 | 0:06:56 | |
John is still haggling for the Lalique. | 0:06:56 | 0:06:58 | |
I will pay you £200. No? | 0:06:58 | 0:07:01 | |
Give me 220. | 0:07:01 | 0:07:02 | |
Oh, this guy is good, but The Hammer strikes back. | 0:07:02 | 0:07:05 | |
210. | 0:07:05 | 0:07:07 | |
-OK, give. -I've ended up buying it now. | 0:07:07 | 0:07:10 | |
I'm only buying it because I don't want Eric to get it. | 0:07:10 | 0:07:13 | |
-There's 200. -Give me ten, now. -Yes, I'll give you ten. | 0:07:13 | 0:07:17 | |
-All right? -Merci beaucoup, John. | 0:07:17 | 0:07:20 | |
And fortune favours our bold buccaneer | 0:07:20 | 0:07:23 | |
as he shells out just under £191 for the glass cockerel. | 0:07:23 | 0:07:28 | |
I've just purchased this Lalique model of a cockerel, | 0:07:28 | 0:07:33 | |
but there are no chips on that, that's very, very important with Lalique glass. | 0:07:33 | 0:07:36 | |
I'm in Knocker territory here - | 0:07:36 | 0:07:38 | |
this is the sort of thing he would definitely have picked up. | 0:07:38 | 0:07:41 | |
He is, there's no doubt, an authority on Lalique. | 0:07:41 | 0:07:45 | |
This is a kind of strategy. I picked this up because I think he would have bought this. | 0:07:45 | 0:07:49 | |
I've removed this piece from the game so the Knocker can't buy it. | 0:07:49 | 0:07:52 | |
Hopefully it won't backfire on me, | 0:07:52 | 0:07:54 | |
but anyway, let's see what Eric's got to say when he sees it. | 0:07:54 | 0:07:57 | |
A provocative and downright fiendish move from The Hammer there. | 0:07:57 | 0:08:01 | |
This game can be won or lost on strategy. | 0:08:01 | 0:08:03 | |
But Eric has been busy | 0:08:03 | 0:08:06 | |
and finally he has spotted a piece with potential. | 0:08:06 | 0:08:09 | |
I came across this ceiling light. It is Empire style. | 0:08:09 | 0:08:13 | |
I know full well it's not of any great age | 0:08:13 | 0:08:15 | |
but I know how much these things cost back in the UK, because I bought one. | 0:08:15 | 0:08:22 | |
A little bit bigger than that. The best price is 100 euros, | 0:08:22 | 0:08:25 | |
a green light went on in my head which said "buy, buy, buy". | 0:08:25 | 0:08:29 | |
So that's exactly what I'm going to do. | 0:08:29 | 0:08:31 | |
And buy he does, splashing out just under £91 for the chandelier, | 0:08:31 | 0:08:36 | |
which will need to be rewired | 0:08:36 | 0:08:37 | |
and safety-checked before it can be used in the UK. | 0:08:37 | 0:08:40 | |
I'll tell you what, I feel an awful lot better now I've made that buy. | 0:08:41 | 0:08:45 | |
It is almost like scoring the first goal in a game of football | 0:08:45 | 0:08:49 | |
and bearing in mind that we've got a Pompey supporter at the far end, | 0:08:49 | 0:08:53 | |
I am just wondering how many he's knocked into the net. | 0:08:53 | 0:08:57 | |
So Knocker shoots and scores | 0:08:57 | 0:08:59 | |
and The Hammer's even found some useful footwear for him. | 0:08:59 | 0:09:02 | |
Look at those, I bet Eric remembers playing football in those, eh? | 0:09:02 | 0:09:07 | |
Jumpers for goalposts. | 0:09:07 | 0:09:08 | |
Ooh, The Hammer puts the boot in! | 0:09:08 | 0:09:10 | |
But there are no yellow cards in this game. | 0:09:10 | 0:09:12 | |
Now, it's coming up for half-time here in Paris | 0:09:12 | 0:09:16 | |
and Knocker's looking to even up the score. | 0:09:16 | 0:09:18 | |
I've not seen this particular design before. | 0:09:18 | 0:09:21 | |
I've been offered it at the very best price of 80 euros, | 0:09:21 | 0:09:24 | |
so I'm not sure who I'm going to sell that to, | 0:09:24 | 0:09:27 | |
because you really need a pair, | 0:09:27 | 0:09:29 | |
but I'm going to keep that in reserve and I may be back later. | 0:09:29 | 0:09:33 | |
I like it, but there may be something around there that I like even more. | 0:09:33 | 0:09:38 | |
So Knocker is still on the lookout, | 0:09:40 | 0:09:42 | |
prowling this market and keeping a wary eye out for his opposition, | 0:09:42 | 0:09:45 | |
but The Hammer is a master of disguise. | 0:09:45 | 0:09:49 | |
So our Eric might find himself getting a little confused. | 0:09:49 | 0:09:53 | |
Do you think Eric will recognise me around here? | 0:09:53 | 0:09:55 | |
John, how's it going? Oh, I'm so sorry. Excusez-moi. | 0:09:55 | 0:09:59 | |
Trying to keep my eye out for Knowlesy while I'm down here. | 0:09:59 | 0:10:03 | |
-Bonjour, John, how's it going? -No, no, monsieur, no. | 0:10:03 | 0:10:06 | |
Excusez-moi. Excusez-moi. | 0:10:06 | 0:10:08 | |
I found a picture that I think Eric should most definitely buy. | 0:10:09 | 0:10:13 | |
This is all too much. | 0:10:15 | 0:10:17 | |
John Cameron has merged into the entire French nation. | 0:10:17 | 0:10:21 | |
-John, is it really you? It is. -Eric. | 0:10:23 | 0:10:26 | |
I've been looking all over the shop for you. | 0:10:26 | 0:10:28 | |
I mean, I'm bumping into folk that are dead ringers for you. | 0:10:28 | 0:10:31 | |
-I've been embarrassing myself. -Well, great sage, I hope you spent a bit of time | 0:10:31 | 0:10:34 | |
actually looking for bargains instead of looking to me. | 0:10:34 | 0:10:37 | |
Well, I've been looking to see how you've been getting on, | 0:10:37 | 0:10:40 | |
so I might as well ask the question. | 0:10:40 | 0:10:42 | |
I've bought a few things. How about you? How are you finding it? | 0:10:42 | 0:10:47 | |
I don't mind admitting I'm finding all the right pieces | 0:10:47 | 0:10:50 | |
but not at the right prices, so as time is of the essence, | 0:10:50 | 0:10:53 | |
I'm going to scoot, but remember - you're buying for Britain. | 0:10:53 | 0:10:58 | |
I'll catch you later. | 0:10:58 | 0:11:00 | |
Looking a little bit nervous there, if you don't mind me saying so. | 0:11:01 | 0:11:05 | |
We're halfway through the game, | 0:11:05 | 0:11:07 | |
so let's remind ourselves how things are playing out | 0:11:07 | 0:11:10 | |
between the young blade and his senior swordsman. | 0:11:10 | 0:11:13 | |
Both our dashing dealmakers | 0:11:13 | 0:11:15 | |
had up to £750 of their own money to spend today. | 0:11:15 | 0:11:18 | |
Eric has largely kept his spending sword stuck in his scabbard, | 0:11:18 | 0:11:21 | |
notching up only one buy and spending £90.91, | 0:11:21 | 0:11:25 | |
leaving a fraction over £659 in his kitty. | 0:11:25 | 0:11:29 | |
John is sticking to his strategy of pace and stealth | 0:11:30 | 0:11:33 | |
and has made two hits with his pair of buys costing him £281.82, | 0:11:33 | 0:11:38 | |
with £468.18 left to play with. | 0:11:38 | 0:11:41 | |
So, it en garde for round two and the rules of engagement | 0:11:52 | 0:11:55 | |
are to seek out the spoils from this street market | 0:11:55 | 0:11:58 | |
before it closes down for the day. | 0:11:58 | 0:12:00 | |
Time is of the essence | 0:12:00 | 0:12:02 | |
and both our duellists are feeling the pressure. | 0:12:02 | 0:12:04 | |
I looked into that man's eyes and I saw pure terror. | 0:12:04 | 0:12:10 | |
So it's no small consolation, because look at that... | 0:12:10 | 0:12:15 | |
That is the best I can do. The pressure is on. | 0:12:15 | 0:12:19 | |
Right, there are stallholders actually starting to pack away here. | 0:12:19 | 0:12:23 | |
So this is when we start making panic buys. | 0:12:23 | 0:12:26 | |
I think Eric is panicking just a little bit more | 0:12:26 | 0:12:28 | |
because he is struggling to find those things. | 0:12:28 | 0:12:31 | |
However, he knows the story about the hare and the tortoise. | 0:12:31 | 0:12:33 | |
I don't put it past him to catch me up. | 0:12:33 | 0:12:36 | |
You're right to be wary, John, because it's the tortoise | 0:12:36 | 0:12:39 | |
who is first to strike by spending on some silver. | 0:12:39 | 0:12:42 | |
I've just bought this... Wait for this, it is a sort of crumb scoop, | 0:12:42 | 0:12:47 | |
but look at it, it's lovely, it's art nouveau. | 0:12:47 | 0:12:50 | |
It dates from around about 1900, give or take maybe five years. | 0:12:50 | 0:12:53 | |
It's actually stamped for Gallia, | 0:12:53 | 0:12:55 | |
which is a trade name for Christofle, | 0:12:55 | 0:12:57 | |
but I think it's a pretty good buy. | 0:12:57 | 0:12:59 | |
I'm very happy with that. | 0:12:59 | 0:13:01 | |
Yes, a telling thrust delivered by our veteran Knocker | 0:13:01 | 0:13:05 | |
as he nets the nouveau for £100. | 0:13:05 | 0:13:07 | |
Will there be an answer in riposte from his younger rival, | 0:13:07 | 0:13:09 | |
who's spotted an intriguing piece? | 0:13:09 | 0:13:12 | |
Interesting, a little enamel piece there. It has got some age to it. | 0:13:12 | 0:13:16 | |
It would have had a little thermometer in here, | 0:13:16 | 0:13:19 | |
which is long gone, but I still think that's interesting enough. | 0:13:19 | 0:13:23 | |
Nice condition other than that. Should get a sale out of it. | 0:13:23 | 0:13:26 | |
The Hammer's parry keeps him still one step ahead | 0:13:26 | 0:13:30 | |
as he bags the novelty item for 50 euros - that's £45.45. | 0:13:30 | 0:13:33 | |
So The Hammer is fizzing with confidence | 0:13:33 | 0:13:37 | |
and with time fast running out, Eric knows he's got to get a shift on. | 0:13:37 | 0:13:41 | |
So I'm going to go back to a few of the things that I saw earlier | 0:13:41 | 0:13:44 | |
that I was thinking about and make that quantum leap and buy them. | 0:13:44 | 0:13:49 | |
Yes, a new tactic for Knocker. | 0:13:49 | 0:13:51 | |
Move very fast. | 0:13:51 | 0:13:52 | |
And he dashes back to that vase that he put on the backburner earlier on. | 0:13:52 | 0:13:57 | |
I've decided to go with the vase. I like its pedigree. | 0:13:57 | 0:14:02 | |
It's getting late in the day, so it was in reserve | 0:14:02 | 0:14:06 | |
and I'm glad I saw it earlier. | 0:14:06 | 0:14:07 | |
Fantastique. Thank you. | 0:14:07 | 0:14:09 | |
Our resident pot-aholic hands over 80 Euros. | 0:14:09 | 0:14:13 | |
That's £72.73. | 0:14:13 | 0:14:14 | |
So that one's in the bag. I've seen something else up the road. | 0:14:14 | 0:14:18 | |
So don't think me rude, but I'm going to make a quick dash. | 0:14:18 | 0:14:22 | |
MUSIC: "Run Run Run" by Jo Jo Gunne | 0:14:22 | 0:14:24 | |
And while this duel | 0:14:24 | 0:14:26 | |
is turning into a dealing dash for Knocker, | 0:14:26 | 0:14:28 | |
The Hammer is showing some Gallic cool | 0:14:28 | 0:14:31 | |
by casually snapping up a bronze and glass centrepiece. | 0:14:31 | 0:14:34 | |
Most definitely my bargain of the day. | 0:14:34 | 0:14:36 | |
But I know you're asking, "What is it, and why has he bought that?" | 0:14:36 | 0:14:39 | |
Well, it's a tazza, or a centrepiece, | 0:14:39 | 0:14:42 | |
used in the centre of a table to put cakes | 0:14:42 | 0:14:44 | |
or something like that on, for display. | 0:14:44 | 0:14:46 | |
It probably dates from the early 20th Century, | 0:14:46 | 0:14:48 | |
when you see a lot of pressed glass around. | 0:14:48 | 0:14:50 | |
And it features the 12 signs of the zodiac. | 0:14:50 | 0:14:54 | |
The bottom has a cast bronze base. | 0:14:54 | 0:14:56 | |
It is a bit customer-specific, I'll agree. | 0:14:56 | 0:15:00 | |
But I do have someone in mind. | 0:15:00 | 0:15:01 | |
Our dashing dealer has it in the bag for £22.73. | 0:15:01 | 0:15:07 | |
So The Hammer stays ahead by four buys to three. | 0:15:07 | 0:15:09 | |
But what of Knocker's sprint for the spoils? | 0:15:09 | 0:15:12 | |
Can Eric calm his panic and snatch the deal of the day? | 0:15:12 | 0:15:16 | |
Deux-cent-quatre-vingt. C'est cent-quatre-vingt. | 0:15:16 | 0:15:18 | |
-OK. -180. -180? | 0:15:18 | 0:15:23 | |
-Yes. -OK. -It's model de Rochard. | 0:15:23 | 0:15:26 | |
This is last-minute buying, but you can get a bargain at the end here. | 0:15:26 | 0:15:30 | |
That was at 280 euros. It's now 180 euros. | 0:15:30 | 0:15:33 | |
Not a bad discount. | 0:15:33 | 0:15:34 | |
Eric strikes hard and fast for the clock, | 0:15:34 | 0:15:38 | |
paying a shrewd £163.64. | 0:15:38 | 0:15:41 | |
-I love you! -(SHE LAUGHS) Ah! Me too! | 0:15:41 | 0:15:43 | |
Our Eric knows how to play the game. | 0:15:43 | 0:15:46 | |
A little bit of charm doesn't go amiss with the French! | 0:15:46 | 0:15:49 | |
They know how to take it. | 0:15:49 | 0:15:50 | |
-So, merci beaucoup. Au revoir. -Au revoir. | 0:15:50 | 0:15:52 | |
I'm going to dash on, because there's something else I've seen. | 0:15:52 | 0:15:55 | |
Yes, look at him go. | 0:15:55 | 0:15:57 | |
Knocker is now firing on all cylinders, | 0:15:57 | 0:15:59 | |
and it's not long before our rapier blade | 0:15:59 | 0:16:02 | |
closes in on his next potential purchase. | 0:16:02 | 0:16:04 | |
I'm having a lesson here in French fireside furniture. | 0:16:04 | 0:16:09 | |
Because if these were chenaise, they'd have support. | 0:16:09 | 0:16:12 | |
So when you think of chenaise in England | 0:16:12 | 0:16:14 | |
you're thinking hand irons or fire dogs. | 0:16:14 | 0:16:17 | |
Whereas this, of course, has got almost like a fender effect. | 0:16:17 | 0:16:21 | |
And what is more, it is adjustable. | 0:16:21 | 0:16:24 | |
So although it looks like it's only for a small fire, | 0:16:24 | 0:16:27 | |
you can expand it for a larger fireplace. | 0:16:27 | 0:16:31 | |
So fits any, which is not a bad deal. Oh yeah, but how much is it? | 0:16:31 | 0:16:34 | |
-In English? -One million. | 0:16:34 | 0:16:35 | |
One million?! THEY LAUGH | 0:16:35 | 0:16:38 | |
For you, I make this 60 for you. | 0:16:38 | 0:16:41 | |
-60 euros? -Yes, because I am good. | 0:16:41 | 0:16:45 | |
Yes, you are very good to us! I'm feeling a Franco-Anglo bond. | 0:16:45 | 0:16:50 | |
We are doing the best for d'Entente, here, are we not? | 0:16:50 | 0:16:53 | |
D'accord! | 0:16:53 | 0:16:55 | |
Dernier prix? Best price, 60? | 0:16:55 | 0:16:58 | |
-60. Yes, because we go. -OK, no, no. Take my money! | 0:16:58 | 0:17:02 | |
Decision made, | 0:17:02 | 0:17:03 | |
Eric hands over £54.55 for the French fender. | 0:17:03 | 0:17:07 | |
At last, Knocker takes the lead over his rival. | 0:17:07 | 0:17:10 | |
But The Hammer is the picture of composure. | 0:17:10 | 0:17:12 | |
How much are the little port and starboards? | 0:17:12 | 0:17:16 | |
-For the pair? -Yeah. -90. | 0:17:16 | 0:17:18 | |
-90? Ouch! -Cheap! | 0:17:18 | 0:17:21 | |
-What does that say? 30 Euros? -35 for the pair. | 0:17:21 | 0:17:24 | |
It used to be 60. | 0:17:24 | 0:17:26 | |
I'd like to give you 60 for those and 30 for those. | 0:17:26 | 0:17:30 | |
60 for those? No. | 0:17:30 | 0:17:31 | |
OK, I'll tell you what. 70 for those and 30 for those. 100. | 0:17:31 | 0:17:34 | |
-You've got a deal. -Good man. | 0:17:34 | 0:17:37 | |
And with a lightning lunge, The Hammer hits the target | 0:17:37 | 0:17:40 | |
with two buys for under £91. | 0:17:40 | 0:17:43 | |
Two marine-themed lamps for £63.64, | 0:17:43 | 0:17:48 | |
and the Laurel and Hardy ceramic heads for £27.27. | 0:17:48 | 0:17:52 | |
These are used for ships, for being able to know your left and right. | 0:17:52 | 0:17:55 | |
And an easy way to remember is the drink, port, is red. | 0:17:55 | 0:17:58 | |
If you remember there's no more port LEFT in the bottle, there's left. | 0:17:58 | 0:18:02 | |
And your starboard is right. | 0:18:02 | 0:18:03 | |
But around Portsmouth, | 0:18:03 | 0:18:05 | |
I've got to be able to sell those and make a profit. | 0:18:05 | 0:18:08 | |
Quite like those. | 0:18:08 | 0:18:10 | |
I bought them together | 0:18:10 | 0:18:12 | |
with my biscuit porcelain Laurel and Hardy here. | 0:18:12 | 0:18:16 | |
Now these were probably made in Germany, I would have suggested. | 0:18:16 | 0:18:21 | |
Obviously of the period, around the '30s. | 0:18:21 | 0:18:23 | |
And you can see the little holes around their shoulders there. | 0:18:23 | 0:18:27 | |
They would have had cloth bodies sewn to them. But these are intact. | 0:18:27 | 0:18:31 | |
There's no cracks or chips anywhere. | 0:18:31 | 0:18:33 | |
They're a bit of fun. Everyone loves Laurel and Hardy. | 0:18:33 | 0:18:36 | |
And at 30 euros if I can't make a profit on that, | 0:18:36 | 0:18:38 | |
all I can say is, | 0:18:38 | 0:18:40 | |
that's another fine mess you've got me into, Eric. | 0:18:40 | 0:18:43 | |
Mmm, there's no stopping the hard-hitting Hammer. | 0:18:43 | 0:18:46 | |
He's now notched up six buys to his opponent's five. | 0:18:46 | 0:18:48 | |
But Eric's last-minute dealing dash | 0:18:48 | 0:18:51 | |
has once again paid dividends. | 0:18:51 | 0:18:54 | |
Come and have a look at what I've just purchased. | 0:18:54 | 0:18:57 | |
Bonjour, Madame. | 0:18:57 | 0:18:58 | |
Such a stylish sort of champagne bucket, don't you think? | 0:18:58 | 0:19:02 | |
I've always done well. | 0:19:02 | 0:19:04 | |
It's got a nice mark on the base. | 0:19:04 | 0:19:06 | |
Date-wise, I suppose we're looking at round about 1930. | 0:19:06 | 0:19:10 | |
I like it. I've just paid 65 Euros for it. | 0:19:10 | 0:19:13 | |
And this, which again, I thought was nice and stylish. | 0:19:13 | 0:19:18 | |
I paid 65 for that. | 0:19:18 | 0:19:20 | |
So both items that would look well on any Art Deco table. | 0:19:20 | 0:19:25 | |
And for that sort of money, I'm not going to leave them behind. | 0:19:25 | 0:19:31 | |
So it's touche from our titan of the trade, | 0:19:31 | 0:19:34 | |
as he stumps up just over £59 each | 0:19:34 | 0:19:37 | |
for two pieces of silver plate. | 0:19:37 | 0:19:40 | |
With the stallholders packing up, Knocker has had to run back | 0:19:40 | 0:19:43 | |
and grab the heron clock he bought earlier. | 0:19:43 | 0:19:46 | |
Here's a wonderful clock | 0:19:46 | 0:19:47 | |
which is more a piece of sculpture, I think you'll agree. | 0:19:47 | 0:19:51 | |
I've got two sort of crested storks, or they're egrets, | 0:19:51 | 0:19:55 | |
and they're actually gilt metal. So they're not bronze. | 0:19:55 | 0:19:59 | |
But I can tell you the rest is marble. | 0:19:59 | 0:20:01 | |
It was very much a last-minute purchase. | 0:20:01 | 0:20:03 | |
That's when you get the odd bargain. | 0:20:03 | 0:20:05 | |
And I think I did. | 0:20:05 | 0:20:07 | |
I'm done and dusted. | 0:20:07 | 0:20:08 | |
Knocker's seven items put him one-up on John. | 0:20:08 | 0:20:11 | |
But The Hammer has one last buy up his sleeve. | 0:20:11 | 0:20:14 | |
Last little sneaky purchase of the day | 0:20:14 | 0:20:17 | |
is this little classic Citroen car. | 0:20:17 | 0:20:19 | |
There's no age to it. It's a modern collectable. | 0:20:19 | 0:20:22 | |
But I do know somebody that owns one of those cars. | 0:20:22 | 0:20:25 | |
So hopefully that's a sale in the bag. | 0:20:25 | 0:20:28 | |
But if he doesn't want it, | 0:20:28 | 0:20:29 | |
it's going to end up in the shelf in my office. | 0:20:29 | 0:20:33 | |
And with that last jab, | 0:20:33 | 0:20:35 | |
The Hammer grabs the model car for £18.18. | 0:20:35 | 0:20:38 | |
With the market closing around them | 0:20:38 | 0:20:40 | |
and the sellers all shutting up shop, | 0:20:40 | 0:20:42 | |
our duelling dealers must now call it a day. | 0:20:42 | 0:20:45 | |
Our bargain buccaneers each started the day | 0:20:45 | 0:20:48 | |
with £750 of their own money to spend. | 0:20:48 | 0:20:51 | |
Eric "Knocker" Knowles started sluggishly, | 0:20:51 | 0:20:54 | |
but eventually sprang into wallet-wielding action, | 0:20:54 | 0:20:58 | |
with seven items bought for a total of £600.01. | 0:20:58 | 0:21:01 | |
John "The Hammer" Cameron matched the veteran stroke for stroke | 0:21:01 | 0:21:07 | |
with seven buys of his own, spending £459.09 all in all. | 0:21:07 | 0:21:11 | |
With both memorabilia musketeers surviving the combat unscathed, | 0:21:11 | 0:21:15 | |
it's time for them to down their swords and compare their spoils. | 0:21:15 | 0:21:19 | |
Well, we've done it. | 0:21:19 | 0:21:20 | |
I don't know what the French word is for 'knackered', but I feel it! | 0:21:20 | 0:21:23 | |
Oh, my God! It doesn't get any easier, does it? | 0:21:23 | 0:21:26 | |
What do you think of this? | 0:21:26 | 0:21:27 | |
Well, I know what you did! I know what you did! | 0:21:27 | 0:21:30 | |
I saw this and thought of you. | 0:21:30 | 0:21:32 | |
I thought, "I've got to buy that, just so Eric can't." | 0:21:32 | 0:21:35 | |
-I am sorry. -No, I'm not going to say anything. | 0:21:35 | 0:21:37 | |
But I think half the beak's missing. I'm not a bad loser. | 0:21:37 | 0:21:39 | |
What about this? I didn't know you were into buying doorstops. | 0:21:39 | 0:21:42 | |
(HE LAUGHS) You cheeky! | 0:21:42 | 0:21:44 | |
But I thought that was a very handsome clock. | 0:21:44 | 0:21:47 | |
I tell you what, that'll be one expensive doorstop, I can assure you. | 0:21:47 | 0:21:50 | |
I tell you what, you take your two old birds. | 0:21:50 | 0:21:53 | |
-I'm going to take my cockerel. -Yep! -And I'll see you soon. | 0:21:53 | 0:21:56 | |
The purloining of their Parisian plunder | 0:21:58 | 0:22:00 | |
has put our sterling swashbucklers in fine fettle | 0:22:00 | 0:22:03 | |
for the greater challenge which now awaits them. | 0:22:03 | 0:22:06 | |
They've got to sell all their items for the most profit they can get. | 0:22:06 | 0:22:10 | |
And all the money they make will go to their chosen charities. | 0:22:10 | 0:22:13 | |
So our duelling dealers return home | 0:22:13 | 0:22:16 | |
to gird their loins for the fight ahead. | 0:22:16 | 0:22:19 | |
Knocker, to beautiful Buckinghamshire. | 0:22:19 | 0:22:21 | |
And The Hammer, to the heavenly Hampshire coast. | 0:22:21 | 0:22:24 | |
Knocker wastes no time in talking up his impressive armoury. | 0:22:24 | 0:22:28 | |
Well, after a very busy day in Paris, | 0:22:28 | 0:22:31 | |
where I might be accused of a certain amount of panic-buying, | 0:22:31 | 0:22:34 | |
one item's given me a bit of a surprise. | 0:22:34 | 0:22:37 | |
It's this plated serving dish. | 0:22:37 | 0:22:39 | |
Because you can see that it's constructed | 0:22:39 | 0:22:42 | |
in such a way as to have a double motif. | 0:22:42 | 0:22:46 | |
Because that, to me, is the face of a lioness. | 0:22:46 | 0:22:49 | |
It's just a good quality item. | 0:22:49 | 0:22:51 | |
As for my clock, I think it's stylish. | 0:22:51 | 0:22:53 | |
And the same holds true of the crumb scoop. | 0:22:53 | 0:22:56 | |
As for the pottery vase, well, | 0:22:56 | 0:22:58 | |
I think that might be something of an academic piece. | 0:22:58 | 0:23:01 | |
And finally, over here, my very modern champagne bucket. | 0:23:01 | 0:23:05 | |
I'm hoping I'm going to come out ahead. | 0:23:05 | 0:23:07 | |
Eric also has to sell his fire fender and his chandelier. | 0:23:07 | 0:23:11 | |
The Hammer is casting his eyes over his hefty haul. | 0:23:11 | 0:23:15 | |
Back from my adventures across the English Channel | 0:23:15 | 0:23:18 | |
and my French buying trip in Paris. | 0:23:18 | 0:23:20 | |
I really like my Laurel and Hardy porcelain heads. | 0:23:20 | 0:23:23 | |
I have someone in mind for those. | 0:23:23 | 0:23:25 | |
The other item I bought with somebody in mind | 0:23:25 | 0:23:28 | |
is my gilt bronze and glass astrologer's plate. | 0:23:28 | 0:23:32 | |
My port and starboard lamps, always good sellers | 0:23:32 | 0:23:34 | |
around these parts on the south coast. | 0:23:34 | 0:23:37 | |
And also my little Citroen model car. | 0:23:37 | 0:23:40 | |
But I think my most favourite item has to be the Lalique, | 0:23:40 | 0:23:43 | |
that I know Eric would have bought. | 0:23:43 | 0:23:45 | |
So I think that me nipping in there | 0:23:45 | 0:23:47 | |
certainly moved me up the pecking order | 0:23:47 | 0:23:49 | |
in terms of potential profit. | 0:23:49 | 0:23:51 | |
John also has to sell his enamel thermometer holder | 0:23:51 | 0:23:54 | |
and his cap snuff box. | 0:23:54 | 0:23:56 | |
So, without further ado, | 0:23:56 | 0:23:58 | |
our swashbuckling seekers of profit spring into action, | 0:23:58 | 0:24:02 | |
using all the tools of the trade at their disposal. | 0:24:02 | 0:24:04 | |
They'll be ravaging in the pages of their contacts books | 0:24:04 | 0:24:08 | |
as they seek to find buyers for all their items. | 0:24:08 | 0:24:11 | |
But until they've shaken on it and the money has changed hands, | 0:24:11 | 0:24:14 | |
no deal is truly sealed. | 0:24:14 | 0:24:16 | |
The heroic Hammer is philosophical about the pressures | 0:24:16 | 0:24:19 | |
of the journey ahead. | 0:24:19 | 0:24:21 | |
If I win, I've beaten the legendary Eric Knowles. | 0:24:21 | 0:24:24 | |
And if I don't, well, it's not so bad. | 0:24:24 | 0:24:27 | |
I got to play against my idol. | 0:24:27 | 0:24:29 | |
It's a bit like a lower division footballer | 0:24:29 | 0:24:32 | |
saying that they once shared the field with George Best. | 0:24:32 | 0:24:36 | |
Very magnanimous, John. | 0:24:36 | 0:24:37 | |
And the George Best of Burnley is feeling equally generous. | 0:24:37 | 0:24:41 | |
It's funny, you know, when I think of Portsmouth now, | 0:24:41 | 0:24:44 | |
I think of John Cameron, | 0:24:44 | 0:24:46 | |
but I do think of him as... | 0:24:46 | 0:24:49 | |
sartorially, he is the peacock, if you will, of Put Your Money. | 0:24:49 | 0:24:53 | |
Well, the preening peacock might have something to say about that. | 0:24:53 | 0:24:57 | |
WOLF WHISTLE | 0:24:57 | 0:24:59 | |
And cranking up the horsepower in his mighty white van, | 0:24:59 | 0:25:02 | |
Knocker's first port of call is to a specialist dealer in Oxfordshire. | 0:25:02 | 0:25:07 | |
He's hoping Ant will be fascinated by his fire fender, | 0:25:07 | 0:25:09 | |
a red-hot Parisian purchase at £53.55. | 0:25:09 | 0:25:14 | |
I tell you, there's no better place to be in this particular season | 0:25:14 | 0:25:18 | |
than when you've got that roaring fire. | 0:25:18 | 0:25:21 | |
Which brings me neatly to fireside furniture. | 0:25:21 | 0:25:24 | |
Yeah, I see you've got a bit of metal with you. | 0:25:24 | 0:25:26 | |
I have, it's more than metal, it's a work of art. | 0:25:26 | 0:25:28 | |
I thought that was a very nice quality object. | 0:25:28 | 0:25:32 | |
Now, you've seen a few of these in your time, | 0:25:32 | 0:25:34 | |
so I'd be interested to have your comments. | 0:25:34 | 0:25:38 | |
Well, it's quite a nice casting. | 0:25:38 | 0:25:40 | |
It's not a bad example, probably late 19th century. | 0:25:40 | 0:25:42 | |
I was going to start round about £130 or something like that. | 0:25:42 | 0:25:46 | |
Yeah, like I say, Eric, fenders have become very unfashionable. | 0:25:46 | 0:25:50 | |
Demand isn't very good. | 0:25:52 | 0:25:53 | |
Come at me with it, let's see where we go. | 0:25:53 | 0:25:55 | |
-The market is very flat at the moment. -OK. | 0:25:55 | 0:25:58 | |
And I was thinking more like 75. | 0:25:58 | 0:25:59 | |
If we could come in nearer sort of 95... | 0:25:59 | 0:26:03 | |
The important thing is, | 0:26:03 | 0:26:05 | |
I've come in here as your mate, and I want to go out as your mate. | 0:26:05 | 0:26:08 | |
Let's go 85 and then I can make my profit | 0:26:08 | 0:26:10 | |
and we'll enjoy owning it... | 0:26:10 | 0:26:12 | |
-OK, 85, come on. -Done. -You've done a deal. | 0:26:12 | 0:26:15 | |
Yes, Eric's all fired up with a profit of £30.45, | 0:26:15 | 0:26:19 | |
a steady start for our veteran. | 0:26:19 | 0:26:22 | |
Now it's time for his sharp-dressed young adversary to hit the road | 0:26:22 | 0:26:26 | |
and find a home for his toy car. | 0:26:26 | 0:26:27 | |
And he's planning to sell it to an owner of the full-sized version, | 0:26:27 | 0:26:31 | |
Portsmouth acquaintance, Mark. | 0:26:31 | 0:26:34 | |
Have a look, what do you think? Here's the car. | 0:26:34 | 0:26:36 | |
-Is it the right model? -John, it's definitely the right model. | 0:26:36 | 0:26:39 | |
So how long was she in production for? | 0:26:39 | 0:26:40 | |
They commenced manufacture in 1934, | 0:26:40 | 0:26:43 | |
and although production stopped for the Second World War, | 0:26:43 | 0:26:47 | |
they commenced production immediately after the war | 0:26:47 | 0:26:49 | |
and carried on right up until 1957. | 0:26:49 | 0:26:52 | |
Well, she is slightly later still, but what do you think of her? | 0:26:52 | 0:26:57 | |
Nice quality die cast model. | 0:26:57 | 0:26:58 | |
The detailing is where it's good, | 0:26:58 | 0:27:01 | |
even down to the odd colour yellow wheels and the tiny indicators | 0:27:01 | 0:27:04 | |
on the high quarters. | 0:27:04 | 0:27:05 | |
-Is it worth 60 quid to you? -I would've said not, John. | 0:27:05 | 0:27:07 | |
-I would've thought probably more like 35, maybe £40? -£40? | 0:27:07 | 0:27:12 | |
-Go on then, Mark. I'll tell you what, I'll even throw in that. -Ah. | 0:27:12 | 0:27:17 | |
To keep the dust off! | 0:27:17 | 0:27:18 | |
-Any chance of a lift home? -Yep, no problem. | 0:27:18 | 0:27:20 | |
I know I don't speak much French, but I think you'll agree, Eric, | 0:27:20 | 0:27:24 | |
that some of my sales have a certain je ne sais quoi. | 0:27:24 | 0:27:27 | |
Mm, our now cosmopolitan competent drives off with a profit of £21.82, | 0:27:28 | 0:27:33 | |
but that's not going to trouble the Burnley Baron, | 0:27:33 | 0:27:36 | |
who's on the trail for a sale of his champagne bucket, with Art Deco dealer Wayne. | 0:27:36 | 0:27:40 | |
Would 95 suit? | 0:27:41 | 0:27:43 | |
If you call it £90, we're all right. | 0:27:43 | 0:27:46 | |
OK, 90 quid. All right, all right. | 0:27:46 | 0:27:48 | |
So, a sparkler of a deal there for Knocker, | 0:27:48 | 0:27:51 | |
netting him almost £31 profit. | 0:27:51 | 0:27:53 | |
Now, The Hammer is all suited and booted | 0:27:53 | 0:27:56 | |
for the next phase of his selling. He's dressed to impress | 0:27:56 | 0:27:58 | |
and to try and sell his cake stand. | 0:27:58 | 0:28:01 | |
# I'm gonna get dressed for success | 0:28:01 | 0:28:05 | |
# Shaping me up for the big time, baby | 0:28:05 | 0:28:09 | |
# Get dressed... # | 0:28:09 | 0:28:11 | |
I'm here to see my friend, Anna, a keen cake maker, | 0:28:11 | 0:28:14 | |
and I've brought along my glass and gilt bronze zodiac centrepiece. | 0:28:14 | 0:28:18 | |
She seen the photograph. She wasn't too impressed with it, | 0:28:18 | 0:28:21 | |
so looking into my stars, I think I've got a hard sell on my hands. | 0:28:21 | 0:28:24 | |
What do you think? | 0:28:24 | 0:28:26 | |
It's a lot nicer in the flesh. | 0:28:26 | 0:28:28 | |
Oh, that's a relief! | 0:28:28 | 0:28:30 | |
-Um, I really like the details on the legs. -You like it? | 0:28:30 | 0:28:33 | |
-Yeah, they're really pretty. -So, put a price tag on it? | 0:28:33 | 0:28:36 | |
-£50. -£50?! | 0:28:36 | 0:28:38 | |
I actually thought it was worth at least double that. | 0:28:38 | 0:28:40 | |
It's nice, I wouldn't say it's worth more than 50, £60. | 0:28:40 | 0:28:45 | |
Well, we're moving in the right direction slowly. | 0:28:45 | 0:28:47 | |
-Make me another offer. -£75. | 0:28:47 | 0:28:49 | |
I'll tell you what, make it £80 and you've got a deal. | 0:28:49 | 0:28:51 | |
-Go on, then. You've got a deal. -Well done, thank you very much. | 0:28:51 | 0:28:54 | |
So it's a very sweet profit of £57.27 for our happy Hammer, | 0:28:54 | 0:29:00 | |
who gets an unexpected bonus with this sale. | 0:29:00 | 0:29:03 | |
-I have actually made a little surprise for you. -Oh, Anna! | 0:29:03 | 0:29:06 | |
-Is that for me? -That's for you. -Oh, fantastic. | 0:29:06 | 0:29:09 | |
Knowlesy? | 0:29:09 | 0:29:11 | |
-Who says you can't have your cake and eat it? -# Hammer time... # | 0:29:11 | 0:29:14 | |
Now, Knocker is fuelling up to make a big sale of his own. | 0:29:14 | 0:29:17 | |
He's loaded up his white van and he's pulled up in Southport, | 0:29:17 | 0:29:20 | |
hoping to offload his vase, crumb scoop and platter. | 0:29:20 | 0:29:24 | |
He's taking a punt on specialist dealer Paul | 0:29:24 | 0:29:26 | |
wanting to take all three. | 0:29:26 | 0:29:28 | |
I know that you're an academic, as well as a shop owner. | 0:29:28 | 0:29:32 | |
Well, flattery gets you everywhere. | 0:29:32 | 0:29:34 | |
But that's from the Paris Expo of 1937. | 0:29:34 | 0:29:37 | |
-But I just thought it was a stylish piece. -I don't know the manufacturer. | 0:29:37 | 0:29:42 | |
No. In some respects, it makes me feel a little bit better, | 0:29:42 | 0:29:44 | |
because, you know, I'm sort of flying by the seat of my pants. | 0:29:44 | 0:29:49 | |
When it comes to, sort of, prices, | 0:29:49 | 0:29:52 | |
both of these, I was looking around the 100 mark. | 0:29:52 | 0:29:55 | |
This one, minimum of around about £130. | 0:29:55 | 0:29:58 | |
This one, I may be able to get a collector, | 0:29:58 | 0:30:00 | |
it depends what sort of deal he can do on it, Eric. | 0:30:00 | 0:30:03 | |
But I want you to be comfortable because I want to do more business with you. | 0:30:03 | 0:30:06 | |
-Would 75 show you a profit, Eric, on that one? -80 might. | 0:30:06 | 0:30:09 | |
Well, we've known each other for a long time, | 0:30:09 | 0:30:12 | |
and I would go 80 for you. | 0:30:12 | 0:30:13 | |
80 quid, OK. | 0:30:13 | 0:30:15 | |
Now, when you find out that it's by Raoul Dufy or somebody like that. | 0:30:15 | 0:30:18 | |
I will not tell you at all! | 0:30:18 | 0:30:21 | |
-Put it there. -Many thanks. -You're a star. Excellent. | 0:30:21 | 0:30:23 | |
Oh, that's a bit of a disappointment for Knocker, | 0:30:23 | 0:30:26 | |
a small profit of just £7.27 on the vase. | 0:30:26 | 0:30:30 | |
And he'll have to find another buyer for the platter and the crumb scoop, | 0:30:30 | 0:30:33 | |
and that's got to be good news for his rampaging rival, | 0:30:33 | 0:30:36 | |
The Hammer, who's sniffed out another deal. | 0:30:36 | 0:30:39 | |
He's on his way to Southampton, | 0:30:39 | 0:30:41 | |
where he's tracked down the perfect purchaser for his novelty snuff box. | 0:30:41 | 0:30:45 | |
I'm here to meet Geoff Holt, antiques collector-dealer, | 0:30:45 | 0:30:48 | |
but also well known for being the first disabled sailor | 0:30:48 | 0:30:51 | |
to sail single-handedly around the UK and across the Atlantic. | 0:30:51 | 0:30:55 | |
So I'm hoping he's going to take a shine to my silver-plated snuff box, | 0:30:55 | 0:30:58 | |
Sailor's Cap. | 0:30:58 | 0:31:00 | |
I'm really intrigued to know all about this sailing... | 0:31:00 | 0:31:03 | |
I've been at sea since we last met! | 0:31:03 | 0:31:06 | |
I think you have. | 0:31:06 | 0:31:08 | |
How did this all happen? Around the UK and the Atlantic. | 0:31:08 | 0:31:10 | |
Yeah, I went round Britain on my own in 2007. | 0:31:10 | 0:31:14 | |
That took a third of a year to sail round Britain, | 0:31:14 | 0:31:16 | |
and then more recently, I sailed across the Atlantic in 2009, | 0:31:16 | 0:31:20 | |
and that took a month to sail 3,000 miles. | 0:31:20 | 0:31:22 | |
I sailed back to the beach where I had my accident. | 0:31:22 | 0:31:25 | |
I've been really lucky and honoured and privileged | 0:31:25 | 0:31:28 | |
to be able to do that. | 0:31:28 | 0:31:29 | |
Well, I know sailing plays a big part in your life | 0:31:29 | 0:31:31 | |
and you're very passionate about it, but I know you are very passionate | 0:31:31 | 0:31:34 | |
-about antiques and collectibles as well, Geoff. -Yeah. | 0:31:34 | 0:31:37 | |
Which is why I'm here. What do you think? It is quite novel. | 0:31:37 | 0:31:39 | |
It is. | 0:31:39 | 0:31:41 | |
My first reaction, John, is it's much bigger than I was expecting. | 0:31:41 | 0:31:44 | |
Let me have a closer look, maybe, at this. | 0:31:44 | 0:31:46 | |
I mean, crikey, I could not not want that, could I, really? | 0:31:46 | 0:31:50 | |
That's got to be... | 0:31:50 | 0:31:52 | |
Careful what I say, I don't want to show my enthusiasm too early, | 0:31:52 | 0:31:55 | |
but that's lovely. | 0:31:55 | 0:31:56 | |
So I guess the real question, John, is how much are you looking for? | 0:31:56 | 0:31:59 | |
I'm hoping around £180, something like that. | 0:31:59 | 0:32:01 | |
It's not silver, John. | 0:32:01 | 0:32:03 | |
No, I know it's not silver! | 0:32:03 | 0:32:05 | |
I'm thinking, realistically, 120 here, John. | 0:32:05 | 0:32:08 | |
It doesn't give me much of a profit. | 0:32:08 | 0:32:10 | |
Now, I'm sadly driven by profit at the moment, | 0:32:10 | 0:32:13 | |
because my oppo is Eric Knowles. | 0:32:13 | 0:32:15 | |
-Oh, why didn't you say so? -So you mean you'll increase your bid?! | 0:32:15 | 0:32:18 | |
I'll increase the bid, let's say... | 0:32:18 | 0:32:20 | |
if you can call it 150, we can shake on 150. | 0:32:20 | 0:32:24 | |
150... | 0:32:24 | 0:32:25 | |
I can't counter that. 150, I will take 150, Geoff. | 0:32:25 | 0:32:30 | |
-Are you happy with that? -I'm happy with that, 150. -Shake on the deal. | 0:32:30 | 0:32:33 | |
-We've got a deal. -Fantastic, I'm happy with that. | 0:32:33 | 0:32:35 | |
And it's a tidy profit of £59.09 for Gentleman John. | 0:32:35 | 0:32:40 | |
The Valiant Varlet also goes on to sell his port and starboard lamps | 0:32:40 | 0:32:45 | |
to a local dealer, sailing away with a profit of £96.36. | 0:32:45 | 0:32:50 | |
Both our marauding musketeers have been fighting fiercely | 0:32:50 | 0:32:53 | |
right from the get-go. | 0:32:53 | 0:32:54 | |
So far, Eric has sold three of his items | 0:32:54 | 0:32:56 | |
and has bagged a profit of £68.63, | 0:32:56 | 0:33:00 | |
while John has made four sales at this midway stage, | 0:33:00 | 0:33:03 | |
and he's also ahead in cash terms, | 0:33:03 | 0:33:05 | |
with a profit of £234.54. | 0:33:05 | 0:33:08 | |
As the battle rages on, | 0:33:10 | 0:33:12 | |
The Hammer has three items left to sell, while Knocker has four. | 0:33:12 | 0:33:16 | |
And the Burnley Blade's hoping to offload three of them | 0:33:16 | 0:33:19 | |
in one fell swoop. | 0:33:19 | 0:33:21 | |
He has high hopes that a dealer in Westram will be his savoir. | 0:33:21 | 0:33:24 | |
But, when our White Van Wonder starts unloading his booty, | 0:33:25 | 0:33:28 | |
disaster strikes. | 0:33:28 | 0:33:31 | |
I just put this dish down on the pavement, | 0:33:31 | 0:33:34 | |
next to the lamppost over there, and I heard a pop, I heard a bang | 0:33:34 | 0:33:38 | |
and I came out and I found that a car had mounted the pavement | 0:33:38 | 0:33:44 | |
and actually run over the thing! | 0:33:44 | 0:33:46 | |
And it's driven off. I'm a victim of a hit and run! It's just... | 0:33:46 | 0:33:51 | |
Well, it's just... | 0:33:52 | 0:33:54 | |
Excuse me, I'm just having one of those off-camera moments, sorry. | 0:33:54 | 0:33:58 | |
Oh, poor Eric. | 0:33:58 | 0:34:00 | |
Knocker's knackered platter has shattered his chances of profit | 0:34:00 | 0:34:04 | |
and, if he expects any sympathy from The Hammer, he's sadly mistaken. | 0:34:04 | 0:34:09 | |
The antiquarian upstart is off to Yorkshire | 0:34:11 | 0:34:13 | |
with his Laurel and Hardy porcelain heads. And on his trek to the frozen North, | 0:34:13 | 0:34:17 | |
he's finding out there's no business like snow business, | 0:34:17 | 0:34:21 | |
as he comes face-to-face with his celebrity chum, | 0:34:21 | 0:34:24 | |
David Gest. | 0:34:24 | 0:34:26 | |
-David, it's good to see you again. -Good to see you. | 0:34:26 | 0:34:29 | |
Now, usually when I see you, I'm selling something for you. | 0:34:29 | 0:34:31 | |
Today, my attempt is to sell something to you. | 0:34:31 | 0:34:34 | |
The fact that you collect memorabilia, you know, | 0:34:34 | 0:34:37 | |
you're rubbing shoulders and friends with all these big names, | 0:34:37 | 0:34:40 | |
was there ever a temptation to say, | 0:34:40 | 0:34:42 | |
"Do you mind signing this for me?" | 0:34:42 | 0:34:44 | |
I mean, the only autograph that I was ever a little nervous about | 0:34:44 | 0:34:48 | |
asking for was John Cameron, because of his great work on television. | 0:34:48 | 0:34:53 | |
Well, without any further ado, they need no introduction. | 0:34:53 | 0:34:57 | |
Here we have two French bisque porcelain heads. | 0:34:57 | 0:35:02 | |
These would have been sold as blanks to sew onto the body, | 0:35:02 | 0:35:06 | |
so these would be on a cloth body. | 0:35:06 | 0:35:07 | |
So, what do you think of them? | 0:35:07 | 0:35:09 | |
Well, I've seen these at Woolworth's for 19p. | 0:35:09 | 0:35:12 | |
No, just teasing. I've got to get the price down right away. | 0:35:12 | 0:35:17 | |
-So what do you think of them? -I love them. | 0:35:17 | 0:35:19 | |
And I've collected a lot of things on Laurel and Hardy. | 0:35:19 | 0:35:22 | |
-They're fabulous and I love them. -You do like them? -Yeah. | 0:35:22 | 0:35:24 | |
Tell me where your starting point is. | 0:35:24 | 0:35:27 | |
I think they're worth about £300. | 0:35:27 | 0:35:29 | |
That's pretty high. That's pretty high. | 0:35:29 | 0:35:32 | |
We're going to have to lower that a bit. | 0:35:32 | 0:35:35 | |
-Make me an offer, David. -How does 150 sound to you? | 0:35:35 | 0:35:38 | |
It doesn't sound too bad. | 0:35:38 | 0:35:40 | |
You think you could stretch to 200? | 0:35:40 | 0:35:42 | |
No, I think I could stretch it to 150, | 0:35:42 | 0:35:44 | |
and I'm pretty strict when I buy something. | 0:35:44 | 0:35:48 | |
I think that's what I would pay for them. | 0:35:48 | 0:35:51 | |
150, your final offer, David? | 0:35:51 | 0:35:54 | |
In pounds, not dollars. | 0:35:54 | 0:35:57 | |
£150, and I will take it. | 0:35:57 | 0:35:59 | |
OK. We've got a deal. | 0:35:59 | 0:36:02 | |
He probably paid £20, knowing him, | 0:36:02 | 0:36:04 | |
but it's OK, I want him to make some money. | 0:36:04 | 0:36:07 | |
Thank you, David, you're very generous! | 0:36:07 | 0:36:09 | |
David's £20 guess isn't far wrong. | 0:36:09 | 0:36:12 | |
John bought the heads for just over £27 | 0:36:12 | 0:36:15 | |
and so makes a spectacular showbiz profit of £122.73. | 0:36:15 | 0:36:21 | |
Back in Kent, never-say-die Knocker has dried his eyes | 0:36:21 | 0:36:25 | |
and is trying to put his platter calamity behind him, | 0:36:25 | 0:36:27 | |
and he goes in fighting for a dynamic deal | 0:36:27 | 0:36:30 | |
on his clock and crumb scoop with local dealer John. | 0:36:30 | 0:36:34 | |
When I saw it, I just instantly liked it, | 0:36:34 | 0:36:37 | |
because of it being sculptural. | 0:36:37 | 0:36:40 | |
-Condition-wise, it's going to need a bit of a clean, obviously. -Yep. | 0:36:40 | 0:36:43 | |
We tend to look at all of that and try and bring it back to its original finish, | 0:36:43 | 0:36:46 | |
so I have to allow for that. | 0:36:46 | 0:36:49 | |
It's unusual to have these sorts of birds, as you know, | 0:36:49 | 0:36:52 | |
but for that, it is interesting. But it's a limited market. | 0:36:52 | 0:36:54 | |
So with something like this, if my opening gambit was around about... | 0:36:54 | 0:36:58 | |
£240...? But you tell me where you would be comfortable, John. | 0:36:58 | 0:37:02 | |
I'm probably going to be nearer 180. | 0:37:02 | 0:37:04 | |
Is there any way we can get to that 200 mark? | 0:37:04 | 0:37:07 | |
-I'm happy to do it at 200. -Are you sure? -That's fair enough. | 0:37:07 | 0:37:10 | |
So it's a profit of £36.36 on the gilt and marble clock. | 0:37:10 | 0:37:14 | |
Now, Eric sets to work on the crumb scoop. | 0:37:14 | 0:37:17 | |
To see me ahead of the game, | 0:37:17 | 0:37:19 | |
I'm looking for around about £120 on that. | 0:37:19 | 0:37:24 | |
-How about £100? -If we could do £110, it sees me in the right direction. | 0:37:24 | 0:37:29 | |
-OK. -OK. You're a star, you really are. -Thank you. | 0:37:29 | 0:37:33 | |
Eric makes a modest £10 profit on the crumb scoop. | 0:37:33 | 0:37:35 | |
Poor old Knocker | 0:37:35 | 0:37:37 | |
is really struggling for the big money today. | 0:37:37 | 0:37:40 | |
And John also offers £20 for the battered silver platter, | 0:37:40 | 0:37:44 | |
a loss of £39.09 that Eric knew he'd have to take. | 0:37:44 | 0:37:48 | |
All of which should hearten The Hammer. | 0:37:48 | 0:37:50 | |
Our South Coast swashbuckler is taking a day trip to Brighton | 0:37:50 | 0:37:54 | |
to meet Jeff, a specialist in Lalique car mascots, | 0:37:54 | 0:37:58 | |
at his garage HQ. | 0:37:58 | 0:37:59 | |
There we are. Have a look at it. Post-war production, obviously, | 0:37:59 | 0:38:03 | |
it's a later one. The first one, I believe, was 1928, wasn't it? | 0:38:03 | 0:38:06 | |
That's right, yep. The in-between war, it would have been intaglio, | 0:38:06 | 0:38:10 | |
that's to say moulded within the piece, | 0:38:10 | 0:38:12 | |
and it would say Lalique France, | 0:38:12 | 0:38:14 | |
it's the only one that didn't have the R for Rene. | 0:38:14 | 0:38:16 | |
It's in very nice condition, there doesn't seem to be any faults. | 0:38:16 | 0:38:19 | |
So is it something that can make its way into the cabinet? | 0:38:19 | 0:38:22 | |
It definitely can, at the right price, yes. | 0:38:22 | 0:38:24 | |
-I'm looking for about £400. -Right. | 0:38:24 | 0:38:27 | |
At 400, it would come in its box with certificate. | 0:38:27 | 0:38:30 | |
I could come up to the 300 mark on it. | 0:38:30 | 0:38:33 | |
Could you go to £350? | 0:38:33 | 0:38:35 | |
Well, I said 300, you're saying 350, I'd meet you halfway at 325. | 0:38:35 | 0:38:40 | |
OK, that seems fair enough. I've made a profit, | 0:38:40 | 0:38:43 | |
-let's shake on that. £325. -All the best, yes. | 0:38:43 | 0:38:46 | |
Thank you very much, Jeff. | 0:38:46 | 0:38:47 | |
So, it's a none too paltry profit of just over £134, | 0:38:47 | 0:38:52 | |
and our John is never short of a pun or two. | 0:38:52 | 0:38:54 | |
My cockerel has gone home to roost, | 0:38:54 | 0:38:57 | |
I made a profit that certainly isn't chicken feed, | 0:38:57 | 0:38:59 | |
and making money in Eric's field of expertise | 0:38:59 | 0:39:02 | |
is definitely something to crow about. | 0:39:02 | 0:39:04 | |
And with his full range of hen-based hilarity exhausted, | 0:39:04 | 0:39:08 | |
The Hammer returns home to plan his final sale. | 0:39:08 | 0:39:11 | |
Knocker has made a foray into Hertfordshire | 0:39:11 | 0:39:14 | |
for his last selling trip, | 0:39:14 | 0:39:15 | |
and it's in the unlikely location of Foxholes Farm | 0:39:15 | 0:39:19 | |
that he's arranged to meet period lighting dealer Jeff, | 0:39:19 | 0:39:21 | |
to offload the chandelier he bought for just under £91. | 0:39:21 | 0:39:26 | |
I know that I've sent you an image of this wonderful luminaire, | 0:39:26 | 0:39:30 | |
-as they might say in Paris. -It's interesting. | 0:39:30 | 0:39:33 | |
The thing that struck me about it was the quality, | 0:39:33 | 0:39:36 | |
and I believe that you have the qualifications | 0:39:36 | 0:39:40 | |
to actually bring this back to life. | 0:39:40 | 0:39:42 | |
-It needs rewiring. -Yeah. -Um, new lamp-holders, | 0:39:42 | 0:39:45 | |
testing et cetera, before we can sell it. | 0:39:45 | 0:39:48 | |
I'm just thinking that it may be, sort of, from the 1970s | 0:39:48 | 0:39:54 | |
-or maybe... -I was going to say about 1960, | 0:39:54 | 0:39:57 | |
-so we're not far off there. -No. | 0:39:57 | 0:39:59 | |
-It's a limited market. -Is it? | 0:39:59 | 0:40:01 | |
-It's not as easy as crystal chandeliers. -Yeah. | 0:40:01 | 0:40:04 | |
But there would be some interest. | 0:40:04 | 0:40:06 | |
I was coming in at about 220 on that, but go on. | 0:40:06 | 0:40:10 | |
There's a recession, Eric. A recession. | 0:40:10 | 0:40:12 | |
-Times are hard! -Yeah. | 0:40:12 | 0:40:13 | |
I would be looking more like about 145, 150. | 0:40:13 | 0:40:19 | |
-I was hoping for nearer 180. -170? | 0:40:19 | 0:40:22 | |
OK, 170, you've got yourself a French Empire hanging light. | 0:40:22 | 0:40:28 | |
Well, a good object with a reasonable profit, | 0:40:28 | 0:40:32 | |
and it just goes to show that where there's muck, there's brass. | 0:40:32 | 0:40:36 | |
Ay up, Eric! | 0:40:36 | 0:40:38 | |
And with that last bit of brass banked to the tune of £79.09, | 0:40:38 | 0:40:42 | |
that's Knocker's selling spree all done, | 0:40:42 | 0:40:45 | |
while The Hammer still has one more deal left to strike, | 0:40:45 | 0:40:47 | |
and he's hoping to tempt dealer Ian with his novelty thermometer holder. | 0:40:47 | 0:40:51 | |
I'd like about 130, 140 for it. | 0:40:53 | 0:40:55 | |
-Can you come down a few degrees? -Arr! | 0:40:55 | 0:40:59 | |
A few degrees! How many degrees? | 0:40:59 | 0:41:01 | |
I'll give you 100 quid. | 0:41:01 | 0:41:03 | |
I think that's a fair offer, £100. | 0:41:03 | 0:41:05 | |
So, The Hammer gets a temperature-raising profit | 0:41:05 | 0:41:09 | |
of £54.55. | 0:41:09 | 0:41:10 | |
Both dashing dealers have battled bravely throughout this duel, | 0:41:10 | 0:41:14 | |
but who's wielded his wallet with the most wisdom? | 0:41:14 | 0:41:17 | |
Both our experts had £750 worth of Euros | 0:41:17 | 0:41:21 | |
to spend at the Parisian flea market. | 0:41:21 | 0:41:23 | |
Eric made seven purchases, spending a total of £600.01. | 0:41:23 | 0:41:28 | |
John also made seven buys, spending £459.09 in all. | 0:41:28 | 0:41:34 | |
But the only numbers that matter from here on in | 0:41:34 | 0:41:37 | |
are those they make in profit. | 0:41:37 | 0:41:39 | |
All of the money that Eric and John have made from today's challenge | 0:41:39 | 0:41:42 | |
will be going to a charity of their choice. | 0:41:42 | 0:41:45 | |
So, without further ado, it's time to find out | 0:41:45 | 0:41:48 | |
who is today's Put Your Money Where Your Mouth Is champion. | 0:41:48 | 0:41:51 | |
Hey, Mr Cameron, or should I say, comment allez-vous? Or whatever. | 0:41:51 | 0:41:56 | |
Tell me about your Laurel and Hardy, how did they go? | 0:41:56 | 0:41:59 | |
They were all right, they actually got me out of a fine mess. | 0:41:59 | 0:42:01 | |
I sold them, no less, to David Gest, | 0:42:01 | 0:42:03 | |
who is a collector of film and music memorabilia. | 0:42:03 | 0:42:06 | |
Well, I'm already trembling, I'm already trembling. | 0:42:06 | 0:42:08 | |
Do you remember my Art Deco silver-plated dish? | 0:42:08 | 0:42:14 | |
-With the nice jewelled handles? -Yes. | 0:42:14 | 0:42:16 | |
But believe it or not, I just put it on the kerb | 0:42:16 | 0:42:20 | |
and along came a car, mounted the pavement and flattened it. | 0:42:20 | 0:42:23 | |
I'm not grinning about that, Eric, | 0:42:23 | 0:42:25 | |
but I hope you at least sold it for scrap. | 0:42:25 | 0:42:27 | |
Well, more or less! More or less. | 0:42:27 | 0:42:30 | |
-Let's see how we did, anyway. -Let's see. | 0:42:30 | 0:42:32 | |
-TOGETHER: -One, two, three. | 0:42:32 | 0:42:34 | |
Ooh, that's a big price. Oh, look. | 0:42:34 | 0:42:36 | |
-Oh, my goodness! -My goodness me. | 0:42:36 | 0:42:38 | |
Well, I am absolutely shocked there, Eric. I really am. | 0:42:38 | 0:42:41 | |
So, anyway, my consolation is knowing that you've won, | 0:42:41 | 0:42:45 | |
you actually put the drinks on the table. | 0:42:45 | 0:42:48 | |
So it was victory for The Hammer on the Continent, | 0:42:48 | 0:42:51 | |
and I'm not one to crow, even though I did buy and sell that cockerel | 0:42:51 | 0:42:54 | |
just so Eric couldn't. | 0:42:54 | 0:42:55 | |
But I am pleased with my victory, | 0:42:55 | 0:42:57 | |
because when it comes to the heavyweights of the antiques world, | 0:42:57 | 0:43:00 | |
they don't come much bigger than Eric Knowles. | 0:43:00 | 0:43:02 | |
Well, I've got to eat humble pie, | 0:43:02 | 0:43:04 | |
because that was a colossal total from my competitor there. | 0:43:04 | 0:43:08 | |
It probably helped having a certain David Gest on your side, | 0:43:08 | 0:43:13 | |
but as for poor old Laurel and Hardy, in my case, well, | 0:43:13 | 0:43:17 | |
it's another fine mess they've got me into. | 0:43:17 | 0:43:21 | |
So, can the Porcelain Price pull it back in tomorrow's show, | 0:43:21 | 0:43:25 | |
when he takes on the sharpshooting Hammer once again, | 0:43:25 | 0:43:27 | |
at an antiques fair in Lincolnshire? | 0:43:27 | 0:43:29 | |
Subtitles by Red Bee Media Ltd | 0:43:44 | 0:43:47 |