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This is Put Your Money Where Your Mouth Is. | 0:00:02 | 0:00:03 | |
The show that pitches TV's best loved antiques experts | 0:00:03 | 0:00:07 | |
against each other in an all-out battle for profit... | 0:00:07 | 0:00:10 | |
Let's make hay while that sun shines. | 0:00:10 | 0:00:12 | |
..and gives you the insider's view of the trade. | 0:00:12 | 0:00:15 | |
Who's there? | 0:00:17 | 0:00:19 | |
Each week, one pair of duelling dealers | 0:00:19 | 0:00:21 | |
will face a different daily challenge... | 0:00:21 | 0:00:23 | |
The original cheeky chappie. Lovely! | 0:00:24 | 0:00:27 | |
..putting their reputations on the line. | 0:00:27 | 0:00:29 | |
And I truly rock it! | 0:00:29 | 0:00:31 | |
WOLF WHISTLE | 0:00:31 | 0:00:33 | |
And giving you their top tips | 0:00:33 | 0:00:34 | |
and savvy secrets on how to make the most money from buying and selling. | 0:00:34 | 0:00:39 | |
Get in there! | 0:00:40 | 0:00:41 | |
THUNDERCLAP AND EVIL LAUGHTER | 0:00:41 | 0:00:44 | |
Today's auction extravaganza sets the dextrous dealer David Harper | 0:00:44 | 0:00:48 | |
against the purchasing powerhouse Mark Stacey. | 0:00:48 | 0:00:52 | |
-Coming up, our pair take to the skies. -Oh, you...are kissable! | 0:00:52 | 0:00:57 | |
David chose the value in making people feel good. | 0:00:59 | 0:01:02 | |
And it's almost like a caricature of dolphins | 0:01:02 | 0:01:04 | |
so they put a smile on your face, don't they? | 0:01:04 | 0:01:06 | |
-They do. -Let's have a look at your faces? | 0:01:06 | 0:01:08 | |
-Yeah, they do. -There you go. | 0:01:08 | 0:01:10 | |
And Mark gets in a bit of a flap. | 0:01:10 | 0:01:12 | |
Oh! John, please. You can't do that to me. | 0:01:12 | 0:01:16 | |
This is Put Your Money Where Your Mouth Is. | 0:01:16 | 0:01:19 | |
Grab your seats for an enthralling action-packed auction. | 0:01:32 | 0:01:36 | |
Our persistent pair of prime purchasers are limbering up | 0:01:36 | 0:01:40 | |
to step into the ring, do battle and bid, bid, bid. Oh, yes! | 0:01:40 | 0:01:44 | |
It promises to be a feisty financial fight focusing on one factor - | 0:01:44 | 0:01:49 | |
who will take home the greatest profit and be crowned the winner? | 0:01:49 | 0:01:53 | |
First up, a dogged dealer who never shies from a hard haggle. | 0:01:53 | 0:01:57 | |
His wealth of knowledge knows no bounds, | 0:01:57 | 0:01:59 | |
his years of experience yield one-off wonders. | 0:01:59 | 0:02:02 | |
He is determined, he is indomitable. It's Devilish David Harper. | 0:02:02 | 0:02:06 | |
Waiting for an opportunity to pounce on a bargain. | 0:02:06 | 0:02:10 | |
His opponent is an antiques authority at the pinnacle of his profession. | 0:02:10 | 0:02:15 | |
His attention to detail is demon, his expertise extraordinary | 0:02:15 | 0:02:19 | |
and it's all topped off with a lightning quick wit. | 0:02:19 | 0:02:22 | |
-It's Mark "The Maverick" Stacey. -The fun is about to begin. | 0:02:22 | 0:02:27 | |
Yes, you're not wrong there. | 0:02:27 | 0:02:28 | |
Both of our majestic marketers has a fiscal fire in their belly | 0:02:28 | 0:02:32 | |
and they need it. | 0:02:32 | 0:02:33 | |
Today's gladiatorial gauntlet is being run at the Chiswick Auctions | 0:02:33 | 0:02:37 | |
in West London. | 0:02:37 | 0:02:38 | |
Our bargain busters come armed with £1,000 of their own money to spend, | 0:02:38 | 0:02:42 | |
and when all is said and done, | 0:02:42 | 0:02:44 | |
any profits they make go straight to their chosen charities. | 0:02:44 | 0:02:47 | |
So, David Harper and Mark Stacey, get ready for a real battle | 0:02:47 | 0:02:52 | |
because it's time to Put Your Money Where Your Mouth Is! | 0:02:52 | 0:02:56 | |
-David? -Yes. -What are you doing down there? | 0:02:56 | 0:03:00 | |
I'm doing what I should be doing, Mark. | 0:03:00 | 0:03:01 | |
-I'm looking for rather nice antiques. -Where? | 0:03:01 | 0:03:05 | |
-I'll come down. -I'll wait here. | 0:03:05 | 0:03:07 | |
So you've been hiding upstairs, have you? You've been watching. | 0:03:09 | 0:03:12 | |
You've been watching what I've been watching! | 0:03:12 | 0:03:15 | |
I've actually been marking every lot. | 0:03:15 | 0:03:17 | |
How am I doing? Are you scoring me well? | 0:03:17 | 0:03:19 | |
-I'm not going to go for any of them. -Really? -No. -So, 0/10. | 0:03:19 | 0:03:22 | |
-0/10 for me. -Story of my life. -But it's a good sale, isn't it? | 0:03:22 | 0:03:25 | |
It's a great sale. You know what? | 0:03:25 | 0:03:27 | |
Because we're in London, it's a very high content of decorative pieces, | 0:03:27 | 0:03:31 | |
which is actually, we know, the market today so it could be good. | 0:03:31 | 0:03:34 | |
-Absolutely. -I've got £1,000. -Less commission. | 0:03:34 | 0:03:36 | |
You've got to build that commission in, so that is 24%. | 0:03:36 | 0:03:41 | |
Listen, I can't dawdle because I've got lots of things to check out. | 0:03:41 | 0:03:45 | |
-OK, walk that way. -Happy hunting. I couldn't possibly walk that way. | 0:03:45 | 0:03:48 | |
Oh, they're feeling chipper! | 0:03:50 | 0:03:51 | |
But remember, our retailing rivals are not just fending off each other. | 0:03:51 | 0:03:56 | |
£28. | 0:03:56 | 0:03:57 | |
The room will be packed with would-be buyers | 0:03:57 | 0:03:59 | |
and the internet adds the menace of a worldwide bidding war. | 0:03:59 | 0:04:03 | |
So the boys must bid with their brains | 0:04:03 | 0:04:05 | |
and Mark has been using his grey matter to get one step ahead. | 0:04:05 | 0:04:09 | |
I've been rather cunning, you know. | 0:04:09 | 0:04:11 | |
What I've done is I've looked online, | 0:04:11 | 0:04:12 | |
so I've already written down in my little book at the back | 0:04:12 | 0:04:15 | |
several lots that I'm interested in having a look at. | 0:04:15 | 0:04:18 | |
Now, I'm hoping that will save me time and give me | 0:04:18 | 0:04:20 | |
a bit of an advantage over David. | 0:04:20 | 0:04:22 | |
Well, antiques is a touchy-feely business. | 0:04:22 | 0:04:24 | |
So, even though he swotted up online, | 0:04:24 | 0:04:26 | |
Mark's still got to get in there and get hands-on. | 0:04:26 | 0:04:30 | |
David, though, isn't daunted. | 0:04:30 | 0:04:32 | |
It's really interesting to hear Mark's strategy. | 0:04:32 | 0:04:34 | |
It doesn't work well in auction | 0:04:34 | 0:04:37 | |
because you are guaranteed to be outbid. | 0:04:37 | 0:04:40 | |
You need to mark dozens of objects, act like a jackal | 0:04:40 | 0:04:44 | |
and when something is going cheap, cheap, you get in there, | 0:04:44 | 0:04:47 | |
you snap it up, you buy it and you run. | 0:04:47 | 0:04:50 | |
And that is my strategy. | 0:04:50 | 0:04:52 | |
It's a bit early to be picking apart Mark's strategy, David, | 0:04:52 | 0:04:56 | |
but it shows just how seriously he's taking his mission. | 0:04:56 | 0:04:59 | |
Right, before the auction kicks off, our prize-fighters need a good rummage | 0:04:59 | 0:05:03 | |
and back upstairs, Mark quickly finds a striking Edwardian tobacco jar. | 0:05:03 | 0:05:08 | |
Modelled as, I suppose, a Native American, a chief. | 0:05:08 | 0:05:12 | |
These things are quite collectable now, you know. | 0:05:12 | 0:05:14 | |
Because they don't have the history, I suppose, | 0:05:14 | 0:05:16 | |
that the United Kingdom and the rest of Europe do, | 0:05:16 | 0:05:19 | |
they are fascinated by things from the 19th century. | 0:05:19 | 0:05:22 | |
But it is in with this mixed lot. I mean, I hate the flowers. | 0:05:22 | 0:05:26 | |
They are absolutely loathsome. | 0:05:26 | 0:05:29 | |
I think the best thing you can do with those | 0:05:29 | 0:05:31 | |
is take them to a coconut shy and throw balls at them and break them. | 0:05:31 | 0:05:34 | |
SHATTERING | 0:05:34 | 0:05:35 | |
Don't hold back, Mark! Tell us what you really think. | 0:05:35 | 0:05:38 | |
But the Native American is enough of a drawer, | 0:05:38 | 0:05:40 | |
to get circled in his catalogue. | 0:05:40 | 0:05:42 | |
Down in the main sale room, David's viewing a Victorian settee. | 0:05:42 | 0:05:46 | |
Now, one of my passions is antique upholstery | 0:05:46 | 0:05:49 | |
and here is a cracking example of a lovely, early 19th-century, | 0:05:49 | 0:05:55 | |
solid mahogany, cabinet-made sofa. | 0:05:55 | 0:05:58 | |
It has issues like most things at this sort of age, of course. | 0:05:58 | 0:06:02 | |
The lovely brocade fabric is coming away, | 0:06:02 | 0:06:04 | |
you can see it's been upholstered several times, the wood is rotting | 0:06:04 | 0:06:08 | |
so it does need a little bit of repair. | 0:06:08 | 0:06:11 | |
But just look at its construction - solid mahogany, | 0:06:11 | 0:06:15 | |
strung in satinwood, put in by hand, a sprung seat. | 0:06:15 | 0:06:20 | |
You can hear and feel the original horsehair in there. | 0:06:20 | 0:06:24 | |
What's it estimated at here? | 0:06:24 | 0:06:26 | |
£100-150 and it makes me want it really, really badly. | 0:06:26 | 0:06:31 | |
Blimey, that's a man in love. | 0:06:33 | 0:06:35 | |
But there's no time to get emotional about upholstery. | 0:06:35 | 0:06:37 | |
He will have to separate his head from his heart | 0:06:37 | 0:06:39 | |
when the horsehair lounger goes under the hammer. | 0:06:39 | 0:06:43 | |
Let's leave David fondling the furniture | 0:06:43 | 0:06:45 | |
because Mark's moseyed on and is cooing over a picture of a pigeon. | 0:06:45 | 0:06:49 | |
There is a branch of British folk art which specialises | 0:06:51 | 0:06:54 | |
in racing pigeons and I just think that's a charming subject up there. | 0:06:54 | 0:06:58 | |
It's not signed and it's not titled, which is a shame | 0:06:58 | 0:07:01 | |
because some people like to know the artist | 0:07:01 | 0:07:03 | |
and particularly whether it was a champion bird or not. | 0:07:03 | 0:07:07 | |
The oil painting has an estimate of £40-60. | 0:07:07 | 0:07:10 | |
So has the maverick spotted a real source of profit? | 0:07:10 | 0:07:14 | |
Devilish David's across the room and has found some rather unusual tables. | 0:07:14 | 0:07:19 | |
Now, here we have a pair of cracking 19th-century wine tables | 0:07:19 | 0:07:23 | |
but a lot of people in this business would look at them, | 0:07:23 | 0:07:26 | |
clock them, turn and run, simply because they are a marriage. | 0:07:26 | 0:07:30 | |
Now when we say a marriage, | 0:07:30 | 0:07:31 | |
that's two parts put together that didn't belong in the beginning. | 0:07:31 | 0:07:34 | |
So let's start at the base. That is screaming West, it's English. | 0:07:34 | 0:07:39 | |
Solid mahogany, probably originally a piano stool base. | 0:07:39 | 0:07:44 | |
Lotus leaf decoration, gadroon decoration circa 1850, 1860. | 0:07:44 | 0:07:49 | |
It should have had not that top when it was made. | 0:07:49 | 0:07:54 | |
These tops from China, from the Far East - | 0:07:54 | 0:07:57 | |
she was redecorated - were added much later. | 0:07:57 | 0:08:00 | |
They are unique and estimated at £80-120. | 0:08:00 | 0:08:04 | |
You take £100 to the high street today | 0:08:04 | 0:08:07 | |
and buy a pair of tables as good as that for that money | 0:08:07 | 0:08:10 | |
and I'll give you 1,000 quid. | 0:08:10 | 0:08:12 | |
There's no chance. | 0:08:12 | 0:08:13 | |
Well, these two are having no trouble ticking off trinkets to try for | 0:08:13 | 0:08:17 | |
once the all-important sale is under way. | 0:08:17 | 0:08:19 | |
And, as the big moment approaches, | 0:08:19 | 0:08:21 | |
Mark claps eyes on a Japanese charger that he thinks is champion. | 0:08:21 | 0:08:25 | |
It's quite fun this, you know. | 0:08:25 | 0:08:27 | |
We talk a lot about cloisonne in antiques | 0:08:27 | 0:08:29 | |
and normally the cloisonne work is very fine. | 0:08:29 | 0:08:32 | |
This is almost abstract. | 0:08:32 | 0:08:34 | |
You've got this very thick impasto enamel | 0:08:34 | 0:08:37 | |
going on here with the flowers. | 0:08:37 | 0:08:39 | |
But it has got the original label on the back. | 0:08:39 | 0:08:42 | |
Nagoya, Tokyo and au cloisonne. | 0:08:42 | 0:08:46 | |
I mean, it's just got a very sort of contemporary, modern feel about it. | 0:08:46 | 0:08:50 | |
It's probably '50s, actually. | 0:08:50 | 0:08:52 | |
Well, viewing time is soon over and the room is ready. | 0:08:52 | 0:08:55 | |
While David casually snacks his way to the start line, | 0:08:55 | 0:08:58 | |
Mark is checking out the competition. | 0:08:58 | 0:09:01 | |
It's a packed room of usual suspects plus live internet bidding. | 0:09:01 | 0:09:05 | |
Plus Bananaman over there. | 0:09:05 | 0:09:08 | |
-Lot number one. -And the sale soon kicks off. | 0:09:08 | 0:09:12 | |
Now, what's the first lesson of auctions, everybody? | 0:09:12 | 0:09:15 | |
That's right, don't bid on something you haven't seen. | 0:09:15 | 0:09:18 | |
But Devilish David plays devil may care with convention from the outset | 0:09:18 | 0:09:22 | |
by showing interest in an unseen lot. | 0:09:22 | 0:09:25 | |
As bidding starts on a rare Chinese Air Force helmet | 0:09:25 | 0:09:28 | |
and various aviation headpieces, he's straight in there. | 0:09:28 | 0:09:31 | |
-£110, £120, £130, £140. -£140. | 0:09:33 | 0:09:37 | |
Saying no now. I'm surprised. At £130 at the back of the room, take £140 now. | 0:09:37 | 0:09:41 | |
-Are you back in, Sam? £140 there, £150. £160. -This is hilarious. | 0:09:41 | 0:09:45 | |
£170. £180. | 0:09:45 | 0:09:48 | |
Mark is stunned and can't resist a tactical heckle. | 0:09:48 | 0:09:51 | |
Go on, David. One more. | 0:09:51 | 0:09:53 | |
-£190 I'm bid, £200? -Go on. -I think you've got it, £210. -£210! | 0:09:53 | 0:09:56 | |
-I'm selling in the room, £210. -Thank you very much. There you go. | 0:09:56 | 0:10:00 | |
Well, so much for pouncing on the low priced bargains, Mr Harper. | 0:10:00 | 0:10:04 | |
Add in the commission and the high altitude helmet | 0:10:04 | 0:10:06 | |
and accompaniments cost him over a quarter of his budget. | 0:10:06 | 0:10:10 | |
£260.40. | 0:10:10 | 0:10:12 | |
It's got a heating system. It's got... Look at that! | 0:10:12 | 0:10:15 | |
It's got communications stuff. It's got a visor. Look at this. Leather. | 0:10:15 | 0:10:21 | |
My God! | 0:10:22 | 0:10:24 | |
Oh, yes. And we've got goggles. Can I get my goggles on? | 0:10:25 | 0:10:29 | |
Oh, the best 200 quid I've spent in years. | 0:10:31 | 0:10:34 | |
MUSIC: "Take My Breath Away" by Berlin | 0:10:34 | 0:10:37 | |
He's like a child in a sweet shop and while David plays with his boys toys, | 0:10:37 | 0:10:41 | |
our maverick turns his attention to a framed watercolour portrait. | 0:10:41 | 0:10:45 | |
It's estimated at £30-80. | 0:10:45 | 0:10:49 | |
£10, please. £10 on bid, I'll take £12 now. £10, take £12. | 0:10:49 | 0:10:54 | |
-I'm selling £10. -I'm off and running. | 0:10:54 | 0:10:56 | |
Absolutely no competition from anywhere. Is that a good thing? | 0:10:56 | 0:11:00 | |
Nevertheless, Mark secures his first lot for far less than the estimate. | 0:11:00 | 0:11:03 | |
He pays just £12.40 including fees. | 0:11:03 | 0:11:06 | |
This is a speculative lot, this. I think it's got something about it. | 0:11:08 | 0:11:11 | |
It's a little bit avant-garde, it's a little bit contemporary. | 0:11:11 | 0:11:14 | |
It's in a frame, it can go straight up on a wall. | 0:11:14 | 0:11:17 | |
More research clearly needed by Mark on his moustachioed man. | 0:11:17 | 0:11:20 | |
And he soon buys his second item, | 0:11:20 | 0:11:22 | |
an ostrich egg engraved with a lion that comes with a gilt stand. | 0:11:22 | 0:11:27 | |
It goes under the hammer, thankfully not literally, for £28. | 0:11:27 | 0:11:31 | |
And Mark shells out £34.72 including commission. | 0:11:31 | 0:11:34 | |
So even though he's got two purchases under his belt, | 0:11:34 | 0:11:37 | |
Mr Maverick has still only spent a fifth of David's total outlay | 0:11:37 | 0:11:41 | |
for the helmet collection. | 0:11:41 | 0:11:43 | |
And while David plays with his pen, Mark can't stop himself. | 0:11:43 | 0:11:47 | |
That ever-so-subtle nod gets him the Japanese plate | 0:11:47 | 0:11:49 | |
that he looked at earlier. | 0:11:49 | 0:11:51 | |
£40 to the checked shirt. | 0:11:51 | 0:11:52 | |
Take two now, £40. We got there in the end at £40. | 0:11:52 | 0:11:55 | |
Hopefully, I should be able to double my money. | 0:11:55 | 0:11:59 | |
Add in the fees and he claims the cloisonne for £49.60. | 0:11:59 | 0:12:03 | |
Mark's maverick bidding bonanza has seen him take charge of the saleroom. | 0:12:04 | 0:12:08 | |
David has a lot of ground to make up and he soon gets the opportunity. | 0:12:08 | 0:12:12 | |
Coming up next, 108, | 0:12:12 | 0:12:14 | |
is a boxed 1970s Georg Jensen sterling silver brooch. | 0:12:14 | 0:12:18 | |
And this is the first time I've seen it. It's a pair of dolphins. | 0:12:18 | 0:12:23 | |
Of course, Georg Jensen died in 1935 so... | 0:12:23 | 0:12:27 | |
these are obviously not made in his lifetime but they are | 0:12:27 | 0:12:30 | |
very, very stylish. | 0:12:30 | 0:12:32 | |
£110 I'm bid. £120, do you want? £130. | 0:12:32 | 0:12:35 | |
I can't go any more than that. Thank you. I've just bought at £120. | 0:12:35 | 0:12:40 | |
Yes, but that's just the hammer price. | 0:12:40 | 0:12:42 | |
Add in the fees and the cost rises to £148.80. | 0:12:42 | 0:12:47 | |
By buying all these unseen lots, is devilish David dicing with danger | 0:12:47 | 0:12:51 | |
or is he trusting his instincts to pinpoint prize profit makers? | 0:12:51 | 0:12:55 | |
So here we have a 1970s Georg Jensen pair of dolphins | 0:12:55 | 0:13:00 | |
and the company was formed in about 1904 by Georg Jensen | 0:13:00 | 0:13:04 | |
but he died in 1935. | 0:13:04 | 0:13:05 | |
But his style, his company ethos, the look continued | 0:13:05 | 0:13:09 | |
and still produces today. | 0:13:09 | 0:13:11 | |
Fabulous hallmarks on the back, Georg Jensen. | 0:13:11 | 0:13:14 | |
Number 317 and then hallmarked sterling. | 0:13:14 | 0:13:18 | |
But the big winner and something I didn't know | 0:13:18 | 0:13:20 | |
when I bought this brooch blind is the box, | 0:13:20 | 0:13:23 | |
the original stamped Georg Jensen box which makes a huge difference. | 0:13:23 | 0:13:28 | |
Well, once again, it seems he's come up trumps on an unseen item. | 0:13:29 | 0:13:33 | |
As David makes his way back to the floor, the next lot comes up. | 0:13:33 | 0:13:37 | |
An oil painting study of a racing pigeon. Who would want that? No! | 0:13:37 | 0:13:41 | |
-Oh, no. -Oh, yes. | 0:13:43 | 0:13:45 | |
Mark's bidding from the outset | 0:13:45 | 0:13:46 | |
and goes way past the low estimate of 40-£60. | 0:13:46 | 0:13:49 | |
-£140, £150. -Mark! You'll regret it. | 0:13:49 | 0:13:52 | |
Mark ignores David and carries on bidding... | 0:13:52 | 0:13:55 | |
and bidding! | 0:13:55 | 0:13:57 | |
£160, I'm bid. £170. £180. £170 there, £180, £190. | 0:13:57 | 0:14:01 | |
I'm paying far too much for this. | 0:14:01 | 0:14:03 | |
-£180. -HE CHUCKLES | 0:14:03 | 0:14:06 | |
The problem is I paid a lot more than I wanted to for that. | 0:14:06 | 0:14:10 | |
-I don't fancy my chances. -Mm, that's not good! | 0:14:10 | 0:14:13 | |
Including fees, Mark pays £223.20. | 0:14:13 | 0:14:15 | |
Far and away his biggest purchase yet. | 0:14:17 | 0:14:19 | |
Will he be cooing or crying when it comes to selling? | 0:14:19 | 0:14:23 | |
The auction action is really heating up. Let's see who spent what. | 0:14:23 | 0:14:27 | |
Both our boys started the day with £1,000 of their own money to spend. | 0:14:28 | 0:14:32 | |
David has only made two purchases but he spent a lot on them, nearly £410. | 0:14:32 | 0:14:38 | |
That leaves him almost £591 in his kitty. | 0:14:38 | 0:14:42 | |
Mark has bought four lots but spent a fair bit less, | 0:14:42 | 0:14:45 | |
just under £320, meaning he still has a beefy £680-odd to play with. | 0:14:45 | 0:14:51 | |
Back in the room, | 0:14:52 | 0:14:53 | |
our cash clash combatants are feeling the heat of the competition. | 0:14:53 | 0:14:57 | |
-How is it going? -Is it tough or is it tough? -It is tough! It is tough. | 0:14:57 | 0:15:01 | |
-And I mean, I noticed you bought the Georg Jensen. -Yes. -It wasn't cheap. | 0:15:01 | 0:15:05 | |
-It wasn't, I paid the money. -£120. -Plus commission. | 0:15:05 | 0:15:08 | |
-I know, I bought the racing pigeon. -I noticed. -I rather fancied it. | 0:15:08 | 0:15:12 | |
You know what? You need to be on stage. | 0:15:14 | 0:15:16 | |
-I've always said you're a perfect fit for radio. -Oh, you're a charmer. | 0:15:16 | 0:15:19 | |
-I'll see you later. -Good luck. -Oh, look at them. | 0:15:19 | 0:15:22 | |
Behind the smiles, there's a deep-seated rivalry here | 0:15:22 | 0:15:25 | |
and David especially is thriving on it. | 0:15:25 | 0:15:27 | |
His next lot is, surprise, surprise, another one he's not seen. | 0:15:27 | 0:15:32 | |
-A leather holdall and carpetbag. -£80, £85, £90, £95 my last. | 0:15:32 | 0:15:37 | |
-Yes. -£100 in the room? -£100 for a great big Kilim... | 0:15:37 | 0:15:42 | |
Oh, thank you very much, carpetbag. Haven't actually laid my eyes on it. | 0:15:42 | 0:15:46 | |
Another purchase in the bag. | 0:15:46 | 0:15:48 | |
Taking the commission into account, that comes to £124. | 0:15:48 | 0:15:51 | |
So, he's now thrown more than half his budget at lots | 0:15:51 | 0:15:55 | |
he's not looked at first. | 0:15:55 | 0:15:57 | |
-Daredevil! -That is...delicious. | 0:15:57 | 0:16:01 | |
Little bit of damage there but it's got age | 0:16:01 | 0:16:03 | |
and normally vegetable-dyed so you'll find the colours vary | 0:16:03 | 0:16:07 | |
because made by nomadic tribes, | 0:16:07 | 0:16:09 | |
as they travelled around their districts, | 0:16:09 | 0:16:12 | |
they would pick berries - blues, reds, oranges, yellows - | 0:16:12 | 0:16:15 | |
so you can almost track where a tribe has been, | 0:16:15 | 0:16:17 | |
which is absolutely fascinating. | 0:16:17 | 0:16:19 | |
I mean, look at that. | 0:16:19 | 0:16:20 | |
You've got strong reds this side and really bold yellows this side. | 0:16:20 | 0:16:25 | |
I'm thinking classic cars, vintage cars, weekends away. | 0:16:25 | 0:16:29 | |
Looking good and looking different. And as for this one... | 0:16:29 | 0:16:33 | |
..we'll chuck it in as a freebie. | 0:16:34 | 0:16:37 | |
No time to get away just yet, David. | 0:16:37 | 0:16:39 | |
There's still more work to do. | 0:16:39 | 0:16:41 | |
Mark's next purchase is that Native American tobacco job | 0:16:41 | 0:16:45 | |
that he liked the look of. | 0:16:45 | 0:16:47 | |
At £28, anybody else? | 0:16:47 | 0:16:48 | |
Including fees, The Maverick pays £34.72. | 0:16:50 | 0:16:52 | |
Next up, David ventures into fairy tale territory | 0:16:55 | 0:16:59 | |
by buying a modern stone unicorn. | 0:16:59 | 0:17:01 | |
He pays £99.20 including commission but will it be hit or "myth" | 0:17:01 | 0:17:06 | |
when it comes to selling? | 0:17:06 | 0:17:08 | |
-David? -Yeah. | 0:17:08 | 0:17:09 | |
If you want to, you know you can nip to any garden centre and get those? | 0:17:09 | 0:17:13 | |
He's only jealous because he's never owned a unicorn. | 0:17:13 | 0:17:16 | |
Well, he clearly doesn't want one. | 0:17:16 | 0:17:18 | |
Anyway, Mark stays within his comfort zone for his next bidding bout. | 0:17:18 | 0:17:22 | |
-There's a Victorian watercolour that has an estimate of £60-80. -£30. | 0:17:22 | 0:17:27 | |
£30, I'm bid, in the middle of the room. I'm going to sell it for £30. | 0:17:27 | 0:17:31 | |
Got it. 30 quid. | 0:17:31 | 0:17:33 | |
I'm happy. I might have to sit down with the excitement. | 0:17:34 | 0:17:37 | |
Oh, was that a swoon, Maverick? | 0:17:37 | 0:17:39 | |
With fees, he pays £37.20 for the painting. Far below estimate. | 0:17:39 | 0:17:43 | |
That could well stand him in good stead. | 0:17:43 | 0:17:46 | |
It's painted in the late 19th century. | 0:17:46 | 0:17:48 | |
But the scene is 17th century. | 0:17:48 | 0:17:50 | |
You've got a Cavalier standing here looking rather cross. | 0:17:50 | 0:17:53 | |
His wife is looking rather upset holding her head into the chair | 0:17:53 | 0:17:57 | |
and I think it's absolutely charming. | 0:17:57 | 0:17:59 | |
Back in the room, it's the moment David's been waiting for. | 0:17:59 | 0:18:02 | |
That Victorian sofa is next up. | 0:18:02 | 0:18:05 | |
He's so excited, bless him, | 0:18:05 | 0:18:07 | |
it's like he's about to ask someone out on a first date. | 0:18:07 | 0:18:10 | |
Estimated at £100-150. It's absolutely for nothing. | 0:18:10 | 0:18:13 | |
£85, £90 seated, £95, £110, £120, £130...£140. | 0:18:13 | 0:18:19 | |
£130 standing, take £140 now. £150, £160, £170, £180, £190... | 0:18:19 | 0:18:25 | |
-Someone's bidding me up, yes. -£200, £210? -Yes. -£220. | 0:18:25 | 0:18:29 | |
At £210, standing in the checked shirt. Take £220. | 0:18:29 | 0:18:32 | |
Sitting cheap at £210. It's going to go. £210, it's selling. | 0:18:32 | 0:18:35 | |
Wow, £210 for that sofa. | 0:18:35 | 0:18:38 | |
I think it is absolute... Oh, sorry. | 0:18:38 | 0:18:40 | |
I'm getting too excited. There you go! | 0:18:40 | 0:18:42 | |
Oh, steady yourself, David. He's hooked, isn't he? | 0:18:42 | 0:18:45 | |
And the Devilish One's adoration costs him. | 0:18:45 | 0:18:48 | |
Way over estimate at £260.40 including fees. | 0:18:48 | 0:18:53 | |
David's furniture flurry continues. | 0:18:53 | 0:18:56 | |
He's soon bidding on six Georgian style, mahogany dining chairs. | 0:18:56 | 0:19:00 | |
-£12, you want? -Yes. -£14? | 0:19:00 | 0:19:02 | |
-Anyone at £12 has a say? £12. -Thank you very much. | 0:19:02 | 0:19:04 | |
He buys them for just £14.88 including fees. | 0:19:04 | 0:19:08 | |
That works out at less than £2.50 a chair. | 0:19:08 | 0:19:12 | |
He's got to make a profit, surely? | 0:19:12 | 0:19:13 | |
These things are Edwardian or maybe into the 1920s. | 0:19:15 | 0:19:19 | |
But made really and honestly as well as a late 18th-century chair. | 0:19:19 | 0:19:24 | |
Handmade, hand cut, hand fluted. Just ridiculous. | 0:19:24 | 0:19:31 | |
So there we go - they came, they saw and they certainly conquered. | 0:19:31 | 0:19:35 | |
Their bidding battle is over, but who will come out on top? | 0:19:35 | 0:19:39 | |
Both David and Mark started the day with £1,000 of their own money. | 0:19:39 | 0:19:43 | |
Devilish David bought six items for a chunky £907.68. | 0:19:43 | 0:19:48 | |
Mark The Maverick spent less than half that. £391.84 on his six items. | 0:19:48 | 0:19:55 | |
That is a massive difference in investments, | 0:19:55 | 0:19:58 | |
but who's paid out most wisely | 0:19:58 | 0:20:00 | |
and who is going to regret their big spends? | 0:20:00 | 0:20:03 | |
Do you know, David? You do buy some odd things, don't you? | 0:20:03 | 0:20:06 | |
Well, do you know, Mark, | 0:20:06 | 0:20:07 | |
to me, you see, that looks like Camp City to me. | 0:20:07 | 0:20:11 | |
-This is Action Man territory. Isn't it? -I would agree with you. | 0:20:11 | 0:20:16 | |
-Thank you. -Action Man tat. -What? -I do love your Georg Jensen brooch. | 0:20:16 | 0:20:22 | |
-I thought you'd like that. -I think that is lovely, a good name. | 0:20:22 | 0:20:25 | |
-Quite a lot of money though. -It was the money. | 0:20:25 | 0:20:27 | |
There will be a trickle of profit, if I'm lucky. | 0:20:27 | 0:20:29 | |
-And you stole that unicorn. -Didn't I just, Mark? | 0:20:29 | 0:20:33 | |
-The flowery things, I hate. -Well, why did you buy them? | 0:20:33 | 0:20:35 | |
Because they were part of a job lot. | 0:20:35 | 0:20:37 | |
Were they freebies? Were they thrown in? | 0:20:37 | 0:20:39 | |
No, it was this, which is a really interesting | 0:20:39 | 0:20:41 | |
little box and cover of a Native American chief. | 0:20:41 | 0:20:44 | |
The thing I paid a little bit too much for... | 0:20:44 | 0:20:46 | |
I know what you're going to say. I saw it happen. | 0:20:46 | 0:20:49 | |
You really went for it, didn't you? It's been a struggle. | 0:20:49 | 0:20:51 | |
-But we got there. -But I think I've got a fabulous collection of goods. | 0:20:51 | 0:20:54 | |
-Course you do, David. -Thank you. | 0:20:54 | 0:20:56 | |
And I wish you well with the therapy. | 0:20:56 | 0:20:58 | |
-Will you indulge me just before you go, please? -Yes. -Would you mind? | 0:20:58 | 0:21:02 | |
It's just when I saw these, | 0:21:02 | 0:21:03 | |
I just thought the colour would suit you absolutely perfectly. | 0:21:03 | 0:21:06 | |
-Here we go. -Please go for it. | 0:21:06 | 0:21:09 | |
I'll wear the leather. You can... | 0:21:09 | 0:21:11 | |
Oh, you are kissable! | 0:21:11 | 0:21:13 | |
You are stunning, Stacey! | 0:21:15 | 0:21:19 | |
Stunning. | 0:21:19 | 0:21:20 | |
Well, it is now time to put their thinking caps on | 0:21:22 | 0:21:26 | |
as our worthy warriors change up a gear. | 0:21:26 | 0:21:28 | |
They must take their prime purchases | 0:21:28 | 0:21:30 | |
and turn them into stellar sales making mighty profits, | 0:21:30 | 0:21:34 | |
and this is no easy task. | 0:21:34 | 0:21:35 | |
They will have to scour the country for the very best buyers | 0:21:35 | 0:21:38 | |
using their contacts, their contacts' contacts and anyone who will listen. | 0:21:38 | 0:21:42 | |
But it's one thing to arrange a meeting, | 0:21:42 | 0:21:44 | |
quite another to make an actual sale. | 0:21:44 | 0:21:47 | |
Until they shake on it and the money has changed hands, | 0:21:47 | 0:21:49 | |
no deal is truly sealed. | 0:21:49 | 0:21:51 | |
Time to look over their luscious lots. | 0:21:51 | 0:21:53 | |
But in Brighton, Mark isn't feeling all that enthusiastic. | 0:21:53 | 0:21:57 | |
I found the auction incredibly tough. | 0:21:58 | 0:22:01 | |
I ended up really scrabbling a bit, to be honest with you. | 0:22:01 | 0:22:05 | |
I mean, I'm pleased with a couple of the items but generally speaking... | 0:22:05 | 0:22:09 | |
I'm rather disappointed I couldn't get more of what I wanted. | 0:22:09 | 0:22:12 | |
I'm really pleased with the cloisonne plate, Japanese. | 0:22:12 | 0:22:15 | |
The rest of it, I'm afraid, is really tough. | 0:22:15 | 0:22:17 | |
My mixed collection of items - | 0:22:17 | 0:22:19 | |
well, I bought it really for the Native American tobacco jar. | 0:22:19 | 0:22:23 | |
The other items just came with it | 0:22:23 | 0:22:25 | |
and I shall get rid of the flowers somewhere. | 0:22:25 | 0:22:28 | |
The watercolour, I love. | 0:22:28 | 0:22:29 | |
I haven't done any research | 0:22:29 | 0:22:30 | |
but I think it is a charmingly done Victorian watercolour. | 0:22:30 | 0:22:34 | |
The pigeon, I'm afraid, is a great disappointment. | 0:22:34 | 0:22:37 | |
When I've unpacked it, | 0:22:37 | 0:22:38 | |
it's nowhere near as nice as it looked up on the wall. | 0:22:38 | 0:22:41 | |
And I'm going to struggle... | 0:22:41 | 0:22:43 | |
..dare I say, to find a home. | 0:22:44 | 0:22:46 | |
The watercolour, I'm going to contact the gallery | 0:22:46 | 0:22:49 | |
as there's a label on the back. | 0:22:49 | 0:22:51 | |
And who knows? I might have found a missing masterpiece. | 0:22:51 | 0:22:54 | |
I really was scrabbling over this auction. | 0:22:55 | 0:22:58 | |
I bought an ostrich egg engraved with a lion | 0:22:58 | 0:23:01 | |
on a rather nice gilt stand with three dolphins, | 0:23:01 | 0:23:04 | |
which is the sign of Brighton. | 0:23:04 | 0:23:06 | |
-But there's no sign of a buyer yet. -Oh, come on, Maverick! | 0:23:06 | 0:23:10 | |
Positive mental attitude. | 0:23:10 | 0:23:11 | |
There's a long way to go and absolutely anything could happen. | 0:23:11 | 0:23:15 | |
Back in his lair in Barnard Castle, David is feeling much more excited. | 0:23:15 | 0:23:20 | |
Only two objects here I think I actually planned on buying. | 0:23:20 | 0:23:24 | |
The stone unicorn which I think is a bit funky, a bit different. | 0:23:24 | 0:23:28 | |
Mark Stacey hates it which makes me like it even more. | 0:23:28 | 0:23:31 | |
And the second object I did plan on buying was the sofa. Oh, my gosh! | 0:23:31 | 0:23:35 | |
One of my first loves. | 0:23:35 | 0:23:37 | |
Early 19th-century mahogany, satinwood stringings. | 0:23:37 | 0:23:40 | |
Oh, it's just absolutely delicious and, at £260, it is a bargain. | 0:23:40 | 0:23:45 | |
So let's move on to the objects I hadn't even seen when buying. | 0:23:45 | 0:23:49 | |
And first of all, I'm going to talk about | 0:23:49 | 0:23:51 | |
my favourite purchase from the auction has got to be | 0:23:51 | 0:23:54 | |
the high altitude pilot's helmet which is just mind-blowing. | 0:23:54 | 0:23:58 | |
Carpetbag. That is a cracker. The also-ran leather bag, not so good. | 0:23:58 | 0:24:05 | |
The chair, well, one of six, £14. | 0:24:05 | 0:24:09 | |
Finally, the rather lovely silver Georg Jensen brooch | 0:24:09 | 0:24:14 | |
which is absolutely delectable. | 0:24:14 | 0:24:16 | |
So here we go, an eclectic collection of objects | 0:24:16 | 0:24:19 | |
which will take me, no doubt, on a very eclectic journey. | 0:24:19 | 0:24:25 | |
Well, David's first potential deal suddenly falls into his lap. | 0:24:25 | 0:24:29 | |
Before he's so much as lifted a finger, two charming ladies, | 0:24:29 | 0:24:32 | |
Maria and Penny, walk into his shop looking for a present for their aunt. | 0:24:32 | 0:24:37 | |
And that Georg Jensen brooch catches their eye. | 0:24:37 | 0:24:40 | |
It's 50 years old, probably. And it's still contemporary. | 0:24:40 | 0:24:44 | |
-It's three-dimensional. -It is, yes. | 0:24:44 | 0:24:46 | |
And it's almost like a caricature of dolphins, | 0:24:46 | 0:24:48 | |
-so that they put a smile on your face, don't they? -They do! | 0:24:48 | 0:24:50 | |
-Let's have a look at your faces. -They do, they do. -There you go. | 0:24:50 | 0:24:53 | |
They've got a smile on their face, we have. | 0:24:53 | 0:24:55 | |
Well, shall I put an extra smile on your face? | 0:24:55 | 0:24:57 | |
-With its original box, which is incredibly rare... -Mm-hm. | 0:24:57 | 0:25:01 | |
-£230. -£220? | 0:25:01 | 0:25:04 | |
-Shake my hand. -There you are. | 0:25:04 | 0:25:05 | |
You've bought it, thank you very much indeed. Thank you very much. | 0:25:05 | 0:25:09 | |
-So I do, of course, want it gift-wrapped. -Well, listen. | 0:25:09 | 0:25:11 | |
-This is so much more than a bag, sir! -OK, here you go. Gift-wrapped. | 0:25:11 | 0:25:15 | |
There you go. Come and give me some money! | 0:25:15 | 0:25:17 | |
Well, that went swimmingly. | 0:25:17 | 0:25:18 | |
The dolphins bring in a profit of £71.20. What a stroke of luck! | 0:25:18 | 0:25:23 | |
Mark is quick out of the blocks as well | 0:25:23 | 0:25:25 | |
and he doesn't have to go far for his first potential sale. | 0:25:25 | 0:25:28 | |
He's taken his Native American tobacco jar to Hove | 0:25:28 | 0:25:31 | |
to meet American abroad, Enrico. | 0:25:31 | 0:25:34 | |
The piece owes Mark nearly £35. | 0:25:34 | 0:25:37 | |
-Enrico, how are you? -Mark, welcome aboard. | 0:25:37 | 0:25:40 | |
-Lovely to see you again. -Super. Please come in. | 0:25:40 | 0:25:43 | |
I will. | 0:25:43 | 0:25:44 | |
I dated it to around about 1910. | 0:25:44 | 0:25:48 | |
Do you think these were made to export to the United States? | 0:25:48 | 0:25:51 | |
I think that virtually everything | 0:25:51 | 0:25:54 | |
that was made in Germany at that point in time | 0:25:54 | 0:25:57 | |
was exported all over the world, | 0:25:57 | 0:25:59 | |
but something like this would have been directed at the US market. | 0:25:59 | 0:26:03 | |
Yeah, I think so. I said around sort of £40-£60. | 0:26:03 | 0:26:07 | |
I mean, now you've seen it, would you be happy to make an offer? | 0:26:07 | 0:26:10 | |
I think because of the damage to the feathers, | 0:26:10 | 0:26:13 | |
I'd place it at the bottom of that estimate. | 0:26:13 | 0:26:15 | |
Yeah, I think that's fair because there is a bit of damage there. | 0:26:15 | 0:26:19 | |
If I got £40 for it, I would make a bit of a profit on it, | 0:26:19 | 0:26:23 | |
which is always helpful, isn't it? | 0:26:23 | 0:26:24 | |
Super. | 0:26:24 | 0:26:26 | |
Well, I'm glad I found the right buyer for it. | 0:26:26 | 0:26:28 | |
Thank you for taking it off my hands. | 0:26:28 | 0:26:30 | |
Well, thank you for bringing it to me. | 0:26:30 | 0:26:32 | |
Mark went on to sell the other porcelain items from that lot. | 0:26:32 | 0:26:36 | |
The cherub on the shell sold for £15 | 0:26:36 | 0:26:38 | |
and the flowers that Mark hated so much went for £5. | 0:26:38 | 0:26:42 | |
Add that all together and Mark makes a total profit of £25.28. | 0:26:42 | 0:26:47 | |
Nice going, Maverick! | 0:26:47 | 0:26:48 | |
That's my very first sale from the auction | 0:26:48 | 0:26:51 | |
and I knew Enrico would like that. | 0:26:51 | 0:26:53 | |
It's about finding the right buyers and he loves quirky items | 0:26:53 | 0:26:57 | |
and I didn't half make a decent profit on it as well, | 0:26:57 | 0:27:00 | |
so I'm jolly happy too. | 0:27:00 | 0:27:02 | |
Oh, look, he's got the spring back in his step. | 0:27:02 | 0:27:05 | |
And he's right - it's all about finding the right buyer. | 0:27:05 | 0:27:08 | |
David is hoping to hit the heights with two of his pilots' helmets. | 0:27:08 | 0:27:11 | |
He bought them with the Chinese high altitude mask for £260. | 0:27:11 | 0:27:16 | |
Now, come on, it's highly unlikely | 0:27:16 | 0:27:18 | |
I'm ever going to find a fighter pilot to buy these helmets, | 0:27:18 | 0:27:21 | |
so you've got to think out of the box. | 0:27:21 | 0:27:23 | |
So, here we are in Harrogate. Look at this window display. | 0:27:23 | 0:27:26 | |
A funky optician's selling funky glasses | 0:27:26 | 0:27:30 | |
on all of those great heads. | 0:27:30 | 0:27:32 | |
None of the heads have helmets. They need them desperately. | 0:27:32 | 0:27:36 | |
-There he is. Jonathan, how are you? -Good afternoon, young man. | 0:27:36 | 0:27:39 | |
-How are you? -Very good. Great to see you. | 0:27:39 | 0:27:41 | |
Nice to see you, David. So, we've got one cloth and one leather? | 0:27:41 | 0:27:44 | |
Yes, now, that is a MiG fighter pilot's inner helmet. | 0:27:44 | 0:27:49 | |
The fabric bit, right? | 0:27:49 | 0:27:51 | |
So, it's got all of your communications there. | 0:27:51 | 0:27:54 | |
I mean, that is a serious bit of kit. | 0:27:54 | 0:27:57 | |
Try it on. Let's see if it fits you. | 0:27:57 | 0:27:59 | |
Wow! You look amazing. | 0:27:59 | 0:28:01 | |
This one, apparently, because this has got a longer lead, | 0:28:01 | 0:28:06 | |
this is for a bigger cockpit. | 0:28:06 | 0:28:10 | |
That's for a very close, confined cockpit. | 0:28:10 | 0:28:12 | |
Have you got these kind of aviator glasses? | 0:28:12 | 0:28:15 | |
Oh, my goodness me! | 0:28:15 | 0:28:17 | |
-What's the cost? -Do you want one or two? | 0:28:17 | 0:28:20 | |
-The pair. -The pair. | 0:28:20 | 0:28:22 | |
So, you buy one for £150 and you get the other one thrown in for free. | 0:28:22 | 0:28:29 | |
I mean, I'm just like a walking charity. | 0:28:29 | 0:28:32 | |
-Deal. -Fantastic. Thank you very much. | 0:28:32 | 0:28:35 | |
Well, Matt's soaring sales patter has done the trick, | 0:28:35 | 0:28:38 | |
but David's not in profit yet. | 0:28:38 | 0:28:40 | |
Can the high altitude helmet help him get there? | 0:28:40 | 0:28:43 | |
He needs another £110 to break even. | 0:28:43 | 0:28:46 | |
He heads to the Lake District, near Lake Ullswater, actually, | 0:28:46 | 0:28:49 | |
to see if he can tempt Steve who collects all things unusual. | 0:28:49 | 0:28:53 | |
Get your hands on that, Steve. Talk to me. | 0:28:53 | 0:28:55 | |
-It's got a bit of weight to it as well. -It has, hasn't it? | 0:28:55 | 0:28:57 | |
So, what have we got here, then? | 0:28:57 | 0:28:59 | |
It's a suit-wearing helmet, | 0:28:59 | 0:29:01 | |
so the guy would have to wear it almost like a spacesuit. | 0:29:01 | 0:29:03 | |
A full pressure suit. | 0:29:03 | 0:29:05 | |
And he's right up there on the edge of the stratosphere | 0:29:05 | 0:29:08 | |
so a real serious piece of kit. | 0:29:08 | 0:29:10 | |
I've never handled anything quite like it. | 0:29:10 | 0:29:13 | |
Look at all those tubes! | 0:29:13 | 0:29:15 | |
Hopefully, you won't be handling it much longer. | 0:29:15 | 0:29:17 | |
-What would you do with it? -I'm going to hang it. | 0:29:17 | 0:29:20 | |
So, you look at that seriously as a piece of art? | 0:29:20 | 0:29:23 | |
Yeah, I mean, if you think about the workmanship, | 0:29:23 | 0:29:25 | |
the science behind it as well. | 0:29:25 | 0:29:27 | |
-What would you like to pay for it? -I'm kind of looking... | 0:29:27 | 0:29:30 | |
What? £190. | 0:29:32 | 0:29:34 | |
-Really? -Mm-hm. | 0:29:34 | 0:29:36 | |
-Bit far away there. -Go on. Where are you at? | 0:29:36 | 0:29:38 | |
A couple of hundred quid on top of that. | 0:29:38 | 0:29:40 | |
-Oh, a couple of hundred quid? What? -£390-ish. | 0:29:40 | 0:29:42 | |
£290. | 0:29:42 | 0:29:44 | |
Um, I mean, I've sold a couple of other bits for that one. | 0:29:46 | 0:29:50 | |
I'll meet you about in the middle at £350. | 0:29:50 | 0:29:53 | |
-Middle of what? -Your £290 and my £390. | 0:29:54 | 0:29:57 | |
It's a bit in the middle, but sort of in favour of me. | 0:29:57 | 0:30:00 | |
-£320. -£340. | 0:30:00 | 0:30:02 | |
-£325. -£330. | 0:30:02 | 0:30:05 | |
-£325. -Done. Give me the money! | 0:30:05 | 0:30:07 | |
Wow! That was a hyper haggle! | 0:30:07 | 0:30:09 | |
Add that to the money that he pocketed for the bits he sold at the opticians | 0:30:09 | 0:30:13 | |
and David has a happy helmet haul of £475 | 0:30:13 | 0:30:18 | |
and that launches a stratospheric profit of £214.60. | 0:30:18 | 0:30:22 | |
Heavens! | 0:30:22 | 0:30:23 | |
So, that instantly piles the pressure on Mark. | 0:30:23 | 0:30:27 | |
He has got his feet on the ground, though, this time in South London. | 0:30:27 | 0:30:30 | |
He's brought his mid-20th century Japanese charger | 0:30:30 | 0:30:33 | |
to see Victoria and Laura | 0:30:33 | 0:30:35 | |
who specialise in 20th-century art and design. | 0:30:35 | 0:30:38 | |
The plate cost Mark almost £50. | 0:30:38 | 0:30:40 | |
-The grand reveal. -Beautiful, gorgeous colours. | 0:30:40 | 0:30:43 | |
And when you think of cloisonne, | 0:30:43 | 0:30:45 | |
you normally think of that very delicate Chinese and Japanese ware, | 0:30:45 | 0:30:48 | |
which is all very pretty and small and precise. | 0:30:48 | 0:30:51 | |
This is, I think, 1950s. | 0:30:51 | 0:30:53 | |
The firm itself are quite well-known and it's all marked. | 0:30:53 | 0:30:57 | |
It's got the original labels on the back, which I quite like - Tokyo. | 0:30:57 | 0:31:00 | |
And cloisonne. I've never seen one before. | 0:31:00 | 0:31:04 | |
I described it as cloisonne on steroids. | 0:31:04 | 0:31:06 | |
THEY LAUGH | 0:31:06 | 0:31:09 | |
Cos it really is a splash of colour, isn't it? | 0:31:09 | 0:31:11 | |
So, what do you think? | 0:31:11 | 0:31:12 | |
Well, I actually think it's very nice. | 0:31:12 | 0:31:14 | |
-It would go really nicely as well. -Yes, it would go beautifully. | 0:31:14 | 0:31:17 | |
I mean, could we say £150, then? | 0:31:17 | 0:31:20 | |
-We'd like to negotiate a little bit. -All right, £149! | 0:31:20 | 0:31:23 | |
Bit more than that. | 0:31:23 | 0:31:25 | |
What do you think now you've seen it? Make me a little counter-offer. | 0:31:25 | 0:31:28 | |
-£100. -£100. | 0:31:28 | 0:31:31 | |
Oh! Do you know, if only I could find a chair that I could sit on. | 0:31:31 | 0:31:35 | |
I was hoping for a bit more. I mean, I can come down a little. | 0:31:35 | 0:31:38 | |
Well, what's your lowest? | 0:31:38 | 0:31:40 | |
Shall we try and sort of...? | 0:31:40 | 0:31:42 | |
What if I said £130? | 0:31:42 | 0:31:44 | |
I think... | 0:31:44 | 0:31:46 | |
Well, why don't we split the difference? Why don't we say £125? | 0:31:46 | 0:31:49 | |
£125? I'd be very happy with that. Would you be happy with that? | 0:31:49 | 0:31:52 | |
-We'd be happy, I think. -Yeah. | 0:31:52 | 0:31:53 | |
Then we can have a group hug. £125. | 0:31:53 | 0:31:56 | |
Well, I think that's what you call a successful sale. | 0:31:58 | 0:32:00 | |
Very successful! He's more than doubled his money. | 0:32:00 | 0:32:04 | |
The plate serves up a very useful profit of £75.40, | 0:32:04 | 0:32:07 | |
which goes a long way towards breaking level with David. | 0:32:07 | 0:32:10 | |
So, Mr Harper certainly has no time to sit back and relax. | 0:32:10 | 0:32:14 | |
He's near Darlington with his six Georgian-style chairs, | 0:32:14 | 0:32:18 | |
but, let's be honest, they've seen better days, | 0:32:18 | 0:32:20 | |
which might be why he got them for just under £15. | 0:32:20 | 0:32:24 | |
So, will potential buyer Sandy give him a profit? | 0:32:24 | 0:32:28 | |
Needing a little bit of care and attention. | 0:32:28 | 0:32:30 | |
-Need a bit of waxing, don't they? -A bit more than waxing! | 0:32:30 | 0:32:33 | |
Bit more than waxing? | 0:32:33 | 0:32:35 | |
A bit of wax will go a long way, I've got to say. | 0:32:35 | 0:32:37 | |
-But good quality. -It is mahogany, though, isn't it? | 0:32:37 | 0:32:40 | |
-Solid mahogany. -Mahogany. Exactly, yeah. | 0:32:40 | 0:32:42 | |
Are they all solid or is there one wonky one? | 0:32:42 | 0:32:45 | |
No, you've got a little bit of a wonky one. | 0:32:45 | 0:32:48 | |
You've got a bit more of a wonky one. | 0:32:48 | 0:32:50 | |
We're going in, like, a grade from good to dreadful. | 0:32:50 | 0:32:53 | |
These old chairs have certainly seen some heavy-duty dining. | 0:32:53 | 0:32:56 | |
David's trying his hardest, but will Sandy bite? | 0:32:56 | 0:32:59 | |
£10 a chair, Sandy. | 0:32:59 | 0:33:01 | |
It would seem churlish to barter with you at that price. | 0:33:01 | 0:33:05 | |
-At £10 a chair? -Yes, I would feel a little bit embarrassed about it. | 0:33:05 | 0:33:08 | |
So, can we go with that? £60 for the six? | 0:33:08 | 0:33:11 | |
-Go on, then. -Good man. | 0:33:11 | 0:33:12 | |
-Pleasure. -Thank you very much indeed. | 0:33:12 | 0:33:14 | |
-Come on, I'll give you a hand in. -Good man! | 0:33:14 | 0:33:17 | |
Always nice to help people out. | 0:33:17 | 0:33:19 | |
The chairs provide a comfy profit of £45.12, | 0:33:19 | 0:33:22 | |
not bad for a lot that he hadn't even clapped his eyes on | 0:33:22 | 0:33:25 | |
when he bought it. | 0:33:25 | 0:33:27 | |
Mark also pushes on with his steady selling. | 0:33:27 | 0:33:30 | |
He takes his Victorian watercolour to a restaurant in Hove to meet Sue | 0:33:30 | 0:33:34 | |
and The Maverick very nearly doubles his money again. | 0:33:34 | 0:33:36 | |
He shakes hands on £70, | 0:33:36 | 0:33:38 | |
brushing in a picture-perfect profit of £32.80. | 0:33:38 | 0:33:42 | |
So, both our boys are going great guns, slamming in the sales. | 0:33:42 | 0:33:46 | |
Let's see who's in the lead. | 0:33:46 | 0:33:48 | |
David has seen off three of his lots so far, | 0:33:48 | 0:33:50 | |
making a total profit of £330.92. | 0:33:50 | 0:33:54 | |
Mark is trailing behind, though. | 0:33:54 | 0:33:56 | |
He's also sold three of his purchases, | 0:33:56 | 0:33:58 | |
but his profit is significantly lower - £133.48. | 0:33:58 | 0:34:03 | |
But there's still plenty of time to reap the riches. | 0:34:03 | 0:34:06 | |
However, David takes a hit on his stoneware unicorn. | 0:34:06 | 0:34:09 | |
A man in Barnard Castle gives him £100, | 0:34:09 | 0:34:13 | |
which brings in a very meagre profit - just 80p. | 0:34:13 | 0:34:16 | |
Bad news for David, but excellent news for Mark. | 0:34:16 | 0:34:19 | |
But David's hopes remain high, particularly with his next item. | 0:34:19 | 0:34:24 | |
It's the Victorian settee he absolutely adores. | 0:34:24 | 0:34:27 | |
He's had it delivered to a 17th-century wedding venue | 0:34:27 | 0:34:30 | |
in the nearby village of Lartington. | 0:34:30 | 0:34:31 | |
So, will the owners, John and Shona, think it's to the manor born? | 0:34:31 | 0:34:36 | |
David paid just over £260. | 0:34:36 | 0:34:38 | |
-Go on, try it. -I'm quite heavy at the moment! | 0:34:38 | 0:34:41 | |
-She looks fantastic. -It's a good time to try. | 0:34:41 | 0:34:45 | |
Can I get out? It's all right, isn't it? | 0:34:45 | 0:34:47 | |
-It's not bad. -Very comfortable. | 0:34:47 | 0:34:49 | |
Now, stay there because I've got an added extra. Wait there. | 0:34:49 | 0:34:52 | |
So, you can have them with cushions or without. | 0:34:52 | 0:34:56 | |
-Perfect. -Looks good, doesn't it? | 0:34:56 | 0:34:59 | |
-Yes, very comfortable. -Try it out, John. | 0:34:59 | 0:35:01 | |
-Give us a range. -£500-700. | 0:35:02 | 0:35:05 | |
I'll stand back with you to admire. | 0:35:05 | 0:35:07 | |
-I think we could do £450. -She looks so lovely. | 0:35:07 | 0:35:10 | |
I'm shocked. I'm utterly shocked. John, I'm shocked. | 0:35:10 | 0:35:13 | |
I tell you what I would do. I'd meet you somewhere near £600. | 0:35:13 | 0:35:16 | |
-You said 500-700. -I know. | 0:35:16 | 0:35:19 | |
-That's in the middle, isn't it? -What about five? | 0:35:19 | 0:35:22 | |
-Shall we settle on five? -Five... | 0:35:22 | 0:35:24 | |
How about 550? | 0:35:24 | 0:35:26 | |
-We'll settle on 550, shall we? -Shona, thank you so much. | 0:35:26 | 0:35:29 | |
-Deal. Sealed with a kiss. -Thank you. Thank you, John. | 0:35:29 | 0:35:32 | |
No, thank you. | 0:35:32 | 0:35:33 | |
Now, all we need now is a nice glass of champagne. | 0:35:35 | 0:35:37 | |
-Not you, of course. -Not me, sadly. | 0:35:37 | 0:35:39 | |
Where are the servants? Never a servant when you want one. | 0:35:39 | 0:35:41 | |
Yeah, a house like this must have servants. | 0:35:41 | 0:35:44 | |
Well, staff or no staff, the Victorian sofa serves up | 0:35:44 | 0:35:47 | |
a luxurious profit of £289.60 and David deals Mark a crushing blow. | 0:35:47 | 0:35:54 | |
So, that really piles the pressure on The Maverick. | 0:35:54 | 0:35:57 | |
He doesn't get much luck out of the watercolour portrait, though. | 0:35:57 | 0:36:00 | |
He sells it to a woman in West Sussex for £20, | 0:36:00 | 0:36:03 | |
bringing in a profit of just £7.60. | 0:36:03 | 0:36:06 | |
And this is the point at which Mark pulls out the big one - | 0:36:08 | 0:36:11 | |
his pigeon painting that cost him just over £223. | 0:36:11 | 0:36:14 | |
So, it's all the money and he's a bit worried about this one | 0:36:14 | 0:36:17 | |
so he puffs up his feathers and flies along the coast to Peacehaven. | 0:36:17 | 0:36:21 | |
He's meeting pigeon fancier John who has a lot of unusual breeds. | 0:36:21 | 0:36:25 | |
So, will The Maverick race home with a profit | 0:36:25 | 0:36:28 | |
or are his birds about to come home to roost? | 0:36:28 | 0:36:32 | |
-These are my birds, Mark. -Gosh, they're fabulous! | 0:36:32 | 0:36:35 | |
The colours are wonderful. They're purring away there. | 0:36:35 | 0:36:38 | |
Or cooing away, I should say. | 0:36:38 | 0:36:40 | |
They're all making happy noises at the moment | 0:36:40 | 0:36:42 | |
so before we get them unhappy, shall I show you, in the flesh, the picture? | 0:36:42 | 0:36:46 | |
-I'd like to see it. -I loved it. | 0:36:46 | 0:36:48 | |
I thought there's no problem. | 0:36:48 | 0:36:49 | |
There must be loads of pigeon fanciers around. | 0:36:49 | 0:36:51 | |
Loads of, you know, pubs with the word "pigeon" in it. And no luck. | 0:36:51 | 0:36:55 | |
But can you tell us anything about it? | 0:36:55 | 0:36:57 | |
So, the actual painting is Victorian-style. | 0:36:57 | 0:37:00 | |
I'm not saying it is Victorian. | 0:37:00 | 0:37:01 | |
No, I'm not convinced it's Victorian. | 0:37:01 | 0:37:03 | |
Because what we've got today is we've got lots of very good artists. | 0:37:03 | 0:37:06 | |
There's a lady down in West Sussex who does do this style. | 0:37:06 | 0:37:09 | |
I must admit, I agree with you. | 0:37:09 | 0:37:11 | |
I think it was painted later than that. | 0:37:11 | 0:37:13 | |
Is it something you think you might be able to make an offer on? | 0:37:13 | 0:37:16 | |
It's something that I would maybe use | 0:37:16 | 0:37:18 | |
in maybe some of my talks and displays. | 0:37:18 | 0:37:21 | |
How much could I make you part with? | 0:37:21 | 0:37:23 | |
Well, unfortunately, Mark, probably not as much as you would like. | 0:37:24 | 0:37:27 | |
Do your worst, John. | 0:37:27 | 0:37:29 | |
I mean... | 0:37:29 | 0:37:30 | |
-I mean, I'm talking about £25. -Oh! | 0:37:30 | 0:37:34 | |
John, please, you can't do that to me! | 0:37:34 | 0:37:36 | |
-£25? My gosh! -How about £40? | 0:37:36 | 0:37:40 | |
Can we go a little bit higher to save my embarrassment? | 0:37:40 | 0:37:43 | |
I don't think I'm ever going to become a pigeon fancier after this. | 0:37:43 | 0:37:46 | |
I have got 30 mouths to feed, Mark. | 0:37:46 | 0:37:48 | |
It is a nice painting. | 0:37:49 | 0:37:51 | |
If I just help you a little bit and if I said £50...? | 0:37:51 | 0:37:53 | |
I'm not going to get you any higher than that, am I? | 0:37:54 | 0:37:57 | |
I think I'm going to have to take your £50, John. | 0:37:57 | 0:37:59 | |
-Shall I shake your hand? -Please. Thank you so much. | 0:37:59 | 0:38:01 | |
Oh, Mark, that's a devastating loss! £173.20. Hideous! | 0:38:01 | 0:38:07 | |
# Every loser wins | 0:38:07 | 0:38:11 | |
# Once the dream begins... # | 0:38:11 | 0:38:15 | |
There's no way round it. | 0:38:15 | 0:38:16 | |
That is one of the biggest losses in Put Your Money history. | 0:38:16 | 0:38:20 | |
Well, it's not my best sale. | 0:38:20 | 0:38:22 | |
I've made a huge loss, but I have made a new friend | 0:38:22 | 0:38:24 | |
and I've learned a lot about pigeons, so it's not all bad. | 0:38:24 | 0:38:28 | |
Yes, you can put a positive spin on it all you like, | 0:38:33 | 0:38:35 | |
but that could have just sealed your fate. | 0:38:35 | 0:38:38 | |
David rounds off his selling spree back where it all began | 0:38:38 | 0:38:41 | |
in Barnard Castle. | 0:38:41 | 0:38:43 | |
The carpetbag and leather holdall sell for £135, | 0:38:43 | 0:38:47 | |
giving him a slender profit of £11. | 0:38:47 | 0:38:50 | |
So, everything - and I mean everything - | 0:38:50 | 0:38:53 | |
comes down to Mark's last item, | 0:38:53 | 0:38:54 | |
the engraved ostrich egg. And he basically needs a miracle. | 0:38:54 | 0:38:59 | |
But, as we always say, anything could happen. | 0:38:59 | 0:39:02 | |
Mr Stacey is in Guildford to meet Dave | 0:39:02 | 0:39:04 | |
who's the chairman of an organisation that raises money for local causes. | 0:39:04 | 0:39:08 | |
Mark needs hundreds and hundreds of pounds. | 0:39:08 | 0:39:11 | |
-I sent you some photographs, David. -You did. | 0:39:11 | 0:39:13 | |
Because you're connected with the Guildford Lions, aren't you? | 0:39:13 | 0:39:16 | |
Yes, I am, yeah. | 0:39:16 | 0:39:18 | |
And I thought this egg might be something of interest to you. | 0:39:18 | 0:39:21 | |
I'll hand it over cos you haven't seen it in the flesh. | 0:39:21 | 0:39:23 | |
I haven't, no. It's lovely, isn't it? | 0:39:23 | 0:39:25 | |
Well, I liked it cos it's quite delicately carved or etched | 0:39:25 | 0:39:29 | |
and it's got all the staining in there | 0:39:29 | 0:39:31 | |
and he looks actually a kind of friendly lion. | 0:39:31 | 0:39:33 | |
He does, yes. Yes, he does. | 0:39:33 | 0:39:35 | |
-It comes with a little... -"Drawn by Hugh." | 0:39:35 | 0:39:38 | |
By Hugh. Whoever Hugh is. | 0:39:38 | 0:39:39 | |
And it comes with this little gilt metal stand | 0:39:39 | 0:39:42 | |
with three dolphins on it, which is quite fun. | 0:39:42 | 0:39:45 | |
Dave, I think in the e-mail, | 0:39:45 | 0:39:46 | |
I suggested an estimate range of around about £50-80. | 0:39:46 | 0:39:49 | |
Now, how do you feel about that? | 0:39:49 | 0:39:51 | |
I think that's...we'd be interested in that at the lower end. | 0:39:51 | 0:39:55 | |
Could I possibly sort of push you up to, say, £60? | 0:39:55 | 0:40:00 | |
-Is that possible? -I think... | 0:40:00 | 0:40:03 | |
Yes, I'm sure we could do £60. | 0:40:03 | 0:40:05 | |
-Could we manage at £60? -I'm sure, yes. | 0:40:05 | 0:40:07 | |
That gives me a little bit of extra profit as well | 0:40:07 | 0:40:09 | |
and hopefully this will roar at the auction. | 0:40:09 | 0:40:12 | |
-Ho-ho! Wonderful! -Did you get it? | 0:40:12 | 0:40:13 | |
-I got it. I saw what you did there. -He will be the king of the auction. | 0:40:13 | 0:40:16 | |
-Fantastic. Thank you, Mark. -Thank you. | 0:40:16 | 0:40:19 | |
While Mark's still in the mood to make jokes, | 0:40:19 | 0:40:21 | |
the ostrich egg makes £25.28, | 0:40:21 | 0:40:23 | |
which, to be frank, won't make much difference. | 0:40:23 | 0:40:26 | |
It's almost time to reveal the final figures. | 0:40:27 | 0:40:30 | |
Not sure we're in for much of a surprise, though. | 0:40:30 | 0:40:32 | |
Before we do, let's remind ourselves of how much they spent at auction. | 0:40:32 | 0:40:35 | |
Both our boys arrived in London with £1,000 of their own money to spend. | 0:40:37 | 0:40:41 | |
David was daring in his bidding. | 0:40:41 | 0:40:44 | |
His six lots came in at a total cost of £907.68. | 0:40:44 | 0:40:49 | |
Mark was much more cautious. | 0:40:49 | 0:40:50 | |
Six lots for him too, but a relatively modest spend of £391.84. | 0:40:50 | 0:40:56 | |
Any profit that David and Mark have made from today's challenge | 0:40:56 | 0:40:59 | |
will go to the charities of their choice | 0:40:59 | 0:41:01 | |
and, if you haven't worked it out already, | 0:41:01 | 0:41:03 | |
it's time to reveal who is today's | 0:41:03 | 0:41:05 | |
Put Your Money Where Your Mouth Is champion. | 0:41:05 | 0:41:08 | |
-David, hello. -What a beautiful day. | 0:41:08 | 0:41:11 | |
-How are you feeling? -I am very, very nervous. | 0:41:11 | 0:41:13 | |
-You're not. -I am, David. | 0:41:13 | 0:41:15 | |
You've got a nervous look. | 0:41:15 | 0:41:16 | |
Now, the auction, I'm afraid, wasn't very good for me. | 0:41:16 | 0:41:19 | |
-Really? -No. | 0:41:19 | 0:41:21 | |
-Anything in particular? -Well, one thing in particular. | 0:41:21 | 0:41:23 | |
-Which one? -The pigeon. | 0:41:23 | 0:41:25 | |
The pigeon? Didn't half shout out on the day as well, didn't I? | 0:41:25 | 0:41:28 | |
-I know. And you? -Um, the helmet. | 0:41:28 | 0:41:32 | |
I've never bought anything quite like it. I did two sales. | 0:41:32 | 0:41:35 | |
Sold the soft helmets to one guy - great guy with an opticians - | 0:41:35 | 0:41:39 | |
and the helmet itself is now living in a lovely cottage | 0:41:39 | 0:41:43 | |
in deepest, darkest Cumbria as a piece of art. | 0:41:43 | 0:41:47 | |
-David, you do go on, you know. -I do. I go on journeys. Journeys. | 0:41:47 | 0:41:51 | |
Well, go on and open your box, will you? | 0:41:51 | 0:41:53 | |
-Are you ready? -BOTH: -Three, two, one. | 0:41:53 | 0:41:56 | |
-Mark Stacey! -I know. | 0:41:56 | 0:41:57 | |
-What? -Well, I don't know how you've done it. | 0:41:57 | 0:42:00 | |
Red means bad. | 0:42:00 | 0:42:01 | |
-I don't know how you've done it, David. -Red is bad. | 0:42:01 | 0:42:04 | |
I know, it's very bad. I'm surprised it's only that bad, actually. | 0:42:04 | 0:42:07 | |
-How did you get so bad? -I lost over £170 on the picture. | 0:42:07 | 0:42:12 | |
I almost feel like I'm going to collapse with joy. | 0:42:14 | 0:42:16 | |
-Will you buy me a drink? -I will buy you a drink. | 0:42:16 | 0:42:18 | |
-Do you want a couple of bottles? -Oh, poor Mark! Give that man a hug! | 0:42:18 | 0:42:22 | |
That's an extraordinary victory for David. | 0:42:22 | 0:42:25 | |
His bulk-buying worked a treat. | 0:42:25 | 0:42:27 | |
The great thing about auctions is the variety of objects. | 0:42:27 | 0:42:32 | |
So, from a beautiful, early 19th-century sofa | 0:42:32 | 0:42:35 | |
to a Chinese fighter pilot's helmet, it is just absolutely bizarre. | 0:42:35 | 0:42:40 | |
Well, what can I say about the auction? | 0:42:40 | 0:42:42 | |
It wasn't my finest moment, as they say. | 0:42:42 | 0:42:44 | |
Everything I wanted, I couldn't get, | 0:42:44 | 0:42:46 | |
but I did make some reasonable sales. | 0:42:46 | 0:42:48 | |
I mean, I managed to sell the ostrich egg | 0:42:48 | 0:42:50 | |
and the watercolour, I found a very good buyer for. | 0:42:50 | 0:42:53 | |
But I did make a huge loss as well, | 0:42:53 | 0:42:55 | |
and David just seemed to find the right people hidden in the country | 0:42:55 | 0:42:58 | |
who wanted a Chinese helmet. | 0:42:58 | 0:43:00 | |
So, Mark will be a man on a mission tomorrow | 0:43:00 | 0:43:03 | |
as our two traders battle for the ultimate accolade in antiques television. | 0:43:03 | 0:43:07 | |
Take cover, it's the mighty showdown! | 0:43:07 | 0:43:10 |