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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:06 | |
against each other in an all-out battle for profit. | 0:00:06 | 0:00:11 | |
Let's make hay while that sun shines. | 0:00:11 | 0:00:13 | |
And gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
Who's there? | 0:00:17 | 0:00:19 | |
Each week, one pair of duelling dealers will face a different | 0:00:19 | 0:00:22 | |
daily challenge. | 0:00:22 | 0:00:23 | |
The original cheeky chappie. | 0:00:24 | 0:00:26 | |
Lovely! | 0:00:26 | 0:00:27 | |
Putting their reputations on the line... | 0:00:27 | 0:00:29 | |
I am truly rockin'. | 0:00:29 | 0:00:31 | |
WOLF WHISTLE | 0:00:31 | 0:00:33 | |
..and giving you their top tips | 0:00:33 | 0:00:35 | |
and savvy secrets on how to make the most money from buying and selling. | 0:00:35 | 0:00:40 | |
Get in there. | 0:00:40 | 0:00:42 | |
LAUGHTER | 0:00:42 | 0:00:43 | |
Today's auction room action pits the Baron of Bidding, | 0:00:43 | 0:00:46 | |
Jonty Hearnden, against the Doyenne of Dealing, Christina Trevanion. | 0:00:46 | 0:00:49 | |
Coming up, both our battlers hit crisis point. | 0:00:51 | 0:00:54 | |
-I am a tense magpie right now. -I am beginning to panic. | 0:00:54 | 0:00:58 | |
Jonty has a tough lesson in pricing. | 0:00:58 | 0:01:01 | |
-Looking for a couple of hundred quid. -Retail price, dear, retail! | 0:01:01 | 0:01:05 | |
-And a damaged item damages Christina. -David, what should I do? | 0:01:05 | 0:01:10 | |
God knows! | 0:01:10 | 0:01:11 | |
THEY LAUGH | 0:01:11 | 0:01:13 | |
This is Put Your Money Where Your Mouth Is. | 0:01:13 | 0:01:15 | |
Friends, rummagers, antiques addicts, | 0:01:29 | 0:01:31 | |
prepare yourselves for a supreme stand-off. | 0:01:31 | 0:01:35 | |
Today, we find ourselves in the Roman town of Colchester in Essex, | 0:01:35 | 0:01:38 | |
for an awesome auction between two centurions of the sale room. | 0:01:38 | 0:01:43 | |
And the lots will be coming thick and fast | 0:01:43 | 0:01:45 | |
so there is no room for reticence. | 0:01:45 | 0:01:47 | |
If your hand is not in the air, it is thumbs down. | 0:01:47 | 0:01:51 | |
So, first to vie for your favour is a cultural coliseum of a man. | 0:01:51 | 0:01:55 | |
He employs encyclopaedic knowledge to uncover | 0:01:55 | 0:01:58 | |
the most intriguing of items and he is also a bit of a charmer. | 0:01:58 | 0:02:02 | |
It is the furniture fancier himself, it is Jonty "the Hitman" Hearnden. | 0:02:02 | 0:02:08 | |
Let battle commence. | 0:02:08 | 0:02:09 | |
But our captain of collectables starts at a disadvantage. | 0:02:10 | 0:02:14 | |
His contender is an auctioneer by trade | 0:02:14 | 0:02:16 | |
so can read the room with pinpoint precision. | 0:02:16 | 0:02:19 | |
Surmounting the sale room is second nature to her. | 0:02:19 | 0:02:22 | |
This goddess of the gavel loves anything that sparkles. | 0:02:22 | 0:02:25 | |
It is Christina "the Magpie" Trevanion. | 0:02:25 | 0:02:27 | |
The Magpie strikes again. | 0:02:29 | 0:02:31 | |
Today's battlefield is the Reeman Dansie auction in Colchester | 0:02:32 | 0:02:36 | |
and this place has everything a dealer could wish for, | 0:02:36 | 0:02:38 | |
from ornate jewellery to classic cars. | 0:02:38 | 0:02:41 | |
Our two titans of the trade have £1,000 of their own money to spend. | 0:02:43 | 0:02:47 | |
But that must include the auction commission and fees, | 0:02:47 | 0:02:50 | |
so mental arithmetic comes into play as well. | 0:02:50 | 0:02:53 | |
Once they have sold their stash, | 0:02:53 | 0:02:55 | |
any profit they make will go to charities of their choice. | 0:02:55 | 0:02:58 | |
So who will be best at bidding? | 0:03:00 | 0:03:02 | |
Only one person can win and these fearsome fighters | 0:03:02 | 0:03:05 | |
will definitely need some tricks up their tunics. | 0:03:05 | 0:03:07 | |
Jonty Hearnden and Christina Trevanion, helmets on, | 0:03:07 | 0:03:10 | |
it's time to Put Your Money Where Your Mouth Is. | 0:03:10 | 0:03:13 | |
-Good morning. -Good morning, how are you? -I'm smiling. -You are smiling? | 0:03:14 | 0:03:18 | |
-Have you seen the diamonds? -The diamonds, just up your street. | 0:03:18 | 0:03:22 | |
-It is, what a brilliant sale. -Now this is a two-day sale as well. | 0:03:22 | 0:03:26 | |
You're smiling, I'm crying. | 0:03:26 | 0:03:28 | |
Because behind me is all the furniture which I can't buy. | 0:03:28 | 0:03:30 | |
-That is tomorrow. -I know, and we're not here. | 0:03:30 | 0:03:33 | |
-Now, we have £1,000 to spend. -We have, £1,000. | 0:03:33 | 0:03:36 | |
I've definitely got to stop looking at diamonds | 0:03:36 | 0:03:38 | |
-and expand my horizons a little bit. -Yes, I think this is a cracking sale, | 0:03:38 | 0:03:41 | |
so I'm looking forward to it. | 0:03:41 | 0:03:42 | |
The only problem is we have the room to deal with | 0:03:42 | 0:03:44 | |
-and the internet buyers as well. -And the internet. | 0:03:44 | 0:03:47 | |
So, Jonty, it is us against the world! | 0:03:47 | 0:03:49 | |
-Best of luck. -Good luck. | 0:03:49 | 0:03:52 | |
Yes, it is all smiles and laughter now | 0:03:52 | 0:03:54 | |
but that won't last long when the bidding begins. | 0:03:54 | 0:03:56 | |
And Jonty is well outside his comfort zone. | 0:03:56 | 0:03:59 | |
Not only is he up against a saleroom supremo, | 0:03:59 | 0:04:02 | |
but with all the furniture being sold tomorrow, | 0:04:02 | 0:04:04 | |
his favourite fallback option has been ripped from under his feet. | 0:04:04 | 0:04:08 | |
My strategy is to look at everything possible that is on offer | 0:04:10 | 0:04:13 | |
in this part of the sale. | 0:04:13 | 0:04:15 | |
And I have to, have to keep the hands off the furniture. | 0:04:15 | 0:04:19 | |
Yes, good luck with that, Hitman. | 0:04:19 | 0:04:21 | |
So, this is a walk in the park for Christina | 0:04:21 | 0:04:23 | |
and she must be crammed with confidence. | 0:04:23 | 0:04:26 | |
Jonty thinks I will be looking at all the jewellery today | 0:04:26 | 0:04:28 | |
and I have to be honest, it's incredibly distracting. | 0:04:28 | 0:04:30 | |
There are some beautiful pieces over there. | 0:04:30 | 0:04:32 | |
But I don't want to put all my eggs in one basket so I'm going to have a look around. | 0:04:32 | 0:04:36 | |
There are some lovely quirky things here. | 0:04:36 | 0:04:38 | |
Is anyone OK to look after my car just while I... | 0:04:38 | 0:04:42 | |
Pull the other one, Christina, but that bluffing bravado is key | 0:04:42 | 0:04:46 | |
if she is to bag the best bargains. | 0:04:46 | 0:04:48 | |
She heads for a good look at the lots but whilst ROMAN around, | 0:04:48 | 0:04:51 | |
Jonty has already spotted something Italian. | 0:04:51 | 0:04:53 | |
This is effectively a paperweight. | 0:04:55 | 0:04:57 | |
But it's no ordinary paperweight. Because look at that. | 0:04:57 | 0:05:00 | |
Everything you see there is hand-cut marble. | 0:05:00 | 0:05:04 | |
This is known as pietra dura which is Italian for hard stone. | 0:05:04 | 0:05:09 | |
And there is every likelihood that this small paperweight | 0:05:09 | 0:05:13 | |
originally came from Italy in the mid-19th century. | 0:05:13 | 0:05:17 | |
In the catalogue this is estimated I think at £40-£60. | 0:05:17 | 0:05:22 | |
If I can get it for that, now that is an absolute bargain. | 0:05:22 | 0:05:25 | |
And the Hitman isn't the only expert weighing up | 0:05:25 | 0:05:28 | |
the desktop paraphernalia. | 0:05:28 | 0:05:30 | |
Christina has found something that looks far more threatening. | 0:05:30 | 0:05:34 | |
This may look like a gun but actually, it's totally harmless. | 0:05:34 | 0:05:38 | |
You have the barrels there which unscrew and you have a wonderful pen | 0:05:38 | 0:05:41 | |
and then in the barrels there you have a bullet which is your inkwell. | 0:05:41 | 0:05:46 | |
So your own travelling writing set. I love it. | 0:05:46 | 0:05:49 | |
I don't think it has a huge amount of age to it, | 0:05:49 | 0:05:51 | |
probably mid-20th century, but it is still quirky and a bit of fun. | 0:05:51 | 0:05:55 | |
I love it. | 0:05:55 | 0:05:56 | |
Yes, and it's also nice and shiny, no wonder the Magpie is drawn to it. | 0:05:56 | 0:06:01 | |
Now, duelling Jonty has found what he hopes will be another | 0:06:01 | 0:06:04 | |
hit for Team Hearnden. | 0:06:04 | 0:06:06 | |
What we are looking at here is a beautiful Edwardian silver | 0:06:06 | 0:06:10 | |
picture frame. | 0:06:10 | 0:06:12 | |
It also has a cabochon or an amethyst attached to the top here, | 0:06:12 | 0:06:17 | |
which is just a really good quality touch. | 0:06:17 | 0:06:20 | |
Great hallmarks on the side just here. | 0:06:20 | 0:06:22 | |
The estimate in the catalogue is £150-£200. | 0:06:22 | 0:06:25 | |
If I can get it for around that sort of money, | 0:06:25 | 0:06:27 | |
then that is a really good investment. | 0:06:27 | 0:06:31 | |
Christina has stepped away from the shiny stuff and found a jug. | 0:06:31 | 0:06:35 | |
This is an early 19th-century, probably around 1820, | 0:06:35 | 0:06:38 | |
commemorative jug. | 0:06:38 | 0:06:40 | |
It is not porcelain, | 0:06:40 | 0:06:41 | |
pottery, and it is a type of pottery we call pearlware. | 0:06:41 | 0:06:45 | |
So we know it's pottery as opposed to porcelain | 0:06:45 | 0:06:47 | |
because we have this blue pooling around the areas of high relief. | 0:06:47 | 0:06:50 | |
So next time you see this, you will know it's pearlware. | 0:06:50 | 0:06:53 | |
This particular lot has quite a lot of interest for me. | 0:06:53 | 0:06:55 | |
General Hill or Lord Hill, as we know him in Shropshire, | 0:06:55 | 0:06:58 | |
was a Shropshire soldier and fought with Wellington | 0:06:58 | 0:07:01 | |
and was a very prominent soldier in the Battle of Waterloo. | 0:07:01 | 0:07:03 | |
A really interesting lot and really, because he's from Shropshire, | 0:07:03 | 0:07:06 | |
I think he needs to go back home to Shropshire. | 0:07:06 | 0:07:09 | |
And so the time has come. Silence descends over the room. | 0:07:09 | 0:07:14 | |
The punters settle in. It is lights, camera, auction. | 0:07:14 | 0:07:18 | |
And this is where a level head is crucial. | 0:07:19 | 0:07:22 | |
But the magnitude of the competition is unsettling our experts. | 0:07:22 | 0:07:26 | |
OK, the auction has just started. | 0:07:27 | 0:07:29 | |
And the auctioneer announced at the beginning of the auction sale | 0:07:29 | 0:07:33 | |
that he has registered with him over 300 bidders online. | 0:07:33 | 0:07:37 | |
So not only am I up against Jonty, | 0:07:37 | 0:07:39 | |
I am up against the world on the internet. | 0:07:39 | 0:07:41 | |
And also I have noticed they have roped in pretty much | 0:07:41 | 0:07:44 | |
every member of staff to do telephone bids. | 0:07:44 | 0:07:46 | |
I'm very nervous. | 0:07:46 | 0:07:47 | |
Yes, nerves are fraying but if anyone can triumph, it is | 0:07:47 | 0:07:50 | |
our two tussling titans. | 0:07:50 | 0:07:52 | |
Christina throws herself into the firefight early on, | 0:07:52 | 0:07:55 | |
bidding on that 19th century jug with the Shropshire soldier. | 0:07:55 | 0:07:59 | |
-But it is not to be. -200... | 0:07:59 | 0:08:03 | |
I was really hoping to get a quick first lot under my belt. | 0:08:03 | 0:08:07 | |
But as I suspected, it went a lot higher than I was prepared to pay. | 0:08:07 | 0:08:10 | |
Actually I went a bit more than even I wanted to pay. | 0:08:10 | 0:08:12 | |
I have feeling that it will be a tough day. | 0:08:12 | 0:08:15 | |
She's rattled. | 0:08:15 | 0:08:16 | |
She may be battle-scarred already but Christina licks her wounds | 0:08:16 | 0:08:20 | |
-and sets her sights on jug number two. -Do I have 30 with me? | 0:08:20 | 0:08:24 | |
32, 32, 34, 36, 38, 40. | 0:08:24 | 0:08:29 | |
42, at £40 bid, 42 on the internet, 44. | 0:08:29 | 0:08:34 | |
In the room, 46. Against you. 48, 50. | 0:08:34 | 0:08:39 | |
First she was runner-up on the internet | 0:08:39 | 0:08:41 | |
and now she is battling a bidder in the room. | 0:08:41 | 0:08:43 | |
£75. Latest bid. All done? | 0:08:44 | 0:08:47 | |
GAVEL | 0:08:47 | 0:08:48 | |
The first ones under my belt. Phew! | 0:08:48 | 0:08:51 | |
And look at the relief on her face. | 0:08:51 | 0:08:53 | |
Add in the commission and the price rises again. Christina pays £90.76. | 0:08:53 | 0:08:58 | |
I've just bought this rather magnificent Worcester, | 0:08:58 | 0:09:02 | |
what we call in the trade, cabbage leaf moulded jug, | 0:09:02 | 0:09:05 | |
because it looks like it is moulded with cabbage leaves. | 0:09:05 | 0:09:08 | |
And we also call them mask-headed jugs | 0:09:08 | 0:09:10 | |
because the spout is actually modelled as a mask or a head here. | 0:09:10 | 0:09:14 | |
I did look at it before. | 0:09:14 | 0:09:16 | |
We have got a bit of a condition issue going on down here. | 0:09:16 | 0:09:18 | |
It is what we call stapled, just to reinforce the body. But it is 1770. | 0:09:18 | 0:09:24 | |
That is over 230, 40 years old. It has got to be worth that, hasn't it? | 0:09:24 | 0:09:29 | |
Back on the floor and the global interest in today's auction | 0:09:29 | 0:09:32 | |
soon becomes clear. | 0:09:32 | 0:09:33 | |
They are selling a rare 19th-century teapot by legendary designer | 0:09:33 | 0:09:37 | |
Christopher Dresser. | 0:09:37 | 0:09:39 | |
Sadly for Jonty and Christina, | 0:09:39 | 0:09:41 | |
their budgets don't stretch anywhere near. | 0:09:41 | 0:09:44 | |
The hammer price is a staggering £19,000. | 0:09:44 | 0:09:47 | |
That is top whack for a teapot. | 0:09:47 | 0:09:50 | |
APPLAUSE | 0:09:50 | 0:09:53 | |
So does that take the pressure off our dazzling dealers? | 0:09:53 | 0:09:55 | |
Not on your Nelly. | 0:09:55 | 0:09:57 | |
They are still bidding against lots of people | 0:09:57 | 0:09:59 | |
with masses of cash to splash. | 0:09:59 | 0:10:01 | |
It is all going for too much money! I'm a tense magpie right now. | 0:10:01 | 0:10:06 | |
Yes, tricky times for our terrific twosome. | 0:10:06 | 0:10:09 | |
But in our battle for gavel glory, | 0:10:09 | 0:10:11 | |
Jonty is the one who should worry. The Hitman has had no hits at all. | 0:10:11 | 0:10:16 | |
-Jonty, have you bought anything? -No, have you? -Maybe. | 0:10:16 | 0:10:21 | |
Yes, Jonty's playing it cool but after another 15 minutes, | 0:10:21 | 0:10:25 | |
he's still got nowhere. | 0:10:25 | 0:10:27 | |
I'm beginning to panic. | 0:10:27 | 0:10:29 | |
While Jonty's head is spinning, the Magpie swoops in again. | 0:10:29 | 0:10:32 | |
She bids for a pair of silver Edwardian photo frames. | 0:10:32 | 0:10:36 | |
At £40, 42, 44, 46, I'm out now. 46, 48, 50. | 0:10:36 | 0:10:42 | |
Sold at 55. | 0:10:42 | 0:10:44 | |
-Oh, the Hitman is in for the kill. -60, 65. | 0:10:44 | 0:10:49 | |
65, 70, 75. At 75, 80. | 0:10:49 | 0:10:53 | |
Oh, you blighter! | 0:10:53 | 0:10:55 | |
£80, all done, I'll sell at 80. | 0:10:56 | 0:10:59 | |
That's why they call him the Hitman, isn't it? The Hitman hit me. | 0:10:59 | 0:11:02 | |
Look at him. Cool as a cucumber sat there. | 0:11:02 | 0:11:05 | |
I could have got those for 50 quid. | 0:11:05 | 0:11:08 | |
Tactics, tactics. | 0:11:08 | 0:11:11 | |
That's vintage Hearnden. | 0:11:11 | 0:11:12 | |
He runs his rival right-up and, after fees, Christina pays £96.80. | 0:11:12 | 0:11:18 | |
Really nice that you got a pair. Often they were split. | 0:11:18 | 0:11:21 | |
We've got a nice clear hallmark at the bottom here which tells us | 0:11:21 | 0:11:24 | |
they were made in London in 1905. So Edwardian period. | 0:11:24 | 0:11:28 | |
Typical of the Edwardian period having scrawling foliage | 0:11:28 | 0:11:31 | |
and flowers here. | 0:11:31 | 0:11:34 | |
Very pretty, quite feminine really, and I'm hoping quite saleable. | 0:11:34 | 0:11:38 | |
So Christina's got two purchases under her belt. | 0:11:38 | 0:11:41 | |
Jonty's belt is so under-filled, his trousers could plummet at any time. | 0:11:41 | 0:11:45 | |
But that large silver photo frame he was so keen on soon comes up. | 0:11:45 | 0:11:50 | |
Could this be his turning point? | 0:11:50 | 0:11:51 | |
-Bids online quickly take it up to £200. -On the internet, 210. | 0:11:51 | 0:11:56 | |
At 210 in the room now, 210, 220. 230, 240, I'll sell at 240... | 0:11:56 | 0:12:03 | |
GAVEL | 0:12:03 | 0:12:05 | |
Now, let's get going. | 0:12:05 | 0:12:07 | |
Yes, he's finally off. | 0:12:07 | 0:12:09 | |
The Edwardian frame sets him back £290.40 including fees. | 0:12:09 | 0:12:14 | |
And silverware could be the name of Jonty's game. | 0:12:14 | 0:12:17 | |
Just a few lots later, a silver Victorian casket | 0:12:17 | 0:12:20 | |
and Edwardian box come up together and he's straight in there. | 0:12:20 | 0:12:24 | |
55, 60, 5, 70, 5 and I'm out. | 0:12:24 | 0:12:29 | |
80, 85, 90, 5. No? | 0:12:29 | 0:12:33 | |
95, still seated then at 95. | 0:12:33 | 0:12:35 | |
And that's purchase number two, add in the fees, the lot cost £114.96. | 0:12:37 | 0:12:42 | |
So here are my two boxes. Let's have a look at the large one first. | 0:12:44 | 0:12:48 | |
Just looking at this box from 20 paces, you can tell it's Victorian, | 0:12:48 | 0:12:51 | |
simply because it's smothered in decoration. | 0:12:51 | 0:12:55 | |
So therefore, it's also late 19th century as well. | 0:12:55 | 0:12:58 | |
It was the fashion at the time, everything was very busy. | 0:12:58 | 0:13:01 | |
And if I open the lid, we can see just how clean it is. | 0:13:01 | 0:13:05 | |
Somebody must have professionally cleaned this. | 0:13:05 | 0:13:08 | |
There is no dirt ingrained there at all. | 0:13:08 | 0:13:11 | |
And one would expect to see dirt | 0:13:11 | 0:13:14 | |
because this box is a good 100 years old. | 0:13:14 | 0:13:17 | |
Here's my other one. | 0:13:17 | 0:13:19 | |
It's complementary. This one is slightly later. | 0:13:19 | 0:13:21 | |
Therefore, this is Edwardian, it is not Victorian. | 0:13:21 | 0:13:24 | |
We have a moulded glass base to it. | 0:13:24 | 0:13:26 | |
This is a little trinket box which would have sat | 0:13:26 | 0:13:29 | |
on an Edwardian lady's dressing table. | 0:13:29 | 0:13:32 | |
I should, if I'm clever, double my money. | 0:13:32 | 0:13:36 | |
Yes, the Hitman is well and truly back in the game. | 0:13:36 | 0:13:39 | |
At two buys each, our brave bidders are standing shoulder to shoulder. | 0:13:39 | 0:13:43 | |
But maybe not for long. | 0:13:43 | 0:13:45 | |
The Magpie's eagle eye has landed on something shiny. | 0:13:45 | 0:13:49 | |
So 235 is coming up now. It's the silver easel mirror. | 0:13:49 | 0:13:54 | |
-Very beautiful. -110 is bid. 110 is bid, 130, 140, I'm out now. | 0:13:54 | 0:14:01 | |
-At £140. -Ha-ha! | 0:14:01 | 0:14:03 | |
Silver, silver everywhere. | 0:14:05 | 0:14:07 | |
The auction fees take the cost of the mirror up to £169.40. | 0:14:07 | 0:14:11 | |
Yes, it's a little bit worn but it dates from 1902. | 0:14:12 | 0:14:15 | |
We've got hallmark down here which tells us that. | 0:14:15 | 0:14:18 | |
And we've also got a contemporary inscription up here. | 0:14:18 | 0:14:21 | |
It says, "To dear Mother, with best love from Clarissa, Fred | 0:14:21 | 0:14:25 | |
"and Isidore. 24th October 1902." | 0:14:25 | 0:14:29 | |
Some buyers might not like that | 0:14:29 | 0:14:31 | |
but it would be possible to have that taken out. | 0:14:31 | 0:14:34 | |
Look at the size of it. It's beautiful. | 0:14:34 | 0:14:36 | |
You don't get them this size. | 0:14:36 | 0:14:38 | |
Yes, she's clearly delighted. | 0:14:38 | 0:14:40 | |
Let's leave Christina reflecting on her sizeable acquisition | 0:14:40 | 0:14:42 | |
and take stock of the tally so far. | 0:14:42 | 0:14:45 | |
Both gavelling gladiators started the day | 0:14:47 | 0:14:49 | |
with £1,000 of their own money. | 0:14:49 | 0:14:52 | |
Christina has raced out in front buying three lots | 0:14:52 | 0:14:54 | |
for very nearly £357, leaving just over £643 for the rest of the day. | 0:14:54 | 0:15:01 | |
But Jonty is playing a good game of catch up. | 0:15:02 | 0:15:04 | |
Just two purchases so far but he has spent more, over £405. | 0:15:04 | 0:15:09 | |
That leaves just shy of £595 in his kitty. | 0:15:09 | 0:15:13 | |
But this is only the halfway stage. | 0:15:17 | 0:15:19 | |
There's plenty more aggressive auctioneering ahead. | 0:15:19 | 0:15:22 | |
If anyone can hack it, it's these two dealing dynamos. | 0:15:22 | 0:15:26 | |
-Hi, sunshine. -Oh, my word. -Oh? -So expensive. | 0:15:26 | 0:15:30 | |
-It's a bit pricey, isn't it? -How are you doing? -You look bit flushed. | 0:15:30 | 0:15:33 | |
-I feel a bit flushed. -Flushed with confidence? -No, no... | 0:15:33 | 0:15:37 | |
-Bidding up your fellow competitors? -Oh, excuse me. | 0:15:37 | 0:15:40 | |
-Yes, thanks for that. Love you too. -You were framed. -Ha-ha. | 0:15:40 | 0:15:44 | |
-Yeah, I feel it. -How do you think the auction's going? | 0:15:44 | 0:15:48 | |
-It's pricey, isn't it? It's difficult to buy. -Back to work. | 0:15:48 | 0:15:51 | |
Back to work. Have fun. | 0:15:51 | 0:15:54 | |
Don't get too dazed by all the noughts going on! | 0:15:54 | 0:15:58 | |
This is clearly one of the toughest buying days in Put Your Money | 0:15:58 | 0:16:01 | |
history but both our contenders have accepted the challenge. | 0:16:01 | 0:16:05 | |
There's no going back now. | 0:16:05 | 0:16:07 | |
I'm genuinely relieved that Christina is finding it hard to bid | 0:16:07 | 0:16:12 | |
in this auction room, because it is such good quality here | 0:16:12 | 0:16:18 | |
and good quality attracts good buyers, which means the competition | 0:16:18 | 0:16:21 | |
is even stiffer and as a consequence, it is really tough out here. | 0:16:21 | 0:16:26 | |
But the Magpie could now seize the advantage. | 0:16:26 | 0:16:29 | |
The auction is moving into her specialist subject, sparkly things. | 0:16:29 | 0:16:34 | |
Now we are in the jewellery section. | 0:16:34 | 0:16:35 | |
I'm not sure he is a blingy kind of guy. | 0:16:35 | 0:16:37 | |
I think he might be quite quiet over the jewellery, at least, | 0:16:37 | 0:16:40 | |
-I am hoping so. -No, you're probably right. | 0:16:40 | 0:16:42 | |
He will steer well away from the jewellery. | 0:16:42 | 0:16:45 | |
What's this he's interested in? | 0:16:45 | 0:16:47 | |
Cultured pearl necklace, always commercial. | 0:16:47 | 0:16:49 | |
So that would be jewellery then. | 0:16:49 | 0:16:51 | |
Yes, don't underestimate the Hitman, Christina. | 0:16:51 | 0:16:53 | |
He may not be the king of bling, but he is a businessman. | 0:16:53 | 0:16:57 | |
The necklace also comes with an Edwardian brooch | 0:16:57 | 0:17:00 | |
-but will the money be right? -At 55, 60 anywhere else? | 0:17:00 | 0:17:03 | |
£55, 60, thank you. 65, 70. At £70 in the room. 75 on the internet. | 0:17:03 | 0:17:10 | |
80, 85, a fresh place in the room. 90. | 0:17:10 | 0:17:13 | |
95, 100, £100. | 0:17:13 | 0:17:16 | |
GAVEL | 0:17:16 | 0:17:17 | |
Taking the fees into account, the necklace | 0:17:17 | 0:17:19 | |
and brooch set cost Jonty £121. | 0:17:19 | 0:17:23 | |
The reason why I bought this as a set is | 0:17:24 | 0:17:27 | |
because I can get two for the price of one. | 0:17:27 | 0:17:29 | |
The reason why my eye went to this one | 0:17:29 | 0:17:32 | |
is because the pearls are graduated. | 0:17:32 | 0:17:34 | |
And what I mean by graduated is they are bigger in the bottom | 0:17:34 | 0:17:38 | |
and then they graduate to smaller ones at the top. | 0:17:38 | 0:17:40 | |
I also really, really like the 15 carat gold clasp. | 0:17:40 | 0:17:45 | |
Again, a touch of style, a touch of quality. | 0:17:45 | 0:17:48 | |
But also I have this really intriguing brooch here. | 0:17:48 | 0:17:52 | |
It is in the form of a knot with a tiny pearl in the middle. | 0:17:52 | 0:17:57 | |
And if you look at the style, that is | 0:17:57 | 0:17:59 | |
very typical of a brooch that would have been made about 100 years ago. | 0:17:59 | 0:18:03 | |
Well, the Hitman has trampled all over Christina's territory. | 0:18:03 | 0:18:07 | |
Every item she bids on, the price flies higher than the Magpie can go. | 0:18:07 | 0:18:11 | |
She's trying, but troubled. It's not going her way. | 0:18:11 | 0:18:15 | |
Jonty held back but is now having a high old time. | 0:18:15 | 0:18:18 | |
Christina needs some fancy footwork from here on in. | 0:18:18 | 0:18:21 | |
The Hitman is treading on her toes again. | 0:18:21 | 0:18:23 | |
He's got a taste for all that glitters. | 0:18:23 | 0:18:26 | |
So I am now going to have a bid on a bracelet in the shape | 0:18:27 | 0:18:30 | |
of a serpent, nine carat gold. | 0:18:30 | 0:18:33 | |
It is nice and decorative, slightly different. | 0:18:33 | 0:18:36 | |
The estimate in the catalogue was £80-100. | 0:18:36 | 0:18:38 | |
At £90, 95, 100. | 0:18:38 | 0:18:42 | |
110, 120, sir. | 0:18:42 | 0:18:44 | |
120 the room now, 130 anywhere? | 0:18:44 | 0:18:47 | |
GAVEL | 0:18:47 | 0:18:48 | |
This is great now. | 0:18:49 | 0:18:51 | |
This is a proper game of snakes and ladders in this auction room. | 0:18:51 | 0:18:55 | |
I think I'm on the up. | 0:18:55 | 0:18:57 | |
So, more jewellery for Jonty means Christina will be hissing. | 0:18:57 | 0:19:00 | |
With fees, the snake bracelet cost £145.20. | 0:19:00 | 0:19:05 | |
Date wise, my hunch is that we are looking at an object which is | 0:19:06 | 0:19:10 | |
pre-Second World War, so possibly 1930s in date. | 0:19:10 | 0:19:14 | |
All I need to find is some unsuspecting Eve | 0:19:14 | 0:19:17 | |
to place my temptation underneath her nose. | 0:19:17 | 0:19:20 | |
So Jonty has slithered out in front | 0:19:20 | 0:19:23 | |
but at this stage absolutely anything could happen | 0:19:23 | 0:19:26 | |
and while the Hitman settles into his bidding, | 0:19:26 | 0:19:28 | |
Christina is still finding it hard to relax. | 0:19:28 | 0:19:31 | |
Old Hitman Hearnden down there is looking pretty cool, pretty calm, pretty relaxed. | 0:19:31 | 0:19:35 | |
And I'm fairly sure he's bought a lot more than me. | 0:19:35 | 0:19:37 | |
I've got some serious buying to do. | 0:19:37 | 0:19:39 | |
Yes, time to focus the mind, Christina, | 0:19:39 | 0:19:42 | |
as Jonty soon pounces again. | 0:19:42 | 0:19:44 | |
He buys a silver Victorian sovereign case, | 0:19:44 | 0:19:47 | |
complete with a profile bust of the Queen herself inside. | 0:19:47 | 0:19:50 | |
But it costs him dear, £133.10 with fees. | 0:19:50 | 0:19:55 | |
It's too much money. | 0:19:55 | 0:19:58 | |
The Magpie has got to catch up and catch up fast. | 0:19:58 | 0:20:01 | |
She's looking at everything the auction has to offer | 0:20:01 | 0:20:04 | |
but has no chance to spread her wings. | 0:20:04 | 0:20:06 | |
Jonty, meanwhile, is on dazzling form. There's no stopping him. | 0:20:07 | 0:20:11 | |
He bids again and walks away with a hand-decorated Victorian cane. | 0:20:11 | 0:20:15 | |
Including the fees, he pays £90.76 for it. | 0:20:15 | 0:20:19 | |
It's extraordinary. | 0:20:19 | 0:20:20 | |
In the 19th-century, the Victorians made everything look so stylish. | 0:20:20 | 0:20:25 | |
If we look at the handle, it is almost like a stylised lizard skin. | 0:20:25 | 0:20:30 | |
It's quite extraordinary. | 0:20:30 | 0:20:31 | |
We can see that we're actually looking at a piece of bamboo | 0:20:31 | 0:20:34 | |
and then it is capped, down at the bottom there, | 0:20:34 | 0:20:37 | |
and this is where one has to be quite careful, | 0:20:37 | 0:20:39 | |
because this is where an awful lot of wear takes place, naturally, | 0:20:39 | 0:20:42 | |
down at the base. A great object. | 0:20:42 | 0:20:45 | |
And with six purchases in the bag, Jonty decides to walk. | 0:20:45 | 0:20:49 | |
And that ups the pressure on Christina even more. | 0:20:49 | 0:20:52 | |
She's still got over £640 burning a hole in her pocket, | 0:20:52 | 0:20:56 | |
but still no more purchases. | 0:20:56 | 0:20:58 | |
An hour passes. | 0:20:58 | 0:21:00 | |
120 lots come and 120 lots go. | 0:21:00 | 0:21:05 | |
The Magpie's sparkle has flown the nest | 0:21:05 | 0:21:08 | |
and her place in the gavel graveyard edges closer. But then... | 0:21:08 | 0:21:13 | |
-This is lot 530, which is two inros. -80 I'm bid, five... | 0:21:13 | 0:21:18 | |
90, new bidder, 95, 100, 110, 120, 130, 140, | 0:21:19 | 0:21:24 | |
150, 160, at 160, | 0:21:24 | 0:21:27 | |
lady's bid there. | 0:21:27 | 0:21:28 | |
170 bidding online, 170, new bidder. 180, back in the room. | 0:21:28 | 0:21:33 | |
190, back on the line, 200 in the room, and 10. | 0:21:33 | 0:21:36 | |
At 210, 220, at 220. | 0:21:36 | 0:21:39 | |
GAVEL | 0:21:39 | 0:21:40 | |
Cor, that was hard work! Jolly hard work. | 0:21:40 | 0:21:43 | |
It certainly was. | 0:21:43 | 0:21:45 | |
The Japanese inros end up Christina's most expensive purchase | 0:21:45 | 0:21:48 | |
of the day, £266.20 with fees. | 0:21:48 | 0:21:53 | |
Inro basically is the equivalent of a Japanese man bag, if you like. | 0:21:53 | 0:21:59 | |
Basically, they would have been used to hold little spices | 0:21:59 | 0:22:02 | |
or herbal remedies. | 0:22:02 | 0:22:03 | |
The Japanese at this time weren't allowed to display their wealth | 0:22:03 | 0:22:06 | |
overtly. So they would use these. | 0:22:06 | 0:22:08 | |
The finer quality, the more wealthy you were. | 0:22:08 | 0:22:11 | |
These guys date from the late 19th century which is | 0:22:11 | 0:22:13 | |
when the merchant class was developing in Japan. | 0:22:13 | 0:22:17 | |
So they are not as good a quality | 0:22:17 | 0:22:19 | |
but there is certainly a market for them and the really nice thing | 0:22:19 | 0:22:23 | |
for me is this one is even signed, | 0:22:23 | 0:22:25 | |
so we can trace who actually made this. | 0:22:25 | 0:22:28 | |
And that could be quite important. | 0:22:28 | 0:22:30 | |
Yes, sounds like she's ended on a high. | 0:22:30 | 0:22:32 | |
It has been an intense day for Jonty and Christina, | 0:22:32 | 0:22:35 | |
fighting against a lot of big spenders worldwide. | 0:22:35 | 0:22:38 | |
So how have our battle-weary boffins fared? | 0:22:38 | 0:22:40 | |
They both started the day with £1,000 of their own money. | 0:22:42 | 0:22:46 | |
Jonty faltered at first but then flew into action. | 0:22:46 | 0:22:49 | |
He struck six times and forked out more than £895. | 0:22:49 | 0:22:53 | |
Christina made a bold start but then struggled later on. | 0:22:55 | 0:22:58 | |
She leaves with only four lots costing just over £623. | 0:22:58 | 0:23:02 | |
So, with a cash chasm between them, | 0:23:04 | 0:23:06 | |
it's time for our dealers to size up each other's treasures. | 0:23:06 | 0:23:10 | |
-Lots of frames going on here. -Lots of frames. | 0:23:10 | 0:23:12 | |
You've brought more bling than I have though, haven't you? | 0:23:12 | 0:23:15 | |
-A bit of bling. -It was really pricey today. | 0:23:15 | 0:23:17 | |
-I struggled, I really struggled. -Oh, goodness me, I know. -I love this. | 0:23:17 | 0:23:21 | |
-Oh, so do I! -So jealous. -But it has cost me just under £300. | 0:23:21 | 0:23:27 | |
There is still money on that. | 0:23:27 | 0:23:28 | |
Where are you going to find your profits in this? | 0:23:28 | 0:23:31 | |
-I think my bargain of the day is my mirror. -It was a tough day. -It was. | 0:23:31 | 0:23:37 | |
I think it is going to be even tougher to make a profit. | 0:23:37 | 0:23:39 | |
You might be right. | 0:23:39 | 0:23:40 | |
-Go on, I will give you a ride home in my new wheels. -Oh, perfect. | 0:23:40 | 0:23:43 | |
Our plucky purchasers must now become superlative sellers. | 0:23:46 | 0:23:50 | |
It is time for them to take their hard-bought items | 0:23:50 | 0:23:53 | |
and sell them on for prime profits, to contacts, collectors | 0:23:53 | 0:23:57 | |
and anyone who will offer the highest price possible. | 0:23:57 | 0:23:59 | |
Remember, until they have shaken on it | 0:23:59 | 0:24:01 | |
and the money has changed hands, no deal is truly sealed. | 0:24:01 | 0:24:05 | |
And once all is said and sold, | 0:24:05 | 0:24:07 | |
whoever has made the most profit will be the champion. | 0:24:07 | 0:24:09 | |
Jonty has got more to sell than Christina but that's no bad thing. | 0:24:11 | 0:24:15 | |
More possibilities for profit. | 0:24:15 | 0:24:17 | |
And he's convinced he's got some big hitters. | 0:24:17 | 0:24:21 | |
Now they say big is best, but sometimes, small is a beautiful. | 0:24:21 | 0:24:27 | |
Now, my big star, which is the lovely picture frame. | 0:24:27 | 0:24:31 | |
This is incredibly commercial | 0:24:31 | 0:24:33 | |
so I'm very happy that I've brought this back home with me. | 0:24:33 | 0:24:36 | |
My Victorian caskets, both silver, | 0:24:36 | 0:24:39 | |
but one has a cut glass bottom to it. Very saleable, very commercial. | 0:24:39 | 0:24:43 | |
I have a really good quality bracelet. | 0:24:43 | 0:24:46 | |
It's not particularly old, but it's lovely gold. | 0:24:46 | 0:24:49 | |
There should be a buyer for that. Have a look at this sovereign case. | 0:24:49 | 0:24:53 | |
Collectors for sovereign cases, it's really, really good quality. | 0:24:53 | 0:24:57 | |
My pearl necklace, now, that is great. | 0:24:57 | 0:25:00 | |
Not only is the clasp a really good quality, but look at this | 0:25:00 | 0:25:04 | |
delicate little brooch here, a beautiful Edwardian object. | 0:25:04 | 0:25:08 | |
So that's Edwardian. But have a look at my majestic Victorian cane. | 0:25:08 | 0:25:12 | |
Gents are always looking for objects like this. | 0:25:12 | 0:25:17 | |
So I know somewhere there is going to be a buyer. | 0:25:17 | 0:25:19 | |
I am about to ruffle my opponent's feathers. | 0:25:19 | 0:25:23 | |
Yes, the Magpie had a testing time in Colchester. | 0:25:23 | 0:25:26 | |
But in what is proving to be her toughest challenge yet, | 0:25:26 | 0:25:29 | |
Christina is sure she will sell supremely well. | 0:25:29 | 0:25:33 | |
I have to say, I really found it quite difficult buying at the auction. | 0:25:33 | 0:25:36 | |
I'm relatively pleased with what I bought. | 0:25:36 | 0:25:39 | |
I got a little pair of Edwardian silver photograph frames here, | 0:25:39 | 0:25:44 | |
which dear Jonty I think also went for as well, | 0:25:44 | 0:25:46 | |
so I did pay quite top end for those. | 0:25:46 | 0:25:48 | |
I also bought, this is probably my favourite item, a beautiful | 0:25:48 | 0:25:51 | |
silver-framed dressing table mirror which is just a great size. | 0:25:51 | 0:25:55 | |
I think I got it quite cheaply. This I love. | 0:25:55 | 0:25:58 | |
This is a really early 18th-century Worcester jug, which is | 0:25:58 | 0:26:03 | |
a proper genuine antique. And I love that. | 0:26:03 | 0:26:05 | |
Bearing in mind I only paid about £90 for it, I'm pleased. | 0:26:05 | 0:26:09 | |
The Japanese inros here, | 0:26:09 | 0:26:11 | |
Chinese works are very in vogue at the moment, | 0:26:11 | 0:26:13 | |
Japanese is very much an emerging market. | 0:26:13 | 0:26:16 | |
I have to say, it was a tough day and I am slightly nervous. | 0:26:16 | 0:26:20 | |
The Magpie wastes no time with meekness. | 0:26:20 | 0:26:22 | |
Our retailing raven plumps up her feathers | 0:26:22 | 0:26:25 | |
and gets straight into selling. | 0:26:25 | 0:26:27 | |
She dives in with the 18th-century jug that cost her nearly £91. | 0:26:27 | 0:26:31 | |
I'm here in Shrewsbury to meet up with an ex-colleague of mine, | 0:26:33 | 0:26:36 | |
Jeremy Lamond, who is also an 18th-century porcelain collector. | 0:26:36 | 0:26:39 | |
I'm hoping he might be able to find space in his collection | 0:26:39 | 0:26:42 | |
for this little beauty. | 0:26:42 | 0:26:43 | |
-Hello, you. -Hello, how are you? Nice to see you. What have you got here? | 0:26:44 | 0:26:49 | |
Well, I thought, 18th-century porcelain, Jeremy Lamond | 0:26:49 | 0:26:51 | |
-is the man to come to. -Well, look at this. Blue and white. -Yes. | 0:26:51 | 0:26:55 | |
-Worcester. -Yes. -Parrot-pecking fruit pattern, for obvious reasons. -Yes. | 0:26:55 | 0:27:00 | |
Robert Hancock print, taken from The Ladies Amusement, about 1775. | 0:27:00 | 0:27:04 | |
A nice clear mark on there. | 0:27:04 | 0:27:06 | |
Well, at least somebody has repaired it so you can sell it. | 0:27:06 | 0:27:09 | |
Do you know what, I always remember you telling me that repairs, | 0:27:09 | 0:27:12 | |
or cracks, are more forgivable than restoration for a collector. | 0:27:12 | 0:27:15 | |
-That's when I was selling things, not buying them! -Oh, right! | 0:27:15 | 0:27:19 | |
235-40 years old. That has got to make it worth a few hundred quid, hasn't it? | 0:27:19 | 0:27:24 | |
-Well, it looks to me like a couple of hundred quid. -220? -220. | 0:27:24 | 0:27:30 | |
-220, it's a deal. -Done. -Brilliant. | 0:27:30 | 0:27:33 | |
Well, that's a cracking price for a cracked piece. | 0:27:33 | 0:27:35 | |
She more than doubles her money, a profit of £129.24 | 0:27:35 | 0:27:39 | |
gets the Magpie airborne and puts paid to those nasty nerves. | 0:27:39 | 0:27:44 | |
While Christina reaches for the sky, | 0:27:44 | 0:27:47 | |
Jonty is down by the water in Oxfordshire. | 0:27:47 | 0:27:49 | |
I'm here on the banks of the River Thames in Henley-on-Thames | 0:27:51 | 0:27:54 | |
and I'm here to meet Jackie to sell her my trinket boxes. | 0:27:54 | 0:27:58 | |
Now, Jackie is a very stylish lady, | 0:27:58 | 0:28:00 | |
and it's quite unusual for her to be this late. | 0:28:00 | 0:28:04 | |
Jackie is in no hurry and why would she be? | 0:28:05 | 0:28:07 | |
What a lovely way to spend the day, | 0:28:07 | 0:28:09 | |
messing about on the river in the most glamorous way. | 0:28:09 | 0:28:13 | |
Coo-ee! | 0:28:13 | 0:28:14 | |
-Hi, Jonty. -Hello! -Welcome aboard! | 0:28:14 | 0:28:19 | |
See, I told you she was a stylish lady. | 0:28:19 | 0:28:22 | |
Jonty hops on with the boxes that cost our captain nearly £115. | 0:28:22 | 0:28:27 | |
So, will he sail away with a profit? | 0:28:27 | 0:28:29 | |
Well, I knew you would come in style but this is ridiculous, Jackie. | 0:28:30 | 0:28:35 | |
-On your own launch, on the Thames. -One of them! | 0:28:35 | 0:28:37 | |
HE LAUGHS | 0:28:37 | 0:28:39 | |
I'm here, very serious business, to show you my lovely trinket boxes. | 0:28:39 | 0:28:43 | |
-I can't wait to see. -Would you like to have a look? The nicest one first. | 0:28:43 | 0:28:48 | |
This is all silver. | 0:28:48 | 0:28:50 | |
And it really is in mint condition. | 0:28:50 | 0:28:52 | |
We have the hallmarks just on the inside there. And that's 1898. | 0:28:52 | 0:28:58 | |
So the box is over 100 years old. | 0:28:58 | 0:29:00 | |
Ultimately, this would have been designed for a late 19th-century, | 0:29:00 | 0:29:04 | |
a Victorian lady or gent to be able to initial it, to personalise it, | 0:29:04 | 0:29:09 | |
but it's never been done so. | 0:29:09 | 0:29:11 | |
But you do have that option. | 0:29:11 | 0:29:13 | |
So have a look at this one, too. You have hallmarks on the top. | 0:29:13 | 0:29:16 | |
The lid comes obviously completely off. But this is cut glass. | 0:29:16 | 0:29:22 | |
And it's really important to make sure that the glass | 0:29:22 | 0:29:24 | |
is in really good condition. | 0:29:24 | 0:29:26 | |
It's nice quality. | 0:29:26 | 0:29:28 | |
So you've got the two. But they come as a pair. | 0:29:28 | 0:29:31 | |
So collectively we are looking at £230 for the two. | 0:29:31 | 0:29:35 | |
-Would you settle for 200? -Jackie, that's not a problem. | 0:29:35 | 0:29:39 | |
£200, I'm very, very happy with. | 0:29:39 | 0:29:41 | |
We have a deal. Thank you, darling. | 0:29:42 | 0:29:44 | |
Trips on the River Thames with glamorous ladies, | 0:29:45 | 0:29:48 | |
and making a profit, call it work? | 0:29:48 | 0:29:51 | |
Jonty's jaunt down the river anchors him a profitable start, £85.04. | 0:29:51 | 0:29:57 | |
But that's still some way behind the Magpie | 0:29:57 | 0:29:59 | |
who's planning to build her nest egg. | 0:29:59 | 0:30:02 | |
The Hitman is playing to win as well. | 0:30:02 | 0:30:04 | |
His Edwardian photo frame was far and away his priciest piece. | 0:30:04 | 0:30:08 | |
Over £290 he spent! | 0:30:08 | 0:30:10 | |
He has brought it to Beaconsfield to meet Nigel in his antiques shop. | 0:30:10 | 0:30:14 | |
-How are you, dear boy? -I'm very well. How are you? -Nice to see you. | 0:30:15 | 0:30:19 | |
Nice to be back in your shop. | 0:30:19 | 0:30:20 | |
Now, you expressed an interest in having a look at my beautiful frame. | 0:30:20 | 0:30:24 | |
-I love the amethyst at the top there. -A cabochon amethyst. | 0:30:24 | 0:30:27 | |
Isn't that good? What's your impression? | 0:30:27 | 0:30:30 | |
It's Edwardian, but it doesn't look Edwardian. | 0:30:30 | 0:30:32 | |
It's a very contemporary feel to it. That's what I like about it. | 0:30:32 | 0:30:35 | |
Hallmarks here on the side. 1908. So, enough to entice you? | 0:30:35 | 0:30:40 | |
I think it is. It's really price-dependent, Jonty. | 0:30:40 | 0:30:43 | |
475 is what I am looking for. | 0:30:43 | 0:30:45 | |
I would like to buy that for £400. | 0:30:46 | 0:30:49 | |
-It's yours at £400. -Oh, all right then! Thank you. | 0:30:49 | 0:30:53 | |
Perhaps... I'm now regretting that. | 0:30:53 | 0:30:55 | |
I'm absolutely regretting that, but it's yours. | 0:30:55 | 0:30:57 | |
Wow, this really is a big-money game. | 0:30:57 | 0:31:00 | |
Jonty pockets a picture-perfect profit of £109.60. | 0:31:00 | 0:31:04 | |
Do you know, being a dealer, it's wonderful to be the custodian | 0:31:04 | 0:31:09 | |
of fantastic objects and that picture frame was one of them. | 0:31:09 | 0:31:13 | |
It's even more pleasing when you make profits out of it too. | 0:31:13 | 0:31:16 | |
Yes, so it's Christina's turn to flog her frames. | 0:31:16 | 0:31:19 | |
She's got two of them, also Edwardian, also silver. | 0:31:19 | 0:31:23 | |
They cost nearly £97 at auction. | 0:31:23 | 0:31:25 | |
So, I'm here at Iscoyd Park and I know for a fact | 0:31:25 | 0:31:27 | |
they are doing out a couple of their bedrooms at the moment | 0:31:27 | 0:31:30 | |
and are looking for some really nice pieces to go in, | 0:31:30 | 0:31:33 | |
so let's go inside and see if these cut the mustard. | 0:31:33 | 0:31:36 | |
This place is a wedding venue | 0:31:36 | 0:31:37 | |
and Christina actually got married here herself, | 0:31:37 | 0:31:41 | |
but she will have to haggle hard with owner, Phil, | 0:31:41 | 0:31:43 | |
who shows her one of the rooms that has just been redecorated. | 0:31:43 | 0:31:47 | |
These are antique silver photograph frames. | 0:31:47 | 0:31:49 | |
We've got the silver hallmark on the bottom here, | 0:31:49 | 0:31:52 | |
so we know that they are assayed in Birmingham in 1905. | 0:31:52 | 0:31:55 | |
Do you like them? | 0:31:55 | 0:31:56 | |
I do like them and I think they would suit this room very well. | 0:31:56 | 0:32:00 | |
I was sort of thinking somewhere in the region of about, | 0:32:00 | 0:32:03 | |
sort of, £160 or £170, something like that. | 0:32:03 | 0:32:06 | |
-I mean, I was hoping more for sort of...£80. -What?! | 0:32:06 | 0:32:11 | |
No. They are worth more than £80. They're beautiful! | 0:32:11 | 0:32:15 | |
I'd be unwilling to go less than £140 for them. | 0:32:15 | 0:32:17 | |
Honestly, 120, I think, is as far as I can go. | 0:32:17 | 0:32:21 | |
-Can I push you a little bit more? Please! -I don't think you can. | 0:32:21 | 0:32:25 | |
-OK... -OK, 120... -No, go on! | 0:32:25 | 0:32:26 | |
-Go on, go on! -125. | 0:32:26 | 0:32:29 | |
I'll take 125. That's a very fair price, thank you very much. | 0:32:29 | 0:32:32 | |
So, a tough day gets even tougher for Christina. | 0:32:32 | 0:32:35 | |
She scrapes in an extra fiver at the end, but makes just £28.20 profit. | 0:32:35 | 0:32:40 | |
With only two lots left to sell, she needs full concentration | 0:32:40 | 0:32:44 | |
and gutsy determination to push past The Hitman. | 0:32:44 | 0:32:47 | |
But Jonty has raised the bar even higher. | 0:32:48 | 0:32:51 | |
His sovereign case is bought by a jeweller's shop in Wallingford. | 0:32:51 | 0:32:54 | |
They paid £200 and Jonty coins a profit of £66.90. | 0:32:54 | 0:32:59 | |
And with that, let's have a gander | 0:32:59 | 0:33:01 | |
at what our dealers' gavel gains have given so far. | 0:33:01 | 0:33:04 | |
Jonty "The Hitman" Hearnden has charged ahead. | 0:33:05 | 0:33:08 | |
Three sales done and a profit of £261.54. | 0:33:08 | 0:33:12 | |
Christina "The Magpie" Trevanion has only done two deals, | 0:33:12 | 0:33:16 | |
but she's making decent money. | 0:33:16 | 0:33:18 | |
£157.44. | 0:33:18 | 0:33:20 | |
So, can The Magpie make good or will The Hitman have a howling success? | 0:33:24 | 0:33:28 | |
One thing is for sure, there is a battle and a half ahead. | 0:33:28 | 0:33:32 | |
Jonty is off to jettison his jewellery | 0:33:32 | 0:33:35 | |
and is hoping for a double deal. | 0:33:35 | 0:33:37 | |
He's brought the necklace and brooch | 0:33:37 | 0:33:39 | |
and the nine-carat gold snake bracelet to Brenda, | 0:33:39 | 0:33:42 | |
who runs an antiques centre near Bambury. | 0:33:42 | 0:33:44 | |
In total, the items stand him at more than £266. | 0:33:44 | 0:33:48 | |
Brenda, I had no idea you could fit so many objects in such small spaces. | 0:33:48 | 0:33:53 | |
-This is unbelievable! -Oh, there's always room for more, Jonty! | 0:33:53 | 0:33:56 | |
-I've got over one million items in the shop. -One million items?! | 0:33:56 | 0:33:59 | |
One million items! It's fantastic. | 0:33:59 | 0:34:01 | |
Have a look at that necklace, though, | 0:34:01 | 0:34:03 | |
because they need a proper examination. | 0:34:03 | 0:34:05 | |
Now, what really struck me about this, | 0:34:05 | 0:34:07 | |
I thought the clasp was really charming. | 0:34:07 | 0:34:10 | |
15-carat gold, which is very... | 0:34:10 | 0:34:12 | |
-So it's continental then? -Yes. | 0:34:12 | 0:34:14 | |
-Not old-old, but it's got a little bit of age to it. -Absolutely, yes. | 0:34:14 | 0:34:18 | |
Whereas this matching brooch, which is probably not even matching, | 0:34:18 | 0:34:21 | |
but the similarity is the fact that we have a pearl there. | 0:34:21 | 0:34:24 | |
There's no hallmarks on there as such, but where I got this from, | 0:34:24 | 0:34:29 | |
they claimed it to be possibly Russian | 0:34:29 | 0:34:31 | |
and, to me, it looks Edwardian, | 0:34:31 | 0:34:33 | |
so I would suspect that that is a lot older than the pearl necklace. | 0:34:33 | 0:34:38 | |
-OK. -So, my lovely set there, for the two, | 0:34:38 | 0:34:41 | |
-I'm looking for a couple of hundred quid. -Are you? By golly! | 0:34:41 | 0:34:44 | |
What do you mean, by golly? I thought that was a really nice price. | 0:34:44 | 0:34:47 | |
That's retail price, dear. Retail! | 0:34:47 | 0:34:49 | |
Well, let's hold that thought | 0:34:49 | 0:34:51 | |
-and have a look at this nine-carat gold bracelet. -OK. | 0:34:51 | 0:34:55 | |
OK, it's hallmarked on the inside of the head. Price for this is 180. | 0:34:55 | 0:35:00 | |
Oh, very expensive. I think I would like to be more on the 140 mark. | 0:35:00 | 0:35:06 | |
170, I can do. | 0:35:06 | 0:35:08 | |
I can go up a little bit. 150. | 0:35:10 | 0:35:11 | |
160? | 0:35:11 | 0:35:13 | |
155. Go on, then. | 0:35:13 | 0:35:15 | |
-155. -That's yours. -That's mine, OK? | 0:35:15 | 0:35:20 | |
Now have a look at this lovely set. | 0:35:20 | 0:35:22 | |
-200 for that. -Well, that is ridiculous. | 0:35:22 | 0:35:24 | |
-Seeing as you've been kind on that, I will do 150 on these. -180. | 0:35:24 | 0:35:28 | |
-Come on, do better than that, Jonty. -170. | 0:35:28 | 0:35:32 | |
-Yes, we will do 170. Thank you. -Thank you, darling. | 0:35:32 | 0:35:35 | |
Thank you very much. | 0:35:35 | 0:35:37 | |
Oh! Brenda gave Jonty a run for his money there, | 0:35:37 | 0:35:40 | |
but add all that together | 0:35:40 | 0:35:41 | |
and Jonty walks away with a total profit of £58.80, | 0:35:41 | 0:35:45 | |
about half what he was hoping for, which is a boon for Christina. | 0:35:45 | 0:35:49 | |
She is determined to give her Japanese inros | 0:35:49 | 0:35:52 | |
everything she's got, taking them all the way to London. | 0:35:52 | 0:35:56 | |
They cost £266 and she only has one man in mind. | 0:35:56 | 0:36:01 | |
I'm here to see a chap called David Bowden | 0:36:01 | 0:36:03 | |
who is a specialist in Chinese and Japanese art, | 0:36:03 | 0:36:06 | |
so I'm hoping he is the guy to take these off my hands. | 0:36:06 | 0:36:09 | |
-David. -Hello, how are you? -Hi, I'm Christina Trevanion. | 0:36:11 | 0:36:14 | |
Very well, how are you? | 0:36:14 | 0:36:15 | |
-I'm fine, thanks. -Good. I bought these little pieces at auction. | 0:36:15 | 0:36:19 | |
-Oh, right, yes. -I believe they are Japanese inro. | 0:36:19 | 0:36:22 | |
-That's right. -Can you enlighten me | 0:36:22 | 0:36:24 | |
as to what possibly they could have been used for? | 0:36:24 | 0:36:27 | |
-I thought for herbs and spices? -Yes, they're little medicine boxes. -OK. | 0:36:27 | 0:36:31 | |
And they used to put their ink powders in as well. | 0:36:31 | 0:36:37 | |
-These are lacquer, gold lacquer... -Right. | 0:36:37 | 0:36:41 | |
..which, unfortunately, they have got quite a bit of damage on them. | 0:36:41 | 0:36:45 | |
So, of course, consequently, it takes the price right down. | 0:36:45 | 0:36:48 | |
So, what sort of dates do you think they are? What sort of era? | 0:36:48 | 0:36:53 | |
-Well, these are Meiji. -Meiji period, so 1868 to 1912? -Yes. | 0:36:53 | 0:36:57 | |
It is a great shame because they are very nice, | 0:36:57 | 0:37:00 | |
but the damage on them, they are not worth very much at all. | 0:37:00 | 0:37:03 | |
-David, what shall I do? -God knows! | 0:37:03 | 0:37:06 | |
CHRISTINA LAUGHS | 0:37:06 | 0:37:07 | |
I'd give you 200, but that is the best I'll do. | 0:37:07 | 0:37:10 | |
-Is there any more that I can get out of you? -No. -At all? | 0:37:10 | 0:37:13 | |
-Definitely, that is it. -That's your top level? -That's the lot. | 0:37:13 | 0:37:15 | |
Look, I know you'll give me a fair price. | 0:37:15 | 0:37:17 | |
I will shake your hand at that. | 0:37:17 | 0:37:19 | |
Oh, dear! That wasn't meant to happen! | 0:37:19 | 0:37:22 | |
There we go, I made a loss. | 0:37:22 | 0:37:23 | |
David has given me a fair price, | 0:37:23 | 0:37:25 | |
so there is an incredibly valuable lesson to be learned. | 0:37:25 | 0:37:28 | |
Stick to what you know. | 0:37:28 | 0:37:29 | |
Oh, Christina! She's lost her sparkle. | 0:37:29 | 0:37:33 | |
The loss is significant - £66.20. | 0:37:33 | 0:37:35 | |
She took a risk and suffered a mortal blow. | 0:37:35 | 0:37:39 | |
So, The Magpie slopes off to lick her wounds | 0:37:39 | 0:37:43 | |
and focus on winning it all back on her final item. | 0:37:43 | 0:37:47 | |
Unaware of his foe's failure, Jonty journeys on, | 0:37:47 | 0:37:50 | |
all the way to Battlesbridge in Essex. | 0:37:50 | 0:37:52 | |
I have my silver-topped walking cane with me | 0:37:52 | 0:37:55 | |
and I'm going to show it to Jim. | 0:37:55 | 0:37:57 | |
Now, he is part of this antiques centre here and I hope that | 0:37:57 | 0:38:01 | |
he might just be the right person to purchase it from me. | 0:38:01 | 0:38:04 | |
Let's go and find out. | 0:38:04 | 0:38:05 | |
-Ah, you must be Jim. -Jonty, you must be Jonty. -I must be! | 0:38:07 | 0:38:12 | |
-How are you doing? -Fine, thanks very much. -Walking cane. | 0:38:12 | 0:38:14 | |
-You expressed an interest in having a look at this. -Yes. | 0:38:14 | 0:38:17 | |
Now, what's your first impressions? | 0:38:17 | 0:38:19 | |
-Do you like it? -Yes, it's a lovely item. | 0:38:19 | 0:38:21 | |
Now, the reason why I bought this is because it's such great condition. | 0:38:21 | 0:38:26 | |
It has a sense of... | 0:38:26 | 0:38:27 | |
There's no sort of scratches, | 0:38:27 | 0:38:29 | |
there's no indentations at the top here, for instance. | 0:38:29 | 0:38:31 | |
If you look at the Malacca cane and you look at the tip there, | 0:38:31 | 0:38:36 | |
that looks like it's almost hardly ever been used. | 0:38:36 | 0:38:39 | |
It's lovely. | 0:38:39 | 0:38:40 | |
Date wise, very late 19th century, so 1897, I think it is, | 0:38:40 | 0:38:46 | |
assay marked there. Assayed in London. | 0:38:46 | 0:38:48 | |
And, again, in particular, I love the stylised head here. | 0:38:48 | 0:38:51 | |
It has that sort of reptilian, scaly feel to it. | 0:38:51 | 0:38:56 | |
This, to you, sir, is £175. | 0:38:56 | 0:39:00 | |
-It would be more like £120 for me. -No, that's not really enough. | 0:39:00 | 0:39:05 | |
-What about 150? -140 would be the best price. -You can't do another fiver? | 0:39:05 | 0:39:11 | |
No. | 0:39:11 | 0:39:13 | |
JONTY LAUGHS | 0:39:13 | 0:39:14 | |
-It's yours then. -OK. | 0:39:14 | 0:39:16 | |
The Hitman has a happy ending, | 0:39:16 | 0:39:18 | |
walking away with a final profit of £49.24 | 0:39:18 | 0:39:22 | |
and so it all comes down to one last item | 0:39:22 | 0:39:25 | |
and it is Christina's favourite. | 0:39:25 | 0:39:27 | |
Can the mirror turn it all around for her? It cost very nearly £170. | 0:39:27 | 0:39:32 | |
From her home in the county of Shropshire, | 0:39:32 | 0:39:34 | |
she nips over the border to Wales. | 0:39:34 | 0:39:37 | |
I'm here in the beautiful Powys countryside just outside Welshpool, | 0:39:37 | 0:39:42 | |
to see a chap called Clive Phillips | 0:39:42 | 0:39:43 | |
who is an antiques dealer and also a silver specialist, | 0:39:43 | 0:39:46 | |
so I'm hoping that he may take this off my hands. | 0:39:46 | 0:39:49 | |
-Hi, Clive. -Hello. -How are you? Are you well, my love? Nice to see you. | 0:39:51 | 0:39:55 | |
-What do you think? -Yes, very impressive! | 0:39:55 | 0:39:58 | |
Do you know what, in over a decade of doing silver and jewellery, | 0:39:58 | 0:40:01 | |
I've never seen a mirror of this kind of scale. | 0:40:01 | 0:40:04 | |
-There is a mark down here. -Where's the hallmark? | 0:40:04 | 0:40:06 | |
-Just down here, which I think... Henry Matthews. -Henry Matthews, yes. | 0:40:06 | 0:40:10 | |
And then we've got a nice Birmingham hallmark, obviously, the anchor. | 0:40:10 | 0:40:14 | |
Then the date letter, C, which is for 1902. | 0:40:14 | 0:40:17 | |
The only thing I would say, which I was a little bit dubious about | 0:40:17 | 0:40:20 | |
at the time, when I bought it, is this engraving here. | 0:40:20 | 0:40:23 | |
I know from a resale perspective, | 0:40:23 | 0:40:25 | |
it makes it quite difficult to have engravings, doesn't it? | 0:40:25 | 0:40:27 | |
I really like it as it is, actually. I think it just adds to | 0:40:27 | 0:40:30 | |
-the character of the piece. -Oh, good! There we go. I like it. | 0:40:30 | 0:40:33 | |
CHRISTINA LAUGHS | 0:40:33 | 0:40:34 | |
Price wise, I was hoping somewhere in the region of about £300 for it. | 0:40:34 | 0:40:39 | |
300, I think it is a little too dear for me. | 0:40:39 | 0:40:43 | |
I mean, I'll be looking to buy at around 240-ish. | 0:40:43 | 0:40:46 | |
280? 270? | 0:40:46 | 0:40:49 | |
-250. I'd be happy at 250. -Would you? -Mm. | 0:40:49 | 0:40:52 | |
I'm happy at 250. | 0:40:52 | 0:40:54 | |
-I'm very happy at 250. -Deal done. -Thank you very much. | 0:40:54 | 0:40:56 | |
Yes, a fantastic final flourish for our feathered friend. | 0:40:56 | 0:41:00 | |
A shiny profit of £80.60, so has it been enough? | 0:41:00 | 0:41:04 | |
Should Jonty have jitters? | 0:41:04 | 0:41:06 | |
Well, we'll find out in just a moment, but before that, | 0:41:06 | 0:41:08 | |
let's remind ourselves of how much they spent. | 0:41:08 | 0:41:11 | |
Both our bidders went to auction with £1,000. | 0:41:13 | 0:41:17 | |
Jonty Hearnden bought six items and spent £895.42. | 0:41:17 | 0:41:22 | |
Christina Trevanion battled to buy just four items | 0:41:22 | 0:41:25 | |
and spent £623.16. | 0:41:25 | 0:41:28 | |
All the profit made by Jonty and Christina will go to | 0:41:30 | 0:41:32 | |
charities of their choice, so after a brilliant battle, | 0:41:32 | 0:41:36 | |
who is today's Put Your Money Where Your Mouth Is champion? | 0:41:36 | 0:41:40 | |
-Hello. -Hello, how are you doing? -Very well. How are you? | 0:41:42 | 0:41:45 | |
-I'm very well indeed. -Good, good, good. | 0:41:45 | 0:41:47 | |
So, how was it for you? | 0:41:47 | 0:41:48 | |
Well, I thought the auction was probably | 0:41:48 | 0:41:50 | |
the most expensive auction I had ever been to, | 0:41:50 | 0:41:53 | |
so I wasn't expecting to make any profits at all, | 0:41:53 | 0:41:56 | |
but I managed to sell quite a few things. Well, everything. | 0:41:56 | 0:41:59 | |
How about you? | 0:41:59 | 0:42:00 | |
Yeah, like you, I struggled buying, but selling, I think, was all right. | 0:42:00 | 0:42:04 | |
Most successful item, I think, would probably... | 0:42:04 | 0:42:06 | |
-Do you remember the silver-framed mirror? -Oh, yes, that was good. | 0:42:06 | 0:42:09 | |
-That was lovely, so I think I made a bit of profit on that. -Yes. | 0:42:09 | 0:42:12 | |
How about your beautiful frame? How did you do with that? I loved that. | 0:42:12 | 0:42:15 | |
-I sold that pretty well. The silver did well for us? -It did. | 0:42:15 | 0:42:18 | |
-Shall we see what else did well for us? -Are you ready? | 0:42:18 | 0:42:20 | |
-Yes. -Ready, ready, ready? -OK. -OK. | 0:42:20 | 0:42:23 | |
BOTH: Ooooh! | 0:42:26 | 0:42:27 | |
Well done! My goodness, you annihilated me completely! | 0:42:27 | 0:42:32 | |
Do you want to swap? | 0:42:32 | 0:42:33 | |
THEY LAUGH | 0:42:33 | 0:42:35 | |
Thanks! | 0:42:35 | 0:42:36 | |
It wasn't a total annihilation, Christina. | 0:42:36 | 0:42:39 | |
Well, actually, it was. | 0:42:39 | 0:42:41 | |
Jonty wiped the floor with her. He really was the king of bling. | 0:42:41 | 0:42:45 | |
I did find the auction really quite tough, | 0:42:45 | 0:42:48 | |
it was really quite a hard buying environment. | 0:42:48 | 0:42:50 | |
However, I still made some good healthy profits, | 0:42:50 | 0:42:52 | |
especially on that beautiful jug. | 0:42:52 | 0:42:54 | |
But the inros were the ones that really killed it for me, | 0:42:54 | 0:42:57 | |
sadly, but, hey, you learn something new every day. | 0:42:57 | 0:42:59 | |
I loved the auction sale | 0:42:59 | 0:43:01 | |
and I loved all the items that I bought in the sale, | 0:43:01 | 0:43:04 | |
including my beautiful picture frame. | 0:43:04 | 0:43:07 | |
How lovely was that?! | 0:43:07 | 0:43:09 | |
So, will our queen of collectables reign victorious tomorrow? | 0:43:09 | 0:43:13 | |
Our pair of prize fighters go in search of princely profit | 0:43:13 | 0:43:16 | |
at an antiques fair in Malvern. | 0:43:16 | 0:43:19 |