Episode 11 Restoration Roadshow


Episode 11

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Transcript


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I'm Eric Knowles, and this is the programme that asks

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you to dig out your dusty treasures from the attic.

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Can they be restored, and should they be restored?

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And will they make you some money at auction?

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Find out on Restoration Roadshow.

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We're at Stonyhurst College, a splendid Grade I listed building here in rural Lancashire.

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This magnificent Elizabethan mansion became a private boarding school in

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1794 when it was handed over to the Jesuits.

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Its hallowed halls are jammed with antiquities, some of which have

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been lovingly restored and maintained to this very day.

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And what a delight it is that so many of you have turned up

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to my old neck of the woods to keep our restoration team busy.

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And I know you good Lancastrians are all keen to know if they are worth anything.

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Certainly they are worth £1,000 of anyone's money.

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'Should they be cleaned up and restored?'

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-Can we give Roger the green light on this one?

-Yes, we can.

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Will the restoration push up their value?

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£10,600. Do you think that was £400 well spent?

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I do think it was £400 well spent.

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Are you keeping them in the family?

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I couldn't throw it away, because it held so many memories.

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And if they go to auction, will they make you any money?

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Coming up on today's programme -

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Tim needs a calculator for his next customer, I fear.

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21, 22, 23, 24, 25, 26. 68 and 26 is...

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This children's chair is in need of some serious attention.

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Come on, Tim, made it rock in style.

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And what's this painting from India doing here in Clitheroe?

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I don't think he was too fond of it because he kept it in the garage.

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And is the game up for this Edwardian card table?

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Rod, I know you're a multi-skiller, but do you do fiddly?

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Find out if Rod plays his cards right

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when the table goes to auction.

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'It's lovely to be here in the Ribble Valley,

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'and I didn't realise how many dozens of items you had stashed away in your attics and garages.

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'You name it, we've got it. Broken pots, dirty paintings,

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'all of them looking a bit sad and in need of a champion.

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'Our restorers are rising to the challenge in a bid to help you rescue them to their former glory.'

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Fergus Brown has arrived with a family heirloom.

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It's an Edwardian card table. It was quite possibly bespoke,

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as it was finely crafted using a variety of techniques,

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and not something that was readily available to many retailers.

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Well, I am in my old neck of the woods in this part of the world

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and I'm feeling a little bit like I'm going down memory lane because I used to have one of these.

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But it is, at first glance, a very elaborate piece of furniture.

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Is it something that has been used in your family?

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Well, actually, it's not used.

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It's always had a lamp on it.

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And even when it was in my parents' house it had just ornaments on it,

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so it's a card table, but it was never used.

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Let's open it up. Would you like to do the honours?

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Well, it twists, and if you twist it through to the opposite angle...

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So there you are. The baize is nice.

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This is almost as good as the day it was put in.

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So you can see, it's hardly ever been used.

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Is it something you were thinking of selling?

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Well, I don't use it and it would be nice for someone to use it.

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-It's a beautiful piece.

-It is a beautiful piece.

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'This card table dates from around 1905 when people

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'spent their evenings at home and played games for entertainment.

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'It's an elegant, English piece.

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'The top is made of rosewood and the carque is from mahogany

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'with a delicate marquetry inlay made up with a variety of fruit woods, depicting a floral theme.

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'But it's a bit cracked and bruised, so we need an expert to investigate, and who better than

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'Rodrigo Titian who was taught the art of gilding by his father.

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'He specialises in intricately painted and decorated pieces.

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'Amongst his clients are the Royal Household, pop stars and actors.'

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Now, Rod, I know you're a multi-skiller, but do you do fiddly?

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Because this is a very fiddly job.

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Well, let's see. How fiddly is it?

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I am thinking about the inlay, obviously.

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Yes, I can see. I know exactly what you're talking about.

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The thing with inlay like this is that

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you have to be very, very careful you don't actually overdo it

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and damage other areas.

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How long have you actually had the table yourself?

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It's been in the house all my life,

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so it was handed down to me when my parents died.

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So I've had it... I'm quite old,

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-so it's been in the house for over 50 odd years.

-Right. OK.

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There is a little crack here.

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-A crack along there as well.

-But you wouldn't touch the baize?

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I wouldn't touch that at all. That's lovely the way it is.

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It has got the wear lines and dust creeping in from when it's closed,

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and it's a bit flattened down.

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So, Rod, it's a delicate piece of restoration.

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Repairing the cracked table-top, cleaning away the dust and cobwebs and investigating the inlay.

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So how much is it going to cost?

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I'd say you were looking at about a minimum of about £250 or so.

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It's a sizable outlay, but what's the option?

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-I think it would be worth doing, because it brings it back to its original state.

-Yes.

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I think this card table is probably worth between £200 and £300 as it is.

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Remember, it cost Fergus nothing.

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Rod is looking at £250 to restore.

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And when it's all done, I reckon it could fetch over £500 at auction.

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That is if Rod can sort out the inlay and repair the cracked wood.

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Come on, my man, sharpen that scalpel and steady that hand.

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Do us proud and make some pounds at auction.

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320, 340, 380.

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We do see some sad cases here on Restoration Roadshow,

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but the quality of the heirlooms you bring along put a smile on all our faces.

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It's a rare piece, I mean exceptionally rare.

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With such a range of craftsmanship and expertise we can bring the charm and character back again.

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And I fear that's what's needed in our next case.

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It's a late 19th century rocking-chair brought in by Pauline and Bernard Oldham.

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Pauline discovered it when she was helping a friend clear out her junk.

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She said, "Well, if you want it, have it."

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If we had left it much longer it would have ended up in the tip.

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So we took it out of the garage, cleaned it the best we could.

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All the wicker around the base was gone.

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So my husband made this little seat.

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Let's pop that down there and look at your chair, because it has got a bit of age to it.

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Not a huge amount of age, but certainly I would have thought

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this is dating to the last quarter of the 19th century.

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When you get these sort of bentwood type chairs

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they tend to be Austrian and in this case, there it is, Thonet, Austria.

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It's all in a name. But let me say, in this condition that

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it's probably worth about £50 or something like that.

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Add the seat, there's a good tenner there at least.

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It really is a matter of what needs to be done because you're thinking of selling it, I'm assuming?

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If it was done up and worth something, but we never thought it would be worth anything.

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I can't help but think once it has been properly restored

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then the chances are it may be nearer £100 or £150.

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'So without a proper seat, this child's rocker is not going to be much use to anyone.

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'So it's more a paediatric specialist we need right now.

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'Can someone page Tim Akers?'

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Tim Akers has been lovingly restoring antique furniture for over

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30 years and it's something of a professional obsession.

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He finds merit in every single piece he gets to work on.

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I hope he will find this one irresistible.

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Charming, isn't it? I really like it.

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If I can just congratulate you.

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If you're going to put an upholstered seat on a cane chair, that is exactly how you do it.

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Because a lot of people actually nail the upholstery to the frame, which means it can never be turned

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back into a cane chair without an awful lot of work with regards to removing nails, filling holes.

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I don't think there's any damage to...

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the framework. That looks very sound to me.

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Sometimes because the holes are so close together

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you get it cracking in between, but that's completely sound.

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So, that's the good news.

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Now it's a question of how much it will cost to restore the cane seat to give it a truly authentic look.

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21, 22, 23, 24, 25, 26.

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68 and 26 is 94.

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It's £1 a hole, so round about £90 for the cane work

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and between £30 and £40 to clean it.

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A bit of a problem that, isn't it?

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Because if you work the maths out, what you're going to be involved

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with from the point of view of cost, you might not get your money back.

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Are you still thinking of going ahead with the restoration?

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Yeah, I think it would be nice to put it back how it should be.

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Yeah, I'm really pleased you're having the cane work done.

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It deserves it. It's a charming chair and it's exactly how it was designed with cane.

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So, in its current condition this chair should be worth around £50 and Tim is charging around £120

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to recane and repolish this chair so it can hopefully get things

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rocking at auction where I reckon it could fetch up to £150.

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So, Tim, let's hope you can better Bernard's home-made seat and bring back its lovely

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Victorian charm so it can attract the bidders at auction.

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We'll be watching you as you count your 94 holes.

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Coming up - Louise is challenged when she finds that a piece

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of Indian art work from the early 19th century is rotting.

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And will Rod get the dice rolling again on this Edwardian card table?

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Even the smallest chisel can actually come across

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and remove the finish on either side.

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Many items here today are in the queue waiting to be examined and diagnosed.

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-Some have been in accidents.

-Somebody, cleaning, dropped it.

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Somebody who will forever remain nameless.

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Others have just worn out.

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It's just one small step away from the knacker's yard, isn't it?

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And some have been left to rot, a bit like our next case,

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a piece of Indian art which dates back to the 19th century.

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It belongs to Alan Cantor.

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It was given to me by my father about 30 years ago.

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I don't think he was too fond of it, because he kept it in the garage.

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-So where do you keep it now?

-I keep it on one of our walls.

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In fact, I keep it on the bedroom wall nearly opposite the bed.

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-I like it.

-Do you know where it came from originally?

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I was told it came from India, more specifically from Madras.

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OK. It's a lovely thing.

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It's got so many colours here in this composite bull and such fine detail in the little animals.

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-I think it's really fascinating.

-It is, it's lovely.

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I couldn't agree more. It's a decorative piece,

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most likely illustrating a story based on legend or myth.

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It depicts a demon leading a bull.

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I'm told these composite animals first appeared in Indian art in the 1400s.

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This one is in a state, and who better to help out than...

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..Louise Drover, who has worked for the V&A and the National Trust.

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She's had 20 years' experience bringing historical art like this back to life.

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You can see these spots here. This is commonly called foxing.

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This is probably from damp when it was kept in the garage.

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Foxing is the word used to describe discoloration and spots that develop with age on paper,

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and it's particularly tough to remove, but that's not the only problem with this painting.

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This layer of paper here is obviously quite a poor quality acidic paper. It's very fragile.

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That's very yellow. Obviously, that is from acidity.

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That's usually come from the wooden backing.

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This paper is noticeably more yellow on the back than on the front.

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And there you can see a sort of strike through where the pigment has

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actually arrested the deterioration.

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It hasn't allowed the acidity to travel through here.

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It would be initially surface-cleaned, and we'd have to test

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all these pigments, and then the foxing would be reduced.

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Well, that's quite a lot of detailed restoration, which is going to take time and precision.

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So let's talk money, Louise.

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That sort of thing would cost in the region of £160 to have done.

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-That's everything together?

-Yes.

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-Do you think you might like to go ahead with that?

-I would.

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I think this picture is worth between £400 and £500 in its current condition.

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Louise is going to charge £160 to restore it, and then I think

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it could get upwards of £800, that's if it went to auction.

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But Alan's not interested in price as its of great sentimental value, and he wants to keep it.

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So, Louise, you have quite a job on your hands to bring colour back to life in this very old picture,

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so Alan can hang it with pride on his bedroom wall.

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It's been some time since these school halls were filled with local folk.

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Our restorers are busily gluing, cleaning and sometimes taking apart your treasured possessions.

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It's all part of the Restoration Roadshow.

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And Rod is hard at work on that Edwardian card table,

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which arrived with a split in the wood.

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On closer inspection, the fragile bone inlay's not raised enough to get glue underneath,

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so he has kneaded down the marquetry to secure it and make it flush.

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And now he's tackling the small crack in the wood.

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The stage I'm at now, you remember there was a split here,

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a little bit of an opening here.

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So I've put a tiny bit of rosewood veneer in the split itself, I've glued it in.

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It has bridged the gap. I've then trimmed the veneer back.

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I've used a scalpel for this because a scalpel is very fine. As it

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comes across, rather than using a chisel, chisels can be quite big and bulky.

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Even the smallest chisel can come across and remove the finish on either side.

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I've just tidied the whole thing up and the next stage is just a bit of colouring.

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Rod first uses wax to fill the crack.

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Then, with a small brush, he carefully paints on coloured polish,

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which he has mixed up to mask the repair.

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I think that should be it, really.

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'After all his painstaking work, will this Edwardian table hit the aces when it comes up at auction?'

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Yes, yes.

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Coming up - Louise attempts to remove the foxing stains,

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but it's a risky process.

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Absolutely important that nobody tries this at home.

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And Tim needs help to recane this child's rocking chair.

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Will it get in shape so it flies at auction?

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Alan Cantor brought in this unusual Indian painting.

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It needed serious restoration, and Louise had to pack up and take it

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back to her workshop, where she's hoping to out fox that nasty foxing.

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It may look like a chemistry lesson, but Louise is mixing up a solution

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to draw out the stains, and she has to get it just right.

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It's very important to get the pH correct also

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because of the pigments that are here.

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We don't want them to become damaged due to the pH being too high.

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Once she's got the right mix, Louise carefully dabs the liquid on to the precious artwork.

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I'm just applying this solution with this very fine acrylic brush.

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You just have to get the middle of each one. You don't want a great big

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blob of this to roll down the brush on to the object,

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because it will cause too much bleaching.

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Absolutely important that nobody tries this at home.

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You really need to have a professional conservator

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attempt this sort of treatment.

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There are people that

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have attempted this sort of thing with dreadful household bleaches,

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and this is absolutely never to be attempted.

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It has a terrible detrimental effect on paper.

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OK, Louise, we get the message loud and clear. Experts only.

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I'll leave that for perhaps half an hour and then come back to it and apply some more.

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And we'll see if those fox stains are any lighter.

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These stains really are sly. Can Louise get rid of them all

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and will Alan be pleased with the results?

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OK, here we go.

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Tim was given the difficult job of trying to recane this lovely children's Victorian rocking chair.

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He's had quite a task and has had to call in caning specialist Frances Richmond to help him.

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She's had years of experience.

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I've never seen a child's rocking chair like this before.

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It's the same number of holes, but just miniature.

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Because it's a smaller seat, doesn't mean it's less work because the holes are closer together.

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-Absolutely.

-It's probably more work, because it's tighter to weave in and out.

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Frances has 94 holes to fill.

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How does she get the cane to feed through so precisely and tightly?

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Because of the way that this chair is made,

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with the curve, all the weaving has to be held in place by knots.

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That's because it's finished off by having a beading round the edge.

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I'm just doing the corners at the moment.

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Tim has to have patience now to wait for Frances

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to complete her part of the restoration.

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Once the caning is finished, I'll wax polish the rest of it up,

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just to give it a little bit of body

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give a little bit of shine to it.

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And it's going to look pretty special, actually.

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We all hope so. The main question is, will owners Pauline and Bernard

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be moved when they see the finished chair?

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Find out later.

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It's been a busy yet satisfying day here at Stonyhurst for our Restoration Roadshow.

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We're rapidly approaching the time when after many painstaking hours

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of toil and sweat, our experts return those precious family treasures to their rightful owners.

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Oh, golly, that is spectacular compared to what it was before.

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'Rod had to repair this lovely Edwardian card table,

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'which belongs to Fergus Brown. It's crunch time.

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'What will he think?'

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Let's just do what we need to do. Here we go.

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Wow! Yeah! Crikey, that's really come up nicely.

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-It has, it has.

-I think it's brilliant. I think it's a fantastic job, and it's come up beautifully.

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Remember when this table arrived the inlay was raised, the inside cracked and tired-looking.

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Now it's been carefully repaired with matching coloured polish.

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There was a split there, the piece had just moved away ever-so-slightly,

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so it was misaligned.

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All I have done is slivered a bit off there and the split

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has been replaced with a bit of rosewood veneer.

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I've given it a good clean and wax as well,

0:21:020:21:06

so the whole thing feels much smoother.

0:21:060:21:08

-You want to just run your hands along it.

-Yes, it's lovely.

0:21:080:21:13

'So the question is, Fergus, are you now tempted to keep it?'

0:21:130:21:18

It's a lovely piece. I do love it. It came from my old home, but it's not being used.

0:21:180:21:24

To me, that's probably criminal, really.

0:21:240:21:27

It's best to just move it on and let somebody cherish it.

0:21:270:21:30

Let's hope we find someone to do just that when it goes under the hammer.

0:21:300:21:35

Louise has spent hours trying to get rid of the foxing on this early

0:21:390:21:44

19th century Madras painting, which was given to Alan Cantor by his father.

0:21:440:21:49

Has she managed it?

0:21:490:21:50

OK, here we go.

0:21:500:21:52

Goodness, it's gone white. Absolute... miracle.

0:21:560:22:02

It looks the same, but it doesn't look the same.

0:22:020:22:09

I'll work that one out.

0:22:090:22:11

One can see the bull.

0:22:110:22:14

There are more animals in it then I saw before.

0:22:140:22:17

Before, this piece of art was badly blemished.

0:22:170:22:21

But after Louise gave it her expert touch, it looks clean and bright.

0:22:210:22:28

The discoloration that had taken over this Indian art work has disappeared.

0:22:280:22:34

And what used to lurk under the gloom of dirt has now been lifted, so you can see the detail.

0:22:340:22:39

Look at the way that tiger stands out.

0:22:390:22:42

Before it was just in the bull and it looked flat.

0:22:420:22:46

And now it looks as if it's on the surface.

0:22:460:22:49

-Do you think it was money well spent?

-I do indeed.

0:22:490:22:52

How much did that cost you?

0:22:520:22:53

It cost £160,

0:22:530:22:55

and its converted the picture from something that was bleak

0:22:550:23:00

to something that is vibrant. It has pride of place in my bedroom,

0:23:000:23:05

so I wake up each morning and I see the picture.

0:23:050:23:09

It's so good to see these family treasures being given a new lease of life by our skilled restorers.

0:23:090:23:15

It's always a surprise and delight to see what comes through the door, and we endeavour to put a smile

0:23:150:23:20

or bring a tear of joy to you when we give them back.

0:23:200:23:24

Today, Rod helped Fergus breathe new life into this lovely Edwardian card table,

0:23:240:23:30

which he is taking to auction, and we're hoping it might reach the £500 mark.

0:23:300:23:34

As we have seen, owner Alan is delighted at the results of his Indian painting.

0:23:340:23:39

So now it's time to see how Tim has got on with that lovely Victorian children's rocking-chair.

0:23:390:23:45

It was looking a bit tired and needed a new seat.

0:23:450:23:48

Owners Pauline and Bernard paid £120 to get it restored.

0:23:480:23:53

-One, two, three and...

-Wow!

0:23:530:23:58

That's unbelievable.

0:23:580:24:00

I didn't think the frame would clean up that well. That's brilliant.

0:24:000:24:04

It's a different colour!

0:24:040:24:07

Before the chair had completely lost its cane seat and it looked drab, battered and bruised.

0:24:070:24:13

Now it has an intricately worked seat and is polished to bring out its natural hue.

0:24:130:24:20

-It's gorgeous, ain't it?

-Well impressed.

0:24:200:24:23

-It's really nice.

-Well impressed.

0:24:230:24:25

The other colour, by the way, was called muck, OK,

0:24:250:24:29

just so you know.

0:24:290:24:30

That was lurking beneath it all the time.

0:24:300:24:33

Are you tempted to sort of take it back for Ted, or what?

0:24:330:24:37

It is rather nice, though, isn't it? And my granddaughter did walk in

0:24:370:24:40

the house the first weekend and say, "Where's my chair, Grandma?"

0:24:400:24:45

But they are keeping to their original plan and it's going to auction.

0:24:450:24:49

The bidders are arriving and looking in anticipation at Silverwoods in Clitheroe.

0:24:490:24:55

Do remember that auction houses charge fees and commission.

0:24:550:24:58

Everything that's been restored should be noted in the catalogue.

0:24:580:25:02

As I thought, the Oldhams really have fallen in love with this chair

0:25:020:25:06

now it's been restored to full health, so they've put a relatively high reserve of £240 on it.

0:25:060:25:12

Remember, before restoration, I valued it at £50.

0:25:120:25:17

To restore it cost £120, and now I think it's worth around £150.

0:25:170:25:22

So with a £240 reserve it's something of a gamble.

0:25:220:25:26

119. We have the child's bentwood rocking-chair,

0:25:290:25:34

recently recaned, as you can see. A nice little thing, is that.

0:25:340:25:38

There we go. We're on.

0:25:380:25:39

Who will start me at what for this one? 250 to set it off.

0:25:390:25:43

250, any of you?

0:25:430:25:46

250?

0:25:460:25:48

A very punchy start.

0:25:480:25:50

I have 150 bid. 160.

0:25:500:25:53

At 150. 160 from anybody else?

0:25:530:25:57

Is the money there?

0:25:570:25:59

At £150, where is 160 for this one?

0:25:590:26:02

Are you all quite sure? At £150.

0:26:020:26:06

All done at £150. All finished!

0:26:060:26:11

-7252.

-Ooh!

0:26:110:26:14

That's exactly your estimate, isn't it?

0:26:140:26:17

It was. It was, I'm afraid.

0:26:170:26:19

But there again, you've lost in that department,

0:26:190:26:23

but there's a little girl who's gained in another department.

0:26:230:26:26

My little Sophie will walk in the house and give me a big kiss and say "Thank you, Grandad".

0:26:260:26:30

-Well, that's got to be worth more than 150 quid.

-Indeed.

0:26:300:26:35

I have a sneaky suspicion that Pauline and Bernard

0:26:350:26:37

really wanted to keep their chair all along for their granddaughter.

0:26:370:26:41

Next up, we have the Edwardian card table brought in by Fergus Brown.

0:26:460:26:51

He inherited it, so it cost him nothing.

0:26:510:26:54

Rod charged £230 to restore it, and I'm hoping the bidders will love this table.

0:26:550:27:01

It's a real gem and it should get £500. Let's see.

0:27:010:27:06

Now we have the attractive Edwardian inlaid rosewood card table.

0:27:080:27:11

I like that. Thank you, auctioneer.

0:27:110:27:13

Attractive. Did you hear that? He's on our side.

0:27:130:27:16

I will start the bidding at £300.

0:27:160:27:19

Can I take 320 anywhere? 320, 340, 360, 380.

0:27:190:27:24

400? 420. 440. 460. 480.

0:27:270:27:32

-Yes, and more.

-500. 520. 540 in the room.

0:27:320:27:35

Selling to the lady at £540.

0:27:350:27:40

-Sold.

-Yes! 540. Very good.

0:27:400:27:45

So, even taking into account commission, that's a healthy profit

0:27:470:27:50

bearing in mind it cost £230 to restore.

0:27:500:27:53

Fergus can't be here today, so I'm going to call him and tell him that the good news.

0:27:530:27:59

You had a card table came up for auction today.

0:27:590:28:02

'Yes, yes, yes.'

0:28:020:28:04

And there were quite a few people wanting it.

0:28:040:28:08

In fact somebody had to pay £540 for it today.

0:28:080:28:13

'Marvellous! Marvellous! Oh, great!

0:28:130:28:17

'Oh! That's made my day even better, Eric.'

0:28:170:28:21

Well, it's been a tense yet exciting day here, and thanks to our

0:28:230:28:27

restorers we've managed to put some smiles back on our owners' faces.

0:28:270:28:32

So join me again for another transforming slice of Restoration Roadshow.

0:28:320:28:37

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0:28:440:28:46

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0:28:460:28:48

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