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We lead such busy lives that most of us don't get a chance | 0:00:02 | 0:00:05 | |
to know our neighbour. | 0:00:05 | 0:00:07 | |
Well, today, in this street, all that is about to change. | 0:00:07 | 0:00:11 | |
One, two... | 0:00:11 | 0:00:13 | |
Because we're throwing a party, and everyone's invited. | 0:00:13 | 0:00:16 | |
We want to pay tribute to a local couple, Chris and Lynn, | 0:00:17 | 0:00:20 | |
who have spent years helping the elderly and disabled in their town. | 0:00:20 | 0:00:24 | |
I don't think Chris and Lynn realise | 0:00:24 | 0:00:27 | |
the impact they've had on people. | 0:00:27 | 0:00:30 | |
Despite having had their fair share of troubles, | 0:00:30 | 0:00:32 | |
they've dedicated their lives to helping others. | 0:00:32 | 0:00:36 | |
I am just so proud of both of them for everything they've done. | 0:00:36 | 0:00:42 | |
We think it's time their kindness is recognised, | 0:00:42 | 0:00:44 | |
so we are going out into the neighbourhood | 0:00:44 | 0:00:46 | |
to find items we can sell. | 0:00:46 | 0:00:48 | |
Oh, yes, they're all right, there we go. A tight fit. | 0:00:49 | 0:00:52 | |
It won't all be plain sailing. | 0:00:52 | 0:00:55 | |
Come on! I need to get into the house. | 0:00:55 | 0:00:58 | |
We'll send some treasures to the saleroom auction, | 0:00:58 | 0:01:00 | |
the rest we'll sell on bric-a-brac stalls and at our street auction. | 0:01:00 | 0:01:04 | |
And we are going to use the money | 0:01:06 | 0:01:08 | |
to give Chris and Lynn a surprise thank-you. | 0:01:08 | 0:01:11 | |
But how will they react when they find out all of this is for them? | 0:01:11 | 0:01:15 | |
Today we are in Nailsea, a small market town in Somerset. | 0:01:20 | 0:01:23 | |
It's home to a drop-in centre | 0:01:23 | 0:01:25 | |
that's a lifeline for many people in the community. | 0:01:25 | 0:01:28 | |
It provides support and advice for the disabled and elderly | 0:01:28 | 0:01:32 | |
and is run by Chris and Lynn Baker. | 0:01:32 | 0:01:35 | |
We told them we're making a film about communities. | 0:01:35 | 0:01:39 | |
Chris and Lynn met in a dance hall, married nearly 50 years ago, | 0:01:39 | 0:01:43 | |
and have lived in Nailsea ever since. | 0:01:43 | 0:01:46 | |
Their children, Jason and Sharon, grew up in the town. | 0:01:46 | 0:01:49 | |
My mum and dad are a really traditional couple, | 0:01:49 | 0:01:52 | |
they absolutely love spending time together. | 0:01:52 | 0:01:55 | |
They're inseparable. They love going out and about, sightseeing. | 0:01:55 | 0:01:59 | |
And they love each other very, very much. | 0:01:59 | 0:02:02 | |
Chris worked as a lorry driver, | 0:02:02 | 0:02:04 | |
and in his spare time threw himself into local activities, | 0:02:04 | 0:02:08 | |
like running Jason's youth football team | 0:02:08 | 0:02:11 | |
and volunteering as a retained fireman. | 0:02:11 | 0:02:14 | |
But when Chris was just 45, tragedy struck. | 0:02:14 | 0:02:17 | |
It was a shock. | 0:02:17 | 0:02:18 | |
It came out of the blue. | 0:02:18 | 0:02:20 | |
One minute he's feeling quite well, | 0:02:20 | 0:02:22 | |
the next minute he's had a heart attack. | 0:02:22 | 0:02:24 | |
It was the start of major health problems. | 0:02:24 | 0:02:27 | |
A few years later, an operation left him partially paralysed. | 0:02:27 | 0:02:31 | |
Life just changes, | 0:02:31 | 0:02:33 | |
it completely changes when something like that happens. | 0:02:33 | 0:02:36 | |
Your lifestyle has got to change. | 0:02:36 | 0:02:37 | |
He had to give up work, had to completely change his lifestyle, | 0:02:37 | 0:02:41 | |
and it had a massive impact on him and my mum's life. | 0:02:41 | 0:02:46 | |
It was probably worse for Lynn than what it was for me, | 0:02:46 | 0:02:51 | |
because I was probably horrible to live with. | 0:02:51 | 0:02:54 | |
She always... She was always there, you know. | 0:02:54 | 0:02:58 | |
She was... It wasn't always, "Oh, poor Chris." | 0:03:00 | 0:03:03 | |
It was never, "Poor Chris." It was always, "Yes, you can do this." | 0:03:03 | 0:03:07 | |
And giving up wasn't an option for a man who'd once been so active. | 0:03:07 | 0:03:11 | |
I think my dad found the change from being somebody | 0:03:11 | 0:03:16 | |
who'd been a very hard worker, being out all day, | 0:03:16 | 0:03:21 | |
he found the change of not being able to work, | 0:03:21 | 0:03:23 | |
relying on other people, | 0:03:23 | 0:03:25 | |
he found it really, really hard. | 0:03:25 | 0:03:26 | |
But he wanted to do something. | 0:03:26 | 0:03:29 | |
He didn't want to give up on life. | 0:03:29 | 0:03:32 | |
Chris and a friend opened a drop-in centre | 0:03:32 | 0:03:34 | |
and the local MP cut the ribbon when it expanded. | 0:03:34 | 0:03:38 | |
I needed something for me to say, | 0:03:38 | 0:03:42 | |
"I'm a disabled person and I need to do something." | 0:03:42 | 0:03:47 | |
Chris and Lynn then had to face another challenge | 0:03:47 | 0:03:49 | |
with the birth of their first grandchild. | 0:03:49 | 0:03:52 | |
My son is profoundly physically disabled. | 0:03:53 | 0:03:57 | |
He has cerebral palsy. | 0:03:57 | 0:03:58 | |
He stopped breathing when he was four days old. | 0:03:58 | 0:04:01 | |
My mum and dad again have always just been there for us, | 0:04:01 | 0:04:05 | |
on top of all their problems. | 0:04:05 | 0:04:07 | |
Jamie can't walk. | 0:04:07 | 0:04:08 | |
He can't use his arms. | 0:04:10 | 0:04:12 | |
He's got to be fed through his stomach. | 0:04:14 | 0:04:17 | |
He can't speak. | 0:04:17 | 0:04:19 | |
He can't speak at all. | 0:04:19 | 0:04:20 | |
And he's... | 0:04:22 | 0:04:23 | |
He's the most happiest lad I've ever seen. | 0:04:25 | 0:04:29 | |
And the way he fights, I wish I could fight like him. | 0:04:29 | 0:04:34 | |
He is... | 0:04:34 | 0:04:36 | |
He is my best mate. | 0:04:36 | 0:04:38 | |
After 13 tireless years helping the community, | 0:04:38 | 0:04:41 | |
Chris and Lynn are retiring. | 0:04:41 | 0:04:43 | |
A perfect time to say thank you. | 0:04:43 | 0:04:46 | |
As they've worked so hard for others, | 0:04:46 | 0:04:49 | |
we'd love to treat them to a luxury break away. | 0:04:49 | 0:04:52 | |
I'm going to set us a target of £800. | 0:04:52 | 0:04:55 | |
Now all we have to do is raise it. | 0:04:55 | 0:04:58 | |
And this is how we're going to do it. | 0:04:58 | 0:05:00 | |
Well, the plan is, we walk the streets of Nailsea | 0:05:00 | 0:05:02 | |
knocking on as many doors as possible today, | 0:05:02 | 0:05:05 | |
asking all of Chris and Lynn's friends to donate | 0:05:05 | 0:05:08 | |
any unwanted or unloved items we can have | 0:05:08 | 0:05:11 | |
so we can sell them in our pop-up auction, | 0:05:11 | 0:05:13 | |
which is happening here in about a month's time. | 0:05:13 | 0:05:16 | |
Now, it's going to be a really big ask | 0:05:16 | 0:05:18 | |
to get a van full of kit to sell, | 0:05:18 | 0:05:20 | |
but it's going to be an even bigger challenge | 0:05:20 | 0:05:22 | |
to keep this a secret from Chris and Lynn until after the auction. | 0:05:22 | 0:05:26 | |
Tough ask, so I have called our bargain-seeker | 0:05:28 | 0:05:31 | |
and upcycling queen Irina Aggrey to help me. | 0:05:31 | 0:05:34 | |
-Morning. -Morning, Paul, how are you? | 0:05:35 | 0:05:37 | |
Bang on time. Give us a hug. | 0:05:37 | 0:05:39 | |
-What's the plan? -We need to fill this van full of unwanted clutter | 0:05:39 | 0:05:44 | |
from all of these houses. | 0:05:44 | 0:05:47 | |
I tell you what, you do that side and I'll do that side. | 0:05:47 | 0:05:49 | |
That's a good start, OK? | 0:05:49 | 0:05:51 | |
-All right, come on. -Good luck. | 0:05:51 | 0:05:53 | |
But which of us will gather the most donations? | 0:05:53 | 0:05:56 | |
There's only one way to find out. | 0:05:56 | 0:05:57 | |
Nailsea, here we come. | 0:05:57 | 0:05:59 | |
'And we're off. Alison's got something for me.' | 0:06:03 | 0:06:06 | |
A bit of Carlton Ware. Do you want it? Can we have it? | 0:06:06 | 0:06:08 | |
It was Granny's, but I'm sure she wouldn't mind. | 0:06:08 | 0:06:11 | |
Oh, thank you, thank you very much. | 0:06:11 | 0:06:13 | |
-It's OK. Crown Devon, I think. -Brilliant. | 0:06:13 | 0:06:16 | |
That's nice, that's a nice bit of earthenware, nice old cream jug. | 0:06:19 | 0:06:23 | |
'The cream jugs are unglazed earthenware | 0:06:23 | 0:06:25 | |
'and could date from the 1970s. | 0:06:25 | 0:06:27 | |
'I reckon they could bring in £3 each, | 0:06:27 | 0:06:29 | |
'but I'm more excited about the Carlton Ware dish. | 0:06:29 | 0:06:32 | |
'It's decorated with the foxglove pattern, | 0:06:32 | 0:06:34 | |
'which was produced between the '30s and '60s. | 0:06:34 | 0:06:37 | |
'This plate alone could easily make us £5 for the cause.' | 0:06:37 | 0:06:41 | |
There we are, three items for our bric-a-brac stall. | 0:06:41 | 0:06:44 | |
Good start. | 0:06:44 | 0:06:46 | |
Irina has had no luck at the front doors so far, | 0:06:46 | 0:06:49 | |
but someone's flagged her down. | 0:06:49 | 0:06:51 | |
-Oh, hello. -Hello. | 0:06:51 | 0:06:53 | |
My name is Marlene. | 0:06:53 | 0:06:54 | |
-I've made these. -Amazing, this community. | 0:06:54 | 0:06:56 | |
-Wonderful. -I am sure you'll get something for them. | 0:06:56 | 0:06:59 | |
Yes, they're great colours. They are very in at the moment. | 0:06:59 | 0:07:02 | |
Handmade jewellery is popular right now, | 0:07:02 | 0:07:04 | |
as everyone wants something unique. | 0:07:04 | 0:07:07 | |
Marlene's beaded bracelets are right on trend | 0:07:07 | 0:07:10 | |
and I hope someone will pay £5 each. | 0:07:10 | 0:07:12 | |
And she knows Chris and Lynn. | 0:07:12 | 0:07:14 | |
Oh, they're lovely people, yes. | 0:07:14 | 0:07:16 | |
Very caring people. | 0:07:16 | 0:07:18 | |
Yes, they really are. | 0:07:18 | 0:07:20 | |
Next up, it's neighbour Ivor. | 0:07:20 | 0:07:22 | |
We need stuff for our pop-up auction or bric-a-brac stall. | 0:07:22 | 0:07:26 | |
Anything you can give us? | 0:07:26 | 0:07:27 | |
I'm in the process of digging some stuff out now. | 0:07:27 | 0:07:30 | |
Brilliant. We will be going back to see Ivor in about an hour. | 0:07:30 | 0:07:35 | |
Oh, hello. | 0:07:35 | 0:07:36 | |
DOG BARKS | 0:07:36 | 0:07:37 | |
Sally and her dog know Chris and Lynn from the drop-in centre. | 0:07:37 | 0:07:41 | |
I've been in there for advice. | 0:07:41 | 0:07:43 | |
It's made it easier to fill in forms and... | 0:07:43 | 0:07:46 | |
Very complicated, aren't they? | 0:07:46 | 0:07:48 | |
You know, just that sort of thing. | 0:07:48 | 0:07:50 | |
That's why we are here today, | 0:07:50 | 0:07:52 | |
to see whether anybody's put anything aside | 0:07:52 | 0:07:54 | |
for a donation for the pop-up street auction next month. | 0:07:54 | 0:07:58 | |
Yes, I know about that. | 0:07:58 | 0:07:59 | |
And I've just had a massive clear-out. | 0:07:59 | 0:08:02 | |
I haven't got anything, I'm sorry. | 0:08:02 | 0:08:04 | |
Don't lose heart, Irina. | 0:08:04 | 0:08:05 | |
This house looks promising. | 0:08:05 | 0:08:07 | |
A little Wedgwood pot here. | 0:08:07 | 0:08:09 | |
-Right. -And the other is brand-new. It was bought for a cat | 0:08:09 | 0:08:14 | |
and the cat never used it, so it is brand-new. | 0:08:14 | 0:08:18 | |
Just amazed. Maybe he was just a lazy cat. Thank you. | 0:08:18 | 0:08:21 | |
This would be perfect for a cat that's not allowed outside | 0:08:21 | 0:08:24 | |
to keep those claws off the furniture. | 0:08:24 | 0:08:26 | |
New, these cat gyms retail at over £30. | 0:08:26 | 0:08:30 | |
-We've got a couple of bicycles in the shed. -Oh, fantastic! | 0:08:32 | 0:08:35 | |
Really old, though, and a bit cobwebby. | 0:08:35 | 0:08:38 | |
-Brilliant! -Really? | 0:08:39 | 0:08:41 | |
-Yeah. -They do need a lot of work doing to them. | 0:08:41 | 0:08:43 | |
Yeah. I don't mind. | 0:08:43 | 0:08:45 | |
'Raleigh dates back to 1885. | 0:08:45 | 0:08:47 | |
'It's one of the world's oldest bike manufacturers.' | 0:08:47 | 0:08:50 | |
Do you know what? They're lightweight, | 0:08:50 | 0:08:52 | |
they're not clumsy, heavy mountain bikes. | 0:08:52 | 0:08:54 | |
They're good road bikes. | 0:08:54 | 0:08:55 | |
You've sold it already. | 0:08:55 | 0:08:57 | |
'I'd love to find a classic 1970s Raleigh Chopper. | 0:08:57 | 0:09:00 | |
'They can fetch around £1,000.' | 0:09:00 | 0:09:02 | |
I think that's great - someone that works in Nailsea | 0:09:02 | 0:09:05 | |
or the surrounding area, can't afford a car, | 0:09:05 | 0:09:08 | |
maybe a student, got a second-hand bike. | 0:09:08 | 0:09:10 | |
That's great. Ten gears. | 0:09:11 | 0:09:14 | |
That's brilliant. Absolutely thrilled to bits. | 0:09:14 | 0:09:17 | |
Thank you so much. | 0:09:17 | 0:09:18 | |
'Keith and Val's bike should make us £20-£30.' | 0:09:18 | 0:09:22 | |
These are lovely, these are lightweight racing road bikes. | 0:09:22 | 0:09:26 | |
Ten gears, as well. I haven't seen stuff like this for a long time. | 0:09:26 | 0:09:30 | |
Hello! | 0:09:30 | 0:09:32 | |
Oh... There's... Hi. | 0:09:32 | 0:09:34 | |
Where can I catch you? | 0:09:34 | 0:09:37 | |
There's an old antique table which will fetch a bit. | 0:09:37 | 0:09:40 | |
Gorgeous. | 0:09:40 | 0:09:42 | |
Because I absolutely love the colour of the wood. | 0:09:42 | 0:09:46 | |
Len's walnut table is known as a tilt top as it folds up | 0:09:46 | 0:09:50 | |
so it can stand against the wall when not in use. | 0:09:50 | 0:09:54 | |
This one has a lovely tripod base | 0:09:54 | 0:09:55 | |
and I think it should go straight into our saleroom auction. | 0:09:55 | 0:10:00 | |
Is there anything else you could possibly donate... | 0:10:00 | 0:10:02 | |
-Well, you're not having this. -..please? No, no, it's fine. | 0:10:02 | 0:10:05 | |
-We make walking sticks, you see. -Oh, you make walking sticks? -Yes. | 0:10:05 | 0:10:08 | |
In fact, Len's an amateur craftsman, | 0:10:08 | 0:10:10 | |
making these walking sticks from hazel - | 0:10:10 | 0:10:13 | |
a light but very strong wood perfect for the job. | 0:10:13 | 0:10:15 | |
And he's kindly giving us two of them. | 0:10:17 | 0:10:21 | |
Oh, you can't hide! | 0:10:21 | 0:10:23 | |
No. | 0:10:23 | 0:10:24 | |
-Did you get a flyer? -Yeah. | 0:10:25 | 0:10:27 | |
-Can you help us out? Do you know what it's about? -Yes. | 0:10:27 | 0:10:30 | |
Matching pair of lamps with some shades, that's great, | 0:10:30 | 0:10:33 | |
we'll take those. | 0:10:33 | 0:10:35 | |
I'll pick those up, you pick up all the bits and bobs. | 0:10:35 | 0:10:38 | |
-Lovely. -That's good for our bric-a-brac stall. | 0:10:38 | 0:10:40 | |
Brilliant, Kate. Brilliant. | 0:10:40 | 0:10:41 | |
Now... | 0:10:41 | 0:10:43 | |
now that you've given me something, I can tell you | 0:10:43 | 0:10:46 | |
-what this is all about, OK? -Yes. | 0:10:46 | 0:10:47 | |
Have you heard of the Nailsea Disability Initiative | 0:10:47 | 0:10:50 | |
-run by Chris and Lynn Baker? -Yes, yes. | 0:10:50 | 0:10:51 | |
They're my auntie and uncle. | 0:10:51 | 0:10:53 | |
-No, I don't believe it. -Yes. | 0:10:53 | 0:10:54 | |
-Really? -Yes. | 0:10:54 | 0:10:56 | |
How do you think they'll react on the day? | 0:10:56 | 0:10:58 | |
I think they'll be very surprised and hopefully they will love what | 0:10:58 | 0:11:01 | |
we're doing for them, so, yeah, I'm hoping they'll be really, | 0:11:01 | 0:11:04 | |
-really pleased. -Yeah, let's hope they turn up. | 0:11:04 | 0:11:07 | |
Yeah, hopefully! | 0:11:07 | 0:11:09 | |
-Morning. Good morning. -Morning. | 0:11:09 | 0:11:11 | |
'Kate's told me that her mum, Judy, Lynn's sister, | 0:11:12 | 0:11:15 | |
'lives across the road.' | 0:11:15 | 0:11:17 | |
-Can we come in and have a chat? -Yes, certainly. | 0:11:17 | 0:11:19 | |
'Judy's seen how Chris and Lynn came through | 0:11:19 | 0:11:21 | |
'everything life threw at them.' | 0:11:21 | 0:11:24 | |
They took it on the shoulder and got on with it. | 0:11:24 | 0:11:27 | |
Stuck together, pulled together. | 0:11:27 | 0:11:28 | |
-They sound really, really great. -They are. Yes. | 0:11:28 | 0:11:31 | |
And you know, it's onwards and upwards, isn't it? | 0:11:31 | 0:11:33 | |
Well, it has to be, doesn't it? | 0:11:33 | 0:11:35 | |
-Yeah, exactly. -Has to be. | 0:11:35 | 0:11:36 | |
He'd rather be out helping somebody else. | 0:11:36 | 0:11:39 | |
What kind of people | 0:11:39 | 0:11:41 | |
has Chris been helping out? | 0:11:41 | 0:11:43 | |
Everybody is different, everybody has a different need. | 0:11:43 | 0:11:46 | |
-Like what? -If he couldn't do it... | 0:11:46 | 0:11:48 | |
It went from people with help with drugs | 0:11:48 | 0:11:50 | |
to people that didn't have a penny coming in | 0:11:50 | 0:11:53 | |
and didn't know where their next penny was coming from type of thing. | 0:11:53 | 0:11:55 | |
And there's so many people that were entitled to benefits | 0:11:55 | 0:11:58 | |
that didn't even know they existed. | 0:11:58 | 0:12:01 | |
Chris and Lynn's first-hand experience | 0:12:01 | 0:12:03 | |
has been invaluable to people using the centre. | 0:12:03 | 0:12:05 | |
We come in and say, look, you know, "Sit down, | 0:12:07 | 0:12:10 | |
"we'll discuss your problems." | 0:12:10 | 0:12:13 | |
Sean, who volunteers, became disabled after landing on his head | 0:12:13 | 0:12:17 | |
in a fall. | 0:12:17 | 0:12:19 | |
I'm a quadriplegic, so I filled out all the forms. | 0:12:19 | 0:12:22 | |
Some will struggle on. | 0:12:22 | 0:12:23 | |
They're perfectly entitled to benefits, they just need help. | 0:12:23 | 0:12:27 | |
The centre also supports carers. | 0:12:27 | 0:12:29 | |
Who's there for the people that are doing the caring? | 0:12:29 | 0:12:33 | |
And that is a good question because sometimes you think, | 0:12:33 | 0:12:37 | |
"Oh, who's there for me?" | 0:12:37 | 0:12:38 | |
You can tell people where they can go to get support. | 0:12:38 | 0:12:42 | |
Now, Chris and Lynn are leaving to enjoy a much-deserved retirement, | 0:12:42 | 0:12:46 | |
spending more time in the garden with their family. | 0:12:46 | 0:12:49 | |
I am just so proud of both of them for everything they've done. | 0:12:49 | 0:12:55 | |
I'm proud of my dad for coming up with the idea, | 0:12:55 | 0:12:58 | |
seeing it through, proud of my mum for standing by him | 0:12:58 | 0:13:02 | |
and supporting him all the way through with it, which she has done. | 0:13:02 | 0:13:06 | |
I'm going to meet Chris and Lynn at home to see if they'll | 0:13:06 | 0:13:09 | |
donate some items themselves, | 0:13:09 | 0:13:11 | |
hopefully without being rumbled. | 0:13:11 | 0:13:14 | |
I'm going in there for a good old rummage, | 0:13:14 | 0:13:15 | |
hopefully get them to donate stuff for their own cause. | 0:13:15 | 0:13:18 | |
That's the bit I like, but we've got to find out about them. | 0:13:18 | 0:13:21 | |
So wish me luck, OK? Wish me luck. | 0:13:21 | 0:13:23 | |
-Did you get a flyer through your door? -Yes, we did. | 0:13:26 | 0:13:28 | |
About a big street party and a pop-up auction | 0:13:29 | 0:13:31 | |
that's happening next month? | 0:13:31 | 0:13:33 | |
What are your names? What's your name? | 0:13:33 | 0:13:34 | |
-Linda. -Linda, pleased to meet you. | 0:13:34 | 0:13:36 | |
-And what's your name? -Chris. | 0:13:36 | 0:13:37 | |
Chris, pleased to meet you as well. | 0:13:37 | 0:13:39 | |
-This is a... -A cellar! | 0:13:39 | 0:13:41 | |
This is going to be my first cellar today. | 0:13:41 | 0:13:44 | |
I love that. | 0:13:44 | 0:13:46 | |
Absolutely love that. | 0:13:46 | 0:13:48 | |
Lovely old wooden chest. | 0:13:48 | 0:13:50 | |
Number two. I wonder who WEG is? | 0:13:50 | 0:13:54 | |
'He may well have been a carpenter who made his chest | 0:13:54 | 0:13:56 | |
'to keep his tools in, whoever he was. | 0:13:56 | 0:13:59 | |
'This one is a one-off and it would look great | 0:13:59 | 0:14:01 | |
'in a country-style house.' | 0:14:01 | 0:14:03 | |
Oh, wow. Oh, daylight. | 0:14:04 | 0:14:06 | |
-I like that, WEG, that was obviously the owner. -Yes, yes. | 0:14:08 | 0:14:12 | |
And the date. | 0:14:12 | 0:14:14 | |
It's not WG Grace, is it? | 0:14:14 | 0:14:15 | |
THEY LAUGH | 0:14:15 | 0:14:17 | |
Not quite. It's got a lovely, lovely original coat of paint on it, | 0:14:17 | 0:14:22 | |
which I love. | 0:14:22 | 0:14:23 | |
Well, look, this is going to come in handy. | 0:14:24 | 0:14:27 | |
I think we can send that off to auction and hopefully get, | 0:14:27 | 0:14:30 | |
I don't know, £20 or £40 for it, but it's going to help. | 0:14:30 | 0:14:35 | |
What's your passion? What do you like doing? | 0:14:35 | 0:14:37 | |
I see you like a bit of gardening. | 0:14:37 | 0:14:40 | |
Yes, he does potter in the garden, don't you? | 0:14:40 | 0:14:43 | |
Yeah, I do like to garden. | 0:14:43 | 0:14:44 | |
Obviously I can't do as much as what I would like to do. | 0:14:44 | 0:14:47 | |
Why? What's happened to you? | 0:14:47 | 0:14:49 | |
-Have you lost...? -Lost the use of his right side, yes. | 0:14:49 | 0:14:53 | |
What happened? | 0:14:53 | 0:14:55 | |
-I had a... -Artery. | 0:14:55 | 0:14:56 | |
..artery pressing on me, and my vein. | 0:14:56 | 0:15:00 | |
So I don't know, eight or nine... | 0:15:00 | 0:15:02 | |
Eight- or nine-hour operation. | 0:15:03 | 0:15:06 | |
And it left me with... | 0:15:07 | 0:15:09 | |
with the right side of my body, doesn't work. | 0:15:09 | 0:15:15 | |
-You're a real star, mate. -Thank you. | 0:15:15 | 0:15:18 | |
He's always done community things, ever since he moved here. | 0:15:18 | 0:15:20 | |
Thank you. Thank you. | 0:15:20 | 0:15:22 | |
-Cheerio. -Cheerio. -Bye-bye. -Bye, thank you. | 0:15:22 | 0:15:25 | |
Enjoy the rest of the day. | 0:15:25 | 0:15:27 | |
'I think we got away with it.' | 0:15:27 | 0:15:29 | |
Have to keep quiet because they're still in the garden. | 0:15:29 | 0:15:32 | |
Not only did we get a lovely chest to send off to auction | 0:15:32 | 0:15:35 | |
but I got to find out all about Chris and Lynn, | 0:15:35 | 0:15:39 | |
and to see the extent of his injuries | 0:15:39 | 0:15:42 | |
and find out how hard he works | 0:15:42 | 0:15:45 | |
and what he does for other people. | 0:15:45 | 0:15:48 | |
Boy, what a lovely guy, what a lovely guy. | 0:15:48 | 0:15:50 | |
Meanwhile, Irina is going up in the world. | 0:15:51 | 0:15:55 | |
Tight fit. | 0:15:55 | 0:15:56 | |
Angela's got a treasure trove of clothes in the attic. | 0:15:57 | 0:16:01 | |
I have a skirt that I've never wore. | 0:16:01 | 0:16:05 | |
-Really? -Still got the tag on it. | 0:16:05 | 0:16:07 | |
Hi! 'Remember Sally who was walking her dog when Irina bumped into her? | 0:16:07 | 0:16:11 | |
'Turns out she has found things for us after all.' | 0:16:11 | 0:16:15 | |
A little tea caddy, isn't it? | 0:16:15 | 0:16:16 | |
Yes, I know, but they're Sri Lankan. | 0:16:16 | 0:16:18 | |
Yeah, that's where all the tea comes from. | 0:16:18 | 0:16:21 | |
'Antique tea caddies usually lock to protect the vulnerable tea. | 0:16:21 | 0:16:25 | |
'While an old one made of mahogany could cost hundreds, | 0:16:25 | 0:16:27 | |
'this one should make us a few pounds.' | 0:16:27 | 0:16:30 | |
Two lovely little caddies, | 0:16:30 | 0:16:31 | |
one would be for green tea and one would be for black tea, I guess, | 0:16:31 | 0:16:34 | |
or you could mix the blends up. But it is a touristy thing, you know. | 0:16:34 | 0:16:37 | |
-A really old bike. -Nice colour. | 0:16:37 | 0:16:40 | |
Oh, it's not that old. | 0:16:40 | 0:16:41 | |
You're making it out as if it's something... | 0:16:41 | 0:16:43 | |
Yeah, probably needs a new tyre. | 0:16:43 | 0:16:45 | |
-New tyre. -That's fine. -Refurbishing. | 0:16:45 | 0:16:47 | |
A new kid's bike could cost £100 or more. | 0:16:47 | 0:16:50 | |
I bet someone will pay 20 for this one, surely. | 0:16:50 | 0:16:53 | |
Hello, Oliver, it's Paul again. | 0:16:53 | 0:16:54 | |
Hello, dogs. | 0:16:54 | 0:16:56 | |
There's a mirror there. | 0:16:56 | 0:16:57 | |
Lovely mirror there. | 0:16:57 | 0:16:59 | |
Oh, brilliant. | 0:16:59 | 0:17:01 | |
Brilliant! Oh, I love that. | 0:17:01 | 0:17:02 | |
-I love this because, I tell you what, we can repaint those... -Yeah. | 0:17:02 | 0:17:05 | |
-..we can upcycle those. -Well, that's what I thought. | 0:17:05 | 0:17:07 | |
-Irina will love that. We'll take the pot. -Yes. | 0:17:07 | 0:17:10 | |
Hello! | 0:17:10 | 0:17:12 | |
And the dogs don't bother you? | 0:17:12 | 0:17:14 | |
No, they're best buddies. They play. | 0:17:14 | 0:17:16 | |
Oh, the dogs look after you. | 0:17:16 | 0:17:18 | |
-Yeah. -Thank you very much. | 0:17:18 | 0:17:20 | |
You are very welcome, good luck. | 0:17:20 | 0:17:21 | |
See you at the party, hopefully. Bring your wife along. | 0:17:21 | 0:17:23 | |
-Yeah, thanks very much. -And you can watch your stuff being sold off! | 0:17:23 | 0:17:27 | |
And then go, "Oh, no!" | 0:17:27 | 0:17:28 | |
I've got this chair for a start. | 0:17:29 | 0:17:31 | |
Oh, my word. | 0:17:31 | 0:17:32 | |
That's lovely. | 0:17:32 | 0:17:34 | |
-Thank you. -It's old, but it's my husband's grandfather's. | 0:17:34 | 0:17:37 | |
Hello. What's the story behind this chair? | 0:17:37 | 0:17:40 | |
It's my grandfather's. | 0:17:40 | 0:17:42 | |
It was one of 12 dining chairs and that was all that was left, | 0:17:42 | 0:17:44 | |
so we thought we'd have it, but we don't want it now. | 0:17:44 | 0:17:47 | |
It's a lovely chair. I think Irina has hit the jackpot here. | 0:17:47 | 0:17:50 | |
And that's not all. | 0:17:50 | 0:17:51 | |
Ian and Jill have dug out even more treasures. | 0:17:53 | 0:17:56 | |
These Victorian-style candleholders | 0:17:56 | 0:17:59 | |
are made of pressed glass. | 0:17:59 | 0:18:00 | |
Pressed glass is moulded, not blown, | 0:18:00 | 0:18:02 | |
and was first used in the 1820s to make door knocks. | 0:18:02 | 0:18:06 | |
And in the summer house, would you believe it? More treasure for us. | 0:18:07 | 0:18:11 | |
An old camera. | 0:18:11 | 0:18:12 | |
Oh, my word. | 0:18:12 | 0:18:14 | |
So who owned this, then? | 0:18:14 | 0:18:16 | |
-My cousin's. -She's 92. | 0:18:16 | 0:18:17 | |
This is a twin lens camera and they're quite collectable. | 0:18:18 | 0:18:21 | |
A basic one like this is worth around £20, | 0:18:21 | 0:18:25 | |
but if you found a rare model made by Rolleiflex, | 0:18:25 | 0:18:28 | |
it could make £1,000. | 0:18:28 | 0:18:29 | |
Are you going down there in a minute? | 0:18:33 | 0:18:35 | |
Yeah, I'm going down there, that's our van. | 0:18:35 | 0:18:37 | |
Now, what's your name? | 0:18:37 | 0:18:38 | |
-William. -My name's Paul. Did you get a flyer through your door? | 0:18:38 | 0:18:41 | |
-I did, yes. -Can you help us out? | 0:18:41 | 0:18:42 | |
-Yes. -He lives in there, I'll be seeing you in a minute. | 0:18:42 | 0:18:45 | |
You carry on with that and I'll see you in a minute. | 0:18:45 | 0:18:48 | |
That's very good of you. | 0:18:48 | 0:18:50 | |
Hello. | 0:18:50 | 0:18:51 | |
-Hello. -Hello. | 0:18:51 | 0:18:54 | |
I got a nice kiss there. | 0:18:54 | 0:18:55 | |
We're going upstairs. Come on, then. | 0:18:55 | 0:18:57 | |
-And here... -What is in there? | 0:19:01 | 0:19:03 | |
It's a glass... | 0:19:03 | 0:19:05 | |
..TV corner unit. | 0:19:06 | 0:19:08 | |
Brilliant. All we've got to do is get it down the stairs. | 0:19:08 | 0:19:11 | |
-Well, that's easy enough. -That's easy enough, isn't it? | 0:19:11 | 0:19:14 | |
Let me test the stairs out. | 0:19:14 | 0:19:16 | |
Have a look at this. | 0:19:16 | 0:19:17 | |
Oh, yeah, they're all right. Here we go! | 0:19:17 | 0:19:19 | |
THEY LAUGH | 0:19:19 | 0:19:20 | |
Right. | 0:19:22 | 0:19:23 | |
You don't mind old dogs, do you? | 0:19:29 | 0:19:31 | |
-I love old dogs. -I know you do. | 0:19:31 | 0:19:33 | |
-And mine is old. -Oh, I've had old dogs. | 0:19:33 | 0:19:35 | |
Oh, don't get up, the legs are gone. | 0:19:35 | 0:19:37 | |
-Yeah. -Oh, don't get up, stay down, stay down, stay down, stay down. | 0:19:37 | 0:19:40 | |
Good girl, stay down, stay down. | 0:19:40 | 0:19:43 | |
Oh, hips have gone. | 0:19:43 | 0:19:44 | |
My German shepherd's back legs went like this. | 0:19:46 | 0:19:48 | |
-Yeah. -She's 13. | 0:19:48 | 0:19:50 | |
-Not too bad, but... -He's 13. -Yes, 13 she was. | 0:19:50 | 0:19:52 | |
-He still goes out for a walk. -Oh, I know, I know. | 0:19:52 | 0:19:55 | |
Just looks painful. | 0:19:55 | 0:19:57 | |
Oh, crikey, what, all of this? | 0:19:57 | 0:19:58 | |
'Now, I've hit the jackpot at Brian's.' | 0:19:58 | 0:20:01 | |
This is lovely, it's Picquot Ware. | 0:20:01 | 0:20:03 | |
You can see it's all machine turned. | 0:20:03 | 0:20:05 | |
And it's all quality. | 0:20:05 | 0:20:06 | |
When you flip the lid, you feel that. | 0:20:06 | 0:20:09 | |
That's good British engineering. | 0:20:09 | 0:20:11 | |
It's great manufacturing. | 0:20:11 | 0:20:13 | |
But it's so typical, it's so evocative of the '30s to '50s. | 0:20:13 | 0:20:17 | |
It's a nice thing, it's a really nice thing. But it's got the look. | 0:20:17 | 0:20:20 | |
With the tray as well, I think that's really nice, that's good, | 0:20:20 | 0:20:23 | |
contemporary 20th-century British modern at its very best. | 0:20:23 | 0:20:28 | |
I love it. I think we could stick that into the auction | 0:20:28 | 0:20:30 | |
with a value of around £60-£80 and hopefully get that. | 0:20:30 | 0:20:34 | |
-Brilliant, brilliant, brilliant. -A lot of stamps. | 0:20:34 | 0:20:37 | |
I don't know if... These boxes... | 0:20:37 | 0:20:40 | |
There's stamps and there's... | 0:20:40 | 0:20:42 | |
-..coins in here. -Oh, brilliant. | 0:20:44 | 0:20:46 | |
Good for you. | 0:20:46 | 0:20:47 | |
'Brian is donating his collection of stamps, | 0:20:47 | 0:20:49 | |
'first-day covers and medallions.' | 0:20:49 | 0:20:52 | |
I think we put all of this here, all of this collection, all of that, | 0:20:52 | 0:20:58 | |
that and that into the auction as one lot, | 0:20:58 | 0:21:02 | |
and we'll let the auctioneer sort that out, OK? | 0:21:02 | 0:21:04 | |
Because there are collectors out there | 0:21:04 | 0:21:06 | |
that will search online for those. | 0:21:06 | 0:21:08 | |
Thank you so much. | 0:21:09 | 0:21:11 | |
You've been so helpful. | 0:21:11 | 0:21:13 | |
And bye-bye, you, as well. | 0:21:13 | 0:21:15 | |
You are gorgeous. | 0:21:15 | 0:21:16 | |
'But just when I thought it couldn't get any better, | 0:21:17 | 0:21:20 | |
'there's one last surprise.' | 0:21:20 | 0:21:21 | |
"I have some toys, etc on the grass if they are of any use to you. | 0:21:23 | 0:21:27 | |
"Thank you." | 0:21:27 | 0:21:28 | |
That looks like toys. | 0:21:30 | 0:21:32 | |
Kids' toys, kids' games in really, really good condition. | 0:21:33 | 0:21:37 | |
I see 50p, £1, £2, that's fantastic. | 0:21:37 | 0:21:39 | |
Two bikes. A little doll's buggy. | 0:21:39 | 0:21:43 | |
Let's pick up some of these and put them in the car. | 0:21:43 | 0:21:47 | |
"Lots of love, Paul Martin." | 0:21:47 | 0:21:53 | |
Two kisses. | 0:21:53 | 0:21:54 | |
I will put that through their door, let them know that we've got it, | 0:21:56 | 0:21:59 | |
it's all safe and it's going up for sale. | 0:21:59 | 0:22:01 | |
There. Brilliant. | 0:22:03 | 0:22:04 | |
It's time to have a look at everything Irina and I have found | 0:22:05 | 0:22:09 | |
and work out what we can send to a saleroom auction. | 0:22:09 | 0:22:12 | |
Someone is already sniffing around our treasure. | 0:22:12 | 0:22:15 | |
First, I've got an upcycling project for Irina. | 0:22:15 | 0:22:19 | |
Now, look at this, something for you. | 0:22:19 | 0:22:21 | |
That's bevelled glass, so it's a quality mirror. | 0:22:21 | 0:22:24 | |
-It's a good size for a hall or bedroom. -I know, I know. | 0:22:24 | 0:22:26 | |
I could do something really funky with that. | 0:22:26 | 0:22:29 | |
-I like this. The amount of cats we've seen today... -I know. | 0:22:29 | 0:22:33 | |
-Brand-new, practically. -Tilt top table. -Fantastic, isn't it? | 0:22:33 | 0:22:36 | |
-Has it got its tilt top? -Yes, it has. -Yes, it has, hasn't it? | 0:22:36 | 0:22:39 | |
-The mechanisms... Let's put that into the saleroom. -Yeah. | 0:22:39 | 0:22:42 | |
Yeah, tell me about this. | 0:22:42 | 0:22:44 | |
Well, they're just sort of commemorative coins | 0:22:44 | 0:22:46 | |
collected in the '70s, stamps from the last 50 years, | 0:22:46 | 0:22:49 | |
-first-day issues, all that kind of thing. -Nice. | 0:22:49 | 0:22:51 | |
Royal memorabilia. | 0:22:51 | 0:22:53 | |
Yeah, I think we might have missed something, actually. | 0:22:53 | 0:22:55 | |
Look what I picked up. | 0:22:55 | 0:22:57 | |
This, apparently, is over 100 years old. | 0:22:57 | 0:22:58 | |
Yeah, that's an Edwardian copy of the Queen Anne chair. That's nice. | 0:22:58 | 0:23:02 | |
'Queen Anne-style furniture has a curvy look, | 0:23:02 | 0:23:04 | |
'often with these lovely S-shaped cabriole legs.' | 0:23:04 | 0:23:08 | |
Shall we put that into the saleroom? | 0:23:08 | 0:23:10 | |
-I think so. -Yes, let's put that into the saleroom as well. | 0:23:10 | 0:23:12 | |
-Let's see what it does. Let's see what we get for that. -OK. | 0:23:12 | 0:23:15 | |
And these are our walking sticks. | 0:23:15 | 0:23:16 | |
You can let me sell one and we'll put one into the saleroom. | 0:23:16 | 0:23:18 | |
Why not, and compare the prices? | 0:23:18 | 0:23:20 | |
OK, go on, then, which one are you going to sell in the saleroom? | 0:23:20 | 0:23:22 | |
Oh, I don't know, you pick. I'm partial to both of them. | 0:23:22 | 0:23:24 | |
I will take this one. | 0:23:24 | 0:23:26 | |
'So, we're upcycling the mirror and sending several items | 0:23:26 | 0:23:29 | |
'to the saleroom, including Chris and Lynn's trunk, | 0:23:29 | 0:23:33 | |
'the table, the walking stick and the tea set.' | 0:23:33 | 0:23:36 | |
'Everything else will go to the pop-up auction | 0:23:37 | 0:23:39 | |
'and the bric-a-brac stalls. | 0:23:39 | 0:23:41 | |
'I think we've both done brilliantly, | 0:23:41 | 0:23:43 | |
'but what we need to know is, who's come out on top?' | 0:23:43 | 0:23:46 | |
Paul, put it there. | 0:23:46 | 0:23:47 | |
You are the winner for today. | 0:23:47 | 0:23:49 | |
Well done. | 0:23:49 | 0:23:51 | |
It's the day of our street auction. | 0:23:52 | 0:23:55 | |
We've only got a few hours to get this place ready. | 0:23:55 | 0:23:58 | |
We've got to unload our rummaged finds... | 0:23:59 | 0:24:03 | |
Forgot the pushchair! | 0:24:03 | 0:24:04 | |
..set up our stalls and transform the street into a street party. | 0:24:04 | 0:24:09 | |
Everyone is pitching in to help. | 0:24:10 | 0:24:13 | |
Well, nearly everyone. | 0:24:13 | 0:24:15 | |
Hi. Are you coming to our street party later? | 0:24:15 | 0:24:19 | |
I'm going to try to. | 0:24:19 | 0:24:20 | |
Chris and Lynn's family, friends and neighbours have turned out in force | 0:24:20 | 0:24:24 | |
to help us reach our target. | 0:24:24 | 0:24:26 | |
-Good morning, volunteers. ALL: -Morning. | 0:24:26 | 0:24:29 | |
Well, I've got a good feeling about today, | 0:24:29 | 0:24:31 | |
but most of you know who this is for. | 0:24:31 | 0:24:32 | |
We are going to keep our voices down because Chris and Lynn will be here | 0:24:32 | 0:24:35 | |
throughout the day helping out. | 0:24:35 | 0:24:37 | |
OK? So, we need to keep them here, | 0:24:37 | 0:24:40 | |
we need to keep them entertained but also keep them in the dark. | 0:24:40 | 0:24:43 | |
No-one must tell them. | 0:24:43 | 0:24:45 | |
Right, good luck. | 0:24:45 | 0:24:47 | |
Good luck, so it's OK, man your stations and get unpacking | 0:24:47 | 0:24:50 | |
all that bric-a-brac and all the craft. | 0:24:50 | 0:24:52 | |
This is really turning into a family affair, | 0:24:52 | 0:24:55 | |
as Lynn's other sister, Daphne, has arrived | 0:24:55 | 0:24:57 | |
with a last-minute donation. | 0:24:57 | 0:25:01 | |
King Charles spaniels. There's a pair, Staffordshire Flatbacks. | 0:25:01 | 0:25:04 | |
Classic Victoriana. | 0:25:04 | 0:25:05 | |
Are you sure we can sell these? | 0:25:05 | 0:25:07 | |
-Yes, I'm positive. -You're giving them to us? | 0:25:07 | 0:25:09 | |
-Yes. -Oh, thank you so much. | 0:25:09 | 0:25:10 | |
This was pottery for the masses. | 0:25:10 | 0:25:13 | |
And it's called a flatback because these two dogs were meant to go | 0:25:13 | 0:25:16 | |
on the mantelpiece with their backs against the wall, | 0:25:16 | 0:25:19 | |
because if I turn them around... | 0:25:19 | 0:25:20 | |
..they're not finished or decorated, | 0:25:21 | 0:25:23 | |
so always known as Staffordshire Flatbacks. | 0:25:23 | 0:25:26 | |
These are hollow. | 0:25:26 | 0:25:28 | |
In order for them to stop exploding, | 0:25:28 | 0:25:30 | |
you always have a little hole in the back, which lets the air out. | 0:25:30 | 0:25:33 | |
And looking at the base, | 0:25:33 | 0:25:35 | |
you can see there's a nice bit of wear on the foot. | 0:25:35 | 0:25:39 | |
So these look to me as if they are around about 1890, 1900 - | 0:25:39 | 0:25:44 | |
sort of the end of the Victorian period. | 0:25:44 | 0:25:47 | |
'In a saleroom auction, they could make around £100, | 0:25:47 | 0:25:50 | |
'but I'll be selling them on our pop-up rostrum, | 0:25:50 | 0:25:52 | |
'so I hope one of our local dog lovers digs deep. | 0:25:52 | 0:25:56 | |
'And the donations keep rolling in.' | 0:25:56 | 0:25:58 | |
Look, I know it's a bit small for me, but I tell you what, | 0:25:58 | 0:26:01 | |
somebody has just dropped this off... | 0:26:01 | 0:26:03 | |
..and I know I can sell this. | 0:26:04 | 0:26:05 | |
This will bring out the wheeler-dealer in me. | 0:26:05 | 0:26:08 | |
HE LAUGHS | 0:26:08 | 0:26:10 | |
It's so inspiring to see a whole community come together | 0:26:10 | 0:26:12 | |
to support their own. | 0:26:12 | 0:26:15 | |
And talking of inspiration, remember Ivor's black mirror? | 0:26:15 | 0:26:18 | |
Look how Irina has transformed it. | 0:26:18 | 0:26:21 | |
I remember that. | 0:26:21 | 0:26:23 | |
-Did it have just a solid... -It was. That's it. | 0:26:23 | 0:26:25 | |
..dark black frame? | 0:26:25 | 0:26:26 | |
Yes, it was quite depressing. | 0:26:26 | 0:26:28 | |
It wasn't natural wood, | 0:26:28 | 0:26:29 | |
so I couldn't bring out the natural grains by sanding it. | 0:26:29 | 0:26:32 | |
So I thought the best coverage would be to stick some wallpaper on it, | 0:26:32 | 0:26:36 | |
which is a decoupage technique. | 0:26:36 | 0:26:38 | |
Yes, it's quite fun, but time-consuming. | 0:26:38 | 0:26:41 | |
-You just go mad. -I think that's really cool. | 0:26:41 | 0:26:43 | |
And I love the fact it's a cube, | 0:26:43 | 0:26:45 | |
-and I think that makes it funky. -Yeah. | 0:26:45 | 0:26:47 | |
It's got a transition between a schoolboy's bedroom | 0:26:47 | 0:26:50 | |
and a funky office. | 0:26:50 | 0:26:52 | |
-And I tell you what, I'm going to feel great selling that. -Thank you. | 0:26:53 | 0:26:56 | |
And hopefully we'll find a good home for it and a great price. | 0:26:56 | 0:26:59 | |
Time for a progress check on the stalls. | 0:26:59 | 0:27:01 | |
It's looking great, Sue. | 0:27:01 | 0:27:02 | |
Brilliant, Terry, you've done a good job. Someone has pinched a carrot. | 0:27:02 | 0:27:05 | |
Hang on, I've found it. | 0:27:05 | 0:27:07 | |
Oh, you see, it's a good job I'm here looking at things, isn't it? | 0:27:07 | 0:27:10 | |
He's getting it sorted. | 0:27:10 | 0:27:12 | |
So you're pretty OK with prices, are you? | 0:27:12 | 0:27:14 | |
-You know what you're doing? It's all stickered up? -Yes. | 0:27:14 | 0:27:16 | |
I've spotted something on the bric-a-brac stall | 0:27:16 | 0:27:19 | |
I think should really be in the pop-up auction. | 0:27:19 | 0:27:21 | |
I love dogs, and he's got a really sad face | 0:27:23 | 0:27:26 | |
which says, "Come on, come and buy me, | 0:27:26 | 0:27:28 | |
"give me some love." Condition is absolutely brilliant. | 0:27:28 | 0:27:32 | |
I love this treacle glaze, absolutely love it. | 0:27:32 | 0:27:35 | |
'Treacleware is a name for any earthenware | 0:27:35 | 0:27:38 | |
'covered in a shiny brown glaze. | 0:27:38 | 0:27:40 | |
'It's made into everything from tourist souvenirs to tea sets.' | 0:27:40 | 0:27:44 | |
In fact, you could keep doggy treats in there. | 0:27:45 | 0:27:48 | |
Yeah, it's a doggy treat jar. | 0:27:48 | 0:27:50 | |
It's got £3 on it from the bric-a-brac. | 0:27:50 | 0:27:53 | |
I reckon... | 0:27:53 | 0:27:54 | |
I reckon I could get £9 for that. | 0:27:56 | 0:27:58 | |
Local dance troupe Jazz On Tap have arrived to entertain the crowd, | 0:27:58 | 0:28:02 | |
and even Chris's old mates from the fire station are here. | 0:28:02 | 0:28:05 | |
It's been a race against time but now we're ready to throw a party. | 0:28:05 | 0:28:09 | |
I tell you what, I was worried two hours ago. | 0:28:09 | 0:28:12 | |
I really was genuinely worried. | 0:28:12 | 0:28:14 | |
-Now you're smiling. -Now I'm smiling, now I'm feeling confident. | 0:28:14 | 0:28:16 | |
Look at this. The fire brigade have turned up, | 0:28:16 | 0:28:18 | |
we've got our dancers here. | 0:28:18 | 0:28:20 | |
-Look at the stalls. -I know. -I mean, just look at this. | 0:28:20 | 0:28:22 | |
They are packed. | 0:28:22 | 0:28:23 | |
We're about to cut the ribbons, so we'll make our way over there. | 0:28:23 | 0:28:26 | |
Everyone is getting in place. | 0:28:26 | 0:28:27 | |
I'm feeling good. Are you feeling good about this? | 0:28:27 | 0:28:29 | |
Yeah, I'm very excited. | 0:28:29 | 0:28:30 | |
-We can do this, can't we? -Yeah, definitely. | 0:28:30 | 0:28:32 | |
Let's see if we can smash more than £800. | 0:28:32 | 0:28:34 | |
Word has obviously spread. | 0:28:36 | 0:28:37 | |
We've got a great crowd gathered and grandson Jamie | 0:28:37 | 0:28:40 | |
wouldn't have missed this big day. | 0:28:40 | 0:28:42 | |
-ALL: -Five, four, three, two, one. | 0:28:44 | 0:28:49 | |
Let's go. CHEERING | 0:28:49 | 0:28:51 | |
How fabulous is that? | 0:29:08 | 0:29:09 | |
This is the community coming together. | 0:29:09 | 0:29:10 | |
This is what it's all about - | 0:29:10 | 0:29:12 | |
people having fun in their own neighbourhood. | 0:29:12 | 0:29:14 | |
It's just brilliant. | 0:29:15 | 0:29:17 | |
We've got some great stuff on these stalls. | 0:29:17 | 0:29:19 | |
Let's start selling. | 0:29:19 | 0:29:21 | |
I think you should buy it now. | 0:29:22 | 0:29:23 | |
-Good storage for wool. -For wool, perfect. | 0:29:23 | 0:29:26 | |
Yarn, knitting needles. | 0:29:26 | 0:29:28 | |
£2? Yes. | 0:29:28 | 0:29:30 | |
£2. Thank you very much. | 0:29:30 | 0:29:33 | |
'This community has shown amazing generously to help us throw a party, | 0:29:33 | 0:29:38 | |
'but turns out Ivor has donated his wife's favourite vase by mistake. | 0:29:38 | 0:29:42 | |
'Luckily, they've found it.' | 0:29:42 | 0:29:44 | |
-And now you've bought that back. -Yeah. -Oh, I'm really sorry. | 0:29:44 | 0:29:47 | |
-But it's all for a good cause. -Yeah, we bought it back. | 0:29:47 | 0:29:49 | |
And it's lovely to meet you. | 0:29:49 | 0:29:51 | |
-And now we put a face to the whole picture. -Exactly. | 0:29:51 | 0:29:53 | |
-Thank you very much. -Enjoy the day, won't you? -We will. | 0:29:53 | 0:29:55 | |
Thanks very much. | 0:29:55 | 0:29:57 | |
'Chris and Lynn are here, thank goodness. | 0:29:57 | 0:29:59 | |
'Time for me to go into acting mode again.' | 0:29:59 | 0:30:01 | |
Hello. | 0:30:02 | 0:30:04 | |
I remember now. | 0:30:04 | 0:30:05 | |
Did we go into an outside cellar? | 0:30:05 | 0:30:09 | |
-Yes, we were in the cellar. Yes. -You got stuck. | 0:30:09 | 0:30:12 | |
I got stuck. | 0:30:12 | 0:30:13 | |
'I think our secret is safe. | 0:30:16 | 0:30:18 | |
'But while everyone is enjoying the entertainment, | 0:30:18 | 0:30:20 | |
'I'm going to check in with Sharon and her family.' | 0:30:20 | 0:30:25 | |
Thank you! | 0:30:25 | 0:30:26 | |
-How are you all feeling? -Nervous and excited. | 0:30:27 | 0:30:31 | |
Same here. | 0:30:31 | 0:30:32 | |
Same here. Do you think we'll have tears from Dad at the end? | 0:30:34 | 0:30:37 | |
Absolutely. I guarantee there will be. | 0:30:37 | 0:30:40 | |
She will look at you, won't she? And she will go, | 0:30:40 | 0:30:43 | |
"Yeah, I knew it." | 0:30:43 | 0:30:45 | |
Do you know that? She will, won't she? | 0:30:45 | 0:30:47 | |
-Yeah. -Yeah, Mum will probably be calm... | 0:30:47 | 0:30:50 | |
..pleased. Dad will be very emotional. | 0:30:51 | 0:30:53 | |
He knows his grandad well. | 0:30:55 | 0:30:57 | |
I know he does. Yes, yes. | 0:30:57 | 0:30:59 | |
Well, I'll see you a little bit later on after the auction, OK? | 0:30:59 | 0:31:02 | |
But I've got work to do, more money to find. | 0:31:02 | 0:31:05 | |
Take care. | 0:31:05 | 0:31:06 | |
That's two for £1, wow! | 0:31:09 | 0:31:11 | |
Thank you. Thank you very much. | 0:31:11 | 0:31:14 | |
-How much for this? -Oh, I would say £1. | 0:31:14 | 0:31:16 | |
-Thank you so much. -Thank you. | 0:31:16 | 0:31:18 | |
The refreshment stalls are doing a roaring trade. | 0:31:18 | 0:31:21 | |
Purse is out, purse is out. You going to buy anything else? | 0:31:21 | 0:31:24 | |
I think we'll have a go on some of the stalls. | 0:31:24 | 0:31:26 | |
Now, that's smelling really good. | 0:31:26 | 0:31:29 | |
'Welcome to the Great British Crepe Off.' | 0:31:29 | 0:31:31 | |
LAUGHTER Turn it over. | 0:31:35 | 0:31:38 | |
I think we'll be giving that one away. | 0:31:38 | 0:31:39 | |
'Trust me, it tastes better than it looks.' | 0:31:39 | 0:31:42 | |
Well, Chris was an ex-fireman | 0:31:49 | 0:31:51 | |
so it's wonderful that the Nailsea Fire Brigade have turned up. | 0:31:51 | 0:31:54 | |
-Hi, guys. -Hi, all right? -Oh, look at that. | 0:31:54 | 0:31:56 | |
-You've been busy. -We've been taking donations to have a go on the hose. | 0:31:56 | 0:31:59 | |
Well, so far, Chris hasn't twigged, so that's good. | 0:31:59 | 0:32:02 | |
-Do you know him? -I don't personally know Chris, | 0:32:02 | 0:32:04 | |
but he retired before I joined. But there's loads down our station | 0:32:04 | 0:32:07 | |
who knew him say what a great bloke he was. | 0:32:07 | 0:32:09 | |
Meanwhile, bric-a-brac is flying off the stalls. | 0:32:09 | 0:32:11 | |
But don't forget, we sent a few items off to a saleroom auction. | 0:32:11 | 0:32:16 | |
Our auctioneer is Marc Burridge. | 0:32:16 | 0:32:19 | |
Yours, sir. | 0:32:19 | 0:32:20 | |
And some of Lynn's family have come along to watch the sale. | 0:32:20 | 0:32:24 | |
First up, it's Chris and Lynn's old chest, | 0:32:24 | 0:32:26 | |
which they didn't realise they were donating to their own cause. | 0:32:26 | 0:32:30 | |
We have this Victorian painted pine carpenter's tool chest there. | 0:32:30 | 0:32:36 | |
What can we say to start me? | 0:32:36 | 0:32:38 | |
40 I have, thank you. And five. At the back. | 0:32:38 | 0:32:41 | |
And 50. Now five. | 0:32:41 | 0:32:43 | |
Go on. 55. | 0:32:43 | 0:32:45 | |
At £55, the back of the room. | 0:32:45 | 0:32:47 | |
Selling on 55, then. | 0:32:47 | 0:32:49 | |
And there's a good result for the tilt top table. | 0:32:50 | 0:32:53 | |
Selling at £30, then. | 0:32:53 | 0:32:56 | |
I've got high hopes for Len's walking stick. | 0:32:56 | 0:32:58 | |
Its estimate is £20-£30. | 0:32:58 | 0:33:01 | |
30 in the corner. Thank you. | 0:33:01 | 0:33:03 | |
32. 32. | 0:33:03 | 0:33:05 | |
32, 35. | 0:33:05 | 0:33:07 | |
35, 38. Look at me, sir, not her. | 0:33:07 | 0:33:09 | |
-THEY LAUGH -I know she's prettier. | 0:33:09 | 0:33:12 | |
And 40. 45. 45. | 0:33:12 | 0:33:15 | |
Thank you. Eight. And 50. | 0:33:15 | 0:33:17 | |
Nice round figure. £50, then. | 0:33:17 | 0:33:19 | |
Now, five. And 60. | 0:33:19 | 0:33:21 | |
And five. £60 the lady has bid in the corner. | 0:33:21 | 0:33:25 | |
Selling at £60, then. | 0:33:25 | 0:33:27 | |
Thank you, madam. | 0:33:27 | 0:33:28 | |
Double its top estimate. | 0:33:28 | 0:33:30 | |
We also sold the cameras... | 0:33:30 | 0:33:32 | |
Selling at £30, then. | 0:33:32 | 0:33:34 | |
..the Queen Anne-style chair... | 0:33:34 | 0:33:35 | |
Selling on the 20. | 0:33:35 | 0:33:37 | |
..and the stamps and medallions. | 0:33:37 | 0:33:39 | |
Near the door there at 50. | 0:33:39 | 0:33:42 | |
Finally, it's my favourite find of the rummage day - | 0:33:42 | 0:33:45 | |
the Picquot Ware tea set. | 0:33:45 | 0:33:47 | |
£55 in the room. | 0:33:47 | 0:33:48 | |
In front of me. 60 bid. | 0:33:48 | 0:33:50 | |
And five. And 70. | 0:33:50 | 0:33:52 | |
At £70, then. | 0:33:52 | 0:33:54 | |
Altogether, our lots raised £375 in the saleroom, which is amazing. | 0:33:54 | 0:34:00 | |
Back on the street, it's nearly my turn on the rostrum, | 0:34:02 | 0:34:05 | |
so it's time for one final push. | 0:34:05 | 0:34:08 | |
There's ten more minutes before the auction starts, | 0:34:08 | 0:34:11 | |
so everything that is for sale on all of the stalls | 0:34:11 | 0:34:15 | |
is now for sale for £1. | 0:34:15 | 0:34:18 | |
Do you want to buy it for £1? | 0:34:20 | 0:34:22 | |
Do you know what? I think I might be tempted. | 0:34:22 | 0:34:24 | |
I had one of these as a little girl. | 0:34:27 | 0:34:29 | |
-It's exactly the same. -Is it? | 0:34:29 | 0:34:31 | |
-It's not mine, is it? -THEY LAUGH | 0:34:31 | 0:34:34 | |
We're finished on our stall. | 0:34:34 | 0:34:35 | |
Everything has gone. | 0:34:35 | 0:34:38 | |
And another bike gone. | 0:34:38 | 0:34:40 | |
But are we on target to make £800? | 0:34:40 | 0:34:43 | |
We've counted up the cash on the stalls and we've made over £500. | 0:34:43 | 0:34:48 | |
Added to the money from the saleroom, | 0:34:48 | 0:34:50 | |
that means we've reached the magic target already. | 0:34:50 | 0:34:53 | |
So I've given myself a new goal. | 0:34:53 | 0:34:55 | |
Anything more I can raise on the rostrum will go straight | 0:34:55 | 0:34:58 | |
to the drop-in centre, so close to Chris and Lynn's heart. | 0:34:58 | 0:35:02 | |
First up, Len's walking stick. | 0:35:02 | 0:35:04 | |
Who's going to start me off with a bid of £15? | 0:35:05 | 0:35:08 | |
Thank you. 20 anywhere? | 0:35:08 | 0:35:09 | |
I have a maiden bid of 15. | 0:35:09 | 0:35:11 | |
I'm looking for £20 now. | 0:35:11 | 0:35:13 | |
Surely £20. | 0:35:13 | 0:35:14 | |
£16? | 0:35:14 | 0:35:16 | |
OK. I'm selling at £15. | 0:35:16 | 0:35:18 | |
It's going once, twice, fair warning. | 0:35:18 | 0:35:20 | |
Sold, £15. | 0:35:20 | 0:35:22 | |
'Next, let's find Daphne's flatbacks a new home.' | 0:35:25 | 0:35:29 | |
Who's going to start me off with a bid of £25? | 0:35:29 | 0:35:31 | |
Thank you, straight in, 25. | 0:35:31 | 0:35:33 | |
30 anywhere? £30. | 0:35:33 | 0:35:35 | |
£30 anywhere? Surely. | 0:35:35 | 0:35:36 | |
Thank you at the back there. | 0:35:36 | 0:35:38 | |
30. You are now in. | 0:35:38 | 0:35:39 | |
It's against you, madam, down on the front row. | 0:35:39 | 0:35:41 | |
Can I take 35? | 0:35:41 | 0:35:43 | |
Thank you, yes, yes. | 0:35:43 | 0:35:44 | |
Now I've got your attention. 35. | 0:35:44 | 0:35:47 | |
40 at the back. | 0:35:47 | 0:35:48 | |
Yes, thank you. £40. 45. | 0:35:48 | 0:35:51 | |
It's against you, sir. 15, no, you are nodding. | 0:35:51 | 0:35:53 | |
£45. I have a bid of 45. | 0:35:53 | 0:35:55 | |
And I'm selling at £45. | 0:35:55 | 0:35:57 | |
It's going once, twice, sold, thank you. | 0:35:57 | 0:36:00 | |
'Now the biscuit barrel I took from the bric-a-brac stall.' | 0:36:00 | 0:36:03 | |
Doggy will love it. | 0:36:03 | 0:36:05 | |
So, who's going to give me a bid of £5? | 0:36:05 | 0:36:07 | |
Come on, animal lovers. Thank you, £5, straight in. | 0:36:07 | 0:36:10 | |
£6 anywhere else? | 0:36:10 | 0:36:11 | |
£6. Thank you. Six, it's against you, madam. | 0:36:11 | 0:36:13 | |
I've got six here. I'm looking for £7 now. | 0:36:13 | 0:36:16 | |
Thank you, £7 is with me. | 0:36:16 | 0:36:18 | |
£7, I have a bid of seven. | 0:36:18 | 0:36:19 | |
Can I take eight anywhere? | 0:36:19 | 0:36:21 | |
I'm selling at £7. | 0:36:21 | 0:36:22 | |
It's going once... Oh, yes, there's a bid of £8. | 0:36:22 | 0:36:24 | |
Thank you very much. | 0:36:24 | 0:36:25 | |
Shout out if I can't see you. | 0:36:25 | 0:36:27 | |
I've got a bid of £8. | 0:36:27 | 0:36:28 | |
It's now against you. Nine, £9, it's against you. | 0:36:28 | 0:36:31 | |
Can I take ten? Ten, thank you, £10. | 0:36:31 | 0:36:34 | |
You are out. OK, I'm selling at £11. | 0:36:34 | 0:36:36 | |
Oh, thank you, £12. | 0:36:36 | 0:36:37 | |
Yes, waving his hand up in the air. | 0:36:37 | 0:36:40 | |
Can I take 15? | 0:36:40 | 0:36:41 | |
Thank you. £15, it's against you, sir. | 0:36:41 | 0:36:43 | |
Are you in or out? | 0:36:43 | 0:36:44 | |
You are in. You are in. | 0:36:46 | 0:36:48 | |
£16. £16. 17. | 0:36:48 | 0:36:51 | |
18? 18. | 0:36:51 | 0:36:53 | |
£18. No, he's out. £17, | 0:36:53 | 0:36:55 | |
and I'm selling at 17. | 0:36:55 | 0:36:56 | |
It's going once, twice, sold. | 0:36:56 | 0:36:59 | |
Thank you. £17. | 0:36:59 | 0:37:01 | |
'Next - the cat gym.' | 0:37:01 | 0:37:03 | |
Thank you. £5 under the tree. | 0:37:03 | 0:37:05 | |
Any further advances on £5? | 0:37:05 | 0:37:07 | |
Six anywhere? Six? Thank you, £6 now. | 0:37:07 | 0:37:09 | |
Still under the tree. £7. | 0:37:09 | 0:37:11 | |
Can I take seven? I'm with you at seven. | 0:37:11 | 0:37:13 | |
Thank you, seven down on the front row. | 0:37:13 | 0:37:15 | |
£7 is with me now and I'm selling at seven. | 0:37:15 | 0:37:17 | |
£8. Thank you. Eight. Do I see nine? | 0:37:17 | 0:37:19 | |
Nine. £10, 11. | 0:37:19 | 0:37:21 | |
11. It's against you, madam. | 0:37:21 | 0:37:22 | |
I've got £11. | 0:37:22 | 0:37:24 | |
Can I take 12? 12. | 0:37:24 | 0:37:25 | |
Can I take 15? 15 might seal the deal. | 0:37:25 | 0:37:28 | |
Thank you. £15 is with me now. | 0:37:28 | 0:37:30 | |
You are out. £15. | 0:37:30 | 0:37:31 | |
And I'm selling once, twice, sold. Thank you, £15. | 0:37:31 | 0:37:35 | |
'Sold to Jason, | 0:37:35 | 0:37:36 | |
'who just happens to be Chris and Lynn's son. | 0:37:36 | 0:37:39 | |
'Next, I've got high hopes for Irina's upcycling.' | 0:37:39 | 0:37:42 | |
So, who's going to start me off with a bid of £20? | 0:37:42 | 0:37:45 | |
Thank you. Two or three hands. | 0:37:45 | 0:37:47 | |
I'll take 20. I'll take 25. | 0:37:47 | 0:37:49 | |
£25 now. | 0:37:49 | 0:37:50 | |
30. Are you in for 30? | 0:37:50 | 0:37:52 | |
£30. Go on, yes. | 0:37:52 | 0:37:53 | |
30, thank you. I've got a bid of 30, it's against you, madam. | 0:37:53 | 0:37:56 | |
35. The hand is still up. | 0:37:56 | 0:37:58 | |
You are out, you are in. | 0:37:58 | 0:37:59 | |
£35 is with me. | 0:37:59 | 0:38:01 | |
40 by the tree. Thank you. | 0:38:01 | 0:38:02 | |
£40 underneath the tree. | 0:38:02 | 0:38:04 | |
You're sheltering from the rain. | 0:38:04 | 0:38:05 | |
I've got £45 now. | 0:38:05 | 0:38:07 | |
One more? 41. | 0:38:07 | 0:38:09 | |
41? Yes. | 0:38:09 | 0:38:10 | |
£41 is with me. | 0:38:10 | 0:38:12 | |
42. | 0:38:12 | 0:38:13 | |
£42 now. | 0:38:13 | 0:38:14 | |
Thank you. 43. 44. 44. | 0:38:14 | 0:38:17 | |
Thank you, don't lose it. 45. | 0:38:17 | 0:38:19 | |
£45 is with me. | 0:38:19 | 0:38:21 | |
Any further advances on 45? | 0:38:21 | 0:38:23 | |
46. £46. | 0:38:23 | 0:38:25 | |
You are out. Thank you so much for being the underbidder. | 0:38:25 | 0:38:27 | |
Everyone loves an underbidder. | 0:38:27 | 0:38:29 | |
And I'm selling at £46. | 0:38:29 | 0:38:30 | |
It's going once, twice, sold. Thank you. | 0:38:30 | 0:38:33 | |
'And our final lot, donated by a local company, | 0:38:36 | 0:38:39 | |
'is a brand-new laptop.' | 0:38:39 | 0:38:41 | |
So who's going to start me off with a bid of £50? | 0:38:41 | 0:38:43 | |
Surely. Yes, straight in. | 0:38:43 | 0:38:44 | |
50. 80 anywhere? | 0:38:44 | 0:38:46 | |
80 anywhere? I'm looking for 80. | 0:38:46 | 0:38:48 | |
Thank you, 80. 100. 100 now. | 0:38:48 | 0:38:50 | |
It's against you, madam. I've got £100. | 0:38:50 | 0:38:53 | |
100 and..? | 0:38:53 | 0:38:54 | |
-30. -30. 130, can I make that 150? | 0:38:54 | 0:38:57 | |
£150. | 0:38:57 | 0:38:59 | |
Any further advances? 200, thank you. | 0:38:59 | 0:39:01 | |
£200. That's more like it. | 0:39:01 | 0:39:03 | |
Make no mistake, I'm selling, fair warning. | 0:39:03 | 0:39:05 | |
It's going once, twice, sold. | 0:39:05 | 0:39:08 | |
Thank you very much. | 0:39:08 | 0:39:09 | |
And thank you so much. | 0:39:09 | 0:39:11 | |
'It's a great result, | 0:39:11 | 0:39:13 | |
'but just how much have we raised for this amazing cause?' | 0:39:13 | 0:39:17 | |
Initially we set out to raise £800 here today. | 0:39:17 | 0:39:21 | |
Well, I can tell you, with your help... | 0:39:21 | 0:39:23 | |
..we have raised £1,564. | 0:39:24 | 0:39:29 | |
So thank you very much, Nailsea. | 0:39:29 | 0:39:32 | |
You really have done it. | 0:39:32 | 0:39:34 | |
You really have. | 0:39:34 | 0:39:35 | |
'It's time to come clean.' | 0:39:35 | 0:39:38 | |
Now, we have been raising money for a very, | 0:39:38 | 0:39:41 | |
very special couple who've worked | 0:39:41 | 0:39:43 | |
tirelessly and selfishly for other people. | 0:39:43 | 0:39:46 | |
They just do not stop working. | 0:39:46 | 0:39:49 | |
They want to help other people, they don't ask for anything in return. | 0:39:49 | 0:39:53 | |
So, you probably have guessed who it's for. | 0:39:53 | 0:39:57 | |
They still don't know, | 0:39:57 | 0:39:58 | |
they think we're here to raise money for a community project, | 0:39:58 | 0:40:01 | |
but we are not, because... | 0:40:01 | 0:40:03 | |
..Chris and Lynn Baker, we are here for you. | 0:40:04 | 0:40:07 | |
Come here, my darling. All of this... | 0:40:07 | 0:40:10 | |
Come and sit next to your husband. | 0:40:10 | 0:40:11 | |
Come and sit down. All of this | 0:40:11 | 0:40:14 | |
is for you two. | 0:40:14 | 0:40:16 | |
We are here - friends, family, neighbours, loved ones... | 0:40:16 | 0:40:20 | |
..to say a very, very big... | 0:40:26 | 0:40:29 | |
..thank you. That's what this is all about. | 0:40:30 | 0:40:32 | |
A big, big thank you. | 0:40:32 | 0:40:34 | |
You are everybody's champion. | 0:40:34 | 0:40:36 | |
You've changed a lot of people's lives. | 0:40:36 | 0:40:38 | |
You've helped them move on, you really have. | 0:40:38 | 0:40:40 | |
The secret is out now and he's loving it. | 0:40:40 | 0:40:43 | |
We've raised an awful lot of money. | 0:40:44 | 0:40:46 | |
Initially we wanted £800. | 0:40:46 | 0:40:47 | |
With that £800, we are sending you off, | 0:40:47 | 0:40:50 | |
because we know you love your gardening, to the Eden Project - | 0:40:50 | 0:40:54 | |
OK? - for an all-expenses-paid luxury trip in a hotel. | 0:40:54 | 0:40:58 | |
Down to Cornwall to get some inspiration from the Eden Project. | 0:40:58 | 0:41:02 | |
You would like that, wouldn't you? | 0:41:02 | 0:41:04 | |
Lovely, yeah. Wonderful. | 0:41:04 | 0:41:06 | |
'And I've got another surprise for them. | 0:41:08 | 0:41:10 | |
'Something for the football team Chris used to coach.' | 0:41:10 | 0:41:14 | |
Read this out. | 0:41:14 | 0:41:16 | |
Cos we know you love your football. | 0:41:16 | 0:41:17 | |
"Chris Baker Fair Play Award." | 0:41:17 | 0:41:20 | |
This is the Chris Baker Fair Play Award, because we know Chris | 0:41:20 | 0:41:23 | |
loves his football. So this is going to an outstanding player every year, | 0:41:23 | 0:41:27 | |
so your name will live on, OK? | 0:41:27 | 0:41:29 | |
-Thank you. -Oh, that's all right. | 0:41:31 | 0:41:32 | |
You'll make me cry now. | 0:41:32 | 0:41:34 | |
We kept it a secret. | 0:41:35 | 0:41:36 | |
I'd like to thank everybody, everybody here and nobody told me, | 0:41:36 | 0:41:42 | |
nobody let out. Especially my mate who was here just now. He's gone. | 0:41:42 | 0:41:46 | |
I don't know where he's gone. | 0:41:46 | 0:41:48 | |
But if it wasn't for this lady here, who has pushed me... | 0:41:48 | 0:41:53 | |
I didn't need to push you. I didn't push you at all. | 0:41:53 | 0:41:55 | |
I don't know. | 0:41:55 | 0:41:57 | |
That's all I can say. | 0:41:57 | 0:41:59 | |
-Look, what you've been through... -It's a brilliant day. | 0:41:59 | 0:42:01 | |
What you've been through in your life, you are an inspiration | 0:42:01 | 0:42:04 | |
to everybody, you really are. | 0:42:04 | 0:42:06 | |
-You really are. -Thank you. -So thank you very much. | 0:42:06 | 0:42:08 | |
And you are a true champion, | 0:42:08 | 0:42:09 | |
so I think three cheers for Chris and Lynn. | 0:42:09 | 0:42:12 | |
-Three cheers, hip-hip... ALL: -Hooray! | 0:42:12 | 0:42:14 | |
-Hip-hip... ALL: -Hooray! | 0:42:14 | 0:42:16 | |
-Hip-hip... ALL: -Hooray! | 0:42:16 | 0:42:18 | |
There you are. Enjoy the rest of the street party. | 0:42:18 | 0:42:20 | |
This is all about you, this is your day. Just enjoy it. | 0:42:20 | 0:42:23 | |
It's fantastic. | 0:42:29 | 0:42:30 | |
I think we all did a really good job. They didn't have a clue. | 0:42:30 | 0:42:33 | |
And they think it's just worked out fab. | 0:42:33 | 0:42:36 | |
Couldn't have been better, could it? | 0:42:36 | 0:42:38 | |
The whole day has been absolutely wonderful. | 0:42:38 | 0:42:41 | |
They are completely shocked, completely surprised, | 0:42:41 | 0:42:45 | |
really proud, really proud of everything they've done. | 0:42:45 | 0:42:48 | |
I hope you've enjoyed the show. | 0:42:49 | 0:42:50 | |
Keep watching because hopefully we are in a street near you soon, | 0:42:50 | 0:42:53 | |
and this auction could be about you. | 0:42:53 | 0:42:56 | |
Goodbye. | 0:42:56 | 0:42:57 | |
Chris and Lynn spent a luxurious few days in Cornwall | 0:42:58 | 0:43:02 | |
and enjoyed a VIP tour of the amazing Eden Project. | 0:43:02 | 0:43:06 | |
And it's given them lots of inspiration for their garden. | 0:43:06 | 0:43:10 |