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Lots of us live so close to one another nowadays, | 0:00:03 | 0:00:06 | |
in streets and on estates, just like this one, | 0:00:06 | 0:00:08 | |
but possibly never come together as a community that often. | 0:00:08 | 0:00:12 | |
Well, today, with a lot of community spirit, | 0:00:12 | 0:00:14 | |
all of that is about to change. | 0:00:14 | 0:00:16 | |
Friends, family and neighbours are coming together to raise | 0:00:16 | 0:00:18 | |
money for one very special person. | 0:00:18 | 0:00:21 | |
Her name is Jacky, she is a pillar of the community. | 0:00:21 | 0:00:23 | |
But eight years ago, tragedy struck | 0:00:23 | 0:00:27 | |
when she lost her younger brother to suicide. | 0:00:27 | 0:00:29 | |
I just phoned the police. | 0:00:29 | 0:00:31 | |
And then they came and told us all to go home and that's when | 0:00:31 | 0:00:33 | |
the police had found him. | 0:00:33 | 0:00:35 | |
Since then, she's devoted her time to running | 0:00:35 | 0:00:37 | |
a charity to help others who are going through the same thing. | 0:00:37 | 0:00:40 | |
I've had mothers weep, knowing that they've lost their... | 0:00:40 | 0:00:45 | |
you know, their sons or daughters. It's hard. | 0:00:45 | 0:00:49 | |
You've got to have a really big heart | 0:00:49 | 0:00:51 | |
and Jacky's got that big heart to deal with these things. | 0:00:51 | 0:00:53 | |
So, to say thank you to Jacky, we're holding a street auction | 0:00:53 | 0:00:57 | |
to raise £900 to buy Jacky a special treat | 0:00:57 | 0:01:00 | |
and a gift for her community. | 0:01:00 | 0:01:02 | |
CHEERING | 0:01:02 | 0:01:04 | |
-We will knock on anyone's door... -You found me. | 0:01:04 | 0:01:07 | |
..to get anything we can sell. | 0:01:07 | 0:01:09 | |
-This is like Christmas now. -We've got Ming Dynasty here. | 0:01:09 | 0:01:12 | |
But it's not all going to be plain sailing. | 0:01:12 | 0:01:14 | |
-I haven't got any junk in here. -Have you got anything to donate? | 0:01:14 | 0:01:17 | |
Not at the moment, no. | 0:01:17 | 0:01:18 | |
And how will Jacky react when she finds out this is all been for her? | 0:01:18 | 0:01:22 | |
It's all about you. It's all about you. | 0:01:22 | 0:01:25 | |
Today, we're in Toothill, an estate just west of Swindon town centre. | 0:01:30 | 0:01:34 | |
Built in the late 1970s, it housed the growing number of workers | 0:01:34 | 0:01:38 | |
in the many new factories and offices Swindon is now known for. | 0:01:38 | 0:01:42 | |
Today, it's home to a community of around 4,500 | 0:01:42 | 0:01:45 | |
and a big part of that community is Jacky Parry. | 0:01:45 | 0:01:49 | |
What are you having, then, Trev? | 0:01:49 | 0:01:51 | |
Jacky is just a good-natured person that's someone | 0:01:51 | 0:01:53 | |
-you want to be around. -I don't think I've met anyone quite like her. | 0:01:53 | 0:01:57 | |
Jacky now devotes her time to a local charity that helps others | 0:01:57 | 0:02:00 | |
who have lost loved ones through suicide. | 0:02:00 | 0:02:02 | |
Jacky is as strong as an ox. She's got to be. | 0:02:02 | 0:02:04 | |
I couldn't have done what she's done. | 0:02:04 | 0:02:07 | |
To find out more about her, I went to meet her partner, George. | 0:02:07 | 0:02:11 | |
-Hello, is that George? -Hello, it is. -Hello, it's Paul. How you doing? | 0:02:11 | 0:02:14 | |
-Pleased to meet you. -All right? -Yeah. -Come on in. | 0:02:14 | 0:02:17 | |
So, tell me a bit about Jacky. | 0:02:17 | 0:02:19 | |
Well, she's an absolute diamond, you know, in the community. | 0:02:19 | 0:02:22 | |
She's involved in everything - | 0:02:22 | 0:02:24 | |
all the local community things and all the local charity stuff. | 0:02:24 | 0:02:27 | |
Yeah, so she's always helping other people? | 0:02:27 | 0:02:29 | |
She's always helping other people. | 0:02:29 | 0:02:31 | |
Always children and charity first, you know. | 0:02:31 | 0:02:33 | |
-Cos she's been through a lot, hasn't she? -Oh, yes, yes. | 0:02:33 | 0:02:36 | |
She's had this... | 0:02:36 | 0:02:38 | |
-It's very hard with what happened with her brother dying. -Yeah. | 0:02:38 | 0:02:43 | |
-It's been very hard for her. -Yeah. -It's been a struggle. -Mm. | 0:02:43 | 0:02:46 | |
Jacky and her younger brother, Paris, | 0:02:46 | 0:02:49 | |
both lived on the Toothill estate. They were very close. | 0:02:49 | 0:02:52 | |
But her life was changed forever eight years ago, when Paris, | 0:02:52 | 0:02:56 | |
tragically, took his own life. | 0:02:56 | 0:02:59 | |
We all, as a family, | 0:02:59 | 0:03:01 | |
went out together and had a meal and that was our last meal together. | 0:03:01 | 0:03:05 | |
She was first on the scene, so it was extremely traumatic. | 0:03:05 | 0:03:10 | |
On the initial Sunday, when I went there | 0:03:10 | 0:03:14 | |
and I was banging on the door and trying to get in, | 0:03:14 | 0:03:16 | |
you know, there was just that panic. | 0:03:16 | 0:03:19 | |
Since that traumatic day, | 0:03:19 | 0:03:20 | |
Jacky has been determined to help others, so she set up | 0:03:20 | 0:03:24 | |
a local branch of the charity Survivors Of Bereavement By Suicide, | 0:03:24 | 0:03:29 | |
known as Sobs. | 0:03:29 | 0:03:31 | |
I'm sat here in my own grief and I'm thinking, "How many out there | 0:03:31 | 0:03:35 | |
"are going through what I'm going through?" | 0:03:35 | 0:03:38 | |
There's nowhere to go with it. | 0:03:38 | 0:03:40 | |
It is in memory of him, for sure, definitely. | 0:03:40 | 0:03:43 | |
You know, for sure. So, yeah. | 0:03:43 | 0:03:45 | |
It gets you sometimes. | 0:03:45 | 0:03:48 | |
Whoa. | 0:03:48 | 0:03:49 | |
Yeah, sorry. | 0:03:51 | 0:03:53 | |
Jacky began the group in 2013, alongside caring full-time | 0:03:53 | 0:03:57 | |
for her son, who suffers with his mental health. | 0:03:57 | 0:04:01 | |
For me, on a daily basis, it's very much up and down. | 0:04:01 | 0:04:05 | |
You don't know from one extreme to the next what he's going to be like. | 0:04:05 | 0:04:09 | |
Close friend Lisa knows just how tough things can be for Jacky. | 0:04:09 | 0:04:14 | |
One minute, things can be normal in the house, | 0:04:14 | 0:04:16 | |
the next they could just be haywire. | 0:04:16 | 0:04:19 | |
But she just needs a bit of time out, so that she can go and do some | 0:04:19 | 0:04:22 | |
things for herself and think of herself for a change, | 0:04:22 | 0:04:25 | |
instead of thinking of everybody else. | 0:04:25 | 0:04:28 | |
So, we want to send Jacky away on a much-needed break | 0:04:28 | 0:04:31 | |
to relax and unwind. | 0:04:31 | 0:04:33 | |
Now, that's going to cost several hundred pounds. | 0:04:33 | 0:04:36 | |
This is how we're going to raise it. | 0:04:36 | 0:04:39 | |
Now, the plan is - | 0:04:39 | 0:04:41 | |
we ask all of Jacky's friends and neighbours to donate any unwanted | 0:04:41 | 0:04:45 | |
or unloved items, so we can sell them in a pop-up auction | 0:04:45 | 0:04:48 | |
right here on the street. | 0:04:48 | 0:04:51 | |
Now, that's the big enough challenge in itself, but the real task | 0:04:51 | 0:04:55 | |
is keeping this a secret from Jacky until after the auction. | 0:04:55 | 0:04:58 | |
Now, obviously, I can't do this by myself, | 0:04:58 | 0:05:01 | |
so I've called in a dealer friend of mine - | 0:05:01 | 0:05:04 | |
someone who knows his treasure from his trash. | 0:05:04 | 0:05:07 | |
Danny Sebastian! | 0:05:07 | 0:05:09 | |
Whoa, right on time, look at that. | 0:05:10 | 0:05:12 | |
-Morning, Paul. -Good morning. Good to see you. -Always a pleasure. | 0:05:15 | 0:05:18 | |
-Bang on time, how about that? -Punctual me, you know. Punctual. | 0:05:18 | 0:05:22 | |
Right, I think quantity over quality. | 0:05:22 | 0:05:26 | |
-It's achievable. -It's achievable, isn't it? -Yes. | 0:05:26 | 0:05:28 | |
-Because every fiver adds up. -Of course it does. | 0:05:28 | 0:05:32 | |
And we will be sending some special finds to a saleroom | 0:05:32 | 0:05:35 | |
to get the best prices. | 0:05:35 | 0:05:37 | |
So, I'm hoping for some quality items. | 0:05:37 | 0:05:39 | |
-You go that way and I'll go this way. -Right, see you shortly. -Yeah. | 0:05:39 | 0:05:43 | |
'Right then, let's get cracking. | 0:05:43 | 0:05:45 | |
'I've got a good feeling about Toothill.' | 0:05:45 | 0:05:48 | |
Someone's got a bit of pride. | 0:05:48 | 0:05:50 | |
Hopefully, they understand what this is all about | 0:05:50 | 0:05:53 | |
and they're willing to help. | 0:05:53 | 0:05:55 | |
He wants to go in and get some milk. | 0:05:55 | 0:05:58 | |
-DOG BARKS -Oh, I'd better watch my ankles. | 0:05:58 | 0:06:02 | |
They're very small people here. | 0:06:02 | 0:06:05 | |
But it's much tougher than I bargained for. | 0:06:06 | 0:06:09 | |
And I'm just wondering at all whether or not | 0:06:09 | 0:06:11 | |
-you've got anything to donate. -Not at the moment, no. -No. | 0:06:11 | 0:06:15 | |
I'm starting to feel despondent. | 0:06:15 | 0:06:17 | |
'Is Danny doing any better?' | 0:06:17 | 0:06:19 | |
What a shame. The guys in there didn't want to be filmed, | 0:06:19 | 0:06:23 | |
but look at these. They're absolutely beautiful. | 0:06:23 | 0:06:25 | |
Little bits of gold gilding round the top, | 0:06:25 | 0:06:28 | |
lovely pictures of peacocks on the front. | 0:06:28 | 0:06:30 | |
I think they're quite saleable. | 0:06:30 | 0:06:32 | |
'We may only get a couple of pounds on the bric-a-brac stall, | 0:06:32 | 0:06:35 | |
'but it's something, Danny. | 0:06:35 | 0:06:38 | |
'Don't suppose you have anything to donate? Some nuts? | 0:06:38 | 0:06:41 | |
'Even the squirrels are running a mile.' | 0:06:41 | 0:06:44 | |
Do you know, at this rate, there won't be a street auction. | 0:06:48 | 0:06:53 | |
We won't have anything to sell. | 0:06:53 | 0:06:58 | |
Which means we let Jacky down, which is not good. | 0:06:58 | 0:07:01 | |
Perhaps we need a change in direction. | 0:07:01 | 0:07:04 | |
Which way do I go? Decisions, decisions. | 0:07:04 | 0:07:08 | |
Straight ahead. | 0:07:08 | 0:07:12 | |
Danny is heading to the local shop. That could be a clever move. | 0:07:12 | 0:07:14 | |
-I'm going to be in all day anyhow. -You're going to be in all day? | 0:07:14 | 0:07:17 | |
-Yeah, yeah. -If you could just jot down your address. | 0:07:17 | 0:07:20 | |
-Do you want to write it? -No, you write it. I'll let you write it. | 0:07:20 | 0:07:23 | |
Well done, Danny. At least you have an appointment. | 0:07:23 | 0:07:26 | |
-I got rid of all mine. -You got rid of it all? -Yeah. | 0:07:26 | 0:07:28 | |
Oh, shame. OK. Well, it's nice to meet someone who's in. | 0:07:28 | 0:07:31 | |
You take care. | 0:07:31 | 0:07:33 | |
Right, the street isn't working for me. | 0:07:33 | 0:07:36 | |
I'll head over to the village centre, too. | 0:07:36 | 0:07:38 | |
It's where Toothill's community centre is based. | 0:07:38 | 0:07:41 | |
-Hello. -Hi, hello. | 0:07:41 | 0:07:43 | |
And I found Lisa, a good friend of Jacky's. | 0:07:43 | 0:07:47 | |
Yeah, she does a lot for other people | 0:07:47 | 0:07:49 | |
and it's about time she was recognised for it. | 0:07:49 | 0:07:51 | |
Yeah. And this is what we're doing. Can you help me? | 0:07:51 | 0:07:53 | |
-I've got a garage... -You've got a garage? | 0:07:53 | 0:07:55 | |
-..at my mum's house that you can go and rummage through. -OK. | 0:07:55 | 0:07:58 | |
'While Lisa and I head to her mum's, | 0:07:58 | 0:08:01 | |
'things are picking up for Danny.' | 0:08:01 | 0:08:03 | |
-You found me. -We found you, Jenny. We have found you. | 0:08:03 | 0:08:07 | |
-Shall I take my shoes off? -No, no. I haven't done any house work. | 0:08:07 | 0:08:10 | |
Well, it looks very tidy. And I see you got your slippers on. | 0:08:10 | 0:08:13 | |
-Oh, yeah. I wouldn't live without my slippers. -Hey, you've got to be | 0:08:13 | 0:08:16 | |
comfy, haven't you? Hello. How are you? | 0:08:16 | 0:08:18 | |
And Jenny's got something just as cute for the bric-a-brac stall. | 0:08:18 | 0:08:22 | |
-That's a bit of a toy. -Yeah. -There's a lovely shire horse. -Yeah. | 0:08:22 | 0:08:27 | |
-Is it a bit of Beswick? -No, I doubt it. -Oh, you know a bit of Beswick, | 0:08:27 | 0:08:30 | |
-do you? -No, I don't. | 0:08:30 | 0:08:32 | |
The Beswick pottery in Stoke-on-Trent was founded in 1892 | 0:08:32 | 0:08:37 | |
and produced porcelain figurines, such as farm animals. | 0:08:37 | 0:08:40 | |
This shire horse isn't Beswick, | 0:08:40 | 0:08:42 | |
but still could achieve a couple of pounds. | 0:08:42 | 0:08:45 | |
'Across town, Lisa and I have reached her mum's.' | 0:08:45 | 0:08:47 | |
-Have you got your teeth in? -Hello! It's Marie, is it? -Yes. | 0:08:47 | 0:08:50 | |
-Pleased to meet you. -And I've got all that junk in there. | 0:08:50 | 0:08:54 | |
-Give us the key, come on! -It is junk. -There you are. | 0:08:54 | 0:08:57 | |
-I haven't got any junk in here. -No, all right, OK. | 0:08:57 | 0:08:59 | |
-Are you coming with us? -No. | 0:08:59 | 0:09:02 | |
'But she is, just keep an eye on us.' | 0:09:02 | 0:09:05 | |
-Yes, you are. -No, I'm not. -You want to see the expression | 0:09:05 | 0:09:08 | |
on my face when you show me all this and I go... | 0:09:08 | 0:09:11 | |
It's just a load of rubbish. | 0:09:11 | 0:09:13 | |
'But one person's rubbish is some else's treasure and | 0:09:13 | 0:09:16 | |
'I've spotted some old inkwells belonged to Marie's late husband.' | 0:09:16 | 0:09:20 | |
-So, we can have these, can we? -Yes. | 0:09:20 | 0:09:23 | |
'Inkwells gradually fell out of use in the early part of the 20th | 0:09:23 | 0:09:26 | |
'century, as the reservoir fountain pen replaced the dip pen.' | 0:09:26 | 0:09:30 | |
These are lovely. These are Victorian. | 0:09:30 | 0:09:33 | |
These are what you find in those landfill sites, you know. | 0:09:33 | 0:09:36 | |
I reckon we put those into a proper auction, | 0:09:36 | 0:09:39 | |
because they will find a buyer | 0:09:39 | 0:09:41 | |
and I reckon some of these are £2-£3 each. | 0:09:41 | 0:09:44 | |
'But Marie's late husband collected glass in all shapes and sizes.' | 0:09:44 | 0:09:47 | |
-What are these? -I don't know what they are. | 0:09:47 | 0:09:50 | |
Don't ask me what they are. That's a bit silly, now, isn't it? | 0:09:50 | 0:09:53 | |
-Oh, it's bottles, look. -Oh, it's a bottle in a case. Oh, that's nice. | 0:09:53 | 0:09:57 | |
And that little stopper, there's a little ball in there, | 0:09:57 | 0:10:00 | |
that stops the gas from escaping. | 0:10:00 | 0:10:03 | |
'This is known as a globe stopper bottle, invented in 1872. | 0:10:03 | 0:10:08 | |
'They were filled under gas pressure, which pushed up a marble | 0:10:08 | 0:10:11 | |
'against the rubber washer in the neck, creating a perfect seal.' | 0:10:11 | 0:10:17 | |
I mean, that's worth £2-£3. | 0:10:17 | 0:10:19 | |
'Again, the glass can go to a saleroom, | 0:10:19 | 0:10:22 | |
'perhaps grouped with the inkwells.' | 0:10:22 | 0:10:25 | |
Over at Jenny's, Danny's hunt has spread to a celebrity front room. | 0:10:25 | 0:10:29 | |
-I'll give you my dog. My dog. -Oh, Jenny. -And I'll give you my cat. | 0:10:29 | 0:10:33 | |
-Are you sure, Jenny? -Yeah, yeah. Yes, certainly. | 0:10:33 | 0:10:36 | |
I'll tell you what, if I'm going to be selling these on the day, | 0:10:36 | 0:10:39 | |
they want good money. These will be going into Paul's auction. | 0:10:39 | 0:10:43 | |
They certainly will, Danny. | 0:10:43 | 0:10:44 | |
They're modern and mass-produced, | 0:10:44 | 0:10:47 | |
but we could get a tenner for the pair. | 0:10:47 | 0:10:49 | |
-Give us a huggle. -I wish I could have given you more. | 0:10:49 | 0:10:51 | |
Now, I'll stop you there. You've given us plenty. | 0:10:51 | 0:10:54 | |
So, that's... Well, yeah. | 0:10:54 | 0:10:56 | |
Back at Marie's garage, I found something else. | 0:10:56 | 0:10:59 | |
Can we have these? These are lovely. These are earthenware. | 0:10:59 | 0:11:02 | |
-These are really nice. -They can go. It gets rid of them. | 0:11:02 | 0:11:05 | |
Thank you. Have these been in the garden? | 0:11:05 | 0:11:07 | |
-They've been there all the time. -I can see that, yeah. | 0:11:07 | 0:11:11 | |
'Because of the way it's fired in the kiln, | 0:11:11 | 0:11:14 | |
'earthenware is slightly porous. | 0:11:14 | 0:11:16 | |
'It can only be used to hold liquid if it's had glaze applied.' | 0:11:16 | 0:11:20 | |
Good Victorian pottery, it's all Staffordshire, Stoke-on-Trent. | 0:11:20 | 0:11:24 | |
All of these things add up. | 0:11:24 | 0:11:26 | |
You know, I think there's 20 quid there. | 0:11:26 | 0:11:29 | |
'Back in the garage, Marie's daughter Lisa is determined Mum has a proper clear out.' | 0:11:29 | 0:11:32 | |
Is that something for us? | 0:11:32 | 0:11:34 | |
You might as well, cos you're not going to ever use it. | 0:11:34 | 0:11:37 | |
That's really nice. A fire iron, a little shovel and some tongs. | 0:11:37 | 0:11:41 | |
God, they're lovely. | 0:11:41 | 0:11:45 | |
'Fireside companion sets were a distinctive feature of the | 0:11:45 | 0:11:48 | |
'traditional English open fireplace, | 0:11:48 | 0:11:50 | |
'especially in Victorian times. | 0:11:50 | 0:11:52 | |
'They were usually made of iron, brass and sometimes pewter.' | 0:11:52 | 0:11:56 | |
They're in fabulous condition. | 0:11:56 | 0:11:58 | |
Look at the way the blacksmith's hand-beaten this | 0:11:58 | 0:12:01 | |
and make these little rivets, look at that, | 0:12:01 | 0:12:04 | |
to hold this little shovel onto the handle. Really nice. | 0:12:04 | 0:12:08 | |
-I see £100 there. -That's good. -Yeah, I do. | 0:12:08 | 0:12:10 | |
I knew she had something that was worth something. | 0:12:10 | 0:12:13 | |
-Well, this was worth raiding, wasn't it? -It was. | 0:12:13 | 0:12:15 | |
'Marie, you've been an absolute treasure. | 0:12:15 | 0:12:18 | |
'This rummage has well and truly taken off, | 0:12:18 | 0:12:22 | |
'compared to how it started. | 0:12:22 | 0:12:24 | |
'On my way back, there are a couple of items left out for us.' | 0:12:24 | 0:12:27 | |
"For the street auction, please take today if possible. | 0:12:27 | 0:12:30 | |
"Thank you. Daphne." She's left her phone number. | 0:12:30 | 0:12:33 | |
Well, that's OK, isn't it? | 0:12:33 | 0:12:35 | |
It's got a few scratches on it, but with a coat of paint, I mean, | 0:12:35 | 0:12:39 | |
that's going to look great. It's like an old pub table. | 0:12:39 | 0:12:42 | |
It's sort of 1980s. It'll be worth 20 quid with a coat of paint on it. | 0:12:42 | 0:12:46 | |
Someone else has left something with a note on it, look. | 0:12:46 | 0:12:50 | |
This is like Christmas now. | 0:12:50 | 0:12:52 | |
It's a 1970s print... | 0:12:52 | 0:12:55 | |
..with a herd of elephants. Well, that's a good furnishing picture. | 0:12:57 | 0:13:00 | |
'The neighbours are really coming up trumps for Jacky. | 0:13:00 | 0:13:03 | |
'Meanwhile, Danny has found himself at Maureen's, | 0:13:03 | 0:13:05 | |
'who's known Jacky for over 13 years.' | 0:13:05 | 0:13:08 | |
So, where shall we start? What have you got for me? That's quite nice. | 0:13:08 | 0:13:11 | |
-Shall I reach up and get it? -You can. | 0:13:11 | 0:13:14 | |
Simple oil lamps have been used since the Stone Age. | 0:13:14 | 0:13:16 | |
Cheap paraffin fuel, first patented in 1850, | 0:13:16 | 0:13:20 | |
revolutionised Victorian lighting. | 0:13:20 | 0:13:22 | |
My mother acquired it from my great aunt. | 0:13:22 | 0:13:25 | |
-And it was dumped in my garage, so it's been up there... -Ever since. | 0:13:25 | 0:13:30 | |
Well, I'll tell you what, it's quite nice. It's quite decorative. | 0:13:30 | 0:13:33 | |
Nice base on it. We're quite lucky to have the shade still on it. | 0:13:33 | 0:13:37 | |
-It's nice. It's been looked after. -Yeah. | 0:13:37 | 0:13:39 | |
That will brighten up the bric-a-brac stall, | 0:13:39 | 0:13:42 | |
but so will some pieces from Maureen's glass collection. | 0:13:42 | 0:13:45 | |
Oh, yes, please. That's lovely. Very decorative. | 0:13:45 | 0:13:48 | |
A nice heavy lump that. Bit of art glass. | 0:13:48 | 0:13:51 | |
And with a few other pieces, they're heading for the | 0:13:51 | 0:13:53 | |
pop-up auction, while Danny is headed upstairs for more donations. | 0:13:53 | 0:13:57 | |
We've got some Ming Dynasty here, I don't want to drop it. | 0:13:57 | 0:14:00 | |
Maureen's got another way of getting them downstairs. | 0:14:00 | 0:14:04 | |
You'd be surprised what goes up and down on that. | 0:14:04 | 0:14:07 | |
A porcelain jug. | 0:14:07 | 0:14:08 | |
They used to fill it with water back in the day, | 0:14:08 | 0:14:11 | |
tip it into your bowl and that's where you'd have your wash | 0:14:11 | 0:14:14 | |
and your freshen up. Nowadays, people still | 0:14:14 | 0:14:17 | |
have it in the bathroom. Just ornamental. | 0:14:17 | 0:14:19 | |
And, of course, we've got a lovely pottery vase. Nothing special. | 0:14:19 | 0:14:23 | |
These bits and pieces are going to look very well on our | 0:14:23 | 0:14:27 | |
-bric-a-brac stall. -Bric-a-brac? Is that all? | 0:14:27 | 0:14:30 | |
I thought it would have been a bit more... | 0:14:30 | 0:14:32 | |
When my mate Paul has a look at it, | 0:14:32 | 0:14:34 | |
he might well say that they are going to a top auction house. | 0:14:34 | 0:14:37 | |
I'd love that. | 0:14:37 | 0:14:39 | |
I'll have a look, Maureen. | 0:14:39 | 0:14:41 | |
After all, you're donating all your stuff for your friend Jacky. | 0:14:41 | 0:14:45 | |
Jacky and Paris were very close, | 0:14:45 | 0:14:47 | |
seeing each other at least once a week. | 0:14:47 | 0:14:50 | |
She has fond memories of him. | 0:14:50 | 0:14:52 | |
He was just a really... what I'd call a lovely guy. | 0:14:52 | 0:14:56 | |
Very genuine. Would do anything for anybody. | 0:14:56 | 0:14:59 | |
He was just really sweet. | 0:14:59 | 0:15:01 | |
He really was a really sweet brother. | 0:15:01 | 0:15:04 | |
He loved us all. He was just a very caring guy. | 0:15:04 | 0:15:07 | |
Jacky knew her brother suffered from depression, | 0:15:07 | 0:15:11 | |
but she didn't know just how serious. | 0:15:11 | 0:15:13 | |
You know, you just think that they're all OK, don't you? | 0:15:13 | 0:15:17 | |
Your family. But he was struggling. | 0:15:17 | 0:15:19 | |
We all, as a family, went out together and had a meal. | 0:15:19 | 0:15:24 | |
He went home that night. | 0:15:24 | 0:15:25 | |
I went over to see him at the flat, banged on the door. | 0:15:25 | 0:15:29 | |
Tried to break in, but all the curtains were closed. | 0:15:29 | 0:15:32 | |
You know, so there's no way of looking in | 0:15:32 | 0:15:35 | |
and I just phoned the police. | 0:15:35 | 0:15:37 | |
And then they came and told us all to go home and just wait | 0:15:40 | 0:15:43 | |
and that's when the police had found him. | 0:15:43 | 0:15:46 | |
Paris' death had a devastating effect on Jacky's family. | 0:15:46 | 0:15:50 | |
It rips you apart. | 0:15:50 | 0:15:52 | |
It leaves a massive crater, a massive hole in everyone's heart. | 0:15:52 | 0:15:57 | |
If that wasn't enough to cope with, Jacky's son Isaac was then | 0:15:57 | 0:16:00 | |
diagnosed with depression, post-traumatic stress and anxiety. | 0:16:00 | 0:16:04 | |
He needed Jacky's full-time care. | 0:16:04 | 0:16:07 | |
He has gone through those dark times. | 0:16:07 | 0:16:10 | |
And there are times where he just doesn't want to be here. | 0:16:10 | 0:16:13 | |
I had to look after him as my priority and he's my boy. | 0:16:13 | 0:16:17 | |
For Jacky, losing her brother to depression and caring | 0:16:17 | 0:16:21 | |
full-time for her own son is a huge personal struggle. | 0:16:21 | 0:16:24 | |
There'd days where I'd be OK and there'd days when I just wasn't. | 0:16:24 | 0:16:29 | |
"That's it. I'm not going out today. | 0:16:29 | 0:16:31 | |
"I'm not venturing out. I can't be bothered." | 0:16:31 | 0:16:34 | |
But even in those most trying times, Jacky felt her experiences | 0:16:34 | 0:16:37 | |
could help others and she was compelled to do something. | 0:16:37 | 0:16:41 | |
They're suffering in silence, yet they're living with that on | 0:16:41 | 0:16:45 | |
a daily basis and there is nowhere, there's nowhere to go with it. | 0:16:45 | 0:16:48 | |
For me, that's why SOBS was important to set up, | 0:16:48 | 0:16:53 | |
to support others that are going through the very thing | 0:16:53 | 0:16:58 | |
that I was going through. | 0:16:58 | 0:17:01 | |
Running the group and caring for her son full-time is emotionally | 0:17:01 | 0:17:04 | |
tough for Jacky. | 0:17:04 | 0:17:07 | |
I've sat in group and I've heard mothers weep. It gets me. | 0:17:07 | 0:17:10 | |
Knowing that they have lost their... | 0:17:10 | 0:17:13 | |
..you know, their sons or their daughters, it's hard. | 0:17:15 | 0:17:18 | |
Yeah. | 0:17:21 | 0:17:23 | |
'Back on the street, I found Miriam.' Hello! | 0:17:26 | 0:17:29 | |
'Miriam's life has also been touched by suicide.' | 0:17:29 | 0:17:33 | |
-I had a cousin that... -Really? -..took his own life. | 0:17:33 | 0:17:37 | |
-Oh. -And it really had a terrible effect on my aunt. | 0:17:37 | 0:17:41 | |
-Yeah. -Dreadful. -Yeah. -She could have done with some help, I think. | 0:17:41 | 0:17:44 | |
Yeah, so we're going to help her. | 0:17:44 | 0:17:46 | |
'As well as donating two landscape paintings she's painted herself, | 0:17:46 | 0:17:50 | |
'I've got an idea how we can maximise Miriam's obvious talent.' | 0:17:50 | 0:17:54 | |
-Can we sell these on our stall? -Yeah. -OK. | 0:17:54 | 0:17:57 | |
-And then can I auction off a free commissioned painting? -Yeah. | 0:17:57 | 0:18:00 | |
-Could you donate a painting if you paint it? -Yeah. | 0:18:00 | 0:18:03 | |
They can have an oil on canvas, painted by you to the value of, | 0:18:03 | 0:18:07 | |
-what, let's say £100. -Yeah. That's fine. | 0:18:07 | 0:18:10 | |
-Is that...? -Yeah. -Brilliant, thank you. | 0:18:10 | 0:18:12 | |
'What a treat for any would-be bidder - | 0:18:12 | 0:18:15 | |
'their very own commissioned painting - but Miriam has more.' | 0:18:15 | 0:18:19 | |
Oh, we can paint these. | 0:18:19 | 0:18:20 | |
-Yeah, that was my grandmother's. -Brilliant. | 0:18:20 | 0:18:22 | |
Yeah. Is that what you just got out of the attic? | 0:18:22 | 0:18:24 | |
-Yes. -You said you were going to get some stuff out of the attic. | 0:18:24 | 0:18:27 | |
On another street, Danny's been drawn to a house with a vintage van. | 0:18:27 | 0:18:31 | |
Will owner Les have anything for us? | 0:18:31 | 0:18:33 | |
-Come in. -Come on in? I've wiped my feet. | 0:18:33 | 0:18:36 | |
I've got my Rolls-Royce. | 0:18:36 | 0:18:37 | |
Now, that sounds good. Oh, what's that? Oh, a toy one. | 0:18:37 | 0:18:41 | |
I thought you meant a real one round the back. | 0:18:41 | 0:18:43 | |
-That's nice. -That one... | 0:18:43 | 0:18:44 | |
I'll tell you what, she's a heavy one. | 0:18:44 | 0:18:46 | |
-What is it? Dinky? -Yes. | 0:18:46 | 0:18:48 | |
-That's James Bond, isn't it? -Yeah. Yeah. -That's nice as well. | 0:18:48 | 0:18:52 | |
With any toy cars, collectors like them boxed, | 0:18:52 | 0:18:55 | |
and being a James Bond Aston Martin, | 0:18:55 | 0:18:56 | |
it will appeal to big boys everywhere, | 0:18:56 | 0:18:59 | |
but Les might have kept the best till last. | 0:18:59 | 0:19:02 | |
Have a go at this. | 0:19:02 | 0:19:04 | |
-That is a nice bike. -BSA. -What does that stand for, do you know? | 0:19:04 | 0:19:07 | |
I don't know. What are you asking me for? I want to learn it. | 0:19:07 | 0:19:10 | |
-LES LAUGHS -Well, it's all a learning curve. | 0:19:10 | 0:19:14 | |
Well, Danny, I know all about BSA, | 0:19:14 | 0:19:16 | |
and I'll tell you later what it stands for, | 0:19:16 | 0:19:19 | |
but suffice to say this vintage bicycle is a great find. | 0:19:19 | 0:19:23 | |
I mean, what would it be? 1930s? | 0:19:23 | 0:19:26 | |
I've been told it's 1947. | 0:19:26 | 0:19:28 | |
Look at that moving mechanism. | 0:19:28 | 0:19:29 | |
I'll tell you what, they just don't make bikes like this any more. | 0:19:29 | 0:19:32 | |
I'll tell you what, I've come in a car - I'll be going on a bike. | 0:19:32 | 0:19:36 | |
Ey up! | 0:19:36 | 0:19:38 | |
One of the first ever bikes was called a Boneshaker - | 0:19:38 | 0:19:40 | |
I think Danny's on it. | 0:19:40 | 0:19:42 | |
'Back at the community centre, I've met up with Jan, | 0:19:45 | 0:19:48 | |
'who helps Jacky with her charity.' | 0:19:48 | 0:19:50 | |
-You know we're raising money, don't you? -Yes, I know. | 0:19:50 | 0:19:53 | |
Do you know who this is for? | 0:19:53 | 0:19:54 | |
-Yes, I do. -You do. And do you know Jacky? | 0:19:54 | 0:19:56 | |
Yes, I do, cos I'm trustee on SOBS with her. | 0:19:56 | 0:19:59 | |
-Oh, are you? So, you work on the charity as well? -Yes. | 0:19:59 | 0:20:01 | |
It's one of those groups where you sit there sometimes | 0:20:01 | 0:20:04 | |
-and it's really hard to listen to the stories... -Mmm. | 0:20:04 | 0:20:07 | |
..but whatever anybody needs within the group, somebody else, | 0:20:07 | 0:20:09 | |
even if they're in the same situation, | 0:20:09 | 0:20:12 | |
will give that to that person. | 0:20:12 | 0:20:14 | |
You know, so it's very selfless, | 0:20:14 | 0:20:16 | |
-because they're going through the same pain... -Mmm. | 0:20:16 | 0:20:19 | |
..but they will still give to that person next to them, | 0:20:19 | 0:20:21 | |
if they're in that situation, | 0:20:21 | 0:20:22 | |
-because they're all at different stages in their journey. -Mmm. | 0:20:22 | 0:20:26 | |
'It's obviously a much-needed local charity, | 0:20:26 | 0:20:29 | |
'which Jacky puts a huge amount of energy into.' | 0:20:29 | 0:20:32 | |
I'm amazed by how she manages to get it all done. | 0:20:32 | 0:20:35 | |
Jacky is always on the go, | 0:20:35 | 0:20:37 | |
and she's always got her phone with her, for her SOBS group. | 0:20:37 | 0:20:41 | |
She could be anywhere and the phone could ring. | 0:20:41 | 0:20:43 | |
The group meets once a week and is a place where people can go to | 0:20:43 | 0:20:47 | |
talk through their grief and to help them on the their new path | 0:20:47 | 0:20:50 | |
their life has now taken. | 0:20:50 | 0:20:51 | |
Julie has now been going for the last six months. | 0:20:51 | 0:20:53 | |
Jacky's an amazing support. | 0:20:53 | 0:20:55 | |
She's available on the phone if we need her. | 0:20:55 | 0:20:57 | |
She's available on e-mail. | 0:20:57 | 0:20:59 | |
She genuinely cares about each and every one of us, | 0:20:59 | 0:21:01 | |
and, to me, she's one in a million. | 0:21:01 | 0:21:04 | |
Sue is also a SOBS attendee, | 0:21:04 | 0:21:05 | |
and knows that people like Jacky are key to | 0:21:05 | 0:21:08 | |
raising awareness of suicide. | 0:21:08 | 0:21:10 | |
I think it's important that we have people like Jacky, | 0:21:10 | 0:21:13 | |
who's passionate, has respect within the community, | 0:21:13 | 0:21:16 | |
and is getting more people to understand. | 0:21:16 | 0:21:19 | |
Friend Lisa knows Jacky's a special person. | 0:21:19 | 0:21:23 | |
I couldn't do what Jacky does, never in a million years. | 0:21:23 | 0:21:28 | |
You've got to have a really big heart, | 0:21:28 | 0:21:31 | |
and Jacky's got that big heart to do all of these things. | 0:21:31 | 0:21:33 | |
Jacky is determined to help people through their darkest times, | 0:21:33 | 0:21:37 | |
to see a promising future. | 0:21:37 | 0:21:39 | |
In your weak times, that's when you're strong. | 0:21:39 | 0:21:42 | |
You don't see it at the time, but you are incredibly strong. | 0:21:42 | 0:21:46 | |
I mean, through all the loss you've had, | 0:21:46 | 0:21:48 | |
you've got to look at good memories, | 0:21:48 | 0:21:50 | |
and how to generate good memories and have fun. | 0:21:50 | 0:21:53 | |
You're going to have your up and down days, | 0:21:53 | 0:21:55 | |
but it's also carving out some really good memories. | 0:21:55 | 0:21:58 | |
'I can't wait to meet Jacky, and I'm in luck, | 0:21:58 | 0:22:01 | |
'because she's outside the community centre. | 0:22:01 | 0:22:03 | |
'I hope I'm not rumbled. Here goes.' | 0:22:03 | 0:22:06 | |
-Hello. -Hello. Hi. Hello. -Oh, hello. | 0:22:06 | 0:22:09 | |
Hi, I've brought all of my tat with me. | 0:22:09 | 0:22:11 | |
We found these all in the garage so we thought we'd bring them up. | 0:22:11 | 0:22:14 | |
Oh, bless you! So, how long have you lived here? | 0:22:14 | 0:22:17 | |
-I've lived here 27 years. -You obviously love it. | 0:22:17 | 0:22:20 | |
-Yeah, I know. It's good. -And what you do for a living? -Me? I... | 0:22:20 | 0:22:24 | |
-Well, I used to run my own business. -Doing what? | 0:22:24 | 0:22:26 | |
-Flowers. I used to sell... -Oh, are you a florist? -Yeah, yeah. | 0:22:26 | 0:22:29 | |
I have a son that's had a mental health illness, | 0:22:29 | 0:22:31 | |
so I had to give it up and then be a carer for him. | 0:22:31 | 0:22:34 | |
I set up a charity called SOBS, Survivors Of Bereavement By Suicide, | 0:22:34 | 0:22:37 | |
cos I lost my brother to suicide. | 0:22:37 | 0:22:39 | |
And, obviously, this makes a difference in the community, then? | 0:22:39 | 0:22:42 | |
Yes, it does, cos we've had... | 0:22:42 | 0:22:43 | |
Since we set up two and a half years ago, | 0:22:43 | 0:22:45 | |
we've had over 100 referrals of people affected by suicide... | 0:22:45 | 0:22:48 | |
-Really? -..in Wiltshire. -The pressures of modern day life. | 0:22:48 | 0:22:51 | |
It is. I would say so. | 0:22:51 | 0:22:52 | |
When my brother died, it was the credit crunch. | 0:22:52 | 0:22:54 | |
-2009 was when the credit crunch... -Yeah. | 0:22:54 | 0:22:56 | |
When people were losing jobs or couldn't find work. | 0:22:56 | 0:22:59 | |
And that is that thing about what's going on in the world. | 0:22:59 | 0:23:02 | |
If you are in a community, you've got to help. | 0:23:02 | 0:23:04 | |
-You've got to get stuck in. -You've got to support. | 0:23:04 | 0:23:06 | |
-You've got to, kind of, be there. -Yeah. | 0:23:06 | 0:23:08 | |
What's the point of being in a place? | 0:23:08 | 0:23:10 | |
You've got to take root and just establish | 0:23:10 | 0:23:12 | |
and support within the community. | 0:23:12 | 0:23:13 | |
You'll be surprised how many people don't know half the other people | 0:23:13 | 0:23:17 | |
-in their street. -I know. -You know? | 0:23:17 | 0:23:18 | |
'Jacky's donated a lot of pictures.' | 0:23:18 | 0:23:21 | |
-No... -But I think that's nice, the oil on canvas. | 0:23:21 | 0:23:24 | |
'This one resembles the famous painting Two Tahitian Women | 0:23:24 | 0:23:27 | |
'by French impressionist Gauguin. | 0:23:27 | 0:23:30 | |
'Another simple painting of Gauguin's sold recently for | 0:23:30 | 0:23:33 | |
'300 million US dollars.' | 0:23:33 | 0:23:36 | |
It's someone that, you know, has a really good eye. | 0:23:36 | 0:23:39 | |
-Yeah. -And they've got technique. -Yeah. -And I think... | 0:23:39 | 0:23:42 | |
I think that's a splash of colour on anybody's wall. | 0:23:42 | 0:23:44 | |
'It's definitely one for the pop-up auction, | 0:23:44 | 0:23:47 | |
'as are the two Art Deco paintings, | 0:23:47 | 0:23:49 | |
'but on the table are a collection of cards which used to come with | 0:23:49 | 0:23:53 | |
'packets of tea and cigarettes.' | 0:23:53 | 0:23:55 | |
-Oh, I had this one. -Did you? | 0:23:55 | 0:23:57 | |
-And "The Kings and Queens of England"! -Yeah, it is. Yeah. | 0:23:57 | 0:23:59 | |
I had a hot flush, going up in my attic earlier, | 0:23:59 | 0:24:01 | |
getting all of this lot. | 0:24:01 | 0:24:02 | |
That sense of anticipation, | 0:24:02 | 0:24:04 | |
when Mum opened a new packet of PG Tips, | 0:24:04 | 0:24:07 | |
and you could smell the tea, | 0:24:07 | 0:24:08 | |
and then you'd sort of get the tea out of the box, wouldn't you? | 0:24:08 | 0:24:10 | |
And there'd be the card tucked down the side | 0:24:10 | 0:24:12 | |
-between the lining and the box. -Yeah. | 0:24:12 | 0:24:14 | |
This is good. The gardening one, we'll put into our auction. | 0:24:14 | 0:24:16 | |
-Yeah, OK. -Someone had the foresight not to glue them down. | 0:24:16 | 0:24:19 | |
-Right. -You can see they're just tucked in. | 0:24:19 | 0:24:21 | |
Yeah, yeah, cos they would rip, wouldn't they? | 0:24:21 | 0:24:24 | |
-Yeah, and it's the complete set, and the condition is superb. -Mm-hmm. | 0:24:24 | 0:24:27 | |
'Cards like these are worth more if they're not glued into a scrapbook, | 0:24:27 | 0:24:31 | |
'because of the danger of tearing them | 0:24:31 | 0:24:32 | |
'if you try to take them out.' | 0:24:32 | 0:24:34 | |
-That one's good. -Yes. | 0:24:34 | 0:24:35 | |
I think we put that one into auction. That's brilliant. | 0:24:35 | 0:24:38 | |
We're going to hang onto that. | 0:24:38 | 0:24:40 | |
'Jacky has been a star, but she's not just going to donate items.' | 0:24:40 | 0:24:44 | |
-Sounds good. -So, if you can help out on the day...? | 0:24:44 | 0:24:46 | |
-Yeah, I'll help. -Rain or shine... | 0:24:46 | 0:24:48 | |
-Yeah, rain or shine. -That's fine. -That's OK, isn't it? Fantastic. | 0:24:48 | 0:24:51 | |
'Today didn't start off well, but, boy, has it ended on a high. | 0:24:51 | 0:24:55 | |
'We've just got one more thing to do, | 0:24:55 | 0:24:57 | |
'and that's unload the van to see which one of us | 0:24:57 | 0:24:59 | |
'has collected the most, | 0:24:59 | 0:25:01 | |
'and to find some items to send off to the saleroom.' | 0:25:01 | 0:25:05 | |
Two very good-looking lines. | 0:25:05 | 0:25:07 | |
-That's nice. -A nice little barley twist table. | 0:25:07 | 0:25:10 | |
Yeah. It's modern, but I'll tell you what, for the conservatory, | 0:25:10 | 0:25:14 | |
painted, that will look great, so we can upcycle that. | 0:25:14 | 0:25:16 | |
'We'd be hard pushed to get a tenner for Miriam's plain brown table, | 0:25:16 | 0:25:19 | |
'but hopefully, upcycled, we can get £20.' | 0:25:19 | 0:25:22 | |
I'll tell you what, you've got some art glass there. | 0:25:22 | 0:25:25 | |
-We'll put those together. -Yes. -It looks very Scandinavian. | 0:25:25 | 0:25:28 | |
-Very in. Very on-trend. -Yeah. -That's a nice little lot. | 0:25:28 | 0:25:31 | |
I'll put that under the hammer on the pop-up. | 0:25:31 | 0:25:33 | |
'Putting them together, I might get over a fiver.' | 0:25:33 | 0:25:36 | |
-Shall we do the dog and the cat? -It would be quite nice, yes. | 0:25:36 | 0:25:39 | |
-Put them under the hammer? -Yeah. | 0:25:39 | 0:25:40 | |
-That, I think, we can upcycle and paint a bright colour. -Definitely. | 0:25:40 | 0:25:44 | |
'With a lick of bright paint, I should get £20 for that, too. | 0:25:44 | 0:25:47 | |
So, the fireside tools - three of them, late Georgian. | 0:25:47 | 0:25:51 | |
'This Georgian fireside set dates from the early 19th century. | 0:25:51 | 0:25:54 | |
'I hope we might get £100 for these.' | 0:25:54 | 0:25:57 | |
And all of those Victorian bottles. | 0:25:57 | 0:25:59 | |
Yeah? They can go off to auction, and the Wills cigarette cards, look. | 0:25:59 | 0:26:03 | |
'The Victorian bottles and inkwells are a bit of a punt - | 0:26:03 | 0:26:06 | |
'we might get £20 - | 0:26:06 | 0:26:08 | |
'but there are a lot of collectors for tea and cigarette cards, | 0:26:08 | 0:26:11 | |
'so maybe we'll get £5 a set.' | 0:26:11 | 0:26:14 | |
Out of everything here, the star lot you've found has to be this. | 0:26:14 | 0:26:18 | |
I love that! | 0:26:18 | 0:26:20 | |
I absolutely love that, | 0:26:20 | 0:26:23 | |
and someone's looked after that - | 0:26:23 | 0:26:24 | |
they've put new brake blocks on that. | 0:26:24 | 0:26:27 | |
And I'll tell you what, look, BSA - Birmingham Small Arms Company. | 0:26:27 | 0:26:31 | |
Now, they made ammunitions and munitions for the Crimean War, | 0:26:31 | 0:26:35 | |
and after the war ended, they had all that manufacturing process | 0:26:35 | 0:26:39 | |
and they thought, "What can we do?" | 0:26:39 | 0:26:40 | |
So they started making bikes. | 0:26:40 | 0:26:43 | |
'It's a good British name and it's in great condition. | 0:26:43 | 0:26:45 | |
'We'll send that to the saleroom and hopefully get £50.' | 0:26:45 | 0:26:49 | |
Well done, Danny. You've worked so hard. | 0:26:49 | 0:26:51 | |
-Thank you, Paul. -Well done. | 0:26:51 | 0:26:53 | |
It's the morning of the street auction, | 0:26:59 | 0:27:00 | |
and in a few hours' time, this quiet cul-de-sac needs to be | 0:27:00 | 0:27:04 | |
filled with Jacky's friends and neighbours. | 0:27:04 | 0:27:06 | |
The skies might be a little grey, but the bunting is being hung. | 0:27:06 | 0:27:10 | |
The van is being unloaded, | 0:27:10 | 0:27:12 | |
but it seems we've already had a casualty - | 0:27:12 | 0:27:14 | |
hopefully the last, because we can't afford to lose anything. | 0:27:14 | 0:27:18 | |
Thankfully, our volunteers are here, including Jacky. | 0:27:18 | 0:27:21 | |
Hopefully she still hasn't twigged that this is all for her. | 0:27:21 | 0:27:25 | |
Thank you so much for turning up today, everybody. | 0:27:29 | 0:27:31 | |
I know we are going to have a brilliant day. | 0:27:31 | 0:27:33 | |
With your help, we can do this. | 0:27:33 | 0:27:35 | |
It's all about the community coming together. Isn't that right, Danny? | 0:27:35 | 0:27:38 | |
-Absolutely. -Yeah. I know you definitely love your plants, | 0:27:38 | 0:27:41 | |
-so you'll want to do plants. -Yeah, I've got the plants. | 0:27:41 | 0:27:44 | |
-Who's going to do bric-a-brac today? -The three... | 0:27:44 | 0:27:46 | |
-Oh, the three of you? Yeah? -I'll do whatever. | 0:27:46 | 0:27:48 | |
I'm just thinking, we've got plenty of kids' toys and stuff like that. | 0:27:48 | 0:27:50 | |
-Who wants to do kids' toys? -Yes. -Oh, look, I'll tell you what. | 0:27:50 | 0:27:53 | |
You've got a great face for kids' toys. | 0:27:53 | 0:27:54 | |
-Yeah. I've just been volunteered. -Yeah, you have. | 0:27:54 | 0:27:57 | |
Thank you. With your help, we can do this. | 0:27:57 | 0:28:00 | |
'I hope so, because we have a steep target of £900 to raise, | 0:28:02 | 0:28:06 | |
'and we need everyone's hands on deck.' | 0:28:06 | 0:28:10 | |
I'll tell you what, how lovely is that? A lovely little Ensign. | 0:28:12 | 0:28:16 | |
'Ensign was a camera range, made by a British company | 0:28:16 | 0:28:19 | |
'started in the 1930s.' | 0:28:19 | 0:28:21 | |
Even got the case with it. Quite nice, that. | 0:28:21 | 0:28:24 | |
I've just looked at some stuff that's come in fresh. | 0:28:24 | 0:28:26 | |
I've seen a little camera. | 0:28:26 | 0:28:28 | |
I'm wondering at all whether it might do | 0:28:28 | 0:28:30 | |
for the auction this afternoon. | 0:28:30 | 0:28:31 | |
Is it a little Box Brownie? | 0:28:31 | 0:28:33 | |
I don't think it's a Brownie, but it's that type of thing. | 0:28:33 | 0:28:36 | |
'The Box Brownie camera was invented by Kodak in 1,900. | 0:28:36 | 0:28:40 | |
'Its simple design and low-cost film brought photography to the masses.' | 0:28:40 | 0:28:45 | |
I think we'll give it a go. | 0:28:45 | 0:28:47 | |
We'll give it a go on the pop-up rostrum, because it's too nice... | 0:28:47 | 0:28:50 | |
-It's too nice for bric-a-brac. -Yes. | 0:28:50 | 0:28:51 | |
Probably get 20 quid for that, won't we, Paul? | 0:28:51 | 0:28:53 | |
-I would have thought so. -Hopefully. Yeah, I'd have thought so. | 0:28:53 | 0:28:56 | |
I know you are tip-top fantastic, | 0:28:56 | 0:28:58 | |
so I think whatever target we've got to make today, | 0:28:58 | 0:29:01 | |
we're going to do it. | 0:29:01 | 0:29:03 | |
We'll give it full exposure, and do you know what? | 0:29:03 | 0:29:05 | |
It's just started to rain. | 0:29:05 | 0:29:07 | |
Tarpaulins out, everybody, and take cover. | 0:29:07 | 0:29:09 | |
Quick! PAUL LAUGHS | 0:29:09 | 0:29:12 | |
'When I said exposure, I didn't mean to the elements!' | 0:29:12 | 0:29:15 | |
It matches the suit, doesn't it? | 0:29:20 | 0:29:23 | |
We won't let a bit of rain dampen our spirits, however - | 0:29:23 | 0:29:26 | |
not when there are boys' toys to play with. | 0:29:26 | 0:29:28 | |
TOY CAR RUMBLES | 0:29:28 | 0:29:30 | |
The wheels are going. It moves! Look at that! | 0:29:30 | 0:29:33 | |
TOY CAR SCREECHES It came to a screeching halt, then. | 0:29:33 | 0:29:36 | |
Eee! | 0:29:36 | 0:29:37 | |
Classic 1960s Aston Martin DB - | 0:29:37 | 0:29:40 | |
-David Brown, the founder of Aston Martin. -I'm learning! | 0:29:40 | 0:29:44 | |
And a bit too modern, is it, to really warrant a good price? | 0:29:44 | 0:29:47 | |
Do you know what? I might give that a go on the rostrum. It is... | 0:29:47 | 0:29:49 | |
It is, but, because this is for a good cause, I'm going to push it. | 0:29:49 | 0:29:53 | |
'I'm going to try and get at least a tenner for this.' | 0:29:53 | 0:29:56 | |
You're going to have fun on that rostrum, aren't you? | 0:29:56 | 0:29:59 | |
Yeah. Shaken, not stirred. LAUGHTER | 0:29:59 | 0:30:03 | |
'No sooner do we have a high... | 0:30:03 | 0:30:06 | |
'then we have a low. | 0:30:06 | 0:30:08 | |
'Another casualty - | 0:30:08 | 0:30:09 | |
'that's a good-looking clock, but it won't sell now. | 0:30:09 | 0:30:13 | |
'We need to make up some ground - | 0:30:13 | 0:30:15 | |
'perhaps with our upcycled furniture. | 0:30:15 | 0:30:18 | |
'Remember the round table left outside on the street for us? | 0:30:18 | 0:30:21 | |
'It was brown and bland. Well, look at it now.' | 0:30:21 | 0:30:25 | |
-It's probably more saleable as it is than what it was as brown. -Exactly. | 0:30:25 | 0:30:29 | |
Do you know what? I recognise the shape, but I forgot all about it. | 0:30:29 | 0:30:32 | |
-So, for me, that's done the trick. -Yes. | 0:30:32 | 0:30:34 | |
Now you gravitate towards that. | 0:30:34 | 0:30:36 | |
You go, "Gosh, that looks different. That looks good." | 0:30:36 | 0:30:38 | |
We've got mixed colours and it is in an eggshell, | 0:30:38 | 0:30:40 | |
but it's all waterproof eggshell. | 0:30:40 | 0:30:41 | |
So, you can put this outside in the garden if you want to. | 0:30:41 | 0:30:45 | |
Yes. Well, I mean, it's had a drop of rain this morning, hasn't it? | 0:30:45 | 0:30:47 | |
-It's not affected it. -No! It's tried and tested. | 0:30:47 | 0:30:50 | |
All said and done - it's clean, it's fresh. | 0:30:50 | 0:30:53 | |
When we found that, we both went, "A fiver." | 0:30:53 | 0:30:56 | |
Yes. I'll agree. | 0:30:56 | 0:30:58 | |
-Now... -Now? -15 to 20. -Maybe even a little bit more. | 0:30:58 | 0:31:02 | |
And remember Miriam's barley twist table? | 0:31:02 | 0:31:04 | |
And now it is a one-off Street Auction special, | 0:31:04 | 0:31:08 | |
limited edition. Look at that. | 0:31:08 | 0:31:09 | |
It's just "Street Auction" printed and cut out. | 0:31:09 | 0:31:12 | |
Well, it's not just Street Auction. That is classed as decoupage. | 0:31:12 | 0:31:14 | |
-It is, isn't it? -Yes. | 0:31:14 | 0:31:16 | |
Basically, that was the Victorian art of scrapbook collecting. | 0:31:16 | 0:31:18 | |
You cut everything out and stuck it on screens - | 0:31:18 | 0:31:20 | |
on anything, really - and varnished it. | 0:31:20 | 0:31:22 | |
-Yes, but that looks well. -It looks good. | 0:31:22 | 0:31:24 | |
I think that really speaks out for what we're doing here today, | 0:31:24 | 0:31:27 | |
and anybody who buys that is going to keep a piece of... | 0:31:27 | 0:31:30 | |
-What we're doing. -Yes, what we're doing. | 0:31:30 | 0:31:32 | |
'But which table will make the most money?' | 0:31:32 | 0:31:35 | |
I think the pastel one is going to make around about... | 0:31:35 | 0:31:37 | |
I'd hope about £30-£40. | 0:31:37 | 0:31:39 | |
-And I think this black barley twist table is going to make less. -OK. | 0:31:39 | 0:31:43 | |
Well, do you know what? | 0:31:43 | 0:31:46 | |
-I'm going to work really hard to make mine do more than yours... -Oh! | 0:31:48 | 0:31:52 | |
..because every pound helps. | 0:31:52 | 0:31:54 | |
-I can't win, really. -No, you can't! | 0:31:54 | 0:31:57 | |
'We shall see, Danny. We shall see. | 0:31:57 | 0:32:00 | |
'Jacky's partner George has also arrived with | 0:32:00 | 0:32:03 | |
'something a little bit special.' | 0:32:03 | 0:32:05 | |
-Is this yours? -Yes. -Thank you, George. | 0:32:05 | 0:32:08 | |
-Can we have that in our pop-up sale? -Yeah, you can. Yeah, yeah. | 0:32:08 | 0:32:11 | |
Brilliant. | 0:32:11 | 0:32:12 | |
'It's an Edwardian baby daybed - a crib on wheels, if you like.' | 0:32:12 | 0:32:16 | |
It's even got its little china casters on it. Look at that. | 0:32:16 | 0:32:20 | |
-Look at that. -It's a nice Edwardian piece. | 0:32:20 | 0:32:22 | |
'I think I could get £40 for it. | 0:32:22 | 0:32:25 | |
'Well, I think it's about time we got this show on the road. | 0:32:25 | 0:32:28 | |
'We've got a crowd waiting and there's even a marching band.' | 0:32:28 | 0:32:32 | |
-Five! Four! -Five, four, three, two, one! -Danny, good luck. | 0:32:32 | 0:32:36 | |
Olivia, thank you. | 0:32:36 | 0:32:38 | |
Here we go. | 0:32:38 | 0:32:40 | |
CHEERING | 0:32:40 | 0:32:43 | |
Band, ready! | 0:32:43 | 0:32:45 | |
We now need to raise lots and lots of money, | 0:32:50 | 0:32:52 | |
so I'll tell you what - you take that side, I'll take that side, | 0:32:52 | 0:32:55 | |
-and we'll just get people buying, buying, buying. -Let's do it. | 0:32:55 | 0:32:57 | |
-'It's time to get selling.' -How much is that? | 0:32:57 | 0:33:00 | |
-Don't you go giving it... -About £1. About £1, isn't it? | 0:33:00 | 0:33:03 | |
-Oh, but don't forget it for a good cause. -Haven't decided yet? -£2. | 0:33:03 | 0:33:06 | |
-Give us three quid. -All right. | 0:33:06 | 0:33:08 | |
It's got a nice little brass bit, there, hasn't it? | 0:33:08 | 0:33:10 | |
-Oh, yeah. -Four. -Look at it. Give us four. | 0:33:10 | 0:33:12 | |
Keep the change. How's that? | 0:33:12 | 0:33:14 | |
'That deserves a cheer from a cheerleader.' | 0:33:14 | 0:33:16 | |
What can I sell you, sweetheart? It's all got to go. | 0:33:18 | 0:33:21 | |
Maureen's lamp has got a buyer, and £20, too, | 0:33:22 | 0:33:27 | |
and the toy stall is proving a winner. | 0:33:27 | 0:33:29 | |
What's your name? | 0:33:29 | 0:33:31 | |
Daniel. | 0:33:31 | 0:33:32 | |
Hey! Guess what my name is? | 0:33:32 | 0:33:34 | |
-Daniel! -You've got it. Tell you what... | 0:33:34 | 0:33:36 | |
I'll tell you what, there's no flies on this lad. | 0:33:36 | 0:33:38 | |
I'll tell you, there's no flies on him. | 0:33:38 | 0:33:39 | |
But you can't please everybody. | 0:33:39 | 0:33:41 | |
Are these any good? | 0:33:41 | 0:33:44 | |
No. | 0:33:44 | 0:33:45 | |
-You don't like them games, do you? -No... -You don't? | 0:33:45 | 0:33:48 | |
'On the plus side, a local artist called Marion | 0:33:48 | 0:33:50 | |
'has turned up in support to paint a one-off watercolour of | 0:33:50 | 0:33:54 | |
'the day's festivities. | 0:33:54 | 0:33:56 | |
'I'll auction that one off later on the rostrum.' | 0:33:56 | 0:33:59 | |
Thank you very much. | 0:33:59 | 0:34:00 | |
The money is rolling in, | 0:34:00 | 0:34:02 | |
but can the same be said about the items that we picked | 0:34:02 | 0:34:05 | |
to send over to the saleroom? | 0:34:05 | 0:34:07 | |
Our auctioneer today is James Lewis. | 0:34:07 | 0:34:10 | |
At 40... Well fought, sir. | 0:34:10 | 0:34:13 | |
'And first up, it's Marie's collection of | 0:34:13 | 0:34:15 | |
'Victorian inkwells and bottles, | 0:34:15 | 0:34:17 | |
'which I can see making £20.' | 0:34:17 | 0:34:19 | |
A really interesting little lot of bottle-diggers' finds... | 0:34:19 | 0:34:23 | |
At £10. 15, do I see? | 0:34:23 | 0:34:25 | |
At 10, 15, 20 absentee bid, 20 and five. | 0:34:25 | 0:34:28 | |
20. All done. | 0:34:28 | 0:34:30 | |
Absentee bid takes it at £20... | 0:34:30 | 0:34:34 | |
'Bang on the money. | 0:34:34 | 0:34:36 | |
'Next, it's the Victorian fireside set. | 0:34:36 | 0:34:39 | |
'Is my £100 estimate overambitious?' | 0:34:39 | 0:34:42 | |
Interesting little collection of steel fire irons. | 0:34:42 | 0:34:46 | |
It would have been made around 1790, 1810. A true antique. | 0:34:46 | 0:34:50 | |
We'll start them at £20 for the three. | 0:34:50 | 0:34:52 | |
20 bid. 25 on the aisle. | 0:34:52 | 0:34:54 | |
30 at the back. | 0:34:54 | 0:34:55 | |
35, new place. £40. | 0:34:55 | 0:34:57 | |
With... 40 bid. | 0:34:57 | 0:34:59 | |
45 in front. | 0:34:59 | 0:35:00 | |
50 now. At £50, are you sure? | 0:35:00 | 0:35:03 | |
Going once, twice, third and last. | 0:35:03 | 0:35:05 | |
50, yours. | 0:35:05 | 0:35:07 | |
'Someone's got themselves a bargain, but we still have £50. | 0:35:07 | 0:35:10 | |
'Next, it's the three sets of cards - | 0:35:10 | 0:35:13 | |
'£5 a set would be great.' | 0:35:13 | 0:35:16 | |
Now, this is the collection of cigarette cards. | 0:35:16 | 0:35:18 | |
Would anybody like them for 10? | 0:35:18 | 0:35:20 | |
£10, absentee bid at the back at 10. | 0:35:20 | 0:35:22 | |
15 now. | 0:35:22 | 0:35:23 | |
At £10 at the back, and 15 where? | 0:35:23 | 0:35:25 | |
At £10. | 0:35:25 | 0:35:27 | |
Absentee bid, £10. | 0:35:27 | 0:35:30 | |
Every little helps, but now it's my favourite item, the BSA bike. | 0:35:30 | 0:35:33 | |
I hope we can get £50. | 0:35:33 | 0:35:37 | |
This is the vintage BSA bicycle. | 0:35:37 | 0:35:40 | |
At 15, 18... | 0:35:40 | 0:35:41 | |
18 bid. 20 here, and two. | 0:35:41 | 0:35:43 | |
22. 25 now. | 0:35:43 | 0:35:45 | |
28. In the centre at 30. | 0:35:45 | 0:35:47 | |
Five. 40 bid. | 0:35:47 | 0:35:48 | |
Well done. 45. | 0:35:48 | 0:35:50 | |
45. 50. | 0:35:50 | 0:35:51 | |
50 bid. 50 and five. | 0:35:51 | 0:35:53 | |
Online at 60. | 0:35:53 | 0:35:55 | |
Five. 65. | 0:35:55 | 0:35:56 | |
65 bid. At 65... | 0:35:56 | 0:35:58 | |
Gentleman seated. | 0:35:58 | 0:36:00 | |
Yours, sir, well done. | 0:36:00 | 0:36:02 | |
'That's a brilliant price, and with a total of £145, | 0:36:02 | 0:36:06 | |
'it hasn't been a bad day in the saleroom. | 0:36:06 | 0:36:09 | |
'Back at the street, the money from the stalls is being tallied.' | 0:36:09 | 0:36:14 | |
Lisa, here's the moment of truth - Danny's been helping count out | 0:36:14 | 0:36:17 | |
all the money, so this is the sum total from the stalls. | 0:36:17 | 0:36:20 | |
-It's a good figure. -Go on. | 0:36:20 | 0:36:22 | |
-Five? -500. -£500! -That's good. -From the stalls. | 0:36:22 | 0:36:26 | |
-Plus the £145 from the auction. -Absolutely brilliant. | 0:36:26 | 0:36:30 | |
-We're there, aren't we? -That's £645. | 0:36:30 | 0:36:32 | |
Look, I think, if I work really, really hard, | 0:36:32 | 0:36:35 | |
and I can get another £250 odd on top of that, | 0:36:35 | 0:36:38 | |
not only do we get Jacky off to the Lake District, | 0:36:38 | 0:36:41 | |
-but we can buy something for the community. -That would be nice, yes. | 0:36:41 | 0:36:44 | |
-So, it's down to me now. -The pressure's on! -Come on. | 0:36:44 | 0:36:47 | |
'It would be great to buy something for the community that Jacky loves. | 0:36:47 | 0:36:50 | |
'I'll need to sell big on the rostrum to reach our £900 target. | 0:36:50 | 0:36:54 | |
'But will Toothill dig deep? | 0:36:54 | 0:36:56 | |
'First up, it's Miriam's donation, | 0:36:56 | 0:36:58 | |
'a commissioned painting of the highest bidder's choosing.' | 0:36:58 | 0:37:02 | |
It's got to be worth £20, surely. 20, anywhere? Come on. | 0:37:02 | 0:37:05 | |
Thank you, two hands at once, I'll take 20, I'll take 25. | 0:37:05 | 0:37:08 | |
Any further advances? I'll take 30, £30 with me now. | 0:37:08 | 0:37:10 | |
A keen bidder down the front... | 0:37:10 | 0:37:12 | |
'Jacky is so unaware of what today is in aid of, | 0:37:12 | 0:37:14 | |
'she's actually bidding herself!' | 0:37:14 | 0:37:16 | |
£40 is with me. It's going once, twice... | 0:37:16 | 0:37:20 | |
-Sold, thank you, madam. -Yeah! | 0:37:20 | 0:37:22 | |
'Up next is the first of our upcycled tables. | 0:37:22 | 0:37:25 | |
'Now, Danny thought this would make between £30 and £40. | 0:37:25 | 0:37:29 | |
'I'm not so sure, but who will be right?' | 0:37:29 | 0:37:32 | |
So, who's going to start me off with a bid of £15? Showing here. | 0:37:32 | 0:37:35 | |
There we go! | 0:37:35 | 0:37:37 | |
I'm looking for 20. I now have it. £20 is with you, madam. | 0:37:37 | 0:37:40 | |
25, can I see 30? 30, thank you, £30. | 0:37:40 | 0:37:43 | |
This is what I like, a proper fight going on in the saleroom! | 0:37:43 | 0:37:47 | |
Make it 35 now? 35, can I take 40? | 0:37:47 | 0:37:50 | |
£40. Gutsy, £40! | 0:37:50 | 0:37:53 | |
Any further advances on 40? Fair warning, I am selling. | 0:37:53 | 0:37:57 | |
It's going once, twice, sold! | 0:37:57 | 0:37:59 | |
£40. Keep your hand up. | 0:37:59 | 0:38:01 | |
'Well, Danny, you were right, | 0:38:01 | 0:38:03 | |
'but what about Miriam's upcycled barley twist table? | 0:38:03 | 0:38:07 | |
'I thought this would sell for the most.' | 0:38:07 | 0:38:10 | |
£20 is with me, 22? Thank you. £24. £26. | 0:38:10 | 0:38:13 | |
It's against you at the back, madam. £28, it's against you. 30. | 0:38:13 | 0:38:18 | |
£30 is with me now. There is a shake of the head, you're out at the back. | 0:38:18 | 0:38:21 | |
And I'm selling, fair warning, at £30. | 0:38:21 | 0:38:23 | |
It's going once, twice, sold! Thank you. | 0:38:23 | 0:38:27 | |
'Miriam has got her table back. | 0:38:27 | 0:38:29 | |
'With a little paint and imagination, | 0:38:29 | 0:38:31 | |
'those two tables have made £70. | 0:38:31 | 0:38:33 | |
'Up next, a selection of paintings that left little to the imagination! | 0:38:33 | 0:38:38 | |
'This pair of Art Deco pictures should easily reach £20.' | 0:38:38 | 0:38:41 | |
Who's going to start me off with a bid of 30? Thank you. £30. | 0:38:41 | 0:38:45 | |
£35 is with me. £35 now, I will sell... Thank you, one more bid, 40. | 0:38:45 | 0:38:50 | |
I have a bid of £40 now. I can sell at 40. Sold! | 0:38:50 | 0:38:55 | |
'But what about this painting Jacky donated? | 0:38:56 | 0:38:59 | |
'Surely it's worth a £10 bid.' | 0:38:59 | 0:39:01 | |
£10, anywhere? Is it at 5? Thank you very much, £5. | 0:39:01 | 0:39:05 | |
15? I'll take 15, thank you. | 0:39:05 | 0:39:08 | |
Fair warning, I'm selling at £15. Sold! | 0:39:08 | 0:39:11 | |
'Jenny's cat and dog fought to a decent price.' | 0:39:11 | 0:39:14 | |
And I'm selling at £9, | 0:39:14 | 0:39:16 | |
it's going once, twice, fair warning... Sold! | 0:39:16 | 0:39:20 | |
'Les's 007 car hit the target.' | 0:39:20 | 0:39:23 | |
This will be a collectable of the future, make no mistake, | 0:39:23 | 0:39:26 | |
you are making a good, wise investment. | 0:39:26 | 0:39:29 | |
And I'm selling at £16, this young lad deserves it. | 0:39:29 | 0:39:32 | |
Sold! £16. | 0:39:32 | 0:39:33 | |
'And the Ensign box camera was snapped up.' | 0:39:33 | 0:39:36 | |
I'm selling to you, sir, for £6. Sold! | 0:39:36 | 0:39:40 | |
'Every little helps. | 0:39:40 | 0:39:41 | |
'Up next, the Edwardian baby's daybed, | 0:39:41 | 0:39:44 | |
'with plants as an added extra.' | 0:39:44 | 0:39:47 | |
-48. -Thank you very much. £48, sold! | 0:39:47 | 0:39:49 | |
'Wow, what a great price. | 0:39:49 | 0:39:52 | |
'But now for our last item, Marion's recently finished painting | 0:39:52 | 0:39:56 | |
'of the day, a real community masterpiece. | 0:39:56 | 0:39:59 | |
'To be frank, I have no idea what this could go for.' | 0:39:59 | 0:40:03 | |
There isn't another one. You can't put a price on it! | 0:40:03 | 0:40:06 | |
30, straight in, thank you. Now I'm looking for 40. 40, thank you. | 0:40:06 | 0:40:10 | |
-50! -50! £50 now. | 0:40:10 | 0:40:13 | |
-Come on, £60? Thank you, £60. 70 anywhere? -80, boom! | 0:40:13 | 0:40:18 | |
£80! | 0:40:18 | 0:40:20 | |
-90! -Thank you very much. We've got a bid at £90 now. | 0:40:22 | 0:40:25 | |
I know we can get £100 for this. | 0:40:25 | 0:40:28 | |
-100, then. -£100, yes! | 0:40:28 | 0:40:32 | |
And I'm selling at 100, it's going once, twice, sold! Thank you. | 0:40:32 | 0:40:37 | |
'Great price, great community spirit. | 0:40:37 | 0:40:40 | |
'Now, let's see if all our hard work has paid off.' | 0:40:40 | 0:40:44 | |
Today, we have a grand total of... | 0:40:44 | 0:40:47 | |
£1,109. | 0:40:47 | 0:40:49 | |
We have beaten our target, so thank you, thank you, Swindon, | 0:40:49 | 0:40:54 | |
thank you so much! It's been absolutely fabulous, it really has. | 0:40:54 | 0:40:58 | |
I can't believe it. Without you, this would not be possible. | 0:40:58 | 0:41:03 | |
Now, I have told one or two fibs. I have. | 0:41:03 | 0:41:08 | |
Most of you know what this is all about, | 0:41:08 | 0:41:10 | |
but there is one person here who thinks it's for a community project. | 0:41:10 | 0:41:14 | |
Well, it isn't for the community project, | 0:41:14 | 0:41:17 | |
it's for one very special person who has been part of this | 0:41:17 | 0:41:20 | |
community for nearly three decades. | 0:41:20 | 0:41:23 | |
She has worked wonders. | 0:41:23 | 0:41:26 | |
She is there as a shoulder to cry on, | 0:41:26 | 0:41:28 | |
she's got people back on the right path, back onto their journey. | 0:41:28 | 0:41:32 | |
She is a caring mother, a caring partner, you all know her. | 0:41:32 | 0:41:37 | |
Jacky Parry, it's all about you. | 0:41:37 | 0:41:40 | |
It's all about you. | 0:41:40 | 0:41:42 | |
All of this is for you. | 0:41:42 | 0:41:45 | |
Take this. | 0:41:50 | 0:41:52 | |
Can you read it out loud? | 0:41:54 | 0:41:56 | |
"We've arranged for you to have an all-expenses-paid mini break | 0:41:56 | 0:42:00 | |
-"to the Lake District." Really? -Yes. -Wow, I am just shocked. | 0:42:00 | 0:42:04 | |
Thank you so, so much. | 0:42:04 | 0:42:06 | |
Well, we've had to keep this a secret from you for a long time. | 0:42:06 | 0:42:09 | |
George has helped us out, Steve has helped us out, so many people... | 0:42:09 | 0:42:13 | |
-George?! -Yes, yes! | 0:42:13 | 0:42:14 | |
Wow, thank you. Do you know what? I really need a break! | 0:42:14 | 0:42:18 | |
I really do need a break, so, thank you so, so much. | 0:42:18 | 0:42:21 | |
You know, it's always been a community, this place, | 0:42:21 | 0:42:24 | |
so I'm just really blessed and honoured to be part of it. | 0:42:24 | 0:42:27 | |
-Yeah, thank you. -OK, give her a hug! | 0:42:27 | 0:42:30 | |
I thought you had sort of twigged that, but you didn't! | 0:42:33 | 0:42:36 | |
I don't know you! | 0:42:36 | 0:42:38 | |
Yeah, a bit emotional, actually! | 0:42:38 | 0:42:40 | |
I can't believe the whole community can come together so well. | 0:42:40 | 0:42:45 | |
I didn't think we would get away with that, but we did. | 0:42:45 | 0:42:48 | |
Jacky is so well-known and loved in the community, | 0:42:48 | 0:42:51 | |
the cat could have got out of the bag at any moment. | 0:42:51 | 0:42:53 | |
We got away with it and we raised more than our original target. | 0:42:53 | 0:42:57 | |
It doesn't get much better than that. | 0:42:57 | 0:42:58 | |
I hope you've enjoyed watching the show. | 0:42:58 | 0:43:00 | |
Do keep watching, because hopefully, we could be in your street | 0:43:00 | 0:43:03 | |
the next time, and this auction could be for you. Goodbye. | 0:43:03 | 0:43:06 | |
Since the street auction, Jacky and George have enjoyed spending | 0:43:06 | 0:43:10 | |
quality time together on a break away. | 0:43:10 | 0:43:13 | |
And the extra money we raised bought a new notice board | 0:43:13 | 0:43:16 | |
for the community centre, to keep everyone up-to-date. | 0:43:16 | 0:43:19 |