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For many people, living in the countryside | 0:00:06 | 0:00:08 | |
is preferable to a town or a city, with its fast pace of life. | 0:00:08 | 0:00:12 | |
But the quiet, rolling hills | 0:00:12 | 0:00:13 | |
can feel quite isolating and lonely for the young and old alike. | 0:00:13 | 0:00:17 | |
But today, in this small, quiet village, | 0:00:17 | 0:00:19 | |
all of that is going to change, because the whole community is | 0:00:19 | 0:00:22 | |
coming together for one a massive fundraising event. | 0:00:22 | 0:00:25 | |
-ALL: -Three, two, one! | 0:00:25 | 0:00:27 | |
Let's go. | 0:00:27 | 0:00:29 | |
And all the money we raise is for one unique man. | 0:00:29 | 0:00:32 | |
He was born with spina bifida and, initially, | 0:00:32 | 0:00:35 | |
given just 12 months to live. | 0:00:35 | 0:00:37 | |
He was born facing me and he looked gorgeous, | 0:00:37 | 0:00:40 | |
and then they told me there was a problem. | 0:00:40 | 0:00:43 | |
The hardest thing is seeing... | 0:00:43 | 0:00:45 | |
..your brother, someone you love, having to struggle through life. | 0:00:46 | 0:00:50 | |
But he survived beyond everyone's expectations | 0:00:50 | 0:00:53 | |
and now teaches kick boxing and dedicates his time to others. | 0:00:53 | 0:00:57 | |
He likes to help people. | 0:00:57 | 0:00:59 | |
To help anybody he can. | 0:00:59 | 0:01:01 | |
To show him how much he means to everyone, | 0:01:01 | 0:01:04 | |
we're hoping to raise £1,000 to buy him a special gift. | 0:01:04 | 0:01:08 | |
We'll knock on the doors of his neighbours | 0:01:08 | 0:01:10 | |
to find things we can sell. | 0:01:10 | 0:01:12 | |
It's not a Singer, is it? | 0:01:12 | 0:01:13 | |
Oh, that's really nice. | 0:01:13 | 0:01:15 | |
Oh, we love a bit of Denby. | 0:01:15 | 0:01:16 | |
That'll do me to start with. | 0:01:16 | 0:01:18 | |
Everything was done on this. | 0:01:18 | 0:01:19 | |
But we could be in for a bumpy ride. | 0:01:19 | 0:01:21 | |
No-one's in, though. | 0:01:21 | 0:01:24 | |
That's a no. | 0:01:24 | 0:01:25 | |
And the great thing is, he has absolutely no idea | 0:01:25 | 0:01:28 | |
all of this is for him. | 0:01:28 | 0:01:30 | |
And how will he react? | 0:01:30 | 0:01:31 | |
Today, I'm in the picturesque Warwickshire village of Monks Kirby, | 0:01:37 | 0:01:40 | |
set in the Midlands, between Rugby and Coventry. | 0:01:40 | 0:01:44 | |
It's a small place with a history that goes back to the 7th century. | 0:01:44 | 0:01:47 | |
The quiet village is home to around 400 people, and a big part of that | 0:01:47 | 0:01:51 | |
community is Carl Hodgetts. | 0:01:51 | 0:01:53 | |
He gives so much to the community and doesn't expect | 0:01:53 | 0:01:55 | |
anything back in return. | 0:01:55 | 0:01:56 | |
All-round good guy. | 0:01:56 | 0:01:58 | |
He's one of the best. And if you want help, he's there. | 0:01:58 | 0:02:01 | |
Since birth, he's had to overcome many challenges in his life... | 0:02:01 | 0:02:05 | |
I knew that I was born different and there were times when it was | 0:02:05 | 0:02:08 | |
difficult to accept. | 0:02:08 | 0:02:10 | |
..but has surpassed what anyone thought possible... | 0:02:10 | 0:02:13 | |
His disability, as far as he's concerned, like, | 0:02:13 | 0:02:15 | |
almost knows no bounds. | 0:02:15 | 0:02:16 | |
..and devotes his time to volunteering... | 0:02:16 | 0:02:19 | |
He'll get stuck in. | 0:02:19 | 0:02:20 | |
He's absolutely brilliant. | 0:02:20 | 0:02:21 | |
..and teaching kick boxing. | 0:02:21 | 0:02:23 | |
He's inspired and helped quite a lot of people. | 0:02:23 | 0:02:26 | |
'To find out more about him, I went to meet his mum and dad.' | 0:02:26 | 0:02:30 | |
Carl's parents, Diane and Rob, met when they were teenagers | 0:02:30 | 0:02:33 | |
and a few years later, started a family. | 0:02:33 | 0:02:36 | |
We had our first child, Sarah, and then four years later, we had Carl. | 0:02:36 | 0:02:41 | |
Carl was born. | 0:02:41 | 0:02:43 | |
He was born facing me and he looked gorgeous, | 0:02:43 | 0:02:47 | |
and then they told me there was a problem. | 0:02:47 | 0:02:49 | |
I was there when the doctor came in and said to me, | 0:02:51 | 0:02:53 | |
"There is a lump, a small lump on his back." | 0:02:53 | 0:02:57 | |
And I... | 0:02:57 | 0:02:59 | |
I didn't understand what that was. | 0:02:59 | 0:03:00 | |
Carl was born with life-threatening disabilities. | 0:03:01 | 0:03:05 | |
Carl has spina bifida and hydrocephalus, | 0:03:05 | 0:03:08 | |
and he has no feeling from his ribs down, | 0:03:08 | 0:03:12 | |
so he can't use his legs. | 0:03:12 | 0:03:14 | |
Hydrocephalus is a fluid on the brain, which causes tiredness, | 0:03:14 | 0:03:18 | |
blurred vision and confusion. | 0:03:18 | 0:03:20 | |
Then Rob and Diane received more terrible news. | 0:03:22 | 0:03:25 | |
They told us he'd got... a maximum of 12 months to live. | 0:03:26 | 0:03:30 | |
Other mothers had their babies, I didn't, he was in a separate unit. | 0:03:33 | 0:03:38 | |
Later on, other mothers were going home with their baby and I didn't. | 0:03:38 | 0:03:41 | |
It was all very odd and difficult with Sarah to explain why | 0:03:41 | 0:03:45 | |
she hadn't got a baby brother or sister to take home. | 0:03:45 | 0:03:49 | |
But against all odds, Carl survived his first birthday | 0:03:50 | 0:03:53 | |
and exceeded all expectations. | 0:03:53 | 0:03:55 | |
He's always striving to do the best he can and not just | 0:03:55 | 0:04:00 | |
sit at home and say, "I'm disabled, I can't do anything." | 0:04:00 | 0:04:03 | |
I do see my brother as someone to aspire to. | 0:04:04 | 0:04:08 | |
Big time. | 0:04:08 | 0:04:10 | |
I'm going to get emotional again. | 0:04:11 | 0:04:12 | |
So, to say thank you to Carl, | 0:04:12 | 0:04:14 | |
we want to pay for the adaptations he needs to his new car | 0:04:14 | 0:04:18 | |
and, as a massive cricket fan, to send him on a VIP trip to Lord's. | 0:04:18 | 0:04:23 | |
That's going to cost around £1,000, | 0:04:23 | 0:04:25 | |
and this is how we're going to raise it. | 0:04:25 | 0:04:28 | |
Well, we've come to this area to ask Carl's friends, family, | 0:04:28 | 0:04:31 | |
neighbours and relatives | 0:04:31 | 0:04:33 | |
if they can donate any unwanted or unloved items, | 0:04:33 | 0:04:36 | |
so we can sell them here in a pop-up auction, | 0:04:36 | 0:04:38 | |
which is happening in about a month's time. | 0:04:38 | 0:04:40 | |
Now, we've got to keep this a secret from Carl until after the sale, | 0:04:40 | 0:04:43 | |
so it should be absolutely brilliant. | 0:04:43 | 0:04:45 | |
I can't do it by myself, so I'm calling in a mate. | 0:04:45 | 0:04:48 | |
A guy who knows what sells, but more importantly, knows how to sell it - | 0:04:48 | 0:04:52 | |
Danny Sebastian. And I can hear the van right now. | 0:04:52 | 0:04:56 | |
-Hey! -Hiya, Danny! | 0:04:56 | 0:04:58 | |
-How are you? -I'm very well, thank you. | 0:04:58 | 0:05:00 | |
-Hot? -It is hot. | 0:05:00 | 0:05:01 | |
It's going to get even hotter as we march the streets around here, | 0:05:01 | 0:05:05 | |
knocking on doors, liberating unwanted clutter | 0:05:05 | 0:05:08 | |
from people's houses. | 0:05:08 | 0:05:10 | |
-I like it! -This is where you come in, and the van! | 0:05:10 | 0:05:12 | |
OK, we've got a big job to do today. | 0:05:12 | 0:05:14 | |
So, do you want to take that street, this street or that street? | 0:05:14 | 0:05:17 | |
I want to take the shady street. | 0:05:17 | 0:05:19 | |
OK, I'll go... I'll carry on around there, you can work down there. | 0:05:19 | 0:05:22 | |
-And then we'll meet up. -Good luck, Paul. | 0:05:22 | 0:05:24 | |
And you, take care. | 0:05:24 | 0:05:26 | |
It's a glorious day in this idyllic village. | 0:05:26 | 0:05:28 | |
Let's hope the residents are feeling generous. | 0:05:28 | 0:05:31 | |
It's so pretty! | 0:05:31 | 0:05:32 | |
'And if we find any top-quality items today, | 0:05:32 | 0:05:35 | |
'we'll send them to a saleroom to try to fetch the best price. | 0:05:35 | 0:05:38 | |
'First up, I found the vicar, Jonathan.' | 0:05:38 | 0:05:41 | |
Well, we've been doing a little bit of rummaging. | 0:05:41 | 0:05:43 | |
-Do you want to come in? -Yes, please. | 0:05:43 | 0:05:45 | |
You're the expert, aren't you? I don't know if it's worth anything. | 0:05:45 | 0:05:48 | |
Denby! Yes! | 0:05:48 | 0:05:49 | |
Oh, that's really nice. | 0:05:49 | 0:05:51 | |
Oh, we'd love a bit of Denby. | 0:05:51 | 0:05:53 | |
'This jug has a hand-painted design, | 0:05:53 | 0:05:55 | |
'inspired by the delicate brushwork of Japanese artists. | 0:05:55 | 0:05:58 | |
'It was a popular piece in the 1960s.' | 0:05:58 | 0:06:00 | |
I don't know where it originally came from. | 0:06:00 | 0:06:02 | |
I think it's been sitting in the cupboard, to be honest, Paul, | 0:06:02 | 0:06:04 | |
-for the last... -Yeah. -..for the last few years. | 0:06:04 | 0:06:06 | |
You know, it's quality, but it's understated. | 0:06:06 | 0:06:10 | |
'Jonathan knows Carl from the village.' | 0:06:10 | 0:06:12 | |
It's quite amazing what he can do... | 0:06:12 | 0:06:14 | |
-Yeah. -..and what he's been through. | 0:06:14 | 0:06:16 | |
That's what we're doing. So thank you very much. | 0:06:16 | 0:06:18 | |
-Nice to meet you. -What a nice chap. | 0:06:18 | 0:06:20 | |
That's a very good start. | 0:06:20 | 0:06:21 | |
That's quality. | 0:06:21 | 0:06:22 | |
'Hopefully, that will fetch around £5 on the bric-a-brac stall. | 0:06:23 | 0:06:27 | |
'But while I've been working hard, | 0:06:27 | 0:06:29 | |
'it looks like Danny's gone for a pint. | 0:06:29 | 0:06:31 | |
'Publican Nigel knows Carl well.' | 0:06:31 | 0:06:33 | |
Can you tell me anything about him at all? | 0:06:33 | 0:06:35 | |
He's got a wicked sense of humour. | 0:06:35 | 0:06:38 | |
He's a great guy. He tries so hard at everything. | 0:06:38 | 0:06:41 | |
He's fantastic, yeah. | 0:06:41 | 0:06:42 | |
So we can count on you, can we? | 0:06:42 | 0:06:44 | |
Yeah, it's for Carl, we'll do anything we can. | 0:06:44 | 0:06:46 | |
I bet them sheds are full, aren't they? | 0:06:46 | 0:06:49 | |
-Come on, let's have a look. -Let's have a peep! | 0:06:49 | 0:06:51 | |
'You never miss a trick, do you, Danny? | 0:06:51 | 0:06:53 | |
'While they're having a rummage, I've headed to Carl's mum's garage | 0:06:53 | 0:06:57 | |
'to see what gems we can find.' | 0:06:57 | 0:06:59 | |
Oh, it's a Bradbury's. | 0:07:00 | 0:07:02 | |
Ah! | 0:07:02 | 0:07:03 | |
'Oldham-based Bradbury and Co was Britain's first sewing machine | 0:07:03 | 0:07:06 | |
'manufacturer, dating back to 1864.' | 0:07:06 | 0:07:10 | |
It has a label on it saying my mother's sewing machine... | 0:07:10 | 0:07:13 | |
-Aw! -So I think it was not mine... | 0:07:13 | 0:07:15 | |
-Your mum's? -No, I think it was my next door neighbour's mother. | 0:07:15 | 0:07:18 | |
So it should be quite old. | 0:07:18 | 0:07:20 | |
'This one, with its Celtic knot design, was from the early 1900s. | 0:07:20 | 0:07:24 | |
'I think it's got potential to make £20 in a proper saleroom auction.' | 0:07:24 | 0:07:28 | |
Well, I tell you what, we'll take that. | 0:07:28 | 0:07:31 | |
Thank you very much. | 0:07:31 | 0:07:32 | |
Meanwhile, has Danny had any luck in Nigel's garage? | 0:07:32 | 0:07:36 | |
We'll have some of them glasses. | 0:07:36 | 0:07:37 | |
You can't just give away anything, obviously, but what can go? | 0:07:37 | 0:07:40 | |
Anything you see over there. | 0:07:40 | 0:07:42 | |
What about those hay bale things? | 0:07:42 | 0:07:46 | |
Great big baskets. They're wall baskets for flowers. | 0:07:46 | 0:07:48 | |
-Oh, I see, yeah. -Pretty good, actually, they are. | 0:07:48 | 0:07:51 | |
We'll have them, then. If they're pretty good, we'll have them. | 0:07:51 | 0:07:54 | |
-Yeah, of course you can. -Quite nice baskets. | 0:07:54 | 0:07:55 | |
They'll do me to start with. They'll do me to start with. | 0:07:55 | 0:07:58 | |
These are made of steel and were originally used | 0:07:58 | 0:08:01 | |
as hay feeders for horses, | 0:08:01 | 0:08:03 | |
but could easily be transformed into flower baskets. | 0:08:03 | 0:08:06 | |
Danny's also found an old bar stool. | 0:08:06 | 0:08:09 | |
This one's OK. | 0:08:09 | 0:08:10 | |
It's in good stead. It's Bentwood, quite desirable, looks well. | 0:08:10 | 0:08:14 | |
Bentwood furniture is made by steaming to make the wood pliable, | 0:08:14 | 0:08:18 | |
and then it's bent into shape and allowed to dry. | 0:08:18 | 0:08:21 | |
So we've got the glasses, | 0:08:21 | 0:08:23 | |
we've got the stool and we've got some ironwork and a bottle holder. | 0:08:23 | 0:08:26 | |
Thanks very much for letting us in here and letting us have a look. | 0:08:26 | 0:08:29 | |
No problem. | 0:08:29 | 0:08:30 | |
Danny's had a good haul, and that bentwood stool would be | 0:08:30 | 0:08:32 | |
perfect for upcycling. | 0:08:32 | 0:08:35 | |
'Back at Diane's, in the garage, | 0:08:35 | 0:08:36 | |
'we've uncovered some musical delights.' | 0:08:36 | 0:08:39 | |
HE HUMS BEETHOVEN'S 5TH SYMPHONY | 0:08:39 | 0:08:41 | |
Tchaikovsky, Beethoven, more Beethoven... | 0:08:41 | 0:08:43 | |
Boxes full of CDs and books. | 0:08:43 | 0:08:46 | |
They add up. | 0:08:46 | 0:08:47 | |
'Diane has been a brilliant, donating the sewing machine | 0:08:47 | 0:08:50 | |
'and all the books and classical CDs. | 0:08:50 | 0:08:53 | |
'Meanwhile, in the heart of the village, | 0:08:53 | 0:08:56 | |
'Danny's putting in some legwork.' | 0:08:56 | 0:08:58 | |
Well, I've got a lot of ground to cover. | 0:08:59 | 0:09:02 | |
Too nice a day, they're probably out. | 0:09:04 | 0:09:06 | |
'And his perseverance has finally paid off, | 0:09:06 | 0:09:09 | |
'as he finds the village hall and local toddler group.' | 0:09:09 | 0:09:13 | |
-Can I come in? -Come in! -Come on in! | 0:09:13 | 0:09:16 | |
Well, it's all busy in here, isn't it? | 0:09:16 | 0:09:18 | |
Yes, I've sorted out some stuff. | 0:09:18 | 0:09:20 | |
Oh, so, you got the leaflet, that's brilliant. | 0:09:20 | 0:09:22 | |
Wow. That's absolutely great. | 0:09:22 | 0:09:24 | |
You've come at the right time, actually, | 0:09:24 | 0:09:26 | |
-because I was having a good sort out. -Thanks very much. | 0:09:26 | 0:09:29 | |
That will get a few pounds on the bric-a-brac stall. | 0:09:30 | 0:09:32 | |
Well done, Danny. Any more? | 0:09:32 | 0:09:35 | |
I've got to keep rolling. | 0:09:35 | 0:09:36 | |
I'll give it a knock anyway. | 0:09:36 | 0:09:38 | |
That's a no. | 0:09:41 | 0:09:43 | |
Danny! | 0:09:43 | 0:09:44 | |
-Where's the carrier bags full of stuff? -In the van. -Ah! | 0:09:45 | 0:09:48 | |
-In the van. -Lots? | 0:09:48 | 0:09:50 | |
Not really, no. There's a bit. | 0:09:50 | 0:09:52 | |
-I've got a few... -I'm relying on you. | 0:09:52 | 0:09:55 | |
Well, I mean, don't write me off, don't write me off! | 0:09:55 | 0:09:58 | |
Been inside the village hall. | 0:09:58 | 0:09:59 | |
Sounds like a lot of noise is going on in there. | 0:09:59 | 0:10:01 | |
-It's a kids' day. -Anything in there? | 0:10:01 | 0:10:04 | |
-Just kids. -Kids? -Kids' toys. -Can't take them. -No! | 0:10:04 | 0:10:07 | |
And there's another school down there, | 0:10:07 | 0:10:08 | |
so I'll go and try the other school. | 0:10:08 | 0:10:10 | |
-Well, I'll tell you what, I'll leave you to it. -OK. -Do your best! | 0:10:10 | 0:10:12 | |
Not many people in, is there? | 0:10:12 | 0:10:14 | |
They're all out. Probably fishing. | 0:10:14 | 0:10:15 | |
Fishing?! | 0:10:17 | 0:10:18 | |
'We're going to have to cast our nets wide today if we're going | 0:10:18 | 0:10:21 | |
'to reach our target for Carl.' | 0:10:21 | 0:10:23 | |
Carl was born with spina bifida and hydrocephalus, and given the | 0:10:24 | 0:10:28 | |
devastating prognosis of just 12 months to live. | 0:10:28 | 0:10:32 | |
I can't really think of any way of saying it, other than explaining | 0:10:33 | 0:10:36 | |
to a four-year-old that you've talked to about having a baby | 0:10:36 | 0:10:40 | |
and bringing a baby home and then not having one, was difficult. | 0:10:40 | 0:10:44 | |
Carl survived his first year of life after undergoing several operations | 0:10:44 | 0:10:48 | |
to protect his spine and to have a metal tube inserted into his head | 0:10:48 | 0:10:53 | |
to drain the fluid on his brain. | 0:10:53 | 0:10:55 | |
And I think after that, I began to realise that he stood a chance of | 0:10:55 | 0:10:59 | |
carrying on for a good few years. | 0:10:59 | 0:11:01 | |
But the extent of damage to his spinal cord was so severe, | 0:11:01 | 0:11:05 | |
it meant that he was paralysed from the waist down. | 0:11:05 | 0:11:08 | |
The first few years, he could just be in a pushchair, | 0:11:08 | 0:11:10 | |
like every other baby, and then eventually, into a wheelchair. | 0:11:10 | 0:11:14 | |
I do actually remember saying to my mum, "Well," you know, | 0:11:16 | 0:11:19 | |
"my younger sister can walk, my elder sister can walk, | 0:11:19 | 0:11:22 | |
"when it is it my turn?" | 0:11:22 | 0:11:24 | |
When Carl was two and a half years old, | 0:11:27 | 0:11:29 | |
he was fitted with callipers and was filmed for hospital research. | 0:11:29 | 0:11:33 | |
I think it gave me a sense of... | 0:11:36 | 0:11:38 | |
wow, I can be, sort of, as tall as everybody else...nearly. | 0:11:38 | 0:11:43 | |
And I can, you know, learn how to move my legs like they would... | 0:11:43 | 0:11:47 | |
..and get an experience of how it might be to walk. | 0:11:48 | 0:11:52 | |
His younger sister, Emma, knows how tough life can be for him. | 0:12:02 | 0:12:06 | |
That's probably the hardest thing. | 0:12:07 | 0:12:09 | |
The hardest thing is seeing your brother, someone you love, | 0:12:09 | 0:12:14 | |
having to struggle through life. | 0:12:14 | 0:12:16 | |
It's the hydrocephalus that really frustrates me, | 0:12:17 | 0:12:20 | |
because I might feel light-headed, I might get a headache, | 0:12:20 | 0:12:24 | |
I might get irritable. | 0:12:24 | 0:12:26 | |
I think, probably, deep down... | 0:12:26 | 0:12:28 | |
..he probably sees it as a struggle sometimes and there are moments | 0:12:29 | 0:12:33 | |
when he finds life hard. | 0:12:33 | 0:12:36 | |
But I think that's one of the things that makes him | 0:12:36 | 0:12:38 | |
such an inspirational person, because he is very, very strong. | 0:12:38 | 0:12:42 | |
Carl is still susceptible to life-threatening | 0:12:43 | 0:12:46 | |
health complications and has recently battled septicaemia. | 0:12:46 | 0:12:50 | |
As soon as I found out, I thought, "Whoa! | 0:12:51 | 0:12:53 | |
"How am I going to survive this?" | 0:12:53 | 0:12:54 | |
I knew that I was right on the edge. | 0:12:54 | 0:12:57 | |
But it didn't happen. | 0:12:59 | 0:13:01 | |
So there you go. | 0:13:02 | 0:13:03 | |
The more I hear, the more I'm determined to help. | 0:13:05 | 0:13:09 | |
Back in the village, I've spotted the sign | 0:13:09 | 0:13:11 | |
for the local school up ahead. | 0:13:11 | 0:13:13 | |
Hello! | 0:13:13 | 0:13:14 | |
Hiya. It's hot out there. | 0:13:15 | 0:13:18 | |
Right, I think we can probably help you. | 0:13:18 | 0:13:20 | |
-Do you want to come and have a look and see what we've got? -Please, yes. | 0:13:20 | 0:13:23 | |
'We're in luck. Headteacher, Andrew, thinks he might have a few things | 0:13:23 | 0:13:27 | |
'in the school store.' | 0:13:27 | 0:13:29 | |
We've got loads of bits and pieces in here that we've had | 0:13:29 | 0:13:31 | |
-over the years... -Yeah. -..that we no longer require. | 0:13:31 | 0:13:34 | |
-OK. -There's an old Singer sewing machine. | 0:13:34 | 0:13:36 | |
Well, I tell you what, they're used nowadays as props, as decoration. | 0:13:36 | 0:13:40 | |
-Oh, fantastic. -There you go, how about that? | 0:13:40 | 0:13:42 | |
Oh, yes, please! | 0:13:42 | 0:13:43 | |
As a child, I spent many a happy hour | 0:13:43 | 0:13:45 | |
holding that and doing the handle for my mum. | 0:13:45 | 0:13:49 | |
'A second sewing machine. | 0:13:49 | 0:13:51 | |
'This one is a Singer. | 0:13:51 | 0:13:52 | |
'It's American and was first made in 1851. | 0:13:52 | 0:13:55 | |
'Being both mass-produced and affordable, | 0:13:55 | 0:13:58 | |
'they became hugely popular.' | 0:13:58 | 0:14:00 | |
Got a very old typewriter, don't know how good it is. | 0:14:00 | 0:14:03 | |
-Oh, we'd take that, I'd love to take that. -OK. | 0:14:03 | 0:14:06 | |
I love this. It's an Underwood typewriter, | 0:14:06 | 0:14:08 | |
invented in the late 19th century. | 0:14:08 | 0:14:11 | |
They became so popular, more than five million were sold | 0:14:11 | 0:14:14 | |
in the first 50 years. | 0:14:14 | 0:14:17 | |
This is just classic, isn't it? | 0:14:17 | 0:14:19 | |
I mean, this is what journalists wrote on, back in the day, you know, | 0:14:19 | 0:14:22 | |
all the reports. Everything was done on this. | 0:14:22 | 0:14:24 | |
I think Danny might be onto a couple of good leads himself. | 0:14:24 | 0:14:27 | |
Is there anything at all you've got that you might be able to donate? | 0:14:27 | 0:14:30 | |
-Yes, I have, I've got some pictures. -You've got some pictures. | 0:14:30 | 0:14:33 | |
-Thank you very much. -Thank you so much. -Thank you. | 0:14:33 | 0:14:35 | |
Those framed pictures are great, Danny. | 0:14:35 | 0:14:37 | |
They'll add a few pounds here and there. | 0:14:37 | 0:14:39 | |
Next door, Danny finds even more - | 0:14:39 | 0:14:41 | |
a really good selection of framed prints, | 0:14:41 | 0:14:43 | |
a chair and a table and much-needed bric-a-brac. | 0:14:43 | 0:14:47 | |
Nice collection we've got there, I think, | 0:14:47 | 0:14:49 | |
and it's good quality stuff. | 0:14:49 | 0:14:51 | |
Back at the school, Andrew has found something else from the past. | 0:14:51 | 0:14:54 | |
-All sorts of things we've got... -Bedpan? -Bedpan! You see, it's when | 0:14:54 | 0:14:58 | |
we used to do Victorians with the children and then... | 0:14:58 | 0:15:01 | |
-An old projector. -An old projector. | 0:15:01 | 0:15:03 | |
That would be great, if we could take that? | 0:15:03 | 0:15:05 | |
-Yeah, of course you can. -I'd auction that off. | 0:15:05 | 0:15:07 | |
Well, I haven't seen one of these in a long time. | 0:15:07 | 0:15:09 | |
This is a Specto 16mm projector, British made. | 0:15:09 | 0:15:12 | |
And this one probably dates from the 1940s. | 0:15:12 | 0:15:16 | |
And why don't you need these any more? | 0:15:16 | 0:15:17 | |
As time moves on and schools move on, you know, | 0:15:17 | 0:15:20 | |
I think it's time for them to go to a more worthy cause and somebody | 0:15:20 | 0:15:23 | |
that can use them and love them a bit more. | 0:15:23 | 0:15:24 | |
Oh, well, thank you very much. | 0:15:24 | 0:15:26 | |
-No problem at all. -Thank you. | 0:15:26 | 0:15:28 | |
What a lovely man. | 0:15:28 | 0:15:29 | |
While I fill the van, Danny gets a tip-off. | 0:15:29 | 0:15:31 | |
-Brilliant. Where's the van? -Just up here, I think. | 0:15:31 | 0:15:33 | |
Right, we'll go and get the van. | 0:15:33 | 0:15:35 | |
Brilliant. I'll tell you what, looks like I'm going to win this | 0:15:35 | 0:15:38 | |
competition. Couple of golf clubs and a bike as well. | 0:15:38 | 0:15:41 | |
I'm cooking with gas! | 0:15:41 | 0:15:42 | |
But on the way to his tip-off, | 0:15:44 | 0:15:45 | |
Danny's got a prearranged meeting with Jane. | 0:15:45 | 0:15:48 | |
-Can I come in? -Yes, of course you can. | 0:15:48 | 0:15:50 | |
Come on in. | 0:15:50 | 0:15:52 | |
While my luck seems to be evaporating fast. | 0:15:52 | 0:15:54 | |
No-one's in, though. | 0:15:54 | 0:15:55 | |
No-one in. | 0:15:57 | 0:15:58 | |
It is quiet, it is quiet. | 0:16:01 | 0:16:03 | |
"Beware of the rabbit." | 0:16:05 | 0:16:06 | |
Not much luck. | 0:16:10 | 0:16:11 | |
I hope Danny's having more success. | 0:16:11 | 0:16:13 | |
You mean Carl who's got the wheelchair, who lives...? | 0:16:13 | 0:16:16 | |
-You've got him. -Yeah, I know. Ginger hair... | 0:16:16 | 0:16:17 | |
-You've got him. -..climbs mountains, does crazy things? -Yeah. That's right. | 0:16:17 | 0:16:21 | |
You can have these. There's just six Denby. | 0:16:21 | 0:16:22 | |
-Oh, lovely! -I hope that's OK. | 0:16:22 | 0:16:24 | |
Lovely condition as well. | 0:16:24 | 0:16:26 | |
This village likes Denby. | 0:16:26 | 0:16:28 | |
These are great. A complete set. | 0:16:28 | 0:16:30 | |
They came from my mother-in-law who used to live in Stratford-upon-Avon, | 0:16:30 | 0:16:32 | |
-and she used to collect pottery and things like that. -Oh, right, yes. | 0:16:32 | 0:16:35 | |
-This was her set, I think. -I mean, Denby has been going for donkey's. | 0:16:35 | 0:16:38 | |
Hopefully, we're going to put this on the auction. | 0:16:38 | 0:16:40 | |
You're right, Danny. Let's put those on the pop-up auction. | 0:16:40 | 0:16:43 | |
Denby pottery always sells well because it's quality. | 0:16:43 | 0:16:46 | |
Hopefully, there's £20 there. | 0:16:46 | 0:16:48 | |
-Thanks very much, Jane. -Thank you very much. -Pleasure. | 0:16:48 | 0:16:50 | |
-Good luck. -Hope to see you on the day. -Will do. | 0:16:50 | 0:16:53 | |
In my desperation to find anything at all, | 0:16:53 | 0:16:55 | |
I've accidentally stumbled upon Danny's tip-off. | 0:16:55 | 0:16:58 | |
Oh, is this for us? | 0:16:58 | 0:16:59 | |
-Yes. -Oh, fantastic! | 0:16:59 | 0:17:01 | |
I like the bike at the back. | 0:17:01 | 0:17:03 | |
My dad had a bike like that. | 0:17:03 | 0:17:04 | |
Oh, it's even got a Brooks's leather saddle. | 0:17:04 | 0:17:07 | |
John Brooks originally made saddles for horses. | 0:17:07 | 0:17:10 | |
But when bicycles came into fashion in the late 1800s, | 0:17:10 | 0:17:13 | |
he found the seat so uncomfortable, he decided to make a better one. | 0:17:13 | 0:17:18 | |
That's lovely. Now, can you volunteer any help for an hour | 0:17:18 | 0:17:22 | |
-or so, if you turn up? -Yes, I can do something. | 0:17:22 | 0:17:25 | |
OK, brilliant, thank you very much. | 0:17:25 | 0:17:26 | |
An old Raleigh. I'd like to think we'd get around about £30 or £40 for | 0:17:28 | 0:17:32 | |
that, because that's got a Brooks saddle on it. | 0:17:32 | 0:17:34 | |
Very excited about that. I can't wait to get that in there. | 0:17:34 | 0:17:38 | |
I think I might have some questions to answer from Danny. | 0:17:38 | 0:17:41 | |
But hang on a minute, what's he up to? | 0:17:41 | 0:17:44 | |
I knocked on that door. | 0:17:44 | 0:17:45 | |
-Look what I've just found. -What do you mean, you just found? | 0:17:45 | 0:17:48 | |
-Didn't get it earlier, did you? -No. -I've just grabbed it, Paul. | 0:17:48 | 0:17:50 | |
No, no, no. No, I literally have just done all the houses down there, | 0:17:50 | 0:17:53 | |
I've found some lovely bikes, some golf clubs... | 0:17:53 | 0:17:56 | |
Hold on a minute. Now, hold on a minute. | 0:17:56 | 0:17:59 | |
I'm just coming down, Paul. | 0:17:59 | 0:18:00 | |
I seen you earlier. | 0:18:00 | 0:18:01 | |
I said... I started at the top and I'm walking down... | 0:18:01 | 0:18:04 | |
Oh, but you can't do both sides. | 0:18:04 | 0:18:06 | |
-Can you? -I'm capable of doing that, Paul! | 0:18:06 | 0:18:09 | |
Yes, I am capable of doing that. | 0:18:09 | 0:18:10 | |
You can have the bikes if you want the bikes. | 0:18:12 | 0:18:14 | |
-But then I get that. -But then you get that. | 0:18:14 | 0:18:16 | |
Well, yeah. | 0:18:16 | 0:18:18 | |
I've not even looked at the bikes yet. | 0:18:18 | 0:18:20 | |
-Make your choice. -I'll take the bikes. | 0:18:20 | 0:18:23 | |
-No, all right, then, I'll have the bikes, you have this. -So you get the bikes, then. | 0:18:23 | 0:18:27 | |
-I get this. -Yeah. OK. That's fair. -Right, come on, then. | 0:18:27 | 0:18:31 | |
Still quite nice, that, though. | 0:18:31 | 0:18:32 | |
I think I'm going to sell the bike on the pop-up rostrum. | 0:18:32 | 0:18:35 | |
A good deal, I think. | 0:18:36 | 0:18:38 | |
Now, Danny's at Gina's, where he's found his artistic side. | 0:18:38 | 0:18:41 | |
Thank you very much. What is it you got? | 0:18:41 | 0:18:43 | |
Well, I've got this beautiful piece... | 0:18:43 | 0:18:45 | |
Oh, that looks like a nice bit of sculpture. | 0:18:45 | 0:18:47 | |
-It is, it's lovely, isn't it? -Yeah, it is. -It's signed. | 0:18:47 | 0:18:50 | |
-It is! -Yeah. -I mean, how long have you had it? | 0:18:50 | 0:18:52 | |
About 20 years, I suppose. | 0:18:52 | 0:18:54 | |
-20 years? -Yeah. | 0:18:54 | 0:18:55 | |
And it was bought in one of the Spanish islands, I believe. | 0:18:55 | 0:18:58 | |
Oh, what a shame, looks like its leg's been broken there. | 0:18:58 | 0:19:00 | |
-That's how he works. -That's how he works! Yes. | 0:19:00 | 0:19:04 | |
An easy mistake to make, Danny. | 0:19:04 | 0:19:05 | |
I've no idea what price it could fetch, | 0:19:05 | 0:19:08 | |
but I reckon the saleroom gives it the best chance. | 0:19:08 | 0:19:11 | |
Do you know Carl at all? | 0:19:11 | 0:19:12 | |
-Yes. -Oh, you do. -Of course, yes. | 0:19:12 | 0:19:15 | |
No, he's a very nice man. | 0:19:15 | 0:19:16 | |
Very nice, yeah. | 0:19:16 | 0:19:17 | |
Amusing and friendly and cheeky and... | 0:19:17 | 0:19:21 | |
And very independent. | 0:19:21 | 0:19:23 | |
He's a black belt kick boxer. | 0:19:23 | 0:19:25 | |
-Does he do kick boxing? -He teaches it as well. | 0:19:25 | 0:19:27 | |
-I didn't know that. -Yeah, he teaches martial arts. | 0:19:27 | 0:19:29 | |
That doesn't surprise me. | 0:19:29 | 0:19:30 | |
-Yeah. -Well, thanks very much Gina and also Margaret. | 0:19:30 | 0:19:34 | |
Please keep it a secret, this is top-secret stuff. | 0:19:34 | 0:19:37 | |
Of course. | 0:19:37 | 0:19:38 | |
Gina's generosity is a sign of how much Carl means to the community | 0:19:38 | 0:19:41 | |
here. Carl began learning karate in 2002, | 0:19:41 | 0:19:45 | |
earning a black belt in freestyle martial arts and also qualifying as | 0:19:45 | 0:19:50 | |
an instructor of kick boxing just four years later. | 0:19:50 | 0:19:52 | |
He can't kick, but he can explain how to kick | 0:19:52 | 0:19:56 | |
and he can demonstrate by using his hands and his arms. | 0:19:56 | 0:20:00 | |
He's been running kick boxing classes for people of all | 0:20:00 | 0:20:03 | |
abilities for the last four years. | 0:20:03 | 0:20:05 | |
He's extremely good. I've seen him work with disabled people in electric wheelchairs who can | 0:20:05 | 0:20:10 | |
barely move a muscle, and yet he has them doing something, and I think the confidence that gives | 0:20:10 | 0:20:17 | |
people is just tremendous. | 0:20:17 | 0:20:19 | |
Wendy has been attending his class for a year. | 0:20:19 | 0:20:22 | |
Carl will do it so you're able to do it. | 0:20:22 | 0:20:26 | |
Instead of making you adapt to the techniques, he'll adapt them to you. | 0:20:26 | 0:20:31 | |
'I started my classes because I wanted to teach as many different abilities as I could' | 0:20:31 | 0:20:36 | |
and make them aware that they can achieve pretty much what they want. | 0:20:36 | 0:20:41 | |
Not only does he teach classes four times a week, | 0:20:41 | 0:20:44 | |
but he's also been volunteering at a local country park for the last | 0:20:44 | 0:20:48 | |
14 years, working alongside Murray. | 0:20:48 | 0:20:50 | |
He immediately threw himself into the work. | 0:20:50 | 0:20:53 | |
Everything from working on the estate, doing heavy estate work, | 0:20:53 | 0:20:56 | |
to actually teaching kids and working with school groups and things. | 0:20:56 | 0:20:59 | |
Diane and Rob know it's just in Carl's nature to want to help. | 0:20:59 | 0:21:03 | |
'He likes to help anybody he can.' | 0:21:03 | 0:21:06 | |
And I think having a disabled child sounds like, | 0:21:06 | 0:21:10 | |
to many people, a negative experience, but to Rob and I, | 0:21:10 | 0:21:14 | |
it's been a very positive experience | 0:21:14 | 0:21:17 | |
and we're just very pleased with him. | 0:21:17 | 0:21:20 | |
He sounds like an inspirational chap, | 0:21:23 | 0:21:26 | |
and now I've finally got the chance to meet him. | 0:21:26 | 0:21:28 | |
But I've got to be careful. | 0:21:28 | 0:21:30 | |
If he twigs what's going on, the game's up. | 0:21:30 | 0:21:34 | |
-Hello. -Hi, hello. | 0:21:36 | 0:21:38 | |
'Carl lives here with his sister, Emma, who is also in on the secret.' | 0:21:38 | 0:21:42 | |
-Oh, hello. -Hi. | 0:21:42 | 0:21:43 | |
Hello there. That was a surprise. | 0:21:43 | 0:21:45 | |
Look, we're looking... Carl, we're looking for bric-a-brac, | 0:21:45 | 0:21:49 | |
we're looking for anything that we can sell on our craft stall, | 0:21:49 | 0:21:52 | |
we're looking for old pictures, something that we could sell. | 0:21:52 | 0:21:55 | |
-OK. Well, we can... -Have a look. -Definitely have a look, yeah. | 0:21:55 | 0:21:58 | |
-Can I...? -Yeah. -Yeah? | 0:21:58 | 0:22:00 | |
-Come through, it's this way. -Brilliant. | 0:22:00 | 0:22:02 | |
'So far, so good. He doesn't suspect a thing.' | 0:22:02 | 0:22:05 | |
What's Champ? What's that? | 0:22:05 | 0:22:07 | |
I am a, believe it or not, I am a freestyle kick boxing instructor. | 0:22:07 | 0:22:11 | |
-A kick boxer? -Yes. | 0:22:11 | 0:22:12 | |
Kick boxing instructor. | 0:22:12 | 0:22:14 | |
If I hypothetically cut my body in half... | 0:22:14 | 0:22:18 | |
-Sure. You've still got the... -I've still got these as my feet. | 0:22:18 | 0:22:22 | |
-Exactly. -And these are my legs. | 0:22:22 | 0:22:23 | |
So, I teach like that. | 0:22:25 | 0:22:27 | |
-Emma's one of my students. -Are you really? | 0:22:27 | 0:22:30 | |
-I am, yes. -Can you show me one or two things? | 0:22:30 | 0:22:33 | |
What we do is I would like you to start off with your feet, | 0:22:33 | 0:22:37 | |
shoulder-width apart, take a comfortable step with your right foot, so backwards. | 0:22:37 | 0:22:42 | |
-And then, like a boxer... -OK, that's the basic pose? | 0:22:42 | 0:22:48 | |
-Yeah. -Ready to... | 0:22:48 | 0:22:50 | |
Or to... | 0:22:50 | 0:22:52 | |
-He's good, isn't he? -He's got it. -You can already do it? | 0:22:52 | 0:22:55 | |
No! Could you do some kind of martial display? | 0:22:55 | 0:23:00 | |
-I would love to. -Could you? | 0:23:00 | 0:23:01 | |
-Yeah. -Well, look, come and help us out for the party. | 0:23:01 | 0:23:04 | |
But, in the meantime, can you help us out right now? | 0:23:04 | 0:23:06 | |
-Can we still get in your shed and have a look? -Yes. | 0:23:06 | 0:23:09 | |
'As well as well as offering to do a kick boxing demo on the day, | 0:23:09 | 0:23:12 | |
'he and Emma are also donating a good load of stuff from their shed | 0:23:12 | 0:23:16 | |
'for the bric-a-brac stall.' | 0:23:16 | 0:23:17 | |
That's really pretty, isn't it? It's got the look. That will clean up nicely. | 0:23:17 | 0:23:20 | |
I think so. | 0:23:20 | 0:23:21 | |
'We've got a couple of shelving units, some pink dumbbells and a yoga ball.' | 0:23:21 | 0:23:26 | |
That is brilliant. | 0:23:26 | 0:23:28 | |
'We should get £10-£20 for that lot.' | 0:23:28 | 0:23:30 | |
-Look, thank you very much. -Thank you. -I look forward to seeing you both at the street party. | 0:23:30 | 0:23:35 | |
-Oh, we'll be there. -Don't let us down. | 0:23:35 | 0:23:38 | |
Just goes to show, you know, we are helping the right person here, | 0:23:38 | 0:23:41 | |
aren't we? He really is a champion. | 0:23:41 | 0:23:43 | |
That wheelchair, it's not a barrier for him, it's not a restriction, you know? | 0:23:43 | 0:23:47 | |
Nothing gets in his way. | 0:23:47 | 0:23:49 | |
So Danny and I, we've got to follow his lead, | 0:23:49 | 0:23:51 | |
we're going to help this bloke, because he deserves it. | 0:23:51 | 0:23:54 | |
The sun has been shining on us in Monks Kirby today. | 0:23:54 | 0:23:58 | |
Danny and I are both feeling pretty pleased with our haul. | 0:23:58 | 0:24:01 | |
We've just got one more thing to do, and that's unload the van to see | 0:24:01 | 0:24:05 | |
which of us has collected the most and find some items to send over to the saleroom. | 0:24:05 | 0:24:10 | |
I think we upcycle that, don't you? | 0:24:10 | 0:24:12 | |
-Definitely, Paul. -A pretty colour for a bedroom. | 0:24:12 | 0:24:15 | |
I wouldn't go bright, I'd go a softer shade. | 0:24:15 | 0:24:18 | |
-A softer shade. -Totally agree with you. | 0:24:18 | 0:24:19 | |
Strip it right back. Hopefully, there's, what, 50 quid? | 0:24:19 | 0:24:22 | |
-At least. -Yeah. OK. | 0:24:22 | 0:24:24 | |
Now, I like these. | 0:24:24 | 0:24:26 | |
These old steel cattle feeders can be used as wall-mounted flower baskets, too. | 0:24:26 | 0:24:30 | |
Anyone can put the mesh in. | 0:24:30 | 0:24:32 | |
-Yeah. -And then they can fill it with moss, fill it with some plants, can't they? -Yes. | 0:24:32 | 0:24:37 | |
We'll send those off to the saleroom. | 0:24:37 | 0:24:39 | |
And then how much will we get for those four? | 0:24:39 | 0:24:41 | |
Well, we'd be looking at £20-£30 for the four, probably. | 0:24:41 | 0:24:44 | |
Brilliant. Beach bentwood stool, 1930s. | 0:24:44 | 0:24:48 | |
It's got that lovely sort of Parisian cafe look to it. | 0:24:48 | 0:24:51 | |
Nigel's old pub stool looks tired and in need of a face-lift. | 0:24:51 | 0:24:55 | |
A lick of paint is sure to brighten it up. | 0:24:55 | 0:24:57 | |
So we're going to upcycle that? | 0:24:57 | 0:24:58 | |
-We're going to upcycle that. -What do you think it will make? | 0:24:58 | 0:25:01 | |
£10-£15. | 0:25:01 | 0:25:02 | |
-That'll do. -Now, I like that. | 0:25:02 | 0:25:04 | |
-I bet you do. -Best thing of the day? | 0:25:04 | 0:25:06 | |
Definitely, without a doubt. | 0:25:06 | 0:25:07 | |
Shall we put that in the saleroom? | 0:25:07 | 0:25:09 | |
-Yes, I totally agree with you. -Now, lovely early typewriter. | 0:25:09 | 0:25:12 | |
-An Underwood typewriter. -Yes. | 0:25:12 | 0:25:14 | |
This Underwood typewriter is nearly 100 years old. | 0:25:14 | 0:25:16 | |
It's not in working order, but very decorative. | 0:25:16 | 0:25:19 | |
I'll sell that on the pop-up rostrum. | 0:25:19 | 0:25:21 | |
I think one of these sewing machines could go off | 0:25:21 | 0:25:24 | |
to the saleroom auction as well, because we've got two. | 0:25:24 | 0:25:27 | |
I think that one's earlier, the Bradbury. | 0:25:27 | 0:25:28 | |
-Yes. -And I think it's slightly rarer. | 0:25:28 | 0:25:30 | |
It's got a little more going for it. | 0:25:30 | 0:25:32 | |
That Bradbury, it's got some nice decoration on it as well. | 0:25:32 | 0:25:34 | |
Yes, the original base, the original box. | 0:25:34 | 0:25:36 | |
-Yes. -That's decided, then. | 0:25:36 | 0:25:38 | |
Diane's Bradbury sewing machine is heading for the saleroom, | 0:25:38 | 0:25:41 | |
and I'll put the Singer on the pop-up rostrum. | 0:25:41 | 0:25:44 | |
Maybe £50 in total, there. | 0:25:44 | 0:25:46 | |
And I'll sell the projector on the pop-up rostrum, too. | 0:25:46 | 0:25:49 | |
Tell you what, though, Paul, we seem to be coming to the end of your line now. | 0:25:50 | 0:25:53 | |
Yes, we are. That's because... | 0:25:53 | 0:25:54 | |
We'd better concentrate on my row. | 0:25:54 | 0:25:56 | |
I tell you what, that's a nice touch, that is. | 0:25:56 | 0:25:58 | |
-Yeah, I love it. -That old saddle on the top. | 0:25:58 | 0:26:00 | |
-Yeah, Brooks saddle. That's going in the pop-up. -That's going in the pop-up. | 0:26:00 | 0:26:03 | |
-That Denby's quite nice, don't you think? -Oh, yes, I got some Denby as well. | 0:26:03 | 0:26:06 | |
-I got some Denby over there. -Oh! | 0:26:06 | 0:26:08 | |
Ain't got a touch on my set, though. | 0:26:08 | 0:26:10 | |
I've got six cups. | 0:26:10 | 0:26:11 | |
And saucers. | 0:26:11 | 0:26:13 | |
OK, so you are Danny, champion of the world! | 0:26:13 | 0:26:16 | |
HE LAUGHS | 0:26:16 | 0:26:17 | |
-Thank you very much. -Couldn't do it without you. | 0:26:17 | 0:26:20 | |
-Nice one, Paul. -But our work's not finished yet. This is a brilliant, brilliant start. | 0:26:20 | 0:26:24 | |
Everybody in this community has done us proud. | 0:26:24 | 0:26:26 | |
We need them to pull together now to do an awful lot more on the day. | 0:26:26 | 0:26:30 | |
It's the morning of the street auction. | 0:26:36 | 0:26:38 | |
We need all hands to the pump | 0:26:38 | 0:26:40 | |
to unload the van and deck the street in bunting. | 0:26:40 | 0:26:44 | |
Right, Danny. It's raining, but all this is going to blow over. | 0:26:44 | 0:26:51 | |
-Well, I hope so. -It better. | 0:26:51 | 0:26:53 | |
We've got a lot of good gear here. | 0:26:53 | 0:26:54 | |
We have. And you see that little house up there, look? | 0:26:54 | 0:26:58 | |
-That's where Carl lives. -Ah. -So, voices down, OK? | 0:26:58 | 0:27:01 | |
He's going to be helping us today. | 0:27:01 | 0:27:02 | |
And, fingers crossed, he hasn't twigged a thing yet. | 0:27:02 | 0:27:06 | |
That's the way we want to keep it. | 0:27:06 | 0:27:08 | |
-Absolutely. -And do you know what, Danny? | 0:27:08 | 0:27:09 | |
Since we've been chatting, it's stopped. | 0:27:09 | 0:27:12 | |
Let's get on with it. We've got a van of stuff to unload. | 0:27:12 | 0:27:16 | |
Oh, this brings back memories. | 0:27:16 | 0:27:17 | |
-I remember the bike. -We've got the projectors and stuff. | 0:27:17 | 0:27:20 | |
It was a good day's work there, wasn't it? | 0:27:20 | 0:27:22 | |
-It was, yeah. -It all came good at the end. | 0:27:22 | 0:27:24 | |
Yes, indeed. Just got to sell it. | 0:27:24 | 0:27:26 | |
While Danny gets on hanging the bunting, | 0:27:26 | 0:27:28 | |
I've spied Carl coming out of his house. | 0:27:28 | 0:27:31 | |
When we had our rummage, you said you were going to do some kick boxing. | 0:27:31 | 0:27:34 | |
-Can you still do that? -I'm going to... | 0:27:34 | 0:27:37 | |
You got the guys? | 0:27:37 | 0:27:38 | |
-Yeah, I've got a group and I'll do a nice demonstration. -Brilliant. | 0:27:38 | 0:27:44 | |
Right, now to get the neighbours together. | 0:27:44 | 0:27:46 | |
But I'm concerned I can only see three of them volunteering. | 0:27:46 | 0:27:49 | |
There must be more than this. | 0:27:49 | 0:27:52 | |
-Morning, everyone. -Morning. -Hello. | 0:27:52 | 0:27:54 | |
I see you've already met Danny. | 0:27:54 | 0:27:55 | |
Danny's handing out the sashes. | 0:27:55 | 0:27:57 | |
Pauline, it's great to see you again. | 0:27:57 | 0:27:58 | |
And I met Barbara, didn't I, Barbara? | 0:27:58 | 0:28:01 | |
-This is my bike. -That's your bike. And Jane. | 0:28:01 | 0:28:03 | |
Emma? Are you helping us? | 0:28:03 | 0:28:05 | |
-Hi. Yeah. -Hello. -How are you? -Good to see you again. -Good to see you too. | 0:28:05 | 0:28:07 | |
We've got about four or five bric-a-brac tables. | 0:28:07 | 0:28:10 | |
We've got a craft table, plant table. | 0:28:10 | 0:28:12 | |
Kids' toys table. | 0:28:12 | 0:28:14 | |
Are there any more volunteers turning up, | 0:28:14 | 0:28:16 | |
because I think we are going to struggle with just the five of us. | 0:28:16 | 0:28:18 | |
My sister's coming. | 0:28:18 | 0:28:20 | |
1.30. That's OK. And if the community turn up, and do their bit, | 0:28:20 | 0:28:24 | |
-which I'm sure they will, because they love this guy... -Yeah. | 0:28:24 | 0:28:28 | |
-..then we can do it. OK? -We can do it. | 0:28:28 | 0:28:30 | |
Good luck, everyone. Any problems, see Danny or see Alex or come to me. | 0:28:30 | 0:28:34 | |
OK? And I'll catch up with you later. | 0:28:34 | 0:28:37 | |
There's a lot to do today. | 0:28:37 | 0:28:38 | |
And if we don't have enough people to help, | 0:28:38 | 0:28:40 | |
this street auction might never get off the ground. | 0:28:40 | 0:28:44 | |
Meanwhile, Danny's found a late donation. | 0:28:44 | 0:28:47 | |
Look what we've got here. A lovely, turn-of-the-century, 1920s, | 0:28:47 | 0:28:51 | |
it looks like a little band saw. | 0:28:51 | 0:28:53 | |
It's actually a treadle fret saw, | 0:28:53 | 0:28:55 | |
used to cut ornamental designs in wood. | 0:28:55 | 0:28:58 | |
Made by British company Hobbies since 1895. | 0:28:58 | 0:29:01 | |
Isn't that lovely? | 0:29:03 | 0:29:04 | |
I think it's absolutely fantastic. | 0:29:04 | 0:29:06 | |
Yeah, great condition. | 0:29:06 | 0:29:07 | |
I reckon there's about £100 there. | 0:29:07 | 0:29:08 | |
And we've also got... I think it's your dressing table. | 0:29:08 | 0:29:12 | |
-Right. -I suppose, what with the rain this morning... | 0:29:12 | 0:29:16 | |
-It has discoloured it a little bit. -Oh, no! | 0:29:16 | 0:29:20 | |
We let the air get to that, because that's got to dry. | 0:29:20 | 0:29:22 | |
Once that's dry, we can give it a coat of paint. | 0:29:22 | 0:29:25 | |
Let's get it in the sun. | 0:29:25 | 0:29:27 | |
'I really hope we can get that dresser sorted by the time the street auction opens.' | 0:29:27 | 0:29:31 | |
It's supposedly weatherproof and waterproof but unfortunately... | 0:29:31 | 0:29:35 | |
That's not. | 0:29:36 | 0:29:38 | |
But at least our volunteers are finding items of bric-a-brac to get | 0:29:38 | 0:29:42 | |
excited about. | 0:29:42 | 0:29:43 | |
I've got Fifty Shades Of Grey! | 0:29:43 | 0:29:45 | |
Oh, in Monks Kirby! | 0:29:45 | 0:29:46 | |
You never know, Barbara. | 0:29:46 | 0:29:48 | |
And Jane's blowing her own trumpet. | 0:29:48 | 0:29:50 | |
-There's a special technique in that, you know. -Is there? -Yeah. I'm not going to have a go, | 0:29:50 | 0:29:54 | |
I might get a hernia. | 0:29:54 | 0:29:55 | |
Now, that water-soaked dresser I left Danny with was originally dark wood and very tatty. | 0:29:55 | 0:30:00 | |
But after a bit of a touch-up, it looks like new again. | 0:30:00 | 0:30:04 | |
We've made it more adaptable. | 0:30:04 | 0:30:05 | |
Because now it's a dressing table. | 0:30:05 | 0:30:08 | |
It's a sideboard. | 0:30:08 | 0:30:09 | |
Lovely pastel colours. | 0:30:09 | 0:30:10 | |
-I'm pleased with that. -We could get £20 for that now. | 0:30:10 | 0:30:14 | |
Remember that bentwood stool from the pub? | 0:30:14 | 0:30:18 | |
Classic, traditional. | 0:30:18 | 0:30:20 | |
But we've made it a little bit different today. | 0:30:20 | 0:30:21 | |
Painted it bright yellow. | 0:30:21 | 0:30:23 | |
It looks cool, it looks funky, it looks trendy. | 0:30:23 | 0:30:26 | |
That should fetch at least £15 now. | 0:30:26 | 0:30:29 | |
And with a few finishing touches, the stalls are looking enticing. | 0:30:29 | 0:30:33 | |
And we're ready to get this show on the road. | 0:30:33 | 0:30:37 | |
It looks like the whole community has come together, and what a day. | 0:30:37 | 0:30:40 | |
ALL: Five, four, three, two, one. | 0:30:40 | 0:30:42 | |
It's now or never. Let's go. | 0:30:42 | 0:30:45 | |
CHEERING | 0:30:45 | 0:30:48 | |
It's time for people to start buying. | 0:30:52 | 0:30:54 | |
And I've got an idea to maximise our profits on this hot day. | 0:30:55 | 0:31:00 | |
That could be the best dog bowl you've ever bought. | 0:31:00 | 0:31:02 | |
How about that? A bit of blue and white, a bit of willow pattern. | 0:31:02 | 0:31:04 | |
-50p. -Yeah. -Yeah? -Yeah. | 0:31:04 | 0:31:06 | |
I've just realised more volunteers have turned up as well. | 0:31:07 | 0:31:10 | |
So that's good. I think we've got the stalls manned. | 0:31:10 | 0:31:12 | |
Danny's doing his stuff over there. | 0:31:12 | 0:31:14 | |
-Eight quid? You can do that, can't you? -Yeah. -Lovely. | 0:31:14 | 0:31:17 | |
-Two... -Yeah. -..five... -Yeah. | 0:31:17 | 0:31:20 | |
-..eight... -Yeah. -Give us a tenner. -OK. | 0:31:20 | 0:31:23 | |
I caught up with Margaret, | 0:31:23 | 0:31:24 | |
who lives in the street and knows Carl well. | 0:31:24 | 0:31:27 | |
-Do you live in the area? -Yes. | 0:31:27 | 0:31:29 | |
-I live just up there. -Where? -Up there. -Do you know who this is for? | 0:31:29 | 0:31:33 | |
-Do you know what we're doing here today? -Mm-hm. | 0:31:33 | 0:31:35 | |
-You do. -Yeah. -It's top secret. | 0:31:35 | 0:31:37 | |
He's great. And he's somebody who won't let anyone else down. | 0:31:37 | 0:31:43 | |
He's a really lovely lad. | 0:31:43 | 0:31:45 | |
And she's not the only one who knows Carl. | 0:31:45 | 0:31:47 | |
Sue lives next door to him. | 0:31:47 | 0:31:49 | |
What more can you say? He's one of the best. | 0:31:49 | 0:31:52 | |
And if you want help, he's there. | 0:31:52 | 0:31:54 | |
It seems we're all doing this for the right person. | 0:31:54 | 0:31:57 | |
And to add to our target, Danny's got a buyer for the vicar's jug. | 0:31:57 | 0:32:02 | |
Nice bit of Denby, this. | 0:32:02 | 0:32:03 | |
1980s. From around there, I would have thought. | 0:32:03 | 0:32:06 | |
Look cracking in your kitchen. And a tenner, lovely. | 0:32:06 | 0:32:09 | |
Thank you very much. Thank you very much. | 0:32:09 | 0:32:11 | |
That £10 more towards our target for Carl, | 0:32:11 | 0:32:13 | |
and his older sister Sarah knows how much he deserves it. | 0:32:13 | 0:32:17 | |
I've just had a chat to him. He hasn't got a clue. So we have got away with it. | 0:32:17 | 0:32:21 | |
Yes, it's fantastic. | 0:32:21 | 0:32:22 | |
-He deserves all this. -He really does. | 0:32:22 | 0:32:24 | |
He's had a really tough time growing up. | 0:32:24 | 0:32:26 | |
He's really struggled. His whole childhood has been battle after battle and so, I'm so proud of him. | 0:32:26 | 0:32:32 | |
And as the party is in full swing, | 0:32:32 | 0:32:34 | |
donations are still coming in thick and fast for Carl. | 0:32:34 | 0:32:38 | |
I've just bumped into Ken here, who's a local resident, | 0:32:38 | 0:32:41 | |
and he's just donated another sewing machine. | 0:32:41 | 0:32:44 | |
It was sat on a shelf at home. I live just round the corner. | 0:32:44 | 0:32:48 | |
It was collecting dust until this morning. | 0:32:48 | 0:32:50 | |
I can't believe we've got another one. | 0:32:50 | 0:32:52 | |
It's an 1870s Canadian Wanzer sewing machine, | 0:32:52 | 0:32:55 | |
advertised as the great mechanical success of the age. | 0:32:55 | 0:32:59 | |
-Thank you very much. -You're welcome. | 0:32:59 | 0:33:02 | |
Over at the toy stall, Danny's become a car salesman... | 0:33:02 | 0:33:05 | |
That's a Ferrari. | 0:33:05 | 0:33:07 | |
That looks like a sports car. | 0:33:07 | 0:33:08 | |
It's got one door missing, but... | 0:33:08 | 0:33:11 | |
That's a lovely Jag. | 0:33:11 | 0:33:12 | |
..while I'm drumming up business of my own. | 0:33:12 | 0:33:14 | |
Come and hook a duck, anybody! Hook a duck. | 0:33:14 | 0:33:16 | |
And I've reeled someone in. | 0:33:16 | 0:33:19 | |
-Nearly. -It's not that easy, is it? | 0:33:19 | 0:33:22 | |
-No. -There we are. | 0:33:22 | 0:33:23 | |
Got one. | 0:33:23 | 0:33:25 | |
-Yes! -I tell you what, that's quite difficult. | 0:33:25 | 0:33:27 | |
That's enough to drive you quackers! | 0:33:27 | 0:33:29 | |
There's a final rush to grab a bargain before the stalls close. | 0:33:33 | 0:33:37 | |
The cakes have almost sold out, and Carl's demo has gone down a storm. | 0:33:37 | 0:33:41 | |
But, while the cash is flowing here, | 0:33:46 | 0:33:48 | |
can the same be said in the saleroom where we sent our most prized finds? | 0:33:48 | 0:33:52 | |
Carl's parents, Diane and Rob, | 0:33:52 | 0:33:54 | |
went along to see how they fared under the hammer. | 0:33:54 | 0:33:57 | |
The auctioneer is Tom Keane. | 0:33:57 | 0:33:59 | |
At £30, gone at £30. | 0:33:59 | 0:34:02 | |
'First up, guess what? A sewing machine with a £15-£20 estimate. | 0:34:02 | 0:34:06 | |
'It should reach that easily.' | 0:34:06 | 0:34:09 | |
Number Ten, the bygone Bradbury table top sewing machine. | 0:34:09 | 0:34:12 | |
£10, the sewing machine, £10. | 0:34:12 | 0:34:14 | |
I'm bid at £10, give me 12, at £10 so far, 12, do we have 15? | 0:34:14 | 0:34:19 | |
For this sewing machine, at £12, at £12, we have £12, we have £12. | 0:34:19 | 0:34:22 | |
HAMMER THUDS | 0:34:22 | 0:34:23 | |
-£12. -Oh, well, never mind. | 0:34:23 | 0:34:25 | |
Well, someone got themselves a real bargain there. | 0:34:25 | 0:34:28 | |
'Next up is the beautiful sculpture donated by Gina. | 0:34:28 | 0:34:31 | |
'I didn't know anything about this piece, but it's got an estimate of just £15-£20. | 0:34:31 | 0:34:35 | |
'We thought it could have been more. | 0:34:35 | 0:34:38 | |
'Let's see how it goes.' | 0:34:38 | 0:34:39 | |
A late 20th-century sculpture, dancing nymphs. | 0:34:39 | 0:34:42 | |
That might go better. | 0:34:42 | 0:34:44 | |
A bit of sculpture, £10 for it, £10 for it, £10? | 0:34:44 | 0:34:47 | |
£5? | 0:34:47 | 0:34:48 | |
INDISTINCT | 0:34:49 | 0:34:51 | |
£5. A bid at 5, a bid at 5... | 0:34:51 | 0:34:53 | |
INDISTINCT | 0:34:53 | 0:34:54 | |
At £5, a bid at 5, at £5. I'm bid at £5. | 0:34:54 | 0:34:56 | |
We're done at £5. | 0:34:56 | 0:34:58 | |
HAMMER THUDS | 0:34:58 | 0:34:59 | |
£5. Better than nothing, I suppose. | 0:34:59 | 0:35:02 | |
Oh, no, that was really disappointing. | 0:35:02 | 0:35:05 | |
There just weren't the bidders in the room for it today. | 0:35:05 | 0:35:08 | |
I've got my hopes pinned on the cattle feeders now. | 0:35:08 | 0:35:10 | |
Not a prized antique, but could come in very useful for garden lovers. | 0:35:10 | 0:35:15 | |
They've got an estimate of £30-£40. | 0:35:15 | 0:35:18 | |
Four early 20th-century iron wall-mounted cattle feeders. | 0:35:18 | 0:35:22 | |
£30-£40 for this. | 0:35:22 | 0:35:24 | |
£20? £10? 10, I'm bid at 10. | 0:35:24 | 0:35:26 | |
A tenner. | 0:35:26 | 0:35:28 | |
Come on, come on, come on. | 0:35:28 | 0:35:30 | |
15, 18, 20, 22, 25, 28. At £25... | 0:35:30 | 0:35:34 | |
The bid here's at 25, and gone at 25. | 0:35:34 | 0:35:36 | |
HAMMER THUDS | 0:35:36 | 0:35:37 | |
That's that. | 0:35:37 | 0:35:39 | |
That's a real blow to us reaching our target. | 0:35:39 | 0:35:41 | |
But back on the street, we're counting the money, | 0:35:41 | 0:35:45 | |
and I really hope we've had more success. | 0:35:45 | 0:35:48 | |
Guess how much we made in the auction? | 0:35:48 | 0:35:50 | |
Oh, in the auction, well, I would imagine 400. | 0:35:50 | 0:35:52 | |
-£42. -42? | 0:35:52 | 0:35:54 | |
£42. | 0:35:54 | 0:35:56 | |
You know the sculpture you were raving about? | 0:35:56 | 0:35:58 | |
That made a fiver. | 0:35:58 | 0:36:00 | |
-You're joking! -No, I'm not, Danny. | 0:36:00 | 0:36:02 | |
Well, I tell you something, and I tell you something now... | 0:36:02 | 0:36:05 | |
Today, we've raised £782.32. | 0:36:05 | 0:36:09 | |
So, add the £42, that's £824.32. | 0:36:09 | 0:36:14 | |
We need £1,000. | 0:36:14 | 0:36:15 | |
I've got to get just under 200 quid on the rostrum. | 0:36:15 | 0:36:18 | |
It's all down to you now. | 0:36:18 | 0:36:19 | |
Now I've got to get up there and work, and so have you. | 0:36:19 | 0:36:22 | |
You're my porter, come on. | 0:36:22 | 0:36:23 | |
It's all down to you now! | 0:36:23 | 0:36:24 | |
42 quid in the auction room, Danny! | 0:36:24 | 0:36:27 | |
-I tell you what... -That was your... | 0:36:27 | 0:36:29 | |
..that sculpture was worth a lot more money than that. | 0:36:29 | 0:36:31 | |
A fiver! It got a fiver! | 0:36:31 | 0:36:33 | |
Now it's time to focus on the task in hand. | 0:36:33 | 0:36:37 | |
Right, £200, that's what we need. | 0:36:37 | 0:36:40 | |
Am I going to do it? We'll find out. | 0:36:40 | 0:36:42 | |
We'll find out. | 0:36:42 | 0:36:43 | |
First up, we've got our upcycled bentwood stool. | 0:36:43 | 0:36:47 | |
A beechwood bentwood stool, sort of circa 1950, | 0:36:47 | 0:36:50 | |
but we have given it a fresh lick of paint in primrose yellow. | 0:36:50 | 0:36:53 | |
-What can I take, 18? -Yes. | 0:36:53 | 0:36:55 | |
-18, thank you. 20? -Yes. | 0:36:55 | 0:36:56 | |
Yes, it's against you now at the back. | 0:36:56 | 0:36:58 | |
£20 with me down on the front. | 0:36:58 | 0:37:00 | |
22? The hand's going up in the air! | 0:37:00 | 0:37:02 | |
22! Thank you. | 0:37:02 | 0:37:05 | |
Fair warning, it's going once, twice, sold! £22. | 0:37:05 | 0:37:08 | |
'Excellent price. | 0:37:08 | 0:37:10 | |
'Just goes to show what a lick of paint can do. | 0:37:10 | 0:37:12 | |
'Will the dresser do any better, now it's been restored from the rain?' | 0:37:12 | 0:37:16 | |
So, who's going to start me off with a bid of £10 for this? | 0:37:16 | 0:37:19 | |
Surely it's worth that. There you go, 10 straight in. | 0:37:19 | 0:37:21 | |
12. The bid is now against you. | 0:37:21 | 0:37:23 | |
Can I take 15? | 0:37:23 | 0:37:24 | |
15? Yes! £15, now. | 0:37:24 | 0:37:26 | |
Fair warning, I'm selling at 15. | 0:37:26 | 0:37:28 | |
Sold! | 0:37:28 | 0:37:29 | |
CHEERING AND APPLAUSE | 0:37:29 | 0:37:31 | |
That dresser was a bargain. | 0:37:31 | 0:37:33 | |
But with a total of £37, our upcycled items have done the job. | 0:37:33 | 0:37:38 | |
Now for Jane's Denby tea set. | 0:37:38 | 0:37:40 | |
And Danny knows its value. | 0:37:40 | 0:37:42 | |
Must be worth £40, I'm sure, of anybody's money. | 0:37:42 | 0:37:45 | |
25, thank you, I've got a bid of £25. | 0:37:45 | 0:37:47 | |
And I'm selling at 25. | 0:37:47 | 0:37:49 | |
Fair warning. £30, thank you. | 0:37:49 | 0:37:51 | |
£35. They love their Denby here. | 0:37:51 | 0:37:54 | |
Can you make that 40, sir? | 0:37:54 | 0:37:56 | |
-No! -No, he can't! | 0:37:56 | 0:37:58 | |
LAUGHTER | 0:37:58 | 0:37:59 | |
Can you make it 36? | 0:37:59 | 0:38:01 | |
-40. -£40, 41. | 0:38:01 | 0:38:04 | |
It's going once, twice, sold, £41. | 0:38:04 | 0:38:07 | |
CHEERING | 0:38:07 | 0:38:08 | |
'She's on a roll. | 0:38:08 | 0:38:10 | |
'The vintage bike achieved a decent price.' | 0:38:10 | 0:38:13 | |
Thank you, £40, and as the bells toll, I'm selling at 40. | 0:38:13 | 0:38:17 | |
Sold, thank you, £40. | 0:38:17 | 0:38:20 | |
And the treadle fret saw went for top money. | 0:38:20 | 0:38:22 | |
And I'm selling at 90. | 0:38:22 | 0:38:24 | |
It's going once, twice, sold. Thank you. | 0:38:24 | 0:38:27 | |
Brilliant. Next up are the items donated by the village school. | 0:38:27 | 0:38:31 | |
'The Underwood typewriter must be worth at least £10.' | 0:38:31 | 0:38:35 | |
Great prop in anybody's office. | 0:38:35 | 0:38:36 | |
Oh, that is, isn't it? | 0:38:36 | 0:38:38 | |
Thank you, £10, 15, £15, it's against you now. | 0:38:38 | 0:38:41 | |
You're up. £15 is with me, and I'm selling at 15. | 0:38:41 | 0:38:44 | |
It's going once, twice, sold. Thank you, £15. | 0:38:44 | 0:38:48 | |
'Excellent. Better than expected. | 0:38:48 | 0:38:50 | |
'And the Singer sewing machine got a decent price, too.' | 0:38:50 | 0:38:53 | |
Going to make that 15, 15. | 0:38:53 | 0:38:55 | |
Sold, £15. | 0:38:55 | 0:38:56 | |
'And the projector proved a "reel" hit!' | 0:38:57 | 0:39:00 | |
Fair warning, I'm selling at 15, selling once, twice, sold, thank you. | 0:39:00 | 0:39:04 | |
'Now for our final lot. | 0:39:04 | 0:39:06 | |
'Ken's antique sewing machine. | 0:39:06 | 0:39:08 | |
'Diane's Bradbury sold at the saleroom for £12. | 0:39:08 | 0:39:12 | |
'And the Singer for 15. | 0:39:12 | 0:39:14 | |
'Will this do any better?' | 0:39:14 | 0:39:16 | |
Thank you, £25. 26? 26. 27. 28. 29. 30. | 0:39:16 | 0:39:23 | |
You're out. £30. | 0:39:23 | 0:39:25 | |
And I'm selling at 30. | 0:39:25 | 0:39:26 | |
Fair warning, it's going once, twice, sold, £30. | 0:39:26 | 0:39:30 | |
Thank you so much. You've all been so generous. | 0:39:30 | 0:39:33 | |
Stay with us, because we've got to tot these figures up | 0:39:33 | 0:39:36 | |
and then all will be revealed. | 0:39:36 | 0:39:38 | |
So, please, give us three or four minutes to tot these figures up. | 0:39:38 | 0:39:41 | |
Fantastic bidding from a fantastic community. | 0:39:41 | 0:39:45 | |
And now it's the moment of truth. | 0:39:45 | 0:39:47 | |
Have we made our target? | 0:39:47 | 0:39:49 | |
We set out to hit a target of £1,000 today. | 0:39:49 | 0:39:53 | |
Now, together, we didn't get £1,000. | 0:39:54 | 0:39:58 | |
We smashed it. We got £1,353.32. | 0:40:00 | 0:40:05 | |
So thank you very much! Thank you so much! | 0:40:05 | 0:40:10 | |
You have been absolutely brilliant. | 0:40:10 | 0:40:13 | |
Danny and I have been proud to be part of this, and we've got to know many of you. | 0:40:13 | 0:40:18 | |
And many of you know what this is all about. | 0:40:18 | 0:40:21 | |
We've had to tell a few fibs, haven't we, Danny? | 0:40:21 | 0:40:23 | |
-Definitely! -We've roped one person in under false pretences. | 0:40:23 | 0:40:27 | |
We really have. And I guess it's time to come clean. | 0:40:27 | 0:40:31 | |
Because today has been about raising money for a very special person who | 0:40:31 | 0:40:37 | |
does so much for this community, who is a big part of this community. | 0:40:37 | 0:40:42 | |
Despite what he has had to overcome, | 0:40:42 | 0:40:45 | |
he has managed to carry on helping this community, giving so much. | 0:40:45 | 0:40:50 | |
He's also a black belt, | 0:40:50 | 0:40:51 | |
and I think he's just worked out it's all for him! | 0:40:51 | 0:40:54 | |
Carl Hodgetts, this is all for you! All of these people have come here | 0:40:54 | 0:40:59 | |
to say a very, very big thank you for all the work you've done. | 0:40:59 | 0:41:04 | |
This is your party. | 0:41:04 | 0:41:06 | |
Oh, my goodness! | 0:41:10 | 0:41:12 | |
We've managed to keep this a secret. | 0:41:13 | 0:41:15 | |
You're telling me you have! | 0:41:15 | 0:41:17 | |
LAUGHTER | 0:41:17 | 0:41:19 | |
Oh... I need to sit down! | 0:41:20 | 0:41:22 | |
LAUGHTER | 0:41:22 | 0:41:24 | |
Hang on a minute, I just want you to read this out. | 0:41:24 | 0:41:27 | |
-I'm just trying to take it all in. -Oh, come on. | 0:41:27 | 0:41:29 | |
"We wanted..." Hm. | 0:41:29 | 0:41:31 | |
"To Carl, we want to show you how much we appreciate you and all that you do, | 0:41:31 | 0:41:35 | |
"so today, we've raised money to make all the adaptions to your new car..." | 0:41:35 | 0:41:39 | |
CARL SNIFFS | 0:41:39 | 0:41:40 | |
"..and give you and three friends an expense-paid trip to Lord's Cricket Ground. | 0:41:40 | 0:41:45 | |
"From all your friends, family and neighbours." | 0:41:45 | 0:41:48 | |
Oh, my goodness. | 0:41:48 | 0:41:50 | |
CHEERING AND APPLAUSE | 0:41:50 | 0:41:52 | |
Now, you tell us what you think now. | 0:41:54 | 0:41:57 | |
How on earth have you done this? | 0:41:57 | 0:41:58 | |
LAUGHTER | 0:41:58 | 0:42:00 | |
I just can't get my head around it. | 0:42:00 | 0:42:02 | |
Thank you a lot, thank you very much. | 0:42:02 | 0:42:05 | |
I've always wanted to go to Lord's Cricket Ground. It's brilliant. Yeah, yeah. | 0:42:05 | 0:42:09 | |
-Crikey. -You're an inspiration to everybody here. | 0:42:09 | 0:42:11 | |
And thank you, everybody, for turning up and making this a brilliant day. | 0:42:11 | 0:42:15 | |
We smashed that target, and it's all for you, Carl. | 0:42:15 | 0:42:17 | |
CHEERING AND APPLAUSE | 0:42:17 | 0:42:19 | |
It's just been a tough, tough struggle, but all the time, | 0:42:19 | 0:42:21 | |
all the way through it, he just thinks of other people. | 0:42:21 | 0:42:24 | |
So it's so nice that he's had something back now and some recognition. | 0:42:24 | 0:42:27 | |
This is a community working as a community. | 0:42:27 | 0:42:30 | |
That's what it's all about. | 0:42:30 | 0:42:31 | |
Absolutely fantastic. It's been far better than I ever imagined. | 0:42:31 | 0:42:34 | |
The reaction from the community's unbelievable. | 0:42:34 | 0:42:37 | |
I didn't realise that so many people knew Carl. | 0:42:37 | 0:42:40 | |
And I could really tell that he was really touched by it. | 0:42:40 | 0:42:44 | |
What a surprise. He didn't twig it. | 0:42:46 | 0:42:48 | |
We succeeded. We smashed that target. | 0:42:48 | 0:42:51 | |
That is what this is all about, | 0:42:51 | 0:42:52 | |
the community coming together to make this work and, boy, | 0:42:52 | 0:42:55 | |
did it happen today? | 0:42:55 | 0:42:56 | |
What a street party it's been. | 0:42:56 | 0:42:58 | |
I hope you've enjoyed the show. Keep watching, | 0:42:58 | 0:43:00 | |
because we could be in your street the next time, | 0:43:00 | 0:43:02 | |
and this party and this auction could be for you. Goodbye. | 0:43:02 | 0:43:05 | |
And, since the street auction, | 0:43:05 | 0:43:07 | |
Carl and his friends have had a great day at Lord's, | 0:43:07 | 0:43:10 | |
and he's in the process of getting his new car adapted. | 0:43:10 | 0:43:13 |