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Do you know your neighbours well enough to call them your friends? | 0:00:03 | 0:00:06 | |
Well, many of us don't - | 0:00:06 | 0:00:08 | |
but today we hope to change all of that, | 0:00:08 | 0:00:10 | |
when we bring the neighbourhood and the community together | 0:00:10 | 0:00:13 | |
to raise money for one incredibly special person. | 0:00:13 | 0:00:16 | |
Her name's Kizzy and she dedicates all her free time | 0:00:17 | 0:00:20 | |
to working with inner-city kids - and along the way she changes lives. | 0:00:20 | 0:00:25 | |
I know what they're going through, it's not nice, | 0:00:26 | 0:00:28 | |
and when there's nobody to turn to, that's the worst. | 0:00:28 | 0:00:31 | |
Meeting Kizzy gave me hope for my future. | 0:00:31 | 0:00:36 | |
She's like a big role model, she's like a second mother | 0:00:36 | 0:00:39 | |
to, like, all the other kids. | 0:00:39 | 0:00:40 | |
We want to raise £700 to buy Kizzy a much-deserved treat. | 0:00:40 | 0:00:44 | |
So, we're going into the community to find unwanted items to sell... | 0:00:44 | 0:00:49 | |
This is a really good find, so, thank you so much. | 0:00:49 | 0:00:51 | |
..furniture to upcycle and treasures and art to auction off | 0:00:51 | 0:00:55 | |
at an amazing street party - | 0:00:55 | 0:00:56 | |
but how will Kizzy react when she discovers | 0:00:56 | 0:00:59 | |
that, for once, all the effort has been for her? | 0:00:59 | 0:01:02 | |
Today, we're in Bristol, in the west of England, | 0:01:07 | 0:01:10 | |
in the thriving artistic neighbourhood of Easton. | 0:01:10 | 0:01:13 | |
It's home to a very special person. | 0:01:13 | 0:01:15 | |
Kizzy Morrell. | 0:01:15 | 0:01:16 | |
-You all right? -Yes! | 0:01:17 | 0:01:20 | |
Kizzy works as a radio DJ, | 0:01:20 | 0:01:21 | |
but she's also a youth leader, singing coach, | 0:01:21 | 0:01:24 | |
and mentor to local youngsters. | 0:01:24 | 0:01:27 | |
We've told her we are making a programme about community projects. | 0:01:27 | 0:01:31 | |
What she doesn't know is that actually it's all about her. | 0:01:31 | 0:01:34 | |
Kizzy was born in Dorset in 1964. | 0:01:35 | 0:01:39 | |
When she was a child, the whole family moved to Hull, | 0:01:39 | 0:01:41 | |
including Kizzy, and a younger brother, Andre. | 0:01:41 | 0:01:44 | |
Being non-white in Hull, there was not many of us around, | 0:01:44 | 0:01:49 | |
and my sister would always stick up for me, | 0:01:49 | 0:01:52 | |
she'd be the one fighting my battles in the playground. | 0:01:52 | 0:01:56 | |
Every day, I'd get beaten up at school, every single day. | 0:01:56 | 0:02:01 | |
Every day, being called names, | 0:02:01 | 0:02:03 | |
being pushed through glass windows... | 0:02:03 | 0:02:05 | |
All the horrible stuff people don't want to talk about has happened. | 0:02:05 | 0:02:09 | |
At 15, Kizzy moved to London to try and break into showbiz. | 0:02:09 | 0:02:14 | |
It was just like an adventure, it was just a new adventure. | 0:02:15 | 0:02:19 | |
It was almost like having wings, | 0:02:19 | 0:02:21 | |
and then being able to think, | 0:02:21 | 0:02:23 | |
"Right, now, the world is my oyster." | 0:02:23 | 0:02:25 | |
She soon got noticed, | 0:02:25 | 0:02:26 | |
and eventually worked with famous names like Prince, | 0:02:26 | 0:02:29 | |
Hot Chocolate, and Take That. | 0:02:29 | 0:02:31 | |
Yeah, I remember Kizzy coming home and telling me | 0:02:31 | 0:02:34 | |
that she'd got a top three hit single in one of the charts. | 0:02:34 | 0:02:38 | |
But not everything was going well. | 0:02:38 | 0:02:40 | |
After a relationship went badly wrong, she moved to Bristol, | 0:02:40 | 0:02:44 | |
and there she decided to use her showbiz experience | 0:02:44 | 0:02:47 | |
to help local kids. | 0:02:47 | 0:02:49 | |
Music is the common denominator that brings everybody together. | 0:02:49 | 0:02:53 | |
So, I thought, "Oh, maybe I could set up a school | 0:02:53 | 0:02:56 | |
"and teach them how to sing," | 0:02:56 | 0:02:57 | |
as well as helping them through their issues, | 0:02:57 | 0:03:01 | |
and their dramas in life. | 0:03:01 | 0:03:03 | |
She set up a project called Studio 7 to support and mentor young people. | 0:03:03 | 0:03:08 | |
I call it a finishing school for artists, | 0:03:08 | 0:03:11 | |
and the idea behind it is to find young raw talent, | 0:03:11 | 0:03:17 | |
to polish them, | 0:03:17 | 0:03:19 | |
and make them into amazing superstars. | 0:03:19 | 0:03:23 | |
Many of Kizzy's proteges have gone on to careers in showbiz, | 0:03:23 | 0:03:26 | |
including actor and singer Jacob Anderson, | 0:03:26 | 0:03:29 | |
star of Game Of Thrones. | 0:03:29 | 0:03:30 | |
But every kid who Kizzy helps is special, whatever they end up doing. | 0:03:32 | 0:03:36 | |
It's important for everybody to find a place in their heart | 0:03:36 | 0:03:40 | |
to help our young children, because they're so important to us. | 0:03:40 | 0:03:44 | |
They really are. | 0:03:46 | 0:03:47 | |
Sorry. | 0:03:48 | 0:03:49 | |
As a thank you for all she does, | 0:03:51 | 0:03:52 | |
we'd like to send her on a pampering break. | 0:03:52 | 0:03:56 | |
£700 would pay for a really luxurious weekend - | 0:03:56 | 0:03:59 | |
and here's how we going to raise it. | 0:03:59 | 0:04:01 | |
Now, the plan is we knock on as many doors as possible today | 0:04:02 | 0:04:05 | |
here in this community, asking all of Kizzy's friends, | 0:04:05 | 0:04:09 | |
family and neighbours to donate any unwanted or unloved items, | 0:04:09 | 0:04:13 | |
so we can sell them here on the street in a pop-up auction, | 0:04:13 | 0:04:16 | |
in a few weeks' time. | 0:04:16 | 0:04:17 | |
Now, that is a big task - but there's an even greater challenge. | 0:04:17 | 0:04:21 | |
Keeping it a secret from Kizzy until after the sale. | 0:04:21 | 0:04:24 | |
We want it to be one big surprise. | 0:04:24 | 0:04:27 | |
It will be a tough job - but luckily I'm not facing it alone. | 0:04:27 | 0:04:30 | |
I've called for backup, in the shape of auctioneer | 0:04:31 | 0:04:34 | |
and toy and sporting memorabilia expert Tim Weeks. | 0:04:34 | 0:04:37 | |
-Tim. -Hello. | 0:04:40 | 0:04:41 | |
-It's great to see you. -Good to see you too. | 0:04:41 | 0:04:43 | |
-Feeling confident? -I am feeling confident. | 0:04:43 | 0:04:44 | |
-There's loads of houses. -Good. -Lots of doors to knock on. | 0:04:44 | 0:04:47 | |
I reckon there's a lot of stuff here. | 0:04:47 | 0:04:48 | |
So, which side of the street do you want? | 0:04:48 | 0:04:50 | |
I wouldn't mind saving my feet, so can I have this side? | 0:04:50 | 0:04:52 | |
Saving your feet! I tell you what, | 0:04:52 | 0:04:53 | |
your feet are going to be doing a lot of running around today. | 0:04:53 | 0:04:56 | |
That's why I've got trainers on! Great, high five. | 0:04:56 | 0:04:58 | |
But which of us will come back with the most donations? | 0:04:58 | 0:05:01 | |
Come on, Easton, show us what you've got. | 0:05:01 | 0:05:03 | |
Just checking. You never know! | 0:05:09 | 0:05:10 | |
Fingers crossed, Tim, go on, get inside, get some stuff! | 0:05:14 | 0:05:17 | |
Actually, look, I'm working evenly down with Tim. | 0:05:17 | 0:05:20 | |
He's not having a lot of luck, either. | 0:05:20 | 0:05:22 | |
Finally, one of us gets a break. | 0:05:24 | 0:05:26 | |
Tim's knocked on Cat's door. | 0:05:26 | 0:05:28 | |
-I'm, like, a hoarder, so... -You're a hoarder?! | 0:05:28 | 0:05:30 | |
-Oh, I love hoarders. -Yeah, yeah, yeah! I've got loads of stuff. | 0:05:30 | 0:05:33 | |
I can donate Foxy. | 0:05:33 | 0:05:35 | |
Pictures of animals always sell. | 0:05:35 | 0:05:37 | |
This watercolour is by a local artist, | 0:05:37 | 0:05:39 | |
and it should make us £20. | 0:05:39 | 0:05:41 | |
-These nutcracker guys. -Nutcrackers, look. | 0:05:41 | 0:05:44 | |
I think they're really cool. | 0:05:44 | 0:05:45 | |
They're going to look great. | 0:05:45 | 0:05:46 | |
The prince and the soldier nutcrackers | 0:05:46 | 0:05:48 | |
follows a design that dates back hundreds of years. | 0:05:48 | 0:05:50 | |
These are modern, but really decorative, | 0:05:50 | 0:05:53 | |
and as a pair I think they'd make a tenner. | 0:05:53 | 0:05:55 | |
Sorry, is that your lunch, as well? | 0:05:55 | 0:05:57 | |
Finally, I've found someone in the street who will let me in. | 0:05:57 | 0:06:00 | |
Oh, thank you. | 0:06:00 | 0:06:01 | |
Daniel has a huge pile of textbooks to donate, | 0:06:01 | 0:06:04 | |
which cost a fortune new, so should make us a few pounds each - | 0:06:04 | 0:06:08 | |
and it turns out he knows Kizzy. | 0:06:08 | 0:06:09 | |
-Yeah. Yeah, seen her before. -Yeah? Great singer. | 0:06:11 | 0:06:13 | |
So, I've been down there to the studio and music facilities | 0:06:13 | 0:06:16 | |
and stuff when I was younger, a bit younger, and stuff like that. | 0:06:16 | 0:06:18 | |
So, yeah, she's a really, really positive woman. | 0:06:18 | 0:06:22 | |
Just up the road, Jamila also has a couple of items for Tim. | 0:06:22 | 0:06:26 | |
-You've got something?! -Yeah. -Can we come in? | 0:06:26 | 0:06:28 | |
-Yeah, please. -Fantastic. Thank you so much. | 0:06:28 | 0:06:30 | |
Great. Great news. | 0:06:30 | 0:06:32 | |
-This one... -OK. | 0:06:32 | 0:06:33 | |
This computer desk would be perfect for someone | 0:06:33 | 0:06:36 | |
who's short on space who works from home... | 0:06:36 | 0:06:38 | |
..and this modern glass top coffee table | 0:06:39 | 0:06:41 | |
as a solid wooden base that would be ideal | 0:06:41 | 0:06:43 | |
for displaying books or ornaments. | 0:06:43 | 0:06:46 | |
Put it there. You've been a real star. | 0:06:46 | 0:06:47 | |
Thank you so much. | 0:06:47 | 0:06:48 | |
Meanwhile, out on the street... | 0:06:48 | 0:06:50 | |
Oh... | 0:06:52 | 0:06:53 | |
Oh, I tell you what...! | 0:06:54 | 0:06:57 | |
It's getting really wet out there! | 0:06:57 | 0:06:59 | |
I'll take shelter for a minute. | 0:06:59 | 0:07:01 | |
I don't know where Tim is. | 0:07:01 | 0:07:02 | |
Hopefully, he's inside somebody's house, but... | 0:07:02 | 0:07:05 | |
That's wet. | 0:07:06 | 0:07:08 | |
While I'm taking shelter, Tim's lucky streak continues at Martin's. | 0:07:08 | 0:07:12 | |
-This is great. -I haven't got a record player any more. | 0:07:12 | 0:07:15 | |
Why I kept these two old LPs... Sometimes, people... | 0:07:15 | 0:07:18 | |
-I believe they're coming back into fashion. -It's back. | 0:07:18 | 0:07:20 | |
The vinyl revival is in full flow, believe me. | 0:07:20 | 0:07:23 | |
-Couple of old Chopin LPs... -Yeah, great, we'll take those. | 0:07:23 | 0:07:26 | |
This disc could make £2, | 0:07:26 | 0:07:28 | |
but if you found a signed copy of the Beatles' Sergeant Pepper LP, | 0:07:28 | 0:07:32 | |
it would be worth £200,000. | 0:07:32 | 0:07:34 | |
It's an old style mouse. | 0:07:34 | 0:07:36 | |
-Oh, isn't that fun?! -Are they any use at all any more? | 0:07:36 | 0:07:38 | |
Yeah, absolutely. | 0:07:38 | 0:07:39 | |
Anyway, it may be something | 0:07:39 | 0:07:40 | |
-that attracts somebody in some way. -Yeah, yeah. | 0:07:40 | 0:07:42 | |
Retro computer hardware has rocketed in value. | 0:07:42 | 0:07:45 | |
One vintage model recently made over £300,000, | 0:07:45 | 0:07:49 | |
so this mouse could well be an investment for the future. | 0:07:49 | 0:07:52 | |
Martin's lived here for six years, and loves his neighbourhood. | 0:07:53 | 0:07:57 | |
It is diverse, it's exciting, it's just full of... | 0:07:57 | 0:08:00 | |
-Different people. -Yeah. | 0:08:02 | 0:08:03 | |
All living together. | 0:08:03 | 0:08:04 | |
Effectively. | 0:08:04 | 0:08:06 | |
It's finally stopped raining, and I'm back on track. | 0:08:06 | 0:08:09 | |
At my next house, Tim's been doing some upcycling of his own. | 0:08:09 | 0:08:12 | |
Ah, look at that! Bright yellow! | 0:08:14 | 0:08:16 | |
-Yeah. -Did you paint that? | 0:08:16 | 0:08:17 | |
-I did, yeah. -Brilliant. | 0:08:17 | 0:08:19 | |
Well, we can have that, that will be somebody else's TV unit. | 0:08:19 | 0:08:22 | |
This corner unit is a bit out of the ordinary. | 0:08:22 | 0:08:24 | |
I like its curvy front, and the cut-out details by its legs - | 0:08:24 | 0:08:28 | |
and the colour. It's a show stopper. | 0:08:28 | 0:08:30 | |
I'm sure someone will give us £10 for it. | 0:08:30 | 0:08:34 | |
And Tim's still on a roll, with yet another item at Sadie's. | 0:08:34 | 0:08:38 | |
Yes, I've got one thing. | 0:08:38 | 0:08:40 | |
-OK. -I've got a sledge. | 0:08:40 | 0:08:41 | |
-OK, yeah. -A wooden sled with metal rails. -Nice. | 0:08:41 | 0:08:43 | |
-Yeah, that would be great. -Have it! -Put it there. | 0:08:43 | 0:08:45 | |
This traditional sled could date back to the 1930s, | 0:08:47 | 0:08:50 | |
and is made of oak, with iron runners. | 0:08:50 | 0:08:53 | |
I've seen these fetch up to £50, | 0:08:53 | 0:08:55 | |
so I'm hoping it will make at least 20. | 0:08:55 | 0:08:57 | |
Go on, let's get it on the van. | 0:08:57 | 0:08:59 | |
With my first donations in the bag, | 0:09:02 | 0:09:04 | |
I'm taking time out to pop into the local community centre | 0:09:04 | 0:09:07 | |
to meet Kizzy's best friend and right-hand woman, Victoria. | 0:09:07 | 0:09:11 | |
Right... So, tell me a bit more about her. | 0:09:11 | 0:09:14 | |
Everybody knows her, | 0:09:14 | 0:09:16 | |
anybody within the music industry knows her within Bristol, | 0:09:16 | 0:09:19 | |
and they will go out of their way for her | 0:09:19 | 0:09:22 | |
-because they know what she's about. -Sure. Yeah. | 0:09:22 | 0:09:25 | |
And she helps mothers, she helps families, she's... | 0:09:25 | 0:09:29 | |
and it's all because of her love and her passion for our children. | 0:09:29 | 0:09:34 | |
When the two women met, Victoria's daughter Angel | 0:09:34 | 0:09:36 | |
was being bullied at school. | 0:09:36 | 0:09:38 | |
At that time, I was distraught. | 0:09:38 | 0:09:40 | |
-I bet you were. -I was in pieces. | 0:09:40 | 0:09:42 | |
It was, you know, my baby. | 0:09:42 | 0:09:44 | |
If it wasn't for Kizzy being by my side, | 0:09:44 | 0:09:48 | |
I wouldn't have been able to manage, because I was in no state of mind... | 0:09:48 | 0:09:51 | |
-No. -..to cope with it all on my own, I couldn't... | 0:09:51 | 0:09:53 | |
And she was my rock. | 0:09:53 | 0:09:55 | |
You always have to have that special friend... | 0:09:55 | 0:09:58 | |
-Oh, yes. -That you can confide in, you can talk to, | 0:09:58 | 0:10:01 | |
-and Kizzy was that for me. -Mm. | 0:10:01 | 0:10:04 | |
Victoria's seen first-hand what a difference Kizzy makes | 0:10:04 | 0:10:07 | |
to the kids she mentors. | 0:10:07 | 0:10:09 | |
Here, we've got Tyrell over there, for instance. | 0:10:09 | 0:10:12 | |
Now, when he first came into Studio 7, | 0:10:12 | 0:10:15 | |
he had the biggest chip on his shoulder you could ever believe. | 0:10:15 | 0:10:20 | |
Tyrell? Come over here, mate. | 0:10:20 | 0:10:22 | |
My name's Paul. How do you do? | 0:10:23 | 0:10:26 | |
-My name's Ty. -Yeah, take a seat with us. | 0:10:26 | 0:10:29 | |
And what has Kizzy done, specifically, for you? | 0:10:29 | 0:10:32 | |
When I... When I came to Studio 7, | 0:10:32 | 0:10:34 | |
I wasn't quite comfortable with myself as a person. | 0:10:34 | 0:10:37 | |
Obviously, a lot of personal issues I was going through at that time, | 0:10:38 | 0:10:42 | |
a lot of bullying at school, so... | 0:10:42 | 0:10:45 | |
So, through that time I put up a front. | 0:10:45 | 0:10:48 | |
Hence the reason I had the chip on my shoulder. | 0:10:48 | 0:10:50 | |
-Sure. -Hence the reason I thought... | 0:10:50 | 0:10:51 | |
-That's how you have to deal with it. -Hence the reason I thought I was it. | 0:10:51 | 0:10:54 | |
How would you describe Kizzy, and what does she mean to you? | 0:10:54 | 0:10:57 | |
She's like a big role model, she's like a second mother | 0:10:57 | 0:11:00 | |
to, like...to, like, all the kids. | 0:11:00 | 0:11:02 | |
Cos some kids don't have a mother, | 0:11:02 | 0:11:05 | |
and some kids don't grow up with their mother, | 0:11:05 | 0:11:07 | |
-so Kizzy's like the alternative, the alternative for a parent. -Yeah. | 0:11:07 | 0:11:12 | |
She's boosted up my confidence, | 0:11:13 | 0:11:15 | |
she's made me feel more comfortable within myself as a person, | 0:11:15 | 0:11:19 | |
and I feel like I can branch out more, now. | 0:11:19 | 0:11:22 | |
I do hope to become, like... the best singer in Bristol! | 0:11:22 | 0:11:25 | |
THEY LAUGH | 0:11:25 | 0:11:26 | |
Well, I hope it happens. | 0:11:28 | 0:11:29 | |
I hope it happens, I really do. | 0:11:29 | 0:11:31 | |
Like Tyrell, | 0:11:31 | 0:11:32 | |
Victoria's daughter Angel has come a long way with Kizzy's help, | 0:11:32 | 0:11:36 | |
and is taking her first steps towards a recording career. | 0:11:36 | 0:11:39 | |
What was it like for you at your lowest point? | 0:11:40 | 0:11:42 | |
What were you feeling? How did Kizzy turn it around? | 0:11:42 | 0:11:45 | |
I felt like I wasn't like everybody else. | 0:11:45 | 0:11:49 | |
I just felt completely different, | 0:11:49 | 0:11:51 | |
I just felt like I was always on my own, | 0:11:51 | 0:11:54 | |
I didn't feel like I had anyone there to comfort me | 0:11:54 | 0:11:56 | |
or to make me feel comfortable. | 0:11:56 | 0:11:58 | |
But Kizzy took Angel under her wing. | 0:11:58 | 0:12:00 | |
Kizzy will phone me up and be like, "Angel, come to my house! | 0:12:00 | 0:12:02 | |
"We're going to do some music." | 0:12:02 | 0:12:04 | |
We used to record, do funny, like, music stuff, | 0:12:04 | 0:12:06 | |
like on the computers, and it was just, she was just... | 0:12:06 | 0:12:09 | |
She's just there, she's just inspiring, like, just always... | 0:12:09 | 0:12:15 | |
been able to help me through everything, | 0:12:15 | 0:12:17 | |
even though I don't know how. | 0:12:17 | 0:12:19 | |
Like... It just seems like she's been through it herself. | 0:12:19 | 0:12:21 | |
Kizzy makes a difference by drawing on her own troubled youth | 0:12:23 | 0:12:26 | |
to help the next generation. | 0:12:26 | 0:12:28 | |
I know what they're going through, I've been there myself. | 0:12:28 | 0:12:31 | |
I've been bullied, and... | 0:12:31 | 0:12:33 | |
It's not nice, and when there's nobody to turn to, that's the worst. | 0:12:34 | 0:12:39 | |
You know, you want to die. | 0:12:39 | 0:12:41 | |
Or you want to cut yourself, or... | 0:12:41 | 0:12:44 | |
You feel isolated, and alone and afraid, | 0:12:44 | 0:12:48 | |
and I don't want them to feel like that. | 0:12:48 | 0:12:50 | |
I don't want... | 0:12:50 | 0:12:51 | |
So... I use music to help. | 0:12:55 | 0:12:58 | |
Kizzy runs workshops twice a week for talented youngsters. | 0:13:00 | 0:13:04 | |
Tonight, singer and former student Emma has come back | 0:13:04 | 0:13:08 | |
to talk to the group. | 0:13:08 | 0:13:09 | |
I lost my voice when I was 20. | 0:13:09 | 0:13:11 | |
I could have given up singing, I could have given it up. | 0:13:11 | 0:13:15 | |
But then I carried on, | 0:13:15 | 0:13:17 | |
I carried on working at it because I knew what I wanted, eventually. | 0:13:17 | 0:13:20 | |
Kizzy was a massive inspiration for me. | 0:13:20 | 0:13:23 | |
I knew what I wanted to achieve. | 0:13:23 | 0:13:25 | |
'Places like this are really important for young people' | 0:13:25 | 0:13:28 | |
because you don't know what they are going home to, | 0:13:28 | 0:13:31 | |
you don't know what's happening behind closed doors, | 0:13:31 | 0:13:34 | |
and you don't know how they're feeling inside, | 0:13:34 | 0:13:37 | |
and what's beating them down every single day, | 0:13:37 | 0:13:39 | |
but just one night a week they get together in their family unit, | 0:13:39 | 0:13:43 | |
and they support each other, and it's incredible. | 0:13:43 | 0:13:46 | |
ALL SING | 0:13:46 | 0:13:48 | |
The studio provides a space for students | 0:13:52 | 0:13:54 | |
to train, rehearse and hang out. | 0:13:54 | 0:13:56 | |
If you get the young people to trust you and to love you, | 0:13:56 | 0:14:00 | |
if you capture that energy, | 0:14:00 | 0:14:02 | |
you can direct it into a really positive place. | 0:14:02 | 0:14:05 | |
That's what I wanted to do, | 0:14:05 | 0:14:06 | |
is build a place where I could look after, protect and provide | 0:14:06 | 0:14:10 | |
for these young people, and... | 0:14:10 | 0:14:12 | |
I suppose, like a mother. | 0:14:12 | 0:14:14 | |
What did I love about that song? | 0:14:14 | 0:14:17 | |
Beautiful lyrics? | 0:14:17 | 0:14:18 | |
I love the lyrics, the lyrics are awesome. | 0:14:18 | 0:14:21 | |
The emotion. What else? | 0:14:21 | 0:14:23 | |
-The movement. -The movement! | 0:14:24 | 0:14:27 | |
The movement of the song. | 0:14:27 | 0:14:29 | |
What he did is he started off low, and then he built the song up | 0:14:29 | 0:14:33 | |
into a crescendo and that's when he caught you all. | 0:14:33 | 0:14:37 | |
Meeting Kizzy gave me hope, for my future. | 0:14:37 | 0:14:42 | |
Meeting Kizzy gave me a family unit that I could come to, | 0:14:42 | 0:14:46 | |
and I felt like I had a place in it, | 0:14:46 | 0:14:48 | |
and I could give something back myself, | 0:14:48 | 0:14:51 | |
and I felt a lot of value through that. | 0:14:51 | 0:14:53 | |
Kizzy's made such a difference to so many over the years - | 0:14:54 | 0:14:57 | |
and, what's more, she does it all for nothing. | 0:14:57 | 0:15:00 | |
I like that! | 0:15:00 | 0:15:02 | |
But my rule... | 0:15:02 | 0:15:03 | |
No bad language! | 0:15:03 | 0:15:05 | |
-Sorry. -You can write a rap without any swearing in it. | 0:15:05 | 0:15:08 | |
-It was an accident. -You're intelligent! | 0:15:08 | 0:15:10 | |
While Tim's on the hunt for more goods to sell, | 0:15:11 | 0:15:14 | |
I'm off to meet Kizzy - | 0:15:14 | 0:15:15 | |
but she mustn't guess what we're really up to. | 0:15:15 | 0:15:17 | |
Let's hope I don't get rumbled. | 0:15:17 | 0:15:19 | |
Now, this is the street that Kizzy lives in, | 0:15:19 | 0:15:21 | |
so I've got to keep my voice down, now, because I can see her house. | 0:15:21 | 0:15:24 | |
We're about three doors away. | 0:15:24 | 0:15:27 | |
I want to go inside, hopefully get inside, | 0:15:27 | 0:15:29 | |
and meet her, find out all about her, | 0:15:29 | 0:15:32 | |
and try and get some things so that we can sell them | 0:15:32 | 0:15:35 | |
at the pop up auction, and hopefully, | 0:15:35 | 0:15:36 | |
fingers crossed, we can get her to sing for us, as well - | 0:15:36 | 0:15:39 | |
but wish me luck. | 0:15:39 | 0:15:40 | |
We're after donations for a pop-up auction. | 0:15:44 | 0:15:46 | |
Yes. | 0:15:46 | 0:15:47 | |
I develop young artists. | 0:15:47 | 0:15:48 | |
-Do you? -Yes. -What, you're a voice coach, then? | 0:15:48 | 0:15:51 | |
I'm a professional singer. | 0:15:51 | 0:15:52 | |
I'd love you to sing, and get the kids to sing. | 0:15:52 | 0:15:54 | |
-Oh... That would be awesome! -It would make our day. | 0:15:54 | 0:15:57 | |
And you'd love them, because they're actually quite amazing. | 0:15:57 | 0:15:59 | |
-I do cry. -Oh, do you? | 0:15:59 | 0:16:01 | |
I do. Yeah. A lot, because they're just brilliant. | 0:16:01 | 0:16:03 | |
Because there's a good music scene in Bristol... | 0:16:03 | 0:16:05 | |
-A brilliant music scene! -A brilliant music scene. | 0:16:05 | 0:16:07 | |
-I love it so much. -It's been buzzing for 20 years. -I know, it's great. | 0:16:07 | 0:16:10 | |
So, what's the community like around here in general? | 0:16:10 | 0:16:12 | |
I've had a great experience of Bristol, | 0:16:12 | 0:16:15 | |
so I might be the wrong person to ask...! | 0:16:15 | 0:16:17 | |
-No! -I love this city! | 0:16:17 | 0:16:19 | |
No! No, you'll be brilliant. | 0:16:19 | 0:16:21 | |
You know, I can see, it's written all over your face. | 0:16:21 | 0:16:23 | |
There's so much passion and love. | 0:16:23 | 0:16:24 | |
-So, we want to see that on stage! -Yes, absolutely. -OK. | 0:16:24 | 0:16:27 | |
-Absolutely. -Fantastic! Fantastic! -Oh, I'm so excited! | 0:16:27 | 0:16:29 | |
-Can I have a hug? -Yeah, course you can. | 0:16:29 | 0:16:32 | |
Thank you! | 0:16:32 | 0:16:33 | |
What a fantastic lady! | 0:16:36 | 0:16:38 | |
Oh, do you know what? I can't wait to hear her | 0:16:38 | 0:16:40 | |
and all the kids that she teaches and mentors sing. | 0:16:40 | 0:16:43 | |
If they turn up, it's just go to be brilliant. | 0:16:43 | 0:16:45 | |
Well, of course she's going to turn up - | 0:16:45 | 0:16:47 | |
we're going to make that happen. | 0:16:47 | 0:16:48 | |
But do you know what? She volunteered. | 0:16:48 | 0:16:50 | |
I didn't have to push it. | 0:16:50 | 0:16:51 | |
Sadly, we didn't get any items, but I tell you what, | 0:16:51 | 0:16:54 | |
we've got her talent for the day! | 0:16:54 | 0:16:56 | |
'But we can't sell talent. | 0:16:58 | 0:17:00 | |
'We still need items to put up for auction.' | 0:17:00 | 0:17:03 | |
Hello, puss-puss. | 0:17:03 | 0:17:04 | |
'While I'm making friends with a local, | 0:17:04 | 0:17:06 | |
'Tim's struck lucky again - at Ali's house.' | 0:17:06 | 0:17:08 | |
Ali's donations alone will fill up a whole toy stall. | 0:17:10 | 0:17:13 | |
There's stuff here for all ages, | 0:17:13 | 0:17:15 | |
and this lot could bring in £30 towards our cause. | 0:17:15 | 0:17:18 | |
-Go on, have this. -Well, thank you so much! | 0:17:18 | 0:17:20 | |
That's great. It's going to go a long way. It'll really help. | 0:17:20 | 0:17:23 | |
Let's hope this little one doesn't miss those toys. | 0:17:23 | 0:17:26 | |
-Fantastic! -Yeah. -Well, I'll shake your hand, just about. | 0:17:26 | 0:17:28 | |
-OK! -Thank you so much. | 0:17:28 | 0:17:30 | |
That's so kind of you. I'm going to get this on the van. | 0:17:30 | 0:17:32 | |
While Tim's got a mountain of toys, Wendy's just got one to donate... | 0:17:32 | 0:17:36 | |
but it's a monster! | 0:17:36 | 0:17:37 | |
-OK. -It's a massive, big, tatty teddy bear. | 0:17:37 | 0:17:40 | |
It's in good condition. It's just a bit dusty. | 0:17:40 | 0:17:42 | |
Big Ted! Oh, he's still got... | 0:17:42 | 0:17:44 | |
He's still got a little sticker on him. | 0:17:44 | 0:17:46 | |
He is in very good condition, isn't he? | 0:17:46 | 0:17:48 | |
Well, I'm hoping that will help. | 0:17:48 | 0:17:50 | |
-Oh, and some DVDs. -Big Ted. | 0:17:50 | 0:17:51 | |
Don't you fall down, Ted. | 0:17:51 | 0:17:53 | |
Stay. And some DVDs? | 0:17:53 | 0:17:55 | |
Oh, brilliant! Thank you! | 0:17:55 | 0:17:57 | |
That's brilliant. | 0:17:57 | 0:17:58 | |
Teddy will go down well with the kids, and I reckon there's... | 0:17:58 | 0:18:01 | |
25, 30 DVDs in there. | 0:18:01 | 0:18:05 | |
£1, 50p each. | 0:18:05 | 0:18:07 | |
You add it up. | 0:18:07 | 0:18:08 | |
Oh, really? | 0:18:10 | 0:18:11 | |
Meanwhile, down the road, David's got furniture going begging, | 0:18:11 | 0:18:14 | |
and Tim's cashing in. | 0:18:14 | 0:18:16 | |
One thing we will be doing is a lot of upcycling. | 0:18:16 | 0:18:19 | |
-Oh, yeah? -And, I mean, that is a good sized chest of drawers | 0:18:19 | 0:18:21 | |
that you've got there. | 0:18:21 | 0:18:22 | |
Three long drawers, which is always desirable, great for a bedroom. | 0:18:22 | 0:18:26 | |
Obviously, it's had its day, like this, | 0:18:26 | 0:18:29 | |
that I think we could get our upcycling team onto that. | 0:18:29 | 0:18:32 | |
We could definitely add value to this 1920s veneer chest of drawers. | 0:18:32 | 0:18:36 | |
In its current state, we'd be lucky to get a fiver for it... | 0:18:36 | 0:18:40 | |
..but upcycled, it could fetch three times that. | 0:18:41 | 0:18:44 | |
What else has Tim spotted? | 0:18:44 | 0:18:46 | |
And this is a bit of a dated piece, now, like this, but... | 0:18:46 | 0:18:50 | |
I think... | 0:18:50 | 0:18:51 | |
with a bit of work, again, we could turn this around, | 0:18:51 | 0:18:54 | |
because it's got this lovely edge, there. | 0:18:54 | 0:18:56 | |
Isn't that beautiful? Absolutely lovely. | 0:18:56 | 0:18:59 | |
This 1930s mahogany dressing table has a stepped central panel, | 0:18:59 | 0:19:04 | |
Art Deco curved detailing to the front of the middle drawer, | 0:19:04 | 0:19:06 | |
and inlaid oval handles. | 0:19:06 | 0:19:09 | |
Brown furniture like this is sadly out of fashion, | 0:19:09 | 0:19:11 | |
so this could be another upcycling project for us. | 0:19:11 | 0:19:14 | |
We could do something with it. Just spruce it up a little bit, | 0:19:14 | 0:19:17 | |
-add a bit of vibrancy to it. -Yeah. | 0:19:17 | 0:19:18 | |
I'd love to take those two pieces, that would be... | 0:19:18 | 0:19:21 | |
-You're more than welcome. -..incredible. | 0:19:21 | 0:19:22 | |
-Before you rush off... -Is there something...? | 0:19:22 | 0:19:24 | |
..there's some quite interesting chairs | 0:19:24 | 0:19:26 | |
-under the carpet there. -OK, what have we got there? | 0:19:26 | 0:19:28 | |
Oh, yeah. | 0:19:28 | 0:19:30 | |
As we have a look, we can see the Ercol label. | 0:19:30 | 0:19:32 | |
Ercol is so much in demand at the moment, it is so fashionable. | 0:19:32 | 0:19:36 | |
What's great about this, as well, it's got the lighter shade of Ercol. | 0:19:36 | 0:19:39 | |
the darker one doesn't do quite as well. | 0:19:39 | 0:19:41 | |
The fact that is the lighter shade of wood, | 0:19:41 | 0:19:44 | |
that is really going to help it sell. | 0:19:44 | 0:19:47 | |
These elm chairs are a '50s classic. | 0:19:47 | 0:19:49 | |
Ercol made the first mass produced Windsor chairs, | 0:19:49 | 0:19:52 | |
a design going back centuries, with a solid seat and a pierced back. | 0:19:52 | 0:19:56 | |
In a vintage shop these could set you back up to £50. | 0:19:56 | 0:20:00 | |
These, you'd struggle to sell ten years ago, | 0:20:00 | 0:20:02 | |
but now they are absolutely flying. | 0:20:02 | 0:20:04 | |
Auction houses can't get enough of them. | 0:20:04 | 0:20:06 | |
This is a really good find, so thank you so much. | 0:20:06 | 0:20:08 | |
-It's a great donation. -Be my guest. | 0:20:08 | 0:20:09 | |
So, you mentioned there might be something else hiding around there? | 0:20:09 | 0:20:12 | |
There's another... It's a glass fronted cabinet, that... | 0:20:12 | 0:20:15 | |
actually dates back to my early childhood. | 0:20:15 | 0:20:18 | |
I don't ever not remember... it not being there. | 0:20:18 | 0:20:21 | |
I think we need to get some out to then have another look. | 0:20:21 | 0:20:24 | |
-Can we do that? -Yeah. -Yeah. Let's go get some help. -Yeah. | 0:20:24 | 0:20:26 | |
While Tim's clearing out the first of David's donations, | 0:20:28 | 0:20:31 | |
I've also stumbled across and Aladdin's Cave around Will's. | 0:20:31 | 0:20:35 | |
This is a laser level...for DIY. | 0:20:35 | 0:20:39 | |
This is actually professional grade. | 0:20:39 | 0:20:42 | |
A laser level projects a beam of light up or along a wall, | 0:20:42 | 0:20:46 | |
making it useful for DIY jobs like putting up shelves. | 0:20:46 | 0:20:49 | |
It's a smart bit of kit, and is worth £50. | 0:20:49 | 0:20:52 | |
This clips on there... | 0:20:52 | 0:20:54 | |
-Yeah. -I should have put that on first. | 0:20:54 | 0:20:55 | |
-And then that... -OK, that drops down the pole. -Yeah. | 0:20:55 | 0:20:58 | |
And then that sits on there, | 0:20:58 | 0:20:59 | |
and it spins around and casts a laser all around the room. | 0:20:59 | 0:21:02 | |
Brilliant. Thank you very much. | 0:21:02 | 0:21:04 | |
Have you heard of a lady called Kizzy? | 0:21:04 | 0:21:06 | |
-Oh, Kizzy Morrell? -Yeah. | 0:21:06 | 0:21:07 | |
Yeah, she's brilliant. Great singer. | 0:21:07 | 0:21:09 | |
Great entertainer. Character. | 0:21:09 | 0:21:11 | |
-Bristol character. -She's got a great personality. | 0:21:11 | 0:21:14 | |
-She has, hasn't she? Yeah. -Yeah. Brilliant. | 0:21:14 | 0:21:16 | |
-And you can have that, as well. -Thank you. One high hat stand. | 0:21:16 | 0:21:19 | |
A high hat's part of a drum kit. | 0:21:19 | 0:21:21 | |
This stand's worth £30. | 0:21:21 | 0:21:23 | |
Cheeseboard kind of thing? | 0:21:23 | 0:21:25 | |
We'll take it. We'll put that on our bric-a-brac stall. | 0:21:25 | 0:21:27 | |
There is a bit of olive wood. | 0:21:27 | 0:21:28 | |
Olive wood makes decorative, tough chopping boards. | 0:21:28 | 0:21:31 | |
This should make £5. | 0:21:31 | 0:21:33 | |
-There you are. -Look at that. There we go. -There you go. | 0:21:33 | 0:21:35 | |
-Oh! -Brilliant. -Do you know what? You've been a real star. | 0:21:35 | 0:21:37 | |
-Thank you. -All the best. | 0:21:37 | 0:21:39 | |
Back at David's, Tim's checking out another of his donations - | 0:21:39 | 0:21:43 | |
this lovely '50s cabinet. | 0:21:43 | 0:21:45 | |
It just screams retro. | 0:21:45 | 0:21:46 | |
My favourite thing, by far, is these legs. | 0:21:46 | 0:21:50 | |
Real bit of style, bit of class to it. | 0:21:50 | 0:21:52 | |
The big question, have we got the shelf? | 0:21:52 | 0:21:55 | |
Unfortunately, the shelf came to a sticky end... | 0:21:55 | 0:21:57 | |
-Uh-huh. -..some time ago. | 0:21:57 | 0:21:58 | |
If this travelled from house to house, it's going to happen. | 0:21:58 | 0:22:01 | |
But this is a very cool, stylish piece. | 0:22:01 | 0:22:03 | |
This is absolutely fantastic. | 0:22:03 | 0:22:05 | |
I'm really excited. | 0:22:05 | 0:22:06 | |
And with that fantastic donation, | 0:22:06 | 0:22:08 | |
our rummage day has come to an end on a high note. | 0:22:08 | 0:22:11 | |
But which of us has managed to dig out the most items? | 0:22:15 | 0:22:18 | |
You've had a brilliant day. | 0:22:20 | 0:22:21 | |
-I haven't done too well, as you can see! -No. | 0:22:21 | 0:22:24 | |
-TV stand. -Yeah. | 0:22:24 | 0:22:26 | |
High hat stand for a drummer. | 0:22:26 | 0:22:28 | |
Big Ted, which is great. | 0:22:28 | 0:22:30 | |
But look what you've got! | 0:22:30 | 0:22:31 | |
I know! | 0:22:31 | 0:22:33 | |
-Bit of work to be done. -I think we can upcycle that. | 0:22:33 | 0:22:35 | |
I think three colours. | 0:22:35 | 0:22:37 | |
That'll look really, really good. | 0:22:37 | 0:22:38 | |
We'll sand it down and paint it. | 0:22:38 | 0:22:41 | |
Ercol Chairs. Great name. | 0:22:41 | 0:22:43 | |
-Great name. I mean, it's 20th century modern, isn't it? -Exactly. | 0:22:43 | 0:22:46 | |
Auction rooms are desperate to get their hands on Ercol at the moment. | 0:22:46 | 0:22:48 | |
So let's get into the saleroom. | 0:22:48 | 0:22:50 | |
-Sled. -I thought you'd like that. -That's really nice. -Yeah. | 0:22:50 | 0:22:53 | |
I'll sell that on the pop-up rostrum. | 0:22:53 | 0:22:55 | |
That's sort of 1920s, 1930s. | 0:22:55 | 0:22:58 | |
-Love the ironwork. -Yes. | 0:22:58 | 0:22:59 | |
That was a little kid's sled. | 0:22:59 | 0:23:01 | |
-Love that cabinet! -Yeah. | 0:23:01 | 0:23:02 | |
I think we'll sell that on the pop-up rostrum. | 0:23:02 | 0:23:04 | |
-I was going to say, I agree. -Yeah. | 0:23:04 | 0:23:06 | |
That's really nice. | 0:23:06 | 0:23:07 | |
-Yeah. -It's compact, | 0:23:07 | 0:23:09 | |
but because it's got that sort of box on those legs, | 0:23:09 | 0:23:11 | |
it says, "Look at me, look how important I look." | 0:23:11 | 0:23:14 | |
-That's it! -And that sums up the '50s, doesn't it? | 0:23:14 | 0:23:16 | |
-Yeah, it's proper retro. -It really does. | 0:23:16 | 0:23:18 | |
So, we'll send the Ercol chairs to our saleroom auction. | 0:23:18 | 0:23:21 | |
We'll upcycle the chest of drawers and the dressing table, | 0:23:21 | 0:23:24 | |
and everything else, we'll sell on our pop-up auction | 0:23:24 | 0:23:26 | |
and at our bric-a-brac stalls. | 0:23:26 | 0:23:28 | |
I have to say, Tim, fantastic. | 0:23:28 | 0:23:30 | |
-Yeah, thank you. -Hands up, you know. | 0:23:30 | 0:23:32 | |
-You're the man. -It was a good day. | 0:23:32 | 0:23:34 | |
-You're the man. -It was a good day. | 0:23:34 | 0:23:36 | |
High five! | 0:23:36 | 0:23:37 | |
Come on. | 0:23:37 | 0:23:38 | |
It's the day of our street auction. | 0:23:41 | 0:23:43 | |
We've only got a few hours until we open for business. | 0:23:43 | 0:23:45 | |
And we've got a stage to erect, stalls to set up, | 0:23:48 | 0:23:51 | |
and a street to transform into a street party. | 0:23:51 | 0:23:54 | |
Look at this! In a few hours' time, | 0:23:56 | 0:23:58 | |
this will be a throng full of people enjoying themselves, | 0:23:58 | 0:24:02 | |
spending money, having a good time. | 0:24:02 | 0:24:04 | |
There's going to be such a vibe here. | 0:24:04 | 0:24:07 | |
This has got all the ingredients of a great street party, believe me. | 0:24:07 | 0:24:11 | |
And one more key ingredient is bric-a-brac - | 0:24:12 | 0:24:14 | |
and we've got stacks of the stuff. | 0:24:14 | 0:24:16 | |
You could furnish your house with what we've got to sell - | 0:24:16 | 0:24:19 | |
and decorate it, too. | 0:24:19 | 0:24:21 | |
To help us shift it, we've recruited a band of local helpers. | 0:24:21 | 0:24:25 | |
Yeah, that's it. Now you're in the team. | 0:24:25 | 0:24:28 | |
-Morning, everyone. -Hello. | 0:24:28 | 0:24:29 | |
Thank you for helping us out. | 0:24:29 | 0:24:30 | |
I can see you've already met Tim, great to see you, Victoria. Hello! | 0:24:30 | 0:24:34 | |
We've got a lot of bric-a-brac, we've got a lot of furniture. | 0:24:34 | 0:24:36 | |
Everything must go. | 0:24:36 | 0:24:37 | |
We do not want to go home with this at the end of the day. | 0:24:37 | 0:24:40 | |
So, sell with a big smile, OK? | 0:24:40 | 0:24:42 | |
Everything is £2 and £1, or 50p. | 0:24:42 | 0:24:45 | |
Just give people change back | 0:24:45 | 0:24:46 | |
and hopefully they'll spend the change | 0:24:46 | 0:24:48 | |
on the teas, coffees and cakes. | 0:24:48 | 0:24:49 | |
Because that's where the money's going to be today. | 0:24:49 | 0:24:51 | |
Get selling, and have fun, OK? | 0:24:51 | 0:24:53 | |
Let's make this work. | 0:24:53 | 0:24:54 | |
-Come on! -Go on, guys, let's do it! | 0:24:54 | 0:24:55 | |
-Come on! -Yay! -Whoo! | 0:24:55 | 0:24:58 | |
-ALL: -One, two, three... Easton! | 0:24:58 | 0:25:00 | |
The volunteers go straight to work getting the bric-a-brac priced up, | 0:25:02 | 0:25:05 | |
while Tim makes himself useful putting up the pop-up rostrum. | 0:25:05 | 0:25:09 | |
Put it there. | 0:25:13 | 0:25:15 | |
Meanwhile, performers have started arriving. | 0:25:15 | 0:25:17 | |
Wow, your hands hardly moved! | 0:25:19 | 0:25:21 | |
Well, how about that?! That was brilliant. | 0:25:21 | 0:25:23 | |
-Are you helping out as well? -Oh, I'm the dancer. | 0:25:23 | 0:25:26 | |
-One of the dancers. -Yeah. -OK, dancing to this? | 0:25:26 | 0:25:28 | |
Dancing to Richard's drumming? | 0:25:28 | 0:25:29 | |
It is so very good. Yeah, I can try that. | 0:25:29 | 0:25:30 | |
Go on, give us a few moves. | 0:25:30 | 0:25:32 | |
The problem is my back is hurting, so... | 0:25:32 | 0:25:35 | |
In such a creative corner of the city, | 0:25:38 | 0:25:40 | |
and with our musical guests, | 0:25:40 | 0:25:42 | |
we've pulled out all the stops with the entertainment today. | 0:25:42 | 0:25:46 | |
-Teach me something. -Teach you something? | 0:25:46 | 0:25:48 | |
OK, let's start with something nice and simple, then. | 0:25:48 | 0:25:50 | |
So, hold the hula hoop at the bottom, like so. | 0:25:50 | 0:25:53 | |
Yeah, hand on the inside. | 0:25:53 | 0:25:55 | |
And then, what you're going to do is open your hand out into an L shape, | 0:25:55 | 0:25:57 | |
and let the hoop rock over one side. | 0:25:57 | 0:26:00 | |
-Oh, I see. -To the side. And then, it will spin round on your hand. | 0:26:00 | 0:26:03 | |
There we go! | 0:26:03 | 0:26:04 | |
Yeah! | 0:26:04 | 0:26:06 | |
OK. And how do you stop it? | 0:26:06 | 0:26:07 | |
Street art is a big part of the Bristol scene, | 0:26:08 | 0:26:11 | |
and this father and son duo, Keane and Dondy, | 0:26:11 | 0:26:14 | |
are here to create some magic. | 0:26:14 | 0:26:17 | |
It's given me an idea for some upcycling, Bristol style. | 0:26:17 | 0:26:20 | |
Could you turn that around into something quite special, | 0:26:21 | 0:26:24 | |
full of colour and graffiti? Which says... | 0:26:24 | 0:26:26 | |
-Yeah. -Which says "Bristol", | 0:26:26 | 0:26:27 | |
which says, "Yeah, this is the city of culture." | 0:26:27 | 0:26:29 | |
-Could you do that? -Yeah. -Could you do that? | 0:26:29 | 0:26:31 | |
I could probably do that. | 0:26:31 | 0:26:32 | |
Well, looking at that, it's so tatty, we'd never sell that, | 0:26:32 | 0:26:35 | |
but with those guys working on it, my problems are now solved. | 0:26:35 | 0:26:39 | |
We'll turn that into money. | 0:26:39 | 0:26:40 | |
And it looks like everything's falling into place. | 0:26:44 | 0:26:46 | |
Ooh... | 0:26:48 | 0:26:50 | |
-Oh, no... -It's split. | 0:26:50 | 0:26:52 | |
-Oh, dear. -Look at that. | 0:26:52 | 0:26:55 | |
-Do you know who put this together? -Yeah, I do. | 0:26:55 | 0:26:57 | |
-Me. -Oh! | 0:26:57 | 0:26:59 | |
Yeah. | 0:26:59 | 0:27:00 | |
-It's repairable, we can repair it. -Yeah, we can fix it. | 0:27:00 | 0:27:02 | |
-We can repair it. We just need a screwdriver. -Yeah, yeah. | 0:27:02 | 0:27:05 | |
It's not long until the party opens, and without the rostrum, | 0:27:05 | 0:27:07 | |
I'm going to be stuck. Luckily, I've had a bit of carpentry experience, | 0:27:07 | 0:27:11 | |
and if a screwdriver doesn't do it, good old gaffer tape will. | 0:27:11 | 0:27:16 | |
And the final touch... | 0:27:16 | 0:27:17 | |
That's good. Time for a progress check on the stalls. | 0:27:20 | 0:27:24 | |
Rose, it's looking great. | 0:27:24 | 0:27:25 | |
-Thank you. -It really is. | 0:27:25 | 0:27:26 | |
Hopefully, more will arrive throughout the day. | 0:27:26 | 0:27:29 | |
Apple pie. | 0:27:29 | 0:27:31 | |
Do you know what? It's making me feel hungry! | 0:27:31 | 0:27:33 | |
What have we got here? Let's have a check through these. | 0:27:33 | 0:27:36 | |
Wow, we're going through the vinyl revival at the moment. | 0:27:36 | 0:27:39 | |
Everybody wants vinyl - just the fact that now you can get records | 0:27:39 | 0:27:43 | |
in major supermarkets says it all. | 0:27:43 | 0:27:45 | |
If they're selling it, it means people are buying it. | 0:27:45 | 0:27:48 | |
The first seven inch singles were introduced in 1949. | 0:27:48 | 0:27:51 | |
Rare ones from the '60s and '70s can be worth thousands. | 0:27:51 | 0:27:55 | |
So, if you can find originals, | 0:27:55 | 0:27:56 | |
they can be worth some serious money. | 0:27:56 | 0:27:58 | |
This is one of David Bowie's earliest singles, from 1967. | 0:27:58 | 0:28:02 | |
In a specialist shop, it could set you back £5 to £20. | 0:28:02 | 0:28:06 | |
That is definitely the best one in there. | 0:28:06 | 0:28:08 | |
Obviously, sad that David Bowie has passed, | 0:28:08 | 0:28:11 | |
but it makes his items more collectable, | 0:28:11 | 0:28:13 | |
more current at the moment. | 0:28:13 | 0:28:14 | |
I'm going to put that at the very front of the box, | 0:28:14 | 0:28:17 | |
because I think it will draw some attention. | 0:28:17 | 0:28:19 | |
There is David Bowie in there, | 0:28:19 | 0:28:20 | |
they might think there's other gems from the '60s, | 0:28:20 | 0:28:23 | |
and I think some of them will want that in their record box | 0:28:23 | 0:28:25 | |
by the end of today. | 0:28:25 | 0:28:26 | |
Now, remember the unloved chest of drawers Tim found | 0:28:28 | 0:28:30 | |
on our rummage day? | 0:28:30 | 0:28:32 | |
Look at it now. We gave it to our upcycling queen Irina | 0:28:32 | 0:28:35 | |
to work her magic. | 0:28:35 | 0:28:37 | |
Bristol is famous for its bright, massive, colourful balloons. | 0:28:37 | 0:28:41 | |
I always see them flying in the sky. | 0:28:41 | 0:28:43 | |
So I'm going to put a gorgeous stencil, really colourful. | 0:28:43 | 0:28:46 | |
I'm going to go for it on the side, here. | 0:28:46 | 0:28:48 | |
And then, I always associate Bristol with Banksy, | 0:28:48 | 0:28:51 | |
so I'm going to put one of my favourite pictures that he does, | 0:28:51 | 0:28:55 | |
a girl with a balloon. Perfect. | 0:28:55 | 0:28:57 | |
Irina has done a brilliant job. | 0:28:58 | 0:29:00 | |
We've got the balloons on the side, and a little nod to Banksy. | 0:29:00 | 0:29:05 | |
So how much will we get? | 0:29:05 | 0:29:08 | |
Well, I'm not sure, | 0:29:08 | 0:29:09 | |
but an awful lot more than we would have done in its original condition. | 0:29:09 | 0:29:13 | |
This chest should be one of the stars of my auction later, | 0:29:13 | 0:29:16 | |
hopefully helping us towards our target. | 0:29:16 | 0:29:19 | |
But we're going to need the street full of people | 0:29:19 | 0:29:21 | |
before we can get the party started. | 0:29:21 | 0:29:23 | |
Could you just put this on the outside of the door | 0:29:23 | 0:29:25 | |
-for the next few hours? -OK. -And direct people down that alley. | 0:29:25 | 0:29:29 | |
-Through that alleyway, just there. -Thank you. | 0:29:29 | 0:29:30 | |
There is a basket, there is a bicycle... | 0:29:30 | 0:29:33 | |
And I'm not the only one drumming up support. | 0:29:34 | 0:29:36 | |
THEY DRUM AND SING | 0:29:36 | 0:29:39 | |
There's a party inside, come in, everyone! | 0:29:51 | 0:29:55 | |
And the hard work's paying off, as the partygoers begin to arrive. | 0:29:56 | 0:30:01 | |
Tyrell, Angel, how you doing? | 0:30:01 | 0:30:04 | |
-Thank you for coming down. -All right! -Thanks for coming down. | 0:30:04 | 0:30:06 | |
-How have you been? -Been really good. | 0:30:06 | 0:30:09 | |
-Yeah? -Good. -Been rehearsing? | 0:30:09 | 0:30:11 | |
-Yes. -Down the studio? | 0:30:11 | 0:30:12 | |
Yeah, trying to bite my tongue from not telling Kizzy the surprise. | 0:30:12 | 0:30:14 | |
Oh, I bet, I bet! How's it going with her? | 0:30:14 | 0:30:16 | |
-Hasn't got a clue? -She doesn't know. | 0:30:16 | 0:30:18 | |
-She still thinks it's a community street party. -Ooh, bless Kizzy! | 0:30:18 | 0:30:21 | |
-She should be turning up any minute, shouldn't she? -Yeah. | 0:30:21 | 0:30:23 | |
And she is going on stage. | 0:30:23 | 0:30:24 | |
She did promise she'd go on stage. | 0:30:24 | 0:30:26 | |
-Are you going onstage? -Yeah. | 0:30:26 | 0:30:28 | |
Cool, man, that's really good. | 0:30:28 | 0:30:30 | |
And, right on cue, Kizzy's here - | 0:30:30 | 0:30:32 | |
our VIP guest, who is unaware that all of this is for her. | 0:30:32 | 0:30:36 | |
She's brought her daughter and sister along, too, | 0:30:36 | 0:30:39 | |
and the community's turned out in force - | 0:30:39 | 0:30:41 | |
we've got an amazing crowd. | 0:30:41 | 0:30:43 | |
And it's time to get this street party started. | 0:30:43 | 0:30:46 | |
So, let's get it off. Five... | 0:30:46 | 0:30:48 | |
-ALL: -..four, three... -Good luck! | 0:30:48 | 0:30:51 | |
-..two, one... -We're going to need it. | 0:30:51 | 0:30:53 | |
ALL CHEER | 0:30:53 | 0:30:55 | |
There's great stuff on the stalls - | 0:31:08 | 0:31:09 | |
let's start selling, and try and raise our target of £700. | 0:31:09 | 0:31:13 | |
Even the Lord Mayor's after a bargain. | 0:31:15 | 0:31:18 | |
Today is turning out to be everything I'd hoped for. | 0:31:20 | 0:31:22 | |
It's fun for everyone, and the money's coming in. | 0:31:23 | 0:31:25 | |
If you can round that up to a pound...? | 0:31:29 | 0:31:32 | |
And what will you throw in for a pound? | 0:31:32 | 0:31:34 | |
-A big smile. -Yes! | 0:31:34 | 0:31:36 | |
-No problem at all. -No, I like this. | 0:31:36 | 0:31:39 | |
-There you go. -I like this. | 0:31:39 | 0:31:40 | |
What a fantastic start to the street party. | 0:31:40 | 0:31:43 | |
There really is such a cracking atmosphere here. | 0:31:43 | 0:31:46 | |
Already, it literally is only just five minutes in. | 0:31:46 | 0:31:49 | |
A lot of people have turned up - | 0:31:49 | 0:31:51 | |
I just hope they start digging deep into their pockets, | 0:31:51 | 0:31:54 | |
and start spending money. | 0:31:54 | 0:31:56 | |
This isn't just a street party, | 0:31:56 | 0:31:58 | |
this is our very own mini carnival - | 0:31:58 | 0:32:00 | |
but we've set ourselves a big target, of £700. | 0:32:00 | 0:32:04 | |
Luckily, everybody here is 100% behind the cause. | 0:32:04 | 0:32:08 | |
Yeah, I've known Kizzy for a while, she's a wonderful lady. | 0:32:08 | 0:32:10 | |
Does a lot for the local kids in the area, and is a fantastic singer, | 0:32:10 | 0:32:14 | |
-as you will see later. -Really?! | 0:32:14 | 0:32:15 | |
I think she's going to sing a song. | 0:32:15 | 0:32:16 | |
-I didn't know that. -She knows that, but that's about it. | 0:32:16 | 0:32:19 | |
-She definitely doesn't know, does she? -No, she doesn't know, | 0:32:19 | 0:32:21 | |
but apparently, earlier, she said... | 0:32:21 | 0:32:23 | |
I heard her saying, "There's been a funny vibe, | 0:32:23 | 0:32:25 | |
"a funny energy for a few weeks, I don't know what it is." | 0:32:25 | 0:32:28 | |
Can this lovely lady... | 0:32:28 | 0:32:29 | |
-Yeah? -..get up on the stage? Because she said to me, | 0:32:29 | 0:32:32 | |
when we were rummaging her house... | 0:32:32 | 0:32:34 | |
-Yeah. -..that she's a singer. | 0:32:34 | 0:32:35 | |
-Yes, she is, yeah. -Go on, please? -Mm-mm. All right. | 0:32:35 | 0:32:37 | |
-Ready? -Yay, great! | 0:32:37 | 0:32:39 | |
Right, I'm going to sing a little something for you. | 0:32:39 | 0:32:42 | |
It's a gospel track, | 0:32:42 | 0:32:43 | |
so I'm dedicating this to everyone. | 0:32:43 | 0:32:45 | |
Doesn't matter whether you're religious or not, | 0:32:45 | 0:32:47 | |
I just want to sing you the song, so... | 0:32:47 | 0:32:49 | |
Here it goes. | 0:32:49 | 0:32:52 | |
# Jesus, how I love you | 0:32:52 | 0:32:57 | |
# Saviour | 0:32:57 | 0:32:59 | |
# I'll sing your praises, O Lord | 0:32:59 | 0:33:04 | |
# I love you. # | 0:33:04 | 0:33:07 | |
I love you, Bristol. | 0:33:07 | 0:33:08 | |
ALL CHEER | 0:33:08 | 0:33:10 | |
That girl can sing. | 0:33:11 | 0:33:13 | |
Well, well, well! | 0:33:13 | 0:33:14 | |
Wasn't expecting that. | 0:33:14 | 0:33:16 | |
Kizzy, that was amazing. | 0:33:16 | 0:33:17 | |
-Was that all right? -Yeah! | 0:33:17 | 0:33:18 | |
That was better than all right, wasn't it?! | 0:33:18 | 0:33:20 | |
It was a bit special. | 0:33:20 | 0:33:21 | |
Everyone is having a great time, but this is all about raising money. | 0:33:22 | 0:33:26 | |
The Ercol chairs that Tim found on the rummage day | 0:33:26 | 0:33:29 | |
have been sent to a saleroom auction. | 0:33:29 | 0:33:30 | |
They could make up to £50, | 0:33:32 | 0:33:34 | |
and are going under the hammer of auctioneer James Lewis. | 0:33:34 | 0:33:37 | |
Lot number ten. | 0:33:37 | 0:33:39 | |
The pair of Ercol dining chairs. | 0:33:39 | 0:33:42 | |
There we are. And the pair of Ercol dining chairs, £10 for them. | 0:33:42 | 0:33:46 | |
10 for the Ercol. 10 bid. 15, now. 15 bid. | 0:33:46 | 0:33:50 | |
20 with the lady. 25. | 0:33:50 | 0:33:52 | |
That's £20, 25, now. | 0:33:52 | 0:33:54 | |
Down the centre at 20... | 0:33:54 | 0:33:56 | |
472, thank you. | 0:33:58 | 0:33:59 | |
She's got a bargain - | 0:33:59 | 0:34:01 | |
and with my auction fast approaching, | 0:34:01 | 0:34:03 | |
I need to get the cash rolling in. | 0:34:03 | 0:34:05 | |
We have 15 minutes before the stalls close. | 0:34:06 | 0:34:09 | |
Everything is for sale, now, for £1, so whatever you can carry, £1. | 0:34:09 | 0:34:15 | |
Oh, yeah! | 0:34:21 | 0:34:23 | |
Thank you so much! | 0:34:23 | 0:34:25 | |
Thank you! So, that's for you. | 0:34:25 | 0:34:26 | |
-I'll give that to you, look. -Can you hold that? | 0:34:26 | 0:34:28 | |
-Is that too heavy? -What do you think, have you got it? | 0:34:28 | 0:34:30 | |
Well, that is it. The stalls are now officially closed. | 0:34:30 | 0:34:34 | |
That is it, we have to stop selling - | 0:34:34 | 0:34:36 | |
which means we can now start counting the money. | 0:34:36 | 0:34:38 | |
Adding up our takings so far, | 0:34:40 | 0:34:42 | |
we've raised nearly £300... | 0:34:42 | 0:34:44 | |
which is great progress, | 0:34:44 | 0:34:46 | |
but it still leaves me with 400 to make on the rostrum, | 0:34:46 | 0:34:49 | |
and that's a big ask. | 0:34:49 | 0:34:51 | |
Our first lot is the 1930s wooden sled. | 0:34:53 | 0:34:55 | |
It's got to be worth £20. | 0:34:55 | 0:34:57 | |
It's oak, retro, it's got the look - | 0:34:59 | 0:35:01 | |
steady the teddy on it, I don't know. | 0:35:01 | 0:35:04 | |
Use it! It's wonderful decoration from a bygone era. | 0:35:04 | 0:35:07 | |
Who's going to start me off with a bid of £5? | 0:35:07 | 0:35:09 | |
Surely 5, anywhere? Thank you, straight in, 5. | 0:35:09 | 0:35:11 | |
I'm looking for 10, do I see 10? | 0:35:11 | 0:35:13 | |
10, thank you, sir. Hands up in the air. | 0:35:13 | 0:35:15 | |
£10. I have a bid at 10. | 0:35:15 | 0:35:17 | |
Can I make this 12? Thank you. | 0:35:17 | 0:35:19 | |
13. £13 now. | 0:35:19 | 0:35:21 | |
15. 14. | 0:35:21 | 0:35:23 | |
-15. 15? -15. -15. | 0:35:23 | 0:35:25 | |
£15. Fair warning, I'm selling at 15. | 0:35:25 | 0:35:29 | |
16! Two hands went up then, I'll take yours, madam. | 0:35:29 | 0:35:32 | |
16. Hammer's going down at £16... | 0:35:32 | 0:35:35 | |
-20! -It's going once! | 0:35:35 | 0:35:36 | |
-20! -£20! | 0:35:36 | 0:35:38 | |
Thank you! That's more like it. | 0:35:38 | 0:35:40 | |
Whoo! | 0:35:40 | 0:35:41 | |
£20! | 0:35:41 | 0:35:43 | |
It's going once, twice... | 0:35:43 | 0:35:46 | |
21? | 0:35:46 | 0:35:47 | |
£21, late legs. | 0:35:47 | 0:35:49 | |
£21 is with me now. | 0:35:49 | 0:35:51 | |
It's against you, madam. | 0:35:51 | 0:35:53 | |
CROWD CHEERS | 0:35:53 | 0:35:54 | |
22. | 0:35:54 | 0:35:56 | |
-24. -24. | 0:35:58 | 0:36:00 | |
-Let her have it. -Let her have it. | 0:36:00 | 0:36:02 | |
Sold! £24! CROWD CHEERS | 0:36:02 | 0:36:05 | |
Next up, it's the 1950s glass fronted cabinet | 0:36:05 | 0:36:07 | |
that Tim found at David's house. | 0:36:07 | 0:36:10 | |
I'm hoping to get £30 for it. | 0:36:10 | 0:36:12 | |
I'm selling at £35. | 0:36:13 | 0:36:15 | |
It's going once, twice, fair warning... | 0:36:15 | 0:36:19 | |
Sold, £35. | 0:36:19 | 0:36:20 | |
And that's worth every penny. | 0:36:20 | 0:36:22 | |
Our upcycled furniture also finds its fans - | 0:36:24 | 0:36:26 | |
the spray-painted dressing table makes a tenner... | 0:36:26 | 0:36:30 | |
Fair warning, I'm selling at £10. | 0:36:30 | 0:36:31 | |
Sold, thank you. | 0:36:31 | 0:36:33 | |
..and Irina's Bristol themed chest of drawers | 0:36:33 | 0:36:35 | |
makes a very respectable £16. | 0:36:35 | 0:36:39 | |
It's going once, twice... | 0:36:39 | 0:36:41 | |
Sold. Thank you, £16. | 0:36:41 | 0:36:44 | |
Whoo! | 0:36:44 | 0:36:46 | |
Next, one of my finds. | 0:36:46 | 0:36:47 | |
The high hat stand. Should make £15. | 0:36:47 | 0:36:50 | |
Any drummers out there? | 0:36:50 | 0:36:51 | |
We have a high hat stand. | 0:36:51 | 0:36:53 | |
HE MIMICS HIGH HAT | 0:36:53 | 0:36:55 | |
OK, £20. | 0:36:55 | 0:36:56 | |
It's going once, twice... | 0:36:56 | 0:36:58 | |
Fair warning. Sold, thank you. | 0:36:58 | 0:37:00 | |
Finally, we've got three modern works of art, | 0:37:00 | 0:37:02 | |
the highlights of our auction, | 0:37:02 | 0:37:04 | |
and I've got high hopes these will do well here. | 0:37:04 | 0:37:08 | |
First up, a canvas signed by a hundred street artists. | 0:37:08 | 0:37:11 | |
This is a unique piece. | 0:37:11 | 0:37:12 | |
Who's going to start me off with a bid of £10? | 0:37:13 | 0:37:16 | |
Come on, there's some great names on there. | 0:37:16 | 0:37:17 | |
10 anywhere? Thanks to the gentleman on the front. 10. 15. | 0:37:17 | 0:37:21 | |
15, now. It's against you, madam. | 0:37:21 | 0:37:22 | |
I have 15 on the front. | 0:37:22 | 0:37:23 | |
17, thank you. 20. | 0:37:23 | 0:37:25 | |
20. 20, now. | 0:37:25 | 0:37:27 | |
21...? 21. | 0:37:27 | 0:37:28 | |
22. 23. | 0:37:28 | 0:37:30 | |
I'll take 23 from you, thank you. | 0:37:30 | 0:37:32 | |
23. 24. | 0:37:32 | 0:37:33 | |
24. £24 is with me. 25. | 0:37:33 | 0:37:36 | |
Thank you. 26. | 0:37:36 | 0:37:37 | |
£26, and I'm selling at... | 0:37:37 | 0:37:39 | |
-£30. -£30! | 0:37:39 | 0:37:41 | |
Whoo! | 0:37:41 | 0:37:43 | |
35. 35, it's against you, sir. | 0:37:43 | 0:37:46 | |
£35. 38. | 0:37:46 | 0:37:48 | |
40. 41? | 0:37:48 | 0:37:50 | |
-I'm selling at 40. It's going once... -41. | 0:37:51 | 0:37:54 | |
41. 42. | 0:37:54 | 0:37:55 | |
Thank you, £42. | 0:37:55 | 0:37:57 | |
It's going once... Twice, fair warning, sold... | 0:37:57 | 0:37:59 | |
£42. That is a great result. | 0:37:59 | 0:38:02 | |
Next, the artworks painted at our street party. | 0:38:02 | 0:38:05 | |
Fantastic antiques of the future we watched being created today. | 0:38:05 | 0:38:09 | |
First up, the colourful canvas Dondy painted just this afternoon. | 0:38:11 | 0:38:15 | |
And I'm selling at 15. | 0:38:15 | 0:38:16 | |
It's going once, twice... | 0:38:16 | 0:38:18 | |
Sold, thank you. | 0:38:18 | 0:38:19 | |
And our final lot is Keane's amazing piece. | 0:38:22 | 0:38:25 | |
Who's going to start me off with a bid of £20? | 0:38:25 | 0:38:28 | |
I've got 20 anywhere? Thank you. | 0:38:28 | 0:38:30 | |
20, now. I have 30. | 0:38:30 | 0:38:31 | |
30 over here. 40, do I see 40? | 0:38:31 | 0:38:34 | |
£40. £40 anywhere? | 0:38:34 | 0:38:36 | |
Yes, 40. 40, and I have one more bid, one more bid will seal it. | 0:38:36 | 0:38:40 | |
£50, I'll take 50. | 0:38:40 | 0:38:42 | |
Thank you so much. I've got a bid at 50 and I'm selling at 50. | 0:38:42 | 0:38:45 | |
This is the one! Showing here, Tim's right in front of it. | 0:38:45 | 0:38:48 | |
-Look at that! And I'm selling... -51! | 0:38:48 | 0:38:50 | |
Oh, wow. £51. | 0:38:50 | 0:38:52 | |
52, now. | 0:38:52 | 0:38:54 | |
52. I've got a bid at 55, and I'll take 55. | 0:38:54 | 0:38:58 | |
Thank you very much. | 0:38:58 | 0:38:59 | |
£55. | 0:38:59 | 0:39:00 | |
It's going once, twice... | 0:39:00 | 0:39:02 | |
Sold! £55, thank you. | 0:39:02 | 0:39:04 | |
CROWD CHEERS | 0:39:04 | 0:39:06 | |
Thank you so much. | 0:39:06 | 0:39:08 | |
You have been fantastic! | 0:39:08 | 0:39:10 | |
And I can reveal we have made a grand total... | 0:39:10 | 0:39:17 | |
of £760, so thank you! | 0:39:17 | 0:39:21 | |
Bristol, thank you so much! | 0:39:21 | 0:39:24 | |
We had a target of £700, | 0:39:24 | 0:39:26 | |
and I think it safe to say we slashed that. | 0:39:26 | 0:39:29 | |
£760. | 0:39:29 | 0:39:31 | |
It was touch and go, but thanks to your help, | 0:39:31 | 0:39:33 | |
thanks to the community turning up, we've achieved our target. | 0:39:33 | 0:39:37 | |
Now, most of you know | 0:39:37 | 0:39:39 | |
what this is all about, and who this is for. | 0:39:39 | 0:39:42 | |
OK? We've managed to keep it a secret for so long. | 0:39:42 | 0:39:46 | |
I don't know how we got away with it, but we did, | 0:39:46 | 0:39:49 | |
because this fundraising event is for one very special person here, | 0:39:49 | 0:39:54 | |
in the heart of your community. | 0:39:54 | 0:39:57 | |
She's changed many people's lives for the better. | 0:39:57 | 0:40:00 | |
Lots of young people have come on in life because of this person, | 0:40:00 | 0:40:05 | |
and they are with me now, they know who we're talking about. | 0:40:05 | 0:40:09 | |
Most of you do. | 0:40:09 | 0:40:10 | |
And I'm getting closer to this person, | 0:40:11 | 0:40:14 | |
because she deserves this very special day, | 0:40:14 | 0:40:17 | |
where the whole community says - Kizzy Morrell! | 0:40:17 | 0:40:20 | |
ALL CHEER | 0:40:20 | 0:40:23 | |
Mama, Mama Kizzy! This is for you, my darling! | 0:40:23 | 0:40:28 | |
You are a real talent. | 0:40:28 | 0:40:32 | |
This is all for you, all of these people. | 0:40:32 | 0:40:35 | |
All of your best friends. | 0:40:35 | 0:40:37 | |
All of your family, that you haven't seen for a long time | 0:40:37 | 0:40:40 | |
have been in on this. And, boy, have you got a voice?! | 0:40:40 | 0:40:43 | |
Oh! | 0:40:43 | 0:40:45 | |
-Now you know what all the secret... -Now, can you read this out? | 0:40:45 | 0:40:48 | |
Oh, God, I don't even know what to say! | 0:40:52 | 0:40:55 | |
You deserve this. You deserve this. | 0:40:56 | 0:40:58 | |
Read this out, read this out to all of your friends, family, | 0:41:00 | 0:41:03 | |
neighbours and community. | 0:41:03 | 0:41:05 | |
"To Kizzy from all your friends and neighbours in Easton, | 0:41:05 | 0:41:09 | |
"to thank you all the work you've done in this community." | 0:41:09 | 0:41:12 | |
Oh! "We're treating you to a well-earned spa break." | 0:41:13 | 0:41:17 | |
-Oh, yes, please! -Oh, yeah! Bring it on! | 0:41:17 | 0:41:20 | |
Three cheers for Kizzy! | 0:41:20 | 0:41:21 | |
-Hip, hip... ALL: -Hurray! | 0:41:21 | 0:41:23 | |
-Hip, hip... -Hurray! | 0:41:23 | 0:41:24 | |
-Hip, hip... -Hurray! | 0:41:24 | 0:41:27 | |
Oh, my... | 0:41:27 | 0:41:28 | |
Oh, my God! | 0:41:28 | 0:41:30 | |
I... I've never had anything like this ever in my life. | 0:41:32 | 0:41:35 | |
I do what I do because I love it | 0:41:35 | 0:41:37 | |
and I believe that community should stand together, | 0:41:37 | 0:41:41 | |
it takes a community to raise our children, | 0:41:41 | 0:41:44 | |
and I'm more passionate about our children than anything. | 0:41:44 | 0:41:47 | |
And if we all stay together and work together, | 0:41:47 | 0:41:50 | |
even if it IS for free, | 0:41:50 | 0:41:51 | |
not everything's about money, we can make a better community. | 0:41:51 | 0:41:55 | |
This has just blown my mind completely | 0:41:55 | 0:41:57 | |
so... Thank you! | 0:41:57 | 0:42:00 | |
Bless you. Thank you so much. | 0:42:00 | 0:42:02 | |
ALL CHEER | 0:42:02 | 0:42:03 | |
Oh, what a day! Very special person. | 0:42:03 | 0:42:06 | |
Oh, wow! | 0:42:06 | 0:42:08 | |
Oh! | 0:42:08 | 0:42:11 | |
Oh, wow! Vicky...! | 0:42:11 | 0:42:12 | |
See, I told you she was going to hit me! | 0:42:14 | 0:42:16 | |
Group hug! | 0:42:21 | 0:42:23 | |
My mum's squashed! My mum's not going to be able to breathe! | 0:42:25 | 0:42:27 | |
Yeah, squeeze her! | 0:42:27 | 0:42:29 | |
-We love you. -Thank you. | 0:42:29 | 0:42:32 | |
It's really nice to see the community just come together | 0:42:32 | 0:42:34 | |
and we've all, like, got different artists onstage, | 0:42:34 | 0:42:37 | |
bringing everyone closer. | 0:42:37 | 0:42:38 | |
It's a really nice event. | 0:42:38 | 0:42:39 | |
She really, really deserves it, | 0:42:39 | 0:42:41 | |
she does so much for the kids, and for the community, and everybody. | 0:42:41 | 0:42:45 | |
Everybody loves her. Kizzy is Kizzy. | 0:42:45 | 0:42:48 | |
I think it means a lot to Kizzy. | 0:42:49 | 0:42:51 | |
It's a sign that, as a community, | 0:42:51 | 0:42:54 | |
that we really appreciate her and we value everything that she does, | 0:42:54 | 0:42:57 | |
and yeah, I just think Kizzy's incredibly blessed | 0:42:57 | 0:42:59 | |
by what's happened today. And surprised. | 0:42:59 | 0:43:02 | |
It doesn't get much better than that. | 0:43:02 | 0:43:03 | |
Keep watching this programme. | 0:43:03 | 0:43:05 | |
I hope you enjoyed it, because we could be in a street near you soon, | 0:43:05 | 0:43:08 | |
and this auction could be all for you. | 0:43:08 | 0:43:10 | |
Goodbye. | 0:43:10 | 0:43:11 | |
Since the street auction, | 0:43:12 | 0:43:14 | |
Kizzy's just about forgiven Victoria for helping us spring the surprise - | 0:43:14 | 0:43:18 | |
and she's even going to take her along on the spa break. | 0:43:18 | 0:43:22 |