Browse content similar to Edinburgh Tattoo Debut. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
The annual Royal Edinburgh Military Tattoo is the biggest showcase for Highland dancing in the world. | 0:00:02 | 0:00:08 | |
For four weeks the Tattoo takes place before a nightly live audience of 9,000 people | 0:00:08 | 0:00:12 | |
and to millions of television viewers worldwide. | 0:00:12 | 0:00:16 | |
Dance troops from all over the world have taken part | 0:00:16 | 0:00:19 | |
but never from Northern Ireland, until now. | 0:00:19 | 0:00:23 | |
This year a group of girls from Ulster will be given an opportunity | 0:00:23 | 0:00:26 | |
to take part in this spectacular event. | 0:00:26 | 0:00:30 | |
The only problem is, that group doesn't actually exist yet. | 0:00:30 | 0:00:33 | |
Rachel, that's lovely. Hands a bit closer together, Rebecca. | 0:00:33 | 0:00:36 | |
Highland dancer and teacher Georgina Kee is the girl | 0:00:36 | 0:00:40 | |
with the task of bringing the group together. | 0:00:40 | 0:00:44 | |
And, from Scotland, Tattoo dance director Billy Forsythe | 0:00:44 | 0:00:46 | |
is the man with the power to pull it apart. | 0:00:46 | 0:00:50 | |
Bad news, I'm not going to take all 21. | 0:00:50 | 0:00:52 | |
The standard, at the moment, is just not there. | 0:00:52 | 0:00:55 | |
One, two, three, four. Two, two. | 0:00:55 | 0:00:57 | |
So, which girls possess the dedication and the fancy footwork to catch Billy's expert eye? | 0:00:57 | 0:01:02 | |
Up together, down together. | 0:01:03 | 0:01:04 | |
They'll have to pull out all the stops | 0:01:04 | 0:01:07 | |
if they really are going to make their Edinburgh Tattoo debut. | 0:01:07 | 0:01:11 | |
Georgina Kee has come to Edinburgh. | 0:01:21 | 0:01:24 | |
She has a meeting with Billy Forsythe. | 0:01:24 | 0:01:26 | |
Twice world champion, and dance director of the Tattoo for 20 years, | 0:01:26 | 0:01:29 | |
he sets his standards high. | 0:01:29 | 0:01:31 | |
But Georgina already knows the drill. | 0:01:33 | 0:01:35 | |
By joining Billy's Scottish dance troupe at the age of 14, | 0:01:35 | 0:01:39 | |
she became the first dancer from Northern Ireland to perform at the Tattoo | 0:01:39 | 0:01:43 | |
and did so for four years. | 0:01:43 | 0:01:45 | |
Right, Georgie, you've done this before, you know the story. | 0:01:45 | 0:01:50 | |
There's a possibility we might be able to use a group from Ulster. | 0:01:50 | 0:01:53 | |
Do you think there will be enough dancers? | 0:01:53 | 0:01:56 | |
I think there will be when you put together all the dance schools. | 0:01:56 | 0:02:00 | |
There's Donegal, there's Drumquin and there's Enniskillen. | 0:02:00 | 0:02:02 | |
I think if we cover a good enough area and enough of the dance schools, | 0:02:02 | 0:02:07 | |
I think there will be interest there because all the girls, obviously, look up to the Tattoo. | 0:02:07 | 0:02:11 | |
They're already interested in it. I don't know if they ever thought, "I'll ever get the chance to dance." | 0:02:11 | 0:02:15 | |
The commitment has to be absolute. | 0:02:15 | 0:02:18 | |
The standard of dancing has to be a good standard. | 0:02:18 | 0:02:20 | |
If we can get that, I think we can probably do something. | 0:02:20 | 0:02:25 | |
Georgina is well aware of the hard road that lies ahead for any young Ulster dancer | 0:02:25 | 0:02:30 | |
who gets the chance to perform on the famous Castle Esplanade. | 0:02:30 | 0:02:34 | |
It's tough. It's physically tough, it's really demanding on your body. | 0:02:34 | 0:02:38 | |
But this is the perfect example, it is blowing a gale, it's lashing with rain | 0:02:38 | 0:02:41 | |
and, if this was August, the Tattoo would go ahead. | 0:02:41 | 0:02:45 | |
The show has never been cancelled. | 0:02:45 | 0:02:47 | |
There is 9,000 people watching every show, down there on the tarmac. | 0:02:47 | 0:02:52 | |
It's just mad. It is a crazy thought but so exciting. | 0:02:52 | 0:02:55 | |
I'm so excited for the girls as well. | 0:02:55 | 0:02:57 | |
Bready is a small hamlet just outside Strabane. | 0:03:01 | 0:03:05 | |
The Sollus Centre is the hub of local activity. | 0:03:05 | 0:03:08 | |
One, two, three, one, two, three. | 0:03:08 | 0:03:11 | |
Up, up, up, up, up! | 0:03:11 | 0:03:13 | |
'A lot of this community would associate themselves | 0:03:13 | 0:03:16 | |
'as being Ulster Scots.' | 0:03:16 | 0:03:17 | |
We've always had strong Ulster Scots music connection in Bready. | 0:03:17 | 0:03:20 | |
There's always been pipes and drums and drum majors in Bready. | 0:03:20 | 0:03:23 | |
More recently there's been a large dance school of Highland dancers in Bready, as well. | 0:03:23 | 0:03:28 | |
Highland dancing is not strictly a tradition from the lowlands of Scotland, | 0:03:28 | 0:03:32 | |
from where the Ulster Scots originated. | 0:03:32 | 0:03:34 | |
Nonetheless, it is extremely popular in this province | 0:03:34 | 0:03:37 | |
and among these 21 girls, who have gathered from several Highland dance schools in West Ulster. | 0:03:37 | 0:03:43 | |
Over the next few months they will train as one group | 0:03:43 | 0:03:46 | |
in preparation for the all-important Tattoo auditions with Billy Forsythe. | 0:03:46 | 0:03:52 | |
But their fitness levels need to be seriously improved | 0:03:53 | 0:03:56 | |
as they will have to perform seven shows every week during the month of August. | 0:03:56 | 0:04:00 | |
The sooner you do it right, the less you'll need to do it. | 0:04:00 | 0:04:03 | |
Georgina has recruited dance tutors from Scotland to help her | 0:04:03 | 0:04:06 | |
put the girls through a gruelling training regime. | 0:04:06 | 0:04:10 | |
Among those chasing their dream are sisters Jill and Joanne Thompson. | 0:04:10 | 0:04:15 | |
Together, together, and turn. | 0:04:18 | 0:04:21 | |
At home, on the family farm, | 0:04:21 | 0:04:24 | |
the girls have ventured out to the farmyard for their practise sessions. | 0:04:24 | 0:04:27 | |
When we go to practise in the house, me and Joanne, | 0:04:27 | 0:04:31 | |
my mum will shout up, "Keep the noise down," or something. | 0:04:31 | 0:04:34 | |
So, we'll have to try and go somewhere else. | 0:04:34 | 0:04:38 | |
Just always seems to be a problem with where we go. | 0:04:38 | 0:04:40 | |
You don't want to dance because my dad would be there, watching the TV. So, we just come outside. | 0:04:40 | 0:04:45 | |
Then, we realised it will help us for the Tattoo | 0:04:45 | 0:04:47 | |
because we will be dancing on like ground, cement, tar, anything, on the slope. | 0:04:47 | 0:04:52 | |
So, we just need to get as much practise as we can on it and get used to it. | 0:04:52 | 0:04:56 | |
Together, together. | 0:04:56 | 0:04:58 | |
To check that your knees are turned out. | 0:04:58 | 0:05:01 | |
Record yourself, or get someone else to record you. | 0:05:01 | 0:05:03 | |
Or do it in front of a mirror, or something that shows your image, so you can see for yourself | 0:05:03 | 0:05:07 | |
if you're improving. | 0:05:07 | 0:05:09 | |
Yeah, and turn. | 0:05:09 | 0:05:11 | |
Good. | 0:05:11 | 0:05:13 | |
You can see that my right leg is worse than what my left leg is. | 0:05:14 | 0:05:18 | |
See the way your supporting foot needs just a bit more work. | 0:05:18 | 0:05:22 | |
-We have to buck up our ideas if we do want to be in this Tattoo. -Yeah. | 0:05:22 | 0:05:27 | |
If we want to go forward | 0:05:27 | 0:05:28 | |
because if we are not up to standard Billy will just drop us, I know that. | 0:05:28 | 0:05:32 | |
Because Georgina is always stressing this, that he will just tell us, no. | 0:05:32 | 0:05:37 | |
Slide, slide, hop, one, two, three. | 0:05:39 | 0:05:42 | |
Having been brought together from dance schools in Derry, Donegal, Tyrone and Fermanagh, | 0:05:42 | 0:05:47 | |
the girls are unfamiliar with one another, as well as with this new style of dancing. | 0:05:47 | 0:05:53 | |
'They have to dance as a team, they have to dance together | 0:05:53 | 0:05:56 | |
'and that's something Highland dancers aren't trained to do. | 0:05:56 | 0:05:58 | |
'A lot of them are used to dancing on their own, they're used to doing Highland dance competitions | 0:05:58 | 0:06:03 | |
'whereas, now they have to think about another 19, 20 girls.' | 0:06:03 | 0:06:07 | |
As you can see here, the dancers come together and create formations and grips, | 0:06:08 | 0:06:14 | |
like here they have made a boat. | 0:06:14 | 0:06:16 | |
I don't know yet what the theme's going to be for this year | 0:06:16 | 0:06:18 | |
but there will be a new attitude towards looking where you are in relation to other people, | 0:06:18 | 0:06:23 | |
and dancing with maybe 30, 40, 50 other dancers. | 0:06:23 | 0:06:27 | |
Very, very challenging. Sore legs for the month of August | 0:06:27 | 0:06:31 | |
is basically how it is. | 0:06:31 | 0:06:33 | |
Some of the girls, for example like Kathryn, they have other things to work with, | 0:06:34 | 0:06:37 | |
and that's their shyness. | 0:06:37 | 0:06:40 | |
We have to make her strong, we have to get her really confident | 0:06:40 | 0:06:42 | |
and mix with the rest of the group. | 0:06:42 | 0:06:45 | |
Georgina's great. I was just doing dancing because I just did it. | 0:06:45 | 0:06:50 | |
But now I actually love doing it and she's definitely pushed me. | 0:06:50 | 0:06:53 | |
Everybody is supporting me along the way. | 0:06:53 | 0:06:55 | |
So, as long as I just focus on my faults everything should be fine. | 0:06:55 | 0:07:00 | |
But neither Kathryn, Jill, Joanne, nor the 18 other dancers, | 0:07:01 | 0:07:05 | |
have yet secured a place on the Tattoo team | 0:07:05 | 0:07:09 | |
and the auditions are drawing ever closer. | 0:07:09 | 0:07:12 | |
Well, we know they want at least 15 dancers. | 0:07:12 | 0:07:15 | |
Hopefully, we can get more than that in. | 0:07:15 | 0:07:17 | |
At the end of the day, it's down to Billy Forsythe. | 0:07:17 | 0:07:20 | |
It just depends who impresses him and who doesn't. | 0:07:20 | 0:07:23 | |
Whatever happens on the day that's the one thing that's just out of my hands. | 0:07:23 | 0:07:27 | |
Auditions, no entry. I've got a thing about the word auditions. | 0:07:31 | 0:07:38 | |
I always call it a selection meeting. It always sounds better. | 0:07:38 | 0:07:41 | |
If you do it naturally, that's what I am looking for. | 0:07:41 | 0:07:45 | |
The girls have been hearing the name Billy Forsythe time and time again | 0:07:45 | 0:07:48 | |
during the past few months. | 0:07:48 | 0:07:50 | |
Now, at last, he's here | 0:07:50 | 0:07:52 | |
and he's holding their Tattoo dream in the palm of his hand. | 0:07:52 | 0:07:56 | |
You're going to have an audience of 200,000 people live watching you dance | 0:07:56 | 0:07:59 | |
and they want to see how you react when you dance. | 0:07:59 | 0:08:02 | |
I'm not looking for somebody who's won 25 championships. | 0:08:02 | 0:08:06 | |
What I'm looking for is people who enjoy dancing. | 0:08:06 | 0:08:08 | |
You're all far too worried. Keep going, go on. | 0:08:21 | 0:08:26 | |
An audition is an audition. Some people get, some people don't. So, it's up to them. | 0:08:26 | 0:08:29 | |
They put in the effort. | 0:08:29 | 0:08:30 | |
# Dee, doo-pen, dee-dee Doo-pen, dee. # | 0:08:30 | 0:08:32 | |
He's lovely, he's a really nice man. He can be very scary, | 0:08:36 | 0:08:39 | |
but as long as you keep on the right side of him he's lovely. | 0:08:39 | 0:08:43 | |
He might want to think and ponder over a few for a while, I don't know. | 0:08:48 | 0:08:52 | |
He's the boss, his decision's always final. | 0:08:52 | 0:08:54 | |
I wanted to have another look at Joanne and Kathryn. | 0:08:58 | 0:09:00 | |
I don't want to turn them down but I don't know if you've got time to... | 0:09:04 | 0:09:09 | |
Aye, work on it. | 0:09:09 | 0:09:12 | |
I could take these three, but I would be dubious about them | 0:09:19 | 0:09:23 | |
-at the moment, to be honest. -Right. | 0:09:23 | 0:09:25 | |
But there's a possibility... | 0:09:25 | 0:09:27 | |
Why not put that to them? Say you're a yes, for now. | 0:09:27 | 0:09:30 | |
Bad news, I am not going to take all 21. I'm sorry, girls, | 0:09:35 | 0:09:38 | |
but I can't do it. | 0:09:38 | 0:09:40 | |
Becky, we're OK. Claire, we're OK. | 0:09:42 | 0:09:46 | |
Naomi, happy. | 0:09:50 | 0:09:52 | |
Gemma, fine. | 0:09:52 | 0:09:54 | |
Lynn, fine. | 0:09:58 | 0:09:59 | |
Hannah, OK. | 0:09:59 | 0:10:02 | |
I've got six others, | 0:10:04 | 0:10:08 | |
three of them - Joanne, | 0:10:08 | 0:10:10 | |
Kathryn and Julie. | 0:10:10 | 0:10:13 | |
I'm not convinced completely of because there's a lot there that needs sorted out, | 0:10:15 | 0:10:22 | |
but I'm happy to give you the chance. You're going to have to work hard. | 0:10:22 | 0:10:25 | |
It was just very tense, to start off with because we did make a few mistakes. | 0:10:25 | 0:10:30 | |
Then you just had to prove yourself and be confident and then she just got emotional. | 0:10:30 | 0:10:36 | |
I'll be hugging you all night. | 0:10:36 | 0:10:39 | |
And that leaves three of us. | 0:10:41 | 0:10:43 | |
And I'm sorry girls but we're not going to be able to take you. | 0:10:43 | 0:10:48 | |
The standard, at the moment, is just not there. | 0:10:48 | 0:10:50 | |
It's official. West Ulster Total Dance is born. | 0:10:54 | 0:10:58 | |
Billy has chosen the core members of his team, who gather on the walls of Londonderry for a publicity shoot. | 0:10:58 | 0:11:03 | |
Smile. | 0:11:03 | 0:11:06 | |
'There are going to have to be one team rather than four different dance schools.' | 0:11:06 | 0:11:09 | |
Toe, heel, toe and turn. | 0:11:09 | 0:11:12 | |
'There's a few girls who are as young as 12 and they'll be turning 13 during the Tattoo.' | 0:11:12 | 0:11:17 | |
The oldest girl is 18, Jill from Bready. | 0:11:17 | 0:11:20 | |
So, I'm counting on her to help out and guide the younger ones as well. | 0:11:20 | 0:11:23 | |
They're going to have to be working together, they're going to have to make new friends. | 0:11:23 | 0:11:27 | |
They're going to have to live together for a month. | 0:11:27 | 0:11:29 | |
It's an exciting time for the girls who have been chosen, | 0:11:29 | 0:11:33 | |
but others will have to up their game to secure their place on this team. | 0:11:33 | 0:11:38 | |
I definitely should be practising a lot more. | 0:11:41 | 0:11:44 | |
I don't practise enough and my mum, she's trying to push me. | 0:11:44 | 0:11:46 | |
To push me in the right direction. | 0:11:46 | 0:11:48 | |
She's doing her warm-ups, just some pas de bas and high cuts, | 0:11:48 | 0:11:52 | |
just part of her warm-up routine. | 0:11:52 | 0:11:55 | |
Billy Forsythe will be back in two months. Kathryn needs to impress. | 0:11:55 | 0:11:59 | |
We don't get practising every day but we do try most days. | 0:12:01 | 0:12:05 | |
Some days it's really annoying because she's like you need to walk, | 0:12:05 | 0:12:08 | |
you need to keep yourself fit, you need to practise that, get your toes out. | 0:12:08 | 0:12:12 | |
You know, jump bit higher, keep those arms straight. It's really annoying. | 0:12:12 | 0:12:18 | |
-It's for your own good. -I know! | 0:12:18 | 0:12:20 | |
-I'm my own worst critic, but she's like the second... -I'm critical too, yes. | 0:12:22 | 0:12:27 | |
Yes, she's a wee bit slow at picking up the steps, | 0:12:33 | 0:12:36 | |
she's not as confident but something like the Edinburgh Tattoo | 0:12:36 | 0:12:39 | |
could be brilliant for a young girl like that. | 0:12:39 | 0:12:42 | |
That could bring that girl out of her shell | 0:12:42 | 0:12:44 | |
and give her the confidence that she needs. | 0:12:44 | 0:12:46 | |
I'm just heading to the Donegal, at the minute. | 0:12:55 | 0:12:58 | |
I teach a class in Cully Orange Hall on a Wednesday. | 0:12:58 | 0:13:01 | |
There's four girls in the Donegal class | 0:13:01 | 0:13:04 | |
that are heading to the Tattoo as part of the team. | 0:13:04 | 0:13:06 | |
They're quiet, shy, nice wee polite girls, | 0:13:06 | 0:13:09 | |
but they're all great dancers and all really dedicated to their dancing. | 0:13:09 | 0:13:12 | |
One, two, one, two, three. | 0:13:12 | 0:13:14 | |
One, two, one, two, three. | 0:13:14 | 0:13:16 | |
Sisters Sarah-Ann and Lynn McElhinney | 0:13:16 | 0:13:19 | |
put heart and soul into their Highland dancing. | 0:13:19 | 0:13:23 | |
They've even persuaded their father to allocate them a dance studio in the house | 0:13:23 | 0:13:27 | |
although, there's a bit of a family issue over the size of the mirrors. | 0:13:27 | 0:13:30 | |
He didn't want to buy really dear mirrors | 0:13:30 | 0:13:33 | |
in case we weren't going to use the room so we got these ones. | 0:13:33 | 0:13:37 | |
We couldn't get ones that were long enough for the whole body | 0:13:37 | 0:13:40 | |
so, we put them down so we could see our feet | 0:13:40 | 0:13:43 | |
and then we have this mirror here | 0:13:43 | 0:13:45 | |
if we want to look at our hands, to make sure they're OK. | 0:13:45 | 0:13:47 | |
Are they saying I'm a cheapskate? | 0:13:48 | 0:13:52 | |
The mirrors were over 200 euro until I know you're going to use the room | 0:13:52 | 0:13:56 | |
I'm not going to pay 200 euro for no mirror. | 0:13:56 | 0:13:58 | |
They have proven to me, | 0:13:58 | 0:14:01 | |
I suppose they do use the room and still haven't got no mirror. | 0:14:01 | 0:14:03 | |
But I think there'll be a mirror on the wall | 0:14:03 | 0:14:05 | |
when they come back from Edinburgh. | 0:14:05 | 0:14:08 | |
Jill and Joanne's mother, Janeen, is going to the Tattoo as a chaperone. | 0:14:13 | 0:14:17 | |
She's looking forward to it. | 0:14:17 | 0:14:19 | |
But she's a little anxious as Jill's place is confirmed but not Joanne's. | 0:14:19 | 0:14:23 | |
Joanne was a wee bit uneasy at the time. | 0:14:26 | 0:14:29 | |
I think it was just nerves that got her in the first place. | 0:14:29 | 0:14:32 | |
She'll get there and she has improved in her dancing quite a lot. | 0:14:32 | 0:14:35 | |
Jill, how many dance classes do you have on Joanne? | 0:14:35 | 0:14:38 | |
The uncertainty and the waiting will soon be over, | 0:14:40 | 0:14:43 | |
as Billy is due back today. | 0:14:43 | 0:14:45 | |
I'm feeling pretty fine right now but as Billy approaches the hall | 0:14:45 | 0:14:49 | |
I will be feeling a bit more nervous because we know now, | 0:14:49 | 0:14:53 | |
as the last time he was here he told three girls that they couldn't go. | 0:14:53 | 0:14:57 | |
We've been working hard since Billy's last been here, | 0:14:57 | 0:15:01 | |
so I don't think, hopefully not, that no-one will get turned down. | 0:15:01 | 0:15:04 | |
One, two, three, four. | 0:15:07 | 0:15:09 | |
Pivot, pivot, pivot, go! | 0:15:09 | 0:15:11 | |
Billy's return has Georgina on edge as well. | 0:15:12 | 0:15:16 | |
A wee bit nervous but they've all worked hard and I've prepared them for everything, | 0:15:16 | 0:15:21 | |
but sometimes nerves can get the better of people. | 0:15:21 | 0:15:24 | |
15 of the girls are sure of their places, | 0:15:24 | 0:15:28 | |
but will these three get to join them? | 0:15:28 | 0:15:30 | |
There is a chance that someone might not be going | 0:15:30 | 0:15:36 | |
but everybody's put in 100% and if they're not going | 0:15:36 | 0:15:39 | |
it's just because either they had a bad day | 0:15:39 | 0:15:43 | |
or just something wasn't working out for them. | 0:15:43 | 0:15:46 | |
Afternoon, girls. Oh, don't sound so enthusiastic. | 0:15:48 | 0:15:54 | |
0K, girls, thank you. | 0:16:21 | 0:16:23 | |
From what I've seen today, the girls that I did | 0:16:23 | 0:16:27 | |
have a slight question mark the last time... | 0:16:27 | 0:16:32 | |
I am quite happy to take you to Edinburgh, have you as part of the team | 0:16:32 | 0:16:36 | |
and make sure that you do a good job over there. | 0:16:36 | 0:16:39 | |
I'm over the moon since all three of us got the opportunity to go now. | 0:16:43 | 0:16:47 | |
So, we're all going as a team. It's all good. | 0:16:47 | 0:16:50 | |
The big day is here and the members of West Ulster Total Dance arrive in Edinburgh, | 0:17:13 | 0:17:18 | |
all kitted out in their new team gear. | 0:17:18 | 0:17:20 | |
It's an exciting business moving into what will be their home for the next five weeks | 0:17:20 | 0:17:25 | |
in the university halls of residence. | 0:17:25 | 0:17:28 | |
From now on life is going to be all about dance. | 0:17:28 | 0:17:31 | |
One week of intensive rehearsals and four weeks of performance. | 0:17:31 | 0:17:36 | |
They'll be drilled to the highest level from dawn until dusk, every day. | 0:17:36 | 0:17:41 | |
It's early morning. The troops are on the move and so are the girls. | 0:17:45 | 0:17:50 | |
At their first rehearsal at Redford Barracks, | 0:17:50 | 0:17:53 | |
Billy Forsythe assumes a much tougher, less forgiving role. | 0:17:53 | 0:17:56 | |
Left, right, left, right, line, where's the line? | 0:17:56 | 0:18:02 | |
Arms up together and down together. | 0:18:02 | 0:18:04 | |
The full dance troupe comprises the girls from West Ulster | 0:18:04 | 0:18:08 | |
plus 32 dancers from Scotland. | 0:18:08 | 0:18:10 | |
Billy has just one week to get everyone in step. | 0:18:11 | 0:18:15 | |
Georgina is also turning up the heat. | 0:18:15 | 0:18:17 | |
The whole theme of the dance is basically around the sea | 0:18:23 | 0:18:25 | |
and fish and fishermen and the fishing industry. | 0:18:25 | 0:18:27 | |
And these dancers act as if they are shoals of fish. | 0:18:27 | 0:18:30 | |
You will see all the different costumes all mixed up. | 0:18:30 | 0:18:33 | |
All the bright colours. | 0:18:33 | 0:18:35 | |
And then, for the next part, they are going to actually make the shape, | 0:18:35 | 0:18:38 | |
like the basic shape of a fish. | 0:18:38 | 0:18:40 | |
These front dancers will act as like the point of the body, | 0:18:40 | 0:18:45 | |
-then the back group as the tail. -OK! | 0:18:45 | 0:18:48 | |
As rehearsals progress it becomes clear that the complex choreography | 0:18:53 | 0:18:58 | |
is far removed from the more traditional style of Highland dancing that the girls are used to. | 0:18:58 | 0:19:03 | |
Joanne, for one, is feeling distinctly uncomfortable | 0:19:03 | 0:19:07 | |
about performing a fish wiggle. | 0:19:07 | 0:19:09 | |
My legs cannot cope with the weight of my top half. | 0:19:09 | 0:19:14 | |
Just a struggle with my legs. | 0:19:15 | 0:19:17 | |
I don't like it at all. It's stupid. And it's...narrgh. | 0:19:19 | 0:19:24 | |
Well, this year there is quite a few steps that aren't necessarily proper Highland. | 0:19:27 | 0:19:32 | |
People think Highland dancing is stuck in a bit of a rut. | 0:19:32 | 0:19:35 | |
So, I think it's an effort to pull it back up into like a modern audience thing, really. | 0:19:35 | 0:19:39 | |
I think some of it's lovely. | 0:19:39 | 0:19:41 | |
I'm not so fond of wiggling down being a fish, but I don't have to do it. | 0:19:41 | 0:19:45 | |
BAND PLAYS | 0:19:45 | 0:19:48 | |
As rehearsals move out into the courtyard of the barracks | 0:19:54 | 0:19:57 | |
the girls get to meet some of their fellow performers. | 0:19:57 | 0:20:00 | |
Spectating over and another run through. | 0:20:06 | 0:20:09 | |
These practise sessions are becoming more and more demanding. | 0:20:09 | 0:20:13 | |
And back, Kelly back. Lauren, move forward. | 0:20:14 | 0:20:18 | |
Sadly Georgina isn't able to stay for the opening night | 0:20:18 | 0:20:21 | |
due to work commitments back in Ulster. | 0:20:21 | 0:20:23 | |
But before she leaves she needs to feel certain that her girls | 0:20:23 | 0:20:27 | |
will be at the top of their game for the big night. | 0:20:27 | 0:20:29 | |
They probably feel it now, | 0:20:29 | 0:20:31 | |
you can see some of them looking at you, giving wee looks as if to say, "My feet are killing me." | 0:20:31 | 0:20:35 | |
They'll probably be sore tomorrow. You just have to harden your muscles. | 0:20:35 | 0:20:39 | |
Despite atrocious weather Billy leaves everyone in no doubt | 0:20:39 | 0:20:42 | |
that the show must go on. | 0:20:42 | 0:20:45 | |
While Tattoo producer Brigadier David Allfray arrives with some words of encouragement. | 0:20:46 | 0:20:52 | |
-And it's about straight lines, isn't it? -Yeah. | 0:20:52 | 0:20:54 | |
When we march it is exactly the same principle. | 0:20:54 | 0:20:57 | |
-Looking out of the side of your eyes. Looking that way. -Yeah. | 0:20:57 | 0:21:01 | |
Really challenging. Easy to say, difficult to do. | 0:21:01 | 0:21:05 | |
The end of another long, hard day | 0:21:14 | 0:21:16 | |
and the girls return exhausted to their halls. | 0:21:16 | 0:21:20 | |
But chaperone Janeen knows how to lift their sagging spirits. | 0:21:24 | 0:21:28 | |
These are the new T-shirts that have been brought out specially for the Tattoo. | 0:21:28 | 0:21:31 | |
The Royal Edinburgh Military Tattoo 2011. | 0:21:31 | 0:21:34 | |
On the back it has got 11 and, as you'll notice, | 0:21:34 | 0:21:37 | |
it says on here West Ulster Total Dance Company. | 0:21:37 | 0:21:40 | |
ALL CHEER | 0:21:40 | 0:21:42 | |
At last the girls arrive for their first rehearsal on the Castle Esplanade. | 0:21:51 | 0:21:56 | |
It's amazing, it's class, it really is, fantastic. | 0:21:57 | 0:22:00 | |
I'm gobsmacked, it is nothing like I expected. | 0:22:02 | 0:22:05 | |
I didn't think it was going to be this big and now that we're all here, it's massive. | 0:22:07 | 0:22:12 | |
With Edinburgh's imposing castle towering over them | 0:22:14 | 0:22:17 | |
it all suddenly seems a very far cry from practising back home in their bedrooms. | 0:22:17 | 0:22:22 | |
I think there's about 9,000 people in here watching us. | 0:22:22 | 0:22:26 | |
To think we're going to be dancing in a full stadium is absolutely amazing. | 0:22:26 | 0:22:29 | |
Kind of nervous, but it's going to be class. | 0:22:29 | 0:22:33 | |
It's been absolutely terrific having the Irish girls here | 0:22:45 | 0:22:48 | |
because they have been so nervous. | 0:22:48 | 0:22:50 | |
I knew that would happen, I warned them it would happen. | 0:22:50 | 0:22:53 | |
When they get here this is such a big event and they suddenly realise | 0:22:53 | 0:22:57 | |
they're not just one little group of dancers, they're part of a whole team | 0:22:57 | 0:23:02 | |
on the Esplanade of Edinburgh Castle in front of 200,000 people live | 0:23:02 | 0:23:08 | |
and probably 100 million around the world, later on in the year, on television. | 0:23:08 | 0:23:12 | |
August 5th. The day of reckoning has dawned. | 0:23:23 | 0:23:27 | |
And for Kathryn, especially, it's time to see whether all her hard work has finally paid off. | 0:23:27 | 0:23:32 | |
At the start and whenever Billy came over for the first time | 0:23:32 | 0:23:37 | |
he had a few concerns about me and a few other girls. | 0:23:37 | 0:23:40 | |
I knew that I had to fight harder than the rest of the girls because I had a lot more to prove. | 0:23:40 | 0:23:45 | |
But I really think I've proven myself now and I think now I know what's here | 0:23:45 | 0:23:50 | |
and what's happening and there's really no turning back now, tonight. | 0:23:50 | 0:23:54 | |
There are mixed emotions for Georgina. | 0:24:04 | 0:24:07 | |
She's travelled a long, hard road with these girls, | 0:24:07 | 0:24:10 | |
but she won't be here to help them through the nerves and excitement of their first performance. | 0:24:10 | 0:24:15 | |
'To a certain extent my job is done.' | 0:24:15 | 0:24:17 | |
Me going away and leaving them, yes, I feel guilty, but... | 0:24:17 | 0:24:21 | |
it will probably be the making of them as mature dancers. | 0:24:21 | 0:24:24 | |
Five, step and six. | 0:24:24 | 0:24:26 | |
They've just put in so much hard work, they've... | 0:24:26 | 0:24:29 | |
I'm just really proud of the girls and what they've done. | 0:24:30 | 0:24:36 | |
And it will pay off for them and everyone will be proud, too. | 0:24:36 | 0:24:39 | |
With the audience taking their seats, the 61st Royal Edinburgh Military Tattoo | 0:25:00 | 0:25:04 | |
is about to get underway. | 0:25:04 | 0:25:06 | |
Ladies and Gentlemen, welcome to the 2011 Royal Edinburgh Military Tattoo. | 0:25:09 | 0:25:16 | |
CHEERING AND APPLAUSE | 0:25:16 | 0:25:19 | |
Some people are nervous, other people are very excited, | 0:25:44 | 0:25:48 | |
some people are really giddy but we're all pretty excited. | 0:25:48 | 0:25:51 | |
CHEERING AND APPLAUSE | 0:26:07 | 0:26:09 | |
From the local hall in Bready to the Tattoo arena in Edinburgh, | 0:26:09 | 0:26:13 | |
for West Ulster Total Dance the dream is about to come true. | 0:26:13 | 0:26:18 | |
Tonight our Royal Edinburgh Military Tattoo Highland dancers | 0:26:21 | 0:26:24 | |
and West Ulster's Total Dance group. | 0:26:24 | 0:26:28 | |
It's like a...it's amazing out there. | 0:27:46 | 0:27:49 | |
-Went really well. -Brilliant. | 0:27:55 | 0:27:57 | |
-Brilliant. -Amazing. I'm buzzing, such a good mood. | 0:27:57 | 0:28:02 | |
It's amazing. | 0:28:02 | 0:28:03 | |
The atmosphere and everything was just class. | 0:28:03 | 0:28:06 | |
Your heart was in my mouth, which I was really excited to do it. It was the best feeling, it really was. | 0:28:06 | 0:28:12 | |
Until you see it you never know if it's going to work. | 0:28:12 | 0:28:15 | |
That one definitely worked. | 0:28:15 | 0:28:16 | |
Ladies and Gentlemen, the cast of the 2011 Royal Edinburgh Military Tattoo. | 0:28:16 | 0:28:24 | |
CHEERING AND APPLAUSE | 0:28:24 | 0:28:27 | |
Subtitles by Red Bee Media Ltd | 0:28:50 | 0:28:53 | |
E-mail [email protected] | 0:28:53 | 0:28:57 |