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in Covent Garden for the glittering night of Britain's film industry and | :00:00. | :00:00. | |
join Jane Hill on the red carpet at the BAFTAs. | :00:00. | :00:18. | |
Hello and welcome to the Royal Opera House in London's Covent Garden for | :00:19. | :00:24. | |
the annual British Academy film awards. There are many, many | :00:25. | :00:28. | |
hundreds of members of the public already gathered here today to see | :00:29. | :00:32. | |
the galaxy of stars who will be arriving on the carpet, some of them | :00:33. | :00:36. | |
telling me they have been here since Saturday morning, they are so | :00:37. | :00:39. | |
determined to see the actors, actresses, directors who will be | :00:40. | :00:44. | |
turning up here in the next few minutes. Entertainment correspondent | :00:45. | :00:47. | |
Lizo Mzimba is among the huge numbers of press, and the people who | :00:48. | :00:52. | |
have been queueing up will be well rewarded tonight. Yes, some of the | :00:53. | :00:58. | |
biggest stars will be here, Leonardo DiCaprio from The Wolf Of Wall | :00:59. | :01:01. | |
Street, Tom Hanks from Captain Phillips, the entire main cast of | :01:02. | :01:04. | |
American Hustle, Bradley Cooper, Amy Adams and Christian Bale, Chiwetel | :01:05. | :01:10. | |
Ejiofor from 12 Years A Slave, along with Benedict Cumberbatch, lots of | :01:11. | :01:14. | |
screams for him, I bet. And a couple of great British institutions, Dame | :01:15. | :01:18. | |
Judi Dench and Dame Helen Mirren, who will be getting the highest | :01:19. | :01:21. | |
accolade, the Fellowship. And you will be talking to many of those, we | :01:22. | :01:26. | |
will chat to you later. Thank you very much. Lizo touching on some of | :01:27. | :01:31. | |
the pictures that we are all familiar with, let's just remind | :01:32. | :01:35. | |
ourselves of those that are in the category of best picture. | :01:36. | :01:43. | |
V is a slave! Under the circumstances... Under the | :01:44. | :01:55. | |
circumstances, he is a slaver! I will not fall to despair, I will | :01:56. | :01:58. | |
offer up my talents! Do not... You must detach! If you do | :01:59. | :02:43. | |
not, the arm will carry you to far! Listen to my voice, you need to | :02:44. | :02:48. | |
focus! You need to detach, I cannot see you any more, do it now! I am | :02:49. | :02:57. | |
trying... Huston, I have lost... You should be nice to the people you | :02:58. | :03:00. | |
meet on the way up, because you may read them again on the way down. You | :03:01. | :03:03. | |
of all people should understand that. I am sorry, I am just trying | :03:04. | :03:08. | |
to help you find your son, that is why we are here. Can I have some | :03:09. | :03:11. | |
quiet time? Those are the runners and riders for | :03:12. | :03:20. | |
best picture. I will be discussing all of those in just a moment with | :03:21. | :03:25. | |
Mark Kermode, who will be with me here on our rather fantastic vantage | :03:26. | :03:29. | |
point near the entrance to the Royal Opera House this evening. If you are | :03:30. | :03:35. | |
a regular follower of the BAFTAs, you will know how it goes, periodic | :03:36. | :03:40. | |
screams as stars arrive. I mentioned at the beginning many hundreds, | :03:41. | :03:43. | |
probably a thousand members of the public who have turned out here | :03:44. | :03:47. | |
tonight at the other end of the red carpet down where Lizo is. They are | :03:48. | :03:51. | |
going to be very well rewarded and already have been, Christoph Waltz | :03:52. | :04:00. | |
has been signing autographs, he is presenting an award tonight, | :04:01. | :04:05. | |
similarly Gillian Anderson. We have also seen one of the important | :04:06. | :04:10. | |
nominees, director Steve McQueen, I spotted him having his photo taken | :04:11. | :04:14. | |
with people, signing autographs, the director of, of course, of 12 Years | :04:15. | :04:20. | |
A Slave. And worth reminding you as well, of course, as ever, there is | :04:21. | :04:24. | |
always a special award at the end of the night, the fellow shop. This | :04:25. | :04:28. | |
year that is going to Helen Mirren, Dame Helen Mirren, and it will be | :04:29. | :04:33. | |
presented to her by Prince William, and he is going to be walking up the | :04:34. | :04:37. | |
red carpet, we are told, as well this evening. It is not the first | :04:38. | :04:41. | |
time he has been to the ceremony, but we think it is the first time he | :04:42. | :04:45. | |
has walked up the red carpet. Let's talk to Mark Kermode, film critic | :04:46. | :04:49. | |
for the Observer, hello, here we are again, another year, a lot of films | :04:50. | :04:54. | |
inspired by true stories in the nominations this year, let's talk | :04:55. | :04:58. | |
about best film. Being very personal, I know you and I both | :04:59. | :05:05. | |
loved 12 Years A Slave. Yes. Difficult but extraordinary. The | :05:06. | :05:08. | |
great triumph of 12 Years A Slave is that it tells a challenging story, a | :05:09. | :05:13. | |
true story, based on the memoir of Solomon Northrup who was indeed | :05:14. | :05:17. | |
kidnapped and sold into slavery, and yet despite the difficult nature of | :05:18. | :05:20. | |
it, it has done very well with audiences, not just critics. I was | :05:21. | :05:25. | |
talking to the cinematographer, and he said they are very proud that it | :05:26. | :05:29. | |
demonstrates that if you give audiences slightly more challenging | :05:30. | :05:32. | |
material, they will accept it. 12 Years A Slave would be my choice for | :05:33. | :05:37. | |
best picture. I think it is an extraordinary work, director Steve | :05:38. | :05:42. | |
McQueen has done a bully and job. Chiwetel Ejiofor gives a wonderful | :05:43. | :05:44. | |
performance. We have seen them do comedy, science fiction, action | :05:45. | :05:48. | |
adventure. But this was his finest work. And Lupita Nyong'o, a total | :05:49. | :05:52. | |
newcomer, is nominated for supporting actress and also for the | :05:53. | :05:57. | |
EE rising star, two nominations for her, and I hope she wins something | :05:58. | :06:03. | |
tonight. Ray Winston arriving, signing autographs, also Juliet | :06:04. | :06:07. | |
Stevenson, who is presenting an award this evening as well. American | :06:08. | :06:11. | |
Hustle has done very well in terms of nominations, very when at the | :06:12. | :06:15. | |
Oscar-nominated is as well, which are to come in March. -- very well. | :06:16. | :06:20. | |
It was not my favourite film, some cracking performances, and yet a | :06:21. | :06:25. | |
very curious confection, I found. I did not really like anyone in it. My | :06:26. | :06:29. | |
feeling about American Hustle is that it is all about the hair. I do | :06:30. | :06:36. | |
not mean that as a criticism, it is about people pretending to be other | :06:37. | :07:10. | |
people, and it starts with an elaborate scene in which Christian | :07:11. | :07:11. | |
Bale is doing this great comb-over, his extraordinary hairstyle. Amy | :07:12. | :07:11. | |
Adams as this great big bouffant. She has got good hair. But is there | :07:12. | :07:12. | |
anything underneath the hair? I have heard some critics saying that it is | :07:13. | :07:12. | |
meant to be about services, so that is what it is. -- surfaces. It has | :07:13. | :07:13. | |
the least going on underneath the surface of any of the nominations. | :07:14. | :07:14. | |
But there is a reason for it being about the cosmetics. I do not think | :07:15. | :07:15. | |
it is the strongest best film contender. The rising star | :07:16. | :07:20. | |
category, we can talk about that later, because you have some | :07:21. | :07:23. | |
involvement in that, an interesting one to watch. We may be able to hear | :07:24. | :07:29. | |
about that later. Captain Phillips, directed by Paul Greengrass, based | :07:30. | :07:32. | |
on a true story. I did not expect to like it, but it was gripping and | :07:33. | :07:37. | |
extraordinarily well made. I am a huge fan of Paul Greengrass, he has | :07:38. | :07:41. | |
a real talent for taking true stories and dramatising them in a | :07:42. | :07:44. | |
way which makes you think, I watching a documentary or the real | :07:45. | :07:48. | |
thing? The obviously has a background in news footage anyway, | :07:49. | :07:52. | |
and what he does is put you right there on the ship. Incidentally, Tom | :07:53. | :07:57. | |
Hanks, it is the best he has ever done. We cannot give away the ending | :07:58. | :08:01. | |
of the film, many people have said the last few scenes, some of the | :08:02. | :08:05. | |
best quirky as ever done. He is really terrific. And the leader of | :08:06. | :08:11. | |
the Somali pirates in the film, a supporting actor contender, his work | :08:12. | :08:16. | |
is terrific. But behind it all is director Paul Greengrass, somebody | :08:17. | :08:24. | |
who has directed this style, and he knows how to make a film reel. And | :08:25. | :08:28. | |
he has got the claustrophobic, the absolute terror of this enormous | :08:29. | :08:37. | |
freight ship taken over by four men in a fairly useless shipping boat. | :08:38. | :08:43. | |
And you are terrified for the crew. Yes, and what he says is that once | :08:44. | :08:47. | |
the pirates come on board, it is a tale of two captains, him and the | :08:48. | :08:52. | |
pirates, and it is a film about globalism. It is about the fact that | :08:53. | :08:57. | |
you have a rich nation with this great big ship full of cargo, and | :08:58. | :09:02. | |
then you have these very, very poor Somalis, who are driven to piracy by | :09:03. | :09:06. | |
their own economic conditions. Paul Greengrass takes care to make sure | :09:07. | :09:09. | |
that you know why it is that they are doing what they are doing, they | :09:10. | :09:13. | |
are not just 2-dimensional sketches but fully formed characters. | :09:14. | :09:18. | |
Gravity, now, the most nominations, I know it is not always about the | :09:19. | :09:22. | |
numbers, it does not always pan out that way, and Brits should be proud | :09:23. | :09:28. | |
of it hit is a fantastic technical achievement and largely done in | :09:29. | :09:32. | |
Britain. It is a fantastic technical achievement and a British technical | :09:33. | :09:36. | |
achievement. The live footage was shot here, and the extraordinary | :09:37. | :09:44. | |
effects work by the wizards at Framestore, it is testament to the | :09:45. | :09:49. | |
genius of British VFX technicians. It is the first time I have seen a | :09:50. | :09:54. | |
3D film where I thought, OK, that deserves to be stereoscopic, it | :09:55. | :09:58. | |
actually looks better in 3D than it would have into D. I know a couple | :09:59. | :10:03. | |
of people have said, is it really a British film? Did you think it was | :10:04. | :10:09. | |
filmed in space? It is a film which relies on British artistry and | :10:10. | :10:13. | |
technicians. Yes, it has Hollywood stars, but the real genius behind | :10:14. | :10:17. | |
the film is home grown, so it is great that it is being recognised at | :10:18. | :10:22. | |
the BAFTAs, nominated so strongly. As you say, numerically, it has the | :10:23. | :10:27. | |
most nominations. Let's talk about the final film on the list, | :10:28. | :10:31. | |
Philomena, also up for best British film, very British, Dame Judi Dench | :10:32. | :10:36. | |
is expected here tonight, as is the goog. A beautiful tale well told, | :10:37. | :10:41. | |
but a really heartbreaking story. It is, what is interesting about that | :10:42. | :10:45. | |
film is its takes liberties with the truth, but it does it in a way which | :10:46. | :10:50. | |
get away with it. It's two central characters are on a World Cup that | :10:51. | :10:54. | |
never happened, but they have taken the truth of it and, Thais did in a | :10:55. | :11:03. | |
way that works. -- on a road trip. It tells a very difficult story with | :11:04. | :11:08. | |
two great performances. Steve Coogan should not be overlooked. The work | :11:09. | :11:13. | |
he does in it, people imagine they know what he should be like on | :11:14. | :11:16. | |
screen, and you see a very different side to him in this. He does really | :11:17. | :11:27. | |
well. It takes just about the right liberties with the truth. It knows | :11:28. | :11:31. | |
how to make it into a dramatic feature. OK, let's remind ourselves | :11:32. | :11:36. | |
of the best actor category, Mark touching on a couple of really | :11:37. | :11:40. | |
remarkable performances already, let's remind ourselves of those in | :11:41. | :11:41. | |
the running here tonight. You told the sheriff you were | :11:42. | :11:56. | |
walking to Nebraska. Yes, to get my $1 million. This is Woody Grand. We | :11:57. | :12:05. | |
are authorised to pay $1 million... You did not win anything! It is a | :12:06. | :12:11. | |
scam, you have got to stop this. I am running out of time. | :12:12. | :12:18. | |
Now you tell me all is lost? Del no-one who I am, that is the way to | :12:19. | :12:29. | |
survive? -- tell. Well, I don't want to survive. I want to live. | :12:30. | :12:36. | |
You will never do it properly because you have too much attitude | :12:37. | :12:41. | |
to be small and slick. You have to be a conman, in and out. I am there | :12:42. | :12:45. | |
the whole time but you do not know it. That is the art of being someone | :12:46. | :12:53. | |
people can pin beliefs and Green Zone. How much do you make? 72,000 | :12:54. | :13:01. | |
last month. I am serious. I am serious, how much money do you make? | :13:02. | :13:09. | |
I told you, 70,000, technically 72,000. If the pirates find you, you | :13:10. | :13:13. | |
know the ship, they don't. They can feel like they are in charge, but | :13:14. | :13:17. | |
keep them away from the generator and the engine controls. | :13:18. | :13:21. | |
Stick together. And we will be all right. | :13:22. | :13:32. | |
Can we take a live shot? So ending on Captain Phillips there, | :13:33. | :13:35. | |
interesting, because at the other end of the red carpet I can see | :13:36. | :13:43. | |
Barkhad Abdi, who plays the leader of the Somali pirate gang, signing | :13:44. | :13:48. | |
an awful lot of autographs. We have spotted Mark gaiters as well of | :13:49. | :13:51. | |
Sherlock Waem, among many other things. He was very much in demand | :13:52. | :13:56. | |
for autographs. I mentioned that a lot of people had been years since | :13:57. | :14:01. | |
Saturday morning. -- Fame. There were lots and lots of Sherlock | :14:02. | :14:04. | |
posters, I think he will be in demand. Lizo has someone very | :14:05. | :14:10. | |
special with him. Thank you very much, the director of 12 Years A | :14:11. | :14:16. | |
Slave, Steve McQueen, this film has pondered the strongest emotional | :14:17. | :14:19. | |
reaction of any of the movies nominated tonight. Yeah, I am happy | :14:20. | :14:27. | |
for it! The response has been amazing in the cinemas. It's been a | :14:28. | :14:35. | |
wonderful experience, really. It's something I've been working on | :14:36. | :14:39. | |
really and with since September, so I'm grateful for the audience, it's | :14:40. | :14:44. | |
great for the public. It is the film people expect to do particularly | :14:45. | :14:48. | |
well tonight. Does that make you more nervous? It's not a | :14:49. | :14:53. | |
competition, it's a celebration. Once you have been nominated, you | :14:54. | :14:59. | |
have one. What does Chiwetel Ejiofor bring to a question about why were | :15:00. | :15:05. | |
you so keen to get him involved? He had a stature and dignity that is | :15:06. | :15:09. | |
inherent. He is like Sidney Poitier, there is a certain stature. I needed | :15:10. | :15:16. | |
a character who was in a world that was inhumane. Why has it taken a | :15:17. | :15:22. | |
British director to tell a piece of American history? It's not just | :15:23. | :15:25. | |
American history, its world history. Britain was involved in the slave | :15:26. | :15:29. | |
trade, so was France, Portugal, Spain, so it is a world industry. | :15:30. | :15:34. | |
This is one of the many stories, I hope, will be told. Did you ever | :15:35. | :15:39. | |
expected to be this well-received, not just by audiences and critics, | :15:40. | :15:45. | |
but by award givers? The Oscars in two weeks time. That was never on my | :15:46. | :15:52. | |
mind. I wanted to make the best form I could possibly make, and to have | :15:53. | :15:57. | |
this kind of response, I'm grateful. Steve McQueen, thank you for your | :15:58. | :16:06. | |
time. Steve McQueen, nominated as best director for 12 Years A Slave. | :16:07. | :16:11. | |
Let's remind ourselves and take a look at the best actress category. | :16:12. | :16:16. | |
Again, some strong performances, and maybe one standing out. Let's remind | :16:17. | :16:17. | |
ourselves who is up for that. We got the bureau to give this $2 | :16:18. | :16:29. | |
million for three days. You mean you and him? Yes, we did. She showed me. | :16:30. | :16:39. | |
You showed him? You did that without me? What are you going to do? | :16:40. | :16:45. | |
I was forced to take a job selling shoes on Madison Avenue. So | :16:46. | :16:53. | |
humiliating. Friends from dinner parties came in and I had to wait on | :16:54. | :16:57. | |
them. Have you any idea what that is like? One minute you are hosting, | :16:58. | :17:02. | |
and the next minute you are measuring their shoe size and | :17:03. | :17:07. | |
fitting them. This is PL Travers, the creator of the bill of the | :17:08. | :17:12. | |
beloved Mary. Mary Poppins. Never, ever just Mary. A pleasure to meet | :17:13. | :17:15. | |
you. Although we shan't be acquainted along, because these | :17:16. | :17:21. | |
books simply do not lend themselves to chirping and prancing. Certainly | :17:22. | :17:29. | |
not a musical. I'm getting scared now we're getting closer. All these | :17:30. | :17:32. | |
years wondering whether Anthony was in trouble, or prison. I could | :17:33. | :17:39. | |
always tell myself he was happy somewhere and everything would be | :17:40. | :17:43. | |
all right, but what if he died in Vietnam, or came back with no legs, | :17:44. | :17:49. | |
or lived on the street? Houston, this is Ryan Stone, I am drifting. | :17:50. | :17:52. | |
Do you copy? Anyone? So those are the nominations for | :17:53. | :18:19. | |
best actress. Worth pointing out, well, I was about to say, look out | :18:20. | :18:23. | |
for the man in the red baseball cap. But he's just moved out of the | :18:24. | :18:29. | |
frame. That is Ron Howard, and he is alongside Nicki Lauda, wearing the | :18:30. | :18:37. | |
red baseball cap. All of that is in relation to a film in the best | :18:38. | :18:41. | |
British film category, which is Rush, about the competition in the | :18:42. | :18:49. | |
1970s between Lauda and James Hunt. We've not had a chance to go through | :18:50. | :18:53. | |
the best British film category in detail, but rest assured, I hope we | :18:54. | :18:58. | |
will. While we look at these pictures, just a return to the | :18:59. | :19:03. | |
category of Best actress, Cate Blanchett, we expect to see her on | :19:04. | :19:07. | |
the red carpet tonight. Is it fair to say it will be quite a shock if | :19:08. | :19:13. | |
she doesn't win it? It's funny, because she has been tipped as the | :19:14. | :19:16. | |
leading contender in the category for a long time, ever since it came | :19:17. | :19:21. | |
out, and whatever you think about the film, the performance is | :19:22. | :19:25. | |
impeccable. I have to say I have a great fondness for Emma Thompson's | :19:26. | :19:29. | |
work, she was brilliant as PL Travers. Obviously there is every | :19:30. | :19:34. | |
possibility Dame Judi Dench might sneak it, but my feeling is that | :19:35. | :19:38. | |
Cate Blanchett is just ahead of the pack. It's understandable. She | :19:39. | :19:42. | |
really, really carries the film. Emma Thompson's work in Saving Mr | :19:43. | :19:49. | |
Banks is very clever because she makes the character chippy and | :19:50. | :19:52. | |
difficult, yet not wholly unsympathetic. You see all the way | :19:53. | :19:56. | |
through the film how much she annoyed the Walt Disney bosses, and | :19:57. | :19:59. | |
Walt Disney himself. How difficult she was to work with. I think Mary | :20:00. | :20:04. | |
Poppins is one of the best film ever made, but she famously didn't like | :20:05. | :20:08. | |
the movie and refuse to have anything else done to it. So Emma | :20:09. | :20:12. | |
Thompson managed to get the right balance between being very difficult | :20:13. | :20:18. | |
but also understandable. Did I read somewhere that she thought it was | :20:19. | :20:21. | |
the best film part she had ever been offered in terms of meat -- a | :20:22. | :20:25. | |
movie? I think it's her finest performance. She steps up to the | :20:26. | :20:33. | |
challenge. Can I say quickly, we were talking about Rush, the | :20:34. | :20:36. | |
interesting thing is is it was directed by Ron Howard, and Paul | :20:37. | :20:41. | |
Green grass was going to direct that, and they swap projects in | :20:42. | :20:45. | |
midstream, which is why you have a movie that perhaps you wonder why | :20:46. | :20:49. | |
Ron Howard is doing Rush, but they swapped movies. Willingly? Yes, and | :20:50. | :20:56. | |
as it happens, completely coincidentally. Cate Blanchett is | :20:57. | :21:03. | |
being mentioned for her role in Blue Jasmine. Sally Hawkins just | :21:04. | :21:06. | |
arriving, as we talk about Best supporting actress. There is one of | :21:07. | :21:10. | |
the women of the moment, an extraordinary performance by | :21:11. | :21:15. | |
somebody who is 30 years old, but this is her first film performance. | :21:16. | :21:21. | |
She has two nominations, for best supporting actress for 12 Years A | :21:22. | :21:25. | |
Slave, and also for the rising Star award, which is usually a nomination | :21:26. | :21:29. | |
for somebody who already has a number of films under their belt. | :21:30. | :21:31. | |
There's been a couple of occasions for a first performance, but she | :21:32. | :21:36. | |
goes into that with two nominations tonight, both richly deserve. | :21:37. | :21:41. | |
Anybody who has seen 12 Years A Slave all know how well she does the | :21:42. | :21:44. | |
role. It's a really difficult role, really central to the drama. And she | :21:45. | :21:48. | |
is fabulous. Steve McQueen said working with her was a dream. It was | :21:49. | :21:53. | |
a hard parts to cast, but he really struck gold with Blue Peter neon go. | :21:54. | :22:04. | |
She is wonderful in the film. -- Lupita Nyong'o. We were talking | :22:05. | :22:10. | |
about Sally Hawkins who is also in Blue Jasmine. | :22:11. | :22:16. | |
She is up against Jennifer Lawrence, America's darling at the moment. One | :22:17. | :22:24. | |
of the most popular actresses. It's a bit like Benedict Cumberbatch has | :22:25. | :22:27. | |
to be in everything. In America, Jennifer Lawrence has to be in | :22:28. | :22:30. | |
everything, but she is fantastic in American Hustle. In the case of | :22:31. | :22:35. | |
American Hustle, there are four very strong performances. Whatever you | :22:36. | :22:39. | |
think about the film, the central performances are really, really | :22:40. | :22:42. | |
strong. I think the film itself has certain weaknesses, but none of | :22:43. | :22:45. | |
those weaknesses are to do with the performances themselves. It is a | :22:46. | :22:48. | |
film in which it is really blessed with a great cast. I just wanted the | :22:49. | :22:54. | |
film itself to have more depth. Julia Roberts is nominated, for | :22:55. | :23:14. | |
August Osage County. And Oprah Winfrey for the Butler. It is a | :23:15. | :23:19. | |
composite story based on a true story but it takes liberties with | :23:20. | :23:23. | |
it. What she does is she plays the wife of the central character, and | :23:24. | :23:26. | |
it's through her that the audience really sympathises with his journey | :23:27. | :23:30. | |
on screen. I think she does brilliantly, and she deserves a | :23:31. | :23:36. | |
nomination. We will just go back to Lizo, as he has the man opening the | :23:37. | :23:43. | |
show. You're going to be opening the show with a performance of Heroes? | :23:44. | :23:47. | |
It's one of the biggest sellers today. It is so important to British | :23:48. | :23:54. | |
culture as well. I've never done anything like this before. I've done | :23:55. | :23:57. | |
loads of awards shows, fashion shows, but nothing as prestigious as | :23:58. | :24:01. | |
this. I'm literally going to be staring out at some of my heroes, | :24:02. | :24:06. | |
Oprah Winfrey, Leonardo Di Caprio, I don't know how I will concentrate. | :24:07. | :24:11. | |
It will be great. How nerve wracking with it be before you go on air? | :24:12. | :24:16. | |
It's already bad enough, it was already at ten, but now it's 10.5. | :24:17. | :24:21. | |
Wander the BAFTAs mean to you as somebody who grew up watching them? | :24:22. | :24:26. | |
-- what do the BAFTAs? It's just an incredible celebration of the | :24:27. | :24:30. | |
British TV and movie industry. So many great films out, especially the | :24:31. | :24:33. | |
British people, like 12 Years A Slave, Captain Phillips, so many | :24:34. | :24:38. | |
amazing films, and this is the time to celebrate it over here. It's such | :24:39. | :24:43. | |
a great honour to be here. Thanks, I know you all give a great | :24:44. | :24:47. | |
performance as always. Go and get ready. Tinie Tempah, always | :24:48. | :24:56. | |
fantastic and opening the show here at the Royal Opera house. The | :24:57. | :24:59. | |
decibel levels are rising. An awful lot of excitement on the red carpet. | :25:00. | :25:03. | |
A huge number of stars arriving here already, and many more to come will | :25:04. | :25:08. | |
stop and a reminder that the BAFTAs Fellowship is going to Dame Helen | :25:09. | :25:16. | |
Mirren tonight -- many more to come. Barkhad Abdi, nominated for Captain | :25:17. | :25:19. | |
Phillips, Best supporting actor. How does it feel? You've had an amazing | :25:20. | :25:24. | |
story going from not being an actor towards this amazing nominated role? | :25:25. | :25:29. | |
It feels great to be here. I'm really honoured, and I've had all | :25:30. | :25:35. | |
these nominations, and it's a life changing experience. I'm happy to be | :25:36. | :25:41. | |
here. The BAFTAs are looking great. As Tom Hanks giving you any tips as | :25:42. | :25:45. | |
he's been to so many awards ceremonies, but this is your first? | :25:46. | :25:51. | |
-- has Tom Hanks? He gave me a lot of advice. He's a really great man. | :25:52. | :25:57. | |
I love working with him. How much fun was it, that might not be the | :25:58. | :26:01. | |
word, but how was it playing this part? It seems to be something you | :26:02. | :26:05. | |
could dig beneath the layers of. He was not just a superficial bad guy. | :26:06. | :26:12. | |
I had a lot of fun. It was more fun each day, when you understand the | :26:13. | :26:15. | |
character more in depth, and you're telling his story. It was a lot of | :26:16. | :26:22. | |
fun and good times, and I enjoyed working with Tom Hanks as well as | :26:23. | :26:28. | |
Paul Greengrass. They helped me a lot to get the part out, and what | :26:29. | :26:33. | |
ever obstacle I had, we found a way to get over. It was great. Barkhad | :26:34. | :26:38. | |
Abdi, thanks very much for talking to us. That is excellent, because it | :26:39. | :26:43. | |
allows us to have a chat about the category he is in, because it is a | :26:44. | :26:47. | |
strong one. Let's remind ourselves. Barkhad Abdi nominated for his | :26:48. | :26:51. | |
performance along side Captain Phillips. Daniel Bruhl has been on | :26:52. | :27:00. | |
the red carpet. But Michael Fassbender, my goodness, he's done a | :27:01. | :27:04. | |
lot of work with Steve McQueen, but he was terrifying as a plantation | :27:05. | :27:09. | |
owning 12 Years A Slave. He tells an interesting story about doing the | :27:10. | :27:12. | |
role, saying no matter how terrifying or evil character is, you | :27:13. | :27:16. | |
have to find a way in. He said as far as he was concerned, his | :27:17. | :27:20. | |
character was in love with Patsy, the character played by Lupita, who | :27:21. | :27:29. | |
he torments so terribly. Michael Fassbender didn't want to play him | :27:30. | :27:33. | |
as just somebody 2-dimensional ee foul and wicked, you had to | :27:34. | :27:36. | |
understand where it came from. I think he's an extraordinarily | :27:37. | :27:42. | |
intuitive and forceful actor. When you have him and Chiwetel Ejiofor on | :27:43. | :27:45. | |
screen, you see some of the best acting talent in the world together | :27:46. | :27:51. | |
on screen. I think what Steve McQueen has always strived to do | :27:52. | :27:55. | |
with his films is to look beyond the obvious, to get each of the | :27:56. | :28:00. | |
characters to dig a bit deeper. And it says something about how good he | :28:01. | :28:03. | |
is as a director that he can get these kind of performances out of | :28:04. | :28:08. | |
his cast. I don't need to tell you who it is, but Leonardo Di Caprio | :28:09. | :28:13. | |
arriving. He is very, very commanding in The Wolf of Wall | :28:14. | :28:15. | |
Street. We will stay with the pictures of him. I guess he will be | :28:16. | :28:20. | |
signing quite a lot of autographs. Going back to Barkhad Abdi, despite | :28:21. | :28:26. | |
my feeling that Michael Fassbender might take it, for what it's worth, | :28:27. | :28:32. | |
Barkhad Abdi is very strong in a very difficult part, and some very | :28:33. | :28:37. | |
difficult, tense scenes in the film. I would not put him out of the | :28:38. | :28:40. | |
running at all. There is a good story that Paul Greengrass tells, | :28:41. | :28:47. | |
but when you first see Barkhad Abdi's character on the bridge, that | :28:48. | :28:52. | |
is the first time he had met Tom Hanks, juicy and actor, a complete | :28:53. | :28:58. | |
newcomer, holding his own against the a seasoned performer -- you see | :28:59. | :29:05. | |
an actor. We were talking about Rush earlier. We are with Ron Howard. I'm | :29:06. | :29:14. | |
grateful foreign exchange student here. I got in with my Visa, and | :29:15. | :29:20. | |
it's a huge honour. Why did you want to do this movie? Wasn't Paul Green | :29:21. | :29:27. | |
grass going to do it? He opted out, but I knew about the story, and I | :29:28. | :29:31. | |
said it would be fascinating, but I said, you're American, you don't | :29:32. | :29:34. | |
know anything about the culture. I said, those characters are | :29:35. | :29:38. | |
fascinating. I love the drama of sports and what it can yield, and I | :29:39. | :29:42. | |
felt as directed there was a chance to do something really original and | :29:43. | :29:46. | |
combining that visceral action with these complicated characters, so I | :29:47. | :29:51. | |
jumped into it. I guess it is a rivalry that is not really known | :29:52. | :29:56. | |
outside the UK that much. It really isn't, but it's rich and | :29:57. | :30:00. | |
interesting. Familia in some ways, but highly unexpected in others, and | :30:01. | :30:03. | |
that is why people really like the movie when they see it. I was | :30:04. | :30:07. | |
surprised when I read the screenplay about the complexity and the way it | :30:08. | :30:11. | |
entertained and what it revealed, and I think audiences feel that way | :30:12. | :30:18. | |
about it when they see it. The performance is very much acclaimed, | :30:19. | :30:22. | |
Daniel Bruehl is up for best supporting actor. It is a very | :30:23. | :30:29. | |
challenging character, because Lauda is difficult, you like in one | :30:30. | :30:32. | |
moment, then he is prickly. What he has to endure, the range of his | :30:33. | :30:38. | |
experience, it is riveting and dramatic stuff to play, and Daniel | :30:39. | :30:43. | |
made the most of it. Have a great evening. Thanks a lot! | :30:44. | :30:50. | |
And Chiwetel Ejiofor working his way slowly up the red carpet, signing an | :30:51. | :30:54. | |
awful lot of autographs. Lots and lots of people want their photograph | :30:55. | :30:57. | |
taken with him, he looks very obliging, a very strong performance | :30:58. | :31:07. | |
in Steve McQueen's 12 Years A Slave. And another member involved in the | :31:08. | :31:15. | |
British film, Rush, back to Lizo. Daniel Bruehl plays Niki Lauda, up | :31:16. | :31:18. | |
for best supporting actor. Did you know much about the rivalry between | :31:19. | :31:23. | |
these two drivers? I was born in 1978, and I grew up in Cologne, not | :31:24. | :31:28. | |
far away from the racetrack where Niki Lauda had his accident. But I | :31:29. | :31:32. | |
did not know much about the rivalry between him and James Hunt, so | :31:33. | :31:37. | |
reading the script, I was fascinated, and I felt Peter Morgan | :31:38. | :31:41. | |
had added so many things to make an exciting movie. So I think it is one | :31:42. | :31:50. | |
of the most thrilling and exciting rivalries in sports history ever. | :31:51. | :31:55. | |
How easy was it to portray this human drama for these two great | :31:56. | :32:00. | |
racing drivers? Well, pretty intense, because we don't have that | :32:01. | :32:04. | |
much in common, so I felt that responsibility weighing on my | :32:05. | :32:07. | |
shoulders, because he is a living legend, and he is still around, | :32:08. | :32:11. | |
everyone in Germany and Austria knows him. It was tough to get | :32:12. | :32:20. | |
there, but fortunately I got all the support from Niki himself, and we | :32:21. | :32:24. | |
talked about intimate and sensitive stub. You cannot take for granted | :32:25. | :32:27. | |
that a real person is willing to talk about all of this, you know, | :32:28. | :32:31. | |
vanity and beer and death and all of that, but he did, and it is so nice | :32:32. | :32:36. | |
that he was happy and proud with the result of the film. Thank you very | :32:37. | :32:40. | |
much for that time, Daniel, have a wonderful evening, best of luck. | :32:41. | :32:48. | |
Rush is nominated as best British film against Gravity and Philomena. | :32:49. | :32:52. | |
We were endeavouring to talk about the best director, Alfonso Cuaron | :32:53. | :32:55. | |
arrived a few moments ago, what you think of the category? Talk me | :32:56. | :33:02. | |
through the trickiness of some of the nominations here. Well, I think | :33:03. | :33:07. | |
it is always difficult prejudging any awards, but in terms of the | :33:08. | :33:11. | |
director, it is really tough this year. Steve McQueen for 12 Years A | :33:12. | :33:15. | |
Slave, I think the work he does is extraordinary, it is the best film | :33:16. | :33:19. | |
he has made, the best film of the. American Hustle, David O Russell, | :33:20. | :33:24. | |
very stylishly directed, a lot of attention on the visuals. I think it | :33:25. | :33:32. | |
is a little bit surfacey. But we are seeing 12 Years A Slave, Steve | :33:33. | :33:35. | |
McQueen tells a very difficult story in a way that is accessible to a | :33:36. | :33:38. | |
mainstream audience but does not state the edges of it. This is | :33:39. | :33:46. | |
American Hustle, as you said, it is very blingy, it is all to do with | :33:47. | :33:51. | |
the way it looks. But in that category Alfonso Cuaron is the real | :33:52. | :33:55. | |
contender. I think it is him and Steve McQueen who have got the title | :33:56. | :33:59. | |
fight there. The thing with Alfonso Cuaron's work on Gravity, regardless | :34:00. | :34:04. | |
whether you love the film or not, you would be hard pressed to say it | :34:05. | :34:08. | |
is not brilliant light directed. I think that sometimes, when people | :34:09. | :34:14. | |
are judging this category, they may lean towards Gravity because it | :34:15. | :34:19. | |
looks so much like a directorial work. Perhaps when you look at 12 | :34:20. | :34:22. | |
Years A Slave, you look at performances and story. But when you | :34:23. | :34:26. | |
look at Gravity, it looks like the work of a director using the cinema | :34:27. | :34:30. | |
screen as a painted canvas, redefining the boundaries of | :34:31. | :34:35. | |
experiential cinema. I think therefore he might have the edge. | :34:36. | :34:40. | |
However, these are the British film Academy Awards, we are on home | :34:41. | :34:43. | |
ground, so it could be Steve McQueen. I will understand if | :34:44. | :34:51. | |
Alfonso Cuaron sneaks it. Back to Lizo. The film everyone is talking | :34:52. | :34:55. | |
about is 12 Years A Slave, one of its guises Lupita Nyong'o, up for | :34:56. | :34:59. | |
best supporting actress. -- one of its stars, who beat in Yangon. How | :35:00. | :35:07. | |
was it to play? It was very exciting, so challenging and | :35:08. | :35:10. | |
rewarding to have that kind of opportunity to bring back to life | :35:11. | :35:18. | |
such an important woman and to tell her story. Have you been surprised | :35:19. | :35:23. | |
by the reaction of people to a story that many people did not know about? | :35:24. | :35:27. | |
I would not say surprise, it is up rising how big it has gotten, but I | :35:28. | :35:31. | |
feel more relieved that it has got this kind of reception, because when | :35:32. | :35:38. | |
I read the story, it touched me, so to see other people you'll being | :35:39. | :35:41. | |
moved in the same way is a relief. You have had an amazing awards | :35:42. | :35:49. | |
season, what has it been like. I did not even know and awards season | :35:50. | :35:55. | |
existed! It has been a major... It has been amazing, it has been | :35:56. | :36:00. | |
surprising every step of the way, and I feel really blessed. I know I | :36:01. | :36:05. | |
am in a very fortunate position, and I am just embracing this | :36:06. | :36:10. | |
opportunity. Have a great evening, best of luck. Thank you. | :36:11. | :36:17. | |
Oh, lots of people cheering for her, I think we are crossing fingers she | :36:18. | :36:21. | |
will walk away with something. I really think she will, deservedly | :36:22. | :36:26. | |
so. Best foreign film, we have not had a chance to touch on that. I am | :36:27. | :36:31. | |
not familiar with all of them, I do virtue your superior knowledge. The | :36:32. | :36:35. | |
category is film not in the English language. | :36:36. | :36:46. | |
The two really interesting things, Blue Is The Warmest Colour is not | :36:47. | :36:51. | |
nominated at the Oscars because it opened in its own country too late | :36:52. | :36:55. | |
to qualify, despite the fact that it had won the Palm door. He gave the | :36:56. | :37:01. | |
award not only to the director but the two leading actresses, which is | :37:02. | :37:06. | |
unprecedented. We are just pointing at one of our other screens because | :37:07. | :37:11. | |
I can see Amy Adams arriving for American Hustle, over to Lizo. One | :37:12. | :37:17. | |
of the other films being talked about is Gravity, Alfonso Cuaron, | :37:18. | :37:23. | |
director and writer! This film, an incredible technical achievement to | :37:24. | :37:26. | |
get it done, did you realise that you might be able to do everything | :37:27. | :37:30. | |
you managed on the screen at the time? Well, when I first started, I | :37:31. | :37:35. | |
thought it was going to be a simple task, you know. It was a big | :37:36. | :37:40. | |
miscalculation! I thought it was going to be something really simple | :37:41. | :37:45. | |
to make. As we start the process, we realised we had to invent new | :37:46. | :37:51. | |
technology to make it happen. Was it a difficult process? It was | :37:52. | :37:55. | |
difficult for everyone around me! Everybody, all the artists around | :37:56. | :38:00. | |
me, they were just trying to convey the thematic and emotional value of | :38:01. | :38:05. | |
the story, so that was the task at hand. Nobody was trying to create | :38:06. | :38:12. | |
new technology, everybody was just trying to achieve the emotional | :38:13. | :38:18. | |
journey. There has been a bit of a backlash against 3D, but Gravity has | :38:19. | :38:23. | |
made people say, this is all about 3D technology, you have to see it in | :38:24. | :38:28. | |
3D. How does that make you feel? Well, the thing is that 3D is an | :38:29. | :38:33. | |
amazing medium, but it is being used almost as a commercial feature. When | :38:34. | :38:41. | |
it is used properly, and you could see that in Hugo or Avatar or life | :38:42. | :38:46. | |
of pi, it is absolutely beautiful, and immersive. Thanks very much, | :38:47. | :38:53. | |
have a great evening. Thank you so much. Alfonso Cuaron nominated for | :38:54. | :38:57. | |
best director and much else the size, as he was making quite clear | :38:58. | :39:02. | |
to Lizo. Mark, talking about the best foreign-language film, let's | :39:03. | :39:08. | |
see whether we can return to that. So many people arriving, very | :39:09. | :39:13. | |
quickly, in the film not in the English language category, The Act | :39:14. | :39:18. | |
Of Killing, an extraordinary documentary. Blue Is The Warmest | :39:19. | :39:21. | |
Colour, a French film not nominated at the Oscars because it was | :39:22. | :39:26. | |
released to late in its own country. The Great Beauty, many people's film | :39:27. | :39:31. | |
of the year. Metro Manila, a very edgy thriller, very well shot. | :39:32. | :39:35. | |
Wadjda, an extraordinary piece of work, the story of a young girl. | :39:36. | :39:41. | |
Martinsville says he, director of The Wolf Of Wall Street, we have | :39:42. | :39:46. | |
already seen its star, Leonardo DiCaprio. -- Martin Scorsese. The | :39:47. | :39:51. | |
three hours with bike, hugely entertaining, but no film needs to | :39:52. | :39:57. | |
be three hours, surely! -- whizzed by. I do not think it is is best | :39:58. | :40:01. | |
work, by any means. My own feeling was that it was rather too long and | :40:02. | :40:05. | |
rather too rumbly and indulgent. However, of the problem that possess | :40:06. | :40:12. | |
the film, of which there are many, Leonardo DiCaprio's performance is | :40:13. | :40:15. | |
not one of them. He is at the top of his game in that movie, playing an | :40:16. | :40:19. | |
absolutely loathsome character, a person you are not meant to | :40:20. | :40:23. | |
sympathise with. I think you need to empathise with him, and I did not at | :40:24. | :40:30. | |
all, and that was a problem for me. But Leonardo DiCaprio throws and | :40:31. | :40:33. | |
salt into the role. You will have heard the stories that Martin | :40:34. | :40:38. | |
Scorsese struggled to get it down to three hours. Really, if 2001 is two | :40:39. | :40:43. | |
and a half hours long, not think needs to be three hours long, | :40:44. | :40:50. | |
really! No! Jonah Hill, I do not think he is nominated here, but he | :40:51. | :40:54. | |
is at the Oscars, he was a very good foil. Leonardo DiCaprio, and | :40:55. | :40:59. | |
absolutely commanding performance, but he works off Jonah Hill | :41:00. | :41:02. | |
extraordinarily well. As I say that, Tom Hanks is arriving, and I think | :41:03. | :41:09. | |
you said... I think it is his best work, Captain Phillips, the best | :41:10. | :41:13. | |
work he has done on screen. His performance is fully rounded, | :41:14. | :41:16. | |
three-dimensional, you completely believe in him as an everyman, which | :41:17. | :41:20. | |
he has to be in order for the story to work. His scenes with Barkhad | :41:21. | :41:29. | |
Abdi are terrific. Paul Greengrass get something completely unexpected | :41:30. | :41:32. | |
out of him at the end of the film, I don't want to give the under way. | :41:33. | :41:35. | |
The work he does in that film, particularly in the final reel... | :41:36. | :41:40. | |
The final scenes are extraordinary. He has been fated with awards around | :41:41. | :41:44. | |
the world, Barkhad Abdi is holding his own with Tom Hanks. I think it | :41:45. | :41:49. | |
is a really challenging role, and he does it wonderfully. It is great to | :41:50. | :41:55. | |
see, you know, great to see him doing that kind of work. As we stay | :41:56. | :42:00. | |
with these pictures of Tom Hanks, people chanting, Tom, Tom I think. | :42:01. | :42:06. | |
We can go back to entertainment correspondent Lizo Mzimba. The | :42:07. | :42:10. | |
producer of Gravity, we just had Alfonso Cuaron a few minutes ago, he | :42:11. | :42:14. | |
was telling me what a challenge it was to get the technology made. How | :42:15. | :42:20. | |
long did it take? Well, it took around four and a half years to get | :42:21. | :42:24. | |
the film made. There was only 60 days of shooting, but it was a long | :42:25. | :42:29. | |
period to actually figure out the technology, how to make it, and | :42:30. | :42:35. | |
persuade people should made. It has been really well loved by | :42:36. | :42:40. | |
audiences, as well as at award shows. Of course, it is a wonderful | :42:41. | :42:44. | |
immersive experience, and I think... Leonardo! Leonardo must be | :42:45. | :42:55. | |
here! Leo! Leo! And immersive experience, so it is something that | :42:56. | :43:02. | |
has to be seen in the cinema, which is great. It is about at adversity | :43:03. | :43:09. | |
and rebirth, and we have all experienced that. Thanks very much | :43:10. | :43:15. | |
for your time. OK, we have just reached the point | :43:16. | :43:20. | |
in the evening where we cannot hear ourselves think or speak or very | :43:21. | :43:24. | |
much else. Leonardo DiCaprio, I think that is who everyone was | :43:25. | :43:27. | |
screaming for. They were screaming for Tom Hanks as well. We train our | :43:28. | :43:32. | |
necks around to the far end of the red carpet, where Lizo was based, | :43:33. | :43:35. | |
and it is fascinating trying to work out who is coming up next based | :43:36. | :43:41. | |
broadly on the decibel level. The chanting you heard, Leo, Leo, Leo, I | :43:42. | :43:48. | |
thought it was a tribute to deck the's Midnight Runners. Showing your | :43:49. | :43:55. | |
age, Mark! Gravity leading the way with 11 nominations, a lot of people | :43:56. | :43:58. | |
involved in that film tonight. As promised, we did mention the rising | :43:59. | :44:04. | |
Star award, something you have an association with. We talked about | :44:05. | :44:08. | |
Lupita Nyong'o, but other interesting names. One of the | :44:09. | :44:13. | |
interesting things about the award, voted for by the public, we have | :44:14. | :44:19. | |
been talking about Chiwetel Ejiofor, one of the first nominees in the | :44:20. | :44:24. | |
first year of this award. This year we have George McCartney, there was | :44:25. | :44:27. | |
a week in which he had three films opening in the same week. -- George | :44:28. | :44:35. | |
McKay. Lupita Nyong'o, obviously, who I think has the edge because she | :44:36. | :44:38. | |
has also been needed for supporting actress. Would you like to... Harvey | :44:39. | :44:44. | |
Weinstein, the mega- producer, just arriving. Not everybody would know | :44:45. | :44:49. | |
who he is, but he's a producer who has more success at awards | :44:50. | :44:55. | |
ceremonies than almost anyone else. He is an extraordinary campaign for | :44:56. | :44:59. | |
awards. If you want your film to win awards, get Harvey Weinstein behind | :45:00. | :45:05. | |
it! Bradley Cooper as well. The most likeable character in American | :45:06. | :45:09. | |
Hustle, that is a fairly low bar! But he was pretty good in it, I | :45:10. | :45:13. | |
thought, and he has worked with David O Russell, the director, a | :45:14. | :45:17. | |
lot, both of them up for awards. I'm trying to work out to be as hugging | :45:18. | :45:22. | |
there. Is it Michael Fassbender? I think it is. I am told it is, | :45:23. | :45:27. | |
someone in my year with bad eyesight is telling me it is Michael | :45:28. | :45:36. | |
Fassbender. -- with better eyesight. A very strong contender in the | :45:37. | :45:44. | |
supporting actor category. And Emma Thompson just arriving. This is the | :45:45. | :45:49. | |
person you would really love to take the best actress category. She is a | :45:50. | :45:55. | |
too rhythmically talented actress and also a writer. What she does is | :45:56. | :46:06. | |
bring that character to life. -- a terrifically talented actress. | :46:07. | :46:16. | |
This film has had such an emotional reaction. What was it like for you | :46:17. | :46:21. | |
to play? It was an extraordinary experience from start to finish. An | :46:22. | :46:28. | |
amazing autobiography and an opportunity to work with Steve | :46:29. | :46:31. | |
McQueen whose films I had seen and loved. It was an amazing jump off | :46:32. | :46:41. | |
point. And a really incredible cast who was so dedicated to telling the | :46:42. | :46:48. | |
story. It was a remarkable experience. And then getting the | :46:49. | :46:51. | |
film out there and the reaction to the film has been incredible. And | :46:52. | :46:59. | |
you have a strong connection with Baxter -- BAFTA, you have one at the | :47:00. | :47:11. | |
Rising Star award and now you are back here. Yes, I'm proud of that | :47:12. | :47:19. | |
connection and we will see what happens. But it is great to be a | :47:20. | :47:25. | |
part of this celebration of film. There are some great films this year | :47:26. | :47:29. | |
and just to be in the mix of that is a bit. Why do you think this | :47:30. | :47:38. | |
particular slice of American history or world history has gone unnoticed | :47:39. | :47:45. | |
by the public for so long? Well, you tend to suspect it is one of those | :47:46. | :47:52. | |
things that people don't necessarily want to look at all the time, yet it | :47:53. | :47:57. | |
is such an important part of where we are and how we got here, which is | :47:58. | :48:03. | |
why it is such a valuable piece of work. The autobiography, like any | :48:04. | :48:13. | |
person's first narrative, should be recognised as an important | :48:14. | :48:18. | |
historical document. I'm glad there was this opportunity to get that | :48:19. | :48:23. | |
back out there. A pleasure speaking to you. Have a great evening. | :48:24. | :48:31. | |
He is delightful and it was interesting that you were reflecting | :48:32. | :48:38. | |
on his Rising Star award. We're just looking at Cate Blanchett arriving. | :48:39. | :48:45. | |
I think she is the person most highly tipped to take best actress | :48:46. | :48:51. | |
for her extraordinary portrayal. I would love to see Chiwetel Ejiofor | :48:52. | :49:01. | |
take the award. I saw him in a play a few years ago and even then he | :49:02. | :49:06. | |
stood out. I thought, who is this fantastic actor? It shines through | :49:07. | :49:13. | |
in that film wastage appeals so bleak. He carries it with such | :49:14. | :49:21. | |
dignity. -- where his future appears. And in between Euston | :49:22. | :49:30. | |
comedy, action, gritty urban dramas. He has demonstrated how he is. Every | :49:31. | :49:37. | |
style, he looks completely at home. When he was first offered the role, | :49:38. | :49:41. | |
he initially turned it down. Yet to be convinced by Steve McQueen to do | :49:42. | :49:45. | |
it. I asked why any said, it was just a role of such import. Such a | :49:46. | :49:55. | |
wait to take on that challenge. -- why and he said. | :49:56. | :50:04. | |
Leonardo DiCaprio is nominated for best actor. Our work -- how hard was | :50:05. | :50:12. | |
it getting into the skin of this obsessive, arrogant actor? I think | :50:13. | :50:20. | |
Martin Scorcese builders set in a way that it was very chaotic. -- | :50:21. | :50:31. | |
built us a set. We were in courage to get into the most hedonistic | :50:32. | :50:45. | |
headset possible. -- encouraged. Does this kind of adulation happen | :50:46. | :50:50. | |
every time you hit the red carpet? No, it doesn't. But I think this | :50:51. | :50:56. | |
film has struck a chord. I'm very proud of it. Ever since 2008 I | :50:57. | :51:00. | |
wanted to make this film is a reaction to what happened in our | :51:01. | :51:06. | |
financial institutions, and people see this world of excess around them | :51:07. | :51:11. | |
and they reacted to it quite well. It is a film that takes a lot of | :51:12. | :51:14. | |
risks as well and I think people appreciate that. You've had two | :51:15. | :51:20. | |
previous nominations, both Martin Scorcese movies. What is it about | :51:21. | :51:24. | |
his movies that bring this out in new? Look, it is very simple. I just | :51:25. | :51:30. | |
wanted to be able to work with him once. I'm so fortunate it has been | :51:31. | :51:38. | |
five films down. The learning curve is just immense, it is almost... It | :51:39. | :51:42. | |
is difficult to put into words how much I've accumulated, knowledge | :51:43. | :51:48. | |
wise, from being able to work with him. He is still so vital at this | :51:49. | :51:55. | |
age. He is still making punk rock movies. This guy really has his | :51:56. | :52:02. | |
finger on the pulse of our culture. He is the heartbeat of American | :52:03. | :52:08. | |
cinema in a lot of ways. We will let you go, have a fun evening. | :52:09. | :52:20. | |
He was asked whether he got this reception a lot and he said he | :52:21. | :52:27. | |
didn't. I'm not sure I believe that. I have to say, this crowd is one of | :52:28. | :52:33. | |
the most excitable. It tells you something about just how dominant | :52:34. | :52:41. | |
the Baptist have become. -- the BAFTAs. We feel quite safe from our | :52:42. | :52:50. | |
vantage point up here. Dame Helen Mirren will be awarded the | :52:51. | :52:56. | |
Fellowship tonight and will be presented that award by Prince | :52:57. | :53:10. | |
William. In terms of Leonardo DiCaprio, Steve Coogan co-wrote | :53:11. | :53:16. | |
Philomena and stars in it alongside Judi Dench... I'm going to hold that | :53:17. | :53:24. | |
thought. Yes, I'm with David O Russell, the | :53:25. | :53:30. | |
writer and director of American Hustle. People have been loving it. | :53:31. | :53:36. | |
Well, we jumped into it right off the back of the film before. This is | :53:37. | :53:43. | |
why we make movies, because we get very inspired over here. When we | :53:44. | :53:46. | |
were here last year we were putting together the cast, so it is a great | :53:47. | :53:54. | |
honour to be back here and it means the world to us, to be honest with | :53:55. | :54:01. | |
you. It encourages us. All four of the main cast are nominated, you | :54:02. | :54:08. | |
must have every Hollywood and British actor and actress desperate | :54:09. | :54:13. | |
to work with you. Well, you still have to work hard. You are only one | :54:14. | :54:19. | |
movie away from failing at any time. I love to write for each actor, to | :54:20. | :54:25. | |
create a roll and get them to take the risk. Christian bale as you've | :54:26. | :54:40. | |
never seen him before. -- Bale. Mark, what do you think? Christian | :54:41. | :54:56. | |
Bale really transforms himself for every role but right at the | :54:57. | :55:00. | |
beginning of this movie we see him putting on his hair with appliances | :55:01. | :55:04. | |
and blue. In a way, it establishes what you need to know about his | :55:05. | :55:13. | |
character. -- and glue. And of course Christian Bale is known for | :55:14. | :55:18. | |
immersing himself in a roll. Some actors would have been too vain to | :55:19. | :55:26. | |
do that opening scene, but not him. A man who needs no introduction. You | :55:27. | :55:31. | |
are a triple nominee, Best adapted screenplay, Best film and | :55:32. | :55:42. | |
Outstanding British Film. And Dame Judi is up for best actress. Are you | :55:43. | :55:47. | |
surprised by how well Philomena has gone down? Yes, the scale of it. We | :55:48. | :55:55. | |
knew it was a good film but we didn't think it would get this | :55:56. | :55:58. | |
traction. It is doing well in America and that was something it -- | :55:59. | :56:05. | |
we never anticipated. We thought it would be a good film, but not this | :56:06. | :56:10. | |
commercially successful. It's great. You must be delighted to see BAFTA | :56:11. | :56:25. | |
honouring it like this. Yes, British films never get the budgets of | :56:26. | :56:33. | |
American films. But we had really classy people involved, world-class | :56:34. | :56:41. | |
people making the film. They weren't greedy about money, so we got it | :56:42. | :56:45. | |
made. What is it like working with Dame Judi Dench? It's funny, I look | :56:46. | :56:53. | |
at the poster and I go, wow, I made a film with Judi Dench! She is very | :56:54. | :57:01. | |
down to earth, not pressures. Really wonderful company. I sort of went on | :57:02. | :57:08. | |
my own little road trip with her. -- not precious. | :57:09. | :57:17. | |
And there is Bruce Dern. I have not seen his performance but you really | :57:18. | :57:21. | |
rated it. I think he is one of the greatest actors of our generation. | :57:22. | :57:30. | |
He played villains for a lot of his films and in Nebraska he plays a | :57:31. | :57:36. | |
part which is tender and somehow vulnerable. I think he does it | :57:37. | :57:41. | |
brilliantly. He became toast of the town when it played at the film | :57:42. | :57:50. | |
festival. How great is it that someone with this history has been | :57:51. | :57:53. | |
recognised around the world for Nebraska? It is a funny, insightful | :57:54. | :57:58. | |
movie, absolutely held together by Bruce Dern. I am completely | :57:59. | :58:04. | |
starstruck by him. Great to see him here and it looked like he was | :58:05. | :58:10. | |
signing autographs. Mark, we have to let you go because you are a member | :58:11. | :58:17. | |
of BAFTA. Before you leave us, I have to ask for your predictions. | :58:18. | :58:22. | |
Well, it is foolish to do it. Best film, 12 Years A Slave. Best actor, | :58:23. | :58:35. | |
duet eligible. Best actress, I'm still Kate Blanchett. -- Cate. Thank | :58:36. | :58:51. | |
you very much indeed for being with us as we continue to be drowned out | :58:52. | :58:59. | |
here. I'm with Michael Fassbender, one of | :59:00. | :59:04. | |
the stars of 12 Years A Slave. What was it like to make this harrowing, | :59:05. | :59:10. | |
intense movie? There was a lot of responsibility that I felt, just | :59:11. | :59:17. | |
because of the subject matter. When I got the script of Steve I'd never | :59:18. | :59:25. | |
heard of Solomon before. -- off Steve. As soon as I read the script | :59:26. | :59:32. | |
I knew it was going to be an important piece. You have a long and | :59:33. | :59:35. | |
successful working relationship with Steve McQueen. Yes, he is an artist. | :59:36. | :59:44. | |
He has a great understanding of people, use a great leader onset. -- | :59:45. | :59:55. | |
he is a great leader on set. He allows you space to explore things | :59:56. | :00:00. | |
and fail and that's OK. It's always a challenging experience. As an | :00:01. | :00:06. | |
actor, how much responsibility do you feel playing a part like this? A | :00:07. | :00:14. | |
lot. There is a lot of responsibility because it is real | :00:15. | :00:22. | |
history and a real hero. Every time I was doing my homework I kept that | :00:23. | :00:23. | |
in mind. That was Michael Fassbender. This is | :00:24. | :00:35. | |
Christian Bale. He has been going for some time. A Lord of the very | :00:36. | :00:42. | |
big stars are often very generous with their time here at the BAFTAs. | :00:43. | :00:52. | |
People are often asking if they can have their photograph taken with | :00:53. | :00:56. | |
them. Christian Bale is one of the lead actors in American Hustle. Amy | :00:57. | :01:03. | |
Adams is his co-star. She appears to be in every American film at the | :01:04. | :01:07. | |
moment. She is the darling of American cinema along with Jennifer | :01:08. | :01:15. | |
Lawrence. Another very strong performance from Amy Adams. She is | :01:16. | :01:20. | |
nominated alongside Kate Blanchette or Blue Jasmine. We will find out in | :01:21. | :01:39. | |
the next couple of hours. Christian Bale is up against Chiwetel Ejiofor | :01:40. | :01:49. | |
in 12 Years A Slave. We can see Paul Greengrass who is the director of | :01:50. | :01:57. | |
Captain Phillips. That is the story of an American ship which was | :01:58. | :02:02. | |
ordered by pirates from Somalia. That was a true story. An | :02:03. | :02:08. | |
extraordinarily tense film to watch. It is extremely well made. Very good | :02:09. | :02:18. | |
performances from all of the cast. Mark Kermode rates Paul Greengrass | :02:19. | :02:26. | |
very highly indeed. We are usually by this stage in the evening | :02:27. | :02:31. | |
somewhat deafened by all of the noise. As Leonardo DiCaprio went | :02:32. | :02:35. | |
behind us on the red carpet, a few of us lost part of an eardrum! There | :02:36. | :02:42. | |
was a huge amount of screaming for him. He plays the lead role in the | :02:43. | :02:48. | |
film by Martin Scorsese the wealth of Wall Street. -- the wealth of | :02:49. | :02:57. | |
Wall Street. Ron Howard, the director, posing for photographs. | :02:58. | :03:02. | |
That is very close to the entrance of the Royal Opera House. Everyone | :03:03. | :03:07. | |
is going inside to prepare for the ceremony. We can go back to Lizo | :03:08. | :03:12. | |
Mzimba. I am joined by Bradley Cooper! It was a fallen film to | :03:13. | :03:23. | |
make? It was a lot of work. It was a beautiful script. I am stunned by | :03:24. | :03:35. | |
your star quality! It was an amazing experience. I was very excited about | :03:36. | :03:42. | |
working with Christian Bale. I am at huge fan of his and to be able to | :03:43. | :03:47. | |
work with him, it was amazing. It must have been fun to work with | :03:48. | :03:52. | |
Jennifer Lawrence again. We did not have any scenes together, so it was | :03:53. | :03:57. | |
mainly with Amy Adams and Jeremy Renner. People talked about that | :03:58. | :04:05. | |
amazing here you had. Yes, the curly hair. What was it like to be working | :04:06. | :04:14. | |
with David O Russell? It is rare that you get to work with the people | :04:15. | :04:20. | |
you love and with friends. But he is a great director and a writer. I | :04:21. | :04:27. | |
love that we happened to be working together and we had such a great | :04:28. | :04:29. | |
bond and we could bring that to light. The BAFTAs matter the | :04:30. | :04:37. | |
Americans? Yes, Steve Coogan and Michael Fassbender, it is absolutely | :04:38. | :04:42. | |
awesome. Thank you. Radley Cooper. And here are two | :04:43. | :04:48. | |
people that I do not need to name. Brad Pitt and Angelina Jolie. Given | :04:49. | :04:55. | |
that we are looking at the back of his head, I better mention here he | :04:56. | :05:00. | |
is. He plays a sympathetic character in 12 Years A Slave. He was one of | :05:01. | :05:06. | |
the producers of that film. Money came from an awful lot of different | :05:07. | :05:10. | |
sources to make that movie. He was one of the producers. We were | :05:11. | :05:16. | |
talking about being drowned out by the screams were Leonardo DiCaprio. | :05:17. | :05:21. | |
It will not come as a surprise that the same is happening now for Brad | :05:22. | :05:27. | |
Pitt. -- the screams for Leonardo DiCaprio. Brad Pitt is playing one | :05:28. | :05:35. | |
of the few sympathetic white characters in 12 Years A Slave that. | :05:36. | :05:40. | |
He listens to the story of Soloman Northup. He believes him when he | :05:41. | :05:47. | |
explains that he used to be a free man and that he was kidnapped and | :05:48. | :05:52. | |
taken into slavery. It is with the assistance of his character that he | :05:53. | :05:58. | |
finally, after 12 years, he is returned to his family and freedom. | :05:59. | :06:03. | |
There he is with his wife. They are signing autographs. All of the | :06:04. | :06:12. | |
camera flashes going off. He is not nominated for his role in that film. | :06:13. | :06:17. | |
But he is here in his role as the producer of the film. Lizo Mzimba | :06:18. | :06:24. | |
was talking to Bradley Cooper. Bradley Cooper is nominated for his | :06:25. | :06:30. | |
performance in American Hustle. Just to explain, Bradley Cooper has quite | :06:31. | :06:33. | |
a poem in that film. It is quite something. We can go back to Lizo | :06:34. | :06:39. | |
Mzimba. I am with someone who needs no introduction. Jane Judi Dench, | :06:40. | :06:46. | |
your record 50th bass -- BAFTA nomination. How does that feel. | :06:47. | :06:53. | |
Until you said, did not know. But thank you for reminding me. You have | :06:54. | :06:58. | |
an incredible career. What has it meant to you as an actress? It means | :06:59. | :07:03. | |
I have in going on for a very long time. I am absolutely appalled at | :07:04. | :07:13. | |
how old is she be. I am so thrilled. Of course the role as Philomena, it | :07:14. | :07:20. | |
was an incredible story. She will be here in a minute. The real thing. | :07:21. | :07:26. | |
What was it like playing her on-screen. Do you feel an enormous | :07:27. | :07:31. | |
responsibility? Of course you do. When it is someone who is alive and | :07:32. | :07:36. | |
breathing and standing beside you, I was nervous. But it was absolutely | :07:37. | :07:42. | |
wonderful to meet her and to get to know her. What was it like working | :07:43. | :07:48. | |
with Steve Coogan? He is just something else. He fell into | :07:49. | :07:55. | |
everything very, very easily. The straight acting and stand-up acting, | :07:56. | :08:02. | |
put me in a room with a lot of people and ask me to tell a joke and | :08:03. | :08:07. | |
I would just die. Thank you so much for talking to us. Enjoy the show. | :08:08. | :08:13. | |
Damon Judi Dench. Will she take the Best Actress category? -- Dane Judi | :08:14. | :08:31. | |
Dench. Thinking about Judi Dench, so many lovely stories told about her | :08:32. | :08:40. | |
performance. She is very open about having difficulties with her | :08:41. | :08:44. | |
eyesight. So many people who worked on the film telling stories about | :08:45. | :08:49. | |
how every single day, she turned up on set absolutely WordPerfect, never | :08:50. | :08:54. | |
ever letting any of her slight difficulties get in the way of her | :08:55. | :08:58. | |
professionalism as an actress. Everyone speaks with enormous | :08:59. | :09:01. | |
affection about her role in that film. Steve Coogan had the idea for | :09:02. | :09:08. | |
making that film. It was a book written by Martin sixsmith. It was a | :09:09. | :09:15. | |
newspaper article about that book and then Steve Coogan read that | :09:16. | :09:19. | |
article, he thought it sounded like it would make a good film and it | :09:20. | :09:23. | |
did. Tonight it is nominated in a BAFTA category. It is nominated | :09:24. | :09:29. | |
alongside Gravity and a number of others. Let's go back to Lizo | :09:30. | :09:42. | |
Mzimba. Thank you. I am joined by Dame Helen Mirren. I do. Isn't that | :09:43. | :09:53. | |
great? It is a great way to come to an awards ceremony. Knowing that you | :09:54. | :09:56. | |
are not going to win and knowing that you are going to win and that | :09:57. | :10:01. | |
is fantastic! Tonight is the only night I have ever done that. What | :10:02. | :10:05. | |
went through your head when they said they were giving you the | :10:06. | :10:11. | |
ultimate accolade? I said, all my goodness, am I that grown-up? I was | :10:12. | :10:19. | |
very, very pleased and flattered. I was absolutely thrilled and | :10:20. | :10:23. | |
honoured. I take it very, very seriously. Especially in this world, | :10:24. | :10:29. | |
the world of cinema. I started off working in the theatre. To be | :10:30. | :10:35. | |
recognised for a lifetime of work in film, that is incredible. People | :10:36. | :10:42. | |
have been talking up out your comments in the last 24 hours. I did | :10:43. | :10:48. | |
not ring that up but it was in response to a question. -- I did not | :10:49. | :10:59. | |
bring that up. I think, I honestly do not know enough because I have | :11:00. | :11:02. | |
not watched another television recently to know what the issue is. | :11:03. | :11:07. | |
Finally, have you met the Duke of Cambridge? Nope. I have not met him | :11:08. | :11:27. | |
before so that will be wonderful. What will it be like meeting him? I | :11:28. | :11:41. | |
did not completely blew it when I played his grandmother! I could not | :11:42. | :11:49. | |
hear Dame Helen Mirren because everyone was screaming for Brad | :11:50. | :11:53. | |
Pitt. I guess that even Dame Helen Mirren will understand that. We can | :11:54. | :11:58. | |
see them at Thomson and her husband Greg Wise before they go into the | :11:59. | :12:05. | |
opera house. She is nominated for Best Actress in Saving Mr. Banks. | :12:06. | :12:11. | |
There is Brad Pitt and Angelina Jolie. I thought they had stopped | :12:12. | :12:15. | |
signing autographs but they are signing lots more. They are still | :12:16. | :12:20. | |
some way I'm actually entering into the Royal Opera House. -- before | :12:21. | :12:31. | |
actually. There are very strict timing is around the schedule | :12:32. | :12:35. | |
tonight. We were hearing from Dame Helen Mirren and her fellowship | :12:36. | :12:42. | |
award, that will be given by Prince Wiliam, the Duke of Cambridge. That | :12:43. | :12:47. | |
is making timing is even more strict than they usually are. Prince | :12:48. | :12:54. | |
Wiliam, of course, has an association with BAFTA. It is not | :12:55. | :13:00. | |
the first time that he has come to the awards ceremony. It is the worst | :13:01. | :13:04. | |
time that he will actually have walked up the red carpet. There is | :13:05. | :13:08. | |
considerable excitement here about that. I had stopped talking on the | :13:09. | :13:35. | |
grounds that I am not sure anyone can hear me and I certainly cannot | :13:36. | :13:39. | |
hear myself. Angelina Jolie just straightening the bow tie up rapid. | :13:40. | :13:47. | |
There is Oprah Winfrey. She is nominated for her role in The | :13:48. | :13:52. | |
Butler. That is in the Best Supporting Actress category. That is | :13:53. | :13:59. | |
alongside Sally Hawkins who stars in Blue Jasmine. I had not spotted | :14:00. | :14:06. | |
Sally Hawkins yet. But she is the to be here. Damon Judi Dench is behind | :14:07. | :14:20. | |
me. Michael Fassbender. -- Street and in the bow tie of her partner | :14:21. | :14:28. | |
Brad Pitt. Dame Helen Mirren receiving the BAFTA Fellowship | :14:29. | :14:36. | |
award. The BAFTA awards have been running for a number of years but it | :14:37. | :14:41. | |
is in the last few years that they have taken on this added stature, I | :14:42. | :14:46. | |
think. That is reflected in the number of really big names that we | :14:47. | :14:51. | |
are seeing here on the red carpet outside the Royal Opera House in | :14:52. | :14:58. | |
Covent Garden tonight. Many members of the public have queued up to see | :14:59. | :15:02. | |
people arriving. This year, I felt that we have seen more members of | :15:03. | :15:05. | |
the public than ever, despite some really bad weather. Stanley Tucci, | :15:06. | :15:12. | |
the actor, is presenting an award tonight. He is greeting some fellow | :15:13. | :15:20. | |
actors, Bradley Cooper, among them. Worth remembering that the Oscar | :15:21. | :15:27. | |
voting opened earlier in the week. Those people who have the ability to | :15:28. | :15:32. | |
vote in the Oscars, they may well be watching tonight. Perhaps they have | :15:33. | :15:38. | |
not made up their mind. Perhaps it might influence them? that is why | :15:39. | :15:49. | |
the BAFTAs are growing in importance. So in the next couple of | :15:50. | :15:58. | |
hours we will know where the plaudits have gone. Find out later | :15:59. | :16:19. | |
on BBC News. Oprah posing for the last few | :16:20. | :16:26. | |
photographs, nominated alongside Sally Hawkins. Steve Coogan is | :16:27. | :16:36. | |
there, nominated for three things. He could take the best film or Best | :16:37. | :16:43. | |
British film. And he also co-wrote that, and they are nominated for | :16:44. | :16:54. | |
best screenplay, as is Jane -- Dame Judi Dench, nominated for the title | :16:55. | :17:03. | |
role of Philomena. Dame Helen Mirren telling us earlier how lovely it was | :17:04. | :17:07. | |
not to be short listed and to turn up knowing that you are going to be | :17:08. | :17:18. | |
receiving an award. She said she would be keeping a speech barely | :17:19. | :17:23. | |
short because it is near the end of the evening and people will be | :17:24. | :17:29. | |
thinking about going home. Lots of demand for her photograph here. No | :17:30. | :17:37. | |
surprise, a long career in film and television as well, of course, over | :17:38. | :17:48. | |
many years. Notably in Prime Suspect, perhaps what she is best | :17:49. | :17:52. | |
known for in the UK. She will be presented with her award by Prince | :17:53. | :17:59. | |
William. The screens surge as he is driven towards the Royal Opera house | :18:00. | :18:13. | |
tonight. -- screams surge. He is greeted at the bottom of the red | :18:14. | :18:26. | |
carpet. A huge point of screams. We did know he was coming on his own | :18:27. | :18:31. | |
tonight. Perhaps a slight element of disappointment to some in the crowd | :18:32. | :18:35. | |
about that, but nonetheless enormous excitement he will be presenting the | :18:36. | :18:40. | |
Fellowship award to Helen Mirren at the end of this evening's ceremony. | :18:41. | :18:50. | |
This ceremony tonight as ever is presented by Stephen Fry. We saw him | :18:51. | :18:56. | |
arrived about half an hour ago. -- him arrive. Lots of smiles and | :18:57. | :19:17. | |
camera phones. This is quite a strange sight because usually at | :19:18. | :19:20. | |
this point in the evening there are still do people behind us on the red | :19:21. | :19:28. | |
carpet giving interviews and signing autographs. Quite different now that | :19:29. | :19:38. | |
Prince William is here. He is talking to a man in the crowd that I | :19:39. | :19:44. | |
was talking to earlier, one of the men who said he'd been queueing up | :19:45. | :19:50. | |
since Saturday morning, determined to see a host of people, including | :19:51. | :19:56. | |
Prince William. They had stayed overnight and said they were let on | :19:57. | :19:59. | |
to the end of the red carpet at about 1pm this afternoon, so they | :20:00. | :20:03. | |
had to basically camp out in the very cold, wet London weather. That | :20:04. | :20:12. | |
is determination. Prince William of course was at the | :20:13. | :20:52. | |
premiere of Long Walk To Freedom, the film about Nelson Mandela. That | :20:53. | :20:59. | |
Premier turned out to be on the evening that he died, and Prince | :21:00. | :21:05. | |
William made if you moving comments at the end of that film. Idris Elba | :21:06. | :21:15. | |
of course was playing Nelson Mandela. -- made a few moving | :21:16. | :21:38. | |
comments. Very slow progress up the red carpet even for loyalty -- | :21:39. | :21:45. | |
royalty. He is being very attentive and speaking to many people before | :21:46. | :21:48. | |
he will doubtless be ushered away so that this evening's ceremony can | :21:49. | :22:02. | |
begin. To remind you, if you haven't seen all our coverage this evening, | :22:03. | :22:11. | |
a really remarkable turnout from a lot of British talent and American | :22:12. | :22:21. | |
stars as well. Tom Hanks, Leonardo DiCaprio, Brad Pitt and Angelina | :22:22. | :22:25. | |
Jolie, Amy Adams, Bradley Cooper, Christian Bale, so many very big | :22:26. | :22:32. | |
names now making the effort to fly above from the states to try to make | :22:33. | :22:43. | |
a good impression. -- to fly over from the States. If they can pick up | :22:44. | :22:49. | |
an award and get their photograph taken, there is a sense it will | :22:50. | :22:52. | |
boost their chances for the Oscars next month in Los Angeles will stop | :22:53. | :23:06. | |
-- in Los Angeles. A futures for Prince William as he makes his up | :23:07. | :23:18. | |
the red carpet. -- a few cheers. With Amanda Berry from BAFTA. And | :23:19. | :23:27. | |
even the many members of the press behind me on the podium here are | :23:28. | :23:34. | |
keen to take photographs of the Prince as he enters the Opera house. | :23:35. | :23:38. | |
The ceremony is due to begin in the next half-hour or so, hosted by Fry. | :23:39. | :23:48. | |
Then we will find out who is winning the coveted awards this evening. We | :23:49. | :23:53. | |
will of course bring you all the results as they come through. We | :23:54. | :24:02. | |
will have a sneak preview in a usual position inside the Royal Opera | :24:03. | :24:06. | |
house later this evening and we will bring you all the results as they | :24:07. | :24:17. | |
happen. Will you be Gravity, will it be 12 Years A Slave, directed by | :24:18. | :24:26. | |
Steve McQueen? Will it be American Hustle? Find out here on BBC news | :24:27. | :24:39. | |
over the course of the evening. As well as all the Bacton News, 16 | :24:40. | :24:46. | |
flood warnings | :24:47. | :24:47. |